1 00:00:00,560 --> 00:00:02,760 Speaker 1: Ridiculous Crime is a production of iHeartRadio. 2 00:00:03,680 --> 00:00:07,960 Speaker 2: Elizabeth Dunton, Zaron Burnett. I have a question for you. 3 00:00:07,200 --> 00:00:10,080 Speaker 3: You know that's funny. I have a question for you, 4 00:00:10,119 --> 00:00:13,240 Speaker 3: A question for me. Can I tell you what's ridiculous? 5 00:00:14,160 --> 00:00:17,639 Speaker 2: That's ridiculous? I Elizabeth, what's ridiculous? 6 00:00:18,800 --> 00:00:23,160 Speaker 3: Let me tell you? Okay, So you like the Star Wars? 7 00:00:23,560 --> 00:00:25,000 Speaker 2: I do have the War and the Stars? 8 00:00:25,160 --> 00:00:26,040 Speaker 4: Yes you like that? 9 00:00:26,280 --> 00:00:29,880 Speaker 3: Yes, ghetto the who's your favorite Star Wars character? 10 00:00:31,200 --> 00:00:34,760 Speaker 2: Let me think about that for a second. I'm gonna 11 00:00:34,840 --> 00:00:37,600 Speaker 2: go with yours, Chewbacca. 12 00:00:37,800 --> 00:00:40,880 Speaker 3: Oh that is my favorite? Going to say Lando cal Worthington, 13 00:00:43,440 --> 00:00:47,320 Speaker 3: I Loveca. I know, So, Dave, who's your favorite Star 14 00:00:47,320 --> 00:00:48,440 Speaker 3: Wars character? 15 00:00:49,240 --> 00:00:51,880 Speaker 4: I'm gonna go bib for Tuna. 16 00:00:52,840 --> 00:00:55,760 Speaker 3: Okay, Okay, that that's someone in the band. 17 00:00:56,120 --> 00:00:59,320 Speaker 5: He's one of those people that has like the part 18 00:00:59,320 --> 00:01:01,520 Speaker 5: of his body, the fleshy part that like wraps. 19 00:01:01,240 --> 00:01:03,680 Speaker 3: All the way around like a growth right his head. 20 00:01:03,960 --> 00:01:05,960 Speaker 4: Yeah. A friend of mine did like a fake. 21 00:01:07,520 --> 00:01:10,679 Speaker 5: It was like I think either Jack Ruby or or 22 00:01:11,040 --> 00:01:13,560 Speaker 5: Lee Harvey Oswell being assassinated and they put him in 23 00:01:13,600 --> 00:01:16,600 Speaker 5: with like a really shocked expression, and so he became 24 00:01:16,680 --> 00:01:17,160 Speaker 5: my favorite. 25 00:01:18,360 --> 00:01:20,040 Speaker 3: That would now it's my favorite. 26 00:01:20,440 --> 00:01:20,920 Speaker 2: There you go. 27 00:01:22,000 --> 00:01:25,120 Speaker 3: I love a good lee Harvey Oswald, you do. So 28 00:01:25,200 --> 00:01:27,920 Speaker 3: did you guys? Did you guys like Darth Vader? 29 00:01:28,400 --> 00:01:31,280 Speaker 2: Oh? Actually, yes, probably is my favorite character. You're quite honest. 30 00:01:31,360 --> 00:01:33,720 Speaker 3: Yeah right, I mean, let's let's face I love villains. 31 00:01:34,200 --> 00:01:37,280 Speaker 3: So the other part of this is that in our 32 00:01:37,400 --> 00:01:41,000 Speaker 3: on our website Ridiculous crime dot com, we have a 33 00:01:41,120 --> 00:01:45,600 Speaker 3: listener survey and we ask people to tell us what 34 00:01:45,640 --> 00:01:49,400 Speaker 3: their favorite hot sauce. This is true and so favorite 35 00:01:49,600 --> 00:01:50,560 Speaker 3: sauce Zaren. 36 00:01:51,280 --> 00:01:53,760 Speaker 2: Zaren Yes, Zaren hot sauce. 37 00:01:54,960 --> 00:01:57,639 Speaker 3: Spicy Zaren Dave favorite hot sauce. 38 00:01:58,080 --> 00:02:01,320 Speaker 5: I'll say reds are a E ed or two d's, 39 00:02:01,360 --> 00:02:03,640 Speaker 5: I'm not sure, but you can get it at metunic 40 00:02:03,720 --> 00:02:07,720 Speaker 5: Oyster bar u intunic Rhode Island, among other places. 41 00:02:07,920 --> 00:02:09,600 Speaker 2: Oh okay, he's mentioned this before. 42 00:02:09,880 --> 00:02:12,240 Speaker 3: I thanks for asking. I like tiger sauce. 43 00:02:12,760 --> 00:02:13,480 Speaker 2: What's yours? 44 00:02:13,680 --> 00:02:20,720 Speaker 3: Tiger sauce? Or that chili crisp Aniwho? So you take 45 00:02:20,760 --> 00:02:24,520 Speaker 3: your Darth Vader? Yeah, and you add your hot sauce 46 00:02:25,680 --> 00:02:27,960 Speaker 3: and truffles. Do you guys like truffles of the kind 47 00:02:28,000 --> 00:02:28,560 Speaker 3: from the Earth? 48 00:02:28,840 --> 00:02:29,280 Speaker 2: No? 49 00:02:29,360 --> 00:02:32,920 Speaker 3: I hate it, I hate it, hate it. So you 50 00:02:32,960 --> 00:02:35,919 Speaker 3: take those three things, and you know what you get? 51 00:02:36,240 --> 00:02:41,480 Speaker 3: Star Wars Dark Side Hot Sauce by Truf h really yeah. 52 00:02:41,639 --> 00:02:44,600 Speaker 3: You know who you can blame for this, Joanne Oh 53 00:02:44,800 --> 00:02:46,560 Speaker 3: from Instagram. 54 00:02:46,760 --> 00:02:49,639 Speaker 2: Oh. I won't blame her personally, did she? 55 00:02:49,639 --> 00:02:51,760 Speaker 3: She seems like a total sweetheart, like a really cool 56 00:02:51,840 --> 00:02:56,239 Speaker 3: rude dude totally. But she's the one who passed this personally. 57 00:02:56,720 --> 00:02:59,120 Speaker 3: And the interns came to me with devilish looks in 58 00:02:59,200 --> 00:03:04,640 Speaker 3: their eyes. It's a dark Side Hot Sauce by Trough 59 00:03:05,200 --> 00:03:08,400 Speaker 3: combines fiery ghost peppers with the richness of black winter 60 00:03:08,520 --> 00:03:11,960 Speaker 3: truffles in a mix so alluring that it sure to 61 00:03:11,960 --> 00:03:15,520 Speaker 3: attempt you to the dark side. It runs anywhere from 62 00:03:15,520 --> 00:03:17,519 Speaker 3: eight hundred thousand to a million scovilles. 63 00:03:17,680 --> 00:03:18,600 Speaker 2: Uh huh. 64 00:03:18,639 --> 00:03:21,920 Speaker 3: It's vegan and it's gluten free, so thank god. Okay, 65 00:03:22,600 --> 00:03:26,320 Speaker 3: I mean I prefer extra gluten in everything that I consume, 66 00:03:26,400 --> 00:03:26,680 Speaker 3: and I. 67 00:03:26,639 --> 00:03:28,400 Speaker 2: Want bacon, grease and everything I consume. 68 00:03:28,520 --> 00:03:32,200 Speaker 3: It's as tribute to Darth Vader's story and legacy is 69 00:03:32,240 --> 00:03:36,480 Speaker 3: embodied in a luxurious collectible gift box. Intricate details pay 70 00:03:36,480 --> 00:03:39,920 Speaker 3: homage to the ominous allure of the Sith Lord, with 71 00:03:40,040 --> 00:03:43,080 Speaker 3: the Imperial crest boldly emerging from the depths of a 72 00:03:43,120 --> 00:03:46,880 Speaker 3: smoky veil housed inside Star Wars Dark Side Hot Sauce 73 00:03:46,960 --> 00:03:50,480 Speaker 3: is bottled in a sleek matte black bottle crowned with 74 00:03:50,520 --> 00:03:54,400 Speaker 3: a cap inspired by the unmistakable helmet of Darth Vader. 75 00:03:54,680 --> 00:03:56,880 Speaker 2: I prefer job of the Hut barbecue sauce. 76 00:03:57,240 --> 00:04:01,640 Speaker 3: Where love's the guy in Spaceball's dark helmet. That's what 77 00:04:01,680 --> 00:04:03,560 Speaker 3: I always see when I see these things. So you 78 00:04:03,600 --> 00:04:04,760 Speaker 3: can add a dark twist. 79 00:04:04,920 --> 00:04:05,160 Speaker 4: One. 80 00:04:05,360 --> 00:04:09,720 Speaker 3: Level up your spicy chicken. Two, marinate fire grilled meats. Three, 81 00:04:09,920 --> 00:04:12,000 Speaker 3: infuse your juacamole with heat. 82 00:04:12,320 --> 00:04:14,720 Speaker 2: Four take over the galaxy with the power of the store. 83 00:04:14,920 --> 00:04:16,280 Speaker 3: Burn a hole in your underpant. 84 00:04:16,920 --> 00:04:18,880 Speaker 5: See you anyway I would use if I were them, 85 00:04:18,920 --> 00:04:20,800 Speaker 5: I would say, peel a cap, you know, like it's 86 00:04:20,839 --> 00:04:22,040 Speaker 5: Darth Vader's cap. 87 00:04:21,920 --> 00:04:23,400 Speaker 4: And you got the double entendre. 88 00:04:23,760 --> 00:04:25,839 Speaker 2: Oh there it is? Yeah, that is good. 89 00:04:26,080 --> 00:04:27,920 Speaker 3: Can I tell you something that I don't love? 90 00:04:28,240 --> 00:04:29,599 Speaker 2: What don't you love? Elizabeth? 91 00:04:29,960 --> 00:04:32,560 Speaker 3: On this there's a section on the website that says 92 00:04:32,839 --> 00:04:39,400 Speaker 3: spill the Tea, and it's their faqswh tea. You know, 93 00:04:39,440 --> 00:04:41,719 Speaker 3: we need to get rid of spill the Tea because 94 00:04:41,720 --> 00:04:44,599 Speaker 3: it's generally misused The one that has misused the most 95 00:04:44,839 --> 00:04:46,360 Speaker 3: is to throw shade. 96 00:04:46,440 --> 00:04:49,000 Speaker 2: Can Can brands just stop trying to use the type 97 00:04:49,000 --> 00:04:52,320 Speaker 2: of slang and just go back to hokey language. 98 00:04:52,400 --> 00:04:54,159 Speaker 3: It's not just saying something insultan. 99 00:04:54,279 --> 00:04:55,120 Speaker 2: Yeah, I know, I'm with you. 100 00:04:55,200 --> 00:04:58,120 Speaker 3: Yes, if there's a whole thing investigated, everybody, and then 101 00:04:58,240 --> 00:05:04,000 Speaker 3: stop saying it. Yes, Okay, So yeah, that's that's ridiculous. 102 00:05:04,040 --> 00:05:06,560 Speaker 2: Okay, back of a dead drop, Elizabeth. 103 00:05:06,600 --> 00:05:09,680 Speaker 3: Oh my god, I just ripped myself in half. 104 00:05:11,440 --> 00:05:15,000 Speaker 2: You know it's also ridiculous. No, I knew you didn't. 105 00:05:15,000 --> 00:05:15,960 Speaker 2: That's why I'm here. 106 00:05:16,200 --> 00:05:17,159 Speaker 3: I don't know nothing. 107 00:05:17,320 --> 00:05:20,280 Speaker 2: I have a sequel to a Ridiculous Crime story I 108 00:05:20,400 --> 00:05:25,720 Speaker 2: like that starring Nicholas Cage and Patricia Arquette. 109 00:05:25,920 --> 00:05:28,240 Speaker 3: Get out of here now, I will not you. You 110 00:05:28,320 --> 00:05:29,200 Speaker 3: get right on out. 111 00:05:49,960 --> 00:05:56,520 Speaker 2: This is Ridiculous Crime, a podcast about absurd and outrageous capers, heists, 112 00:05:56,640 --> 00:06:00,200 Speaker 2: and cons. It's ahlways ninety nine percent murder free a 113 00:06:00,839 --> 00:06:03,599 Speaker 2: and one hundred percent ridiculous. 114 00:06:04,040 --> 00:06:08,320 Speaker 3: Spicy Oh Elizabeth Zaren Oh Zaren Dutton. 115 00:06:09,640 --> 00:06:12,880 Speaker 2: Elizabeth Burnette. This story is a sequel, as I just 116 00:06:12,960 --> 00:06:15,839 Speaker 2: told you a squeal. Yes, but it's a sequel to 117 00:06:15,920 --> 00:06:17,520 Speaker 2: my Bob's Big Boy story. 118 00:06:17,760 --> 00:06:20,440 Speaker 3: Whoa, this is immediate quick right, boom. 119 00:06:21,080 --> 00:06:23,000 Speaker 2: Working fast in Hollywood to hold the audience. 120 00:06:23,160 --> 00:06:23,800 Speaker 3: I like that. 121 00:06:24,040 --> 00:06:24,160 Speaker 4: Well. 122 00:06:24,200 --> 00:06:26,920 Speaker 2: I read about this one after I told you that one, 123 00:06:26,960 --> 00:06:28,960 Speaker 2: and boom, I knew I had to tell you this 124 00:06:29,000 --> 00:06:31,760 Speaker 2: one too. So here we go Bob's Big Boy too. 125 00:06:31,920 --> 00:06:34,600 Speaker 2: Boom me all right, Elizabeth, Today I want to tell 126 00:06:34,640 --> 00:06:36,640 Speaker 2: you a story about Bob's Big Boy. One of my 127 00:06:36,800 --> 00:06:39,159 Speaker 2: favorite people on the planet, Nicholas Cage. 128 00:06:39,279 --> 00:06:40,560 Speaker 3: I thought it was the second. 129 00:06:40,640 --> 00:06:43,400 Speaker 2: No, he's no longer on the planet. In the planet, 130 00:06:44,080 --> 00:06:49,560 Speaker 2: I guess that's true, Nicholas Cage. Yes, one of my 131 00:06:49,560 --> 00:06:51,800 Speaker 2: favorite people on the planet. Also one of my other 132 00:06:51,880 --> 00:06:54,520 Speaker 2: favorite people on the planet, Patricia Arquette. 133 00:06:54,560 --> 00:06:56,320 Speaker 3: Oh, I had no idea that these are some of 134 00:06:56,360 --> 00:06:56,800 Speaker 3: your face. 135 00:06:56,960 --> 00:06:59,080 Speaker 2: I know why I love like weirdos. 136 00:06:59,120 --> 00:06:59,960 Speaker 3: Oh yeah, that's true. 137 00:07:00,160 --> 00:07:03,360 Speaker 2: Right, they're both great weirdos, like honest earnest wardos. Not 138 00:07:03,400 --> 00:07:06,880 Speaker 2: precious people. You performative, totally just weird of their cores. 139 00:07:06,960 --> 00:07:09,200 Speaker 3: Yeah, I can't stand performative weirdo. 140 00:07:10,600 --> 00:07:12,040 Speaker 2: From the jump, I think I'm. 141 00:07:11,880 --> 00:07:12,800 Speaker 3: A little bit of a weirdo. 142 00:07:12,880 --> 00:07:15,240 Speaker 2: You are a weirdo, thank god. So do you like 143 00:07:15,280 --> 00:07:18,000 Speaker 2: them both? Do you have any sure you don't have 144 00:07:18,000 --> 00:07:19,360 Speaker 2: a strong opinions. 145 00:07:19,400 --> 00:07:21,280 Speaker 3: I'm not like you. I don't have a shrine in 146 00:07:21,320 --> 00:07:22,800 Speaker 3: my home to these people. 147 00:07:22,640 --> 00:07:24,200 Speaker 2: I gotta do something with all those candles. 148 00:07:25,280 --> 00:07:26,280 Speaker 3: I know it's a fire hazard. 149 00:07:26,400 --> 00:07:29,080 Speaker 2: What's your favorite partia or cat movie? 150 00:07:29,960 --> 00:07:30,720 Speaker 3: Why do you do this? 151 00:07:31,360 --> 00:07:34,160 Speaker 2: Mine's obviously true romance. Every time I've mentioned this before, 152 00:07:34,200 --> 00:07:34,960 Speaker 2: every time. 153 00:07:34,760 --> 00:07:39,200 Speaker 3: You ask me these questions, yea, my mind blans like I've. 154 00:07:39,080 --> 00:07:40,520 Speaker 2: Never watched Who's Patrician? 155 00:07:40,760 --> 00:07:44,280 Speaker 3: Okay, I'll tell you. My favorite of her performances was 156 00:07:44,320 --> 00:07:47,040 Speaker 3: when she played the Lady of the Night on Law 157 00:07:47,040 --> 00:07:50,200 Speaker 3: and Order SVU. Oh yes, And I have to make 158 00:07:50,200 --> 00:07:50,880 Speaker 3: a confession. 159 00:07:51,240 --> 00:07:53,040 Speaker 2: You watch television. 160 00:07:53,320 --> 00:07:58,720 Speaker 3: I watch so much television, Like I watch so much 161 00:07:59,480 --> 00:08:04,600 Speaker 3: television subsceed and I've to lie on you. 162 00:08:04,720 --> 00:08:07,080 Speaker 2: You really come and clean to I really am. 163 00:08:07,040 --> 00:08:08,800 Speaker 3: And it's I was going to do this as of 164 00:08:08,800 --> 00:08:12,640 Speaker 3: what's ridiculous, but I've chickened out. But right now I 165 00:08:12,680 --> 00:08:14,640 Speaker 3: feel like I'm I'm in a safe place. 166 00:08:15,000 --> 00:08:17,640 Speaker 2: You are lower the lights. 167 00:08:17,280 --> 00:08:21,560 Speaker 3: So much television. It is disgusting. I watch a lot. 168 00:08:21,960 --> 00:08:23,600 Speaker 2: Is there anything else you want to tell us? I 169 00:08:23,600 --> 00:08:24,480 Speaker 2: mean this is blowing. 170 00:08:25,120 --> 00:08:28,360 Speaker 3: Yeah, no, I really this was really cleansing and I'm 171 00:08:28,360 --> 00:08:30,840 Speaker 3: feeling a lot better. But yeah, Patricia Arquette is the 172 00:08:30,840 --> 00:08:31,880 Speaker 3: hooker on SVU. 173 00:08:32,200 --> 00:08:35,760 Speaker 2: Are you really no? Are you really a brunette? 174 00:08:35,880 --> 00:08:38,319 Speaker 3: I'm My ethnicity is Californian. 175 00:08:38,440 --> 00:08:41,880 Speaker 2: Okay, I know, so I'm just checking. Yeah, wow, you 176 00:08:41,920 --> 00:08:44,120 Speaker 2: watch TV. I have so much to talk to you about. 177 00:08:44,400 --> 00:08:45,559 Speaker 3: I know you know. 178 00:08:45,760 --> 00:08:48,720 Speaker 2: Okay. Well, Patricia Arquette a performance I love. I'll just 179 00:08:48,760 --> 00:08:52,600 Speaker 2: give you an example. Flirting with Disaster. Do you remember 180 00:08:52,600 --> 00:08:54,920 Speaker 2: this movie? You've seen this movie? Do you watch movies? 181 00:08:55,040 --> 00:08:57,280 Speaker 3: I do. I watch it. I watch every I don't 182 00:08:57,320 --> 00:09:00,840 Speaker 3: watch TikTok or YouTube, but I watch. I love television. 183 00:09:00,880 --> 00:09:04,520 Speaker 3: I have cable television, oh my godness, and the streams. 184 00:09:04,520 --> 00:09:07,280 Speaker 2: Where are you? You're a wire plugger? I am not 185 00:09:07,360 --> 00:09:08,120 Speaker 2: a wire cutter. 186 00:09:08,240 --> 00:09:12,480 Speaker 3: I am plugged into absolutely every outlet in my home. Yeah. 187 00:09:12,520 --> 00:09:15,520 Speaker 2: Well, the movie Flirting with Disaster, if you are familiar 188 00:09:15,559 --> 00:09:17,600 Speaker 2: with it, I'll just give you a brief rundown for 189 00:09:17,640 --> 00:09:20,800 Speaker 2: producer Dave in case he doesn't know it. Ben Stiller 190 00:09:20,960 --> 00:09:24,040 Speaker 2: and his wife Patricia Arquette. Right, they go on this 191 00:09:24,200 --> 00:09:29,480 Speaker 2: cross country quest to find his birth parents. Now he's adopted, obviously, 192 00:09:29,600 --> 00:09:33,079 Speaker 2: so his adoptive parents are Mary Tyler Moore and George Sigall. 193 00:09:33,320 --> 00:09:35,680 Speaker 2: Oh that's an interesting, interesting pair, right. I love Mary 194 00:09:35,679 --> 00:09:38,360 Speaker 2: Tyler Moore and I love George Sagall too. His birth 195 00:09:38,360 --> 00:09:42,840 Speaker 2: parents are Lily Tomlin and Alan Alda. No, right, it's semest. 196 00:09:42,920 --> 00:09:45,319 Speaker 2: And then they're like they play these off the grid 197 00:09:45,440 --> 00:09:48,080 Speaker 2: like former hippies who are still making acid, like in 198 00:09:48,080 --> 00:09:48,640 Speaker 2: New Mexico. 199 00:09:48,840 --> 00:09:49,800 Speaker 3: Yeah, yeah, yeah right. 200 00:09:49,840 --> 00:09:52,000 Speaker 2: And Richard Jenkins if you remember him, he's in it. 201 00:09:52,040 --> 00:09:54,040 Speaker 2: He's an actor who's great and in anything. 202 00:09:53,960 --> 00:09:56,079 Speaker 4: Rhode Islander, total shout out. 203 00:09:56,320 --> 00:09:58,480 Speaker 2: He plays an ATF agent and at some point he 204 00:09:58,520 --> 00:10:01,319 Speaker 2: does acid. So Richard Jenkins on acid, that's just amazing. 205 00:10:01,320 --> 00:10:04,679 Speaker 2: And then Josh Brolin is his partner. I mean, you're 206 00:10:04,720 --> 00:10:06,440 Speaker 2: just like, what, And so I don't want to ruin it, 207 00:10:06,440 --> 00:10:08,240 Speaker 2: but it's this amazing film. No one seems to talk 208 00:10:08,240 --> 00:10:10,880 Speaker 2: about it, so there you go talking. I'm talking about 209 00:10:10,880 --> 00:10:12,640 Speaker 2: it all the time. Patricia ar Kut's in it, so 210 00:10:12,880 --> 00:10:15,600 Speaker 2: she's the moral center of that movie. And anyway, whatever, 211 00:10:15,800 --> 00:10:17,480 Speaker 2: go check out out if you like. Yeah, if you 212 00:10:17,559 --> 00:10:19,760 Speaker 2: like movies, you like to laugh. Yeah, And of course 213 00:10:19,760 --> 00:10:22,240 Speaker 2: I'd be remiss if I didn't at least just reasily 214 00:10:22,320 --> 00:10:25,920 Speaker 2: touch upon a couple of Nicholas Cage performances, right, I mean, here, 215 00:10:25,960 --> 00:10:28,080 Speaker 2: I'll list a couple to jump start your memory. You 216 00:10:28,120 --> 00:10:30,679 Speaker 2: tell me what your favorite Nicholas Cage performance is, m 217 00:10:31,760 --> 00:10:34,640 Speaker 2: or No, let's go with your third favorite. Okay, okay, 218 00:10:35,040 --> 00:10:39,640 Speaker 2: Raising Arizona, Yeah, hi, mcdona, Moonstruck he plays Ronnie the 219 00:10:39,640 --> 00:10:43,400 Speaker 2: one handed baker. Peggy Sue got married, he plays the 220 00:10:43,520 --> 00:10:45,719 Speaker 2: teen honeymoon in Las Vegas. 221 00:10:46,080 --> 00:10:49,479 Speaker 3: The Rock Oh yeah, con Air yep. 222 00:10:49,640 --> 00:10:52,960 Speaker 2: Face sauce of Yeah, National Treasure one and two. Yes, 223 00:10:53,080 --> 00:10:54,560 Speaker 2: I mean I could keep going on. We have so 224 00:10:54,720 --> 00:10:58,080 Speaker 2: much time. But what's your third favorite Nicholas Cage movie performance? 225 00:10:58,360 --> 00:11:01,200 Speaker 3: The one where he plays himself with Pedro Pascal. 226 00:11:01,559 --> 00:11:04,000 Speaker 2: Wow, that's actually the answer. I was going to tell 227 00:11:04,040 --> 00:11:07,280 Speaker 2: you there was a trick question, Elizabeth. The correct answer 228 00:11:07,480 --> 00:11:10,600 Speaker 2: is The Unbearable Weight of Massive Talent, the new one 229 00:11:10,640 --> 00:11:13,520 Speaker 2: with Pedro Pascal where he plays Nick Cage. 230 00:11:13,559 --> 00:11:14,200 Speaker 3: That's a great movie. 231 00:11:14,200 --> 00:11:16,760 Speaker 2: I mean, he is the perfect casting for Nick Cage. 232 00:11:16,840 --> 00:11:17,679 Speaker 3: Yeah, he really is. 233 00:11:18,000 --> 00:11:19,600 Speaker 2: So as soon as you hear the words Nick Cage 234 00:11:19,679 --> 00:11:22,560 Speaker 2: immediately began to imagine this outsize performance in a movie, right, 235 00:11:22,600 --> 00:11:24,160 Speaker 2: I mean, he's just pretty much known for that. But 236 00:11:24,200 --> 00:11:27,480 Speaker 2: can we talk about his outsize performance in life? Sure? 237 00:11:27,520 --> 00:11:28,880 Speaker 3: Oh yeah, he's had issues. 238 00:11:29,000 --> 00:11:30,760 Speaker 2: Yeah, no dog is that. But I mean he is 239 00:11:30,960 --> 00:11:33,640 Speaker 2: full tilt Nick Cage all the time. He's just going, 240 00:11:33,800 --> 00:11:35,520 Speaker 2: but not like a bonk bonk click where it's like, 241 00:11:35,840 --> 00:11:39,679 Speaker 2: you know Gary Busey, Yeah, Gary Busey, Christpin Gover. They 242 00:11:39,720 --> 00:11:41,760 Speaker 2: make you a little nervous to be riding shotgun in 243 00:11:41,760 --> 00:11:43,600 Speaker 2: the car with him or Nick Cage. I'm like, nothing's 244 00:11:43,600 --> 00:11:44,720 Speaker 2: going to happen. I'm a Nick Cage. 245 00:11:44,760 --> 00:11:46,240 Speaker 3: There's no governor on him. 246 00:11:46,400 --> 00:11:50,440 Speaker 2: Yes, exactly so in an interview, and this is very recent, 247 00:11:50,800 --> 00:11:53,679 Speaker 2: he spoke with GQ in twenty twenty two. They did 248 00:11:53,679 --> 00:11:55,720 Speaker 2: a feature on him and he spoke with the writer 249 00:11:55,800 --> 00:11:59,200 Speaker 2: at Gabriella Payea, great writer, and she went to his 250 00:11:59,200 --> 00:12:01,640 Speaker 2: place in Las Vegae and she got this quote. This 251 00:12:01,720 --> 00:12:04,720 Speaker 2: is up towards the top. It's like basically the lead 252 00:12:04,840 --> 00:12:07,640 Speaker 2: and Nicholas and I quote Nicholas Cage greets me at 253 00:12:07,679 --> 00:12:10,560 Speaker 2: his door wearing a kung fu suit. This is my 254 00:12:10,640 --> 00:12:13,800 Speaker 2: wing chung kung Fu suit, he explains, waving me in 255 00:12:13,920 --> 00:12:16,440 Speaker 2: and handing me a mug of coffee. I studied with 256 00:12:16,520 --> 00:12:18,840 Speaker 2: my seafoo Jim Law when I was twelve years old 257 00:12:18,880 --> 00:12:21,040 Speaker 2: because I was a big Bruce Lee fan, So it's 258 00:12:21,040 --> 00:12:24,120 Speaker 2: like my uniform to relax in. At the time, he 259 00:12:24,200 --> 00:12:27,000 Speaker 2: was fifty eight years old, Elizabeth just living his best 260 00:12:27,040 --> 00:12:30,880 Speaker 2: life in his like you know, ghee, hanging out drinking coffee. 261 00:12:31,920 --> 00:12:35,000 Speaker 2: All right, So Nicholas Cage, do you know, as he's 262 00:12:35,040 --> 00:12:37,800 Speaker 2: pointed out, he does some bonkers things, right, Like he 263 00:12:37,880 --> 00:12:40,800 Speaker 2: has bought not one, but two castles in Europe. 264 00:12:41,000 --> 00:12:42,839 Speaker 3: Yeah, doesn't he have a dinosaur? 265 00:12:42,920 --> 00:12:43,120 Speaker 4: Yeah? 266 00:12:43,120 --> 00:12:45,959 Speaker 2: Oh yeah, totally, also has the most haunted house in America. 267 00:12:46,080 --> 00:12:48,240 Speaker 2: It's like, in quotes, the most haunted house in America. 268 00:12:48,440 --> 00:12:48,800 Speaker 3: Really. 269 00:12:48,880 --> 00:12:51,160 Speaker 2: He also once owned a Lamborghini that belonged to the 270 00:12:51,200 --> 00:12:54,040 Speaker 2: Shah of Iran. He also bought a two headed snake. 271 00:12:54,480 --> 00:12:58,959 Speaker 2: Oh no, he dreamed about the snake. Yes, sorry, he 272 00:12:59,040 --> 00:13:00,800 Speaker 2: dreamed about a two headed eagle, so I guess he 273 00:13:00,840 --> 00:13:03,720 Speaker 2: was dreaming about the flag of Albania. Anyway, he wakes 274 00:13:03,800 --> 00:13:05,920 Speaker 2: up someone calls him offering him to sell him a 275 00:13:05,920 --> 00:13:07,760 Speaker 2: two headed snake. He's like, this is a something. 276 00:13:07,800 --> 00:13:11,120 Speaker 3: All day long, his phone rings with people offering to 277 00:13:11,240 --> 00:13:12,319 Speaker 3: sell him an oddity. 278 00:13:12,480 --> 00:13:12,920 Speaker 2: Totally. 279 00:13:13,200 --> 00:13:14,760 Speaker 3: He has a dedicated phone. 280 00:13:14,600 --> 00:13:17,920 Speaker 2: Like he buys the snake for eighty grande. He then 281 00:13:18,000 --> 00:13:20,760 Speaker 2: later donates it to the Audubon Zoo. Why did he 282 00:13:20,800 --> 00:13:23,160 Speaker 2: give it to the zoo because he found feeding the 283 00:13:23,240 --> 00:13:26,080 Speaker 2: snakes to be a bit depressing, Because, you see, Elizabeth, 284 00:13:26,080 --> 00:13:28,480 Speaker 2: he had to shove a spatula between the snake's two 285 00:13:28,480 --> 00:13:31,120 Speaker 2: heads so they wouldn't fight over the food to feed 286 00:13:31,200 --> 00:13:33,120 Speaker 2: the same body. It was a lot for him to hand. 287 00:13:34,160 --> 00:13:37,280 Speaker 2: It was just like anyway. He also had a pair 288 00:13:37,320 --> 00:13:41,719 Speaker 2: of albino cobras. They were like acting teachers to him 289 00:13:41,720 --> 00:13:43,880 Speaker 2: that they inspired his performance in ghost Rider. 290 00:13:44,160 --> 00:13:44,480 Speaker 3: Stop. 291 00:13:44,600 --> 00:13:46,720 Speaker 2: I swear to god. He said that, Elizabeth, how amazing 292 00:13:46,760 --> 00:13:48,360 Speaker 2: would it be to hang out with Nicholas Cage just 293 00:13:48,400 --> 00:13:49,199 Speaker 2: for like a weekend? 294 00:13:49,320 --> 00:13:52,120 Speaker 3: I was super amazing. See how far apart I'm holding 295 00:13:52,160 --> 00:13:52,560 Speaker 3: my arm. 296 00:13:52,720 --> 00:13:56,120 Speaker 2: I can't see them. They're so far apart. So about 297 00:13:56,120 --> 00:13:58,120 Speaker 2: our story of the day. Do you remember when Nicholas 298 00:13:58,160 --> 00:14:00,720 Speaker 2: Cage and Patricia Arquette were one married? 299 00:14:00,960 --> 00:14:01,360 Speaker 3: Vaguely? 300 00:14:01,440 --> 00:14:03,360 Speaker 2: Yeah? Yeah, it lasted not long. 301 00:14:03,440 --> 00:14:03,920 Speaker 3: Yeah. 302 00:14:03,960 --> 00:14:05,880 Speaker 2: While they were married, do you know they lived in 303 00:14:05,920 --> 00:14:08,480 Speaker 2: a mansion in bel Air built in nineteen forty five. 304 00:14:08,640 --> 00:14:11,040 Speaker 2: That makes sense, but not just any mansion, as Nicholas 305 00:14:11,040 --> 00:14:13,560 Speaker 2: Cage put it. At the time, and I quote it 306 00:14:13,600 --> 00:14:15,840 Speaker 2: was Dean Martin's house, and I like to imagine the 307 00:14:15,920 --> 00:14:18,760 Speaker 2: parties that probably went on there with Dino Sinatra and 308 00:14:18,800 --> 00:14:21,240 Speaker 2: the rat Pack, you know at the bar. Oh boy, 309 00:14:21,360 --> 00:14:23,640 Speaker 2: can you imagine the parties that that house has seen. 310 00:14:23,880 --> 00:14:26,680 Speaker 2: First you have the rat Pack, then you have Nicholas Cage. 311 00:14:26,760 --> 00:14:28,880 Speaker 3: If those I'm telling you right. 312 00:14:29,120 --> 00:14:31,280 Speaker 2: So anyway, uptop, I was speaking of Ben Stiller going 313 00:14:31,320 --> 00:14:33,840 Speaker 2: on a quest in that movie Flirting with Disaster, which 314 00:14:33,880 --> 00:14:36,440 Speaker 2: again you should watch, and I said that movie also 315 00:14:36,440 --> 00:14:39,480 Speaker 2: stars Patricia arqutt Yeah, right, so pulling that all together, 316 00:14:39,840 --> 00:14:42,640 Speaker 2: going on a quest Patricia Arquette. Have you ever heard 317 00:14:42,640 --> 00:14:45,920 Speaker 2: of the story about Nicholas Cage and Patricia Arqutte how 318 00:14:45,960 --> 00:14:49,280 Speaker 2: they got married. No, okay, it's truly a beautiful love story, 319 00:14:49,800 --> 00:14:51,600 Speaker 2: and it's so fitting for both of them, right, Nick 320 00:14:51,640 --> 00:14:54,400 Speaker 2: Cage and Purtrisi Arquette, because long story short, she sent 321 00:14:54,480 --> 00:14:55,360 Speaker 2: him on a quest. 322 00:14:56,440 --> 00:14:58,680 Speaker 3: I love that. I don't even know what it is, 323 00:14:58,880 --> 00:14:59,640 Speaker 3: but I love it. 324 00:15:00,080 --> 00:15:01,800 Speaker 2: Back up, but let's do this more like a movie. Okay, 325 00:15:01,920 --> 00:15:04,240 Speaker 2: let's start with their meat cute. It was the late 326 00:15:04,280 --> 00:15:07,360 Speaker 2: eighties Elizabeth nineteen eighty seven to be exact, at the time, 327 00:15:07,400 --> 00:15:11,120 Speaker 2: Patricia Arquette was nineteen years old, Nicholas Cage was twenty 328 00:15:11,120 --> 00:15:14,080 Speaker 2: three years old. She was at Canters in West Hollywood. 329 00:15:14,080 --> 00:15:16,720 Speaker 2: That's the Jewish deli on Fairfax Love that. She's yeah, 330 00:15:17,040 --> 00:15:18,880 Speaker 2: great place, right, She's in there working on a corn 331 00:15:18,920 --> 00:15:19,840 Speaker 2: beef sandwich. 332 00:15:19,560 --> 00:15:21,680 Speaker 3: Or whatever, putting their going to town. 333 00:15:21,960 --> 00:15:23,960 Speaker 2: Yeah, seriously, going get me another one of those pickles 334 00:15:24,000 --> 00:15:27,560 Speaker 2: they have, all right, and uh boom in walks Nicholas 335 00:15:27,560 --> 00:15:30,720 Speaker 2: Cage and Crisp and Glover, who you're a man, they're 336 00:15:30,760 --> 00:15:33,000 Speaker 2: best friends. Imagine the two of them just rolling around 337 00:15:33,320 --> 00:15:37,560 Speaker 2: you many. Yeah, so they're friends and they now can 338 00:15:37,600 --> 00:15:40,720 Speaker 2: you imagine hanging out with them in nineteen eighty seven? Anyway, 339 00:15:40,840 --> 00:15:43,640 Speaker 2: they two friends. They walk into Canters, they see Patricia Arquette, 340 00:15:43,680 --> 00:15:44,920 Speaker 2: They go over, they sit with her. 341 00:15:44,960 --> 00:15:47,960 Speaker 3: I would have been very young. Yes, you had a 342 00:15:47,960 --> 00:15:53,000 Speaker 3: lot of drugs, you know, youngest speed freak. Anyway, go ahead, 343 00:15:53,040 --> 00:15:54,320 Speaker 3: So they go over. 344 00:15:54,240 --> 00:15:56,760 Speaker 2: And they talk with her, and then she invites them 345 00:15:56,800 --> 00:15:58,600 Speaker 2: to sit down, or they invite themselves, I don't know. 346 00:15:58,640 --> 00:16:01,720 Speaker 2: They sit with her, they start learning to start having fun. Eventually, 347 00:16:01,800 --> 00:16:05,200 Speaker 2: Crispin Glover he tells her, I want to marry you, right, 348 00:16:05,240 --> 00:16:08,760 Speaker 2: and she's like, oh, that's cute, right, and then Hero, 349 00:16:08,800 --> 00:16:11,280 Speaker 2: I'll just let Patricia Arquette put it. She says, I 350 00:16:11,360 --> 00:16:13,800 Speaker 2: met him and Crispin Glover in a restaurant and Christmas said, 351 00:16:13,840 --> 00:16:17,600 Speaker 2: I'm gonna marry you and Nick said, no, I'm gonna 352 00:16:17,640 --> 00:16:23,240 Speaker 2: marry you. Now it's a competition, right, So naturally she's like, okay, yeah, 353 00:16:23,320 --> 00:16:26,520 Speaker 2: that's not happening. But Nicholas Cage was like, and I quote, 354 00:16:26,680 --> 00:16:29,040 Speaker 2: I will prove I am worthy of your love. So 355 00:16:29,320 --> 00:16:32,400 Speaker 2: back to Patricia Arkette's version of the story, he said 356 00:16:32,640 --> 00:16:35,680 Speaker 2: give me a quest. I thought he was joking, Elizabeth. 357 00:16:35,760 --> 00:16:37,360 Speaker 2: Nicholas Cage was not joking. 358 00:16:37,480 --> 00:16:39,320 Speaker 3: Now when he says give me a quest, that man 359 00:16:39,360 --> 00:16:40,000 Speaker 3: means business. 360 00:16:40,000 --> 00:16:42,920 Speaker 2: Oh yeah, Nicholas Cage is never joking, especially about love. No, 361 00:16:43,320 --> 00:16:46,280 Speaker 2: So back to Patty Arquette, and Nick said, give me 362 00:16:46,320 --> 00:16:48,440 Speaker 2: a list of ten things, like a quest, and I'll 363 00:16:48,480 --> 00:16:50,640 Speaker 2: get all these things and then you'll marry me. 364 00:16:51,520 --> 00:16:53,560 Speaker 3: Okay, love this. 365 00:16:54,160 --> 00:16:56,640 Speaker 2: I figure what your reaction to a man saying. 366 00:16:56,560 --> 00:16:58,760 Speaker 3: Give me a question a quest, And then she's like, 367 00:16:58,920 --> 00:17:02,480 Speaker 3: I'll consider it. Yeah, Well, Patricia, she gets to decide 368 00:17:02,520 --> 00:17:03,640 Speaker 3: the quest totally. 369 00:17:04,119 --> 00:17:07,000 Speaker 2: So she back to her She picks up the story. 370 00:17:07,160 --> 00:17:08,920 Speaker 2: So I wrote, all these things that I thought were 371 00:17:08,920 --> 00:17:14,240 Speaker 2: impossible to get, getting JD. Salinger's autograph, a Hill Tribe 372 00:17:14,280 --> 00:17:19,320 Speaker 2: wedding costume, steal me a Bob's Big Boy statue, like 373 00:17:19,480 --> 00:17:22,199 Speaker 2: all of these things. I was laughing, A black orchid, 374 00:17:22,440 --> 00:17:25,440 Speaker 2: all of these things off the top of her. Yeah, 375 00:17:25,520 --> 00:17:27,600 Speaker 2: just comes up with a list of them possible at 376 00:17:27,640 --> 00:17:28,520 Speaker 2: the Canners DELI. 377 00:17:28,920 --> 00:17:29,520 Speaker 3: Oh god. 378 00:17:30,359 --> 00:17:33,679 Speaker 2: So she also she says, you wanted a caddy size 379 00:17:33,680 --> 00:17:36,959 Speaker 2: piece of fiberglass sculpture. It's a quote. Yeah, yeah, now 380 00:17:37,000 --> 00:17:39,480 Speaker 2: that the the Hill Tribe wedding costume. I kind of 381 00:17:39,480 --> 00:17:42,680 Speaker 2: skipped past that. That was a very specific request. Patricia 382 00:17:42,760 --> 00:17:45,679 Speaker 2: Rick had later clarified that she wanted a quote wedding 383 00:17:45,760 --> 00:17:48,920 Speaker 2: dress from the Lesu tribe in Southeast Asia. So that's 384 00:17:48,920 --> 00:17:51,080 Speaker 2: what she told him. So we don't know the full 385 00:17:51,119 --> 00:17:53,119 Speaker 2: list of all ten items, but what we do know 386 00:17:53,200 --> 00:17:56,800 Speaker 2: that was included was this one a wedding dress from 387 00:17:56,800 --> 00:17:59,760 Speaker 2: the Lisu tribe in Southeast Asia. Two a caddy size 388 00:17:59,760 --> 00:18:04,600 Speaker 2: peace fiberglass sculpture. Three getting a JD. Salinger autograph. Four 389 00:18:04,880 --> 00:18:08,720 Speaker 2: steal me a Bob's Big Boy statue. Five a black orchid. 390 00:18:08,880 --> 00:18:12,320 Speaker 2: So that's basically half the list, the original list. It's 391 00:18:12,359 --> 00:18:14,399 Speaker 2: been lost in time. It was publishing something that's no 392 00:18:14,480 --> 00:18:16,560 Speaker 2: longer available online. So I gathered all the people who 393 00:18:16,640 --> 00:18:18,600 Speaker 2: quoted from this, and this is all we have, right. 394 00:18:18,960 --> 00:18:21,880 Speaker 2: So Patricia Arquette, she recalls and I quote. I gave 395 00:18:21,920 --> 00:18:23,399 Speaker 2: him a list of all these things to fined, and 396 00:18:23,400 --> 00:18:26,000 Speaker 2: he started doing them. Now, from what I found, I'm 397 00:18:26,040 --> 00:18:27,800 Speaker 2: not sure the order of the items he brought her. 398 00:18:27,840 --> 00:18:30,480 Speaker 2: Some stories reported one item came in first. Other stories 399 00:18:30,480 --> 00:18:33,840 Speaker 2: would change the order. My favorite version goes though Nicholas 400 00:18:33,840 --> 00:18:37,080 Speaker 2: Cage showed up at Patricia Arquette's house with the first item, JD. 401 00:18:37,240 --> 00:18:38,200 Speaker 2: Salinger's autograph. 402 00:18:38,280 --> 00:18:40,440 Speaker 3: I feel like that would probably be the easiest. 403 00:18:40,000 --> 00:18:43,359 Speaker 2: To really why, Oh you're so smart, I'm not gonna 404 00:18:43,400 --> 00:18:47,080 Speaker 2: go and yeah, I'm over here right. She considered this 405 00:18:47,119 --> 00:18:49,560 Speaker 2: I impossible to retrieve object because as you know, he's 406 00:18:49,600 --> 00:18:52,640 Speaker 2: a very famous record. So everyone's thinking, like getting an 407 00:18:52,680 --> 00:18:55,639 Speaker 2: autograph and then would be impossible or damn near impossible 408 00:18:55,680 --> 00:18:58,119 Speaker 2: to do, right, Nick Lucas Cage, But does he go 409 00:18:58,200 --> 00:19:00,280 Speaker 2: out and go like, you know, full National Tree measure. 410 00:19:00,320 --> 00:19:02,919 Speaker 2: I'm gonna go and steal JD. Saladar's autograph, which is 411 00:19:02,920 --> 00:19:06,480 Speaker 2: my expectation. Freak. He did it like you the smart way. 412 00:19:06,480 --> 00:19:08,520 Speaker 2: He's like, I'm rich enough to go buy this. 413 00:19:08,840 --> 00:19:09,879 Speaker 3: To have signed that books. 414 00:19:10,040 --> 00:19:13,840 Speaker 2: Yes, exactly. So he purchased a letter that had his 415 00:19:13,920 --> 00:19:16,960 Speaker 2: signature eyes. So he bought it twenty five hundred dollars. 416 00:19:17,240 --> 00:19:19,480 Speaker 2: Day one, he shows up because the kid he was 417 00:19:19,480 --> 00:19:21,840 Speaker 2: a collector from the from the early days. Like I said, 418 00:19:21,880 --> 00:19:24,360 Speaker 2: he was always weirded. She already had a collector guy 419 00:19:24,400 --> 00:19:26,640 Speaker 2: he could contact. He's like, hey, you're my letter guy. 420 00:19:26,680 --> 00:19:30,080 Speaker 2: What do you have red phone? Exactly. So, day one 421 00:19:30,080 --> 00:19:32,280 Speaker 2: of his quests, he rocks up to Patricia Kat's house 422 00:19:32,359 --> 00:19:35,440 Speaker 2: with that first item. She's outside. What's she doing? Oh 423 00:19:35,480 --> 00:19:37,679 Speaker 2: you know, she's just playing hopscotch with her girlfriends. 424 00:19:37,880 --> 00:19:38,439 Speaker 3: Are you kidding? 425 00:19:38,480 --> 00:19:40,560 Speaker 2: Sorry to god, so the love this so much. Big 426 00:19:40,800 --> 00:19:43,679 Speaker 2: Cage rides up, I'm assuming on a motorcycle. He drops 427 00:19:43,720 --> 00:19:47,040 Speaker 2: off the letter in a cigar box. He says nothing 428 00:19:47,080 --> 00:19:48,880 Speaker 2: to her, then he rides off. 429 00:19:48,960 --> 00:19:51,359 Speaker 3: Wait this is These are the greatest people on earth 430 00:19:51,520 --> 00:19:55,000 Speaker 3: because it's not precious and performing, it's just they're so pure. 431 00:19:55,200 --> 00:19:58,840 Speaker 2: Yes, my god, what are her friends thinking? Like you 432 00:19:58,920 --> 00:20:00,679 Speaker 2: have a guy going on a question to prove his 433 00:20:00,800 --> 00:20:01,440 Speaker 2: love to you. 434 00:20:02,080 --> 00:20:02,480 Speaker 3: Amazing. 435 00:20:02,760 --> 00:20:05,520 Speaker 2: Your girlfriend's gotten stoked on that, right, Okay, So let's 436 00:20:05,520 --> 00:20:07,480 Speaker 2: take a little break and after these messages we'll get 437 00:20:07,480 --> 00:20:31,720 Speaker 2: back to the love quest. And we're back Elizabeth. So 438 00:20:31,800 --> 00:20:34,880 Speaker 2: what are you thinking so far? You're digging our little and. 439 00:20:34,960 --> 00:20:38,000 Speaker 3: Loving this so much. I really am, I really, I'm 440 00:20:38,040 --> 00:20:40,880 Speaker 3: loving the image of her playing hopscotch with her friends. 441 00:20:41,680 --> 00:20:42,560 Speaker 3: It's just incredible. 442 00:20:42,560 --> 00:20:43,880 Speaker 2: And then her new bow rides out. 443 00:20:43,960 --> 00:20:46,840 Speaker 3: Yeah, and he violently passes her a cigar box. Which 444 00:20:46,880 --> 00:20:50,880 Speaker 3: cigar boxes are cooler. It's the greatest way to get something. 445 00:20:51,000 --> 00:20:54,040 Speaker 2: Great way to get small, like a letter. Perfect. Okay. 446 00:20:54,080 --> 00:20:56,920 Speaker 2: So day two rolls around, So, just like on day one, 447 00:20:57,040 --> 00:21:00,439 Speaker 2: Nicholas Cage shows back up a Patricia Arcat's house. He 448 00:21:00,560 --> 00:21:03,119 Speaker 2: rides up on his motorcycle. This time we know for certain. 449 00:21:03,600 --> 00:21:06,280 Speaker 2: And as Nick Cage told Playboy back in nineteen ninety six, 450 00:21:06,720 --> 00:21:08,880 Speaker 2: quote she wouldn't come out, but I could see her 451 00:21:08,960 --> 00:21:12,040 Speaker 2: peeking down from the top floor. She confirms his account 452 00:21:12,080 --> 00:21:14,960 Speaker 2: because Patricia Arcutt recalled the same story. She said, quote, 453 00:21:15,040 --> 00:21:16,840 Speaker 2: I peek out the window and there he is with 454 00:21:16,880 --> 00:21:19,639 Speaker 2: a purple orchid and a black spray paint can and 455 00:21:19,640 --> 00:21:22,920 Speaker 2: he's spraying it. She'd asked for a black orchid, right, 456 00:21:22,920 --> 00:21:25,480 Speaker 2: but that doesn't exist. You cannot find a black orchid. 457 00:21:25,560 --> 00:21:28,800 Speaker 2: So it's truly as an impossible object. So Nicholas Cage, 458 00:21:28,800 --> 00:21:32,240 Speaker 2: he doesn't Nicolose Cage thing. He improvised. So, and I quote, 459 00:21:32,359 --> 00:21:34,800 Speaker 2: in my very showy way, I whipped the orchid out 460 00:21:34,840 --> 00:21:37,199 Speaker 2: of my pocket. Then I whipped out the paint can 461 00:21:37,320 --> 00:21:40,480 Speaker 2: it started spray painting the orchid black. Then he goes 462 00:21:40,560 --> 00:21:42,200 Speaker 2: and he walks up to the front door of her house. 463 00:21:42,280 --> 00:21:44,800 Speaker 2: I rang the doorbell again and she came down. I 464 00:21:44,880 --> 00:21:46,560 Speaker 2: just gave it to her, and I got back on 465 00:21:46,600 --> 00:21:49,800 Speaker 2: my motorcycle and I left. So once again, doesn't he 466 00:21:49,800 --> 00:21:51,600 Speaker 2: says nothing, just ride to away like that. 467 00:21:51,720 --> 00:21:54,119 Speaker 3: He didn't spray it and then bring it over like 468 00:21:54,200 --> 00:21:57,240 Speaker 3: to let her see. Yeah, oh that's so good. 469 00:21:58,920 --> 00:22:02,960 Speaker 2: So Nicholas Cage's uncanny ability to rise to her weirdly 470 00:22:03,000 --> 00:22:06,200 Speaker 2: specific challenges is winning him some points with Patricia Arcuat 471 00:22:06,359 --> 00:22:08,360 Speaker 2: right as she put it, and I quote, I asked 472 00:22:08,400 --> 00:22:10,560 Speaker 2: for a black orchid from the jungles of Peru or 473 00:22:10,560 --> 00:22:13,520 Speaker 2: Brazil or something, and he spray pnded me in orchid. 474 00:22:13,560 --> 00:22:17,320 Speaker 2: It was very romantic. However, he remembers it a little 475 00:22:17,320 --> 00:22:21,639 Speaker 2: differently because Nicholas Cage adds she was freaked out. So 476 00:22:21,720 --> 00:22:26,520 Speaker 2: now it's it's day three. She's wondering what to expect 477 00:22:26,520 --> 00:22:28,960 Speaker 2: now on day three, and he's got to be thinking 478 00:22:28,960 --> 00:22:30,560 Speaker 2: of the next item on her list that he can 479 00:22:30,600 --> 00:22:34,280 Speaker 2: get for, probably locally. So I don't know if this 480 00:22:34,400 --> 00:22:36,560 Speaker 2: actually was on day three. I couldn't find that to 481 00:22:36,560 --> 00:22:39,240 Speaker 2: cut for confirmation. But soon enough he contacts her. This 482 00:22:39,320 --> 00:22:41,639 Speaker 2: time he speaks to her right. He calls her and 483 00:22:41,640 --> 00:22:43,680 Speaker 2: he tells her, I almost got the Bob's Big Boy 484 00:22:43,760 --> 00:22:46,879 Speaker 2: last night. But then, as we've covered, he found that 485 00:22:46,880 --> 00:22:49,600 Speaker 2: the Bob's Big Boy statue was chained to its pedestal. 486 00:22:49,720 --> 00:22:52,359 Speaker 2: So Nicholas Cage he has a plan for that, so 487 00:22:52,440 --> 00:22:55,080 Speaker 2: he informs her, I'm gonna go back tonight with the 488 00:22:55,160 --> 00:23:00,000 Speaker 2: right tools. What are the right tools to Nicholas Cage 489 00:23:00,440 --> 00:23:03,720 Speaker 2: Bob's Big Boy heist? Turns out he was gonna bring 490 00:23:03,760 --> 00:23:06,480 Speaker 2: a chainsaw and just wreck some shop. He's like, cut 491 00:23:06,480 --> 00:23:09,440 Speaker 2: that baby right off. Can you imagine the news story 492 00:23:09,440 --> 00:23:11,520 Speaker 2: that would have come out if he got caught chainsaw 493 00:23:11,560 --> 00:23:14,560 Speaker 2: in hand cutting down to Bob's Big Boy and like Burbank. 494 00:23:14,960 --> 00:23:16,400 Speaker 3: This is like pre internet. 495 00:23:16,480 --> 00:23:18,280 Speaker 2: Oh yeah, totally. But even though I mean, if him 496 00:23:18,320 --> 00:23:20,480 Speaker 2: telling the cops like I'm doing this for love, he's 497 00:23:20,480 --> 00:23:22,520 Speaker 2: got the chainsaw and he's cutting down Big Boy. 498 00:23:22,600 --> 00:23:26,000 Speaker 3: Then his agent makes him do the apology interview and people. 499 00:23:26,160 --> 00:23:30,320 Speaker 2: Exactly and an InStyle. So okay. At this point, uh, 500 00:23:30,560 --> 00:23:32,560 Speaker 2: Nick Cage, he tells her about the chainsaw, He tells 501 00:23:32,600 --> 00:23:34,679 Speaker 2: her about the Bob's Big Boy statue in his plans, 502 00:23:35,200 --> 00:23:38,639 Speaker 2: and Patricia Arquette recalls and I quote and then so 503 00:23:38,760 --> 00:23:41,439 Speaker 2: he was like, and you're gonna marry me soon. So 504 00:23:41,600 --> 00:23:44,520 Speaker 2: finally she realizes how far down the road she's traveling 505 00:23:44,560 --> 00:23:48,000 Speaker 2: with him, and she tells Andy Cohen and Shania Twain 506 00:23:48,200 --> 00:23:52,040 Speaker 2: on Andy Cohen's chat show, and I was like, no, man, 507 00:23:52,119 --> 00:23:54,240 Speaker 2: we've never even gone out on a date. Let's slow 508 00:23:54,240 --> 00:23:57,159 Speaker 2: it down. So she has to tell Nick Cage. I 509 00:23:57,280 --> 00:23:59,879 Speaker 2: was like, okay, stop, let's just date maybe and not 510 00:24:00,080 --> 00:24:02,679 Speaker 2: get married. So at this point, after hearing all this, 511 00:24:02,760 --> 00:24:04,400 Speaker 2: Nicholas Cage is willing to slow it down. 512 00:24:04,960 --> 00:24:08,040 Speaker 3: Of course, participating in courtship like in the days of 513 00:24:08,080 --> 00:24:08,960 Speaker 3: oles exactly. 514 00:24:09,200 --> 00:24:12,880 Speaker 2: Yeah, chivalrous, totally. It's very much one of the great romances. 515 00:24:12,920 --> 00:24:15,200 Speaker 2: You gonna hear the minstrel. 516 00:24:14,760 --> 00:24:16,760 Speaker 3: Playing I Love a Good Quest. 517 00:24:17,000 --> 00:24:19,879 Speaker 2: As Patty Arkatt tells it. Then we dated, right, so 518 00:24:19,960 --> 00:24:22,120 Speaker 2: now we got our cute montage for our rom com 519 00:24:22,280 --> 00:24:24,560 Speaker 2: Oh right. The parent they planned to run away to 520 00:24:24,600 --> 00:24:25,800 Speaker 2: Cuba for their first date. 521 00:24:26,080 --> 00:24:28,879 Speaker 3: Wait, I am so excited because I was thinking, like, 522 00:24:28,920 --> 00:24:30,040 Speaker 3: where would they go on to do? 523 00:24:30,119 --> 00:24:33,800 Speaker 2: Exactly They're going to somewhere with trade relations with America 524 00:24:35,760 --> 00:24:39,399 Speaker 2: or an extradition treaty. So the couple, they only make 525 00:24:39,400 --> 00:24:40,240 Speaker 2: it as far as Mexican. 526 00:24:41,160 --> 00:24:42,200 Speaker 3: They have to dip down. 527 00:24:42,359 --> 00:24:45,600 Speaker 2: Well, apparently the details are hazy, but apparently he went 528 00:24:45,640 --> 00:24:48,639 Speaker 2: full Nicholas Cage in an airport in Mexico. There is 529 00:24:48,680 --> 00:24:51,239 Speaker 2: some trouble about their tickets, and then Nicholas Cage had 530 00:24:51,240 --> 00:24:53,719 Speaker 2: a full on meltdown and they're like, go back to America. 531 00:24:53,960 --> 00:24:56,040 Speaker 3: It never solves anything, No. 532 00:24:56,000 --> 00:24:57,520 Speaker 2: And it was a bit too much for Patricia ar 533 00:24:57,600 --> 00:25:00,440 Speaker 2: Cat too right, So they returned to America, as she 534 00:25:00,520 --> 00:25:03,560 Speaker 2: told Andy Cohne and Shania Twain. And then when I 535 00:25:03,560 --> 00:25:05,480 Speaker 2: think we broke up, it was just too fast and 536 00:25:05,520 --> 00:25:08,080 Speaker 2: too much for me at that time. I was nineteen, right, 537 00:25:08,160 --> 00:25:09,280 Speaker 2: so well, she saw. 538 00:25:09,119 --> 00:25:11,520 Speaker 3: The red flag, don't see the red flags. 539 00:25:11,200 --> 00:25:15,440 Speaker 2: Ye splashing anger like that. Yeah, major intensity. Anyway, time 540 00:25:15,480 --> 00:25:18,200 Speaker 2: came and erased those unpleasant memories for her. She had 541 00:25:18,200 --> 00:25:20,240 Speaker 2: a change of heart because, as she put it, and 542 00:25:20,280 --> 00:25:23,040 Speaker 2: then many years went by and we were friendly. And 543 00:25:23,160 --> 00:25:25,640 Speaker 2: in March of nineteen ninety five, Nicholas Cage went into 544 00:25:25,720 --> 00:25:28,320 Speaker 2: Canter's Deli. He was about two am. And guess who 545 00:25:28,359 --> 00:25:33,359 Speaker 2: was sitting there all alone? Crispin Glover. No, it was 546 00:25:34,359 --> 00:25:38,160 Speaker 2: Chrispin Glover. I'm going to marry you. Chrispin Glover said 547 00:25:38,160 --> 00:25:39,600 Speaker 2: to him, No, I'm gonna marry you. 548 00:25:39,840 --> 00:25:41,400 Speaker 3: She stood up and said, I can kick. 549 00:25:42,760 --> 00:25:45,440 Speaker 2: So it was Patricia Harkett sitting alone at two am 550 00:25:45,600 --> 00:25:48,439 Speaker 2: in Canters. At this point, she's now twenty seven. Nicholas 551 00:25:48,440 --> 00:25:51,119 Speaker 2: Cage is thirty one, and so he says, Hi, So 552 00:25:51,280 --> 00:25:55,520 Speaker 2: did she? They sit, They chalk, they flirt, they laugh. 553 00:25:56,000 --> 00:25:58,240 Speaker 2: She felt that they had both changed, right, they've grown. 554 00:25:58,280 --> 00:26:00,640 Speaker 2: Patricia Katt also says she spent many years in search 555 00:26:00,680 --> 00:26:05,040 Speaker 2: of quote, an honorable, truthful, brave man. And she recalled 556 00:26:05,080 --> 00:26:06,959 Speaker 2: this man who went on a quest to win her 557 00:26:07,000 --> 00:26:09,280 Speaker 2: hand in marriage, and as she later told The New 558 00:26:09,320 --> 00:26:11,960 Speaker 2: York Times, he was on my mind. I needed to 559 00:26:12,000 --> 00:26:14,280 Speaker 2: be reassured that the depth of his love would be 560 00:26:14,280 --> 00:26:17,480 Speaker 2: as brave as before. And so now a little while later, 561 00:26:17,560 --> 00:26:21,320 Speaker 2: she decided maybe she was wrong about Nicholas Cage. And 562 00:26:21,359 --> 00:26:23,560 Speaker 2: then I called him and I said, okay, I'm ready 563 00:26:23,560 --> 00:26:27,240 Speaker 2: to get married for their second go round. She was 564 00:26:27,280 --> 00:26:30,280 Speaker 2: the one to propose this time, so, as Nicholas Stage 565 00:26:30,320 --> 00:26:33,320 Speaker 2: recalls in an interview with Rolling Stone, and I quote 566 00:26:33,400 --> 00:26:35,560 Speaker 2: when she showed up in my house dressed head to 567 00:26:35,560 --> 00:26:39,960 Speaker 2: toe in black vinyl, carrying a big purple wedding cake. 568 00:26:40,560 --> 00:26:42,600 Speaker 2: I knew I was with the right woman. 569 00:26:42,960 --> 00:26:44,240 Speaker 3: So there were zero dates. 570 00:26:44,560 --> 00:26:46,520 Speaker 2: I'll be the I think they were skipping past that. 571 00:26:46,520 --> 00:26:48,919 Speaker 2: There was some days before we got to the all blacks. 572 00:26:50,119 --> 00:26:51,080 Speaker 2: The purple wedding cake. 573 00:26:51,200 --> 00:26:51,800 Speaker 3: Incredible. 574 00:26:51,920 --> 00:26:52,120 Speaker 4: Yeah. 575 00:26:52,119 --> 00:26:54,120 Speaker 2: So she's standing there on his front doorstep and she's 576 00:26:54,119 --> 00:26:55,720 Speaker 2: trying to get out the words like this is how 577 00:26:55,760 --> 00:26:58,320 Speaker 2: I picture it. Like. She's like, I love you, you you 578 00:26:58,440 --> 00:27:01,560 Speaker 2: complete me, and I just Nicholas Cage listening during interrupts 579 00:27:01,600 --> 00:27:03,679 Speaker 2: and puts up a finger, shut up, just shut up. 580 00:27:03,720 --> 00:27:04,600 Speaker 2: You had me at hello. 581 00:27:06,280 --> 00:27:09,680 Speaker 3: I wish I could see that in the movie with 582 00:27:09,720 --> 00:27:11,000 Speaker 3: your boyfriend. 583 00:27:12,000 --> 00:27:14,800 Speaker 2: Now that these two young lovers have refound each other, 584 00:27:15,200 --> 00:27:18,600 Speaker 2: proclaim their love and their devotion for each other based 585 00:27:18,640 --> 00:27:20,920 Speaker 2: on what you know of them both. Can you imagine 586 00:27:20,960 --> 00:27:23,520 Speaker 2: the wedding of Nicholas cage of Patricia Arcat? 587 00:27:23,680 --> 00:27:25,320 Speaker 3: Oh my god? 588 00:27:25,480 --> 00:27:28,359 Speaker 2: Right, But you don't have to, Elizabeth, because I'd like 589 00:27:28,400 --> 00:27:28,879 Speaker 2: you to close. 590 00:27:28,920 --> 00:27:31,840 Speaker 3: Your eyes are already closed, and i'd like you to 591 00:27:31,920 --> 00:27:33,520 Speaker 3: picture I have already pictured. 592 00:27:35,240 --> 00:27:39,880 Speaker 2: Elizabeth. Do you hear that the sound of waves softly 593 00:27:39,960 --> 00:27:44,159 Speaker 2: crashing against the sandy beaches of Carmel, California? Do you 594 00:27:44,200 --> 00:27:47,000 Speaker 2: feel that the sea spray in the midst of the 595 00:27:47,040 --> 00:27:50,960 Speaker 2: shore on your fuzzy face, the warmth of the sunlight 596 00:27:51,040 --> 00:27:53,719 Speaker 2: breaking through the clouds overhead and warming you as you 597 00:27:53,760 --> 00:27:58,720 Speaker 2: bob and float among a celp bed in the Monterey bed. You, Elizabeth, 598 00:27:58,720 --> 00:28:01,439 Speaker 2: are a California Sea God, thank you, and you are 599 00:28:01,440 --> 00:28:05,280 Speaker 2: taking a nap. But your buoyant slumber has disturbed when 600 00:28:05,320 --> 00:28:08,400 Speaker 2: you hear the dulcet engine sound of a Ferrari pull 601 00:28:08,520 --> 00:28:11,760 Speaker 2: up and stop in the gravel. This catches your attention. 602 00:28:12,000 --> 00:28:14,240 Speaker 2: You wipe sleep from your fuzzy eyes and look up 603 00:28:14,280 --> 00:28:17,520 Speaker 2: in the direction of the well engineered car noise. You 604 00:28:17,600 --> 00:28:20,520 Speaker 2: see a blue Ferrari. A man in a dark suit 605 00:28:20,560 --> 00:28:23,199 Speaker 2: gets out the man in the Ferrari are both up 606 00:28:23,200 --> 00:28:26,400 Speaker 2: on a bluff overlooking the Pacific coast. You can see 607 00:28:26,440 --> 00:28:28,760 Speaker 2: them and they can see you. But the man is 608 00:28:28,800 --> 00:28:31,080 Speaker 2: not looking down at the ocean. Instead, he's walking around 609 00:28:31,080 --> 00:28:34,040 Speaker 2: to open the door for his passenger. As you gracefully 610 00:28:34,080 --> 00:28:36,439 Speaker 2: float among the bull kelp, you gaze up at the 611 00:28:36,440 --> 00:28:38,920 Speaker 2: bluff to keep an eye on what these kooky humans 612 00:28:38,920 --> 00:28:41,800 Speaker 2: and the blue Ferrari are doing. A couple other cars 613 00:28:41,800 --> 00:28:43,920 Speaker 2: pull up in part so now you and a few 614 00:28:43,920 --> 00:28:46,320 Speaker 2: other otters, who have also taken note of the party 615 00:28:46,320 --> 00:28:50,400 Speaker 2: of humans, all watch to see what comes next. The 616 00:28:50,480 --> 00:28:53,040 Speaker 2: small party of humans starts to gather on the bluff. 617 00:28:53,360 --> 00:28:56,040 Speaker 2: You don't know this because you're an otter, but one 618 00:28:56,080 --> 00:28:58,920 Speaker 2: of the humans is the former chief of Police of Carmel. 619 00:28:59,520 --> 00:29:03,800 Speaker 2: Another a minister, a lady preacher, Elizabeth. The man in 620 00:29:03,840 --> 00:29:06,720 Speaker 2: the dark suit stands before the lady preacher. Next to 621 00:29:06,760 --> 00:29:09,640 Speaker 2: him stands a woman in a leopard print jacket. The 622 00:29:09,720 --> 00:29:12,560 Speaker 2: couple look happy. You can see their wide smiles from 623 00:29:12,560 --> 00:29:15,400 Speaker 2: where you lays among the kelp. You've never been to 624 00:29:15,440 --> 00:29:17,880 Speaker 2: a human wedding before. This is your first, and it 625 00:29:18,000 --> 00:29:20,760 Speaker 2: is a doozy Welcome to the wedding of Nicholas Cage 626 00:29:20,760 --> 00:29:23,600 Speaker 2: and Patricia Arquette. You and the other sea otters are 627 00:29:23,600 --> 00:29:26,400 Speaker 2: some of the very few witnesses. All in all, the 628 00:29:26,440 --> 00:29:28,760 Speaker 2: wedding seems like a nice affair. This is what their 629 00:29:28,760 --> 00:29:31,520 Speaker 2: love quest has led to. This is the hero's reward. 630 00:29:31,560 --> 00:29:35,280 Speaker 2: The ceremony is short. It lasts a brief ten minutes. 631 00:29:35,520 --> 00:29:38,120 Speaker 2: The couple stands in the sun and the breeze. Their 632 00:29:38,200 --> 00:29:41,360 Speaker 2: love seems so real and so lasting. You find your 633 00:29:41,440 --> 00:29:43,640 Speaker 2: rooting for these two crazy kids as you watch the 634 00:29:43,680 --> 00:29:47,520 Speaker 2: newly pronounced husband and wife climb back into that blue Ferrari. 635 00:29:47,960 --> 00:29:52,000 Speaker 2: The Italian sports car speeds off, headed down the coast 636 00:29:52,000 --> 00:29:57,160 Speaker 2: towards Big Sir, look at you, lucky witness to the 637 00:29:57,200 --> 00:30:00,560 Speaker 2: Patricia Arkhead Nicholas Cage nuptials. 638 00:30:00,040 --> 00:30:01,200 Speaker 3: That was awesome now, it was. 639 00:30:01,240 --> 00:30:04,320 Speaker 2: Patricia Arquette told Andy Cohen and Shania Twain quote, we 640 00:30:04,360 --> 00:30:07,080 Speaker 2: hadn't slept together for eight years until our wedding night. 641 00:30:07,720 --> 00:30:10,240 Speaker 2: So after hearing all about their long, strange love affair 642 00:30:10,280 --> 00:30:13,680 Speaker 2: and then their wedding night, Jitters, Shania Twain says, that's 643 00:30:13,840 --> 00:30:18,320 Speaker 2: very romantic, and Patricia Arqutt agrees that was very romantic. 644 00:30:18,360 --> 00:30:21,120 Speaker 3: I thought Shania Twain was going to say that don't impress. 645 00:30:20,800 --> 00:30:23,720 Speaker 2: Me, right, I was so praying for. 646 00:30:25,240 --> 00:30:25,640 Speaker 3: Didn't do it? 647 00:30:26,040 --> 00:30:27,960 Speaker 2: Now, after all those years and all this task from 648 00:30:27,960 --> 00:30:30,720 Speaker 2: the aforementioned love quest, these two crazy kids finally found 649 00:30:30,720 --> 00:30:32,240 Speaker 2: a way to make a go of it. For a 650 00:30:32,280 --> 00:30:35,080 Speaker 2: little while. It was intense, it was passionate. Their marriage 651 00:30:35,120 --> 00:30:38,720 Speaker 2: a brightly burning fire, and naturally it burned out, like 652 00:30:38,720 --> 00:30:41,840 Speaker 2: all things which consumed themselves in flames. They were married 653 00:30:41,840 --> 00:30:45,040 Speaker 2: Elizabeth in nineteen ninety five, but separated in January of 654 00:30:45,120 --> 00:30:48,480 Speaker 2: nineteen ninety six. They technically remained married on the books 655 00:30:48,480 --> 00:30:51,920 Speaker 2: though for years, finally divorcing in two thousand. Oh wow, yeah, 656 00:30:51,960 --> 00:30:53,960 Speaker 2: so our Kett later would tell Rolling Stone the couple 657 00:30:54,040 --> 00:30:56,880 Speaker 2: separation was due to the fact that quote, his success 658 00:30:57,040 --> 00:31:00,520 Speaker 2: was very scary to me. I couldn't touch him. I mean, 659 00:31:00,600 --> 00:31:02,480 Speaker 2: I would think her reason was that Nicholas Cage was 660 00:31:02,520 --> 00:31:06,440 Speaker 2: absolutely unhinged. She's like, it's his success. I did not 661 00:31:06,560 --> 00:31:09,320 Speaker 2: expect that. So what about after their divorce? Who got 662 00:31:09,320 --> 00:31:12,200 Speaker 2: to keep the JD. Salinger letter? Yeah, that's what Andy 663 00:31:12,240 --> 00:31:14,800 Speaker 2: Cohen and Shania Twain both wanted to know. That was 664 00:31:14,840 --> 00:31:16,640 Speaker 2: their first question. They're like, yeah, what happened with the 665 00:31:17,160 --> 00:31:22,120 Speaker 2: Challenger letter. I know anyway, Patricia Arquett says, and I quote, 666 00:31:22,160 --> 00:31:24,320 Speaker 2: I returned that to him. I never thought he'd get it, 667 00:31:25,280 --> 00:31:27,160 Speaker 2: like I think she never thought he'd actually retreat. 668 00:31:27,160 --> 00:31:29,600 Speaker 3: I think she's probably not the kind of collector. 669 00:31:30,040 --> 00:31:34,080 Speaker 2: No, he's the collector about that. So as for Nicholas Cage, 670 00:31:34,120 --> 00:31:36,040 Speaker 2: when he speaks at that time in his life, he 671 00:31:36,160 --> 00:31:40,200 Speaker 2: said of his past self, quote, back then, I was 672 00:31:40,240 --> 00:31:42,600 Speaker 2: living out my fantasies of what I thought an exciting 673 00:31:42,680 --> 00:31:46,080 Speaker 2: man should be. I wanted to be unpredictable and frightening, 674 00:31:46,120 --> 00:31:49,120 Speaker 2: and I guess I was. I mean, Patricia says that 675 00:31:49,200 --> 00:31:52,040 Speaker 2: at the time, I was pure testosterone. I can't really 676 00:31:52,040 --> 00:31:55,240 Speaker 2: imagine myself getting that angry now. I haven't punched a 677 00:31:55,280 --> 00:31:57,959 Speaker 2: wall in years, so I don't really know what happened. 678 00:31:58,000 --> 00:32:01,400 Speaker 2: I mean, should I be punching walls? No, Nicholas, you 679 00:32:01,440 --> 00:32:03,520 Speaker 2: should not be punching A wild good way to break 680 00:32:03,520 --> 00:32:05,520 Speaker 2: your hand, in an even better way to scare the 681 00:32:05,520 --> 00:32:08,000 Speaker 2: people who love you. So as for the whirlwind love 682 00:32:08,040 --> 00:32:10,480 Speaker 2: that they felt at the time, Patricia Arquett also said, 683 00:32:10,480 --> 00:32:13,960 Speaker 2: and I quote, there's nothing like creativity and young love. 684 00:32:14,160 --> 00:32:16,800 Speaker 2: That's why we have a species. I don't really hate 685 00:32:16,880 --> 00:32:19,000 Speaker 2: any period of the human experience. I've dealt with a 686 00:32:19,040 --> 00:32:21,160 Speaker 2: lot of death, and loving a lot of people through 687 00:32:21,160 --> 00:32:23,880 Speaker 2: their dying time, and loving other people through their birthing time, 688 00:32:23,960 --> 00:32:26,160 Speaker 2: and being out a lot of births, and being young 689 00:32:26,240 --> 00:32:28,960 Speaker 2: and beautiful and not even understanding that, and then getting 690 00:32:28,960 --> 00:32:31,160 Speaker 2: older and becoming invisible for a period of time, and 691 00:32:31,160 --> 00:32:33,880 Speaker 2: then loving that and getting wiser and knowing which battles 692 00:32:33,880 --> 00:32:36,760 Speaker 2: to fight. I'm really loving this whole, painful, joyful ride 693 00:32:36,760 --> 00:32:39,040 Speaker 2: of life. I think you have to have that attitude 694 00:32:39,080 --> 00:32:42,240 Speaker 2: if you want to go in any relationship with age. Yeah, 695 00:32:42,600 --> 00:32:44,760 Speaker 2: but in general. But I'm saying, but he's really going 696 00:32:44,840 --> 00:32:46,520 Speaker 2: to test you. But if you have this in life, 697 00:32:46,560 --> 00:32:47,120 Speaker 2: you're golden. 698 00:32:47,200 --> 00:32:47,960 Speaker 3: Yeah, exactly. 699 00:32:48,080 --> 00:32:50,160 Speaker 2: So after their time together and they went their separate ways, 700 00:32:50,240 --> 00:32:54,120 Speaker 2: Nicholas Kate continued Elizabeth with his quests, and he even 701 00:32:54,120 --> 00:32:57,440 Speaker 2: managed to get into legal trouble again, only this time 702 00:32:57,680 --> 00:33:00,000 Speaker 2: what he ended up with ilegally was far more valuable. 703 00:33:00,040 --> 00:33:01,880 Speaker 2: Well then a Bob's big boy statue. 704 00:33:02,240 --> 00:33:03,440 Speaker 3: We'll be back such a thing. 705 00:33:03,640 --> 00:33:05,920 Speaker 2: Oh yeah, I swear We'll be right back. With Nicholas 706 00:33:06,000 --> 00:33:28,920 Speaker 2: Cage's other illegal quests. After these bright messages and we're back, Elizabeth, 707 00:33:29,200 --> 00:33:32,440 Speaker 2: You're back, I know right? Ready for one more? Nicholas 708 00:33:32,520 --> 00:33:35,240 Speaker 2: Cage quest Always in two thousand and seven, there was 709 00:33:35,280 --> 00:33:39,280 Speaker 2: a dinosaur skull for sale at an auction you y 710 00:33:39,880 --> 00:33:44,000 Speaker 2: I have? It was a Torontosaurus bitar, which is like 711 00:33:44,040 --> 00:33:48,000 Speaker 2: a kissing cousin of a Torontosaurus rex. The enormous Torontosaurus 712 00:33:48,040 --> 00:33:50,680 Speaker 2: dinosaur skull was billed as quote perfect for a New 713 00:33:50,760 --> 00:33:51,800 Speaker 2: York City apartment. 714 00:33:52,080 --> 00:33:53,800 Speaker 3: Wait by whom? 715 00:33:55,080 --> 00:33:57,640 Speaker 2: An auction house? Yeah? 716 00:33:58,000 --> 00:34:01,120 Speaker 3: Can you imagine you work at this auction hus and 717 00:34:01,160 --> 00:34:02,920 Speaker 3: you have to write the copy. 718 00:34:02,520 --> 00:34:05,600 Speaker 2: For the catalog perfect for a New York City of park. 719 00:34:05,680 --> 00:34:08,560 Speaker 3: How am I going to describe this on rock? Bigger 720 00:34:08,600 --> 00:34:09,440 Speaker 3: than a bread box? 721 00:34:09,840 --> 00:34:10,160 Speaker 6: Shoot? 722 00:34:10,239 --> 00:34:11,239 Speaker 3: No, that's not going to work. 723 00:34:11,920 --> 00:34:17,000 Speaker 2: Draft eight goes well with a gogin No starting bid 724 00:34:17,239 --> 00:34:18,200 Speaker 2: one hundred grand? 725 00:34:18,640 --> 00:34:19,040 Speaker 3: Wow? 726 00:34:19,120 --> 00:34:21,160 Speaker 2: Yeah. There were three hundred and forty five items for 727 00:34:21,200 --> 00:34:23,400 Speaker 2: sale in this auction. According to the New York Times, 728 00:34:23,760 --> 00:34:26,680 Speaker 2: the list of items up forbidding included and I quote 729 00:34:26,719 --> 00:34:31,600 Speaker 2: an Egyptian mummy's hand, a person's hand, Elizabeth. 730 00:34:31,280 --> 00:34:32,000 Speaker 4: A whole hand? 731 00:34:32,120 --> 00:34:33,040 Speaker 3: Horrible all right? 732 00:34:33,200 --> 00:34:37,600 Speaker 2: Next, a lion, hyena and warthog skulls followed by a 733 00:34:37,680 --> 00:34:42,280 Speaker 2: gold nugget weighing sixty two troy ounces and behind glass 734 00:34:42,320 --> 00:34:46,520 Speaker 2: but touchable on request, crystals, minerals, and a meteorite from Mars, 735 00:34:47,400 --> 00:34:50,480 Speaker 2: But the bell of the ball was the Torontosaurus batar skull. 736 00:34:51,040 --> 00:34:54,760 Speaker 2: As The New York Times reported quote, The skull, estimated 737 00:34:54,760 --> 00:34:58,240 Speaker 2: to be about sixty seven million years old, is thirty 738 00:34:58,239 --> 00:35:01,400 Speaker 2: two inches long and sixty five sent complete, with the 739 00:35:01,440 --> 00:35:03,680 Speaker 2: rest of it, including the lower right jaw in the 740 00:35:03,719 --> 00:35:07,040 Speaker 2: back of the skull, having been restored with casts, said 741 00:35:07,120 --> 00:35:09,920 Speaker 2: David Hrskowitz, the director of the Gallery's Natural History department. 742 00:35:11,160 --> 00:35:17,960 Speaker 3: Was it legally, like I've talked about this. 743 00:35:17,880 --> 00:35:23,120 Speaker 2: Yes, of course. Now you might wonder was this legally obtained? 744 00:35:23,200 --> 00:35:26,640 Speaker 2: And that's a good question. I think you know the answer. Yeah, 745 00:35:26,680 --> 00:35:29,640 Speaker 2: I think so, Herskowitz. He said he come into possession 746 00:35:29,680 --> 00:35:31,600 Speaker 2: of this specimen last summer. He's like, I got it 747 00:35:31,640 --> 00:35:33,719 Speaker 2: last summer. It's cool, man, I just recently got this. 748 00:35:33,800 --> 00:35:36,319 Speaker 2: I'm just trying to move in. Collector in Florida had 749 00:35:36,400 --> 00:35:40,640 Speaker 2: apparently contacted them with the rare find Why Florida because 750 00:35:40,640 --> 00:35:43,319 Speaker 2: it clearly wasn't found there, right, So I went, does 751 00:35:43,360 --> 00:35:46,200 Speaker 2: Florida come into it? Well, turns out, as the batar 752 00:35:46,440 --> 00:35:51,160 Speaker 2: might indicate, the skull was located in Mongolian bitar, right, 753 00:35:51,200 --> 00:35:54,239 Speaker 2: so excavated there and it wasn't fully freed from the rocks. 754 00:35:54,239 --> 00:35:57,319 Speaker 2: So according to the Florida collector, he purchased this Trontosaurus 755 00:35:57,360 --> 00:35:59,600 Speaker 2: skull from a Japanese collector. You don't know him. He 756 00:35:59,640 --> 00:36:02,200 Speaker 2: goes to different school, and he kept the skull in 757 00:36:02,239 --> 00:36:04,880 Speaker 2: a block of unhewn rock, and he'd put the dinosaur 758 00:36:04,880 --> 00:36:07,840 Speaker 2: head in a display box back in like the nineteen sixties. 759 00:36:08,120 --> 00:36:10,480 Speaker 2: And eventually sells this to the Florida collector, who and 760 00:36:10,520 --> 00:36:12,279 Speaker 2: then turns sells it to the auction house, who and 761 00:36:12,360 --> 00:36:14,760 Speaker 2: then turns it sells it to an unknown buyer. 762 00:36:14,840 --> 00:36:19,080 Speaker 3: Interesting to the alleged probanance, I thought it was with Florida. 763 00:36:19,120 --> 00:36:21,600 Speaker 3: I'm imagining it's like South Florida. I thought it would 764 00:36:21,600 --> 00:36:22,800 Speaker 3: be like a Russian oligar. 765 00:36:23,080 --> 00:36:25,719 Speaker 2: Yeah. Actually I cannot tell you who the person is, 766 00:36:25,719 --> 00:36:28,320 Speaker 2: but I don't think they're a rausianal oligar. But anyway, 767 00:36:28,400 --> 00:36:30,399 Speaker 2: I wish I could had that information for you. Ay, 768 00:36:30,680 --> 00:36:34,200 Speaker 2: let's pretend they were. So the torontosaurs buitar skull was 769 00:36:34,239 --> 00:36:36,280 Speaker 2: put up on the auction block. It was the subject 770 00:36:36,280 --> 00:36:40,440 Speaker 2: of a rather mighty fight amongst bidders. Sure was finally 771 00:36:40,480 --> 00:36:43,040 Speaker 2: sold to quote a bit of two hundred and seventy 772 00:36:43,080 --> 00:36:46,560 Speaker 2: six thousand dollars phoned in by a private collector on 773 00:36:46,600 --> 00:36:50,680 Speaker 2: the West coast from the gallery would not identify the skull. 774 00:36:50,719 --> 00:36:53,480 Speaker 2: This skull was the big ticket sale of the auction. Elizabeth. 775 00:36:53,600 --> 00:36:55,799 Speaker 3: This is supposed to be for a New York apartment. 776 00:36:58,160 --> 00:37:00,920 Speaker 2: The same mystery bidder also one quote a rare giant 777 00:37:00,920 --> 00:37:04,760 Speaker 2: wolf skull from the Rancho Librea formation. Sale price fifty 778 00:37:04,760 --> 00:37:07,520 Speaker 2: thousand dollars. So this mystery buyer, they've dropped three hundred 779 00:37:07,520 --> 00:37:09,480 Speaker 2: and twenty six thousand dollars and a dinosaur skull and 780 00:37:09,520 --> 00:37:12,920 Speaker 2: a wolf skull. It's long than alleged. The big loser 781 00:37:13,000 --> 00:37:17,040 Speaker 2: that day was Leonardo DiCaprio. He was bidding on this 782 00:37:17,160 --> 00:37:21,319 Speaker 2: Torontosaurus bitar skull and he ultimately lost out to Nicholas Cave. 783 00:37:21,520 --> 00:37:24,000 Speaker 3: You know where the big loser was that day? Science? 784 00:37:25,080 --> 00:37:27,240 Speaker 2: A lot of people said that, a lot of people 785 00:37:27,280 --> 00:37:31,080 Speaker 2: said that, yes, curatorial process. Yeah, So of course it 786 00:37:31,160 --> 00:37:32,920 Speaker 2: was Nick Cage who wanted a rare dino head and 787 00:37:32,960 --> 00:37:35,040 Speaker 2: a prehistoric wolf skull and was willing to drop more 788 00:37:35,080 --> 00:37:36,880 Speaker 2: than a quarter million dollars to get it. Now, it 789 00:37:36,960 --> 00:37:38,799 Speaker 2: kind of makes perfect sense because he was buying all 790 00:37:38,800 --> 00:37:40,440 Speaker 2: this real estate at the time. Remember he had the 791 00:37:40,440 --> 00:37:43,319 Speaker 2: two castles, and I'm sure if you you know, if 792 00:37:43,320 --> 00:37:45,359 Speaker 2: you buy two castles, right, you show up and all 793 00:37:45,360 --> 00:37:47,200 Speaker 2: of a sudden, like let's say it's an impulse purchase, right, 794 00:37:47,239 --> 00:37:49,360 Speaker 2: and then you get the keys to your new castle 795 00:37:49,440 --> 00:37:52,240 Speaker 2: or new two U castle, and you walk in you realize, 796 00:37:52,239 --> 00:37:54,239 Speaker 2: oh my god, they took away all this stuff for like, yeah, 797 00:37:54,400 --> 00:37:59,080 Speaker 2: the staging my castle, the Knight's armor, Yeah, you got it, 798 00:37:59,120 --> 00:38:00,800 Speaker 2: like all of a sudden, phill up a whole castle 799 00:38:00,840 --> 00:38:02,560 Speaker 2: with of course, you're like, I need a dinosaur skull. 800 00:38:02,600 --> 00:38:04,520 Speaker 2: I'm gonna probably need a wolf scull, and I'm in the. 801 00:38:04,520 --> 00:38:07,440 Speaker 3: Guess there's not a home goods within one hundred miles. 802 00:38:07,520 --> 00:38:12,440 Speaker 2: Probably not. It turns out Leonardo DiCaprio got lucky by 803 00:38:12,480 --> 00:38:15,160 Speaker 2: losing out on that day because the plot thickens Elizabeth 804 00:38:15,440 --> 00:38:18,319 Speaker 2: that torontosaur's skull was shady. The Florida collector was a 805 00:38:18,320 --> 00:38:20,840 Speaker 2: big time liar, in fact, a scammer of bones and 806 00:38:20,880 --> 00:38:24,520 Speaker 2: other artifacts. Twenty fourteen, seven years after he bought himself 807 00:38:24,600 --> 00:38:27,880 Speaker 2: that torontosaurus skull. The Department of Homeland Security came to 808 00:38:27,960 --> 00:38:30,200 Speaker 2: Nicholas Cage's home. They're like, hey, we haven't been here 809 00:38:30,239 --> 00:38:33,120 Speaker 2: in a little while now, they formed him. But the 810 00:38:33,400 --> 00:38:36,000 Speaker 2: artifact he bought was in fact illegal, and in short, 811 00:38:36,040 --> 00:38:38,440 Speaker 2: the dinosaur skull was stolen goods, and that it had 812 00:38:38,480 --> 00:38:41,000 Speaker 2: been taken from the Gobi Desert in Mongolia, and the 813 00:38:41,040 --> 00:38:43,560 Speaker 2: FEDS would be taking it from him and returning it 814 00:38:43,600 --> 00:38:44,920 Speaker 2: to Mongolia, which they. 815 00:38:44,920 --> 00:38:46,680 Speaker 3: Getting terrorism by buying it. 816 00:38:46,760 --> 00:38:49,800 Speaker 2: No, I didn't see any allegations of that. Yeah, but boom, 817 00:38:49,880 --> 00:38:51,959 Speaker 2: now Nicholas Cage has to cough up his quarter million 818 00:38:51,960 --> 00:38:54,360 Speaker 2: dollar dinosaur skull to the Feds. He does. When he 819 00:38:54,400 --> 00:38:56,359 Speaker 2: was later asked about this and about you know, what's 820 00:38:56,400 --> 00:38:58,319 Speaker 2: it feel like to lose two hundred and seventy six 821 00:38:58,360 --> 00:39:01,280 Speaker 2: thousand dollars for something that you that's like a weird 822 00:39:01,320 --> 00:39:04,880 Speaker 2: purchase from a seemingly legitimate auction house, he said, in 823 00:39:04,920 --> 00:39:08,640 Speaker 2: the most Nicholas Cage way possible, what is an octopus? 824 00:39:08,719 --> 00:39:11,640 Speaker 2: Eighty dollars? You're not gonna go into dire streets buying 825 00:39:11,640 --> 00:39:15,120 Speaker 2: an octopus. The dinosaur skull was an unfortunate thing. Because 826 00:39:15,160 --> 00:39:17,560 Speaker 2: I did spend two hundred and seventy six thousand dollars 827 00:39:17,600 --> 00:39:20,120 Speaker 2: on that. I bought it at a legitimate auction and 828 00:39:20,239 --> 00:39:23,680 Speaker 2: found out it was abducted from Mongolia illegally, and then 829 00:39:23,719 --> 00:39:25,720 Speaker 2: I had to give it back. Of course it should 830 00:39:25,760 --> 00:39:28,360 Speaker 2: be awarded to its country of origin, but who knew. 831 00:39:28,640 --> 00:39:31,200 Speaker 2: Plus I never got my money back, so that stank. 832 00:39:31,520 --> 00:39:34,000 Speaker 2: But I went years where all I was doing was 833 00:39:34,040 --> 00:39:37,200 Speaker 2: meditating three times a day and reading books on philosophy, 834 00:39:37,520 --> 00:39:40,240 Speaker 2: not drinking whatsoever. There was the time when I almost 835 00:39:40,239 --> 00:39:42,560 Speaker 2: went on you might call it a grail quest. I 836 00:39:42,560 --> 00:39:45,560 Speaker 2: started following mythology and I was finding properties that align 837 00:39:45,640 --> 00:39:49,200 Speaker 2: with that. It was almost like national treasure. So Nicholas Cage, 838 00:39:49,440 --> 00:39:52,439 Speaker 2: he's now fusing fact with fiction, life with movies. He's 839 00:39:52,520 --> 00:39:55,200 Speaker 2: living out national treasure in his own life and freely 840 00:39:55,239 --> 00:39:57,239 Speaker 2: admitting it. This is what I'm talking about. This is 841 00:39:57,239 --> 00:39:59,920 Speaker 2: why this man is amazing. He's just living out his movies. 842 00:40:00,080 --> 00:40:03,640 Speaker 2: Our parts anyway. So even of course has to admit 843 00:40:03,719 --> 00:40:06,920 Speaker 2: that buying up all the real estate purchases is really 844 00:40:06,960 --> 00:40:10,239 Speaker 2: what nearly bankrupted him. Not the dinosaur. He's like two 845 00:40:10,280 --> 00:40:13,000 Speaker 2: hundred seventy six thousand dollars versus millions of dollars from 846 00:40:13,040 --> 00:40:14,319 Speaker 2: my castle, no one wants to buy. 847 00:40:14,400 --> 00:40:16,600 Speaker 3: In his mind, he got two hundred and seventy six 848 00:40:16,640 --> 00:40:18,920 Speaker 3: thousand dollars totally pleasure. 849 00:40:19,040 --> 00:40:22,480 Speaker 2: Yeah, so he says, of course that didn't sustain. On 850 00:40:22,520 --> 00:40:24,560 Speaker 2: top of which I said, I'm going to get off 851 00:40:24,600 --> 00:40:27,640 Speaker 2: philosophy because I became like a kite with a string 852 00:40:27,719 --> 00:40:30,719 Speaker 2: but no anchor. No one could understand what I was 853 00:40:30,760 --> 00:40:33,600 Speaker 2: talking about. And I thought people would rather see me 854 00:40:33,640 --> 00:40:38,000 Speaker 2: as an orangutan than as an eagle meditating on the mountaintop. Anyway, 855 00:40:38,480 --> 00:40:40,680 Speaker 2: that makes sense to me totally. Right now, I would 856 00:40:40,760 --> 00:40:43,040 Speaker 2: like not to just skip past the meditating eagle on 857 00:40:43,080 --> 00:40:46,360 Speaker 2: the mountaintop versus the orangutan mistaken for Nicholas Cage. But 858 00:40:46,400 --> 00:40:48,520 Speaker 2: let's focus on how his collecting and his acting had 859 00:40:48,640 --> 00:40:51,319 Speaker 2: already somewhat merged in terms of their value to the 860 00:40:51,480 --> 00:40:54,880 Speaker 2: living process we know as Nicholas Cage. So, in a 861 00:40:54,920 --> 00:40:57,200 Speaker 2: twenty nineteen interview with The New York Times, Nicholas Cage 862 00:40:57,239 --> 00:40:59,680 Speaker 2: tells his interviewer, and I quote, you either have the 863 00:40:59,719 --> 00:41:02,680 Speaker 2: pro livity'd open up your imagination or you don't. If 864 00:41:02,719 --> 00:41:05,040 Speaker 2: you have that propensity and are on camera about to 865 00:41:05,080 --> 00:41:07,000 Speaker 2: do a scene. What would make you believe in what 866 00:41:07,080 --> 00:41:09,680 Speaker 2: you were about to do? So you're playing a demon 867 00:41:09,800 --> 00:41:13,480 Speaker 2: biker with an ancient spirit. What power objects could you 868 00:41:13,520 --> 00:41:16,640 Speaker 2: find that might trick your imagination? Would you find an 869 00:41:16,640 --> 00:41:20,239 Speaker 2: antique from an ancient pyramid, maybe a little sarcophagus that's 870 00:41:20,280 --> 00:41:22,880 Speaker 2: a greenish color and looks like King Tutt? Would you 871 00:41:23,280 --> 00:41:25,399 Speaker 2: sow that into your jacket and know that it's right 872 00:41:25,480 --> 00:41:27,960 Speaker 2: next to you? When the director says action, could you 873 00:41:28,000 --> 00:41:32,240 Speaker 2: open yourself up to that power? Those aren't rhetorical questions, 874 00:41:32,280 --> 00:41:36,880 Speaker 2: are they. That's what the interviewer asked, right, I did that. Yes. Now, 875 00:41:37,360 --> 00:41:39,719 Speaker 2: if you're at that point where you've looted antiques from 876 00:41:39,719 --> 00:41:42,320 Speaker 2: an ancient pyramid and sown them into your pocket so 877 00:41:42,360 --> 00:41:44,160 Speaker 2: you can do better at your job, you are truly 878 00:41:44,200 --> 00:41:45,280 Speaker 2: open to the universe. 879 00:41:45,360 --> 00:41:45,560 Speaker 3: Yeah. 880 00:41:45,960 --> 00:41:48,000 Speaker 2: Right. In the movie Mandy, he has this ad libed 881 00:41:48,080 --> 00:41:50,680 Speaker 2: line and he quotes to his interviewer about the line. 882 00:41:50,719 --> 00:41:53,080 Speaker 2: He mentions it. He says, the psychotic drowns were the 883 00:41:53,120 --> 00:41:56,440 Speaker 2: mystic swims. Now that line actually is from Joseph Campbell, 884 00:41:56,480 --> 00:41:58,719 Speaker 2: and the original line is the psychotic drowns in the 885 00:41:58,760 --> 00:42:02,520 Speaker 2: same waters in which the mystic swims with delight, and 886 00:42:02,560 --> 00:42:04,920 Speaker 2: that's how he ended up buying his real estate portfolio. 887 00:42:05,040 --> 00:42:07,640 Speaker 2: He was swimming with delight in his two castles in 888 00:42:07,640 --> 00:42:10,120 Speaker 2: the Rhode Island Woods and in Las Vegas and La 889 00:42:10,200 --> 00:42:13,239 Speaker 2: and elsewhere. His Times interviewer says, oh, okay, I thought 890 00:42:13,239 --> 00:42:16,040 Speaker 2: you were being metaphorical about going on a Grail quest. 891 00:42:16,239 --> 00:42:19,279 Speaker 2: And then Nicholas Cage, apropos of nothing, says, yeah, if 892 00:42:19,280 --> 00:42:21,640 Speaker 2: you go to Glastonbury and go to the Chalice Wall, 893 00:42:21,719 --> 00:42:26,279 Speaker 2: there's a spring that does taste like blood. So apparently 894 00:42:26,280 --> 00:42:28,600 Speaker 2: at the Chalice Wall in Glastonbury. I've never been there, 895 00:42:28,680 --> 00:42:31,759 Speaker 2: but the story goes, Joseph of Arimathea secreted away the 896 00:42:31,800 --> 00:42:34,839 Speaker 2: Holy Grail, which is what makes the spring taste like blood. Yeah, 897 00:42:35,040 --> 00:42:36,719 Speaker 2: or it could just be an iron ore deposit that 898 00:42:36,719 --> 00:42:38,359 Speaker 2: gives it an iron taste, but hey, who am I 899 00:42:38,400 --> 00:42:41,760 Speaker 2: to say anyway? Following that same logic, Nicholas Cage tells 900 00:42:41,760 --> 00:42:44,080 Speaker 2: his interviewer that's the reason why he bought property in 901 00:42:44,160 --> 00:42:47,160 Speaker 2: Rhode Island. Who was chasing Grail legends or well? He said, 902 00:42:47,160 --> 00:42:48,640 Speaker 2: and I quote, I don't know if I'm going to 903 00:42:48,719 --> 00:42:51,239 Speaker 2: say that's why I bought the Rhode Island property. But 904 00:42:51,280 --> 00:42:54,040 Speaker 2: I will say that is why I went to Rhode Island, 905 00:42:54,120 --> 00:42:56,319 Speaker 2: and I happened to find the place beautiful. But yes, 906 00:42:56,360 --> 00:42:58,320 Speaker 2: this has put me on a search around different areas, 907 00:42:58,320 --> 00:43:00,960 Speaker 2: mostly in England, but also someplace in the States. What 908 00:43:01,080 --> 00:43:04,759 Speaker 2: I ultimately found is what is the grail? But earth itself? 909 00:43:05,360 --> 00:43:08,920 Speaker 3: A producer Dave, are you familiar with any Rhode Island 910 00:43:09,080 --> 00:43:10,120 Speaker 3: holy grail lore? 911 00:43:10,680 --> 00:43:14,399 Speaker 5: I don't think so. I mean, we've got what's his name, 912 00:43:14,480 --> 00:43:18,040 Speaker 5: the sci fi writer who's buried in Swan Point Cemetery. 913 00:43:18,120 --> 00:43:18,920 Speaker 3: Oh yeah, yeah. 914 00:43:19,960 --> 00:43:20,839 Speaker 4: Hp Lovecraft. 915 00:43:21,040 --> 00:43:24,280 Speaker 5: Right, we've got Edgar Allan Poe drinking himself to death 916 00:43:24,520 --> 00:43:26,760 Speaker 5: courting Sarah Haln Whitman on Benefit Street. 917 00:43:27,239 --> 00:43:29,080 Speaker 2: I don't know any grail lore in Rhode Island. 918 00:43:29,440 --> 00:43:33,160 Speaker 3: That's strange. Yeah, so apparently he's the one who uncovered it. 919 00:43:33,200 --> 00:43:35,520 Speaker 2: The Grail is hidden in Rhode Island or maybe anyway. 920 00:43:35,560 --> 00:43:37,480 Speaker 2: The Times interview stays on him about this, and he's 921 00:43:37,560 --> 00:43:39,719 Speaker 2: kind of disappointed that Nicholas Cage was spending his time 922 00:43:39,880 --> 00:43:42,640 Speaker 2: literally chasing after the Grail, like he's like a movie hero, 923 00:43:42,800 --> 00:43:45,319 Speaker 2: and the reporter says, I find the grail quest tend 924 00:43:45,360 --> 00:43:48,319 Speaker 2: to be more fulfilling when they're metaphorical. And this is 925 00:43:48,320 --> 00:43:51,120 Speaker 2: why why I love Nicholas Cage, he tells this cat, Well, 926 00:43:51,160 --> 00:43:53,480 Speaker 2: I knew that, and the metaphor for me is the Earth. 927 00:43:53,680 --> 00:43:57,760 Speaker 2: The divine object is Earth. Like that I thought you would, 928 00:43:58,000 --> 00:44:00,520 Speaker 2: So there it is, Elizabeth. Nicholas Cage went under request 929 00:44:00,560 --> 00:44:02,640 Speaker 2: and he found it planet Earth, and it was good. 930 00:44:03,239 --> 00:44:05,960 Speaker 2: But I love this questing mofo. I mean, I already 931 00:44:06,120 --> 00:44:08,439 Speaker 2: liked and respected and loved Nicholas Cage, but the story 932 00:44:08,440 --> 00:44:10,840 Speaker 2: of him stealing of Bob's Big Boy to win Patricia 933 00:44:10,920 --> 00:44:13,680 Speaker 2: Arquet's heart, and him buying a stolen dinosaur skull that 934 00:44:13,680 --> 00:44:16,400 Speaker 2: would inadvertently lead him to chase after the Holy Grail, 935 00:44:16,880 --> 00:44:18,640 Speaker 2: and then for him to find the whole Earth as 936 00:44:18,680 --> 00:44:21,440 Speaker 2: his reward, I mean, come on, I love this cash. 937 00:44:21,920 --> 00:44:24,839 Speaker 2: So anyway, he props up to our Bruce Lee of 938 00:44:24,840 --> 00:44:29,440 Speaker 2: being intense, the evil Canievil, of acting the Liberachi of lovers. 939 00:44:29,640 --> 00:44:31,480 Speaker 2: What's a ridiculous takeaway here, Elizabeth? 940 00:44:31,719 --> 00:44:36,719 Speaker 3: I am so admiring the intensity. And I normally don't 941 00:44:36,800 --> 00:44:37,600 Speaker 3: like people. 942 00:44:38,880 --> 00:44:40,680 Speaker 2: I have to tune it down around you. 943 00:44:40,680 --> 00:44:43,360 Speaker 3: You do, and thank you, but no, I just I 944 00:44:43,440 --> 00:44:47,560 Speaker 3: usually don't care for that. But it's so intentional and pure, 945 00:44:47,840 --> 00:44:51,560 Speaker 3: and he takes he's talking about roles that most actors 946 00:44:51,880 --> 00:44:54,920 Speaker 3: would do as a paycheck and maybe not take it 947 00:44:54,960 --> 00:44:58,759 Speaker 3: so seriously and get into character in some sense. But 948 00:44:59,360 --> 00:45:04,279 Speaker 3: he's so invested in, like not just getting into a 949 00:45:04,400 --> 00:45:07,319 Speaker 3: character and the motivations and all of that, but to 950 00:45:07,440 --> 00:45:13,600 Speaker 3: truly understand this, this creation, and then how it's gonna 951 00:45:14,120 --> 00:45:17,400 Speaker 3: help him understand everything around him, everything in the world. 952 00:45:18,360 --> 00:45:21,160 Speaker 3: I really admire that. I love when people just go 953 00:45:21,280 --> 00:45:23,719 Speaker 3: all in totally, and he doesn't seem to be doing 954 00:45:23,760 --> 00:45:27,719 Speaker 3: that for a performative sense. He is all in that 955 00:45:27,800 --> 00:45:30,520 Speaker 3: world and in his world, and so I think that's 956 00:45:30,560 --> 00:45:33,040 Speaker 3: really cool. What's your ridiculous takeaway. 957 00:45:32,600 --> 00:45:36,000 Speaker 2: Oh mine, Elizabeth, thank you for asking. Is I like, 958 00:45:36,040 --> 00:45:37,839 Speaker 2: how pretty much what you're saying is that you know 959 00:45:37,880 --> 00:45:40,680 Speaker 2: he's going to play ghostwriter and he's like, what can 960 00:45:40,760 --> 00:45:42,960 Speaker 2: ghostwriter teach me about the human condition? 961 00:45:43,200 --> 00:45:47,200 Speaker 3: Right? Like that would just be a paycheck movie. And 962 00:45:47,280 --> 00:45:49,239 Speaker 3: instead he's like, well, someone came up. 963 00:45:49,120 --> 00:45:51,480 Speaker 2: With this, How do I find this soul it's going to. 964 00:45:51,520 --> 00:45:53,839 Speaker 3: In order for it to appeal to the masses, I 965 00:45:54,080 --> 00:45:57,520 Speaker 3: need to tap into what kind of catharsis this is 966 00:45:57,560 --> 00:46:01,239 Speaker 3: going to provide? Because that's what entertainment is, especially television. 967 00:46:02,080 --> 00:46:04,320 Speaker 2: I can't believe they are a TV person. 968 00:46:04,400 --> 00:46:07,240 Speaker 3: He changes everything, you know, I just feel so free. 969 00:46:07,520 --> 00:46:09,120 Speaker 2: I know you have to move for a talkback, you 970 00:46:09,160 --> 00:46:09,759 Speaker 2: still do those? 971 00:46:09,880 --> 00:46:10,719 Speaker 3: I always do. 972 00:46:10,800 --> 00:46:14,040 Speaker 2: Talk Producer D, could you hit us up with the talkback? Wait? 973 00:46:14,040 --> 00:46:15,920 Speaker 5: Wait before we do that, before we wrap up, I 974 00:46:15,920 --> 00:46:18,040 Speaker 5: have one question for both of you. 975 00:46:18,120 --> 00:46:18,359 Speaker 2: Sure. 976 00:46:18,440 --> 00:46:21,880 Speaker 5: Yeah, we've gone all this way and you haven't mentioned 977 00:46:22,120 --> 00:46:23,080 Speaker 5: the word Copola. 978 00:46:23,280 --> 00:46:24,200 Speaker 4: Isn't there a connection? 979 00:46:25,280 --> 00:46:30,200 Speaker 2: Oh? Yeah, yeah, he's Yeah, he is a nephew of 980 00:46:30,440 --> 00:46:34,839 Speaker 2: Francis Ford, and uh he is a cousin of Sophia 981 00:46:35,280 --> 00:46:40,680 Speaker 2: and yeah, and also Jason Schwartzman and Roman Coppola and uh, 982 00:46:40,760 --> 00:46:43,600 Speaker 2: yeah is cop and his father's August Coppola. Who was 983 00:46:43,600 --> 00:46:45,279 Speaker 2: the reason why I chose the film school I went to. 984 00:46:45,680 --> 00:46:47,400 Speaker 3: Is Copola Cage in Italian? 985 00:46:47,960 --> 00:46:50,080 Speaker 2: No, he picked that because of Luke Cage, the Marvel 986 00:46:50,080 --> 00:46:52,719 Speaker 2: comic actor. He changed it. He started out acting as 987 00:46:52,719 --> 00:46:53,680 Speaker 2: a Copola and then he changed. 988 00:46:53,800 --> 00:46:55,800 Speaker 3: Yeah, I remember there's a film where he's credited. 989 00:46:57,280 --> 00:46:59,880 Speaker 5: So my ridiculous takeaway, thank you both of you for asking, 990 00:47:02,080 --> 00:47:04,040 Speaker 5: is uh, you know, I think it takes that kind 991 00:47:04,040 --> 00:47:07,440 Speaker 5: of a setup of family connections to have the life, 992 00:47:07,480 --> 00:47:08,239 Speaker 5: to allow. 993 00:47:07,960 --> 00:47:10,320 Speaker 4: Yourself to be as weird as Nicholas Cage can. 994 00:47:10,160 --> 00:47:12,600 Speaker 3: Be totally totally. 995 00:47:12,680 --> 00:47:14,840 Speaker 2: Yeah. But Patricia ar Ketch, he comes from a family 996 00:47:14,880 --> 00:47:17,960 Speaker 2: that is, uh, you know, multi generational actors, but she 997 00:47:18,080 --> 00:47:21,560 Speaker 2: was basically raised in a cultish kind of like alternative 998 00:47:21,640 --> 00:47:24,360 Speaker 2: lifestyle environment, and she has just that same confidence. I 999 00:47:24,360 --> 00:47:26,600 Speaker 2: think it's more so that your parents have to invest 1000 00:47:26,600 --> 00:47:28,840 Speaker 2: in you a big story and make you think that 1001 00:47:28,880 --> 00:47:30,880 Speaker 2: you're special in being the son of somebody like you 1002 00:47:30,920 --> 00:47:33,880 Speaker 2: know that, or being a Coppola invest you in that story. 1003 00:47:34,200 --> 00:47:35,880 Speaker 2: So I think you can do it without having to 1004 00:47:35,920 --> 00:47:38,560 Speaker 2: actually be a NEPO baby. You just have to give 1005 00:47:38,600 --> 00:47:40,560 Speaker 2: them the same sort of start that a NEPO baby 1006 00:47:40,560 --> 00:47:43,080 Speaker 2: has in terms of confidence. Obviously, connections help too in 1007 00:47:43,080 --> 00:47:44,080 Speaker 2: a place like Hollywood, but. 1008 00:47:44,120 --> 00:47:47,520 Speaker 4: Yeah, all buy that. I mean, or being a cult without. 1009 00:47:49,640 --> 00:47:52,200 Speaker 2: Yeah, so that also helps just you know, be a 1010 00:47:52,239 --> 00:47:53,560 Speaker 2: cult or a Coppola. 1011 00:47:53,680 --> 00:47:54,360 Speaker 3: Yeah, exactly. 1012 00:47:56,960 --> 00:47:58,200 Speaker 2: So about that talk back. 1013 00:47:58,200 --> 00:48:01,040 Speaker 5: Oh yeah about that talk, I've got one. I'm gonna 1014 00:48:01,160 --> 00:48:03,600 Speaker 5: warn you on the outset. It's in five parts, so 1015 00:48:04,760 --> 00:48:05,960 Speaker 5: like butter. 1016 00:48:10,040 --> 00:48:15,280 Speaker 2: Oh God, I led. 1017 00:48:18,640 --> 00:48:21,000 Speaker 3: Hi, Elizabeth his Aaron, Hi, Dave. 1018 00:48:21,920 --> 00:48:26,279 Speaker 6: Uh So you guys played my talkback and a couple 1019 00:48:26,400 --> 00:48:28,760 Speaker 6: episodes ago, I'm the one who had the back surgery. 1020 00:48:29,840 --> 00:48:32,520 Speaker 6: Wanted to let you guys know that I'm actually doing better, 1021 00:48:33,920 --> 00:48:38,160 Speaker 6: and it's funny. I didn't realize I left you a talkback. 1022 00:48:38,400 --> 00:48:41,520 Speaker 6: I thought it was all a dream. So it was 1023 00:48:41,640 --> 00:48:46,879 Speaker 6: very interesting for me to hear my talkback. So thank 1024 00:48:46,920 --> 00:48:50,480 Speaker 6: you for the well wishes. I really appreciated it. I 1025 00:48:50,520 --> 00:48:52,960 Speaker 6: actually wanted to tell you about the dream I had 1026 00:48:52,960 --> 00:48:55,759 Speaker 6: while I was under the anesthesia and I was with 1027 00:48:55,800 --> 00:49:00,319 Speaker 6: you guys apparently. Full disclaimer, though, I did try to 1028 00:49:01,480 --> 00:49:03,920 Speaker 6: pretend to be Elizabeth Dutton for a minute, and I 1029 00:49:04,040 --> 00:49:08,319 Speaker 6: tried to do one of her awesome character voices, but 1030 00:49:08,440 --> 00:49:11,040 Speaker 6: I could not do it. I tried to be Elizabeth, 1031 00:49:11,080 --> 00:49:14,799 Speaker 6: but I just couldn't do it. You're too awesome. So 1032 00:49:15,760 --> 00:49:20,239 Speaker 6: in this anesthesia fueled dream, I was kind of somehow 1033 00:49:20,600 --> 00:49:25,520 Speaker 6: a part of several different episodes of your podcast, and 1034 00:49:26,200 --> 00:49:28,400 Speaker 6: I'm sure you can figure out which ones they were. 1035 00:49:29,520 --> 00:49:34,799 Speaker 6: It was very distressing for me because my favorite aliens, 1036 00:49:35,480 --> 00:49:38,839 Speaker 6: Elizabeth and Zaren, could not help me write my manifesto. 1037 00:49:40,520 --> 00:49:43,360 Speaker 6: You guys were also the only aliens I could trust 1038 00:49:43,440 --> 00:49:47,319 Speaker 6: because the rest of the aliens wanted to assassinate the 1039 00:49:47,400 --> 00:49:52,799 Speaker 6: president and assassinate Charlie Chaplin, but it was only you 1040 00:49:52,840 --> 00:49:56,399 Speaker 6: guys who could save the world with me, apparently, and 1041 00:49:57,880 --> 00:50:00,640 Speaker 6: it was all because Cinderella was late and she wouldn't 1042 00:50:00,640 --> 00:50:08,440 Speaker 6: write my manifesto. So I honestly have to say I 1043 00:50:08,480 --> 00:50:12,800 Speaker 6: love your podcast. Thank you for making it so good, 1044 00:50:13,000 --> 00:50:16,479 Speaker 6: because it really did give me a really great trip 1045 00:50:16,480 --> 00:50:19,839 Speaker 6: while I was in that hospital. Thank you guys so much. 1046 00:50:20,880 --> 00:50:22,880 Speaker 2: Oh man, we're so glad to hear that you're feeling 1047 00:50:22,920 --> 00:50:25,160 Speaker 2: better and that, yes, that we were there for you 1048 00:50:25,200 --> 00:50:26,000 Speaker 2: when you need. 1049 00:50:28,480 --> 00:50:32,640 Speaker 3: I'm glad that that she's feeling better. But oh my, 1050 00:50:34,160 --> 00:50:39,360 Speaker 3: I'd love to digest those incredible I love. It doesn't 1051 00:50:39,400 --> 00:50:41,360 Speaker 3: happen in English, it's translation. 1052 00:50:41,600 --> 00:50:43,759 Speaker 2: It's just a name, right, yeah, okay, it's also the 1053 00:50:43,800 --> 00:50:50,080 Speaker 2: name of a of a wine. So as always, you 1054 00:50:50,080 --> 00:50:52,680 Speaker 2: can find us online Ridiculous Crime on the social media 1055 00:50:52,719 --> 00:50:54,440 Speaker 2: if you know where to look. Well, so we have 1056 00:50:54,440 --> 00:50:57,640 Speaker 2: a website ridiculous Crime dot com. And uh, obviously we 1057 00:50:57,760 --> 00:50:59,920 Speaker 2: love your talkback, so please go the iHeart app, leave 1058 00:51:00,120 --> 00:51:03,400 Speaker 2: one and maybe we'll hear yourself on the air. Email 1059 00:51:03,480 --> 00:51:05,759 Speaker 2: us if you like a Ridiculous Crime at gmail dot 1060 00:51:05,800 --> 00:51:09,399 Speaker 2: com Please type in dear Elizabeth and as always, thanks 1061 00:51:09,440 --> 00:51:17,920 Speaker 2: for listening. We'll catch you next crime. Ridiculous Crime is 1062 00:51:17,960 --> 00:51:21,840 Speaker 2: hosted by Elizabeth Dutton and Zaren Burnette, produced and edited 1063 00:51:21,880 --> 00:51:24,920 Speaker 2: by Dave. Sorry, boss, but there's only two men I trust. 1064 00:51:24,960 --> 00:51:27,800 Speaker 2: One of them's me and the others not you. Cousten. 1065 00:51:28,160 --> 00:51:32,000 Speaker 2: Research is by Patricia Arquette, Truthers, Marissa Brown and Andrea 1066 00:51:32,080 --> 00:51:35,720 Speaker 2: song Jarpentier. Our theme song is by Thomas I'm gonna 1067 00:51:35,760 --> 00:51:39,799 Speaker 2: steal the Declaration of Independence Lee and Travis. I'll be 1068 00:51:39,840 --> 00:51:43,319 Speaker 2: taking these Huggies and whatever cash you got Dutton. The 1069 00:51:43,360 --> 00:51:46,680 Speaker 2: host wardrobe provided by Botany five hundred. Guest hair and 1070 00:51:46,719 --> 00:51:51,240 Speaker 2: makeup by Sparklesham and mister Andrea. Executive producers are Ben 1071 00:51:51,480 --> 00:51:56,000 Speaker 2: I want to take his face off Boldin and I'm 1072 00:51:56,080 --> 00:51:58,840 Speaker 2: Nicholas Freaking Cage Noel Brown. 1073 00:52:04,160 --> 00:52:09,840 Speaker 3: Ridicous Crime, Say It one more Time Ridiqulious Crime. 1074 00:52:10,880 --> 00:52:14,200 Speaker 1: Ridiculous Crime is a production of iHeartRadio. Four more podcasts 1075 00:52:14,239 --> 00:52:17,840 Speaker 1: from iHeartRadio visit the iHeartRadio app, Apple Podcasts, or wherever 1076 00:52:17,880 --> 00:52:19,320 Speaker 1: you listen to your favorite shows