WEBVTT - Uzamaki: Spiraling out of control!

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<v Speaker 1>Warning today's episode con taste spoilers for the first terrifying

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<v Speaker 1>chapter of uzer Markie on Adult Swim.

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<v Speaker 2>Hello, my name is Rosie.

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<v Speaker 3>Knight and I am Joel and welcome back to a

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<v Speaker 3>spooky edition of Xtra Visi, the podcast where we dive

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<v Speaker 3>deep into your favorite shows, movies, comics and pop culture.

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<v Speaker 3>We are here at Iart Podcasts where we're bringing you

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<v Speaker 3>two episodes a week, every single week Tuesday and Thursday,

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<v Speaker 3>and sometimes even get a special little extra.

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<v Speaker 2>Episode Look at you, guys, So Lucky, So Lucky.

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<v Speaker 3>In today's delightful and terrifying episode, we are digging into

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<v Speaker 3>the previously on where from his fur Cobble is having

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<v Speaker 3>a terrible time with the Megalopolis box office and super

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<v Speaker 3>producer Aaron tags in to walk us through all the

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<v Speaker 3>magic the gathering scandal that broke this weekend.

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<v Speaker 2>In the airlock, we will be Uzi.

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<v Speaker 3>Mackieing it up as the long awaited five years in

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<v Speaker 3>the making anime adaptation of Jungi Itto hits Adult Swim

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<v Speaker 3>dub or sub what do you Like?

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<v Speaker 2>We're going to talk about it, but.

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<v Speaker 3>First it's the previously on in the box office Francis

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<v Speaker 3>for couple is one hundred and twenty million dollar investment

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<v Speaker 3>in himself has crumbled four million this week.

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<v Speaker 2>You can saw it coming? Who could ever have seen

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<v Speaker 2>it coming?

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<v Speaker 3>And The Wild Robot Lands at number one with thirty

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<v Speaker 3>five million. That delightful book adapt that delightful film actually

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<v Speaker 3>adapts a very very pot Pela Kids book series by

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<v Speaker 3>Peter Brown.

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<v Speaker 2>And I am seeing the reporting.

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<v Speaker 3>Saying, oh, this is a surprise hit for dream Works.

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<v Speaker 3>You know, people didn't know it was going to make

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<v Speaker 3>this much money. I had a feeling it's like one

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<v Speaker 3>hundred percent on Morong Tomorrow's the Books.

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<v Speaker 4>It's a beautiful animated film based off of a popular

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<v Speaker 4>book series, and it appeals to children at all ages,

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<v Speaker 4>which there's no competition really. Oh there's no big kids

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<v Speaker 4>movie out right now. Those movies always at the very

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<v Speaker 4>least make their box office back mm hmmm.

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<v Speaker 2>Yeah.

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<v Speaker 3>And I think my gut says this one could run

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<v Speaker 3>till Christmas, so very interesting.

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<v Speaker 4>That would be a very long run.

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<v Speaker 2>I think it could do it.

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<v Speaker 3>I think it's got the legs because it's a family

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<v Speaker 3>based movie. It's about adoption, it's about found family, it's

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<v Speaker 3>about AI. I think there's a lot there and it

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<v Speaker 3>does look absolutely beautiful. I haven't seen it yet, but

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<v Speaker 3>I have read the books.

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<v Speaker 4>Cion Skate continuing to struggle with megal. Oh my gosh,

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<v Speaker 4>they got into fifteen hundred screens, I think, which is

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<v Speaker 4>a lot, especially considering there's a whole part that requires

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<v Speaker 4>a performer, although I think do they say they wound up?

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<v Speaker 5>Okay?

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<v Speaker 2>Out how the mind? I'm gonna tell you.

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<v Speaker 3>So this was one of the biggest conversations that we

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<v Speaker 3>were all having in the lead up to this movie.

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<v Speaker 3>When this movie debut at can it was revealed that

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<v Speaker 3>there is a segment where Adam Driver talks to a

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<v Speaker 3>member of the audience who gets up and asks him questions.

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<v Speaker 3>I have heard very mixed reviews on it. Apparently there

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<v Speaker 3>is a lot of lead in time, it can be

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<v Speaker 3>quite awkward, and it's not clear whether the person is

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<v Speaker 3>actually reading the lines or if it's pre recorded audio.

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<v Speaker 2>So it's a lot.

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<v Speaker 3>But I did find out that they are only doing

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<v Speaker 3>that at certain screenings called ultimate editions, and it seems

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<v Speaker 3>like they are at least hiring actors to go in

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<v Speaker 3>and do those segments in the movie. Whereas my joke

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<v Speaker 3>had been and it was very serious joke honestly that

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<v Speaker 3>they will probably just pull up a kid from like

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<v Speaker 3>a popcorn stand and make them do it, because I've

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<v Speaker 3>worked in a cinema and they do make you do

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<v Speaker 3>unnecessary stuff.

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<v Speaker 2>But you know what, this is not worked out.

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<v Speaker 3>The Ultimate Edition at the Imax has clearly not been

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<v Speaker 3>drawing people in. I have seen many funny, hilarious tweets

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<v Speaker 3>about it, though, which have been giving me life. Like

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<v Speaker 3>I saw someone who said a perfect tonal amalgamation of

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<v Speaker 3>my two favorite movies, Citizen Kane and Revenge of the Sith,

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<v Speaker 3>and I just think any movie that can be described

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<v Speaker 3>that way, I have to tell you I am gonna

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<v Speaker 3>go and see it just because I love a disaster

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<v Speaker 3>and this sounds like a disaster.

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<v Speaker 2>I know.

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<v Speaker 3>Usually on this podcast we always try and be positive,

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<v Speaker 3>but the reporting that has come out about the way

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<v Speaker 3>Francis for Coppola has treated extras on this set, I

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<v Speaker 3>don't know that we necessarily have to keep our usually

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<v Speaker 3>positive vibes. But some people I deeply respect have given

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<v Speaker 3>it five stars on Letterboxed have felt like it's actually

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<v Speaker 3>quite a great treatise on this kind of era we're in,

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<v Speaker 3>of the creative versus the corporate but I will have

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<v Speaker 3>to go and see it myself, and I'm sure we

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<v Speaker 3>will report back to you. But yeah, not going well

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<v Speaker 3>for old Francis Ford Coppola.

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<v Speaker 2>In art going well right exactly.

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<v Speaker 3>This is actually a huge win for the average man,

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<v Speaker 3>the average man on the street, the average the average

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<v Speaker 3>lady going about her business, the average They them attempting

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<v Speaker 3>to just do a little shopping around, write a little comic.

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<v Speaker 3>So Marvel and DC have long held a joint trademark

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<v Speaker 3>for the word superhero. It's superhero has one word and

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<v Speaker 3>superhero as two words. It's been very controversial for a

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<v Speaker 3>very long time. My husband Nick, he loves to talk

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<v Speaker 3>about it. You can go back for years on the internet,

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<v Speaker 3>and he has been claiming that this is basically unprotectable

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<v Speaker 3>because it is so generic at this point.

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<v Speaker 2>And what happened, incredibly is that a man named s. J.

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<v Speaker 3>Rich Hold, who owns a company called super Baby's Limited,

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<v Speaker 3>which releases superhero baby comics. DC came after him and said, hey,

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<v Speaker 3>you can't use super babies, which was a reach first

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<v Speaker 3>of all, and they shouldn't have done it, but they did,

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<v Speaker 3>and he tried to secure the super Baby's trademark in

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<v Speaker 3>the US, DC was not having it, but Marvel and

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<v Speaker 3>DC did not respond to the challenge by the deadline.

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<v Speaker 3>Oh and so what happened is that the US Department

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<v Speaker 3>of Trademark, like the US Office of Trademarks, they actually

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<v Speaker 3>just released the trademark and we're like, fine, we're canceling

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<v Speaker 3>the trademarks. So this is not like a Supreme Court

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<v Speaker 3>like they can appeal it thing.

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<v Speaker 2>It's been released. So this is a huge.

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<v Speaker 3>Deal and it's gonna be very interesting to see what

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<v Speaker 3>happens next because Marvel and DC like own it in

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<v Speaker 3>capitals still and they also owned super Villain, which was

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<v Speaker 3>a nineteen eighty five trademark as long as it has a.

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<v Speaker 2>Dash in the middle. But this is huge. They have

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<v Speaker 2>long been.

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<v Speaker 3>Going after people who use the word superhero in titles.

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<v Speaker 3>You can use it within a story, but you cannot

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<v Speaker 3>like name your thing like Rosy and Joel's Superhero Adventure,

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<v Speaker 3>Like they could come after us and say, just infringes

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<v Speaker 3>on our trademark.

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<v Speaker 4>Nobody thinks of superhero and there's exclusively like oh, that's

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<v Speaker 4>Marvel or DC. And also, like I was seeing people

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<v Speaker 4>were pulling up old comic book like newsletter spaces yep,

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<v Speaker 4>and they were like, yeah, so.

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<v Speaker 2>Pre Superman exactly. Well, this is actually the most superhero

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<v Speaker 2>So this is this.

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<v Speaker 3>Is the most interesting thing is that the first place

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<v Speaker 3>that they ever found superheroes was, as you said in

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<v Speaker 3>the letters pages, I believe it was of of Science

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<v Speaker 3>Fiction magazine. Nick is like desperate to get this issue

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<v Speaker 3>where a guy basically wrote in and critically was like,

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<v Speaker 3>you're not doing enough. Fancy, you're not doing enough, you know,

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<v Speaker 3>genre stories. You're going into these kind of bobbleheaded, nonsense

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<v Speaker 3>superhero stories. And that is like the first time it's

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<v Speaker 3>in text. So it's not even something Marvel and DC

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<v Speaker 3>came up with. It was something they trademarked after the fact,

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<v Speaker 3>when fans had come up with this term like so

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<v Speaker 3>much that Marvel and DC do the fans I've always

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<v Speaker 3>been driving that conversation.

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<v Speaker 2>But yeah, this was really funny. I actually should have recorded.

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<v Speaker 3>I was joking with my friend Mark, who sent this over,

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<v Speaker 3>who's a brilliant cartoonist, Mark Martinez, and he sent it

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<v Speaker 3>to me and I said, oh my god, I should

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<v Speaker 3>film Nick when I tell him this, But I didn't

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<v Speaker 3>do it, Like I was joking, but Nick's face was

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<v Speaker 3>literally I should have filmed it. He was like so happy.

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<v Speaker 3>This was the best news for him. It is great

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<v Speaker 3>news for indie comics creators everywhere. And I'm very interested

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<v Speaker 3>to see what happens next because we know that Marvel

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<v Speaker 3>and DC are very litigious, so the fact they didn't

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<v Speaker 3>chase this down and kind of respond to the challenge

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<v Speaker 3>in time is very interesting to me. So I'm intrigued

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<v Speaker 3>to see what happens next. And that wasn't the only

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<v Speaker 3>controversy that was occurring this weekend in fandom spaces. So

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<v Speaker 3>I'm going to tap in on Magic the Gathering correspondent

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<v Speaker 3>and super producer Aaron wang Kaufman to tell us about

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<v Speaker 3>the latest Magic the Gathering scandal.

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<v Speaker 5>Hello, Rosie and Joel, And speaking of this is I

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<v Speaker 5>prepped this transition, so it's a little dated now. But

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<v Speaker 5>speaking of super babies, let's let's get into the drama

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<v Speaker 5>around Magic the Gathering this past week and then escalating

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<v Speaker 5>into this weekend and Monday, September thirtieth. So, Magic the

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<v Speaker 5>Gathering is a collectible card game for those of you

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<v Speaker 5>who don't know. When you build a deck of forty

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<v Speaker 5>to sixty cards and you play against each other and

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<v Speaker 5>you cast spells and create creatures and it's a lot

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<v Speaker 5>of fun. It's something many of us played when we

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<v Speaker 5>were kids. Maybe my video is not on, but I

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<v Speaker 5>have my magic cards on the bookshelf behind me at

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<v Speaker 5>all times as like part of my video background. And

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<v Speaker 5>there's a newer format, not particularly new. It actually started

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<v Speaker 5>long time ago, but it's grown in popularity called Commander

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<v Speaker 5>and Commander has become the main way people playing magic,

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<v Speaker 5>and like people start playing magic with Commander, they're introduced

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<v Speaker 5>to it through that, and it's really become the most

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<v Speaker 5>popular thing. And there is the founding member. Sheldon Menery

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<v Speaker 5>is the founding founding member of the Commander rules Committee

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<v Speaker 5>who passed away not too long ago, and he was

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<v Speaker 5>like an iconic person within the Magic and Commander space. Well,

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<v Speaker 5>last Monday, Wizards of the Coast, who publishes Magic and

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<v Speaker 5>does Dodgers and Dragons as well, they banned four cards

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<v Speaker 5>from Commander, Dockside Extortionists, Jeweled Lotus, Manicrypt, and Nado Winged

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<v Speaker 5>Wisdom and so these cards were all very high level cards,

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<v Speaker 5>high power. So the reason they're getting rid of them

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<v Speaker 5>is like it creates a less fun play environment if

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<v Speaker 5>I have one of these overpowered cards and you don't,

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<v Speaker 5>and I get started really quickly, like the game could

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<v Speaker 5>be over within a few turns. Interesting, and it caused

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<v Speaker 5>a ton of pushback because magic is is a game,

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<v Speaker 5>but it also has a collectible aspect to it. And

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<v Speaker 5>so some of these cards, most notably you know, like

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<v Speaker 5>Man Crypt, Jeweled Lotus, These are very expensive cards, and

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<v Speaker 5>as soon as they got banned, the price plummeted, and

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<v Speaker 5>so people were pissed because they're like, I have like

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<v Speaker 5>spent all this money buying these cards because they're a

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<v Speaker 5>quote unquote investment, and now Wizards of the Cost comes

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<v Speaker 5>in and bans them, and I've lost all this money.

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<v Speaker 5>Whether or not you should be using Magic the gathering

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<v Speaker 5>as an investment is a discussion for something else entirely.

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<v Speaker 2>Yeah, but we live.

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<v Speaker 3>In a speculative space with both comics and magic, and

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<v Speaker 3>everyone knows how I feel about speculation. Bad, Yeah, Karon, Like,

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<v Speaker 3>what is what is your read on this? Like your

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<v Speaker 3>subjective read if you don't mind giving it.

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<v Speaker 5>Well, so the story isn't done, Rosie. So they they

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<v Speaker 5>banned these cards, and then the Rules Committee, which is

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<v Speaker 5>a group of volunteers who are very prominent in the

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<v Speaker 5>magic space who advise Wizards of the Coast on things

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<v Speaker 5>to do. They were consulted on this, and it seems

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<v Speaker 5>like pretty much universally the Rules Committee was like, you

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<v Speaker 5>shouldn't do these bands, and Wizards of the Coast still did.

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<v Speaker 5>Then Josh lee Qui, who is one of the most

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<v Speaker 5>popular Commander content creators. He works for the Command Zone,

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<v Speaker 5>it's a YouTube channel, he resigned from the Rules Committee

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<v Speaker 5>last week. Rules Committee members were getting death threats and

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<v Speaker 5>like in particular the female members, you know, in particular,

0:12:49.920 --> 0:12:54.440
<v Speaker 5>getting really horrible notes and things sent to them. And

0:12:54.520 --> 0:12:59.000
<v Speaker 5>so today Monday, September thirtieth, Wizards of the Coast announced

0:12:59.000 --> 0:13:02.320
<v Speaker 5>that the entire Rules Committee is resigning and Wizards of

0:13:02.320 --> 0:13:07.080
<v Speaker 5>the Coast will take everything in house. This is kind

0:13:07.120 --> 0:13:11.560
<v Speaker 5>of a worst case scenario, I think as a magic player,

0:13:11.600 --> 0:13:15.520
<v Speaker 5>because you have the basically you've just given everything back

0:13:15.520 --> 0:13:17.720
<v Speaker 5>to the corporation. I mean, the corporation clearly was in

0:13:17.800 --> 0:13:22.360
<v Speaker 5>charge anyways, but we had some people who were dedicated

0:13:22.400 --> 0:13:26.600
<v Speaker 5>to the playing part of it and the social aspect

0:13:26.640 --> 0:13:30.080
<v Speaker 5>who are advising them, and now they're just gone. Because

0:13:30.880 --> 0:13:34.040
<v Speaker 5>the fandom was so horrible and we're making death threats

0:13:34.040 --> 0:13:38.000
<v Speaker 5>towards people who didn't who didn't want this to happen

0:13:39.240 --> 0:13:42.319
<v Speaker 5>in a really embarrassing way for things to go.

0:13:43.040 --> 0:13:45.880
<v Speaker 2>Yeah, it sounds terrible. And also this is like this

0:13:46.000 --> 0:13:49.319
<v Speaker 2>seems kind of on brand right now for Wizards of

0:13:49.360 --> 0:13:53.080
<v Speaker 2>the Coast because they had a similar kind of issue

0:13:53.800 --> 0:13:56.400
<v Speaker 2>earlier this year, right where it was like they were.

0:13:56.240 --> 0:13:58.760
<v Speaker 3>Trying to ban home brews or something, or they were

0:13:58.760 --> 0:14:00.680
<v Speaker 3>trying to, like with Dungeon and Drags, they were trying

0:14:00.720 --> 0:14:04.760
<v Speaker 3>to take ip that people had created in homebrews and said,

0:14:04.760 --> 0:14:07.280
<v Speaker 3>if you create this homebrew, we own it.

0:14:07.920 --> 0:14:08.880
<v Speaker 2>If you create.

0:14:08.600 --> 0:14:10.880
<v Speaker 3>Anything within these spaces, we own it. That was a

0:14:10.960 --> 0:14:12.920
<v Speaker 3>huge backlash to that, and they ended up having to

0:14:12.960 --> 0:14:13.640
<v Speaker 3>go back on it.

0:14:13.840 --> 0:14:15.079
<v Speaker 2>But it sounds like that kind of.

0:14:15.040 --> 0:14:20.280
<v Speaker 3>Corporate over meddling is becoming an issue for them.

0:14:20.360 --> 0:14:23.760
<v Speaker 5>Yeah, and there's been a good and bad to it.

0:14:23.880 --> 0:14:27.200
<v Speaker 5>So part of it is Wizards of the Coast was

0:14:27.240 --> 0:14:31.680
<v Speaker 5>purchased by Hasbro and so like big shareholder pressure now.

0:14:33.000 --> 0:14:36.200
<v Speaker 5>And I remember as a kid when I first played Magic,

0:14:36.240 --> 0:14:38.320
<v Speaker 5>I think it was like two or three sets came

0:14:38.360 --> 0:14:41.120
<v Speaker 5>out a year, and now it feels like there's a

0:14:41.160 --> 0:14:45.320
<v Speaker 5>new set every month of cards, and part of that

0:14:45.480 --> 0:14:49.120
<v Speaker 5>is they have a really profitable set called Universes Beyond,

0:14:49.160 --> 0:14:52.000
<v Speaker 5>which is a crossover with other things. So, yes, they

0:14:52.040 --> 0:14:54.520
<v Speaker 5>had this Lord of the Ring set that was incredible

0:14:54.600 --> 0:14:56.320
<v Speaker 5>and brought in so many new players.

0:14:56.360 --> 0:14:57.080
<v Speaker 2>They also had.

0:14:57.000 --> 0:15:00.960
<v Speaker 5>Fallout, Wow, they had Doctor Who, Assassin's they have there,

0:15:01.440 --> 0:15:04.360
<v Speaker 5>there's a Marvel one coming potentially next year if not,

0:15:04.920 --> 0:15:09.520
<v Speaker 5>you know. So there's a lot of space for these,

0:15:10.080 --> 0:15:14.440
<v Speaker 5>you know, sort of crossovers to new audiences and new

0:15:14.440 --> 0:15:18.440
<v Speaker 5>players of the game and new collectors too. But a

0:15:18.440 --> 0:15:21.600
<v Speaker 5>lot of people are really upset with how quickly they're

0:15:21.680 --> 0:15:25.800
<v Speaker 5>churning out stuff that maybe isn't getting enough play testing

0:15:25.840 --> 0:15:28.080
<v Speaker 5>and enough thought ahead of time to be like this

0:15:28.280 --> 0:15:31.600
<v Speaker 5>card was always going to be too broken. Why would

0:15:31.600 --> 0:15:35.160
<v Speaker 5>you publish this? Why? Why you know, couldn't you see

0:15:35.160 --> 0:15:38.680
<v Speaker 5>that this would make things unfair? So it is it's

0:15:38.760 --> 0:15:42.120
<v Speaker 5>like the curse of more. We're getting too many cards.

0:15:42.320 --> 0:15:47.320
<v Speaker 5>And Commander is in some ways like the most casual

0:15:47.360 --> 0:15:49.480
<v Speaker 5>format because it started off with like, here are these

0:15:49.520 --> 0:15:51.720
<v Speaker 5>cards that I'm never going to put in a competitive deck.

0:15:52.040 --> 0:15:54.480
<v Speaker 5>I'm going to do this silly thing, like my deck

0:15:54.560 --> 0:15:57.680
<v Speaker 5>is all people wearing hats, or my deck is you know,

0:15:57.840 --> 0:16:01.320
<v Speaker 5>everyone has to be looking to the right on the Yeah,

0:16:01.360 --> 0:16:03.400
<v Speaker 5>but these cards that are getting banned are ones that

0:16:03.440 --> 0:16:08.920
<v Speaker 5>are like incredibly competitive and mm hmmm. Yeah, and it's

0:16:08.960 --> 0:16:12.240
<v Speaker 5>it's been hard to figure out where that balance of

0:16:12.280 --> 0:16:19.120
<v Speaker 5>like silly fun stuff lies with like more competitive, cutthroat cards.

0:16:19.720 --> 0:16:19.960
<v Speaker 2>Yeah.

0:16:20.080 --> 0:16:23.720
<v Speaker 3>Especially I think if there is a correlation between how

0:16:23.760 --> 0:16:26.200
<v Speaker 3>competitive the card is and how expensive it is, that

0:16:26.240 --> 0:16:32.120
<v Speaker 3>also introduces like a strange, you know, class system within

0:16:32.560 --> 0:16:36.080
<v Speaker 3>the players who can afford a collectible card. But Aaron,

0:16:36.160 --> 0:16:40.040
<v Speaker 3>thank you so much for tapping in and bnr MTG expert.

0:16:40.600 --> 0:16:44.000
<v Speaker 3>I'm very excited to keep learning more about this because

0:16:44.000 --> 0:16:45.960
<v Speaker 3>I'm guessing it doesn't sound like it's fully over.

0:16:46.200 --> 0:16:48.760
<v Speaker 5>No, And and I can't wait to come on and

0:16:48.800 --> 0:16:50.840
<v Speaker 5>talk about the Marvel set when that comes out. But

0:16:51.120 --> 0:16:52.680
<v Speaker 5>until then, I'm ready.

0:16:53.120 --> 0:16:54.560
<v Speaker 2>The Lord of the Ring set was really.

0:16:54.440 --> 0:16:56.640
<v Speaker 5>Beautiful to see that, very very good.

0:16:56.720 --> 0:16:56.920
<v Speaker 2>Yeah.

0:16:56.960 --> 0:16:59.200
<v Speaker 5>I have some friends and that was their absolute favorite one,

0:16:59.280 --> 0:17:00.760
<v Speaker 5>so love it.

0:17:00.920 --> 0:17:03.360
<v Speaker 2>Thank you, Aaron, bye, and thanks.

0:17:04.480 --> 0:17:07.040
<v Speaker 3>Coming up, me and Joel are stepping out of the

0:17:07.080 --> 0:17:12.480
<v Speaker 3>airlock and talking Uza maki. But first, a message from

0:17:12.480 --> 0:17:31.960
<v Speaker 3>our spirals, I mean sponsors.

0:17:31.359 --> 0:17:35.200
<v Speaker 2>And we're back. And though you may be happy about that.

0:17:36.160 --> 0:17:38.880
<v Speaker 3>You may regret that choice because we are going into

0:17:38.960 --> 0:17:45.399
<v Speaker 3>the terrifying world of Junji Eto's Uza Maki. Joel had

0:17:45.560 --> 0:17:48.919
<v Speaker 3>were you aware of uza Maki before you watched the

0:17:49.040 --> 0:17:50.720
<v Speaker 3>adult Swim adaptation?

0:17:51.400 --> 0:17:55.199
<v Speaker 4>Only in the way that I'm aware of that anime

0:17:55.280 --> 0:17:57.840
<v Speaker 4>girl with the red eyes who has are like hands,

0:17:58.119 --> 0:18:00.359
<v Speaker 4>hyderactis and kimono. In the other words, I've seen the

0:18:00.400 --> 0:18:03.200
<v Speaker 4>images everywhere. I just do not know who that person

0:18:03.359 --> 0:18:06.200
<v Speaker 4>is or this jokes they are involved with the Torley

0:18:06.320 --> 0:18:12.000
<v Speaker 4>Eyes their beautiful art, so it's like a curtiory awareness.

0:18:12.080 --> 0:18:14.399
<v Speaker 4>But when I heard this show was coming and I

0:18:14.440 --> 0:18:16.960
<v Speaker 4>saw the fans getting excited, I said, now's my time

0:18:17.000 --> 0:18:19.240
<v Speaker 4>to check in, and I'm really glad I did.

0:18:19.720 --> 0:18:23.840
<v Speaker 3>Yeah, So Uzamaki is probably junge Eto's like most well

0:18:23.880 --> 0:18:27.280
<v Speaker 3>known work. Was originally published nineteen ninety eight to nineteen

0:18:27.359 --> 0:18:31.959
<v Speaker 3>ninety nine serialized in what are very popular in Japan,

0:18:32.000 --> 0:18:34.879
<v Speaker 3>which are like weekly comic book magazines. This was Shogar

0:18:34.960 --> 0:18:39.240
<v Speaker 3>Kukuan's big comic Spirits, and it tells the story of

0:18:39.800 --> 0:18:45.119
<v Speaker 3>a town that is under a spiral curse, where seeing

0:18:45.280 --> 0:18:50.000
<v Speaker 3>spirals makes people go crazy, and it's a great example

0:18:50.160 --> 0:18:53.480
<v Speaker 3>of what makes Gingi Eto so fantastic, which is this

0:18:53.840 --> 0:18:58.919
<v Speaker 3>very striking, simplified line work with just the most absolutely

0:18:59.760 --> 0:19:02.680
<v Speaker 3>nice Marrish concept that you would never have thought of.

0:19:02.760 --> 0:19:05.399
<v Speaker 3>He's definitely one of the most original creators we have

0:19:05.560 --> 0:19:10.119
<v Speaker 3>in comics, and the first episode of that adult Swim

0:19:10.160 --> 0:19:14.720
<v Speaker 3>adaptation is absolutely fantastic. It is long awaited. This was

0:19:14.720 --> 0:19:19.040
<v Speaker 3>announced in twenty nineteen and it has been a running

0:19:19.080 --> 0:19:23.960
<v Speaker 3>conversation within anime and comic circles of like, will it

0:19:24.000 --> 0:19:26.280
<v Speaker 3>ever come out? So the fact that it came out

0:19:26.359 --> 0:19:31.040
<v Speaker 3>dropped on Saturday, the twenty eight of September, was just

0:19:31.040 --> 0:19:32.840
<v Speaker 3>a huge deal. I think a lot of us didn't

0:19:32.840 --> 0:19:35.000
<v Speaker 3>believe it was going to happen, and honestly, it is

0:19:35.720 --> 0:19:36.879
<v Speaker 3>pretty stunning.

0:19:36.960 --> 0:19:39.280
<v Speaker 2>So we're going to do a little speed.

0:19:38.960 --> 0:19:42.760
<v Speaker 3>Recap and kind of react as we go. But just

0:19:42.960 --> 0:19:46.520
<v Speaker 3>like the book, we begin in a fictional Japanese town

0:19:46.720 --> 0:19:51.760
<v Speaker 3>called Kuruzuchu, where a woman named Kirie Gushima tells us

0:19:51.760 --> 0:19:53.960
<v Speaker 3>that she is going to reveal all the strange things

0:19:54.000 --> 0:19:55.840
<v Speaker 3>that happened in her town. Then we cut to these

0:19:55.960 --> 0:19:58.840
<v Speaker 3>eerie ass credits to kind of hint at the spiral

0:19:58.920 --> 0:20:01.119
<v Speaker 3>or curse to come. What was your feeling when you

0:20:01.119 --> 0:20:03.640
<v Speaker 3>were watching the credits. It was definitely giving me the chills.

0:20:03.720 --> 0:20:05.440
<v Speaker 3>I was immusst immediately.

0:20:05.800 --> 0:20:09.919
<v Speaker 4>I love an animation that demands your attention, right and

0:20:09.960 --> 0:20:13.040
<v Speaker 4>we sees the cross. There's so much good animation. The

0:20:13.080 --> 0:20:17.080
<v Speaker 4>way this set up little spirals everywhere, then lures you

0:20:17.160 --> 0:20:20.040
<v Speaker 4>in with like, first this cute little flower pet. You

0:20:20.119 --> 0:20:23.520
<v Speaker 4>love a little flower curl. It's giving like children's drawing,

0:20:23.640 --> 0:20:25.919
<v Speaker 4>so innocent and sweet. And then there's one and like

0:20:25.960 --> 0:20:27.560
<v Speaker 4>that's just up in the upper right hand corner and

0:20:27.560 --> 0:20:29.600
<v Speaker 4>you're like, well that's kind of queer. Oh that's doing there.

0:20:29.760 --> 0:20:31.760
<v Speaker 4>And then there's another one to your left, and then

0:20:31.760 --> 0:20:33.719
<v Speaker 4>there's a man screaming about spials and you're like, oh,

0:20:33.720 --> 0:20:36.480
<v Speaker 4>I'm already one hundred percent sucked in. It feels like

0:20:36.520 --> 0:20:39.600
<v Speaker 4>you're being spiraled in to the story because it's so

0:20:39.680 --> 0:20:44.879
<v Speaker 4>subliminal and fun. I watched this three times, twice with

0:20:45.119 --> 0:20:47.800
<v Speaker 4>the duve, once with the sub. I did like the

0:20:47.840 --> 0:20:48.760
<v Speaker 4>sub a little bit.

0:20:49.040 --> 0:20:51.840
<v Speaker 3>Yeah, I will say I agree, but I did think

0:20:51.920 --> 0:20:53.560
<v Speaker 3>the dub was actually really good.

0:20:53.840 --> 0:20:56.840
<v Speaker 2>And I don't think you lose anything by watching the dub.

0:20:56.920 --> 0:20:59.120
<v Speaker 3>It if you want to watch it and you don't

0:20:59.160 --> 0:21:02.240
<v Speaker 3>have time to eat SubTime which always make the time,

0:21:02.280 --> 0:21:04.720
<v Speaker 3>but if you feel like you it's easier for you

0:21:04.800 --> 0:21:08.440
<v Speaker 3>to listen in English. The dub is really good, more

0:21:08.480 --> 0:21:12.240
<v Speaker 3>than serviceable, and still keeps the creepy vibes. So another

0:21:12.359 --> 0:21:15.040
<v Speaker 3>cool thing I think that will draw horror fans to this,

0:21:15.119 --> 0:21:19.639
<v Speaker 3>even if you're not an animation fan. The composer is

0:21:20.440 --> 0:21:24.679
<v Speaker 3>the Hereditary composer Colin Stepson, and he does such a

0:21:24.680 --> 0:21:28.520
<v Speaker 3>good job here creating this really terrifying soundtrack. I watched

0:21:28.520 --> 0:21:31.520
<v Speaker 3>this with Nick and Oliver, the artist from Monster and

0:21:31.600 --> 0:21:33.680
<v Speaker 3>Summer Camp. We're in Ohio at the moment.

0:21:33.720 --> 0:21:34.400
<v Speaker 2>Oliver has a.

0:21:34.320 --> 0:21:36.960
<v Speaker 3>Really beautiful old house and we were watching it in

0:21:37.000 --> 0:21:39.120
<v Speaker 3>the old house at like one am in the morning,

0:21:39.520 --> 0:21:42.560
<v Speaker 3>all of us together, and it was so so scary,

0:21:43.320 --> 0:21:46.560
<v Speaker 3>even just the soundtrack and the opening. It's, like you said,

0:21:46.600 --> 0:21:49.880
<v Speaker 3>it sets you up to know that we're gonna see

0:21:49.920 --> 0:21:53.239
<v Speaker 3>something that is unsettling and it's gonna haunt you. And

0:21:53.280 --> 0:21:57.240
<v Speaker 3>one of my favorite things about this story is it

0:21:57.320 --> 0:21:59.639
<v Speaker 3>worms its way into your head and you start thinking, well,

0:21:59.640 --> 0:22:01.399
<v Speaker 3>what if I saw the spiral? You know, this is

0:22:01.440 --> 0:22:03.520
<v Speaker 3>a tiny thing and you're watching the show, so is

0:22:03.560 --> 0:22:06.119
<v Speaker 3>it a ring esque curse that you could take on.

0:22:06.720 --> 0:22:10.639
<v Speaker 3>It really gets into your imagination that way. And the

0:22:10.800 --> 0:22:16.600
<v Speaker 3>story begins properly when we meet Kiri again and her

0:22:16.600 --> 0:22:20.440
<v Speaker 3>friend Shuichi, who has kind of been a little bit

0:22:20.480 --> 0:22:23.119
<v Speaker 3>out of the circle recently, hasn't been around, and he

0:22:23.240 --> 0:22:28.000
<v Speaker 3>tells Kiri it's because his father has become obsessed with spirals.

0:22:28.440 --> 0:22:29.560
<v Speaker 2>He draws them.

0:22:29.800 --> 0:22:34.480
<v Speaker 3>He creates them at every opportunity, whether in miso soup

0:22:34.520 --> 0:22:37.160
<v Speaker 3>where he spins his spoon to create.

0:22:36.840 --> 0:22:38.640
<v Speaker 2>Them, spiral.

0:22:39.920 --> 0:22:44.600
<v Speaker 4>Yeah, he is spiral cakes, damn it, which I understand.

0:22:44.640 --> 0:22:47.280
<v Speaker 4>They're my favorite part of the ramen. Too little.

0:22:48.640 --> 0:22:51.600
<v Speaker 3>He wants the naruto, but he's drawing them around the

0:22:51.600 --> 0:22:55.720
<v Speaker 3>family home, and Kiri sort of laughs us off and says, well,

0:22:55.760 --> 0:22:58.000
<v Speaker 3>your dad's like an eccentric sure, and they and they

0:22:58.080 --> 0:23:01.160
<v Speaker 3>carry on walking, but Shuichi assures her this is no joke,

0:23:01.760 --> 0:23:04.520
<v Speaker 3>and we will soon see that the spiral curse has

0:23:04.800 --> 0:23:10.520
<v Speaker 3>truly taken his father over in a delightfully, delightfully nasty way.

0:23:11.400 --> 0:23:16.879
<v Speaker 3>Kiri goes to visit Shuichi and deliver some delicious naruto

0:23:17.520 --> 0:23:20.080
<v Speaker 3>and meets his father, who claims, well, I don't need

0:23:20.680 --> 0:23:24.160
<v Speaker 3>this food. I don't need the items because I can

0:23:25.040 --> 0:23:27.520
<v Speaker 3>manifest the spirals for myself.

0:23:28.000 --> 0:23:28.920
<v Speaker 2>And this is when we.

0:23:28.880 --> 0:23:33.920
<v Speaker 3>First get some really good gungy Eto grotesquerie, which is

0:23:33.960 --> 0:23:38.560
<v Speaker 3>what he's known for. He sticks out his tongue and

0:23:38.600 --> 0:23:46.800
<v Speaker 3>it extends into this long, slimy thing and wraps round

0:23:46.840 --> 0:23:52.480
<v Speaker 3>itself into a spiral, and Kiri is just absolutely horrified

0:23:53.400 --> 0:23:54.080
<v Speaker 3>runs off.

0:23:55.240 --> 0:23:56.199
<v Speaker 2>It's so gross.

0:23:56.240 --> 0:23:59.399
<v Speaker 3>And I love this because up until this moment, you're like, well,

0:23:59.400 --> 0:24:01.040
<v Speaker 3>this is kind of BOOKI, but this is when you

0:24:01.119 --> 0:24:03.600
<v Speaker 3>really get into what Gunji is known for, which is

0:24:03.600 --> 0:24:08.200
<v Speaker 3>this shocking imagery and these terrifying nightmares that he puts

0:24:08.200 --> 0:24:11.800
<v Speaker 3>into your head. We then meet Azumi, who is a

0:24:11.840 --> 0:24:15.520
<v Speaker 3>young girl with a very she's given like a sharp bob.

0:24:15.800 --> 0:24:19.560
<v Speaker 3>She is delivering the looks like it's looking great, but

0:24:20.440 --> 0:24:24.240
<v Speaker 3>her bangs, her very crisp bangs hide a tiny crescent

0:24:24.359 --> 0:24:28.520
<v Speaker 3>scar on her head, and while she claims this is just,

0:24:28.640 --> 0:24:31.320
<v Speaker 3>you know, a lot scar that she has, Shuichi is

0:24:32.119 --> 0:24:34.080
<v Speaker 3>sure it's gonna become a spiral.

0:24:34.160 --> 0:24:37.359
<v Speaker 2>And when the wing wind blows her.

0:24:37.240 --> 0:24:40.800
<v Speaker 3>Bangs out of the place, he has proven right, and

0:24:40.800 --> 0:24:42.080
<v Speaker 3>he kind of says he You've got to get out

0:24:42.119 --> 0:24:42.560
<v Speaker 3>of town.

0:24:43.440 --> 0:24:44.280
<v Speaker 2>Don't do this.

0:24:45.200 --> 0:24:49.199
<v Speaker 3>But you know, he can see that the spiral is

0:24:49.240 --> 0:24:53.280
<v Speaker 3>gonna overtake her, and he is sadly correct, as it

0:24:53.320 --> 0:24:59.080
<v Speaker 3>has just overtaken his father. This is honestly where I

0:24:59.119 --> 0:25:02.040
<v Speaker 3>would say, if you are listening to this and you're like, well,

0:25:02.040 --> 0:25:03.960
<v Speaker 3>this sounds like not that scary, I could.

0:25:04.000 --> 0:25:04.880
<v Speaker 2>I could probably do it.

0:25:05.080 --> 0:25:08.800
<v Speaker 3>I will say beware going forward, because this is there's

0:25:08.840 --> 0:25:11.080
<v Speaker 3>some really haunting stuff in here that at one am

0:25:11.200 --> 0:25:12.720
<v Speaker 3>I was slightly regretting watching.

0:25:12.920 --> 0:25:16.040
<v Speaker 4>I will say, this shows you into the chaos, like right,

0:25:16.240 --> 0:25:20.240
<v Speaker 4>it gives very slice of life energy of like, okay,

0:25:20.440 --> 0:25:23.640
<v Speaker 4>so clearly, if you've watched like a lot of nineteen

0:25:23.720 --> 0:25:27.080
<v Speaker 4>fifties classic horrors, you're driving type horrors like they all

0:25:27.119 --> 0:25:30.160
<v Speaker 4>sort of start this way, like wide shot of unassuming town,

0:25:30.760 --> 0:25:32.359
<v Speaker 4>preevious music you've ever heard.

0:25:32.440 --> 0:25:35.639
<v Speaker 2>Strange is happening, but you'll never guess what it is.

0:25:35.680 --> 0:25:37.399
<v Speaker 4>And then it's like, okay, here are just two normal

0:25:37.480 --> 0:25:40.159
<v Speaker 4>kids walking to it from school. They go to different schools.

0:25:40.200 --> 0:25:43.439
<v Speaker 4>It's kind of like but their childhood friends. Also, she

0:25:43.480 --> 0:25:46.040
<v Speaker 4>has this extremely hot friend at her regular school now

0:25:46.040 --> 0:25:48.760
<v Speaker 4>at her high school, and everyboddyes, and she had like

0:25:48.760 --> 0:25:51.080
<v Speaker 4>a little shape on her head don't know. That's you know,

0:25:51.119 --> 0:25:53.439
<v Speaker 4>it's interesting. She's like all the boys have always loved me,

0:25:53.480 --> 0:25:56.160
<v Speaker 4>and you're like, that's a little weird, but okay, and

0:25:56.200 --> 0:25:59.600
<v Speaker 4>then you get the weird tongue moment. You're like, this

0:25:59.640 --> 0:26:02.000
<v Speaker 4>is not right. This guy's obsessed with spirals. He won't

0:26:02.040 --> 0:26:04.160
<v Speaker 4>leave anyone alone. He's like, I need the art pieces,

0:26:04.240 --> 0:26:07.080
<v Speaker 4>bring me all the special equipment. I'm obsessed with spirals

0:26:07.520 --> 0:26:10.159
<v Speaker 4>this part, and again, we just want to warn you fully.

0:26:10.840 --> 0:26:14.439
<v Speaker 4>If it sounds okay, it's not okay. It's weird body

0:26:14.600 --> 0:26:17.920
<v Speaker 4>horror people. We're used to seeing this stuff and it's

0:26:17.960 --> 0:26:19.320
<v Speaker 4>not okay. It's bad.

0:26:20.560 --> 0:26:23.280
<v Speaker 2>He gets a tub, yeah, a full tub.

0:26:23.480 --> 0:26:26.040
<v Speaker 3>He gets a top delivered to his house and he's like,

0:26:26.080 --> 0:26:27.960
<v Speaker 3>oh this, I need this tub and in.

0:26:27.680 --> 0:26:28.880
<v Speaker 2>Circular that's normal.

0:26:28.880 --> 0:26:31.800
<v Speaker 4>What happens next it's like a Japanese like circular tub.

0:26:32.800 --> 0:26:34.520
<v Speaker 4>And then and then they just drop off the tub

0:26:34.520 --> 0:26:36.199
<v Speaker 4>and you leave and you're like, okay, that's fine. And

0:26:36.240 --> 0:26:39.720
<v Speaker 4>then the boy and his mother come home and they're like, hey.

0:26:40.000 --> 0:26:43.360
<v Speaker 2>Where's dad, what's going on? This is strange.

0:26:44.040 --> 0:26:46.280
<v Speaker 4>They swipes open the screen and they're like, I've never

0:26:46.280 --> 0:26:48.919
<v Speaker 4>seen this tub before. This is new. Who would have

0:26:48.920 --> 0:26:51.840
<v Speaker 4>put this here. This seems pretty heavy, Oh my job.

0:26:52.119 --> 0:26:55.359
<v Speaker 4>And they open it and Dad has broken every bone

0:26:55.400 --> 0:27:00.000
<v Speaker 4>in his body to physically transform him his physical body,

0:27:00.040 --> 0:27:04.119
<v Speaker 4>himself into a spiral. He has wrapped up coiled in

0:27:04.160 --> 0:27:06.200
<v Speaker 4>the bottom of a tub like a dried out warm

0:27:06.280 --> 0:27:11.800
<v Speaker 4>on a summer day. It's not okay, it's really deeply.

0:27:11.680 --> 0:27:16.080
<v Speaker 3>Very very very up saying. And I will say aboo.

0:27:16.840 --> 0:27:19.439
<v Speaker 3>One of our other super producers had mentioned when he

0:27:19.560 --> 0:27:22.880
<v Speaker 3>was kind of researching about Uzumaki and learning about it,

0:27:23.240 --> 0:27:26.520
<v Speaker 3>that there are some there is a very hated Uzumaki

0:27:27.880 --> 0:27:32.320
<v Speaker 3>early Zero's adaptation, and I think it's every adaptation that

0:27:32.359 --> 0:27:33.480
<v Speaker 3>they have done of ginger Eto.

0:27:33.520 --> 0:27:37.040
<v Speaker 2>It's very hard to put across the horror and the

0:27:37.080 --> 0:27:38.560
<v Speaker 2>beauty of his art.

0:27:38.960 --> 0:27:43.439
<v Speaker 3>And what is so fantastic about this animated adaptation, And

0:27:43.480 --> 0:27:46.399
<v Speaker 3>there were other animated adaptations that people did not like.

0:27:46.440 --> 0:27:48.880
<v Speaker 3>There was an anthology recently in the last few years.

0:27:49.119 --> 0:27:52.280
<v Speaker 3>But what is so fantastic here is this looks like

0:27:52.359 --> 0:27:55.040
<v Speaker 3>you are watching a ging Eto book come to life,

0:27:55.080 --> 0:27:57.959
<v Speaker 3>and in this moment you really really see it, like

0:27:58.040 --> 0:28:02.199
<v Speaker 3>this looks like the translation of what we see in

0:28:02.240 --> 0:28:04.920
<v Speaker 3>the pages of those beautiful books which Viz are doing

0:28:05.040 --> 0:28:09.200
<v Speaker 3>unbelievable remasters of and re releases of right now, and

0:28:10.280 --> 0:28:12.679
<v Speaker 3>we see it on page and on the screen and

0:28:12.720 --> 0:28:15.280
<v Speaker 3>it looks identical, and this is really one of those moments.

0:28:15.280 --> 0:28:18.040
<v Speaker 3>So from here things go terrible. We see a spiral

0:28:18.200 --> 0:28:21.960
<v Speaker 3>coming out of the sky after the dad's funeral, I

0:28:22.000 --> 0:28:27.240
<v Speaker 3>see forms Yeah into his face in the sky with

0:28:27.320 --> 0:28:29.159
<v Speaker 3>the tongue lolling out, and.

0:28:29.040 --> 0:28:33.639
<v Speaker 2>It drives Sueechi's mother mad.

0:28:34.240 --> 0:28:39.040
<v Speaker 3>Then Kirie actually sees the little spiral on a Zumi's head,

0:28:39.480 --> 0:28:43.680
<v Speaker 3>and there's kind of this interesting theme here where Azumi

0:28:43.800 --> 0:28:48.320
<v Speaker 3>represents something that Gingieto does often, which is stories about

0:28:48.320 --> 0:28:50.400
<v Speaker 3>women who are so beautiful and they kind of drive

0:28:50.600 --> 0:28:55.920
<v Speaker 3>men mad, or a lover who is unrequited and goes

0:28:56.840 --> 0:28:59.480
<v Speaker 3>absolutely insane, and we see a lot of stories like

0:28:59.480 --> 0:29:02.160
<v Speaker 3>that tone he is a story like that, and there

0:29:02.240 --> 0:29:05.720
<v Speaker 3>is another one, love Sick, which he does and as

0:29:06.120 --> 0:29:09.800
<v Speaker 3>shueet she becomes more aware of a Zumi's spiral, he

0:29:09.880 --> 0:29:11.840
<v Speaker 3>won't fall in love with her, and that makes a

0:29:11.920 --> 0:29:14.680
<v Speaker 3>Zumi want him because every other man has always kind

0:29:14.680 --> 0:29:18.320
<v Speaker 3>of been lured by her beauty. We then see a

0:29:18.480 --> 0:29:22.040
<v Speaker 3>new kid who gets he's late to school, he's very sweaty,

0:29:22.040 --> 0:29:24.920
<v Speaker 3>he's very hot, he's looking like he's going to get bullied,

0:29:25.400 --> 0:29:30.200
<v Speaker 3>and he does getting his clothes stripped off where we

0:29:30.240 --> 0:29:30.560
<v Speaker 3>see the.

0:29:30.720 --> 0:29:33.840
<v Speaker 2>Spiral in his back. This is a really great moment

0:29:33.880 --> 0:29:34.240
<v Speaker 2>as well.

0:29:34.440 --> 0:29:34.640
<v Speaker 1>Yeah.

0:29:35.120 --> 0:29:38.800
<v Speaker 3>Yeah, he also loves to do like a gross, sweaty,

0:29:38.880 --> 0:29:42.080
<v Speaker 3>oily person. He has a lot of like creepy short

0:29:42.120 --> 0:29:44.600
<v Speaker 3>stories about There's the one he does where there's a

0:29:44.640 --> 0:29:47.600
<v Speaker 3>boy who lives in a barbecue restaurant and he just

0:29:47.600 --> 0:29:49.920
<v Speaker 3>loves to drink the grease and then the grease.

0:29:49.600 --> 0:29:54.880
<v Speaker 2>Becomes like a part of him. It's really gross. And

0:29:56.160 --> 0:29:56.400
<v Speaker 2>I know.

0:29:56.480 --> 0:29:58.640
<v Speaker 3>The best thing about Ginger Eato as well is if

0:29:58.640 --> 0:30:00.160
<v Speaker 3>you're not aware of this, and you can go on

0:30:00.200 --> 0:30:03.000
<v Speaker 3>the viz media Instagram, they have lots of good videos

0:30:03.000 --> 0:30:06.240
<v Speaker 3>proving this. Ginchi Eto is like a really sweet uncle

0:30:06.560 --> 0:30:09.720
<v Speaker 3>who just loves his cats and is like not a taller,

0:30:09.840 --> 0:30:12.440
<v Speaker 3>scary person. So I feel like he's just getting all

0:30:12.480 --> 0:30:17.560
<v Speaker 3>of the terrifying stuff out of him. But this is

0:30:17.600 --> 0:30:19.640
<v Speaker 3>a great example of what he can do. He's putting

0:30:19.680 --> 0:30:21.400
<v Speaker 3>on the page, he's leaving it all there, he's leaving

0:30:21.440 --> 0:30:24.560
<v Speaker 3>it all on a track, nothing left, and then he

0:30:24.560 --> 0:30:28.360
<v Speaker 3>can just sleep well at night. We then get another

0:30:28.680 --> 0:30:33.440
<v Speaker 3>really really scary moment where she eats his mom is

0:30:33.480 --> 0:30:36.520
<v Speaker 3>in the hospital, and she becomes terrified of the spirals

0:30:36.560 --> 0:30:42.280
<v Speaker 3>and she realizes that the worlds on her fingerprints are spirals,

0:30:42.680 --> 0:30:47.480
<v Speaker 3>so she cuts off her own fingerprints and toes so.

0:30:47.360 --> 0:30:49.240
<v Speaker 4>That she does camera does not.

0:30:52.360 --> 0:30:54.480
<v Speaker 2>Shy away scissors to flesh.

0:30:54.640 --> 0:30:56.920
<v Speaker 4>I just I want to be very graphic here so

0:30:57.080 --> 0:30:59.200
<v Speaker 4>you do not misjudge how horrified.

0:30:59.600 --> 0:31:02.400
<v Speaker 2>Yes, it is truly, truly very scary stuff.

0:31:02.560 --> 0:31:04.360
<v Speaker 3>And you know what else, I think that we haven't

0:31:04.360 --> 0:31:07.240
<v Speaker 3>even mentioned yet, which is so funny it because it's

0:31:07.240 --> 0:31:09.840
<v Speaker 3>so inherent as Ginger Eater fans. This is all black

0:31:09.880 --> 0:31:13.520
<v Speaker 3>and white overything Ginger Eo does. He is a mangaka.

0:31:13.640 --> 0:31:15.880
<v Speaker 3>His work is always in black and white. Occasionally there

0:31:15.880 --> 0:31:19.040
<v Speaker 3>will be a beautiful painted panel or something at the beginning,

0:31:19.040 --> 0:31:21.520
<v Speaker 3>but it's always black and white. And this adaptation is

0:31:21.560 --> 0:31:24.560
<v Speaker 3>in black and white. It looks it's adapting his line style,

0:31:24.680 --> 0:31:28.720
<v Speaker 3>his line weight, his very very iconic way of drawing

0:31:28.760 --> 0:31:32.480
<v Speaker 3>women and their faces. But even with that said, when

0:31:32.560 --> 0:31:34.680
<v Speaker 3>you see the black and you know what it represents

0:31:34.720 --> 0:31:38.120
<v Speaker 3>on her fingers, as the blood it is this was

0:31:38.160 --> 0:31:40.240
<v Speaker 3>the first moment I really had to turn away when

0:31:40.240 --> 0:31:43.520
<v Speaker 3>I was watching it because I was so immersed that

0:31:43.600 --> 0:31:45.640
<v Speaker 3>I could feel it, you know. And it's really scary

0:31:45.640 --> 0:31:49.800
<v Speaker 3>when horror is something that you could just do to yourself,

0:31:49.920 --> 0:31:52.880
<v Speaker 3>Like it's so tactile, it's so easy. Everyone has a

0:31:52.880 --> 0:32:14.400
<v Speaker 3>pair of scissors. Very very horrifying. Yeah, what comes next

0:32:14.560 --> 0:32:16.520
<v Speaker 3>is one of the coolest moments and also one of

0:32:16.560 --> 0:32:19.120
<v Speaker 3>the moments that fans have been waiting to see.

0:32:19.160 --> 0:32:20.320
<v Speaker 2>It's one of the cone So.

0:32:20.280 --> 0:32:23.880
<v Speaker 3>You've probably seen many people getting tattooed on their bodies.

0:32:24.240 --> 0:32:26.960
<v Speaker 3>And it's where we see a Zoomie and she goes

0:32:27.000 --> 0:32:29.080
<v Speaker 3>to see Kiri and she says, Kirie, help me. I

0:32:29.080 --> 0:32:31.840
<v Speaker 3>don't know what's happening. And she slides away her hair

0:32:31.920 --> 0:32:35.240
<v Speaker 3>and we see that her entire face has kind of

0:32:35.280 --> 0:32:37.480
<v Speaker 3>been consumed by a spiral.

0:32:37.680 --> 0:32:42.040
<v Speaker 4>Well, you've just given her so much, can we a smidgeback?

0:32:42.480 --> 0:32:45.120
<v Speaker 4>She it's one of the guys who has a crush

0:32:45.160 --> 0:32:49.360
<v Speaker 4>on her. It's like, hey, can you.

0:32:50.280 --> 0:32:53.800
<v Speaker 3>I support women's wrongs, okay, Joel, but give her women's

0:32:54.200 --> 0:32:55.560
<v Speaker 3>full info, give them.

0:32:56.280 --> 0:32:58.760
<v Speaker 4>To ego that this woman not fully okay, Like, yeah,

0:32:58.800 --> 0:32:59.760
<v Speaker 4>this any.

0:32:59.640 --> 0:33:01.680
<v Speaker 2>Wants she's a spiral cust.

0:33:01.560 --> 0:33:03.840
<v Speaker 4>She gets a full warning of like, hey, that thing

0:33:03.880 --> 0:33:05.720
<v Speaker 4>on your head is gonna become a spiral and you

0:33:05.720 --> 0:33:08.240
<v Speaker 4>should absolutely leave town. And let me tell you this,

0:33:08.680 --> 0:33:10.960
<v Speaker 4>not anyone could tell me to leave town. But if

0:33:10.960 --> 0:33:15.320
<v Speaker 4>a sensible person who is experiencing trauma in their own

0:33:15.360 --> 0:33:18.080
<v Speaker 4>life takes time out of their day to be like, yo,

0:33:18.360 --> 0:33:19.400
<v Speaker 4>this town not good for you.

0:33:19.440 --> 0:33:20.600
<v Speaker 2>Get out. I'm gonna be like, you know what, let.

0:33:20.560 --> 0:33:23.200
<v Speaker 4>Me pack my things up and leave because I watch horror.

0:33:23.240 --> 0:33:26.720
<v Speaker 3>Everyone should leave the town. Let's be real, why don't

0:33:26.800 --> 0:33:29.080
<v Speaker 3>you leave the town is the biggest question that you

0:33:29.080 --> 0:33:30.560
<v Speaker 3>will be yelling at this show.

0:33:30.440 --> 0:33:30.960
<v Speaker 2>The whole time.

0:33:33.880 --> 0:33:36.160
<v Speaker 4>He did, And so she's like, no, screw that, I'm

0:33:36.160 --> 0:33:39.800
<v Speaker 4>gonna allure you to this spot. And then she confesses, Hey,

0:33:40.480 --> 0:33:44.480
<v Speaker 4>my best friend's boyfriend friend for all of their youth,

0:33:44.600 --> 0:33:46.840
<v Speaker 4>I've been in love with you because you don't like me.

0:33:46.960 --> 0:33:52.240
<v Speaker 4>This is toxic. Please please be in love with me too.

0:33:52.240 --> 0:33:55.000
<v Speaker 4>And he's like, yo, I'm not please back away, and

0:33:55.040 --> 0:33:58.680
<v Speaker 4>she's like, no, you must, and then get swept to

0:33:58.720 --> 0:34:01.960
<v Speaker 4>the side and oh no, her eyeball is being swallowed

0:34:01.960 --> 0:34:02.800
<v Speaker 4>into her face.

0:34:04.080 --> 0:34:08.360
<v Speaker 2>Yeah, this is such a cool moment. It's like, you see,

0:34:08.760 --> 0:34:09.360
<v Speaker 2>this is one of.

0:34:09.360 --> 0:34:12.200
<v Speaker 3>Those few moments where you're like, oh, because I love

0:34:12.280 --> 0:34:14.960
<v Speaker 3>the real manga, so it's hard sometimes to be like, oh,

0:34:15.239 --> 0:34:18.120
<v Speaker 3>what can the adaptation bring? But we get to see

0:34:18.120 --> 0:34:22.160
<v Speaker 3>the eye rolling around the spiral in her face and

0:34:22.239 --> 0:34:29.959
<v Speaker 3>being sucked inside, and it is truly, truly terrifying. And

0:34:30.440 --> 0:34:35.800
<v Speaker 3>then rip to that woman. She actually gets sucked into

0:34:35.800 --> 0:34:40.440
<v Speaker 3>her own spiral, and it's another unbelievable body horror moment

0:34:40.520 --> 0:34:44.279
<v Speaker 3>where there's kind of this mutilation of her body as

0:34:44.320 --> 0:34:46.680
<v Speaker 3>it gets sucked inside of this spiral.

0:34:46.200 --> 0:34:46.759
<v Speaker 5>Folded like.

0:34:48.760 --> 0:34:53.920
<v Speaker 3>She gets folded like paper planes, and boom, she's dead

0:34:54.120 --> 0:34:57.600
<v Speaker 3>and we realize we are just at the beginning of

0:34:57.640 --> 0:35:00.440
<v Speaker 3>our descent into the spiral. And that is the end

0:35:00.560 --> 0:35:04.600
<v Speaker 3>of Uzamaki Episode one. There are going to be four episodes.

0:35:04.640 --> 0:35:08.280
<v Speaker 3>They drop at midnight, which is primetime on Adult Swim

0:35:08.320 --> 0:35:10.680
<v Speaker 3>if you've grown up on Adult Swim. They drop at

0:35:10.719 --> 0:35:13.920
<v Speaker 3>midnight every Saturday night. So that's very exciting.

0:35:14.880 --> 0:35:16.959
<v Speaker 2>Joel, So what was your response to this.

0:35:17.040 --> 0:35:21.440
<v Speaker 3>Like, how do you feel about uza Maki Now you've

0:35:21.480 --> 0:35:23.160
<v Speaker 3>watched it, will you go read the manga?

0:35:23.320 --> 0:35:25.120
<v Speaker 2>Do you want to know more? Are you excited to

0:35:25.120 --> 0:35:26.080
<v Speaker 2>see where this goes?

0:35:26.400 --> 0:35:29.360
<v Speaker 4>I am beyond excited to see the rest of this series,

0:35:29.400 --> 0:35:33.080
<v Speaker 4>which I think, just from an artistic standpoint, is going

0:35:33.120 --> 0:35:35.640
<v Speaker 4>to become very important. And like the legacy of manga,

0:35:35.680 --> 0:35:41.000
<v Speaker 4>it's legitimately so beautiful. And I really love the way,

0:35:41.320 --> 0:35:47.040
<v Speaker 4>you know, artists across globally right now, especially in animation,

0:35:47.120 --> 0:35:49.840
<v Speaker 4>I think, are really pushing the mounds of Like listen,

0:35:49.880 --> 0:35:54.320
<v Speaker 4>animation is a style, and because it's the style, we

0:35:54.360 --> 0:35:56.120
<v Speaker 4>can all bring our own, like uniquely, Like if you

0:35:56.160 --> 0:35:58.480
<v Speaker 4>think about Pinocchio and what Del Toro has done with

0:35:58.560 --> 0:36:01.040
<v Speaker 4>like a lot of that's artists, if you think about

0:36:01.800 --> 0:36:04.080
<v Speaker 4>what Star Wars has done with a lot of it's projects, Like,

0:36:04.120 --> 0:36:06.759
<v Speaker 4>we're really seeing some beautiful stuff being made, and to

0:36:06.800 --> 0:36:10.840
<v Speaker 4>see a manga page turned into an anime in this way,

0:36:11.000 --> 0:36:14.239
<v Speaker 4>I mean really just gorgeous, gorgeous, gorgeous, gorgeous work. On

0:36:14.280 --> 0:36:16.880
<v Speaker 4>top of that, we're in the month of Horror. This

0:36:16.920 --> 0:36:19.600
<v Speaker 4>is kicking off our horror month, which we're really excited

0:36:19.600 --> 0:36:21.759
<v Speaker 4>about here. I of course, the very first thing I

0:36:21.800 --> 0:36:23.400
<v Speaker 4>did was called Carmen, and I was like, I have

0:36:23.560 --> 0:36:28.680
<v Speaker 4>seen Zamaki and I have thoughts, and she was coming

0:36:28.680 --> 0:36:31.160
<v Speaker 4>off of watching The Lighthouse, which was your recommendation, I

0:36:31.200 --> 0:36:33.839
<v Speaker 4>love our triangle, so she was like.

0:36:33.840 --> 0:36:35.520
<v Speaker 2>You, she would love it. I knew she would love,

0:36:35.719 --> 0:36:36.520
<v Speaker 2>of course.

0:36:36.280 --> 0:36:39.200
<v Speaker 4>Because it's so absurd and so fun. And she was

0:36:39.239 --> 0:36:43.760
<v Speaker 4>saying that this cosmic horror genre is really having a moment,

0:36:44.120 --> 0:36:47.080
<v Speaker 4>and she was really reminded of The Lighthouse when she

0:36:47.239 --> 0:36:50.920
<v Speaker 4>came to watch Uzumaki, and I have been thinking about it,

0:36:50.960 --> 0:36:53.279
<v Speaker 4>and I didn't know, like, this term cosmic horror is

0:36:53.400 --> 0:36:56.479
<v Speaker 4>new to me. I was really intrigued by the idea.

0:36:56.480 --> 0:36:57.879
<v Speaker 4>A lot of people were like, Oh, it's just love

0:36:57.960 --> 0:37:00.400
<v Speaker 4>crafty and kind of but not really a lot of

0:37:00.480 --> 0:37:03.719
<v Speaker 4>low crafting work follows into this genre. But it's it's

0:37:03.800 --> 0:37:08.640
<v Speaker 4>like the fear of the unknown. Science context could be bad.

0:37:08.840 --> 0:37:09.359
<v Speaker 3>We don't know.

0:37:09.400 --> 0:37:12.000
<v Speaker 4>We're exploring and learning all of these new things, and

0:37:12.480 --> 0:37:15.560
<v Speaker 4>if we create something that's terrifying and horrible, and also

0:37:15.640 --> 0:37:17.759
<v Speaker 4>on top of that nature itself, it's just scary. Have

0:37:17.800 --> 0:37:20.520
<v Speaker 4>you been out there? Horrifying things happen and we don't

0:37:20.560 --> 0:37:22.800
<v Speaker 4>even know what's all the way out there in space

0:37:22.960 --> 0:37:27.000
<v Speaker 4>or under the water. It's terrifying. I love not knowing

0:37:27.040 --> 0:37:29.680
<v Speaker 4>what the horror is at the end of a horror movie. Yes,

0:37:29.880 --> 0:37:32.680
<v Speaker 4>is there anything scarier, and I think if that's it

0:37:32.719 --> 0:37:34.839
<v Speaker 4>feels like that's what we're leaning into here. And that's

0:37:34.840 --> 0:37:37.880
<v Speaker 4>my favorite when they don't answer what the monster scary

0:37:37.880 --> 0:37:39.799
<v Speaker 4>thing is and you're like, I'm still scared and I

0:37:39.840 --> 0:37:41.960
<v Speaker 4>need resolutions, like how.

0:37:41.520 --> 0:37:43.799
<v Speaker 2>Does the spiral work? You're never gonna know that it's

0:37:43.840 --> 0:37:44.440
<v Speaker 2>just a spiral.

0:37:44.520 --> 0:37:47.280
<v Speaker 4>It's who's doing it? No, the God's angry?

0:37:47.400 --> 0:37:50.640
<v Speaker 2>What's going on it? What's angry? Who else? Why did

0:37:50.640 --> 0:37:51.080
<v Speaker 2>we do this?

0:37:51.400 --> 0:37:53.680
<v Speaker 3>But I think you bring up a fantastic point. I

0:37:53.719 --> 0:37:56.279
<v Speaker 3>also I love cosmic horror, but I do think that

0:37:56.320 --> 0:37:59.200
<v Speaker 3>a lot of it is defined by Lovecraft, who was

0:37:59.239 --> 0:38:01.600
<v Speaker 3>a terrible person. I feel happy to say that. Feel

0:38:01.760 --> 0:38:05.560
<v Speaker 3>go and google it. He was a racist sucker. So

0:38:05.600 --> 0:38:07.719
<v Speaker 3>I'm not a fan of Lovecraft, but I do love

0:38:07.760 --> 0:38:09.719
<v Speaker 3>cosmic horror, and I love that we are in a

0:38:09.800 --> 0:38:12.239
<v Speaker 3>space now where we are getting more cosmic horror that

0:38:12.360 --> 0:38:15.560
<v Speaker 3>strays from Lovecraft, that is not an adaptation of Lovecraft.

0:38:16.040 --> 0:38:19.239
<v Speaker 3>I definitely think Gingi Eto is a fantastic cosmic horror writer.

0:38:19.360 --> 0:38:22.839
<v Speaker 3>He has a brilliant book called Remina that's a fantastic

0:38:23.440 --> 0:38:26.919
<v Speaker 3>iteration of the genre. I personally currently at the moment,

0:38:26.960 --> 0:38:29.480
<v Speaker 3>I am working on a cosmic horror comic that I'm hoping

0:38:29.560 --> 0:38:32.200
<v Speaker 3>is going to get picked up. So yeah, very exciting

0:38:32.239 --> 0:38:34.319
<v Speaker 3>times for cosmic horror. Also, I want to say it

0:38:34.400 --> 0:38:36.319
<v Speaker 3>was so sad, calm and cannot be here right now.

0:38:36.360 --> 0:38:38.200
<v Speaker 3>She is on a fun trip, so good for her.

0:38:38.520 --> 0:38:41.879
<v Speaker 3>But she also pointed out that they did not joke

0:38:41.920 --> 0:38:45.440
<v Speaker 3>around with this cast because that voice actor for Shuichi

0:38:46.320 --> 0:38:51.160
<v Speaker 3>is Shinachiromiki, who is in Perfect Blue, who is in

0:38:51.320 --> 0:38:54.800
<v Speaker 3>most of the Pokemon movies as James, and he's also

0:38:54.960 --> 0:38:58.560
<v Speaker 3>Roy Mustang in Full Metal Alchemist. So this is just

0:38:58.760 --> 0:39:04.319
<v Speaker 3>a schmorgasboard of anime impressiveness and I'm really excited. I

0:39:04.400 --> 0:39:07.879
<v Speaker 3>hope you guys will give this a try. And if

0:39:07.920 --> 0:39:10.640
<v Speaker 3>you do not like horror movies, I hope you have

0:39:11.040 --> 0:39:14.640
<v Speaker 3>enjoyed our fun, spooky rendition of this and it doesn't

0:39:14.640 --> 0:39:15.480
<v Speaker 3>give you nightmares.

0:39:16.160 --> 0:39:18.200
<v Speaker 2>And on tomorrow's episode of.

0:39:18.200 --> 0:39:21.920
<v Speaker 3>Xtra Vision, me and Jason are going to be diving

0:39:21.920 --> 0:39:26.840
<v Speaker 3>into the Rings of Power season finale. Who speaking of horrifying,

0:39:26.880 --> 0:39:29.080
<v Speaker 3>You're gonna see some horrifying things in that finale, guys,

0:39:29.080 --> 0:39:32.840
<v Speaker 3>I'm sorry to say it. And episode three of Agatha

0:39:32.880 --> 0:39:37.880
<v Speaker 3>all Along down Down Down, we Go Down the Witches.

0:39:39.800 --> 0:39:42.480
<v Speaker 2>That's the episode. Thank you for listening.

0:39:49.160 --> 0:39:52.520
<v Speaker 6>X ray Vision is hosted by Jason Getsubsion and Rosie

0:39:52.560 --> 0:39:56.800
<v Speaker 6>Knight and is a production of iHeart Podcasts. Our Executive

0:39:56.840 --> 0:40:01.520
<v Speaker 6>producers are Joelle Smith and Aaron Kaufman. Supervising producer is

0:40:01.800 --> 0:40:06.880
<v Speaker 6>a Booze Afar. Our producers are Carmen Laurent and Mia Taylor.

0:40:07.640 --> 0:40:09.719
<v Speaker 6>Our theme song is by Brian Basquez.

0:40:10.200 --> 0:40:14.520
<v Speaker 2>Special thanks to Soul Rubin and Chris Laude. Kenny Goodman

0:40:14.880 --> 0:40:16.960
<v Speaker 2>and Heidi our discord moderator.