WEBVTT - Nic Cage and Patricia Arquette: The Love Quest

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<v Speaker 1>Ridiculous Crime is a production of iHeartRadio.

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<v Speaker 2>Elizabeth Dunton, Zaron Burnett. I have a question for you.

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<v Speaker 3>You know that's funny. I have a question for you,

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<v Speaker 3>A question for me. Can I tell you what's ridiculous?

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<v Speaker 2>That's ridiculous? I Elizabeth, what's ridiculous?

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<v Speaker 3>Let me tell you? Okay, So you like the Star Wars?

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<v Speaker 2>I do have the War and the Stars?

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<v Speaker 4>Yes you like that?

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<v Speaker 3>Yes, ghetto the who's your favorite Star Wars character?

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<v Speaker 2>Let me think about that for a second. I'm gonna

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<v Speaker 2>go with yours, Chewbacca.

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<v Speaker 3>Oh that is my favorite? Going to say Lando cal Worthington,

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<v Speaker 3>I Loveca. I know, So, Dave, who's your favorite Star

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<v Speaker 3>Wars character?

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<v Speaker 4>I'm gonna go bib for Tuna.

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<v Speaker 3>Okay, Okay, that that's someone in the band.

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<v Speaker 5>He's one of those people that has like the part

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<v Speaker 5>of his body, the fleshy part that like wraps.

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<v Speaker 3>All the way around like a growth right his head.

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<v Speaker 4>Yeah. A friend of mine did like a fake.

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<v Speaker 5>It was like I think either Jack Ruby or or

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<v Speaker 5>Lee Harvey Oswell being assassinated and they put him in

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<v Speaker 5>with like a really shocked expression, and so he became

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<v Speaker 5>my favorite.

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<v Speaker 3>That would now it's my favorite.

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<v Speaker 2>There you go.

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<v Speaker 3>I love a good lee Harvey Oswald, you do. So

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<v Speaker 3>did you guys? Did you guys like Darth Vader?

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<v Speaker 2>Oh? Actually, yes, probably is my favorite character. You're quite honest.

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<v Speaker 3>Yeah right, I mean, let's let's face I love villains.

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<v Speaker 3>So the other part of this is that in our

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<v Speaker 3>on our website Ridiculous crime dot com, we have a

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<v Speaker 3>listener survey and we ask people to tell us what

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<v Speaker 3>their favorite hot sauce. This is true and so favorite

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<v Speaker 3>sauce Zaren.

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<v Speaker 2>Zaren Yes, Zaren hot sauce.

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<v Speaker 3>Spicy Zaren Dave favorite hot sauce.

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<v Speaker 5>I'll say reds are a E ed or two d's,

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<v Speaker 5>I'm not sure, but you can get it at metunic

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<v Speaker 5>Oyster bar u intunic Rhode Island, among other places.

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<v Speaker 2>Oh okay, he's mentioned this before.

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<v Speaker 3>I thanks for asking. I like tiger sauce.

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<v Speaker 2>What's yours?

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<v Speaker 3>Tiger sauce? Or that chili crisp Aniwho? So you take

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<v Speaker 3>your Darth Vader? Yeah, and you add your hot sauce

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<v Speaker 3>and truffles. Do you guys like truffles of the kind

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<v Speaker 3>from the Earth?

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<v Speaker 2>No?

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<v Speaker 3>I hate it, I hate it, hate it. So you

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<v Speaker 3>take those three things, and you know what you get?

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<v Speaker 3>Star Wars Dark Side Hot Sauce by Truf h really yeah.

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<v Speaker 3>You know who you can blame for this, Joanne Oh

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<v Speaker 3>from Instagram.

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<v Speaker 2>Oh. I won't blame her personally, did she?

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<v Speaker 3>She seems like a total sweetheart, like a really cool

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<v Speaker 3>rude dude totally. But she's the one who passed this personally.

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<v Speaker 3>And the interns came to me with devilish looks in

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<v Speaker 3>their eyes. It's a dark Side Hot Sauce by Trough

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<v Speaker 3>combines fiery ghost peppers with the richness of black winter

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<v Speaker 3>truffles in a mix so alluring that it sure to

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<v Speaker 3>attempt you to the dark side. It runs anywhere from

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<v Speaker 3>eight hundred thousand to a million scovilles.

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<v Speaker 2>Uh huh.

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<v Speaker 3>It's vegan and it's gluten free, so thank god. Okay,

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<v Speaker 3>I mean I prefer extra gluten in everything that I consume,

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<v Speaker 3>and I.

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<v Speaker 2>Want bacon, grease and everything I consume.

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<v Speaker 3>It's as tribute to Darth Vader's story and legacy is

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<v Speaker 3>embodied in a luxurious collectible gift box. Intricate details pay

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<v Speaker 3>homage to the ominous allure of the Sith Lord, with

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<v Speaker 3>the Imperial crest boldly emerging from the depths of a

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<v Speaker 3>smoky veil housed inside Star Wars Dark Side Hot Sauce

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<v Speaker 3>is bottled in a sleek matte black bottle crowned with

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<v Speaker 3>a cap inspired by the unmistakable helmet of Darth Vader.

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<v Speaker 2>I prefer job of the Hut barbecue sauce.

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<v Speaker 3>Where love's the guy in Spaceball's dark helmet. That's what

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<v Speaker 3>I always see when I see these things. So you

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<v Speaker 3>can add a dark twist.

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<v Speaker 4>One.

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<v Speaker 3>Level up your spicy chicken. Two, marinate fire grilled meats. Three,

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<v Speaker 3>infuse your juacamole with heat.

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<v Speaker 2>Four take over the galaxy with the power of the store.

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<v Speaker 3>Burn a hole in your underpant.

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<v Speaker 5>See you anyway I would use if I were them,

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<v Speaker 5>I would say, peel a cap, you know, like it's

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<v Speaker 5>Darth Vader's cap.

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<v Speaker 4>And you got the double entendre.

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<v Speaker 2>Oh there it is? Yeah, that is good.

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<v Speaker 3>Can I tell you something that I don't love?

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<v Speaker 2>What don't you love? Elizabeth?

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<v Speaker 3>On this there's a section on the website that says

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<v Speaker 3>spill the Tea, and it's their faqswh tea. You know,

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<v Speaker 3>we need to get rid of spill the Tea because

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<v Speaker 3>it's generally misused The one that has misused the most

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<v Speaker 3>is to throw shade.

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<v Speaker 2>Can Can brands just stop trying to use the type

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<v Speaker 2>of slang and just go back to hokey language.

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<v Speaker 3>It's not just saying something insultan.

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<v Speaker 2>Yeah, I know, I'm with you.

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<v Speaker 3>Yes, if there's a whole thing investigated, everybody, and then

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<v Speaker 3>stop saying it. Yes, Okay, So yeah, that's that's ridiculous.

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<v Speaker 2>Okay, back of a dead drop, Elizabeth.

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<v Speaker 3>Oh my god, I just ripped myself in half.

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<v Speaker 2>You know it's also ridiculous. No, I knew you didn't.

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<v Speaker 2>That's why I'm here.

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<v Speaker 3>I don't know nothing.

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<v Speaker 2>I have a sequel to a Ridiculous Crime story I

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<v Speaker 2>like that starring Nicholas Cage and Patricia Arquette.

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<v Speaker 3>Get out of here now, I will not you. You

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<v Speaker 3>get right on out.

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<v Speaker 2>This is Ridiculous Crime, a podcast about absurd and outrageous capers, heists,

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<v Speaker 2>and cons. It's ahlways ninety nine percent murder free a

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<v Speaker 2>and one hundred percent ridiculous.

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<v Speaker 3>Spicy Oh Elizabeth Zaren Oh Zaren Dutton.

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<v Speaker 2>Elizabeth Burnette. This story is a sequel, as I just

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<v Speaker 2>told you a squeal. Yes, but it's a sequel to

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<v Speaker 2>my Bob's Big Boy story.

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<v Speaker 3>Whoa, this is immediate quick right, boom.

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<v Speaker 2>Working fast in Hollywood to hold the audience.

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<v Speaker 3>I like that.

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<v Speaker 4>Well.

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<v Speaker 2>I read about this one after I told you that one,

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<v Speaker 2>and boom, I knew I had to tell you this

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<v Speaker 2>one too. So here we go Bob's Big Boy too.

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<v Speaker 2>Boom me all right, Elizabeth, Today I want to tell

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<v Speaker 2>you a story about Bob's Big Boy. One of my

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<v Speaker 2>favorite people on the planet, Nicholas Cage.

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<v Speaker 3>I thought it was the second.

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<v Speaker 2>No, he's no longer on the planet. In the planet,

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<v Speaker 2>I guess that's true, Nicholas Cage. Yes, one of my

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<v Speaker 2>favorite people on the planet. Also one of my other

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<v Speaker 2>favorite people on the planet, Patricia Arquette.

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<v Speaker 3>Oh, I had no idea that these are some of

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<v Speaker 3>your face.

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<v Speaker 2>I know why I love like weirdos.

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<v Speaker 3>Oh yeah, that's true.

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<v Speaker 2>Right, they're both great weirdos, like honest earnest wardos. Not

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<v Speaker 2>precious people. You performative, totally just weird of their cores.

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<v Speaker 3>Yeah, I can't stand performative weirdo.

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<v Speaker 2>From the jump, I think I'm.

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<v Speaker 3>A little bit of a weirdo.

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<v Speaker 2>You are a weirdo, thank god. So do you like

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<v Speaker 2>them both? Do you have any sure you don't have

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<v Speaker 2>a strong opinions.

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<v Speaker 3>I'm not like you. I don't have a shrine in

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<v Speaker 3>my home to these people.

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<v Speaker 2>I gotta do something with all those candles.

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<v Speaker 3>I know it's a fire hazard.

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<v Speaker 2>What's your favorite partia or cat movie?

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<v Speaker 3>Why do you do this?

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<v Speaker 2>Mine's obviously true romance. Every time I've mentioned this before,

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<v Speaker 2>every time.

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<v Speaker 3>You ask me these questions, yea, my mind blans like I've.

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<v Speaker 2>Never watched Who's Patrician?

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<v Speaker 3>Okay, I'll tell you. My favorite of her performances was

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<v Speaker 3>when she played the Lady of the Night on Law

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<v Speaker 3>and Order SVU. Oh yes, And I have to make

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<v Speaker 3>a confession.

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<v Speaker 2>You watch television.

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<v Speaker 3>I watch so much television, Like I watch so much

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<v Speaker 3>television subsceed and I've to lie on you.

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<v Speaker 2>You really come and clean to I really am.

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<v Speaker 3>And it's I was going to do this as of

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<v Speaker 3>what's ridiculous, but I've chickened out. But right now I

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<v Speaker 3>feel like I'm I'm in a safe place.

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<v Speaker 2>You are lower the lights.

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<v Speaker 3>So much television. It is disgusting. I watch a lot.

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<v Speaker 2>Is there anything else you want to tell us? I

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<v Speaker 2>mean this is blowing.

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<v Speaker 3>Yeah, no, I really this was really cleansing and I'm

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<v Speaker 3>feeling a lot better. But yeah, Patricia Arquette is the

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<v Speaker 3>hooker on SVU.

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<v Speaker 2>Are you really no? Are you really a brunette?

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<v Speaker 3>I'm My ethnicity is Californian.

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<v Speaker 2>Okay, I know, so I'm just checking. Yeah, wow, you

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<v Speaker 2>watch TV. I have so much to talk to you about.

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<v Speaker 3>I know you know.

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<v Speaker 2>Okay. Well, Patricia Arquette a performance I love. I'll just

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<v Speaker 2>give you an example. Flirting with Disaster. Do you remember

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<v Speaker 2>this movie? You've seen this movie? Do you watch movies?

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<v Speaker 3>I do. I watch it. I watch every I don't

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<v Speaker 3>watch TikTok or YouTube, but I watch. I love television.

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<v Speaker 3>I have cable television, oh my godness, and the streams.

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<v Speaker 2>Where are you? You're a wire plugger? I am not

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<v Speaker 2>a wire cutter.

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<v Speaker 3>I am plugged into absolutely every outlet in my home. Yeah.

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<v Speaker 2>Well, the movie Flirting with Disaster, if you are familiar

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<v Speaker 2>with it, I'll just give you a brief rundown for

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<v Speaker 2>producer Dave in case he doesn't know it. Ben Stiller

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<v Speaker 2>and his wife Patricia Arquette. Right, they go on this

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<v Speaker 2>cross country quest to find his birth parents. Now he's adopted, obviously,

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<v Speaker 2>so his adoptive parents are Mary Tyler Moore and George Sigall.

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<v Speaker 2>Oh that's an interesting, interesting pair, right. I love Mary

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<v Speaker 2>Tyler Moore and I love George Sagall too. His birth

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<v Speaker 2>parents are Lily Tomlin and Alan Alda. No, right, it's semest.

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<v Speaker 2>And then they're like they play these off the grid

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<v Speaker 2>like former hippies who are still making acid, like in

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<v Speaker 2>New Mexico.

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<v Speaker 3>Yeah, yeah, yeah right.

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<v Speaker 2>And Richard Jenkins if you remember him, he's in it.

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<v Speaker 2>He's an actor who's great and in anything.

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<v Speaker 4>Rhode Islander, total shout out.

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<v Speaker 2>He plays an ATF agent and at some point he

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<v Speaker 2>does acid. So Richard Jenkins on acid, that's just amazing.

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<v Speaker 2>And then Josh Brolin is his partner. I mean, you're

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<v Speaker 2>just like, what, And so I don't want to ruin it,

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<v Speaker 2>but it's this amazing film. No one seems to talk

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<v Speaker 2>about it, so there you go talking. I'm talking about

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<v Speaker 2>it all the time. Patricia ar Kut's in it, so

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<v Speaker 2>she's the moral center of that movie. And anyway, whatever,

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<v Speaker 2>go check out out if you like. Yeah, if you

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<v Speaker 2>like movies, you like to laugh. Yeah, And of course

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<v Speaker 2>I'd be remiss if I didn't at least just reasily

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<v Speaker 2>touch upon a couple of Nicholas Cage performances, right, I mean, here,

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<v Speaker 2>I'll list a couple to jump start your memory. You

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<v Speaker 2>tell me what your favorite Nicholas Cage performance is, m

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<v Speaker 2>or No, let's go with your third favorite. Okay, okay,

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<v Speaker 2>Raising Arizona, Yeah, hi, mcdona, Moonstruck he plays Ronnie the

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<v Speaker 2>one handed baker. Peggy Sue got married, he plays the

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<v Speaker 2>teen honeymoon in Las Vegas.

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<v Speaker 3>The Rock Oh yeah, con Air yep.

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<v Speaker 2>Face sauce of Yeah, National Treasure one and two. Yes,

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<v Speaker 2>I mean I could keep going on. We have so

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<v Speaker 2>much time. But what's your third favorite Nicholas Cage movie performance?

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<v Speaker 3>The one where he plays himself with Pedro Pascal.

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<v Speaker 2>Wow, that's actually the answer. I was going to tell

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<v Speaker 2>you there was a trick question, Elizabeth. The correct answer

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<v Speaker 2>is The Unbearable Weight of Massive Talent, the new one

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<v Speaker 2>with Pedro Pascal where he plays Nick Cage.

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<v Speaker 3>That's a great movie.

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<v Speaker 2>I mean, he is the perfect casting for Nick Cage.

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<v Speaker 3>Yeah, he really is.

0:11:18.000 --> 0:11:19.600
<v Speaker 2>So as soon as you hear the words Nick Cage

0:11:19.679 --> 0:11:22.560
<v Speaker 2>immediately began to imagine this outsize performance in a movie, right,

0:11:22.600 --> 0:11:24.160
<v Speaker 2>I mean, he's just pretty much known for that. But

0:11:24.200 --> 0:11:27.480
<v Speaker 2>can we talk about his outsize performance in life? Sure?

0:11:27.520 --> 0:11:28.880
<v Speaker 3>Oh yeah, he's had issues.

0:11:29.000 --> 0:11:30.760
<v Speaker 2>Yeah, no dog is that. But I mean he is

0:11:30.960 --> 0:11:33.640
<v Speaker 2>full tilt Nick Cage all the time. He's just going,

0:11:33.800 --> 0:11:35.520
<v Speaker 2>but not like a bonk bonk click where it's like,

0:11:35.840 --> 0:11:39.679
<v Speaker 2>you know Gary Busey, Yeah, Gary Busey, Christpin Gover. They

0:11:39.720 --> 0:11:41.760
<v Speaker 2>make you a little nervous to be riding shotgun in

0:11:41.760 --> 0:11:43.600
<v Speaker 2>the car with him or Nick Cage. I'm like, nothing's

0:11:43.600 --> 0:11:44.720
<v Speaker 2>going to happen. I'm a Nick Cage.

0:11:44.760 --> 0:11:46.240
<v Speaker 3>There's no governor on him.

0:11:46.400 --> 0:11:50.440
<v Speaker 2>Yes, exactly so in an interview, and this is very recent,

0:11:50.800 --> 0:11:53.679
<v Speaker 2>he spoke with GQ in twenty twenty two. They did

0:11:53.679 --> 0:11:55.720
<v Speaker 2>a feature on him and he spoke with the writer

0:11:55.800 --> 0:11:59.200
<v Speaker 2>at Gabriella Payea, great writer, and she went to his

0:11:59.200 --> 0:12:01.640
<v Speaker 2>place in Las Vegae and she got this quote. This

0:12:01.720 --> 0:12:04.720
<v Speaker 2>is up towards the top. It's like basically the lead

0:12:04.840 --> 0:12:07.640
<v Speaker 2>and Nicholas and I quote Nicholas Cage greets me at

0:12:07.679 --> 0:12:10.560
<v Speaker 2>his door wearing a kung fu suit. This is my

0:12:10.640 --> 0:12:13.800
<v Speaker 2>wing chung kung Fu suit, he explains, waving me in

0:12:13.920 --> 0:12:16.440
<v Speaker 2>and handing me a mug of coffee. I studied with

0:12:16.520 --> 0:12:18.840
<v Speaker 2>my seafoo Jim Law when I was twelve years old

0:12:18.880 --> 0:12:21.040
<v Speaker 2>because I was a big Bruce Lee fan, So it's

0:12:21.040 --> 0:12:24.120
<v Speaker 2>like my uniform to relax in. At the time, he

0:12:24.200 --> 0:12:27.000
<v Speaker 2>was fifty eight years old, Elizabeth just living his best

0:12:27.040 --> 0:12:30.880
<v Speaker 2>life in his like you know, ghee, hanging out drinking coffee.

0:12:31.920 --> 0:12:35.000
<v Speaker 2>All right, So Nicholas Cage, do you know, as he's

0:12:35.040 --> 0:12:37.800
<v Speaker 2>pointed out, he does some bonkers things, right, Like he

0:12:37.880 --> 0:12:40.800
<v Speaker 2>has bought not one, but two castles in Europe.

0:12:41.000 --> 0:12:42.839
<v Speaker 3>Yeah, doesn't he have a dinosaur?

0:12:42.920 --> 0:12:43.120
<v Speaker 4>Yeah?

0:12:43.120 --> 0:12:45.959
<v Speaker 2>Oh yeah, totally, also has the most haunted house in America.

0:12:46.080 --> 0:12:48.240
<v Speaker 2>It's like, in quotes, the most haunted house in America.

0:12:48.440 --> 0:12:48.800
<v Speaker 3>Really.

0:12:48.880 --> 0:12:51.160
<v Speaker 2>He also once owned a Lamborghini that belonged to the

0:12:51.200 --> 0:12:54.040
<v Speaker 2>Shah of Iran. He also bought a two headed snake.

0:12:54.480 --> 0:12:58.959
<v Speaker 2>Oh no, he dreamed about the snake. Yes, sorry, he

0:12:59.040 --> 0:13:00.800
<v Speaker 2>dreamed about a two headed eagle, so I guess he

0:13:00.840 --> 0:13:03.720
<v Speaker 2>was dreaming about the flag of Albania. Anyway, he wakes

0:13:03.800 --> 0:13:05.920
<v Speaker 2>up someone calls him offering him to sell him a

0:13:05.920 --> 0:13:07.760
<v Speaker 2>two headed snake. He's like, this is a something.

0:13:07.800 --> 0:13:11.120
<v Speaker 3>All day long, his phone rings with people offering to

0:13:11.240 --> 0:13:12.319
<v Speaker 3>sell him an oddity.

0:13:12.480 --> 0:13:12.920
<v Speaker 2>Totally.

0:13:13.200 --> 0:13:14.760
<v Speaker 3>He has a dedicated phone.

0:13:14.600 --> 0:13:17.920
<v Speaker 2>Like he buys the snake for eighty grande. He then

0:13:18.000 --> 0:13:20.760
<v Speaker 2>later donates it to the Audubon Zoo. Why did he

0:13:20.800 --> 0:13:23.160
<v Speaker 2>give it to the zoo because he found feeding the

0:13:23.240 --> 0:13:26.080
<v Speaker 2>snakes to be a bit depressing, Because, you see, Elizabeth,

0:13:26.080 --> 0:13:28.480
<v Speaker 2>he had to shove a spatula between the snake's two

0:13:28.480 --> 0:13:31.120
<v Speaker 2>heads so they wouldn't fight over the food to feed

0:13:31.200 --> 0:13:33.120
<v Speaker 2>the same body. It was a lot for him to hand.

0:13:34.160 --> 0:13:37.280
<v Speaker 2>It was just like anyway. He also had a pair

0:13:37.320 --> 0:13:41.719
<v Speaker 2>of albino cobras. They were like acting teachers to him

0:13:41.720 --> 0:13:43.880
<v Speaker 2>that they inspired his performance in ghost Rider.

0:13:44.160 --> 0:13:44.480
<v Speaker 3>Stop.

0:13:44.600 --> 0:13:46.720
<v Speaker 2>I swear to god. He said that, Elizabeth, how amazing

0:13:46.760 --> 0:13:48.360
<v Speaker 2>would it be to hang out with Nicholas Cage just

0:13:48.400 --> 0:13:49.199
<v Speaker 2>for like a weekend?

0:13:49.320 --> 0:13:52.120
<v Speaker 3>I was super amazing. See how far apart I'm holding

0:13:52.160 --> 0:13:52.560
<v Speaker 3>my arm.

0:13:52.720 --> 0:13:56.120
<v Speaker 2>I can't see them. They're so far apart. So about

0:13:56.120 --> 0:13:58.120
<v Speaker 2>our story of the day. Do you remember when Nicholas

0:13:58.160 --> 0:14:00.720
<v Speaker 2>Cage and Patricia Arquette were one married?

0:14:00.960 --> 0:14:01.360
<v Speaker 3>Vaguely?

0:14:01.440 --> 0:14:03.360
<v Speaker 2>Yeah? Yeah, it lasted not long.

0:14:03.440 --> 0:14:03.920
<v Speaker 3>Yeah.

0:14:03.960 --> 0:14:05.880
<v Speaker 2>While they were married, do you know they lived in

0:14:05.920 --> 0:14:08.480
<v Speaker 2>a mansion in bel Air built in nineteen forty five.

0:14:08.640 --> 0:14:11.040
<v Speaker 2>That makes sense, but not just any mansion, as Nicholas

0:14:11.040 --> 0:14:13.560
<v Speaker 2>Cage put it. At the time, and I quote it

0:14:13.600 --> 0:14:15.840
<v Speaker 2>was Dean Martin's house, and I like to imagine the

0:14:15.920 --> 0:14:18.760
<v Speaker 2>parties that probably went on there with Dino Sinatra and

0:14:18.800 --> 0:14:21.240
<v Speaker 2>the rat Pack, you know at the bar. Oh boy,

0:14:21.360 --> 0:14:23.640
<v Speaker 2>can you imagine the parties that that house has seen.

0:14:23.880 --> 0:14:26.680
<v Speaker 2>First you have the rat Pack, then you have Nicholas Cage.

0:14:26.760 --> 0:14:28.880
<v Speaker 3>If those I'm telling you right.

0:14:29.120 --> 0:14:31.280
<v Speaker 2>So anyway, uptop, I was speaking of Ben Stiller going

0:14:31.320 --> 0:14:33.840
<v Speaker 2>on a quest in that movie Flirting with Disaster, which

0:14:33.880 --> 0:14:36.440
<v Speaker 2>again you should watch, and I said that movie also

0:14:36.440 --> 0:14:39.480
<v Speaker 2>stars Patricia arqutt Yeah, right, so pulling that all together,

0:14:39.840 --> 0:14:42.640
<v Speaker 2>going on a quest Patricia Arquette. Have you ever heard

0:14:42.640 --> 0:14:45.920
<v Speaker 2>of the story about Nicholas Cage and Patricia Arqutte how

0:14:45.960 --> 0:14:49.280
<v Speaker 2>they got married. No, okay, it's truly a beautiful love story,

0:14:49.800 --> 0:14:51.600
<v Speaker 2>and it's so fitting for both of them, right, Nick

0:14:51.640 --> 0:14:54.400
<v Speaker 2>Cage and Purtrisi Arquette, because long story short, she sent

0:14:54.480 --> 0:14:55.360
<v Speaker 2>him on a quest.

0:14:56.440 --> 0:14:58.680
<v Speaker 3>I love that. I don't even know what it is,

0:14:58.880 --> 0:14:59.640
<v Speaker 3>but I love it.

0:15:00.080 --> 0:15:01.800
<v Speaker 2>Back up, but let's do this more like a movie. Okay,

0:15:01.920 --> 0:15:04.240
<v Speaker 2>let's start with their meat cute. It was the late

0:15:04.280 --> 0:15:07.360
<v Speaker 2>eighties Elizabeth nineteen eighty seven to be exact, at the time,

0:15:07.400 --> 0:15:11.120
<v Speaker 2>Patricia Arquette was nineteen years old, Nicholas Cage was twenty

0:15:11.120 --> 0:15:14.080
<v Speaker 2>three years old. She was at Canters in West Hollywood.

0:15:14.080 --> 0:15:16.720
<v Speaker 2>That's the Jewish deli on Fairfax Love that. She's yeah,

0:15:17.040 --> 0:15:18.880
<v Speaker 2>great place, right, She's in there working on a corn

0:15:18.920 --> 0:15:19.840
<v Speaker 2>beef sandwich.

0:15:19.560 --> 0:15:21.680
<v Speaker 3>Or whatever, putting their going to town.

0:15:21.960 --> 0:15:23.960
<v Speaker 2>Yeah, seriously, going get me another one of those pickles

0:15:24.000 --> 0:15:27.560
<v Speaker 2>they have, all right, and uh boom in walks Nicholas

0:15:27.560 --> 0:15:30.720
<v Speaker 2>Cage and Crisp and Glover, who you're a man, they're

0:15:30.760 --> 0:15:33.000
<v Speaker 2>best friends. Imagine the two of them just rolling around

0:15:33.320 --> 0:15:37.560
<v Speaker 2>you many. Yeah, so they're friends and they now can

0:15:37.600 --> 0:15:40.720
<v Speaker 2>you imagine hanging out with them in nineteen eighty seven? Anyway,

0:15:40.840 --> 0:15:43.640
<v Speaker 2>they two friends. They walk into Canters, they see Patricia Arquette,

0:15:43.680 --> 0:15:44.920
<v Speaker 2>They go over, they sit with her.

0:15:44.960 --> 0:15:47.960
<v Speaker 3>I would have been very young. Yes, you had a

0:15:47.960 --> 0:15:53.000
<v Speaker 3>lot of drugs, you know, youngest speed freak. Anyway, go ahead,

0:15:53.040 --> 0:15:54.320
<v Speaker 3>So they go over.

0:15:54.240 --> 0:15:56.760
<v Speaker 2>And they talk with her, and then she invites them

0:15:56.800 --> 0:15:58.600
<v Speaker 2>to sit down, or they invite themselves, I don't know.

0:15:58.640 --> 0:16:01.720
<v Speaker 2>They sit with her, they start learning to start having fun. Eventually,

0:16:01.800 --> 0:16:05.200
<v Speaker 2>Crispin Glover he tells her, I want to marry you, right,

0:16:05.240 --> 0:16:08.760
<v Speaker 2>and she's like, oh, that's cute, right, and then Hero,

0:16:08.800 --> 0:16:11.280
<v Speaker 2>I'll just let Patricia Arquette put it. She says, I

0:16:11.360 --> 0:16:13.800
<v Speaker 2>met him and Crispin Glover in a restaurant and Christmas said,

0:16:13.840 --> 0:16:17.600
<v Speaker 2>I'm gonna marry you and Nick said, no, I'm gonna

0:16:17.640 --> 0:16:23.240
<v Speaker 2>marry you. Now it's a competition, right, So naturally she's like, okay, yeah,

0:16:23.320 --> 0:16:26.520
<v Speaker 2>that's not happening. But Nicholas Cage was like, and I quote,

0:16:26.680 --> 0:16:29.040
<v Speaker 2>I will prove I am worthy of your love. So

0:16:29.320 --> 0:16:32.400
<v Speaker 2>back to Patricia Arkette's version of the story, he said

0:16:32.640 --> 0:16:35.680
<v Speaker 2>give me a quest. I thought he was joking, Elizabeth.

0:16:35.760 --> 0:16:37.360
<v Speaker 2>Nicholas Cage was not joking.

0:16:37.480 --> 0:16:39.320
<v Speaker 3>Now when he says give me a quest, that man

0:16:39.360 --> 0:16:40.000
<v Speaker 3>means business.

0:16:40.000 --> 0:16:42.920
<v Speaker 2>Oh yeah, Nicholas Cage is never joking, especially about love. No,

0:16:43.320 --> 0:16:46.280
<v Speaker 2>So back to Patty Arquette, and Nick said, give me

0:16:46.320 --> 0:16:48.440
<v Speaker 2>a list of ten things, like a quest, and I'll

0:16:48.480 --> 0:16:50.640
<v Speaker 2>get all these things and then you'll marry me.

0:16:51.520 --> 0:16:53.560
<v Speaker 3>Okay, love this.

0:16:54.160 --> 0:16:56.640
<v Speaker 2>I figure what your reaction to a man saying.

0:16:56.560 --> 0:16:58.760
<v Speaker 3>Give me a question a quest, And then she's like,

0:16:58.920 --> 0:17:02.480
<v Speaker 3>I'll consider it. Yeah, Well, Patricia, she gets to decide

0:17:02.520 --> 0:17:03.640
<v Speaker 3>the quest totally.

0:17:04.119 --> 0:17:07.000
<v Speaker 2>So she back to her She picks up the story.

0:17:07.160 --> 0:17:08.920
<v Speaker 2>So I wrote, all these things that I thought were

0:17:08.920 --> 0:17:14.240
<v Speaker 2>impossible to get, getting JD. Salinger's autograph, a Hill Tribe

0:17:14.280 --> 0:17:19.320
<v Speaker 2>wedding costume, steal me a Bob's Big Boy statue, like

0:17:19.480 --> 0:17:22.199
<v Speaker 2>all of these things. I was laughing, A black orchid,

0:17:22.440 --> 0:17:25.440
<v Speaker 2>all of these things off the top of her. Yeah,

0:17:25.520 --> 0:17:27.600
<v Speaker 2>just comes up with a list of them possible at

0:17:27.640 --> 0:17:28.520
<v Speaker 2>the Canners DELI.

0:17:28.920 --> 0:17:29.520
<v Speaker 3>Oh god.

0:17:30.359 --> 0:17:33.679
<v Speaker 2>So she also she says, you wanted a caddy size

0:17:33.680 --> 0:17:36.959
<v Speaker 2>piece of fiberglass sculpture. It's a quote. Yeah, yeah, now

0:17:37.000 --> 0:17:39.480
<v Speaker 2>that the the Hill Tribe wedding costume. I kind of

0:17:39.480 --> 0:17:42.680
<v Speaker 2>skipped past that. That was a very specific request. Patricia

0:17:42.760 --> 0:17:45.679
<v Speaker 2>Rick had later clarified that she wanted a quote wedding

0:17:45.760 --> 0:17:48.920
<v Speaker 2>dress from the Lesu tribe in Southeast Asia. So that's

0:17:48.920 --> 0:17:51.080
<v Speaker 2>what she told him. So we don't know the full

0:17:51.119 --> 0:17:53.119
<v Speaker 2>list of all ten items, but what we do know

0:17:53.200 --> 0:17:56.800
<v Speaker 2>that was included was this one a wedding dress from

0:17:56.800 --> 0:17:59.760
<v Speaker 2>the Lisu tribe in Southeast Asia. Two a caddy size

0:17:59.760 --> 0:18:04.600
<v Speaker 2>peace fiberglass sculpture. Three getting a JD. Salinger autograph. Four

0:18:04.880 --> 0:18:08.720
<v Speaker 2>steal me a Bob's Big Boy statue. Five a black orchid.

0:18:08.880 --> 0:18:12.320
<v Speaker 2>So that's basically half the list, the original list. It's

0:18:12.359 --> 0:18:14.399
<v Speaker 2>been lost in time. It was publishing something that's no

0:18:14.480 --> 0:18:16.560
<v Speaker 2>longer available online. So I gathered all the people who

0:18:16.640 --> 0:18:18.600
<v Speaker 2>quoted from this, and this is all we have, right.

0:18:18.960 --> 0:18:21.880
<v Speaker 2>So Patricia Arquette, she recalls and I quote. I gave

0:18:21.920 --> 0:18:23.399
<v Speaker 2>him a list of all these things to fined, and

0:18:23.400 --> 0:18:26.000
<v Speaker 2>he started doing them. Now, from what I found, I'm

0:18:26.040 --> 0:18:27.800
<v Speaker 2>not sure the order of the items he brought her.

0:18:27.840 --> 0:18:30.480
<v Speaker 2>Some stories reported one item came in first. Other stories

0:18:30.480 --> 0:18:33.840
<v Speaker 2>would change the order. My favorite version goes though Nicholas

0:18:33.840 --> 0:18:37.080
<v Speaker 2>Cage showed up at Patricia Arquette's house with the first item, JD.

0:18:37.240 --> 0:18:38.200
<v Speaker 2>Salinger's autograph.

0:18:38.280 --> 0:18:40.440
<v Speaker 3>I feel like that would probably be the easiest.

0:18:40.000 --> 0:18:43.359
<v Speaker 2>To really why, Oh you're so smart, I'm not gonna

0:18:43.400 --> 0:18:47.080
<v Speaker 2>go and yeah, I'm over here right. She considered this

0:18:47.119 --> 0:18:49.560
<v Speaker 2>I impossible to retrieve object because as you know, he's

0:18:49.600 --> 0:18:52.640
<v Speaker 2>a very famous record. So everyone's thinking, like getting an

0:18:52.680 --> 0:18:55.639
<v Speaker 2>autograph and then would be impossible or damn near impossible

0:18:55.680 --> 0:18:58.119
<v Speaker 2>to do, right, Nick Lucas Cage, But does he go

0:18:58.200 --> 0:19:00.280
<v Speaker 2>out and go like, you know, full National Tree measure.

0:19:00.320 --> 0:19:02.919
<v Speaker 2>I'm gonna go and steal JD. Saladar's autograph, which is

0:19:02.920 --> 0:19:06.480
<v Speaker 2>my expectation. Freak. He did it like you the smart way.

0:19:06.480 --> 0:19:08.520
<v Speaker 2>He's like, I'm rich enough to go buy this.

0:19:08.840 --> 0:19:09.879
<v Speaker 3>To have signed that books.

0:19:10.040 --> 0:19:13.840
<v Speaker 2>Yes, exactly. So he purchased a letter that had his

0:19:13.920 --> 0:19:16.960
<v Speaker 2>signature eyes. So he bought it twenty five hundred dollars.

0:19:17.240 --> 0:19:19.480
<v Speaker 2>Day one, he shows up because the kid he was

0:19:19.480 --> 0:19:21.840
<v Speaker 2>a collector from the from the early days. Like I said,

0:19:21.880 --> 0:19:24.360
<v Speaker 2>he was always weirded. She already had a collector guy

0:19:24.400 --> 0:19:26.640
<v Speaker 2>he could contact. He's like, hey, you're my letter guy.

0:19:26.680 --> 0:19:30.080
<v Speaker 2>What do you have red phone? Exactly. So, day one

0:19:30.080 --> 0:19:32.280
<v Speaker 2>of his quests, he rocks up to Patricia Kat's house

0:19:32.359 --> 0:19:35.440
<v Speaker 2>with that first item. She's outside. What's she doing? Oh

0:19:35.480 --> 0:19:37.679
<v Speaker 2>you know, she's just playing hopscotch with her girlfriends.

0:19:37.880 --> 0:19:38.439
<v Speaker 3>Are you kidding?

0:19:38.480 --> 0:19:40.560
<v Speaker 2>Sorry to god, so the love this so much. Big

0:19:40.800 --> 0:19:43.679
<v Speaker 2>Cage rides up, I'm assuming on a motorcycle. He drops

0:19:43.720 --> 0:19:47.040
<v Speaker 2>off the letter in a cigar box. He says nothing

0:19:47.080 --> 0:19:48.880
<v Speaker 2>to her, then he rides off.

0:19:48.960 --> 0:19:51.359
<v Speaker 3>Wait this is These are the greatest people on earth

0:19:51.520 --> 0:19:55.000
<v Speaker 3>because it's not precious and performing, it's just they're so pure.

0:19:55.200 --> 0:19:58.840
<v Speaker 2>Yes, my god, what are her friends thinking? Like you

0:19:58.920 --> 0:20:00.679
<v Speaker 2>have a guy going on a question to prove his

0:20:00.800 --> 0:20:01.440
<v Speaker 2>love to you.

0:20:02.080 --> 0:20:02.480
<v Speaker 3>Amazing.

0:20:02.760 --> 0:20:05.520
<v Speaker 2>Your girlfriend's gotten stoked on that, right, Okay, So let's

0:20:05.520 --> 0:20:07.480
<v Speaker 2>take a little break and after these messages we'll get

0:20:07.480 --> 0:20:31.720
<v Speaker 2>back to the love quest. And we're back Elizabeth. So

0:20:31.800 --> 0:20:34.880
<v Speaker 2>what are you thinking so far? You're digging our little and.

0:20:34.960 --> 0:20:38.000
<v Speaker 3>Loving this so much. I really am, I really, I'm

0:20:38.040 --> 0:20:40.880
<v Speaker 3>loving the image of her playing hopscotch with her friends.

0:20:41.680 --> 0:20:42.560
<v Speaker 3>It's just incredible.

0:20:42.560 --> 0:20:43.880
<v Speaker 2>And then her new bow rides out.

0:20:43.960 --> 0:20:46.840
<v Speaker 3>Yeah, and he violently passes her a cigar box. Which

0:20:46.880 --> 0:20:50.880
<v Speaker 3>cigar boxes are cooler. It's the greatest way to get something.

0:20:51.000 --> 0:20:54.040
<v Speaker 2>Great way to get small, like a letter. Perfect. Okay.

0:20:54.080 --> 0:20:56.920
<v Speaker 2>So day two rolls around, So, just like on day one,

0:20:57.040 --> 0:21:00.439
<v Speaker 2>Nicholas Cage shows back up a Patricia Arcat's house. He

0:21:00.560 --> 0:21:03.119
<v Speaker 2>rides up on his motorcycle. This time we know for certain.

0:21:03.600 --> 0:21:06.280
<v Speaker 2>And as Nick Cage told Playboy back in nineteen ninety six,

0:21:06.720 --> 0:21:08.880
<v Speaker 2>quote she wouldn't come out, but I could see her

0:21:08.960 --> 0:21:12.040
<v Speaker 2>peeking down from the top floor. She confirms his account

0:21:12.080 --> 0:21:14.960
<v Speaker 2>because Patricia Arcutt recalled the same story. She said, quote,

0:21:15.040 --> 0:21:16.840
<v Speaker 2>I peek out the window and there he is with

0:21:16.880 --> 0:21:19.639
<v Speaker 2>a purple orchid and a black spray paint can and

0:21:19.640 --> 0:21:22.920
<v Speaker 2>he's spraying it. She'd asked for a black orchid, right,

0:21:22.920 --> 0:21:25.480
<v Speaker 2>but that doesn't exist. You cannot find a black orchid.

0:21:25.560 --> 0:21:28.800
<v Speaker 2>So it's truly as an impossible object. So Nicholas Cage,

0:21:28.800 --> 0:21:32.240
<v Speaker 2>he doesn't Nicolose Cage thing. He improvised. So, and I quote,

0:21:32.359 --> 0:21:34.800
<v Speaker 2>in my very showy way, I whipped the orchid out

0:21:34.840 --> 0:21:37.199
<v Speaker 2>of my pocket. Then I whipped out the paint can

0:21:37.320 --> 0:21:40.480
<v Speaker 2>it started spray painting the orchid black. Then he goes

0:21:40.560 --> 0:21:42.200
<v Speaker 2>and he walks up to the front door of her house.

0:21:42.280 --> 0:21:44.800
<v Speaker 2>I rang the doorbell again and she came down. I

0:21:44.880 --> 0:21:46.560
<v Speaker 2>just gave it to her, and I got back on

0:21:46.600 --> 0:21:49.800
<v Speaker 2>my motorcycle and I left. So once again, doesn't he

0:21:49.800 --> 0:21:51.600
<v Speaker 2>says nothing, just ride to away like that.

0:21:51.720 --> 0:21:54.119
<v Speaker 3>He didn't spray it and then bring it over like

0:21:54.200 --> 0:21:57.240
<v Speaker 3>to let her see. Yeah, oh that's so good.

0:21:58.920 --> 0:22:02.960
<v Speaker 2>So Nicholas Cage's uncanny ability to rise to her weirdly

0:22:03.000 --> 0:22:06.200
<v Speaker 2>specific challenges is winning him some points with Patricia Arcuat

0:22:06.359 --> 0:22:08.360
<v Speaker 2>right as she put it, and I quote, I asked

0:22:08.400 --> 0:22:10.560
<v Speaker 2>for a black orchid from the jungles of Peru or

0:22:10.560 --> 0:22:13.520
<v Speaker 2>Brazil or something, and he spray pnded me in orchid.

0:22:13.560 --> 0:22:17.320
<v Speaker 2>It was very romantic. However, he remembers it a little

0:22:17.320 --> 0:22:21.639
<v Speaker 2>differently because Nicholas Cage adds she was freaked out. So

0:22:21.720 --> 0:22:26.520
<v Speaker 2>now it's it's day three. She's wondering what to expect

0:22:26.520 --> 0:22:28.960
<v Speaker 2>now on day three, and he's got to be thinking

0:22:28.960 --> 0:22:30.560
<v Speaker 2>of the next item on her list that he can

0:22:30.600 --> 0:22:34.280
<v Speaker 2>get for, probably locally. So I don't know if this

0:22:34.400 --> 0:22:36.560
<v Speaker 2>actually was on day three. I couldn't find that to

0:22:36.560 --> 0:22:39.240
<v Speaker 2>cut for confirmation. But soon enough he contacts her. This

0:22:39.320 --> 0:22:41.639
<v Speaker 2>time he speaks to her right. He calls her and

0:22:41.640 --> 0:22:43.680
<v Speaker 2>he tells her, I almost got the Bob's Big Boy

0:22:43.760 --> 0:22:46.879
<v Speaker 2>last night. But then, as we've covered, he found that

0:22:46.880 --> 0:22:49.600
<v Speaker 2>the Bob's Big Boy statue was chained to its pedestal.

0:22:49.720 --> 0:22:52.359
<v Speaker 2>So Nicholas Cage he has a plan for that, so

0:22:52.440 --> 0:22:55.080
<v Speaker 2>he informs her, I'm gonna go back tonight with the

0:22:55.160 --> 0:23:00.000
<v Speaker 2>right tools. What are the right tools to Nicholas Cage

0:23:00.440 --> 0:23:03.720
<v Speaker 2>Bob's Big Boy heist? Turns out he was gonna bring

0:23:03.760 --> 0:23:06.480
<v Speaker 2>a chainsaw and just wreck some shop. He's like, cut

0:23:06.480 --> 0:23:09.440
<v Speaker 2>that baby right off. Can you imagine the news story

0:23:09.440 --> 0:23:11.520
<v Speaker 2>that would have come out if he got caught chainsaw

0:23:11.560 --> 0:23:14.560
<v Speaker 2>in hand cutting down to Bob's Big Boy and like Burbank.

0:23:14.960 --> 0:23:16.400
<v Speaker 3>This is like pre internet.

0:23:16.480 --> 0:23:18.280
<v Speaker 2>Oh yeah, totally. But even though I mean, if him

0:23:18.320 --> 0:23:20.480
<v Speaker 2>telling the cops like I'm doing this for love, he's

0:23:20.480 --> 0:23:22.520
<v Speaker 2>got the chainsaw and he's cutting down Big Boy.

0:23:22.600 --> 0:23:26.000
<v Speaker 3>Then his agent makes him do the apology interview and people.

0:23:26.160 --> 0:23:30.320
<v Speaker 2>Exactly and an InStyle. So okay. At this point, uh,

0:23:30.560 --> 0:23:32.560
<v Speaker 2>Nick Cage, he tells her about the chainsaw, He tells

0:23:32.600 --> 0:23:34.679
<v Speaker 2>her about the Bob's Big Boy statue in his plans,

0:23:35.200 --> 0:23:38.639
<v Speaker 2>and Patricia Arquette recalls and I quote and then so

0:23:38.760 --> 0:23:41.439
<v Speaker 2>he was like, and you're gonna marry me soon. So

0:23:41.600 --> 0:23:44.520
<v Speaker 2>finally she realizes how far down the road she's traveling

0:23:44.560 --> 0:23:48.000
<v Speaker 2>with him, and she tells Andy Cohen and Shania Twain

0:23:48.200 --> 0:23:52.040
<v Speaker 2>on Andy Cohen's chat show, and I was like, no, man,

0:23:52.119 --> 0:23:54.240
<v Speaker 2>we've never even gone out on a date. Let's slow

0:23:54.240 --> 0:23:57.159
<v Speaker 2>it down. So she has to tell Nick Cage. I

0:23:57.280 --> 0:23:59.879
<v Speaker 2>was like, okay, stop, let's just date maybe and not

0:24:00.080 --> 0:24:02.679
<v Speaker 2>get married. So at this point, after hearing all this,

0:24:02.760 --> 0:24:04.400
<v Speaker 2>Nicholas Cage is willing to slow it down.

0:24:04.960 --> 0:24:08.040
<v Speaker 3>Of course, participating in courtship like in the days of

0:24:08.080 --> 0:24:08.960
<v Speaker 3>oles exactly.

0:24:09.200 --> 0:24:12.880
<v Speaker 2>Yeah, chivalrous, totally. It's very much one of the great romances.

0:24:12.920 --> 0:24:15.200
<v Speaker 2>You gonna hear the minstrel.

0:24:14.760 --> 0:24:16.760
<v Speaker 3>Playing I Love a Good Quest.

0:24:17.000 --> 0:24:19.879
<v Speaker 2>As Patty Arkatt tells it. Then we dated, right, so

0:24:19.960 --> 0:24:22.120
<v Speaker 2>now we got our cute montage for our rom com

0:24:22.280 --> 0:24:24.560
<v Speaker 2>Oh right. The parent they planned to run away to

0:24:24.600 --> 0:24:25.800
<v Speaker 2>Cuba for their first date.

0:24:26.080 --> 0:24:28.879
<v Speaker 3>Wait, I am so excited because I was thinking, like,

0:24:28.920 --> 0:24:30.040
<v Speaker 3>where would they go on to do?

0:24:30.119 --> 0:24:33.800
<v Speaker 2>Exactly They're going to somewhere with trade relations with America

0:24:35.760 --> 0:24:39.399
<v Speaker 2>or an extradition treaty. So the couple, they only make

0:24:39.400 --> 0:24:40.240
<v Speaker 2>it as far as Mexican.

0:24:41.160 --> 0:24:42.200
<v Speaker 3>They have to dip down.

0:24:42.359 --> 0:24:45.600
<v Speaker 2>Well, apparently the details are hazy, but apparently he went

0:24:45.640 --> 0:24:48.639
<v Speaker 2>full Nicholas Cage in an airport in Mexico. There is

0:24:48.680 --> 0:24:51.239
<v Speaker 2>some trouble about their tickets, and then Nicholas Cage had

0:24:51.240 --> 0:24:53.719
<v Speaker 2>a full on meltdown and they're like, go back to America.

0:24:53.960 --> 0:24:56.040
<v Speaker 3>It never solves anything, No.

0:24:56.000 --> 0:24:57.520
<v Speaker 2>And it was a bit too much for Patricia ar

0:24:57.600 --> 0:25:00.440
<v Speaker 2>Cat too right, So they returned to America, as she

0:25:00.520 --> 0:25:03.560
<v Speaker 2>told Andy Cohne and Shania Twain. And then when I

0:25:03.560 --> 0:25:05.480
<v Speaker 2>think we broke up, it was just too fast and

0:25:05.520 --> 0:25:08.080
<v Speaker 2>too much for me at that time. I was nineteen, right,

0:25:08.160 --> 0:25:09.280
<v Speaker 2>so well, she saw.

0:25:09.119 --> 0:25:11.520
<v Speaker 3>The red flag, don't see the red flags.

0:25:11.200 --> 0:25:15.440
<v Speaker 2>Ye splashing anger like that. Yeah, major intensity. Anyway, time

0:25:15.480 --> 0:25:18.200
<v Speaker 2>came and erased those unpleasant memories for her. She had

0:25:18.200 --> 0:25:20.240
<v Speaker 2>a change of heart because, as she put it, and

0:25:20.280 --> 0:25:23.040
<v Speaker 2>then many years went by and we were friendly. And

0:25:23.160 --> 0:25:25.640
<v Speaker 2>in March of nineteen ninety five, Nicholas Cage went into

0:25:25.720 --> 0:25:28.320
<v Speaker 2>Canter's Deli. He was about two am. And guess who

0:25:28.359 --> 0:25:33.359
<v Speaker 2>was sitting there all alone? Crispin Glover. No, it was

0:25:34.359 --> 0:25:38.160
<v Speaker 2>Chrispin Glover. I'm going to marry you. Chrispin Glover said

0:25:38.160 --> 0:25:39.600
<v Speaker 2>to him, No, I'm gonna marry you.

0:25:39.840 --> 0:25:41.400
<v Speaker 3>She stood up and said, I can kick.

0:25:42.760 --> 0:25:45.440
<v Speaker 2>So it was Patricia Harkett sitting alone at two am

0:25:45.600 --> 0:25:48.439
<v Speaker 2>in Canters. At this point, she's now twenty seven. Nicholas

0:25:48.440 --> 0:25:51.119
<v Speaker 2>Cage is thirty one, and so he says, Hi, So

0:25:51.280 --> 0:25:55.520
<v Speaker 2>did she? They sit, They chalk, they flirt, they laugh.

0:25:56.000 --> 0:25:58.240
<v Speaker 2>She felt that they had both changed, right, they've grown.

0:25:58.280 --> 0:26:00.640
<v Speaker 2>Patricia Katt also says she spent many years in search

0:26:00.680 --> 0:26:05.040
<v Speaker 2>of quote, an honorable, truthful, brave man. And she recalled

0:26:05.080 --> 0:26:06.959
<v Speaker 2>this man who went on a quest to win her

0:26:07.000 --> 0:26:09.280
<v Speaker 2>hand in marriage, and as she later told The New

0:26:09.320 --> 0:26:11.960
<v Speaker 2>York Times, he was on my mind. I needed to

0:26:12.000 --> 0:26:14.280
<v Speaker 2>be reassured that the depth of his love would be

0:26:14.280 --> 0:26:17.480
<v Speaker 2>as brave as before. And so now a little while later,

0:26:17.560 --> 0:26:21.320
<v Speaker 2>she decided maybe she was wrong about Nicholas Cage. And

0:26:21.359 --> 0:26:23.560
<v Speaker 2>then I called him and I said, okay, I'm ready

0:26:23.560 --> 0:26:27.240
<v Speaker 2>to get married for their second go round. She was

0:26:27.280 --> 0:26:30.280
<v Speaker 2>the one to propose this time, so, as Nicholas Stage

0:26:30.320 --> 0:26:33.320
<v Speaker 2>recalls in an interview with Rolling Stone, and I quote

0:26:33.400 --> 0:26:35.560
<v Speaker 2>when she showed up in my house dressed head to

0:26:35.560 --> 0:26:39.960
<v Speaker 2>toe in black vinyl, carrying a big purple wedding cake.

0:26:40.560 --> 0:26:42.600
<v Speaker 2>I knew I was with the right woman.

0:26:42.960 --> 0:26:44.240
<v Speaker 3>So there were zero dates.

0:26:44.560 --> 0:26:46.520
<v Speaker 2>I'll be the I think they were skipping past that.

0:26:46.520 --> 0:26:48.919
<v Speaker 2>There was some days before we got to the all blacks.

0:26:50.119 --> 0:26:51.080
<v Speaker 2>The purple wedding cake.

0:26:51.200 --> 0:26:51.800
<v Speaker 3>Incredible.

0:26:51.920 --> 0:26:52.120
<v Speaker 4>Yeah.

0:26:52.119 --> 0:26:54.120
<v Speaker 2>So she's standing there on his front doorstep and she's

0:26:54.119 --> 0:26:55.720
<v Speaker 2>trying to get out the words like this is how

0:26:55.760 --> 0:26:58.320
<v Speaker 2>I picture it. Like. She's like, I love you, you you

0:26:58.440 --> 0:27:01.560
<v Speaker 2>complete me, and I just Nicholas Cage listening during interrupts

0:27:01.600 --> 0:27:03.679
<v Speaker 2>and puts up a finger, shut up, just shut up.

0:27:03.720 --> 0:27:04.600
<v Speaker 2>You had me at hello.

0:27:06.280 --> 0:27:09.680
<v Speaker 3>I wish I could see that in the movie with

0:27:09.720 --> 0:27:11.000
<v Speaker 3>your boyfriend.

0:27:12.000 --> 0:27:14.800
<v Speaker 2>Now that these two young lovers have refound each other,

0:27:15.200 --> 0:27:18.600
<v Speaker 2>proclaim their love and their devotion for each other based

0:27:18.640 --> 0:27:20.920
<v Speaker 2>on what you know of them both. Can you imagine

0:27:20.960 --> 0:27:23.520
<v Speaker 2>the wedding of Nicholas cage of Patricia Arcat?

0:27:23.680 --> 0:27:25.320
<v Speaker 3>Oh my god?

0:27:25.480 --> 0:27:28.359
<v Speaker 2>Right, But you don't have to, Elizabeth, because I'd like

0:27:28.400 --> 0:27:28.879
<v Speaker 2>you to close.

0:27:28.920 --> 0:27:31.840
<v Speaker 3>Your eyes are already closed, and i'd like you to

0:27:31.920 --> 0:27:33.520
<v Speaker 3>picture I have already pictured.

0:27:35.240 --> 0:27:39.880
<v Speaker 2>Elizabeth. Do you hear that the sound of waves softly

0:27:39.960 --> 0:27:44.159
<v Speaker 2>crashing against the sandy beaches of Carmel, California? Do you

0:27:44.200 --> 0:27:47.000
<v Speaker 2>feel that the sea spray in the midst of the

0:27:47.040 --> 0:27:50.960
<v Speaker 2>shore on your fuzzy face, the warmth of the sunlight

0:27:51.040 --> 0:27:53.719
<v Speaker 2>breaking through the clouds overhead and warming you as you

0:27:53.760 --> 0:27:58.720
<v Speaker 2>bob and float among a celp bed in the Monterey bed. You, Elizabeth,

0:27:58.720 --> 0:28:01.439
<v Speaker 2>are a California Sea God, thank you, and you are

0:28:01.440 --> 0:28:05.280
<v Speaker 2>taking a nap. But your buoyant slumber has disturbed when

0:28:05.320 --> 0:28:08.400
<v Speaker 2>you hear the dulcet engine sound of a Ferrari pull

0:28:08.520 --> 0:28:11.760
<v Speaker 2>up and stop in the gravel. This catches your attention.

0:28:12.000 --> 0:28:14.240
<v Speaker 2>You wipe sleep from your fuzzy eyes and look up

0:28:14.280 --> 0:28:17.520
<v Speaker 2>in the direction of the well engineered car noise. You

0:28:17.600 --> 0:28:20.520
<v Speaker 2>see a blue Ferrari. A man in a dark suit

0:28:20.560 --> 0:28:23.199
<v Speaker 2>gets out the man in the Ferrari are both up

0:28:23.200 --> 0:28:26.400
<v Speaker 2>on a bluff overlooking the Pacific coast. You can see

0:28:26.440 --> 0:28:28.760
<v Speaker 2>them and they can see you. But the man is

0:28:28.800 --> 0:28:31.080
<v Speaker 2>not looking down at the ocean. Instead, he's walking around

0:28:31.080 --> 0:28:34.040
<v Speaker 2>to open the door for his passenger. As you gracefully

0:28:34.080 --> 0:28:36.439
<v Speaker 2>float among the bull kelp, you gaze up at the

0:28:36.440 --> 0:28:38.920
<v Speaker 2>bluff to keep an eye on what these kooky humans

0:28:38.920 --> 0:28:41.800
<v Speaker 2>and the blue Ferrari are doing. A couple other cars

0:28:41.800 --> 0:28:43.920
<v Speaker 2>pull up in part so now you and a few

0:28:43.920 --> 0:28:46.320
<v Speaker 2>other otters, who have also taken note of the party

0:28:46.320 --> 0:28:50.400
<v Speaker 2>of humans, all watch to see what comes next. The

0:28:50.480 --> 0:28:53.040
<v Speaker 2>small party of humans starts to gather on the bluff.

0:28:53.360 --> 0:28:56.040
<v Speaker 2>You don't know this because you're an otter, but one

0:28:56.080 --> 0:28:58.920
<v Speaker 2>of the humans is the former chief of Police of Carmel.

0:28:59.520 --> 0:29:03.800
<v Speaker 2>Another a minister, a lady preacher, Elizabeth. The man in

0:29:03.840 --> 0:29:06.720
<v Speaker 2>the dark suit stands before the lady preacher. Next to

0:29:06.760 --> 0:29:09.640
<v Speaker 2>him stands a woman in a leopard print jacket. The

0:29:09.720 --> 0:29:12.560
<v Speaker 2>couple look happy. You can see their wide smiles from

0:29:12.560 --> 0:29:15.400
<v Speaker 2>where you lays among the kelp. You've never been to

0:29:15.440 --> 0:29:17.880
<v Speaker 2>a human wedding before. This is your first, and it

0:29:18.000 --> 0:29:20.760
<v Speaker 2>is a doozy Welcome to the wedding of Nicholas Cage

0:29:20.760 --> 0:29:23.600
<v Speaker 2>and Patricia Arquette. You and the other sea otters are

0:29:23.600 --> 0:29:26.400
<v Speaker 2>some of the very few witnesses. All in all, the

0:29:26.440 --> 0:29:28.760
<v Speaker 2>wedding seems like a nice affair. This is what their

0:29:28.760 --> 0:29:31.520
<v Speaker 2>love quest has led to. This is the hero's reward.

0:29:31.560 --> 0:29:35.280
<v Speaker 2>The ceremony is short. It lasts a brief ten minutes.

0:29:35.520 --> 0:29:38.120
<v Speaker 2>The couple stands in the sun and the breeze. Their

0:29:38.200 --> 0:29:41.360
<v Speaker 2>love seems so real and so lasting. You find your

0:29:41.440 --> 0:29:43.640
<v Speaker 2>rooting for these two crazy kids as you watch the

0:29:43.680 --> 0:29:47.520
<v Speaker 2>newly pronounced husband and wife climb back into that blue Ferrari.

0:29:47.960 --> 0:29:52.000
<v Speaker 2>The Italian sports car speeds off, headed down the coast

0:29:52.000 --> 0:29:57.160
<v Speaker 2>towards Big Sir, look at you, lucky witness to the

0:29:57.200 --> 0:30:00.560
<v Speaker 2>Patricia Arkhead Nicholas Cage nuptials.

0:30:00.040 --> 0:30:01.200
<v Speaker 3>That was awesome now, it was.

0:30:01.240 --> 0:30:04.320
<v Speaker 2>Patricia Arquette told Andy Cohen and Shania Twain quote, we

0:30:04.360 --> 0:30:07.080
<v Speaker 2>hadn't slept together for eight years until our wedding night.

0:30:07.720 --> 0:30:10.240
<v Speaker 2>So after hearing all about their long, strange love affair

0:30:10.280 --> 0:30:13.680
<v Speaker 2>and then their wedding night, Jitters, Shania Twain says, that's

0:30:13.840 --> 0:30:18.320
<v Speaker 2>very romantic, and Patricia Arqutt agrees that was very romantic.

0:30:18.360 --> 0:30:21.120
<v Speaker 3>I thought Shania Twain was going to say that don't impress.

0:30:20.800 --> 0:30:23.720
<v Speaker 2>Me, right, I was so praying for.

0:30:25.240 --> 0:30:25.640
<v Speaker 3>Didn't do it?

0:30:26.040 --> 0:30:27.960
<v Speaker 2>Now, after all those years and all this task from

0:30:27.960 --> 0:30:30.720
<v Speaker 2>the aforementioned love quest, these two crazy kids finally found

0:30:30.720 --> 0:30:32.240
<v Speaker 2>a way to make a go of it. For a

0:30:32.280 --> 0:30:35.080
<v Speaker 2>little while. It was intense, it was passionate. Their marriage

0:30:35.120 --> 0:30:38.720
<v Speaker 2>a brightly burning fire, and naturally it burned out, like

0:30:38.720 --> 0:30:41.840
<v Speaker 2>all things which consumed themselves in flames. They were married

0:30:41.840 --> 0:30:45.040
<v Speaker 2>Elizabeth in nineteen ninety five, but separated in January of

0:30:45.120 --> 0:30:48.480
<v Speaker 2>nineteen ninety six. They technically remained married on the books

0:30:48.480 --> 0:30:51.920
<v Speaker 2>though for years, finally divorcing in two thousand. Oh wow, yeah,

0:30:51.960 --> 0:30:53.960
<v Speaker 2>so our Kett later would tell Rolling Stone the couple

0:30:54.040 --> 0:30:56.880
<v Speaker 2>separation was due to the fact that quote, his success

0:30:57.040 --> 0:31:00.520
<v Speaker 2>was very scary to me. I couldn't touch him. I mean,

0:31:00.600 --> 0:31:02.480
<v Speaker 2>I would think her reason was that Nicholas Cage was

0:31:02.520 --> 0:31:06.440
<v Speaker 2>absolutely unhinged. She's like, it's his success. I did not

0:31:06.560 --> 0:31:09.320
<v Speaker 2>expect that. So what about after their divorce? Who got

0:31:09.320 --> 0:31:12.200
<v Speaker 2>to keep the JD. Salinger letter? Yeah, that's what Andy

0:31:12.240 --> 0:31:14.800
<v Speaker 2>Cohen and Shania Twain both wanted to know. That was

0:31:14.840 --> 0:31:16.640
<v Speaker 2>their first question. They're like, yeah, what happened with the

0:31:17.160 --> 0:31:22.120
<v Speaker 2>Challenger letter. I know anyway, Patricia Arquett says, and I quote,

0:31:22.160 --> 0:31:24.320
<v Speaker 2>I returned that to him. I never thought he'd get it,

0:31:25.280 --> 0:31:27.160
<v Speaker 2>like I think she never thought he'd actually retreat.

0:31:27.160 --> 0:31:29.600
<v Speaker 3>I think she's probably not the kind of collector.

0:31:30.040 --> 0:31:34.080
<v Speaker 2>No, he's the collector about that. So as for Nicholas Cage,

0:31:34.120 --> 0:31:36.040
<v Speaker 2>when he speaks at that time in his life, he

0:31:36.160 --> 0:31:40.200
<v Speaker 2>said of his past self, quote, back then, I was

0:31:40.240 --> 0:31:42.600
<v Speaker 2>living out my fantasies of what I thought an exciting

0:31:42.680 --> 0:31:46.080
<v Speaker 2>man should be. I wanted to be unpredictable and frightening,

0:31:46.120 --> 0:31:49.120
<v Speaker 2>and I guess I was. I mean, Patricia says that

0:31:49.200 --> 0:31:52.040
<v Speaker 2>at the time, I was pure testosterone. I can't really

0:31:52.040 --> 0:31:55.240
<v Speaker 2>imagine myself getting that angry now. I haven't punched a

0:31:55.280 --> 0:31:57.959
<v Speaker 2>wall in years, so I don't really know what happened.

0:31:58.000 --> 0:32:01.400
<v Speaker 2>I mean, should I be punching walls? No, Nicholas, you

0:32:01.440 --> 0:32:03.520
<v Speaker 2>should not be punching A wild good way to break

0:32:03.520 --> 0:32:05.520
<v Speaker 2>your hand, in an even better way to scare the

0:32:05.520 --> 0:32:08.000
<v Speaker 2>people who love you. So as for the whirlwind love

0:32:08.040 --> 0:32:10.480
<v Speaker 2>that they felt at the time, Patricia Arquett also said,

0:32:10.480 --> 0:32:13.960
<v Speaker 2>and I quote, there's nothing like creativity and young love.

0:32:14.160 --> 0:32:16.800
<v Speaker 2>That's why we have a species. I don't really hate

0:32:16.880 --> 0:32:19.000
<v Speaker 2>any period of the human experience. I've dealt with a

0:32:19.040 --> 0:32:21.160
<v Speaker 2>lot of death, and loving a lot of people through

0:32:21.160 --> 0:32:23.880
<v Speaker 2>their dying time, and loving other people through their birthing time,

0:32:23.960 --> 0:32:26.160
<v Speaker 2>and being out a lot of births, and being young

0:32:26.240 --> 0:32:28.960
<v Speaker 2>and beautiful and not even understanding that, and then getting

0:32:28.960 --> 0:32:31.160
<v Speaker 2>older and becoming invisible for a period of time, and

0:32:31.160 --> 0:32:33.880
<v Speaker 2>then loving that and getting wiser and knowing which battles

0:32:33.880 --> 0:32:36.760
<v Speaker 2>to fight. I'm really loving this whole, painful, joyful ride

0:32:36.760 --> 0:32:39.040
<v Speaker 2>of life. I think you have to have that attitude

0:32:39.080 --> 0:32:42.240
<v Speaker 2>if you want to go in any relationship with age. Yeah,

0:32:42.600 --> 0:32:44.760
<v Speaker 2>but in general. But I'm saying, but he's really going

0:32:44.840 --> 0:32:46.520
<v Speaker 2>to test you. But if you have this in life,

0:32:46.560 --> 0:32:47.120
<v Speaker 2>you're golden.

0:32:47.200 --> 0:32:47.960
<v Speaker 3>Yeah, exactly.

0:32:48.080 --> 0:32:50.160
<v Speaker 2>So after their time together and they went their separate ways,

0:32:50.240 --> 0:32:54.120
<v Speaker 2>Nicholas Kate continued Elizabeth with his quests, and he even

0:32:54.120 --> 0:32:57.440
<v Speaker 2>managed to get into legal trouble again, only this time

0:32:57.680 --> 0:33:00.000
<v Speaker 2>what he ended up with ilegally was far more valuable.

0:33:00.040 --> 0:33:01.880
<v Speaker 2>Well then a Bob's big boy statue.

0:33:02.240 --> 0:33:03.440
<v Speaker 3>We'll be back such a thing.

0:33:03.640 --> 0:33:05.920
<v Speaker 2>Oh yeah, I swear We'll be right back. With Nicholas

0:33:06.000 --> 0:33:28.920
<v Speaker 2>Cage's other illegal quests. After these bright messages and we're back, Elizabeth,

0:33:29.200 --> 0:33:32.440
<v Speaker 2>You're back, I know right? Ready for one more? Nicholas

0:33:32.520 --> 0:33:35.240
<v Speaker 2>Cage quest Always in two thousand and seven, there was

0:33:35.280 --> 0:33:39.280
<v Speaker 2>a dinosaur skull for sale at an auction you y

0:33:39.880 --> 0:33:44.000
<v Speaker 2>I have? It was a Torontosaurus bitar, which is like

0:33:44.040 --> 0:33:48.000
<v Speaker 2>a kissing cousin of a Torontosaurus rex. The enormous Torontosaurus

0:33:48.040 --> 0:33:50.680
<v Speaker 2>dinosaur skull was billed as quote perfect for a New

0:33:50.760 --> 0:33:51.800
<v Speaker 2>York City apartment.

0:33:52.080 --> 0:33:53.800
<v Speaker 3>Wait by whom?

0:33:55.080 --> 0:33:57.640
<v Speaker 2>An auction house? Yeah?

0:33:58.000 --> 0:34:01.120
<v Speaker 3>Can you imagine you work at this auction hus and

0:34:01.160 --> 0:34:02.920
<v Speaker 3>you have to write the copy.

0:34:02.520 --> 0:34:05.600
<v Speaker 2>For the catalog perfect for a New York City of park.

0:34:05.680 --> 0:34:08.560
<v Speaker 3>How am I going to describe this on rock? Bigger

0:34:08.600 --> 0:34:09.440
<v Speaker 3>than a bread box?

0:34:09.840 --> 0:34:10.160
<v Speaker 6>Shoot?

0:34:10.239 --> 0:34:11.239
<v Speaker 3>No, that's not going to work.

0:34:11.920 --> 0:34:17.000
<v Speaker 2>Draft eight goes well with a gogin No starting bid

0:34:17.239 --> 0:34:18.200
<v Speaker 2>one hundred grand?

0:34:18.640 --> 0:34:19.040
<v Speaker 3>Wow?

0:34:19.120 --> 0:34:21.160
<v Speaker 2>Yeah. There were three hundred and forty five items for

0:34:21.200 --> 0:34:23.400
<v Speaker 2>sale in this auction. According to the New York Times,

0:34:23.760 --> 0:34:26.680
<v Speaker 2>the list of items up forbidding included and I quote

0:34:26.719 --> 0:34:31.600
<v Speaker 2>an Egyptian mummy's hand, a person's hand, Elizabeth.

0:34:31.280 --> 0:34:32.000
<v Speaker 4>A whole hand?

0:34:32.120 --> 0:34:33.040
<v Speaker 3>Horrible all right?

0:34:33.200 --> 0:34:37.600
<v Speaker 2>Next, a lion, hyena and warthog skulls followed by a

0:34:37.680 --> 0:34:42.280
<v Speaker 2>gold nugget weighing sixty two troy ounces and behind glass

0:34:42.320 --> 0:34:46.520
<v Speaker 2>but touchable on request, crystals, minerals, and a meteorite from Mars,

0:34:47.400 --> 0:34:50.480
<v Speaker 2>But the bell of the ball was the Torontosaurus batar skull.

0:34:51.040 --> 0:34:54.760
<v Speaker 2>As The New York Times reported quote, The skull, estimated

0:34:54.760 --> 0:34:58.240
<v Speaker 2>to be about sixty seven million years old, is thirty

0:34:58.239 --> 0:35:01.400
<v Speaker 2>two inches long and sixty five sent complete, with the

0:35:01.440 --> 0:35:03.680
<v Speaker 2>rest of it, including the lower right jaw in the

0:35:03.719 --> 0:35:07.040
<v Speaker 2>back of the skull, having been restored with casts, said

0:35:07.120 --> 0:35:09.920
<v Speaker 2>David Hrskowitz, the director of the Gallery's Natural History department.

0:35:11.160 --> 0:35:17.960
<v Speaker 3>Was it legally, like I've talked about this.

0:35:17.880 --> 0:35:23.120
<v Speaker 2>Yes, of course. Now you might wonder was this legally obtained?

0:35:23.200 --> 0:35:26.640
<v Speaker 2>And that's a good question. I think you know the answer. Yeah,

0:35:26.680 --> 0:35:29.640
<v Speaker 2>I think so, Herskowitz. He said he come into possession

0:35:29.680 --> 0:35:31.600
<v Speaker 2>of this specimen last summer. He's like, I got it

0:35:31.640 --> 0:35:33.719
<v Speaker 2>last summer. It's cool, man, I just recently got this.

0:35:33.800 --> 0:35:36.319
<v Speaker 2>I'm just trying to move in. Collector in Florida had

0:35:36.400 --> 0:35:40.640
<v Speaker 2>apparently contacted them with the rare find Why Florida because

0:35:40.640 --> 0:35:43.319
<v Speaker 2>it clearly wasn't found there, right, So I went, does

0:35:43.360 --> 0:35:46.200
<v Speaker 2>Florida come into it? Well, turns out, as the batar

0:35:46.440 --> 0:35:51.160
<v Speaker 2>might indicate, the skull was located in Mongolian bitar, right,

0:35:51.200 --> 0:35:54.239
<v Speaker 2>so excavated there and it wasn't fully freed from the rocks.

0:35:54.239 --> 0:35:57.319
<v Speaker 2>So according to the Florida collector, he purchased this Trontosaurus

0:35:57.360 --> 0:35:59.600
<v Speaker 2>skull from a Japanese collector. You don't know him. He

0:35:59.640 --> 0:36:02.200
<v Speaker 2>goes to different school, and he kept the skull in

0:36:02.239 --> 0:36:04.880
<v Speaker 2>a block of unhewn rock, and he'd put the dinosaur

0:36:04.880 --> 0:36:07.840
<v Speaker 2>head in a display box back in like the nineteen sixties.

0:36:08.120 --> 0:36:10.480
<v Speaker 2>And eventually sells this to the Florida collector, who and

0:36:10.520 --> 0:36:12.279
<v Speaker 2>then turns sells it to the auction house, who and

0:36:12.360 --> 0:36:14.760
<v Speaker 2>then turns it sells it to an unknown buyer.

0:36:14.840 --> 0:36:19.080
<v Speaker 3>Interesting to the alleged probanance, I thought it was with Florida.

0:36:19.120 --> 0:36:21.600
<v Speaker 3>I'm imagining it's like South Florida. I thought it would

0:36:21.600 --> 0:36:22.800
<v Speaker 3>be like a Russian oligar.

0:36:23.080 --> 0:36:25.719
<v Speaker 2>Yeah. Actually I cannot tell you who the person is,

0:36:25.719 --> 0:36:28.320
<v Speaker 2>but I don't think they're a rausianal oligar. But anyway,

0:36:28.400 --> 0:36:30.399
<v Speaker 2>I wish I could had that information for you. Ay,

0:36:30.680 --> 0:36:34.200
<v Speaker 2>let's pretend they were. So the torontosaurs buitar skull was

0:36:34.239 --> 0:36:36.280
<v Speaker 2>put up on the auction block. It was the subject

0:36:36.280 --> 0:36:40.440
<v Speaker 2>of a rather mighty fight amongst bidders. Sure was finally

0:36:40.480 --> 0:36:43.040
<v Speaker 2>sold to quote a bit of two hundred and seventy

0:36:43.080 --> 0:36:46.560
<v Speaker 2>six thousand dollars phoned in by a private collector on

0:36:46.600 --> 0:36:50.680
<v Speaker 2>the West coast from the gallery would not identify the skull.

0:36:50.719 --> 0:36:53.480
<v Speaker 2>This skull was the big ticket sale of the auction. Elizabeth.

0:36:53.600 --> 0:36:55.799
<v Speaker 3>This is supposed to be for a New York apartment.

0:36:58.160 --> 0:37:00.920
<v Speaker 2>The same mystery bidder also one quote a rare giant

0:37:00.920 --> 0:37:04.760
<v Speaker 2>wolf skull from the Rancho Librea formation. Sale price fifty

0:37:04.760 --> 0:37:07.520
<v Speaker 2>thousand dollars. So this mystery buyer, they've dropped three hundred

0:37:07.520 --> 0:37:09.480
<v Speaker 2>and twenty six thousand dollars and a dinosaur skull and

0:37:09.520 --> 0:37:12.920
<v Speaker 2>a wolf skull. It's long than alleged. The big loser

0:37:13.000 --> 0:37:17.040
<v Speaker 2>that day was Leonardo DiCaprio. He was bidding on this

0:37:17.160 --> 0:37:21.319
<v Speaker 2>Torontosaurus bitar skull and he ultimately lost out to Nicholas Cave.

0:37:21.520 --> 0:37:24.000
<v Speaker 3>You know where the big loser was that day? Science?

0:37:25.080 --> 0:37:27.240
<v Speaker 2>A lot of people said that, a lot of people

0:37:27.280 --> 0:37:31.080
<v Speaker 2>said that, yes, curatorial process. Yeah, So of course it

0:37:31.160 --> 0:37:32.920
<v Speaker 2>was Nick Cage who wanted a rare dino head and

0:37:32.960 --> 0:37:35.040
<v Speaker 2>a prehistoric wolf skull and was willing to drop more

0:37:35.080 --> 0:37:36.880
<v Speaker 2>than a quarter million dollars to get it. Now, it

0:37:36.960 --> 0:37:38.799
<v Speaker 2>kind of makes perfect sense because he was buying all

0:37:38.800 --> 0:37:40.440
<v Speaker 2>this real estate at the time. Remember he had the

0:37:40.440 --> 0:37:43.319
<v Speaker 2>two castles, and I'm sure if you you know, if

0:37:43.320 --> 0:37:45.359
<v Speaker 2>you buy two castles, right, you show up and all

0:37:45.360 --> 0:37:47.200
<v Speaker 2>of a sudden, like let's say it's an impulse purchase, right,

0:37:47.239 --> 0:37:49.360
<v Speaker 2>and then you get the keys to your new castle

0:37:49.440 --> 0:37:52.240
<v Speaker 2>or new two U castle, and you walk in you realize,

0:37:52.239 --> 0:37:54.239
<v Speaker 2>oh my god, they took away all this stuff for like, yeah,

0:37:54.400 --> 0:37:59.080
<v Speaker 2>the staging my castle, the Knight's armor, Yeah, you got it,

0:37:59.120 --> 0:38:00.800
<v Speaker 2>like all of a sudden, phill up a whole castle

0:38:00.840 --> 0:38:02.560
<v Speaker 2>with of course, you're like, I need a dinosaur skull.

0:38:02.600 --> 0:38:04.520
<v Speaker 2>I'm gonna probably need a wolf scull, and I'm in the.

0:38:04.520 --> 0:38:07.440
<v Speaker 3>Guess there's not a home goods within one hundred miles.

0:38:07.520 --> 0:38:12.440
<v Speaker 2>Probably not. It turns out Leonardo DiCaprio got lucky by

0:38:12.480 --> 0:38:15.160
<v Speaker 2>losing out on that day because the plot thickens Elizabeth

0:38:15.440 --> 0:38:18.319
<v Speaker 2>that torontosaur's skull was shady. The Florida collector was a

0:38:18.320 --> 0:38:20.840
<v Speaker 2>big time liar, in fact, a scammer of bones and

0:38:20.880 --> 0:38:24.520
<v Speaker 2>other artifacts. Twenty fourteen, seven years after he bought himself

0:38:24.600 --> 0:38:27.880
<v Speaker 2>that torontosaurus skull. The Department of Homeland Security came to

0:38:27.960 --> 0:38:30.200
<v Speaker 2>Nicholas Cage's home. They're like, hey, we haven't been here

0:38:30.239 --> 0:38:33.120
<v Speaker 2>in a little while now, they formed him. But the

0:38:33.400 --> 0:38:36.000
<v Speaker 2>artifact he bought was in fact illegal, and in short,

0:38:36.040 --> 0:38:38.440
<v Speaker 2>the dinosaur skull was stolen goods, and that it had

0:38:38.480 --> 0:38:41.000
<v Speaker 2>been taken from the Gobi Desert in Mongolia, and the

0:38:41.040 --> 0:38:43.560
<v Speaker 2>FEDS would be taking it from him and returning it

0:38:43.600 --> 0:38:44.920
<v Speaker 2>to Mongolia, which they.

0:38:44.920 --> 0:38:46.680
<v Speaker 3>Getting terrorism by buying it.

0:38:46.760 --> 0:38:49.800
<v Speaker 2>No, I didn't see any allegations of that. Yeah, but boom,

0:38:49.880 --> 0:38:51.959
<v Speaker 2>now Nicholas Cage has to cough up his quarter million

0:38:51.960 --> 0:38:54.360
<v Speaker 2>dollar dinosaur skull to the Feds. He does. When he

0:38:54.400 --> 0:38:56.359
<v Speaker 2>was later asked about this and about you know, what's

0:38:56.400 --> 0:38:58.319
<v Speaker 2>it feel like to lose two hundred and seventy six

0:38:58.360 --> 0:39:01.280
<v Speaker 2>thousand dollars for something that you that's like a weird

0:39:01.320 --> 0:39:04.880
<v Speaker 2>purchase from a seemingly legitimate auction house, he said, in

0:39:04.920 --> 0:39:08.640
<v Speaker 2>the most Nicholas Cage way possible, what is an octopus?

0:39:08.719 --> 0:39:11.640
<v Speaker 2>Eighty dollars? You're not gonna go into dire streets buying

0:39:11.640 --> 0:39:15.120
<v Speaker 2>an octopus. The dinosaur skull was an unfortunate thing. Because

0:39:15.160 --> 0:39:17.560
<v Speaker 2>I did spend two hundred and seventy six thousand dollars

0:39:17.600 --> 0:39:20.120
<v Speaker 2>on that. I bought it at a legitimate auction and

0:39:20.239 --> 0:39:23.680
<v Speaker 2>found out it was abducted from Mongolia illegally, and then

0:39:23.719 --> 0:39:25.720
<v Speaker 2>I had to give it back. Of course it should

0:39:25.760 --> 0:39:28.360
<v Speaker 2>be awarded to its country of origin, but who knew.

0:39:28.640 --> 0:39:31.200
<v Speaker 2>Plus I never got my money back, so that stank.

0:39:31.520 --> 0:39:34.000
<v Speaker 2>But I went years where all I was doing was

0:39:34.040 --> 0:39:37.200
<v Speaker 2>meditating three times a day and reading books on philosophy,

0:39:37.520 --> 0:39:40.240
<v Speaker 2>not drinking whatsoever. There was the time when I almost

0:39:40.239 --> 0:39:42.560
<v Speaker 2>went on you might call it a grail quest. I

0:39:42.560 --> 0:39:45.560
<v Speaker 2>started following mythology and I was finding properties that align

0:39:45.640 --> 0:39:49.200
<v Speaker 2>with that. It was almost like national treasure. So Nicholas Cage,

0:39:49.440 --> 0:39:52.439
<v Speaker 2>he's now fusing fact with fiction, life with movies. He's

0:39:52.520 --> 0:39:55.200
<v Speaker 2>living out national treasure in his own life and freely

0:39:55.239 --> 0:39:57.239
<v Speaker 2>admitting it. This is what I'm talking about. This is

0:39:57.239 --> 0:39:59.920
<v Speaker 2>why this man is amazing. He's just living out his movies.

0:40:00.080 --> 0:40:03.640
<v Speaker 2>Our parts anyway. So even of course has to admit

0:40:03.719 --> 0:40:06.920
<v Speaker 2>that buying up all the real estate purchases is really

0:40:06.960 --> 0:40:10.239
<v Speaker 2>what nearly bankrupted him. Not the dinosaur. He's like two

0:40:10.280 --> 0:40:13.000
<v Speaker 2>hundred seventy six thousand dollars versus millions of dollars from

0:40:13.040 --> 0:40:14.319
<v Speaker 2>my castle, no one wants to buy.

0:40:14.400 --> 0:40:16.600
<v Speaker 3>In his mind, he got two hundred and seventy six

0:40:16.640 --> 0:40:18.920
<v Speaker 3>thousand dollars totally pleasure.

0:40:19.040 --> 0:40:22.480
<v Speaker 2>Yeah, so he says, of course that didn't sustain. On

0:40:22.520 --> 0:40:24.560
<v Speaker 2>top of which I said, I'm going to get off

0:40:24.600 --> 0:40:27.640
<v Speaker 2>philosophy because I became like a kite with a string

0:40:27.719 --> 0:40:30.719
<v Speaker 2>but no anchor. No one could understand what I was

0:40:30.760 --> 0:40:33.600
<v Speaker 2>talking about. And I thought people would rather see me

0:40:33.640 --> 0:40:38.000
<v Speaker 2>as an orangutan than as an eagle meditating on the mountaintop. Anyway,

0:40:38.480 --> 0:40:40.680
<v Speaker 2>that makes sense to me totally. Right now, I would

0:40:40.760 --> 0:40:43.040
<v Speaker 2>like not to just skip past the meditating eagle on

0:40:43.080 --> 0:40:46.360
<v Speaker 2>the mountaintop versus the orangutan mistaken for Nicholas Cage. But

0:40:46.400 --> 0:40:48.520
<v Speaker 2>let's focus on how his collecting and his acting had

0:40:48.640 --> 0:40:51.319
<v Speaker 2>already somewhat merged in terms of their value to the

0:40:51.480 --> 0:40:54.880
<v Speaker 2>living process we know as Nicholas Cage. So, in a

0:40:54.920 --> 0:40:57.200
<v Speaker 2>twenty nineteen interview with The New York Times, Nicholas Cage

0:40:57.239 --> 0:40:59.680
<v Speaker 2>tells his interviewer, and I quote, you either have the

0:40:59.719 --> 0:41:02.680
<v Speaker 2>pro livity'd open up your imagination or you don't. If

0:41:02.719 --> 0:41:05.040
<v Speaker 2>you have that propensity and are on camera about to

0:41:05.080 --> 0:41:07.000
<v Speaker 2>do a scene. What would make you believe in what

0:41:07.080 --> 0:41:09.680
<v Speaker 2>you were about to do? So you're playing a demon

0:41:09.800 --> 0:41:13.480
<v Speaker 2>biker with an ancient spirit. What power objects could you

0:41:13.520 --> 0:41:16.640
<v Speaker 2>find that might trick your imagination? Would you find an

0:41:16.640 --> 0:41:20.239
<v Speaker 2>antique from an ancient pyramid, maybe a little sarcophagus that's

0:41:20.280 --> 0:41:22.880
<v Speaker 2>a greenish color and looks like King Tutt? Would you

0:41:23.280 --> 0:41:25.399
<v Speaker 2>sow that into your jacket and know that it's right

0:41:25.480 --> 0:41:27.960
<v Speaker 2>next to you? When the director says action, could you

0:41:28.000 --> 0:41:32.240
<v Speaker 2>open yourself up to that power? Those aren't rhetorical questions,

0:41:32.280 --> 0:41:36.880
<v Speaker 2>are they. That's what the interviewer asked, right, I did that. Yes. Now,

0:41:37.360 --> 0:41:39.719
<v Speaker 2>if you're at that point where you've looted antiques from

0:41:39.719 --> 0:41:42.320
<v Speaker 2>an ancient pyramid and sown them into your pocket so

0:41:42.360 --> 0:41:44.160
<v Speaker 2>you can do better at your job, you are truly

0:41:44.200 --> 0:41:45.280
<v Speaker 2>open to the universe.

0:41:45.360 --> 0:41:45.560
<v Speaker 3>Yeah.

0:41:45.960 --> 0:41:48.000
<v Speaker 2>Right. In the movie Mandy, he has this ad libed

0:41:48.080 --> 0:41:50.680
<v Speaker 2>line and he quotes to his interviewer about the line.

0:41:50.719 --> 0:41:53.080
<v Speaker 2>He mentions it. He says, the psychotic drowns were the

0:41:53.120 --> 0:41:56.440
<v Speaker 2>mystic swims. Now that line actually is from Joseph Campbell,

0:41:56.480 --> 0:41:58.719
<v Speaker 2>and the original line is the psychotic drowns in the

0:41:58.760 --> 0:42:02.520
<v Speaker 2>same waters in which the mystic swims with delight, and

0:42:02.560 --> 0:42:04.920
<v Speaker 2>that's how he ended up buying his real estate portfolio.

0:42:05.040 --> 0:42:07.640
<v Speaker 2>He was swimming with delight in his two castles in

0:42:07.640 --> 0:42:10.120
<v Speaker 2>the Rhode Island Woods and in Las Vegas and La

0:42:10.200 --> 0:42:13.239
<v Speaker 2>and elsewhere. His Times interviewer says, oh, okay, I thought

0:42:13.239 --> 0:42:16.040
<v Speaker 2>you were being metaphorical about going on a Grail quest.

0:42:16.239 --> 0:42:19.279
<v Speaker 2>And then Nicholas Cage, apropos of nothing, says, yeah, if

0:42:19.280 --> 0:42:21.640
<v Speaker 2>you go to Glastonbury and go to the Chalice Wall,

0:42:21.719 --> 0:42:26.279
<v Speaker 2>there's a spring that does taste like blood. So apparently

0:42:26.280 --> 0:42:28.600
<v Speaker 2>at the Chalice Wall in Glastonbury. I've never been there,

0:42:28.680 --> 0:42:31.759
<v Speaker 2>but the story goes, Joseph of Arimathea secreted away the

0:42:31.800 --> 0:42:34.839
<v Speaker 2>Holy Grail, which is what makes the spring taste like blood. Yeah,

0:42:35.040 --> 0:42:36.719
<v Speaker 2>or it could just be an iron ore deposit that

0:42:36.719 --> 0:42:38.359
<v Speaker 2>gives it an iron taste, but hey, who am I

0:42:38.400 --> 0:42:41.760
<v Speaker 2>to say anyway? Following that same logic, Nicholas Cage tells

0:42:41.760 --> 0:42:44.080
<v Speaker 2>his interviewer that's the reason why he bought property in

0:42:44.160 --> 0:42:47.160
<v Speaker 2>Rhode Island. Who was chasing Grail legends or well? He said,

0:42:47.160 --> 0:42:48.640
<v Speaker 2>and I quote, I don't know if I'm going to

0:42:48.719 --> 0:42:51.239
<v Speaker 2>say that's why I bought the Rhode Island property. But

0:42:51.280 --> 0:42:54.040
<v Speaker 2>I will say that is why I went to Rhode Island,

0:42:54.120 --> 0:42:56.319
<v Speaker 2>and I happened to find the place beautiful. But yes,

0:42:56.360 --> 0:42:58.320
<v Speaker 2>this has put me on a search around different areas,

0:42:58.320 --> 0:43:00.960
<v Speaker 2>mostly in England, but also someplace in the States. What

0:43:01.080 --> 0:43:04.759
<v Speaker 2>I ultimately found is what is the grail? But earth itself?

0:43:05.360 --> 0:43:08.920
<v Speaker 3>A producer Dave, are you familiar with any Rhode Island

0:43:09.080 --> 0:43:10.120
<v Speaker 3>holy grail lore?

0:43:10.680 --> 0:43:14.399
<v Speaker 5>I don't think so. I mean, we've got what's his name,

0:43:14.480 --> 0:43:18.040
<v Speaker 5>the sci fi writer who's buried in Swan Point Cemetery.

0:43:18.120 --> 0:43:18.920
<v Speaker 3>Oh yeah, yeah.

0:43:19.960 --> 0:43:20.839
<v Speaker 4>Hp Lovecraft.

0:43:21.040 --> 0:43:24.280
<v Speaker 5>Right, we've got Edgar Allan Poe drinking himself to death

0:43:24.520 --> 0:43:26.760
<v Speaker 5>courting Sarah Haln Whitman on Benefit Street.

0:43:27.239 --> 0:43:29.080
<v Speaker 2>I don't know any grail lore in Rhode Island.

0:43:29.440 --> 0:43:33.160
<v Speaker 3>That's strange. Yeah, so apparently he's the one who uncovered it.

0:43:33.200 --> 0:43:35.520
<v Speaker 2>The Grail is hidden in Rhode Island or maybe anyway.

0:43:35.560 --> 0:43:37.480
<v Speaker 2>The Times interview stays on him about this, and he's

0:43:37.560 --> 0:43:39.719
<v Speaker 2>kind of disappointed that Nicholas Cage was spending his time

0:43:39.880 --> 0:43:42.640
<v Speaker 2>literally chasing after the Grail, like he's like a movie hero,

0:43:42.800 --> 0:43:45.319
<v Speaker 2>and the reporter says, I find the grail quest tend

0:43:45.360 --> 0:43:48.319
<v Speaker 2>to be more fulfilling when they're metaphorical. And this is

0:43:48.320 --> 0:43:51.120
<v Speaker 2>why why I love Nicholas Cage, he tells this cat, Well,

0:43:51.160 --> 0:43:53.480
<v Speaker 2>I knew that, and the metaphor for me is the Earth.

0:43:53.680 --> 0:43:57.760
<v Speaker 2>The divine object is Earth. Like that I thought you would,

0:43:58.000 --> 0:44:00.520
<v Speaker 2>So there it is, Elizabeth. Nicholas Cage went under request

0:44:00.560 --> 0:44:02.640
<v Speaker 2>and he found it planet Earth, and it was good.

0:44:03.239 --> 0:44:05.960
<v Speaker 2>But I love this questing mofo. I mean, I already

0:44:06.120 --> 0:44:08.439
<v Speaker 2>liked and respected and loved Nicholas Cage, but the story

0:44:08.440 --> 0:44:10.840
<v Speaker 2>of him stealing of Bob's Big Boy to win Patricia

0:44:10.920 --> 0:44:13.680
<v Speaker 2>Arquet's heart, and him buying a stolen dinosaur skull that

0:44:13.680 --> 0:44:16.400
<v Speaker 2>would inadvertently lead him to chase after the Holy Grail,

0:44:16.880 --> 0:44:18.640
<v Speaker 2>and then for him to find the whole Earth as

0:44:18.680 --> 0:44:21.440
<v Speaker 2>his reward, I mean, come on, I love this cash.

0:44:21.920 --> 0:44:24.839
<v Speaker 2>So anyway, he props up to our Bruce Lee of

0:44:24.840 --> 0:44:29.440
<v Speaker 2>being intense, the evil Canievil, of acting the Liberachi of lovers.

0:44:29.640 --> 0:44:31.480
<v Speaker 2>What's a ridiculous takeaway here, Elizabeth?

0:44:31.719 --> 0:44:36.719
<v Speaker 3>I am so admiring the intensity. And I normally don't

0:44:36.800 --> 0:44:37.600
<v Speaker 3>like people.

0:44:38.880 --> 0:44:40.680
<v Speaker 2>I have to tune it down around you.

0:44:40.680 --> 0:44:43.360
<v Speaker 3>You do, and thank you, but no, I just I

0:44:43.440 --> 0:44:47.560
<v Speaker 3>usually don't care for that. But it's so intentional and pure,

0:44:47.840 --> 0:44:51.560
<v Speaker 3>and he takes he's talking about roles that most actors

0:44:51.880 --> 0:44:54.920
<v Speaker 3>would do as a paycheck and maybe not take it

0:44:54.960 --> 0:44:58.759
<v Speaker 3>so seriously and get into character in some sense. But

0:44:59.360 --> 0:45:04.279
<v Speaker 3>he's so invested in, like not just getting into a

0:45:04.400 --> 0:45:07.319
<v Speaker 3>character and the motivations and all of that, but to

0:45:07.440 --> 0:45:13.600
<v Speaker 3>truly understand this, this creation, and then how it's gonna

0:45:14.120 --> 0:45:17.400
<v Speaker 3>help him understand everything around him, everything in the world.

0:45:18.360 --> 0:45:21.160
<v Speaker 3>I really admire that. I love when people just go

0:45:21.280 --> 0:45:23.719
<v Speaker 3>all in totally, and he doesn't seem to be doing

0:45:23.760 --> 0:45:27.719
<v Speaker 3>that for a performative sense. He is all in that

0:45:27.800 --> 0:45:30.520
<v Speaker 3>world and in his world, and so I think that's

0:45:30.560 --> 0:45:33.040
<v Speaker 3>really cool. What's your ridiculous takeaway.

0:45:32.600 --> 0:45:36.000
<v Speaker 2>Oh mine, Elizabeth, thank you for asking. Is I like,

0:45:36.040 --> 0:45:37.839
<v Speaker 2>how pretty much what you're saying is that you know

0:45:37.880 --> 0:45:40.680
<v Speaker 2>he's going to play ghostwriter and he's like, what can

0:45:40.760 --> 0:45:42.960
<v Speaker 2>ghostwriter teach me about the human condition?

0:45:43.200 --> 0:45:47.200
<v Speaker 3>Right? Like that would just be a paycheck movie. And

0:45:47.280 --> 0:45:49.239
<v Speaker 3>instead he's like, well, someone came up.

0:45:49.120 --> 0:45:51.480
<v Speaker 2>With this, How do I find this soul it's going to.

0:45:51.520 --> 0:45:53.839
<v Speaker 3>In order for it to appeal to the masses, I

0:45:54.080 --> 0:45:57.520
<v Speaker 3>need to tap into what kind of catharsis this is

0:45:57.560 --> 0:46:01.239
<v Speaker 3>going to provide? Because that's what entertainment is, especially television.

0:46:02.080 --> 0:46:04.320
<v Speaker 2>I can't believe they are a TV person.

0:46:04.400 --> 0:46:07.240
<v Speaker 3>He changes everything, you know, I just feel so free.

0:46:07.520 --> 0:46:09.120
<v Speaker 2>I know you have to move for a talkback, you

0:46:09.160 --> 0:46:09.759
<v Speaker 2>still do those?

0:46:09.880 --> 0:46:10.719
<v Speaker 3>I always do.

0:46:10.800 --> 0:46:14.040
<v Speaker 2>Talk Producer D, could you hit us up with the talkback? Wait?

0:46:14.040 --> 0:46:15.920
<v Speaker 5>Wait before we do that, before we wrap up, I

0:46:15.920 --> 0:46:18.040
<v Speaker 5>have one question for both of you.

0:46:18.120 --> 0:46:18.359
<v Speaker 2>Sure.

0:46:18.440 --> 0:46:21.880
<v Speaker 5>Yeah, we've gone all this way and you haven't mentioned

0:46:22.120 --> 0:46:23.080
<v Speaker 5>the word Copola.

0:46:23.280 --> 0:46:24.200
<v Speaker 4>Isn't there a connection?

0:46:25.280 --> 0:46:30.200
<v Speaker 2>Oh? Yeah, yeah, he's Yeah, he is a nephew of

0:46:30.440 --> 0:46:34.839
<v Speaker 2>Francis Ford, and uh he is a cousin of Sophia

0:46:35.280 --> 0:46:40.680
<v Speaker 2>and yeah, and also Jason Schwartzman and Roman Coppola and uh,

0:46:40.760 --> 0:46:43.600
<v Speaker 2>yeah is cop and his father's August Coppola. Who was

0:46:43.600 --> 0:46:45.279
<v Speaker 2>the reason why I chose the film school I went to.

0:46:45.680 --> 0:46:47.400
<v Speaker 3>Is Copola Cage in Italian?

0:46:47.960 --> 0:46:50.080
<v Speaker 2>No, he picked that because of Luke Cage, the Marvel

0:46:50.080 --> 0:46:52.719
<v Speaker 2>comic actor. He changed it. He started out acting as

0:46:52.719 --> 0:46:53.680
<v Speaker 2>a Copola and then he changed.

0:46:53.800 --> 0:46:55.800
<v Speaker 3>Yeah, I remember there's a film where he's credited.

0:46:57.280 --> 0:46:59.880
<v Speaker 5>So my ridiculous takeaway, thank you both of you for asking,

0:47:02.080 --> 0:47:04.040
<v Speaker 5>is uh, you know, I think it takes that kind

0:47:04.040 --> 0:47:07.440
<v Speaker 5>of a setup of family connections to have the life,

0:47:07.480 --> 0:47:08.239
<v Speaker 5>to allow.

0:47:07.960 --> 0:47:10.320
<v Speaker 4>Yourself to be as weird as Nicholas Cage can.

0:47:10.160 --> 0:47:12.600
<v Speaker 3>Be totally totally.

0:47:12.680 --> 0:47:14.840
<v Speaker 2>Yeah. But Patricia ar Ketch, he comes from a family

0:47:14.880 --> 0:47:17.960
<v Speaker 2>that is, uh, you know, multi generational actors, but she

0:47:18.080 --> 0:47:21.560
<v Speaker 2>was basically raised in a cultish kind of like alternative

0:47:21.640 --> 0:47:24.360
<v Speaker 2>lifestyle environment, and she has just that same confidence. I

0:47:24.360 --> 0:47:26.600
<v Speaker 2>think it's more so that your parents have to invest

0:47:26.600 --> 0:47:28.840
<v Speaker 2>in you a big story and make you think that

0:47:28.880 --> 0:47:30.880
<v Speaker 2>you're special in being the son of somebody like you

0:47:30.920 --> 0:47:33.880
<v Speaker 2>know that, or being a Coppola invest you in that story.

0:47:34.200 --> 0:47:35.880
<v Speaker 2>So I think you can do it without having to

0:47:35.920 --> 0:47:38.560
<v Speaker 2>actually be a NEPO baby. You just have to give

0:47:38.600 --> 0:47:40.560
<v Speaker 2>them the same sort of start that a NEPO baby

0:47:40.560 --> 0:47:43.080
<v Speaker 2>has in terms of confidence. Obviously, connections help too in

0:47:43.080 --> 0:47:44.080
<v Speaker 2>a place like Hollywood, but.

0:47:44.120 --> 0:47:47.520
<v Speaker 4>Yeah, all buy that. I mean, or being a cult without.

0:47:49.640 --> 0:47:52.200
<v Speaker 2>Yeah, so that also helps just you know, be a

0:47:52.239 --> 0:47:53.560
<v Speaker 2>cult or a Coppola.

0:47:53.680 --> 0:47:54.360
<v Speaker 3>Yeah, exactly.

0:47:56.960 --> 0:47:58.200
<v Speaker 2>So about that talk back.

0:47:58.200 --> 0:48:01.040
<v Speaker 5>Oh yeah about that talk, I've got one. I'm gonna

0:48:01.160 --> 0:48:03.600
<v Speaker 5>warn you on the outset. It's in five parts, so

0:48:04.760 --> 0:48:05.960
<v Speaker 5>like butter.

0:48:10.040 --> 0:48:15.280
<v Speaker 2>Oh God, I led.

0:48:18.640 --> 0:48:21.000
<v Speaker 3>Hi, Elizabeth his Aaron, Hi, Dave.

0:48:21.920 --> 0:48:26.279
<v Speaker 6>Uh So you guys played my talkback and a couple

0:48:26.400 --> 0:48:28.760
<v Speaker 6>episodes ago, I'm the one who had the back surgery.

0:48:29.840 --> 0:48:32.520
<v Speaker 6>Wanted to let you guys know that I'm actually doing better,

0:48:33.920 --> 0:48:38.160
<v Speaker 6>and it's funny. I didn't realize I left you a talkback.

0:48:38.400 --> 0:48:41.520
<v Speaker 6>I thought it was all a dream. So it was

0:48:41.640 --> 0:48:46.879
<v Speaker 6>very interesting for me to hear my talkback. So thank

0:48:46.920 --> 0:48:50.480
<v Speaker 6>you for the well wishes. I really appreciated it. I

0:48:50.520 --> 0:48:52.960
<v Speaker 6>actually wanted to tell you about the dream I had

0:48:52.960 --> 0:48:55.759
<v Speaker 6>while I was under the anesthesia and I was with

0:48:55.800 --> 0:49:00.319
<v Speaker 6>you guys apparently. Full disclaimer, though, I did try to

0:49:01.480 --> 0:49:03.920
<v Speaker 6>pretend to be Elizabeth Dutton for a minute, and I

0:49:04.040 --> 0:49:08.319
<v Speaker 6>tried to do one of her awesome character voices, but

0:49:08.440 --> 0:49:11.040
<v Speaker 6>I could not do it. I tried to be Elizabeth,

0:49:11.080 --> 0:49:14.799
<v Speaker 6>but I just couldn't do it. You're too awesome. So

0:49:15.760 --> 0:49:20.239
<v Speaker 6>in this anesthesia fueled dream, I was kind of somehow

0:49:20.600 --> 0:49:25.520
<v Speaker 6>a part of several different episodes of your podcast, and

0:49:26.200 --> 0:49:28.400
<v Speaker 6>I'm sure you can figure out which ones they were.

0:49:29.520 --> 0:49:34.799
<v Speaker 6>It was very distressing for me because my favorite aliens,

0:49:35.480 --> 0:49:38.839
<v Speaker 6>Elizabeth and Zaren, could not help me write my manifesto.

0:49:40.520 --> 0:49:43.360
<v Speaker 6>You guys were also the only aliens I could trust

0:49:43.440 --> 0:49:47.319
<v Speaker 6>because the rest of the aliens wanted to assassinate the

0:49:47.400 --> 0:49:52.799
<v Speaker 6>president and assassinate Charlie Chaplin, but it was only you

0:49:52.840 --> 0:49:56.399
<v Speaker 6>guys who could save the world with me, apparently, and

0:49:57.880 --> 0:50:00.640
<v Speaker 6>it was all because Cinderella was late and she wouldn't

0:50:00.640 --> 0:50:08.440
<v Speaker 6>write my manifesto. So I honestly have to say I

0:50:08.480 --> 0:50:12.800
<v Speaker 6>love your podcast. Thank you for making it so good,

0:50:13.000 --> 0:50:16.479
<v Speaker 6>because it really did give me a really great trip

0:50:16.480 --> 0:50:19.839
<v Speaker 6>while I was in that hospital. Thank you guys so much.

0:50:20.880 --> 0:50:22.880
<v Speaker 2>Oh man, we're so glad to hear that you're feeling

0:50:22.920 --> 0:50:25.160
<v Speaker 2>better and that, yes, that we were there for you

0:50:25.200 --> 0:50:26.000
<v Speaker 2>when you need.

0:50:28.480 --> 0:50:32.640
<v Speaker 3>I'm glad that that she's feeling better. But oh my,

0:50:34.160 --> 0:50:39.360
<v Speaker 3>I'd love to digest those incredible I love. It doesn't

0:50:39.400 --> 0:50:41.360
<v Speaker 3>happen in English, it's translation.

0:50:41.600 --> 0:50:43.759
<v Speaker 2>It's just a name, right, yeah, okay, it's also the

0:50:43.800 --> 0:50:50.080
<v Speaker 2>name of a of a wine. So as always, you

0:50:50.080 --> 0:50:52.680
<v Speaker 2>can find us online Ridiculous Crime on the social media

0:50:52.719 --> 0:50:54.440
<v Speaker 2>if you know where to look. Well, so we have

0:50:54.440 --> 0:50:57.640
<v Speaker 2>a website ridiculous Crime dot com. And uh, obviously we

0:50:57.760 --> 0:50:59.920
<v Speaker 2>love your talkback, so please go the iHeart app, leave

0:51:00.120 --> 0:51:03.400
<v Speaker 2>one and maybe we'll hear yourself on the air. Email

0:51:03.480 --> 0:51:05.759
<v Speaker 2>us if you like a Ridiculous Crime at gmail dot

0:51:05.800 --> 0:51:09.399
<v Speaker 2>com Please type in dear Elizabeth and as always, thanks

0:51:09.440 --> 0:51:17.920
<v Speaker 2>for listening. We'll catch you next crime. Ridiculous Crime is

0:51:17.960 --> 0:51:21.840
<v Speaker 2>hosted by Elizabeth Dutton and Zaren Burnette, produced and edited

0:51:21.880 --> 0:51:24.920
<v Speaker 2>by Dave. Sorry, boss, but there's only two men I trust.

0:51:24.960 --> 0:51:27.800
<v Speaker 2>One of them's me and the others not you. Cousten.

0:51:28.160 --> 0:51:32.000
<v Speaker 2>Research is by Patricia Arquette, Truthers, Marissa Brown and Andrea

0:51:32.080 --> 0:51:35.720
<v Speaker 2>song Jarpentier. Our theme song is by Thomas I'm gonna

0:51:35.760 --> 0:51:39.799
<v Speaker 2>steal the Declaration of Independence Lee and Travis. I'll be

0:51:39.840 --> 0:51:43.319
<v Speaker 2>taking these Huggies and whatever cash you got Dutton. The

0:51:43.360 --> 0:51:46.680
<v Speaker 2>host wardrobe provided by Botany five hundred. Guest hair and

0:51:46.719 --> 0:51:51.240
<v Speaker 2>makeup by Sparklesham and mister Andrea. Executive producers are Ben

0:51:51.480 --> 0:51:56.000
<v Speaker 2>I want to take his face off Boldin and I'm

0:51:56.080 --> 0:51:58.840
<v Speaker 2>Nicholas Freaking Cage Noel Brown.

0:52:04.160 --> 0:52:09.840
<v Speaker 3>Ridicous Crime, Say It one more Time Ridiqulious Crime.

0:52:10.880 --> 0:52:14.200
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio. Four more podcasts

0:52:14.239 --> 0:52:17.840
<v Speaker 1>from iHeartRadio visit the iHeartRadio app, Apple Podcasts, or wherever

0:52:17.880 --> 0:52:19.320
<v Speaker 1>you listen to your favorite shows