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Visit audible dot com, slash I 27 00:01:21,040 --> 00:01:24,280 Speaker 1: heart or text I Heeart to five hundred five hundred 28 00:01:24,400 --> 00:01:26,959 Speaker 1: on the phone. As a star, I'm gonna tell her 29 00:01:27,080 --> 00:01:32,119 Speaker 1: she's a star because I admire her talents. She can 30 00:01:32,120 --> 00:01:35,959 Speaker 1: do dramedy, she can do comedy, and I cannot do either. 31 00:01:36,760 --> 00:01:39,400 Speaker 1: I've tried that acting thing. I realized that I could 32 00:01:39,400 --> 00:01:42,480 Speaker 1: tell jokes, but I can't act. My next Kiss was 33 00:01:42,520 --> 00:01:44,840 Speaker 1: a series regular one of my favorite shows on Stars 34 00:01:44,880 --> 00:01:49,760 Speaker 1: Survivors Remorse as the infamous m Chuck and Betray Kevin 35 00:01:49,760 --> 00:01:53,200 Speaker 1: Hart's ex wife on bt s fake reality series The 36 00:01:53,280 --> 00:01:56,280 Speaker 1: Real Husbands of Hollywood. She is now starting in a 37 00:01:56,320 --> 00:02:00,360 Speaker 1: new series on BT which I saw the pilot called 38 00:02:00,400 --> 00:02:05,560 Speaker 1: in Contempt. Please welcome the money making conversations Erica Ash, 39 00:02:06,000 --> 00:02:08,360 Speaker 1: thank you so much. Well, I try to get it 40 00:02:08,360 --> 00:02:10,200 Speaker 1: all out there, Erica, I try to get it all 41 00:02:10,200 --> 00:02:13,360 Speaker 1: out there that you're doing that. Well. You know, the 42 00:02:13,400 --> 00:02:14,720 Speaker 1: thing about it is that you have a body of 43 00:02:14,720 --> 00:02:18,320 Speaker 1: work and I feel that that's that's important. And uh 44 00:02:18,480 --> 00:02:21,359 Speaker 1: and you're still young. And I tell people all the 45 00:02:21,440 --> 00:02:25,000 Speaker 1: time and when I see a talent like you, did 46 00:02:25,000 --> 00:02:28,079 Speaker 1: you ever do stand up comedy? You know, it's interesting. 47 00:02:28,120 --> 00:02:30,440 Speaker 1: I tried it and realized that it wasn't for me. 48 00:02:30,480 --> 00:02:34,120 Speaker 1: It was a little bit too um. It was a 49 00:02:34,160 --> 00:02:36,880 Speaker 1: little that I just I just I didn't feel connected 50 00:02:36,919 --> 00:02:39,480 Speaker 1: to the work, and so I thought, you know, I 51 00:02:39,800 --> 00:02:42,480 Speaker 1: I there are so many other things that I feel 52 00:02:42,520 --> 00:02:46,080 Speaker 1: far more connected to, like writing and Okay, okay, Erica, Okay, 53 00:02:46,160 --> 00:02:48,519 Speaker 1: let's let's go and be real here now. Was it 54 00:02:48,639 --> 00:02:51,320 Speaker 1: the silence in the audience that that they made the 55 00:02:51,400 --> 00:02:54,920 Speaker 1: disconnect because I'm a stand up comedy Actually? You know, 56 00:02:55,000 --> 00:02:59,639 Speaker 1: I was actually challenged to my very first stand up experience, 57 00:02:59,680 --> 00:03:01,960 Speaker 1: and I was I was told don't go to the 58 00:03:02,040 --> 00:03:08,040 Speaker 1: Jay spot because there's the spot. I sure did. I 59 00:03:08,080 --> 00:03:09,960 Speaker 1: sure did, And I told it so funny. I was 60 00:03:09,960 --> 00:03:11,680 Speaker 1: on Steve Harvey the other day and I told him 61 00:03:11,680 --> 00:03:13,000 Speaker 1: that I went, and he was like, yeah, I heard 62 00:03:13,000 --> 00:03:15,600 Speaker 1: about you. So I went there because I was you know, 63 00:03:15,639 --> 00:03:18,359 Speaker 1: I stopped, well, that sounds like a dare. Don't dare me. 64 00:03:20,080 --> 00:03:24,160 Speaker 1: And I actually got a standing ovation my first time. Okay, okay, okay, Yeah, 65 00:03:24,240 --> 00:03:26,800 Speaker 1: so it wasn't it wasn't necessarily that. And then you know, 66 00:03:26,880 --> 00:03:29,120 Speaker 1: I got I think I maybe got one boo in 67 00:03:29,240 --> 00:03:32,520 Speaker 1: all the times that I tried. Okay, one boom, that's good, 68 00:03:32,560 --> 00:03:37,160 Speaker 1: that's good. One boo one time. Yeah, and I and 69 00:03:37,200 --> 00:03:39,080 Speaker 1: I tried all the tough ones. I didn't I didn't 70 00:03:39,080 --> 00:03:40,560 Speaker 1: go the easy round like I was like, let me 71 00:03:40,600 --> 00:03:42,960 Speaker 1: just dive straight in. But it was just I don't know, 72 00:03:43,000 --> 00:03:44,800 Speaker 1: It's just it was a little like I felt, I 73 00:03:44,800 --> 00:03:49,920 Speaker 1: found the environment amongst the comedians backstage just a little 74 00:03:49,960 --> 00:03:53,040 Speaker 1: bit too heavy. It is. It is very competitively and 75 00:03:53,080 --> 00:03:56,680 Speaker 1: it's very um jl house like, you know, because they 76 00:03:56,760 --> 00:03:59,120 Speaker 1: peered through the bars, you know, looking at you and 77 00:03:59,120 --> 00:04:02,480 Speaker 1: not really support than you. Is really an environment where, 78 00:04:03,320 --> 00:04:06,160 Speaker 1: especially for females. And I gotta just say this because 79 00:04:06,760 --> 00:04:09,760 Speaker 1: you know, I've been doing stand up comed this one 80 00:04:10,280 --> 00:04:12,520 Speaker 1: Steve Harvey now and Jasam but we're all we're all 81 00:04:12,560 --> 00:04:14,600 Speaker 1: good friends. So you you you're throwing out names that 82 00:04:14,640 --> 00:04:17,080 Speaker 1: I'm very familiar with in the stand up comedy industry 83 00:04:17,320 --> 00:04:20,520 Speaker 1: and also legends in the constand up comedy industry, is 84 00:04:20,560 --> 00:04:23,760 Speaker 1: that the female, if you're back there, you you're not 85 00:04:23,760 --> 00:04:26,200 Speaker 1: gonna be respected. If you're an attractive female like you, 86 00:04:26,240 --> 00:04:28,200 Speaker 1: they you're gonna want to get hit on. They're gonna 87 00:04:28,200 --> 00:04:30,880 Speaker 1: want to hit on you. And it's just so much 88 00:04:30,920 --> 00:04:32,640 Speaker 1: pressure you have to deal and all you just want 89 00:04:32,640 --> 00:04:34,520 Speaker 1: to do this is just work on your craft. Could 90 00:04:34,520 --> 00:04:37,599 Speaker 1: I just be funny? Can I just be funny? Okay? 91 00:04:37,640 --> 00:04:39,440 Speaker 1: Thank you? I got I got that. I think the 92 00:04:39,480 --> 00:04:42,120 Speaker 1: final shot for me was when someone came and told 93 00:04:42,160 --> 00:04:44,800 Speaker 1: me if you want people to laugh at you joke, 94 00:04:44,880 --> 00:04:47,919 Speaker 1: you can't be pretty. You need to, you know, dumb 95 00:04:47,920 --> 00:04:50,279 Speaker 1: it down. And I was like, oh no, you have 96 00:04:50,360 --> 00:04:52,760 Speaker 1: to let me be great. You gotta come out there 97 00:04:52,760 --> 00:04:54,640 Speaker 1: with your hair scatter. You know what I'm saying, Your 98 00:04:54,640 --> 00:05:02,239 Speaker 1: hair got to be scattered. They laughed, you know, because 99 00:05:02,760 --> 00:05:04,400 Speaker 1: but I'll tell you what. I'll tell you what. There 100 00:05:04,400 --> 00:05:06,960 Speaker 1: are people who have done it and done it successfully, 101 00:05:07,000 --> 00:05:09,960 Speaker 1: like you know, Tiffany Hattish. Of course, the more you know, 102 00:05:10,120 --> 00:05:13,599 Speaker 1: just like like beautiful women who have, who have, And 103 00:05:13,600 --> 00:05:16,440 Speaker 1: there's several others. I'm just you know, stop my head. 104 00:05:16,640 --> 00:05:19,359 Speaker 1: But no, it's no problem when you say that, because 105 00:05:19,360 --> 00:05:22,200 Speaker 1: I know which exactly what you're dealing with in that world. Now, 106 00:05:22,400 --> 00:05:24,760 Speaker 1: let's talk about you know, let's talk about you. What 107 00:05:24,839 --> 00:05:28,280 Speaker 1: I thought was it was the role of a lifetime 108 00:05:28,360 --> 00:05:30,359 Speaker 1: for you at that point. You've done a lot of 109 00:05:30,360 --> 00:05:34,000 Speaker 1: different things. Was m Chuck on the on the show 110 00:05:34,200 --> 00:05:36,560 Speaker 1: Stars Survivor for more? Because I just want everybody know, 111 00:05:36,560 --> 00:05:38,400 Speaker 1: because a lot of people may not recognize that name, 112 00:05:38,440 --> 00:05:40,719 Speaker 1: but they need to know they recognized you from those 113 00:05:40,720 --> 00:05:44,919 Speaker 1: commercials because you were very physically active. Use the aggressive character, 114 00:05:45,320 --> 00:05:48,320 Speaker 1: use an independent character. Tell me what you loved about 115 00:05:48,320 --> 00:05:50,520 Speaker 1: that character before we move on to your next projects. 116 00:05:51,279 --> 00:05:54,599 Speaker 1: I just loved how how comfortable she was with who 117 00:05:54,640 --> 00:05:57,400 Speaker 1: she was, and how free she was to speak on 118 00:05:57,600 --> 00:05:59,440 Speaker 1: all the things that she thought. You know, a lot 119 00:05:59,440 --> 00:06:02,719 Speaker 1: of people are sort of restricted by their by their class. 120 00:06:02,880 --> 00:06:06,280 Speaker 1: You know, I'm one of them. I grew up very um, 121 00:06:06,320 --> 00:06:10,080 Speaker 1: sort of in a strict household with a mother who 122 00:06:10,160 --> 00:06:13,520 Speaker 1: was very conservative, and um, you know, I'm a double 123 00:06:13,560 --> 00:06:18,159 Speaker 1: p k to to pre prepare. So what I said, 124 00:06:18,520 --> 00:06:21,560 Speaker 1: what I did, and you know, I was always told, 125 00:06:21,600 --> 00:06:23,719 Speaker 1: like the world is watching you, you better be careful. 126 00:06:23,800 --> 00:06:25,719 Speaker 1: And you know, m Chuck is just she was a 127 00:06:25,760 --> 00:06:28,480 Speaker 1: different energy. She was so fresh and free and like 128 00:06:28,800 --> 00:06:30,760 Speaker 1: she would say things and then she think about it, 129 00:06:30,839 --> 00:06:33,200 Speaker 1: you know, and I was like, I like this, and 130 00:06:33,240 --> 00:06:37,080 Speaker 1: so I would I I would embody that fully when 131 00:06:37,080 --> 00:06:42,359 Speaker 1: I played her, and sometimes when I didn't. So you know, 132 00:06:42,480 --> 00:06:44,760 Speaker 1: she freed she freed me up a little bit. It 133 00:06:44,920 --> 00:06:47,800 Speaker 1: just kind of be a bit more, you know, moufie. 134 00:06:47,839 --> 00:06:50,680 Speaker 1: And and you know, well, you know when you went 135 00:06:50,720 --> 00:06:52,640 Speaker 1: to when you went to that graveyard, you know when 136 00:06:52,640 --> 00:06:54,960 Speaker 1: your graveyard s you know, that was the that was 137 00:06:55,000 --> 00:06:58,480 Speaker 1: a moment for me. You know, oh, thank you, thank you. 138 00:06:59,240 --> 00:07:02,159 Speaker 1: That was that was moment for me to out there. 139 00:07:03,120 --> 00:07:05,360 Speaker 1: It was cold. I was like, wait, you really want 140 00:07:05,400 --> 00:07:07,640 Speaker 1: me to actually like pull my pants down and go 141 00:07:07,680 --> 00:07:10,000 Speaker 1: to the bathroom my ear? Let me tell you out something. 142 00:07:11,120 --> 00:07:13,000 Speaker 1: We're gonna do it together as a group. So when 143 00:07:13,080 --> 00:07:16,080 Speaker 1: y'all say take another, take another, take, y'all realize I 144 00:07:16,120 --> 00:07:19,040 Speaker 1: love that. I love you. Did that, I love you. 145 00:07:19,080 --> 00:07:23,120 Speaker 1: That's everybody pulling their pants down to day. That's m 146 00:07:23,200 --> 00:07:26,160 Speaker 1: Chuck moved. That's that's I love that. Now let's talk 147 00:07:26,160 --> 00:07:28,800 Speaker 1: about the fact that you know, we want, you know, 148 00:07:29,080 --> 00:07:31,120 Speaker 1: we want to talk about your your experience and working 149 00:07:31,120 --> 00:07:35,800 Speaker 1: with Kevin Hart, you know, basically an improvisational show, and 150 00:07:35,880 --> 00:07:37,120 Speaker 1: you know, you know, we want to go back a 151 00:07:37,160 --> 00:07:39,480 Speaker 1: little bit because Matt TV was your I want to 152 00:07:39,520 --> 00:07:42,840 Speaker 1: see your entry into television and your first big break. 153 00:07:42,880 --> 00:07:46,160 Speaker 1: Could I say that Matt TV? Yeah? Yeah, okay, Now 154 00:07:46,360 --> 00:07:49,440 Speaker 1: so you Matt TV, you know, scripted, he was a writer. 155 00:07:50,320 --> 00:07:52,880 Speaker 1: Uh did you go to now you have this amazing 156 00:07:52,880 --> 00:07:56,160 Speaker 1: opportunity with Kevin Hart on a basically show where improv 157 00:07:56,240 --> 00:07:59,600 Speaker 1: plays a lot. Were there any fears or you just say, hey, 158 00:08:00,200 --> 00:08:04,280 Speaker 1: I'm going forward? What were your thoughts? Because I mean comedy, 159 00:08:04,440 --> 00:08:07,000 Speaker 1: comedy is my default as a person like Erica, Like 160 00:08:07,400 --> 00:08:10,600 Speaker 1: you know, I love making jokes and being funny and 161 00:08:10,600 --> 00:08:12,960 Speaker 1: I'm and I'm very quick with it. I am I'm 162 00:08:13,000 --> 00:08:17,120 Speaker 1: always you know, clapping back and popping off. When I 163 00:08:17,200 --> 00:08:19,280 Speaker 1: get with somebody like Kevin, that's just like, let's go 164 00:08:19,320 --> 00:08:22,680 Speaker 1: play in the sandbox, you know, so we we It 165 00:08:22,840 --> 00:08:26,400 Speaker 1: was a fully scripted show. It was not meant to 166 00:08:26,520 --> 00:08:29,280 Speaker 1: be improv but you know, you get all those funny 167 00:08:29,320 --> 00:08:33,559 Speaker 1: guys together, That's what I'm saying, you know, Erica, it's 168 00:08:33,600 --> 00:08:35,680 Speaker 1: not going to not happen. There you go, there you go. 169 00:08:35,760 --> 00:08:37,760 Speaker 1: And then you had to be ready going that line 170 00:08:38,000 --> 00:08:39,880 Speaker 1: what you were supposed to say. You couldn't just look 171 00:08:39,920 --> 00:08:42,600 Speaker 1: at it like that script. No, you have to roll 172 00:08:42,679 --> 00:08:46,040 Speaker 1: with it. And that's why I enjoyed watching Competitive. Yeah, 173 00:08:46,080 --> 00:08:48,000 Speaker 1: and I'm competitive. I'm not gonna let y'all. I'm not 174 00:08:48,000 --> 00:08:52,840 Speaker 1: gonna let y'all flap clap, flap flap. And I don't back, 175 00:08:53,280 --> 00:08:56,240 Speaker 1: you know what I mean. I was like, cool, Yeah, 176 00:08:56,320 --> 00:08:59,360 Speaker 1: Iron Sharper's Iron and that was the best best comedy 177 00:08:59,440 --> 00:09:03,000 Speaker 1: chop Cat ever. Now let's talk about the new show 178 00:09:03,280 --> 00:09:05,400 Speaker 1: in Contempt. That's gonna take us into the next break. 179 00:09:05,840 --> 00:09:07,679 Speaker 1: But I just want to such a stage for how 180 00:09:07,720 --> 00:09:10,160 Speaker 1: great you are as a comedian, the greats that you 181 00:09:10,280 --> 00:09:13,840 Speaker 1: work with, your dariness and it come is. I don't 182 00:09:13,880 --> 00:09:16,960 Speaker 1: have to ask this question. Is in Contempt? Is that 183 00:09:17,080 --> 00:09:21,320 Speaker 1: a drama t or drama? You know we have we 184 00:09:21,400 --> 00:09:25,600 Speaker 1: have yet to to officially categorize it, but I've heard 185 00:09:25,840 --> 00:09:31,360 Speaker 1: I've heard draw Uh yeah, I've heard drama the most. 186 00:09:31,440 --> 00:09:34,320 Speaker 1: And that's just because people, Um, you know, I can't 187 00:09:34,320 --> 00:09:36,520 Speaker 1: do anything and not bring some time to do it. 188 00:09:39,000 --> 00:09:42,080 Speaker 1: So if it's if it's if it's something super serious, 189 00:09:42,400 --> 00:09:44,880 Speaker 1: there has to be moments of levity because you know, 190 00:09:45,040 --> 00:09:48,040 Speaker 1: I'm I just don't believe that life is that. I 191 00:09:48,040 --> 00:09:51,600 Speaker 1: don't believe that life is all serious and you know, 192 00:09:52,160 --> 00:09:55,040 Speaker 1: heavy and sad, and you know, we've got to work 193 00:09:55,240 --> 00:09:58,640 Speaker 1: with you know what I mean, We have to really 194 00:09:59,280 --> 00:10:01,440 Speaker 1: we have to find those moments of levity in order 195 00:10:01,480 --> 00:10:03,560 Speaker 1: to keep our sanity. And I'm happy to be the 196 00:10:03,559 --> 00:10:05,400 Speaker 1: one to bring it. Well. The interesting thing about it 197 00:10:05,400 --> 00:10:07,719 Speaker 1: because I know they're not writing there's a drama. That's 198 00:10:07,960 --> 00:10:10,480 Speaker 1: that's why they ask you that, because I know you 199 00:10:10,480 --> 00:10:12,679 Speaker 1: know when you when when when it was pitched, you 200 00:10:12,679 --> 00:10:15,520 Speaker 1: know it was pitched as a drama. But you just 201 00:10:15,600 --> 00:10:19,240 Speaker 1: so naturally and your co stars are just aligning themselves 202 00:10:19,320 --> 00:10:22,160 Speaker 1: right with your with your actions, which is really really 203 00:10:22,559 --> 00:10:25,800 Speaker 1: which really really entertaining. So before we leave for this break, 204 00:10:26,360 --> 00:10:30,920 Speaker 1: quickly tell everybody exactly what INCA tip is. Well in 205 00:10:31,000 --> 00:10:34,560 Speaker 1: contempt is a one hour law procedural. It's the first 206 00:10:34,559 --> 00:10:36,480 Speaker 1: of its kind on b ET. So I'm glad that 207 00:10:36,520 --> 00:10:39,720 Speaker 1: they're you know, they're taking such huge risks, um, But 208 00:10:39,880 --> 00:10:43,080 Speaker 1: it's from the perspective of the public defender, whereas most 209 00:10:43,120 --> 00:10:45,120 Speaker 1: that you will see like law and order from the 210 00:10:45,160 --> 00:10:49,000 Speaker 1: perspective of the district attorney. So my character, Gwen Sullivan 211 00:10:49,400 --> 00:10:54,040 Speaker 1: is you know, very headstrong, very very determined and passionate 212 00:10:54,040 --> 00:10:56,839 Speaker 1: public defender who is willing to do anything to get 213 00:10:56,840 --> 00:10:58,960 Speaker 1: her clients to fair shake because she represents the people 214 00:10:59,000 --> 00:11:01,600 Speaker 1: who are quote a quote guilty and to proven innocent. 215 00:11:02,760 --> 00:11:05,560 Speaker 1: And so you know, she's willing to get arrested. She'll 216 00:11:05,600 --> 00:11:07,520 Speaker 1: pop off at the judge, She'll let him have it 217 00:11:07,559 --> 00:11:09,760 Speaker 1: in court. I mean, she'll go off on her, on her, 218 00:11:09,800 --> 00:11:13,040 Speaker 1: on her opposing counsel. It just you know, she just 219 00:11:13,120 --> 00:11:16,240 Speaker 1: really really goes there. But you you fall in love 220 00:11:16,320 --> 00:11:19,520 Speaker 1: with that packing, but she's also fawed that thought. Right quick, Erica, 221 00:11:19,600 --> 00:11:21,120 Speaker 1: We're gonna be right back. I want to get more 222 00:11:21,120 --> 00:11:23,800 Speaker 1: details on you, the star of In Contempt. On b 223 00:11:24,040 --> 00:11:28,720 Speaker 1: et Erica, Hi, just ra Sean McDonald. I'm back with 224 00:11:28,760 --> 00:11:32,280 Speaker 1: money making conversations on the phone, because Erica asked she's 225 00:11:32,320 --> 00:11:35,680 Speaker 1: the star of the new BT series In Contempt. She 226 00:11:35,840 --> 00:11:38,160 Speaker 1: told us earlier that she is a double p K 227 00:11:38,440 --> 00:11:43,400 Speaker 1: kid double and then I found out that she wanted 228 00:11:43,440 --> 00:11:45,520 Speaker 1: to be a doctor at one time in her life. 229 00:11:45,640 --> 00:11:49,360 Speaker 1: What made that shift there? Erica come on that waking 230 00:11:49,440 --> 00:11:51,240 Speaker 1: up and realizing that it was my parents dream and 231 00:11:51,280 --> 00:11:56,520 Speaker 1: not mine, which happened somewhere around UM junior year. After 232 00:11:56,559 --> 00:11:59,400 Speaker 1: I depleted all of the requirements and done everything that 233 00:11:59,559 --> 00:12:01,200 Speaker 1: you know, they had asked, I had a little bit 234 00:12:01,240 --> 00:12:02,880 Speaker 1: of time on my hands, you know, it had time 235 00:12:02,920 --> 00:12:05,360 Speaker 1: to think about it, and so I decided to take 236 00:12:05,400 --> 00:12:07,840 Speaker 1: a year and figure out what it is that Erica 237 00:12:07,880 --> 00:12:10,920 Speaker 1: wanted to do. And during that year, I happened to 238 00:12:10,960 --> 00:12:14,480 Speaker 1: fall into a background singing gig and fell into you know, 239 00:12:14,720 --> 00:12:18,680 Speaker 1: was a modeling situation. And you know these extra credits 240 00:12:18,720 --> 00:12:21,200 Speaker 1: that aren't in your bio. You know, you are model, 241 00:12:21,320 --> 00:12:24,480 Speaker 1: you were a singer. You know these Oh you're just 242 00:12:24,520 --> 00:12:27,000 Speaker 1: a three sixty kid. You're just are not a peakake kid. 243 00:12:27,040 --> 00:12:30,680 Speaker 1: You lived about nine lives. Because you're also a comedy writer. 244 00:12:30,760 --> 00:12:35,880 Speaker 1: You also a comedy writer. Yes, yes, So I didn't 245 00:12:35,920 --> 00:12:37,960 Speaker 1: realize that I was a comedy writer because my very 246 00:12:38,040 --> 00:12:43,200 Speaker 1: very first show UM, I had pitched the character and 247 00:12:43,360 --> 00:12:45,840 Speaker 1: they paired me with a writer to develop the character 248 00:12:45,920 --> 00:12:49,160 Speaker 1: for the show, and the writer just kept getting it wrong. 249 00:12:49,280 --> 00:12:50,920 Speaker 1: I was like, no, that's not that's something you would say. 250 00:12:51,440 --> 00:12:54,480 Speaker 1: He would say that that's not sir, sir, You're just 251 00:12:54,520 --> 00:12:56,440 Speaker 1: not getting it right. I was like, how about you know? 252 00:12:56,480 --> 00:12:59,120 Speaker 1: And then I just kept like I wasn't explaining myself 253 00:12:59,200 --> 00:13:01,600 Speaker 1: very well. So I was like, I went home and 254 00:13:01,640 --> 00:13:05,080 Speaker 1: I wrote the scene and I saw it and then 255 00:13:05,200 --> 00:13:06,760 Speaker 1: I came back and I was like, it's it's kind 256 00:13:06,800 --> 00:13:10,240 Speaker 1: of more like this, and he was like, uh, why 257 00:13:10,240 --> 00:13:14,319 Speaker 1: don't you just use this? Yeah? Okay, So kind of 258 00:13:14,400 --> 00:13:16,680 Speaker 1: hastened by accidents that I realized I was a writer. 259 00:13:16,800 --> 00:13:19,960 Speaker 1: And then and then Mad TV, I did the same 260 00:13:20,000 --> 00:13:22,040 Speaker 1: thing when I when I because they pulled me from 261 00:13:22,080 --> 00:13:25,120 Speaker 1: my very first TV show. They actually um made me 262 00:13:25,160 --> 00:13:28,760 Speaker 1: a straight offer, and you know, I went there and 263 00:13:28,800 --> 00:13:30,000 Speaker 1: I was like, well, this is what I was doing 264 00:13:30,040 --> 00:13:31,600 Speaker 1: on the other show. And they're like, oh, awesome, so 265 00:13:31,640 --> 00:13:33,520 Speaker 1: we'll pay you this. I'm like, wait, skirt held up, 266 00:13:33,559 --> 00:13:37,920 Speaker 1: you pay me. I was supposed to get paid for this. 267 00:13:39,200 --> 00:13:42,880 Speaker 1: They were like, yeah, now your new show in Contempt, 268 00:13:42,960 --> 00:13:45,640 Speaker 1: you are getting paid it the first of his time. 269 00:13:47,400 --> 00:13:49,760 Speaker 1: Let's break down some of your characters. So they really 270 00:13:50,000 --> 00:13:54,199 Speaker 1: rather emotionally charging. You had with your father in the restaurant, 271 00:13:54,280 --> 00:13:57,520 Speaker 1: played by the amazing Richard Lawson. You know, we have 272 00:13:57,520 --> 00:14:01,800 Speaker 1: a really relationship. Really made me and Yance sisters absolutely, 273 00:14:01,840 --> 00:14:05,559 Speaker 1: which is awesome, awesome. You know, just uh Coachella was 274 00:14:05,720 --> 00:14:08,719 Speaker 1: she headlined first black woman ever to headline Coachella. So 275 00:14:08,760 --> 00:14:12,640 Speaker 1: she's amazing. You know. The great things about you is 276 00:14:12,679 --> 00:14:15,760 Speaker 1: that in this in this show, like I said, the 277 00:14:15,800 --> 00:14:19,440 Speaker 1: one hour drama is on bat in contempt. It's a drama, 278 00:14:19,600 --> 00:14:23,320 Speaker 1: but your natural talent seems to be the pool comedy moments. 279 00:14:23,600 --> 00:14:26,400 Speaker 1: Tell tell us about the characters on the show and 280 00:14:26,480 --> 00:14:30,120 Speaker 1: what excites you about the series. Well, the thing that 281 00:14:30,160 --> 00:14:32,520 Speaker 1: I'm most excited about is it something that you haven't 282 00:14:32,560 --> 00:14:37,280 Speaker 1: seen before. And you know, we've got a great, great task. 283 00:14:37,360 --> 00:14:41,040 Speaker 1: I mean, Richard Lawton that you just mentioned plays my father. Um, 284 00:14:41,120 --> 00:14:44,800 Speaker 1: we have Christine Keith, Megan Hutchins moving to tre Ronnie 285 00:14:44,880 --> 00:14:48,360 Speaker 1: Roe Jr. Um and everyone is really really committed to 286 00:14:48,400 --> 00:14:53,360 Speaker 1: making sure this story gets told authentically. Our so runner 287 00:14:53,480 --> 00:14:55,520 Speaker 1: was a public defender in New York for a number 288 00:14:55,560 --> 00:14:57,760 Speaker 1: of years and so she lends that to the script. 289 00:14:57,800 --> 00:15:00,320 Speaker 1: When I read the script, it was a total little 290 00:15:00,360 --> 00:15:02,600 Speaker 1: page turner. So that's the first thing that attracted me. 291 00:15:03,040 --> 00:15:04,920 Speaker 1: And I love the fact that our characters are real 292 00:15:05,000 --> 00:15:07,560 Speaker 1: and they're relatable. You know, they do this awesome job, 293 00:15:07,880 --> 00:15:10,040 Speaker 1: but they have the same issues that everybody else has 294 00:15:10,120 --> 00:15:13,000 Speaker 1: and in their jobs and in their lives. You know, 295 00:15:13,120 --> 00:15:16,040 Speaker 1: like when has a shopping addiction, she's also addicted to 296 00:15:16,080 --> 00:15:19,400 Speaker 1: flame bolts, and she's a g she's got two lovers, 297 00:15:19,440 --> 00:15:21,560 Speaker 1: like you know, you know what I mean. Like notice 298 00:15:21,600 --> 00:15:28,040 Speaker 1: I said a gum and something I would love to 299 00:15:28,120 --> 00:15:32,720 Speaker 1: adopt from Gwen because my game is like flatlining um. 300 00:15:32,760 --> 00:15:35,400 Speaker 1: And then you've got you know, she she likes the 301 00:15:35,440 --> 00:15:41,000 Speaker 1: box and they have their inner office situation. Your offices 302 00:15:41,040 --> 00:15:43,520 Speaker 1: in the closet. Your office is in the closet. That's 303 00:15:43,520 --> 00:15:48,160 Speaker 1: where you operating out over well actually technically my office 304 00:15:48,200 --> 00:15:51,200 Speaker 1: is not in the closet, but which you'll you'll probably 305 00:15:51,200 --> 00:15:55,040 Speaker 1: see UM's episodes, but that's kind of my that's my 306 00:15:55,120 --> 00:15:59,200 Speaker 1: war room. Okay, good, Now, what character I do like it? 307 00:15:59,200 --> 00:16:01,400 Speaker 1: I don't know. Her name was the young lady who 308 00:16:01,800 --> 00:16:06,120 Speaker 1: was at this large firm and now she's coming over here. 309 00:16:06,200 --> 00:16:09,240 Speaker 1: I really liked her character. Really is she is. She's 310 00:16:09,240 --> 00:16:11,480 Speaker 1: She's going to be a serious regular that that character. 311 00:16:13,040 --> 00:16:15,640 Speaker 1: I love her character because because it's a it's a 312 00:16:15,760 --> 00:16:19,440 Speaker 1: very honest character. Where she has chosen to come into 313 00:16:19,440 --> 00:16:23,160 Speaker 1: a field that doesn't have the same tools that can 314 00:16:23,200 --> 00:16:27,920 Speaker 1: help you win. And so you write basically like basically, uh, 315 00:16:28,080 --> 00:16:30,480 Speaker 1: put in the position just to get to the next 316 00:16:30,520 --> 00:16:33,040 Speaker 1: case or to get these people in the position to 317 00:16:33,160 --> 00:16:36,640 Speaker 1: be able to sustain some type of life and uh 318 00:16:36,680 --> 00:16:38,840 Speaker 1: and and win with And I feel that that's the 319 00:16:39,200 --> 00:16:41,480 Speaker 1: that's the biggest thing that came out of the public defenders, 320 00:16:41,520 --> 00:16:44,520 Speaker 1: that these people are walking into situations where they cannot win, 321 00:16:46,280 --> 00:16:49,360 Speaker 1: right or it's like walking into a battle royal with 322 00:16:49,480 --> 00:16:51,640 Speaker 1: like one hand tied behind your back. It's like, do 323 00:16:52,480 --> 00:16:55,080 Speaker 1: you know, It's just it's not it's not a great situation. 324 00:16:55,120 --> 00:16:58,640 Speaker 1: And it makes you realize how underappreciated public defenders are. 325 00:16:58,800 --> 00:17:00,440 Speaker 1: I think, next to teachers, are one of the most 326 00:17:00,520 --> 00:17:04,600 Speaker 1: underappreciated in the country. You know, career choices and um, 327 00:17:04,600 --> 00:17:07,320 Speaker 1: it's it's important that we support them because they don't 328 00:17:07,359 --> 00:17:13,000 Speaker 1: get their underresourced, they're understaffed, they're underfunded, and even information wise, 329 00:17:13,000 --> 00:17:15,200 Speaker 1: they're not even required by law to get the information 330 00:17:15,240 --> 00:17:17,760 Speaker 1: at the same time as the district attorneys. You know, 331 00:17:17,840 --> 00:17:20,879 Speaker 1: the police work with the district attorneys and so obviously 332 00:17:20,960 --> 00:17:25,560 Speaker 1: it behooves them to give the district attorney as much 333 00:17:25,560 --> 00:17:27,800 Speaker 1: of a leg up as possible so they can justify 334 00:17:27,840 --> 00:17:31,119 Speaker 1: it when a crooked cop makes a bad arrest, or 335 00:17:31,359 --> 00:17:34,280 Speaker 1: someone makes a bad idea, and you know, because which 336 00:17:34,320 --> 00:17:36,639 Speaker 1: was in the pilot episode was a bad idea about 337 00:17:36,640 --> 00:17:40,040 Speaker 1: that young man who when you walk to him to say, 338 00:17:40,160 --> 00:17:42,880 Speaker 1: plead out, plead out, and he refused to plead out. 339 00:17:42,920 --> 00:17:45,320 Speaker 1: And you know, the thing about it that I like 340 00:17:45,440 --> 00:17:48,480 Speaker 1: about the show is that, you know, it has layers 341 00:17:48,760 --> 00:17:51,439 Speaker 1: as the lawyers for you as a woman, has layers 342 00:17:51,480 --> 00:17:54,600 Speaker 1: for you emotionally dealing with cases that you're passionate about. 343 00:17:54,880 --> 00:17:56,840 Speaker 1: In the case in that situation, you're about to walk 344 00:17:56,880 --> 00:17:59,760 Speaker 1: away and just say plead out, and you looked at 345 00:17:59,800 --> 00:18:02,800 Speaker 1: this manual. Okay, look, let's go forward, let's go forward. 346 00:18:03,160 --> 00:18:05,280 Speaker 1: And yeah, And a lot of times that's what happens 347 00:18:05,280 --> 00:18:09,040 Speaker 1: because they're they're they're so backlogged in the court system. 348 00:18:09,080 --> 00:18:12,200 Speaker 1: You know. Um, these new laws to try to expedite 349 00:18:12,200 --> 00:18:15,080 Speaker 1: things even more just restrate me to no end because 350 00:18:15,080 --> 00:18:17,760 Speaker 1: I'm like, the court systems already backlogged. That's the reason 351 00:18:17,760 --> 00:18:20,240 Speaker 1: why the jail cells are so full. People can't afford 352 00:18:20,280 --> 00:18:23,080 Speaker 1: these bails, you know, Um, and so they you know, 353 00:18:23,119 --> 00:18:27,159 Speaker 1: they have to await their trials there for you know, days, weeks, years, 354 00:18:27,200 --> 00:18:29,880 Speaker 1: even Calfe brother, you know what I mean, and then 355 00:18:29,920 --> 00:18:34,320 Speaker 1: they end up serving time, doing time for the crimes 356 00:18:34,320 --> 00:18:36,720 Speaker 1: they haven't even been convicted of. You when you do 357 00:18:36,760 --> 00:18:38,560 Speaker 1: a show like this, you do a show like this 358 00:18:38,640 --> 00:18:41,480 Speaker 1: in contempt, you know, because I felt that the character 359 00:18:41,520 --> 00:18:44,040 Speaker 1: you play, M Chuck, what's an emotionally charged character? And 360 00:18:44,080 --> 00:18:46,240 Speaker 1: I feel that the character you played on this show 361 00:18:46,280 --> 00:18:50,119 Speaker 1: is an emotionally charged character. And what is your biggest 362 00:18:50,119 --> 00:18:52,680 Speaker 1: walk away when you when you when you accept the 363 00:18:52,800 --> 00:18:55,159 Speaker 1: role or are you are your audition for a role? 364 00:18:55,200 --> 00:19:00,200 Speaker 1: What are you trying to accomplish on the screen or film? Right? Well, 365 00:19:00,200 --> 00:19:02,200 Speaker 1: first of all, I want my characters to have some 366 00:19:02,240 --> 00:19:08,160 Speaker 1: sort of growth, some sort of um um evolution, right, 367 00:19:08,480 --> 00:19:11,600 Speaker 1: And if I can see them going there, it doesn't 368 00:19:11,640 --> 00:19:14,000 Speaker 1: have to be fully you know, in the first season 369 00:19:14,160 --> 00:19:16,719 Speaker 1: or the first you know, a few episodes. But I 370 00:19:16,760 --> 00:19:18,959 Speaker 1: need to know that they're on the path to something 371 00:19:19,080 --> 00:19:22,200 Speaker 1: like us being better somehow, because I like to use 372 00:19:22,240 --> 00:19:25,000 Speaker 1: every character in some way to motivate someone, right. I 373 00:19:25,080 --> 00:19:27,320 Speaker 1: love to speak to people. I love to speak to 374 00:19:27,400 --> 00:19:30,400 Speaker 1: young girls. I love to speak to young men um 375 00:19:30,480 --> 00:19:33,080 Speaker 1: and and and talk about, you know, their life and 376 00:19:33,080 --> 00:19:35,760 Speaker 1: their choices. And so when I have a character that 377 00:19:35,840 --> 00:19:37,840 Speaker 1: I can kind of use to support that and back 378 00:19:37,920 --> 00:19:40,880 Speaker 1: that up, that's you know, I find that that's a wind. 379 00:19:40,960 --> 00:19:43,959 Speaker 1: That's a win for everybody. They're entertained, but they're learning something. 380 00:19:44,440 --> 00:19:46,160 Speaker 1: You know, It's something that I can be proud of. 381 00:19:46,320 --> 00:19:48,040 Speaker 1: When I have kids one day, I can you know, 382 00:19:48,400 --> 00:19:50,520 Speaker 1: I'll have a body of work that I'll be able 383 00:19:50,560 --> 00:19:51,960 Speaker 1: to share with them and not be like, but don't 384 00:19:51,960 --> 00:19:54,320 Speaker 1: look at this because mommy was in a bad space 385 00:19:54,359 --> 00:19:57,119 Speaker 1: when you did that, you know what I mean. So 386 00:19:57,480 --> 00:20:00,480 Speaker 1: let's talk about the situation that what I wanted to 387 00:20:00,520 --> 00:20:02,960 Speaker 1: talk about. It is this next upcoming movie that's coming 388 00:20:02,960 --> 00:20:07,080 Speaker 1: out this summer that's right in your comedy lane. That's 389 00:20:07,160 --> 00:20:09,880 Speaker 1: right in your comedy lane. You know, I can't throw 390 00:20:09,920 --> 00:20:12,159 Speaker 1: it all away now, I got to I got to 391 00:20:12,240 --> 00:20:13,920 Speaker 1: keep some of it. I got to keep that comedy, 392 00:20:14,160 --> 00:20:17,400 Speaker 1: that comedy leg going. I got my boy a little 393 00:20:17,400 --> 00:20:19,800 Speaker 1: real in it. That's one of the stars from get Out. 394 00:20:19,920 --> 00:20:21,560 Speaker 1: If you don't know who he is, he played the 395 00:20:21,600 --> 00:20:25,040 Speaker 1: security guy the t s a agent and Get Out. 396 00:20:25,320 --> 00:20:28,560 Speaker 1: Very funny young man who's really who's rising? Tell us 397 00:20:28,560 --> 00:20:30,080 Speaker 1: a little bit about your character before we get out 398 00:20:30,080 --> 00:20:33,160 Speaker 1: of here, and also everybody in Contempt. It's on b ET. 399 00:20:33,520 --> 00:20:37,000 Speaker 1: She's starting it and I'm talking to Erica ashe So 400 00:20:37,960 --> 00:20:42,399 Speaker 1: Uncle Drew is a story of uh little rel who 401 00:20:42,480 --> 00:20:45,560 Speaker 1: wants to uh be at the Rutger. You know, he 402 00:20:45,920 --> 00:20:48,640 Speaker 1: basically takes the last bit of money that he has 403 00:20:49,000 --> 00:20:50,920 Speaker 1: and wants to wants to be a coach at the 404 00:20:51,000 --> 00:20:53,879 Speaker 1: Rucker Park because he just knows he can win. Um, 405 00:20:54,040 --> 00:20:56,040 Speaker 1: his team end up falling apart and he's got to 406 00:20:56,040 --> 00:20:58,720 Speaker 1: put together a new team and it's kind of last many. 407 00:20:58,720 --> 00:21:01,080 Speaker 1: He doesn't have a lot of time. Hears about Uncle Drew, 408 00:21:01,119 --> 00:21:03,639 Speaker 1: who is like this you know legend at first the 409 00:21:03,800 --> 00:21:06,000 Speaker 1: tall tale, he thinks, and then he makes him in 410 00:21:06,040 --> 00:21:09,119 Speaker 1: person realizes, Wow, this guy is really good. So you 411 00:21:09,160 --> 00:21:12,000 Speaker 1: know we road trip and travel around to try the 412 00:21:12,080 --> 00:21:15,159 Speaker 1: whole team together. Yeah, Erica, thank you. I hope it 413 00:21:15,240 --> 00:21:18,000 Speaker 1: was amazing. It was amazing interview for me. Keep winning. 414 00:21:18,880 --> 00:21:21,960 Speaker 1: I'm a fan. You can see our BT in Contempt 415 00:21:22,040 --> 00:21:26,520 Speaker 1: the star Erica Ash Listening makes us smarter, more connected people. 416 00:21:26,640 --> 00:21:29,600 Speaker 1: It makes us better partners, parents and leaders, and there's 417 00:21:29,640 --> 00:21:32,560 Speaker 1: no better place to start listening than Audible. Audible is 418 00:21:32,560 --> 00:21:36,159 Speaker 1: where so many inspiring voices and compelling stories open listeners 419 00:21:36,240 --> 00:21:39,080 Speaker 1: up to new experiences and ways of thinking. Audible members 420 00:21:39,119 --> 00:21:42,080 Speaker 1: now get more than ever before. Members choose three titles 421 00:21:42,119 --> 00:21:44,879 Speaker 1: every month, one audiobook plus two Audible originals that you 422 00:21:44,920 --> 00:21:48,040 Speaker 1: can't hear anywhere else. 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