WEBVTT - Jurassic World Rebirth Reactions

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<v Speaker 1>Warning warning. Today's episode contains spoilers for Jurassic World Rebirth,

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<v Speaker 1>the newest entry into the sprawling Jurassic Park franchise.

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<v Speaker 2>Hello.

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<v Speaker 1>My name is Rosie.

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<v Speaker 2>Knight and I'm Joel Monk.

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<v Speaker 3>Hey, Joel, Welcome back to x ra Vision, the podcast

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<v Speaker 3>where we dive deep into your favorite shows, movies, comics,

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<v Speaker 3>and pop culture.

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<v Speaker 1>We are here at iHeart Podcast.

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<v Speaker 3>Where we'll be bringing you episodes Tuesday and Thursday, plus

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<v Speaker 3>all summer long.

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<v Speaker 1>We're highlighting the summer's biggest.

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<v Speaker 3>Movies every Friday in popcorn popouts, plus news on Saturdays.

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<v Speaker 2>In today's episode, recovering the newest entry into the Jurassic

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<v Speaker 2>Park franchise, Jurassic World Rebirth, which was an incredible film.

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<v Speaker 2>Before we get into our full uh uh you know

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<v Speaker 2>pop out here breaking everything down. Uh, we got giant dinosaurs,

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<v Speaker 2>three of them, three giant diasaur, a diosaur hunt across

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<v Speaker 2>the equator. Boats are flipping nineteen boats flip over this.

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<v Speaker 1>Oh my god.

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<v Speaker 3>If you are like me and you love water dinosaurs

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<v Speaker 3>slash find them really scary. Oh, this is a great

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<v Speaker 3>movie for you, Like this is giving you everything you

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<v Speaker 3>ever wanted. Dinosaurs you didn't even know could swim. Guess

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<v Speaker 3>what they're swimming. Yeah, just like a completely fun, rioteous

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<v Speaker 3>summer blockbuster. I feel like this might be the sleeper

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<v Speaker 3>hit of the summer just simply because Hey, you may

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<v Speaker 3>have forgotten this.

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<v Speaker 1>Because of the sprawling.

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<v Speaker 3>Jurassic Park franchise that we mentioned, But like when Jurassic

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<v Speaker 3>World one came out, when they rebooted this, it made

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<v Speaker 3>so much money that Disney did like a celebratory like

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<v Speaker 3>handover of like, wow, you beat this Avengers movie. You

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<v Speaker 3>know in Jurassic World did it back when Avengers End

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<v Speaker 3>Game eventually beat him. But like, these movies have got

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<v Speaker 3>the juice, the people love them. It's a new era,

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<v Speaker 3>and I actually think this has got a lot of

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<v Speaker 3>rewatchability because there are so many weird dinosaurs. There's so

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<v Speaker 3>much fun stuff. So yes, we are gonna recap the

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<v Speaker 3>whole movie. But before we do, remember great news. We're

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<v Speaker 3>gonna be at San Diego Comic com Come find us,

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<v Speaker 3>say hi. Me and Joel will be there. Jason's gonna

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<v Speaker 3>be there. Ian's gonna be there. We're gonna be hanging

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<v Speaker 3>out with the Den of Geek crew. We're gonna be

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<v Speaker 3>on some panels it's gonna be great. So just keep

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<v Speaker 3>an eye out to our socials and the discord to

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<v Speaker 3>find out where we're going, and come say hi because

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<v Speaker 3>it's San Diego, baby, and we're gonna party. It's gonna

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<v Speaker 3>be fun for fun. And now, as always on Extra Vision,

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<v Speaker 3>the recap finds a way.

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<v Speaker 2>Jurassic World Resurrection begins on the Aisle Saint Hubert, which

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<v Speaker 2>rebird bitch, Yes, we listen. We're ad the International Genetic

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<v Speaker 2>Technology Vibe.

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<v Speaker 1>I love it.

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<v Speaker 2>Uh, this is the International Genetics Technology Inc. That's engine. Uh.

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<v Speaker 2>They're concerned by they drop of visitors at Jurassic World.

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<v Speaker 2>They're like, hey, people are bored with dinosaurs somehow, and

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<v Speaker 2>they're so in an ability to try to revamp sales.

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<v Speaker 2>They're mutating dinosaurs always wrong. It's gonna be fine.

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<v Speaker 3>Uh.

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<v Speaker 2>We didn't learn our lesson from frogs the first time,

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<v Speaker 2>so we're taking bigger swings this go round. One of

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<v Speaker 2>the scientists is hungry, so he grabs the Snickers, as

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<v Speaker 2>you do. But unfortunately he's also a mess, so he

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<v Speaker 2>try hot mess.

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<v Speaker 1>He literally drops a rapid justice.

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<v Speaker 3>He's about to go into a very sterilized zone. I

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<v Speaker 3>also love that Snickers was like, yeah, do some product placement,

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<v Speaker 3>but we don't care if it causes a terrible disaster,

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<v Speaker 3>which because a lot of corporations do.

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<v Speaker 1>Not like that.

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<v Speaker 3>But Snickers was like, hey, if you leave that wrapper

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<v Speaker 3>on the floor, if you lit, things are.

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<v Speaker 1>Going to be bad for you. And we support that.

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<v Speaker 2>This is actually an anti littering campaign from Snacks. So, uh,

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<v Speaker 2>it gets sucked into the door, causing all of the

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<v Speaker 2>doors to now stay open. They don't close. It's a problem.

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<v Speaker 2>Machines start flashing malfunction and an alarm goes off, so

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<v Speaker 2>scientists begin to evacuate, but the emergency doors start to close,

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<v Speaker 2>and now our stinger meeting friend cannot get out. But

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<v Speaker 2>there's a fail safe. You can time your opening the

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<v Speaker 2>door with somebody on the other side by turning keys

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<v Speaker 2>and doing a countdown. Ladies trying man, this scientist she's

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<v Speaker 2>in here. She's doing to the key. They're counting numbers

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<v Speaker 2>on fingers. But uh, oh oh no, the distortis Rex.

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<v Speaker 2>Our alien inspired mutant dinosaur friend pops up behind the

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<v Speaker 2>guy and listen that ran corps is gonna take him down.

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<v Speaker 2>There's nothing he can do. She can open that door.

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<v Speaker 2>It's she stays and stares him in the eye and cries,

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<v Speaker 2>which is very Godzilla of her, and I.

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<v Speaker 3>Think also like Star Trek of her, like looking through

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<v Speaker 3>the door like a spot.

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<v Speaker 2>Oh oh man, what a touching moment. So five years

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<v Speaker 2>after the events of Jurassic World, Dominion, Martin Krebs is

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<v Speaker 2>played by Rupert Friend. He's in a three piece suit.

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<v Speaker 2>He's too cool for dinosaurs. He's a capitalist villain and

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<v Speaker 2>pretty much right away you're like, this guy's a dick

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<v Speaker 2>for him to die, Yeah, we know, and we're aware.

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<v Speaker 2>He works for Parker gen X, a pharmaceutical company, and

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<v Speaker 2>when his cargets stuff in traffic, there's a dinosaur in

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<v Speaker 2>the middle of New York just dying in the street,

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<v Speaker 2>and instead of being heart broken or concerned, he wishes

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<v Speaker 2>death on this beautiful beast and walks away annoyed. A

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<v Speaker 2>true villain emerges. He's on a mission to recruit Zora Bennett,

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<v Speaker 2>that's Scarlett Joe Hanson for an impossible mission to the Equator,

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<v Speaker 2>which has sort of been not quarantined off, but it's

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<v Speaker 2>a no go zone. They're like, you cannot come here

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<v Speaker 2>because this is where the dinosaurs are holding up. Climate

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<v Speaker 2>change is killing them off, Dinosaurs dying everywhere, showing up,

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<v Speaker 2>not supposed to be.

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<v Speaker 1>This little equate space that is, Yes, so.

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<v Speaker 2>Zora works in security, but she's earned some debts over

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<v Speaker 2>the years. She is she's not doing this job for

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<v Speaker 2>less than eight zeros. She said, come through with the

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<v Speaker 2>money and without flunching, Crebs agrees. This corporation's pockets are

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<v Speaker 2>deep and they are determined to craft a cure for

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<v Speaker 2>heart disease. So Zora's convinced. She agrees to join together.

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<v Speaker 2>Zora and Kreb go to the museum to find doctor

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<v Speaker 2>Henry Loomish's Jonathan Bailey in his slutty little glasses.

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<v Speaker 1>I'm fanning myself, it was. He is very very very

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<v Speaker 1>very very gorgeous in this what ude.

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<v Speaker 2>And he's a paleontologist too, So I mean, honestly a

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<v Speaker 2>full package here, and not just any paletogis. But you're

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<v Speaker 2>the student of the late great Alan Grant. Beautiful, so beautiful.

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<v Speaker 2>Henry's museum is failing. There used to be a line

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<v Speaker 2>around the block and a three hourway ticket, and they've

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<v Speaker 2>had twelve guests this week. So they're packing up the

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<v Speaker 2>fossils and preparing to close the exhibit because in this world,

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<v Speaker 2>people are really over dinosaur.

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<v Speaker 1>I love this idea.

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<v Speaker 3>I'm like, bro, there's always going to be five year

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<v Speaker 3>olds who want to go. Even if they've seen every dinosaur,

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<v Speaker 3>they're gonna want to go.

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<v Speaker 1>Five year olds love a dinosaur. I was one of

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<v Speaker 1>those kids.

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<v Speaker 3>It's not believable, but I love this statement that it

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<v Speaker 3>is making, which is even in the world of Jurassic World,

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<v Speaker 3>which when they rebooted it with Chris Pratt and Bryce

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<v Speaker 3>Alice Howard, the idea was people were already getting tired

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<v Speaker 3>of dinosaurs, and that's why they had to make the

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<v Speaker 3>indominous Rex, why they had to make scary stuff. And

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<v Speaker 3>so I love that this is kind of an extension

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<v Speaker 3>of that, which is like, guess what dinosaurs got free?

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<v Speaker 3>They started to die, and now they're just like a hindrance,

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<v Speaker 3>Like there's the Brontosaurus in the middle of New York

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<v Speaker 3>getting in the way of your traffic. It's a very

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<v Speaker 3>clever and depressing read.

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<v Speaker 1>But also I'm.

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<v Speaker 3>Like, I don't believe it, because I believe there will

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<v Speaker 3>always be a love for dinosaurs, but it's an interesting

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<v Speaker 3>status quo.

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<v Speaker 2>It definitely gives a nice meta quality to people being

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<v Speaker 2>like another Jurassic part series, Mike God and so that's

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<v Speaker 2>sort of the where I do. I was like, Okay,

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<v Speaker 2>this is a cute, interesting way, and I think you

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<v Speaker 2>have to make it unique and different. This world from

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<v Speaker 2>like a reason for us to come back, and this

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<v Speaker 2>is an intriguing reason definitely. So they're packing up the

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<v Speaker 2>fossils and preparing to close the exhibit. Loomis has been

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<v Speaker 2>assisting Martin Krebbs and the company in doing the research,

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<v Speaker 2>but he has never been in the fields. Not a

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<v Speaker 2>field guy. He's all, you know, history studying the fossils,

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<v Speaker 2>he explains to looking for three giant dinosaurs who lived

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<v Speaker 2>over one hundred years when they were alive, and these

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<v Speaker 2>are gigantic folks. The hope is that by drawing blood

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<v Speaker 2>from these living creatures, they can use genetic material to

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<v Speaker 2>cure heart disease, the leading cause of death globally. Crebs

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<v Speaker 2>is practically drooling on the floor over the cash at

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<v Speaker 2>this point. While Loomis was happy to help academically from

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<v Speaker 2>a distance for this project, he is shocked to learn

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<v Speaker 2>that they want him to go on the exhibit as

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<v Speaker 2>a field expert. He's not the type to break the

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<v Speaker 2>law which is absolutely what they're going to be doing.

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<v Speaker 1>But ayont A Dinosaul, the heart.

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<v Speaker 2>The heartbreaking and terrorist. He's sitting on the floor being

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<v Speaker 2>like should I go? Do I not go? And they're

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<v Speaker 2>just patiently waiting for him to make up his mind,

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<v Speaker 2>and about two minutes later they're like, so we're good

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<v Speaker 2>to go, and he's like, yeah, let's do this. So

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<v Speaker 2>now our gang is traveling to pick up Duncan Kincaid,

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<v Speaker 2>that's my Herschela ali if Zora is the security brain. Kincaid,

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<v Speaker 2>a longtime friend and business partner of Zora's, is like

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<v Speaker 2>a security captain. He's got the boat to get them

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<v Speaker 2>to the equator and additional guns to keep them safe.

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<v Speaker 2>And although you know they're not, they're already down here.

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<v Speaker 2>Krebs has no alternative plan. So Zora and Duncan run

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<v Speaker 2>a very Ocean's eleven style game on him where they're like, well, gosh,

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<v Speaker 2>we'd love to go, h but the money, I don't.

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<v Speaker 1>Know, you're dangerous.

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<v Speaker 2>How how can we possibly do? And so Crebs is like,

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<v Speaker 2>you know, I'll give you Duncan the same amount of

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<v Speaker 2>money I gave Zora will double the expenses of the strip.

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<v Speaker 2>Literally money not an object. Let's go Okay, So enter

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<v Speaker 2>Bobby at Water. That's ed screen a shoot, first asked

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<v Speaker 2>questions later, member of Duncan's team. He tries to pull

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<v Speaker 2>scheme agains Or and dunk Can assure him, Hey, we

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<v Speaker 2>already got the bag. Don't worry about it.

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<v Speaker 1>I am about it.

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<v Speaker 3>And I love that it's such a funny moment because

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<v Speaker 3>it really this is a very stripped back version of

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<v Speaker 3>Jurassic Park kind of law, and a very different version

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<v Speaker 3>because you have these kind of mercenary characters going in.

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<v Speaker 3>But I love how well they establish this team, Like

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<v Speaker 3>you feel the banter is there. They've run this scheme before,

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<v Speaker 3>they've done these kind of extraction missions, usually for humans

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<v Speaker 3>or things rather than you know.

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<v Speaker 1>Dinosaur blood. But I actually felt like this was so well.

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<v Speaker 3>Established that I immediately believed that they were a group,

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<v Speaker 3>which I think is one of the key things that

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<v Speaker 3>you have to believe to enjoy this movie.

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<v Speaker 2>Yes, the chemistry and energy if you're casting for both

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<v Speaker 2>groups is really interesting. So you're going to be our

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<v Speaker 2>second group. So already on the Atlantic is Reuben Delgado.

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<v Speaker 2>This is Manuel Garcia Rulfo and his two daughters, Teresa

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<v Speaker 2>Delgado played by Luna Blaze and Isabella Audrina Miranda. Oh

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<v Speaker 2>she so good, so precious, and so talented. Ruben wants

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<v Speaker 2>his daughters to sail across the Atlantic, so he's teaching

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<v Speaker 2>Isabella while complaining about Teresa's boyfriend, Xavier played by David Yacono.

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<v Speaker 2>It's Exavier is trying to steer the ship, but when

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<v Speaker 2>he finally emerges from the bowels of the ship, he's

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<v Speaker 2>too tired from sexing his girlfriend.

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<v Speaker 3>And I also love that this is a new and

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<v Speaker 3>this is correct. If I'm from fans, I'm sure you will.

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<v Speaker 3>I'll beloved discord uses and extra vision listeners. But I

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<v Speaker 3>think that Xavier introduces a very important archetype we've never

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<v Speaker 3>had in a Jurassic Park movie. Stoner, you get him

0:11:29.040 --> 0:11:33.440
<v Speaker 3>in like every horror movie. But Xavier is like, he's

0:11:33.520 --> 0:11:36.679
<v Speaker 3>kind of lazy. He's just in the fucking boat, fucking

0:11:36.760 --> 0:11:40.080
<v Speaker 3>this guy's daughter. Like the dad is so chill about

0:11:40.240 --> 0:11:42.720
<v Speaker 3>as well, like he understands.

0:11:42.520 --> 0:11:46.040
<v Speaker 2>Trying to bepressive. Good dad. He's like he's like, I'm

0:11:46.040 --> 0:11:48.960
<v Speaker 2>not going to yell at her, because that's what pushes

0:11:49.000 --> 0:11:51.480
<v Speaker 2>girls closer to their douchey boyfriends. He's like, I'm really

0:11:51.480 --> 0:11:54.000
<v Speaker 2>gonna I think you're a smart, intelligent person, So I'm

0:11:54.000 --> 0:11:56.199
<v Speaker 2>trying to understand the decision to be with this guy

0:11:56.240 --> 0:11:59.000
<v Speaker 2>who I think is completely worthless. He's out here stealing

0:11:59.000 --> 0:12:00.800
<v Speaker 2>your sister's liquorice like a crazy place.

0:12:00.880 --> 0:12:03.880
<v Speaker 3>Yeah, I even though it's meant to be being you know,

0:12:05.480 --> 0:12:07.520
<v Speaker 3>ration so that they can have some as they go

0:12:07.600 --> 0:12:12.720
<v Speaker 3>across this mission. But I have to say, Xavier unexpected

0:12:13.240 --> 0:12:18.400
<v Speaker 3>faith character arc for me. Like I say, he comes around, yeah,

0:12:18.400 --> 0:12:21.200
<v Speaker 3>and they didn't just do like, oh he's useless and

0:12:21.240 --> 0:12:23.480
<v Speaker 3>he's gonna betray them or whatever. There's like a much

0:12:23.480 --> 0:12:26.559
<v Speaker 3>more interesting kind of angle, which I really enjoyed.

0:12:26.760 --> 0:12:30.120
<v Speaker 2>And how many patients really worth it? Like he's a

0:12:30.160 --> 0:12:33.000
<v Speaker 2>great dad. He's such a good dad. He's really trying

0:12:33.040 --> 0:12:37.360
<v Speaker 2>to teach them. Unfortunately, you know, Teresa and Ruben are

0:12:37.400 --> 0:12:39.840
<v Speaker 2>exhausted because they've just been trading off every twelve hours

0:12:39.840 --> 0:12:43.400
<v Speaker 2>stearing this ship while Xavier gets his beauty sleep. But

0:12:43.480 --> 0:12:48.960
<v Speaker 2>then oh is a velases a fin pop up on

0:12:49.040 --> 0:12:51.480
<v Speaker 2>the side, and it's it's not a small one. Oh no,

0:12:51.880 --> 0:12:53.240
<v Speaker 2>it's a spiny saurus.

0:12:53.520 --> 0:12:57.000
<v Speaker 3>No, no, no, I think at this point it's the massasaurus.

0:12:57.200 --> 0:12:59.440
<v Speaker 2>So I was looking up mass of sauruss don't have fins,

0:12:59.520 --> 0:13:01.160
<v Speaker 2>and that's why I was confused. So there is a

0:13:01.200 --> 0:13:03.480
<v Speaker 2>mostaurus and there is a spinosaurus.

0:13:04.120 --> 0:13:06.880
<v Speaker 1>But the massaurus has the shock fin that does.

0:13:07.880 --> 0:13:10.080
<v Speaker 2>I think. I'm pretty sure that at this point this

0:13:10.160 --> 0:13:13.000
<v Speaker 2>white research got really confused. At this point, I can't.

0:13:12.920 --> 0:13:15.000
<v Speaker 1>Right, because you know what they do.

0:13:15.240 --> 0:13:17.920
<v Speaker 3>They go off to its that like, oh, the spinosauruses

0:13:17.960 --> 0:13:21.120
<v Speaker 3>are helping them, and then the helpers.

0:13:21.240 --> 0:13:23.000
<v Speaker 2>This was the logic I was trying to figure out. Okay,

0:13:23.120 --> 0:13:25.800
<v Speaker 2>so the mastasaurus is the most feared creature in the ocean. Okay,

0:13:25.880 --> 0:13:28.880
<v Speaker 2>It's fast and strong, and the ceature begins to ram

0:13:29.000 --> 0:13:32.080
<v Speaker 2>their vote is essentially flipping the vessel. Okay, the entire

0:13:32.120 --> 0:13:35.800
<v Speaker 2>family falls off. Eventually able to get the girls on

0:13:35.840 --> 0:13:39.160
<v Speaker 2>the underside of the sinking ship, but Xavier is trapped inside.

0:13:39.200 --> 0:13:42.120
<v Speaker 2>So we goes down and try to rescue him. Uh.

0:13:42.200 --> 0:13:43.800
<v Speaker 2>And he tells the Xavier like, before you get out,

0:13:43.840 --> 0:13:46.760
<v Speaker 2>grab the radio so we can made it. But it's chaos.

0:13:46.840 --> 0:13:49.880
<v Speaker 2>The creature is still ramming in the ship is sinking. Uh.

0:13:49.920 --> 0:13:52.520
<v Speaker 2>And Reruven runs out of press so he has to

0:13:52.559 --> 0:13:54.160
<v Speaker 2>pop back up. Now we don't know if Xavier is

0:13:54.160 --> 0:13:55.920
<v Speaker 2>gonna get out. It's very tense and scary, but he does.

0:13:55.960 --> 0:13:58.080
<v Speaker 2>He gets out, he gets the radio, they're able to

0:13:58.120 --> 0:13:58.880
<v Speaker 2>call a may day.

0:13:59.200 --> 0:14:02.120
<v Speaker 3>Also, something I loved about this scene is that you

0:14:02.160 --> 0:14:04.760
<v Speaker 3>don't fully see the massasaurus at this point, like it's

0:14:04.880 --> 0:14:08.079
<v Speaker 3>very much just like this giant kind of creature flipping

0:14:08.080 --> 0:14:12.920
<v Speaker 3>the vote. It's clear that Isabella is like really scared

0:14:12.960 --> 0:14:15.560
<v Speaker 3>of dinosaurs and is aware about they keep being like

0:14:15.600 --> 0:14:18.000
<v Speaker 3>they're not gonna show up, Like there's the whole ocean,

0:14:18.040 --> 0:14:19.240
<v Speaker 3>why would they be here?

0:14:19.680 --> 0:14:22.400
<v Speaker 1>And I watched this in forty.

0:14:22.520 --> 0:14:25.240
<v Speaker 3>X, thanks actually to our friends at the hashtag show

0:14:25.240 --> 0:14:28.120
<v Speaker 3>that they got me and my nephew in and we.

0:14:27.920 --> 0:14:30.880
<v Speaker 1>Were we were watching the movie in forty.

0:14:30.800 --> 0:14:33.320
<v Speaker 3>X and this sequence where they're like shaking you up

0:14:33.360 --> 0:14:35.920
<v Speaker 3>in the water, spraying in your face so good, Like

0:14:36.120 --> 0:14:41.400
<v Speaker 3>absolutely would recommend forty X. Very Jurassic World. The ride

0:14:41.480 --> 0:14:44.240
<v Speaker 3>coded like what you get a universal. They gave us

0:14:44.320 --> 0:14:47.600
<v Speaker 3>like fun punchos like Dennis Nedri wears it was. It

0:14:47.680 --> 0:14:51.840
<v Speaker 3>was such a good action sequence and I was like, okay, okay,

0:14:51.880 --> 0:14:54.560
<v Speaker 3>this this movie looks like it's got the dinosaur juice,

0:14:54.600 --> 0:14:57.560
<v Speaker 3>like you know, we're practice, we're practical effects guys here,

0:14:57.600 --> 0:15:00.400
<v Speaker 3>and there's only one fully practical dinosaur in and it's

0:15:00.400 --> 0:15:01.480
<v Speaker 3>a very small dinosaur.

0:15:01.680 --> 0:15:03.600
<v Speaker 1>But I have to say, I think Gareth.

0:15:03.400 --> 0:15:06.240
<v Speaker 3>Edwards, the director, and the CGI team and the BVFX

0:15:06.280 --> 0:15:09.280
<v Speaker 3>team did like an unreal job, because you really think

0:15:09.640 --> 0:15:10.960
<v Speaker 3>this massasaurus is real.

0:15:11.640 --> 0:15:15.240
<v Speaker 2>Yeah, it's scared, genuinely terrifying, and you love the family.

0:15:15.280 --> 0:15:17.040
<v Speaker 2>Like the script does a great job of, like the

0:15:17.040 --> 0:15:19.880
<v Speaker 2>actors obviously really selling this family as a unit and

0:15:19.960 --> 0:15:22.200
<v Speaker 2>being so sweet and it really grounded, like this is

0:15:22.240 --> 0:15:26.120
<v Speaker 2>an eighteen year old girl who clearly knows herself pretty well,

0:15:26.560 --> 0:15:28.360
<v Speaker 2>and it's confident on the ship. She's able to like

0:15:28.360 --> 0:15:31.360
<v Speaker 2>tea your sister, her sisters, like such a fun kid.

0:15:31.480 --> 0:15:36.520
<v Speaker 2>She's you know, she's scrappy, she's like suspect of this boyfriend.

0:15:36.560 --> 0:15:38.880
<v Speaker 2>She's enjoying sailing. But you know, she's very little, so

0:15:38.880 --> 0:15:41.040
<v Speaker 2>there's only so much she can do and so you're

0:15:41.040 --> 0:15:43.320
<v Speaker 2>genuinely terrified. So okay, So now we're back on Duncan ship.

0:15:43.480 --> 0:15:46.200
<v Speaker 2>The mission is progressing as planned. Henry Limis devonstrates how

0:15:46.280 --> 0:15:48.480
<v Speaker 2>they'll be pulling blood from these creatures using a dark

0:15:48.560 --> 0:15:50.800
<v Speaker 2>gun that will project itself into the air after it

0:15:50.840 --> 0:15:53.480
<v Speaker 2>fills with blood and parachute gracefully to the ground. He

0:15:53.520 --> 0:15:56.040
<v Speaker 2>asked if he can take the shot. They're hunting the

0:15:56.720 --> 0:16:01.120
<v Speaker 2>Muscastoris right now, and Zora was like, yeah, sure, you

0:16:01.160 --> 0:16:03.400
<v Speaker 2>could hang off the side of this boat going several

0:16:03.480 --> 0:16:04.040
<v Speaker 2>knots ow.

0:16:04.480 --> 0:16:06.200
<v Speaker 1>You can do it. I believe in you.

0:16:06.960 --> 0:16:09.720
<v Speaker 2>And he's like, maybe not. Emma lens and let Zora

0:16:09.800 --> 0:16:12.880
<v Speaker 2>take the shot. So Zora and Duncan catch up, Zora

0:16:12.880 --> 0:16:15.240
<v Speaker 2>reveals she's lost a team member to a car bomb

0:16:15.320 --> 0:16:17.760
<v Speaker 2>on her last mission. You get to change the subject.

0:16:17.840 --> 0:16:20.040
<v Speaker 2>She has Duncan if he and his wife were able

0:16:20.080 --> 0:16:22.120
<v Speaker 2>to work things out, but the passing of his young

0:16:22.160 --> 0:16:23.760
<v Speaker 2>son was too much for the couple to bear, and

0:16:23.760 --> 0:16:26.960
<v Speaker 2>they dissolve the marriage. So they're both they're sad colleagues

0:16:26.960 --> 0:16:28.800
<v Speaker 2>who aren't quite sure what the future holds for them.

0:16:29.200 --> 0:16:31.440
<v Speaker 2>The meeting signal reaches duncan ship, and while Crebs and

0:16:31.440 --> 0:16:34.000
<v Speaker 2>Bobby want to continue the mission, Duncan and Zora insists

0:16:34.000 --> 0:16:35.120
<v Speaker 2>on rescuing the family.

0:16:35.520 --> 0:16:38.960
<v Speaker 1>Love that. I think that's great. I think that's a

0:16:39.000 --> 0:16:39.640
<v Speaker 1>great twist.

0:16:40.120 --> 0:16:43.280
<v Speaker 3>I worry always about kind of black ops mercenary stories,

0:16:43.320 --> 0:16:45.560
<v Speaker 3>but actually I think here they do a really incredible

0:16:45.640 --> 0:16:49.400
<v Speaker 3>job of showing how being someone like that can destroy

0:16:49.440 --> 0:16:53.240
<v Speaker 3>your family, can destroy your loved ones. And at this point,

0:16:53.760 --> 0:16:57.680
<v Speaker 3>both Duncan and Zora are trying to make amends for

0:16:57.720 --> 0:16:59.520
<v Speaker 3>the things that they have done. And I think that

0:17:00.160 --> 0:17:03.720
<v Speaker 3>the way that that collides that the original Jurassic Park

0:17:03.760 --> 0:17:08.360
<v Speaker 3>scream writer David Kapp, who came back for this, kind

0:17:08.359 --> 0:17:12.040
<v Speaker 3>of ties those in makes this a very emotionally satisfying story,

0:17:12.080 --> 0:17:14.040
<v Speaker 3>even though it's a very kind of stripped back one.

0:17:14.040 --> 0:17:15.680
<v Speaker 1>I think that the scripting is so.

0:17:15.760 --> 0:17:20.320
<v Speaker 3>Good that you absolutely believe that Duncan is he will

0:17:20.320 --> 0:17:24.200
<v Speaker 3>fucking shoot Crebs in the head before he doesn't help

0:17:24.240 --> 0:17:24.880
<v Speaker 3>this family.

0:17:25.240 --> 0:17:26.680
<v Speaker 1>And this starts to really set up.

0:17:26.600 --> 0:17:31.120
<v Speaker 3>Some good drama between the boss of the mission, who's

0:17:31.160 --> 0:17:34.760
<v Speaker 3>the moneyman who's definitely in that lawyer kind of space

0:17:34.800 --> 0:17:39.040
<v Speaker 3>from the original Jurassic Pass, and the kind of good

0:17:39.160 --> 0:17:43.040
<v Speaker 3>guys inverted Commas who are willing to take, you know,

0:17:43.080 --> 0:17:45.320
<v Speaker 3>an hour from the mission to go and save this family.

0:17:45.400 --> 0:17:47.920
<v Speaker 1>Now, what this family really want to be saved?

0:17:48.200 --> 0:17:51.520
<v Speaker 3>The depending on where this is going question mark, Okay,

0:17:51.560 --> 0:17:53.280
<v Speaker 3>I would like to not be saved.

0:17:53.600 --> 0:17:56.560
<v Speaker 2>So when the crew arrives The family is grateful to

0:17:56.560 --> 0:17:59.320
<v Speaker 2>be rescued, but are quically concerned by the fact that

0:17:59.320 --> 0:18:01.679
<v Speaker 2>they're being with. They aren't being with to safety, but

0:18:01.680 --> 0:18:03.639
<v Speaker 2>instead of now being forced to hunt down the creature,

0:18:03.920 --> 0:18:07.200
<v Speaker 2>they just escape. Okay, we're gonna carry a quick break

0:18:07.440 --> 0:18:09.679
<v Speaker 2>and we come back. We're gonna find out how this

0:18:09.760 --> 0:18:13.400
<v Speaker 2>hunt goes, and you win. It's not good. It's not good.

0:18:13.400 --> 0:18:29.120
<v Speaker 1>Bad back We're back.

0:18:29.640 --> 0:18:31.800
<v Speaker 3>And I gotta tell you, guys, I gotta tell you

0:18:32.000 --> 0:18:36.240
<v Speaker 3>my deepest, truest thing about myself that I know is

0:18:36.280 --> 0:18:40.159
<v Speaker 3>that if they open Jurassic Park, I would go, so honestly, like,

0:18:40.280 --> 0:18:42.760
<v Speaker 3>I never judge anyone in these movies because I'm like,

0:18:42.800 --> 0:18:45.359
<v Speaker 3>you know what, this is a bad idea, you're going

0:18:45.400 --> 0:18:47.119
<v Speaker 3>to the island. But you know, if someone told me

0:18:47.160 --> 0:18:49.040
<v Speaker 3>I could see a dinosaur, I would also go.

0:18:49.480 --> 0:18:51.480
<v Speaker 1>So I'm like, can't judge you, guys.

0:18:51.760 --> 0:18:54.639
<v Speaker 2>I really can't. I really can't. Okay, So we're on

0:18:54.680 --> 0:18:58.080
<v Speaker 2>the ship. The children are terrified. Dad is tense, but

0:18:58.440 --> 0:19:00.159
<v Speaker 2>the crew feels like they've got this under control. This

0:19:00.240 --> 0:19:02.560
<v Speaker 2>is what they came here to do, and at first

0:19:02.600 --> 0:19:05.080
<v Speaker 2>thought it's fine. Zora takes her post at the front

0:19:05.119 --> 0:19:08.040
<v Speaker 2>of the ship, where loomis sort of suggestively straps her in,

0:19:08.119 --> 0:19:10.920
<v Speaker 2>which is yes, because she's absolutely gonna be not prone

0:19:10.960 --> 0:19:11.600
<v Speaker 2>during this fight.

0:19:11.920 --> 0:19:15.919
<v Speaker 3>There is definitely some like I That's another thing that

0:19:16.040 --> 0:19:20.520
<v Speaker 3>I'm enjoying, is like, I'm really enjoying the fact that

0:19:20.600 --> 0:19:23.480
<v Speaker 3>they play with chemistry in this movie, very much like

0:19:23.560 --> 0:19:27.440
<v Speaker 3>the first Jurassic Park movie, and they're not necessarily committing

0:19:27.480 --> 0:19:30.120
<v Speaker 3>to it, but they're like, hey, this is a high pressure,

0:19:30.160 --> 0:19:33.639
<v Speaker 3>intensity situation, and there are hot people here, and maybe

0:19:33.680 --> 0:19:36.960
<v Speaker 3>in these kind of moments like Henry, for example, we

0:19:37.040 --> 0:19:40.000
<v Speaker 3>kind of learned that he is secretly an adrenaline junkie.

0:19:40.040 --> 0:19:42.679
<v Speaker 3>He just never knew, you know, So you get to

0:19:42.720 --> 0:19:45.160
<v Speaker 3>have that kind of well, of course, like hot people

0:19:45.200 --> 0:19:48.359
<v Speaker 3>are gonna suggestively like kind of because they're right at

0:19:48.400 --> 0:19:50.840
<v Speaker 3>the edge of this like massive adventure, and there's an

0:19:50.920 --> 0:19:53.320
<v Speaker 3>excitement and a chemistry there that I think really comes through.

0:19:54.000 --> 0:19:57.720
<v Speaker 2>It does, and it's subtle enough that if you're like

0:19:57.760 --> 0:20:00.479
<v Speaker 2>I don't like a force romance, it'll slide buy and

0:20:00.480 --> 0:20:03.959
<v Speaker 2>it's not in your face. But if you're into hot

0:20:03.960 --> 0:20:09.919
<v Speaker 2>people flirting with each other, enjoy. So she's there, she

0:20:09.960 --> 0:20:13.440
<v Speaker 2>takes a shot, it's good, she makes it. It's a

0:20:13.440 --> 0:20:15.760
<v Speaker 2>little bit of trial and error, but she gets it. Uh.

0:20:16.320 --> 0:20:20.679
<v Speaker 2>Lewis catches the parachuting vial, So victory, we did it. Uh,

0:20:20.760 --> 0:20:25.000
<v Speaker 2>but our guy doesn't hunt alone. Here come the spinosaurces.

0:20:25.720 --> 0:20:26.480
<v Speaker 2>How smaller?

0:20:26.720 --> 0:20:32.040
<v Speaker 3>This so really scary interesting to imagine how dinosaurs would

0:20:32.240 --> 0:20:34.760
<v Speaker 3>interact with each other and start to help each other,

0:20:34.920 --> 0:20:38.000
<v Speaker 3>just like in the natural world of animals, as we know.

0:20:38.960 --> 0:20:40.000
<v Speaker 1>Very good stuff.

0:20:40.600 --> 0:20:43.119
<v Speaker 2>Yeah, and because they're smaller, they're able to attack in

0:20:43.160 --> 0:20:47.400
<v Speaker 2>a completely different way than the massasaurus. So they're able

0:20:47.440 --> 0:20:49.760
<v Speaker 2>to sort of like get closer to the ship and

0:20:49.800 --> 0:20:53.240
<v Speaker 2>they're biting and lunging it. People. During this fight, we

0:20:53.359 --> 0:20:55.879
<v Speaker 2>lose a couple of folks. Duncan steering the ship and

0:20:55.920 --> 0:20:57.800
<v Speaker 2>in order to escape, he's like, you know what I'm

0:20:57.840 --> 0:21:00.679
<v Speaker 2>gonna do, I'll just steer into the rocks smaller we

0:21:00.720 --> 0:21:02.879
<v Speaker 2>can navigate. Of course, the spina sources are all up

0:21:02.920 --> 0:21:06.040
<v Speaker 2>in that be the rocks are starting to shred the ship.

0:21:07.680 --> 0:21:10.240
<v Speaker 2>Ruben tells Teresa, Hey, you gotta go make a may

0:21:10.320 --> 0:21:12.160
<v Speaker 2>day call because this ship he's down.

0:21:12.280 --> 0:21:14.640
<v Speaker 1>And also he's like, we just need to get off

0:21:14.640 --> 0:21:17.360
<v Speaker 1>this fucking ship. These people are crazy.

0:21:17.560 --> 0:21:21.639
<v Speaker 3>Like, just go make the call, and she does, and

0:21:21.640 --> 0:21:24.359
<v Speaker 3>then we, yeah, are truly if you were not sure

0:21:24.359 --> 0:21:26.800
<v Speaker 3>that a billy and a big farmer guy was the villain,

0:21:26.840 --> 0:21:28.280
<v Speaker 3>you're gonna know he's the villain now.

0:21:28.640 --> 0:21:32.480
<v Speaker 2>So Teresa gets to the phone, Keeber tells her, Hey,

0:21:32.520 --> 0:21:35.240
<v Speaker 2>don't don't make the call. It's fine because again they're

0:21:35.320 --> 0:21:37.480
<v Speaker 2>in an illegal space. He doesn't want the mission to

0:21:37.520 --> 0:21:40.760
<v Speaker 2>be disrupted. She starts arguing with him, but oh ship

0:21:40.800 --> 0:21:43.320
<v Speaker 2>gets rammed and off she goes. So she is now

0:21:43.480 --> 0:21:47.640
<v Speaker 2>overboard and keep her has the opportunity to extend an arm,

0:21:47.760 --> 0:21:49.280
<v Speaker 2>throw her a life vest.

0:21:49.240 --> 0:21:53.880
<v Speaker 1>Tell you she's her fall off, like it's so crazy, well.

0:21:53.680 --> 0:21:56.600
<v Speaker 2>A literal teenager. He's like, well, I guess that's what

0:21:56.640 --> 0:21:59.080
<v Speaker 2>the universe wanted and walks away. So when she falls off,

0:21:59.240 --> 0:22:04.040
<v Speaker 2>Xavier our guy is like, not my girl, and sweet guy.

0:22:04.160 --> 0:22:09.479
<v Speaker 3>Jumps in like no problems be damned.

0:22:09.680 --> 0:22:10.560
<v Speaker 1>He's like, fuck that.

0:22:10.960 --> 0:22:13.800
<v Speaker 3>So he's winning Ruben over in this moment, winning Isabella

0:22:13.840 --> 0:22:15.480
<v Speaker 3>over because he doesn't even think about it.

0:22:15.960 --> 0:22:17.720
<v Speaker 1>And then Rubin and.

0:22:17.880 --> 0:22:19.760
<v Speaker 3>Is like, hey, Isabella, let's just jump in the water

0:22:19.840 --> 0:22:23.960
<v Speaker 3>because honestly, like these dinosaur hundred people are nuts and

0:22:23.960 --> 0:22:28.159
<v Speaker 3>we just got to try and find this alleged village

0:22:28.400 --> 0:22:32.320
<v Speaker 3>elsewhere on the island, and they had hypothesized a little

0:22:32.320 --> 0:22:35.120
<v Speaker 3>earlier that the reason the dinosaurs were attacking the ship

0:22:35.160 --> 0:22:36.520
<v Speaker 3>is because they felt it was a predator.

0:22:36.760 --> 0:22:39.719
<v Speaker 2>So, okay, attack the ship. We will swim way to safety.

0:22:40.520 --> 0:22:42.840
<v Speaker 2>Zora and Loomis mean while are putting floaties on all

0:22:42.880 --> 0:22:45.040
<v Speaker 2>the equipment because they're like, this ship is going down,

0:22:45.080 --> 0:22:47.480
<v Speaker 2>but we have a mission to finish, so everyone takes

0:22:47.520 --> 0:22:49.919
<v Speaker 2>through the water to timpt out run the creatures.

0:22:50.880 --> 0:22:54.560
<v Speaker 3>There's some interesting scary moments here where there is another

0:22:54.640 --> 0:22:56.920
<v Speaker 3>character who we barely get to meet, who's a woman,

0:22:57.359 --> 0:23:00.480
<v Speaker 3>a female character who's on the boat, and we kind

0:23:00.480 --> 0:23:05.399
<v Speaker 3>of see as Zra and Loomis are like stuck on

0:23:05.440 --> 0:23:07.040
<v Speaker 3>the boat. There's a great moment if you see it

0:23:07.080 --> 0:23:07.680
<v Speaker 3>in forty X.

0:23:07.720 --> 0:23:09.960
<v Speaker 1>I'm not even sponsored, it was just really that good.

0:23:10.200 --> 0:23:13.320
<v Speaker 3>But as the boat is kind of crashing there underneath

0:23:13.440 --> 0:23:16.040
<v Speaker 3>the rocks and it's like crunching on them and they're

0:23:16.040 --> 0:23:19.400
<v Speaker 3>having to dive down, and eventually all the floaties get there,

0:23:19.640 --> 0:23:23.199
<v Speaker 3>and this poor lady rip to this one woman on

0:23:23.280 --> 0:23:28.520
<v Speaker 3>the ship she is find the bag of floaties and

0:23:28.560 --> 0:23:30.560
<v Speaker 3>she's kind of, oh, thank god, she's trying to push

0:23:30.560 --> 0:23:31.520
<v Speaker 3>it to the shore.

0:23:31.560 --> 0:23:32.840
<v Speaker 1>She's at the shore.

0:23:32.800 --> 0:23:36.200
<v Speaker 3>And if you have an eagle eye, you may see

0:23:36.240 --> 0:23:39.080
<v Speaker 3>something move to the side of her. And if you don't,

0:23:39.240 --> 0:23:41.760
<v Speaker 3>then you're gonna get an incredible jump scare because a

0:23:41.840 --> 0:23:46.240
<v Speaker 3>spinosaurus grabs her from behind and just the eats her

0:23:46.640 --> 0:23:49.119
<v Speaker 3>and it's really really scary. The eleven year old I

0:23:49.119 --> 0:23:51.679
<v Speaker 3>saw it with this was definitely his biggest jump scare.

0:23:52.040 --> 0:23:56.159
<v Speaker 3>She was really really freaked out by it. Rip to

0:23:56.240 --> 0:23:59.320
<v Speaker 3>that person. Duncan arrives on shore and you kind of

0:23:59.560 --> 0:24:02.399
<v Speaker 3>he starts to realize, like fuck, like we just lost

0:24:02.440 --> 0:24:05.960
<v Speaker 3>two of our friends. Is this job worth it? Can

0:24:06.080 --> 0:24:09.840
<v Speaker 3>we really do it? And also like now the boat's crashed,

0:24:09.880 --> 0:24:12.960
<v Speaker 3>Like what did this fucking creb sky plan nothing? But

0:24:13.560 --> 0:24:15.920
<v Speaker 3>Zora is very good at her job, So she did

0:24:15.920 --> 0:24:17.359
<v Speaker 3>plan something, didn't she Joe out?

0:24:17.600 --> 0:24:19.920
<v Speaker 2>So Zora is very good to her job, and she's like, listen,

0:24:20.000 --> 0:24:22.280
<v Speaker 2>a helicopter's gonna swing by for you guys in like

0:24:22.640 --> 0:24:26.000
<v Speaker 2>forty eight hours at sunset if we don't radio in,

0:24:26.040 --> 0:24:29.280
<v Speaker 2>which we can't do now, so they're only gonna do

0:24:29.359 --> 0:24:32.320
<v Speaker 2>one fly by. Though this does seem not smart. You're

0:24:32.359 --> 0:24:33.879
<v Speaker 2>in the air, you can't get caught, but whatever. So

0:24:33.920 --> 0:24:35.879
<v Speaker 2>they're like, we're gonna do one fly by the island,

0:24:36.000 --> 0:24:38.360
<v Speaker 2>so all of you guys need to be on high

0:24:38.440 --> 0:24:40.640
<v Speaker 2>ground where we can see you when we fly by,

0:24:40.960 --> 0:24:43.200
<v Speaker 2>or you're the abandoned forever on this island nobody ever

0:24:43.200 --> 0:24:47.399
<v Speaker 2>comes to. Okay, great. I think the jump scare you

0:24:47.480 --> 0:24:51.439
<v Speaker 2>mentioned really opens a door to like the cinematography of

0:24:51.480 --> 0:24:54.920
<v Speaker 2>this film between so well into horror, and what's great

0:24:54.960 --> 0:24:58.760
<v Speaker 2>about horror is things in the background, small movements, Yeah,

0:24:59.359 --> 0:25:02.520
<v Speaker 2>really up the intensity. And to do that with giant

0:25:02.600 --> 0:25:06.320
<v Speaker 2>dinosaurs frequently you have done popping out of all kinds

0:25:06.320 --> 0:25:09.120
<v Speaker 2>of button from behind them, boat out of tall grass,

0:25:09.200 --> 0:25:10.399
<v Speaker 2>from the water the.

0:25:12.560 --> 0:25:15.440
<v Speaker 1>Best. Yeah, you're right, that's such a good call. There's

0:25:15.480 --> 0:25:16.840
<v Speaker 1>a great moment where.

0:25:16.680 --> 0:25:19.720
<v Speaker 3>You kind of like the classic fridge scare in a

0:25:19.760 --> 0:25:22.040
<v Speaker 3>slasher movie where you think someone's going to be behind

0:25:22.080 --> 0:25:24.120
<v Speaker 3>the door and they're not. They do such a fun

0:25:24.200 --> 0:25:26.520
<v Speaker 3>version of that with the t Rex here. I think

0:25:26.560 --> 0:25:31.120
<v Speaker 3>Gareth Edwards, it's such a great part and we're gonna

0:25:31.160 --> 0:25:34.639
<v Speaker 3>get there and and Gareth Edwards he directed Rogue one.

0:25:34.680 --> 0:25:36.960
<v Speaker 1>Obviously we love Rogue One. We know that Tony.

0:25:36.720 --> 0:25:41.119
<v Speaker 3>Gilroy was very heavily involved in that as well. But

0:25:41.240 --> 0:25:43.640
<v Speaker 3>also Gareth Edwards broke onto the scene with a movie

0:25:43.640 --> 0:25:46.639
<v Speaker 3>called Monsters that was an indie sci fi horror movie

0:25:47.000 --> 0:25:50.679
<v Speaker 3>about an unexpected kind of couple who had to travel

0:25:50.720 --> 0:25:53.280
<v Speaker 3>across this part of North America that had been taken

0:25:53.320 --> 0:25:58.960
<v Speaker 3>over by by like giant kind of kaijusque monsters. And

0:25:59.119 --> 0:26:02.240
<v Speaker 3>and I think like from then he really established his

0:26:03.040 --> 0:26:06.360
<v Speaker 3>style as a director. And also most recently he did

0:26:06.400 --> 0:26:10.160
<v Speaker 3>The Creator, which was not necessarily like the indie hit

0:26:10.240 --> 0:26:12.000
<v Speaker 3>I think that Disney wanted it to because it was

0:26:12.040 --> 0:26:15.560
<v Speaker 3>an independent original movie, but it was very lauded when

0:26:15.560 --> 0:26:18.440
<v Speaker 3>it came to the visuals, the way it looked, the cinematography,

0:26:18.440 --> 0:26:21.200
<v Speaker 3>the special effects, and I think Gareth Edwards once again

0:26:21.240 --> 0:26:26.160
<v Speaker 3>shows like he is a thoughtful, interesting filmmaker. There are

0:26:26.200 --> 0:26:29.480
<v Speaker 3>so many jump scares here, but you also get those moments.

0:26:29.080 --> 0:26:30.920
<v Speaker 1>Of just huge scope.

0:26:31.000 --> 0:26:34.600
<v Speaker 3>He has such an interesting eye for how you shoot

0:26:34.640 --> 0:26:38.920
<v Speaker 3>a giant dinosaur, because that's the thing is, these dinosaurs

0:26:38.920 --> 0:26:43.200
<v Speaker 3>are the Titans, they're the colossals, they are the biggest dinosaurs.

0:26:43.240 --> 0:26:46.760
<v Speaker 3>And in a very hilarious and Avatar the Lost Airbender

0:26:46.760 --> 0:26:51.280
<v Speaker 3>coded thing, they have to get blood from the biggest

0:26:51.280 --> 0:26:55.200
<v Speaker 3>dinosaur in the water, they've done it, Massasaurus, biggest dinosaur

0:26:55.200 --> 0:26:59.160
<v Speaker 3>on land Titanosaurus, and biggest dinosaur in the air, which

0:26:59.440 --> 0:27:00.000
<v Speaker 3>I believe is.

0:27:00.119 --> 0:27:04.320
<v Speaker 1>Called a quite a coatless or something along those lines.

0:27:04.400 --> 0:27:05.880
<v Speaker 1>But it is very scary and big.

0:27:06.280 --> 0:27:09.920
<v Speaker 3>And so the one thing that CIBA didn't tell them, though,

0:27:10.520 --> 0:27:15.359
<v Speaker 3>is that this island is not just some leftover like

0:27:15.440 --> 0:27:18.520
<v Speaker 3>isla sauna or something. This is where all the weird

0:27:18.640 --> 0:27:23.199
<v Speaker 3>experimental mutated dinosaurs are staying, which, sir, you should have

0:27:23.240 --> 0:27:24.080
<v Speaker 3>told them that first.

0:27:24.359 --> 0:27:28.679
<v Speaker 2>That is a day one asterisk in the contract that

0:27:28.760 --> 0:27:33.000
<v Speaker 2>it absolutelys to be highlighted and underlined mutant dinosaurs live here.

0:27:33.280 --> 0:27:36.400
<v Speaker 2>But it turns out like the company could have destroyed

0:27:36.440 --> 0:27:39.600
<v Speaker 2>it destroyed the dinosaurs, but they were like, yeah, those

0:27:39.640 --> 0:27:41.600
<v Speaker 2>were really expensive and now we can just hide them

0:27:41.600 --> 0:27:44.480
<v Speaker 2>as line items, and so we don't have that glit.

0:27:45.119 --> 0:27:48.280
<v Speaker 2>It's a multimillion dollar loss or you know, danger but

0:27:48.359 --> 0:27:51.879
<v Speaker 2>thousands of miles away. So of course capitalism. Okay, so

0:27:51.920 --> 0:27:55.240
<v Speaker 2>now we're in the jungle. The jungle is an unkind atmosphere.

0:27:55.320 --> 0:27:57.879
<v Speaker 2>Duncan describes it as nothing you can see more than

0:27:57.920 --> 0:28:00.639
<v Speaker 2>three feet in front of your faith and constantly eyes

0:28:01.080 --> 0:28:03.840
<v Speaker 2>tracking you, and he makes a declaration that seems like

0:28:03.880 --> 0:28:06.680
<v Speaker 2>it will seal his fate. He swears he's not going

0:28:06.720 --> 0:28:08.960
<v Speaker 2>to die in the jungle, at which point I'm like,

0:28:09.040 --> 0:28:14.280
<v Speaker 2>so long, Marcella Ali. Keeper discovers a downed plane with

0:28:14.320 --> 0:28:17.000
<v Speaker 2>a skeleton pilot hanging from a cockpit with a gun

0:28:17.040 --> 0:28:19.560
<v Speaker 2>in his hands. So Keeper collects Chekhov's gun and.

0:28:19.640 --> 0:28:23.879
<v Speaker 3>Quiet very Also, I love this moment because it is

0:28:24.520 --> 0:28:28.840
<v Speaker 3>legit terrifying. There's like blood like things like liquid dripping

0:28:28.880 --> 0:28:33.119
<v Speaker 3>on him. That the skeletal remains are way more skeletal

0:28:33.119 --> 0:28:34.880
<v Speaker 3>and scary than we usually get because.

0:28:34.680 --> 0:28:36.919
<v Speaker 1>We've seen a skeleton before in Jurassic Talk. But this

0:28:37.040 --> 0:28:37.879
<v Speaker 1>is a horror moment.

0:28:38.120 --> 0:28:40.120
<v Speaker 3>But you know what you see that Kiba's just a

0:28:40.160 --> 0:28:42.480
<v Speaker 3>stone called sociopath because he just sees that gun and

0:28:42.520 --> 0:28:45.160
<v Speaker 3>he's like, I'll take it, and that's the insurance for me.

0:28:45.200 --> 0:28:47.360
<v Speaker 3>For Yeah, It's like, okay, I don't think it's gonna

0:28:47.400 --> 0:28:49.400
<v Speaker 3>go well for you, babe, but you know what, take

0:28:49.400 --> 0:28:49.720
<v Speaker 3>the gun.

0:28:49.800 --> 0:28:51.480
<v Speaker 1>Take Chekhov's gun. He'll borrow it to you.

0:28:52.240 --> 0:28:54.560
<v Speaker 2>So the Dagana family plus Xavier find a cave to

0:28:54.560 --> 0:28:58.040
<v Speaker 2>hold up in. Keeper mentioned that on the ship that

0:28:58.080 --> 0:29:00.240
<v Speaker 2>there was a community living on the island. They be

0:29:00.240 --> 0:29:01.800
<v Speaker 2>able to take a phone call there, so he's like,

0:29:01.840 --> 0:29:05.000
<v Speaker 2>don't even sweat it will be okay. And he told

0:29:05.080 --> 0:29:09.200
<v Speaker 2>him about the helicopter. I think, are there's a plane.

0:29:09.360 --> 0:29:11.280
<v Speaker 2>We got some options, like, don't worry about it, okay.

0:29:11.720 --> 0:29:14.320
<v Speaker 2>So Ruben thanks Xavier for saving his daughter and exit

0:29:14.360 --> 0:29:17.160
<v Speaker 2>a kind of strange and hilarious moment, just brushes it off.

0:29:17.160 --> 0:29:18.560
<v Speaker 2>He's like, man, whatever, He's like, I don't even know

0:29:18.600 --> 0:29:19.520
<v Speaker 2>why she wants to be with me.

0:29:19.960 --> 0:29:22.920
<v Speaker 3>Yeah, He's like, I'm useless guy, but I love her,

0:29:23.000 --> 0:29:23.760
<v Speaker 3>so I'm gonna do it.

0:29:23.800 --> 0:29:24.720
<v Speaker 1>And he's not useless.

0:29:24.840 --> 0:29:27.840
<v Speaker 3>He did a say he saved it once. He's on

0:29:27.920 --> 0:29:30.240
<v Speaker 3>a scary Jurassic dinosaur island.

0:29:30.480 --> 0:29:31.240
<v Speaker 1>He comes through.

0:29:31.880 --> 0:29:36.480
<v Speaker 2>He listened and in peace times useless. At wartime, he's

0:29:36.520 --> 0:29:39.360
<v Speaker 2>absolutely ready to go, and he offers to take the

0:29:39.400 --> 0:29:42.320
<v Speaker 2>first watch so that Reuben can catch up on some sleep.

0:29:43.640 --> 0:29:46.160
<v Speaker 2>So the next morning, family gets her track. Isabelle discovers

0:29:46.160 --> 0:29:49.760
<v Speaker 2>a small orphan dinosaur, Dolores, and they quickly become friends,

0:29:49.800 --> 0:29:51.960
<v Speaker 2>and she statues the creature in her backpack.

0:29:52.360 --> 0:29:54.720
<v Speaker 1>She is so cute, I believe this is a new dinosaur.

0:29:54.720 --> 0:29:57.560
<v Speaker 3>You haven't seen before called an aqua ops and this

0:29:57.760 --> 0:30:03.280
<v Speaker 3>is our full prosthetic animatronic dinosaur.

0:30:03.320 --> 0:30:05.800
<v Speaker 1>They made a real Dolores. They got to connect with her,

0:30:05.920 --> 0:30:08.360
<v Speaker 1>and I believe I have not been there yet. I

0:30:08.400 --> 0:30:11.920
<v Speaker 1>believe you can now meet meet Dolores at Universal Studio stream.

0:30:11.920 --> 0:30:15.040
<v Speaker 3>So I love that because Dolores is very cute, and

0:30:15.080 --> 0:30:16.600
<v Speaker 3>we love a cute.

0:30:16.440 --> 0:30:21.440
<v Speaker 1>Sidekick like giving in the movies and the TV shows.

0:30:21.440 --> 0:30:24.200
<v Speaker 3>With Camp Crustaceous, you've had Lumpy, So it's like, it's

0:30:24.240 --> 0:30:25.040
<v Speaker 3>nice to bring.

0:30:24.840 --> 0:30:28.560
<v Speaker 1>That to the main stream and the big seas.

0:30:28.760 --> 0:30:31.560
<v Speaker 2>It's definitely giving. If you were a Barney kid a

0:30:31.640 --> 0:30:36.480
<v Speaker 2>bj vibe, or if you like the dinosaurs the Baby

0:30:37.000 --> 0:30:41.400
<v Speaker 2>of Very Baby, Yes, it's so cute. So Zora and

0:30:41.440 --> 0:30:44.080
<v Speaker 2>crew reach an open field of overgrown grass so tall

0:30:44.120 --> 0:30:46.960
<v Speaker 2>it can hide the largest dino. We're gonna get the

0:30:47.000 --> 0:30:51.280
<v Speaker 2>titanosaurs when they're lying down. So the gentle plant eating

0:30:51.280 --> 0:30:54.360
<v Speaker 2>dinosaurs are mostly not a threat safer their very long

0:30:54.480 --> 0:30:58.280
<v Speaker 2>switchy tails, which could potentially do damage. Loumis is blow.

0:30:58.320 --> 0:31:01.080
<v Speaker 2>I mean having a full on like emotion religious experience.

0:31:01.080 --> 0:31:02.040
<v Speaker 2>Look at these creatures.

0:31:02.120 --> 0:31:05.600
<v Speaker 1>This is the one moment that I think captures the thing.

0:31:05.440 --> 0:31:08.840
<v Speaker 3>That otherwise this movie doesn't understand the importance of which

0:31:08.880 --> 0:31:11.800
<v Speaker 3>is like the wonder and awe of a dinosaur. But

0:31:12.640 --> 0:31:14.920
<v Speaker 3>Jonathan Bailey, and if you follow me on let a Box,

0:31:14.960 --> 0:31:17.760
<v Speaker 3>you know, I'm already compt talking about this Oscar campaign

0:31:17.840 --> 0:31:19.880
<v Speaker 3>that I will Solow be running for him. Yes, but

0:31:20.000 --> 0:31:22.800
<v Speaker 3>he had in the forty X screening, right, So we're

0:31:22.840 --> 0:31:25.880
<v Speaker 3>being jostled, our popcorns flying everywhere, there's kids, everyone's screaming.

0:31:26.160 --> 0:31:27.400
<v Speaker 1>In this moment.

0:31:27.400 --> 0:31:30.080
<v Speaker 3>Where they kind of slowly move you towards the dinosaur

0:31:30.360 --> 0:31:34.240
<v Speaker 3>and he touches it and he starts to just tear

0:31:34.360 --> 0:31:38.160
<v Speaker 3>up and cry. It was so beautiful that I was crying,

0:31:38.240 --> 0:31:40.280
<v Speaker 3>The guy next to me was crying, The friend I

0:31:40.400 --> 0:31:42.840
<v Speaker 3>was with was crying. You know. It was like it

0:31:43.080 --> 0:31:46.920
<v Speaker 3>just really captured that feeling of what Jurassic Park is about,

0:31:47.000 --> 0:31:49.800
<v Speaker 3>which is the beauty of nature and how scary it

0:31:49.840 --> 0:31:52.240
<v Speaker 3>can be, but also like the awe we feel when

0:31:52.240 --> 0:31:54.800
<v Speaker 3>we get to see creatures in the wild and the

0:31:54.880 --> 0:31:56.920
<v Speaker 3>importance of nature.

0:31:57.040 --> 0:31:59.880
<v Speaker 1>And he does he does manage to get the sample.

0:32:00.040 --> 0:32:01.880
<v Speaker 1>Good for him. I feel like it's going pretty well

0:32:01.920 --> 0:32:03.240
<v Speaker 1>for them at this point, Like this.

0:32:03.360 --> 0:32:09.120
<v Speaker 3>Is actually quite a chill Jurassic experience so far. And

0:32:09.160 --> 0:32:14.120
<v Speaker 3>then doctor Loomis is like, so what if if we

0:32:14.520 --> 0:32:18.240
<v Speaker 3>didn't give it to the evil scientist, how about sexy

0:32:18.280 --> 0:32:23.840
<v Speaker 3>skull Ansen. We just like you know, crowd open sourced

0:32:23.840 --> 0:32:26.760
<v Speaker 3>it so anyone could have it. And she's like, oh,

0:32:26.800 --> 0:32:28.640
<v Speaker 3>I don't think I would get any money in that case,

0:32:28.680 --> 0:32:30.880
<v Speaker 3>but you can tell there's like a twinkle in.

0:32:30.880 --> 0:32:34.840
<v Speaker 2>Her eye, like doctor Loomish, and she's a little bit

0:32:34.920 --> 0:32:39.320
<v Speaker 2>moved by his emotional reaction to the dinosaurs, definitely, And

0:32:39.320 --> 0:32:40.800
<v Speaker 2>then he tells the story of like you know, when

0:32:40.840 --> 0:32:45.600
<v Speaker 2>they discovered insulin, you know that they were like, hey,

0:32:45.640 --> 0:32:48.560
<v Speaker 2>everybody should have access to this, everyone should have access

0:32:48.600 --> 0:32:52.720
<v Speaker 2>to this pharmacutical company's assholes. Yeah, she's like she's thinking

0:32:52.720 --> 0:32:55.400
<v Speaker 2>about it. She's she's contemplating, you know, she needs the money,

0:32:55.560 --> 0:32:57.400
<v Speaker 2>but she just like, maybe that would be the better

0:32:57.400 --> 0:33:01.200
<v Speaker 2>thing to do. Okay, So the family a raft. They

0:33:01.240 --> 0:33:03.000
<v Speaker 2>are out and they're like, oh, great, we can take

0:33:03.000 --> 0:33:06.560
<v Speaker 2>the water. We'll follow there's they noticed some pipes. They're like, oh, look,

0:33:06.760 --> 0:33:08.840
<v Speaker 2>water pipes. I bet we could follow this to the

0:33:08.840 --> 0:33:10.200
<v Speaker 2>facility with the phone that'll be here.

0:33:10.240 --> 0:33:12.760
<v Speaker 1>He's a very clever dad. I gotta say this is

0:33:12.840 --> 0:33:14.480
<v Speaker 1>smart uh.

0:33:14.520 --> 0:33:16.680
<v Speaker 2>But as our approach of the raft, oh no, here

0:33:16.720 --> 0:33:19.960
<v Speaker 2>comes everyone's favorite dinosaur, a t reft and it is

0:33:20.040 --> 0:33:22.160
<v Speaker 2>huge and it is close. Okay, this is the same

0:33:22.200 --> 0:33:22.800
<v Speaker 2>you were talking about.

0:33:23.280 --> 0:33:25.360
<v Speaker 3>Yeah, I gotta talk about this scene because we have

0:33:25.480 --> 0:33:27.640
<v Speaker 3>Teresa and she's trying to get the boat and then

0:33:27.720 --> 0:33:30.400
<v Speaker 3>she realizes the boat is actually unfinished, but she finds

0:33:30.400 --> 0:33:32.920
<v Speaker 3>a life raft and we get this great moment where

0:33:33.040 --> 0:33:35.400
<v Speaker 3>one the t rex is like sleeping like a cute

0:33:35.400 --> 0:33:38.120
<v Speaker 3>cat who doesn't want to see that. I love that

0:33:38.480 --> 0:33:40.800
<v Speaker 3>makes a lot of sense, very Godzilla codd if you

0:33:40.840 --> 0:33:43.040
<v Speaker 3>saw the last Godzilla movie where Godzilla sleeping in the

0:33:43.080 --> 0:33:45.960
<v Speaker 3>coliseum like he's a cute cat. We also know that

0:33:46.000 --> 0:33:49.240
<v Speaker 3>the Minus one director was inspired by his cat for Godzilla,

0:33:49.280 --> 0:33:51.880
<v Speaker 3>so I love that all these directors are bringing that

0:33:52.280 --> 0:33:56.320
<v Speaker 3>to this and Gareth Edwards definitely is here. He we

0:33:56.400 --> 0:33:59.320
<v Speaker 3>see the dinosaur sleeping, she's trying to pull the raft

0:33:59.400 --> 0:34:01.120
<v Speaker 3>so that it will wake him up, and then she

0:34:01.360 --> 0:34:05.600
<v Speaker 3>pops the raft open and it blows up and you

0:34:05.720 --> 0:34:08.120
<v Speaker 3>expect the t rex to be behind her when it

0:34:08.160 --> 0:34:11.879
<v Speaker 3>goes down, but it's gone and it's such a scary

0:34:11.920 --> 0:34:15.759
<v Speaker 3>fake out moment. And then it leads to this is

0:34:15.800 --> 0:34:17.800
<v Speaker 3>the sequence that I think if you are a Jurassic

0:34:18.040 --> 0:34:20.799
<v Speaker 3>Park fan you love the books, this is one of

0:34:20.800 --> 0:34:23.600
<v Speaker 3>the sequences that was never properly adapted from the books,

0:34:24.120 --> 0:34:24.960
<v Speaker 3>and it.

0:34:24.800 --> 0:34:27.280
<v Speaker 2>Is they couldn't get that original t Rex well okay,

0:34:27.320 --> 0:34:28.440
<v Speaker 2>exactly he was.

0:34:28.840 --> 0:34:31.840
<v Speaker 1>He was a real living animatronic.

0:34:32.200 --> 0:34:34.960
<v Speaker 3>And also they did kind of half adapt it in

0:34:35.320 --> 0:34:38.600
<v Speaker 3>Jurassic Park three with the Spinosaurus. But here David Kep

0:34:38.640 --> 0:34:41.279
<v Speaker 3>gets to bring the scene he always wanted to to life,

0:34:41.280 --> 0:34:46.000
<v Speaker 3>which is the t Rex swimming behind this little life raft.

0:34:46.040 --> 0:34:49.040
<v Speaker 3>And I'm telling you, guys, Joel knows we've been to

0:34:49.320 --> 0:34:51.800
<v Speaker 3>We've been to theme parks together. I am like so

0:34:52.040 --> 0:34:55.839
<v Speaker 3>terrified of dinosaur animatronics, but you will, if you are

0:34:55.880 --> 0:34:58.160
<v Speaker 3>my special friend and I love you, I will go

0:34:58.239 --> 0:35:00.279
<v Speaker 3>on the Jurassic World ride with you. And I like

0:35:00.320 --> 0:35:02.680
<v Speaker 3>cry the whole time because it's amazing, but I will

0:35:02.680 --> 0:35:05.719
<v Speaker 3>also cry because it's scary. And this entire movie, I

0:35:05.800 --> 0:35:08.400
<v Speaker 3>was like, man, these motherfuckers are gonna make the scariest

0:35:08.480 --> 0:35:11.440
<v Speaker 3>ride with this movie, Like they're gonna be able to

0:35:11.600 --> 0:35:16.560
<v Speaker 3>expand what the Jurassic World and Jurassic Park rides already are.

0:35:16.800 --> 0:35:19.040
<v Speaker 3>It really feels like Universal is in a space now

0:35:19.040 --> 0:35:23.160
<v Speaker 3>where they're creating rides like with Dark Universe that can

0:35:23.480 --> 0:35:26.040
<v Speaker 3>kind of create new IP and they're also open to

0:35:26.520 --> 0:35:29.000
<v Speaker 3>leaning into the IP that is so beloved, And this

0:35:29.120 --> 0:35:34.440
<v Speaker 3>scene feels like Peak make a move like Orlando, Universal,

0:35:34.480 --> 0:35:37.399
<v Speaker 3>You're getting an updated Jurassic Park ride after this one,

0:35:37.440 --> 0:35:40.320
<v Speaker 3>because it is so so scary.

0:35:40.200 --> 0:35:42.879
<v Speaker 2>Genuinely looking for like t Rex's giant head, the fact

0:35:42.880 --> 0:35:45.319
<v Speaker 2>that at one point it's completely again submerged by water,

0:35:45.360 --> 0:35:47.239
<v Speaker 2>where you're just like, wait, oh no, now we can't

0:35:47.280 --> 0:35:49.359
<v Speaker 2>see it. Where is it? And then you know it's

0:35:49.360 --> 0:35:51.000
<v Speaker 2>giving if you if you're a pig than of the

0:35:51.040 --> 0:35:53.239
<v Speaker 2>original Jurassic Park when the t Rex attacks the car,

0:35:53.320 --> 0:35:55.960
<v Speaker 2>you're seeing some similarities, right, So Yeah, the kid is

0:35:56.000 --> 0:35:58.479
<v Speaker 2>stuck in the raft at one point by herself again

0:35:58.560 --> 0:35:59.680
<v Speaker 2>another boat over.

0:36:00.360 --> 0:36:02.520
<v Speaker 1>She gets flipped. The boats are getting flipped.

0:36:02.840 --> 0:36:08.759
<v Speaker 3>This I thought was such a clever, scary visual that

0:36:08.880 --> 0:36:12.640
<v Speaker 3>does a homage to that you know, original Colas sequence,

0:36:12.680 --> 0:36:14.160
<v Speaker 3>but also adds something really new.

0:36:15.400 --> 0:36:17.520
<v Speaker 2>Yeah, no, it's totally fresh, because like the thing is

0:36:17.520 --> 0:36:20.439
<v Speaker 2>that everyone's still such close proximity. The rushing water adds

0:36:20.480 --> 0:36:23.480
<v Speaker 2>such a terrifying element to it. And similar to that

0:36:23.520 --> 0:36:28.799
<v Speaker 2>scene though, where you have a seemably impossible cliff suddenly emerge. Yeah,

0:36:28.800 --> 0:36:30.960
<v Speaker 2>suddenly a wall that the t Rex cannot get passed,

0:36:30.960 --> 0:36:34.280
<v Speaker 2>and you're like, oh, fully this makes sense. Now pause.

0:36:34.400 --> 0:36:36.040
<v Speaker 2>If you've seen the original, it does make sense. It's

0:36:36.040 --> 0:36:38.239
<v Speaker 2>an enclosure. There's a slight slope. They don't quite show

0:36:38.280 --> 0:36:40.480
<v Speaker 2>it into the establishing shot, and so you miss it.

0:36:40.520 --> 0:36:43.880
<v Speaker 2>But it does make sense. You can see uh, visuals

0:36:43.920 --> 0:36:45.600
<v Speaker 2>of the set, so where you're like, oh, that's why

0:36:45.600 --> 0:36:48.399
<v Speaker 2>there's a clip suddenly there here, it's a little less clear.

0:36:48.400 --> 0:36:50.040
<v Speaker 2>In game, we don't really get an establishing shot of

0:36:50.080 --> 0:36:52.600
<v Speaker 2>the wall to the d Rex, not just walk around.

0:36:52.640 --> 0:36:54.759
<v Speaker 1>But I know, I like the idea that the t

0:36:54.840 --> 0:36:56.200
<v Speaker 1>Rex is kind of like bored.

0:36:56.239 --> 0:36:58.160
<v Speaker 3>He's just like okay, well I'm not gonna put that

0:36:58.239 --> 0:37:00.080
<v Speaker 3>much yet, but and like I can just see a

0:37:00.200 --> 0:37:01.360
<v Speaker 3>dinosaur like don't.

0:37:01.200 --> 0:37:04.839
<v Speaker 2>Weary Cat comparison. It is like, yes, Isabella gets out

0:37:04.840 --> 0:37:07.520
<v Speaker 2>from underneath the boat, is able to not really out swim,

0:37:07.560 --> 0:37:09.239
<v Speaker 2>but sort of the current is pushing and she gets

0:37:09.280 --> 0:37:12.120
<v Speaker 2>close enough and okay, she's through the wall and she's safe. Uh.

0:37:12.440 --> 0:37:14.160
<v Speaker 2>T Rex follows her all the way up to the wall,

0:37:14.200 --> 0:37:16.680
<v Speaker 2>and then it's like sticking. It's like snout through the wall,

0:37:16.800 --> 0:37:19.359
<v Speaker 2>trying to like and at very much gave me cat

0:37:19.440 --> 0:37:20.800
<v Speaker 2>under a door, would is Paul.

0:37:20.680 --> 0:37:23.520
<v Speaker 1>Oh yeah, there's that great moment too.

0:37:23.640 --> 0:37:26.720
<v Speaker 3>N isfl is still underneath and the t Rex's teeth

0:37:26.800 --> 0:37:28.080
<v Speaker 3>kind of through.

0:37:28.440 --> 0:37:31.120
<v Speaker 1>The yellow but they don't fully hit it. It's really good.

0:37:31.239 --> 0:37:33.960
<v Speaker 1>But guess what, the family's safe again. Love this for

0:37:34.040 --> 0:37:36.960
<v Speaker 1>the family. It's going really well for them.

0:37:37.000 --> 0:37:39.880
<v Speaker 3>Continuing that, I would say, like, you know, there's always

0:37:40.360 --> 0:37:42.919
<v Speaker 3>generally kids in a Jurassic Park movie, and they don't

0:37:42.960 --> 0:37:45.160
<v Speaker 3>tend to die, so I'm very I'm feeling very happy.

0:37:45.280 --> 0:37:48.080
<v Speaker 3>As the eleven year old told me there's too much plot, Arma,

0:37:48.160 --> 0:37:50.239
<v Speaker 3>and I said, no, babe, they're just kids. I was

0:37:50.280 --> 0:37:52.399
<v Speaker 3>like they I was like, they're just kids. You can't

0:37:52.480 --> 0:37:54.399
<v Speaker 3>kill a kid in a in like a kid's movie.

0:37:54.400 --> 0:37:56.000
<v Speaker 3>It's not pla Arma, it's just a rule.

0:37:56.719 --> 0:37:58.879
<v Speaker 2>Like this is just park and we are not trying

0:37:58.920 --> 0:38:01.200
<v Speaker 2>to scar the children. Okay, so we're gonna take a

0:38:01.239 --> 0:38:03.160
<v Speaker 2>quick break and when we come back, we're gonna talk

0:38:03.160 --> 0:38:05.520
<v Speaker 2>about what happens when you try to draw blood from

0:38:05.560 --> 0:38:23.520
<v Speaker 2>a dinosaur's egg. They're not happy about it. Okay, we're back.

0:38:24.160 --> 0:38:26.439
<v Speaker 2>So our team makes it to the mountains where they're

0:38:26.440 --> 0:38:31.359
<v Speaker 2>set to propel into the nest of a quasal as

0:38:31.440 --> 0:38:33.400
<v Speaker 2>so many see.

0:38:38.480 --> 0:38:38.560
<v Speaker 3>Es.

0:38:38.719 --> 0:38:41.680
<v Speaker 2>You know what, let's go with it, that's what we're

0:38:41.680 --> 0:38:45.239
<v Speaker 2>calling it. Okay, we're listening together, guys. This creature is

0:38:45.320 --> 0:38:47.440
<v Speaker 2>as large as a bomber and it can fly. And

0:38:47.480 --> 0:38:49.279
<v Speaker 2>so they're like, we are not going to try to

0:38:49.320 --> 0:38:52.080
<v Speaker 2>shoot this thing as it's soaring through the air. Let's

0:38:52.120 --> 0:38:54.239
<v Speaker 2>go get like the amtiotic fluid from one of its

0:38:54.320 --> 0:38:58.000
<v Speaker 2>eggs instead. Okay, great, So they're repelling down h and

0:38:58.040 --> 0:38:59.880
<v Speaker 2>this is kind of difficult for doctor Lumis, again not

0:39:00.080 --> 0:39:02.080
<v Speaker 2>really an adventurer, though he gave us a lot climb

0:39:02.120 --> 0:39:03.440
<v Speaker 2>out his gym exactly.

0:39:03.480 --> 0:39:05.120
<v Speaker 1>He was like, I got like a twenty foot wool

0:39:05.160 --> 0:39:06.719
<v Speaker 1>at my gym, and I'm like, babe, this is a

0:39:06.760 --> 0:39:07.920
<v Speaker 1>five hundred foot.

0:39:07.800 --> 0:39:11.200
<v Speaker 3>Draw into a dinosaur's nest. But you know what, I

0:39:11.320 --> 0:39:14.279
<v Speaker 3>love it. You're brave, You're getting a little spicy with it,

0:39:14.400 --> 0:39:16.600
<v Speaker 3>and I believe in you, Henry Limis. You are an

0:39:16.640 --> 0:39:17.400
<v Speaker 3>adventurer to me.

0:39:18.080 --> 0:39:21.480
<v Speaker 2>Yes. And it's a messy trek down, but he gets there.

0:39:21.800 --> 0:39:24.160
<v Speaker 2>They're able to pull the fluid, but oh, here comes mom.

0:39:24.200 --> 0:39:27.600
<v Speaker 2>She's retired and she is upset. Now luckily she's made

0:39:27.640 --> 0:39:29.960
<v Speaker 2>her nest and like these human like.

0:39:29.960 --> 0:39:32.680
<v Speaker 3>It's very interesting because it's kind of these human ruins,

0:39:32.719 --> 0:39:35.920
<v Speaker 3>but the implication of the way they are built is

0:39:35.960 --> 0:39:39.640
<v Speaker 3>that the humans worship these dinosaurs, like it seems like

0:39:39.719 --> 0:39:41.600
<v Speaker 3>the nest was made for them almost.

0:39:41.640 --> 0:39:42.560
<v Speaker 1>It's really interesting.

0:39:42.880 --> 0:39:45.000
<v Speaker 3>One of the definite things where I'm like, I would

0:39:45.040 --> 0:39:46.120
<v Speaker 3>love to know more about that.

0:39:46.200 --> 0:39:48.480
<v Speaker 2>And we definitely made a ror dive because I couldn't

0:39:48.480 --> 0:39:50.720
<v Speaker 2>tell if it was like, oh, the park had designed

0:39:50.760 --> 0:39:52.880
<v Speaker 2>these spaces and they were planning to maybe use it

0:39:52.920 --> 0:39:55.839
<v Speaker 2>one day and it was gonna be fun, or if like, oh,

0:39:55.840 --> 0:39:58.520
<v Speaker 2>maybe there's like a dinosaurs have been here for a

0:39:58.600 --> 0:40:01.480
<v Speaker 2>long time, maybe like the bones were in inspiration for

0:40:01.520 --> 0:40:03.279
<v Speaker 2>like a faith or something. We don't really know, but

0:40:04.719 --> 0:40:06.600
<v Speaker 2>think of the very like Indiana Jones kind of temple.

0:40:06.640 --> 0:40:12.360
<v Speaker 2>So it's like yes, yes, And they're trying to escape

0:40:12.360 --> 0:40:14.359
<v Speaker 2>the bird and it's dodging and weaving in between all

0:40:14.400 --> 0:40:18.000
<v Speaker 2>of these like physical structures and they're able to sort

0:40:18.000 --> 0:40:21.920
<v Speaker 2>of dodge it. Up top, Duncan is trying to distract

0:40:21.920 --> 0:40:24.799
<v Speaker 2>the bird with one of his other crew members, and

0:40:24.840 --> 0:40:28.080
<v Speaker 2>they do. They do. Unfortunately, that crew member successfully distracts

0:40:28.080 --> 0:40:32.200
<v Speaker 2>the bird and then gains ends up eat. Oh and

0:40:32.400 --> 0:40:35.000
<v Speaker 2>Loomis and Zora are trying to get the vial, but

0:40:35.040 --> 0:40:36.600
<v Speaker 2>it's bouncing all over the nest and oh my god,

0:40:36.600 --> 0:40:39.319
<v Speaker 2>it almost fell over the side. Loomis repels further down

0:40:39.360 --> 0:40:41.520
<v Speaker 2>to get the vial, but the rope holding him up

0:40:41.600 --> 0:40:43.600
<v Speaker 2>is dragging over the cliff side and so the ropes

0:40:43.640 --> 0:40:45.600
<v Speaker 2>get a snap. Soora tries to pull him up, but

0:40:45.680 --> 0:40:48.440
<v Speaker 2>he's determined, so the rope snaps. He does fall the

0:40:48.520 --> 0:40:51.520
<v Speaker 2>quas Paps has eaten the crew member. The vile parachute

0:40:51.560 --> 0:40:53.879
<v Speaker 2>safely to the ground, so all of these theatrics were

0:40:53.880 --> 0:40:57.200
<v Speaker 2>not worth it. Luckily, Loomis's falls cushioned by like jungle

0:40:57.239 --> 0:40:59.920
<v Speaker 2>foliage and he doesn't die or break a bone.

0:41:00.280 --> 0:41:03.440
<v Speaker 1>Lucky impressive, impressive man, truly.

0:41:03.560 --> 0:41:05.560
<v Speaker 2>So the family makes it to the island outpost a

0:41:05.600 --> 0:41:09.680
<v Speaker 2>bit before the Parker gen X team does. Teresa explodes

0:41:10.080 --> 0:41:13.399
<v Speaker 2>as Keeper approaches for leaving her to die. Keeper try,

0:41:13.560 --> 0:41:15.640
<v Speaker 2>tired of having to pretend to be a decent human,

0:41:15.760 --> 0:41:19.120
<v Speaker 2>whips out Chekhov's gun handcuffs of the blood samples to

0:41:19.200 --> 0:41:20.880
<v Speaker 2>his wristworks are in a very thick kind of like

0:41:20.920 --> 0:41:25.280
<v Speaker 2>metal case they've been carrying around absolutely, and he demands

0:41:25.320 --> 0:41:28.520
<v Speaker 2>everyone get ready for the helicopter. But the International Genetics

0:41:28.520 --> 0:41:32.440
<v Speaker 2>Technology inks mutations are heaviest year because oh no, this

0:41:32.640 --> 0:41:35.640
<v Speaker 2>is the lab where we started the most Snicker's lab.

0:41:36.520 --> 0:41:39.600
<v Speaker 2>It's not good. So the girls, Isabella and Teresa seek

0:41:39.640 --> 0:41:42.520
<v Speaker 2>shelter in the convenience store. They are cornered by a

0:41:42.640 --> 0:41:46.040
<v Speaker 2>raptor crossed with a dilophosaurus that's the asset spinning dinosaur

0:41:46.120 --> 0:41:47.359
<v Speaker 2>created for the original.

0:41:47.520 --> 0:41:51.040
<v Speaker 3>Kind of also some kind of like a bud bird

0:41:51.120 --> 0:41:55.520
<v Speaker 3>like Italer possibly maybe the coach list, because it has

0:41:55.560 --> 0:41:57.960
<v Speaker 3>these scary kind of I have to say, this was

0:41:58.000 --> 0:42:00.360
<v Speaker 3>a dinosaur that in the trailers I thought kind of

0:42:00.400 --> 0:42:03.680
<v Speaker 3>looked silly, but in the actual oh it's so good

0:42:03.719 --> 0:42:06.480
<v Speaker 3>saying and context of the movie is really scary. They're

0:42:06.560 --> 0:42:09.600
<v Speaker 3>essentially in like a seven eleven, and the wrapped a

0:42:09.800 --> 0:42:13.680
<v Speaker 3>dell off a saurus dinosaur is kind of trying to hide,

0:42:13.880 --> 0:42:15.719
<v Speaker 3>like trying to stalk them, so we get some good

0:42:15.760 --> 0:42:18.759
<v Speaker 3>callbacks to the original kids in the first movie. But

0:42:19.719 --> 0:42:21.600
<v Speaker 3>this is fun because you get to see Isabella like

0:42:21.680 --> 0:42:24.080
<v Speaker 3>hiding in a fridge and she's like covering herself up

0:42:24.120 --> 0:42:27.040
<v Speaker 3>so that it can only see its own reflection, and it's.

0:42:26.880 --> 0:42:30.080
<v Speaker 2>Really giving, almost like the Last of Us grocery store scene.

0:42:30.239 --> 0:42:34.480
<v Speaker 3>Yes, yes, yes, if the topic isn't two good, very scary, yeah,

0:42:34.560 --> 0:42:36.000
<v Speaker 3>it's it's really tense.

0:42:36.080 --> 0:42:37.640
<v Speaker 2>It'ess Actually, if he confits my brother to go see

0:42:37.640 --> 0:42:40.160
<v Speaker 2>the movie. They released a trailer of just this scene

0:42:40.920 --> 0:42:42.919
<v Speaker 2>a while ago, and he was like, a convenience store

0:42:42.960 --> 0:42:45.759
<v Speaker 2>and dinosaurs. Okay, let's do it. Here's the midside about

0:42:45.760 --> 0:42:48.120
<v Speaker 2>the action set, and it's a great set piece.

0:42:48.600 --> 0:42:48.719
<v Speaker 3>Uh.

0:42:49.760 --> 0:42:53.080
<v Speaker 2>So they're able to find it, find a great on

0:42:53.120 --> 0:42:55.640
<v Speaker 2>the store floor that leads to like underground tunnels, and

0:42:55.680 --> 0:42:57.759
<v Speaker 2>so they decide to hide in there. Unfortunately, one of

0:42:57.800 --> 0:43:01.040
<v Speaker 2>these dinosaurs follows them down and is stocking them. So

0:43:01.440 --> 0:43:04.080
<v Speaker 2>the coward Keeber hops in the car. He's like, I'm

0:43:04.080 --> 0:43:06.280
<v Speaker 2>actually done with this. I'm gonna go try to find

0:43:06.320 --> 0:43:09.600
<v Speaker 2>the helicopter. Zora had been trying to take shots on

0:43:09.640 --> 0:43:12.359
<v Speaker 2>the car into the store to distract the dinosaurs, and

0:43:12.440 --> 0:43:16.920
<v Speaker 2>she went to falling off. She's almost run over. Unfortunately,

0:43:16.960 --> 0:43:19.200
<v Speaker 2>Keeper's got this giant metal case cuf to his wrist

0:43:19.440 --> 0:43:22.280
<v Speaker 2>and it's actually more of an obstacle than a help.

0:43:22.760 --> 0:43:26.560
<v Speaker 3>Yes, and this is really great because it's really funny

0:43:27.239 --> 0:43:29.800
<v Speaker 3>when Zora is like under the car and Keba drives

0:43:29.800 --> 0:43:32.520
<v Speaker 3>it off her and it's giving again Dennis Nedri. Now,

0:43:32.560 --> 0:43:34.919
<v Speaker 3>I will say I'm calling out these because I love

0:43:34.920 --> 0:43:38.240
<v Speaker 3>a homage and I love the original Jurassic Park movies.

0:43:38.680 --> 0:43:41.440
<v Speaker 3>But I have seen some critiques in this movie that

0:43:41.480 --> 0:43:43.120
<v Speaker 3>it's just redoing the first movie.

0:43:43.200 --> 0:43:43.920
<v Speaker 1>I don't agree.

0:43:43.960 --> 0:43:47.959
<v Speaker 3>I think this is a very different situation tone, even

0:43:48.000 --> 0:43:49.799
<v Speaker 3>the setup and the way that they go into it.

0:43:49.840 --> 0:43:50.960
<v Speaker 3>I think it's quite original.

0:43:51.080 --> 0:43:53.320
<v Speaker 1>But there are fun nods here.

0:43:53.440 --> 0:43:57.600
<v Speaker 3>Keba drives off like he's fucking Dennis Nedri running away,

0:43:57.600 --> 0:44:02.080
<v Speaker 3>but instead of the Delophosaurus, this man ends up getting

0:44:02.160 --> 0:44:08.480
<v Speaker 3>gobbled up by the terrifying directs, which we finally.

0:44:08.080 --> 0:44:11.080
<v Speaker 1>See here and again is very divisive.

0:44:11.400 --> 0:44:14.400
<v Speaker 2>So the family's in the bowels and they're being stalked.

0:44:15.040 --> 0:44:18.360
<v Speaker 2>Scar Jo has survived, so doctor Zora goes down to

0:44:18.400 --> 0:44:21.320
<v Speaker 2>try to help them. The family finds this like large

0:44:21.840 --> 0:44:25.439
<v Speaker 2>gated thing is like it's like a gate. It's big

0:44:25.440 --> 0:44:29.239
<v Speaker 2>metal bars. They're into concrete. So the opening to that

0:44:29.360 --> 0:44:30.840
<v Speaker 2>is on the other side of the gate, and the

0:44:30.880 --> 0:44:33.160
<v Speaker 2>only person tiny enough to get through is Isabella. So

0:44:33.160 --> 0:44:34.120
<v Speaker 2>she's like, eh, and.

0:44:34.080 --> 0:44:35.760
<v Speaker 1>She's a real one. She just does it.

0:44:35.840 --> 0:44:39.399
<v Speaker 2>She is so confident. But oh no, now we're stuck

0:44:39.440 --> 0:44:41.440
<v Speaker 2>behind the door and here comes d Rex again. She

0:44:41.560 --> 0:44:45.279
<v Speaker 2>opens her family escapes. That means who else escapes d Rex? Okay? Now,

0:44:45.600 --> 0:44:47.960
<v Speaker 2>doctor is that here? He sees the helicopter. It's here,

0:44:48.120 --> 0:44:50.239
<v Speaker 2>it's shining and it's bright, and it's coming toward him,

0:44:50.280 --> 0:44:53.080
<v Speaker 2>and he could not be happier. Thank god they saw

0:44:53.080 --> 0:44:56.680
<v Speaker 2>the helicopter. The helicopter sees them, but no, de Rex

0:44:56.800 --> 0:44:59.680
<v Speaker 2>is out and has actually captured the helicopter and the

0:45:00.000 --> 0:45:02.680
<v Speaker 2>O cool perspective shot and again this movie is filled

0:45:02.719 --> 0:45:05.120
<v Speaker 2>with him. The light is shining right into the lens,

0:45:05.120 --> 0:45:08.479
<v Speaker 2>so you think the helicopter is just approaching. But then

0:45:08.520 --> 0:45:10.920
<v Speaker 2>as the light turns away from the lens, you can

0:45:10.920 --> 0:45:14.200
<v Speaker 2>see the helicopter in the jaws of the d Rex

0:45:14.520 --> 0:45:18.720
<v Speaker 2>and it's careening toward our sweet baby doctor, mister Loomis.

0:45:18.760 --> 0:45:21.719
<v Speaker 2>It's it's terrifying and really good action.

0:45:21.640 --> 0:45:25.680
<v Speaker 3>Great moment, and yet obviously Kiba, he's not gonna survive

0:45:25.880 --> 0:45:28.400
<v Speaker 3>now the d Rex is out. The d Rex eats

0:45:28.440 --> 0:45:30.960
<v Speaker 3>him in a very gruesome moment we get to see

0:45:31.000 --> 0:45:33.719
<v Speaker 3>him get yammed up, eats his head, he chops me,

0:45:33.920 --> 0:45:37.880
<v Speaker 3>eats him in the air, and of course attaching the

0:45:37.920 --> 0:45:40.400
<v Speaker 3>suitcase to his arm meant this was always gonna happen.

0:45:40.680 --> 0:45:42.160
<v Speaker 1>The arm is left.

0:45:42.480 --> 0:45:46.920
<v Speaker 2>Yet Samuel Jackson style and Jor just grabs that up

0:45:47.040 --> 0:45:48.319
<v Speaker 2>and is like boom.

0:45:48.520 --> 0:45:50.359
<v Speaker 1>But there's another hero in this.

0:45:50.360 --> 0:45:55.239
<v Speaker 3>Moment, and I love this, which is this moment. Yeah,

0:45:55.280 --> 0:45:58.520
<v Speaker 3>he's thinking of his son. Yeahs Sissy won't die in

0:45:58.560 --> 0:46:01.400
<v Speaker 3>the jungle, but he doesn't want the kids to be scared,

0:46:01.520 --> 0:46:03.440
<v Speaker 3>like be scared and not be able to get away.

0:46:03.640 --> 0:46:07.960
<v Speaker 3>So he runs with a flat very alien coded and

0:46:08.000 --> 0:46:11.200
<v Speaker 3>he's kind of luring the monster away into the jungle.

0:46:11.440 --> 0:46:13.840
<v Speaker 3>Now I was ready to be very disappointed at this

0:46:13.920 --> 0:46:15.400
<v Speaker 3>moment because they pissed.

0:46:15.600 --> 0:46:19.080
<v Speaker 1>They do make you think that Mahershela Ali is.

0:46:19.840 --> 0:46:24.360
<v Speaker 2>Dead, is losing her mind. On the side, we can't.

0:46:24.120 --> 0:46:27.279
<v Speaker 3>Leave and they finally get to the boat, which I

0:46:27.320 --> 0:46:29.840
<v Speaker 3>have to say, guys, the want my one critique of

0:46:29.840 --> 0:46:32.120
<v Speaker 3>this movie. You ain't getting me in a fucking boat

0:46:32.160 --> 0:46:33.960
<v Speaker 3>after all the boat stuff.

0:46:34.760 --> 0:46:36.960
<v Speaker 1>Damn boats, I'll just die drowning.

0:46:37.640 --> 0:46:40.040
<v Speaker 3>Not I am not going in a fucking boat with

0:46:40.080 --> 0:46:42.760
<v Speaker 3>these dinosaurs. You were far away and you're still getting

0:46:42.800 --> 0:46:47.400
<v Speaker 3>in by a dinosaur. Absolutely not yes, but they do

0:46:47.480 --> 0:46:49.480
<v Speaker 3>go on a boat. They leave the d Rex behind,

0:46:50.480 --> 0:46:51.640
<v Speaker 3>and what happens, shaw.

0:46:51.920 --> 0:46:55.640
<v Speaker 2>A flair lights up into the air. Our sweet baby

0:46:55.719 --> 0:46:59.520
<v Speaker 2>Duncan did not die in the jungle of him, thank god.

0:46:59.560 --> 0:47:01.840
<v Speaker 2>So they wing back to get him. Luckily, he's floated

0:47:01.880 --> 0:47:04.920
<v Speaker 2>pretty far away from the recent Even though we've already

0:47:04.960 --> 0:47:07.920
<v Speaker 2>established that flares tend to draw dinosaurs attention, I get

0:47:07.920 --> 0:47:13.160
<v Speaker 2>in this case, he's stupid. I guess let's fight with

0:47:13.239 --> 0:47:16.880
<v Speaker 2>not worth it for this small little snack. So okay, uh.

0:47:17.680 --> 0:47:20.280
<v Speaker 2>We sail off into sunset. But before we do, Zora

0:47:20.320 --> 0:47:22.960
<v Speaker 2>looks to Loomis and she goes, hey, let's give this

0:47:23.080 --> 0:47:25.640
<v Speaker 2>medication to everybody. Let's make everybody gets it.

0:47:26.760 --> 0:47:28.960
<v Speaker 1>Getting that money from that dead guy anyway, so it's

0:47:29.000 --> 0:47:29.480
<v Speaker 1>a good time.

0:47:29.760 --> 0:47:31.480
<v Speaker 2>I don't know if the contract was written down a

0:47:31.520 --> 0:47:32.240
<v Speaker 2>lot of little.

0:47:32.200 --> 0:47:34.640
<v Speaker 1>Side I know it seems like it was very illegal.

0:47:34.920 --> 0:47:37.400
<v Speaker 1>And you get your your final kind of homage.

0:47:37.400 --> 0:47:41.360
<v Speaker 3>You get hair is as that driving away in the boat,

0:47:41.520 --> 0:47:43.960
<v Speaker 3>you see dolphins come up beside them. By the way,

0:47:43.960 --> 0:47:45.879
<v Speaker 3>I'll be freaking out to see those dolphins. I don't

0:47:45.880 --> 0:47:48.640
<v Speaker 3>want to see it's beIN coming up. But it's a

0:47:48.760 --> 0:47:49.600
<v Speaker 3>nice little.

0:47:49.440 --> 0:47:53.080
<v Speaker 1>Nod to the buds.

0:47:52.600 --> 0:47:54.600
<v Speaker 3>That we see at the end of the original Jurassic

0:47:54.640 --> 0:47:57.600
<v Speaker 3>Park when they're heading out, and the kind of reminder

0:47:57.640 --> 0:48:01.839
<v Speaker 3>of how buds were the know they are the descendants

0:48:01.840 --> 0:48:04.080
<v Speaker 3>of dinosaurs, and I think the implication hair is kind

0:48:04.080 --> 0:48:06.799
<v Speaker 3>of thinking about those what are dinosaurs and seeing doll face.

0:48:06.800 --> 0:48:08.840
<v Speaker 2>It's also the final shot of the Jurassic Park is

0:48:08.840 --> 0:48:10.239
<v Speaker 2>when they're looking out the window and you see the

0:48:10.280 --> 0:48:13.640
<v Speaker 2>cracks cone. You're like, oh, okay, we're like back in

0:48:13.640 --> 0:48:16.440
<v Speaker 2>to animals that we're familiar with and could hunt if

0:48:16.440 --> 0:48:16.880
<v Speaker 2>we needed to.

0:48:17.080 --> 0:48:19.759
<v Speaker 1>Oh. I love that poll. You you see the as

0:48:19.800 --> 0:48:20.640
<v Speaker 1>they move away, you.

0:48:20.560 --> 0:48:23.680
<v Speaker 3>See that place on the food chain change and you

0:48:23.760 --> 0:48:27.040
<v Speaker 3>remember that now humans are the alphas in That's very interesting.

0:48:27.080 --> 0:48:27.799
<v Speaker 1>I love that take.

0:48:28.400 --> 0:48:32.799
<v Speaker 2>It's great. I okay, let's take one final break and

0:48:32.880 --> 0:48:34.719
<v Speaker 2>when we come back, we'll give you, guys our our

0:48:34.800 --> 0:48:52.400
<v Speaker 2>full thoughts on the film. Okay, we're back, So Rosie,

0:48:52.960 --> 0:48:56.879
<v Speaker 2>rank this for me amongst the Jurassic Park films. How

0:48:56.920 --> 0:48:58.759
<v Speaker 2>are we? How are we going? We have to put

0:48:58.760 --> 0:49:02.600
<v Speaker 2>it in a specific place, but me just below the

0:49:02.680 --> 0:49:05.040
<v Speaker 2>original I know all trilogy.

0:49:05.040 --> 0:49:07.919
<v Speaker 1>I'm going for. I love the original trilogy. I love

0:49:07.960 --> 0:49:08.720
<v Speaker 1>all of it.

0:49:08.880 --> 0:49:11.480
<v Speaker 3>I think quality wise, this is like on a level

0:49:11.880 --> 0:49:14.440
<v Speaker 3>with the later entries into the trilogy, which I do

0:49:14.480 --> 0:49:16.560
<v Speaker 3>think are good. Like I would say this is kind

0:49:16.560 --> 0:49:19.280
<v Speaker 3>of an in between a Jurassic Part two and three

0:49:19.520 --> 0:49:23.680
<v Speaker 3>for the equality wise, I I do deeply enjoy the

0:49:23.760 --> 0:49:26.319
<v Speaker 3>Jurassic World movies. We know that, but that is a

0:49:26.360 --> 0:49:32.440
<v Speaker 3>subjective enjoyment. This is a better movie than those movies. YEA.

0:49:32.440 --> 0:49:34.720
<v Speaker 1>Is a well made movie. It's a stripped down movie.

0:49:35.320 --> 0:49:38.120
<v Speaker 3>It doesn't suffer from, you know, the very famous issue

0:49:38.160 --> 0:49:40.480
<v Speaker 3>that the first movie suffered from, which is Bryson heels

0:49:40.520 --> 0:49:43.080
<v Speaker 3>when she's in heels running away from a dinosaur. There's

0:49:43.120 --> 0:49:45.719
<v Speaker 3>a lot more thought going into this, but I will

0:49:45.719 --> 0:49:48.879
<v Speaker 3>say it is a lot more stripped down. They don't

0:49:48.920 --> 0:49:51.719
<v Speaker 3>take the kind of crazy swings they were taking in

0:49:51.880 --> 0:49:55.839
<v Speaker 3>that in Jurassic World, which I totally understand because those

0:49:55.880 --> 0:49:57.640
<v Speaker 3>movies were not necessarily well received.

0:49:57.880 --> 0:49:59.600
<v Speaker 1>I think this is a very rewatchable movie.

0:49:59.600 --> 0:50:01.879
<v Speaker 3>I think Nathan Bailey and ma Herschel have come out

0:50:01.880 --> 0:50:04.000
<v Speaker 3>of this as the stars of the movie.

0:50:04.520 --> 0:50:05.839
<v Speaker 1>I think that we get some.

0:50:05.800 --> 0:50:09.560
<v Speaker 3>Great dinosaur action I'm excited to see it again. I'm

0:50:09.680 --> 0:50:12.360
<v Speaker 3>sad that this is not getting an Imax release because

0:50:12.400 --> 0:50:15.399
<v Speaker 3>of the way that the release schedule kind of shook out.

0:50:15.480 --> 0:50:17.840
<v Speaker 3>This was a movie that was rushed into production and

0:50:17.920 --> 0:50:20.080
<v Speaker 3>kind of sped through because they had a great script.

0:50:20.640 --> 0:50:23.720
<v Speaker 3>So I think it should have definitely got an Imax release.

0:50:23.760 --> 0:50:25.719
<v Speaker 3>I would have loved to see that, But f one

0:50:25.800 --> 0:50:29.799
<v Speaker 3>has all of Imax up until July eleventh with the

0:50:29.840 --> 0:50:31.160
<v Speaker 3>old release of Superman.

0:50:31.320 --> 0:50:33.640
<v Speaker 1>Ever heard of it? So yeah, I love this movie.

0:50:33.680 --> 0:50:36.160
<v Speaker 3>I'm excited to see it again. I'm excited to see

0:50:36.200 --> 0:50:39.800
<v Speaker 3>how it influences kind of the other parts of Jurassic

0:50:39.800 --> 0:50:41.879
<v Speaker 3>World Law that we get because this is very camp

0:50:41.920 --> 0:50:46.120
<v Speaker 3>Cretaceous chaos theory coded with the dinosaurs that being experimented on.

0:50:46.200 --> 0:50:48.439
<v Speaker 3>And I love those shows. If you haven't watched them,

0:50:48.719 --> 0:50:51.040
<v Speaker 3>watch them. They add so much to the law. They're

0:50:51.120 --> 0:50:53.640
<v Speaker 3>so fun to check out. And yeah, I just I mean,

0:50:53.680 --> 0:50:56.560
<v Speaker 3>I was satisfied as a Jurassic Park fan. It didn't

0:50:56.600 --> 0:51:00.799
<v Speaker 3>necessarily like give me that big hit of like dopamine

0:51:00.960 --> 0:51:03.000
<v Speaker 3>I often get from these, because I do think it

0:51:03.080 --> 0:51:05.080
<v Speaker 3>is a little bit more like plays, a little bit

0:51:05.120 --> 0:51:07.640
<v Speaker 3>more safe, But I still just think it was a

0:51:07.719 --> 0:51:11.160
<v Speaker 3>really enjoyable, fun movie, and I'll definitely be rewatching it again.

0:51:11.160 --> 0:51:11.759
<v Speaker 1>What about you.

0:51:12.560 --> 0:51:14.839
<v Speaker 2>I had so much fun. I have tickets to see

0:51:14.840 --> 0:51:16.719
<v Speaker 2>it again. My parents are coming up this weekend, and

0:51:16.719 --> 0:51:19.000
<v Speaker 2>so I was like, Dad, we're going to see Jurassic Park.

0:51:20.760 --> 0:51:23.400
<v Speaker 2>I saw it in a small screen before, so I'm

0:51:23.400 --> 0:51:25.440
<v Speaker 2>excited to see it on a slightly larger screen with

0:51:25.480 --> 0:51:29.360
<v Speaker 2>a bigger audience this time around. I think, for me,

0:51:29.440 --> 0:51:32.680
<v Speaker 2>this is so much better than the middle trilogy. We'll

0:51:32.680 --> 0:51:34.880
<v Speaker 2>call it our Jurassic.

0:51:34.480 --> 0:51:37.239
<v Speaker 1>Worlds because obviously gonna become a.

0:51:37.239 --> 0:51:41.040
<v Speaker 2>New Yeah, it seems that when they're trying to kick off,

0:51:41.719 --> 0:51:44.280
<v Speaker 2>and I think by choosing to do a genre outside

0:51:44.280 --> 0:51:46.480
<v Speaker 2>of what they typically do, like I would see Jurassic

0:51:46.520 --> 0:51:48.279
<v Speaker 2>Park is like a thriller, where this is more of

0:51:48.320 --> 0:51:52.960
<v Speaker 2>a horror, and so it's it feels and plays similarly

0:51:53.080 --> 0:51:56.000
<v Speaker 2>enough to the thriller of the original, while also making

0:51:56.040 --> 0:51:58.560
<v Speaker 2>it feel like its own very specific horror. I thought

0:51:58.640 --> 0:52:02.399
<v Speaker 2>the struck sure of It was really tight and fun

0:52:02.400 --> 0:52:05.000
<v Speaker 2>and follow I love that we're getting back to nature

0:52:05.239 --> 0:52:07.600
<v Speaker 2>because it's one as to see a dinosaur like walking

0:52:07.600 --> 0:52:10.480
<v Speaker 2>around a modern day suburb. It does steal some of

0:52:10.520 --> 0:52:13.720
<v Speaker 2>them like whimsy of it, like the magic you need,

0:52:13.880 --> 0:52:16.640
<v Speaker 2>you need the crustaceous looking space in.

0:52:16.760 --> 0:52:19.600
<v Speaker 1>Order that you need that, we had space.

0:52:20.040 --> 0:52:23.080
<v Speaker 2>Yeah, and then I think cass Wise, my god, Mergia'll

0:52:23.320 --> 0:52:26.000
<v Speaker 2>he is a star of his generation and has not

0:52:26.080 --> 0:52:28.160
<v Speaker 2>been given the opportunity to shine quite enough.

0:52:28.440 --> 0:52:32.440
<v Speaker 3>I hope he gives him that opportunity and opens it up.

0:52:32.600 --> 0:52:35.160
<v Speaker 1>He should be doing action. We know he can do drama.

0:52:35.200 --> 0:52:36.200
<v Speaker 1>This is an Oscar winner.

0:52:36.239 --> 0:52:38.840
<v Speaker 3>We know he should be in these spaces, leading these films.

0:52:38.880 --> 0:52:40.120
<v Speaker 3>Let's get more of them.

0:52:40.200 --> 0:52:43.520
<v Speaker 2>And we know he's been wisely very selective, like apparently

0:52:43.560 --> 0:52:45.400
<v Speaker 2>a lot of the hindrance with Blade was like this

0:52:45.480 --> 0:52:47.480
<v Speaker 2>script is not done, I won't move forward, which good

0:52:47.480 --> 0:52:50.759
<v Speaker 2>for you, sir. And so it was exciting to see

0:52:50.800 --> 0:52:52.600
<v Speaker 2>him get a showcase here. I hope that when the

0:52:52.600 --> 0:52:54.880
<v Speaker 2>next movie comes up, we get a little bit more

0:52:54.920 --> 0:52:59.720
<v Speaker 2>of him, because you know, we deserve. So yeah, that's

0:52:59.760 --> 0:53:02.759
<v Speaker 2>a that's where we're at right now. I'm excited for

0:53:02.800 --> 0:53:06.120
<v Speaker 2>the next one. I love this cast. That family was adorable.

0:53:06.920 --> 0:53:08.680
<v Speaker 2>I think they did a great Gareth Edwards, like, really,

0:53:08.719 --> 0:53:11.680
<v Speaker 2>he stomped this. He did a great job. So yeah,

0:53:11.719 --> 0:53:13.560
<v Speaker 2>I'm looking forward to the next one. It was good.

0:53:13.920 --> 0:53:15.920
<v Speaker 2>I'm glad we got to do this one together. This

0:53:16.080 --> 0:53:18.720
<v Speaker 2>was fun. If you guys missed Jason on the recap,

0:53:18.760 --> 0:53:20.759
<v Speaker 2>as I certainly did. Uh oh wait, it's going to

0:53:20.840 --> 0:53:23.319
<v Speaker 2>come back for our roundtable to talk, so we'll get

0:53:23.360 --> 0:53:24.280
<v Speaker 2>his takes shortly.

0:53:24.640 --> 0:53:26.520
<v Speaker 3>Yes, if you want to hear more of us talking

0:53:26.520 --> 0:53:28.520
<v Speaker 3>about Jurassic wealth and hear us tap in the super

0:53:28.520 --> 0:53:31.200
<v Speaker 3>Producers and be joined, of course by our my wonderful

0:53:31.200 --> 0:53:34.200
<v Speaker 3>co host, Jason caccepcion, keep your ears peeled because we

0:53:34.239 --> 0:53:36.920
<v Speaker 3>will be doing that and before that though, on the

0:53:36.960 --> 0:53:40.000
<v Speaker 3>next x Ray vision, we will be diving into news

0:53:40.520 --> 0:53:44.120
<v Speaker 3>and stay tuned if you follow us on social media

0:53:44.160 --> 0:53:48.160
<v Speaker 3>official at official XRB pod follow us now you may

0:53:48.160 --> 0:53:50.520
<v Speaker 3>have seen that me and Joel are doing very fun

0:53:50.640 --> 0:53:53.439
<v Speaker 3>stuff to do with Superman, so keep an eye out

0:53:53.480 --> 0:53:55.200
<v Speaker 3>for our Superman coverage coming soon.

0:53:55.239 --> 0:53:57.240
<v Speaker 1>We're going to tell you the road to Superman.

0:53:57.280 --> 0:53:59.400
<v Speaker 3>We're going to tell you to comics that influence Superman,

0:53:59.440 --> 0:54:01.160
<v Speaker 3>and of course are going to give you out of

0:54:01.239 --> 0:54:06.839
<v Speaker 3>the reactions to James Gunns hopefully game changing Superman film.

0:54:06.840 --> 0:54:09.560
<v Speaker 1>That's it. Thank you for listening, Thanks for joining me,

0:54:09.640 --> 0:54:11.319
<v Speaker 1>you oul, Thanks her the.

0:54:16.719 --> 0:54:19.360
<v Speaker 3>X Ray Vision is hosted by Jason Spcion and Rosie

0:54:19.400 --> 0:54:22.560
<v Speaker 3>Knight and is a production of iHeart Podcast. Our executive

0:54:22.560 --> 0:54:25.400
<v Speaker 3>producers are Joel Monique and Aaron Korfman.

0:54:25.640 --> 0:54:27.680
<v Speaker 1>Our supervising producer is Abu Zafar.

0:54:28.080 --> 0:54:32.000
<v Speaker 3>Our producers are Common, Laurent Dean Jonathan and Bay Wag.

0:54:32.120 --> 0:54:34.919
<v Speaker 2>A theme song is by Brian Vasquez, with alternate theme

0:54:34.960 --> 0:54:36.240
<v Speaker 2>songs by Aaron Kauffman.

0:54:36.400 --> 0:54:39.799
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:54:39.880 --> 0:54:41.640
<v Speaker 3>Heidi our discord moderator.