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Speaker 1: It's Engine with Jenny Garth and Tory Spelling. Oh, today's

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Speaker 1: a good day.

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Speaker 2: Look at us.

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Speaker 1: We're back together. Listen to us three.

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Speaker 3: Of us again.

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Speaker 2: You're a love love.

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Speaker 1: We missed you.

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Speaker 3: I missed you, guys. Thank you so much to my

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Speaker 3: two beautiful co hosts.

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Speaker 1: For covering you.

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Speaker 3: You held down the fort. The fort so I had

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Speaker 3: I had COVID, you know, really bad, beyond bad. I

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Speaker 3: have described it as I felt like it was an extracism.

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Speaker 3: And Jen, throughout all these years, has been through every

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Speaker 3: one of my ownnesses with me. Yeah, I said this

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Speaker 3: is the worst. One was like, oh wow, okay, did you.

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Speaker 2: Get the the cheese greater throat. That's the thing that

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Speaker 2: just can't take it? Like, was your throat like a mess?

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Speaker 3: My being was a mess, like hop to toe, like

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Speaker 3: it couldn't in the brainmush and just like everything. And

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Speaker 3: you do find out something if they say when mom

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Speaker 3: goes down, everything goes down, because everything came to a hold.

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Speaker 3: I was like, kids, I am so sorry, but I

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Speaker 3: cannot function like it was that bad. But Brian was

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Speaker 3: so great.

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Speaker 1: It was good.

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Speaker 2: Your boyfriend covered You're soon to be like losing your

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Speaker 2: virgin lover.

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Speaker 1: But today we're going to talk about the first part

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Speaker 1: of the two parter, and that happens in the second.

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Speaker 2: Part of the two part of The Victoria's Secret. I

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Speaker 2: don't wait to talk about the mall and the Victoria's Secret,

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Speaker 2: but we'll all hold off. There's so much to discuss, so.

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Speaker 1: Much to talk about. We are back together and it

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Speaker 1: feels so good. But today we're talking.

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Speaker 3: You know you wanted to go into reunite.

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Speaker 1: It you neted and it feels so good.

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Speaker 3: I love when she does that.

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Speaker 1: Still Music to My Ears. Season seven, episode thirty one,

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Speaker 1: Graduation Day, Part one, aired May twenty first, nineteen ninety seven.

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Speaker 3: Synopsis. Donna's planning to put her cap on and take

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Speaker 3: her clothes off a graduation day, but David doesn't know

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Speaker 3: it yet. Steve is back to pranking while his relationship

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Speaker 3: with Clara's tanking. Kelly convinces Brand to kick Valerie out

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Speaker 3: of Cossa Walsh, leaving her down and out in Beverly Hills.

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Speaker 1: So Good, Lorraine, directed by Jory, written by Larry Mullen.

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Speaker 2: A Field Lorraine. That was one of the best. Yeah,

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Speaker 2: that was a really good one.

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Speaker 3: Really.

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Speaker 1: She keeps stopping herself with these synopsis, we.

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Speaker 2: Might need to start like putting them in the notes,

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Speaker 2: you know, like where people so they can read them

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Speaker 2: because we laugh over them so much.

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Speaker 1: That was so good. I think that's a good idea her.

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Speaker 3: She's on point with her puns always.

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Speaker 2: Lorraine, and just start making the write up, the synopsis,

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Speaker 2: the rite up for the episode.

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Speaker 1: Oh I'm here for that. She's like work once for twice.

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Speaker 1: That's great this episode. What did you guys think? In general?

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Speaker 3: It was very sentimental because it was like, Okay, this

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Speaker 3: is our final graduation, you know, and there were so

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Speaker 3: many sentimental things. I really loved the Jason directed these

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Speaker 3: to the part one part two because it feels it

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Speaker 3: felt right and it felt authentically us, which was really important.

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Speaker 3: And there was so much going on. I don't know

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Speaker 3: a lot.

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Speaker 2: Jason always brings. He brings the heart, yeah, and a

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Speaker 2: few times he's kind of deviated from this, but he

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Speaker 2: does bring a little bit of zany to it typically,

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Speaker 2: and we saw that with the praying.

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Speaker 1: Oh my god, I loved it talking about yeah that

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Speaker 1: parts maybe laugh.

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Speaker 2: He has such a unique style when he directs.

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Speaker 3: Yeah, visually, his storytelling process is always spend something we've

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Speaker 3: really admired about him.

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Speaker 2: I would like you all to know that I spent

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Speaker 2: I take long showers. So I spent twenty minutes in

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Speaker 2: the shower. Wow, probably yesterday. I think it was analyzing why.

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Speaker 2: I mean, and I know this is a this is

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Speaker 2: a story that I bring up and bring it up

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Speaker 2: and bring.

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Speaker 1: It now it's the val story.

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Speaker 2: Well, no, it actually has to do with Claire.

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Speaker 1: Oh okay.

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Speaker 2: The other that was like I want to write a

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Speaker 2: thesis on this. Why do I care so much less

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Speaker 2: about Valerie and Claire who did more episodes or significant

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Speaker 2: amounts of episodes than the core group, and yet I'm

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Speaker 2: so easy to get rid of them. I'm like, bye, Claire,

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Speaker 2: Like what with you?

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Speaker 1: I don't know if you're the only person that feels

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Speaker 1: that way or not. I really don't know. But analyze

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Speaker 1: your analyzation brought you too.

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Speaker 2: Okay, So I will explain Law and Order, s Er, Chicago, Med,

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Speaker 2: all the West Wing, all these shows that I love.

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Speaker 2: People come and go. The core group is not there

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Speaker 2: as the years go on, and I literally do not care.

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Speaker 2: I am as into SVU and season one hundred and

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Speaker 2: twelve as I was season one, But I found another show,

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Speaker 2: sex and the City. I have a real hard time

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Speaker 2: when it's not the core group.

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Speaker 1: Did they deviate from the core? Yeah?

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Speaker 2: Because and just like that, there's no Kim Catrell.

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Speaker 1: Oh. I didn't watch that, But I.

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Speaker 3: Instinctually tell you why why I think that ready, Because

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Speaker 3: it's your it's your youth, it's your childhood. It's not

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Speaker 3: While there's other shows that you might like medical shows

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Speaker 3: and law shows, that's fine. Nine O two and Oho

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Speaker 3: speaks to you on a human level with your friendships

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Speaker 3: and who you grew up with, that you somehow you know,

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Speaker 3: can't go home again, like but you can with nine

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Speaker 3: two Nah. Same thing with Sex and the City. That sorry,

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Speaker 3: that was the version of you when you were a

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Speaker 3: young adults, so it's like two youths.

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Speaker 2: I think you make an excellent point. I also think

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Speaker 2: there's something about the fact that nine two one to

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Speaker 2: no Sex and the City. A few other shows friends

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Speaker 2: would be a great example. It exploded. It went beyond

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Speaker 2: just a TV show, right, it exploded. I literally did

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Speaker 2: a deep dive this week on YouTube watching you guys

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Speaker 2: win the People's Choice Award from nineteen ninety something. I

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Speaker 2: don't know what was wrong with me and Jason gives

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Speaker 2: the speech and you're all up there and I'm like,

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Speaker 2: what is it? And also maybe it's because it just

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Speaker 2: became so huge that when you change that, you're still

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Speaker 2: just going back to the core. I don't know.

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Speaker 1: Also, I think that as the core, as some of

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Speaker 1: the core members, the core is who you fell in

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Speaker 1: love with, like that initial oh my god, this is

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Speaker 1: my show, like it imprinted you. And then when some

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Speaker 1: of the core members leave, there's voids, but people can't

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Speaker 1: fill those voids. It's like trying to, you know, be

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Speaker 1: have a mom that's not your mom. Like it's like,

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Speaker 1: you know, let somebody else into your heart in that way.

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Speaker 1: It just doesn't it doesn't fit the same.

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Speaker 3: They're all fine, I have chills. Jen nailed it in print,

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Speaker 3: in printed.

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Speaker 2: Yes, it's why when people think about nine oh two,

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Speaker 2: one oh, like the reunion conventions, whatever, it's always the core,

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Speaker 2: and the core is what the people want. Yeah, it's why,

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Speaker 2: Like Tiffany, when you say Tiffany to me, I'm like, say,

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Speaker 2: by the Bell, even though she's done like a million shows.

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Speaker 2: And I think that when people embrace that. It's even

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Speaker 2: Jennifer Aniston who's gone on to like win Awards and

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Speaker 2: does the Morning Show and been in a million you're

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Speaker 2: still like, Rachel.

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Speaker 1: Yeah, yeah, I think that's that's how it will always

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Speaker 1: be remembered. And I think there's something so cool about that.

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Speaker 1: But some people don't like.

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Speaker 2: That because I feel bad, But I'm just like, bye,

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Speaker 2: Claire go to Paris, like you just need to.

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Speaker 1: She looks so cute in this episode though.

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Speaker 2: So she's great.

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Speaker 1: I don't know why.

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Speaker 2: I'm like, I need you to go. I think as

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Speaker 2: they did her wrong with the trope my favorite word,

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Speaker 2: it's just the same, same, same.

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Speaker 1: You're troping right now.

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Speaker 3: Yeah, I know, I really am.

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Speaker 2: Thank you so much. Correct, Jenny, Correct.

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Speaker 3: But you know what I got to say. And I

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Speaker 3: know sometimes we don't go in order, and you guys

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Speaker 3: don't like that, but that I really loved the scene

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Speaker 3: with Donna and Kelly and Claire in the.

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Speaker 1: Beach partment like that, I do too. That if I

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Speaker 1: all like give you all the feels. It feels like

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Speaker 1: we've spent the time with them since they got their

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Speaker 1: beach apartment, we've lived with them, we've you know, it

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Speaker 1: feels like we're transitioning into a new phase of our

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Speaker 1: lives as viewers. That's why people just love this show.

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Speaker 1: And we never fully understood it until we watched it ourselves.

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Speaker 3: We couldn't.

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Speaker 2: The apartment is the exception to the rule, because even

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Speaker 2: though the Beach Apartment came in later, it made an impression.

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Speaker 2: It is part of the core Lord for me, that's

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Speaker 2: really You're right, it's somehow Yeah, Okay, where to be Okay,

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Speaker 2: let's start.

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Speaker 1: Let's start with Valerie and her sad story with Brandon

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Speaker 1: right out of the gate, and I'm just like, one

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Speaker 1: of the first things that comes out of her mouth

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Speaker 1: is Brandon. You know, it's been really hard on me

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Speaker 1: since you and Kelly got back together, Like why why

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Speaker 1: has it been so hard on her? And all? She

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Speaker 1: hates Kelly and loves.

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Speaker 3: In her mind, she suddenly created that they were like

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Speaker 3: meant to be.

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Speaker 1: When did this happen?

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Speaker 3: It kind of didn't wish make but.

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Speaker 2: One weird night, I spent a whole other shower thinking

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Speaker 2: about value.

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Speaker 3: Which of those were true from whose perception?

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Speaker 2: Or Here's where I came to If Valerie is really

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Speaker 2: in this dark place, struggling with these dark thoughts and

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Speaker 2: is in real trouble. I support everybody, David, Brandon, everyone

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Speaker 2: going to help her. What I don't like is that

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Speaker 2: part of me is like, is this just another stunt

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Speaker 2: so that they're like, no, no, okay, you can stay

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Speaker 2: Like I don't like her, and I almost think she's both.

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Speaker 2: She has all these feelings and all this emotion and

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Speaker 2: dark and troubled childhood and the mom doesn't come for

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Speaker 2: graduation and it's just one thing after another for her.

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Speaker 2: The money's gone. But then there's this conniving side. So

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Speaker 2: it's just like she is just split for me, and

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Speaker 2: it's tough.

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Speaker 1: Yeah, they've done it so many times. Yeah, that old

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Speaker 1: trope that that we are just like, we have trope.

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Speaker 1: What's that like? Trope?

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Speaker 2: We have trope fatigue.

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Speaker 1: We have trope fatigue. So now we're like it's like

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Speaker 1: the what's that thing when the guy the kids? Yeah,

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Speaker 1: this is what's happening. Because you don't know whether to

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Speaker 1: believe her and feel sympathetic towards her or to just

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Speaker 1: be like, well, what's she up to now?

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Speaker 3: Because no matter what she has been through, people have

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Speaker 3: been through horrific things in life and they're able to

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Speaker 3: still push past it and evolve and change if they

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Speaker 3: really want to. But that's not the case. Here there's

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Speaker 3: also this bad scene part of her.

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Speaker 2: She's just just.

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Speaker 1: So clear that she's never done the work to like evolve.

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Speaker 1: She's never she's just carrying it around instead of working

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Speaker 1: through it. You know.

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Speaker 3: But to Amy's point, like, do you believe though part

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Speaker 3: of her personality is because of everything she has been

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Speaker 3: through traumatically since her childhood, or is there a part

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Speaker 3: of her personality wise that it's just not a good person.

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Speaker 2: You make it a great point, like right, you know

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Speaker 2: how like people are liars or like people have these

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Speaker 2: terrible like characteristics. It comes from to character flaw, Yeah,

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Speaker 2: a bad childhood or an abusive relationship or whatever they experienced.

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Speaker 2: So I want to give Valerie that like grace, like Okay,

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Speaker 2: you really have had it rough. Yeah, but she doesn't,

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Speaker 2: like she just keeps doing it, doing it.

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Speaker 3: Which makes me think sometimes people are just born who

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Speaker 3: they are. And it's horrible that things went on in

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Speaker 3: her childhood that were traumatic and caused her so much harm.

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Speaker 3: But I'd be curious, like what was she like has

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Speaker 3: a takter?

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Speaker 1: I know?

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Speaker 2: And no one holds like a boundary for her, do

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Speaker 2: you know what I'm saying? Like there's no consequences for

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Speaker 2: her because each of these antics works.

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Speaker 1: It didn't work on David. I liked that. He was like, Nope,

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Speaker 1: I'm not going to involved. But Brandon, on the other hand,

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Speaker 1: every time, every single time she uses.

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Speaker 2: Guilt with him, I'll call your mom and dad. Well

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Speaker 2: I've already called that. I mean, it's just so like no.

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Speaker 3: One else can use guilt with him, not even Kelly,

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Speaker 3: the love of his life. Like why Valerie, though I

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Speaker 3: don't know what is sorry.

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Speaker 1: I think it's like something from their childhood must be

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Speaker 1: must be good.

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Speaker 3: I want to hear about that. Then I want to

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Speaker 3: see that.

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Speaker 1: Or he's just like, you know, it feels like just

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Speaker 1: storyline exactly like she's been through so much like he

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Speaker 1: feels so he feels for her so much.

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Speaker 2: He lets these girlfriends go who love him, like and

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Speaker 2: he's just like.

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Speaker 1: Old And also did you notice to her? Maybe you

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Speaker 1: notice too, Amy Brandon went to the wrong bedroom. He

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Speaker 1: left Valerie aka Brenda's room and turned to the left.

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Speaker 1: He did and went into a door.

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Speaker 2: That because it was on a set that was confusing.

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Speaker 1: No that those two set, those two rooms were side by,

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Speaker 1: like and there's a Jack and Jill bathroom between them.

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Speaker 1: You know there are bathroom soah, his bathroom, I mean

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Speaker 1: his bedroom is on the other side of the bathroom,

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Speaker 1: which we all know where that is by now where

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Speaker 1: was he going? And it happened again earlier. It happened

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Speaker 1: again in another time in the show, and then we

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Speaker 1: had an interior of his bedroom which was the same

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Speaker 1: with the door where it is and the bathroom door

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Speaker 1: where it was.

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Speaker 3: Okay, while I did not notice this till you brought

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Speaker 3: it up, and now I can perfectly see it, and

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Speaker 3: this is all wrong. When they were having that first scene, yeah,

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Speaker 3: Brandon and val, I was like, something feels off. And

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Speaker 3: I was like, is the set changed around? Because the door,

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Speaker 3: you're right.

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Speaker 1: He went to the left and he has to go

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Speaker 1: to the right. And then I was like, okay, maybe

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Speaker 1: it was like logistically with the camera or something with time,

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Speaker 1: like they didn't have enough time to shoot and light it.

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Speaker 1: I don't know, but he went to the wrong Interesting.

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Speaker 3: That sounds so not adjacent. Thing Like he's so detail

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Speaker 3: oriented when it comes to directions.

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Speaker 1: So it felt like like one of those, like you know,

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Speaker 1: late in the game decisions where you're like, let's just

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Speaker 1: do it this way.

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Speaker 2: So we can We'll got Jim and Cindy's room.

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Speaker 1: Yeah, must be Steve, right, But we've.

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Speaker 2: Been in Steve's room and it looks just I feel

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Speaker 2: like we've seen step in his room plenty of.

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Speaker 1: Times and it's just like a I cannot remember what

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Speaker 1: Chester room looks like at all in the Wild Shols.

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Speaker 2: Maybe it's I think it's just like another bedroom.

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Speaker 3: What Jim and Sidey's think.

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Speaker 2: That I think it looks I mean, I don't know.

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Speaker 2: I mean, we've seen Stephen the shower.

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Speaker 1: Why takes a shower in the in the in the

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Speaker 1: Jack and Jill bathroom though we've seen him in the shower.

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Speaker 1: Maybe they turned it into a sex room or maybe

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Speaker 1: a gem.

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Speaker 2: Why do they all like so that means he has

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Speaker 2: to go unless the Jack and Jill bathroom has its

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Speaker 2: own door on the outside too.

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Speaker 1: Going showers there. I can see it. I know the

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Speaker 1: set that's not it was so like you know what it's.

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Speaker 3: Joining for me.

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00:16:04,520 --> 00:16:05,960
Speaker 2: Make me think of when Jenny and I went to

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00:16:06,040 --> 00:16:07,760
Speaker 2: the Brady Bunch House, which was still one of the

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Speaker 2: greatest days of my life, and it's so real, like

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Speaker 2: I'm just like, no, we gotta we gotta eat call

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00:16:15,360 --> 00:16:17,520
Speaker 2: her and see if we can go back because it

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00:16:17,640 --> 00:16:18,480
Speaker 2: was so amazing.

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00:16:18,840 --> 00:16:22,680
Speaker 1: That's true. But I do think to your point, wouldn't

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Speaker 1: Brandon have moved into the primary primary? Yeah, the mom

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Speaker 1: and dad's room to have his own bathroom right.

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Speaker 2: And on suite as as the property brothers would say, I.

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Speaker 3: Mean what, I guess we didn't have that set up anymore.

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Speaker 1: They took it down.

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Speaker 3: It would have been too big and costly to keep.

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Speaker 2: Did we Did we ever going Jim and Cindy's room?

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Speaker 1: Yeah? We did so.

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Speaker 2: It was like very rare.

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Speaker 1: It was big. I remember it was big.

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Speaker 3: Yeah.

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Speaker 1: But if Kelly does you saw him?

330
00:16:53,480 --> 00:16:55,400
Speaker 3: I think you were just looking at a hairy chest.

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Speaker 1: Yeah, I'm proud of I saw past that for a while.

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Speaker 1: But if Kelly does move in with Brandon, is she

333
00:17:02,040 --> 00:17:05,879
Speaker 1: going to move into his bedroom? What? Does do we

334
00:17:06,000 --> 00:17:09,399
Speaker 1: ever see this happen on camera? No?

335
00:17:09,760 --> 00:17:11,200
Speaker 2: Things go awrived pretty fast?

336
00:17:11,640 --> 00:17:13,000
Speaker 1: Oh no, what what.

337
00:17:15,400 --> 00:17:15,879
Speaker 3: It has to?

338
00:17:16,040 --> 00:17:19,320
Speaker 1: Because what about the lawyer and the there's other men?

339
00:17:19,400 --> 00:17:20,280
Speaker 1: But what about other men?

340
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Speaker 3: Where am I going to live?

341
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Speaker 1: Who am I going to live with? I don't think.

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Speaker 2: Don't you stay at the beach house?

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Speaker 1: We do?

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00:17:25,840 --> 00:17:26,040
Speaker 3: Yeah?

345
00:17:26,520 --> 00:17:29,280
Speaker 2: Okay, call it because the store Oh good.

346
00:17:29,119 --> 00:17:31,680
Speaker 1: We're not saying goodbye to the beach house. Then, you know, Oh,

347
00:17:32,880 --> 00:17:33,560
Speaker 1: I got nervous.

348
00:17:34,160 --> 00:17:36,200
Speaker 2: It's so weird. We only have eight, nine, ten, Like

349
00:17:36,280 --> 00:17:40,959
Speaker 2: we just have the three weird half sharky years. I've

350
00:17:40,960 --> 00:17:43,119
Speaker 2: been really reading people feel like.

351
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Speaker 1: You can't take base your opinion on other people's comments.

352
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Speaker 2: Well, I'm just gonna like watch it in real time

353
00:17:49,160 --> 00:17:51,399
Speaker 2: because eight, nine and ten are fuzzy for me. So

354
00:17:51,480 --> 00:17:52,800
Speaker 2: it's like I'm going to be watching it for the

355
00:17:52,840 --> 00:17:53,360
Speaker 2: second time.

356
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Speaker 1: What did you guys think about. I don't know if

357
00:18:07,880 --> 00:18:13,000
Speaker 1: this got you, but the slow mo kindergarten graduation all emotional.

358
00:18:13,800 --> 00:18:15,080
Speaker 1: There's something about slow motion.

359
00:18:16,000 --> 00:18:19,359
Speaker 2: Yes, I just love that. Everybody went to Aaron's graduation too,

360
00:18:20,600 --> 00:18:22,639
Speaker 2: and one of those kids looked like famous.

361
00:18:22,720 --> 00:18:24,160
Speaker 1: Later, I was like, who's that kid?

362
00:18:24,480 --> 00:18:24,680
Speaker 3: Really?

363
00:18:25,080 --> 00:18:26,920
Speaker 1: Really you recognize?

364
00:18:26,960 --> 00:18:31,120
Speaker 3: I wouldn't put it past her. She caught sharp eye.

365
00:18:31,280 --> 00:18:32,920
Speaker 2: It was darling. And it was a little bit of

366
00:18:32,960 --> 00:18:35,320
Speaker 2: a bait and switch because you're like, oh my god,

367
00:18:35,359 --> 00:18:36,800
Speaker 2: wait is it the graduate Wait.

368
00:18:37,280 --> 00:18:42,359
Speaker 1: Thought they put the tiny chairs. Sason did a.

369
00:18:42,440 --> 00:18:46,480
Speaker 3: Great job, you guys with this and really delivered on

370
00:18:46,640 --> 00:18:50,560
Speaker 3: every level. Okay, yes, June.

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Speaker 1: Lockhart, I know Grandma was there. Gosh, June Lockhart just

372
00:18:54,880 --> 00:18:58,520
Speaker 1: passed away and then there she was one hundred years young.

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Speaker 3: That's what I was like.

374
00:19:00,680 --> 00:19:04,480
Speaker 2: He was a grandma when she filmed this, so she

375
00:19:04,680 --> 00:19:05,640
Speaker 2: was like seventy.

376
00:19:06,880 --> 00:19:11,320
Speaker 1: She looked so amazing and she lived to be a hundred. Wow,

377
00:19:12,320 --> 00:19:15,160
Speaker 1: she looked. I was really doing that side by side

378
00:19:15,240 --> 00:19:18,760
Speaker 1: profile comparison, and you guys definitely looked alike. You have

379
00:19:18,840 --> 00:19:21,800
Speaker 1: the same nose, the same cheekbones.

380
00:19:22,560 --> 00:19:26,840
Speaker 3: Oh yeah, cars the toast at the peach pit. I

381
00:19:26,920 --> 00:19:27,920
Speaker 3: was like, oh my gosh.

382
00:19:28,119 --> 00:19:28,320
Speaker 1: Yes.

383
00:19:31,840 --> 00:19:35,359
Speaker 3: But to her point, life short, you gottave it up,

384
00:19:36,320 --> 00:19:37,639
Speaker 3: pew that.

385
00:19:39,760 --> 00:19:40,639
Speaker 1: You got a yello.

386
00:19:41,440 --> 00:19:43,240
Speaker 3: You never know what's going to happen in life. And

387
00:19:43,359 --> 00:19:48,159
Speaker 3: I think Donna choosing to move forward, even though we

388
00:19:48,280 --> 00:19:51,480
Speaker 3: haven't gotten to that point in the program yet, is

389
00:19:51,680 --> 00:19:54,240
Speaker 3: right for them. They're in love, they love each other.

390
00:19:54,840 --> 00:19:55,640
Speaker 3: This is their time.

391
00:19:56,760 --> 00:19:57,280
Speaker 1: Yeah, that's it.

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00:19:57,400 --> 00:19:59,640
Speaker 2: Okay, This is a question that I've been waiting seven

393
00:19:59,680 --> 00:20:04,119
Speaker 2: season to ask. Do you, Tory feel that Donna is

394
00:20:04,200 --> 00:20:06,480
Speaker 2: going to do this at the right time or would

395
00:20:06,520 --> 00:20:10,200
Speaker 2: you have actually liked to see her? Wait until season

396
00:20:10,359 --> 00:20:13,399
Speaker 2: ten and we never have this moment, and it's the

397
00:20:13,440 --> 00:20:15,760
Speaker 2: wedding night and we're all kind of left like, WHOA,

398
00:20:16,480 --> 00:20:18,399
Speaker 2: that would have been good, great question.

399
00:20:18,720 --> 00:20:23,120
Speaker 3: I feel like in my youth I was always very

400
00:20:23,240 --> 00:20:26,400
Speaker 3: much it was a badge of honor to be able

401
00:20:26,520 --> 00:20:31,520
Speaker 3: to be a virginal symbolism to so many women and

402
00:20:31,720 --> 00:20:35,440
Speaker 3: men out there. So Donna was like I felt like

403
00:20:35,840 --> 00:20:37,760
Speaker 3: very special to be able to have that. But at

404
00:20:37,800 --> 00:20:39,880
Speaker 3: some point I was like, I kind of just want

405
00:20:39,880 --> 00:20:41,440
Speaker 3: her to lose it, Like, what's the next step? We're

406
00:20:41,440 --> 00:20:44,080
Speaker 3: always talking about the same storyline. She can't, you know,

407
00:20:44,320 --> 00:20:47,120
Speaker 3: move on story wise until we get to that point.

408
00:20:47,560 --> 00:20:51,680
Speaker 3: So I remember when it was happening, I was like, oh, finally.

409
00:20:52,520 --> 00:20:55,639
Speaker 1: I'm sure that's what David thought too, I mean.

410
00:20:57,000 --> 00:20:59,359
Speaker 3: Last of her, I'm sure a good five seconds like

411
00:20:59,480 --> 00:21:05,639
Speaker 3: poor guy. In hindsight, though I don't maybe from a

412
00:21:05,720 --> 00:21:09,320
Speaker 3: storytelling purpose and thought it people so connected to these

413
00:21:09,359 --> 00:21:12,600
Speaker 3: two characters, would it have been such a beautiful journey

414
00:21:12,760 --> 00:21:14,919
Speaker 3: to see the wedding. It would have been too much

415
00:21:14,960 --> 00:21:17,920
Speaker 3: stimulation for people to see the wedding and then the

416
00:21:17,960 --> 00:21:18,679
Speaker 3: wedding night.

417
00:21:20,520 --> 00:21:22,920
Speaker 2: To be left wondering, like I would have liked that

418
00:21:23,880 --> 00:21:27,200
Speaker 2: we still have the exact end scene with that circle

419
00:21:27,359 --> 00:21:30,600
Speaker 2: of everybody dancing dancing around, but then we kind of

420
00:21:30,800 --> 00:21:33,160
Speaker 2: know or maybe there would have been like a winky

421
00:21:33,640 --> 00:21:36,320
Speaker 2: nod to it at some point in that episode.

422
00:21:37,200 --> 00:21:39,920
Speaker 3: But as an audience and you've waited so long to

423
00:21:40,160 --> 00:21:43,520
Speaker 3: see what the connection is after they do sleep together,

424
00:21:44,080 --> 00:21:47,040
Speaker 3: you would be missed on that part, like you would.

425
00:21:47,160 --> 00:21:50,720
Speaker 2: True, there's some storyline that comes from it also.

426
00:21:50,680 --> 00:21:53,920
Speaker 3: So because they evolve as humans once they go past

427
00:21:54,000 --> 00:21:57,720
Speaker 3: this point bad and good, you know, and their relationship

428
00:21:57,800 --> 00:21:58,239
Speaker 3: coming up.

429
00:21:58,800 --> 00:22:02,080
Speaker 1: I just can't see. It's so crazy that it's the

430
00:22:02,200 --> 00:22:04,000
Speaker 1: it's the way it is now Brandon and Kelly and

431
00:22:04,160 --> 00:22:08,440
Speaker 1: David and Donna and everything is copacetic, everything's as it

432
00:22:08,560 --> 00:22:11,920
Speaker 1: should be. Yeah, and now in the next three seasons

433
00:22:12,359 --> 00:22:16,240
Speaker 1: it's going to go back like it's gonna every basket. Yeah,

434
00:22:16,560 --> 00:22:17,320
Speaker 1: like what.

435
00:22:19,040 --> 00:22:19,400
Speaker 2: I feel.

436
00:22:19,520 --> 00:22:23,880
Speaker 1: I feel nervous to watch the next season, honestly, only

437
00:22:24,000 --> 00:22:25,719
Speaker 1: because like I'm so happy right now.

438
00:22:26,160 --> 00:22:31,919
Speaker 2: All I can say is or Hillary Swank, She's in it? Jenny,

439
00:22:32,680 --> 00:22:33,399
Speaker 2: are you joking me?

440
00:22:33,520 --> 00:22:33,760
Speaker 1: Right now?

441
00:22:34,119 --> 00:22:36,879
Speaker 3: Just wait for it, because Jenny, you know I have

442
00:22:36,960 --> 00:22:38,840
Speaker 3: a play by play of how that almost happens.

443
00:22:39,400 --> 00:22:43,920
Speaker 2: I can't wait. Oh, Jenny, he seriously look me in

444
00:22:43,960 --> 00:22:46,560
Speaker 2: the eye. You seriously do not remember I got nothing.

445
00:22:46,840 --> 00:22:49,120
Speaker 3: It'll be like just telling her the story all over again.

446
00:22:49,160 --> 00:22:50,080
Speaker 3: It's going to beautiful.

447
00:22:50,480 --> 00:22:54,520
Speaker 2: The fact that Hillary Swank over came what happened to

448
00:22:54,600 --> 00:22:57,520
Speaker 2: her on nine oh two one oh to win the

449
00:22:57,760 --> 00:23:03,760
Speaker 2: Oscar is like a amazing because people really did not

450
00:23:04,000 --> 00:23:04,600
Speaker 2: like her character.

451
00:23:05,240 --> 00:23:07,920
Speaker 1: Oh really, I have no story.

452
00:23:08,320 --> 00:23:11,000
Speaker 2: I'm right like it was like panned as they say,

453
00:23:11,240 --> 00:23:12,760
Speaker 2: like I think she was supposed I think she was

454
00:23:12,800 --> 00:23:15,760
Speaker 2: supposed to be in the season, and they're like remove her, right,

455
00:23:16,600 --> 00:23:18,040
Speaker 2: Tory's just poker.

456
00:23:18,160 --> 00:23:22,080
Speaker 3: Because there's there's two there's two sides. There's that like, oh,

457
00:23:22,400 --> 00:23:24,760
Speaker 3: championing side, and then there's some other side too.

458
00:23:24,880 --> 00:23:28,440
Speaker 1: So oh now I'm excited to last.

459
00:23:28,640 --> 00:23:30,520
Speaker 2: So much time. I think it's because we're coming to

460
00:23:30,560 --> 00:23:31,920
Speaker 2: the end of the season, the amount of time my

461
00:23:32,040 --> 00:23:36,240
Speaker 2: brain has spent thinking about Hillary Swank Lindsey Price because

462
00:23:36,280 --> 00:23:40,199
Speaker 2: I'm like, girl is with Steve and like no one

463
00:23:40,240 --> 00:23:43,639
Speaker 2: even remembers, like I saw her posting some like fifty

464
00:23:43,720 --> 00:23:45,960
Speaker 2: looks good on you to her like hunky chef husband

465
00:23:46,119 --> 00:23:49,920
Speaker 2: Curtis whose name is out of my head, Curtis Stope,

466
00:23:50,160 --> 00:23:52,600
Speaker 2: And I'm like nobody even remembers that she was on

467
00:23:52,960 --> 00:23:56,960
Speaker 2: nine o two and Oh that she's like Steve's wife girlfriend.

468
00:23:57,359 --> 00:23:59,159
Speaker 1: Yeah, baby mama, I think that a baby.

469
00:23:59,280 --> 00:24:02,280
Speaker 3: Yeah, it's like she does she enter beginning? Oh no

470
00:24:02,720 --> 00:24:03,080
Speaker 3: she doesn't.

471
00:24:03,200 --> 00:24:05,080
Speaker 2: I think she doesn't come quite yet. No, I'm jumping

472
00:24:05,080 --> 00:24:05,879
Speaker 2: ahead because we got to go.

473
00:24:06,000 --> 00:24:08,120
Speaker 3: So when she comes in, Jen and I will give

474
00:24:08,160 --> 00:24:10,679
Speaker 3: you the play by play. I need it all. How

475
00:24:10,800 --> 00:24:14,560
Speaker 3: her character evolved. She was she was only supposed to

476
00:24:14,600 --> 00:24:15,400
Speaker 3: be a guest star.

477
00:24:15,880 --> 00:24:19,480
Speaker 2: Yeah, well first Hillary Swank and then we've got Vincent Young.

478
00:24:19,560 --> 00:24:20,200
Speaker 2: We've got a lot.

479
00:24:20,200 --> 00:24:22,840
Speaker 1: Coming where Daniel cos it's so much happening.

480
00:24:22,960 --> 00:24:24,720
Speaker 2: But yeah, Daniel Cosgrove, I forgot.

481
00:24:24,760 --> 00:24:26,600
Speaker 1: I remember how I said a few minutes ago that

482
00:24:26,720 --> 00:24:28,119
Speaker 1: I didn't want to watch the next season.

483
00:24:28,400 --> 00:24:29,399
Speaker 3: Now now you're excited.

484
00:24:29,760 --> 00:24:30,400
Speaker 2: Now you have been.

485
00:24:31,880 --> 00:24:34,040
Speaker 3: That human made us happy every day.

486
00:24:34,440 --> 00:24:36,520
Speaker 2: You got to watch his aunt just like that episode,

487
00:24:36,680 --> 00:24:37,200
Speaker 2: it's worth it.

488
00:24:37,400 --> 00:24:39,160
Speaker 1: The one he's naked or that's a different show.

489
00:24:39,640 --> 00:24:40,520
Speaker 3: Wait, I haven't seen that.

490
00:24:40,800 --> 00:24:43,159
Speaker 1: I saw a clip of him by a pool.

491
00:24:44,240 --> 00:24:44,920
Speaker 3: Is he fun naked?

492
00:24:45,560 --> 00:24:48,320
Speaker 2: Oh that's a different show. Okay, that's a different show.

493
00:24:48,440 --> 00:24:51,320
Speaker 2: That's like I think, no, it's not funny. That's a

494
00:24:51,359 --> 00:24:51,880
Speaker 2: different show.

495
00:24:52,600 --> 00:24:58,880
Speaker 3: But just like this you're thinking about, Yeah, the one yeah, okay, yeah,

496
00:24:59,000 --> 00:25:00,359
Speaker 3: that was anyway.

497
00:25:01,359 --> 00:25:06,200
Speaker 1: Oh my gosh. Okay, so let's talk about so you're

498
00:25:06,520 --> 00:25:08,720
Speaker 1: basically saying to me that Kelly is not going to

499
00:25:08,840 --> 00:25:10,320
Speaker 1: move into the Watchhouse.

500
00:25:10,720 --> 00:25:11,440
Speaker 2: No, I'm not saying that.

501
00:25:11,600 --> 00:25:15,320
Speaker 3: You'll see oh man, Okay, okay, but let's just stick

502
00:25:15,400 --> 00:25:19,080
Speaker 3: to where we are right now, Valeries, how you are

503
00:25:19,200 --> 00:25:19,600
Speaker 3: moving in?

504
00:25:20,400 --> 00:25:23,480
Speaker 1: And Okay, what is the note she left for Brandon?

505
00:25:23,760 --> 00:25:26,000
Speaker 1: What is I don't understand what that meant what she wrote.

506
00:25:26,920 --> 00:25:29,720
Speaker 1: I think she was alluding to my own celebration.

507
00:25:30,560 --> 00:25:33,120
Speaker 2: I thought she was saying she was hinting like, yeah,

508
00:25:33,880 --> 00:25:34,399
Speaker 2: like this is it.

509
00:25:34,760 --> 00:25:36,560
Speaker 1: Okay, it could have been a little clear. I'm just

510
00:25:36,640 --> 00:25:39,360
Speaker 1: going to say, because even I was like, what does

511
00:25:39,400 --> 00:25:41,720
Speaker 1: that mean she's going to go to I don't get it.

512
00:25:43,040 --> 00:25:47,760
Speaker 3: He just didn't keep watching see from David and all that,

513
00:25:47,960 --> 00:25:48,560
Speaker 3: we wouldn't know.

514
00:25:49,119 --> 00:25:52,760
Speaker 1: You're right, So now she's gonna going to end her

515
00:25:52,920 --> 00:25:55,640
Speaker 1: life because yeah.

516
00:25:55,600 --> 00:25:59,159
Speaker 2: She's saying it so that they come racing after her

517
00:26:00,040 --> 00:26:01,880
Speaker 2: and then she doesn't have to move out. Like that's

518
00:26:01,920 --> 00:26:06,680
Speaker 2: what I don't I want to believe it, meaning not

519
00:26:06,960 --> 00:26:09,240
Speaker 2: believe it. It's so hard to explain. I want to

520
00:26:09,359 --> 00:26:14,120
Speaker 2: think she's struggling and that does she should have everyone's

521
00:26:14,160 --> 00:26:16,320
Speaker 2: support and help and get help and all the things.

522
00:26:16,880 --> 00:26:21,200
Speaker 2: I don't like thinking everything is done to get what

523
00:26:21,280 --> 00:26:25,040
Speaker 2: she wants a ruse, yeah, because it's just like all

524
00:26:25,160 --> 00:26:28,479
Speaker 2: the friends are so genuinely like you know, Brandon brushing

525
00:26:28,520 --> 00:26:30,560
Speaker 2: to help and calling David, and I know everyone's gonna

526
00:26:30,560 --> 00:26:35,960
Speaker 2: come support so if it came from true pain and suffering,

527
00:26:36,280 --> 00:26:38,800
Speaker 2: and then they're gonna rally around her. But I don't

528
00:26:38,960 --> 00:26:42,720
Speaker 2: like that she's always up to shenanigans, like she did

529
00:26:43,240 --> 00:26:46,840
Speaker 2: try to invest with Bill Taylor to hurt Kelly.

530
00:26:47,240 --> 00:26:49,520
Speaker 1: Yeah, and then Brandon is just kind of like glosses

531
00:26:49,560 --> 00:26:54,240
Speaker 1: over that. It's all to like, Yeah, it's not saying

532
00:26:54,320 --> 00:26:56,720
Speaker 1: she should do what she says she's gonna do, but like,

533
00:26:58,520 --> 00:27:00,560
Speaker 1: I don't know, I don't. I didn't watch second half,

534
00:27:00,640 --> 00:27:01,399
Speaker 1: did you? No?

535
00:27:01,800 --> 00:27:04,439
Speaker 2: I wanted to, though I need to, but I stopped

536
00:27:04,480 --> 00:27:06,280
Speaker 2: right when he read the note. And then she goes

537
00:27:06,320 --> 00:27:10,280
Speaker 2: to the freeway kind of a thing. I thought, wahallan, No,

538
00:27:11,000 --> 00:27:12,760
Speaker 2: it's sort of like above the freeway.

539
00:27:13,119 --> 00:27:16,840
Speaker 3: Is that the place that Dylan took Brenda in the car?

540
00:27:17,400 --> 00:27:17,440
Speaker 1: No?

541
00:27:17,680 --> 00:27:20,640
Speaker 2: I think that's different, Okay, but I'm not one hundred

542
00:27:20,640 --> 00:27:21,399
Speaker 2: percent sure we.

543
00:27:21,440 --> 00:27:23,480
Speaker 1: See we get to see Kelly's dad, which was fun

544
00:27:23,680 --> 00:27:24,680
Speaker 1: to see Jack.

545
00:27:24,560 --> 00:27:26,480
Speaker 2: And it's sister and they go to the mall and

546
00:27:26,640 --> 00:27:30,840
Speaker 2: join mall stuff in this episode, and my brother, oh yeah,

547
00:27:32,240 --> 00:27:36,720
Speaker 2: he was googly eyed for Kelly's sister. He was good will.

548
00:27:36,720 --> 00:27:38,719
Speaker 2: They walk right into Victoria's secret.

549
00:27:38,880 --> 00:27:41,040
Speaker 1: I always love the when Randy's on with the other

550
00:27:41,200 --> 00:27:44,119
Speaker 1: kid and they're just the funny their chemistry is funny

551
00:27:44,200 --> 00:27:46,640
Speaker 1: that kids like, they work really well together.

552
00:27:46,480 --> 00:27:47,680
Speaker 3: Good comedy banter.

553
00:27:48,800 --> 00:27:50,560
Speaker 2: Everybody's all up in arms because you know the show

554
00:27:50,600 --> 00:27:53,200
Speaker 2: nobody wants this and has like a bunch of product placement.

555
00:27:53,560 --> 00:27:55,879
Speaker 2: Like everyone's like talking about all the product placement. But

556
00:27:56,040 --> 00:27:59,040
Speaker 2: I actually like that you go into Victoria's secret that

557
00:27:59,119 --> 00:28:01,080
Speaker 2: we can clearly see it's a Victoria's secret and you

558
00:28:01,200 --> 00:28:03,000
Speaker 2: go in there because I didn't want it to be

559
00:28:03,160 --> 00:28:05,920
Speaker 2: like you know how they do that, like oh, it's

560
00:28:06,119 --> 00:28:08,240
Speaker 2: Sully's secret, you know, and like we're supposed to not

561
00:28:08,600 --> 00:28:10,280
Speaker 2: you know, I don't like that, So I like that

562
00:28:10,359 --> 00:28:11,000
Speaker 2: you went in there.

563
00:28:11,280 --> 00:28:14,600
Speaker 3: Well you just threw me off. Sorry, I'm very invested,

564
00:28:14,840 --> 00:28:18,879
Speaker 3: especially while I was sick catching up on Netflix. Nobody

565
00:28:18,960 --> 00:28:26,280
Speaker 3: wants this, Like oh and I product placement. I'm not

566
00:28:26,320 --> 00:28:26,600
Speaker 3: getting it.

567
00:28:26,680 --> 00:28:28,960
Speaker 2: So there's like a big estay Lotter thing and they

568
00:28:29,000 --> 00:28:31,640
Speaker 2: talk about door dash and Airbnb. I didn't even notice either.

569
00:28:31,640 --> 00:28:32,719
Speaker 2: It didn't bother me one though.

570
00:28:33,200 --> 00:28:33,320
Speaker 1: Well.

571
00:28:33,400 --> 00:28:35,440
Speaker 3: I like when there's like real stuff mentioned.

572
00:28:35,480 --> 00:28:38,320
Speaker 2: I mean the same. We all are on the same page.

573
00:28:38,360 --> 00:28:40,760
Speaker 2: But some people are like writing articles about how it's

574
00:28:40,880 --> 00:28:43,400
Speaker 2: like too, you know, they mentioned Jennifer Meyer and all

575
00:28:43,400 --> 00:28:45,800
Speaker 2: these different things. I personally like it because it's so

576
00:28:45,920 --> 00:28:47,800
Speaker 2: much better than sometimes I don't like on nine O

577
00:28:47,880 --> 00:28:50,600
Speaker 2: two and zero when it's clearly rice Crispies, but it says.

578
00:28:50,520 --> 00:28:53,520
Speaker 3: Like crispy and we had to quote unquote Greek it out, then.

579
00:28:53,800 --> 00:28:54,440
Speaker 1: Greek it out.

580
00:28:54,760 --> 00:28:55,520
Speaker 3: Wait what does that mean?

581
00:28:55,640 --> 00:28:56,320
Speaker 2: Greek it out?

582
00:28:57,040 --> 00:28:59,200
Speaker 1: Just like change block it out? Like one letter, I

583
00:28:59,200 --> 00:29:01,800
Speaker 1: would say, yeah, oh wait wait can we go back

584
00:29:01,800 --> 00:29:04,720
Speaker 1: to the the nobody wants this? Yeah. The one thing

585
00:29:04,760 --> 00:29:07,120
Speaker 1: I would like to write a letter about, okay, sure

586
00:29:08,240 --> 00:29:09,680
Speaker 1: is his neck hair.

587
00:29:09,960 --> 00:29:14,040
Speaker 2: Adam Brodie's yep, you don't like the beer bothers me too.

588
00:29:14,360 --> 00:29:15,520
Speaker 1: I need him to clean it up.

589
00:29:15,840 --> 00:29:18,720
Speaker 3: And I find him so attractive, and in my mind

590
00:29:18,800 --> 00:29:20,920
Speaker 3: I'm trying to think, like do they not want him

591
00:29:20,960 --> 00:29:24,000
Speaker 3: to be too like like acter good looking, and he's

592
00:29:24,000 --> 00:29:25,720
Speaker 3: supposed to he's supposed to be a rabbit.

593
00:29:26,240 --> 00:29:29,280
Speaker 1: Really care so much about I prefer him, no beard.

594
00:29:29,400 --> 00:29:30,120
Speaker 2: I'm not gonna lie.

595
00:29:30,840 --> 00:29:35,280
Speaker 1: I just have a real But I actually googled why

596
00:29:35,440 --> 00:29:37,920
Speaker 1: does Adam Brody? I was watching the show with the

597
00:29:37,960 --> 00:29:40,280
Speaker 1: girls and it was really irritaemous, So I googled, why

598
00:29:40,320 --> 00:29:44,920
Speaker 1: does Adam Brody have so much neckcair on? Nobody wants this?

599
00:29:45,440 --> 00:29:48,080
Speaker 1: And it was like, well, that's probably because he had,

600
00:29:48,320 --> 00:29:50,280
Speaker 1: you know, he he happens to grow a lot of

601
00:29:50,320 --> 00:29:52,040
Speaker 1: hair there naturally, And I was like, that's not what

602
00:29:52,160 --> 00:29:54,280
Speaker 1: I mean, Like, why didn't they clean it up? Does

603
00:29:54,320 --> 00:29:57,120
Speaker 1: it bother anybody else? But I'm glad to bothers you.

604
00:29:57,720 --> 00:30:01,280
Speaker 3: And I keep giving myself reasons for it to be okay,

605
00:30:01,480 --> 00:30:03,920
Speaker 3: And it's just it's one thing I can't get past.

606
00:30:04,360 --> 00:30:07,760
Speaker 3: And it's so weird. I keep looking at it, and

607
00:30:07,840 --> 00:30:12,000
Speaker 3: you know what, it reminds me of our director, Oh,

608
00:30:12,520 --> 00:30:13,320
Speaker 3: Michael Lake.

609
00:30:17,200 --> 00:30:20,640
Speaker 1: Oh my god. Nobody else is gonna understand that. No one,

610
00:30:22,160 --> 00:30:24,000
Speaker 1: but we had a director that had ne care too.

611
00:30:26,160 --> 00:30:30,120
Speaker 3: Yes, And so it's like, oh, you know, Michael's Jewish,

612
00:30:30,560 --> 00:30:31,240
Speaker 3: you know Adam.

613
00:30:31,040 --> 00:30:34,960
Speaker 1: Brodie's I wondered is there a reason like like that,

614
00:30:35,200 --> 00:30:37,760
Speaker 1: like is it a religious thing that he's not shaving

615
00:30:37,880 --> 00:30:41,720
Speaker 1: his beard? That's the question you need to ask here

616
00:30:41,920 --> 00:30:46,160
Speaker 1: exactly that and then keep a clean line. Maybe, especially

617
00:30:46,160 --> 00:30:46,920
Speaker 1: if you're on TV.

618
00:30:47,960 --> 00:30:50,760
Speaker 3: People, we can look past a lot, but ne care

619
00:30:51,280 --> 00:30:52,880
Speaker 3: you're asking a lot of your viewers.

620
00:30:54,080 --> 00:30:56,320
Speaker 1: Okay, let's talk about Donna's sexy plans.

621
00:30:56,800 --> 00:31:00,680
Speaker 2: Oh, dear, I like that she's consulting the friends. Feels real,

622
00:31:00,840 --> 00:31:03,120
Speaker 2: like your friends would definitely be like what do you think?

623
00:31:03,680 --> 00:31:08,120
Speaker 2: And I loved Kelly being very supportive and like do

624
00:31:08,640 --> 00:31:10,440
Speaker 2: you is basically what she's saying.

625
00:31:10,960 --> 00:31:15,320
Speaker 1: You know that that, Yeah, did you like seeing Kelly's

626
00:31:15,480 --> 00:31:17,080
Speaker 1: big belly in every scene?

627
00:31:17,600 --> 00:31:18,920
Speaker 2: Keep missing it every day?

628
00:31:19,080 --> 00:31:21,760
Speaker 1: Oh there's like balls in front of her now and

629
00:31:22,560 --> 00:31:24,240
Speaker 1: flower arrangements.

630
00:31:23,800 --> 00:31:28,360
Speaker 3: And yeah it's happening, that's happening, poppin'. But I can't

631
00:31:28,400 --> 00:31:30,320
Speaker 3: look away. But if I didn't know, I wouldn't know.

632
00:31:30,760 --> 00:31:32,880
Speaker 2: That's me knowing you so well.

633
00:31:33,240 --> 00:31:38,280
Speaker 3: I can see your little chace, my baby fancy face

634
00:31:39,000 --> 00:31:42,720
Speaker 3: glowing and looks it's so beautiful. But yeah, in the mall,

635
00:31:42,840 --> 00:31:44,520
Speaker 3: what was the sunflower bag in front?

636
00:31:44,640 --> 00:31:45,880
Speaker 1: And like so awkward?

637
00:31:46,080 --> 00:31:49,640
Speaker 3: So you've gone from like the Cardigans to the Cardigans

638
00:31:49,680 --> 00:31:52,400
Speaker 3: and baby doll dresses to the Cardigan's baby doll dresses,

639
00:31:52,600 --> 00:31:55,000
Speaker 3: the purse in the Cardigan's baby doll dresses, the purse

640
00:31:55,080 --> 00:31:58,080
Speaker 3: and now bags flowering the Cardigans.

641
00:31:58,240 --> 00:31:59,800
Speaker 2: Is it the Cardigans that are going to be at

642
00:31:59,840 --> 00:32:01,040
Speaker 2: the surprise.

643
00:32:01,840 --> 00:32:04,400
Speaker 1: That now we know that we know Jack is throwing

644
00:32:04,760 --> 00:32:05,280
Speaker 1: for Kelly.

645
00:32:05,800 --> 00:32:06,600
Speaker 2: Isn't his name Bill?

646
00:32:07,040 --> 00:32:14,880
Speaker 1: Oh? Okay, Jack? I thought dad Jack? Oh? His no,

647
00:32:15,160 --> 00:32:16,400
Speaker 1: Jackie is her?

648
00:32:16,640 --> 00:32:17,400
Speaker 2: Jackie's your mom?

649
00:32:17,520 --> 00:32:18,160
Speaker 1: Yeah, I'm sorry.

650
00:32:18,920 --> 00:32:20,920
Speaker 2: Jackie and Bill are like colluding.

651
00:32:21,200 --> 00:32:23,239
Speaker 1: Yeah, that doesn't really make much sense because I think

652
00:32:23,320 --> 00:32:24,480
Speaker 1: that they would be such enemies.

653
00:32:24,520 --> 00:32:28,480
Speaker 2: But she seems to like she's like whatever. Yeah, she's like,

654
00:32:28,560 --> 00:32:30,240
Speaker 2: I got a new dental husband.

655
00:32:30,280 --> 00:32:34,040
Speaker 1: I'm good that happens. That happens. Yeah, take it from me.

656
00:32:34,920 --> 00:32:35,520
Speaker 2: Yeah, true.

657
00:32:44,280 --> 00:32:52,000
Speaker 1: Okay, So Donna's gonna she's got all her goods.

658
00:32:52,360 --> 00:32:55,040
Speaker 2: Got white lingerie, black lingerie.

659
00:32:54,600 --> 00:32:58,480
Speaker 1: Condoms are on the ready. I didn't I couldn't tell

660
00:32:58,480 --> 00:33:00,720
Speaker 1: what else she had on that bed spread out.

661
00:33:00,800 --> 00:33:02,720
Speaker 2: Then she has to kick the roommates out of the apartment.

662
00:33:02,760 --> 00:33:04,880
Speaker 2: Why not just go to David's house that apparently he

663
00:33:04,920 --> 00:33:09,520
Speaker 2: has to himself. Now, oh, oh, like you think he

664
00:33:09,640 --> 00:33:13,120
Speaker 2: literally has an entire house. Yeah, like does no one

665
00:33:13,160 --> 00:33:14,800
Speaker 2: live with him? I feel like he has that whole

666
00:33:15,720 --> 00:33:16,960
Speaker 2: house that almost got burned down.

667
00:33:17,080 --> 00:33:19,840
Speaker 3: But to his way, she can't surprise him with like

668
00:33:19,960 --> 00:33:23,680
Speaker 3: setting things up if she goes to his house. Correct, true,

669
00:33:23,720 --> 00:33:24,880
Speaker 3: but I forgot about that all.

670
00:33:25,320 --> 00:33:28,360
Speaker 2: Remember I remember the guy who originally had that house

671
00:33:28,440 --> 00:33:30,440
Speaker 2: that Kelly dated for like four seconds?

672
00:33:30,840 --> 00:33:36,240
Speaker 1: Oh no, yeah, Mark, Yeah, Well I kind of loved

673
00:33:36,280 --> 00:33:38,960
Speaker 1: it watching it because back in the day when we

674
00:33:39,040 --> 00:33:41,200
Speaker 1: were filming it, I was like, what's the big deal?

675
00:33:41,400 --> 00:33:44,000
Speaker 1: Like why she ought to go through all this well,

676
00:33:44,240 --> 00:33:47,600
Speaker 1: you know, like just do it and like why do

677
00:33:47,640 --> 00:33:49,880
Speaker 1: you have to make all the props and get the thing?

678
00:33:50,000 --> 00:33:53,400
Speaker 1: But now watching it, I get it, like it's really

679
00:33:54,160 --> 00:33:57,560
Speaker 1: important to her to do it the way she wants

680
00:33:57,640 --> 00:33:59,800
Speaker 1: to do it, And it's kind of sweet to see

681
00:33:59,840 --> 00:34:01,000
Speaker 1: her with this.

682
00:34:02,240 --> 00:34:06,320
Speaker 3: Right like detail, like focused on the things at the

683
00:34:06,400 --> 00:34:09,239
Speaker 3: end of the day don't matter. But that's kind of

684
00:34:09,280 --> 00:34:12,799
Speaker 3: my personality too, as you know, like you know, you.

685
00:34:12,880 --> 00:34:15,960
Speaker 1: Know, yeah, I know, but it's really bad about you.

686
00:34:16,120 --> 00:34:18,320
Speaker 3: It makes me tick and so what makes me happy

687
00:34:18,400 --> 00:34:19,560
Speaker 3: And Donna is the same way.

688
00:34:19,719 --> 00:34:24,120
Speaker 1: So and then they Donna and Claire go shopping for

689
00:34:24,239 --> 00:34:28,880
Speaker 1: your lingerie. That was good. And then yeah, I just

690
00:34:28,960 --> 00:34:30,520
Speaker 1: wanted I wanted the girls to hang out.

691
00:34:31,640 --> 00:34:34,640
Speaker 2: That was cure of it. The prank is where I

692
00:34:34,920 --> 00:34:35,799
Speaker 2: just start laughing.

693
00:34:35,920 --> 00:34:37,880
Speaker 3: Prank lost me. I wasn't interested.

694
00:34:37,960 --> 00:34:40,160
Speaker 1: Sorry, wait, you guys didn't like it. When they were

695
00:34:40,239 --> 00:34:43,920
Speaker 1: like putting the setting it up in the dark, I

696
00:34:44,000 --> 00:34:49,440
Speaker 1: was rolling around, and that's part like they went they

697
00:34:49,520 --> 00:34:52,160
Speaker 1: went there like they didn't just half asset And it's

698
00:34:52,200 --> 00:34:54,040
Speaker 1: so stupid because it's not even that big of a deal.

699
00:34:54,080 --> 00:34:58,120
Speaker 1: It's just confetti thing easy. Yeah, but I know I

700
00:34:58,280 --> 00:35:01,400
Speaker 1: loved the way David jumped in and into it and

701
00:35:01,960 --> 00:35:04,560
Speaker 1: you know, kind of made it what he told Donna

702
00:35:04,719 --> 00:35:07,000
Speaker 1: he thought maybe he had been missing all these years.

703
00:35:07,360 --> 00:35:07,560
Speaker 3: Yeah.

704
00:35:07,760 --> 00:35:10,560
Speaker 1: Then it just makes me laugh to see does he

705
00:35:10,680 --> 00:35:13,680
Speaker 1: Steve like rolling around like he's in the army, I know, just.

706
00:35:13,800 --> 00:35:16,160
Speaker 2: Rolling and then the golf cart pulls up with those

707
00:35:16,200 --> 00:35:18,480
Speaker 2: guys putting the thing out. I love when they kind

708
00:35:18,480 --> 00:35:20,800
Speaker 2: of say they put some sort of statue out or

709
00:35:20,840 --> 00:35:23,480
Speaker 2: something and they're like less work tomorrow, like kind.

710
00:35:23,360 --> 00:35:25,279
Speaker 1: Of another breast that you're going to have some sort

711
00:35:25,280 --> 00:35:26,080
Speaker 1: of significance.

712
00:35:26,280 --> 00:35:26,640
Speaker 3: I don't know.

713
00:35:26,760 --> 00:35:28,800
Speaker 2: I was wondering that I'm like, is that a I

714
00:35:28,840 --> 00:35:30,759
Speaker 2: thought maybe it was a condor, you know, for the

715
00:35:31,080 --> 00:35:32,120
Speaker 2: SeeU condors.

716
00:35:32,320 --> 00:35:33,920
Speaker 1: Maybe I thought it was a Buddha And I was

717
00:35:34,040 --> 00:35:35,480
Speaker 1: very confused totally.

718
00:35:35,480 --> 00:35:36,880
Speaker 2: All of a sudden, I was like, are they going

719
00:35:36,920 --> 00:35:37,320
Speaker 2: to steal that?

720
00:35:37,440 --> 00:35:37,759
Speaker 1: Like? Great?

721
00:35:37,840 --> 00:35:39,520
Speaker 2: Remember when Greg Brady stole the goat?

722
00:35:41,960 --> 00:35:45,200
Speaker 1: I'm bringing up Brady and I love it, you know that?

723
00:35:46,840 --> 00:35:49,560
Speaker 2: And that that's we just do a Brady Bunch rewatched,

724
00:35:49,640 --> 00:35:51,120
Speaker 2: just us just because.

725
00:35:51,080 --> 00:35:54,600
Speaker 1: Uh huh, because I love it. It'll never go out

726
00:35:54,719 --> 00:35:54,920
Speaker 1: for me.

727
00:35:55,120 --> 00:35:56,840
Speaker 2: No, I agree, And maybe we just do that.

728
00:35:57,320 --> 00:35:59,399
Speaker 1: At such a time in my life, sitting in front

729
00:35:59,440 --> 00:36:03,880
Speaker 1: of my mom, mom and Dad's like giant square wooden

730
00:36:04,000 --> 00:36:06,799
Speaker 1: TV with the TV in the inset in the wood

731
00:36:06,880 --> 00:36:09,960
Speaker 1: and the knobs, I would sit like this close to it,

732
00:36:10,920 --> 00:36:12,560
Speaker 1: and my mom would always say, you need a backup,

733
00:36:12,600 --> 00:36:15,080
Speaker 1: that's not for your eyes, and I would just sit

734
00:36:15,160 --> 00:36:16,040
Speaker 1: there and watch Brady Bunch.

735
00:36:16,760 --> 00:36:18,320
Speaker 2: Can we do a poll to see if we should

736
00:36:18,400 --> 00:36:21,960
Speaker 2: just do a Brady Bunch rewatch? For sure, toy, don't worry.

737
00:36:21,960 --> 00:36:24,040
Speaker 2: I got ideas for you too, guys. I got ideas

738
00:36:24,080 --> 00:36:27,840
Speaker 2: for you too. I got ideas for everybody. I'm worry

739
00:36:27,840 --> 00:36:30,360
Speaker 2: because it's season eight, like, I gotta get thinking ahead

740
00:36:30,400 --> 00:36:30,719
Speaker 2: for us.

741
00:36:30,840 --> 00:36:35,280
Speaker 3: No, since I've known Jen, Brady Bunch is her jam.

742
00:36:35,719 --> 00:36:38,239
Speaker 1: Yeah, I felt like I I connected with it because

743
00:36:38,280 --> 00:36:40,920
Speaker 1: I had a his hers and ours family. You know,

744
00:36:42,360 --> 00:36:45,880
Speaker 1: there was no RS for them, but it was his herds.

745
00:36:47,200 --> 00:36:49,120
Speaker 1: On that note, why are you laughing? Amy?

746
00:36:50,280 --> 00:36:51,200
Speaker 3: There was no RS.

747
00:36:51,800 --> 00:36:53,560
Speaker 1: No, there was no me in the Brady Bunch. I

748
00:36:53,600 --> 00:36:55,440
Speaker 1: felt like there wasn't me, but it was probably just

749
00:36:55,520 --> 00:36:59,440
Speaker 1: ticker you mean, like or Tiger? What was yeah, Tiggers.

750
00:36:59,480 --> 00:37:04,040
Speaker 3: In the Winning she always referenced herself as Cindy because Marcia, what.

751
00:37:04,080 --> 00:37:04,920
Speaker 2: Are you talking about?

752
00:37:05,239 --> 00:37:08,000
Speaker 3: She always had that fear of Cindy freezing in THEO,

753
00:37:08,160 --> 00:37:12,200
Speaker 3: which she referenced and manifested because she used to referenced

754
00:37:12,239 --> 00:37:12,680
Speaker 3: it so much.

755
00:37:12,719 --> 00:37:16,040
Speaker 2: I'm sorry. There is no one more Marcia than you.

756
00:37:16,320 --> 00:37:18,040
Speaker 2: You're Marcia. Marcia Marshall.

757
00:37:18,120 --> 00:37:22,920
Speaker 1: Marshay's related to Cindy. No, I never dressed like that.

758
00:37:23,120 --> 00:37:26,640
Speaker 1: But anyways, Jan always just got the short end of

759
00:37:26,680 --> 00:37:29,880
Speaker 1: the stick, like just a middle child complex.

760
00:37:30,040 --> 00:37:32,720
Speaker 3: Yeah, the prank.

761
00:37:32,880 --> 00:37:34,200
Speaker 2: What have we not talked about? That's it?

762
00:37:34,280 --> 00:37:36,360
Speaker 1: We talked about everything. Do you guys want to know

763
00:37:36,480 --> 00:37:37,000
Speaker 1: some trivia?

764
00:37:37,440 --> 00:37:38,120
Speaker 2: Of course?

765
00:37:38,320 --> 00:37:40,480
Speaker 3: Especially really like we didn't talk about everything.

766
00:37:40,640 --> 00:37:42,040
Speaker 2: Me too. I feel like we missed something. Oh we

767
00:37:42,080 --> 00:37:44,040
Speaker 2: didn't talk about Claire. Bye, Claire, time to go?

768
00:37:44,600 --> 00:37:45,080
Speaker 3: Oh my god?

769
00:37:47,280 --> 00:37:49,640
Speaker 1: Do you think is val going to get the club

770
00:37:49,760 --> 00:37:54,759
Speaker 1: back from David cal Why are you asking a head?

771
00:37:56,080 --> 00:37:58,759
Speaker 1: You know? I just want to know. I don't know

772
00:37:58,840 --> 00:38:01,680
Speaker 1: what's going to happen at this point with her she

773
00:38:01,840 --> 00:38:05,799
Speaker 1: on season whatever eight that we're moving into's Valerie, I.

774
00:38:05,880 --> 00:38:09,239
Speaker 3: Am not talking to you right now. Shes stop it

775
00:38:09,440 --> 00:38:09,839
Speaker 3: right now.

776
00:38:10,880 --> 00:38:12,719
Speaker 1: Why now if you decided to not talk to me,

777
00:38:14,360 --> 00:38:19,719
Speaker 1: Valerie is here. Yeah, I honest, honest to god, real

778
00:38:20,120 --> 00:38:20,720
Speaker 1: real question.

779
00:38:21,080 --> 00:38:22,760
Speaker 3: Yes, okay, fair, go ahead.

780
00:38:23,239 --> 00:38:25,879
Speaker 1: So I did really love Also just to point out

781
00:38:25,960 --> 00:38:30,120
Speaker 1: the music at Aaron's graduation with Chris Isaac and I

782
00:38:30,239 --> 00:38:32,520
Speaker 1: thought that's such a good song for that. Yeah.

783
00:38:33,280 --> 00:38:35,880
Speaker 2: Yeah, I feel like I get all the music now.

784
00:38:35,920 --> 00:38:38,520
Speaker 2: I think I feel like there's not gonna be episodes

785
00:38:38,560 --> 00:38:40,920
Speaker 2: missing on Paramount, but somebody needs to check and make

786
00:38:40,960 --> 00:38:43,239
Speaker 2: sure I'm right. I feel like that was the big

787
00:38:43,320 --> 00:38:44,640
Speaker 2: breaking news a couple of weeks ago.

788
00:38:45,000 --> 00:38:47,200
Speaker 3: I have a real question for you guys. Uh oh,

789
00:38:47,719 --> 00:38:51,000
Speaker 3: they had to have spent a small fortune bringing back

790
00:38:51,480 --> 00:38:56,440
Speaker 3: all of these guest characters. Would you have rathered as

791
00:38:56,520 --> 00:38:59,000
Speaker 3: a viewer and a fan them invested the money and

792
00:38:59,120 --> 00:39:01,640
Speaker 3: brought Jim AND's Cindy back and cut down on all

793
00:39:01,680 --> 00:39:05,000
Speaker 3: of these or no, I mean, was it that much.

794
00:39:04,880 --> 00:39:07,000
Speaker 1: More expensive to bring Cindy and Jim back?

795
00:39:07,080 --> 00:39:09,239
Speaker 2: Well, I don't know, like you mean Bill and like

796
00:39:09,520 --> 00:39:11,839
Speaker 2: the sister and that you guys.

797
00:39:11,920 --> 00:39:15,080
Speaker 3: The only thing I could not believe that is the

798
00:39:15,160 --> 00:39:19,480
Speaker 3: graduation from college and Jimmy Cindy Walsh going back to

799
00:39:19,560 --> 00:39:22,000
Speaker 3: core characters. The og parents are not there.

800
00:39:22,280 --> 00:39:25,160
Speaker 2: I'm assuming Jim and Cindy said no for some reason

801
00:39:25,239 --> 00:39:27,160
Speaker 2: they weren't available, Like I don't feel like nine oh

802
00:39:27,200 --> 00:39:29,279
Speaker 2: two and oh did not offer them their day rate.

803
00:39:31,120 --> 00:39:35,200
Speaker 1: But honestly, how how unavailable could they have been? Like

804
00:39:35,239 --> 00:39:36,160
Speaker 1: why wouldn't they have been?

805
00:39:36,239 --> 00:39:38,000
Speaker 2: Like, of course, maybe they were on shows.

806
00:39:38,120 --> 00:39:41,000
Speaker 1: I don't know. Do you think I don't know either?

807
00:39:41,120 --> 00:39:41,759
Speaker 3: Do you think they were?

808
00:39:42,680 --> 00:39:46,839
Speaker 1: Maybe the parting of the situation when they left wasn't good.

809
00:39:46,840 --> 00:39:49,879
Speaker 3: Didn't feel good to them, guys.

810
00:39:50,000 --> 00:39:53,000
Speaker 2: Obviously it wasn't good. I don't remember this being so,

811
00:39:53,080 --> 00:39:57,000
Speaker 2: I don't know regulars of the show, almost the core

812
00:39:57,160 --> 00:40:00,880
Speaker 2: of the show to being thank you so much? So

813
00:40:00,960 --> 00:40:05,319
Speaker 2: you wont that reason you know, I don't think they

814
00:40:05,320 --> 00:40:06,440
Speaker 2: would be stoked about that.

815
00:40:07,440 --> 00:40:09,719
Speaker 3: I mean, I know Carol went full time into being

816
00:40:10,239 --> 00:40:12,279
Speaker 3: a therapist and doing and going to school and doing

817
00:40:12,320 --> 00:40:12,520
Speaker 3: all that.

818
00:40:12,760 --> 00:40:17,920
Speaker 1: I really didn't want to like go back. Okay, believable. Wait,

819
00:40:17,960 --> 00:40:22,240
Speaker 1: I have a really important question. Is Steve's corvette silver

820
00:40:22,800 --> 00:40:23,200
Speaker 1: or red?

821
00:40:23,560 --> 00:40:24,640
Speaker 2: Red? Isn't it?

822
00:40:24,960 --> 00:40:28,239
Speaker 1: Then? Why was he standing outside a silver corvette?

823
00:40:28,520 --> 00:40:29,839
Speaker 2: But the BMW was red?

824
00:40:30,280 --> 00:40:31,600
Speaker 1: I feel like his corvette.

825
00:40:31,640 --> 00:40:32,440
Speaker 3: I ate a Ferrari.

826
00:40:32,560 --> 00:40:35,160
Speaker 1: I see it in my mind coming in. It was red.

827
00:40:35,880 --> 00:40:37,760
Speaker 1: But why would it be red like literal?

828
00:40:39,840 --> 00:40:42,440
Speaker 3: That's what you're thinking of. No, No, it's not.

829
00:40:42,719 --> 00:40:46,520
Speaker 1: No, it's not His car was red. Please, if you

830
00:40:46,719 --> 00:40:47,480
Speaker 1: are out there.

831
00:40:47,400 --> 00:40:48,800
Speaker 3: Google google it.

832
00:40:48,960 --> 00:40:49,719
Speaker 2: We can google it.

833
00:40:50,280 --> 00:40:51,720
Speaker 3: This says it was black?

834
00:40:52,400 --> 00:40:53,520
Speaker 2: What it says?

835
00:40:53,560 --> 00:40:54,280
Speaker 3: It was black?

836
00:40:54,400 --> 00:40:57,000
Speaker 1: It was black and the pilot was because remember David

837
00:40:57,080 --> 00:40:59,520
Speaker 1: was in it and he's all drunk, right, was black?

838
00:40:59,840 --> 00:41:00,880
Speaker 2: I ate a Ferrari.

839
00:41:01,360 --> 00:41:04,960
Speaker 1: It was black. It was black. I really remember it

840
00:41:05,000 --> 00:41:05,399
Speaker 1: as red?

841
00:41:05,480 --> 00:41:05,719
Speaker 2: Wow?

842
00:41:05,920 --> 00:41:08,400
Speaker 1: Wow wow. And then the other thing is did you

843
00:41:08,440 --> 00:41:12,360
Speaker 1: notice Brandon was red like mine was blue before?

844
00:41:12,680 --> 00:41:14,160
Speaker 3: Wasn't originally red?

845
00:41:14,560 --> 00:41:16,680
Speaker 1: I've never seen him in a silver corvette.

846
00:41:16,800 --> 00:41:19,480
Speaker 2: I see images of Brandon and Steve getting out of it.

847
00:41:19,600 --> 00:41:23,120
Speaker 2: It must in nineteen ninety eight Chevrolet Corvette. Oh it's

848
00:41:23,120 --> 00:41:25,839
Speaker 2: not nineteen ninety eight yet. Maybe that's the one that's coming.

849
00:41:25,920 --> 00:41:28,239
Speaker 3: Well, it's the new car company. You know what.

850
00:41:28,360 --> 00:41:31,040
Speaker 1: They did switch our cars out for there when we

851
00:41:31,120 --> 00:41:32,280
Speaker 1: were there, Yes.

852
00:41:32,480 --> 00:41:35,440
Speaker 3: Version of them in different colors sometimes.

853
00:41:35,080 --> 00:41:37,640
Speaker 1: Which makes no sense because they couldn't get the other color.

854
00:41:37,680 --> 00:41:40,279
Speaker 1: Maybe so they were like, oh, let's just go with it.

855
00:41:40,400 --> 00:41:42,280
Speaker 2: One of these looks almost midnight blue.

856
00:41:42,840 --> 00:41:46,360
Speaker 1: Here's another thing that really I was noted from like

857
00:41:46,480 --> 00:41:51,680
Speaker 1: these things, was when Brandon and Steve were walking in

858
00:41:51,840 --> 00:41:56,279
Speaker 1: the on the campus and Brandon says, if it doesn't fit,

859
00:41:56,400 --> 00:42:00,600
Speaker 1: you must have quit. Yep. It was the oj Simpson

860
00:42:01,120 --> 00:42:02,080
Speaker 1: trial reference.

861
00:42:02,600 --> 00:42:05,160
Speaker 2: Remember they sort of have that chat about the memories

862
00:42:05,760 --> 00:42:08,720
Speaker 2: and there was sort of an inappropriate like mention.

863
00:42:08,760 --> 00:42:12,880
Speaker 1: Of Steve's date rape legend. Yeah, just that.

864
00:42:14,200 --> 00:42:18,200
Speaker 2: I was like, me too, I feel about that. But

865
00:42:18,320 --> 00:42:19,800
Speaker 2: like they were kind of like, remember we did the

866
00:42:20,239 --> 00:42:23,360
Speaker 2: the the like, it was just sort of like that

867
00:42:23,480 --> 00:42:24,200
Speaker 2: felt weird to me.

868
00:42:24,320 --> 00:42:26,000
Speaker 1: I felt like they were going to go into flashback.

869
00:42:26,120 --> 00:42:29,759
Speaker 1: I was waiting for me too, something to and then

870
00:42:29,840 --> 00:42:30,279
Speaker 1: I was going to.

871
00:42:30,239 --> 00:42:32,600
Speaker 3: Be bombed because I'm like, I'm really enjoying this episode.

872
00:42:32,680 --> 00:42:34,839
Speaker 3: Jason's directing, and now I want to see thet time

873
00:42:34,920 --> 00:42:35,520
Speaker 3: with flashbacks.

874
00:42:35,960 --> 00:42:42,040
Speaker 1: They exactly. They didn't happy Brandon's tie. It's very is

875
00:42:42,200 --> 00:42:42,719
Speaker 1: a fat one.

876
00:42:43,040 --> 00:42:45,840
Speaker 3: It's like, no, it's very familiar to me. Was it

877
00:42:45,960 --> 00:42:52,880
Speaker 3: already used in something else when nineteen twenty is a costume? No?

878
00:42:53,080 --> 00:42:55,360
Speaker 1: Maybe he wears it to the night, says it to

879
00:42:55,520 --> 00:42:59,880
Speaker 1: the party that we're about to go to the party

880
00:43:00,120 --> 00:43:01,760
Speaker 1: the Roaring twenties.

881
00:43:02,160 --> 00:43:04,000
Speaker 2: We'll excited for the party and me too.

882
00:43:04,360 --> 00:43:06,399
Speaker 3: What'd you think of that satchel they gave?

883
00:43:08,360 --> 00:43:09,279
Speaker 2: Was it leather?

884
00:43:09,600 --> 00:43:11,719
Speaker 1: Was it engraved? Wanted to have his inniffles on it

885
00:43:11,920 --> 00:43:14,800
Speaker 1: or something? Or was it just like a nylon tote?

886
00:43:16,160 --> 00:43:17,920
Speaker 3: I thought it was leather. Telling me it's not.

887
00:43:19,400 --> 00:43:22,040
Speaker 2: He's like, the honored students have gotten together. Now we

888
00:43:22,160 --> 00:43:24,920
Speaker 2: better go for the dishonored students to get it.

889
00:43:25,040 --> 00:43:29,520
Speaker 3: Was just like, oh god. And then Steve Waxman, I

890
00:43:29,640 --> 00:43:34,480
Speaker 3: do like when Brandon talks about being neutral party, because

891
00:43:35,040 --> 00:43:38,600
Speaker 3: we always joke how Jason in real life he'll always

892
00:43:38,640 --> 00:43:43,000
Speaker 3: be like, I'm Switzerland getting really good. He doesn't take sides.

893
00:43:43,239 --> 00:43:46,399
Speaker 3: He's always like he'll listen to everybody. He's always been

894
00:43:46,520 --> 00:43:49,719
Speaker 3: like this as and then he's like that was a

895
00:43:49,840 --> 00:43:50,520
Speaker 3: little amusing.

896
00:43:50,560 --> 00:43:53,480
Speaker 2: When he's sort of like, where you're being a little bit,

897
00:43:54,320 --> 00:43:55,680
Speaker 2: she goes, who asked you?

898
00:43:58,000 --> 00:44:00,719
Speaker 3: I loved her reaction to him. Yeah, like almost like

899
00:44:01,000 --> 00:44:02,400
Speaker 3: snarled like Adam.

900
00:44:02,840 --> 00:44:05,719
Speaker 1: Oh, well, this is good. I can't wait to watch

901
00:44:05,800 --> 00:44:06,680
Speaker 1: the next episode.

902
00:44:06,800 --> 00:44:11,200
Speaker 2: They've made poor Claire so unlikable, it says you. I know, sorry,

903
00:44:11,320 --> 00:44:11,680
Speaker 2: says me.

904
00:44:14,520 --> 00:44:16,719
Speaker 1: I think we have to wait now, you guys for

905
00:44:16,840 --> 00:44:21,480
Speaker 1: the second half Mary next week part two. Yep, yep, yep.

906
00:44:21,520 --> 00:44:24,400
Speaker 1: It's gonna be good. And then it's the end of

907
00:44:24,520 --> 00:44:25,200
Speaker 1: season seven.

908
00:44:25,680 --> 00:44:32,560
Speaker 3: We did it. There's gonna be a graduation there. Wait wait,

909
00:44:32,960 --> 00:44:35,440
Speaker 3: I just got it. Do you he'd lined it up

910
00:44:35,480 --> 00:44:41,840
Speaker 3: here because Donna Martin graduates, like Donna Martin graduates, college graduation,

911
00:44:42,160 --> 00:44:44,240
Speaker 3: Donna Martin graduates.

912
00:44:45,080 --> 00:44:48,000
Speaker 1: She gives it up. I don't, I don't know, I

913
00:44:48,440 --> 00:44:50,080
Speaker 1: mean thing says that's a reach.

914
00:44:50,200 --> 00:44:54,880
Speaker 2: But basically watching the season eight credits, you know the

915
00:44:55,000 --> 00:44:58,120
Speaker 2: intro to see is it different? Do they add anybody?

916
00:44:58,239 --> 00:45:02,800
Speaker 2: But it looks just like regurgit a season six but

917
00:45:02,920 --> 00:45:04,160
Speaker 2: they need to update this.

918
00:45:04,680 --> 00:45:07,520
Speaker 3: Okay, well, I'm super excited to talk about the graduation

919
00:45:08,000 --> 00:45:12,120
Speaker 3: next week. Yes, and to talk about Donna losing your virginity.

920
00:45:12,200 --> 00:45:12,560
Speaker 2: Here we go.

921
00:45:12,719 --> 00:45:14,840
Speaker 1: It's gonna be so good. I can see you on

922
00:45:14,920 --> 00:45:18,960
Speaker 1: that bed right now. In my mind. You're a little neglige.

923
00:45:19,000 --> 00:45:21,000
Speaker 3: All those candles are real hot.

924
00:45:22,880 --> 00:45:24,680
Speaker 1: All right, everybody, have a great week.

925
00:45:25,320 --> 00:45:26,440
Speaker 3: Lot you guys, Love you,