1
00:00:00,440 --> 00:00:06,039
Speaker 1: Warning warning. Today's episode contains spoilers for Jurassic World Rebirth,

2
00:00:06,120 --> 00:00:09,760
Speaker 1: the newest entry into the sprawling Jurassic Park franchise.

3
00:00:25,280 --> 00:00:25,600
Speaker 2: Hello.

4
00:00:26,160 --> 00:00:27,800
Speaker 1: My name is Rosie.

5
00:00:27,520 --> 00:00:29,720
Speaker 2: Knight and I'm Joel Monk.

6
00:00:30,400 --> 00:00:34,519
Speaker 3: Hey, Joel, Welcome back to x ra Vision, the podcast

7
00:00:34,520 --> 00:00:36,960
Speaker 3: where we dive deep into your favorite shows, movies, comics,

8
00:00:36,960 --> 00:00:37,640
Speaker 3: and pop culture.

9
00:00:37,840 --> 00:00:39,760
Speaker 1: We are here at iHeart Podcast.

10
00:00:39,360 --> 00:00:42,879
Speaker 3: Where we'll be bringing you episodes Tuesday and Thursday, plus

11
00:00:42,880 --> 00:00:43,599
Speaker 3: all summer long.

12
00:00:43,600 --> 00:00:45,840
Speaker 1: We're highlighting the summer's biggest.

13
00:00:45,440 --> 00:00:50,280
Speaker 3: Movies every Friday in popcorn popouts, plus news on Saturdays.

14
00:00:51,040 --> 00:00:53,760
Speaker 2: In today's episode, recovering the newest entry into the Jurassic

15
00:00:53,880 --> 00:00:58,720
Speaker 2: Park franchise, Jurassic World Rebirth, which was an incredible film.

16
00:00:58,760 --> 00:01:02,720
Speaker 2: Before we get into our full uh uh you know

17
00:01:02,800 --> 00:01:07,640
Speaker 2: pop out here breaking everything down. Uh, we got giant dinosaurs,

18
00:01:07,800 --> 00:01:11,000
Speaker 2: three of them, three giant diasaur, a diosaur hunt across

19
00:01:11,040 --> 00:01:15,360
Speaker 2: the equator. Boats are flipping nineteen boats flip over this.

20
00:01:15,640 --> 00:01:16,160
Speaker 1: Oh my god.

21
00:01:16,640 --> 00:01:20,080
Speaker 3: If you are like me and you love water dinosaurs

22
00:01:20,120 --> 00:01:22,800
Speaker 3: slash find them really scary. Oh, this is a great

23
00:01:23,000 --> 00:01:26,319
Speaker 3: movie for you, Like this is giving you everything you

24
00:01:26,360 --> 00:01:28,520
Speaker 3: ever wanted. Dinosaurs you didn't even know could swim. Guess

25
00:01:28,520 --> 00:01:33,759
Speaker 3: what they're swimming. Yeah, just like a completely fun, rioteous

26
00:01:34,080 --> 00:01:38,640
Speaker 3: summer blockbuster. I feel like this might be the sleeper

27
00:01:38,720 --> 00:01:42,319
Speaker 3: hit of the summer just simply because Hey, you may

28
00:01:42,360 --> 00:01:43,119
Speaker 3: have forgotten this.

29
00:01:43,200 --> 00:01:45,560
Speaker 1: Because of the sprawling.

30
00:01:45,080 --> 00:01:48,120
Speaker 3: Jurassic Park franchise that we mentioned, But like when Jurassic

31
00:01:48,160 --> 00:01:52,240
Speaker 3: World one came out, when they rebooted this, it made

32
00:01:52,440 --> 00:01:56,600
Speaker 3: so much money that Disney did like a celebratory like

33
00:01:56,840 --> 00:02:00,360
Speaker 3: handover of like, wow, you beat this Avengers movie. You

34
00:02:00,360 --> 00:02:03,040
Speaker 3: know in Jurassic World did it back when Avengers End

35
00:02:03,080 --> 00:02:06,600
Speaker 3: Game eventually beat him. But like, these movies have got

36
00:02:06,640 --> 00:02:09,640
Speaker 3: the juice, the people love them. It's a new era,

37
00:02:09,880 --> 00:02:11,960
Speaker 3: and I actually think this has got a lot of

38
00:02:12,000 --> 00:02:15,840
Speaker 3: rewatchability because there are so many weird dinosaurs. There's so

39
00:02:15,919 --> 00:02:20,040
Speaker 3: much fun stuff. So yes, we are gonna recap the

40
00:02:20,080 --> 00:02:24,919
Speaker 3: whole movie. But before we do, remember great news. We're

41
00:02:24,960 --> 00:02:28,200
Speaker 3: gonna be at San Diego Comic com Come find us,

42
00:02:28,440 --> 00:02:30,880
Speaker 3: say hi. Me and Joel will be there. Jason's gonna

43
00:02:30,880 --> 00:02:33,240
Speaker 3: be there. Ian's gonna be there. We're gonna be hanging

44
00:02:33,240 --> 00:02:35,120
Speaker 3: out with the Den of Geek crew. We're gonna be

45
00:02:35,280 --> 00:02:37,600
Speaker 3: on some panels it's gonna be great. So just keep

46
00:02:37,639 --> 00:02:39,840
Speaker 3: an eye out to our socials and the discord to

47
00:02:39,880 --> 00:02:43,840
Speaker 3: find out where we're going, and come say hi because

48
00:02:43,919 --> 00:02:46,400
Speaker 3: it's San Diego, baby, and we're gonna party. It's gonna

49
00:02:46,400 --> 00:02:51,160
Speaker 3: be fun for fun. And now, as always on Extra Vision,

50
00:02:51,880 --> 00:02:53,600
Speaker 3: the recap finds a way.

51
00:02:55,760 --> 00:02:58,760
Speaker 2: Jurassic World Resurrection begins on the Aisle Saint Hubert, which

52
00:02:59,080 --> 00:03:04,640
Speaker 2: rebird bitch, Yes, we listen. We're ad the International Genetic

53
00:03:04,720 --> 00:03:05,600
Speaker 2: Technology Vibe.

54
00:03:06,280 --> 00:03:06,880
Speaker 1: I love it.

55
00:03:08,400 --> 00:03:13,760
Speaker 2: Uh, this is the International Genetics Technology Inc. That's engine. Uh.

56
00:03:14,040 --> 00:03:17,000
Speaker 2: They're concerned by they drop of visitors at Jurassic World.

57
00:03:17,040 --> 00:03:20,160
Speaker 2: They're like, hey, people are bored with dinosaurs somehow, and

58
00:03:20,200 --> 00:03:24,040
Speaker 2: they're so in an ability to try to revamp sales.

59
00:03:24,160 --> 00:03:29,280
Speaker 2: They're mutating dinosaurs always wrong. It's gonna be fine.

60
00:03:29,480 --> 00:03:29,600
Speaker 3: Uh.

61
00:03:29,800 --> 00:03:31,960
Speaker 2: We didn't learn our lesson from frogs the first time,

62
00:03:32,000 --> 00:03:34,960
Speaker 2: so we're taking bigger swings this go round. One of

63
00:03:35,000 --> 00:03:37,480
Speaker 2: the scientists is hungry, so he grabs the Snickers, as

64
00:03:37,520 --> 00:03:40,400
Speaker 2: you do. But unfortunately he's also a mess, so he

65
00:03:40,600 --> 00:03:42,680
Speaker 2: try hot mess.

66
00:03:42,800 --> 00:03:44,520
Speaker 1: He literally drops a rapid justice.

67
00:03:44,520 --> 00:03:49,200
Speaker 3: He's about to go into a very sterilized zone. I

68
00:03:49,240 --> 00:03:52,320
Speaker 3: also love that Snickers was like, yeah, do some product placement,

69
00:03:52,600 --> 00:03:54,880
Speaker 3: but we don't care if it causes a terrible disaster,

70
00:03:55,400 --> 00:03:58,200
Speaker 3: which because a lot of corporations do.

71
00:03:58,160 --> 00:03:58,680
Speaker 1: Not like that.

72
00:03:58,720 --> 00:04:01,800
Speaker 3: But Snickers was like, hey, if you leave that wrapper

73
00:04:01,840 --> 00:04:03,480
Speaker 3: on the floor, if you lit, things are.

74
00:04:03,360 --> 00:04:04,840
Speaker 1: Going to be bad for you. And we support that.

75
00:04:05,000 --> 00:04:09,160
Speaker 2: This is actually an anti littering campaign from Snacks. So, uh,

76
00:04:09,280 --> 00:04:12,040
Speaker 2: it gets sucked into the door, causing all of the

77
00:04:12,200 --> 00:04:16,440
Speaker 2: doors to now stay open. They don't close. It's a problem.

78
00:04:17,160 --> 00:04:21,640
Speaker 2: Machines start flashing malfunction and an alarm goes off, so

79
00:04:21,680 --> 00:04:25,920
Speaker 2: scientists begin to evacuate, but the emergency doors start to close,

80
00:04:26,000 --> 00:04:28,919
Speaker 2: and now our stinger meeting friend cannot get out. But

81
00:04:29,480 --> 00:04:32,320
Speaker 2: there's a fail safe. You can time your opening the

82
00:04:32,360 --> 00:04:34,720
Speaker 2: door with somebody on the other side by turning keys

83
00:04:34,760 --> 00:04:37,920
Speaker 2: and doing a countdown. Ladies trying man, this scientist she's

84
00:04:37,920 --> 00:04:41,240
Speaker 2: in here. She's doing to the key. They're counting numbers

85
00:04:41,279 --> 00:04:45,640
Speaker 2: on fingers. But uh, oh oh no, the distortis Rex.

86
00:04:46,160 --> 00:04:51,039
Speaker 2: Our alien inspired mutant dinosaur friend pops up behind the

87
00:04:51,120 --> 00:04:55,080
Speaker 2: guy and listen that ran corps is gonna take him down.

88
00:04:55,120 --> 00:04:58,080
Speaker 2: There's nothing he can do. She can open that door.

89
00:04:59,680 --> 00:05:02,160
Speaker 2: It's she stays and stares him in the eye and cries,

90
00:05:02,160 --> 00:05:04,800
Speaker 2: which is very Godzilla of her, and I.

91
00:05:04,760 --> 00:05:07,560
Speaker 3: Think also like Star Trek of her, like looking through

92
00:05:07,560 --> 00:05:08,880
Speaker 3: the door like a spot.

93
00:05:09,400 --> 00:05:12,920
Speaker 2: Oh oh man, what a touching moment. So five years

94
00:05:12,960 --> 00:05:16,080
Speaker 2: after the events of Jurassic World, Dominion, Martin Krebs is

95
00:05:16,120 --> 00:05:19,599
Speaker 2: played by Rupert Friend. He's in a three piece suit.

96
00:05:19,640 --> 00:05:22,039
Speaker 2: He's too cool for dinosaurs. He's a capitalist villain and

97
00:05:22,040 --> 00:05:24,040
Speaker 2: pretty much right away you're like, this guy's a dick

98
00:05:24,800 --> 00:05:27,719
Speaker 2: for him to die, Yeah, we know, and we're aware.

99
00:05:28,880 --> 00:05:31,560
Speaker 2: He works for Parker gen X, a pharmaceutical company, and

100
00:05:31,600 --> 00:05:35,039
Speaker 2: when his cargets stuff in traffic, there's a dinosaur in

101
00:05:35,080 --> 00:05:37,400
Speaker 2: the middle of New York just dying in the street,

102
00:05:37,480 --> 00:05:40,599
Speaker 2: and instead of being heart broken or concerned, he wishes

103
00:05:40,680 --> 00:05:43,480
Speaker 2: death on this beautiful beast and walks away annoyed. A

104
00:05:43,560 --> 00:05:48,039
Speaker 2: true villain emerges. He's on a mission to recruit Zora Bennett,

105
00:05:48,040 --> 00:05:51,760
Speaker 2: that's Scarlett Joe Hanson for an impossible mission to the Equator,

106
00:05:52,040 --> 00:05:54,720
Speaker 2: which has sort of been not quarantined off, but it's

107
00:05:54,720 --> 00:05:56,360
Speaker 2: a no go zone. They're like, you cannot come here

108
00:05:56,360 --> 00:06:00,360
Speaker 2: because this is where the dinosaurs are holding up. Climate

109
00:06:00,400 --> 00:06:03,600
Speaker 2: change is killing them off, Dinosaurs dying everywhere, showing up,

110
00:06:03,839 --> 00:06:04,600
Speaker 2: not supposed to be.

111
00:06:05,000 --> 00:06:09,360
Speaker 1: This little equate space that is, Yes, so.

112
00:06:09,920 --> 00:06:12,960
Speaker 2: Zora works in security, but she's earned some debts over

113
00:06:12,960 --> 00:06:15,159
Speaker 2: the years. She is she's not doing this job for

114
00:06:15,240 --> 00:06:17,520
Speaker 2: less than eight zeros. She said, come through with the

115
00:06:17,560 --> 00:06:21,040
Speaker 2: money and without flunching, Crebs agrees. This corporation's pockets are

116
00:06:21,040 --> 00:06:22,839
Speaker 2: deep and they are determined to craft a cure for

117
00:06:22,960 --> 00:06:26,200
Speaker 2: heart disease. So Zora's convinced. She agrees to join together.

118
00:06:26,279 --> 00:06:28,080
Speaker 2: Zora and Kreb go to the museum to find doctor

119
00:06:28,120 --> 00:06:32,200
Speaker 2: Henry Loomish's Jonathan Bailey in his slutty little glasses.

120
00:06:32,640 --> 00:06:36,200
Speaker 1: I'm fanning myself, it was. He is very very very

121
00:06:36,320 --> 00:06:39,320
Speaker 1: very very gorgeous in this what ude.

122
00:06:40,160 --> 00:06:42,400
Speaker 2: And he's a paleontologist too, So I mean, honestly a

123
00:06:42,440 --> 00:06:45,160
Speaker 2: full package here, and not just any paletogis. But you're

124
00:06:45,200 --> 00:06:50,720
Speaker 2: the student of the late great Alan Grant. Beautiful, so beautiful.

125
00:06:50,920 --> 00:06:53,279
Speaker 2: Henry's museum is failing. There used to be a line

126
00:06:53,279 --> 00:06:55,680
Speaker 2: around the block and a three hourway ticket, and they've

127
00:06:55,680 --> 00:06:58,320
Speaker 2: had twelve guests this week. So they're packing up the

128
00:06:58,440 --> 00:07:01,080
Speaker 2: fossils and preparing to close the exhibit because in this world,

129
00:07:01,080 --> 00:07:02,440
Speaker 2: people are really over dinosaur.

130
00:07:02,560 --> 00:07:03,679
Speaker 1: I love this idea.

131
00:07:03,720 --> 00:07:05,920
Speaker 3: I'm like, bro, there's always going to be five year

132
00:07:05,920 --> 00:07:09,000
Speaker 3: olds who want to go. Even if they've seen every dinosaur,

133
00:07:09,040 --> 00:07:09,760
Speaker 3: they're gonna want to go.

134
00:07:09,800 --> 00:07:11,760
Speaker 1: Five year olds love a dinosaur. I was one of

135
00:07:11,760 --> 00:07:12,440
Speaker 1: those kids.

136
00:07:12,840 --> 00:07:15,920
Speaker 3: It's not believable, but I love this statement that it

137
00:07:16,040 --> 00:07:19,600
Speaker 3: is making, which is even in the world of Jurassic World,

138
00:07:19,680 --> 00:07:22,680
Speaker 3: which when they rebooted it with Chris Pratt and Bryce

139
00:07:22,760 --> 00:07:26,360
Speaker 3: Alice Howard, the idea was people were already getting tired

140
00:07:26,360 --> 00:07:28,240
Speaker 3: of dinosaurs, and that's why they had to make the

141
00:07:28,320 --> 00:07:31,640
Speaker 3: indominous Rex, why they had to make scary stuff. And

142
00:07:31,760 --> 00:07:34,680
Speaker 3: so I love that this is kind of an extension

143
00:07:34,720 --> 00:07:37,320
Speaker 3: of that, which is like, guess what dinosaurs got free?

144
00:07:37,640 --> 00:07:40,320
Speaker 3: They started to die, and now they're just like a hindrance,

145
00:07:40,520 --> 00:07:43,240
Speaker 3: Like there's the Brontosaurus in the middle of New York

146
00:07:43,320 --> 00:07:45,520
Speaker 3: getting in the way of your traffic. It's a very

147
00:07:45,880 --> 00:07:47,240
Speaker 3: clever and depressing read.

148
00:07:48,240 --> 00:07:49,720
Speaker 1: But also I'm.

149
00:07:49,600 --> 00:07:51,560
Speaker 3: Like, I don't believe it, because I believe there will

150
00:07:51,600 --> 00:07:53,680
Speaker 3: always be a love for dinosaurs, but it's an interesting

151
00:07:53,680 --> 00:07:54,360
Speaker 3: status quo.

152
00:07:54,920 --> 00:07:57,320
Speaker 2: It definitely gives a nice meta quality to people being

153
00:07:57,320 --> 00:08:01,560
Speaker 2: like another Jurassic part series, Mike God and so that's

154
00:08:01,560 --> 00:08:02,800
Speaker 2: sort of the where I do. I was like, Okay,

155
00:08:02,840 --> 00:08:05,000
Speaker 2: this is a cute, interesting way, and I think you

156
00:08:05,040 --> 00:08:08,120
Speaker 2: have to make it unique and different. This world from

157
00:08:08,160 --> 00:08:10,040
Speaker 2: like a reason for us to come back, and this

158
00:08:10,080 --> 00:08:13,120
Speaker 2: is an intriguing reason definitely. So they're packing up the

159
00:08:13,120 --> 00:08:16,200
Speaker 2: fossils and preparing to close the exhibit. Loomis has been

160
00:08:16,240 --> 00:08:20,120
Speaker 2: assisting Martin Krebbs and the company in doing the research,

161
00:08:20,440 --> 00:08:22,360
Speaker 2: but he has never been in the fields. Not a

162
00:08:22,360 --> 00:08:25,760
Speaker 2: field guy. He's all, you know, history studying the fossils,

163
00:08:25,960 --> 00:08:28,040
Speaker 2: he explains to looking for three giant dinosaurs who lived

164
00:08:28,160 --> 00:08:30,800
Speaker 2: over one hundred years when they were alive, and these

165
00:08:31,000 --> 00:08:34,120
Speaker 2: are gigantic folks. The hope is that by drawing blood

166
00:08:34,200 --> 00:08:36,640
Speaker 2: from these living creatures, they can use genetic material to

167
00:08:36,760 --> 00:08:40,040
Speaker 2: cure heart disease, the leading cause of death globally. Crebs

168
00:08:40,040 --> 00:08:42,360
Speaker 2: is practically drooling on the floor over the cash at

169
00:08:42,360 --> 00:08:45,360
Speaker 2: this point. While Loomis was happy to help academically from

170
00:08:45,400 --> 00:08:47,440
Speaker 2: a distance for this project, he is shocked to learn

171
00:08:47,440 --> 00:08:49,600
Speaker 2: that they want him to go on the exhibit as

172
00:08:49,600 --> 00:08:52,920
Speaker 2: a field expert. He's not the type to break the

173
00:08:53,000 --> 00:08:54,960
Speaker 2: law which is absolutely what they're going to be doing.

174
00:08:56,360 --> 00:09:01,560
Speaker 1: But ayont A Dinosaul, the heart.

175
00:09:01,559 --> 00:09:03,800
Speaker 2: The heartbreaking and terrorist. He's sitting on the floor being

176
00:09:03,800 --> 00:09:05,760
Speaker 2: like should I go? Do I not go? And they're

177
00:09:05,800 --> 00:09:07,880
Speaker 2: just patiently waiting for him to make up his mind,

178
00:09:08,040 --> 00:09:09,920
Speaker 2: and about two minutes later they're like, so we're good

179
00:09:09,920 --> 00:09:12,960
Speaker 2: to go, and he's like, yeah, let's do this. So

180
00:09:13,040 --> 00:09:15,800
Speaker 2: now our gang is traveling to pick up Duncan Kincaid,

181
00:09:15,800 --> 00:09:20,079
Speaker 2: that's my Herschela ali if Zora is the security brain. Kincaid,

182
00:09:20,080 --> 00:09:22,160
Speaker 2: a longtime friend and business partner of Zora's, is like

183
00:09:22,160 --> 00:09:24,440
Speaker 2: a security captain. He's got the boat to get them

184
00:09:24,440 --> 00:09:27,040
Speaker 2: to the equator and additional guns to keep them safe.

185
00:09:27,200 --> 00:09:30,880
Speaker 2: And although you know they're not, they're already down here.

186
00:09:31,320 --> 00:09:33,760
Speaker 2: Krebs has no alternative plan. So Zora and Duncan run

187
00:09:33,800 --> 00:09:37,360
Speaker 2: a very Ocean's eleven style game on him where they're like, well, gosh,

188
00:09:37,480 --> 00:09:40,280
Speaker 2: we'd love to go, h but the money, I don't.

189
00:09:40,160 --> 00:09:41,839
Speaker 1: Know, you're dangerous.

190
00:09:42,120 --> 00:09:44,480
Speaker 2: How how can we possibly do? And so Crebs is like,

191
00:09:44,520 --> 00:09:47,600
Speaker 2: you know, I'll give you Duncan the same amount of

192
00:09:47,600 --> 00:09:50,439
Speaker 2: money I gave Zora will double the expenses of the strip.

193
00:09:50,720 --> 00:09:54,760
Speaker 2: Literally money not an object. Let's go Okay, So enter

194
00:09:54,840 --> 00:09:57,280
Speaker 2: Bobby at Water. That's ed screen a shoot, first asked

195
00:09:57,320 --> 00:10:00,400
Speaker 2: questions later, member of Duncan's team. He tries to pull

196
00:10:00,440 --> 00:10:02,240
Speaker 2: scheme agains Or and dunk Can assure him, Hey, we

197
00:10:02,280 --> 00:10:03,640
Speaker 2: already got the bag. Don't worry about it.

198
00:10:03,840 --> 00:10:04,280
Speaker 1: I am about it.

199
00:10:04,800 --> 00:10:07,040
Speaker 3: And I love that it's such a funny moment because

200
00:10:07,040 --> 00:10:09,480
Speaker 3: it really this is a very stripped back version of

201
00:10:09,559 --> 00:10:12,680
Speaker 3: Jurassic Park kind of law, and a very different version

202
00:10:12,679 --> 00:10:15,319
Speaker 3: because you have these kind of mercenary characters going in.

203
00:10:15,800 --> 00:10:19,680
Speaker 3: But I love how well they establish this team, Like

204
00:10:19,760 --> 00:10:22,560
Speaker 3: you feel the banter is there. They've run this scheme before,

205
00:10:22,679 --> 00:10:26,600
Speaker 3: they've done these kind of extraction missions, usually for humans

206
00:10:26,679 --> 00:10:28,079
Speaker 3: or things rather than you know.

207
00:10:28,120 --> 00:10:31,280
Speaker 1: Dinosaur blood. But I actually felt like this was so well.

208
00:10:31,200 --> 00:10:34,400
Speaker 3: Established that I immediately believed that they were a group,

209
00:10:34,440 --> 00:10:36,240
Speaker 3: which I think is one of the key things that

210
00:10:36,280 --> 00:10:38,439
Speaker 3: you have to believe to enjoy this movie.

211
00:10:38,679 --> 00:10:41,040
Speaker 2: Yes, the chemistry and energy if you're casting for both

212
00:10:41,080 --> 00:10:42,760
Speaker 2: groups is really interesting. So you're going to be our

213
00:10:42,800 --> 00:10:46,240
Speaker 2: second group. So already on the Atlantic is Reuben Delgado.

214
00:10:46,280 --> 00:10:49,440
Speaker 2: This is Manuel Garcia Rulfo and his two daughters, Teresa

215
00:10:49,480 --> 00:10:53,439
Speaker 2: Delgado played by Luna Blaze and Isabella Audrina Miranda. Oh

216
00:10:53,480 --> 00:10:57,600
Speaker 2: she so good, so precious, and so talented. Ruben wants

217
00:10:57,600 --> 00:10:59,520
Speaker 2: his daughters to sail across the Atlantic, so he's teaching

218
00:10:59,600 --> 00:11:03,800
Speaker 2: Isabella while complaining about Teresa's boyfriend, Xavier played by David Yacono.

219
00:11:04,240 --> 00:11:05,920
Speaker 2: It's Exavier is trying to steer the ship, but when

220
00:11:05,920 --> 00:11:07,520
Speaker 2: he finally emerges from the bowels of the ship, he's

221
00:11:07,520 --> 00:11:08,960
Speaker 2: too tired from sexing his girlfriend.

222
00:11:09,880 --> 00:11:13,760
Speaker 3: And I also love that this is a new and

223
00:11:14,000 --> 00:11:17,280
Speaker 3: this is correct. If I'm from fans, I'm sure you will.

224
00:11:17,360 --> 00:11:21,079
Speaker 3: I'll beloved discord uses and extra vision listeners. But I

225
00:11:21,160 --> 00:11:25,120
Speaker 3: think that Xavier introduces a very important archetype we've never

226
00:11:25,200 --> 00:11:29,000
Speaker 3: had in a Jurassic Park movie. Stoner, you get him

227
00:11:29,040 --> 00:11:33,440
Speaker 3: in like every horror movie. But Xavier is like, he's

228
00:11:33,520 --> 00:11:36,679
Speaker 3: kind of lazy. He's just in the fucking boat, fucking

229
00:11:36,760 --> 00:11:40,080
Speaker 3: this guy's daughter. Like the dad is so chill about

230
00:11:40,240 --> 00:11:42,720
Speaker 3: as well, like he understands.

231
00:11:42,520 --> 00:11:46,040
Speaker 2: Trying to bepressive. Good dad. He's like he's like, I'm

232
00:11:46,040 --> 00:11:48,960
Speaker 2: not going to yell at her, because that's what pushes

233
00:11:49,000 --> 00:11:51,480
Speaker 2: girls closer to their douchey boyfriends. He's like, I'm really

234
00:11:51,480 --> 00:11:54,000
Speaker 2: gonna I think you're a smart, intelligent person, So I'm

235
00:11:54,000 --> 00:11:56,199
Speaker 2: trying to understand the decision to be with this guy

236
00:11:56,240 --> 00:11:59,000
Speaker 2: who I think is completely worthless. He's out here stealing

237
00:11:59,000 --> 00:12:00,800
Speaker 2: your sister's liquorice like a crazy place.

238
00:12:00,880 --> 00:12:03,880
Speaker 3: Yeah, I even though it's meant to be being you know,

239
00:12:05,480 --> 00:12:07,520
Speaker 3: ration so that they can have some as they go

240
00:12:07,600 --> 00:12:12,720
Speaker 3: across this mission. But I have to say, Xavier unexpected

241
00:12:13,240 --> 00:12:18,400
Speaker 3: faith character arc for me. Like I say, he comes around, yeah,

242
00:12:18,400 --> 00:12:21,200
Speaker 3: and they didn't just do like, oh he's useless and

243
00:12:21,240 --> 00:12:23,480
Speaker 3: he's gonna betray them or whatever. There's like a much

244
00:12:23,480 --> 00:12:26,559
Speaker 3: more interesting kind of angle, which I really enjoyed.

245
00:12:26,760 --> 00:12:30,120
Speaker 2: And how many patients really worth it? Like he's a

246
00:12:30,160 --> 00:12:33,000
Speaker 2: great dad. He's such a good dad. He's really trying

247
00:12:33,040 --> 00:12:37,360
Speaker 2: to teach them. Unfortunately, you know, Teresa and Ruben are

248
00:12:37,400 --> 00:12:39,840
Speaker 2: exhausted because they've just been trading off every twelve hours

249
00:12:39,840 --> 00:12:43,400
Speaker 2: stearing this ship while Xavier gets his beauty sleep. But

250
00:12:43,480 --> 00:12:48,960
Speaker 2: then oh is a velases a fin pop up on

251
00:12:49,040 --> 00:12:51,480
Speaker 2: the side, and it's it's not a small one. Oh no,

252
00:12:51,880 --> 00:12:53,240
Speaker 2: it's a spiny saurus.

253
00:12:53,520 --> 00:12:57,000
Speaker 3: No, no, no, I think at this point it's the massasaurus.

254
00:12:57,200 --> 00:12:59,440
Speaker 2: So I was looking up mass of sauruss don't have fins,

255
00:12:59,520 --> 00:13:01,160
Speaker 2: and that's why I was confused. So there is a

256
00:13:01,200 --> 00:13:03,480
Speaker 2: mostaurus and there is a spinosaurus.

257
00:13:04,120 --> 00:13:06,880
Speaker 1: But the massaurus has the shock fin that does.

258
00:13:07,880 --> 00:13:10,080
Speaker 2: I think. I'm pretty sure that at this point this

259
00:13:10,160 --> 00:13:13,000
Speaker 2: white research got really confused. At this point, I can't.

260
00:13:12,920 --> 00:13:15,000
Speaker 1: Right, because you know what they do.

261
00:13:15,240 --> 00:13:17,920
Speaker 3: They go off to its that like, oh, the spinosauruses

262
00:13:17,960 --> 00:13:21,120
Speaker 3: are helping them, and then the helpers.

263
00:13:21,240 --> 00:13:23,000
Speaker 2: This was the logic I was trying to figure out. Okay,

264
00:13:23,120 --> 00:13:25,800
Speaker 2: so the mastasaurus is the most feared creature in the ocean. Okay,

265
00:13:25,880 --> 00:13:28,880
Speaker 2: It's fast and strong, and the ceature begins to ram

266
00:13:29,000 --> 00:13:32,080
Speaker 2: their vote is essentially flipping the vessel. Okay, the entire

267
00:13:32,120 --> 00:13:35,800
Speaker 2: family falls off. Eventually able to get the girls on

268
00:13:35,840 --> 00:13:39,160
Speaker 2: the underside of the sinking ship, but Xavier is trapped inside.

269
00:13:39,200 --> 00:13:42,120
Speaker 2: So we goes down and try to rescue him. Uh.

270
00:13:42,200 --> 00:13:43,800
Speaker 2: And he tells the Xavier like, before you get out,

271
00:13:43,840 --> 00:13:46,760
Speaker 2: grab the radio so we can made it. But it's chaos.

272
00:13:46,840 --> 00:13:49,880
Speaker 2: The creature is still ramming in the ship is sinking. Uh.

273
00:13:49,920 --> 00:13:52,520
Speaker 2: And Reruven runs out of press so he has to

274
00:13:52,559 --> 00:13:54,160
Speaker 2: pop back up. Now we don't know if Xavier is

275
00:13:54,160 --> 00:13:55,920
Speaker 2: gonna get out. It's very tense and scary, but he does.

276
00:13:55,960 --> 00:13:58,080
Speaker 2: He gets out, he gets the radio, they're able to

277
00:13:58,120 --> 00:13:58,880
Speaker 2: call a may day.

278
00:13:59,200 --> 00:14:02,120
Speaker 3: Also, something I loved about this scene is that you

279
00:14:02,160 --> 00:14:04,760
Speaker 3: don't fully see the massasaurus at this point, like it's

280
00:14:04,880 --> 00:14:08,079
Speaker 3: very much just like this giant kind of creature flipping

281
00:14:08,080 --> 00:14:12,920
Speaker 3: the vote. It's clear that Isabella is like really scared

282
00:14:12,960 --> 00:14:15,560
Speaker 3: of dinosaurs and is aware about they keep being like

283
00:14:15,600 --> 00:14:18,000
Speaker 3: they're not gonna show up, Like there's the whole ocean,

284
00:14:18,040 --> 00:14:19,240
Speaker 3: why would they be here?

285
00:14:19,680 --> 00:14:22,400
Speaker 1: And I watched this in forty.

286
00:14:22,520 --> 00:14:25,240
Speaker 3: X, thanks actually to our friends at the hashtag show

287
00:14:25,240 --> 00:14:28,120
Speaker 3: that they got me and my nephew in and we.

288
00:14:27,920 --> 00:14:30,880
Speaker 1: Were we were watching the movie in forty.

289
00:14:30,800 --> 00:14:33,320
Speaker 3: X and this sequence where they're like shaking you up

290
00:14:33,360 --> 00:14:35,920
Speaker 3: in the water, spraying in your face so good, Like

291
00:14:36,120 --> 00:14:41,400
Speaker 3: absolutely would recommend forty X. Very Jurassic World. The ride

292
00:14:41,480 --> 00:14:44,240
Speaker 3: coded like what you get a universal. They gave us

293
00:14:44,320 --> 00:14:47,600
Speaker 3: like fun punchos like Dennis Nedri wears it was. It

294
00:14:47,680 --> 00:14:51,840
Speaker 3: was such a good action sequence and I was like, okay, okay,

295
00:14:51,880 --> 00:14:54,560
Speaker 3: this this movie looks like it's got the dinosaur juice,

296
00:14:54,600 --> 00:14:57,560
Speaker 3: like you know, we're practice, we're practical effects guys here,

297
00:14:57,600 --> 00:15:00,400
Speaker 3: and there's only one fully practical dinosaur in and it's

298
00:15:00,400 --> 00:15:01,480
Speaker 3: a very small dinosaur.

299
00:15:01,680 --> 00:15:03,600
Speaker 1: But I have to say, I think Gareth.

300
00:15:03,400 --> 00:15:06,240
Speaker 3: Edwards, the director, and the CGI team and the BVFX

301
00:15:06,280 --> 00:15:09,280
Speaker 3: team did like an unreal job, because you really think

302
00:15:09,640 --> 00:15:10,960
Speaker 3: this massasaurus is real.

303
00:15:11,640 --> 00:15:15,240
Speaker 2: Yeah, it's scared, genuinely terrifying, and you love the family.

304
00:15:15,280 --> 00:15:17,040
Speaker 2: Like the script does a great job of, like the

305
00:15:17,040 --> 00:15:19,880
Speaker 2: actors obviously really selling this family as a unit and

306
00:15:19,960 --> 00:15:22,200
Speaker 2: being so sweet and it really grounded, like this is

307
00:15:22,240 --> 00:15:26,120
Speaker 2: an eighteen year old girl who clearly knows herself pretty well,

308
00:15:26,560 --> 00:15:28,360
Speaker 2: and it's confident on the ship. She's able to like

309
00:15:28,360 --> 00:15:31,360
Speaker 2: tea your sister, her sisters, like such a fun kid.

310
00:15:31,480 --> 00:15:36,520
Speaker 2: She's you know, she's scrappy, she's like suspect of this boyfriend.

311
00:15:36,560 --> 00:15:38,880
Speaker 2: She's enjoying sailing. But you know, she's very little, so

312
00:15:38,880 --> 00:15:41,040
Speaker 2: there's only so much she can do and so you're

313
00:15:41,040 --> 00:15:43,320
Speaker 2: genuinely terrified. So okay, So now we're back on Duncan ship.

314
00:15:43,480 --> 00:15:46,200
Speaker 2: The mission is progressing as planned. Henry Limis devonstrates how

315
00:15:46,280 --> 00:15:48,480
Speaker 2: they'll be pulling blood from these creatures using a dark

316
00:15:48,560 --> 00:15:50,800
Speaker 2: gun that will project itself into the air after it

317
00:15:50,840 --> 00:15:53,480
Speaker 2: fills with blood and parachute gracefully to the ground. He

318
00:15:53,520 --> 00:15:56,040
Speaker 2: asked if he can take the shot. They're hunting the

319
00:15:56,720 --> 00:16:01,120
Speaker 2: Muscastoris right now, and Zora was like, yeah, sure, you

320
00:16:01,160 --> 00:16:03,400
Speaker 2: could hang off the side of this boat going several

321
00:16:03,480 --> 00:16:04,040
Speaker 2: knots ow.

322
00:16:04,480 --> 00:16:06,200
Speaker 1: You can do it. I believe in you.

323
00:16:06,960 --> 00:16:09,720
Speaker 2: And he's like, maybe not. Emma lens and let Zora

324
00:16:09,800 --> 00:16:12,880
Speaker 2: take the shot. So Zora and Duncan catch up, Zora

325
00:16:12,880 --> 00:16:15,240
Speaker 2: reveals she's lost a team member to a car bomb

326
00:16:15,320 --> 00:16:17,760
Speaker 2: on her last mission. You get to change the subject.

327
00:16:17,840 --> 00:16:20,040
Speaker 2: She has Duncan if he and his wife were able

328
00:16:20,080 --> 00:16:22,120
Speaker 2: to work things out, but the passing of his young

329
00:16:22,160 --> 00:16:23,760
Speaker 2: son was too much for the couple to bear, and

330
00:16:23,760 --> 00:16:26,960
Speaker 2: they dissolve the marriage. So they're both they're sad colleagues

331
00:16:26,960 --> 00:16:28,800
Speaker 2: who aren't quite sure what the future holds for them.

332
00:16:29,200 --> 00:16:31,440
Speaker 2: The meeting signal reaches duncan ship, and while Crebs and

333
00:16:31,440 --> 00:16:34,000
Speaker 2: Bobby want to continue the mission, Duncan and Zora insists

334
00:16:34,000 --> 00:16:35,120
Speaker 2: on rescuing the family.

335
00:16:35,520 --> 00:16:38,960
Speaker 1: Love that. I think that's great. I think that's a

336
00:16:39,000 --> 00:16:39,640
Speaker 1: great twist.

337
00:16:40,120 --> 00:16:43,280
Speaker 3: I worry always about kind of black ops mercenary stories,

338
00:16:43,320 --> 00:16:45,560
Speaker 3: but actually I think here they do a really incredible

339
00:16:45,640 --> 00:16:49,400
Speaker 3: job of showing how being someone like that can destroy

340
00:16:49,440 --> 00:16:53,240
Speaker 3: your family, can destroy your loved ones. And at this point,

341
00:16:53,760 --> 00:16:57,680
Speaker 3: both Duncan and Zora are trying to make amends for

342
00:16:57,720 --> 00:16:59,520
Speaker 3: the things that they have done. And I think that

343
00:17:00,160 --> 00:17:03,720
Speaker 3: the way that that collides that the original Jurassic Park

344
00:17:03,760 --> 00:17:08,360
Speaker 3: scream writer David Kapp, who came back for this, kind

345
00:17:08,359 --> 00:17:12,040
Speaker 3: of ties those in makes this a very emotionally satisfying story,

346
00:17:12,080 --> 00:17:14,040
Speaker 3: even though it's a very kind of stripped back one.

347
00:17:14,040 --> 00:17:15,680
Speaker 1: I think that the scripting is so.

348
00:17:15,760 --> 00:17:20,320
Speaker 3: Good that you absolutely believe that Duncan is he will

349
00:17:20,320 --> 00:17:24,200
Speaker 3: fucking shoot Crebs in the head before he doesn't help

350
00:17:24,240 --> 00:17:24,880
Speaker 3: this family.

351
00:17:25,240 --> 00:17:26,680
Speaker 1: And this starts to really set up.

352
00:17:26,600 --> 00:17:31,120
Speaker 3: Some good drama between the boss of the mission, who's

353
00:17:31,160 --> 00:17:34,760
Speaker 3: the moneyman who's definitely in that lawyer kind of space

354
00:17:34,800 --> 00:17:39,040
Speaker 3: from the original Jurassic Pass, and the kind of good

355
00:17:39,160 --> 00:17:43,040
Speaker 3: guys inverted Commas who are willing to take, you know,

356
00:17:43,080 --> 00:17:45,320
Speaker 3: an hour from the mission to go and save this family.

357
00:17:45,400 --> 00:17:47,920
Speaker 1: Now, what this family really want to be saved?

358
00:17:48,200 --> 00:17:51,520
Speaker 3: The depending on where this is going question mark, Okay,

359
00:17:51,560 --> 00:17:53,280
Speaker 3: I would like to not be saved.

360
00:17:53,600 --> 00:17:56,560
Speaker 2: So when the crew arrives The family is grateful to

361
00:17:56,560 --> 00:17:59,320
Speaker 2: be rescued, but are quically concerned by the fact that

362
00:17:59,320 --> 00:18:01,679
Speaker 2: they're being with. They aren't being with to safety, but

363
00:18:01,680 --> 00:18:03,639
Speaker 2: instead of now being forced to hunt down the creature,

364
00:18:03,920 --> 00:18:07,200
Speaker 2: they just escape. Okay, we're gonna carry a quick break

365
00:18:07,440 --> 00:18:09,679
Speaker 2: and we come back. We're gonna find out how this

366
00:18:09,760 --> 00:18:13,400
Speaker 2: hunt goes, and you win. It's not good. It's not good.

367
00:18:13,400 --> 00:18:29,120
Speaker 1: Bad back We're back.

368
00:18:29,640 --> 00:18:31,800
Speaker 3: And I gotta tell you, guys, I gotta tell you

369
00:18:32,000 --> 00:18:36,240
Speaker 3: my deepest, truest thing about myself that I know is

370
00:18:36,280 --> 00:18:40,159
Speaker 3: that if they open Jurassic Park, I would go, so honestly, like,

371
00:18:40,280 --> 00:18:42,760
Speaker 3: I never judge anyone in these movies because I'm like,

372
00:18:42,800 --> 00:18:45,359
Speaker 3: you know what, this is a bad idea, you're going

373
00:18:45,400 --> 00:18:47,119
Speaker 3: to the island. But you know, if someone told me

374
00:18:47,160 --> 00:18:49,040
Speaker 3: I could see a dinosaur, I would also go.

375
00:18:49,480 --> 00:18:51,480
Speaker 1: So I'm like, can't judge you, guys.

376
00:18:51,760 --> 00:18:54,639
Speaker 2: I really can't. I really can't. Okay, So we're on

377
00:18:54,680 --> 00:18:58,080
Speaker 2: the ship. The children are terrified. Dad is tense, but

378
00:18:58,440 --> 00:19:00,159
Speaker 2: the crew feels like they've got this under control. This

379
00:19:00,240 --> 00:19:02,560
Speaker 2: is what they came here to do, and at first

380
00:19:02,600 --> 00:19:05,080
Speaker 2: thought it's fine. Zora takes her post at the front

381
00:19:05,119 --> 00:19:08,040
Speaker 2: of the ship, where loomis sort of suggestively straps her in,

382
00:19:08,119 --> 00:19:10,920
Speaker 2: which is yes, because she's absolutely gonna be not prone

383
00:19:10,960 --> 00:19:11,600
Speaker 2: during this fight.

384
00:19:11,920 --> 00:19:15,919
Speaker 3: There is definitely some like I That's another thing that

385
00:19:16,040 --> 00:19:20,520
Speaker 3: I'm enjoying, is like, I'm really enjoying the fact that

386
00:19:20,600 --> 00:19:23,480
Speaker 3: they play with chemistry in this movie, very much like

387
00:19:23,560 --> 00:19:27,440
Speaker 3: the first Jurassic Park movie, and they're not necessarily committing

388
00:19:27,480 --> 00:19:30,120
Speaker 3: to it, but they're like, hey, this is a high pressure,

389
00:19:30,160 --> 00:19:33,639
Speaker 3: intensity situation, and there are hot people here, and maybe

390
00:19:33,680 --> 00:19:36,960
Speaker 3: in these kind of moments like Henry, for example, we

391
00:19:37,040 --> 00:19:40,000
Speaker 3: kind of learned that he is secretly an adrenaline junkie.

392
00:19:40,040 --> 00:19:42,679
Speaker 3: He just never knew, you know, So you get to

393
00:19:42,720 --> 00:19:45,160
Speaker 3: have that kind of well, of course, like hot people

394
00:19:45,200 --> 00:19:48,359
Speaker 3: are gonna suggestively like kind of because they're right at

395
00:19:48,400 --> 00:19:50,840
Speaker 3: the edge of this like massive adventure, and there's an

396
00:19:50,920 --> 00:19:53,320
Speaker 3: excitement and a chemistry there that I think really comes through.

397
00:19:54,000 --> 00:19:57,720
Speaker 2: It does, and it's subtle enough that if you're like

398
00:19:57,760 --> 00:20:00,479
Speaker 2: I don't like a force romance, it'll slide buy and

399
00:20:00,480 --> 00:20:03,959
Speaker 2: it's not in your face. But if you're into hot

400
00:20:03,960 --> 00:20:09,919
Speaker 2: people flirting with each other, enjoy. So she's there, she

401
00:20:09,960 --> 00:20:13,440
Speaker 2: takes a shot, it's good, she makes it. It's a

402
00:20:13,440 --> 00:20:15,760
Speaker 2: little bit of trial and error, but she gets it. Uh.

403
00:20:16,320 --> 00:20:20,679
Speaker 2: Lewis catches the parachuting vial, So victory, we did it. Uh,

404
00:20:20,760 --> 00:20:25,000
Speaker 2: but our guy doesn't hunt alone. Here come the spinosaurces.

405
00:20:25,720 --> 00:20:26,480
Speaker 2: How smaller?

406
00:20:26,720 --> 00:20:32,040
Speaker 3: This so really scary interesting to imagine how dinosaurs would

407
00:20:32,240 --> 00:20:34,760
Speaker 3: interact with each other and start to help each other,

408
00:20:34,920 --> 00:20:38,000
Speaker 3: just like in the natural world of animals, as we know.

409
00:20:38,960 --> 00:20:40,000
Speaker 1: Very good stuff.

410
00:20:40,600 --> 00:20:43,119
Speaker 2: Yeah, and because they're smaller, they're able to attack in

411
00:20:43,160 --> 00:20:47,400
Speaker 2: a completely different way than the massasaurus. So they're able

412
00:20:47,440 --> 00:20:49,760
Speaker 2: to sort of like get closer to the ship and

413
00:20:49,800 --> 00:20:53,240
Speaker 2: they're biting and lunging it. People. During this fight, we

414
00:20:53,359 --> 00:20:55,879
Speaker 2: lose a couple of folks. Duncan steering the ship and

415
00:20:55,920 --> 00:20:57,800
Speaker 2: in order to escape, he's like, you know what I'm

416
00:20:57,840 --> 00:21:00,679
Speaker 2: gonna do, I'll just steer into the rocks smaller we

417
00:21:00,720 --> 00:21:02,879
Speaker 2: can navigate. Of course, the spina sources are all up

418
00:21:02,920 --> 00:21:06,040
Speaker 2: in that be the rocks are starting to shred the ship.

419
00:21:07,680 --> 00:21:10,240
Speaker 2: Ruben tells Teresa, Hey, you gotta go make a may

420
00:21:10,320 --> 00:21:12,160
Speaker 2: day call because this ship he's down.

421
00:21:12,280 --> 00:21:14,640
Speaker 1: And also he's like, we just need to get off

422
00:21:14,640 --> 00:21:17,360
Speaker 1: this fucking ship. These people are crazy.

423
00:21:17,560 --> 00:21:21,639
Speaker 3: Like, just go make the call, and she does, and

424
00:21:21,640 --> 00:21:24,359
Speaker 3: then we, yeah, are truly if you were not sure

425
00:21:24,359 --> 00:21:26,800
Speaker 3: that a billy and a big farmer guy was the villain,

426
00:21:26,840 --> 00:21:28,280
Speaker 3: you're gonna know he's the villain now.

427
00:21:28,640 --> 00:21:32,480
Speaker 2: So Teresa gets to the phone, Keeber tells her, Hey,

428
00:21:32,520 --> 00:21:35,240
Speaker 2: don't don't make the call. It's fine because again they're

429
00:21:35,320 --> 00:21:37,480
Speaker 2: in an illegal space. He doesn't want the mission to

430
00:21:37,520 --> 00:21:40,760
Speaker 2: be disrupted. She starts arguing with him, but oh ship

431
00:21:40,800 --> 00:21:43,320
Speaker 2: gets rammed and off she goes. So she is now

432
00:21:43,480 --> 00:21:47,640
Speaker 2: overboard and keep her has the opportunity to extend an arm,

433
00:21:47,760 --> 00:21:49,280
Speaker 2: throw her a life vest.

434
00:21:49,240 --> 00:21:53,880
Speaker 1: Tell you she's her fall off, like it's so crazy, well.

435
00:21:53,680 --> 00:21:56,600
Speaker 2: A literal teenager. He's like, well, I guess that's what

436
00:21:56,640 --> 00:21:59,080
Speaker 2: the universe wanted and walks away. So when she falls off,

437
00:21:59,240 --> 00:22:04,040
Speaker 2: Xavier our guy is like, not my girl, and sweet guy.

438
00:22:04,160 --> 00:22:09,479
Speaker 3: Jumps in like no problems be damned.

439
00:22:09,680 --> 00:22:10,560
Speaker 1: He's like, fuck that.

440
00:22:10,960 --> 00:22:13,800
Speaker 3: So he's winning Ruben over in this moment, winning Isabella

441
00:22:13,840 --> 00:22:15,480
Speaker 3: over because he doesn't even think about it.

442
00:22:15,960 --> 00:22:17,720
Speaker 1: And then Rubin and.

443
00:22:17,880 --> 00:22:19,760
Speaker 3: Is like, hey, Isabella, let's just jump in the water

444
00:22:19,840 --> 00:22:23,960
Speaker 3: because honestly, like these dinosaur hundred people are nuts and

445
00:22:23,960 --> 00:22:28,159
Speaker 3: we just got to try and find this alleged village

446
00:22:28,400 --> 00:22:32,320
Speaker 3: elsewhere on the island, and they had hypothesized a little

447
00:22:32,320 --> 00:22:35,120
Speaker 3: earlier that the reason the dinosaurs were attacking the ship

448
00:22:35,160 --> 00:22:36,520
Speaker 3: is because they felt it was a predator.

449
00:22:36,760 --> 00:22:39,719
Speaker 2: So, okay, attack the ship. We will swim way to safety.

450
00:22:40,520 --> 00:22:42,840
Speaker 2: Zora and Loomis mean while are putting floaties on all

451
00:22:42,880 --> 00:22:45,040
Speaker 2: the equipment because they're like, this ship is going down,

452
00:22:45,080 --> 00:22:47,480
Speaker 2: but we have a mission to finish, so everyone takes

453
00:22:47,520 --> 00:22:49,919
Speaker 2: through the water to timpt out run the creatures.

454
00:22:50,880 --> 00:22:54,560
Speaker 3: There's some interesting scary moments here where there is another

455
00:22:54,640 --> 00:22:56,920
Speaker 3: character who we barely get to meet, who's a woman,

456
00:22:57,359 --> 00:23:00,480
Speaker 3: a female character who's on the boat, and we kind

457
00:23:00,480 --> 00:23:05,399
Speaker 3: of see as Zra and Loomis are like stuck on

458
00:23:05,440 --> 00:23:07,040
Speaker 3: the boat. There's a great moment if you see it

459
00:23:07,080 --> 00:23:07,680
Speaker 3: in forty X.

460
00:23:07,720 --> 00:23:09,960
Speaker 1: I'm not even sponsored, it was just really that good.

461
00:23:10,200 --> 00:23:13,320
Speaker 3: But as the boat is kind of crashing there underneath

462
00:23:13,440 --> 00:23:16,040
Speaker 3: the rocks and it's like crunching on them and they're

463
00:23:16,040 --> 00:23:19,400
Speaker 3: having to dive down, and eventually all the floaties get there,

464
00:23:19,640 --> 00:23:23,199
Speaker 3: and this poor lady rip to this one woman on

465
00:23:23,280 --> 00:23:28,520
Speaker 3: the ship she is find the bag of floaties and

466
00:23:28,560 --> 00:23:30,560
Speaker 3: she's kind of, oh, thank god, she's trying to push

467
00:23:30,560 --> 00:23:31,520
Speaker 3: it to the shore.

468
00:23:31,560 --> 00:23:32,840
Speaker 1: She's at the shore.

469
00:23:32,800 --> 00:23:36,200
Speaker 3: And if you have an eagle eye, you may see

470
00:23:36,240 --> 00:23:39,080
Speaker 3: something move to the side of her. And if you don't,

471
00:23:39,240 --> 00:23:41,760
Speaker 3: then you're gonna get an incredible jump scare because a

472
00:23:41,840 --> 00:23:46,240
Speaker 3: spinosaurus grabs her from behind and just the eats her

473
00:23:46,640 --> 00:23:49,119
Speaker 3: and it's really really scary. The eleven year old I

474
00:23:49,119 --> 00:23:51,679
Speaker 3: saw it with this was definitely his biggest jump scare.

475
00:23:52,040 --> 00:23:56,159
Speaker 3: She was really really freaked out by it. Rip to

476
00:23:56,240 --> 00:23:59,320
Speaker 3: that person. Duncan arrives on shore and you kind of

477
00:23:59,560 --> 00:24:02,399
Speaker 3: he starts to realize, like fuck, like we just lost

478
00:24:02,440 --> 00:24:05,960
Speaker 3: two of our friends. Is this job worth it? Can

479
00:24:06,080 --> 00:24:09,840
Speaker 3: we really do it? And also like now the boat's crashed,

480
00:24:09,880 --> 00:24:12,960
Speaker 3: Like what did this fucking creb sky plan nothing? But

481
00:24:13,560 --> 00:24:15,920
Speaker 3: Zora is very good at her job, So she did

482
00:24:15,920 --> 00:24:17,359
Speaker 3: plan something, didn't she Joe out?

483
00:24:17,600 --> 00:24:19,920
Speaker 2: So Zora is very good to her job, and she's like, listen,

484
00:24:20,000 --> 00:24:22,280
Speaker 2: a helicopter's gonna swing by for you guys in like

485
00:24:22,640 --> 00:24:26,000
Speaker 2: forty eight hours at sunset if we don't radio in,

486
00:24:26,040 --> 00:24:29,280
Speaker 2: which we can't do now, so they're only gonna do

487
00:24:29,359 --> 00:24:32,320
Speaker 2: one fly by. Though this does seem not smart. You're

488
00:24:32,359 --> 00:24:33,879
Speaker 2: in the air, you can't get caught, but whatever. So

489
00:24:33,920 --> 00:24:35,879
Speaker 2: they're like, we're gonna do one fly by the island,

490
00:24:36,000 --> 00:24:38,360
Speaker 2: so all of you guys need to be on high

491
00:24:38,440 --> 00:24:40,640
Speaker 2: ground where we can see you when we fly by,

492
00:24:40,960 --> 00:24:43,200
Speaker 2: or you're the abandoned forever on this island nobody ever

493
00:24:43,200 --> 00:24:47,399
Speaker 2: comes to. Okay, great. I think the jump scare you

494
00:24:47,480 --> 00:24:51,439
Speaker 2: mentioned really opens a door to like the cinematography of

495
00:24:51,480 --> 00:24:54,920
Speaker 2: this film between so well into horror, and what's great

496
00:24:54,960 --> 00:24:58,760
Speaker 2: about horror is things in the background, small movements, Yeah,

497
00:24:59,359 --> 00:25:02,520
Speaker 2: really up the intensity. And to do that with giant

498
00:25:02,600 --> 00:25:06,320
Speaker 2: dinosaurs frequently you have done popping out of all kinds

499
00:25:06,320 --> 00:25:09,120
Speaker 2: of button from behind them, boat out of tall grass,

500
00:25:09,200 --> 00:25:10,399
Speaker 2: from the water the.

501
00:25:12,560 --> 00:25:15,440
Speaker 1: Best. Yeah, you're right, that's such a good call. There's

502
00:25:15,480 --> 00:25:16,840
Speaker 1: a great moment where.

503
00:25:16,680 --> 00:25:19,720
Speaker 3: You kind of like the classic fridge scare in a

504
00:25:19,760 --> 00:25:22,040
Speaker 3: slasher movie where you think someone's going to be behind

505
00:25:22,080 --> 00:25:24,120
Speaker 3: the door and they're not. They do such a fun

506
00:25:24,200 --> 00:25:26,520
Speaker 3: version of that with the t Rex here. I think

507
00:25:26,560 --> 00:25:31,120
Speaker 3: Gareth Edwards, it's such a great part and we're gonna

508
00:25:31,160 --> 00:25:34,639
Speaker 3: get there and and Gareth Edwards he directed Rogue one.

509
00:25:34,680 --> 00:25:36,960
Speaker 1: Obviously we love Rogue One. We know that Tony.

510
00:25:36,720 --> 00:25:41,119
Speaker 3: Gilroy was very heavily involved in that as well. But

511
00:25:41,240 --> 00:25:43,640
Speaker 3: also Gareth Edwards broke onto the scene with a movie

512
00:25:43,640 --> 00:25:46,639
Speaker 3: called Monsters that was an indie sci fi horror movie

513
00:25:47,000 --> 00:25:50,679
Speaker 3: about an unexpected kind of couple who had to travel

514
00:25:50,720 --> 00:25:53,280
Speaker 3: across this part of North America that had been taken

515
00:25:53,320 --> 00:25:58,960
Speaker 3: over by by like giant kind of kaijusque monsters. And

516
00:25:59,119 --> 00:26:02,240
Speaker 3: and I think like from then he really established his

517
00:26:03,040 --> 00:26:06,360
Speaker 3: style as a director. And also most recently he did

518
00:26:06,400 --> 00:26:10,160
Speaker 3: The Creator, which was not necessarily like the indie hit

519
00:26:10,240 --> 00:26:12,000
Speaker 3: I think that Disney wanted it to because it was

520
00:26:12,040 --> 00:26:15,560
Speaker 3: an independent original movie, but it was very lauded when

521
00:26:15,560 --> 00:26:18,440
Speaker 3: it came to the visuals, the way it looked, the cinematography,

522
00:26:18,440 --> 00:26:21,200
Speaker 3: the special effects, and I think Gareth Edwards once again

523
00:26:21,240 --> 00:26:26,160
Speaker 3: shows like he is a thoughtful, interesting filmmaker. There are

524
00:26:26,200 --> 00:26:29,480
Speaker 3: so many jump scares here, but you also get those moments.

525
00:26:29,080 --> 00:26:30,920
Speaker 1: Of just huge scope.

526
00:26:31,000 --> 00:26:34,600
Speaker 3: He has such an interesting eye for how you shoot

527
00:26:34,640 --> 00:26:38,920
Speaker 3: a giant dinosaur, because that's the thing is, these dinosaurs

528
00:26:38,920 --> 00:26:43,200
Speaker 3: are the Titans, they're the colossals, they are the biggest dinosaurs.

529
00:26:43,240 --> 00:26:46,760
Speaker 3: And in a very hilarious and Avatar the Lost Airbender

530
00:26:46,760 --> 00:26:51,280
Speaker 3: coded thing, they have to get blood from the biggest

531
00:26:51,280 --> 00:26:55,200
Speaker 3: dinosaur in the water, they've done it, Massasaurus, biggest dinosaur

532
00:26:55,200 --> 00:26:59,160
Speaker 3: on land Titanosaurus, and biggest dinosaur in the air, which

533
00:26:59,440 --> 00:27:00,000
Speaker 3: I believe is.

534
00:27:00,119 --> 00:27:04,320
Speaker 1: Called a quite a coatless or something along those lines.

535
00:27:04,400 --> 00:27:05,880
Speaker 1: But it is very scary and big.

536
00:27:06,280 --> 00:27:09,920
Speaker 3: And so the one thing that CIBA didn't tell them, though,

537
00:27:10,520 --> 00:27:15,359
Speaker 3: is that this island is not just some leftover like

538
00:27:15,440 --> 00:27:18,520
Speaker 3: isla sauna or something. This is where all the weird

539
00:27:18,640 --> 00:27:23,199
Speaker 3: experimental mutated dinosaurs are staying, which, sir, you should have

540
00:27:23,240 --> 00:27:24,080
Speaker 3: told them that first.

541
00:27:24,359 --> 00:27:28,679
Speaker 2: That is a day one asterisk in the contract that

542
00:27:28,760 --> 00:27:33,000
Speaker 2: it absolutelys to be highlighted and underlined mutant dinosaurs live here.

543
00:27:33,280 --> 00:27:36,400
Speaker 2: But it turns out like the company could have destroyed

544
00:27:36,440 --> 00:27:39,600
Speaker 2: it destroyed the dinosaurs, but they were like, yeah, those

545
00:27:39,640 --> 00:27:41,600
Speaker 2: were really expensive and now we can just hide them

546
00:27:41,600 --> 00:27:44,480
Speaker 2: as line items, and so we don't have that glit.

547
00:27:45,119 --> 00:27:48,280
Speaker 2: It's a multimillion dollar loss or you know, danger but

548
00:27:48,359 --> 00:27:51,879
Speaker 2: thousands of miles away. So of course capitalism. Okay, so

549
00:27:51,920 --> 00:27:55,240
Speaker 2: now we're in the jungle. The jungle is an unkind atmosphere.

550
00:27:55,320 --> 00:27:57,879
Speaker 2: Duncan describes it as nothing you can see more than

551
00:27:57,920 --> 00:28:00,639
Speaker 2: three feet in front of your faith and constantly eyes

552
00:28:01,080 --> 00:28:03,840
Speaker 2: tracking you, and he makes a declaration that seems like

553
00:28:03,880 --> 00:28:06,680
Speaker 2: it will seal his fate. He swears he's not going

554
00:28:06,720 --> 00:28:08,960
Speaker 2: to die in the jungle, at which point I'm like,

555
00:28:09,040 --> 00:28:14,280
Speaker 2: so long, Marcella Ali. Keeper discovers a downed plane with

556
00:28:14,320 --> 00:28:17,000
Speaker 2: a skeleton pilot hanging from a cockpit with a gun

557
00:28:17,040 --> 00:28:19,560
Speaker 2: in his hands. So Keeper collects Chekhov's gun and.

558
00:28:19,640 --> 00:28:23,879
Speaker 3: Quiet very Also, I love this moment because it is

559
00:28:24,520 --> 00:28:28,840
Speaker 3: legit terrifying. There's like blood like things like liquid dripping

560
00:28:28,880 --> 00:28:33,119
Speaker 3: on him. That the skeletal remains are way more skeletal

561
00:28:33,119 --> 00:28:34,880
Speaker 3: and scary than we usually get because.

562
00:28:34,680 --> 00:28:36,919
Speaker 1: We've seen a skeleton before in Jurassic Talk. But this

563
00:28:37,040 --> 00:28:37,879
Speaker 1: is a horror moment.

564
00:28:38,120 --> 00:28:40,120
Speaker 3: But you know what you see that Kiba's just a

565
00:28:40,160 --> 00:28:42,480
Speaker 3: stone called sociopath because he just sees that gun and

566
00:28:42,520 --> 00:28:45,160
Speaker 3: he's like, I'll take it, and that's the insurance for me.

567
00:28:45,200 --> 00:28:47,360
Speaker 3: For Yeah, It's like, okay, I don't think it's gonna

568
00:28:47,400 --> 00:28:49,400
Speaker 3: go well for you, babe, but you know what, take

569
00:28:49,400 --> 00:28:49,720
Speaker 3: the gun.

570
00:28:49,800 --> 00:28:51,480
Speaker 1: Take Chekhov's gun. He'll borrow it to you.

571
00:28:52,240 --> 00:28:54,560
Speaker 2: So the Dagana family plus Xavier find a cave to

572
00:28:54,560 --> 00:28:58,040
Speaker 2: hold up in. Keeper mentioned that on the ship that

573
00:28:58,080 --> 00:29:00,240
Speaker 2: there was a community living on the island. They be

574
00:29:00,240 --> 00:29:01,800
Speaker 2: able to take a phone call there, so he's like,

575
00:29:01,840 --> 00:29:05,000
Speaker 2: don't even sweat it will be okay. And he told

576
00:29:05,080 --> 00:29:09,200
Speaker 2: him about the helicopter. I think, are there's a plane.

577
00:29:09,360 --> 00:29:11,280
Speaker 2: We got some options, like, don't worry about it, okay.

578
00:29:11,720 --> 00:29:14,320
Speaker 2: So Ruben thanks Xavier for saving his daughter and exit

579
00:29:14,360 --> 00:29:17,160
Speaker 2: a kind of strange and hilarious moment, just brushes it off.

580
00:29:17,160 --> 00:29:18,560
Speaker 2: He's like, man, whatever, He's like, I don't even know

581
00:29:18,600 --> 00:29:19,520
Speaker 2: why she wants to be with me.

582
00:29:19,960 --> 00:29:22,920
Speaker 3: Yeah, He's like, I'm useless guy, but I love her,

583
00:29:23,000 --> 00:29:23,760
Speaker 3: so I'm gonna do it.

584
00:29:23,800 --> 00:29:24,720
Speaker 1: And he's not useless.

585
00:29:24,840 --> 00:29:27,840
Speaker 3: He did a say he saved it once. He's on

586
00:29:27,920 --> 00:29:30,240
Speaker 3: a scary Jurassic dinosaur island.

587
00:29:30,480 --> 00:29:31,240
Speaker 1: He comes through.

588
00:29:31,880 --> 00:29:36,480
Speaker 2: He listened and in peace times useless. At wartime, he's

589
00:29:36,520 --> 00:29:39,360
Speaker 2: absolutely ready to go, and he offers to take the

590
00:29:39,400 --> 00:29:42,320
Speaker 2: first watch so that Reuben can catch up on some sleep.

591
00:29:43,640 --> 00:29:46,160
Speaker 2: So the next morning, family gets her track. Isabelle discovers

592
00:29:46,160 --> 00:29:49,760
Speaker 2: a small orphan dinosaur, Dolores, and they quickly become friends,

593
00:29:49,800 --> 00:29:51,960
Speaker 2: and she statues the creature in her backpack.

594
00:29:52,360 --> 00:29:54,720
Speaker 1: She is so cute, I believe this is a new dinosaur.

595
00:29:54,720 --> 00:29:57,560
Speaker 3: You haven't seen before called an aqua ops and this

596
00:29:57,760 --> 00:30:03,280
Speaker 3: is our full prosthetic animatronic dinosaur.

597
00:30:03,320 --> 00:30:05,800
Speaker 1: They made a real Dolores. They got to connect with her,

598
00:30:05,920 --> 00:30:08,360
Speaker 1: and I believe I have not been there yet. I

599
00:30:08,400 --> 00:30:11,920
Speaker 1: believe you can now meet meet Dolores at Universal Studio stream.

600
00:30:11,920 --> 00:30:15,040
Speaker 3: So I love that because Dolores is very cute, and

601
00:30:15,080 --> 00:30:16,600
Speaker 3: we love a cute.

602
00:30:16,440 --> 00:30:21,440
Speaker 1: Sidekick like giving in the movies and the TV shows.

603
00:30:21,440 --> 00:30:24,200
Speaker 3: With Camp Crustaceous, you've had Lumpy, So it's like, it's

604
00:30:24,240 --> 00:30:25,040
Speaker 3: nice to bring.

605
00:30:24,840 --> 00:30:28,560
Speaker 1: That to the main stream and the big seas.

606
00:30:28,760 --> 00:30:31,560
Speaker 2: It's definitely giving. If you were a Barney kid a

607
00:30:31,640 --> 00:30:36,480
Speaker 2: bj vibe, or if you like the dinosaurs the Baby

608
00:30:37,000 --> 00:30:41,400
Speaker 2: of Very Baby, Yes, it's so cute. So Zora and

609
00:30:41,440 --> 00:30:44,080
Speaker 2: crew reach an open field of overgrown grass so tall

610
00:30:44,120 --> 00:30:46,960
Speaker 2: it can hide the largest dino. We're gonna get the

611
00:30:47,000 --> 00:30:51,280
Speaker 2: titanosaurs when they're lying down. So the gentle plant eating

612
00:30:51,280 --> 00:30:54,360
Speaker 2: dinosaurs are mostly not a threat safer their very long

613
00:30:54,480 --> 00:30:58,280
Speaker 2: switchy tails, which could potentially do damage. Loumis is blow.

614
00:30:58,320 --> 00:31:01,080
Speaker 2: I mean having a full on like emotion religious experience.

615
00:31:01,080 --> 00:31:02,040
Speaker 2: Look at these creatures.

616
00:31:02,120 --> 00:31:05,600
Speaker 1: This is the one moment that I think captures the thing.

617
00:31:05,440 --> 00:31:08,840
Speaker 3: That otherwise this movie doesn't understand the importance of which

618
00:31:08,880 --> 00:31:11,800
Speaker 3: is like the wonder and awe of a dinosaur. But

619
00:31:12,640 --> 00:31:14,920
Speaker 3: Jonathan Bailey, and if you follow me on let a Box,

620
00:31:14,960 --> 00:31:17,760
Speaker 3: you know, I'm already compt talking about this Oscar campaign

621
00:31:17,840 --> 00:31:19,880
Speaker 3: that I will Solow be running for him. Yes, but

622
00:31:20,000 --> 00:31:22,800
Speaker 3: he had in the forty X screening, right, So we're

623
00:31:22,840 --> 00:31:25,880
Speaker 3: being jostled, our popcorns flying everywhere, there's kids, everyone's screaming.

624
00:31:26,160 --> 00:31:27,400
Speaker 1: In this moment.

625
00:31:27,400 --> 00:31:30,080
Speaker 3: Where they kind of slowly move you towards the dinosaur

626
00:31:30,360 --> 00:31:34,240
Speaker 3: and he touches it and he starts to just tear

627
00:31:34,360 --> 00:31:38,160
Speaker 3: up and cry. It was so beautiful that I was crying,

628
00:31:38,240 --> 00:31:40,280
Speaker 3: The guy next to me was crying, The friend I

629
00:31:40,400 --> 00:31:42,840
Speaker 3: was with was crying. You know. It was like it

630
00:31:43,080 --> 00:31:46,920
Speaker 3: just really captured that feeling of what Jurassic Park is about,

631
00:31:47,000 --> 00:31:49,800
Speaker 3: which is the beauty of nature and how scary it

632
00:31:49,840 --> 00:31:52,240
Speaker 3: can be, but also like the awe we feel when

633
00:31:52,240 --> 00:31:54,800
Speaker 3: we get to see creatures in the wild and the

634
00:31:54,880 --> 00:31:56,920
Speaker 3: importance of nature.

635
00:31:57,040 --> 00:31:59,880
Speaker 1: And he does he does manage to get the sample.

636
00:32:00,040 --> 00:32:01,880
Speaker 1: Good for him. I feel like it's going pretty well

637
00:32:01,920 --> 00:32:03,240
Speaker 1: for them at this point, Like this.

638
00:32:03,360 --> 00:32:09,120
Speaker 3: Is actually quite a chill Jurassic experience so far. And

639
00:32:09,160 --> 00:32:14,120
Speaker 3: then doctor Loomis is like, so what if if we

640
00:32:14,520 --> 00:32:18,240
Speaker 3: didn't give it to the evil scientist, how about sexy

641
00:32:18,280 --> 00:32:23,840
Speaker 3: skull Ansen. We just like you know, crowd open sourced

642
00:32:23,840 --> 00:32:26,760
Speaker 3: it so anyone could have it. And she's like, oh,

643
00:32:26,800 --> 00:32:28,640
Speaker 3: I don't think I would get any money in that case,

644
00:32:28,680 --> 00:32:30,880
Speaker 3: but you can tell there's like a twinkle in.

645
00:32:30,880 --> 00:32:34,840
Speaker 2: Her eye, like doctor Loomish, and she's a little bit

646
00:32:34,920 --> 00:32:39,320
Speaker 2: moved by his emotional reaction to the dinosaurs, definitely, And

647
00:32:39,320 --> 00:32:40,800
Speaker 2: then he tells the story of like you know, when

648
00:32:40,840 --> 00:32:45,600
Speaker 2: they discovered insulin, you know that they were like, hey,

649
00:32:45,640 --> 00:32:48,560
Speaker 2: everybody should have access to this, everyone should have access

650
00:32:48,600 --> 00:32:52,720
Speaker 2: to this pharmacutical company's assholes. Yeah, she's like she's thinking

651
00:32:52,720 --> 00:32:55,400
Speaker 2: about it. She's she's contemplating, you know, she needs the money,

652
00:32:55,560 --> 00:32:57,400
Speaker 2: but she just like, maybe that would be the better

653
00:32:57,400 --> 00:33:01,200
Speaker 2: thing to do. Okay, So the family a raft. They

654
00:33:01,240 --> 00:33:03,000
Speaker 2: are out and they're like, oh, great, we can take

655
00:33:03,000 --> 00:33:06,560
Speaker 2: the water. We'll follow there's they noticed some pipes. They're like, oh, look,

656
00:33:06,760 --> 00:33:08,840
Speaker 2: water pipes. I bet we could follow this to the

657
00:33:08,840 --> 00:33:10,200
Speaker 2: facility with the phone that'll be here.

658
00:33:10,240 --> 00:33:12,760
Speaker 1: He's a very clever dad. I gotta say this is

659
00:33:12,840 --> 00:33:14,480
Speaker 1: smart uh.

660
00:33:14,520 --> 00:33:16,680
Speaker 2: But as our approach of the raft, oh no, here

661
00:33:16,720 --> 00:33:19,960
Speaker 2: comes everyone's favorite dinosaur, a t reft and it is

662
00:33:20,040 --> 00:33:22,160
Speaker 2: huge and it is close. Okay, this is the same

663
00:33:22,200 --> 00:33:22,800
Speaker 2: you were talking about.

664
00:33:23,280 --> 00:33:25,360
Speaker 3: Yeah, I gotta talk about this scene because we have

665
00:33:25,480 --> 00:33:27,640
Speaker 3: Teresa and she's trying to get the boat and then

666
00:33:27,720 --> 00:33:30,400
Speaker 3: she realizes the boat is actually unfinished, but she finds

667
00:33:30,400 --> 00:33:32,920
Speaker 3: a life raft and we get this great moment where

668
00:33:33,040 --> 00:33:35,400
Speaker 3: one the t rex is like sleeping like a cute

669
00:33:35,400 --> 00:33:38,120
Speaker 3: cat who doesn't want to see that. I love that

670
00:33:38,480 --> 00:33:40,800
Speaker 3: makes a lot of sense, very Godzilla codd if you

671
00:33:40,840 --> 00:33:43,040
Speaker 3: saw the last Godzilla movie where Godzilla sleeping in the

672
00:33:43,080 --> 00:33:45,960
Speaker 3: coliseum like he's a cute cat. We also know that

673
00:33:46,000 --> 00:33:49,240
Speaker 3: the Minus one director was inspired by his cat for Godzilla,

674
00:33:49,280 --> 00:33:51,880
Speaker 3: so I love that all these directors are bringing that

675
00:33:52,280 --> 00:33:56,320
Speaker 3: to this and Gareth Edwards definitely is here. He we

676
00:33:56,400 --> 00:33:59,320
Speaker 3: see the dinosaur sleeping, she's trying to pull the raft

677
00:33:59,400 --> 00:34:01,120
Speaker 3: so that it will wake him up, and then she

678
00:34:01,360 --> 00:34:05,600
Speaker 3: pops the raft open and it blows up and you

679
00:34:05,720 --> 00:34:08,120
Speaker 3: expect the t rex to be behind her when it

680
00:34:08,160 --> 00:34:11,879
Speaker 3: goes down, but it's gone and it's such a scary

681
00:34:11,920 --> 00:34:15,759
Speaker 3: fake out moment. And then it leads to this is

682
00:34:15,800 --> 00:34:17,800
Speaker 3: the sequence that I think if you are a Jurassic

683
00:34:18,040 --> 00:34:20,799
Speaker 3: Park fan you love the books, this is one of

684
00:34:20,800 --> 00:34:23,600
Speaker 3: the sequences that was never properly adapted from the books,

685
00:34:24,120 --> 00:34:24,960
Speaker 3: and it.

686
00:34:24,800 --> 00:34:27,280
Speaker 2: Is they couldn't get that original t Rex well okay,

687
00:34:27,320 --> 00:34:28,440
Speaker 2: exactly he was.

688
00:34:28,840 --> 00:34:31,840
Speaker 1: He was a real living animatronic.

689
00:34:32,200 --> 00:34:34,960
Speaker 3: And also they did kind of half adapt it in

690
00:34:35,320 --> 00:34:38,600
Speaker 3: Jurassic Park three with the Spinosaurus. But here David Kep

691
00:34:38,640 --> 00:34:41,279
Speaker 3: gets to bring the scene he always wanted to to life,

692
00:34:41,280 --> 00:34:46,000
Speaker 3: which is the t Rex swimming behind this little life raft.

693
00:34:46,040 --> 00:34:49,040
Speaker 3: And I'm telling you, guys, Joel knows we've been to

694
00:34:49,320 --> 00:34:51,800
Speaker 3: We've been to theme parks together. I am like so

695
00:34:52,040 --> 00:34:55,839
Speaker 3: terrified of dinosaur animatronics, but you will, if you are

696
00:34:55,880 --> 00:34:58,160
Speaker 3: my special friend and I love you, I will go

697
00:34:58,239 --> 00:35:00,279
Speaker 3: on the Jurassic World ride with you. And I like

698
00:35:00,320 --> 00:35:02,680
Speaker 3: cry the whole time because it's amazing, but I will

699
00:35:02,680 --> 00:35:05,719
Speaker 3: also cry because it's scary. And this entire movie, I

700
00:35:05,800 --> 00:35:08,400
Speaker 3: was like, man, these motherfuckers are gonna make the scariest

701
00:35:08,480 --> 00:35:11,440
Speaker 3: ride with this movie, Like they're gonna be able to

702
00:35:11,600 --> 00:35:16,560
Speaker 3: expand what the Jurassic World and Jurassic Park rides already are.

703
00:35:16,800 --> 00:35:19,040
Speaker 3: It really feels like Universal is in a space now

704
00:35:19,040 --> 00:35:23,160
Speaker 3: where they're creating rides like with Dark Universe that can

705
00:35:23,480 --> 00:35:26,040
Speaker 3: kind of create new IP and they're also open to

706
00:35:26,520 --> 00:35:29,000
Speaker 3: leaning into the IP that is so beloved, And this

707
00:35:29,120 --> 00:35:34,440
Speaker 3: scene feels like Peak make a move like Orlando, Universal,

708
00:35:34,480 --> 00:35:37,399
Speaker 3: You're getting an updated Jurassic Park ride after this one,

709
00:35:37,440 --> 00:35:40,320
Speaker 3: because it is so so scary.

710
00:35:40,200 --> 00:35:42,879
Speaker 2: Genuinely looking for like t Rex's giant head, the fact

711
00:35:42,880 --> 00:35:45,319
Speaker 2: that at one point it's completely again submerged by water,

712
00:35:45,360 --> 00:35:47,239
Speaker 2: where you're just like, wait, oh no, now we can't

713
00:35:47,280 --> 00:35:49,359
Speaker 2: see it. Where is it? And then you know it's

714
00:35:49,360 --> 00:35:51,000
Speaker 2: giving if you if you're a pig than of the

715
00:35:51,040 --> 00:35:53,239
Speaker 2: original Jurassic Park when the t Rex attacks the car,

716
00:35:53,320 --> 00:35:55,960
Speaker 2: you're seeing some similarities, right, So Yeah, the kid is

717
00:35:56,000 --> 00:35:58,479
Speaker 2: stuck in the raft at one point by herself again

718
00:35:58,560 --> 00:35:59,680
Speaker 2: another boat over.

719
00:36:00,360 --> 00:36:02,520
Speaker 1: She gets flipped. The boats are getting flipped.

720
00:36:02,840 --> 00:36:08,759
Speaker 3: This I thought was such a clever, scary visual that

721
00:36:08,880 --> 00:36:12,640
Speaker 3: does a homage to that you know, original Colas sequence,

722
00:36:12,680 --> 00:36:14,160
Speaker 3: but also adds something really new.

723
00:36:15,400 --> 00:36:17,520
Speaker 2: Yeah, no, it's totally fresh, because like the thing is

724
00:36:17,520 --> 00:36:20,439
Speaker 2: that everyone's still such close proximity. The rushing water adds

725
00:36:20,480 --> 00:36:23,480
Speaker 2: such a terrifying element to it. And similar to that

726
00:36:23,520 --> 00:36:28,799
Speaker 2: scene though, where you have a seemably impossible cliff suddenly emerge. Yeah,

727
00:36:28,800 --> 00:36:30,960
Speaker 2: suddenly a wall that the t Rex cannot get passed,

728
00:36:30,960 --> 00:36:34,280
Speaker 2: and you're like, oh, fully this makes sense. Now pause.

729
00:36:34,400 --> 00:36:36,040
Speaker 2: If you've seen the original, it does make sense. It's

730
00:36:36,040 --> 00:36:38,239
Speaker 2: an enclosure. There's a slight slope. They don't quite show

731
00:36:38,280 --> 00:36:40,480
Speaker 2: it into the establishing shot, and so you miss it.

732
00:36:40,520 --> 00:36:43,880
Speaker 2: But it does make sense. You can see uh, visuals

733
00:36:43,920 --> 00:36:45,600
Speaker 2: of the set, so where you're like, oh, that's why

734
00:36:45,600 --> 00:36:48,399
Speaker 2: there's a clip suddenly there here, it's a little less clear.

735
00:36:48,400 --> 00:36:50,040
Speaker 2: In game, we don't really get an establishing shot of

736
00:36:50,080 --> 00:36:52,600
Speaker 2: the wall to the d Rex, not just walk around.

737
00:36:52,640 --> 00:36:54,759
Speaker 1: But I know, I like the idea that the t

738
00:36:54,840 --> 00:36:56,200
Speaker 1: Rex is kind of like bored.

739
00:36:56,239 --> 00:36:58,160
Speaker 3: He's just like okay, well I'm not gonna put that

740
00:36:58,239 --> 00:37:00,080
Speaker 3: much yet, but and like I can just see a

741
00:37:00,200 --> 00:37:01,360
Speaker 3: dinosaur like don't.

742
00:37:01,200 --> 00:37:04,839
Speaker 2: Weary Cat comparison. It is like, yes, Isabella gets out

743
00:37:04,840 --> 00:37:07,520
Speaker 2: from underneath the boat, is able to not really out swim,

744
00:37:07,560 --> 00:37:09,239
Speaker 2: but sort of the current is pushing and she gets

745
00:37:09,280 --> 00:37:12,120
Speaker 2: close enough and okay, she's through the wall and she's safe. Uh.

746
00:37:12,440 --> 00:37:14,160
Speaker 2: T Rex follows her all the way up to the wall,

747
00:37:14,200 --> 00:37:16,680
Speaker 2: and then it's like sticking. It's like snout through the wall,

748
00:37:16,800 --> 00:37:19,359
Speaker 2: trying to like and at very much gave me cat

749
00:37:19,440 --> 00:37:20,800
Speaker 2: under a door, would is Paul.

750
00:37:20,680 --> 00:37:23,520
Speaker 1: Oh yeah, there's that great moment too.

751
00:37:23,640 --> 00:37:26,720
Speaker 3: N isfl is still underneath and the t Rex's teeth

752
00:37:26,800 --> 00:37:28,080
Speaker 3: kind of through.

753
00:37:28,440 --> 00:37:31,120
Speaker 1: The yellow but they don't fully hit it. It's really good.

754
00:37:31,239 --> 00:37:33,960
Speaker 1: But guess what, the family's safe again. Love this for

755
00:37:34,040 --> 00:37:36,960
Speaker 1: the family. It's going really well for them.

756
00:37:37,000 --> 00:37:39,880
Speaker 3: Continuing that, I would say, like, you know, there's always

757
00:37:40,360 --> 00:37:42,919
Speaker 3: generally kids in a Jurassic Park movie, and they don't

758
00:37:42,960 --> 00:37:45,160
Speaker 3: tend to die, so I'm very I'm feeling very happy.

759
00:37:45,280 --> 00:37:48,080
Speaker 3: As the eleven year old told me there's too much plot, Arma,

760
00:37:48,160 --> 00:37:50,239
Speaker 3: and I said, no, babe, they're just kids. I was

761
00:37:50,280 --> 00:37:52,399
Speaker 3: like they I was like, they're just kids. You can't

762
00:37:52,480 --> 00:37:54,399
Speaker 3: kill a kid in a in like a kid's movie.

763
00:37:54,400 --> 00:37:56,000
Speaker 3: It's not pla Arma, it's just a rule.

764
00:37:56,719 --> 00:37:58,879
Speaker 2: Like this is just park and we are not trying

765
00:37:58,920 --> 00:38:01,200
Speaker 2: to scar the children. Okay, so we're gonna take a

766
00:38:01,239 --> 00:38:03,160
Speaker 2: quick break and when we come back, we're gonna talk

767
00:38:03,160 --> 00:38:05,520
Speaker 2: about what happens when you try to draw blood from

768
00:38:05,560 --> 00:38:23,520
Speaker 2: a dinosaur's egg. They're not happy about it. Okay, we're back.

769
00:38:24,160 --> 00:38:26,439
Speaker 2: So our team makes it to the mountains where they're

770
00:38:26,440 --> 00:38:31,359
Speaker 2: set to propel into the nest of a quasal as

771
00:38:31,440 --> 00:38:33,400
Speaker 2: so many see.

772
00:38:38,480 --> 00:38:38,560
Speaker 3: Es.

773
00:38:38,719 --> 00:38:41,680
Speaker 2: You know what, let's go with it, that's what we're

774
00:38:41,680 --> 00:38:45,239
Speaker 2: calling it. Okay, we're listening together, guys. This creature is

775
00:38:45,320 --> 00:38:47,440
Speaker 2: as large as a bomber and it can fly. And

776
00:38:47,480 --> 00:38:49,279
Speaker 2: so they're like, we are not going to try to

777
00:38:49,320 --> 00:38:52,080
Speaker 2: shoot this thing as it's soaring through the air. Let's

778
00:38:52,120 --> 00:38:54,239
Speaker 2: go get like the amtiotic fluid from one of its

779
00:38:54,320 --> 00:38:58,000
Speaker 2: eggs instead. Okay, great, So they're repelling down h and

780
00:38:58,040 --> 00:38:59,880
Speaker 2: this is kind of difficult for doctor Lumis, again not

781
00:39:00,080 --> 00:39:02,080
Speaker 2: really an adventurer, though he gave us a lot climb

782
00:39:02,120 --> 00:39:03,440
Speaker 2: out his gym exactly.

783
00:39:03,480 --> 00:39:05,120
Speaker 1: He was like, I got like a twenty foot wool

784
00:39:05,160 --> 00:39:06,719
Speaker 1: at my gym, and I'm like, babe, this is a

785
00:39:06,760 --> 00:39:07,920
Speaker 1: five hundred foot.

786
00:39:07,800 --> 00:39:11,200
Speaker 3: Draw into a dinosaur's nest. But you know what, I

787
00:39:11,320 --> 00:39:14,279
Speaker 3: love it. You're brave, You're getting a little spicy with it,

788
00:39:14,400 --> 00:39:16,600
Speaker 3: and I believe in you, Henry Limis. You are an

789
00:39:16,640 --> 00:39:17,400
Speaker 3: adventurer to me.

790
00:39:18,080 --> 00:39:21,480
Speaker 2: Yes. And it's a messy trek down, but he gets there.

791
00:39:21,800 --> 00:39:24,160
Speaker 2: They're able to pull the fluid, but oh, here comes mom.

792
00:39:24,200 --> 00:39:27,600
Speaker 2: She's retired and she is upset. Now luckily she's made

793
00:39:27,640 --> 00:39:29,960
Speaker 2: her nest and like these human like.

794
00:39:29,960 --> 00:39:32,680
Speaker 3: It's very interesting because it's kind of these human ruins,

795
00:39:32,719 --> 00:39:35,920
Speaker 3: but the implication of the way they are built is

796
00:39:35,960 --> 00:39:39,640
Speaker 3: that the humans worship these dinosaurs, like it seems like

797
00:39:39,719 --> 00:39:41,600
Speaker 3: the nest was made for them almost.

798
00:39:41,640 --> 00:39:42,560
Speaker 1: It's really interesting.

799
00:39:42,880 --> 00:39:45,000
Speaker 3: One of the definite things where I'm like, I would

800
00:39:45,040 --> 00:39:46,120
Speaker 3: love to know more about that.

801
00:39:46,200 --> 00:39:48,480
Speaker 2: And we definitely made a ror dive because I couldn't

802
00:39:48,480 --> 00:39:50,720
Speaker 2: tell if it was like, oh, the park had designed

803
00:39:50,760 --> 00:39:52,880
Speaker 2: these spaces and they were planning to maybe use it

804
00:39:52,920 --> 00:39:55,839
Speaker 2: one day and it was gonna be fun, or if like, oh,

805
00:39:55,840 --> 00:39:58,520
Speaker 2: maybe there's like a dinosaurs have been here for a

806
00:39:58,600 --> 00:40:01,480
Speaker 2: long time, maybe like the bones were in inspiration for

807
00:40:01,520 --> 00:40:03,279
Speaker 2: like a faith or something. We don't really know, but

808
00:40:04,719 --> 00:40:06,600
Speaker 2: think of the very like Indiana Jones kind of temple.

809
00:40:06,640 --> 00:40:12,360
Speaker 2: So it's like yes, yes, And they're trying to escape

810
00:40:12,360 --> 00:40:14,359
Speaker 2: the bird and it's dodging and weaving in between all

811
00:40:14,400 --> 00:40:18,000
Speaker 2: of these like physical structures and they're able to sort

812
00:40:18,000 --> 00:40:21,920
Speaker 2: of dodge it. Up top, Duncan is trying to distract

813
00:40:21,920 --> 00:40:24,799
Speaker 2: the bird with one of his other crew members, and

814
00:40:24,840 --> 00:40:28,080
Speaker 2: they do. They do. Unfortunately, that crew member successfully distracts

815
00:40:28,080 --> 00:40:32,200
Speaker 2: the bird and then gains ends up eat. Oh and

816
00:40:32,400 --> 00:40:35,000
Speaker 2: Loomis and Zora are trying to get the vial, but

817
00:40:35,040 --> 00:40:36,600
Speaker 2: it's bouncing all over the nest and oh my god,

818
00:40:36,600 --> 00:40:39,319
Speaker 2: it almost fell over the side. Loomis repels further down

819
00:40:39,360 --> 00:40:41,520
Speaker 2: to get the vial, but the rope holding him up

820
00:40:41,600 --> 00:40:43,600
Speaker 2: is dragging over the cliff side and so the ropes

821
00:40:43,640 --> 00:40:45,600
Speaker 2: get a snap. Soora tries to pull him up, but

822
00:40:45,680 --> 00:40:48,440
Speaker 2: he's determined, so the rope snaps. He does fall the

823
00:40:48,520 --> 00:40:51,520
Speaker 2: quas Paps has eaten the crew member. The vile parachute

824
00:40:51,560 --> 00:40:53,879
Speaker 2: safely to the ground, so all of these theatrics were

825
00:40:53,880 --> 00:40:57,200
Speaker 2: not worth it. Luckily, Loomis's falls cushioned by like jungle

826
00:40:57,239 --> 00:40:59,920
Speaker 2: foliage and he doesn't die or break a bone.

827
00:41:00,280 --> 00:41:03,440
Speaker 1: Lucky impressive, impressive man, truly.

828
00:41:03,560 --> 00:41:05,560
Speaker 2: So the family makes it to the island outpost a

829
00:41:05,600 --> 00:41:09,680
Speaker 2: bit before the Parker gen X team does. Teresa explodes

830
00:41:10,080 --> 00:41:13,399
Speaker 2: as Keeper approaches for leaving her to die. Keeper try,

831
00:41:13,560 --> 00:41:15,640
Speaker 2: tired of having to pretend to be a decent human,

832
00:41:15,760 --> 00:41:19,120
Speaker 2: whips out Chekhov's gun handcuffs of the blood samples to

833
00:41:19,200 --> 00:41:20,880
Speaker 2: his wristworks are in a very thick kind of like

834
00:41:20,920 --> 00:41:25,280
Speaker 2: metal case they've been carrying around absolutely, and he demands

835
00:41:25,320 --> 00:41:28,520
Speaker 2: everyone get ready for the helicopter. But the International Genetics

836
00:41:28,520 --> 00:41:32,440
Speaker 2: Technology inks mutations are heaviest year because oh no, this

837
00:41:32,640 --> 00:41:35,640
Speaker 2: is the lab where we started the most Snicker's lab.

838
00:41:36,520 --> 00:41:39,600
Speaker 2: It's not good. So the girls, Isabella and Teresa seek

839
00:41:39,640 --> 00:41:42,520
Speaker 2: shelter in the convenience store. They are cornered by a

840
00:41:42,640 --> 00:41:46,040
Speaker 2: raptor crossed with a dilophosaurus that's the asset spinning dinosaur

841
00:41:46,120 --> 00:41:47,359
Speaker 2: created for the original.

842
00:41:47,520 --> 00:41:51,040
Speaker 3: Kind of also some kind of like a bud bird

843
00:41:51,120 --> 00:41:55,520
Speaker 3: like Italer possibly maybe the coach list, because it has

844
00:41:55,560 --> 00:41:57,960
Speaker 3: these scary kind of I have to say, this was

845
00:41:58,000 --> 00:42:00,360
Speaker 3: a dinosaur that in the trailers I thought kind of

846
00:42:00,400 --> 00:42:03,680
Speaker 3: looked silly, but in the actual oh it's so good

847
00:42:03,719 --> 00:42:06,480
Speaker 3: saying and context of the movie is really scary. They're

848
00:42:06,560 --> 00:42:09,600
Speaker 3: essentially in like a seven eleven, and the wrapped a

849
00:42:09,800 --> 00:42:13,680
Speaker 3: dell off a saurus dinosaur is kind of trying to hide,

850
00:42:13,880 --> 00:42:15,719
Speaker 3: like trying to stalk them, so we get some good

851
00:42:15,760 --> 00:42:18,759
Speaker 3: callbacks to the original kids in the first movie. But

852
00:42:19,719 --> 00:42:21,600
Speaker 3: this is fun because you get to see Isabella like

853
00:42:21,680 --> 00:42:24,080
Speaker 3: hiding in a fridge and she's like covering herself up

854
00:42:24,120 --> 00:42:27,040
Speaker 3: so that it can only see its own reflection, and it's.

855
00:42:26,880 --> 00:42:30,080
Speaker 2: Really giving, almost like the Last of Us grocery store scene.

856
00:42:30,239 --> 00:42:34,480
Speaker 3: Yes, yes, yes, if the topic isn't two good, very scary, yeah,

857
00:42:34,560 --> 00:42:36,000
Speaker 3: it's it's really tense.

858
00:42:36,080 --> 00:42:37,640
Speaker 2: It'ess Actually, if he confits my brother to go see

859
00:42:37,640 --> 00:42:40,160
Speaker 2: the movie. They released a trailer of just this scene

860
00:42:40,920 --> 00:42:42,919
Speaker 2: a while ago, and he was like, a convenience store

861
00:42:42,960 --> 00:42:45,759
Speaker 2: and dinosaurs. Okay, let's do it. Here's the midside about

862
00:42:45,760 --> 00:42:48,120
Speaker 2: the action set, and it's a great set piece.

863
00:42:48,600 --> 00:42:48,719
Speaker 3: Uh.

864
00:42:49,760 --> 00:42:53,080
Speaker 2: So they're able to find it, find a great on

865
00:42:53,120 --> 00:42:55,640
Speaker 2: the store floor that leads to like underground tunnels, and

866
00:42:55,680 --> 00:42:57,759
Speaker 2: so they decide to hide in there. Unfortunately, one of

867
00:42:57,800 --> 00:43:01,040
Speaker 2: these dinosaurs follows them down and is stocking them. So

868
00:43:01,440 --> 00:43:04,080
Speaker 2: the coward Keeber hops in the car. He's like, I'm

869
00:43:04,080 --> 00:43:06,280
Speaker 2: actually done with this. I'm gonna go try to find

870
00:43:06,320 --> 00:43:09,600
Speaker 2: the helicopter. Zora had been trying to take shots on

871
00:43:09,640 --> 00:43:12,359
Speaker 2: the car into the store to distract the dinosaurs, and

872
00:43:12,440 --> 00:43:16,920
Speaker 2: she went to falling off. She's almost run over. Unfortunately,

873
00:43:16,960 --> 00:43:19,200
Speaker 2: Keeper's got this giant metal case cuf to his wrist

874
00:43:19,440 --> 00:43:22,280
Speaker 2: and it's actually more of an obstacle than a help.

875
00:43:22,760 --> 00:43:26,560
Speaker 3: Yes, and this is really great because it's really funny

876
00:43:27,239 --> 00:43:29,800
Speaker 3: when Zora is like under the car and Keba drives

877
00:43:29,800 --> 00:43:32,520
Speaker 3: it off her and it's giving again Dennis Nedri. Now,

878
00:43:32,560 --> 00:43:34,919
Speaker 3: I will say I'm calling out these because I love

879
00:43:34,920 --> 00:43:38,240
Speaker 3: a homage and I love the original Jurassic Park movies.

880
00:43:38,680 --> 00:43:41,440
Speaker 3: But I have seen some critiques in this movie that

881
00:43:41,480 --> 00:43:43,120
Speaker 3: it's just redoing the first movie.

882
00:43:43,200 --> 00:43:43,920
Speaker 1: I don't agree.

883
00:43:43,960 --> 00:43:47,959
Speaker 3: I think this is a very different situation tone, even

884
00:43:48,000 --> 00:43:49,799
Speaker 3: the setup and the way that they go into it.

885
00:43:49,840 --> 00:43:50,960
Speaker 3: I think it's quite original.

886
00:43:51,080 --> 00:43:53,320
Speaker 1: But there are fun nods here.

887
00:43:53,440 --> 00:43:57,600
Speaker 3: Keba drives off like he's fucking Dennis Nedri running away,

888
00:43:57,600 --> 00:44:02,080
Speaker 3: but instead of the Delophosaurus, this man ends up getting

889
00:44:02,160 --> 00:44:08,480
Speaker 3: gobbled up by the terrifying directs, which we finally.

890
00:44:08,080 --> 00:44:11,080
Speaker 1: See here and again is very divisive.

891
00:44:11,400 --> 00:44:14,400
Speaker 2: So the family's in the bowels and they're being stalked.

892
00:44:15,040 --> 00:44:18,360
Speaker 2: Scar Jo has survived, so doctor Zora goes down to

893
00:44:18,400 --> 00:44:21,320
Speaker 2: try to help them. The family finds this like large

894
00:44:21,840 --> 00:44:25,439
Speaker 2: gated thing is like it's like a gate. It's big

895
00:44:25,440 --> 00:44:29,239
Speaker 2: metal bars. They're into concrete. So the opening to that

896
00:44:29,360 --> 00:44:30,840
Speaker 2: is on the other side of the gate, and the

897
00:44:30,880 --> 00:44:33,160
Speaker 2: only person tiny enough to get through is Isabella. So

898
00:44:33,160 --> 00:44:34,120
Speaker 2: she's like, eh, and.

899
00:44:34,080 --> 00:44:35,760
Speaker 1: She's a real one. She just does it.

900
00:44:35,840 --> 00:44:39,399
Speaker 2: She is so confident. But oh no, now we're stuck

901
00:44:39,440 --> 00:44:41,440
Speaker 2: behind the door and here comes d Rex again. She

902
00:44:41,560 --> 00:44:45,279
Speaker 2: opens her family escapes. That means who else escapes d Rex? Okay? Now,

903
00:44:45,600 --> 00:44:47,960
Speaker 2: doctor is that here? He sees the helicopter. It's here,

904
00:44:48,120 --> 00:44:50,239
Speaker 2: it's shining and it's bright, and it's coming toward him,

905
00:44:50,280 --> 00:44:53,080
Speaker 2: and he could not be happier. Thank god they saw

906
00:44:53,080 --> 00:44:56,680
Speaker 2: the helicopter. The helicopter sees them, but no, de Rex

907
00:44:56,800 --> 00:44:59,680
Speaker 2: is out and has actually captured the helicopter and the

908
00:45:00,000 --> 00:45:02,680
Speaker 2: O cool perspective shot and again this movie is filled

909
00:45:02,719 --> 00:45:05,120
Speaker 2: with him. The light is shining right into the lens,

910
00:45:05,120 --> 00:45:08,479
Speaker 2: so you think the helicopter is just approaching. But then

911
00:45:08,520 --> 00:45:10,920
Speaker 2: as the light turns away from the lens, you can

912
00:45:10,920 --> 00:45:14,200
Speaker 2: see the helicopter in the jaws of the d Rex

913
00:45:14,520 --> 00:45:18,720
Speaker 2: and it's careening toward our sweet baby doctor, mister Loomis.

914
00:45:18,760 --> 00:45:21,719
Speaker 2: It's it's terrifying and really good action.

915
00:45:21,640 --> 00:45:25,680
Speaker 3: Great moment, and yet obviously Kiba, he's not gonna survive

916
00:45:25,880 --> 00:45:28,400
Speaker 3: now the d Rex is out. The d Rex eats

917
00:45:28,440 --> 00:45:30,960
Speaker 3: him in a very gruesome moment we get to see

918
00:45:31,000 --> 00:45:33,719
Speaker 3: him get yammed up, eats his head, he chops me,

919
00:45:33,920 --> 00:45:37,880
Speaker 3: eats him in the air, and of course attaching the

920
00:45:37,920 --> 00:45:40,400
Speaker 3: suitcase to his arm meant this was always gonna happen.

921
00:45:40,680 --> 00:45:42,160
Speaker 1: The arm is left.

922
00:45:42,480 --> 00:45:46,920
Speaker 2: Yet Samuel Jackson style and Jor just grabs that up

923
00:45:47,040 --> 00:45:48,319
Speaker 2: and is like boom.

924
00:45:48,520 --> 00:45:50,359
Speaker 1: But there's another hero in this.

925
00:45:50,360 --> 00:45:55,239
Speaker 3: Moment, and I love this, which is this moment. Yeah,

926
00:45:55,280 --> 00:45:58,520
Speaker 3: he's thinking of his son. Yeahs Sissy won't die in

927
00:45:58,560 --> 00:46:01,400
Speaker 3: the jungle, but he doesn't want the kids to be scared,

928
00:46:01,520 --> 00:46:03,440
Speaker 3: like be scared and not be able to get away.

929
00:46:03,640 --> 00:46:07,960
Speaker 3: So he runs with a flat very alien coded and

930
00:46:08,000 --> 00:46:11,200
Speaker 3: he's kind of luring the monster away into the jungle.

931
00:46:11,440 --> 00:46:13,840
Speaker 3: Now I was ready to be very disappointed at this

932
00:46:13,920 --> 00:46:15,400
Speaker 3: moment because they pissed.

933
00:46:15,600 --> 00:46:19,080
Speaker 1: They do make you think that Mahershela Ali is.

934
00:46:19,840 --> 00:46:24,360
Speaker 2: Dead, is losing her mind. On the side, we can't.

935
00:46:24,120 --> 00:46:27,279
Speaker 3: Leave and they finally get to the boat, which I

936
00:46:27,320 --> 00:46:29,840
Speaker 3: have to say, guys, the want my one critique of

937
00:46:29,840 --> 00:46:32,120
Speaker 3: this movie. You ain't getting me in a fucking boat

938
00:46:32,160 --> 00:46:33,960
Speaker 3: after all the boat stuff.

939
00:46:34,760 --> 00:46:36,960
Speaker 1: Damn boats, I'll just die drowning.

940
00:46:37,640 --> 00:46:40,040
Speaker 3: Not I am not going in a fucking boat with

941
00:46:40,080 --> 00:46:42,760
Speaker 3: these dinosaurs. You were far away and you're still getting

942
00:46:42,800 --> 00:46:47,400
Speaker 3: in by a dinosaur. Absolutely not yes, but they do

943
00:46:47,480 --> 00:46:49,480
Speaker 3: go on a boat. They leave the d Rex behind,

944
00:46:50,480 --> 00:46:51,640
Speaker 3: and what happens, shaw.

945
00:46:51,920 --> 00:46:55,640
Speaker 2: A flair lights up into the air. Our sweet baby

946
00:46:55,719 --> 00:46:59,520
Speaker 2: Duncan did not die in the jungle of him, thank god.

947
00:46:59,560 --> 00:47:01,840
Speaker 2: So they wing back to get him. Luckily, he's floated

948
00:47:01,880 --> 00:47:04,920
Speaker 2: pretty far away from the recent Even though we've already

949
00:47:04,960 --> 00:47:07,920
Speaker 2: established that flares tend to draw dinosaurs attention, I get

950
00:47:07,920 --> 00:47:13,160
Speaker 2: in this case, he's stupid. I guess let's fight with

951
00:47:13,239 --> 00:47:16,880
Speaker 2: not worth it for this small little snack. So okay, uh.

952
00:47:17,680 --> 00:47:20,280
Speaker 2: We sail off into sunset. But before we do, Zora

953
00:47:20,320 --> 00:47:22,960
Speaker 2: looks to Loomis and she goes, hey, let's give this

954
00:47:23,080 --> 00:47:25,640
Speaker 2: medication to everybody. Let's make everybody gets it.

955
00:47:26,760 --> 00:47:28,960
Speaker 1: Getting that money from that dead guy anyway, so it's

956
00:47:29,000 --> 00:47:29,480
Speaker 1: a good time.

957
00:47:29,760 --> 00:47:31,480
Speaker 2: I don't know if the contract was written down a

958
00:47:31,520 --> 00:47:32,240
Speaker 2: lot of little.

959
00:47:32,200 --> 00:47:34,640
Speaker 1: Side I know it seems like it was very illegal.

960
00:47:34,920 --> 00:47:37,400
Speaker 1: And you get your your final kind of homage.

961
00:47:37,400 --> 00:47:41,360
Speaker 3: You get hair is as that driving away in the boat,

962
00:47:41,520 --> 00:47:43,960
Speaker 3: you see dolphins come up beside them. By the way,

963
00:47:43,960 --> 00:47:45,879
Speaker 3: I'll be freaking out to see those dolphins. I don't

964
00:47:45,880 --> 00:47:48,640
Speaker 3: want to see it's beIN coming up. But it's a

965
00:47:48,760 --> 00:47:49,600
Speaker 3: nice little.

966
00:47:49,440 --> 00:47:53,080
Speaker 1: Nod to the buds.

967
00:47:52,600 --> 00:47:54,600
Speaker 3: That we see at the end of the original Jurassic

968
00:47:54,640 --> 00:47:57,600
Speaker 3: Park when they're heading out, and the kind of reminder

969
00:47:57,640 --> 00:48:01,839
Speaker 3: of how buds were the know they are the descendants

970
00:48:01,840 --> 00:48:04,080
Speaker 3: of dinosaurs, and I think the implication hair is kind

971
00:48:04,080 --> 00:48:06,799
Speaker 3: of thinking about those what are dinosaurs and seeing doll face.

972
00:48:06,800 --> 00:48:08,840
Speaker 2: It's also the final shot of the Jurassic Park is

973
00:48:08,840 --> 00:48:10,239
Speaker 2: when they're looking out the window and you see the

974
00:48:10,280 --> 00:48:13,640
Speaker 2: cracks cone. You're like, oh, okay, we're like back in

975
00:48:13,640 --> 00:48:16,440
Speaker 2: to animals that we're familiar with and could hunt if

976
00:48:16,440 --> 00:48:16,880
Speaker 2: we needed to.

977
00:48:17,080 --> 00:48:19,759
Speaker 1: Oh. I love that poll. You you see the as

978
00:48:19,800 --> 00:48:20,640
Speaker 1: they move away, you.

979
00:48:20,560 --> 00:48:23,680
Speaker 3: See that place on the food chain change and you

980
00:48:23,760 --> 00:48:27,040
Speaker 3: remember that now humans are the alphas in That's very interesting.

981
00:48:27,080 --> 00:48:27,799
Speaker 1: I love that take.

982
00:48:28,400 --> 00:48:32,799
Speaker 2: It's great. I okay, let's take one final break and

983
00:48:32,880 --> 00:48:34,719
Speaker 2: when we come back, we'll give you, guys our our

984
00:48:34,800 --> 00:48:52,400
Speaker 2: full thoughts on the film. Okay, we're back, So Rosie,

985
00:48:52,960 --> 00:48:56,879
Speaker 2: rank this for me amongst the Jurassic Park films. How

986
00:48:56,920 --> 00:48:58,759
Speaker 2: are we? How are we going? We have to put

987
00:48:58,760 --> 00:49:02,600
Speaker 2: it in a specific place, but me just below the

988
00:49:02,680 --> 00:49:05,040
Speaker 2: original I know all trilogy.

989
00:49:05,040 --> 00:49:07,919
Speaker 1: I'm going for. I love the original trilogy. I love

990
00:49:07,960 --> 00:49:08,720
Speaker 1: all of it.

991
00:49:08,880 --> 00:49:11,480
Speaker 3: I think quality wise, this is like on a level

992
00:49:11,880 --> 00:49:14,440
Speaker 3: with the later entries into the trilogy, which I do

993
00:49:14,480 --> 00:49:16,560
Speaker 3: think are good. Like I would say this is kind

994
00:49:16,560 --> 00:49:19,280
Speaker 3: of an in between a Jurassic Part two and three

995
00:49:19,520 --> 00:49:23,680
Speaker 3: for the equality wise, I I do deeply enjoy the

996
00:49:23,760 --> 00:49:26,319
Speaker 3: Jurassic World movies. We know that, but that is a

997
00:49:26,360 --> 00:49:32,440
Speaker 3: subjective enjoyment. This is a better movie than those movies. YEA.

998
00:49:32,440 --> 00:49:34,720
Speaker 1: Is a well made movie. It's a stripped down movie.

999
00:49:35,320 --> 00:49:38,120
Speaker 3: It doesn't suffer from, you know, the very famous issue

1000
00:49:38,160 --> 00:49:40,480
Speaker 3: that the first movie suffered from, which is Bryson heels

1001
00:49:40,520 --> 00:49:43,080
Speaker 3: when she's in heels running away from a dinosaur. There's

1002
00:49:43,120 --> 00:49:45,719
Speaker 3: a lot more thought going into this, but I will

1003
00:49:45,719 --> 00:49:48,879
Speaker 3: say it is a lot more stripped down. They don't

1004
00:49:48,920 --> 00:49:51,719
Speaker 3: take the kind of crazy swings they were taking in

1005
00:49:51,880 --> 00:49:55,839
Speaker 3: that in Jurassic World, which I totally understand because those

1006
00:49:55,880 --> 00:49:57,640
Speaker 3: movies were not necessarily well received.

1007
00:49:57,880 --> 00:49:59,600
Speaker 1: I think this is a very rewatchable movie.

1008
00:49:59,600 --> 00:50:01,879
Speaker 3: I think Nathan Bailey and ma Herschel have come out

1009
00:50:01,880 --> 00:50:04,000
Speaker 3: of this as the stars of the movie.

1010
00:50:04,520 --> 00:50:05,839
Speaker 1: I think that we get some.

1011
00:50:05,800 --> 00:50:09,560
Speaker 3: Great dinosaur action I'm excited to see it again. I'm

1012
00:50:09,680 --> 00:50:12,360
Speaker 3: sad that this is not getting an Imax release because

1013
00:50:12,400 --> 00:50:15,399
Speaker 3: of the way that the release schedule kind of shook out.

1014
00:50:15,480 --> 00:50:17,840
Speaker 3: This was a movie that was rushed into production and

1015
00:50:17,920 --> 00:50:20,080
Speaker 3: kind of sped through because they had a great script.

1016
00:50:20,640 --> 00:50:23,720
Speaker 3: So I think it should have definitely got an Imax release.

1017
00:50:23,760 --> 00:50:25,719
Speaker 3: I would have loved to see that, But f one

1018
00:50:25,800 --> 00:50:29,799
Speaker 3: has all of Imax up until July eleventh with the

1019
00:50:29,840 --> 00:50:31,160
Speaker 3: old release of Superman.

1020
00:50:31,320 --> 00:50:33,640
Speaker 1: Ever heard of it? So yeah, I love this movie.

1021
00:50:33,680 --> 00:50:36,160
Speaker 3: I'm excited to see it again. I'm excited to see

1022
00:50:36,200 --> 00:50:39,800
Speaker 3: how it influences kind of the other parts of Jurassic

1023
00:50:39,800 --> 00:50:41,879
Speaker 3: World Law that we get because this is very camp

1024
00:50:41,920 --> 00:50:46,120
Speaker 3: Cretaceous chaos theory coded with the dinosaurs that being experimented on.

1025
00:50:46,200 --> 00:50:48,439
Speaker 3: And I love those shows. If you haven't watched them,

1026
00:50:48,719 --> 00:50:51,040
Speaker 3: watch them. They add so much to the law. They're

1027
00:50:51,120 --> 00:50:53,640
Speaker 3: so fun to check out. And yeah, I just I mean,

1028
00:50:53,680 --> 00:50:56,560
Speaker 3: I was satisfied as a Jurassic Park fan. It didn't

1029
00:50:56,600 --> 00:51:00,799
Speaker 3: necessarily like give me that big hit of like dopamine

1030
00:51:00,960 --> 00:51:03,000
Speaker 3: I often get from these, because I do think it

1031
00:51:03,080 --> 00:51:05,080
Speaker 3: is a little bit more like plays, a little bit

1032
00:51:05,120 --> 00:51:07,640
Speaker 3: more safe, But I still just think it was a

1033
00:51:07,719 --> 00:51:11,160
Speaker 3: really enjoyable, fun movie, and I'll definitely be rewatching it again.

1034
00:51:11,160 --> 00:51:11,759
Speaker 1: What about you.

1035
00:51:12,560 --> 00:51:14,839
Speaker 2: I had so much fun. I have tickets to see

1036
00:51:14,840 --> 00:51:16,719
Speaker 2: it again. My parents are coming up this weekend, and

1037
00:51:16,719 --> 00:51:19,000
Speaker 2: so I was like, Dad, we're going to see Jurassic Park.

1038
00:51:20,760 --> 00:51:23,400
Speaker 2: I saw it in a small screen before, so I'm

1039
00:51:23,400 --> 00:51:25,440
Speaker 2: excited to see it on a slightly larger screen with

1040
00:51:25,480 --> 00:51:29,360
Speaker 2: a bigger audience this time around. I think, for me,

1041
00:51:29,440 --> 00:51:32,680
Speaker 2: this is so much better than the middle trilogy. We'll

1042
00:51:32,680 --> 00:51:34,880
Speaker 2: call it our Jurassic.

1043
00:51:34,480 --> 00:51:37,239
Speaker 1: Worlds because obviously gonna become a.

1044
00:51:37,239 --> 00:51:41,040
Speaker 2: New Yeah, it seems that when they're trying to kick off,

1045
00:51:41,719 --> 00:51:44,280
Speaker 2: and I think by choosing to do a genre outside

1046
00:51:44,280 --> 00:51:46,480
Speaker 2: of what they typically do, like I would see Jurassic

1047
00:51:46,520 --> 00:51:48,279
Speaker 2: Park is like a thriller, where this is more of

1048
00:51:48,320 --> 00:51:52,960
Speaker 2: a horror, and so it's it feels and plays similarly

1049
00:51:53,080 --> 00:51:56,000
Speaker 2: enough to the thriller of the original, while also making

1050
00:51:56,040 --> 00:51:58,560
Speaker 2: it feel like its own very specific horror. I thought

1051
00:51:58,640 --> 00:52:02,399
Speaker 2: the struck sure of It was really tight and fun

1052
00:52:02,400 --> 00:52:05,000
Speaker 2: and follow I love that we're getting back to nature

1053
00:52:05,239 --> 00:52:07,600
Speaker 2: because it's one as to see a dinosaur like walking

1054
00:52:07,600 --> 00:52:10,480
Speaker 2: around a modern day suburb. It does steal some of

1055
00:52:10,520 --> 00:52:13,720
Speaker 2: them like whimsy of it, like the magic you need,

1056
00:52:13,880 --> 00:52:16,640
Speaker 2: you need the crustaceous looking space in.

1057
00:52:16,760 --> 00:52:19,600
Speaker 1: Order that you need that, we had space.

1058
00:52:20,040 --> 00:52:23,080
Speaker 2: Yeah, and then I think cass Wise, my god, Mergia'll

1059
00:52:23,320 --> 00:52:26,000
Speaker 2: he is a star of his generation and has not

1060
00:52:26,080 --> 00:52:28,160
Speaker 2: been given the opportunity to shine quite enough.

1061
00:52:28,440 --> 00:52:32,440
Speaker 3: I hope he gives him that opportunity and opens it up.

1062
00:52:32,600 --> 00:52:35,160
Speaker 1: He should be doing action. We know he can do drama.

1063
00:52:35,200 --> 00:52:36,200
Speaker 1: This is an Oscar winner.

1064
00:52:36,239 --> 00:52:38,840
Speaker 3: We know he should be in these spaces, leading these films.

1065
00:52:38,880 --> 00:52:40,120
Speaker 3: Let's get more of them.

1066
00:52:40,200 --> 00:52:43,520
Speaker 2: And we know he's been wisely very selective, like apparently

1067
00:52:43,560 --> 00:52:45,400
Speaker 2: a lot of the hindrance with Blade was like this

1068
00:52:45,480 --> 00:52:47,480
Speaker 2: script is not done, I won't move forward, which good

1069
00:52:47,480 --> 00:52:50,759
Speaker 2: for you, sir. And so it was exciting to see

1070
00:52:50,800 --> 00:52:52,600
Speaker 2: him get a showcase here. I hope that when the

1071
00:52:52,600 --> 00:52:54,880
Speaker 2: next movie comes up, we get a little bit more

1072
00:52:54,920 --> 00:52:59,720
Speaker 2: of him, because you know, we deserve. So yeah, that's

1073
00:52:59,760 --> 00:53:02,759
Speaker 2: a that's where we're at right now. I'm excited for

1074
00:53:02,800 --> 00:53:06,120
Speaker 2: the next one. I love this cast. That family was adorable.

1075
00:53:06,920 --> 00:53:08,680
Speaker 2: I think they did a great Gareth Edwards, like, really,

1076
00:53:08,719 --> 00:53:11,680
Speaker 2: he stomped this. He did a great job. So yeah,

1077
00:53:11,719 --> 00:53:13,560
Speaker 2: I'm looking forward to the next one. It was good.

1078
00:53:13,920 --> 00:53:15,920
Speaker 2: I'm glad we got to do this one together. This

1079
00:53:16,080 --> 00:53:18,720
Speaker 2: was fun. If you guys missed Jason on the recap,

1080
00:53:18,760 --> 00:53:20,759
Speaker 2: as I certainly did. Uh oh wait, it's going to

1081
00:53:20,840 --> 00:53:23,319
Speaker 2: come back for our roundtable to talk, so we'll get

1082
00:53:23,360 --> 00:53:24,280
Speaker 2: his takes shortly.

1083
00:53:24,640 --> 00:53:26,520
Speaker 3: Yes, if you want to hear more of us talking

1084
00:53:26,520 --> 00:53:28,520
Speaker 3: about Jurassic wealth and hear us tap in the super

1085
00:53:28,520 --> 00:53:31,200
Speaker 3: Producers and be joined, of course by our my wonderful

1086
00:53:31,200 --> 00:53:34,200
Speaker 3: co host, Jason caccepcion, keep your ears peeled because we

1087
00:53:34,239 --> 00:53:36,920
Speaker 3: will be doing that and before that though, on the

1088
00:53:36,960 --> 00:53:40,000
Speaker 3: next x Ray vision, we will be diving into news

1089
00:53:40,520 --> 00:53:44,120
Speaker 3: and stay tuned if you follow us on social media

1090
00:53:44,160 --> 00:53:48,160
Speaker 3: official at official XRB pod follow us now you may

1091
00:53:48,160 --> 00:53:50,520
Speaker 3: have seen that me and Joel are doing very fun

1092
00:53:50,640 --> 00:53:53,439
Speaker 3: stuff to do with Superman, so keep an eye out

1093
00:53:53,480 --> 00:53:55,200
Speaker 3: for our Superman coverage coming soon.

1094
00:53:55,239 --> 00:53:57,240
Speaker 1: We're going to tell you the road to Superman.

1095
00:53:57,280 --> 00:53:59,400
Speaker 3: We're going to tell you to comics that influence Superman,

1096
00:53:59,440 --> 00:54:01,160
Speaker 3: and of course are going to give you out of

1097
00:54:01,239 --> 00:54:06,839
Speaker 3: the reactions to James Gunns hopefully game changing Superman film.

1098
00:54:06,840 --> 00:54:09,560
Speaker 1: That's it. Thank you for listening, Thanks for joining me,

1099
00:54:09,640 --> 00:54:11,319
Speaker 1: you oul, Thanks her the.

1100
00:54:16,719 --> 00:54:19,360
Speaker 3: X Ray Vision is hosted by Jason Spcion and Rosie

1101
00:54:19,400 --> 00:54:22,560
Speaker 3: Knight and is a production of iHeart Podcast. Our executive

1102
00:54:22,560 --> 00:54:25,400
Speaker 3: producers are Joel Monique and Aaron Korfman.

1103
00:54:25,640 --> 00:54:27,680
Speaker 1: Our supervising producer is Abu Zafar.

1104
00:54:28,080 --> 00:54:32,000
Speaker 3: Our producers are Common, Laurent Dean Jonathan and Bay Wag.

1105
00:54:32,120 --> 00:54:34,919
Speaker 2: A theme song is by Brian Vasquez, with alternate theme

1106
00:54:34,960 --> 00:54:36,240
Speaker 2: songs by Aaron Kauffman.

1107
00:54:36,400 --> 00:54:39,799
Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

1108
00:54:39,880 --> 00:54:41,640
Speaker 3: Heidi our discord moderator.