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Speaker 1: I am all in again. Oh let's you y'll more

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Speaker 1: Girls Gazette with Amy Sugarman and Danielle Romo, an iHeartRadio podcast.

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Speaker 2: It's time for your weekly dose of Bunheads.

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Speaker 1: How are you feeling about it?

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Speaker 2: I really liked the last year, so this one it

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Speaker 2: was good. It was good, way better than the beginning ten. Yeah,

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Speaker 2: just not as good as the last three were.

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Speaker 1: Really seeah, I disagree. I actually I actually think we're

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Speaker 1: like firing on all cylinders, as they say, all right,

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Speaker 1: but I have a question for you. I think, Okay,

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Speaker 1: am I dumb and just not artistic? Is there more

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Speaker 1: to the dances at the end? Because they kind of

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Speaker 1: keep putting that in these sort of performances. Then like

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Speaker 1: I'm getting like, I understand, okay, Sasha's dealing with like

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Speaker 1: a tough situation, so that's why she's doing the dance.

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Speaker 1: But I'm like, is there am I supposed to be

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Speaker 1: getting like deep meaning from this?

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Speaker 2: Well? I think the meaning was paired with the music

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Speaker 2: of that last and Jackie and Emma please pull up

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Speaker 2: the lyric it was it was the song was about

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Speaker 2: it being in tough times. I just I can't get

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Speaker 2: the exact words of it in my head right now

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Speaker 2: and recall it. But I think the music is depicting

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Speaker 2: the time or what Sasha is feeling, because we don't

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Speaker 2: always get that from her words. So I think it's

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Speaker 2: like her way, or rather Amy Sherman Palladino's way. Oh

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Speaker 2: she didn't write this one.

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Speaker 1: Well their way, yeah, sure, sure that the writers are

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Speaker 1: still writing in.

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Speaker 2: Her Yeah, their way of communicating what Sasha's feeling inside.

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Speaker 2: I like that.

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Speaker 1: Okay, that's the I can get that out of it.

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Speaker 1: It's there's a lot to those dances that I'm like,

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Speaker 1: is this over my head? Like I am, I just

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Speaker 1: not savvy enough to fully get it.

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Speaker 2: Yeah, I understand that. I think the reason why I

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Speaker 2: like it is what I just said. But also it

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Speaker 2: is bun heads and this this episode didn't really have

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Speaker 2: that much dance in it.

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Speaker 1: Do you sort of like get up though? When the

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Speaker 1: dancing starts, You're like.

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Speaker 2: I definitely am not like I need to watch this.

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Speaker 2: I'm like, okay, I could kind of maybe look at

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Speaker 2: an email during this.

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Speaker 1: Right, I'm like, okay, I get up and brush my

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Speaker 1: teeth now, Okay, so little tidbit. This is directed by

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Speaker 1: Jackson Douglas which is our jackson from Gilmore Girls.

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Speaker 2: This episode that we're talking about, season one, episode thirteen,

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Speaker 2: I'll be Your Meyer Lanski, Michelle and Fanny struggle with

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Speaker 2: financial troubles while the girls remain activated by the new students. Meanwhile,

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Speaker 2: Sasha's move continues to affect.

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Speaker 1: Her two pop culture questions that they may need to

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Speaker 1: look up for us. Who is Meyer Lansky? And number two?

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Speaker 1: There's a moment when the uh accountant calls them who'sy

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Speaker 1: and Doozy?

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Speaker 2: Oh?

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Speaker 1: Yes, and then she says, I don't really appreciate the

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Speaker 1: appreciate the who'sy and Doozy? Reference? Who were those two people?

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Speaker 1: And who were those two people?

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Speaker 2: Darn, You're like, I know exactly what you're talking about,

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Speaker 2: what I'm talking about, but you're trying to see if

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Speaker 2: it's in my notes.

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Speaker 1: I do not think Jackie says meyer Lansky is a

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Speaker 1: mob boss account my boss? What accountant?

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Speaker 2: Accountant? Accountant?

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Speaker 1: Okay, okay, sure, sure, sure, sure, but those two you know,

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Speaker 1: Chip and Dale. But it wasn't that.

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Speaker 2: No, it's not like Thelma Louis.

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Speaker 1: See if somebody can look it up. While we talk

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Speaker 1: about the rest of the episode, Also, where was Boo

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Speaker 1: I know Boo.

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Speaker 2: Okay, you're you stand Boo so hard.

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Speaker 1: I was okay to have her break. Here's the thing

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Speaker 1: I prefer Ginny. I really like it.

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Speaker 2: I really like Ginny.

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Speaker 1: How about Melanie just being so violent just one teking

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Speaker 1: when she pulled that girl's ponytail. I was like, what,

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Speaker 1: I have loved it.

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Speaker 2: I know I'm not trying to condone violence here, but

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Speaker 2: I thought it was.

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Speaker 1: It made me get it too. And then she just

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Speaker 1: knocks the door right out of his chairs, like what

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Speaker 1: is happening? That was aggressive?

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Speaker 2: Oh my god, it was so aggressive and so unexpected,

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Speaker 2: like and.

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Speaker 1: I do love that those two people are so popular

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Speaker 1: and the girls are like how did this happen?

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Speaker 2: And yeah, And the thing is is those they don't

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Speaker 2: even talk.

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Speaker 1: Which is like the most.

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Speaker 2: Ironic part, Like they don't even say any words.

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Speaker 1: That girl is super cool though. That plays with coset.

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Speaker 1: I feel like I know her from something and I'm like,

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Speaker 1: why do I know her? Also, I actually felt bad

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Speaker 1: for Charlie getting dumped, even though Charlie's kind of a

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Speaker 1: pain in the ass. Yeah, I felt bad for him.

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Speaker 2: Everyone needs a taste of their own medicine sometimes.

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Speaker 1: I mean, I guess so the same we've got this.

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Speaker 1: We're back with the same financial advisor that we were

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Speaker 1: with before, and they're just trying to figure out how

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Speaker 1: to make money. Yeah, which seems to be like a

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Speaker 1: recurring thing. I don't know why we're not just like

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Speaker 1: selling part of the land.

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Speaker 2: I know, I'm like, why are.

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Speaker 1: We not just selling part of it?

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Speaker 2: I completely agree with you. You don't even know half

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Speaker 2: the land you have.

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Speaker 1: Crazy. I also love that they're going into business with Paris.

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Speaker 1: I do too, Like that makes my whole too, because

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Speaker 1: she's pretty pretty legit in this. She looks cool. It's

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Speaker 1: like she's cool. I like that she's truly sister. That

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Speaker 1: whole thing the trivia night that was funny, Rose was great.

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Speaker 1: I like Thatly and her sister have so much animosity.

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Speaker 2: They couldn't be the exact opposite. And I did like

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Speaker 2: the it's kind of people are gonna be mad at

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Speaker 2: me for saying this, but I do kind of like

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Speaker 2: the payoff that Sparkles was named after her cat that

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Speaker 2: she put down.

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Speaker 1: Oh my gosh, and that like truly just keeps setting

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Speaker 1: up Sparkles like everywhere.

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Speaker 2: Else I know, I know, but I love how this

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Speaker 2: character is so like Paris but different at the same time.

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Speaker 1: Yes, but there's definitely.

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Speaker 2: Paris in this. Yeah, so much Paris.

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Speaker 1: How could you not? I mean, how could you not?

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Speaker 1: I know she does, does she?

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Speaker 2: I don't really know much about Licen's career.

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Speaker 1: She's in How to get Away with Murder? Was a

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Speaker 1: Shonda Rhymes m soft. I I wouldn't call her soft

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Speaker 1: in How to get Away with Murder. She's edgy, but

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Speaker 1: I don't mean edgy like fashion forward edgy. She's gotten

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Speaker 1: edge to her. You know, she played in Scandal, So

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Speaker 1: I don't know if you remember this, but in the

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Speaker 1: very first couple episodes of Scandal, there is a young

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Speaker 1: woman I think it's sort of a La Monica Lewinsky

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Speaker 1: that has a relationship with the president, and that is

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Speaker 1: played by Liza While and she's a bit softer in that,

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Speaker 1: but still with sort of a sharp edge. And she's

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Speaker 1: murdered murdered, oh wow, murdered by if I'm remembering, not

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Speaker 1: by the chief of staff. But he gets somebody to

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Speaker 1: murder her, which ends up being sort of this kind

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Speaker 1: of hired bad guy, and they end up working with

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Speaker 1: him quite a bit. And another character, actually even I

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Speaker 1: think Mary's him or has a baby with him. But anyway,

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Speaker 1: Liza Whyles in the first few episodes. She's very important

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Speaker 1: in the first like season of Scandal.

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Speaker 2: I never really I no, I watched a few episodes

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Speaker 2: of Scandal, but I think it was too young at

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Speaker 2: the time.

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Speaker 1: You like it. I'm rewatching it, and I think you

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Speaker 1: would like it. She's a bit of a tough cookie,

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Speaker 1: but with a real softer side a little bit.

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Speaker 2: I want to see her be like a hippie and

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Speaker 2: like a I.

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Speaker 1: Just don't know that I can see it. I keep

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Speaker 1: seeing Paris.

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Speaker 2: I want to see her do something just so different.

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Speaker 1: And then she was a major character in How to

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Speaker 1: Get Away with Murder? If I remember with Viola Davis

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Speaker 1: another Shonda Rhymes, she kind of only works with Shonda

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Speaker 1: Rhymes or Amy Sherman Palladino.

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Speaker 2: Not a bad sandwich to be in the middle of.

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Speaker 1: Good Shonda Rhymes has a new show coming that I'm

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Speaker 1: excited about that I can't think of what it's called

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Speaker 1: right now, but we'll save that for our Gilmore Girls headlines.

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Speaker 1: Any Way, the candle shop that's randomly on their land,

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Speaker 1: and then she steals the candles that whole thing was

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Speaker 1: just so far fetched and crazy.

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Speaker 2: Yeah, and also like who's profiting, Like who who's selling

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Speaker 2: or not selling that land but renting out that land

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Speaker 2: that isn't theirs.

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Speaker 1: And also it's an obscure piece of property and the

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Speaker 1: guy's selling enough candles to make a profit.

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Speaker 2: No, that's a.

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Speaker 1: Bun heads he crazy but.

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Speaker 2: Okay in a small small town where there's like five people. Oh,

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Speaker 2: the new Shonda Rhymes show is called The Residents. I

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Speaker 2: think we covered that in the last in the last headlines.

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Speaker 1: Remember that one. I'm excited about that one. Lots of

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Speaker 1: sort of a young girl stuff. You know, they're kind

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Speaker 1: of obsessed with Cosette, blah blah blah whatever. There's kind

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Speaker 1: of bits with Michelle and Fanny trying to fig out

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Speaker 1: there money and Michelle going back to the loane guy.

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Speaker 1: There's not a lot of meat here. It's basically the

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Speaker 1: no money stuff, Sasha stuff, Cosette, the new girl stuff,

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Speaker 1: and then Liza Wiles's character doing stuff with truly, and

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Speaker 1: I feel like there's one more storyline.

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Speaker 2: Well, we need to talk about Michelle and Gadoh and

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Speaker 2: that whole minor change that literally made me want to

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Speaker 2: hide under it a rock.

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Speaker 1: It made me just so secondhand embarrassment, cringe tastic, whatever

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Speaker 1: the word is. So basically, you guys, if you haven't

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Speaker 1: been watching she er, she's gonna do like a toast

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Speaker 1: with Goodo and because she finds out she didn't graduate

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Speaker 1: high school, which is also so stupid, but whatever, and

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Speaker 1: she does a toast and she says to us, both.

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Speaker 2: Being dumb and you do not say that and hope

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Speaker 2: for the other person to take it lightly, what is

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Speaker 2: wrong with her?

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Speaker 1: Let a load on your interest? So crazy? And then

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Speaker 1: he's like immediately like okay, Michelle, Like he basically was

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Speaker 1: just like yeah. He throws the drink behind his arm,

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Speaker 1: and he's like got a PhD or masters. He's obviously

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Speaker 1: like so smart. She should be lucky to be with GOODO.

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Speaker 2: Come on, that was Michelle. You really really really just

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Speaker 2: put that relationship potential relationship in the oyster bar garbage.

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Speaker 1: I try to have a little understanding for people that

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Speaker 1: say dumb stuff, because haven't you ever been in a

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Speaker 1: situation where somebody just says something so dumb but you're like,

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Speaker 1: I know you didn't mean it, so I'm just gonna

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Speaker 1: move on from it. Yeah, people say dumb stuff all

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Speaker 1: the time, and I'm sure so do we. I mean,

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Speaker 1: trust we say dumb stuff on this.

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Speaker 2: Thing all the time.

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Speaker 1: So but that was it was pretty next level dumb.

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Speaker 1: It was a pretty dumb.

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Speaker 2: Yeah. But the payoff is Michelle sits down with Milly

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Speaker 2: and she wants to sell Milly some of the land,

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Speaker 2: and she that amazing, amazing idea of wanting to build

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Speaker 2: an amphitheater so that they can do their dance performances

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Speaker 2: out there. And yeah, the YadA YadA, and Milly jumps

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Speaker 2: on the amphitheater idea and wants to partner even though Michelle.

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Speaker 1: Which I think she's smart, I think Milly's smart because

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Speaker 1: I do think the amphitheater is actually a good idea.

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Speaker 2: Well, it's one of those things in a small town

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Speaker 2: like that, you everyone wants something to do, right, and

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Speaker 2: so this is like another place that there can have

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Speaker 2: they can have all those small town festivities at.

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Speaker 1: Tons of use for it. And I actually liked the

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Speaker 1: interchange between Michelle and Truly talking about friendship. You know,

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Speaker 1: I thought, Okay, I'm into that, Like that was good. Yeah,

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Speaker 1: and then we get to the craziest part of the

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Speaker 1: whole thing. Sasha at a house. I'm sorry, what mother?

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Speaker 1: Excuse me? What? Mother? First of all, I understand if

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Speaker 1: you have a teenager, that's like basically they're probably juniors

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Speaker 1: or seniors or whatever they are. You say you want

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Speaker 1: to live with your mom or your dad. That's fine.

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Speaker 1: The kid can totally choose. I have no problem. Nobody

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Speaker 1: just abandons their kid. Okay, fine, here's the keys. You

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Speaker 1: got two weeks till the house is gone.

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Speaker 2: What I know. But also the one thing that irked

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Speaker 2: me even more than that is when Sasha was saying,

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Speaker 2: I was gone at Godford for three weeks and you

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Speaker 2: didn't even notice when I came back, and the mom

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Speaker 2: was like, you didn't tell me you came back, So

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Speaker 2: that's on you. No, no, no, no, no.

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Speaker 1: That mom is crazy crazy.

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Speaker 2: The fact that you don't know where your kid is

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Speaker 2: is a problem.

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Speaker 1: No, it's like Michelle and then I do. I do

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Speaker 1: like the scene of Michelle sort of saying, we're gonna

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Speaker 1: figure this out, obviously, like Michelle needs to. I mean,

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Speaker 1: Sasha's gonna move in with Michelle or move in with

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Speaker 1: Fanny or something. But what mother just goes, okay, bye,

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Speaker 1: peace out?

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Speaker 2: What mom? That I don't know?

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Speaker 1: That was so weird.

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Speaker 2: That was that was so weird. But also, where's the dad?

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Speaker 2: Why is the dad not even saying anything? Like I

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Speaker 2: don't like any of it. You have two parents and

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Speaker 2: they both that's why Sasha is the way she is totally,

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Speaker 2: so I don't even care totally.

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Speaker 1: Here it's a little bit far fetched too.

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Speaker 2: Yeah, well, I mean this could happen.

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Speaker 1: This probably does. Yes, yeah, I mean maybe yes, but

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Speaker 1: it don't happen. It's just it's it's interesting. It's interesting.

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Speaker 1: So then we get sort of the dramatic dance, and

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Speaker 1: it was like, Okay, there's a lot to this dance

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Speaker 1: that is going over my head, but I'm good with it. Also,

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Speaker 1: I'm not sure I love the dancing. It's sort of

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Speaker 1: messy dancing.

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Speaker 2: But oh it's I don't what do they call that

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Speaker 2: alternative dance.

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Speaker 1: Modern ballet or something. Oh yeah, it does have a name.

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Speaker 2: It's called they do it Dancing with the Stars.

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Speaker 1: They do do it on Dancing with Stars.

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Speaker 2: I said, do do interpretive dancing?

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Speaker 1: Interpretive? Modern? It is? They do do it on Dancing

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Speaker 1: with the Stars.

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Speaker 2: Yeah, they do. And I always don't like it because

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Speaker 2: I want to see the ballroom feels messo or the

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Speaker 2: via Need's Waltz.

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Speaker 1: Like. I don't like it either because it feels like

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Speaker 1: I could do it. It's like I don't know that

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Speaker 1: I should be able to do the dancing. Yeah, it

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Speaker 1: feels like I could do that. I'm just saying, right,

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Speaker 1: it's a lot of that. Danielle and I are doing it,

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Speaker 1: if you guys want to know.

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Speaker 2: And we are so happy we do not post video

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Speaker 2: looks from mess way.

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Speaker 1: I'm still into button heads and I'm glad we're doing it,

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Speaker 1: but I'm getting looking forward to Maisel and then also,

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Speaker 1: I think we should do etto all.

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Speaker 2: Yeah, I'm down. I think we should treat yeah like

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Speaker 2: we did the Z Suite. Watch an episode and see

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Speaker 2: if we want to continue.

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Speaker 1: Yeah, I agree, I agree, but I'm going to give

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Speaker 1: it a lot of effort. Have you watched another Z Suite?

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Speaker 1: You have not? Nope, I know you haven't because it's

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Speaker 1: not that good.

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Speaker 2: I liked it.

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Speaker 1: I liked it.

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Speaker 2: Don't see another episode I liked it.

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Speaker 1: I liked it.

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Speaker 2: I don't know what else to say. I thought it

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Speaker 2: was funny and kichi and whatever, and no, I'll get

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Speaker 2: to it.

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Speaker 1: It is a no for me.

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Speaker 2: Dog, I'll get to it.

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Speaker 1: But Bunheads, I would watch the whole other season, and

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Speaker 1: I'm excited about Atoalle and Maisel and more Gilmour girls

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Speaker 1: if that ever happens.

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Speaker 2: It's a twenty big year, Like, please, please do something.

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Speaker 1: Come on. I loved lawrence idea about a prequel that

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Speaker 1: she narrates a Lah Kristen Bell Dexter, et cetera.

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Speaker 2: And that would be iconic.

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Speaker 1: That would be totally great, except there's there.

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Speaker 2: Will be no Luke, and there'll be no Rory or

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Speaker 2: Jess or Logan.

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Speaker 1: There actually could be a young Luke because you could

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Speaker 1: see this is when she go but it's kind of

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Speaker 1: like maybe when they're young, there could be a Luke.

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Speaker 1: Fair would be played by Luke because the person has

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Speaker 1: to be like twenty five or something.

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Speaker 2: The only red flag I would have on this, which

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Speaker 2: is gonna make me really really sad, But I can't

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Speaker 2: have Richard voiced by someone else.

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Speaker 1: Oh you know, you make such a good point, but

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Speaker 1: he would be because it's if we're going eighteen years reverse,

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Speaker 1: because say it's like Begins, maybe when they show up

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Speaker 1: at the inn, somebody else would maybe have to play them.

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Speaker 1: You gotta watch Dexter the way they've done it on

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Speaker 1: Dexter is so amazing because they have these young actors

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Speaker 1: that literally look exactly like the people that play them

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Speaker 1: on Dexter. It's almost like trips me out. It's like

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Speaker 1: a glitch. It's so crazy how accurately they.

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Speaker 2: Saw that though, right, the flashback with the youngs.

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Speaker 1: Were not those I was not. Those were not nearly

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Speaker 1: as good as the way they've done it on Dexter.

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Speaker 1: All right, get just look, you'd have to have watched

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Speaker 1: Dexter and then you watch the prequel and you're like,

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Speaker 1: oh my god, like this is crazy crazy. So I

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Speaker 1: think it's doable. I don't think those young people that

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Speaker 1: I don't think those were good enough. Frankly, sorry to.

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Speaker 2: Judge, No no judgment. Lauren Graham make it happen.

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Speaker 1: Yeah, it's really Amy, Sherman, Palladino.

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Speaker 2: Both of you. Make it happen, because I do think

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Speaker 2: I think Lauren Graham is going to have to have

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Speaker 2: a very heavy part in it.

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Speaker 1: A thousand per yeah, thousand percent.

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Speaker 2: And if there's anyone that can swindle Amy Shum and

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Speaker 2: Paladin you know, to doing it, it's Lauren Graham.

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Speaker 1: I think you're right.

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Speaker 2: You know what Lauren Graham. The ball is in your court.

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Speaker 1: So yeah, call Lauren Graham. Make it happen.

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Speaker 2: All right, guys, that's Bunheads.

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Speaker 1: Are we supposed to rate it? Do we do that?

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Speaker 2: Why can you say that in every episode we do?

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Speaker 1: Do we rate it?

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Speaker 2: We domm seven? Yeah, I was gonna say seven too.

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Speaker 2: You liked it more than me, though.

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Speaker 1: I enjoy it the last six here I know, I

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Speaker 1: like fourteen, fifteen, sixteen, seventeen, eighteen five more.

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Speaker 2: Yeah.

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Speaker 1: Crazy.

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Speaker 2: One of our producers, Emma said, do you think they'll

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Speaker 2: announce anything at paiy Fest?

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Speaker 1: Maybe no, I don't, but maybe. God. I love you guys,

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Speaker 1: talk to you already.

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Speaker 2: Drich Bunheads out.

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Speaker 1: August Data everybody to forget.

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Speaker 2: Follow us on Instagram at I Am all In podcast,

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Speaker 2: and email us at Gilmore at iHeartRadio dot com