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Speaker 1: This episode is brought to you by Shopify. Whether you're

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Speaker 1: Slash Special Offer all lowercase. That's Shopify dot Com Slash

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Speaker 1: Special Offer. I listened to the Black Guy Who Tips

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Speaker 1: podcast because Rod and Karen are a hot.

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Speaker 2: She was my high school sweetheart down from start when

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Speaker 2: all I had was how hopes, my health and my art.

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Speaker 2: But when I got finged, she became a short. If

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Speaker 2: I could still feel the way when I came off tour,

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Speaker 2: I said, for sure, because what God gave us, girl,

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Speaker 2: I'm grateful. No need to be insecure, baby, Your niggas faithful.

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Speaker 2: So now I'm mof doing date sin and gangha states

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Speaker 2: and as my status elevates, I see the baddest as

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Speaker 2: at the backstage gate look at great straight wait for

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Speaker 2: a nigga. So now I fig hey, I only live once,

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Speaker 2: so I'm going all out today. Made to come out

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Speaker 2: to la to say what I had to say. Hey,

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Speaker 2: welcome to the Black Guy Who Tips podcasts. Your host

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Speaker 2: Rod and we're in the house on a Wednesday, Wednesday night,

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Speaker 2: close to the end of the week for us. Get

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Speaker 2: a day off tomorrow hopefully it see what happens, but

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Speaker 2: we are here do some podcasting guys. Of course, you

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Speaker 2: can find us on iTunes, stitch Er, Potomatic, just search

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Speaker 2: the Blackout Tips. Leave us five star reviews. Appreciate everybody

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Speaker 2: takes the time out to do that. Not a lot

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Speaker 2: of you been doing it lately because you don't like

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Speaker 2: us anymore or something.

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Speaker 3: I don't know.

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Speaker 2: I mean, y'all show enough, y'all show enough. Found an

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Speaker 2: email to get your holiday cards? Like ah, the Blackout

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Speaker 2: Tips at gmail dot com is blowing up with people's

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Speaker 2: addresses and everything. I hope everybody that asking for a

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Speaker 2: holiday car has a love us a firestar review. That'd

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Speaker 2: be a damn shame if they hadn't.

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Speaker 3: I mean, it be a damn shame.

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Speaker 4: You get a happy Quans or whatever holiday we decide

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Speaker 4: to do a car, you know, because we love you

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Speaker 4: and you want to put five on.

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Speaker 2: It really suck if you know you have to send

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Speaker 2: somebody a lump of cold, but hey, that's just me.

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Speaker 2: You know, you can also do stuff like go to

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Speaker 2: our website, the blackoutils dot com voting the post, come

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Speaker 2: a premium listener, and a bunch of other stuff. Leave

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Speaker 2: comments on every post, and you know you don't have

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Speaker 2: to email us for a holiday car. You can also

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Speaker 2: just email us the Blackout Test at gmail dot com.

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Speaker 2: You can leave voicemails throughout the week as long as

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Speaker 2: they're two minutes or last seven or four five, five, seven, zero,

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Speaker 2: one eighty six, and we play those on our feedback show.

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Speaker 2: Do we are official weapon and stuff the sport Box stream.

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Speaker 2: I'm doing this with my eyes closed, guys, how good

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Speaker 2: I am with this shit? Okay, I've been doing it

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Speaker 2: for so long. We're sponsored today by Shadowed our Productions

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Speaker 2: as well Shadowed our Productions of course as a maker

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Speaker 2: fine handcraft. The audio plays.

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Speaker 3: Uh.

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Speaker 2: We actually are scheduled to do another voice recording with

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Speaker 2: them in January two, so at any rate you can

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Speaker 2: find our albums. Karen and I have two albums out

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Speaker 2: already where we do a bunch of voice acting. You

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Speaker 2: can look for either the Best of Roding Karen or

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Speaker 2: sun Spot and other ratchetness. You can find these on iTunes, Amazon,

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Speaker 2: where we get music from on that. You can find

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Speaker 2: it on Spotify and title as well if you want

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Speaker 2: to just stream it. But the best of Roding Karen

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Speaker 2: and Sunspot and other ratchetness are the titles, and we

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Speaker 2: appreciate it right text time out to listen to that

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Speaker 2: and support Shadow Dour Productions because that is one of

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Speaker 2: the ways that we get revenue, you know. All right,

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Speaker 2: let's get into what you guys really came here for. Okay,

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Speaker 2: it's time to recap the Walking Dead. All right, there's

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Speaker 2: a lot of stuff to happen this week. This episode

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Speaker 2: is episode six, which means we only have two left

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Speaker 2: until the fall break.

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Speaker 4: Yes, yes, oh all before we take off the Breaking

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Speaker 4: Aid sometime next year.

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Speaker 2: Yeah, I like, I like, I think they like to

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Speaker 2: come back and like after the Super Bowl, so like March, right,

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Speaker 2: So yeah, at any rate, though, we we'll be you know, well,

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Speaker 2: we got two more weeks and then we're out of here,

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Speaker 2: you know, and I don't know how we'll do the

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Speaker 2: exact the timing of the reviews, but we'll get it

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Speaker 2: done for you. Next week should be fine, but the

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Speaker 2: week after it's Podcon podcorn so pocon dot com. You

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Speaker 2: can go get tickets. You can see us out in Seattle.

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Speaker 2: It's on December the ninth and tenth. We'd love to

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Speaker 2: see you there. If you can't see us in person,

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Speaker 2: you can also see us virtually. Podcon dot com also

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Speaker 2: has virtual tickets where you can sign up. Watch us

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Speaker 2: on panels, watch us do our live show all that

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Speaker 2: stuff from the comfort of your mobile device or your home,

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Speaker 2: or your PC or your laptop or tablets probably you

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Speaker 2: know so. At any rate, though, let's go ahead and

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Speaker 2: get the cap in this joint. This one was called

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Speaker 2: The King, the Widow and Rick. Okay ah, that's the

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Speaker 2: name of this episode, Episode six, season eight, Walking Dead.

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Speaker 2: I don't have the ratings for this though. The ratings

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Speaker 2: have been trending down lately. You know, they were down

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Speaker 2: to like under eight for the first time and who years. Yeah,

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Speaker 2: like I don't even know if they start. Yeah, they

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Speaker 2: started under eight, but that's the only time at any rate, Karen,

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Speaker 2: what'd you think about this episode?

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Speaker 3: Oh? I loved it.

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Speaker 4: It was really really good episode. I actually just enjoyed

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Speaker 4: the Walking.

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Speaker 3: Dead, And like I said, I'm behind on the comics.

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Speaker 4: But I actually really enjoy what they do with what

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Speaker 4: they've done with the characters actually on the show more

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Speaker 4: than a comic book.

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Speaker 2: Yeah, i'll tell you what. I feel like this episode

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Speaker 2: was more of a building episode than some of the

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Speaker 2: other episodes. In my opinion, this one felt more like

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Speaker 2: working up to a big story moments that they want

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Speaker 2: to have on episode eight. So this one, while it

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Speaker 2: was kind of feller, I still was excited by different

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Speaker 2: elements of this episode. Like I wanted to see Michel

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Speaker 2: despite whatever the fuck she was doing. It seemed like

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Speaker 2: they just need an excuse to get her back in

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Speaker 2: some episodes, which is fine. You know, I wanted to

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Speaker 2: see the junker Cons again. You know, I love me

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Speaker 2: some junk de cons. We got to go. We got

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Speaker 2: to go visit the junk Heap as I like to

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Speaker 2: call it, right, And then we also got some good

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Speaker 2: Gregory coonan up in there. Yes, low key Gregory's cooning

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Speaker 2: has become a top five thing about this show that

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Speaker 2: I like. That dude, whoever that actor is, I forget

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Speaker 2: his name. That dude is doing the Lord's work with

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Speaker 2: that part, because like, only Larry David could do that

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Speaker 2: part better. He is so awkward and bad and just

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Speaker 2: petty and selfish and unable to hide it. Like everything

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Speaker 2: about that dude just says piece of shit. And I

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Speaker 2: fucking love that dude because of that. All Right, so

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Speaker 2: let's get into breaking this down. Okay, take it a

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Speaker 2: I break. I broke it into groups. But the first

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Speaker 2: scene you kind of have to do collectively. So the

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Speaker 2: first king is the first scene is a montage of

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Speaker 2: everyone getting notes from each other, informing them of what

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Speaker 2: the other people are up to. You know, in the

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Speaker 2: age with no internet, no phones, this is one of

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Speaker 2: the things where I feel like, as your communities grow,

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Speaker 2: you almost have to have this. And it's very old

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Speaker 2: school letter writing, you.

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Speaker 3: Know, essentially, ain't no such thing as fucking email.

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Speaker 2: You can't google nobody, right, And so in the mortage,

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Speaker 2: the way they do it is like they show like

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Speaker 2: Rick getting a letter. No they show I don't know

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Speaker 2: if they show Rick getting a letter, I know what

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Speaker 2: I know. They do show Machean receiving a letter, Carol

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Speaker 2: receives a letter, Maggie receives a letter. I don't think

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Speaker 2: Rick could have received a letter because where he was at.

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Speaker 4: He did at the beginning, when he was walking and

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Speaker 4: he popped open a microwave.

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Speaker 3: It was a note in there.

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Speaker 2: Okay, that was not there, you go. Karen was on

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Speaker 2: top of it, guys, So I missed that part. At

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Speaker 2: any rate, everybody's getting letters from each other and it's

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Speaker 2: telling it's informing them what's up. My favorite part is

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Speaker 2: that it's in their voices. So for me personally, it

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Speaker 2: was almost like ken Burn's documentary. It was like dramatic

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Speaker 2: readings of these these letters.

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Speaker 4: You know.

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Speaker 2: The only thing missing was them talking about, you know,

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Speaker 2: we had rations of hard attack and ah, several men

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Speaker 2: slept in a pigs ladder, you know, like that kind

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Speaker 2: of shit. But at any rate, it was just like

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Speaker 2: them saying, like Rick talks about taking out the saviors,

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Speaker 2: but they lost a lot of people in the battle.

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Speaker 2: Maggie talks about having prisoners of war and she got

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Speaker 2: to decide what to do with them. Carol talks about

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Speaker 2: how the Kingdom soldiers all got ambushed and killed and

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Speaker 2: was over in a matter of seconds.

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Speaker 3: Right, So she's basically talking on King zig Gill's.

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Speaker 2: Behalf, which is a huge thing, right right, Because she

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Speaker 2: gets this letter, she's responding as if she's a leader.

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Speaker 2: Because Zeke is just sitting up in his room. Come on,

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Speaker 2: Rick says, the rest of the plan is still a go.

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Speaker 2: So one of the things I like about this season two,

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Speaker 2: as much as people talk about it, these motherfuckers have

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Speaker 2: a plan. They are executing it. It is a big

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Speaker 2: plan is undertaking. They built the saviors up so that

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Speaker 2: it would take this kind of effort to stop them,

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Speaker 2: and as of now, the only true kinks in the

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Speaker 2: plan have been Jesus trying to do something with these

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Speaker 2: prisons of war. Other than that, everybody seems to have

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Speaker 2: executed the plan perfectly at any rate. And like all things,

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Speaker 2: you know, it's a TV show and some things will

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Speaker 2: go right and something won't. But for the most part

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Speaker 2: that other than Gabe and Gabe and Jesus the only

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Speaker 2: people that fuck up the plane anyway. He says. They

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Speaker 2: have zombies surrounded a compound, wearing them down day by day,

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Speaker 2: and they have snipers outside so that if they open

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Speaker 2: the door, their snipers aren't structed to shoot them. But

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Speaker 2: he also knows if they do open the door the compound,

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Speaker 2: they have bigger problems than snipers and zombies like that

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Speaker 2: means they are fighting inside because he knows probably through

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Speaker 2: Dwight how tenuous the relationship between the saviors and the

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Speaker 2: actual inhabitants of the compound actually are. And he says,

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Speaker 2: if this goes right, in two days, we're gonna meet

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Speaker 2: at sanctuary and finish this. And then he says, this

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Speaker 2: could be our last fight. So Rick is not only

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Speaker 2: looking at this as we need to win this war

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Speaker 2: because there's always gonna be people like this. He's looking

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Speaker 2: at it like because of this war, in my opinion,

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Speaker 2: they have found friends, they found other communities. And one

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Speaker 2: of the things I like about The Walking Dead is

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Speaker 2: essentially it's about establishing. It's about foreign diplomacy at its core,

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Speaker 2: you know, and especially at this point, and how do

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Speaker 2: you rebuild a society when you have to certain things

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Speaker 2: you have to learn to do again, if you want

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Speaker 2: to build a society now you can survive by yourself

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Speaker 2: and just you know, try to go to the long

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Speaker 2: as long as you can. But needings, right, people are resource.

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Speaker 2: Rick realizes people are resource. You know, you need shelter,

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Speaker 2: you need food, you need all these things. And one

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Speaker 2: of the best ways to build that is by community

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Speaker 2: building and people working together and all this stuff.

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Speaker 4: And trading and like you say, it almost sets a

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Speaker 4: reboot on society. And it's one of those things where

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Speaker 4: in general, most people even nowadays, probably including myself, would

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Speaker 4: not know how to function this society decided to do

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Speaker 4: a control off of Deleat.

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Speaker 2: Not right away, but that's the thing that the whole

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Speaker 2: show is basically about what you will learn this ship

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Speaker 2: again somehow anyway, all that shit.

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Speaker 4: Your grandma and great grandma been telling you about herbs

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Speaker 4: and all that ship because I remember when I was younger,

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Speaker 4: my mom and them would tell me how, you know,

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Speaker 4: because they will pour out in the country, you know,

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Speaker 4: when their brothers and sisters and stuff would get fevers.

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Speaker 4: How they would take certain knees and plants and wrap

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Speaker 4: them up in it and ship like that, and how

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Speaker 4: it will cause it fever to drop shit that I

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Speaker 4: wouldn't know nothing.

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Speaker 2: About, right So, and those people will come more valuable again, Yeah,

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Speaker 2: they do at any rate. So the montage starts and

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Speaker 2: then the actual you know, the show basically starts with Rick.

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Speaker 2: Rick goes to, oh, and I have this clip. Let

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Speaker 2: me pull this up for you guys. I'll put it

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Speaker 2: on screen too, because camera's gonna ask and I wasn't

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Speaker 2: gonna forget. Yes I will, but uh yeah, so Rick

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Speaker 2: goes to We'll start with Rick and and I'll kind

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Speaker 2: of come back to him at the end because that's

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Speaker 2: how the episode ends. But we get Rick arriving at

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Speaker 2: the Junk de Cons where we left him. He's he's

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Speaker 2: at their dump, uh, and he's surrounded, you know. They

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Speaker 2: do that thing like they saw him coming. They open

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Speaker 2: up this container which we don't see what's in it.

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Speaker 2: It's just dark. They open up the container and that's

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Speaker 2: actually no creative let us did all right, that's that's uh,

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Speaker 2: that's actually when the episode music comes in. When they

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Speaker 2: open up that container and they don't show you what's

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Speaker 2: in it.

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Speaker 5: We get to like, you know, yeah she said, all right,

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Speaker 5: and yeah you get Jadis who is making a new

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Speaker 5: metal cat sculpture by hand as an artist in the nude,

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Speaker 5: but wearing an apron in front of everybody, by the way,

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Speaker 5: just in front of I don't know what the n

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Speaker 5: Junk Deacon's like.

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Speaker 2: They're such an interesting, weird like eighties like they feel

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Speaker 2: like they came out of Blade Runner or something. It's

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Speaker 2: just so weird. I don't know, And it's like I

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Speaker 2: don't Mad Max or mad Max, Like, I don't understand

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Speaker 2: the structure of leadership, the how they decide what to do,

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Speaker 2: why everybody has long haircuts, any of that shit. But

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Speaker 2: at any rate, they basically in four hundred like Rick's

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Speaker 2: coming in and shit. And Rick does come in and

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Speaker 2: they have a conversation. And Rick apparently has learned to

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Speaker 2: speak junk to con like he might as well be

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Speaker 2: it's like learning how to speak job. I guess he bondics.

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Speaker 2: He culturally appropriated they language. I don't know when he

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Speaker 2: had time to study, but I'll play some of the

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Speaker 2: conversation because I thought this was so cool. Are so funny?

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Speaker 2: I was laughing like shit at Rick. Hellone, I am,

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Speaker 2: she says alone. He says, I am a right shot

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Speaker 2: you grace me? Shot you grace me? Like while they

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Speaker 2: talking like grimlock it like Rick doing it too on

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Speaker 2: the way to communicate. Why back after.

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Speaker 6: The same thing I wanted before.

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Speaker 3: A deal?

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Speaker 6: Trust you shot you? You graized me, thould it's still

286
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Speaker 6: been mad. If you shove me, we kill your people.

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Speaker 6: We killed some of yours too, but we need you

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Speaker 6: and you need us.

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Speaker 2: Track It's not.

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Speaker 6: How could it come with my people taking this place?

291
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Speaker 6: You know? I have the numbers for that now you

292
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Speaker 6: saw it.

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Speaker 2: Still now he is right about that, because they only

294
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Speaker 2: needed their help when they didn't think the Kingdom would

295
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Speaker 2: get involved, and they knew the Hilltop was the people

296
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Speaker 2: that originally needed help. They didn't have any warriors, and

297
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Speaker 2: Gregory wouldn't let them fight. But now that he has

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Speaker 2: the Hilltop and the king Kingdom with him, he does

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Speaker 2: have the And they saw it during the battle against

300
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Speaker 2: cause they were there against the battle against Knigging. Wherever

301
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Speaker 2: they end up running, they know that he could have

302
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Speaker 2: shown up, guns are blazing and just fucking took this shit.

303
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Speaker 2: But at the same time, I understand Jada's point of view.

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Speaker 2: If you're here by yourself or whatever, how do I, like,

305
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Speaker 2: why would I even respect that? Like, I don't think that,

306
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Speaker 2: Like maybe you're lying and you don't have the numbers.

307
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Speaker 2: He just bluffing or some shit.

308
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Speaker 6: I love you.

309
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Speaker 2: He does to say that, not anymore, so she thinks

310
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Speaker 2: he's coming to get them to help save it. Took

311
00:17:53,119 --> 00:17:58,600
Speaker 2: down their outposts, and Rick pulls out the polaroids and

312
00:17:58,760 --> 00:18:01,840
Speaker 2: shows everybody. So that's why you've been taking them fucking pictures?

313
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Speaker 3: Right, I'll say, why the fuck is he just snapping

314
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Speaker 3: all these goddamn.

315
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Speaker 2: Pictures proof of his deeds and Savior compounds around him

316
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Speaker 2: by zombies and all this shit. And now I get it.

317
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Speaker 7: You know, Megan and his people are trapped by walkers

318
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Speaker 7: hundreds until they surrender, we end them.

319
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Speaker 2: That's their choice.

320
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Speaker 6: Now I'm giving one to you.

321
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Speaker 2: I get it. You take, don't bother so you took Megan.

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Speaker 6: Still, I'm here to offer.

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Speaker 8: A better one my people.

324
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Speaker 6: When your choice is to forget Megan, switch sides again

325
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Speaker 6: and be a part of the next world that Alexandria,

326
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Speaker 6: the Hilltop.

327
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Speaker 8: And the Kingdom were built together, or.

328
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Speaker 6: We destroy you.

329
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Speaker 2: Threats and dreams, dreams and threats. I don't know who

330
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Speaker 2: this is all. I hope you looking as Nigga is.

331
00:19:11,119 --> 00:19:13,280
Speaker 2: He just came out of knowing with that spoken word.

332
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Speaker 2: I felt like he was about to start going even further.

333
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Speaker 4: Yeah, I guess his thing was like, you're threatening, Joe.

334
00:19:20,560 --> 00:19:24,520
Speaker 4: We don't believe you basically, and we don't believe you

335
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Speaker 4: because you're threatening.

336
00:19:26,640 --> 00:19:28,639
Speaker 2: I can't tell all the subtext that I needed him

337
00:19:28,680 --> 00:19:29,360
Speaker 2: to keep finishing.

338
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Speaker 8: Why people know I'm here, and what they do next

339
00:19:35,200 --> 00:19:40,520
Speaker 8: to bends and what you do right now, yes, sir, No,

340
00:19:41,960 --> 00:19:42,600
Speaker 8: what's it gonna be?

341
00:19:50,040 --> 00:19:58,800
Speaker 2: No, So then they escort him away, and you know,

342
00:19:59,080 --> 00:20:02,119
Speaker 2: she says, no, Oh, My favorite line though, is at

343
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Speaker 2: the end right here, talks too much, talks too much

344
00:20:09,880 --> 00:20:12,480
Speaker 2: like nigga, y'all use three words of sentence when you talk.

345
00:20:12,600 --> 00:20:16,600
Speaker 2: Everybody talks too much to y'all. But yeah, that's how

346
00:20:16,680 --> 00:20:19,400
Speaker 2: that conversation went. And they put him away. So let's

347
00:20:19,400 --> 00:20:21,320
Speaker 2: get to the other people and then we'll come back

348
00:20:21,359 --> 00:20:28,120
Speaker 2: to Rick at the end. All right, So and let's

349
00:20:28,160 --> 00:20:32,040
Speaker 2: go to the kingdom. Carol goes up to Ezekiel's castle

350
00:20:32,080 --> 00:20:36,400
Speaker 2: slash home and says, hey, we promised to meet Rick

351
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Speaker 2: and the others to Jerry. Jerry's out front with his

352
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Speaker 2: axe guarding the castle by myself, looking rough, hell, looking

353
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Speaker 2: not as mustarized. I don't know what's going.

354
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Speaker 3: On, eating like you know, he always eating something.

355
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Speaker 2: Well, he was eating later, but not at the moment.

356
00:20:53,080 --> 00:20:56,639
Speaker 2: And he needs, uh, she's like he needed because he

357
00:20:56,800 --> 00:20:58,800
Speaker 2: needed to get the fuck out of here and gather

358
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Speaker 2: up everybody that could fight. And Jerry tells her that

359
00:21:01,480 --> 00:21:04,440
Speaker 2: Zeke told him to go home like he ain't taking

360
00:21:04,480 --> 00:21:08,080
Speaker 2: no visitors, and he said, I I'm not going home.

361
00:21:08,200 --> 00:21:10,320
Speaker 2: This is what I do. Basically, I was standing out

362
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Speaker 2: here in our guard the king.

363
00:21:12,119 --> 00:21:12,960
Speaker 3: Because my job.

364
00:21:13,200 --> 00:21:15,440
Speaker 2: Yeah, Jerry needs Zeke to be king is even in

365
00:21:15,520 --> 00:21:18,720
Speaker 2: the loss because that's the way that society out there functions,

366
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Speaker 2: and you know, without him, the people are kind of

367
00:21:21,880 --> 00:21:25,840
Speaker 2: left in the lurch. So Zeke doesn't answer the door

368
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Speaker 2: after Carol like knocks on it. Then she ends up

369
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Speaker 2: storming off, and Young Master Henry is in the background,

370
00:21:32,160 --> 00:21:34,040
Speaker 2: and the whole time you see him practicing his bow

371
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Speaker 2: staff like his brother. And when she leaves it goes

372
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Speaker 2: storming off upset obviously that Zeke. Uh, Young Master Henry

373
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Speaker 2: started following her behind her she said no, and don't

374
00:21:49,440 --> 00:21:52,840
Speaker 2: follow me children, look them little babies. He loving some

375
00:21:52,960 --> 00:21:57,040
Speaker 2: Carol r dying. Leave Carol alone like a grandmama. That

376
00:21:57,119 --> 00:22:02,600
Speaker 2: can kill everybody, right Master Henry. Then we later see

377
00:22:02,680 --> 00:22:04,640
Speaker 2: him in the woods and he's both staffing a couple

378
00:22:04,640 --> 00:22:07,479
Speaker 2: of zombies down real good. But he's not killing him

379
00:22:07,520 --> 00:22:10,560
Speaker 2: or nothing. He just like fighting them off. Is very dangerous,

380
00:22:10,640 --> 00:22:12,280
Speaker 2: like a zombie could trip and just bite him on

381
00:22:12,320 --> 00:22:14,680
Speaker 2: her leg or some shit, and he's not strong enough

382
00:22:14,680 --> 00:22:17,280
Speaker 2: to finish him off with the staff, right like he's

383
00:22:17,280 --> 00:22:18,160
Speaker 2: play fighting them.

384
00:22:20,359 --> 00:22:20,479
Speaker 4: Up.

385
00:22:20,800 --> 00:22:23,080
Speaker 2: Yeah, and so all of a sudden, the zombies get

386
00:22:23,119 --> 00:22:24,960
Speaker 2: shot in the side of the head. He turns around

387
00:22:25,040 --> 00:22:27,080
Speaker 2: and his Carol and she like, the fuck you doing

388
00:22:27,119 --> 00:22:30,240
Speaker 2: out in these woods, little boy? Right Like, he's like,

389
00:22:30,280 --> 00:22:34,040
Speaker 2: I'm practicing, I'm getting strong. I'm gonna kill these zombies

390
00:22:34,080 --> 00:22:37,399
Speaker 2: because you know, I gotta avenge my brother basically, and

391
00:22:38,359 --> 00:22:40,159
Speaker 2: he's like, you need fighters, you need people to go

392
00:22:40,280 --> 00:22:43,119
Speaker 2: with you, and she was like, no, you can't go

393
00:22:43,280 --> 00:22:45,920
Speaker 2: with me. And then he was like, you out to

394
00:22:45,960 --> 00:22:49,359
Speaker 2: go to the Savings compound by yourself, which it sounds

395
00:22:49,359 --> 00:22:53,920
Speaker 2: like she was gonna do. And finally she's like, you

396
00:22:54,000 --> 00:22:55,440
Speaker 2: know cause he's like I want to kill my brother.

397
00:22:55,480 --> 00:22:58,000
Speaker 2: I want to get revenge. And she's like, you know what,

398
00:22:58,640 --> 00:23:00,879
Speaker 2: take this gun because that's you ain't no good with

399
00:23:00,960 --> 00:23:03,399
Speaker 2: that fucking stick. She's like, you know how to use this,

400
00:23:03,520 --> 00:23:06,000
Speaker 2: and he said, yeah, I watched you train people. She's like, okay,

401
00:23:06,359 --> 00:23:09,480
Speaker 2: keep your safety on. Well until I tell you not

402
00:23:09,640 --> 00:23:12,760
Speaker 2: to come on and follow me. We'll take you see

403
00:23:12,760 --> 00:23:17,800
Speaker 2: some flowers. You're right, But now she was like, come on,

404
00:23:18,000 --> 00:23:22,399
Speaker 2: follow me. They go back to Zeke's castle. She shows

405
00:23:22,480 --> 00:23:25,240
Speaker 2: up with a shotgun this time, and Jerry is up

406
00:23:25,240 --> 00:23:27,359
Speaker 2: there looking like he just finished off some cobbler he was,

407
00:23:29,359 --> 00:23:33,920
Speaker 2: and she goes to shoot the door open, and Jerry's like, yo,

408
00:23:34,240 --> 00:23:38,679
Speaker 2: the door's not locked. It's funny though, because the assumption

409
00:23:38,840 --> 00:23:40,160
Speaker 2: was that it was locked, but she never even tried

410
00:23:40,200 --> 00:23:42,240
Speaker 2: to open the door. I way back, and look, no

411
00:23:42,440 --> 00:23:43,119
Speaker 2: she didn't.

412
00:23:42,840 --> 00:23:45,120
Speaker 4: Because you would assume that if he's standing out there,

413
00:23:45,359 --> 00:23:48,800
Speaker 4: you're assuming that is locked, right, Why would you assume

414
00:23:48,840 --> 00:23:49,080
Speaker 4: he was.

415
00:23:49,040 --> 00:23:50,480
Speaker 3: Stand in front of an unlocked door.

416
00:23:50,920 --> 00:23:53,320
Speaker 2: Carol goes into the theater where Zeka is on that

417
00:23:53,480 --> 00:23:56,840
Speaker 2: stage where shen Him used to reside, and he has

418
00:23:56,920 --> 00:23:59,440
Speaker 2: a throne and shit, but he ain't even sitting in

419
00:23:59,480 --> 00:24:05,200
Speaker 2: the throne, like he is too fucking through.

420
00:24:06,359 --> 00:24:07,159
Speaker 8: He is like.

421
00:24:08,720 --> 00:24:09,840
Speaker 3: Crime river.

422
00:24:11,000 --> 00:24:15,080
Speaker 2: Yeah, like he is sitting like on the floor in

423
00:24:15,160 --> 00:24:20,880
Speaker 2: front of the throne, and he's holding Shiva's chain. Obviously

424
00:24:21,240 --> 00:24:25,520
Speaker 2: she ain't you know, she ain't there no more. So

425
00:24:25,640 --> 00:24:27,399
Speaker 2: it's it don't even make sense why he's holding that

426
00:24:27,480 --> 00:24:32,680
Speaker 2: damn chain. Just a remembrance, right, he just he's just grieving,

427
00:24:33,080 --> 00:24:35,960
Speaker 2: just grieving over that damn tiger and all the people

428
00:24:36,040 --> 00:24:38,840
Speaker 2: he lost. Of course, you know now he was stealing

429
00:24:38,920 --> 00:24:43,200
Speaker 2: his Ezekiel, you know, get up. So I feel like,

430
00:24:43,480 --> 00:24:45,520
Speaker 2: even though he's saying he can't play the part no more,

431
00:24:45,560 --> 00:24:47,920
Speaker 2: I'm like, you woke up this morning and put on

432
00:24:48,000 --> 00:24:49,480
Speaker 2: your face. You didn't work up like this.

433
00:24:50,320 --> 00:24:51,119
Speaker 3: No, he didn't know.

434
00:24:51,400 --> 00:24:56,480
Speaker 4: So, so regardless of how quote unquote you know, he

435
00:24:56,600 --> 00:25:01,159
Speaker 4: feels like he can't, you know, move on and grieving.

436
00:25:02,040 --> 00:25:04,320
Speaker 4: If you took that much of an effort, that means

437
00:25:04,359 --> 00:25:06,320
Speaker 4: you you ain't one hundred percent just gave up.

438
00:25:07,119 --> 00:25:10,440
Speaker 2: Right, That's how I was looking at it, because he's

439
00:25:10,520 --> 00:25:14,320
Speaker 2: just not I don't know, it's like he's given He's not.

440
00:25:16,119 --> 00:25:18,640
Speaker 2: He's not completely giving up. I put it that way.

441
00:25:20,400 --> 00:25:22,119
Speaker 3: He's trying and crush, but he has been given up

442
00:25:22,160 --> 00:25:23,160
Speaker 3: completely up right.

443
00:25:23,119 --> 00:25:28,119
Speaker 2: He's grieving. He's grieving essentially. So the other thing, I

444
00:25:28,119 --> 00:25:29,480
Speaker 2: think if he truly had giving up, he would have

445
00:25:29,520 --> 00:25:32,840
Speaker 2: left the community. I think he felt no obligation and

446
00:25:32,960 --> 00:25:34,639
Speaker 2: felt like, oh, I'm so embarrassed. I think he just

447
00:25:34,800 --> 00:25:39,399
Speaker 2: leaves anyway. So she shows up and they have like

448
00:25:39,480 --> 00:25:42,880
Speaker 2: this talk. Well he basically says, look, I can't even

449
00:25:42,960 --> 00:25:46,119
Speaker 2: fake like I'm the king anymore. I'm just you know,

450
00:25:46,280 --> 00:25:48,879
Speaker 2: I can't do this, And she was like you're that

451
00:25:49,040 --> 00:25:52,600
Speaker 2: king you gotta be. And he was like, I said,

452
00:25:52,640 --> 00:25:54,560
Speaker 2: I was a king. I played a part, and I

453
00:25:54,680 --> 00:25:57,800
Speaker 2: was shown that the stakes were the people's lives, and

454
00:25:57,880 --> 00:26:01,320
Speaker 2: I still played that part and new and and he

455
00:26:01,359 --> 00:26:03,720
Speaker 2: said it sarcastic, was like, and yet I smiled, like,

456
00:26:04,640 --> 00:26:06,800
Speaker 2: like what a dumb ass? He said, I can't do

457
00:26:06,840 --> 00:26:08,640
Speaker 2: it anymore. I can't be what they need, so please

458
00:26:08,760 --> 00:26:12,400
Speaker 2: leave me alone. And Carol says she gets ready to leave,

459
00:26:13,560 --> 00:26:15,960
Speaker 2: and she goes up the steps and then she stops

460
00:26:15,960 --> 00:26:18,640
Speaker 2: about halfway, comes back and says, why did you keep

461
00:26:18,680 --> 00:26:19,399
Speaker 2: coming to visit me?

462
00:26:19,760 --> 00:26:19,879
Speaker 7: Right?

463
00:26:20,119 --> 00:26:22,520
Speaker 2: Because I remember when she lived outside the community in

464
00:26:22,560 --> 00:26:23,280
Speaker 2: that house.

465
00:26:23,040 --> 00:26:23,720
Speaker 3: A long time.

466
00:26:24,119 --> 00:26:26,120
Speaker 2: She was doing just finding this nigga needs to show

467
00:26:26,200 --> 00:26:27,960
Speaker 2: up with pomegranates every week? Like what up?

468
00:26:28,040 --> 00:26:28,280
Speaker 4: Girl?

469
00:26:29,240 --> 00:26:33,600
Speaker 2: Let me sliding them dms you up? And he said

470
00:26:33,600 --> 00:26:36,000
Speaker 2: it was my duty to make sure you're okay. She says,

471
00:26:36,119 --> 00:26:38,760
Speaker 2: I was okay. Now, why did you really come see me?

472
00:26:38,840 --> 00:26:41,480
Speaker 2: Because she's Carol. Of course she was okay, right.

473
00:26:41,760 --> 00:26:44,160
Speaker 3: You knew she was okay. She had survived that long

474
00:26:44,440 --> 00:26:44,919
Speaker 3: by herself.

475
00:26:44,960 --> 00:26:48,000
Speaker 2: She was okay, right, And he said, you just made

476
00:26:48,119 --> 00:26:53,200
Speaker 2: me feel real, not a fiction real, right.

477
00:26:53,240 --> 00:26:56,200
Speaker 3: That's why he would kind of turn off for her, right.

478
00:26:56,320 --> 00:26:58,040
Speaker 2: Like he just get there and start talking. She's like,

479
00:26:58,080 --> 00:27:00,320
Speaker 2: I'm not buying this bullshit. What do you really about?

480
00:27:02,680 --> 00:27:04,760
Speaker 2: So she said to him, and there's like an emotional

481
00:27:04,800 --> 00:27:07,560
Speaker 2: scene like she was crying with She was like, you

482
00:27:07,680 --> 00:27:11,440
Speaker 2: are real to me, to the kingdom. These people need

483
00:27:11,520 --> 00:27:13,760
Speaker 2: their king to lead them. And he says you, you

484
00:27:13,840 --> 00:27:14,639
Speaker 2: can lead them, and she.

485
00:27:14,680 --> 00:27:18,320
Speaker 3: Said it has to be you, right, it can't be her.

486
00:27:18,480 --> 00:27:19,760
Speaker 3: It got to be you, right.

487
00:27:19,840 --> 00:27:21,400
Speaker 2: That's the other thing. No one else can just walk

488
00:27:21,440 --> 00:27:23,639
Speaker 2: out that castle with her, Like could you imagine it

489
00:27:23,640 --> 00:27:25,879
Speaker 2: would have been hilarious if the next scene, like he

490
00:27:26,040 --> 00:27:28,439
Speaker 2: was like, it could be you. You could lead them

491
00:27:28,680 --> 00:27:30,639
Speaker 2: if the next scene she walked out with a scepter

492
00:27:30,760 --> 00:27:35,240
Speaker 2: and a crown and was like, royal folks today, we

493
00:27:35,560 --> 00:27:38,040
Speaker 2: go to Bato because you know, she'd be a totally

494
00:27:38,080 --> 00:27:39,800
Speaker 2: different queen than he's a king.

495
00:27:40,200 --> 00:27:42,080
Speaker 4: And it's one of those things too, to where they

496
00:27:42,119 --> 00:27:44,439
Speaker 4: don't believe in you, they don't believe in her.

497
00:27:44,480 --> 00:27:49,359
Speaker 2: Like you, She says, you inspired them to build this place,

498
00:27:49,520 --> 00:27:51,919
Speaker 2: to believe in something. You have to help them grieve

499
00:27:52,160 --> 00:27:54,920
Speaker 2: to move on, to end this. You owe them that

500
00:27:55,680 --> 00:27:59,119
Speaker 2: Henry needs you which we know he love Henry, and

501
00:27:59,240 --> 00:28:02,320
Speaker 2: she said, those people need King Ezekiel, and if you

502
00:28:02,440 --> 00:28:04,240
Speaker 2: can't be the king, then do what you do best

503
00:28:04,320 --> 00:28:07,159
Speaker 2: and play the part. And then my favorite part of this,

504
00:28:07,320 --> 00:28:09,560
Speaker 2: she goes, I have to act every day. It used

505
00:28:09,560 --> 00:28:11,639
Speaker 2: to bother me, but this is who I am. And

506
00:28:11,720 --> 00:28:14,159
Speaker 2: I'm still standing, right, you just have to act like

507
00:28:14,240 --> 00:28:17,240
Speaker 2: everything is normal, Attila is. It's what you have to

508
00:28:17,320 --> 00:28:21,159
Speaker 2: give them, and he said I can't, and then they

509
00:28:21,240 --> 00:28:25,560
Speaker 2: cut away. So two things in the scene. One we

510
00:28:25,720 --> 00:28:29,440
Speaker 2: get the inside of Carol because I think ever since

511
00:28:29,840 --> 00:28:32,440
Speaker 2: she started breaking down last season and she didn't want

512
00:28:32,440 --> 00:28:35,440
Speaker 2: to fight anymore, she was having like PTSD, she was

513
00:28:35,520 --> 00:28:38,200
Speaker 2: marking down a number of people she killed. There's been

514
00:28:38,240 --> 00:28:42,480
Speaker 2: this thing where I'm like, so warrior Carol is a

515
00:28:42,640 --> 00:28:46,280
Speaker 2: mask for Carol that is a survivor of you know,

516
00:28:46,400 --> 00:28:49,400
Speaker 2: this domestic violence, this harbor relationships. She lost her child.

517
00:28:50,680 --> 00:28:52,320
Speaker 2: You know, she used to not be a fighter. She

518
00:28:52,480 --> 00:28:55,480
Speaker 2: used to you know, but now it's like she's the

519
00:28:55,520 --> 00:28:58,400
Speaker 2: fucking Bruce Willis of the Apocalypse, right, And I do

520
00:28:58,640 --> 00:28:59,760
Speaker 2: give them credit.

521
00:29:00,480 --> 00:29:03,640
Speaker 4: I know Season two fucking drove me insane, but you

522
00:29:03,840 --> 00:29:06,840
Speaker 4: had to have her be like that in order to

523
00:29:07,000 --> 00:29:08,520
Speaker 4: reap the reward of who she is now.

524
00:29:08,800 --> 00:29:12,120
Speaker 2: Yea, she was grieving her child and we never got

525
00:29:12,160 --> 00:29:15,040
Speaker 2: this in the comics, Like it took this a total

526
00:29:15,120 --> 00:29:17,520
Speaker 2: different direction that I think is much better than Carolyn

527
00:29:17,560 --> 00:29:17,920
Speaker 2: the comedy.

528
00:29:18,040 --> 00:29:18,560
Speaker 3: Yes, Sir.

529
00:29:20,160 --> 00:29:24,280
Speaker 2: At any rate, though they end up, she ends up,

530
00:29:25,240 --> 00:29:27,480
Speaker 2: you know, not able to convince him. So that was

531
00:29:27,680 --> 00:29:29,480
Speaker 2: one thing was we did get to see a peak

532
00:29:29,520 --> 00:29:32,120
Speaker 2: behind her, because when she was having that PTS shakes

533
00:29:32,160 --> 00:29:33,680
Speaker 2: and shit last year, I was like, is this sureal

534
00:29:33,760 --> 00:29:35,680
Speaker 2: or is this fake? Because she was trying to get

535
00:29:35,720 --> 00:29:38,120
Speaker 2: out of Savior compound and stuff trick make them think

536
00:29:38,160 --> 00:29:41,440
Speaker 2: she was weak, But then she still was really struggling

537
00:29:41,480 --> 00:29:44,000
Speaker 2: with killing more people. Then she really quit. She didn't

538
00:29:44,000 --> 00:29:45,880
Speaker 2: want to be attached to anybody because that means the

539
00:29:45,880 --> 00:29:49,120
Speaker 2: attachment means you got to kill for people too. And

540
00:29:49,280 --> 00:29:51,800
Speaker 2: now she's back the warrior, and I think she has

541
00:29:51,920 --> 00:29:54,800
Speaker 2: found that thing where she's like, if I have to

542
00:29:54,880 --> 00:29:58,120
Speaker 2: put on the face of this brave, tough woman that

543
00:29:58,320 --> 00:30:01,600
Speaker 2: kills without any remorse, if that's what it takes to

544
00:30:01,640 --> 00:30:05,120
Speaker 2: surviving to help the people that I love, then that's

545
00:30:05,200 --> 00:30:05,880
Speaker 2: just what it takes.

546
00:30:07,160 --> 00:30:11,280
Speaker 3: Yeah. And also I think Carol has came to the.

547
00:30:12,760 --> 00:30:15,600
Speaker 4: Conclusion that, like you said, it is what it is,

548
00:30:16,280 --> 00:30:18,880
Speaker 4: and you can't always run away and you can't always

549
00:30:20,560 --> 00:30:23,360
Speaker 4: try to escape, you know, because that's why Morgan came

550
00:30:23,440 --> 00:30:26,040
Speaker 4: after her, you know, because you're like, nah, you're not

551
00:30:26,120 --> 00:30:28,800
Speaker 4: gonna run away. You're not gonna escape the reality of

552
00:30:29,200 --> 00:30:29,760
Speaker 4: these things.

553
00:30:31,200 --> 00:30:34,240
Speaker 2: And so the second thing is do you think she's

554
00:30:34,320 --> 00:30:37,440
Speaker 2: falling for Ezekiel Because I couldn't tell in this scene

555
00:30:37,480 --> 00:30:41,600
Speaker 2: for sure, but it felt more like this, this relationship

556
00:30:41,760 --> 00:30:46,640
Speaker 2: is deeper than even you know, even in the last

557
00:30:46,680 --> 00:30:48,880
Speaker 2: few weeks. With her smiling and stuff. It was kind

558
00:30:48,920 --> 00:30:51,760
Speaker 2: of like she could just be laughing at this dude

559
00:30:51,880 --> 00:30:54,680
Speaker 2: or just like excited that there might have a prospect

560
00:30:54,720 --> 00:30:58,440
Speaker 2: of winning this war. But she like actually kind of

561
00:30:59,040 --> 00:31:01,240
Speaker 2: softening on him, and she because she used to be

562
00:31:01,280 --> 00:31:04,480
Speaker 2: almost like Loki disgusted with this nigga, and now it's

563
00:31:04,600 --> 00:31:08,800
Speaker 2: like she really was. I in this scene. It's harder

564
00:31:08,840 --> 00:31:11,400
Speaker 2: to convey, but she wasn't angry at him, and she

565
00:31:11,600 --> 00:31:13,560
Speaker 2: wasn't like scolding him as much as she was like

566
00:31:14,120 --> 00:31:17,640
Speaker 2: being empathetic towards him and being like, come back because

567
00:31:17,680 --> 00:31:19,640
Speaker 2: people need you, because I do what I do because

568
00:31:19,680 --> 00:31:21,960
Speaker 2: people need me. So you think she's falling for him.

569
00:31:22,720 --> 00:31:26,600
Speaker 4: I think it's a little bit of she's falling for him,

570
00:31:26,960 --> 00:31:30,640
Speaker 4: and she knows that she needs him because she went

571
00:31:30,720 --> 00:31:32,760
Speaker 4: from somebody who I don't need the community. I don't

572
00:31:32,760 --> 00:31:34,880
Speaker 4: need nobody, I don't need nobody. And I think he

573
00:31:35,040 --> 00:31:39,120
Speaker 4: literally just wore her down constantly coming around, constantly giving

574
00:31:39,200 --> 00:31:42,360
Speaker 4: her things, you know, and it got to the point

575
00:31:42,440 --> 00:31:46,280
Speaker 4: to where I really do think even though she knows

576
00:31:46,480 --> 00:31:49,480
Speaker 4: she understands it, it's a mask she all fought in,

577
00:31:50,360 --> 00:31:53,000
Speaker 4: you know, with her smiling, because her attitude is changed. It.

578
00:31:53,040 --> 00:31:55,400
Speaker 4: But since she's been at the Kingdom, you know, I

579
00:31:55,840 --> 00:31:57,760
Speaker 4: personally think my prediction is she's going to stay at

580
00:31:57,800 --> 00:32:00,320
Speaker 4: the Kingdom, you know, regardless of what happens. I don't

581
00:32:00,320 --> 00:32:02,240
Speaker 4: think she's gonna go back to Rick's and them group,

582
00:32:02,680 --> 00:32:04,600
Speaker 4: or if she does, she won't like stay and live

583
00:32:04,680 --> 00:32:07,280
Speaker 4: and all that shit. I think that the Kingdom is

584
00:32:07,360 --> 00:32:10,800
Speaker 4: her new home in my opinion. I'm not wrong, but

585
00:32:10,880 --> 00:32:12,840
Speaker 4: that's that's what I'm thinking, because I think that she

586
00:32:13,000 --> 00:32:13,400
Speaker 4: found a.

587
00:32:15,480 --> 00:32:16,440
Speaker 3: Community that she.

588
00:32:16,640 --> 00:32:19,880
Speaker 2: Can embrace, uh more.

589
00:32:19,960 --> 00:32:22,040
Speaker 3: And I really do think that she meant what she

590
00:32:22,160 --> 00:32:22,720
Speaker 3: said when she.

591
00:32:22,840 --> 00:32:26,400
Speaker 4: Was like, hey, dog, like you got to come back,

592
00:32:26,520 --> 00:32:31,680
Speaker 4: because like he's basically the light for the whole town,

593
00:32:31,800 --> 00:32:34,560
Speaker 4: and if you go out, there's no telling what will

594
00:32:34,560 --> 00:32:36,720
Speaker 4: happen to the rest of them. Like Carol knows that

595
00:32:36,840 --> 00:32:39,440
Speaker 4: she will be okay, but she knows the whole community

596
00:32:39,520 --> 00:32:40,760
Speaker 4: of people that wont know what to do.

597
00:32:41,600 --> 00:32:44,040
Speaker 2: I wanted that dude gonna call back in and Dad

598
00:32:44,120 --> 00:32:49,480
Speaker 2: swaying to us, what we're missing this scene. You was

599
00:32:49,560 --> 00:32:52,240
Speaker 2: hanging to the left, and y'all didn't even say that. See,

600
00:32:52,280 --> 00:32:54,280
Speaker 2: that's what makes me upset about the way y'all do

601
00:32:55,160 --> 00:32:57,640
Speaker 2: it might have who knows, you know. I wish y'all

602
00:32:57,640 --> 00:32:59,960
Speaker 2: could just pick up everything. Y'all don't pick up everything,

603
00:33:00,000 --> 00:33:03,600
Speaker 2: and sometimes and I get so frustrated for this free shit.

604
00:33:04,880 --> 00:33:08,680
Speaker 2: So also, uh back, let's go to Alexandria. This is

605
00:33:08,720 --> 00:33:12,640
Speaker 2: a long one. Michelle gets in the car to leave,

606
00:33:14,600 --> 00:33:18,680
Speaker 2: and we know she's just taking like that horrible beating

607
00:33:19,400 --> 00:33:23,320
Speaker 2: like falling out of the tower thing. So she's still

608
00:33:23,400 --> 00:33:26,960
Speaker 2: healing up, which is why she didn't go to to

609
00:33:27,080 --> 00:33:29,520
Speaker 2: the Savior's compound with ricking them. And also because she's

610
00:33:29,560 --> 00:33:34,400
Speaker 2: filming Black Panther at the time. Come and apparently of Avengers.

611
00:33:34,440 --> 00:33:39,160
Speaker 2: I seen her in that trailer y'all. So Rosita uh

612
00:33:39,680 --> 00:33:42,760
Speaker 2: sees Michean getting in the car to go. H She like,

613
00:33:42,840 --> 00:33:45,720
Speaker 2: what you doing. Michean's like, I gotta go. I gotta

614
00:33:45,800 --> 00:33:51,080
Speaker 2: go see the Savior compound the sanctuary for myself. And

615
00:33:51,320 --> 00:33:55,840
Speaker 2: Rosita's like, why and take me with you? You you

616
00:33:56,240 --> 00:33:58,360
Speaker 2: all beat up and ship, you can't go by yourself.

617
00:33:58,960 --> 00:34:01,640
Speaker 2: And she's like, Rosita, you just got shot. You healing

618
00:34:01,720 --> 00:34:04,920
Speaker 2: from your gun shot. And she's like, well, then that's

619
00:34:04,920 --> 00:34:07,080
Speaker 2: the more reason we should go together, right like?

620
00:34:07,440 --> 00:34:10,520
Speaker 3: And ros he looking like bitch out of everybody here.

621
00:34:11,160 --> 00:34:13,160
Speaker 4: If I'll let you leave and I don't go with

622
00:34:13,280 --> 00:34:17,120
Speaker 4: you or tell somebody, it's gonna be a big ass fallout,

623
00:34:17,239 --> 00:34:19,520
Speaker 4: like you all be one person that just can't go missing.

624
00:34:20,040 --> 00:34:25,560
Speaker 2: So they both drive off together. Darryl meanwhile approaches Tera.

625
00:34:26,080 --> 00:34:29,399
Speaker 2: They have a conversation. She says that he was right

626
00:34:29,440 --> 00:34:32,360
Speaker 2: about not killing d White because the White is being useful,

627
00:34:33,239 --> 00:34:36,080
Speaker 2: which is funny because we know that in actuality, it's

628
00:34:36,120 --> 00:34:39,520
Speaker 2: only Rick that kept the White for getting killed because

629
00:34:39,600 --> 00:34:44,800
Speaker 2: Daryl wanted to kill that nigga forever. So she says

630
00:34:44,920 --> 00:34:47,560
Speaker 2: that when it's over, she wants to kill the White

631
00:34:47,600 --> 00:34:51,440
Speaker 2: herself and Daryl says, well, maybe it can be you

632
00:34:51,560 --> 00:34:54,080
Speaker 2: and me both, and maybe we don't have to wait

633
00:34:54,160 --> 00:34:56,960
Speaker 2: so long. So they got some type of playing cooking.

634
00:34:56,760 --> 00:34:59,040
Speaker 3: And they're going against the Green, so we'll see how

635
00:34:59,080 --> 00:34:59,479
Speaker 3: that goes.

636
00:34:59,600 --> 00:35:03,040
Speaker 2: You know, what's interesting is vengeance in this show. It's

637
00:35:03,080 --> 00:35:05,360
Speaker 2: so real because, like I know, people get sick of it,

638
00:35:05,440 --> 00:35:08,280
Speaker 2: but like you know, as a macro versus micro situation,

639
00:35:08,920 --> 00:35:11,640
Speaker 2: characters would fuck up the plan because like, I want

640
00:35:11,680 --> 00:35:13,200
Speaker 2: to kill this dude. I don't really care about the

641
00:35:13,239 --> 00:35:16,200
Speaker 2: big plan, y'all figure something else out. I just don't

642
00:35:16,239 --> 00:35:21,520
Speaker 2: like this nigga. And he killed Terror's girlfriend, so you know,

643
00:35:21,680 --> 00:35:23,839
Speaker 2: she been holding that against him, and she's been way

644
00:35:23,880 --> 00:35:27,080
Speaker 2: more savage this season. She wanted to she wanted to

645
00:35:27,120 --> 00:35:31,400
Speaker 2: kill po Ws like she is, and she's convinced. You know,

646
00:35:31,520 --> 00:35:33,600
Speaker 2: she told Morgan he wasn't wrong when he was about

647
00:35:33,600 --> 00:35:35,359
Speaker 2: to kill those men in cold blood at the tree.

648
00:35:35,920 --> 00:35:43,120
Speaker 2: So at any rate, bro uh. They they cut to Rosita,

649
00:35:43,320 --> 00:35:45,600
Speaker 2: who is driving now, so they must have been driving

650
00:35:45,640 --> 00:35:47,919
Speaker 2: for a while and maybe Michean got tired of Maybe

651
00:35:47,960 --> 00:35:50,799
Speaker 2: it's an editing error. I don't know, but Rosita's driving now.

652
00:35:50,920 --> 00:35:53,480
Speaker 2: She asked Michean why she needs to see the sanctuary,

653
00:35:54,000 --> 00:35:57,200
Speaker 2: and she basically says that, you know, she's worried for everyone,

654
00:35:57,920 --> 00:36:00,960
Speaker 2: and she has to see that plan that the sanctuary

655
00:36:01,120 --> 00:36:03,600
Speaker 2: is working, that they really did surround the walkers.

656
00:36:03,239 --> 00:36:05,520
Speaker 3: Because she didn't get to see it, which completely makes sense.

657
00:36:05,680 --> 00:36:08,560
Speaker 2: Yeah, and she's used to being on the battlefield in

658
00:36:08,680 --> 00:36:12,520
Speaker 2: the front line, so she's like yeah. She's like, I

659
00:36:12,640 --> 00:36:14,920
Speaker 2: can't turn off the alarm my head until I see

660
00:36:14,960 --> 00:36:16,600
Speaker 2: it and go back and then I can go back home.

661
00:36:17,239 --> 00:36:21,440
Speaker 2: And they, uh, Rosita's like things about for seconds, like

662
00:36:21,520 --> 00:36:24,160
Speaker 2: that's fine, that that that's that's what it takes. And

663
00:36:24,280 --> 00:36:26,719
Speaker 2: then they hear some music playing in the background in

664
00:36:26,800 --> 00:36:30,000
Speaker 2: the distance and its opera loud opera music, and Micheone

665
00:36:30,080 --> 00:36:32,840
Speaker 2: was like, stop the car and Rosita was like, I

666
00:36:32,920 --> 00:36:34,840
Speaker 2: don't that sound and listening to I don't think it

667
00:36:34,880 --> 00:36:39,120
Speaker 2: can reach the sanctuary. But Micheane says me either. But

668
00:36:39,400 --> 00:36:42,680
Speaker 2: we don't know, like maybe it came, maybe it can't.

669
00:36:42,719 --> 00:36:44,560
Speaker 2: We don't know where the sounds coming from. We noticed

670
00:36:44,600 --> 00:36:47,439
Speaker 2: somebody making sound. Maybe they're trying to draw walkers away

671
00:36:47,440 --> 00:36:48,799
Speaker 2: from the sanctuary.

672
00:36:48,640 --> 00:36:52,200
Speaker 4: Making a loud as noise And last time we checked

673
00:36:52,239 --> 00:36:53,960
Speaker 4: folks on it ain't loud for no reason.

674
00:36:54,160 --> 00:36:56,800
Speaker 2: So they decided to get out the car and go

675
00:36:57,200 --> 00:36:58,120
Speaker 2: check for themselves.

676
00:36:59,320 --> 00:37:02,600
Speaker 3: Like a hard of course, because when they walked out,

677
00:37:02,680 --> 00:37:04,799
Speaker 3: it was like very open. I was like, y'all gonna

678
00:37:04,800 --> 00:37:07,520
Speaker 3: get fucked up, and we.

679
00:37:07,560 --> 00:37:10,000
Speaker 2: Didn't know what they were walking into, right, They didn't either.

680
00:37:10,480 --> 00:37:12,239
Speaker 2: So they see a building after they walked through a

681
00:37:12,320 --> 00:37:15,880
Speaker 2: clearing and it's a building with loud music playing inside,

682
00:37:16,480 --> 00:37:20,040
Speaker 2: and they pull out their guns to go walk inside. Meanwhile,

683
00:37:21,520 --> 00:37:25,520
Speaker 2: in the woods outside of Alexandria, we see a zombie

684
00:37:26,080 --> 00:37:28,560
Speaker 2: that is stuck in a trap. There's a paper, there's

685
00:37:28,560 --> 00:37:31,279
Speaker 2: a plastic bag tied to the branch of a tree.

686
00:37:31,840 --> 00:37:34,720
Speaker 2: It's trying to grab the plastic bag because it's blowing

687
00:37:34,800 --> 00:37:39,520
Speaker 2: in the breeze. And then it's the zombie impels itself

688
00:37:39,640 --> 00:37:42,480
Speaker 2: on like a branch trying to reach the plastic bag.

689
00:37:43,040 --> 00:37:47,200
Speaker 2: And the same homeless dude from earlier this season that

690
00:37:47,680 --> 00:37:51,759
Speaker 2: Carl saw and gave some food to. Even after his

691
00:37:51,920 --> 00:37:55,719
Speaker 2: dad shot at the dude, there's a warning shot and

692
00:37:55,800 --> 00:37:58,360
Speaker 2: Carl was like, we could have recruited him, and you know,

693
00:37:58,480 --> 00:38:00,680
Speaker 2: Rick's like he could have been a savior. Fuck that shit.

694
00:38:01,520 --> 00:38:04,400
Speaker 2: So you know, we don't know really what he is.

695
00:38:04,600 --> 00:38:08,240
Speaker 2: So that homeless dude shows up and stabs the zombie

696
00:38:08,239 --> 00:38:12,840
Speaker 2: in the back of the neck kills it. Yeah, clearly

697
00:38:12,920 --> 00:38:14,800
Speaker 2: this is an elaborate trap of some kind that he

698
00:38:14,920 --> 00:38:17,520
Speaker 2: set up to kill the zombie. That was my first thing.

699
00:38:17,560 --> 00:38:20,160
Speaker 2: I was like, Okay, it's something special about the zombie, Like,

700
00:38:20,280 --> 00:38:22,200
Speaker 2: why is he killing it? You know what's going on

701
00:38:22,320 --> 00:38:25,320
Speaker 2: with this dude. Well, the reason we're watching this is

702
00:38:25,320 --> 00:38:29,040
Speaker 2: because Carl's watching it and Fedi. Carl is out there

703
00:38:29,320 --> 00:38:32,800
Speaker 2: and he's like, hey, remember me, I left you some food.

704
00:38:33,160 --> 00:38:35,080
Speaker 2: My dad shot at you, but it was warning shots

705
00:38:35,200 --> 00:38:39,800
Speaker 2: they shot over your head, and they exchange names. We

706
00:38:39,880 --> 00:38:43,359
Speaker 2: find out this guy's name is Sadiq, and Carl gives

707
00:38:43,400 --> 00:38:45,919
Speaker 2: him some more food and water. Sadika has a knife

708
00:38:45,960 --> 00:38:48,480
Speaker 2: the whole time, you know, obviously worried that might be

709
00:38:48,520 --> 00:38:49,480
Speaker 2: an ambush.

710
00:38:49,120 --> 00:38:51,120
Speaker 4: Or a trap of some kind if you're looking around

711
00:38:51,160 --> 00:38:52,600
Speaker 4: to be sure nobody else is out there.

712
00:38:52,800 --> 00:38:56,120
Speaker 2: Yeah, and after Carl gives them the some sardines, it's

713
00:38:56,120 --> 00:38:59,040
Speaker 2: the water that he's scavenged. Sadik drinks that water down fast,

714
00:38:59,080 --> 00:39:01,560
Speaker 2: and shit, I'm like, you look, he ain't poisoned, right,

715
00:39:01,680 --> 00:39:05,040
Speaker 2: But also tell y'all desperately must be right for days.

716
00:39:05,120 --> 00:39:07,000
Speaker 3: Who knows how long has been since Carl was out

717
00:39:07,080 --> 00:39:08,439
Speaker 3: last out there right?

718
00:39:08,760 --> 00:39:08,840
Speaker 4: Uh?

719
00:39:09,000 --> 00:39:12,200
Speaker 2: Sadiq ask him why and Carl says because of the

720
00:39:12,239 --> 00:39:15,319
Speaker 2: stuff Sadik said about his mom in that episode where

721
00:39:15,320 --> 00:39:17,320
Speaker 2: he was like, my mom always said, you know, be

722
00:39:17,480 --> 00:39:19,320
Speaker 2: nice to the traveler. He is coming to the travel

723
00:39:19,440 --> 00:39:22,080
Speaker 2: da da da dada. So Sadiq takes the water. Thanks Carl.

724
00:39:22,239 --> 00:39:26,799
Speaker 2: Carl says, I'm glad I found you, which sadigralizes, oh,

725
00:39:26,840 --> 00:39:28,960
Speaker 2: you've been looking for me, specifically why you're looking for me?

726
00:39:29,480 --> 00:39:31,480
Speaker 2: And he asked him the three questions, which we all

727
00:39:31,560 --> 00:39:33,520
Speaker 2: know from seasons past. The three questions are all the

728
00:39:33,640 --> 00:39:36,120
Speaker 2: questions you ask when you're recruiting to see if something

729
00:39:36,160 --> 00:39:38,759
Speaker 2: you want someone to join your group, and he says,

730
00:39:38,840 --> 00:39:41,400
Speaker 2: how many walkers have you killed? Sadik says two hundred

731
00:39:41,440 --> 00:39:47,480
Speaker 2: and thirty seven. I said, sign this nigga up. Recruit

732
00:39:47,600 --> 00:39:50,640
Speaker 2: him like you are horror and you are trying to

733
00:39:50,680 --> 00:39:52,359
Speaker 2: get him to come to school. He's at the top

734
00:39:52,400 --> 00:39:54,040
Speaker 2: of the he gotta be at the top of the

735
00:39:54,040 --> 00:39:57,040
Speaker 2: recruiting class, gotta be. Carl said two thirty seven. He

736
00:39:57,160 --> 00:39:59,439
Speaker 2: sure about that. He was like, give them a take maybe,

737
00:39:59,520 --> 00:40:02,160
Speaker 2: I mean, I might be a couple off. But two

738
00:40:02,320 --> 00:40:05,359
Speaker 2: around number two thirty seven, he said, how many humans

739
00:40:05,400 --> 00:40:07,000
Speaker 2: are you killed? He said one? He said how? He

740
00:40:07,040 --> 00:40:10,240
Speaker 2: said why? Why did you kill him? He said, because

741
00:40:10,400 --> 00:40:14,200
Speaker 2: Sadiq's like the dead basically ate him but didn't kill

742
00:40:14,239 --> 00:40:15,759
Speaker 2: the dude, so I basically had to kill him to

743
00:40:15,800 --> 00:40:20,799
Speaker 2: put him out of his misery, right, And Carl asked

744
00:40:20,800 --> 00:40:23,040
Speaker 2: Adiq about the walker trap and he's like, is this

745
00:40:23,120 --> 00:40:25,760
Speaker 2: how you be killing all these walkers with these traps

746
00:40:25,800 --> 00:40:29,680
Speaker 2: and shit? And Sadiq said that's only part of it.

747
00:40:30,560 --> 00:40:33,400
Speaker 2: Also is because his mom thought that killing the walkers

748
00:40:33,440 --> 00:40:37,600
Speaker 2: freed the souls of the dead. And Carl says that, like,

749
00:40:37,960 --> 00:40:41,960
Speaker 2: wouldn't that make surviving harder? You stopping and killing random

750
00:40:42,000 --> 00:40:45,080
Speaker 2: walkers all the time to free their souls? And he

751
00:40:45,280 --> 00:40:47,960
Speaker 2: was like, I don't know, but you have to honor

752
00:40:48,040 --> 00:40:51,839
Speaker 2: your parents. And Carl said, nah, because if I honor

753
00:40:51,960 --> 00:40:54,840
Speaker 2: my parents, if I honor my dad, yo, I wouldn't

754
00:40:54,840 --> 00:40:56,320
Speaker 2: even be talking to your ass right now? Come on

755
00:40:57,400 --> 00:41:01,440
Speaker 2: and uh later calling Sadi run across a few walkers

756
00:41:01,480 --> 00:41:04,440
Speaker 2: who are eating a deer, which this trope right here

757
00:41:04,560 --> 00:41:06,360
Speaker 2: in The Walking Dead bothers the ship out of me

758
00:41:06,440 --> 00:41:10,719
Speaker 2: because I'm like, you can't catch a fucking wild deer

759
00:41:11,160 --> 00:41:14,600
Speaker 2: and just regular life as a human with smart and intelligence,

760
00:41:15,280 --> 00:41:17,040
Speaker 2: like you got to shoot a deer, kill it from

761
00:41:17,120 --> 00:41:19,160
Speaker 2: down wind and all this type of ship all right,

762
00:41:20,200 --> 00:41:23,880
Speaker 2: And somehow in the Zpoch, zombiees just walking up on

763
00:41:23,960 --> 00:41:26,040
Speaker 2: deers and eating them, and deers just cool with it,

764
00:41:26,160 --> 00:41:29,200
Speaker 2: like oh shit, like anyway, they was having like a

765
00:41:29,320 --> 00:41:33,720
Speaker 2: zombie buffet on this my fucking deer. And Carl stops

766
00:41:33,760 --> 00:41:37,040
Speaker 2: pulls out his knife and says for your mom and

767
00:41:38,160 --> 00:41:40,160
Speaker 2: him and the deg run up on the zombies to

768
00:41:40,200 --> 00:41:44,680
Speaker 2: start killing them, and oh shit, am I not?

769
00:41:45,320 --> 00:41:48,200
Speaker 3: I don't know, I'm not might just be me.

770
00:41:48,480 --> 00:41:52,160
Speaker 2: Oh guys, can you see me? They can? Okay, I

771
00:41:52,280 --> 00:41:54,120
Speaker 2: saw you too for a second too, Yeah they see me.

772
00:41:57,320 --> 00:42:00,360
Speaker 2: No you were on I saw you okay. Sudden it

773
00:42:00,480 --> 00:42:02,880
Speaker 2: was like, all right, we'll see what Karen gets back on.

774
00:42:04,680 --> 00:42:10,080
Speaker 2: So Sadiq and Carl killed the zombies and the course,

775
00:42:10,160 --> 00:42:12,040
Speaker 2: this is like this is what I say. What I say,

776
00:42:12,080 --> 00:42:14,200
Speaker 2: this episode is like a filler and it's a kind

777
00:42:14,239 --> 00:42:17,600
Speaker 2: of a building episode, and you know, I understand how

778
00:42:17,640 --> 00:42:20,440
Speaker 2: people could be disenchanted with this episode. It seems like

779
00:42:20,560 --> 00:42:23,000
Speaker 2: this it took him like three to five minutes to

780
00:42:23,160 --> 00:42:25,120
Speaker 2: kill these zombies. They didn't have to kill when they

781
00:42:25,120 --> 00:42:28,440
Speaker 2: could have just walked back to Alexandria a saptually and

782
00:42:29,560 --> 00:42:32,040
Speaker 2: like they don't do a great job of it. Carl

783
00:42:32,160 --> 00:42:34,680
Speaker 2: ends up falling down getting pushed by the walkers and

784
00:42:34,719 --> 00:42:36,439
Speaker 2: you know, you only got the you know, one eye

785
00:42:36,440 --> 00:42:39,880
Speaker 2: and ship and they almost get bit and he shoots

786
00:42:39,880 --> 00:42:42,160
Speaker 2: a couple in the head to save itself, and Sadik

787
00:42:42,280 --> 00:42:47,080
Speaker 2: kills some walkers and then when they get done, and

788
00:42:47,280 --> 00:42:49,600
Speaker 2: of course Carl ends up messing up his play close

789
00:42:49,840 --> 00:42:53,200
Speaker 2: falling all into blood just like its damn daddy case,

790
00:42:53,239 --> 00:42:59,359
Speaker 2: stay cleaned for five minutes and uh at the at

791
00:42:59,400 --> 00:43:01,200
Speaker 2: the end of our all this shit at the car

792
00:43:01,360 --> 00:43:04,920
Speaker 2: falls to the nasty ass deer carcass and shit. He

793
00:43:05,080 --> 00:43:07,560
Speaker 2: gets up and Sadek says, like, why are you doing this?

794
00:43:08,480 --> 00:43:11,800
Speaker 2: And Carl's like, man, because you know we need to

795
00:43:12,800 --> 00:43:14,879
Speaker 2: do a different way. He's like, what do we get

796
00:43:14,920 --> 00:43:16,680
Speaker 2: back to camp? He's like, if I get back to

797
00:43:16,760 --> 00:43:20,360
Speaker 2: y'alls base, your dad show up and kill me, you know,

798
00:43:20,640 --> 00:43:23,160
Speaker 2: like you know I can, I don't have to come

799
00:43:23,239 --> 00:43:24,080
Speaker 2: back with you. It's okay.

800
00:43:24,360 --> 00:43:26,120
Speaker 3: Yeah, he was like I don't want to cause no problem.

801
00:43:26,320 --> 00:43:29,200
Speaker 2: Yeah, Carl says, you know, my dad didn't want you there,

802
00:43:29,239 --> 00:43:32,120
Speaker 2: but sometimes kids have to find their own way, basically

803
00:43:32,200 --> 00:43:34,360
Speaker 2: saying like I would invite you back. And I was like,

804
00:43:34,440 --> 00:43:36,880
Speaker 2: it's gonna be funny if Rick shows up, pulls out

805
00:43:36,920 --> 00:43:38,600
Speaker 2: that big ass gun, shoots a deck right in the

806
00:43:38,640 --> 00:43:40,880
Speaker 2: head and be like, Carl, what the hell you know?

807
00:43:41,280 --> 00:43:47,040
Speaker 2: But at any rate, you know they are going to

808
00:43:47,120 --> 00:43:49,399
Speaker 2: go back to Alexandria together. That's the lastic see them.

809
00:43:51,640 --> 00:43:55,480
Speaker 2: And then Rosita and Macheone run up to the building.

810
00:43:55,520 --> 00:43:58,040
Speaker 2: It turns out to be a big warehouse full of

811
00:43:58,280 --> 00:44:01,680
Speaker 2: just weapons and various things.

812
00:44:03,560 --> 00:44:05,720
Speaker 3: I'm assuming this one to save your spots.

813
00:44:05,719 --> 00:44:08,839
Speaker 2: Right, and we hear two people talking. There's only two

814
00:44:08,920 --> 00:44:11,839
Speaker 2: it's a man and a woman. The dude's name was Leo.

815
00:44:12,040 --> 00:44:14,160
Speaker 2: I forget the black woman's name, I know, but like I.

816
00:44:14,160 --> 00:44:15,840
Speaker 3: Said, probably one of some of the few people that

817
00:44:15,920 --> 00:44:16,840
Speaker 3: survived that attack.

818
00:44:17,480 --> 00:44:20,359
Speaker 2: Well we actually find out the answers to that. Oh okay, yeah,

819
00:44:21,320 --> 00:44:25,120
Speaker 2: so we'll see the and most Michean run up and

820
00:44:25,239 --> 00:44:27,359
Speaker 2: the two Saviors are talking loud as hell, giving all

821
00:44:27,400 --> 00:44:30,080
Speaker 2: the backstory that you need for the show.

822
00:44:30,160 --> 00:44:31,520
Speaker 3: But they don't do nobody in there, and they got

823
00:44:31,560 --> 00:44:34,160
Speaker 3: to plan this loud ass music. Why would up on us?

824
00:44:34,360 --> 00:44:36,279
Speaker 2: Well, also because it's the writers, and the writers are

825
00:44:36,320 --> 00:44:39,520
Speaker 2: gonna give us the pertinent information. Like they're not sitting

826
00:44:39,520 --> 00:44:42,960
Speaker 2: in silence anything. They're like, you know, literally being like,

827
00:44:43,120 --> 00:44:45,840
Speaker 2: we got this truck out here to make noise and

828
00:44:46,040 --> 00:44:48,120
Speaker 2: draw people away from draw the zombies away from the

829
00:44:48,200 --> 00:44:48,960
Speaker 2: Savior compound.

830
00:44:49,040 --> 00:44:50,439
Speaker 3: And you know why we came listen.

831
00:44:50,719 --> 00:44:52,400
Speaker 2: You know, they were like, we saw that r V

832
00:44:52,560 --> 00:44:55,000
Speaker 2: from Rick and it was parked out front, and because

833
00:44:55,000 --> 00:44:57,359
Speaker 2: they were out scavenging or whatever, so they weren't there

834
00:44:57,360 --> 00:44:59,320
Speaker 2: when the attack happened, so they got to see the

835
00:44:59,400 --> 00:45:03,120
Speaker 2: aftermath and they say that later. But yeah, so they saw,

836
00:45:03,760 --> 00:45:06,680
Speaker 2: you know, the r V from uh what was that man?

837
00:45:06,800 --> 00:45:11,040
Speaker 2: Old man's name? Uh that died to got his leg bit,

838
00:45:11,200 --> 00:45:13,719
Speaker 2: Oh what's his name? You know he ain't never wonna

839
00:45:13,760 --> 00:45:17,560
Speaker 2: kill nobody. Yes, and I won't say with a D

840
00:45:17,800 --> 00:45:18,239
Speaker 2: or some shit.

841
00:45:18,360 --> 00:45:19,319
Speaker 3: Yes, it's not.

842
00:45:19,600 --> 00:45:25,680
Speaker 2: Darryl dal deal. Okay, So they saw Dale's exploded r

843
00:45:25,760 --> 00:45:28,120
Speaker 2: V and he was and Leo was putting together the pieces.

844
00:45:28,239 --> 00:45:30,480
Speaker 2: Like I think they crashed the gate. I think they

845
00:45:30,560 --> 00:45:32,560
Speaker 2: blew up their own r V because she was like, oh,

846
00:45:32,640 --> 00:45:35,239
Speaker 2: you know, Nigga probably blew that thing up. He was like, no,

847
00:45:35,880 --> 00:45:37,719
Speaker 2: they blew it up, he said. She was like, so

848
00:45:37,800 --> 00:45:39,320
Speaker 2: you think it was a battle. It's like, it's definitely

849
00:45:39,360 --> 00:45:41,640
Speaker 2: a battle. They definitely had to shoot out. This is

850
00:45:41,719 --> 00:45:44,280
Speaker 2: part they playing, but they don't know about the fat ladies.

851
00:45:44,320 --> 00:45:46,280
Speaker 2: What they were calling that truck with all the speakers

852
00:45:46,320 --> 00:45:49,600
Speaker 2: on it, basically saying that this is a contingency they

853
00:45:49,680 --> 00:45:52,399
Speaker 2: must have planned for to move hers and ship. They

854
00:45:52,560 --> 00:45:55,720
Speaker 2: you get your truck and you turn up the music,

855
00:45:56,239 --> 00:45:59,480
Speaker 2: you drow the walkers away. Then you can, like you know,

856
00:45:59,560 --> 00:46:04,120
Speaker 2: get your pound back. And you know, Rosita and Sean

857
00:46:04,160 --> 00:46:08,000
Speaker 2: are overhearing this as they're like stealthily moving through the

858
00:46:08,080 --> 00:46:11,400
Speaker 2: warehouse which has all these shells and ship, and Michean

859
00:46:11,680 --> 00:46:14,000
Speaker 2: pulls out her Uh, I think she put out her

860
00:46:14,040 --> 00:46:17,320
Speaker 2: guns first. She pulls out a gun, and of course

861
00:46:18,200 --> 00:46:21,520
Speaker 2: she is not in tip top shape anymore. No, she's

862
00:46:21,560 --> 00:46:24,680
Speaker 2: been she's been badly beaten, not paying attention, and they're

863
00:46:24,680 --> 00:46:28,480
Speaker 2: a little rusty. She steps on or like kind of

864
00:46:28,600 --> 00:46:29,600
Speaker 2: kicks a tennis ball.

865
00:46:30,120 --> 00:46:33,040
Speaker 3: They got set and the zombies walk up on them.

866
00:46:33,360 --> 00:46:35,640
Speaker 2: Right, That's what I assumed it was they you know,

867
00:46:36,160 --> 00:46:38,680
Speaker 2: it's basically an early warning system of zombies or something.

868
00:46:39,040 --> 00:46:41,120
Speaker 2: So I got they were playing tennis in there, and

869
00:46:41,960 --> 00:46:45,839
Speaker 2: the ball rolls towards right towards where the saviors are

870
00:46:46,280 --> 00:46:48,640
Speaker 2: both of them, and both of them like snap the action,

871
00:46:48,800 --> 00:46:51,680
Speaker 2: like pull out their guns, start looking at the boxes

872
00:46:51,760 --> 00:46:55,640
Speaker 2: looking for what's going on. Rosita gets spotted and they

873
00:46:55,719 --> 00:47:03,560
Speaker 2: start shooting at her, and the savior dude Leo was

874
00:47:03,600 --> 00:47:06,800
Speaker 2: walking around whistling and shit, you know, ready looking, you know,

875
00:47:06,920 --> 00:47:10,799
Speaker 2: looking for him, and Chean ends up fighting the black

876
00:47:10,840 --> 00:47:15,080
Speaker 2: woman savior. Rosita gets shot at and literally runs and

877
00:47:15,239 --> 00:47:18,640
Speaker 2: just loses her gun. Y'all, yeah, like this is shit

878
00:47:18,760 --> 00:47:19,440
Speaker 2: dropped like she was.

879
00:47:19,520 --> 00:47:21,480
Speaker 3: Look kid, that was hilarious, Like.

880
00:47:21,560 --> 00:47:24,680
Speaker 2: When it's like when they want to just do some

881
00:47:24,840 --> 00:47:28,120
Speaker 2: like ridiculous unconsistent writing on the show, this is the

882
00:47:28,200 --> 00:47:28,960
Speaker 2: kind of ship they do.

883
00:47:29,040 --> 00:47:30,560
Speaker 3: Like she's a beast and all of a sudden she

884
00:47:30,719 --> 00:47:31,240
Speaker 3: just whoop.

885
00:47:31,800 --> 00:47:33,880
Speaker 2: Like they just didn't want it to be a simple

886
00:47:34,120 --> 00:47:37,160
Speaker 2: kill or whatever, so they had to make it. Oh no.

887
00:47:37,400 --> 00:47:39,720
Speaker 2: The same thing they did with calling the fucking zombies

888
00:47:39,760 --> 00:47:42,000
Speaker 2: in the wood was like gotta have a little drama,

889
00:47:42,320 --> 00:47:44,200
Speaker 2: like you're not gonna kill him this way, so what

890
00:47:44,280 --> 00:47:48,440
Speaker 2: are you doing? But anyway, she just fucking throws her gun,

891
00:47:48,520 --> 00:47:52,200
Speaker 2: doesn't get hit or nothing, and she ends up taking

892
00:47:52,320 --> 00:47:54,320
Speaker 2: like a something out of a box and throwing it

893
00:47:54,400 --> 00:47:57,160
Speaker 2: across the warehouse to try to draw her attention away.

894
00:47:57,920 --> 00:48:01,600
Speaker 2: And the black woman is are fighting black on black crime, y'all.

895
00:48:01,840 --> 00:48:07,239
Speaker 2: And while they were fighting, the black woman yells out

896
00:48:07,320 --> 00:48:11,319
Speaker 2: to Leo, the dude that says, hey, I got both

897
00:48:11,360 --> 00:48:13,400
Speaker 2: of them, Just go I got them. Just go get

898
00:48:13,440 --> 00:48:15,399
Speaker 2: the truck and get out of here so we could

899
00:48:15,400 --> 00:48:21,560
Speaker 2: save Niagan in them. That's the most important thing. And she,

900
00:48:21,840 --> 00:48:23,320
Speaker 2: you know, she says, Leo, get your ass to the

901
00:48:23,360 --> 00:48:28,600
Speaker 2: sanctuarya leave, leave them to me at Rosita, while you know,

902
00:48:29,000 --> 00:48:32,319
Speaker 2: the dude is running around or whatever looking for has

903
00:48:32,400 --> 00:48:36,879
Speaker 2: found a fucking rocket launcher. And the dude comes out

904
00:48:36,960 --> 00:48:40,319
Speaker 2: and pulls the old classic like doing with that little

905
00:48:40,400 --> 00:48:43,360
Speaker 2: girl you know you ain't about to and then she

906
00:48:43,560 --> 00:48:45,640
Speaker 2: blow his ass up and it was so good.

907
00:48:45,920 --> 00:48:47,920
Speaker 3: It was I was like, oh, you you got the

908
00:48:48,000 --> 00:48:48,480
Speaker 3: wrong one.

909
00:48:48,640 --> 00:48:52,719
Speaker 4: Like we done seen her make homemade dynamite bomb dog,

910
00:48:54,040 --> 00:48:56,840
Speaker 4: so good now me you just said that.

911
00:48:56,960 --> 00:48:59,680
Speaker 3: I was like, yeah, you're right, but not her right, he.

912
00:48:59,719 --> 00:49:02,319
Speaker 2: Said, baby girl, you're not gonna use that thing. Man,

913
00:49:02,400 --> 00:49:05,720
Speaker 2: she blew him up the fuck up call of duty style.

914
00:49:06,239 --> 00:49:06,960
Speaker 3: Yes she did.

915
00:49:07,320 --> 00:49:09,399
Speaker 2: She indeed used that thing.

916
00:49:10,200 --> 00:49:12,360
Speaker 3: Yeah, she hit that left trigger right trigger a and

917
00:49:12,440 --> 00:49:13,359
Speaker 3: blew his ass up.

918
00:49:13,520 --> 00:49:16,719
Speaker 2: So while this explosion happened, Michean who you know, she

919
00:49:16,800 --> 00:49:18,920
Speaker 2: had got her gun knocked out her hand. She was

920
00:49:19,000 --> 00:49:21,360
Speaker 2: having a sword fight against this woman with a pipe,

921
00:49:21,719 --> 00:49:24,200
Speaker 2: and she was in no shape or condition to fight

922
00:49:24,280 --> 00:49:26,880
Speaker 2: this woman. The woman noticed right away, like, oh, baby,

923
00:49:26,920 --> 00:49:29,680
Speaker 2: you just took a beating, didn't you, Like you look sore,

924
00:49:30,000 --> 00:49:33,479
Speaker 2: you know. And so this explosion happens of the dude

925
00:49:33,600 --> 00:49:36,280
Speaker 2: blowing up all over the chym, I mean, over the warehouse,

926
00:49:36,840 --> 00:49:38,160
Speaker 2: and the black woman uses.

927
00:49:38,000 --> 00:49:40,520
Speaker 4: This to escape, right cause they both look what you mean?

928
00:49:40,680 --> 00:49:42,480
Speaker 4: Yeah you know, neither wonder y'all.

929
00:49:42,719 --> 00:49:45,120
Speaker 3: But like this, she's not watching you, but you're watching her,

930
00:49:45,320 --> 00:49:47,120
Speaker 3: so you see. Oh, she ain't pay me no tention.

931
00:49:47,200 --> 00:49:49,320
Speaker 2: So she run, she ran, got in the truck. Was

932
00:49:49,360 --> 00:49:51,680
Speaker 2: most important is getting the truck away so they can

933
00:49:51,840 --> 00:49:53,680
Speaker 2: lead to her away from the ens, save the rest

934
00:49:53,719 --> 00:49:58,920
Speaker 2: of their people. Well, she drives off and uh machean

935
00:49:59,480 --> 00:50:02,200
Speaker 2: and and ze a, like fuck it was too slow

936
00:50:02,880 --> 00:50:06,120
Speaker 2: and you know you shot rocket launch, right, they already

937
00:50:06,120 --> 00:50:10,480
Speaker 2: shot the rocking launches, No way the stopper And of course, uh,

938
00:50:10,920 --> 00:50:12,799
Speaker 2: while she's driving off, she gets hit by a big

939
00:50:12,880 --> 00:50:18,000
Speaker 2: ass garbage truck and it's move came out of nowhere, y'all, right,

940
00:50:18,360 --> 00:50:23,680
Speaker 2: like just blat out right, and it's the Darge truck

941
00:50:23,760 --> 00:50:26,359
Speaker 2: is driven by Darryl and Terror, who Daryl gets out

942
00:50:26,440 --> 00:50:29,080
Speaker 2: immediately shoots up the passe the driver's seat of the truck.

943
00:50:29,480 --> 00:50:31,480
Speaker 2: The speakers like, what you ain't gonna do is make

944
00:50:31,520 --> 00:50:34,160
Speaker 2: it And they both asked like what y'all doing out here?

945
00:50:34,960 --> 00:50:39,840
Speaker 2: And it's extremely convenient type of writing. There's no reason

946
00:50:39,880 --> 00:50:42,520
Speaker 2: for them to have met at that scene. There's no

947
00:50:42,680 --> 00:50:45,040
Speaker 2: reason for Daryl in them to know about the truck

948
00:50:45,920 --> 00:50:47,880
Speaker 2: or to hit it, to know to hit the truck

949
00:50:48,360 --> 00:50:51,520
Speaker 2: or any of that ship. But somehow they do. And

950
00:50:53,160 --> 00:50:55,719
Speaker 2: they you know, because apparently our little group of s

951
00:50:55,800 --> 00:50:58,399
Speaker 2: JW's are the DAI list motherfuckers in the Z pod

952
00:50:58,520 --> 00:50:59,680
Speaker 2: even when they're not working together.

953
00:51:00,040 --> 00:51:03,040
Speaker 3: It's like the truck was speakers that right.

954
00:51:03,760 --> 00:51:06,680
Speaker 2: It wasn't even a plan, Like how they know that

955
00:51:06,680 --> 00:51:09,920
Speaker 2: wouldn't have been micheone in there driving, you know, she

956
00:51:10,120 --> 00:51:13,759
Speaker 2: just took that today anyway. They asked why they're out

957
00:51:13,800 --> 00:51:18,240
Speaker 2: there tarrying, and Darryl asked that of them, and Rosita

958
00:51:18,280 --> 00:51:20,360
Speaker 2: and Michean said they basically out there to see the sanctuary.

959
00:51:20,480 --> 00:51:22,440
Speaker 3: And then they was like, what is you doing out here?

960
00:51:22,760 --> 00:51:26,000
Speaker 2: Right? And they said, you know, we gotta save Rick.

961
00:51:26,080 --> 00:51:31,120
Speaker 2: Come with us, all right, So then Hilltop, let's do that.

962
00:51:31,320 --> 00:51:37,200
Speaker 2: Then we'll finally get back to Rick and Hilltop. Aaron arrives,

963
00:51:37,360 --> 00:51:39,320
Speaker 2: takes the baby out of his car. You know, we

964
00:51:39,440 --> 00:51:42,640
Speaker 2: saw that much. So now Enid knows where babies come from.

965
00:51:44,160 --> 00:51:46,120
Speaker 2: Amen drive up to you in the car and they

966
00:51:46,200 --> 00:51:48,800
Speaker 2: give you a baby. She was like, oh, Maggie, the

967
00:51:48,840 --> 00:51:49,960
Speaker 2: baby's here, your baby.

968
00:51:51,239 --> 00:51:52,120
Speaker 3: She was that easy.

969
00:51:52,800 --> 00:51:57,400
Speaker 2: Maggie sees Jesus feeding the po w's and she is

970
00:51:57,520 --> 00:52:01,359
Speaker 2: with Gregory and she comes out. He's pissed. She's like, hey,

971
00:52:02,120 --> 00:52:05,200
Speaker 2: you give them away our food and he's like, look,

972
00:52:05,239 --> 00:52:08,120
Speaker 2: we had a bumper crop of turnips nobody wants to

973
00:52:08,160 --> 00:52:12,359
Speaker 2: eat on, right, Like, just let these niggas have turnips.

974
00:52:12,200 --> 00:52:13,720
Speaker 3: Right, versus letting that shit spoiled.

975
00:52:14,160 --> 00:52:16,680
Speaker 2: And Maggie is pissed that Jesus would even feed them,

976
00:52:16,760 --> 00:52:19,759
Speaker 2: especially when he wasn't using you know, multiplying loaves and

977
00:52:19,800 --> 00:52:23,440
Speaker 2: fishes or nothing. He was just giving away turnips. And

978
00:52:24,280 --> 00:52:25,759
Speaker 2: you know, you gotta be hungry ship to eat it

979
00:52:25,840 --> 00:52:28,440
Speaker 2: all turnip come on and some of the dudes is

980
00:52:28,440 --> 00:52:31,080
Speaker 2: eating them. But of course Jared the assholes like, I

981
00:52:31,120 --> 00:52:35,520
Speaker 2: don't want no re turnip, eh, I demand caviyall or whatever.

982
00:52:37,239 --> 00:52:39,279
Speaker 2: And Jesus gave him a turn up anyway, and then

983
00:52:39,360 --> 00:52:41,400
Speaker 2: Gregory was such a dicky let the turnip roll on

984
00:52:41,440 --> 00:52:44,120
Speaker 2: the ground, like I said, I don't want turnips. You know,

985
00:52:45,719 --> 00:52:48,839
Speaker 2: Gregory who was with him, Maggie said, he doesn't call Jesus.

986
00:52:48,920 --> 00:52:55,080
Speaker 2: Jesus calls him Paul. And he's like, what Paul is

987
00:52:55,160 --> 00:52:55,480
Speaker 2: his name?

988
00:52:55,640 --> 00:52:58,040
Speaker 3: Okay, because he's still be calling Maggie her own.

989
00:52:58,040 --> 00:53:02,200
Speaker 2: Name on purpose though, yes, Mark is probably her name,

990
00:53:02,400 --> 00:53:05,000
Speaker 2: and it's probably and Maggie is what she uses for short.

991
00:53:05,840 --> 00:53:08,120
Speaker 2: He does that to take away power. It's like he's

992
00:53:08,160 --> 00:53:10,799
Speaker 2: one of those he's just a fucked up asshole. He's

993
00:53:10,840 --> 00:53:15,319
Speaker 2: just nagging people all the time. So anyway, he's like, Paul,

994
00:53:16,320 --> 00:53:19,560
Speaker 2: this is ridiculous. We need to build the gallows and

995
00:53:19,680 --> 00:53:21,879
Speaker 2: do what we need to do, you know. And he's

996
00:53:21,880 --> 00:53:24,160
Speaker 2: one of those people that also doesn't even have the

997
00:53:24,200 --> 00:53:25,759
Speaker 2: heart to say it. And you know, he ain't got

998
00:53:25,800 --> 00:53:28,959
Speaker 2: the heart to actually kill some people. And he said, okay,

999
00:53:29,000 --> 00:53:31,280
Speaker 2: we'll build the gallows. Now you go hang these people yourself.

1000
00:53:31,280 --> 00:53:34,399
Speaker 2: He wouldn't do it, but he would want somebody else

1001
00:53:34,440 --> 00:53:35,880
Speaker 2: to do it so he can kind of quote unquote

1002
00:53:35,920 --> 00:53:36,719
Speaker 2: keep his hands clean.

1003
00:53:37,200 --> 00:53:40,200
Speaker 4: He'd be like, Jesus, y'all here you God damn Loas

1004
00:53:40,239 --> 00:53:41,680
Speaker 4: and fishes, what is happening out here?

1005
00:53:42,080 --> 00:53:46,680
Speaker 2: Right? And Maggie says, Greg, go your ass inside, and

1006
00:53:46,880 --> 00:53:48,800
Speaker 2: Ena says, come with me, and they go inside the

1007
00:53:48,840 --> 00:53:53,560
Speaker 2: fence and then hu him like he's five. Before he leaves,

1008
00:53:53,600 --> 00:53:56,160
Speaker 2: he turns to Maggie goes, you know I'm right, and

1009
00:53:56,680 --> 00:53:58,360
Speaker 2: you know my thing. At this time, I was thinking, like,

1010
00:53:58,440 --> 00:54:00,600
Speaker 2: why the fuck do you even have him around, Maggie?

1011
00:54:00,600 --> 00:54:02,799
Speaker 2: Why you have him attached to Joe hip, Like if

1012
00:54:02,800 --> 00:54:06,320
Speaker 2: you're gonna be the leader, lead for him, right. And

1013
00:54:06,400 --> 00:54:10,680
Speaker 2: then outside the fence, Maggie says, listen, you put me

1014
00:54:10,719 --> 00:54:13,880
Speaker 2: in this situation, Jesus by bringing these people here. And

1015
00:54:14,040 --> 00:54:15,839
Speaker 2: he's like, so you're gonna kill him? She said, every

1016
00:54:15,880 --> 00:54:18,839
Speaker 2: option on the table, Like I ain't saying I'm gonna

1017
00:54:18,880 --> 00:54:24,080
Speaker 2: kill him, but I gotta consider everything, and he she says,

1018
00:54:24,239 --> 00:54:25,839
Speaker 2: we have to end this in knee and that Jesus

1019
00:54:25,840 --> 00:54:27,520
Speaker 2: says we do, but we have to make sure what's

1020
00:54:27,560 --> 00:54:31,520
Speaker 2: left it's worth what we lost. R and Gregory's old office,

1021
00:54:31,600 --> 00:54:36,320
Speaker 2: Maggie sitting at the desk holding Glenn's watch. Gregory is talking,

1022
00:54:36,960 --> 00:54:39,480
Speaker 2: just leaning up against a bookshelf, and he's talking about

1023
00:54:39,520 --> 00:54:43,840
Speaker 2: how like it isn't easy, is it, huh? Leading everybody

1024
00:54:43,920 --> 00:54:46,000
Speaker 2: telling you what to do, because that's not they never

1025
00:54:46,200 --> 00:54:49,600
Speaker 2: they don't understand, which I'm like, isn't that what you're doing, Gregory?

1026
00:54:49,920 --> 00:54:51,520
Speaker 2: You're not the leader no more what you're trying to

1027
00:54:51,520 --> 00:54:53,840
Speaker 2: tell her what to do? And Maggie says, you know what,

1028
00:54:55,160 --> 00:54:57,560
Speaker 2: leading ain't hard. It's easy for me not to sell

1029
00:54:57,600 --> 00:55:00,239
Speaker 2: out the Hilltop to the saviors. And I was like,

1030
00:55:00,320 --> 00:55:05,799
Speaker 2: oh bars, And then he was like, actually, I wasn't

1031
00:55:05,840 --> 00:55:08,759
Speaker 2: selling the Hilltop out. I was saving lives and I

1032
00:55:08,920 --> 00:55:12,200
Speaker 2: was doing it without anybody getting killed. Like in his

1033
00:55:12,360 --> 00:55:15,400
Speaker 2: mind he was like, I was stop stopping a violent upright,

1034
00:55:15,520 --> 00:55:20,400
Speaker 2: stopping him from being violence. Oh well, She's like, nigga,

1035
00:55:20,400 --> 00:55:22,359
Speaker 2: you're trader. You know you just did that snake ass

1036
00:55:22,360 --> 00:55:23,399
Speaker 2: shit to save your own skin.

1037
00:55:23,680 --> 00:55:25,480
Speaker 3: Right, you wouldn't have cared today that came up there

1038
00:55:25,480 --> 00:55:27,239
Speaker 3: and slaughtered everybody, right, And.

1039
00:55:27,280 --> 00:55:29,279
Speaker 2: He said he's coming in his mind, he's like, I

1040
00:55:29,480 --> 00:55:31,960
Speaker 2: know that you have me in this room, and I'm

1041
00:55:32,000 --> 00:55:34,359
Speaker 2: in this room right now with you. Because you don't

1042
00:55:34,360 --> 00:55:36,840
Speaker 2: trust yourself to make the hard decisions, and you know

1043
00:55:36,960 --> 00:55:38,920
Speaker 2: that I will. You need somebody in your ear that's

1044
00:55:38,920 --> 00:55:41,440
Speaker 2: gonna tell you what the right thing to do is.

1045
00:55:41,560 --> 00:55:44,120
Speaker 2: He's like, you need to kill these people. He was like,

1046
00:55:45,440 --> 00:55:47,279
Speaker 2: you just don't need to have and she said, no,

1047
00:55:47,400 --> 00:55:48,800
Speaker 2: you just here so I can keep an eye on you.

1048
00:55:49,040 --> 00:55:52,120
Speaker 2: Come on, which is when I was like, oh, because

1049
00:55:52,719 --> 00:55:54,640
Speaker 2: when he was out there at defense with her and

1050
00:55:54,719 --> 00:55:56,719
Speaker 2: then she made him go in with in it, I

1051
00:55:56,880 --> 00:55:58,440
Speaker 2: was like, why the fuck you have him around? But

1052
00:55:58,520 --> 00:56:00,160
Speaker 2: that does make sense. I wouldn't let him out of

1053
00:56:00,200 --> 00:56:02,400
Speaker 2: my sight either. If I decided that he was staying

1054
00:56:03,000 --> 00:56:06,360
Speaker 2: within the fence, then that meant that means he can't

1055
00:56:06,560 --> 00:56:09,920
Speaker 2: fucking he know nothing, Like I need to see you

1056
00:56:10,000 --> 00:56:12,600
Speaker 2: at all times because your scheming ass will do some

1057
00:56:12,719 --> 00:56:16,040
Speaker 2: scammy ass type shit and and leave us all to

1058
00:56:16,160 --> 00:56:21,440
Speaker 2: die quickly. You know, before you left before, right, like,

1059
00:56:21,560 --> 00:56:23,640
Speaker 2: I don't trust him as far as I can see

1060
00:56:23,719 --> 00:56:25,520
Speaker 2: him or throw him at any of that shit.

1061
00:56:25,640 --> 00:56:27,080
Speaker 3: Why you left? Don't nobody know where you are?

1062
00:56:27,200 --> 00:56:29,640
Speaker 4: They fucking have playing this out for weeks probably that's

1063
00:56:29,640 --> 00:56:31,399
Speaker 4: probably how long you was up there, have to save

1064
00:56:31,480 --> 00:56:35,080
Speaker 4: your compound and shit, uh, waiting on what you were

1065
00:56:35,160 --> 00:56:36,640
Speaker 4: called to come back and all that shit because he

1066
00:56:36,680 --> 00:56:38,520
Speaker 4: said he waited on us, and who knows how long

1067
00:56:39,040 --> 00:56:40,080
Speaker 4: that timeframe is.

1068
00:56:40,200 --> 00:56:43,160
Speaker 3: And basically Maggiet has taken Maggie has taken over and

1069
00:56:43,360 --> 00:56:47,160
Speaker 3: ran shit. And next time they see you, you go, well,

1070
00:56:47,239 --> 00:56:49,480
Speaker 3: you need to back down if y'all don't get out

1071
00:56:49,480 --> 00:56:49,880
Speaker 3: of here.

1072
00:56:50,040 --> 00:56:54,160
Speaker 2: Right, you sold people out before, And I wouldn't put

1073
00:56:54,200 --> 00:56:57,960
Speaker 2: it past him scheming with someone trying to usurp Maggie,

1074
00:56:58,160 --> 00:56:59,160
Speaker 2: trying to have her killed.

1075
00:56:59,280 --> 00:57:02,239
Speaker 4: Prob gonna get up with old crazy dude to turn

1076
00:57:02,280 --> 00:57:05,600
Speaker 4: to turn up down Jared, Yeah, I can see him

1077
00:57:05,640 --> 00:57:08,399
Speaker 4: doing a lot of shit, so trying to survive because

1078
00:57:08,440 --> 00:57:12,040
Speaker 4: he's a coward, right, So megiebout a couple point what

1079
00:57:12,080 --> 00:57:12,880
Speaker 4: she's talking about cowards?

1080
00:57:12,920 --> 00:57:15,440
Speaker 3: She was like, cowbardes are scared and they're very dangerous.

1081
00:57:17,560 --> 00:57:19,680
Speaker 2: And so we also know that from the past Maggie

1082
00:57:19,760 --> 00:57:22,560
Speaker 2: knows how dangerous a coward is, like she ain't, so

1083
00:57:22,760 --> 00:57:25,680
Speaker 2: she's not playing about this ship. And then he says,

1084
00:57:26,400 --> 00:57:29,240
Speaker 2: you can't have wolves walder around the sheep. It's simple

1085
00:57:29,280 --> 00:57:29,480
Speaker 2: as that.

1086
00:57:30,240 --> 00:57:30,760
Speaker 6: And then.

1087
00:57:32,680 --> 00:57:35,200
Speaker 2: Later on that night and when he said that ship,

1088
00:57:35,200 --> 00:57:37,560
Speaker 2: I was at home, like, Nigga, you the wolf, but

1089
00:57:38,120 --> 00:57:41,160
Speaker 2: right later on that you can't have wolves around the sheep.

1090
00:57:41,320 --> 00:57:44,920
Speaker 3: Oh, whoa, I'm sorry that I did not come out.

1091
00:57:45,120 --> 00:57:45,840
Speaker 2: Did I just say that?

1092
00:57:46,960 --> 00:57:47,680
Speaker 3: Even call my fur?

1093
00:57:48,200 --> 00:57:50,200
Speaker 2: So that's some save your name, I mean, save your

1094
00:57:50,280 --> 00:57:54,520
Speaker 2: name Alden who gets some speaking lines this episode. Uh,

1095
00:57:54,760 --> 00:57:56,640
Speaker 2: And he talks about to Jesus.

1096
00:57:56,840 --> 00:57:56,960
Speaker 4: Uh.

1097
00:57:57,520 --> 00:58:00,960
Speaker 2: It is late at night. They're outside the fits a lot,

1098
00:58:01,160 --> 00:58:04,160
Speaker 2: sitting up against this wall, this post. And keep in mind,

1099
00:58:04,880 --> 00:58:07,640
Speaker 2: now it's nighttime. Jesus looks out and you can hear

1100
00:58:07,640 --> 00:58:10,640
Speaker 2: the zombies in the distance in the woods, and I

1101
00:58:10,720 --> 00:58:13,480
Speaker 2: think Jesus kind of thinking like, this is an untenable situation.

1102
00:58:14,200 --> 00:58:16,280
Speaker 2: We can't have these dudes out here forever. We can't

1103
00:58:16,320 --> 00:58:19,840
Speaker 2: protect them, we can't put resources to this at all times.

1104
00:58:19,880 --> 00:58:21,800
Speaker 2: And what if zombies attack and now these niggas are

1105
00:58:21,880 --> 00:58:24,520
Speaker 2: behind us. It's a lot of shit that can happen.

1106
00:58:24,600 --> 00:58:28,600
Speaker 2: Out there, and Jesus takes a look inside the fence

1107
00:58:28,640 --> 00:58:31,560
Speaker 2: and see is that they're building southern inside. And keep

1108
00:58:31,600 --> 00:58:34,480
Speaker 2: in mind Gregory told them earlier to build some gallows

1109
00:58:34,520 --> 00:58:37,680
Speaker 2: so they could basically execute these men inside the camp.

1110
00:58:39,640 --> 00:58:42,200
Speaker 2: And uh, He's like, don't even waste the bullets, just

1111
00:58:42,640 --> 00:58:48,400
Speaker 2: hang them or you know whatever. Right, So then this dude,

1112
00:58:48,640 --> 00:58:52,000
Speaker 2: ate Alden. Alden starts speaking up and he talks about,

1113
00:58:52,400 --> 00:58:54,320
Speaker 2: hey man, I just met up with d saviors. They

1114
00:58:54,440 --> 00:58:56,480
Speaker 2: fed me. They wanted me to build a fist for

1115
00:58:56,640 --> 00:59:00,400
Speaker 2: their compound. I did that, and now look at me.

1116
00:59:00,480 --> 00:59:03,000
Speaker 2: I'm here about to get killed, like I don't deserve

1117
00:59:03,080 --> 00:59:07,400
Speaker 2: this basically, And Jesus like, you can stop talking to

1118
00:59:07,480 --> 00:59:09,800
Speaker 2: me now. Don't pretend that any of us are innocent,

1119
00:59:10,320 --> 00:59:12,959
Speaker 2: and Auden was like, what'd you say your name was Jesus? Well, Jesus,

1120
00:59:13,000 --> 00:59:15,480
Speaker 2: I'm not an angel. Never said I was no such thing,

1121
00:59:16,120 --> 00:59:19,560
Speaker 2: and then it cut to commercial or whatever after you

1122
00:59:19,600 --> 00:59:22,760
Speaker 2: see the zombies growling in the woods and Jesus looking

1123
00:59:22,840 --> 00:59:26,160
Speaker 2: kind of word. The door opens the next morning and

1124
00:59:26,440 --> 00:59:29,880
Speaker 2: Jesus told to bring the POW's inside the fence, and

1125
00:59:30,880 --> 00:59:35,600
Speaker 2: Auden's like, still not work, because I think they're expecting

1126
00:59:35,680 --> 00:59:38,880
Speaker 2: to be hung or killed or whatever, and instead they

1127
00:59:39,000 --> 00:59:41,920
Speaker 2: walk in and there's a fucking like a pin, like

1128
00:59:42,000 --> 00:59:47,760
Speaker 2: a holding pin inside that they've basically rudely constructed and

1129
00:59:48,520 --> 00:59:51,240
Speaker 2: it's just like a pin with fencing and all this

1130
00:59:51,320 --> 00:59:55,800
Speaker 2: stuff to keep the prisoners inside. And Jesus starts smiling

1131
00:59:55,800 --> 00:59:57,800
Speaker 2: because I think in his mind's like, oh cool, We're

1132
00:59:57,840 --> 01:00:01,760
Speaker 2: not just about to summarily execute these fucking so I'm.

1133
01:00:01,680 --> 01:00:03,720
Speaker 3: Happy with a firing squad and ship.

1134
01:00:04,280 --> 01:00:08,880
Speaker 2: Right, And so Maggie says, basically, look, we built this

1135
01:00:09,040 --> 01:00:13,080
Speaker 2: pen to hold these prisoners. We don't want any fucking bullshit.

1136
01:00:13,840 --> 01:00:16,400
Speaker 2: Mattha an't played this audio. Let me play it. Is

1137
01:00:16,400 --> 01:00:23,640
Speaker 2: it showing in the chat? Yes? It iss, don't not worry.

1138
01:00:33,400 --> 01:00:34,440
Speaker 3: Maggie starts to bring them in.

1139
01:00:54,920 --> 01:01:04,439
Speaker 2: Cut, come in, come on two at the time.

1140
01:01:09,760 --> 01:01:14,040
Speaker 3: Starting now, we'll keep the prisoners here, befeed them.

1141
01:01:14,640 --> 01:01:17,640
Speaker 1: We won't mistreat them, but we won't stand for anything

1142
01:01:17,720 --> 01:01:18,920
Speaker 1: less than total cooperation.

1143
01:01:20,400 --> 01:01:27,360
Speaker 6: M Margaret, all due respect, just street ship.

1144
01:01:28,000 --> 01:01:32,120
Speaker 2: So of course Gregor gotta say something now. I swear

1145
01:01:32,240 --> 01:01:37,000
Speaker 2: like Larry David would have said something to right, And

1146
01:01:37,120 --> 01:01:38,160
Speaker 2: I did notice two p.

1147
01:01:38,360 --> 01:01:38,520
Speaker 4: Two.

1148
01:01:38,760 --> 01:01:41,560
Speaker 2: You know, Jesus the art all this stuff. I get it.

1149
01:01:42,880 --> 01:01:44,720
Speaker 2: But one of the things I, you know, I thought

1150
01:01:44,880 --> 01:01:49,200
Speaker 2: was interested in this was it don't it's not like this.

1151
01:01:49,520 --> 01:01:51,600
Speaker 2: This is this is hastily constructed. This is like the

1152
01:01:51,720 --> 01:01:53,760
Speaker 2: cell in Alexandria.

1153
01:01:54,400 --> 01:01:57,160
Speaker 3: Morgan built with cement and ship and rid.

1154
01:01:57,400 --> 01:02:00,480
Speaker 2: This could easily be a security risk. Come on, nobody's

1155
01:02:00,520 --> 01:02:03,720
Speaker 2: trained for holding these motherfuckers. You know, what's the real

1156
01:02:03,760 --> 01:02:07,400
Speaker 2: plane or something pops off all this shit. So yeah,

1157
01:02:07,800 --> 01:02:09,479
Speaker 2: but Gregory of course has to say something.

1158
01:02:10,600 --> 01:02:14,440
Speaker 6: You can't let people we don't trust run around inside

1159
01:02:14,480 --> 01:02:15,080
Speaker 6: our walls.

1160
01:02:15,920 --> 01:02:17,200
Speaker 2: You're right, greg greg.

1161
01:02:19,080 --> 01:02:20,880
Speaker 3: In fact, I couldn't stop thinking about what you told

1162
01:02:20,920 --> 01:02:24,720
Speaker 3: me yesterday. You see how I grew up on a farm,

1163
01:02:26,280 --> 01:02:27,520
Speaker 3: you know, all about sheeping.

1164
01:02:27,280 --> 01:02:32,760
Speaker 6: Wolves doing what you do.

1165
01:02:34,840 --> 01:02:35,160
Speaker 3: I like.

1166
01:02:35,440 --> 01:02:39,280
Speaker 2: So she basically had two people get ready to throw

1167
01:02:39,320 --> 01:02:42,600
Speaker 2: this nigga inside the pen with the saviors. One of

1168
01:02:42,640 --> 01:02:44,800
Speaker 2: the things I loved about this is one of the

1169
01:02:44,800 --> 01:02:46,680
Speaker 2: people throwing him in is the Asian dude that he

1170
01:02:46,800 --> 01:02:52,040
Speaker 2: lied on like two weeks ago, right, and so they

1171
01:02:52,120 --> 01:02:54,080
Speaker 2: going to throw them in the pens. Guy used to

1172
01:02:54,280 --> 01:02:57,760
Speaker 2: lead this community. Now, guys, when I say that Coonan

1173
01:02:58,040 --> 01:02:59,800
Speaker 2: was wow, magnifique.

1174
01:03:00,080 --> 01:03:01,360
Speaker 3: It was hilarious.

1175
01:03:01,640 --> 01:03:05,720
Speaker 2: This is some top quality, a class coonan that this

1176
01:03:05,920 --> 01:03:08,040
Speaker 2: actor is about to do here, and it's so good.

1177
01:03:09,120 --> 01:03:09,760
Speaker 3: His ass off?

1178
01:03:12,840 --> 01:03:16,360
Speaker 2: What can what calm? Look?

1179
01:03:16,760 --> 01:03:18,880
Speaker 3: Coll me to calm down in there?

1180
01:03:19,040 --> 01:03:21,880
Speaker 2: You can't, Maggie, look, just do it. Stop just crow.

1181
01:03:23,480 --> 01:03:25,720
Speaker 2: You notice he called a maggiet that time, right, Come on,

1182
01:03:26,160 --> 01:03:34,520
Speaker 2: no more margarete, right, try to show some respect. He

1183
01:03:34,680 --> 01:03:35,880
Speaker 2: hit his head on the post.

1184
01:03:37,080 --> 01:03:40,160
Speaker 3: Yes, that didn't fucking he fucked yourself up. Fight with them.

1185
01:03:40,520 --> 01:03:52,440
Speaker 2: It's funny every time, right, because Jared over there laughing.

1186
01:03:56,800 --> 01:03:59,480
Speaker 2: So a woman goes to locked, getting ready to lock

1187
01:03:59,520 --> 01:04:01,960
Speaker 2: the fish. She holsters her gun, but she doesn't even

1188
01:04:02,080 --> 01:04:06,520
Speaker 2: snap the thing on it. But because his fences is

1189
01:04:06,600 --> 01:04:10,440
Speaker 2: so hastily constructed, you can literally reach through there and

1190
01:04:10,880 --> 01:04:14,000
Speaker 2: like grab her gun because there's enough room for her hand.

1191
01:04:14,640 --> 01:04:14,800
Speaker 4: You know.

1192
01:04:14,840 --> 01:04:16,520
Speaker 2: That's why I don't I think this is a genuine

1193
01:04:16,560 --> 01:04:21,280
Speaker 2: situation at best, you know. Anyway, Jared sees this and

1194
01:04:21,400 --> 01:04:24,840
Speaker 2: goes tries to grab a gun. He gets hit upside

1195
01:04:24,880 --> 01:04:25,600
Speaker 2: the head by Maggie.

1196
01:04:33,920 --> 01:04:35,200
Speaker 7: They're gonna get these people out.

1197
01:04:37,320 --> 01:04:39,120
Speaker 6: Well, we already got some people out, didn't.

1198
01:04:38,880 --> 01:04:44,600
Speaker 2: You, Jared? She hit him again, But Jared always hand

1199
01:04:44,640 --> 01:04:49,600
Speaker 2: the extra thank you, and all didn't. I think we're

1200
01:04:49,600 --> 01:04:51,760
Speaker 2: supposed to feel like Awden is a good savior in

1201
01:04:51,880 --> 01:04:55,680
Speaker 2: this situation. Now we've seen saviors put on masks of

1202
01:04:55,960 --> 01:04:57,720
Speaker 2: I'm just trying to help the ship and then just

1203
01:04:57,760 --> 01:04:59,520
Speaker 2: turn around and be like, and I want to kill

1204
01:04:59,640 --> 01:05:01,680
Speaker 2: babies to eat him. So I don't know what to

1205
01:05:01,720 --> 01:05:06,440
Speaker 2: think about the dude, but yeah, he you know, he

1206
01:05:06,600 --> 01:05:09,320
Speaker 2: later does come up to Jared in the fence, and

1207
01:05:09,440 --> 01:05:14,000
Speaker 2: we have another scene so we'll see Soake may regret it.

1208
01:05:15,840 --> 01:05:16,680
Speaker 6: Or here will.

1209
01:05:19,880 --> 01:05:27,640
Speaker 2: And then Maggie walks off, all right, So after that

1210
01:05:27,880 --> 01:05:30,880
Speaker 2: scene we go, uh, we come back to the hilltop

1211
01:05:31,000 --> 01:05:32,280
Speaker 2: and Maggie is back.

1212
01:05:34,200 --> 01:05:34,640
Speaker 4: In her.

1213
01:05:38,240 --> 01:05:45,240
Speaker 2: In her office and oh, I'm sorry. Before we even

1214
01:05:45,280 --> 01:05:48,160
Speaker 2: get that Jared, they get another scene later on in

1215
01:05:48,240 --> 01:05:51,479
Speaker 2: the pen and Gregory is laying down still where he fell,

1216
01:05:51,600 --> 01:05:56,560
Speaker 2: blood bleeding on the side of his head, looking disillusion Right,

1217
01:05:56,640 --> 01:05:59,960
Speaker 2: all the scheming and got him caught up. Nobody's messing with.

1218
01:06:00,560 --> 01:06:02,840
Speaker 4: Right, talking shit about them, and then you end up

1219
01:06:02,840 --> 01:06:05,200
Speaker 4: in there with them, right, So he's scared that they

1220
01:06:05,320 --> 01:06:07,000
Speaker 4: might try to jack him, like he don't know what

1221
01:06:07,120 --> 01:06:07,680
Speaker 4: the fuck to do.

1222
01:06:08,040 --> 01:06:12,960
Speaker 2: Right, and all didn't sees Jared trying to cut his

1223
01:06:13,200 --> 01:06:17,280
Speaker 2: ropes with a rock, and once again they didn't couldn't

1224
01:06:17,320 --> 01:06:22,400
Speaker 2: secure everything, you know. Anyway, he knocks the rock out

1225
01:06:22,440 --> 01:06:26,280
Speaker 2: of Jared's hand and says, you already screwed up once.

1226
01:06:26,360 --> 01:06:27,640
Speaker 2: I don't want you to get us all killed. And

1227
01:06:27,680 --> 01:06:30,240
Speaker 2: Jared said, you think they're gonna kill us, just keep

1228
01:06:30,280 --> 01:06:32,960
Speaker 2: it together and this place will be all ours. So

1229
01:06:33,280 --> 01:06:36,600
Speaker 2: I don't know if all is with the shits or not.

1230
01:06:36,840 --> 01:06:39,800
Speaker 2: I don't know, you know, because it don't seem like it.

1231
01:06:39,960 --> 01:06:42,640
Speaker 2: But you know the show, he could be the nice

1232
01:06:42,680 --> 01:06:45,120
Speaker 2: guy that's a psychopath, or he could really be like

1233
01:06:46,080 --> 01:06:48,360
Speaker 2: when they do figure this warshit out, maybe he'll be

1234
01:06:48,480 --> 01:06:50,120
Speaker 2: on their side and be one of the people they

1235
01:06:50,120 --> 01:06:51,680
Speaker 2: can work with within the compound. I don't know.

1236
01:06:51,920 --> 01:06:53,360
Speaker 4: Yeah, we will see, and it's one of those things.

1237
01:06:53,400 --> 01:06:55,360
Speaker 4: But Gregory's gonna play a role, believe you mean.

1238
01:06:55,960 --> 01:06:57,920
Speaker 2: Yeah, they tried to set all En up for something,

1239
01:06:58,160 --> 01:07:01,040
Speaker 2: but uh yeah, maybe that'll be how they get out

1240
01:07:01,160 --> 01:07:04,000
Speaker 2: kill Gregory or something, you know, and then they'll come

1241
01:07:04,040 --> 01:07:05,760
Speaker 2: in to see what the commotions about. I just don't

1242
01:07:05,760 --> 01:07:07,960
Speaker 2: trust it. I don't think people have training. I don't

1243
01:07:07,960 --> 01:07:10,160
Speaker 2: think they're really ready to kill them on a minute notice.

1244
01:07:10,280 --> 01:07:14,440
Speaker 2: So I think it's just a terrible idea to have POW's.

1245
01:07:14,680 --> 01:07:17,160
Speaker 2: But you know, if you're not gonna kill him, you

1246
01:07:17,280 --> 01:07:18,520
Speaker 2: have to figure something else out.

1247
01:07:19,360 --> 01:07:22,880
Speaker 4: And that could say I understand, you know, with more,

1248
01:07:23,000 --> 01:07:26,560
Speaker 4: but Jesus like, hey, after I was shooting, done, what

1249
01:07:26,680 --> 01:07:27,160
Speaker 4: we gonna do?

1250
01:07:27,440 --> 01:07:29,680
Speaker 3: We got to learn how to get along. That's we're

1251
01:07:29,680 --> 01:07:30,840
Speaker 3: gonna be fucking fighting forever.

1252
01:07:31,600 --> 01:07:34,680
Speaker 2: And Maggie's office, Aaron is talking about losing Eric and

1253
01:07:34,760 --> 01:07:37,920
Speaker 2: it's very like sad and he's eating it and Maggie

1254
01:07:38,040 --> 01:07:40,680
Speaker 2: is holding that baby that everybody in and she's basically like,

1255
01:07:40,800 --> 01:07:43,120
Speaker 2: look because he was like, this is feeling never stopped

1256
01:07:43,280 --> 01:07:46,400
Speaker 2: to go away. She was like nope, and she says,

1257
01:07:46,440 --> 01:07:49,000
Speaker 2: you know how you feel. You never get over it, right,

1258
01:07:49,640 --> 01:07:52,400
Speaker 2: but you just keep moving on. And Jesus walks in

1259
01:07:52,920 --> 01:07:55,800
Speaker 2: and thanks Maggie for letting the POW's inside the fence,

1260
01:07:56,280 --> 01:07:58,600
Speaker 2: like thank you for not killing them and forget you know,

1261
01:07:59,440 --> 01:08:01,440
Speaker 2: like hold them in there and all this stuff, and

1262
01:08:01,520 --> 01:08:06,280
Speaker 2: she's like, don't thank me. She basically gets up. It's

1263
01:08:06,360 --> 01:08:08,800
Speaker 2: like it was so gagster. She like gets up while

1264
01:08:08,840 --> 01:08:11,080
Speaker 2: holding a baby, looks out the window, you know, with

1265
01:08:11,200 --> 01:08:14,320
Speaker 2: her back to Jesus. She's like, don't thank me. We

1266
01:08:14,440 --> 01:08:16,800
Speaker 2: might need them as a bargainship. If the Sabers don't

1267
01:08:16,840 --> 01:08:19,880
Speaker 2: want them back, then we can't let them live. Like

1268
01:08:20,479 --> 01:08:21,920
Speaker 2: we might have to kill these niggas.

1269
01:08:21,680 --> 01:08:24,080
Speaker 4: Anyway, right because and it's one of those things. But

1270
01:08:25,280 --> 01:08:28,439
Speaker 4: to an extent, I understand, I understand both perspective. Her

1271
01:08:28,520 --> 01:08:32,000
Speaker 4: things like, hey, do you really think that a lot

1272
01:08:32,040 --> 01:08:34,240
Speaker 4: of them are gonna be down with just working with us?

1273
01:08:35,160 --> 01:08:38,800
Speaker 4: Like you might have a handful, But to both up,

1274
01:08:39,040 --> 01:08:41,559
Speaker 4: most of them are like fuck y'all, just like people,

1275
01:08:41,680 --> 01:08:44,240
Speaker 4: Just like people in this group has probably upset that

1276
01:08:44,400 --> 01:08:47,160
Speaker 4: you even allowed them into hear they're gonna be upset too,

1277
01:08:47,200 --> 01:08:49,000
Speaker 4: because people have died on both sides.

1278
01:08:49,640 --> 01:08:51,920
Speaker 2: Well. See, the other thing is we don't know Jesus

1279
01:08:51,960 --> 01:08:55,160
Speaker 2: is quote unquote backstory, but we know that Maggie how

1280
01:08:55,240 --> 01:08:59,880
Speaker 2: she lost Glenn Taniga. Like, I don't think she's soft

1281
01:09:00,280 --> 01:09:03,200
Speaker 2: or softening. She's trying to find a way. But leading

1282
01:09:03,400 --> 01:09:06,519
Speaker 2: is hard and you can't be what Jesus is saying

1283
01:09:06,600 --> 01:09:09,519
Speaker 2: where you just gotta turn the other cheek or you

1284
01:09:09,600 --> 01:09:13,120
Speaker 2: know all you know that all life is precious shit

1285
01:09:13,200 --> 01:09:17,280
Speaker 2: type thing. Yes, And her balance is like, we if

1286
01:09:17,320 --> 01:09:19,600
Speaker 2: they're useful to us, we can keep them for a

1287
01:09:19,680 --> 01:09:22,559
Speaker 2: little bit. But you know, if we can't use him

1288
01:09:22,560 --> 01:09:24,559
Speaker 2: as a bargainingship, now they might be able to because

1289
01:09:24,600 --> 01:09:27,799
Speaker 2: Hegan believes, you know, people are resource and shit correct.

1290
01:09:28,520 --> 01:09:31,720
Speaker 2: But she's like other than that, like I'll kill these

1291
01:09:31,760 --> 01:09:35,120
Speaker 2: motherfuckers in a heartbeat, fuck them. And I'm like, yeah, Jesus,

1292
01:09:35,160 --> 01:09:37,560
Speaker 2: you ain't lose nobody to them, so it's easy for

1293
01:09:37,680 --> 01:09:40,200
Speaker 2: you to just at least from what we know. Maybe

1294
01:09:40,240 --> 01:09:41,920
Speaker 2: we'll find out later that the person they kill a

1295
01:09:41,960 --> 01:09:44,559
Speaker 2: Hilltop was some get into Jesus. But he was very

1296
01:09:44,600 --> 01:09:46,840
Speaker 2: flighty with Hilltop. He said he didn't really stay there

1297
01:09:46,880 --> 01:09:49,600
Speaker 2: when he first was showing up. He you know, like,

1298
01:09:49,800 --> 01:09:54,120
Speaker 2: I think he's only committed to that that place now

1299
01:09:54,280 --> 01:09:58,120
Speaker 2: because of Maggie's leadership and the fact that there's a

1300
01:09:58,200 --> 01:10:02,120
Speaker 2: different way going. But he's I always been like flighty

1301
01:10:02,200 --> 01:10:04,920
Speaker 2: and shit until now. So yeah, I just thought it

1302
01:10:05,040 --> 01:10:08,840
Speaker 2: was interesting how they did that. And then but yeah,

1303
01:10:08,880 --> 01:10:10,439
Speaker 2: she's like, we might have to kill these motherfuckers and

1304
01:10:10,439 --> 01:10:13,000
Speaker 2: I can't let him live live And then Aaron gets

1305
01:10:13,040 --> 01:10:15,519
Speaker 2: in his car to leave enit sees the runs out there,

1306
01:10:15,600 --> 01:10:17,559
Speaker 2: ask where he's going, and he says, to make sure

1307
01:10:17,600 --> 01:10:20,320
Speaker 2: we win. Eni says, I want to go with you,

1308
01:10:20,600 --> 01:10:23,560
Speaker 2: and she he says, grab your stuff, answer food. We

1309
01:10:23,720 --> 01:10:26,840
Speaker 2: might be going. Awhile, I wonder where they're going. I

1310
01:10:26,960 --> 01:10:30,519
Speaker 2: was thinking maybe Ocean Side because that's the only other

1311
01:10:30,560 --> 01:10:32,920
Speaker 2: community that haven't been to in a while. It's a

1312
01:10:33,000 --> 01:10:33,759
Speaker 2: long way away.

1313
01:10:34,040 --> 01:10:34,479
Speaker 3: We know that.

1314
01:10:35,280 --> 01:10:38,719
Speaker 2: You know, it took a couple of days for Terror

1315
01:10:38,880 --> 01:10:42,439
Speaker 2: and Heath to get out there. Who still haven't seen

1316
01:10:42,560 --> 01:10:45,200
Speaker 2: and now that you know, twenty four o filed, I

1317
01:10:45,240 --> 01:10:46,760
Speaker 2: feel like that Nigga should be able to come back.

1318
01:10:46,840 --> 01:10:48,200
Speaker 3: And I hope the ocean did something to that.

1319
01:10:48,320 --> 01:10:51,439
Speaker 2: He's gonna come back with a full throw.

1320
01:10:51,640 --> 01:10:54,360
Speaker 3: Come on, I mean the ocean. Yes, the ocean would

1321
01:10:54,400 --> 01:10:55,400
Speaker 3: give you a full throw.

1322
01:10:55,840 --> 01:10:58,200
Speaker 2: Like I had to get my hair situation right, baby

1323
01:10:58,360 --> 01:11:02,160
Speaker 2: before I could come back to camp, right. But yeah,

1324
01:11:02,160 --> 01:11:04,400
Speaker 2: I want to see I hope he comes back because

1325
01:11:04,439 --> 01:11:06,599
Speaker 2: I you know, I know a lot of people weren't

1326
01:11:06,600 --> 01:11:08,640
Speaker 2: feeling his hair ship and I get that, but I.

1327
01:11:08,680 --> 01:11:11,559
Speaker 3: Mean it's a running joke. Yeah the actor is excellent, but.

1328
01:11:11,600 --> 01:11:14,200
Speaker 2: That hair, yeah that has terrible. But but I didn't

1329
01:11:14,200 --> 01:11:15,599
Speaker 2: want to see him come back.

1330
01:11:15,680 --> 01:11:18,840
Speaker 3: You know, I think he will at least expect that

1331
01:11:18,920 --> 01:11:20,320
Speaker 3: he just gonna pop up. You want to what the

1332
01:11:20,560 --> 01:11:21,519
Speaker 3: big where you come from?

1333
01:11:21,840 --> 01:11:25,679
Speaker 2: So last thing before we wrap up the episode, Rick,

1334
01:11:26,600 --> 01:11:29,840
Speaker 2: after offering the junk de cons all this ship at

1335
01:11:29,880 --> 01:11:32,080
Speaker 2: the junk of con compound, at the at the at

1336
01:11:32,120 --> 01:11:35,640
Speaker 2: the garbage heap, at the I don't know, you know what,

1337
01:11:35,680 --> 01:11:53,920
Speaker 2: we're calling it the junk yard. Uh, that's the only thing.

1338
01:11:53,960 --> 01:11:55,519
Speaker 2: They can make it better. If all the junk de

1339
01:11:55,600 --> 01:11:58,280
Speaker 2: cons actually talk like Senfer and Son characters, that would

1340
01:11:58,320 --> 01:12:01,880
Speaker 2: be better. But what's going on? Don't do give sucker,

1341
01:12:03,240 --> 01:12:06,280
Speaker 2: Get on out of here, you old fish, shy food.

1342
01:12:06,720 --> 01:12:09,360
Speaker 2: I don't want to work with you any way, right,

1343
01:12:11,280 --> 01:12:15,640
Speaker 2: that is hilarious, Elizabeth, I'm coming to join you. Yeah, Elizabeth,

1344
01:12:15,960 --> 01:12:17,160
Speaker 2: I'm sorry, go ahead.

1345
01:12:16,960 --> 01:12:23,080
Speaker 3: Ken, no problem. My thing with Enith And what's mcconnaughy leaving,

1346
01:12:23,840 --> 01:12:24,759
Speaker 3: Aaron leaving.

1347
01:12:25,000 --> 01:12:28,280
Speaker 4: I'm like, y'all do know that Mackie will immediately know

1348
01:12:28,400 --> 01:12:31,920
Speaker 4: y'all niggas is gone, Like y'all think y'all just gonna

1349
01:12:31,960 --> 01:12:33,880
Speaker 4: bounce and it not be a problem and it not

1350
01:12:34,000 --> 01:12:34,639
Speaker 4: be an issue.

1351
01:12:34,840 --> 01:12:37,040
Speaker 3: And sometimes when people break break.

1352
01:12:37,840 --> 01:12:40,320
Speaker 4: Like this, You're like, y'all, do know y'all very valuable

1353
01:12:40,400 --> 01:12:42,200
Speaker 4: people to the communities that you.

1354
01:12:42,320 --> 01:12:45,599
Speaker 3: Actually are leaving to do your own shit. That's gonna matter.

1355
01:12:45,840 --> 01:12:49,000
Speaker 4: She gonna wake up tomorrow because you know, Enith, like

1356
01:12:49,120 --> 01:12:53,920
Speaker 4: her right hand person, you know, like Aaron, is very

1357
01:12:53,920 --> 01:12:54,479
Speaker 4: important too.

1358
01:12:54,640 --> 01:12:56,400
Speaker 3: So yeah, she's gonna wake up tomorrow and be like,

1359
01:12:56,600 --> 01:12:57,240
Speaker 3: what the fuck?

1360
01:12:57,560 --> 01:12:59,880
Speaker 2: Possibly I don't know what you know, I don't know

1361
01:13:00,120 --> 01:13:02,639
Speaker 2: tell you they doing and not telling her unless Allies

1362
01:13:02,720 --> 01:13:05,920
Speaker 2: and your hilltop you know as bad. But maybe they

1363
01:13:05,960 --> 01:13:07,680
Speaker 2: are going to do something that will win the war,

1364
01:13:07,840 --> 01:13:11,000
Speaker 2: you know. But this is a situation now, see, this

1365
01:13:11,120 --> 01:13:13,680
Speaker 2: is what I think happens. And this is like that

1366
01:13:13,840 --> 01:13:16,719
Speaker 2: writing shit. The writers don't want to tell us flat

1367
01:13:16,760 --> 01:13:19,840
Speaker 2: out like what they're going to do. They want us

1368
01:13:19,880 --> 01:13:24,240
Speaker 2: to be surprised with whatever Ening and Aaron go to do, right, correct,

1369
01:13:25,600 --> 01:13:27,679
Speaker 2: But they could have written a scene where they tell

1370
01:13:27,840 --> 01:13:30,760
Speaker 2: Maggie but we just don't know, like when she's like,

1371
01:13:30,880 --> 01:13:34,040
Speaker 2: well then like maybe even in that scene with Jesus,

1372
01:13:34,120 --> 01:13:36,320
Speaker 2: they could have been walking like right before you walked in.

1373
01:13:36,439 --> 01:13:39,080
Speaker 2: She could have been like, well, we gotta do it

1374
01:13:39,280 --> 01:13:41,560
Speaker 2: if that'll help us win, and then Jesus walks in,

1375
01:13:41,840 --> 01:13:44,080
Speaker 2: you know, so we don't as an audience, we don't know,

1376
01:13:44,120 --> 01:13:46,640
Speaker 2: but at least we know they communicated it, and oh

1377
01:13:46,800 --> 01:13:47,240
Speaker 2: they may have.

1378
01:13:47,479 --> 01:13:50,360
Speaker 3: We just don't know, right, But I'm saying like, I.

1379
01:13:50,360 --> 01:13:52,439
Speaker 2: Think the writers do stuff like that so that we'll

1380
01:13:52,520 --> 01:13:54,920
Speaker 2: be surprised as an audience at home, like, oh, we

1381
01:13:55,000 --> 01:13:57,760
Speaker 2: don't know what they're going to do. You know, no

1382
01:13:57,880 --> 01:14:00,320
Speaker 2: one knows, you know, as opposed to like they could

1383
01:14:00,360 --> 01:14:02,280
Speaker 2: have written that seem a little different if I mean,

1384
01:14:02,360 --> 01:14:04,400
Speaker 2: and maybe it will come up and it is important

1385
01:14:04,439 --> 01:14:07,080
Speaker 2: that Maggie doesn't know and this will be a big thing.

1386
01:14:07,240 --> 01:14:10,120
Speaker 2: I don't know, but yeah, it does feel weird that Enid,

1387
01:14:10,200 --> 01:14:13,960
Speaker 2: who's been Maggie's right hand woman, not so much Aaron,

1388
01:14:14,000 --> 01:14:15,960
Speaker 2: but Enitt would have at least been like, you know,

1389
01:14:16,040 --> 01:14:19,519
Speaker 2: I gotta go. But at the same time, lets it

1390
01:14:19,600 --> 01:14:21,840
Speaker 2: has enit learned like Eni's watched a lot of grown

1391
01:14:21,880 --> 01:14:27,400
Speaker 2: women be like I'm out. You know, Eni's very you know, headstrong,

1392
01:14:27,560 --> 01:14:30,879
Speaker 2: she does what she wants. Basically, she believes in herself,

1393
01:14:31,960 --> 01:14:34,840
Speaker 2: which we always know, you know, even from the jump

1394
01:14:34,880 --> 01:14:37,320
Speaker 2: in Alexandria when people thought she was a trader and shit,

1395
01:14:37,400 --> 01:14:39,920
Speaker 2: but she was the main one being like, Nah, this

1396
01:14:39,960 --> 01:14:41,720
Speaker 2: shit ain't gonna go well, and when y'all get killed

1397
01:14:41,800 --> 01:14:44,600
Speaker 2: bout it whoever, I don't want to be here for,

1398
01:14:45,680 --> 01:14:51,720
Speaker 2: you know. Anyway, So back at the junk con prout thing,

1399
01:14:52,680 --> 01:14:56,680
Speaker 2: motherfucking Darryl Tarra, Micheon and Rosita roll up in that

1400
01:14:56,760 --> 01:15:01,080
Speaker 2: big ass garbage truck and they pull out by binoculars

1401
01:15:01,080 --> 01:15:04,479
Speaker 2: and they look inside the compound and they're like, what's

1402
01:15:04,520 --> 01:15:11,200
Speaker 2: the plan? And Daryl just says, we because Rosita and

1403
01:15:11,280 --> 01:15:14,240
Speaker 2: Michean like what you need us for? And he says

1404
01:15:14,320 --> 01:15:17,760
Speaker 2: to end this thing right now. And in the heap

1405
01:15:17,920 --> 01:15:21,920
Speaker 2: inside you see Jadis writes in a with a circle

1406
01:15:22,120 --> 01:15:24,800
Speaker 2: on the on the container, and inside that container is

1407
01:15:24,880 --> 01:15:27,639
Speaker 2: Rick who is naked and tied up, and he looks

1408
01:15:27,640 --> 01:15:29,479
Speaker 2: through the hole in the door and then just lays

1409
01:15:29,520 --> 01:15:32,640
Speaker 2: his head back and that's the end. The only thing

1410
01:15:32,680 --> 01:15:35,160
Speaker 2: I needed him to say was they don't know that

1411
01:15:35,320 --> 01:15:36,400
Speaker 2: fucking with the wrong people.

1412
01:15:37,320 --> 01:15:40,080
Speaker 4: But yeah, go ahead, Cam And uh, like I said,

1413
01:15:40,120 --> 01:15:42,760
Speaker 4: I might be wrong, but it wouldn't surprise me if

1414
01:15:43,040 --> 01:15:45,000
Speaker 4: that has some connection with Terminus.

1415
01:15:46,080 --> 01:15:50,200
Speaker 2: Yeah, yeah, I mean that's the thing. Though sometimes the

1416
01:15:50,320 --> 01:15:53,360
Speaker 2: show also likes to do shit like that, like it

1417
01:15:53,439 --> 01:15:57,360
Speaker 2: don't really have anything to do with like we won't

1418
01:15:57,400 --> 01:16:00,479
Speaker 2: find out that these guys are from Terminists. We want like,

1419
01:16:00,640 --> 01:16:04,240
Speaker 2: but they'll just write that a down. It's like because

1420
01:16:04,320 --> 01:16:08,519
Speaker 2: it was in this episode, in that episode. AMC shows do.

1421
01:16:08,560 --> 01:16:08,880
Speaker 3: That a lot.

1422
01:16:09,000 --> 01:16:12,280
Speaker 2: Breaking Bad does that a lot. It's actually one of

1423
01:16:12,320 --> 01:16:14,559
Speaker 2: the things I don't like about when shows. I don't

1424
01:16:14,640 --> 01:16:17,000
Speaker 2: like when shows do that, you know, when it's like

1425
01:16:17,320 --> 01:16:20,360
Speaker 2: seventeen things you didn't know about Breaking Bad? Did you

1426
01:16:20,520 --> 01:16:23,519
Speaker 2: know the color design on this shirt looks like the

1427
01:16:23,640 --> 01:16:27,200
Speaker 2: rug in the office of this scene. Know, I'm like, like,

1428
01:16:27,280 --> 01:16:30,120
Speaker 2: it doesn't add anything to the story though, it's not clever.

1429
01:16:30,280 --> 01:16:33,400
Speaker 2: It's just a it's like y'all purposely looked forward coincidence,

1430
01:16:33,479 --> 01:16:36,040
Speaker 2: but it's not actually clever. It's not an Easter egg

1431
01:16:36,120 --> 01:16:39,519
Speaker 2: or anything. But anyway, I wonder if it's that or

1432
01:16:39,880 --> 01:16:41,920
Speaker 2: or like you said, maybe they do have a connection

1433
01:16:42,080 --> 01:16:45,160
Speaker 2: to terminate and we'll find out. What do you look

1434
01:16:45,200 --> 01:16:50,920
Speaker 2: forward to next week? Call and him getting back calling?

1435
01:16:51,560 --> 01:16:54,120
Speaker 4: Yeah, because even if Rick's not there, it's still gonna

1436
01:16:54,120 --> 01:16:55,840
Speaker 4: be a problem with him rolling up there with a

1437
01:16:55,920 --> 01:16:59,920
Speaker 4: random stranger, even you know, because everybody like bit was

1438
01:17:00,479 --> 01:17:04,000
Speaker 4: and why did you bring him here? Even when it's dad,

1439
01:17:04,040 --> 01:17:08,280
Speaker 4: is somebody somebody gonna question that. It's gonna be interesting

1440
01:17:08,360 --> 01:17:17,000
Speaker 4: to see, uh what happens with Eugene and Gabe, because

1441
01:17:17,000 --> 01:17:18,360
Speaker 4: you know, Gabe is still up there.

1442
01:17:21,640 --> 01:17:23,560
Speaker 3: To see if they found out about Dwight.

1443
01:17:23,840 --> 01:17:27,160
Speaker 2: And Maggie is the least pregnant pregnant woman I've ever seen. Like,

1444
01:17:28,320 --> 01:17:30,759
Speaker 2: I can't believe Gabe is stressing about getting that doctor

1445
01:17:30,840 --> 01:17:33,559
Speaker 2: back to Hilltop when she don't look she out there

1446
01:17:33,640 --> 01:17:36,479
Speaker 2: just doing whatever she wanted to do. She basically like

1447
01:17:36,600 --> 01:17:41,719
Speaker 2: Serena beating people ass with the pregnant belly and nobody

1448
01:17:41,800 --> 01:17:44,960
Speaker 2: knew it. She was like, yep, apparently my baby already

1449
01:17:44,960 --> 01:17:49,640
Speaker 2: want to Australia open. So yeah, I'm looking forward to

1450
01:17:49,680 --> 01:17:52,160
Speaker 2: all that too. I think I'm mostly looking forward to

1451
01:17:53,439 --> 01:17:56,360
Speaker 2: what is the rescue playing to get ricked? You know

1452
01:17:56,680 --> 01:17:58,760
Speaker 2: they got the garbage truck, Like if that gonna come

1453
01:17:58,760 --> 01:18:01,040
Speaker 2: into play, do they let go trucks in? I don't

1454
01:18:01,080 --> 01:18:01,880
Speaker 2: know what.

1455
01:18:03,360 --> 01:18:04,160
Speaker 3: Get Rick right?

1456
01:18:04,240 --> 01:18:06,479
Speaker 2: It's something in the garbage truck. Are they just gonna

1457
01:18:06,520 --> 01:18:09,400
Speaker 2: ran the front door? Like I don't know what the

1458
01:18:09,680 --> 01:18:11,840
Speaker 2: you know what they're gonna do, But I want to

1459
01:18:11,840 --> 01:18:16,120
Speaker 2: see how Rick gets out of that sixth situation. But

1460
01:18:16,360 --> 01:18:18,439
Speaker 2: that's about it for me. It's what I'm looking forward to,

1461
01:18:19,680 --> 01:18:24,160
Speaker 2: you know. Uh yeah, that's about it for me. And

1462
01:18:24,400 --> 01:18:27,920
Speaker 2: they did announce this week. Morgan is a character that

1463
01:18:27,960 --> 01:18:31,280
Speaker 2: will be on Fear of the Walking Dead. Now Fear

1464
01:18:31,320 --> 01:18:33,760
Speaker 2: the Walking Dead is a prequel, so a lot of

1465
01:18:33,800 --> 01:18:35,599
Speaker 2: people have been asking, like, oh, what do you think

1466
01:18:35,640 --> 01:18:37,720
Speaker 2: they're gonna do. Is he gonna be like when he

1467
01:18:37,840 --> 01:18:40,200
Speaker 2: just left, And I'm like, no, it's gonna be how

1468
01:18:40,320 --> 01:18:43,880
Speaker 2: he was before he probably even met Rick, you know,

1469
01:18:44,240 --> 01:18:46,680
Speaker 2: or maybe or maybe it'll even bitter because it did

1470
01:18:46,800 --> 01:18:49,240
Speaker 2: pop off with Rick was in a coma, so it

1471
01:18:49,280 --> 01:18:51,920
Speaker 2: could either be that or it could be after he

1472
01:18:52,040 --> 01:18:55,519
Speaker 2: met Rick and his wife and Dalton and son turned

1473
01:18:55,560 --> 01:18:58,400
Speaker 2: his armies and got killed and what what did he

1474
01:18:58,560 --> 01:19:01,519
Speaker 2: do after that point, because you know, he may not

1475
01:19:01,680 --> 01:19:08,719
Speaker 2: have turned straight to you know, straight to just deadly

1476
01:19:09,040 --> 01:19:13,720
Speaker 2: kill everybody, clear crazy man. The other thing I'll be

1477
01:19:13,840 --> 01:19:17,080
Speaker 2: interested in seeing one. Lenny is a fucking great actor.

1478
01:19:18,840 --> 01:19:22,600
Speaker 2: I think this process that seems fucked up though, because

1479
01:19:22,640 --> 01:19:24,640
Speaker 2: they want to keep a secret, which they have, you know,

1480
01:19:24,680 --> 01:19:26,960
Speaker 2: I understand why they want to keep a secret. They

1481
01:19:27,000 --> 01:19:29,920
Speaker 2: don't even tell the actors until the last minute, so

1482
01:19:29,960 --> 01:19:32,880
Speaker 2: they basically he found out basically when we found out

1483
01:19:33,360 --> 01:19:35,880
Speaker 2: that he was going, so he was awn live on

1484
01:19:36,080 --> 01:19:39,000
Speaker 2: talking dead, and he even looked kind of like bewildered,

1485
01:19:39,120 --> 01:19:42,120
Speaker 2: like I guess I'm gonna be doing that now, you know,

1486
01:19:42,400 --> 01:19:45,200
Speaker 2: because he didn't know, you know, And I'm like, it's

1487
01:19:45,280 --> 01:19:48,400
Speaker 2: not the show's fault. Really, it's not his fault. It's

1488
01:19:48,760 --> 01:19:51,479
Speaker 2: but it's in a weird way, it's kind of fans

1489
01:19:51,560 --> 01:19:56,920
Speaker 2: fault because we're so gluttonous and we're so like looking

1490
01:19:56,960 --> 01:20:01,560
Speaker 2: for every secret, and websites and media spoil every so

1491
01:20:01,760 --> 01:20:04,080
Speaker 2: the only way to keep people from not like shitting

1492
01:20:04,160 --> 01:20:06,320
Speaker 2: on every decision you make, because once they find out,

1493
01:20:06,840 --> 01:20:08,880
Speaker 2: they just can't wait the shit on it. You almost

1494
01:20:08,920 --> 01:20:11,120
Speaker 2: have to wait to surprise him at the last minute.

1495
01:20:11,120 --> 01:20:12,840
Speaker 2: I mean you look at like Game of Thrones, like

1496
01:20:13,160 --> 01:20:15,400
Speaker 2: spoilers have become a huge thing. The things they had,

1497
01:20:15,439 --> 01:20:16,880
Speaker 2: the tricks they had to do to keep people from

1498
01:20:16,920 --> 01:20:19,479
Speaker 2: knowing that it was Glenn and Abe dying, right, you know,

1499
01:20:19,760 --> 01:20:21,920
Speaker 2: and they were still people trying to walk around spoiling that.

1500
01:20:22,240 --> 01:20:27,000
Speaker 2: Like these websites spoilshit so fast. There should be there's

1501
01:20:27,040 --> 01:20:29,519
Speaker 2: amount of credit that has to be given to them

1502
01:20:29,560 --> 01:20:33,000
Speaker 2: as a as a as a staff at an organization

1503
01:20:33,560 --> 01:20:35,600
Speaker 2: that they were able to keep this secret. It's just

1504
01:20:35,680 --> 01:20:37,280
Speaker 2: sad that the only way they do it is to

1505
01:20:37,320 --> 01:20:41,400
Speaker 2: tell an actor last minute, Hey, so you're gonna be

1506
01:20:41,720 --> 01:20:44,600
Speaker 2: going to the field of Walking Dead, which maybe they

1507
01:20:44,640 --> 01:20:46,600
Speaker 2: want to do, maybe they don't, right, And.

1508
01:20:46,760 --> 01:20:49,160
Speaker 3: It don't mean he won't come back to The Walking Dead.

1509
01:20:49,200 --> 01:20:51,680
Speaker 2: Right, and he still has story to finish on this

1510
01:20:51,800 --> 01:20:54,120
Speaker 2: season of The Walking Dead, you know, and maybe we're

1511
01:20:54,160 --> 01:20:56,719
Speaker 2: about to watch him die or something, which could be possible.

1512
01:20:56,760 --> 01:20:58,560
Speaker 2: We're gonna watch him die and then they'll be like,

1513
01:20:58,640 --> 01:21:01,880
Speaker 2: oh cool, get bonus Morgan. The actor still gets to

1514
01:21:01,960 --> 01:21:04,559
Speaker 2: kind of go on in this other role for however

1515
01:21:04,680 --> 01:21:08,519
Speaker 2: long they want to make that, you know. But yeah,

1516
01:21:08,680 --> 01:21:11,280
Speaker 2: you know. I and the thing that also someone said

1517
01:21:11,400 --> 01:21:15,200
Speaker 2: on Twitter on Facebook they was like, well I hope,

1518
01:21:15,520 --> 01:21:17,680
Speaker 2: I said. They were like, they will announce who the

1519
01:21:17,680 --> 01:21:20,439
Speaker 2: crossover person is this Sunday, and I was like, well,

1520
01:21:20,439 --> 01:21:22,680
Speaker 2: they told us someone from Fear to Walking Dead will

1521
01:21:22,720 --> 01:21:24,640
Speaker 2: be going on to the Walking Dead, which is what

1522
01:21:24,720 --> 01:21:27,400
Speaker 2: I thought, right, And then she was like, well, I

1523
01:21:27,479 --> 01:21:29,320
Speaker 2: hope it's the other way, and I was like, well,

1524
01:21:29,520 --> 01:21:33,720
Speaker 2: that's what they said. But this show has known to

1525
01:21:33,800 --> 01:21:36,320
Speaker 2: try to pull the okie dough. We know more than

1526
01:21:36,360 --> 01:21:38,640
Speaker 2: any other show Walking Dead. They're so in tune with

1527
01:21:38,720 --> 01:21:41,560
Speaker 2: the audience and so in tune with the blogs in

1528
01:21:41,600 --> 01:21:45,040
Speaker 2: the media trying to spoilshit. They will flip something on you.

1529
01:21:45,360 --> 01:21:47,360
Speaker 2: They will purposely lie to you so you will be

1530
01:21:47,439 --> 01:21:51,519
Speaker 2: shot you right, They will be like Glenn is dead. Nah,

1531
01:21:51,560 --> 01:21:54,640
Speaker 2: he's not really dead. Now he's gonna die, but no,

1532
01:21:54,800 --> 01:21:55,479
Speaker 2: he's not gonna die.

1533
01:21:55,520 --> 01:21:55,560
Speaker 4: Like.

1534
01:21:55,600 --> 01:21:59,200
Speaker 2: They'll do shit like that purposely. So yeah, it kind

1535
01:21:59,240 --> 01:22:02,000
Speaker 2: of made how that worked, you know, made a sense

1536
01:22:02,040 --> 01:22:05,040
Speaker 2: to me. But yeah, Fear to Walking Dead is a prequel,

1537
01:22:05,680 --> 01:22:08,560
Speaker 2: so I'm assuming that period of time. My guess is

1538
01:22:09,400 --> 01:22:17,479
Speaker 2: the period of time between Morgan with Rick and his

1539
01:22:17,600 --> 01:22:21,320
Speaker 2: son and wife getting killed to clear Morgan is probably

1540
01:22:21,400 --> 01:22:23,120
Speaker 2: what we'll see, that's my guess.

1541
01:22:23,720 --> 01:22:30,800
Speaker 4: See up up to that particular point, and if they

1542
01:22:30,880 --> 01:22:33,000
Speaker 4: continue Fear, it's gonna be a time where they're actually

1543
01:22:33,000 --> 01:22:33,840
Speaker 4: gonna get caught up.

1544
01:22:34,080 --> 01:22:37,240
Speaker 2: Like possibly, but we don't know that. They move so

1545
01:22:37,840 --> 01:22:40,960
Speaker 2: different with time frame, they move faster, and it's also

1546
01:22:41,080 --> 01:22:46,840
Speaker 2: closer to the Zpoch start. So yeah, like Walking Dead,

1547
01:22:47,200 --> 01:22:50,280
Speaker 2: the regular show does a lot of like this is winter,

1548
01:22:50,840 --> 01:22:53,720
Speaker 2: this is fall, this is spring, this is summer. They

1549
01:22:53,800 --> 01:22:55,880
Speaker 2: do a lot of that, and they move a little

1550
01:22:55,920 --> 01:22:59,640
Speaker 2: bit faster, and they're now so far ahead, you know,

1551
01:22:59,680 --> 01:23:03,880
Speaker 2: they making some long like journeys and shit, it just

1552
01:23:04,000 --> 01:23:06,479
Speaker 2: doesn't feel like that, Like Field to Walking there is

1553
01:23:06,600 --> 01:23:07,280
Speaker 2: much more.

1554
01:23:09,479 --> 01:23:11,800
Speaker 3: Maybe six months at the moment.

1555
01:23:11,880 --> 01:23:14,360
Speaker 2: Yeah, like it's much more like this all happened within

1556
01:23:14,479 --> 01:23:18,360
Speaker 2: ten days, and you know, and as the episode's counts

1557
01:23:18,400 --> 01:23:20,639
Speaker 2: gets longer, where they now are getting sixteen episodes of season,

1558
01:23:20,680 --> 01:23:23,559
Speaker 2: I think it starts moving a little bit like more

1559
01:23:23,600 --> 01:23:25,960
Speaker 2: spread out. But in general it's a pretty fast show,

1560
01:23:26,040 --> 01:23:28,160
Speaker 2: so I don't think they're very far into the Z

1561
01:23:28,320 --> 01:23:30,880
Speaker 2: pod compared to the you know, Walking Dead.

1562
01:23:30,920 --> 01:23:32,160
Speaker 3: I still think it's really fresh.

1563
01:23:32,520 --> 01:23:34,720
Speaker 2: We got a couple of emails Greg right saying, hey, Roy,

1564
01:23:34,880 --> 01:23:37,439
Speaker 2: Caron and guests, Happy late Thanksgiving to you all. I

1565
01:23:37,520 --> 01:23:39,200
Speaker 2: wanted to ask you a couple of questions about this

1566
01:23:39,280 --> 01:23:41,479
Speaker 2: week's episode of Walking Dead, because it seems like this

1567
01:23:41,600 --> 01:23:44,720
Speaker 2: season has more questions than actual answers. One, isn't it

1568
01:23:44,760 --> 01:23:46,800
Speaker 2: great to finally get me shown back from Wakanda? I

1569
01:23:46,920 --> 01:23:50,439
Speaker 2: know she much rather be here be there. Yeah that's

1570
01:23:50,479 --> 01:23:53,400
Speaker 2: funny because I saw people complain about not having enough Tony,

1571
01:23:53,960 --> 01:23:56,960
Speaker 2: but I'm like, well, She's either this or she can

1572
01:23:57,040 --> 01:24:01,479
Speaker 2: go film with film Black Panther and Avengers pick a

1573
01:24:01,560 --> 01:24:04,240
Speaker 2: tide because we be wanting o black people to be

1574
01:24:04,439 --> 01:24:06,600
Speaker 2: shining and be everywhere. But this is the cost of that,

1575
01:24:06,840 --> 01:24:09,280
Speaker 2: which is you know? And I love that the show

1576
01:24:09,439 --> 01:24:13,200
Speaker 2: actually made an adjustment for a black actress. They clearly

1577
01:24:13,280 --> 01:24:15,800
Speaker 2: prepared for it if you think about it, but they

1578
01:24:15,920 --> 01:24:19,880
Speaker 2: actually made an adjustment for a mainstream, top leading black

1579
01:24:19,920 --> 01:24:22,840
Speaker 2: actress on the show to be like, Okay, it's cool,

1580
01:24:23,040 --> 01:24:25,160
Speaker 2: we'll figure something out to write around it. And we

1581
01:24:25,320 --> 01:24:27,160
Speaker 2: know not gonna kill you all. We know we're not

1582
01:24:27,320 --> 01:24:29,720
Speaker 2: Marvel Dog gonna make that money, right, And even in

1583
01:24:29,840 --> 01:24:33,040
Speaker 2: this episode, I love how Rick referenced Sasha dying to

1584
01:24:33,160 --> 01:24:36,960
Speaker 2: start this whole fight against me. You know who's now

1585
01:24:37,160 --> 01:24:40,200
Speaker 2: you know on that Star Trek so she she she

1586
01:24:40,439 --> 01:24:44,880
Speaker 2: she up in space someone uh two? But he says

1587
01:24:45,200 --> 01:24:48,840
Speaker 2: number two the helicopter. Do we think the junk Yard

1588
01:24:48,880 --> 01:24:51,560
Speaker 2: crew owns that helicopter? Where Rick was standing on that

1589
01:24:51,640 --> 01:24:54,240
Speaker 2: mountain of trash when we first met Alice from Resident

1590
01:24:54,280 --> 01:24:56,439
Speaker 2: Eva in Junk Yard Band, there was a helipad in

1591
01:24:56,479 --> 01:24:59,800
Speaker 2: the background. I never even noticed that maybe they got

1592
01:24:59,840 --> 01:25:02,920
Speaker 2: some over there that can fly helicopter, although you know,

1593
01:25:03,280 --> 01:25:03,720
Speaker 2: I don't know.

1594
01:25:05,400 --> 01:25:05,479
Speaker 4: Uh.

1595
01:25:05,680 --> 01:25:08,599
Speaker 2: Three, Maggie has to be at least thirteen months pregnant

1596
01:25:08,680 --> 01:25:11,040
Speaker 2: and not showing are we supposed to take the baby?

1597
01:25:11,200 --> 01:25:15,200
Speaker 2: Crew found a compound, found that the compound where the

1598
01:25:15,280 --> 01:25:17,240
Speaker 2: crew found that the compound will become hers after she

1599
01:25:17,320 --> 01:25:20,960
Speaker 2: possibly loses her own I don't know. I don't know

1600
01:25:21,880 --> 01:25:24,120
Speaker 2: that that that. I don't know how pregnant Maggie is

1601
01:25:24,120 --> 01:25:25,560
Speaker 2: supposed to be and how much time it's supposed to

1602
01:25:25,600 --> 01:25:28,960
Speaker 2: have passed. Judith had is growing. Like I saw Judah

1603
01:25:29,560 --> 01:25:32,280
Speaker 2: what she got out of a car with an eye

1604
01:25:32,320 --> 01:25:36,240
Speaker 2: voter spit sticker on it and to the it was

1605
01:25:36,320 --> 01:25:38,439
Speaker 2: like I just came from the ABC star took us health?

1606
01:25:39,120 --> 01:25:42,000
Speaker 2: Uh and four In two weeks, we've had Rick completely

1607
01:25:42,040 --> 01:25:44,560
Speaker 2: destroyed a gatling gun by purposely blowing it up, and

1608
01:25:44,640 --> 01:25:47,320
Speaker 2: then this week Rosita waste her grenade launcher on one person.

1609
01:25:47,760 --> 01:25:50,439
Speaker 2: Where's the gun control loss in the epoch? Ain't nothing?

1610
01:25:50,640 --> 01:25:51,720
Speaker 3: Ain't none.

1611
01:25:52,080 --> 01:25:54,320
Speaker 2: On a serious note, though, what up with Jade's drawn

1612
01:25:54,360 --> 01:25:56,840
Speaker 2: that circled a on the crate Rick was in. We

1613
01:25:56,920 --> 01:25:59,080
Speaker 2: saw that happen with Daryl last season when they locked

1614
01:25:59,160 --> 01:26:01,719
Speaker 2: him up and again backing terminus. Could it all be connected?

1615
01:26:02,400 --> 01:26:06,360
Speaker 2: Like I said, I legitimately don't think it's connected. I

1616
01:26:06,400 --> 01:26:08,320
Speaker 2: think it's some cute shit. The show is doing the

1617
01:26:08,360 --> 01:26:08,760
Speaker 2: wink at.

1618
01:26:08,760 --> 01:26:11,960
Speaker 3: Us, like forty five things that The Walk and Dad

1619
01:26:12,080 --> 01:26:13,000
Speaker 3: have in common.

1620
01:26:12,840 --> 01:26:15,960
Speaker 2: You'd be like, yeah. I feel like if we google

1621
01:26:16,000 --> 01:26:18,639
Speaker 2: an article right now is a what does A mean?

1622
01:26:18,720 --> 01:26:21,599
Speaker 2: In The Walking Dead? And I don't give a fuck

1623
01:26:21,640 --> 01:26:23,880
Speaker 2: about it. I really wish they would cut that shit

1624
01:26:23,920 --> 01:26:27,639
Speaker 2: out all right. Finally, I can't be the only one

1625
01:26:27,680 --> 01:26:30,280
Speaker 2: who thought we'd see Abraham be on the field of

1626
01:26:30,360 --> 01:26:33,640
Speaker 2: Walking Dead, but Morgan so he went from Atlanta to

1627
01:26:33,720 --> 01:26:36,519
Speaker 2: Possilely Texas, then the Virginia or maybe he was in

1628
01:26:36,600 --> 01:26:39,519
Speaker 2: the helicopter that Rick song was he todd of Jesus

1629
01:26:39,560 --> 01:26:43,880
Speaker 2: shit and flew away much loved. Yeah. And that's the

1630
01:26:44,000 --> 01:26:49,040
Speaker 2: other thing too. It feels like they randomly, almost randomly

1631
01:26:49,160 --> 01:26:52,120
Speaker 2: picked which actor was gonna get to do it, probably

1632
01:26:52,240 --> 01:26:54,760
Speaker 2: just to keep people from guessing, because I think Aid

1633
01:26:54,920 --> 01:26:56,920
Speaker 2: kind of made the most sense. But then if you

1634
01:26:57,040 --> 01:26:59,599
Speaker 2: have a maybe they're like, well then what about Rosita?

1635
01:26:59,720 --> 01:27:02,960
Speaker 2: What about you know? Also, the shows are so different

1636
01:27:03,240 --> 01:27:05,680
Speaker 2: to me, so different, it's gonna be weird because we

1637
01:27:05,800 --> 01:27:09,040
Speaker 2: really don't have like an age Like an age type

1638
01:27:09,160 --> 01:27:13,200
Speaker 2: character can fit on The Walking Dead, but Fear the

1639
01:27:13,280 --> 01:27:15,920
Speaker 2: Walking Dead doesn't have those type of scenes where it's like,

1640
01:27:16,920 --> 01:27:20,200
Speaker 2: my background story is my wife died and I let

1641
01:27:20,320 --> 01:27:23,000
Speaker 2: my kids get eating, and I like, we haven't had

1642
01:27:23,040 --> 01:27:23,400
Speaker 2: that yet.

1643
01:27:23,800 --> 01:27:28,800
Speaker 4: That and I notice might sound weird, but Walking Dead

1644
01:27:29,360 --> 01:27:34,200
Speaker 4: is full fledged comic bookie. Fear ain't quite coming right,

1645
01:27:34,479 --> 01:27:36,160
Speaker 4: if that makes sense, Like, yes.

1646
01:27:36,120 --> 01:27:38,680
Speaker 3: Comic bookie, because you did it with zombies, but but.

1647
01:27:38,800 --> 01:27:41,760
Speaker 2: No, no, you're right. They never in reality, they never

1648
01:27:41,840 --> 01:27:44,040
Speaker 2: have a junk de cons on fear.

1649
01:27:44,240 --> 01:27:45,719
Speaker 3: They never walking digger.

1650
01:27:46,520 --> 01:27:50,400
Speaker 2: Yeah, like like and that's what I like about walking There. Unfortunately,

1651
01:27:50,880 --> 01:27:53,599
Speaker 2: I feel like it started kind of quote unquote real

1652
01:27:53,640 --> 01:27:55,760
Speaker 2: to a lot of people, and then as it got

1653
01:27:55,840 --> 01:27:58,400
Speaker 2: more comic bookie and more like the comic book people

1654
01:27:58,439 --> 01:28:00,519
Speaker 2: have started to fall out because they realize I don't

1655
01:28:00,560 --> 01:28:03,720
Speaker 2: actually like this idea and I don't like comics, and

1656
01:28:03,840 --> 01:28:06,439
Speaker 2: this is never gonna go away, like it's a you know,

1657
01:28:07,080 --> 01:28:10,200
Speaker 2: so I think people kind of like where if it

1658
01:28:10,320 --> 01:28:12,960
Speaker 2: was another show, they'd be like, oh my god, ice dragging,

1659
01:28:13,040 --> 01:28:16,200
Speaker 2: you know, but with this being the show, it's like

1660
01:28:16,400 --> 01:28:18,960
Speaker 2: a fucking tiger I'm out, you know, so I think

1661
01:28:18,960 --> 01:28:21,400
Speaker 2: it's it's a little bit different for this show. They

1662
01:28:21,479 --> 01:28:25,080
Speaker 2: have different standards correct as evidence about you know, obviously

1663
01:28:25,160 --> 01:28:28,320
Speaker 2: by the the ratings as well. You know, not that

1664
01:28:28,400 --> 01:28:30,880
Speaker 2: I'm saying the writing is the greatest, but people shitted

1665
01:28:30,960 --> 01:28:36,160
Speaker 2: on the writings of Gamer Thrones last season hard, super hard.

1666
01:28:36,200 --> 01:28:38,840
Speaker 2: They were calling everything plot holes. They was like, I

1667
01:28:38,880 --> 01:28:41,000
Speaker 2: don't like the time of this way, things just being

1668
01:28:41,040 --> 01:28:44,200
Speaker 2: too convenient. And at the same time, the ratings were fine,

1669
01:28:44,439 --> 01:28:47,320
Speaker 2: ratings were great. So the ratings are going down on

1670
01:28:47,400 --> 01:28:49,320
Speaker 2: this I think, you know, it's kind of the genre

1671
01:28:49,720 --> 01:28:53,040
Speaker 2: almost like really for there's never gonna be a cure.

1672
01:28:53,120 --> 01:28:55,320
Speaker 2: This shit's gonna go on forever. I don't care about

1673
01:28:55,320 --> 01:28:58,280
Speaker 2: all these groups Da da da dah. So uh, but

1674
01:28:58,360 --> 01:29:01,960
Speaker 2: at any rate, it'll be interesting to see how because

1675
01:29:02,000 --> 01:29:05,160
Speaker 2: also Lenny is just such a great actor, Like if

1676
01:29:05,240 --> 01:29:07,000
Speaker 2: I get more of him, I'm cool with whatever the

1677
01:29:07,040 --> 01:29:10,240
Speaker 2: fuck they decide. But you know, I think he's and

1678
01:29:10,280 --> 01:29:11,800
Speaker 2: he's probably gonna have to go in the vault and

1679
01:29:11,960 --> 01:29:14,960
Speaker 2: find like clear Morgan a little bit more and we'll

1680
01:29:15,000 --> 01:29:22,400
Speaker 2: see how he fits in anyway. Walking Dead feedback from Eve,

1681
01:29:22,720 --> 01:29:25,000
Speaker 2: who says hi Rod and Karen. Just when I think

1682
01:29:25,040 --> 01:29:27,960
Speaker 2: Gregory came possibly a bigger piece of shit, he outdoes himself.

1683
01:29:28,360 --> 01:29:29,519
Speaker 2: That motherfucker needs to go.

1684
01:29:29,920 --> 01:29:30,120
Speaker 4: You know.

1685
01:29:30,320 --> 01:29:32,479
Speaker 2: His favorite hobby before the Z Pop was calling the

1686
01:29:32,520 --> 01:29:35,680
Speaker 2: police on black kids walking down the street. I know

1687
01:29:35,840 --> 01:29:38,240
Speaker 2: he was. He needs a villain, the damn face. Yes.

1688
01:29:38,400 --> 01:29:41,120
Speaker 2: I could just see Gregory before the Z Pop being like,

1689
01:29:41,479 --> 01:29:44,840
Speaker 2: hello is me again? They're out there again.

1690
01:29:45,200 --> 01:29:48,160
Speaker 3: Like smister, you got to stop calling him.

1691
01:29:48,160 --> 01:29:49,280
Speaker 2: They're walking down the street.

1692
01:29:49,640 --> 01:29:52,559
Speaker 3: They got backpacks on your neighbors. These are kids coming

1693
01:29:52,640 --> 01:29:54,519
Speaker 3: out off away from school, sir, to.

1694
01:29:54,560 --> 01:29:56,519
Speaker 2: Get I think they're in the gang. They got off

1695
01:29:56,560 --> 01:30:00,160
Speaker 2: a yellow bus together and they all got backpacked, some

1696
01:30:00,360 --> 01:30:01,920
Speaker 2: with Dord exploring cartoons.

1697
01:30:02,000 --> 01:30:04,120
Speaker 3: We are not coming back out there again, sir.

1698
01:30:04,400 --> 01:30:07,560
Speaker 2: It's a cartoon game. Hey you kids stop. Oh, I

1699
01:30:07,640 --> 01:30:12,360
Speaker 2: think they saw me. I think they saw me. Uh.

1700
01:30:12,479 --> 01:30:14,679
Speaker 2: Speaking of other people who need a bullet to their face.

1701
01:30:14,880 --> 01:30:17,439
Speaker 2: They need to kill Jared off and So because he's

1702
01:30:17,479 --> 01:30:20,240
Speaker 2: way too disrespectful to be someone's prisoner. You know, he's

1703
01:30:20,280 --> 01:30:22,479
Speaker 2: just waiting for his opportunity to break free and kill someone.

1704
01:30:22,520 --> 01:30:26,400
Speaker 2: If he does end up killing anyone, I hope it's Gregory. Yeah,

1705
01:30:27,439 --> 01:30:29,599
Speaker 2: I can see him finding the rock and smashing Gregory's

1706
01:30:29,640 --> 01:30:32,320
Speaker 2: head in. I can't tell if they're trying to redeem

1707
01:30:32,400 --> 01:30:34,920
Speaker 2: Eugene or not, but fuck him. You can shove those

1708
01:30:34,960 --> 01:30:38,280
Speaker 2: pickles up his candy ass. Agreed. I think Rick made

1709
01:30:38,280 --> 01:30:40,519
Speaker 2: a mistake going to the junct cans alone. Now, Jay,

1710
01:30:40,600 --> 01:30:43,559
Speaker 2: this is going to use him as a sex slave. Yeah,

1711
01:30:43,640 --> 01:30:45,519
Speaker 2: I did think when I saw him naked was like

1712
01:30:45,680 --> 01:30:47,960
Speaker 2: she did say she want to fuck him, and you

1713
01:30:48,080 --> 01:30:51,120
Speaker 2: know she crazy crazy enough to try to do it.

1714
01:30:52,280 --> 01:30:55,640
Speaker 2: All right, guys, thank you so much for watching the

1715
01:30:55,720 --> 01:30:58,760
Speaker 2: show live and for listening to our recaps. Well appreciate y'all.

1716
01:30:59,240 --> 01:31:01,920
Speaker 2: We'll be back uh next week with the whole slate

1717
01:31:01,960 --> 01:31:05,600
Speaker 2: of new stuff to talk about, premium people. We'll be

1718
01:31:05,720 --> 01:31:11,160
Speaker 2: doing Ball's Deep Friday morning. I will probably will probably

1719
01:31:11,200 --> 01:31:17,439
Speaker 2: be doing the Nerd Off Friday afternoon, and uh, I

1720
01:31:17,479 --> 01:31:19,439
Speaker 2: will talk to Bossie and find out when we're gonna

1721
01:31:19,439 --> 01:31:23,439
Speaker 2: do this too Much, which I think was the fall

1722
01:31:23,520 --> 01:31:27,400
Speaker 2: season finale. I think not one hundred ship sure, but

1723
01:31:27,439 --> 01:31:28,880
Speaker 2: I have to check. But we're getting close to it.

1724
01:31:29,000 --> 01:31:32,760
Speaker 2: Whatever it is, so all right, guys, until then, I

1725
01:31:32,880 --> 01:31:33,160
Speaker 2: love you.