1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,519 --> 00:00:09,440 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,560 --> 00:00:13,760 Speaker 1: Welcome to you, and that's what you really missed. Season 4 00:00:14,480 --> 00:00:22,240 Speaker 1: three arguably by many fans, the best season of the series. Hi, Kevin. 5 00:00:22,720 --> 00:00:25,040 Speaker 2: We have yet to decide for ourselves if that is 6 00:00:25,079 --> 00:00:30,080 Speaker 2: true for the record, but we keep getting told by 7 00:00:30,320 --> 00:00:34,240 Speaker 2: people whose opinions we do respect that this is the one. 8 00:00:34,960 --> 00:00:38,560 Speaker 1: So let's do it. Let's get into it. Here's the 9 00:00:38,640 --> 00:00:41,479 Speaker 1: last cover in this episode alone. 10 00:00:41,520 --> 00:00:43,680 Speaker 2: It's a premiere, so there's a lot. It's also one 11 00:00:43,680 --> 00:00:46,159 Speaker 2: of the only times in the entire series that every 12 00:00:46,479 --> 00:00:49,080 Speaker 2: cast member is in the same episode. 13 00:00:49,320 --> 00:00:51,479 Speaker 1: I feel like Tina has an awakening in this season. 14 00:00:53,080 --> 00:00:56,160 Speaker 2: Tina and Jenna went on a journey during this season, 15 00:00:58,240 --> 00:01:03,880 Speaker 2: and I gotta say, I watching this episode, I couldn't 16 00:01:03,920 --> 00:01:09,280 Speaker 2: help but think of all of like personal things where 17 00:01:09,520 --> 00:01:14,920 Speaker 2: it felt like from the outset, we're like, oh, it's 18 00:01:14,959 --> 00:01:20,319 Speaker 2: that season where the show is big. Everyone's fully aware 19 00:01:20,319 --> 00:01:22,720 Speaker 2: of it. We've been living in it. We just got 20 00:01:22,720 --> 00:01:25,120 Speaker 2: off of a tour performing for half a million people, 21 00:01:25,800 --> 00:01:30,080 Speaker 2: all the fans around the world. We were in a 22 00:01:30,160 --> 00:01:33,960 Speaker 2: movie like we're fully in it. 23 00:01:34,360 --> 00:01:39,840 Speaker 1: And people looked hanned botoxed, extensioned, and it is slightly 24 00:01:39,880 --> 00:01:41,560 Speaker 1: horrorsh in this season. 25 00:01:42,120 --> 00:01:45,160 Speaker 2: It's different because the season two it looked like, Okay, 26 00:01:45,160 --> 00:01:48,360 Speaker 2: everyone's a little more refined, there's more budget. You know, 27 00:01:48,760 --> 00:01:54,120 Speaker 2: everyone looks a little sluttier. This is everyone's doing drag 28 00:01:54,240 --> 00:01:54,760 Speaker 2: as their. 29 00:01:54,680 --> 00:01:58,200 Speaker 1: Characters and I'm your it. 30 00:01:58,400 --> 00:02:02,120 Speaker 2: Kevin showed up was already's not in this episode. 31 00:02:02,200 --> 00:02:04,440 Speaker 1: That's it's it's like a little bit more of us 32 00:02:04,480 --> 00:02:06,920 Speaker 1: has shown up into each of our characters. 33 00:02:07,320 --> 00:02:10,320 Speaker 2: And we're also doing the thing where, you know, I 34 00:02:10,360 --> 00:02:12,160 Speaker 2: think it naturally happens on a lot of shows and 35 00:02:12,200 --> 00:02:14,119 Speaker 2: if they're able to not do this good on them 36 00:02:14,440 --> 00:02:19,720 Speaker 2: where people start becoming a little bit caricatury of their 37 00:02:20,520 --> 00:02:22,800 Speaker 2: And I'm saying this as my I was watching myself 38 00:02:23,000 --> 00:02:27,760 Speaker 2: and oh yeah, I am bad in this, Like I am. 39 00:02:28,240 --> 00:02:30,559 Speaker 2: I have like three lines and they're bad. 40 00:02:30,840 --> 00:02:32,880 Speaker 1: Oh my gosh, yeah, oh my god. 41 00:02:33,000 --> 00:02:35,000 Speaker 2: And it's like, what was I doing because it's sort 42 00:02:35,000 --> 00:02:38,000 Speaker 2: of like you come back to school after summer and 43 00:02:38,040 --> 00:02:39,920 Speaker 2: your head's not in the game yet, you're. 44 00:02:39,840 --> 00:02:40,519 Speaker 1: Still in summer. 45 00:02:40,639 --> 00:02:43,720 Speaker 2: Yeah exactly, Yeah, okay, and not everybody was doing that. 46 00:02:43,720 --> 00:02:45,240 Speaker 2: That's I'm dragging myself here. 47 00:02:45,240 --> 00:02:49,000 Speaker 1: For the record, I'm dragging myself too. Okay, what was 48 00:02:49,000 --> 00:02:49,920 Speaker 1: going on in the world? 49 00:02:50,400 --> 00:02:54,519 Speaker 2: In the world, it's season three, episode one, The Purple 50 00:02:54,560 --> 00:02:58,520 Speaker 2: Piano Project. Jenna said, I couldn't say this, but the 51 00:02:58,639 --> 00:03:04,040 Speaker 2: cast we refer to this episode as the Purple Project. 52 00:03:04,080 --> 00:03:05,120 Speaker 1: Take that for what you will. 53 00:03:05,440 --> 00:03:07,799 Speaker 2: Yeah, that's what the episode was. It has always been. 54 00:03:08,000 --> 00:03:10,960 Speaker 2: We never called it the Purple Piano Project. Never say 55 00:03:11,000 --> 00:03:12,680 Speaker 2: we're going it was the Purple Project. 56 00:03:13,080 --> 00:03:17,679 Speaker 1: Okay. So this aired on September twentieth two thoy and eleven, 57 00:03:18,280 --> 00:03:21,320 Speaker 1: Yes and tell me what was going on in the world. 58 00:03:22,040 --> 00:03:26,200 Speaker 2: The number one song was Moves Like Jagger, which will 59 00:03:26,280 --> 00:03:30,160 Speaker 2: end up doing later on in this season. Why yours truly? 60 00:03:30,480 --> 00:03:31,600 Speaker 1: Yes, yes we will. 61 00:03:32,360 --> 00:03:35,560 Speaker 2: The number one movie was Lion King three D. 62 00:03:36,800 --> 00:03:40,800 Speaker 1: Well, I've seen The Lion King, so I went to it. Yeah, 63 00:03:40,920 --> 00:03:42,920 Speaker 1: I did go to it. I did not go to 64 00:03:42,920 --> 00:03:44,720 Speaker 1: the three D released, but that looked fun. 65 00:03:45,440 --> 00:03:49,000 Speaker 2: It was also the Emmys this week, so we all 66 00:03:49,040 --> 00:03:52,440 Speaker 2: went this is a good one. This is I think 67 00:03:52,440 --> 00:03:54,120 Speaker 2: where Julie Bowen kissed me on the mouth. 68 00:03:54,280 --> 00:03:57,840 Speaker 1: Afterwards, Oh, I love that. For you and for her, 69 00:03:59,240 --> 00:04:01,880 Speaker 1: we were all okay, yes, we were up against Modern 70 00:04:01,920 --> 00:04:05,280 Speaker 1: Family for everything. We were with them for everything, but 71 00:04:05,320 --> 00:04:06,040 Speaker 1: we love them. 72 00:04:06,440 --> 00:04:10,160 Speaker 2: Yeah, And we started losing every day start, and. 73 00:04:10,120 --> 00:04:11,960 Speaker 1: They tried to put us against them, but we would 74 00:04:12,200 --> 00:04:15,160 Speaker 1: not have it because we just love them. We were 75 00:04:15,200 --> 00:04:18,000 Speaker 1: nominated for Outstanding Comedy Series, and this was at the 76 00:04:18,080 --> 00:04:20,719 Speaker 1: Nokia Theater. The Emmys are not like the golden globes 77 00:04:20,720 --> 00:04:22,800 Speaker 1: of the sag Wards, where there's food and drink in 78 00:04:22,839 --> 00:04:26,480 Speaker 1: front of you. You're in a cold, dark theater for hours. 79 00:04:26,600 --> 00:04:29,880 Speaker 1: I think they started serving alcohol now in this day 80 00:04:29,920 --> 00:04:32,479 Speaker 1: and age, but back then they did not. And I 81 00:04:32,560 --> 00:04:36,000 Speaker 1: snuck in a plastic flask in my dress because you 82 00:04:36,040 --> 00:04:38,039 Speaker 1: have to go through security so you can't bring the metal, 83 00:04:38,520 --> 00:04:42,359 Speaker 1: and I stole in. I thefted my way in with 84 00:04:42,600 --> 00:04:45,480 Speaker 1: a plastic flask that I shared with everybody in the row. 85 00:04:45,800 --> 00:04:46,480 Speaker 2: A Dot. 86 00:04:46,839 --> 00:04:48,880 Speaker 1: I don't think Dot drinks, but you know, she saw 87 00:04:48,920 --> 00:04:52,360 Speaker 1: us and we had a big I had a big 88 00:04:52,400 --> 00:04:53,480 Speaker 1: flask down my shirt. 89 00:04:54,440 --> 00:04:57,240 Speaker 2: You and I were the Heathens because Jenna and I 90 00:04:57,320 --> 00:05:00,120 Speaker 2: lived together. While Jenna was getting glad, I go, oh 91 00:05:00,120 --> 00:05:02,080 Speaker 2: my god, Jenna, all of our flasks are metal. We 92 00:05:02,160 --> 00:05:03,840 Speaker 2: have to go through metal detectors. So I ran out 93 00:05:03,880 --> 00:05:05,320 Speaker 2: and found us plastic flasks. 94 00:05:05,400 --> 00:05:05,800 Speaker 1: It was you. 95 00:05:06,360 --> 00:05:10,240 Speaker 2: Yeah, it was you, because well, you know, I was 96 00:05:10,320 --> 00:05:14,440 Speaker 2: quicker to get ready and I had time. I remember 97 00:05:14,520 --> 00:05:16,880 Speaker 2: like going out sweating and like I have to get 98 00:05:16,880 --> 00:05:18,840 Speaker 2: back in shower so I can get ready because it 99 00:05:18,880 --> 00:05:21,720 Speaker 2: was so hot it was, and then handing and it 100 00:05:21,760 --> 00:05:24,360 Speaker 2: was just like warm vodka or something disgusting. 101 00:05:24,400 --> 00:05:25,880 Speaker 1: But you know what, it got us through because there 102 00:05:25,880 --> 00:05:28,040 Speaker 1: are a lot of awards at the Emmys as well, 103 00:05:28,200 --> 00:05:32,039 Speaker 1: a lot of awards to get out, but it's still fun. 104 00:05:32,080 --> 00:05:34,159 Speaker 1: And then all the parties afterwards, and even if you 105 00:05:34,200 --> 00:05:36,360 Speaker 1: don't when you're like, I'm a freakin' Emmys. 106 00:05:36,560 --> 00:05:38,760 Speaker 2: So Gwyneth one, it's fast. 107 00:05:38,520 --> 00:05:43,320 Speaker 1: That's right. Okay, Okay, let's get into this episode because 108 00:05:43,320 --> 00:05:46,840 Speaker 1: there's a lot to cover. A lot happens, there's a 109 00:05:46,880 --> 00:05:50,040 Speaker 1: lot to recap. We have to we have to give 110 00:05:50,080 --> 00:05:52,719 Speaker 1: an update on where the where the Glee Club is, 111 00:05:52,760 --> 00:05:55,360 Speaker 1: and I have to say, Kevin, I texted you last night. 112 00:05:55,640 --> 00:06:00,440 Speaker 1: This episode is really funny and really fun And I 113 00:06:00,480 --> 00:06:06,160 Speaker 1: will say not every return season episode first episode of 114 00:06:06,240 --> 00:06:08,960 Speaker 1: each season is as solid as this one, but this 115 00:06:09,040 --> 00:06:11,159 Speaker 1: one was so funny. 116 00:06:11,360 --> 00:06:14,600 Speaker 2: Yeah. I was laughing out loud an embarrassing amount of 117 00:06:14,640 --> 00:06:16,320 Speaker 2: times by myself. 118 00:06:16,360 --> 00:06:17,880 Speaker 1: I'm glad that we're in this together. 119 00:06:18,120 --> 00:06:20,680 Speaker 2: And you texted me last night, Jenna, and you at 120 00:06:20,720 --> 00:06:23,320 Speaker 2: the exact same point in the episode that I was at. 121 00:06:23,640 --> 00:06:26,080 Speaker 1: That's funny too. 122 00:06:26,200 --> 00:06:28,200 Speaker 2: It's the first time it's happened Kindred Spirits. 123 00:06:28,200 --> 00:06:34,520 Speaker 1: Okay, there's a couple of big things here, so yeah, yeah, 124 00:06:34,600 --> 00:06:35,000 Speaker 1: yeah yeah. 125 00:06:35,120 --> 00:06:40,400 Speaker 2: Eric Staltz obviously is back, back back again, and I 126 00:06:40,400 --> 00:06:42,920 Speaker 2: think you know, he's also one of those magical ingredients 127 00:06:42,960 --> 00:06:46,960 Speaker 2: that makes everybody just joyful, and these things work in 128 00:06:47,000 --> 00:06:51,080 Speaker 2: such a wonderful organic way. So this episode is written 129 00:06:51,080 --> 00:06:54,840 Speaker 2: by Brad Fauchuk. However, it's one of those things where 130 00:06:55,000 --> 00:06:58,120 Speaker 2: we now have a writing staff. There is a full 131 00:06:58,160 --> 00:07:01,680 Speaker 2: writer's room. It's not just on brad Ian and Ryan 132 00:07:01,720 --> 00:07:06,680 Speaker 2: shoulders anymore. They finally have some support lot. Yeah, I 133 00:07:06,680 --> 00:07:10,320 Speaker 2: think they were also starting American horror story, so they 134 00:07:10,320 --> 00:07:13,920 Speaker 2: needed some other people to come in. And then just 135 00:07:13,960 --> 00:07:16,040 Speaker 2: to preface the rest of the seasons from hearing out, 136 00:07:16,280 --> 00:07:21,800 Speaker 2: the names just rotate on the scripts, but everybody was 137 00:07:21,840 --> 00:07:27,800 Speaker 2: working on every episode, so you know, there is there 138 00:07:27,920 --> 00:07:31,120 Speaker 2: was this thing as episodes and seasons go on where 139 00:07:31,280 --> 00:07:34,080 Speaker 2: fans would get mad at certain writers if they didn't 140 00:07:34,120 --> 00:07:36,600 Speaker 2: like that it storylines, it wasn't their fault because their 141 00:07:36,680 --> 00:07:38,480 Speaker 2: name just happened to be on that script. 142 00:07:38,520 --> 00:07:42,040 Speaker 1: And that happens in every writer's room in Hollywood that 143 00:07:42,320 --> 00:07:47,520 Speaker 1: they get. Each writer is assigned a script. But however, 144 00:07:47,840 --> 00:07:49,840 Speaker 1: you know, however the showrunner wants to do it is 145 00:07:49,880 --> 00:07:53,240 Speaker 1: how it's done in Glee world. It was not their 146 00:07:53,320 --> 00:07:56,000 Speaker 1: specific episode, everybody, it was a collaborative effort. 147 00:07:56,120 --> 00:07:56,520 Speaker 2: Correct. 148 00:07:56,640 --> 00:07:58,600 Speaker 1: There's a lot of songs and there's a lot of 149 00:07:58,640 --> 00:08:00,200 Speaker 1: new characters in this so. 150 00:08:02,200 --> 00:08:04,640 Speaker 2: I mean, we got to point out the one and 151 00:08:04,640 --> 00:08:09,120 Speaker 2: only Vanessa Lenji's Glee Family for Life joins this episode 152 00:08:09,160 --> 00:08:10,000 Speaker 2: as Sugar Matta. 153 00:08:11,040 --> 00:08:14,880 Speaker 1: I'm giving a clap, a clap because she is sheer 154 00:08:15,040 --> 00:08:18,440 Speaker 1: comedy perfection and moving forward. 155 00:08:18,560 --> 00:08:23,520 Speaker 2: Yes, yes, correct, And we have our first Glee Project 156 00:08:24,040 --> 00:08:27,400 Speaker 2: person on the show, Lindsay. 157 00:08:27,160 --> 00:08:36,480 Speaker 1: Pearce, a big, a mega musical number. Rachel and Kirk 158 00:08:36,520 --> 00:08:41,520 Speaker 1: go wah. I have some friends in that number as well. 159 00:08:41,520 --> 00:08:43,439 Speaker 1: We Britney Parks is in that number doing a tap. 160 00:08:43,480 --> 00:08:46,960 Speaker 1: That's stat number. And my friend Melinda Sullivan, who was 161 00:08:47,040 --> 00:08:50,600 Speaker 1: on so you think you can dadd she's a premier tapper. 162 00:08:52,120 --> 00:08:54,920 Speaker 2: She's amazing And I just got a shout out Courtney 163 00:08:54,960 --> 00:09:00,920 Speaker 2: real quick because Courtney plays one of this ganks. She 164 00:09:01,000 --> 00:09:03,440 Speaker 2: plays the mac and Courtney has been one of our 165 00:09:03,520 --> 00:09:07,280 Speaker 2: dancers on the show, like since the beginning, and all 166 00:09:07,320 --> 00:09:09,079 Speaker 2: of a sudden she's got a speaking. 167 00:09:08,760 --> 00:09:14,360 Speaker 1: Role Courtney Platt or Courtney Galliano rather, Yeah, she's very 168 00:09:14,360 --> 00:09:19,320 Speaker 1: funny and she can't on tour with us. And yes, 169 00:09:19,360 --> 00:09:22,000 Speaker 1: we got it. Got a speaker now Glee Family. 170 00:09:22,160 --> 00:09:25,800 Speaker 2: Yeah, okay, Jenna, these songs, it's. 171 00:09:25,640 --> 00:09:30,360 Speaker 1: An eclectic crew. We got the beat, ding dong. The 172 00:09:30,440 --> 00:09:35,440 Speaker 1: witch is dead. It's not unusual. Anything goes. Anything you 173 00:09:35,480 --> 00:09:40,120 Speaker 1: can do and get your gun a triple mashup. I 174 00:09:40,120 --> 00:09:42,600 Speaker 1: guess it's not a Masha with a medley. You can't 175 00:09:42,640 --> 00:09:48,599 Speaker 1: stop the beat. And unreleased, which I disagree should have 176 00:09:48,679 --> 00:09:53,480 Speaker 1: been released was Dig's Pender by Sugar Matters. 177 00:09:55,160 --> 00:10:02,800 Speaker 2: Beautiful. Okay. So, like I said, this is the first 178 00:10:02,840 --> 00:10:06,600 Speaker 2: episode since Hello thirty one episodes ago that all the 179 00:10:06,679 --> 00:10:11,000 Speaker 2: cast members are credited that are all credit appear that 180 00:10:11,040 --> 00:10:14,040 Speaker 2: doesn't happen. A couple fun facts from this episode. Like 181 00:10:14,080 --> 00:10:16,600 Speaker 2: I said, this is the first time since thirty one 182 00:10:16,600 --> 00:10:20,120 Speaker 2: episodes ago that all the credited cast members actually appear 183 00:10:20,760 --> 00:10:25,679 Speaker 2: in one episode. Look Out for the NIATA hopefuls audition 184 00:10:25,880 --> 00:10:30,400 Speaker 2: thing performance because they're all wearing previous outfits from Kurt 185 00:10:30,400 --> 00:10:31,040 Speaker 2: and Rachel. 186 00:10:33,040 --> 00:10:34,720 Speaker 1: This is the first time that Rachel doesn't see a 187 00:10:34,720 --> 00:10:38,880 Speaker 1: solo in the first episode of the season. Who's too 188 00:10:38,880 --> 00:10:40,959 Speaker 1: many of us? Now? I can't mean there's too many things, 189 00:10:41,679 --> 00:10:42,560 Speaker 1: too many things happening. 190 00:10:45,400 --> 00:10:47,800 Speaker 2: Here's a funny thing about the Glee Project in Lindsay 191 00:10:47,800 --> 00:10:52,320 Speaker 2: Pearce's performance as the filming of Harmony scene occurred before 192 00:10:52,360 --> 00:10:56,160 Speaker 2: the announcement of the winners of the Glee Project. Due 193 00:10:56,160 --> 00:10:59,240 Speaker 2: to Ryan Murphy having decided she suited the already written role, 194 00:11:00,280 --> 00:11:03,520 Speaker 2: measures were taken to ensure that her appearance and presence 195 00:11:03,559 --> 00:11:07,959 Speaker 2: in the episode wouldn't spoil the finale of the Glee Project. 196 00:11:07,960 --> 00:11:10,440 Speaker 2: As a result, Lindsay was rushed onto the set with 197 00:11:10,480 --> 00:11:13,320 Speaker 2: a blanket over her head, and the Fox press release 198 00:11:14,040 --> 00:11:16,040 Speaker 2: for this episode omitted her as a guest. 199 00:11:15,880 --> 00:11:17,640 Speaker 1: Star because they didn't want people to think that she 200 00:11:17,720 --> 00:11:21,839 Speaker 1: won the Glee Project, yes, or spoiled it. 201 00:11:22,120 --> 00:11:27,079 Speaker 2: That's right, And Harry and Darren got promoted to series regulars. 202 00:11:27,880 --> 00:11:31,600 Speaker 1: Yay, finally, that is crazy, especially for Harry. 203 00:11:31,440 --> 00:11:34,640 Speaker 2: And someone is obviously missing from this episode. 204 00:11:34,400 --> 00:11:37,559 Speaker 1: Cordy Chord. Sweet Sweet Cordy. Chord was with us in Nublin, 205 00:11:38,320 --> 00:11:42,679 Speaker 1: and there were some questionable things with this contract. That 206 00:11:43,559 --> 00:11:46,480 Speaker 1: is not really our story to tell, but I do 207 00:11:46,679 --> 00:11:52,440 Speaker 1: know that we all wanted Chord back. I think it 208 00:11:52,520 --> 00:11:55,480 Speaker 1: was just a matter of figuring out an agreement that 209 00:11:55,559 --> 00:11:59,360 Speaker 1: worked for all parties involved. We can ask Cord another 210 00:11:59,360 --> 00:12:02,720 Speaker 1: time if he wants to share this, But Cord is 211 00:12:02,800 --> 00:12:04,960 Speaker 1: missing for how many episodes? 212 00:12:04,960 --> 00:12:06,959 Speaker 2: Did he A handful of episodes and. 213 00:12:07,040 --> 00:12:09,000 Speaker 1: Good chunk of the beginning of season three. 214 00:12:09,200 --> 00:12:11,280 Speaker 2: Yeah, and we let it be known that we wanted 215 00:12:11,760 --> 00:12:14,679 Speaker 2: Cord Cord back, and when he did finally come back, 216 00:12:14,720 --> 00:12:16,000 Speaker 2: we were all very, very excited. 217 00:12:16,240 --> 00:12:17,240 Speaker 1: So we were really. 218 00:12:17,120 --> 00:12:19,840 Speaker 2: Happy because they were setting up this whole wonderful storyline 219 00:12:19,840 --> 00:12:23,280 Speaker 2: at the end of season two about Sam and Mercedes, 220 00:12:23,360 --> 00:12:24,600 Speaker 2: so we're looking forward to that. 221 00:12:25,120 --> 00:12:30,640 Speaker 1: Mm hmmm mmmm. We were. And then it's shot down 222 00:12:31,160 --> 00:12:36,160 Speaker 1: when Jacob ben or Israel does his annual interview for 223 00:12:36,679 --> 00:12:42,800 Speaker 1: his TV show whatever what is it called? You remember? Okay, 224 00:12:43,280 --> 00:12:46,920 Speaker 1: when Jacob ben Israel does his interviews that basically give 225 00:12:47,000 --> 00:12:50,720 Speaker 1: us a recap on what happened over the summer and 226 00:12:50,960 --> 00:12:54,000 Speaker 1: our current state with the glee Vers. We'll see these 227 00:12:54,200 --> 00:12:59,080 Speaker 1: in the future. As well, and oh I jumped the 228 00:12:59,160 --> 00:13:01,600 Speaker 1: episode summary. Keaven, tell me give me a summary of 229 00:13:01,640 --> 00:13:03,120 Speaker 1: the whole episode, because there's a lot. 230 00:13:03,400 --> 00:13:06,839 Speaker 2: It's back to school from McKinley hy Jennet. The new 231 00:13:06,880 --> 00:13:11,400 Speaker 2: directions return after that embarrassing, devastating loss at Nationals thanks 232 00:13:11,440 --> 00:13:15,320 Speaker 2: Spin and Rachel. So mister Shoe assigns a project to 233 00:13:15,360 --> 00:13:21,360 Speaker 2: get them back on track. Meanwhile, Sue starts her congressional campaign. Hmmm, 234 00:13:21,480 --> 00:13:23,040 Speaker 2: I wonder who she focuses on for that. 235 00:13:24,520 --> 00:13:28,000 Speaker 1: Okay, I will say overall, I really liked this episode 236 00:13:28,120 --> 00:13:30,520 Speaker 1: and part of the reason why I was very funny 237 00:13:30,640 --> 00:13:37,480 Speaker 1: and very witty, but also because of that quintessential Sue 238 00:13:37,520 --> 00:13:42,440 Speaker 1: coming after the glee club Shoe fighting back the kids 239 00:13:42,520 --> 00:13:45,719 Speaker 1: kind of in this let's get more members of the 240 00:13:45,720 --> 00:13:47,839 Speaker 1: glee club. But also the stakes are kind of high 241 00:13:47,880 --> 00:13:51,360 Speaker 1: in high school world, which we love and appreciate about 242 00:13:51,400 --> 00:13:54,240 Speaker 1: the show when it's there because it can get bigger 243 00:13:54,280 --> 00:13:56,840 Speaker 1: than us. And so this is like one of those 244 00:13:56,880 --> 00:14:01,200 Speaker 1: episodes where the food fight, the songs, it's all about 245 00:14:01,280 --> 00:14:05,520 Speaker 1: the characters, right, and so I am I did enjoy 246 00:14:05,640 --> 00:14:06,640 Speaker 1: this because of. 247 00:14:06,520 --> 00:14:12,560 Speaker 2: That, And there's a really big, big thing relating to 248 00:14:12,600 --> 00:14:14,520 Speaker 2: that that happens in the beginning of this episode with 249 00:14:14,640 --> 00:14:18,400 Speaker 2: Jacob ben Israel's interviews, where all of a sudden, we're 250 00:14:18,440 --> 00:14:21,760 Speaker 2: all very clearly talking about who's a senior and who's 251 00:14:21,800 --> 00:14:25,880 Speaker 2: a junior. Everybody is very much setting out, well, this 252 00:14:25,920 --> 00:14:27,520 Speaker 2: is my last year, so I have to do X, 253 00:14:27,640 --> 00:14:31,800 Speaker 2: Y and Z and their juniors. You know, absolutely shoehorned 254 00:14:31,800 --> 00:14:36,840 Speaker 2: and that you and I are very much not graduating 255 00:14:37,720 --> 00:14:42,200 Speaker 2: this season. To let everybody know, because clearly some decisions 256 00:14:42,200 --> 00:14:45,920 Speaker 2: were made during the hiatus about who was going where 257 00:14:45,960 --> 00:14:46,880 Speaker 2: at what time. 258 00:14:48,200 --> 00:14:51,840 Speaker 1: And I mean they basically made a joke. You basically 259 00:14:51,880 --> 00:14:54,720 Speaker 1: made a joke about it in it making fun of itself. 260 00:14:56,040 --> 00:14:57,880 Speaker 1: I mean, Jacob ben Israel Is like, I thought you 261 00:14:57,880 --> 00:15:03,920 Speaker 1: guys were seniors, so illusion so did we To be fair, Yeah, 262 00:15:04,200 --> 00:15:06,400 Speaker 1: I honestly like I was kind of upset about it 263 00:15:06,400 --> 00:15:07,840 Speaker 1: because I was like, Oh, we get to go to 264 00:15:07,840 --> 00:15:09,400 Speaker 1: New York, we get to go to college. I was 265 00:15:09,480 --> 00:15:10,720 Speaker 1: kind of excited about it because I was like, Oh, 266 00:15:10,720 --> 00:15:12,920 Speaker 1: we're not getting fired and we're not going somewhere else, 267 00:15:13,040 --> 00:15:16,000 Speaker 1: like we're still in school for another year. I would 268 00:15:16,000 --> 00:15:17,960 Speaker 1: have been upset if you weren't in the choir room 269 00:15:18,320 --> 00:15:19,760 Speaker 1: with me, though, I. 270 00:15:19,680 --> 00:15:22,400 Speaker 2: Have to say, though, there was the whole thing of like, well, 271 00:15:24,920 --> 00:15:26,560 Speaker 2: even though some people are going to New York, you 272 00:15:26,640 --> 00:15:29,680 Speaker 2: had these like Glee Project people who were coming in 273 00:15:29,920 --> 00:15:33,080 Speaker 2: and you knew like, well, if, yeah, if we weren't 274 00:15:33,080 --> 00:15:36,560 Speaker 2: going to New York and we were graduating, then maybe 275 00:15:36,800 --> 00:15:38,000 Speaker 2: we would just be replaced. 276 00:15:38,200 --> 00:15:38,440 Speaker 3: Yeah. 277 00:15:39,320 --> 00:15:43,640 Speaker 2: Yeah, So that was also sort of a yeah, because 278 00:15:43,640 --> 00:15:46,040 Speaker 2: you're not going to necessarily call up your boss and 279 00:15:46,080 --> 00:15:49,440 Speaker 2: be like, hey, I know you're managing this like new 280 00:15:49,520 --> 00:15:53,040 Speaker 2: billion dollar business real quick, can we talk about my 281 00:15:53,120 --> 00:15:53,880 Speaker 2: job security? 282 00:15:54,520 --> 00:15:54,680 Speaker 1: Yeah? 283 00:15:54,760 --> 00:15:55,840 Speaker 2: No, that's not a thing. 284 00:15:57,080 --> 00:16:07,240 Speaker 4: That's not absolutely not Yeah. 285 00:16:08,600 --> 00:16:11,280 Speaker 1: Okay, So Mercedes says a new man in her life 286 00:16:11,400 --> 00:16:16,080 Speaker 1: because Sam has moved out of state and she is 287 00:16:16,280 --> 00:16:23,720 Speaker 1: dating the wonderful actor LaMarcus Tinker who plays Shane. But 288 00:16:23,840 --> 00:16:30,680 Speaker 1: then we have this Quinn storyline mm hmm, and Quinn 289 00:16:31,480 --> 00:16:36,880 Speaker 1: has gone full rebel punk rocker see you later. I'm 290 00:16:37,280 --> 00:16:38,440 Speaker 1: Diana's never looks. 291 00:16:38,240 --> 00:16:40,720 Speaker 2: Better, Dana's never had more fun. 292 00:16:40,720 --> 00:16:44,520 Speaker 1: She's thriving. But it's such a far cry from Quinn 293 00:16:44,600 --> 00:16:46,600 Speaker 1: that I'm loving this storyline for her. 294 00:16:47,560 --> 00:16:49,440 Speaker 2: I didn't realize how hard they went. 295 00:16:50,120 --> 00:16:52,920 Speaker 1: I know this direction, I know, I know, well I 296 00:16:52,920 --> 00:16:53,800 Speaker 1: think she did. 297 00:16:54,280 --> 00:16:58,080 Speaker 2: Yeah, she's Quinn's going to be stoned. 298 00:16:58,120 --> 00:17:03,560 Speaker 1: In this scene, Quinn is with the skanks and she is, 299 00:17:06,080 --> 00:17:09,600 Speaker 1: and everybody's trying to get Quinn back to the new 300 00:17:09,640 --> 00:17:11,679 Speaker 1: directions because we need a member. 301 00:17:11,840 --> 00:17:14,879 Speaker 2: She's fully Mia. We're down to member. We need her. 302 00:17:14,960 --> 00:17:18,480 Speaker 2: Laurence Iss quits because we lost and it's not cool anymore. 303 00:17:19,160 --> 00:17:21,679 Speaker 2: So Ashley Fink is gone. 304 00:17:22,359 --> 00:17:23,480 Speaker 1: Oh yes, that's rights. 305 00:17:23,640 --> 00:17:30,680 Speaker 2: ICs yess is gone. Is fully Mia. Another thing from 306 00:17:30,680 --> 00:17:32,360 Speaker 2: the end of last season, there's not a lot of 307 00:17:32,520 --> 00:17:37,360 Speaker 2: Finn and Rachel. They ended on this really romantic note. 308 00:17:37,760 --> 00:17:40,119 Speaker 2: We're mad at them, yeah, and then they come in 309 00:17:40,160 --> 00:17:44,679 Speaker 2: here and there's nothing really happening with them mm hmmm, 310 00:17:45,920 --> 00:17:50,680 Speaker 2: because Rachel's distracted with Kurt. Because their whole m O 311 00:17:50,840 --> 00:17:54,480 Speaker 2: now in this hilarious scene with Jama talking about Juilliard 312 00:17:54,520 --> 00:17:58,400 Speaker 2: and Julliard does not have a musical theater department where 313 00:17:58,440 --> 00:18:01,920 Speaker 2: they have to get to New York. They're graduating and 314 00:18:01,960 --> 00:18:03,879 Speaker 2: they're moving to New York no matter what, and so 315 00:18:04,760 --> 00:18:09,040 Speaker 2: their whole track this episode is to go to the 316 00:18:09,320 --> 00:18:13,120 Speaker 2: Niada mixer and show these kids how good they are. 317 00:18:13,920 --> 00:18:16,919 Speaker 1: And when they get there, they're thinking they're just going 318 00:18:17,000 --> 00:18:20,800 Speaker 1: to be the cream of the crop, only to find 319 00:18:21,040 --> 00:18:24,399 Speaker 1: that they all look like them. They all have like 320 00:18:24,480 --> 00:18:27,360 Speaker 1: Rachel and Kurt looks on and they're all wildly talented, 321 00:18:27,520 --> 00:18:31,000 Speaker 1: which is true to form. You go to any college audition, 322 00:18:31,160 --> 00:18:32,320 Speaker 1: you're like, oh crap. 323 00:18:32,560 --> 00:18:34,920 Speaker 2: And there's a stage with lighting and I love that, 324 00:18:36,000 --> 00:18:39,119 Speaker 2: Lindsey Pierce. I feel like new writers are like, I 325 00:18:39,119 --> 00:18:43,040 Speaker 2: think we need to address this. Yeah, I beg now 326 00:18:43,080 --> 00:18:43,919 Speaker 2: to keep this up for me. 327 00:18:44,320 --> 00:18:49,840 Speaker 1: Yeah, exactly much. We've become much more hyper aware in 328 00:18:49,960 --> 00:18:55,760 Speaker 1: our line deliveries, in our dialogue. And then Kurt and 329 00:18:55,840 --> 00:18:59,640 Speaker 1: Rachel have this really nice scene in the car afterwards 330 00:18:59,760 --> 00:19:02,840 Speaker 1: when they are literally by the hand of God slapped down, 331 00:19:03,400 --> 00:19:05,800 Speaker 1: the hand of musical Peter God slapped down, to realize 332 00:19:05,800 --> 00:19:09,680 Speaker 1: that they are scared to go and they're not sure 333 00:19:09,720 --> 00:19:11,960 Speaker 1: if their dreams will ever come true. But Kurt is 334 00:19:12,560 --> 00:19:15,119 Speaker 1: very supportive of Rachel, and Rachel's very supportive Kurt, and 335 00:19:15,160 --> 00:19:18,680 Speaker 1: they are on a journey. They have embarked on their 336 00:19:18,720 --> 00:19:21,920 Speaker 1: mission to get to New York and to get into Niyada. 337 00:19:22,080 --> 00:19:27,800 Speaker 2: Another car scene where it's absolutely pouring outside, always raining 338 00:19:27,800 --> 00:19:30,520 Speaker 2: in the and like not natural rain, it's just like 339 00:19:31,680 --> 00:19:35,119 Speaker 2: a full stream, like a hose down the side of 340 00:19:35,119 --> 00:19:35,840 Speaker 2: the windows. 341 00:19:36,880 --> 00:19:44,159 Speaker 1: But yeah, this acting, this scene so good. 342 00:19:44,400 --> 00:19:47,879 Speaker 2: So the big thing this episode, right is shoe would, 343 00:19:47,880 --> 00:19:51,720 Speaker 2: by the way, has this creepy ass line in the 344 00:19:51,760 --> 00:19:53,960 Speaker 2: beginning of this episode, I guess who woke up before 345 00:19:54,000 --> 00:19:54,600 Speaker 2: I did? 346 00:19:55,240 --> 00:19:55,400 Speaker 1: No? 347 00:19:55,400 --> 00:20:01,400 Speaker 2: No, no, no, can we not refer to shows d no. 348 00:20:01,880 --> 00:20:04,280 Speaker 1: No, we're not doing it. We're just ignoring that happened. 349 00:20:04,520 --> 00:20:08,320 Speaker 2: Like, no, it was so early on in the episode. 350 00:20:08,400 --> 00:20:11,800 Speaker 2: And then before a commercial break, he's in the classroom 351 00:20:11,800 --> 00:20:14,320 Speaker 2: with the kids, like, I just but that's still so 352 00:20:14,440 --> 00:20:15,520 Speaker 2: fresh in my mind. 353 00:20:15,880 --> 00:20:18,800 Speaker 1: Yeah, yeah, it will never leave me. Yeah. 354 00:20:18,920 --> 00:20:23,680 Speaker 2: But he's super determined because he admits that he messed 355 00:20:23,760 --> 00:20:26,840 Speaker 2: up nationals last year. Duh, you showed up without a 356 00:20:26,880 --> 00:20:32,359 Speaker 2: set list, bruh. And so he magically has repainted beautifully, 357 00:20:32,400 --> 00:20:36,120 Speaker 2: by the way, these purple pianos that were donated by 358 00:20:36,440 --> 00:20:40,960 Speaker 2: mister Mata, and he's putting around the school and to 359 00:20:41,080 --> 00:20:48,040 Speaker 2: incentivize the glee club members, to incentivize fellow classmates to audition, 360 00:20:48,440 --> 00:20:51,560 Speaker 2: they have to perform anytime they see one, which leads 361 00:20:51,600 --> 00:20:55,440 Speaker 2: to a few very memorable numbers. 362 00:20:55,800 --> 00:20:57,200 Speaker 1: Okay, let's talk about them. 363 00:20:57,560 --> 00:21:02,200 Speaker 2: So he puts the pianos out and then Sue comes 364 00:21:02,200 --> 00:21:08,280 Speaker 2: in and stops Tina and Mike from performing with an 365 00:21:08,359 --> 00:21:11,440 Speaker 2: onset of racism. 366 00:21:10,680 --> 00:21:11,920 Speaker 1: M m hmm. 367 00:21:12,280 --> 00:21:13,359 Speaker 2: That's all I have to say about that. 368 00:21:13,760 --> 00:21:18,639 Speaker 1: Okay, Yeah, we do have some good, real musical numbers 369 00:21:18,680 --> 00:21:21,240 Speaker 1: that I think are important to talk. 370 00:21:22,880 --> 00:21:27,720 Speaker 2: Moving on, when Kurt and Rachel get to the stage 371 00:21:27,920 --> 00:21:30,120 Speaker 2: to sing Ding Dong, the Witch is dead mm hmm, 372 00:21:30,760 --> 00:21:33,439 Speaker 2: it is. They're so good together in this episode. I 373 00:21:33,440 --> 00:21:36,320 Speaker 2: also have to say I felt like Chris came into this. 374 00:21:36,560 --> 00:21:40,320 Speaker 2: You know, I was saying that some people showed up unprepared. Wah, yeah, yeah, yeah, 375 00:21:40,920 --> 00:21:44,639 Speaker 2: Golden Globe winner Chris Colfer showed up very prepared, and 376 00:21:44,680 --> 00:21:47,240 Speaker 2: he looked like he was on the verge of laughing 377 00:21:47,400 --> 00:21:50,159 Speaker 2: in every episode, I mean in every scene, because he 378 00:21:50,200 --> 00:21:53,280 Speaker 2: has so much energy and they come in to do 379 00:21:53,359 --> 00:21:55,399 Speaker 2: this number and it is like, don't finish the name 380 00:21:55,440 --> 00:21:57,320 Speaker 2: of the song. They're so great together. 381 00:21:58,920 --> 00:22:01,879 Speaker 1: Chris also had like a big growth spurt over the 382 00:22:01,960 --> 00:22:03,960 Speaker 1: last two seasons. 383 00:22:05,320 --> 00:22:07,840 Speaker 2: Chris is now a man you know exactly. We watched 384 00:22:07,920 --> 00:22:11,919 Speaker 2: him really grow into hims like literally grow. 385 00:22:12,600 --> 00:22:17,480 Speaker 1: Yes, they are so good together. And then we have 386 00:22:17,600 --> 00:22:22,320 Speaker 1: a number. We are recruiting as we normally do, recruiting 387 00:22:22,359 --> 00:22:25,720 Speaker 1: for another glee club member and we perform the go 388 00:22:25,720 --> 00:22:29,119 Speaker 1: Gos in the cafeteria. 389 00:22:28,320 --> 00:22:30,520 Speaker 2: In a cafeteria that we'll never see again. 390 00:22:31,440 --> 00:22:33,480 Speaker 1: Really, I feel like we were in there. 391 00:22:33,840 --> 00:22:38,040 Speaker 2: Maybe one other time, but we Yeah, we did not 392 00:22:38,119 --> 00:22:40,520 Speaker 2: normally use this cafeteria. It was very random. 393 00:22:40,760 --> 00:22:42,359 Speaker 1: Yeah, we used the Burnstein one. 394 00:22:42,760 --> 00:22:45,040 Speaker 2: Yeah, and this was a different school like Downtown that 395 00:22:45,119 --> 00:22:45,600 Speaker 2: we used. 396 00:22:46,680 --> 00:22:48,920 Speaker 1: Something about the availability or something. 397 00:22:48,960 --> 00:22:53,920 Speaker 2: And it was because it was our first week back. 398 00:22:54,000 --> 00:22:56,520 Speaker 2: It felt really weird and you're at like a place 399 00:22:56,560 --> 00:22:59,119 Speaker 2: that is not Paramount or Bernstein where we normally were 400 00:22:59,119 --> 00:23:01,040 Speaker 2: filming and. 401 00:23:01,400 --> 00:23:02,520 Speaker 1: Getting covered in food. 402 00:23:03,880 --> 00:23:05,240 Speaker 2: Do you remember this food fright? 403 00:23:06,080 --> 00:23:07,360 Speaker 1: Oh? I remember this food fright? 404 00:23:07,480 --> 00:23:10,320 Speaker 2: And obviously it was We shot the musical number all 405 00:23:10,400 --> 00:23:12,960 Speaker 2: day and then at nighttime we did the food fight 406 00:23:13,640 --> 00:23:17,600 Speaker 2: and we were all dreading it and it was so nasty. 407 00:23:18,280 --> 00:23:20,880 Speaker 2: And I have to say, though, I really like how 408 00:23:21,400 --> 00:23:23,720 Speaker 2: this is probably the Eric Stults of it all, like 409 00:23:23,880 --> 00:23:26,840 Speaker 2: how messy it actually was, Like it wasn't a clean 410 00:23:26,920 --> 00:23:31,440 Speaker 2: food fight. Everybody is absolutely disgusting. 411 00:23:31,240 --> 00:23:35,879 Speaker 1: Disgusting, And Eric also made it like he was just 412 00:23:35,960 --> 00:23:40,240 Speaker 1: the best director and like made it okay for us 413 00:23:40,320 --> 00:23:42,720 Speaker 1: to just be messy. I don't know, there's something about 414 00:23:42,800 --> 00:23:47,000 Speaker 1: him that makes you want to work harder. And so 415 00:23:47,119 --> 00:23:49,360 Speaker 1: I was like, all right, fine, we're just going for it. 416 00:23:49,640 --> 00:23:54,560 Speaker 1: But I watched the bts of this and I forgot 417 00:23:55,119 --> 00:23:58,600 Speaker 1: that they did the close ups first of our food fight, 418 00:23:58,720 --> 00:24:01,080 Speaker 1: so you get all the Glee club members and the 419 00:24:01,160 --> 00:24:04,080 Speaker 1: band in the back, and then they pulled back and 420 00:24:04,160 --> 00:24:07,359 Speaker 1: they did all the you know, the rest of you know, 421 00:24:07,400 --> 00:24:12,960 Speaker 1: the classmates, Dicob in Israel and everybody in the wide shot. 422 00:24:14,040 --> 00:24:17,119 Speaker 1: But then when they did they did the girls first, 423 00:24:17,280 --> 00:24:19,520 Speaker 1: and then they turned to the right camera right and 424 00:24:19,560 --> 00:24:22,280 Speaker 1: they did the boys. When they did the boys, we 425 00:24:22,280 --> 00:24:25,960 Speaker 1: were throwing food at you guys. That was really fun. 426 00:24:26,560 --> 00:24:27,720 Speaker 2: Yeah, it was. 427 00:24:28,400 --> 00:24:30,680 Speaker 1: Lots of spaghetti. 428 00:24:31,240 --> 00:24:34,840 Speaker 2: It was disgusting, and all of it was collecting in 429 00:24:34,880 --> 00:24:43,320 Speaker 2: my lap per usual, and I just remember we we 430 00:24:43,760 --> 00:24:47,760 Speaker 2: ran out of there so quickly. Afterwards we smelled so 431 00:24:47,880 --> 00:24:53,719 Speaker 2: bad towels that was like also like sitting out like 432 00:24:53,760 --> 00:24:56,399 Speaker 2: it was refrigerated. But by the time but we were 433 00:24:56,400 --> 00:25:01,320 Speaker 2: done shooting, it had become room temp and it's everywhere 434 00:25:01,359 --> 00:25:03,240 Speaker 2: the entire large cafeteria. 435 00:25:04,080 --> 00:25:06,679 Speaker 1: Heather dancing on top of it, though it was really funny. 436 00:25:07,160 --> 00:25:09,840 Speaker 2: Heather's maybe never I think she was so funny in 437 00:25:09,880 --> 00:25:11,000 Speaker 2: this episode. 438 00:25:12,080 --> 00:25:19,040 Speaker 1: Very very funny. The part of the food fight which 439 00:25:19,080 --> 00:25:22,200 Speaker 1: also sucked was the scene afterwards that we had to 440 00:25:22,240 --> 00:25:26,000 Speaker 1: shoot on another day, and so we went into the 441 00:25:26,080 --> 00:25:29,720 Speaker 1: choir room and they had to ReFood us, stain us, 442 00:25:30,200 --> 00:25:32,440 Speaker 1: put it in our hair, put it on our faces 443 00:25:32,880 --> 00:25:37,240 Speaker 1: to create continuity from what was supposed to be right 444 00:25:37,280 --> 00:25:39,479 Speaker 1: after that food fight. So we did do it in 445 00:25:39,480 --> 00:25:43,919 Speaker 1: two dates. Yeah, two separate days of looking gross. Now, 446 00:25:44,000 --> 00:25:46,120 Speaker 1: it wasn't as bad as the actual food fight because 447 00:25:46,119 --> 00:25:48,520 Speaker 1: there wasn't as much food. It was just stuff, but 448 00:25:48,680 --> 00:25:52,520 Speaker 1: it was still gross, and I wasn't happy about it. Oh, 449 00:25:52,600 --> 00:25:54,760 Speaker 1: it was so gross, disgusting, but it. 450 00:25:55,240 --> 00:25:58,880 Speaker 2: Actually looked great. I remember jumping into my car afterwards 451 00:25:59,040 --> 00:26:02,440 Speaker 2: and just being so tired and grossed out with myself. 452 00:26:03,800 --> 00:26:06,480 Speaker 2: But you know, the things we do, we're clowns. 453 00:26:07,040 --> 00:26:07,880 Speaker 1: We are clowns. 454 00:26:08,080 --> 00:26:11,800 Speaker 2: So as a result of that, Go Go's performance one, 455 00:26:11,880 --> 00:26:16,640 Speaker 2: Sugar Matta was in the audience and the cafeteria and 456 00:26:16,800 --> 00:26:21,840 Speaker 2: Sugar Mata then comes into the choir room and demands 457 00:26:21,880 --> 00:26:26,280 Speaker 2: to audition. Sugar Mata lays down one of the finest 458 00:26:26,560 --> 00:26:30,200 Speaker 2: bits of acting comedic acting that Glee I think has 459 00:26:30,280 --> 00:26:31,080 Speaker 2: ever seen. 460 00:26:33,560 --> 00:26:38,520 Speaker 1: This Okay, so we didn't know Vanessa. You knew of her. 461 00:26:38,960 --> 00:26:42,600 Speaker 1: I knew of her, yes, but I didn't know what 462 00:26:42,640 --> 00:26:43,280 Speaker 1: to expect. 463 00:26:44,200 --> 00:26:46,840 Speaker 2: Okay, I didn't either, though, because what I had seen 464 00:26:46,880 --> 00:26:51,640 Speaker 2: her play was very different than Sugar. She's got range. 465 00:26:52,000 --> 00:26:56,040 Speaker 1: I mean, she's the most versatile actor I've ever met. 466 00:26:57,840 --> 00:27:04,399 Speaker 1: She came in so fearless and just laid that down 467 00:27:04,600 --> 00:27:09,719 Speaker 1: on the floor. And I remember becoming friends with her 468 00:27:09,760 --> 00:27:11,560 Speaker 1: so quickly because you're just like, how do you not 469 00:27:11,600 --> 00:27:17,320 Speaker 1: become friends with somebody like that? And she was so funny. 470 00:27:17,720 --> 00:27:20,960 Speaker 1: I wonder if she was nervous or scared, but we 471 00:27:21,000 --> 00:27:23,040 Speaker 1: can ask her. Probably not. She didn't see it. If 472 00:27:23,080 --> 00:27:27,720 Speaker 1: she did, if she was just trying not to laugh 473 00:27:28,600 --> 00:27:32,480 Speaker 1: during that entire scene just shooting. I didn't want to 474 00:27:32,560 --> 00:27:35,840 Speaker 1: room takes for her. But like, she's so funny. 475 00:27:36,160 --> 00:27:39,800 Speaker 2: And so she was singing or talking, it was equally 476 00:27:40,080 --> 00:27:41,800 Speaker 2: as funny anything she did. 477 00:27:42,320 --> 00:27:44,680 Speaker 1: He was really her singing. He is really good. 478 00:27:45,600 --> 00:27:51,840 Speaker 2: It's very good. That it's insane. 479 00:27:52,680 --> 00:27:55,960 Speaker 1: I was texting with them, Heather last night and night 480 00:27:56,359 --> 00:27:59,640 Speaker 1: we were talking about this episode, and she was laughing 481 00:27:59,720 --> 00:28:01,560 Speaker 1: because she was like, I have to go turn this 482 00:28:01,640 --> 00:28:03,960 Speaker 1: on and watch Vanessa's number. 483 00:28:04,600 --> 00:28:07,560 Speaker 2: My mom watched it too yesterday. It was texting me 484 00:28:07,600 --> 00:28:10,919 Speaker 2: all about it. It's a great episode. 485 00:28:11,600 --> 00:28:17,760 Speaker 1: It's really good, really really good. And so we also 486 00:28:17,840 --> 00:28:23,600 Speaker 1: learned that we're going to do West Side Story this year. 487 00:28:24,840 --> 00:28:30,200 Speaker 2: That's right, because I mean, I mean, Kurt raises. Kurt 488 00:28:30,240 --> 00:28:32,680 Speaker 2: and Rachel raise a good point. They have no credits 489 00:28:33,760 --> 00:28:36,720 Speaker 2: because all the musicals get shut down, so they're doing 490 00:28:36,760 --> 00:28:40,080 Speaker 2: one that has been done won't get canceled, West Side Story. 491 00:28:41,120 --> 00:28:44,320 Speaker 2: Kurt also has something else going on because Blaine. He's 492 00:28:44,360 --> 00:28:48,479 Speaker 2: trying to coax Blaine into moving over to our school 493 00:28:48,520 --> 00:28:53,040 Speaker 2: to come to McKinley the water's fine, and eventually he agrees, 494 00:28:53,240 --> 00:28:57,680 Speaker 2: and then he performs a number at Burns Team. It's 495 00:28:57,720 --> 00:29:00,240 Speaker 2: an iconic Plaine number. You know, I think that is 496 00:29:00,680 --> 00:29:05,440 Speaker 2: really I think that's one of the most memorable Blaine 497 00:29:05,440 --> 00:29:10,280 Speaker 2: performances right those bright So there's quite a few, there's 498 00:29:10,320 --> 00:29:14,240 Speaker 2: a lot, but yeah, Blaine has quite a few memorable numbers. 499 00:29:14,480 --> 00:29:17,479 Speaker 1: But yes, yes, I agree, especially because he's in regular clothes. 500 00:29:17,520 --> 00:29:19,600 Speaker 1: This is Blaine. This is the beginning of Blaine in 501 00:29:19,600 --> 00:29:21,360 Speaker 1: regular clothes with his bow ties. 502 00:29:22,120 --> 00:29:24,920 Speaker 2: And the thing is is, like, we need some members 503 00:29:24,960 --> 00:29:28,320 Speaker 2: because Santana gets kicked out of glee club. 504 00:29:29,280 --> 00:29:35,760 Speaker 1: For for being in cahoots with Sue and also playing. 505 00:29:35,960 --> 00:29:38,040 Speaker 1: She's playing both sides, Sue. 506 00:29:38,440 --> 00:29:42,200 Speaker 2: He sets the purple piano on fire after Blaine's performance. 507 00:29:42,920 --> 00:29:46,960 Speaker 2: Do you remember that happening? Yes, yes I do, I don't. 508 00:29:47,080 --> 00:29:52,560 Speaker 1: It was one quick take, Okay, Eric's like, we got it, 509 00:29:52,600 --> 00:29:55,960 Speaker 1: but they gave us like a whole field. Yeah, you 510 00:29:56,040 --> 00:29:57,760 Speaker 1: had to get the whole fire safety thing. It was 511 00:29:57,880 --> 00:29:59,640 Speaker 1: very like, but we just sat there the whole time. 512 00:29:59,680 --> 00:30:04,800 Speaker 1: It's not likely were dancing around a fiery piano. And 513 00:30:06,920 --> 00:30:13,240 Speaker 1: that leads us to Sue, who is running for Congress, 514 00:30:14,080 --> 00:30:18,440 Speaker 1: and she has taken to Sue's corner to announce that 515 00:30:18,520 --> 00:30:21,040 Speaker 1: she is going to do everything to cut funding of 516 00:30:21,080 --> 00:30:22,600 Speaker 1: the arts in education. 517 00:30:22,760 --> 00:30:27,120 Speaker 2: Because she realizes people want to be against something, not 518 00:30:27,240 --> 00:30:29,400 Speaker 2: for something, they want to be against something, and so 519 00:30:29,480 --> 00:30:33,760 Speaker 2: she's going to help unite people behind being against the 520 00:30:33,920 --> 00:30:38,440 Speaker 2: arts shipped of its money, and Will sees this and 521 00:30:38,440 --> 00:30:41,120 Speaker 2: gets fired up, which turns Jama on. 522 00:30:43,320 --> 00:30:47,720 Speaker 1: Or Emma, Yes, yes, Emma, and they glitter bomb Sue. 523 00:30:47,920 --> 00:30:53,080 Speaker 1: That's right, which I gasped, because that is actually worse 524 00:30:53,120 --> 00:30:56,640 Speaker 1: than a slushie. It's worse than a food fight. It's 525 00:30:56,640 --> 00:30:59,880 Speaker 1: worse than anything that probably didn't go away for a year. 526 00:31:00,720 --> 00:31:04,000 Speaker 2: No, she was probably finding glitter coming out of her 527 00:31:04,000 --> 00:31:05,800 Speaker 2: hair for so long. 528 00:31:07,600 --> 00:31:08,520 Speaker 1: That's awful. 529 00:31:09,440 --> 00:31:13,280 Speaker 2: I do gotta say, though, I really enjoy Santana and 530 00:31:13,320 --> 00:31:16,440 Speaker 2: Becky being Coca and being awful. 531 00:31:16,160 --> 00:31:23,720 Speaker 1: To everyone auditionally and so buddy, very very funny, and 532 00:31:23,720 --> 00:31:28,440 Speaker 1: and then we sing. Okay. Rachel finds a piano in 533 00:31:28,480 --> 00:31:32,120 Speaker 1: the choir room at the end of this episode and 534 00:31:32,160 --> 00:31:33,440 Speaker 1: we do you can't stop the beat. 535 00:31:33,800 --> 00:31:37,120 Speaker 2: She shuts Will up and said, say no more. I 536 00:31:37,160 --> 00:31:37,840 Speaker 2: got it from here. 537 00:31:40,560 --> 00:31:46,480 Speaker 1: I love this number really because it was a free 538 00:31:46,480 --> 00:31:48,240 Speaker 1: for all. It's a free form rock out even though 539 00:31:48,240 --> 00:31:52,560 Speaker 1: there's's choreographed. It was like there was only one one 540 00:31:52,560 --> 00:31:56,400 Speaker 1: performance in this episode for us, so like, well, too too, sorry, 541 00:31:56,440 --> 00:31:59,320 Speaker 1: we can't stop the beat, and then you can't stop 542 00:31:59,320 --> 00:32:05,800 Speaker 1: the beat and we at the beat. But Heather Morris, 543 00:32:07,320 --> 00:32:11,520 Speaker 1: if you go about halfway into this song, you will 544 00:32:11,520 --> 00:32:14,720 Speaker 1: see Heather Morris make one of the weirdest face funny 545 00:32:14,760 --> 00:32:20,640 Speaker 1: faces you'll ever see. I couldn't remember why she did that, 546 00:32:21,760 --> 00:32:23,120 Speaker 1: but I texted her yesterday. 547 00:32:25,400 --> 00:32:28,680 Speaker 2: Ocean Yoshah run from above. It's throwing that part and 548 00:32:28,680 --> 00:32:33,160 Speaker 2: it's so good, she crosses her eyes and it became 549 00:32:33,280 --> 00:32:35,800 Speaker 2: such like a meme thing later on. 550 00:32:36,760 --> 00:32:41,640 Speaker 1: And I've never I paused it. I took photos of it, 551 00:32:41,800 --> 00:32:46,000 Speaker 1: I screen grabbed it. But Heather. I asked Heather why 552 00:32:46,040 --> 00:32:46,560 Speaker 1: she did it. 553 00:32:47,240 --> 00:32:49,880 Speaker 3: I'll tell you who it is. It was Eric Stolts, 554 00:32:50,440 --> 00:32:53,400 Speaker 3: who was my biggest advocate. And I remember I was 555 00:32:53,480 --> 00:32:57,320 Speaker 3: like out of my mind and I was joking around 556 00:32:58,200 --> 00:33:01,280 Speaker 3: and I was doing it for fun and he put 557 00:33:01,280 --> 00:33:04,960 Speaker 3: it in there. I think I was just trying to 558 00:33:04,960 --> 00:33:09,080 Speaker 3: make people laugh, like the camera people, and I don't 559 00:33:09,120 --> 00:33:11,560 Speaker 3: know who else, like maybe Britney Parks or something like. 560 00:33:11,520 --> 00:33:13,360 Speaker 1: That, and he put it in there. 561 00:33:13,880 --> 00:33:16,800 Speaker 3: It's Eric Stalts, didn't he He's the one that edited that, 562 00:33:17,800 --> 00:33:19,360 Speaker 3: and he was cracking up. 563 00:33:20,120 --> 00:33:23,120 Speaker 1: Eric Staltz was responsible for one of my favorite moments. 564 00:33:23,560 --> 00:33:25,520 Speaker 2: Yep, that seems right, doesn't that? 565 00:33:26,000 --> 00:33:29,560 Speaker 1: And Sugar Mauta this episode, it's you know, you've got 566 00:33:29,600 --> 00:33:33,400 Speaker 1: me a strong start to the season. Strong strong start? 567 00:33:34,520 --> 00:33:38,600 Speaker 2: Well, I mean it's set up for Sue versus the 568 00:33:38,600 --> 00:33:43,960 Speaker 2: world will maybe actually trying with the Glee Club this time. 569 00:33:46,240 --> 00:33:51,760 Speaker 2: And I'm also just interested to see, like personally, how 570 00:33:51,800 --> 00:33:55,880 Speaker 2: we all do. I mean, there was a lot of 571 00:33:55,880 --> 00:33:58,760 Speaker 2: things happening behind the scenes this season. 572 00:33:58,920 --> 00:34:02,960 Speaker 1: Sure, vietations are high for this because of so many 573 00:34:03,000 --> 00:34:05,480 Speaker 1: people saying season three was the best one. So I'm 574 00:34:05,600 --> 00:34:09,279 Speaker 1: just I'm trying to like ease my expectations and just 575 00:34:09,400 --> 00:34:10,719 Speaker 1: watch it as a viewer. You know. 576 00:34:11,160 --> 00:34:19,600 Speaker 4: Yeah, after two and a half years. 577 00:34:19,200 --> 00:34:23,759 Speaker 1: He was cheating while you were pregnant. We're pregnant. Yeah, 578 00:34:23,800 --> 00:34:26,520 Speaker 1: about thirteen women. More like if I would have stayed 579 00:34:26,520 --> 00:34:28,000 Speaker 1: married to Max, I think he would have cheated forever. 580 00:34:28,520 --> 00:34:32,040 Speaker 1: It was. It was just toxic relationship. Michael Coffin returns 581 00:34:32,120 --> 00:34:33,920 Speaker 1: to wind Down with Janet Kramer. 582 00:34:35,640 --> 00:34:39,160 Speaker 2: Wind Down with Janet Kramer and Michael Coffin. You don't 583 00:34:39,200 --> 00:34:41,319 Speaker 2: want to miss this three parts. 584 00:34:41,000 --> 00:34:47,560 Speaker 3: Reunions on iHeartRadio or wherever you get your podcasts. 585 00:34:50,440 --> 00:34:51,720 Speaker 1: Should we do some tarty takes? 586 00:34:52,000 --> 00:34:56,080 Speaker 2: Let's do tarty takes as Jenna Okay, cringe moments. 587 00:34:56,360 --> 00:34:58,879 Speaker 1: Yeah. Sue Sylvester is saying to me and Harry that 588 00:34:58,920 --> 00:35:00,880 Speaker 1: she realized the song might in the Nashland and for 589 00:35:00,920 --> 00:35:04,480 Speaker 1: whatever country we're from. My mouth like my jaw dropped, 590 00:35:07,200 --> 00:35:08,759 Speaker 1: So yeah, I think that's the one for me. 591 00:35:09,719 --> 00:35:15,640 Speaker 2: Yeah, same, I was, I gasped it's second. Then she 592 00:35:15,640 --> 00:35:18,360 Speaker 2: follows it up with you know, like taking bolt cutters 593 00:35:18,400 --> 00:35:21,000 Speaker 2: to the piano, which is hilarious. 594 00:35:21,320 --> 00:35:23,320 Speaker 1: Yeah, it was a funny scene to shoot. To be honest, 595 00:35:23,360 --> 00:35:25,680 Speaker 1: I had fun with it. Yeah, that one line really 596 00:35:25,760 --> 00:35:29,799 Speaker 1: ruined it. Best dance move, so. 597 00:35:31,400 --> 00:35:33,879 Speaker 2: My pick for this, And I didn't realize I had 598 00:35:35,120 --> 00:35:39,000 Speaker 2: clearly must have learned the entire Cheerios choreography too. It's 599 00:35:39,000 --> 00:35:43,080 Speaker 2: not unusual because this started and my wrists immediately did 600 00:35:43,120 --> 00:35:47,040 Speaker 2: the motion and the punches, Like yeah, I clearly learned it. 601 00:35:47,080 --> 00:35:50,319 Speaker 2: And I loved it because as it was watching, like, oh, 602 00:35:50,440 --> 00:35:52,160 Speaker 2: I used to know all of this. I feel in 603 00:35:52,239 --> 00:35:55,520 Speaker 2: my body, in my bones, and so we're just sitting. 604 00:35:55,320 --> 00:35:58,120 Speaker 1: There watching them. There's no world in which we were 605 00:35:58,160 --> 00:36:02,560 Speaker 1: not doing it. Yeah, that's funny. I would say Britney's 606 00:36:02,560 --> 00:36:05,920 Speaker 1: Food Fight twirl absolutely Yeah. 607 00:36:06,640 --> 00:36:18,000 Speaker 2: Best song. Oh that's tough. I I I want to say, 608 00:36:18,320 --> 00:36:22,520 Speaker 2: we got the beat. I really enjoyed it. I I 609 00:36:22,560 --> 00:36:25,239 Speaker 2: don't know what my trauma is with this number in 610 00:36:25,360 --> 00:36:29,080 Speaker 2: this episode, but I look, to be honest, was not 611 00:36:29,120 --> 00:36:32,160 Speaker 2: looking forward to it, and I remember not liking the 612 00:36:32,160 --> 00:36:36,880 Speaker 2: Food Fight and this number. I was wrong. I was 613 00:36:36,920 --> 00:36:41,520 Speaker 2: just flat out. Everybody sounds incredible. The dancing like, the 614 00:36:41,560 --> 00:36:45,280 Speaker 2: choreography is great. I love how it was shot. Everything 615 00:36:45,360 --> 00:36:48,920 Speaker 2: is good, agree, and I liked everyone singing to you. 616 00:36:49,000 --> 00:36:51,279 Speaker 2: I just think it all worked on every level, and 617 00:36:51,360 --> 00:36:56,040 Speaker 2: the go gos liked it so clearly. You know where 618 00:36:56,640 --> 00:36:57,319 Speaker 2: we nailed it. 619 00:36:57,880 --> 00:36:58,640 Speaker 1: We did nail it. 620 00:36:59,080 --> 00:37:01,200 Speaker 2: Yeah, maybe that's that's my pick. 621 00:37:01,560 --> 00:37:03,279 Speaker 1: Okay, I'm picking that one as well. 622 00:37:07,080 --> 00:37:07,520 Speaker 2: I don't. 623 00:37:08,120 --> 00:37:10,560 Speaker 1: I wasn't expecting it. It was a goodness, a pleasant surprise. 624 00:37:12,000 --> 00:37:13,719 Speaker 1: The best performance by a prop. 625 00:37:15,400 --> 00:37:19,040 Speaker 2: I mean the purple pianos m m one. I had 626 00:37:19,120 --> 00:37:22,160 Speaker 2: one home fly on purple piano mm hmm. 627 00:37:22,920 --> 00:37:28,080 Speaker 1: And I also have to say to Emma Pamphlet of 628 00:37:28,239 --> 00:37:35,359 Speaker 1: her of Rachel and Kurt, the drawing, the whole thing 629 00:37:35,480 --> 00:37:41,680 Speaker 1: was just very funny. And then best line. 630 00:37:42,520 --> 00:37:52,120 Speaker 2: Oh god, there's a lot. What do you think, Jenna. 631 00:37:54,360 --> 00:37:58,280 Speaker 1: Okay, I'm given Tina one of one of the best lines. Okay, 632 00:37:58,680 --> 00:38:00,799 Speaker 1: she says, just like these purple pannas, they ripped out 633 00:38:00,800 --> 00:38:03,080 Speaker 1: our guts, the crap all over us and burn us up. 634 00:38:03,880 --> 00:38:10,960 Speaker 2: Yeah, she was spitting fire. Yes this episode, I did 635 00:38:11,640 --> 00:38:15,480 Speaker 2: cackle when Brittany goes, I have pepperoni in my bra 636 00:38:15,600 --> 00:38:17,480 Speaker 2: and it goes, those are your nipples. 637 00:38:18,080 --> 00:38:19,880 Speaker 1: I also have another line that I forgot about that 638 00:38:19,960 --> 00:38:23,359 Speaker 1: you really you reminded me of last night. She's like, well, 639 00:38:23,360 --> 00:38:24,640 Speaker 1: I'm a water sign, so. 640 00:38:29,320 --> 00:38:32,760 Speaker 2: I take it back. Got texted you that that's my favorite. 641 00:38:33,719 --> 00:38:39,240 Speaker 2: I was like, what, she couldn't help burn the piano 642 00:38:39,320 --> 00:38:40,560 Speaker 2: because she's a water sign. 643 00:38:40,680 --> 00:38:41,800 Speaker 1: Oh I'm a water sign. 644 00:38:41,880 --> 00:38:46,600 Speaker 2: That is brilliant. Oh god, I wrote that. 645 00:38:47,440 --> 00:38:50,399 Speaker 1: I feel like I don't know, I feel like sneian thing, 646 00:38:50,440 --> 00:38:53,040 Speaker 1: but who knows. I guess there's a multi There's many, 647 00:38:53,080 --> 00:38:55,719 Speaker 1: many people that it could be. At this point, it's 648 00:38:55,760 --> 00:38:57,080 Speaker 1: no longer just the three of them. 649 00:38:57,840 --> 00:39:00,680 Speaker 2: Jenna, who is your performance MVP? This week? 650 00:39:01,440 --> 00:39:02,239 Speaker 1: Vanessa Jis? 651 00:39:04,680 --> 00:39:08,319 Speaker 2: Who is yours? I would either say Vanessa Lj's or 652 00:39:08,360 --> 00:39:09,239 Speaker 2: Heather Morris. 653 00:39:09,600 --> 00:39:12,560 Speaker 1: I mean, Heather is really always up there, but. 654 00:39:12,560 --> 00:39:14,480 Speaker 2: Also are extolts you know. I don't know. 655 00:39:14,560 --> 00:39:15,919 Speaker 1: Oh man, so good. 656 00:39:17,000 --> 00:39:22,799 Speaker 2: I will happily go with Vanessa l J's because to 657 00:39:22,880 --> 00:39:26,960 Speaker 2: it she's a gem. Okay, Jenna, shit, we found on TikTok. 658 00:39:27,640 --> 00:39:29,960 Speaker 2: This is not only for you. This is a public 659 00:39:30,000 --> 00:39:39,000 Speaker 2: service announcement for everybody because Claire, not Danes. Claire Miles 660 00:39:39,120 --> 00:39:44,040 Speaker 2: on TikTok made this basically a PSA for all of you. 661 00:39:44,040 --> 00:39:48,839 Speaker 2: You have the month of October to clear your Spotify 662 00:39:49,760 --> 00:39:55,560 Speaker 2: from Glee cast songs because your Spotify rapped stops being 663 00:39:55,600 --> 00:40:01,200 Speaker 2: tracked on October thirty first, So if you're embarrassed, you 664 00:40:01,280 --> 00:40:04,760 Speaker 2: gotta stream a whole bunch of music before October thirty 665 00:40:04,760 --> 00:40:09,319 Speaker 2: first to change that. I'm pete if you wanted to 666 00:40:09,360 --> 00:40:12,200 Speaker 2: be at the top of your Spotify playlist or Spotify rapped. 667 00:40:13,040 --> 00:40:15,480 Speaker 2: Now's the time, kids, now's the time. 668 00:40:15,600 --> 00:40:16,080 Speaker 1: Keep it going. 669 00:40:17,040 --> 00:40:19,799 Speaker 2: This is hilarious. I love that she did this. That's 670 00:40:19,840 --> 00:40:23,080 Speaker 2: funny because last year there were so many of you 671 00:40:23,719 --> 00:40:26,520 Speaker 2: that had Glee cast not only in your top five, 672 00:40:27,480 --> 00:40:29,319 Speaker 2: but like number one or two. 673 00:40:30,360 --> 00:40:32,239 Speaker 1: Oh wow? 674 00:40:32,760 --> 00:40:41,239 Speaker 2: Is in twenty twenty two. I could not believe my eyes, right, 675 00:40:42,640 --> 00:40:44,840 Speaker 2: I respect well, I can't understand what's. 676 00:40:44,640 --> 00:40:47,560 Speaker 1: Going on later, Yeah, I can't to see what's going 677 00:40:47,600 --> 00:40:48,680 Speaker 1: to happen at the end of this year. 678 00:40:49,000 --> 00:40:50,719 Speaker 2: You couldn't say, you can't say we didn't warn you. 679 00:40:51,280 --> 00:40:52,920 Speaker 2: Thank you, Clay, Yes. 680 00:40:52,760 --> 00:40:57,160 Speaker 1: Thank you, Claire. Well, that is the beginning of season three. 681 00:40:58,360 --> 00:40:59,600 Speaker 2: You know what next episode is? 682 00:41:00,360 --> 00:41:01,480 Speaker 1: What is it? 683 00:41:01,480 --> 00:41:02,880 Speaker 2: It's what said story auditions? 684 00:41:03,120 --> 00:41:05,480 Speaker 1: Oh my god, Oh my god, oh my god, happening, 685 00:41:05,800 --> 00:41:08,360 Speaker 1: Oh my god. Already that's so fat. 686 00:41:08,920 --> 00:41:10,120 Speaker 2: I'm very excited for all this. 687 00:41:10,560 --> 00:41:11,360 Speaker 1: I am unicorn. 688 00:41:11,480 --> 00:41:17,120 Speaker 2: Oh my okay, well, thank you for being here, strap In. 689 00:41:17,400 --> 00:41:19,040 Speaker 2: We're just getting started for season three. 690 00:41:19,680 --> 00:41:22,000 Speaker 1: Oh my gosh, I can't wait. 691 00:41:23,239 --> 00:41:25,680 Speaker 2: I mean, you know, let us know if there are 692 00:41:25,760 --> 00:41:28,880 Speaker 2: certain things you want us to look out for. Yeah, three, 693 00:41:29,520 --> 00:41:31,200 Speaker 2: so we can keep track and talk about. 694 00:41:30,960 --> 00:41:34,720 Speaker 1: It and we're just going to keep on trucking. So 695 00:41:36,080 --> 00:41:38,840 Speaker 1: buckle up, kids, See you next time. 696 00:41:39,080 --> 00:41:43,160 Speaker 2: And that's what you really missed. Thanks for listening and 697 00:41:43,280 --> 00:41:45,919 Speaker 2: follow us on Instagram at and that's what you really 698 00:41:45,960 --> 00:41:48,080 Speaker 2: miss pod. Make sure to write us a review and 699 00:41:48,200 --> 00:41:50,120 Speaker 2: leave us five stars. See you next time.