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Speaker 1: So I'm at the movie with the Sue chins Park

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Speaker 1: and she's like, we gotta get out of here. There's

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Speaker 1: a fire. We gotta we gotta leave. Like, Sue Chin,

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Speaker 1: it's not fire. We're watching Ladder forty nine. It's not

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Speaker 1: a real it's not a real fire. Oh yeah, but

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Speaker 1: it was. It did. It was a real fire. We

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Speaker 1: and we were not seeing Ladder forty nine at all.

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Speaker 1: We were seeing wicker Park. I just thought it was

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Speaker 1: Ladder forty nine because of the fire.

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Speaker 2: Right and I and yeah. And that's like a diagnosable

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Speaker 2: disorder at this point that people who see fires because

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Speaker 2: that movie was so powerful and realistic, a lot of

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Speaker 2: people have burned because they just thought they.

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Speaker 1: Were they were watching Ladder forty nine. Yes, hey, welcome

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Speaker 1: to Hollywood Handbook and Insire's guy kicking button dropping names

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Speaker 1: the red carpet line back. Always of this industry we

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Speaker 1: call showbiz. What up?

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Speaker 3: What up?

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Speaker 1: Okay? I feel okay, No, Sean, what do you think

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Speaker 1: of all this apple stuff? Oh gosh, what do I think?

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Speaker 2: Well, it's funny you phrase it that way, because I'm

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Speaker 2: one of the only people who actually does think and

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Speaker 2: uses my own brain in order to decide what kind

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Speaker 2: of product to buy.

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Speaker 1: I don't necessarily.

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Speaker 2: Get written a prescription by the commercials on TV, which

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Speaker 2: is my doctor in that case saying here, you have

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Speaker 2: to have the Apple stuff.

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Speaker 1: Or you'll get sick. Yes, because but that is how

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Speaker 1: some people think.

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Speaker 2: Oh gosh, I mean, I think that's half America right now.

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Speaker 2: And the problem with Apple that people don't know is

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Speaker 2: everything so proprietary, and you can only have an Apple

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Speaker 2: machine to go.

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Speaker 1: With Apple machine, it's like getting a brick. It's like

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Speaker 1: going to the story spending ten thousand dollars or whatever

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Speaker 1: it is on a red brick.

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Speaker 2: Yes, and that's approximately what they cost. And if you

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Speaker 2: are a real tech geek and love science tech stuff

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Speaker 2: the way that I do, a true one, then you

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Speaker 2: just say what I've said before, which is my next

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Speaker 2: phone's not going to be iPhone.

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Speaker 1: Because on iPhone you can't change any of the apps.

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Speaker 1: You can't hack it, and I am a big hacker.

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Speaker 1: You can't switch between sites, no, and there's no swipe.

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Speaker 1: There's no swipe.

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Speaker 2: It's not user friendly because there's no swipe.

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Speaker 1: And so I.

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Speaker 2: Don't own any Apple products anymore because also, and I

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Speaker 2: know they're trying to fix this, but please to a

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Speaker 2: little too late. The screen's not big enough. How often

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Speaker 2: do you watch a movie in an uber every single morning? Yeah,

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Speaker 2: because you get a text, yes emergency, it's me William Friedkin,

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Speaker 2: watch me, watch me Now, I need notes asap. I'm

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Speaker 2: in the.

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Speaker 1: William Frekin's not saying watch me. The movie is saying

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Speaker 1: watch me.

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Speaker 2: Yes, in this one instance, the most recent movie, he's the.

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Speaker 1: Star of it. My thing is with these watches. For example,

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Speaker 1: if I'm supposed to watch movies on that, my headphones

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Speaker 1: aren't long enough to go from the watch all the

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Speaker 1: way to my ears. I have to sort of have

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Speaker 1: my hand lifted up kind of close to my head

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Speaker 1: as I'm trying to watch my movie if I'm gonna

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Speaker 1: hear anything on my headphones because my chord is very short.

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Speaker 2: Now, the watch is innovative because it is a wearable.

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Speaker 2: It's a wearable yet it is a wearable.

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Speaker 1: Fine.

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Speaker 2: But what I found I can do is take a

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Speaker 2: Rebok band, tennis sweatband, wristband. I'd shove my GALAXYUS for

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Speaker 2: it in there, mmm and I then boom, Now that's

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Speaker 2: a wearable yes, and then you can see some of

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Speaker 2: the time that's poking out from under the wristband. Yeah, yeah,

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Speaker 2: most of it. Oh, yes, I can make an inference.

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Speaker 1: We want to do a segment on the show. It's

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Speaker 1: so hot in Los Angeles right now, and so what

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Speaker 1: we want to do is a segment that is good

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Speaker 1: for cooling everyone down. And it's called the Teaser Freezer.

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Speaker 1: And the way the teaser Freezer works is teasers are

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Speaker 1: commercials about movies, and we keep in the teasers freezer

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Speaker 1: so they stay cold. Did you have anything you want

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Speaker 1: to add?

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Speaker 2: Well, I mean, the only thing I have to add

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Speaker 2: is just that I was sweating from how and I

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Speaker 2: did have to move my fan closer to my bed.

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Speaker 2: And because my windows are the crank windows that open

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Speaker 2: out sideways in my basement. From that, my dad doesn't

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Speaker 2: want to get the windows redone in the apartment that

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Speaker 2: doesn't allow me to have a standard air conditioner in there.

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Speaker 1: But now you know also about the fan that you

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Speaker 1: are not supposed to move it too.

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Speaker 2: Close, too close to the bed. Well because of your hair, yes, well,

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Speaker 2: my hair is I have temporary hair right now because

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Speaker 2: I am in between two different hairs that I'm going

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Speaker 2: to have one for my last movie. One for my

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Speaker 2: next movie. And so the hair I have right now,

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Speaker 2: because it's not permanent. If it were to get caught

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Speaker 2: in a fan, or if it were to touch a fan,

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Speaker 2: if I ever when I'm.

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Speaker 1: Sleeping, it would swing you.

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Speaker 2: Yes, it would swing me, and it would possibly remove

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Speaker 2: a big chunk of my scalp. And I did have

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Speaker 2: that happened to a friend of mine when we both

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Speaker 2: had temporary hair and we were both close to a

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Speaker 2: fan at a restaurant and his got caught in it,

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Speaker 2: and one hundred and sixty eight stitches couldn't put him

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Speaker 2: back together again. So anyway, couldn't, could not, could not

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Speaker 2: all kings, horses, all the king's men, and one hundred

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Speaker 2: and six eight stitches couldn't put him back together again

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Speaker 2: after that hair fan incident. So I do need to

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Speaker 2: be careful. But at the same time, it's so hot

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Speaker 2: and I was sweating. So we're in the teaser freezer now,

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Speaker 2: and I'm excited to cool down.

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Speaker 1: So we open up the freezer and Mush Mush go

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Speaker 1: and we reach inside and we pull out a teaser

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Speaker 1: and you look at it, and the teaser for the equalizer,

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Speaker 1: the equalizer. This is a movie. It's got Denzel, and

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Speaker 1: we love Denzel, and it's an action movie, but it

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Speaker 1: has a brain in its head.

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Speaker 2: They're so often so dumbed down for the lowest common denominator,

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Speaker 2: and that is just people think in order to have

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Speaker 2: an action movie with guns and violence, that the only

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Speaker 2: people that are going to enjoy that are this denominator

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Speaker 2: that is so love it's the lowest one that you

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Speaker 2: can't have something smart.

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Speaker 4: M hm.

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Speaker 2: And thank god Hollywood finally got you know one of

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Speaker 2: my messages.

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Speaker 1: Yes, it's a movie and it has the explosions and

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Speaker 1: the guns and the punching for the lowest common denominator,

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Speaker 1: but it also has a few little treats in there

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Speaker 1: for mom and dad. And well we'll show you why

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Speaker 1: right now in the teaser freezer. So it starts Denzel's

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Speaker 1: and a diner and he's reading a book and it's

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Speaker 1: The Old Man in the Sea. He got that fish

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Speaker 1: yet that book?

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Speaker 2: Oh yeah, yeah, he did not exactly. The old man

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Speaker 2: met his great ast adversary just when he thought that

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Speaker 2: part of his life was over.

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Speaker 1: Why didn't he just let the fish go?

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Speaker 2: Old Man's got to be the old man, fish has

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Speaker 2: got to be.

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Speaker 1: The fish got to be who you are in as

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Speaker 1: world right, no matter what.

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Speaker 4: Wow.

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Speaker 1: A lot of treats for a thinking person who likes books.

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Speaker 2: And this is especially relevant for me because my twenty

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Speaker 2: fourteen book is Old Man in the Sea.

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Speaker 1: Hm.

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Speaker 2: I did a micea men last year mm hmm, and

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Speaker 2: I said this year, I'm going even longer. I think

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Speaker 2: they're about the same length. That's a great twenty fourteen book,

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Speaker 2: and so I am about two thirds of the way

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Speaker 2: through mm hmm. And I don't even mind that it's

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Speaker 2: sort of boils it because I was wondering in it

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Speaker 2: as I'm reading this great words, what's going on in

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Speaker 2: this book? And for Denzel to so tightly say.

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Speaker 1: It, Wow, that the fish has got to be the

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Speaker 1: fish and the old man's got to be the old

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Speaker 1: man sums that up, and that's something that they'd ever

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Speaker 1: say outright in the book, but it is very strongly implied.

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Speaker 2: And if you look at it that way, it becomes

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Speaker 2: easier to read the book. And I've even done more

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Speaker 2: pages since seeing this treat teaser.

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Speaker 1: Because this is my nineteen seventy five book and I've

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Speaker 1: read it. I really enjoyed it is you know, it's

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Speaker 1: about seventy pages long. But in the teaser you notice

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Speaker 1: that the book he's reading is a huge leather bound

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Speaker 1: looks like about a seven hundred page book. And if

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Speaker 1: you actually look at the teaser, he's reading this book

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Speaker 1: in a restaurant, you know, go a restaurant, real book,

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Speaker 1: and he is odd. It looks like maybe page four

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Speaker 1: of this book. You see him reading it, and he's

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Speaker 1: very very early in the book. Especially you have picked

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Speaker 1: up as much as he has so far. But I

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Speaker 1: think here's the secret about him. This is how you

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Speaker 1: know he's smart. He's got this big version of the

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Speaker 1: book because I think he's so smart. It's like it's

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Speaker 1: like the Old Man of the Sea ten times in

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Speaker 1: a row. Because he's so smart, he's going to read it.

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Speaker 1: I have theory? What what theory? What is it?

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Speaker 2: He has some pages in the book where he writes

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Speaker 2: what he thinks about the book.

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Speaker 1: So he reads one page and then he writes nine

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Speaker 1: pages of his own theories. I think so, And isn't

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Speaker 1: that interesting that we could have two different ideas about it?

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Speaker 1: Only from seeing four seconds of one forces you to think.

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Speaker 1: It forces you to ask some questions and to have

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Speaker 1: so you say, why is that thought? Why is that

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Speaker 1: book so big? I know it's not supposed to be

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Speaker 1: that big. Why why is he reading it in the restaurant.

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Speaker 1: Why is he talking about it like he knows everything

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Speaker 1: about it when he's only on page four? Yes?

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Speaker 2: And why is a teen girl talking to him about

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Speaker 2: his book too?

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Speaker 1: And why is she asking it away? Why is her

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Speaker 1: first question did he catch that fish yet?

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Speaker 2: Which if he didn't, like, fuck you lady, you know,

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Speaker 2: because I'm trying to read this book, especial, you don't have.

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Speaker 4: To push lit dollaries that your old job did you.

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Speaker 1: You'll do his job. So now he's he's working at

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Speaker 1: his job. Now he's getting robbed. And he works at

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Speaker 1: a home depot store, a style store, and it's called

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Speaker 1: home Mart, which is sort of an improvement on the

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Speaker 1: home depot concept. Maybe they can't use home depot. So

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Speaker 1: hard to say, so hard to remember. Home depot is

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Speaker 1: really almost impossible to say. But if you work at a.

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Speaker 2: Store, first of all, it doesn't look like it says depot.

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Speaker 1: That's what makes it so hard. Honestly, you have to

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Speaker 1: actively actually not read it if you want to say it.

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Speaker 2: Well, and you have to practice saying it enough times

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Speaker 2: that you don't have to take a big pause between

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Speaker 2: the two words m hm. Because what's nice for home Mark?

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Speaker 1: Will? You're not saying it actually correctly. I'm sorry, it's

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Speaker 1: nice for Homark. No, you have to say both words

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Speaker 1: home Mark. You're you're saying one M. You need to

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Speaker 1: say you just pronounce each word individually. You say home

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Speaker 1: marked home Mark. No, you're not doing it right. You

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Speaker 1: have to say it's two words, it's not one word.

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Speaker 1: Brat Am I losing my frigging beans today? I mean?

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Speaker 1: Am I out of my mind? You say it home Mark? No,

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Speaker 1: you're saying one M Homark. And what's nice about saying Homark?

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Speaker 1: That's your name? Is your mouth the company home Mart?

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Speaker 2: Well, I'm sorry you lost this battle, and I hate

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Speaker 2: to give Bread a try again.

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Speaker 1: You know that's wrong. You're saying Homart home Marked.

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Speaker 5: I'm saying both words no, but they flow into each other.

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Speaker 5: That seems like the way you do.

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Speaker 1: You have to finish to finish the word home.

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Speaker 2: And it's And what's nice about home Mark is your

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Speaker 2: mouth is already at the M, so you don't got

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Speaker 2: to take a whole other trip to go find the D.

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Speaker 1: No Homart is a totally different thing from what this

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Speaker 1: name is, which is home marked. Okay, Well about wal Mart, Well,

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Speaker 1: that's not how it's spelled at all. Your walla marked? Okay? Well,

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Speaker 1: I hope you like having Edgineer Bread on your side.

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Speaker 1: It must be a really great feeling. It must be

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Speaker 1: a really great feeling to have Edgindeer Bread agree with

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Speaker 1: you on how to pronounce a word. Does that feel good?

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Speaker 1: You know what, Hayes, You're right, It's not a very

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Speaker 1: good feeling, is it.

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Speaker 2: I didn't really think about what I was doing and

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Speaker 2: who I was sort of aligning myself with.

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Speaker 1: The discussion of how to pronounce a word.

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Speaker 2: I guess the greatest trick the devil ever pulled was,

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Speaker 2: you know, making me be think I'm friends with Engineer

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Speaker 2: Bread for a minute.

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Speaker 1: When it comes to some things conversations about, like wearing

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Speaker 1: a Beatles shirt, you know Brett's an expert on that.

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Speaker 1: There's no denying it. When it comes to wearing a

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Speaker 1: Beatle shirt, you want to talk to Engineer Bread, right,

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Speaker 1: you would consider yourself an expert on that.

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Speaker 5: Wouldn't you an expert on the Beatles or wearing.

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Speaker 1: No, definitely that expert on the band the Beatles an

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Speaker 1: expert on No, you were not an expert on you're

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Speaker 1: an expert on wearing a Beatles shirt.

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Speaker 5: I suppose I'm pretty good at that.

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Speaker 1: I'm willing to concede that you are an expert on that.

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Speaker 1: In fact.

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Speaker 5: Okay, I'll take that. I'll take it. You're doing it

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Speaker 5: right now, I'm taking it.

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Speaker 1: No, you're wearing a Beatles shirt.

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Speaker 5: Yeah I am, and I'm doing it pretty well.

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Speaker 4: I would say you're doing it expertly.

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Speaker 5: Okay, yeah, I'm an expert on it.

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Speaker 1: But when it comes to saying a word, would you

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Speaker 1: call yourself an expert on that?

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Speaker 5: A little bit?

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Speaker 1: You're saying you're an expert on saying a word.

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Speaker 5: On some words? I feel which confidence?

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Speaker 1: Okay, which ones?

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Speaker 5: Like the Beatles.

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Speaker 1: Saying the word the Beatles. You're an expert, and well,

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Speaker 1: of course you are. You got on your shirt right,

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Speaker 1: But you want to say that.

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Speaker 5: I feel pretty comfortable saying homemark home homemarked.

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Speaker 1: It's home marked. I'm really going through something here. What's wrong?

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Speaker 6: I mean, Engineer Brett is roast you.

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Speaker 1: I mean he's on the right side of this thing.

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Speaker 1: I swear to.

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Speaker 2: God he is.

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Speaker 1: Listen to what you say.

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Speaker 3: I just.

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Speaker 6: Down down to the last detail. I just feel like

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Speaker 6: engineer Brett has it pegged. Now what happened to you

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Speaker 6: or what happened did he take some kind.

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Speaker 1: Of super pill or something?

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Speaker 6: And now he's a smart.

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Speaker 1: Guy, and would you fall so far? I've been working

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Speaker 1: with you for a long time. Okay, Then if that's true,

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Speaker 1: then he should be doing the rest of the show.

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Speaker 1: He shouldn't. He should do the teaser Feezer. He should

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Speaker 1: do the rest of the teaser Feezer. If that's how

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Speaker 1: you feel, I would Why would I be hosting the

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Speaker 1: show anymore? Why would I finish the teaser freezer when

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Speaker 1: Brett can do it? When if he's the one who's

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Speaker 1: and he's an expert on saying all the words, why

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Speaker 1: did he do it? What did he do the teaser freezer?

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Speaker 4: And I do the sound? Hey?

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Speaker 1: What I just do this sound? Here?

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Speaker 4: Here I go.

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Speaker 2: Hey, get back in your seat.

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Speaker 4: Get back in your snow way.

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Speaker 5: You know how to do the sound, I'll do it.

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Speaker 5: You don't know how to do the sound, well do

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Speaker 5: teaser freezer.

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Speaker 2: Well, if we're right about this, then he would be

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Speaker 2: able to do the sound.

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Speaker 1: I mean, he would have become that dumb.

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Speaker 2: That that would make sense to him. Okay, So Brett,

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Speaker 2: you know you're gonna sort of start it and describe

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Speaker 2: what's happening and then stop it, and well you know

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Speaker 2: how to do it.

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Speaker 1: You're haze now okay, go ahead.

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Speaker 4: What do.

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Speaker 1: You do the teer? Okay, you do the teaser freezer.

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Speaker 1: You know how to pronounce the words. So we made

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Speaker 1: our bed.

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Speaker 5: Brett, Okay, I'm here. Okay, just sit there and don't

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Speaker 5: press anything though. Is it it red? Is it red?

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Speaker 5: Going across?

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Speaker 1: Just make sure it's red, it's white red?

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Speaker 5: Just the file, the wave file.

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Speaker 2: He just feeling Brett, the big one is red. You

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Speaker 2: don't do both now, just feel it out, Hayes.

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Speaker 1: Yeah, I know how to do it. This is all

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Speaker 1: I do now, Okay, now Brett played more to the teaser.

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Speaker 5: Okay, here we go.

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Speaker 7: What's you knowing about?

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Speaker 2: It is about a guy who's a knight and shining

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Speaker 2: almost except he lives in the world where nights don't

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Speaker 2: exist anymore?

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Speaker 1: Right the book? Right, Bret, what do you think of

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Speaker 1: that part of the teacher? Well he's talking about another book.

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Speaker 5: Books don't exist anymore? Is that what he said?

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Speaker 1: Holy? Oh?

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Speaker 4: Okay, I'm just worried about.

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Speaker 1: This is the show.

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Speaker 5: Now, I'm distracted by him doing sound is really worrying.

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Speaker 1: He couldn't and misunderstanding the very basic idea of a sentence.

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Speaker 1: Welcome to your show. Say well, no one said the word.

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Speaker 2: I said the word book to try to sort of

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Speaker 2: lead a horse to water a little bit, because they go,

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Speaker 2: she goes, what's the new one about? I want the

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Speaker 2: listeners to know she means his new book. He apparently

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Speaker 2: talks to this young, sort of prepubescent girl about books

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Speaker 2: all the time, this sixty five year old man.

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Speaker 1: So anyway, I'm trying to explain that to them.

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Speaker 2: Then you just somehow plug me saying that into your

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Speaker 2: memory so that you go, he's in a world where

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Speaker 2: books don't exist anymore. In the movie, he's just in

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Speaker 2: a movie walking with a girl. She goes, what's the

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Speaker 2: new one about? He goes, it's about a night, but

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Speaker 2: he lives in a time where nights don't exist anymore.

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Speaker 1: You go, He's in a world where books don't exist.

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Speaker 2: It's like, holy shit, Brett, you couldn't go one give sentence.

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Speaker 1: You couldn't get through one fucking sentence.

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Speaker 2: And I think, and I think you were so bad

359
00:20:08,640 --> 00:20:12,639
Speaker 2: at doing it that I've learned how to say home

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Speaker 2: nor don't say that.

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Speaker 1: I don't think I could have been more vindicated than

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Speaker 1: by what just happened. You obviously don't want to You

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Speaker 1: obviously don't want to be the host of this show

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Speaker 1: anymore with Brett insane. Well it's not a show. You

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Speaker 1: should probably come do the sound. Well, yes, I think

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Speaker 1: got much is clear. I definitely don't want to be

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Speaker 1: on the same show as Brett where he cannot be

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Speaker 1: hosting with Brett, I'm going to do the sound. Okay,

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Speaker 1: so you come over here. Okay, I'm coming.

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Speaker 5: This isn't You can give me a minute to settle

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Speaker 5: into this new role.

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Speaker 1: Okay, Sean and I are hosting, are doing the sound,

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Speaker 1: and now I'm gonna take a picture of you while

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Speaker 1: you do the teaser freezer.

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Speaker 4: Wait both.

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Speaker 2: And as someone who thought for even a second that

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Speaker 2: Brett was going to be able to do the show

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Speaker 2: and host it, I now have officially myself stupid enough

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Speaker 2: to do the South.

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Speaker 5: You guys threw me into the segment I'm least familiar with.

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Speaker 1: To be honest, it's our most famous segment. Everyone loves you.

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Speaker 5: You could say that it's all yours, okay. Should I

383
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Speaker 5: keep playing the trailer?

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Speaker 1: Yes, and then the commentary by yourself.

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Speaker 4: I can't.

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Speaker 1: It's not even.

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Speaker 5: She's putting a hammer back on the.

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Speaker 4: DIT think it would be anything you wanted to change

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Speaker 4: your world.

390
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Speaker 5: You just slap a woman.

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Speaker 1: Never go back to being that person. When somebody does

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Speaker 1: something unspeakable.

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Speaker 4: It's note you hardly knew.

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Speaker 5: I don't give up. I don't understand.

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Speaker 4: Say you give up, I don't. I don't give up.

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00:21:50,080 --> 00:21:52,159
Speaker 1: Admit that you give up, then finish it. If you

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Speaker 1: don't give up.

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Speaker 5: This is what I've wanted, is what I've doesn't.

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Speaker 1: Feel anything like a teaser freezer.

400
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Speaker 5: It doesn't. I admit it doesn't. I can do I

401
00:22:01,240 --> 00:22:02,600
Speaker 5: never even asked Brett.

402
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Speaker 2: The very idea that I used to host a podcast

403
00:22:05,400 --> 00:22:09,000
Speaker 2: with you is sickening. This is what you think a

404
00:22:09,040 --> 00:22:09,879
Speaker 2: teaser freezer is.

405
00:22:09,960 --> 00:22:13,480
Speaker 5: I wish you gave me at least two sentences to

406
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Speaker 5: settle into that.

407
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Speaker 2: What segment do you think you would have been good at?

408
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Speaker 2: By the way you said, this is the one you're

409
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Speaker 2: least familiar with. What segment do you think you would

410
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Speaker 2: have hit out of the park. Let's hear you do

411
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Speaker 2: that one.

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Speaker 5: Welcome to the Hollywood Handbook, The Insider's Guide to this place.

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Speaker 5: We call this place this.

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Speaker 1: He's sweaty.

415
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Speaker 5: I swear I can do this. Welcome to Hollywood Handbook.

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Speaker 1: We're in the teaser freezer where it's cold and he's sweating.

417
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Speaker 5: It's hot. I thought we were just talking about how

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Speaker 5: how it.

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Speaker 1: Was the freezer is cold north Pole.

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Speaker 5: We're not still in this freeze.

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Speaker 1: The Musha sled dog and we went to the North Pole.

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Speaker 1: Come back and do this sound.

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Speaker 5: Okay, I'm sorry, you give up? I give up.

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Speaker 8: Wow.

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Speaker 2: I thought I was part of a good podcast, but

426
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Speaker 2: now I'm just part of something that I think is

427
00:23:13,440 --> 00:23:17,000
Speaker 2: it has a lot of problems. One is the sound

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Speaker 2: guy tried to host it and I let him, and

429
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Speaker 2: now I just think, now I just think this whole

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Speaker 2: thing is just mean and exploitive.

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Speaker 1: And how did and how did I say that? And

432
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Speaker 1: how did I do on the sound? When I was

433
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Speaker 1: over there?

434
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Speaker 5: I think actually it went okay.

435
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Speaker 4: Oh, I mean because when I was there, you took pictures.

436
00:23:44,240 --> 00:23:46,160
Speaker 1: What about when Seawan was the sound.

437
00:23:46,640 --> 00:23:49,960
Speaker 5: Sean just sort of hovered over you and didn't I

438
00:23:50,000 --> 00:23:51,919
Speaker 5: didn't see him actually even touching.

439
00:23:51,720 --> 00:23:53,880
Speaker 2: It and that's what it needed at the time, wasn't

440
00:23:53,880 --> 00:23:55,720
Speaker 2: it Because it came out fine.

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Speaker 1: Well, we'll see how sometimes we need to know.

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Speaker 2: Sometimes we need to know when what actually is necessary

443
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Speaker 2: is to just sort of hover there and not be

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Speaker 2: doing so much.

445
00:24:07,480 --> 00:24:12,960
Speaker 5: Huh, Brett, I think this started with you asking me

446
00:24:13,040 --> 00:24:14,040
Speaker 5: how to say something.

447
00:24:14,440 --> 00:24:17,680
Speaker 1: We have a great guest today. Gaelo's area is here

448
00:24:18,040 --> 00:24:20,560
Speaker 1: and he's a famous comedy performer and he's written on

449
00:24:20,640 --> 00:24:23,600
Speaker 1: television shows and she and he's gonna come here and

450
00:24:23,640 --> 00:24:27,120
Speaker 1: he's going to talk to Sean and Hayes, the hosts

451
00:24:27,600 --> 00:24:28,800
Speaker 1: of Hollywood Handbook.

452
00:24:32,800 --> 00:24:37,840
Speaker 2: So Vigo Morten said, he looks at me, his eyes

453
00:24:37,880 --> 00:24:42,480
Speaker 2: are like saucers, and he points and he's what he

454
00:24:42,600 --> 00:24:45,520
Speaker 2: is that yeah, And I was like, I thought he

455
00:24:45,600 --> 00:24:51,040
Speaker 2: was joking. He was like, that's pineapple, you know, because

456
00:24:51,040 --> 00:24:54,160
Speaker 2: he's in the fruit salad and he's he's and he's

457
00:24:54,240 --> 00:24:56,720
Speaker 2: never seen it. And he and we went through fruit

458
00:24:56,760 --> 00:24:58,960
Speaker 2: by fruit and I identified every peat and he just

459
00:24:59,040 --> 00:25:00,800
Speaker 2: had never had ever seen it like that.

460
00:25:01,800 --> 00:25:03,080
Speaker 1: I think he had seen.

461
00:25:02,920 --> 00:25:03,760
Speaker 4: The whole one.

462
00:25:03,960 --> 00:25:05,680
Speaker 1: He'd seen the spiny rhymes.

463
00:25:05,800 --> 00:25:08,280
Speaker 2: So at one point he got mad, He's, you know,

464
00:25:08,400 --> 00:25:09,600
Speaker 2: kind of shoving me a little bit.

465
00:25:09,640 --> 00:25:12,159
Speaker 1: He's that's not a pineapple, but you would never know

466
00:25:12,920 --> 00:25:16,240
Speaker 1: if you saw the outside, you would never ever think no.

467
00:25:16,520 --> 00:25:21,960
Speaker 2: And that's me, you know, Uh, it's not on him.

468
00:25:22,080 --> 00:25:25,440
Speaker 2: I almost was maybe a little condescending because.

469
00:25:25,200 --> 00:25:28,920
Speaker 1: Imagine seeing that outside and there was a sweet yellow

470
00:25:28,960 --> 00:25:32,400
Speaker 1: what pineapple looks like. And that's just a product.

471
00:25:32,160 --> 00:25:34,399
Speaker 2: Of my upbringing, is you know I was. I was

472
00:25:34,600 --> 00:25:35,880
Speaker 2: spend all that time on the islands.

473
00:25:35,920 --> 00:25:39,800
Speaker 1: Hey, welcome to Hollywood, kicking button and dropping names in

474
00:25:39,800 --> 00:25:45,680
Speaker 1: the record industry. Show. You tried to mess me up

475
00:25:46,080 --> 00:25:47,879
Speaker 1: and we're not doing I know that you're trying to,

476
00:25:48,000 --> 00:25:49,960
Speaker 1: but I will never message just you say it, Well,

477
00:25:49,960 --> 00:25:51,920
Speaker 1: what up? What up? And we've got a great exciting

478
00:25:52,000 --> 00:25:56,160
Speaker 1: guest today, Gailo's area is here. Hi Gil, Hi Gail,

479
00:25:56,200 --> 00:25:58,119
Speaker 1: Thank you so much for being here. You're famous for

480
00:25:58,160 --> 00:26:02,200
Speaker 1: your comedy, that's true. You've performed at the UC Berkeley Theater,

481
00:26:02,560 --> 00:26:05,480
Speaker 1: and you're and you're also a writer, and you were

482
00:26:05,520 --> 00:26:08,280
Speaker 1: a writer on Happy Endings and you were writer around

483
00:26:08,280 --> 00:26:11,440
Speaker 1: Brooklyn ninety nine and you left that show recently. And

484
00:26:12,040 --> 00:26:14,240
Speaker 1: what I have sort of been hearing is that it

485
00:26:14,320 --> 00:26:19,040
Speaker 1: had a lot to do with the Ferguson stuff, and

486
00:26:19,080 --> 00:26:20,600
Speaker 1: when all that was going on.

487
00:26:20,920 --> 00:26:23,080
Speaker 4: Well that came a little bit after, but you know.

488
00:26:24,160 --> 00:26:28,800
Speaker 1: It, that stuff happened because you left the show and

489
00:26:28,840 --> 00:26:29,879
Speaker 1: the cops were mad.

490
00:26:31,320 --> 00:26:33,920
Speaker 4: Well I don't think they were man at.

491
00:26:33,840 --> 00:26:36,640
Speaker 2: Me, They're no, but they were mad that you left

492
00:26:36,640 --> 00:26:38,720
Speaker 2: the show and they said, until he comes back, we're

493
00:26:38,720 --> 00:26:40,400
Speaker 2: going to start being very bad cops.

494
00:26:40,960 --> 00:26:43,040
Speaker 4: Okay, well maybe, yeah, maybe.

495
00:26:43,080 --> 00:26:45,199
Speaker 2: And the Dorner stuff had been when you were just

496
00:26:45,400 --> 00:26:49,840
Speaker 2: stuck in a tough contract negotiation, right, the Chris Dorner stuff, I.

497
00:26:49,800 --> 00:26:52,320
Speaker 4: Mean, how many that's always tied to me, But I

498
00:26:52,320 --> 00:26:53,920
Speaker 4: don't think that's I don't think that's true.

499
00:26:54,160 --> 00:26:56,560
Speaker 1: Really, it's tied very strongly to you.

500
00:26:57,000 --> 00:27:00,240
Speaker 2: I've never heard the two mentioned separately.

501
00:27:00,280 --> 00:27:02,200
Speaker 4: You always Yes, I was in Big.

502
00:27:02,040 --> 00:27:04,560
Speaker 2: Bear recently, and I did visit the Dorner House, as

503
00:27:04,640 --> 00:27:10,040
Speaker 2: I do, and I do recall that everywhere every time

504
00:27:10,080 --> 00:27:13,240
Speaker 2: you're there, you go see the Dornorhouse. This was just frequent.

505
00:27:13,280 --> 00:27:15,480
Speaker 2: I'm a I'm a ski bunny. There's no you know,

506
00:27:15,560 --> 00:27:20,239
Speaker 2: shame in that. And uh, I went it when I

507
00:27:20,359 --> 00:27:22,560
Speaker 2: was there and there were quite a few people there.

508
00:27:22,359 --> 00:27:26,960
Speaker 2: The whole uh hugger mugger around the outside of the

509
00:27:26,960 --> 00:27:30,639
Speaker 2: building was just the crowd going Goodlod's Areans good, Chris Dorner,

510
00:27:30,880 --> 00:27:32,720
Speaker 2: it does get suck in the country negotiation.

511
00:27:32,920 --> 00:27:34,679
Speaker 4: Well, you know, I don't know. Maybe I don't know,

512
00:27:34,760 --> 00:27:38,959
Speaker 4: maybe I can't see how the connection, but maybe they

513
00:27:39,080 --> 00:27:41,960
Speaker 4: like their shows. Yeah, and they were off.

514
00:27:41,840 --> 00:27:44,320
Speaker 1: And they get they get sometimes they get. They can

515
00:27:44,440 --> 00:27:45,440
Speaker 1: be very pissed off.

516
00:27:45,520 --> 00:27:47,880
Speaker 4: We we probably fucked up all together. I don't want

517
00:27:47,880 --> 00:27:49,639
Speaker 4: to blame any other writers. I think I'm going to

518
00:27:49,680 --> 00:27:52,040
Speaker 4: take the onus on that always it was me.

519
00:27:52,080 --> 00:27:53,920
Speaker 1: And it wasn't Lakshmi syndrome.

520
00:27:54,160 --> 00:27:57,359
Speaker 4: I don't think it was Lakshmi. You know, I can't say,

521
00:27:57,480 --> 00:27:59,200
Speaker 4: like if it was lux MEI there was also me.

522
00:27:59,200 --> 00:28:02,200
Speaker 2: Because I mean she she was in the Errold studio studio?

523
00:28:02,320 --> 00:28:05,960
Speaker 1: Is this racist? And I could just tell that it

524
00:28:06,000 --> 00:28:06,280
Speaker 1: was her?

525
00:28:08,680 --> 00:28:12,919
Speaker 2: Yes, Okay has his bloody hands when I whisper?

526
00:28:13,040 --> 00:28:13,200
Speaker 1: Now?

527
00:28:13,240 --> 00:28:15,080
Speaker 4: Is that recorded? No?

528
00:28:15,440 --> 00:28:17,760
Speaker 1: No, I don't think the mic can pick the dogs here.

529
00:28:17,920 --> 00:28:21,320
Speaker 4: Okay, Well, little do you have a lot of dogs

530
00:28:21,400 --> 00:28:22,679
Speaker 4: that listen to the podcast?

531
00:28:23,800 --> 00:28:27,200
Speaker 1: We have one. We got one mean one.

532
00:28:28,760 --> 00:28:31,640
Speaker 4: One mean dog and he likes to kind of like

533
00:28:31,720 --> 00:28:33,359
Speaker 4: does he comment on the message boards.

534
00:28:33,440 --> 00:28:36,400
Speaker 1: He likes he considers himself something of a critic. Let's

535
00:28:36,400 --> 00:28:37,040
Speaker 1: put it that way.

536
00:28:39,040 --> 00:28:42,920
Speaker 2: He likes to express his feelings by lifting his leg.

537
00:28:45,040 --> 00:28:47,840
Speaker 4: He pissed, he pissed. You're saying he pisses on the pot.

538
00:28:48,120 --> 00:28:49,600
Speaker 4: I wouldn't know how he would do that.

539
00:28:49,560 --> 00:28:52,800
Speaker 1: On the on the podcast, on the iPod. Yeah mm hmm.

540
00:28:54,000 --> 00:28:57,120
Speaker 4: Okay, Well, the dog owns an iPad an iPod.

541
00:28:58,000 --> 00:28:59,680
Speaker 1: Let me put it this way. Let me put it

542
00:28:59,680 --> 00:29:00,360
Speaker 1: this way, Gill.

543
00:29:00,480 --> 00:29:05,280
Speaker 2: This is episode fifty one, right, I'm on shuffle number

544
00:29:05,480 --> 00:29:07,440
Speaker 2: like fifty to three at this point.

545
00:29:07,520 --> 00:29:10,080
Speaker 1: So he's not liked many of our episodes.

546
00:29:10,160 --> 00:29:13,680
Speaker 4: Still has an iPod though, Well it's Sean, it's my iPod.

547
00:29:13,800 --> 00:29:14,720
Speaker 4: Oh you're Doug.

548
00:29:14,840 --> 00:29:16,720
Speaker 1: When I play it for the dog, No, he's not

549
00:29:16,840 --> 00:29:19,800
Speaker 1: my dog. Oh no, please, Well it's that he I

550
00:29:19,800 --> 00:29:22,240
Speaker 1: guess he does his business on his own, and then

551
00:29:22,320 --> 00:29:23,520
Speaker 1: you have to give him yours.

552
00:29:24,720 --> 00:29:28,400
Speaker 2: The dog can't. The dog can't own an iPod legally.

553
00:29:28,640 --> 00:29:30,760
Speaker 1: Oh okay, is that a rule?

554
00:29:30,960 --> 00:29:31,280
Speaker 4: You can't?

555
00:29:31,720 --> 00:29:34,120
Speaker 2: Well, because there's a danger as I'm eating it right,

556
00:29:34,320 --> 00:29:36,440
Speaker 2: and you, as an owner, are responsible if your dog

557
00:29:36,480 --> 00:29:39,120
Speaker 2: eats an iPod and then has a stomach problem, he's

558
00:29:39,200 --> 00:29:42,280
Speaker 2: crazy bite somebody, you know, because he's trying to have.

559
00:29:42,560 --> 00:29:46,320
Speaker 2: He's trying to make a bathroom. You know, he's trying

560
00:29:46,320 --> 00:29:49,080
Speaker 2: to make a you know, he's making a bathroom. You know,

561
00:29:49,280 --> 00:29:52,920
Speaker 2: movement deuce. Okay, yes, he's trying to do the deuce. Yes,

562
00:29:54,360 --> 00:29:57,120
Speaker 2: and the iPod is stuck because he ate it. Because you,

563
00:29:57,160 --> 00:29:58,719
Speaker 2: as an irresponsible.

564
00:29:58,080 --> 00:29:59,480
Speaker 4: Owner, you can be arrested for that.

565
00:29:59,680 --> 00:30:01,760
Speaker 1: You can be arrested. And you should know this. You

566
00:30:01,840 --> 00:30:02,840
Speaker 1: worked on a cop show.

567
00:30:02,920 --> 00:30:05,640
Speaker 4: Yeah, you know what I didn't. We were supposed to

568
00:30:05,640 --> 00:30:08,600
Speaker 4: study all like everything you can get arrested for, yes,

569
00:30:08,640 --> 00:30:10,400
Speaker 4: and I did not. I didn't look. I didn't even

570
00:30:10,400 --> 00:30:12,120
Speaker 4: look at the even look and.

571
00:30:12,080 --> 00:30:13,360
Speaker 1: State to state it's different.

572
00:30:13,400 --> 00:30:16,080
Speaker 2: And if you've read ever any have you ever read

573
00:30:16,120 --> 00:30:18,800
Speaker 2: any of those wacky laws lists that go around the

574
00:30:18,800 --> 00:30:19,320
Speaker 2: internet so.

575
00:30:19,520 --> 00:30:21,440
Speaker 4: You can't wear like a duck on your head or

576
00:30:21,480 --> 00:30:25,640
Speaker 4: something like that. Oh good, that one, That one is good.

577
00:30:25,960 --> 00:30:27,200
Speaker 1: That one's very good.

578
00:30:27,640 --> 00:30:32,200
Speaker 4: I'm like, how did this come up? I know, we

579
00:30:32,240 --> 00:30:32,880
Speaker 4: don't like this.

580
00:30:34,520 --> 00:30:38,440
Speaker 1: What do you think of all this Apple stuff? Which

581
00:30:38,520 --> 00:30:42,040
Speaker 1: what Apple is? The iPhone six? Oh yeah, or just

582
00:30:42,080 --> 00:30:45,840
Speaker 1: Apple in general, whatever you feel most strongly about.

583
00:30:45,840 --> 00:30:48,360
Speaker 4: Oh oh, I think I'm going to get a new

584
00:30:48,400 --> 00:30:53,560
Speaker 4: Apple Apple six. It's bigger it's bigger, right, yeah, yeah,

585
00:30:53,600 --> 00:30:56,440
Speaker 4: what do you guys think? And we and we we

586
00:30:56,640 --> 00:30:58,040
Speaker 4: like that you like the size?

587
00:30:58,400 --> 00:31:03,360
Speaker 2: Well that yes, spot. We have our own issues as well.

588
00:31:02,960 --> 00:31:08,680
Speaker 4: Which right, the the well it's sue and I mean,

589
00:31:08,920 --> 00:31:12,080
Speaker 4: you know, we talk about this, but it's too proprietary

590
00:31:12,680 --> 00:31:16,080
Speaker 4: and you have to, you know, get the new one,

591
00:31:16,280 --> 00:31:20,400
Speaker 4: and the plugs change, and it's a scam.

592
00:31:20,800 --> 00:31:22,800
Speaker 2: And that's why some of the other ones are more

593
00:31:22,960 --> 00:31:25,280
Speaker 2: user friendly and easier to hack.

594
00:31:26,480 --> 00:31:28,960
Speaker 4: Okay, okay, yeah.

595
00:31:28,640 --> 00:31:29,600
Speaker 1: Some of the phones.

596
00:31:29,720 --> 00:31:32,600
Speaker 9: Yeah, but you're still I'm still going to get one.

597
00:31:32,720 --> 00:31:37,520
Speaker 9: You're still slave to the fun buying plugs. Yeah, no,

598
00:31:37,600 --> 00:31:40,080
Speaker 9: I enjoy spending all the plug money.

599
00:31:40,120 --> 00:31:45,640
Speaker 4: You know how much money do people usually spend on plugs?

600
00:31:44,200 --> 00:31:49,680
Speaker 1: Weeah? Yeah. And the dog. There's a situation with that

601
00:31:49,760 --> 00:31:51,120
Speaker 1: dog and plugs too.

602
00:31:51,480 --> 00:31:55,160
Speaker 4: Oh really, yeah, do won't the dog will swallow plugs?

603
00:31:55,520 --> 00:32:01,400
Speaker 1: Well, he'll do is his you know, his business on

604
00:32:01,480 --> 00:32:03,600
Speaker 1: a plug. We don't have a We don't have a

605
00:32:03,640 --> 00:32:04,560
Speaker 1: good way at the plug.

606
00:32:04,600 --> 00:32:06,720
Speaker 2: We don't have a okay, yeah, we don't have a

607
00:32:06,720 --> 00:32:08,760
Speaker 2: good way to talk about going to the bathroom on

608
00:32:08,800 --> 00:32:13,000
Speaker 2: this podcast. So why not, Well, we just haven't solved it.

609
00:32:13,200 --> 00:32:15,960
Speaker 2: And it's come up a few times that we have

610
00:32:16,120 --> 00:32:20,040
Speaker 2: to not just with this dog, but in just telling

611
00:32:20,080 --> 00:32:23,120
Speaker 2: a story about ourselves, a celebrity of life, it is

612
00:32:23,160 --> 00:32:25,520
Speaker 2: a part of life, or even a movie where it happens,

613
00:32:25,560 --> 00:32:28,440
Speaker 2: because I think there's scenes in some of those Farley

614
00:32:28,480 --> 00:32:31,280
Speaker 2: Brothers movies where they have to go to bathroom on

615
00:32:31,480 --> 00:32:34,160
Speaker 2: each other, and we don't. We haven't found a good

616
00:32:34,200 --> 00:32:37,000
Speaker 2: way to talk about it that is comfortable.

617
00:32:37,400 --> 00:32:40,080
Speaker 4: Like you can't say taking a shit or something.

618
00:32:41,920 --> 00:32:43,280
Speaker 1: Oh, that's pretty direct.

619
00:32:43,400 --> 00:32:46,040
Speaker 4: Yeah, yeah, sorry, I apologize.

620
00:32:46,160 --> 00:32:49,720
Speaker 2: No, that's good. You're comfortable with that, and that's very direct,

621
00:32:49,720 --> 00:32:51,120
Speaker 2: and that's who you are. It's like I said, you're

622
00:32:51,120 --> 00:32:52,000
Speaker 2: an honest comic.

623
00:32:52,360 --> 00:32:55,320
Speaker 4: Yeah, yes, no, I am. I'm honest. That's I pride

624
00:32:55,320 --> 00:32:57,800
Speaker 4: myself in that. But I speak on that, yeah, on

625
00:32:58,360 --> 00:32:58,960
Speaker 4: my honesty.

626
00:32:59,080 --> 00:32:59,400
Speaker 5: Mmm.

627
00:33:00,840 --> 00:33:04,360
Speaker 4: I just I just feel like, if you're gonna say something,

628
00:33:04,600 --> 00:33:07,880
Speaker 4: you know, if you're gonna step on that soapbox, you

629
00:33:08,000 --> 00:33:12,200
Speaker 4: gotta you gotta be honest. You gotta tell the truth

630
00:33:12,240 --> 00:33:13,160
Speaker 4: to people because that's.

631
00:33:13,000 --> 00:33:14,760
Speaker 1: What they respond yes, and talk about that.

632
00:33:16,000 --> 00:33:20,040
Speaker 4: Talk about the truth. I mean, even on a phone

633
00:33:20,080 --> 00:33:22,840
Speaker 4: call when I'm talking to an agent or I'm talking

634
00:33:22,840 --> 00:33:26,320
Speaker 4: to a fan who's called me, you know, my family, whatever,

635
00:33:26,720 --> 00:33:29,240
Speaker 4: you know, I feel like I have to tell the truth.

636
00:33:29,280 --> 00:33:31,880
Speaker 4: I'm always on. Do you guys feel like you're always on?

637
00:33:32,280 --> 00:33:35,720
Speaker 1: Yes? And so the descriptor that's been used for the

638
00:33:35,800 --> 00:33:40,240
Speaker 1: experiences being in the funni zone and having a tendency

639
00:33:40,320 --> 00:33:42,600
Speaker 1: to live inside the funny zone, and now that can

640
00:33:42,680 --> 00:33:44,320
Speaker 1: have a sort of distortive effect.

641
00:33:44,600 --> 00:33:47,479
Speaker 2: And I'll say that is part of why I do

642
00:33:47,640 --> 00:33:52,480
Speaker 2: go so often up to Big Bear, so frequently.

643
00:33:52,560 --> 00:33:54,560
Speaker 4: What took Big Bear, what happens up there?

644
00:33:55,120 --> 00:33:57,800
Speaker 2: That's where I really can shut off and get out

645
00:33:57,800 --> 00:34:00,880
Speaker 2: of the funni zone and just see the corner house.

646
00:34:01,440 --> 00:34:04,920
Speaker 4: You don't feel those you don't feel the pressure skiing, right.

647
00:34:04,960 --> 00:34:06,760
Speaker 1: No, it's a somber place.

648
00:34:06,840 --> 00:34:09,120
Speaker 4: It's a quiet, serene So you go to the Dornor

649
00:34:09,160 --> 00:34:10,000
Speaker 4: House to field.

650
00:34:10,680 --> 00:34:14,960
Speaker 1: Am I you've been there a lot recently, which is

651
00:34:15,000 --> 00:34:17,520
Speaker 1: something you always talk about it as a ski thing.

652
00:34:19,000 --> 00:34:21,520
Speaker 1: But it's as far as I know, there's no you

653
00:34:21,560 --> 00:34:25,359
Speaker 1: can't really do any skiing there right now. It's it's summertime.

654
00:34:25,640 --> 00:34:28,360
Speaker 1: If I've got skis on, I'm skiing. You know.

655
00:34:28,560 --> 00:34:31,360
Speaker 2: That's my philosophy. Everybody thinks you have to be up

656
00:34:31,400 --> 00:34:34,960
Speaker 2: at the top of some mountains, wishing around to be skiing,

657
00:34:35,280 --> 00:34:37,239
Speaker 2: because skiing.

658
00:34:37,000 --> 00:34:39,040
Speaker 1: Because people ask me, I say that you're up there

659
00:34:39,400 --> 00:34:42,560
Speaker 1: and that you're skiing, And then they say, I don't

660
00:34:42,560 --> 00:34:44,640
Speaker 1: think he's skiing right now? Is he just going to

661
00:34:44,640 --> 00:34:45,840
Speaker 1: look at the Dornorhouse again?

662
00:34:46,440 --> 00:34:46,720
Speaker 4: Mmm?

663
00:34:48,080 --> 00:34:49,680
Speaker 1: And and is it no?

664
00:34:49,840 --> 00:34:52,120
Speaker 2: You tell them it's both. I'm skiing at the Doormhouse.

665
00:34:52,480 --> 00:34:54,759
Speaker 2: I've got those boots on and I'm strapped in. I'm

666
00:34:54,800 --> 00:34:55,440
Speaker 2: snapped in.

667
00:34:56,280 --> 00:34:58,759
Speaker 4: Try I ask what isn't about the Dornorhouse?

668
00:34:59,640 --> 00:35:00,040
Speaker 1: What?

669
00:35:00,040 --> 00:35:02,279
Speaker 4: What what makes it so appealing to you?

670
00:35:02,760 --> 00:35:04,879
Speaker 2: I mean, I'm almost starting to worry. We're spending too

671
00:35:04,960 --> 00:35:08,759
Speaker 2: much time on the Donorhouse. I'm regretting bringing it back up.

672
00:35:09,000 --> 00:35:11,960
Speaker 1: Well, apology you say that as someone who spends so

673
00:35:12,120 --> 00:35:14,839
Speaker 1: much time physically looking at it.

674
00:35:15,640 --> 00:35:18,080
Speaker 2: Well, one thing is I'm afraid to give away my

675
00:35:18,280 --> 00:35:20,759
Speaker 2: sort of secret little hidings. But you know, you tell

676
00:35:20,800 --> 00:35:25,239
Speaker 2: somebody about a great restaurant right next week, you know,

677
00:35:25,280 --> 00:35:27,600
Speaker 2: and while it is a it is a crowded destinations.

678
00:35:27,600 --> 00:35:31,759
Speaker 2: Certainly there's also an element of do I want to

679
00:35:31,800 --> 00:35:34,719
Speaker 2: tell people that it's just for me. It's like, have

680
00:35:34,800 --> 00:35:37,680
Speaker 2: you been to Sedona? There's these vortex's in Sedona that

681
00:35:37,760 --> 00:35:44,480
Speaker 2: have a specific vibration and magnetic vibrations your chakras.

682
00:35:44,560 --> 00:35:47,920
Speaker 1: Yes, yeah, that's the Dorner house for you, For me

683
00:35:48,080 --> 00:35:50,520
Speaker 1: and for many others, Yes, what's the Dornorhouse for you?

684
00:35:51,080 --> 00:35:55,920
Speaker 1: That's a really great question for me. There's a parking

685
00:35:55,960 --> 00:36:04,279
Speaker 1: structure downtown where Chris Owner did his first his first act,

686
00:36:05,400 --> 00:36:08,200
Speaker 1: where he snuck up on these two teenages that settles

687
00:36:08,400 --> 00:36:12,120
Speaker 1: and he did something to them. Just going to the

688
00:36:12,120 --> 00:36:14,520
Speaker 1: top of that parking structure, just looking out at the

689
00:36:14,560 --> 00:36:17,640
Speaker 1: city and just being like, this is where I live,

690
00:36:17,880 --> 00:36:20,879
Speaker 1: you know, like this is this is like I get

691
00:36:20,920 --> 00:36:23,080
Speaker 1: to work here and like sort of do my thing.

692
00:36:23,160 --> 00:36:26,240
Speaker 4: I'm getting paid to do this, right, right, It's.

693
00:36:26,080 --> 00:36:29,080
Speaker 1: Just like every once in a while to step back

694
00:36:29,080 --> 00:36:30,600
Speaker 1: and go to the top of that parking structure and

695
00:36:30,640 --> 00:36:32,640
Speaker 1: think about it. It's just like it's just a nice

696
00:36:32,840 --> 00:36:37,920
Speaker 1: it's a nice vacation. Do you have a Dorner house

697
00:36:38,040 --> 00:36:38,640
Speaker 1: of your own?

698
00:36:38,840 --> 00:36:43,759
Speaker 4: Weirdly, it's it's Dorner's grave. It's so weird that we

699
00:36:43,800 --> 00:36:46,319
Speaker 4: all have this Dorner thing in common. But I go

700
00:36:46,400 --> 00:36:50,040
Speaker 4: to his grave site and I can just tune out.

701
00:36:50,360 --> 00:36:53,080
Speaker 4: You know, first of all, you know, you never get

702
00:36:53,120 --> 00:36:55,520
Speaker 4: you know, I turned my phone off and I just stare.

703
00:36:55,680 --> 00:36:58,759
Speaker 4: I could sit and talk to Dorner, you know, one

704
00:36:58,800 --> 00:37:00,200
Speaker 4: on one man and man.

705
00:37:00,120 --> 00:37:01,480
Speaker 1: And what does he say to you?

706
00:37:01,880 --> 00:37:04,800
Speaker 4: He's usually supportive of everything I'm doing in my life,

707
00:37:05,360 --> 00:37:09,799
Speaker 4: and he's just a great ear, you know, a good

708
00:37:09,880 --> 00:37:15,840
Speaker 4: sounding board. You know, a grave can be a stone,

709
00:37:16,200 --> 00:37:18,840
Speaker 4: you know, the stone can be it's a good sounding

710
00:37:18,840 --> 00:37:23,719
Speaker 4: board physically and you know, just emotionally. I guess I

711
00:37:23,719 --> 00:37:24,160
Speaker 4: don't know.

712
00:37:24,840 --> 00:37:27,520
Speaker 1: I think you do know, and I think you said

713
00:37:27,520 --> 00:37:28,319
Speaker 1: I think you said it all.

714
00:37:28,440 --> 00:37:34,200
Speaker 2: Okay, Now you've brought up some serious stuff, and uh,

715
00:37:35,000 --> 00:37:36,759
Speaker 2: I guess that's appropriate because.

716
00:37:36,480 --> 00:37:39,239
Speaker 4: While you are a.

717
00:37:38,160 --> 00:37:42,560
Speaker 2: Comedian and famous for your comedy, there's also an element

718
00:37:42,760 --> 00:37:50,760
Speaker 2: to your work that is emotional and can be gut wrenching.

719
00:37:50,840 --> 00:37:52,120
Speaker 4: There is a serious side to me.

720
00:37:52,480 --> 00:37:56,640
Speaker 2: You do these one man shows, yes, And I almost

721
00:37:56,680 --> 00:37:59,160
Speaker 2: hesitant to say you do them because.

722
00:38:00,440 --> 00:38:04,200
Speaker 4: Your characters do them, don't I usually say they do them? Yes,

723
00:38:04,320 --> 00:38:08,120
Speaker 4: and through you your vessel exactly. I'm the vehicle and

724
00:38:08,239 --> 00:38:10,759
Speaker 4: they drive me to the place that they want to go.

725
00:38:12,040 --> 00:38:14,399
Speaker 4: And so yeah, I mean I get a lot out

726
00:38:14,400 --> 00:38:17,960
Speaker 4: of it. Laughs is one thing, but tears is always

727
00:38:18,000 --> 00:38:18,600
Speaker 4: you know another.

728
00:38:19,120 --> 00:38:22,399
Speaker 2: Well, I mean enough talking about it. Can we hear

729
00:38:22,520 --> 00:38:24,360
Speaker 2: a piece of one of these shows?

730
00:38:27,040 --> 00:38:31,399
Speaker 4: They're each inspired by one of my grandparents. Oh, and

731
00:38:31,600 --> 00:38:34,680
Speaker 4: you know I have the wackiest family. I mean like

732
00:38:35,239 --> 00:38:40,040
Speaker 4: that helps, Yes, it does. Usually you hear about people's

733
00:38:40,080 --> 00:38:42,560
Speaker 4: family and you hear that they're wacky, but I have

734
00:38:43,080 --> 00:38:48,640
Speaker 4: the wackiest. You know, they're just it. They're just so specific.

735
00:38:49,719 --> 00:38:56,080
Speaker 4: My my grandmother, she was an Irish roller coaster operator.

736
00:38:56,440 --> 00:39:01,160
Speaker 2: M yes, okay, and something that a roller coaster isn't

737
00:39:01,239 --> 00:39:01,560
Speaker 2: it is?

738
00:39:01,840 --> 00:39:03,399
Speaker 4: It is? And that was Did you see the show,

739
00:39:03,400 --> 00:39:04,640
Speaker 4: because that's the theme of the show.

740
00:39:05,200 --> 00:39:09,520
Speaker 1: M yes. I explained to me how that would work,

741
00:39:10,400 --> 00:39:14,520
Speaker 1: what would work? I just don't totally understand how the analogy.

742
00:39:14,760 --> 00:39:15,240
Speaker 1: I guess.

743
00:39:16,120 --> 00:39:19,160
Speaker 4: Okay, so a roller coaster, Well, well, well should he

744
00:39:19,320 --> 00:39:22,000
Speaker 4: explain or should his grandmother?

745
00:39:22,280 --> 00:39:25,040
Speaker 1: I'd love to hear your grandmother explains you operate the

746
00:39:25,120 --> 00:39:26,120
Speaker 1: roller coaster.

747
00:39:25,960 --> 00:39:33,880
Speaker 10: Okay, on the roller coaster.

748
00:39:35,360 --> 00:39:38,399
Speaker 1: Wow, she's here. Which part of Ireland is she from?

749
00:39:39,719 --> 00:39:48,560
Speaker 4: She's from? Uh, she's from Dublin exactly. And you know

750
00:39:49,000 --> 00:39:53,719
Speaker 4: I took and you know, I took voice lessons for

751
00:39:53,760 --> 00:39:56,680
Speaker 4: a while, you know, just to get it down because

752
00:39:56,800 --> 00:39:59,479
Speaker 4: you know, that's not my natural I don't really talk.

753
00:40:00,920 --> 00:40:05,799
Speaker 4: Did it sound Do I sound irish? You're on the grate?

754
00:40:05,920 --> 00:40:13,239
Speaker 10: Well, she would say, welcome to the Great American scream Machine.

755
00:40:14,080 --> 00:40:18,800
Speaker 4: Your life is like this roller coaster.

756
00:40:19,160 --> 00:40:23,719
Speaker 1: She would say to any just whoever was O, God,

757
00:40:24,160 --> 00:40:25,239
Speaker 1: whatever's ending on?

758
00:40:25,600 --> 00:40:30,480
Speaker 10: And she was like strapping for the strapping for the

759
00:40:30,560 --> 00:40:34,120
Speaker 10: right of your life. Rub the blarney stone because you

760
00:40:34,160 --> 00:40:35,920
Speaker 10: are going on an adventure.

761
00:40:36,320 --> 00:40:37,680
Speaker 1: And she committed suicide.

762
00:40:37,760 --> 00:40:42,760
Speaker 4: She committed suicide. Yeah, she misoperated one of the roller

763
00:40:42,760 --> 00:40:46,600
Speaker 4: coasters and stopped it to give a speech while it

764
00:40:46,680 --> 00:40:51,200
Speaker 4: was upside down, and thirteen children died. They just fell

765
00:40:51,280 --> 00:40:54,960
Speaker 4: right out and smashed into a dirty bush on the ground.

766
00:40:55,080 --> 00:40:58,280
Speaker 1: She was giving a speech on the ground.

767
00:40:58,640 --> 00:41:00,160
Speaker 4: No, she was on the ground looking up up.

768
00:41:00,880 --> 00:41:01,600
Speaker 1: I wanted to talk.

769
00:41:02,160 --> 00:41:06,480
Speaker 8: She's like, this is this is what it's like when

770
00:41:07,320 --> 00:41:12,200
Speaker 8: you're going through a rough patch, right, Yes, And then

771
00:41:12,200 --> 00:41:14,279
Speaker 8: they actually went into a dirty book.

772
00:41:17,280 --> 00:41:22,400
Speaker 2: Well, yes, yeah, I mean the dishonor of dying in

773
00:41:22,440 --> 00:41:27,480
Speaker 2: a bush that hasn't been cleaned. Yes, that's partially on

774
00:41:27,600 --> 00:41:31,120
Speaker 2: the on the you know, the ground crew.

775
00:41:31,800 --> 00:41:34,760
Speaker 1: It's it's not her, No, that it was. It sounds

776
00:41:34,800 --> 00:41:38,719
Speaker 1: like she did take that like to personally that she

777
00:41:38,800 --> 00:41:40,960
Speaker 1: did take it upon herself that it was her fault. Yes,

778
00:41:41,120 --> 00:41:42,040
Speaker 1: she committed to us.

779
00:41:42,120 --> 00:41:45,000
Speaker 4: She committed suicide, and rightfully, so I should say, you know,

780
00:41:45,080 --> 00:41:47,680
Speaker 4: like my family, we talk about it and stuff, but

781
00:41:47,920 --> 00:41:51,879
Speaker 4: and I do commit suicide on stage. It's it is

782
00:41:52,000 --> 00:41:54,400
Speaker 4: you should try. Have you guys done one man shows?

783
00:41:54,760 --> 00:41:59,480
Speaker 2: We tinkered with some experimental stuff back in the early days,

784
00:41:59,520 --> 00:42:01,760
Speaker 2: but I wouldn't call it a one man show.

785
00:42:02,960 --> 00:42:03,960
Speaker 4: What would you call it?

786
00:42:03,960 --> 00:42:07,600
Speaker 1: It's almost genderless.

787
00:42:07,040 --> 00:42:11,439
Speaker 4: One person show, one art art, when art art, one

788
00:42:11,560 --> 00:42:14,200
Speaker 4: art art, when art art.

789
00:42:13,680 --> 00:42:18,319
Speaker 1: One art art instead of a one man show, replacing

790
00:42:18,480 --> 00:42:23,399
Speaker 1: both man in show with art. And while I did,

791
00:42:24,440 --> 00:42:27,640
Speaker 1: in my case, didn't do the one man show, did

792
00:42:27,800 --> 00:42:33,800
Speaker 1: just the man show? Okay, the stand Hope the stand

793
00:42:33,840 --> 00:42:36,560
Speaker 1: Hope Brogan show era got it.

794
00:42:36,680 --> 00:42:39,960
Speaker 2: Yes, Hayes played all the characters, and so it was

795
00:42:40,000 --> 00:42:42,799
Speaker 2: the one man man show. Yeah.

796
00:42:42,840 --> 00:42:48,359
Speaker 1: And I was truly moving and doing every juggie, every

797
00:42:48,400 --> 00:42:49,600
Speaker 1: single juggie. Don't forget.

798
00:42:49,760 --> 00:42:51,520
Speaker 4: That's amazing. That is amazing.

799
00:42:54,760 --> 00:42:59,360
Speaker 1: I don't have to tell me. And and she committed suicide.

800
00:42:59,440 --> 00:43:02,759
Speaker 4: Yes, so she commits suicide, said so, I thought it

801
00:43:02,800 --> 00:43:07,400
Speaker 4: would be wise to actually allow my audience to experience

802
00:43:07,440 --> 00:43:10,120
Speaker 4: that and so I kill myself in a different way

803
00:43:10,120 --> 00:43:13,360
Speaker 4: on stage or I did every night.

804
00:43:13,360 --> 00:43:16,160
Speaker 1: And is that because you forgot how your grandmother did it?

805
00:43:16,880 --> 00:43:17,160
Speaker 4: Yes?

806
00:43:18,000 --> 00:43:20,360
Speaker 2: And it keeps it fresh though, to do a different

807
00:43:20,480 --> 00:43:22,319
Speaker 2: one every night, because when I would do my one

808
00:43:22,440 --> 00:43:24,360
Speaker 2: art art, I remember that I would come out and

809
00:43:24,400 --> 00:43:30,319
Speaker 2: I would just be a peanut right just to But

810
00:43:30,360 --> 00:43:34,520
Speaker 2: then the next night, you know, maybe I'm some you

811
00:43:34,560 --> 00:43:39,760
Speaker 2: know I Well, I didn't want to say it, but yes.

812
00:43:40,640 --> 00:43:44,399
Speaker 1: And why didn't you want to say that? I guess

813
00:43:44,440 --> 00:43:46,200
Speaker 1: I get embarrassed.

814
00:43:47,520 --> 00:43:55,279
Speaker 2: Because when you do play a cashu, there's a part

815
00:43:55,280 --> 00:44:00,520
Speaker 2: of yourself that the audience gets to see that no shell.

816
00:44:00,719 --> 00:44:02,680
Speaker 2: Maybe you stopped showing them a while ago.

817
00:44:02,920 --> 00:44:05,160
Speaker 1: Yeah, wow, that's deep.

818
00:44:05,280 --> 00:44:12,440
Speaker 2: And so thinking back even when I played pistachio and uh,

819
00:44:13,400 --> 00:44:16,600
Speaker 2: you know the whole thing, the whole campaign where the

820
00:44:16,640 --> 00:44:21,399
Speaker 2: different uh celebrities would enjoy me in different ways and

821
00:44:21,480 --> 00:44:25,279
Speaker 2: they're dressed in a fluorescent green. And maybe it's how

822
00:44:25,280 --> 00:44:30,200
Speaker 2: Snooky enjoys a pistachio, or Stephen Colbert likes a pustachio.

823
00:44:32,920 --> 00:44:36,640
Speaker 2: Maybe it's who else.

824
00:44:36,480 --> 00:44:38,680
Speaker 1: Would like pistachios cy c.

825
00:44:41,360 --> 00:44:44,759
Speaker 2: Maybe it's Ci and he's enjoying that pustachio, you know,

826
00:44:47,600 --> 00:44:52,440
Speaker 2: gangnum style. Yeah, you know that's some that's a pretty

827
00:44:52,520 --> 00:44:55,799
Speaker 2: vulnerable place to to bring yourself. It really is.

828
00:44:56,800 --> 00:44:58,839
Speaker 1: Gil. I admire you for sticking with Gil. Who were

829
00:44:58,880 --> 00:45:02,440
Speaker 1: those the people you were talking about? I was talking

830
00:45:02,440 --> 00:45:06,480
Speaker 1: about my grandmother, your grandma. She committed suicide, yes, yes,

831
00:45:06,560 --> 00:45:10,040
Speaker 1: and you had other ones?

832
00:45:10,440 --> 00:45:13,920
Speaker 4: Yes, I had other I had two other grandparents, you know,

833
00:45:14,120 --> 00:45:17,240
Speaker 4: my my grandmother, my other grandmother on my mother's side.

834
00:45:17,360 --> 00:45:20,640
Speaker 4: And she is, uh, she is a jew. She was

835
00:45:20,680 --> 00:45:26,680
Speaker 4: a Jewish prostitute. Oh good, And I do this whole stick.

836
00:45:27,800 --> 00:45:31,839
Speaker 4: It's stick, you know, because it's her with it's her

837
00:45:32,040 --> 00:45:36,600
Speaker 4: and all her other prostitutes just you know, hanging around

838
00:45:37,080 --> 00:45:40,400
Speaker 4: around and John walks up and it's like it is

839
00:45:40,480 --> 00:45:41,160
Speaker 4: so much.

840
00:45:40,960 --> 00:45:44,080
Speaker 1: Fun and how happens and what happened?

841
00:45:44,120 --> 00:45:47,120
Speaker 4: Basically, this guy comes up and he's like, you want

842
00:45:47,120 --> 00:45:47,480
Speaker 4: me to do it?

843
00:45:47,520 --> 00:45:47,880
Speaker 11: You want to?

844
00:45:48,080 --> 00:45:50,920
Speaker 2: I'd love to hear the six or seven prostitute friends

845
00:45:50,920 --> 00:45:53,280
Speaker 2: of hers who are all sort of from different background,

846
00:45:53,640 --> 00:45:54,759
Speaker 2: all sort of talking to this.

847
00:45:55,000 --> 00:45:59,920
Speaker 1: That's what they are, different sects, I would imagine, Judy.

848
00:46:01,239 --> 00:46:05,840
Speaker 4: Yes, different, they're from different areas where Jewish people and

849
00:46:05,920 --> 00:46:08,520
Speaker 4: Jewish people are I didn't know this before I looked

850
00:46:08,520 --> 00:46:11,919
Speaker 4: it up. They're from more than one place. I thought

851
00:46:11,920 --> 00:46:16,520
Speaker 4: they all come from Jerusalem, and they don't. They come.

852
00:46:17,840 --> 00:46:20,359
Speaker 4: Oh yeah, no, that's that. There's some that work at

853
00:46:20,360 --> 00:46:29,759
Speaker 4: the zoo too, the Jew that doesn't work. Okay. So

854
00:46:29,760 --> 00:46:35,120
Speaker 4: so John walks up and he's like, Hi, hi, ladies,

855
00:46:35,719 --> 00:46:39,279
Speaker 4: I'm looking to spend my hard earned dollar on a

856
00:46:39,400 --> 00:46:43,040
Speaker 4: little poon tang. I get dirty with it, but hold on.

857
00:46:43,960 --> 00:46:46,520
Speaker 4: And my grandmother comes up and she's and this is

858
00:46:46,520 --> 00:46:54,480
Speaker 4: my grandmother, Hello, fellow ly, just waiting for a handsome

859
00:46:54,560 --> 00:46:57,799
Speaker 4: guy like you to walk up, isn't that right, Bernice?

860
00:46:58,440 --> 00:47:07,480
Speaker 7: Yes, it's a very night We'll only he waiting for you, yesh.

861
00:47:08,120 --> 00:47:13,080
Speaker 7: This is Magdeleine, the Russian Jew, and I am waiting

862
00:47:13,120 --> 00:47:13,719
Speaker 7: for you too.

863
00:47:14,040 --> 00:47:18,640
Speaker 4: My pussy is a very wet. And then there's another. Uh,

864
00:47:18,719 --> 00:47:23,040
Speaker 4: there's a Japanese one because you know, just you know,

865
00:47:23,120 --> 00:47:28,880
Speaker 4: I like to do yeah years, I want to grab

866
00:47:29,000 --> 00:47:34,439
Speaker 4: your multiples. Audience goes crazy. Uh. And then uh, there's the.

867
00:47:34,080 --> 00:47:37,760
Speaker 2: There a Jamaican Jew that was in the old child.

868
00:47:39,080 --> 00:47:42,560
Speaker 11: Oh child, give me give me your two clementines. I

869
00:47:42,600 --> 00:47:44,680
Speaker 11: put it on my belly and I put it on

870
00:47:44,719 --> 00:47:50,480
Speaker 11: my treat titties. All right, here's my money.

871
00:47:50,520 --> 00:47:52,520
Speaker 4: And then my grandmother obviously is the one who has

872
00:47:52,520 --> 00:47:56,120
Speaker 4: sex with him, because that was guess what that was

873
00:47:56,120 --> 00:47:59,759
Speaker 4: my grandfather. You don't find that out? Yeah, you know

874
00:48:00,160 --> 00:48:03,160
Speaker 4: that out till the end of the show. Yeah.

875
00:48:03,200 --> 00:48:04,960
Speaker 1: And so then you it's almost like you went to

876
00:48:05,040 --> 00:48:08,000
Speaker 1: two shows. It's almost like you went to two The

877
00:48:08,040 --> 00:48:10,360
Speaker 1: one thing I have is you. You said, poon tang,

878
00:48:10,680 --> 00:48:12,879
Speaker 1: and then you said I get dirty with it. But wait,

879
00:48:14,120 --> 00:48:17,040
Speaker 1: but I wasn't sure what I was waiting for.

880
00:48:17,719 --> 00:48:20,120
Speaker 4: Okay, yeah, no, I didn't get to the part where

881
00:48:20,160 --> 00:48:22,200
Speaker 4: my grandparents have sex on stage.

882
00:48:23,080 --> 00:48:27,319
Speaker 1: Oh you as both of them, yes, me having sex,

883
00:48:27,480 --> 00:48:30,480
Speaker 1: me as my grandfather having sex with my grandmother.

884
00:48:30,560 --> 00:48:35,400
Speaker 4: So it would be like, oh, yes, oh give it

885
00:48:35,440 --> 00:48:37,960
Speaker 4: to me. Oh yeah, I'm gonna give it to you.

886
00:48:38,040 --> 00:48:43,120
Speaker 4: I mean, oh yeah, oh this is so good. Oh

887
00:48:43,200 --> 00:48:47,799
Speaker 4: my god, Oh, get your Jewish cock right inside me.

888
00:48:48,280 --> 00:48:54,680
Speaker 4: Oh baby, Oh we're fucking Jewish style now. Oh baby,

889
00:48:54,760 --> 00:48:58,200
Speaker 4: this is so Jewish. Oh, get it to me Jewish.

890
00:48:58,239 --> 00:48:59,800
Speaker 4: O gave it to me Jewish. I'll give it to

891
00:48:59,840 --> 00:49:02,320
Speaker 4: you Jewish. I'll give it to you Jewish.

892
00:49:02,920 --> 00:49:08,800
Speaker 3: Oh I came like a jew and so delicate because

893
00:49:08,880 --> 00:49:11,279
Speaker 3: I have had sex it and it does sound something

894
00:49:11,320 --> 00:49:12,799
Speaker 3: like that, but there's something about the way you do

895
00:49:12,840 --> 00:49:16,719
Speaker 3: it that's so delicately infused with your background, some of

896
00:49:16,760 --> 00:49:17,480
Speaker 3: your culture.

897
00:49:17,880 --> 00:49:21,359
Speaker 1: I think that someone who's had your experience and it's

898
00:49:21,400 --> 00:49:22,080
Speaker 1: been through what you have.

899
00:49:22,200 --> 00:49:25,360
Speaker 2: Right, well, it's a window for me, you know, into

900
00:49:25,440 --> 00:49:28,080
Speaker 2: the into the subtle differences of.

901
00:49:28,239 --> 00:49:30,920
Speaker 4: You have to be you have to be specific or

902
00:49:30,960 --> 00:49:32,839
Speaker 4: else no one's gonna again, no one's gonna buy it.

903
00:49:32,840 --> 00:49:35,680
Speaker 4: That's the truth thing, you know, the truth thing returns

904
00:49:36,000 --> 00:49:39,080
Speaker 4: because if you're not truthful about what Judaism is to everybody,

905
00:49:39,080 --> 00:49:42,080
Speaker 4: and you're specific, specific about what it is to you,

906
00:49:42,080 --> 00:49:43,600
Speaker 4: you know, no one's gonna really.

907
00:49:43,880 --> 00:49:47,399
Speaker 2: Well, and it's specific and it's general because the specifics

908
00:49:47,440 --> 00:49:51,640
Speaker 2: of some of the things they were saying, you know,

909
00:49:51,680 --> 00:49:56,000
Speaker 2: I haven't necessarily heard, but the concept of coming and

910
00:49:56,080 --> 00:49:58,840
Speaker 2: shoving your cock in someone and having them ask you

911
00:49:58,880 --> 00:49:59,239
Speaker 2: to do.

912
00:49:59,200 --> 00:50:01,880
Speaker 4: That, that's that's that has happened.

913
00:50:02,200 --> 00:50:07,120
Speaker 1: I oh yeah, mm hmm. Now, Gail, your family is

914
00:50:07,320 --> 00:50:13,200
Speaker 1: very unusual. But would you trade them for anything in

915
00:50:13,200 --> 00:50:14,000
Speaker 1: the world?

916
00:50:15,840 --> 00:50:24,840
Speaker 4: God, anything, anything like money? Like what do you mean anything? Anything?

917
00:50:25,239 --> 00:50:30,200
Speaker 2: But money could buy a lot of things and any amount. God,

918
00:50:30,560 --> 00:50:34,640
Speaker 2: I'm sorry when you're saying anything a building, anything whoa.

919
00:50:35,680 --> 00:50:38,839
Speaker 1: Like and as many of that, as many buildings as

920
00:50:38,880 --> 00:50:43,239
Speaker 1: you want, and it can be multiple different kinds of things.

921
00:50:43,320 --> 00:50:47,680
Speaker 4: You know what, I've always wanted my own college. No,

922
00:50:47,760 --> 00:50:50,480
Speaker 4: I would say no though, No. Yeah, you can't trade fans.

923
00:50:50,320 --> 00:50:51,719
Speaker 1: Not even for a college.

924
00:50:52,840 --> 00:50:58,520
Speaker 4: You know what Gail College. That's the name Christ. No,

925
00:50:58,920 --> 00:51:02,719
Speaker 4: you know what, God, does it have a camp? I

926
00:51:02,880 --> 00:51:04,200
Speaker 4: know it does.

927
00:51:04,440 --> 00:51:08,400
Speaker 2: Yes, it does have a campus frisbee team.

928
00:51:09,719 --> 00:51:15,520
Speaker 4: Jesus Christ. You guys, they're teachers. Oh man, and uh, there's.

929
00:51:15,360 --> 00:51:18,120
Speaker 1: Like a student center, like a university.

930
00:51:17,400 --> 00:51:21,440
Speaker 4: Team field house. It's like all the college stuff you're naming,

931
00:51:21,520 --> 00:51:24,400
Speaker 4: all the college stuff. You're naming what's cool about college?

932
00:51:24,440 --> 00:51:24,719
Speaker 2: Yes, you.

933
00:51:26,640 --> 00:51:26,960
Speaker 4: Can't.

934
00:51:27,000 --> 00:51:29,839
Speaker 2: You can't just do that to your do you have

935
00:51:29,920 --> 00:51:32,880
Speaker 2: like a there's like a meal card, like a points system,

936
00:51:34,840 --> 00:51:36,479
Speaker 2: the card to pay for the meal.

937
00:51:36,760 --> 00:51:40,720
Speaker 1: There's like a local subplace where everyone goes. It's open, open,

938
00:51:40,840 --> 00:51:44,520
Speaker 1: really late, and so you're a sports bar after a

939
00:51:44,560 --> 00:51:46,800
Speaker 1: fun night out. Yeah, you go and get yourself a

940
00:51:46,880 --> 00:51:50,560
Speaker 1: nice sub sandwich. Man, that's not part of the college.

941
00:51:50,640 --> 00:51:52,319
Speaker 1: How many of my family just one?

942
00:51:52,440 --> 00:51:54,600
Speaker 2: Well, it does wind up being part of the college

943
00:51:54,600 --> 00:51:56,120
Speaker 2: in some ways part of the experience.

944
00:51:56,200 --> 00:51:59,640
Speaker 1: But if you went to that college, you know that subplace.

945
00:51:59,719 --> 00:52:01,840
Speaker 1: You can ask for that too, But it is separately

946
00:52:01,880 --> 00:52:03,040
Speaker 1: because you can have anything.

947
00:52:03,280 --> 00:52:03,720
Speaker 4: God.

948
00:52:04,400 --> 00:52:06,000
Speaker 2: I mean, as much as the college is part of

949
00:52:06,040 --> 00:52:08,239
Speaker 2: the town, I feel like that subplace is part of

950
00:52:08,280 --> 00:52:09,040
Speaker 2: the college.

951
00:52:09,280 --> 00:52:11,560
Speaker 4: Yeah, I mean, please.

952
00:52:11,280 --> 00:52:15,440
Speaker 2: Are we thinking of cluck you, the chicken subs, the

953
00:52:15,480 --> 00:52:16,480
Speaker 2: spicy chicken subs?

954
00:52:16,520 --> 00:52:17,520
Speaker 4: Cluck you, cuck you?

955
00:52:18,280 --> 00:52:21,960
Speaker 1: Yeah, you call them up late at night. It's true,

956
00:52:22,040 --> 00:52:24,040
Speaker 1: you get to cluck you and you get gil college.

957
00:52:24,239 --> 00:52:26,359
Speaker 4: Well it's not, you know, every time you say it,

958
00:52:26,360 --> 00:52:29,200
Speaker 4: it's it's like a dagger in my Wait. So how

959
00:52:29,200 --> 00:52:30,960
Speaker 4: many family members are we talking here?

960
00:52:31,680 --> 00:52:35,359
Speaker 1: I I think it has to be one at least.

961
00:52:35,520 --> 00:52:38,200
Speaker 4: Could it be one that's dead already?

962
00:52:39,280 --> 00:52:40,040
Speaker 1: How does that work?

963
00:52:40,800 --> 00:52:41,520
Speaker 4: How does that work?

964
00:52:41,920 --> 00:52:43,960
Speaker 1: I think it works that, Yes, you can trade the

965
00:52:43,960 --> 00:52:46,520
Speaker 1: one that is dead already and you get a college.

966
00:52:46,640 --> 00:52:48,800
Speaker 2: You know, Hayes, I didn't realize it. But we're playing

967
00:52:48,840 --> 00:52:52,840
Speaker 2: would you rather? We're playing would you rather? Like? On

968
00:52:52,880 --> 00:52:56,880
Speaker 2: the show that everybody likes? Now I can see.

969
00:52:58,040 --> 00:53:01,839
Speaker 1: People might really like this. Now I get well, I

970
00:53:01,880 --> 00:53:04,280
Speaker 1: can't say that that's what I was setting out to do. Originally,

971
00:53:04,360 --> 00:53:06,319
Speaker 1: but if people listen to it and they like it,

972
00:53:06,400 --> 00:53:08,680
Speaker 1: then well that's great. Yeah.

973
00:53:08,800 --> 00:53:10,360
Speaker 2: Now, and now you can see a little bit of

974
00:53:10,360 --> 00:53:16,400
Speaker 2: the appeal when you make it personal. So there's more questions,

975
00:53:16,400 --> 00:53:19,160
Speaker 2: and the questions are gonna come from the popcorn gallery,

976
00:53:19,320 --> 00:53:22,040
Speaker 2: right hey, yes, oh god, excellent.

977
00:53:22,680 --> 00:53:24,200
Speaker 5: The popcorn gallery.

978
00:53:24,480 --> 00:53:25,839
Speaker 4: It's timple.

979
00:53:26,600 --> 00:53:30,320
Speaker 1: Now let's reach into the popworm bag and get a question.

980
00:53:38,760 --> 00:53:41,040
Speaker 1: It's just a boring piece of popcorn. Question, is this

981
00:53:41,120 --> 00:53:48,000
Speaker 1: what you want? Okay? Well, okay, this is probably so

982
00:53:48,440 --> 00:53:51,560
Speaker 1: my friend. Actually I actually consider that to be worse

983
00:53:51,600 --> 00:53:53,360
Speaker 1: than what was going on before going.

984
00:53:53,239 --> 00:53:55,160
Speaker 2: So my friend worked from high school records these sound

985
00:53:55,239 --> 00:53:59,319
Speaker 2: drops for us, okay, and they were pretty fun for

986
00:53:59,320 --> 00:54:01,319
Speaker 2: a little while and just sort of a neat thing

987
00:54:01,360 --> 00:54:04,279
Speaker 2: to do where we simulate reaching into the bag. And

988
00:54:04,320 --> 00:54:06,440
Speaker 2: then he got kind of lazy with it. I think

989
00:54:07,760 --> 00:54:11,160
Speaker 2: once he first he got eerily prescient, and then he

990
00:54:11,200 --> 00:54:12,960
Speaker 2: got kind of lazy and was just repeating what he

991
00:54:13,040 --> 00:54:15,160
Speaker 2: just heard in the show, and Hayes become upset, and

992
00:54:15,200 --> 00:54:17,880
Speaker 2: I feel like this is directed at Hayes. He's going, okay,

993
00:54:17,880 --> 00:54:19,040
Speaker 2: did you just want something bored?

994
00:54:19,160 --> 00:54:23,200
Speaker 1: Well, my impression was that he wasn't taking a responsibility. Seriously,

995
00:54:23,560 --> 00:54:25,479
Speaker 1: it wasn't there was a time when he would think

996
00:54:25,520 --> 00:54:27,080
Speaker 1: really hard about what he was going to do with

997
00:54:27,120 --> 00:54:27,719
Speaker 1: this sound drive.

998
00:54:28,080 --> 00:54:28,920
Speaker 4: What do you think happened?

999
00:54:29,520 --> 00:54:32,680
Speaker 1: I think because he feels like has some security because

1000
00:54:32,719 --> 00:54:36,319
Speaker 1: he's Sean's friend. Oh, that he thinks he can get

1001
00:54:36,360 --> 00:54:38,840
Speaker 1: away with almost anything, and I saying there's just a

1002
00:54:38,840 --> 00:54:40,000
Speaker 1: boring piece of popcorn.

1003
00:54:40,080 --> 00:54:42,080
Speaker 2: I also happened to know that he won eight hundred

1004
00:54:42,080 --> 00:54:45,600
Speaker 2: and fifty dollars on a scratcher, and so I think

1005
00:54:45,640 --> 00:54:48,279
Speaker 2: that a little bit he's feeling like on top of

1006
00:54:48,280 --> 00:54:49,359
Speaker 2: the world, above the gig.

1007
00:54:49,640 --> 00:54:53,080
Speaker 1: Yes, yeah, well, if he thinks he's going to stop

1008
00:54:53,080 --> 00:54:55,080
Speaker 1: the whole segment. It was a cash word and he

1009
00:54:55,160 --> 00:54:56,719
Speaker 1: spelled six different words.

1010
00:54:57,239 --> 00:55:00,799
Speaker 4: Gil this is from Chanson. Chanson, Yes, a great name.

1011
00:55:01,840 --> 00:55:06,080
Speaker 1: Don't encourage please, Sorry, What doesn't your IMDb page say

1012
00:55:06,160 --> 00:55:10,480
Speaker 1: that you'd like everyone to know? God?

1013
00:55:11,480 --> 00:55:11,640
Speaker 4: You know.

1014
00:55:12,080 --> 00:55:12,200
Speaker 2: Uh.

1015
00:55:13,440 --> 00:55:17,320
Speaker 4: What it doesn't have on the pages is my height.

1016
00:55:17,400 --> 00:55:20,120
Speaker 4: And people when they see me, they're alarmed that I'm

1017
00:55:20,320 --> 00:55:23,760
Speaker 4: four foot nine. They get weirded out. They're like, this guy's,

1018
00:55:24,120 --> 00:55:26,840
Speaker 4: you know, should be much taller. And then they see

1019
00:55:26,840 --> 00:55:28,480
Speaker 4: me and then I'm very short.

1020
00:55:29,320 --> 00:55:32,839
Speaker 2: Well, it's because you're chameleon, I mean acting wise, your

1021
00:55:32,880 --> 00:55:33,520
Speaker 2: true chameleon.

1022
00:55:33,760 --> 00:55:37,600
Speaker 1: Yeah, And so you become these imposing the characters, monstrous,

1023
00:55:37,760 --> 00:55:43,760
Speaker 1: gargantuan free, whether they're playing, yes, whether you're playing mean boss.

1024
00:55:43,800 --> 00:55:46,960
Speaker 4: Or sexy secretary.

1025
00:55:48,360 --> 00:55:53,600
Speaker 1: Or Gojira. You know you portray Gujira. Yeah, pretty succesful film.

1026
00:55:53,680 --> 00:55:56,640
Speaker 4: Yeah, yeah, that's true, any of those characters. And and

1027
00:55:57,400 --> 00:56:01,000
Speaker 4: I guess so they expect something. But but I feel

1028
00:56:01,000 --> 00:56:07,440
Speaker 4: like all the greats Tom Cruise, you know, uh whoever

1029
00:56:08,400 --> 00:56:11,480
Speaker 4: they were all you know under five foot three. You

1030
00:56:11,520 --> 00:56:12,879
Speaker 4: know Tom Cruise is five to two.

1031
00:56:13,719 --> 00:56:16,879
Speaker 1: No, but he I think you guys have some similar tricks,

1032
00:56:16,880 --> 00:56:19,239
Speaker 1: which is you stand very close to the camera. We do,

1033
00:56:19,360 --> 00:56:21,280
Speaker 1: and that makes you look so big.

1034
00:56:21,280 --> 00:56:22,120
Speaker 4: So big.

1035
00:56:22,239 --> 00:56:25,120
Speaker 2: Yes, and you're both incredible shape because whenever they try

1036
00:56:25,120 --> 00:56:26,960
Speaker 2: to move that camera away from you, you are just

1037
00:56:27,120 --> 00:56:29,320
Speaker 2: way faster than all the camera guys in Hollywood.

1038
00:56:29,360 --> 00:56:29,759
Speaker 4: It's true.

1039
00:56:29,880 --> 00:56:32,040
Speaker 1: And so you always stay big I do.

1040
00:56:32,200 --> 00:56:36,759
Speaker 4: I mean, I wish that is great, stay big. I

1041
00:56:36,760 --> 00:56:38,320
Speaker 4: wish I could get that on a T shirt.

1042
00:56:38,360 --> 00:56:40,799
Speaker 2: And they say there's no small parts, only actors who

1043
00:56:40,840 --> 00:56:42,160
Speaker 2: are too far away from the camera.

1044
00:56:42,360 --> 00:56:44,799
Speaker 4: That's true. That is a common saying stay big.

1045
00:56:46,400 --> 00:56:47,560
Speaker 2: Uh, is there another question.

1046
00:56:47,800 --> 00:56:48,160
Speaker 4: I don't know.

1047
00:56:48,239 --> 00:56:54,439
Speaker 1: Let's check in the bag. Yeah, yeah, I'm checking off

1048
00:56:54,440 --> 00:57:00,680
Speaker 1: you fucking you go. Wow, terrible that was marked. I'd

1049
00:57:00,760 --> 00:57:03,960
Speaker 1: rather do nothing. I don't need to hear the sound

1050
00:57:04,040 --> 00:57:07,040
Speaker 1: of popcorn talk to him.

1051
00:57:07,080 --> 00:57:10,400
Speaker 2: I mean, let's have a conversation, because this is you

1052
00:57:10,520 --> 00:57:14,399
Speaker 2: do this on the show. I'm just saying, I don't

1053
00:57:14,440 --> 00:57:16,000
Speaker 2: want to write the guy off.

1054
00:57:16,040 --> 00:57:18,360
Speaker 4: Can I be honest? If I knew that was going

1055
00:57:18,400 --> 00:57:21,080
Speaker 4: to be the sound, I might not have I might

1056
00:57:21,080 --> 00:57:21,600
Speaker 4: not have come.

1057
00:57:22,080 --> 00:57:24,960
Speaker 1: I wouldn't have asked you to come and hear something

1058
00:57:25,040 --> 00:57:25,439
Speaker 1: like that.

1059
00:57:25,880 --> 00:57:30,040
Speaker 2: Okay, I had heard the sounds. Okay, I had heard

1060
00:57:30,040 --> 00:57:32,560
Speaker 2: the sounds, and I considered playing some sounds from an

1061
00:57:32,560 --> 00:57:36,640
Speaker 2: old program, some more just generic, like yummy popcorn or

1062
00:57:37,400 --> 00:57:38,440
Speaker 2: you know, things like that.

1063
00:57:39,400 --> 00:57:42,480
Speaker 1: The early ones were all about how tasty the popcorn was.

1064
00:57:42,800 --> 00:57:45,560
Speaker 2: Yes, initially it was that the popcorn was buttery, or

1065
00:57:45,640 --> 00:57:46,760
Speaker 2: this was a fluffy one.

1066
00:57:47,280 --> 00:57:49,040
Speaker 1: And then he went in a lot of directions, like

1067
00:57:49,080 --> 00:57:51,200
Speaker 1: there was a dragon in there. Yes.

1068
00:57:51,280 --> 00:57:53,480
Speaker 2: First, at one point his hand is in a soda,

1069
00:57:53,680 --> 00:57:55,480
Speaker 2: and that seemed to really open us up too. Yeah,

1070
00:57:55,480 --> 00:57:58,480
Speaker 2: now it's a dragon. He found some car keys or

1071
00:57:58,520 --> 00:58:00,320
Speaker 2: a piece of paper with a coat on it and

1072
00:58:00,360 --> 00:58:01,600
Speaker 2: then that you know, went.

1073
00:58:01,440 --> 00:58:02,120
Speaker 1: To the safe.

1074
00:58:03,000 --> 00:58:07,640
Speaker 2: But you know, there's some were some interesting journeys we took.

1075
00:58:09,320 --> 00:58:11,760
Speaker 2: And now maybe he feels like Hayes didn't appreciate the

1076
00:58:11,800 --> 00:58:16,120
Speaker 2: creativity or something, but I mean these are directed at you.

1077
00:58:16,200 --> 00:58:18,800
Speaker 1: I feel like, well, I think that people who are

1078
00:58:18,840 --> 00:58:20,760
Speaker 1: really the victims of these is a guest like Gil

1079
00:58:20,800 --> 00:58:25,720
Speaker 1: who people who come on the show popcorn side.

1080
00:58:25,760 --> 00:58:29,160
Speaker 2: So I've just played some old sound clip this people

1081
00:58:29,200 --> 00:58:29,560
Speaker 2: will know.

1082
00:58:29,760 --> 00:58:32,520
Speaker 4: This reminds me when in one of my one man shows,

1083
00:58:32,640 --> 00:58:36,840
Speaker 4: I bring my new fiance over to my house and

1084
00:58:36,920 --> 00:58:39,800
Speaker 4: my parents are arguing. They won't stop. They're at each

1085
00:58:39,840 --> 00:58:43,600
Speaker 4: other's throats, are like you overcook the roast beef and

1086
00:58:43,680 --> 00:58:47,480
Speaker 4: my mother is like give it to you, and they

1087
00:58:47,600 --> 00:58:50,400
Speaker 4: go at it and I'm like, uh please, I'm like

1088
00:58:50,480 --> 00:58:53,000
Speaker 4: pulling on my collar as and I got this like

1089
00:58:53,680 --> 00:58:57,680
Speaker 4: huge collar built for the show that just extends across

1090
00:58:57,720 --> 00:59:02,080
Speaker 4: the stage just so I can go yu. And I'm like,

1091
00:59:02,240 --> 00:59:04,320
Speaker 4: why are you arguing in front of my fiance? And

1092
00:59:04,360 --> 00:59:06,520
Speaker 4: I feel like the fiance here, I feel like you're

1093
00:59:06,600 --> 00:59:08,200
Speaker 4: my you know, you're the parents.

1094
00:59:08,000 --> 00:59:10,360
Speaker 1: What's this?

1095
00:59:10,720 --> 00:59:13,800
Speaker 4: She's like, Uh, I think we're gonna call the wedding

1096
00:59:13,880 --> 00:59:16,640
Speaker 4: off and then you guys, and that's the end of

1097
00:59:16,680 --> 00:59:18,960
Speaker 4: the the that's the intermission. That's when we hit the internet, and.

1098
00:59:18,920 --> 00:59:20,680
Speaker 1: Then you come back and you guys would naturally have

1099
00:59:20,760 --> 00:59:21,640
Speaker 1: to make up.

1100
00:59:21,760 --> 00:59:24,040
Speaker 4: Yes, and what comes next is the sex.

1101
00:59:24,120 --> 00:59:24,680
Speaker 1: Yeah, that's right.

1102
00:59:24,880 --> 00:59:27,760
Speaker 4: Yeah. And then I'm fucking and well I'm having sex

1103
00:59:27,800 --> 00:59:32,920
Speaker 4: with my fiance. My fiance, I'm having sex with my fiance,

1104
00:59:33,080 --> 00:59:36,920
Speaker 4: and my parents are are there. It's so awkward because

1105
00:59:37,160 --> 00:59:40,040
Speaker 4: why you're have you ever? It's so awkward. It's like

1106
00:59:40,080 --> 00:59:42,920
Speaker 4: they're not even in another room. And I'm like, I'm

1107
00:59:42,920 --> 00:59:46,040
Speaker 4: gonna I'm gonna push it into you. I'm going to

1108
00:59:46,080 --> 00:59:49,840
Speaker 4: push it into you me style, you know. And then

1109
00:59:50,360 --> 00:59:52,240
Speaker 4: I'm going to push it into you me style. And

1110
00:59:52,280 --> 00:59:55,360
Speaker 4: then my parents are like, uh. They get the collars

1111
00:59:55,720 --> 00:59:58,560
Speaker 4: and they're like, it's against a little hot in here,

1112
00:59:58,840 --> 01:00:02,560
Speaker 4: and I'm like, oh yeah, mom oh mom. And then

1113
01:00:02,600 --> 01:00:05,920
Speaker 4: I we don't even realize. Half an hour into me

1114
01:00:06,080 --> 01:00:10,200
Speaker 4: giving my fiance the come of her life, I turn

1115
01:00:10,280 --> 01:00:13,120
Speaker 4: around and my parents are just their jaws are on

1116
01:00:13,160 --> 01:00:14,920
Speaker 4: the floor. They can't believe it.

1117
01:00:15,480 --> 01:00:16,520
Speaker 1: And they were behind you.

1118
01:00:16,880 --> 01:00:19,200
Speaker 4: Yeah, they were behind me the whole time.

1119
01:00:19,520 --> 01:00:22,000
Speaker 2: Yeah, and theyked and and then they and they were

1120
01:00:22,040 --> 01:00:23,000
Speaker 2: locked in the room too.

1121
01:00:23,080 --> 01:00:25,160
Speaker 4: They were locked in the room. I had locked it.

1122
01:00:25,200 --> 01:00:26,640
Speaker 4: I didn't see them.

1123
01:00:26,680 --> 01:00:28,640
Speaker 1: And that's uh, it was.

1124
01:00:28,800 --> 01:00:32,400
Speaker 4: It's unbelievable. It's just unbelieve.

1125
01:00:34,120 --> 01:00:35,720
Speaker 1: In front of your parents.

1126
01:00:35,720 --> 01:00:38,520
Speaker 4: It's just so. It's Yeah, the collar makes it too.

1127
01:00:38,880 --> 01:00:41,160
Speaker 4: You got to see the collar. Here's a question from

1128
01:00:41,280 --> 01:00:46,240
Speaker 4: nw N Good Evening, Gil. Why don't kids build treehouses anymore?

1129
01:00:46,400 --> 01:00:48,600
Speaker 4: They're always on their phones? Now, I hate it?

1130
01:00:49,720 --> 01:00:50,120
Speaker 1: Thank you.

1131
01:00:50,560 --> 01:00:56,400
Speaker 4: Wow, I think kids are stupider. I don't know if

1132
01:00:56,440 --> 01:00:58,920
Speaker 4: you guys have run into do you guys talk to

1133
01:00:58,960 --> 01:00:59,520
Speaker 4: many children?

1134
01:01:01,440 --> 01:01:02,800
Speaker 1: It's this trophy stuff?

1135
01:01:03,480 --> 01:01:04,440
Speaker 4: What trophy stuff?

1136
01:01:04,640 --> 01:01:08,080
Speaker 1: Everybody gets a trophy? Do you have that experience?

1137
01:01:08,440 --> 01:01:10,560
Speaker 4: Oh the trophy? Oh, like everyone gets one of your

1138
01:01:10,600 --> 01:01:11,640
Speaker 4: special kind of a thing.

1139
01:01:12,600 --> 01:01:16,760
Speaker 1: Seems like you wipe your I don't have a great

1140
01:01:16,760 --> 01:01:21,480
Speaker 1: way to say this your butt. Well, okay, we'd rather

1141
01:01:22,400 --> 01:01:25,160
Speaker 1: exactly actually the exact word that I was hoping to avoid.

1142
01:01:25,280 --> 01:01:29,840
Speaker 1: But it seems like you do that, and it seems

1143
01:01:29,880 --> 01:01:31,760
Speaker 1: someone's there to hand you a trophy.

1144
01:01:33,000 --> 01:01:36,120
Speaker 4: Yes, you do anything and you get a trophy.

1145
01:01:36,160 --> 01:01:38,560
Speaker 2: The kids now, which is not good training for the

1146
01:01:38,600 --> 01:01:41,520
Speaker 2: real world where you actually have to win a trophy,

1147
01:01:41,720 --> 01:01:44,240
Speaker 2: and speaking of somebody who's done that a few times,

1148
01:01:45,040 --> 01:01:45,760
Speaker 2: it ain't easy.

1149
01:01:46,040 --> 01:01:49,080
Speaker 1: It wasn't for wiping, you know.

1150
01:01:48,480 --> 01:01:50,479
Speaker 4: For what for what for what?

1151
01:01:50,720 --> 01:01:53,800
Speaker 1: You know, reaching behind me.

1152
01:01:53,760 --> 01:01:58,760
Speaker 4: With the DP the.

1153
01:01:57,360 --> 01:01:59,160
Speaker 6: The stuff, I mean, there's the stuff if I go

1154
01:01:59,200 --> 01:02:03,200
Speaker 6: into the if I you know, in the toilet room, if.

1155
01:02:03,040 --> 01:02:08,440
Speaker 4: I did that, the he took it, he took a dump. Sorry,

1156
01:02:09,800 --> 01:02:10,800
Speaker 4: I'm sorry, I.

1157
01:02:10,720 --> 01:02:16,040
Speaker 1: Just I don't see why it's here's a question from

1158
01:02:16,520 --> 01:02:17,520
Speaker 1: Let's reach into the bag.

1159
01:02:25,920 --> 01:02:35,080
Speaker 4: Yeah, Wow, that was an extra long grab. First of all.

1160
01:02:35,680 --> 01:02:38,560
Speaker 1: Well, yeah, the grabs almost sarcastically long. Yeah, it's almost

1161
01:02:38,560 --> 01:02:40,840
Speaker 1: like he was thinking of how to hurt me the most.

1162
01:02:41,480 --> 01:02:44,360
Speaker 2: Yeah, like what was even worse than like basically pretending

1163
01:02:44,400 --> 01:02:45,840
Speaker 2: to jerk off or whatever?

1164
01:02:46,920 --> 01:02:49,040
Speaker 1: He said the worst thing he could possibly say.

1165
01:02:49,120 --> 01:02:50,160
Speaker 4: This guy has it out for you.

1166
01:02:52,280 --> 01:02:55,800
Speaker 1: And either he's not even my friend. I've been hosting

1167
01:02:55,840 --> 01:02:57,840
Speaker 1: the show the whole time. I don't even know this guy.

1168
01:02:58,600 --> 01:03:01,680
Speaker 1: We've exchanged like two emails when we were like setting

1169
01:03:01,680 --> 01:03:06,120
Speaker 1: all this up, and I was totally totally polite with him. Yes,

1170
01:03:06,480 --> 01:03:08,440
Speaker 1: I had some very funny things I was doing in

1171
01:03:08,480 --> 01:03:11,959
Speaker 1: that email. Here's a question from the corpse Fucker ship

1172
01:03:12,000 --> 01:03:16,720
Speaker 1: Lord the question is dear Gil. The text Usually that

1173
01:03:16,800 --> 01:03:20,480
Speaker 1: name gets a laugh. Usually it does, and I wonder

1174
01:03:20,520 --> 01:03:22,600
Speaker 1: what it is. In this case, it didn't really seem

1175
01:03:22,640 --> 01:03:25,160
Speaker 1: to hit. It's the vibe in the room. Usually someone

1176
01:03:25,240 --> 01:03:26,120
Speaker 1: will hear the name.

1177
01:03:26,000 --> 01:03:26,480
Speaker 4: And go.

1178
01:03:28,040 --> 01:03:31,280
Speaker 1: Like that not a huge laugh, No, just get something.

1179
01:03:31,440 --> 01:03:34,200
Speaker 2: Well, it doesn't when you go you know the person,

1180
01:03:34,280 --> 01:03:36,479
Speaker 2: this is from someone named, and then you just don't

1181
01:03:36,480 --> 01:03:38,640
Speaker 2: think that that's not a name normally.

1182
01:03:38,920 --> 01:03:42,920
Speaker 4: Yeah, it's a crazy name. Yes, yeah, so will go.

1183
01:03:43,040 --> 01:03:46,400
Speaker 1: The thing to do is go like, okay, like that.

1184
01:03:46,400 --> 01:03:49,160
Speaker 1: That's another thing. This question is can you give me

1185
01:03:49,200 --> 01:03:52,920
Speaker 1: another chance? Yes? The questions from corpse fucker ship lord.

1186
01:03:53,080 --> 01:04:00,000
Speaker 1: Oh okay, that was good. Yes, dear Gil. The technology

1187
01:04:00,120 --> 01:04:02,520
Speaker 1: you to filter the salt out of water exists and

1188
01:04:02,600 --> 01:04:05,040
Speaker 1: has existed for a long time, but there are still

1189
01:04:05,080 --> 01:04:07,720
Speaker 1: water shortages in some parts of the world. Why didn't

1190
01:04:07,760 --> 01:04:10,560
Speaker 1: somebody just build a large scale water purifying factory and

1191
01:04:10,560 --> 01:04:12,240
Speaker 1: take a bunch of the water from the ocean and

1192
01:04:12,280 --> 01:04:13,520
Speaker 1: turn it into fresh water?

1193
01:04:14,840 --> 01:04:20,760
Speaker 4: Wow? Ah, god, uh, this guy's a little late to

1194
01:04:20,840 --> 01:04:21,240
Speaker 4: the game.

1195
01:04:22,400 --> 01:04:23,280
Speaker 1: I agree, And you.

1196
01:04:23,280 --> 01:04:25,480
Speaker 4: Know what I mean, I feel like that's being done,

1197
01:04:26,320 --> 01:04:30,000
Speaker 4: you know what. I'm sorry. I feel like that's being done.

1198
01:04:30,240 --> 01:04:34,640
Speaker 4: You know. There's no way that's not being done. Right,

1199
01:04:35,040 --> 01:04:38,320
Speaker 4: There's no way, there's no way someone's not doing that.

1200
01:04:38,880 --> 01:04:40,959
Speaker 1: I read that question and I had that same thought.

1201
01:04:42,160 --> 01:04:46,000
Speaker 1: It's gotta be late to the game. It's gotta be Yeah.

1202
01:04:46,040 --> 01:04:46,880
Speaker 1: And where was he?

1203
01:04:47,120 --> 01:04:50,120
Speaker 4: Yeah, it looks like corpse. Where was corpse? Shit loadfucker?

1204
01:04:50,360 --> 01:04:52,640
Speaker 4: H when you need you know where?

1205
01:04:52,640 --> 01:04:52,960
Speaker 3: It was?

1206
01:04:53,040 --> 01:04:53,840
Speaker 1: Good? Yeah?

1207
01:04:56,680 --> 01:04:56,840
Speaker 4: Good?

1208
01:04:56,920 --> 01:04:59,760
Speaker 1: Yeah, yeah, that's good. And so he's late to the game.

1209
01:04:59,800 --> 01:05:02,320
Speaker 1: But why why.

1210
01:05:03,800 --> 01:05:08,080
Speaker 4: Because he's not paying attention to the news. He's probably

1211
01:05:08,080 --> 01:05:12,760
Speaker 4: on his he's he's not paying he's not paying attention

1212
01:05:12,800 --> 01:05:15,280
Speaker 4: to the news. He's probably on his app, you know,

1213
01:05:15,440 --> 01:05:18,240
Speaker 4: or in this case, his corpse fucking app, you know.

1214
01:05:18,360 --> 01:05:21,720
Speaker 4: And just like someone dinged in into the corpse room

1215
01:05:21,920 --> 01:05:25,439
Speaker 4: and he's all about the corpse, you know, and he's

1216
01:05:25,480 --> 01:05:26,320
Speaker 4: not listening to it.

1217
01:05:28,360 --> 01:05:31,720
Speaker 1: So now you are really enjoying his name. You know.

1218
01:05:31,840 --> 01:05:37,360
Speaker 4: I'm compensating because I didn't who I think it was

1219
01:05:37,440 --> 01:05:39,800
Speaker 4: unusual before, and now I feel like I have to

1220
01:05:39,880 --> 01:05:40,520
Speaker 4: keep saying it.

1221
01:05:42,080 --> 01:05:44,880
Speaker 1: Whoa, whoa, You're compensated. I wasn't picking that up at all.

1222
01:05:44,960 --> 01:05:48,640
Speaker 1: You seemed I am. No, I seemed totally in control.

1223
01:05:48,720 --> 01:05:49,400
Speaker 1: You know what's going on.

1224
01:05:49,520 --> 01:05:50,400
Speaker 4: I'm compensating.

1225
01:05:51,800 --> 01:05:52,640
Speaker 1: Well, what's going on?

1226
01:05:52,720 --> 01:05:55,160
Speaker 4: Then, well, I just feel like I didn't kill anything.

1227
01:05:55,200 --> 01:05:58,400
Speaker 2: Comic known for your honesty almost exclusively.

1228
01:05:58,480 --> 01:06:01,680
Speaker 4: I know, I'm breaking down right here, okay, because I

1229
01:06:02,320 --> 01:06:04,560
Speaker 4: heard the corpse fucking thing, and I didn't think it

1230
01:06:04,600 --> 01:06:08,120
Speaker 4: was weird, all right. It's something that actually hits.

1231
01:06:07,880 --> 01:06:09,800
Speaker 1: Home with me. And that's why you didn't say.

1232
01:06:10,080 --> 01:06:13,440
Speaker 4: Okay, yeah, that's why I faked it.

1233
01:06:13,600 --> 01:06:15,360
Speaker 1: You said like, okay, like that.

1234
01:06:15,520 --> 01:06:20,560
Speaker 4: Yeah, it was more of a that's normal, okay, okay,

1235
01:06:21,400 --> 01:06:24,160
Speaker 4: all right. If I if you guys weren't here, I

1236
01:06:24,200 --> 01:06:27,160
Speaker 4: probably would have said, all right, hmm.

1237
01:06:27,360 --> 01:06:29,280
Speaker 2: I guess I should have known that from the one

1238
01:06:29,320 --> 01:06:34,160
Speaker 2: man show you did about your Puerto Rican uh great

1239
01:06:34,520 --> 01:06:38,840
Speaker 2: great grandpa, and he, you know, made you basically fuck

1240
01:06:38,840 --> 01:06:40,800
Speaker 2: a voodoo corpse that he had done voodoo.

1241
01:06:41,000 --> 01:06:47,520
Speaker 4: Hey, heybe, why are you fucking that Queen's no, no, no,

1242
01:06:47,560 --> 01:06:51,800
Speaker 4: not a queen's a corpse. A lot of it is

1243
01:06:51,840 --> 01:06:56,120
Speaker 4: inspired by missus Rosie Petties and.

1244
01:06:58,160 --> 01:07:00,200
Speaker 2: Yes see, I mean your grandfather, and the sh show

1245
01:07:00,280 --> 01:07:02,360
Speaker 2: calls you by the name of Woody Hailson's character in

1246
01:07:02,400 --> 01:07:03,400
Speaker 2: White Man Can't Up.

1247
01:07:04,800 --> 01:07:07,200
Speaker 4: Some of the lines are completely. I wanted people to

1248
01:07:07,280 --> 01:07:09,720
Speaker 4: get the reference because a lot of times they're just like,

1249
01:07:10,360 --> 01:07:13,200
Speaker 4: you know, your audience is just dumb as ship, and

1250
01:07:13,240 --> 01:07:15,520
Speaker 4: so I have to say, like, you know.

1251
01:07:16,400 --> 01:07:21,040
Speaker 11: Hi, Billy, Hi Billy, you're going to fuck this dead body?

1252
01:07:21,120 --> 01:07:27,360
Speaker 4: Billy go then you go on Jeopardy. Oh man, Billy.

1253
01:07:28,680 --> 01:07:35,600
Speaker 8: Brother Stooky Brothers, Stooky Stuck, the Stookey Brothers are coming.

1254
01:07:35,760 --> 01:07:38,960
Speaker 12: Billy, you gotta what you bet all the money on

1255
01:07:39,120 --> 01:07:44,240
Speaker 12: the game. Oh, Billy, I can't believe you're going to

1256
01:07:44,800 --> 01:07:46,840
Speaker 12: And also I'm your grandfather.

1257
01:07:47,960 --> 01:07:50,160
Speaker 4: Yeah you know, I get the grandpa in there too, So.

1258
01:07:50,200 --> 01:07:52,080
Speaker 2: I should have known you wouldn't find that name unusual

1259
01:07:52,120 --> 01:07:53,760
Speaker 2: because I did see that show. Yeah.

1260
01:07:54,320 --> 01:07:58,440
Speaker 1: Well that's about it. Thanks so much for coming.

1261
01:07:59,360 --> 01:08:04,160
Speaker 2: Please everyone who listens, please rate us on iTunes.

1262
01:08:04,280 --> 01:08:06,960
Speaker 1: And talk to us on the forums. And we love

1263
01:08:08,360 --> 01:08:10,720
Speaker 1: reading what you say and deciding whether or not to

1264
01:08:11,000 --> 01:08:16,000
Speaker 1: respond and usually not really almost never do seem to

1265
01:08:16,040 --> 01:08:20,040
Speaker 1: be worth it from our perspective. Yes, and the Facebook,

1266
01:08:20,200 --> 01:08:23,280
Speaker 1: and and please buy the pro version of our podcast.

1267
01:08:23,960 --> 01:08:26,040
Speaker 1: There's a lot in the box. This week we had

1268
01:08:26,080 --> 01:08:28,360
Speaker 1: to get a bigger box. Had to get an even

1269
01:08:28,479 --> 01:08:32,280
Speaker 1: larger box for the It's it's and it's not just

1270
01:08:32,360 --> 01:08:35,040
Speaker 1: one big thing. It's a number of big things in

1271
01:08:35,120 --> 01:08:37,400
Speaker 1: the box this week that we're that we're sending home.

1272
01:08:38,360 --> 01:08:43,360
Speaker 1: And who bought the pro version this week? I think

1273
01:08:43,400 --> 01:08:47,800
Speaker 1: it was Slinky Dink. Yes, that's right, Slinky Dink bought

1274
01:08:47,840 --> 01:08:50,479
Speaker 1: the pro version and he gets his very own one

1275
01:08:50,600 --> 01:08:55,400
Speaker 1: man show from none other than Gill Osari and he's

1276
01:08:55,479 --> 01:08:58,120
Speaker 1: going to do a whole show about Slinky Dink.

1277
01:09:00,160 --> 01:09:05,360
Speaker 4: Yeah right now, right, oh yeah, yeah, okay, uh nineteen

1278
01:09:05,479 --> 01:09:14,040
Speaker 4: thirty nine. Dude, Hi, welcome to the elevator, Slinkydink. You

1279
01:09:14,240 --> 01:09:22,360
Speaker 4: going to the top floor, top floor, your your life.

1280
01:09:24,600 --> 01:09:30,719
Speaker 4: Slinkydink walks out and sees the horizon. I am slinky

1281
01:09:30,800 --> 01:09:34,360
Speaker 4: Dink and I'm the champion. I'm sorry, guys, I uh,

1282
01:09:35,479 --> 01:09:39,920
Speaker 4: I gotta stop. Oh Gil, I was you know what

1283
01:09:39,960 --> 01:09:42,880
Speaker 4: I was gonna do is have Slinky Ink have sex

1284
01:09:43,479 --> 01:09:46,519
Speaker 4: with a dead body. I was going where I.

1285
01:09:48,840 --> 01:09:50,560
Speaker 1: I was a little bit of a crutch for you.

1286
01:09:52,080 --> 01:09:55,280
Speaker 4: It is I you know what I I can we

1287
01:09:55,400 --> 01:09:59,280
Speaker 4: not maybe put this into the into the show. I

1288
01:10:00,640 --> 01:10:02,280
Speaker 4: I just feel bad about it now.

1289
01:10:02,360 --> 01:10:03,280
Speaker 1: We already recorded it.

1290
01:10:03,360 --> 01:10:03,759
Speaker 4: Byye.

1291
01:10:09,600 --> 01:10:12,559
Speaker 1: This has been an Earwolf Media production. Executive producers Jeff

1292
01:10:12,600 --> 01:10:15,360
Speaker 1: Ulrick and Scott Ackerman. For more information, visit earwolf dot

1293
01:10:15,400 --> 01:10:15,519
Speaker 1: com

1294
01:10:20,320 --> 01:10:30,960
Speaker 4: Ear Warf Radio, Boom dot com, The worlf Dead