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Speaker 1: So free to Penta is like I thought this was

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Speaker 1: a romance movie and I put on the camera and

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Speaker 1: I'm like, it is you love being chased by these

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Speaker 1: dogs and it's like it's called dog Escape. It's like,

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Speaker 1: why did you sign on right in front of you?

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Speaker 2: Yeah?

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Speaker 1: Hey, what up?

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Speaker 3: What?

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Speaker 1: Welcome to Hollywood Handbook and it's iders got the kicking button,

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Speaker 1: dropping names in the red carpet line, the back hallways

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Speaker 1: of this industry we call showbiz. It was another week

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Speaker 1: in Hollywood, and we spent it here, and we spent

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Speaker 1: it observing and watching the way people work and behave.

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Speaker 2: We report back to you. You know, we're out there

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Speaker 2: and we're getting all the information and then we collect

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Speaker 2: it all in our little sort of jars that we

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Speaker 2: call our brains. And then we come back and we

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Speaker 2: open up the jars and unscrew the tops of our

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Speaker 2: heads and we let the information out through talking.

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Speaker 1: And one feature we like to do sometimes they just

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Speaker 1: started to get warmed up in terms of helping people

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Speaker 1: is is called Engineer My Career, where we let the

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Speaker 1: engineer ask us a question.

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Speaker 2: It's so nice to have the engineer here as a

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Speaker 2: true every man, and any question they have we feel

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Speaker 2: that a lot of the public could have because they

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Speaker 2: really are in a place where they're sort of at

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Speaker 2: the bottom and they could do anything.

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Speaker 1: You know, a lot of people were hit very hard

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Speaker 1: in this financial crist Katrina or Kane Katrina and ended up, yes,

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Speaker 1: losing their home and to some kind of environmental disaster

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Speaker 1: and having to do something that is not that glamorous. Yes,

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Speaker 1: in normal circumstances, you you would turn your nose up,

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Speaker 1: not do And today we're very happy to have Engineer

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Speaker 1: Sam with us. Engineer Sam, what is your question?

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Speaker 2: My question is so I've been here since November? Uh,

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Speaker 2: that's your question?

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Speaker 1: Oh no, no, no, have you been November? Not a very

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Speaker 1: good people could learn a lot. It was clearly a question,

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Speaker 1: right there was a very hard question inflection that I'd.

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Speaker 2: Been there since November. That's him. It's like, uh, I

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Speaker 2: fucking guess man. Not exactly your secretary, not keeping your calendar.

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Speaker 2: Not a useful way to spend your question when you

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Speaker 2: have literally just one to ask two of the finer

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Speaker 2: minds and the modern media landscape.

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Speaker 1: I apologize.

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Speaker 2: If I could go again, could I go? If you

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Speaker 2: could be could I go again? That's a question Okay,

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Speaker 2: could I go again? Well, the answer is dream fucking

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Speaker 2: on dick weed.

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Speaker 1: And it comes back to the lesson that we've given before,

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Speaker 1: which is please come prepared with a with a with

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Speaker 1: a good question when you have an opportunity like this,

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Speaker 1: And that also applies to like how you dress, you

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Speaker 1: know what I mean, like when you show up for

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Speaker 1: something like this with you know, with like the people

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Speaker 1: in who are in a position to maybe help you,

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Speaker 1: like maybe where something that like fits your body. What

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Speaker 1: would you change about the way I'm dressed now? It's

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Speaker 1: just like maybe it is actually the body that.

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Speaker 2: Is is yes, And this is sort of what I

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Speaker 2: was going to say when you were saying be prepared.

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Speaker 2: It's like success is ninety percent preparation and nine percent

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Speaker 2: perspiration and one percent is just look like you look good?

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Speaker 1: The perp from me. I want to be able to

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Speaker 1: look at you going to the gym like every like

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Speaker 1: once in a while.

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Speaker 2: Yeah, perspiration and and some of it's inspiration. And that's

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Speaker 2: like like think about that. You know you're not there's

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Speaker 2: nothing inspired about the way you dress and your body is.

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Speaker 1: It's a disaster. It's a joke. Oh that's mean.

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Speaker 2: Thank you engineer Sam, because I think a lot of

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Speaker 2: people are getting a lot out of this and not

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Speaker 2: everyone's so brave to have a stupid looking body and

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Speaker 2: get on here and ask us just the worst questions.

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Speaker 2: It couldn't possibly help you to know whether you've been

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Speaker 2: here since November? And why would I know that? I

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Speaker 2: know how to make successful movies. I know how to

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Speaker 2: really crack people up with a ripping good joke. Do

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Speaker 2: I know how long you've been here? So we're going

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Speaker 2: to move on to the next thing we wanted to

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Speaker 2: talk about, which is, you know, movies, Yes, movies big

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Speaker 2: and small.

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Speaker 1: One of our favorite things in this business is sometimes

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Speaker 1: you can go see a movie and if you like

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Speaker 1: it enough, you can see another one of that movie.

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Speaker 1: And in this business they call it a sequel. And

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Speaker 1: there are some sequels being made this year that we're

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Speaker 1: excited about. We looked at the at the slate and

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Speaker 1: so there's a little segment that we like to do

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Speaker 1: called sequel sneak will pequel, which is where we take

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Speaker 1: a sneak will pequel at some of the sequels that

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Speaker 1: are that are in the mix for this year.

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Speaker 2: Yes, and the first one that we wanted to go over.

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Speaker 2: Hayes wanted to describe this one because he, of course

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Speaker 2: was involved in the original successful project, and he is

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Speaker 2: just so excited that they've decided to continue. There's two

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Speaker 2: reasons they make a sequel. One made a buttload of cash.

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Speaker 2: Everybody wants another taste of the piece of the pie.

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Speaker 1: Two they screw up.

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Speaker 2: They gotta do it again. We've talked about that phenomenon before.

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Speaker 2: M This is the former. It's called Two More Bigger Guns.

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Speaker 2: If you remember two guns, and I believe I wasn't

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Speaker 2: in the room. I believe that some Wahlberg wanted to

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Speaker 2: be two more guns. Denzel wanted to be two bigger guns.

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Speaker 2: And hey, if you want to tell the story, I

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Speaker 2: think you finally cracked it and said, guys, let's make

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Speaker 2: it two more Bigger Guns.

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Speaker 1: Yeah. And having seen this movie, because I made it

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Speaker 1: and was involved in it and knowing what it is,

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Speaker 1: I could say that the first movie where we left

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Speaker 1: those guys once they invented guns, and you know, they

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Speaker 1: each had one, and it was sort of I think

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Speaker 1: about the competition between Remington and Smith and Wesson, and like,

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Speaker 1: which of the two gunsmiths was gonna be like the

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Speaker 1: most famous and make the most money in business. Now

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Speaker 1: then this new one with the bigger guns. It's flash

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Speaker 1: forward to the present day. And now these guys have

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Speaker 1: been frozen for a long time, and now they're two

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Speaker 1: unfrozen cowboys, juicy, trying to trying to make their way

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Speaker 1: in the present day, but not really understanding the horseless

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Speaker 1: carriages they see in the streets, but still shooting guns

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Speaker 1: a lot and being very good at shooting.

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Speaker 2: Yes, And I love this concept. I love this take

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Speaker 2: on it, and to make it present day and to

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Speaker 2: deal with so much of the putin stuff that's been happening,

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Speaker 2: and to have that be the backdrop that there's always

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Speaker 2: a TV on in the background and he's always sort

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Speaker 2: of doing his stuff.

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Speaker 1: And just how they're sort of talking about it the

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Speaker 1: way we do.

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Speaker 2: Yes, but also the unfrozen calbary.

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Speaker 1: Trying, yes, trying to understand a political crisis when the

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Speaker 1: country of Russia is not really something they were familiar with,

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Speaker 1: or maybe I guess it would have been, but certainly

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Speaker 1: not the Ukraine or or possibly that that too. And

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Speaker 1: just even phones, Yeah, like what they think of phones

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Speaker 1: is actually an interesting look at, like what's so crazy

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Speaker 1: about phones? In the present day, and sometimes it takes

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Speaker 1: a voice from the past to look at the present

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Speaker 1: and say like is this really right? Like you're you're

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Speaker 1: looking at these little beep boxes all day, Like shouldn't

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Speaker 1: you be out in the fields, like enjoying life. You

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Speaker 1: know a lot of people listen to they don't take

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Speaker 1: them seriously at first, but it's, you know, actually a

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Speaker 1: lesson that we could all learn from these two old

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Speaker 1: cowboys and the character.

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Speaker 2: Of beep Box, the tiny about butler who is helping

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Speaker 2: them in the past and in the present. He froze

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Speaker 2: from Yes, he's the one that froze them. And he's

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Speaker 2: from the moon.

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Speaker 1: Yeah he's from He is Japanese in his behavior, in

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Speaker 1: his voice. But yes he's a robot.

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Speaker 2: Who I loved having that character to sort of stop

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Speaker 2: down and explain the plot every few minutes.

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Speaker 1: Well, he is because he's Japanese. He is very smart,

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Speaker 1: and he's very good at at following some of the

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Speaker 1: complicated things that are happening to these cowboys, and also

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Speaker 1: in the on the world stage as we as we keep.

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Speaker 2: From well, yes, but I just remember I was watching

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Speaker 2: and I would not know why something was happening, and

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Speaker 2: beep Box would kind of go, let's freeze and you

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Speaker 2: know that's funny because he froze them. And then he'd

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Speaker 2: come down and.

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Speaker 1: Say, you know, he is shooting.

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Speaker 2: Because he is so mad, and I would go okay,

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Speaker 2: because I was like, why is this guy shooting?

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Speaker 1: Anyway, the movie is very sad.

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Speaker 2: It's a ten hanky movie.

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Speaker 1: You, I know, we're really excited about and this is

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Speaker 1: sort of the other side. I guess, like, you know,

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Speaker 1: this movie did not do as well the first time.

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Speaker 1: You of course, yeah, it was not my decisions that

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Speaker 1: made it work, yes, but it sounds like there's a

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Speaker 1: lot of exciting stuff happening with the girl with two

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Speaker 1: pearl ear rings.

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Speaker 2: Yeah, sotively. So having seen this movie and really knowing

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Speaker 2: what it is and what it's about, well, I couldn't

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Speaker 2: be more stoked to have another crack at what was

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Speaker 2: truly just one step removed from I think being a

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Speaker 2: mega hit. So you all recall in the original, the

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Speaker 2: girl has a rock on her ear. She thinks it's

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Speaker 2: a pearl. It gets stolen by me and crab. She

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Speaker 2: she chases the crab into the sewer. She's in the sewer,

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Speaker 2: she meets a whole family of like alligator people who

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Speaker 2: live down there. She marries one of them. He kisses

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Speaker 2: her so hard that he bites part of her jaw off.

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Speaker 2: She decides she can't stay in this marriage. She goes

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Speaker 2: back up, finds the crab. Actually he gets the rock back.

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Speaker 2: It's not a pearl. And where we left her off

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Speaker 2: kind of at the end is she's going, well, if

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Speaker 2: this isn't a pearl, should I have married that? You know,

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Speaker 2: crocodile man or alligator man? Should I never have left?

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Speaker 2: Because that was part of why she left.

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Speaker 3: You know, the reason I think it didn't work is

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Speaker 3: because a lot of the.

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Speaker 2: Alligator people's movements were too stiff. It wasn't fluid. And

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Speaker 2: that's because I wanted to do you know, Henson creature

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Speaker 2: type creations and do it practically, and a lot of

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Speaker 2: people involved were you know, wanted to be cg.

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Speaker 1: It's all computers.

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Speaker 2: Now, yeah, it's all computers, and it's like, we don't

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Speaker 2: how about what happened to something you could hold in

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Speaker 2: your hand. Just because you can do something with a

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Speaker 2: computer doesn't mean that's the best way to do it.

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Speaker 2: And I say that about writing about going on the internet,

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Speaker 2: about what.

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Speaker 1: At raising playing computer games.

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Speaker 2: Playing a computer game is like sometimes the best way

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Speaker 2: to play a computer game is just to get a

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Speaker 2: deck of cards and just start doing it. So for me,

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Speaker 2: I thought, let's get the puppets, but let's also take

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Speaker 2: another crack at the story and see did we do

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Speaker 2: a disservice by not giving the backstory of how some

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Speaker 2: of these crocodile man are friends? And I think we

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Speaker 2: did because I want to see them, you know, playing crockball,

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Speaker 2: which is like baseball, but they whack a ball with

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Speaker 2: their tail and it's bigger than a baseball. It has stitching,

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Speaker 2: but it's like not as big as a soccer ball.

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Speaker 2: It's very heavy. They have tough hides, so then worry

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Speaker 2: about using pads as much. But how do I describe

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Speaker 2: croc ball?

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Speaker 1: So, okay, it's like a rolled up bug.

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Speaker 2: The ball's let. Yeah, it's like a giant roly poly

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Speaker 2: bug and it has stitches into it. They've sown it

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Speaker 2: into its rolled up form. But it's saying things.

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Speaker 3: Like hey, buster, like lacked a heck of a whack

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Speaker 3: and can't catch me nerd.

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Speaker 2: So the ball is kind of part of the comic relief. Also,

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Speaker 2: there's one fat crocodile man and that's very funny too,

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Speaker 2: he's bursting out of his vest. So anyway, we thought

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Speaker 2: showing a lot of their life and maybe eliminating the

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Speaker 2: girl and maybe eliminating some of the pearl earring. Okay,

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Speaker 2: so it's called Girl with two Pearl Earrings as kind

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Speaker 2: of a nod to the audience saying we heard you

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Speaker 2: the first time and where and we're doing what you wanted.

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Speaker 1: The decision. She's not in it much.

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Speaker 2: No, she does make a cameo.

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Speaker 1: The decision to recast because it was Scarle Johansson and

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Speaker 1: the original yeah, and now it being Ken Jong. What

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Speaker 1: went into that choice?

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Speaker 2: Uh, Well, when we found out that Ken was techaveil,

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Speaker 2: I absolutely said we've got to get him. And it

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Speaker 2: was a big sort of whining and dining meeting with

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Speaker 2: doctor Ken.

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Speaker 1: Did you know that you that he was a doctor.

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Speaker 1: He's a real not just called like doctor Ken like

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Speaker 1: a joke because he's Japanese.

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Speaker 2: It's like he is, Yeah, he is a real. He

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Speaker 2: went to medical school, got the doctor certificate and he's

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Speaker 2: and it has the stethoscope and everything. And I thought

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Speaker 2: that that was something that would really bring a lot

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Speaker 2: to the production. Because you don't have to pay to

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Speaker 2: have a medic on set, and also because he is Japanese.

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Speaker 2: He is so smart and able to do a lot

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Speaker 2: of things that a Scarlett Johansson can't exactly do.

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Speaker 1: And a lot of people getting sick living in the

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Speaker 1: sewer for four months on your ship.

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Speaker 2: Yeah yeah, we again. I wanted to do the sewer

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Speaker 2: practically before it was a build. It was on a

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Speaker 2: sound stage and it didn't feel authentic, and the audience

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Speaker 2: responded by making us take a bath financially.

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Speaker 1: And then taking a bath I guess non financially after

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Speaker 1: being in the sewer. Yeah. Yeah.

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Speaker 2: Every day when I got home, I would have to

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Speaker 2: really scrub up, really clean up, and I thankfully am healthy.

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Speaker 2: The same can't be said for a lot of the

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Speaker 2: crocodile men. Certainly for the croc ball who had to

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Speaker 2: splash around in the mook. It was Andy Serkis.

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Speaker 1: He's amazing. What did genius so good?

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Speaker 2: The main crocodile, the romantic interest for Ken who you know,

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Speaker 2: as you said, Ken's the girl. He's not in the

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Speaker 2: movie a Ton. She's not in the movie a Ton.

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Speaker 2: The main crocodile we did get Michael Fay, who's the

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Speaker 2: man who was caned in Singapore a few years back

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Speaker 2: for doing graffiti. Oh sure, we were able to get

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Speaker 2: a hold of him, and he's pretty irreverent.

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Speaker 1: What a rich experience he could bring having known a

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Speaker 1: lot of Japanese people with Singapore, like really understating how

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Speaker 1: smart they are, Like how funny it is to talk

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Speaker 1: to them.

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Speaker 2: Yeah, and so it's a smart movie. It's a funny movie.

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Speaker 2: We think America is gonna we hope that you accept

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Speaker 2: our maya koppa. We missed a little bit on the

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Speaker 2: first one, thanks mainly to the bad decisions of one

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Speaker 2: mister David Fincher. And now we got that fucking hack

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Speaker 2: off the project and we're doing our thing and we

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Speaker 2: think you guys are gonna just gobble it up.

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Speaker 1: We'll be right back with our guest, Rob Cordery. You

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Speaker 1: may recognize him from TV shows. He's been in the

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Speaker 1: movies before.

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Speaker 2: He lives on the same street as a friend of mine.

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Speaker 1: And he's going to talk about that and some of

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Speaker 1: the TV shows in the movies that he's done, coming

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Speaker 1: right up on Hollywood Handbook.

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Speaker 4: Hollywood Handbook.

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Speaker 5: So I said, she goes like it's called the plan team,

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Speaker 5: and I go, look, Crispin Stewart to me and everyone

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Speaker 5: else in this room, it's a big banana. So you

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Speaker 5: either start calling it that you get the fuck out

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Speaker 5: of my green room.

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Speaker 2: And she apologized. Hollywood Ham, Hey, what up?

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Speaker 3: What up?

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Speaker 1: Welcome to Hollywood Handbook and Insider's Guide to kicking button

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Speaker 1: dropping names in the red carpet line back hallways of

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Speaker 1: this industry we call showbiz. Great guest today, great guest,

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Speaker 1: big fan of ours. A huge amount going on for him.

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Speaker 4: Rob Cordrey, Hey, guys, thank you so much for having

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Speaker 4: me on this show. I've been listening uh forever. You know,

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Speaker 4: when you guys, when it was what it was, it's

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Speaker 4: iteration before podcasts. You know when when you were just like.

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Speaker 1: Just having conversations holding those remember conversation Yeah that you.

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Speaker 2: Were at actually spoke to each other instead of yeah,

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Speaker 2: instead of.

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Speaker 1: Just like taking iPad photos and stuff.

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Speaker 2: It's like yeah, and so just everybody's on their kindle

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Speaker 2: all day.

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Speaker 1: It's you have to look at each other, and FaceTime

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Speaker 1: doesn't count. It's not the same thing.

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Speaker 2: No, it's really not, because it freezes sometimes and you

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Speaker 2: get stuck making a funny face. Rob go ahead.

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Speaker 1: You got a huge amount out on your plate right now.

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Speaker 1: It's going things are going great. You have a show, yeah, hope, hope. Yeah.

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Speaker 4: Are you talking about the ones, the many shows that

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Speaker 4: I actually have or.

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Speaker 1: No, no, no, I'm talking about that that one.

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Speaker 2: Just the other, the show in development that you're hoping

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Speaker 2: will replace all those.

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Speaker 1: Yeah, exactly, exactly right, because all this time you've been

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Speaker 1: doing like the goofy things.

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Speaker 2: The goofy stuff, the stuff you're goofing around where you're

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Speaker 2: like a clown. Right yet, what is that one? That

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Speaker 2: one's children's hospital?

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Speaker 6: Yeah?

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Speaker 1: Yes, okay, which it's like which you never like worked

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Speaker 1: in a children's hospital or anything like a funny joke,

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Speaker 1: know anything about that world.

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Speaker 4: And I'm glad that you brought that up, because I

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Speaker 4: do want to apologize to all the real children's hospitals

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Speaker 4: and just say to everybody that it's nothing. It isn't

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Speaker 4: there's a lot of talk that's nothing like a real

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Speaker 4: children's home hospital at all.

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Speaker 1: You hear about these kids making themselves sick so they

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Speaker 1: can go to children's they can to the children's hospital. Yeah,

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Speaker 1: and I'm never there, eating less.

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Speaker 4: My children are really fucked up in some way like

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Speaker 4: they've cut themselves.

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Speaker 1: Yeah, fell off, the thing fallen off. But then is

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Speaker 1: that good source material for you?

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Speaker 2: Yes?

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Speaker 4: Yes, for sure, for sure. You know what it's it's funny.

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Speaker 4: The last time I was at Children's, I had, I had,

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Speaker 4: I ripped. Is it gives you the wrong impression, but

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Speaker 4: ripped my daughter's shoulder out of her socket.

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Speaker 1: But it really it.

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Speaker 4: Was just it was just this funny, weird thing and

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Speaker 4: we had to take it to Children's to get it

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Speaker 4: popped back in. And when I was there, this is

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Speaker 4: a good this is a really funny story. I was

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Speaker 4: in the UH, I was in the you know, waiting

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Speaker 4: room for the emergency room, and she's crying and I'm

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Speaker 4: just surrounded by all these like parents who are weeping,

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Speaker 4: and there's like a kid being like it was like

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Speaker 4: a TV show.

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Speaker 1: Really, yeah, kid comes in.

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Speaker 4: They burst him through the dories on a stretcher, but

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Speaker 4: the stretcher is really tiny kid, and there's a lifelike

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Speaker 4: pilot like pushing the thing, and you know, because he's

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Speaker 4: been flown in on a helicopter because there's no way

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Speaker 4: they're going to get him here in time anywhere. And

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Speaker 4: it's like there's blood everywhere and everybody looks really serious,

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Speaker 4: and I'm just like, God, this is the.

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Speaker 1: Stuff, right.

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Speaker 2: All you see is stories. All you see are stories. Yeah,

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Speaker 2: and I'm like.

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Speaker 1: This is going in the show. That's writing, that's it's observing. Yeah,

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Speaker 1: that's all it is.

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Speaker 2: Write what you for the most part. No, Yeah, and

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Speaker 2: it's creating those scenarios that you can observe, whether it's

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Speaker 2: ripping your daughter's arm or do to deserve that.

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Speaker 1: No, like I said, it was, it was a total fluke.

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Speaker 2: It was an accident.

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Speaker 4: She she does this thing and it's really cute where

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Speaker 4: when she tries to talk to me at her which

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Speaker 4: for one is no no, that's a no no, no no.

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Speaker 4: That's eating time, and it's just looking down and being

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Speaker 4: thankful for your father who has who works.

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Speaker 1: His fucking ass off to bring you this food.

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Speaker 2: Right.

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Speaker 1: And then when she did speak, okay, she had food

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Speaker 1: in her mouth.

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Speaker 7: Wow, okay, okay, so already I'm like, why are their

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Speaker 7: words being spoken right now? And then they were fucking

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Speaker 7: words with like food, smacking food, So that's a you know,

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Speaker 7: the closest thing to me was her left.

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Speaker 1: Arm, and I just.

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Speaker 4: Gave it this yank and later on we just laughed

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Speaker 4: about it, but at the time.

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Speaker 2: Well, she must have been like, thank you. You know

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Speaker 2: that's a mistake, you only want to make one.

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Speaker 1: She gets it, No, she gets it right. And having

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Speaker 1: kids is just hard. Yeah, we know we have a

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Speaker 1: lot of kids.

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00:24:02,680 --> 00:24:04,600
Speaker 2: Yeah we have too many.

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Speaker 1: But now I guess the thing that we really wanted

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Speaker 1: to talk to you about today, it's something that's very

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Speaker 1: rewarding for you. It's pilot season. You have your new show.

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Speaker 8: It's the most wonderful time of the year, pilot season,

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Speaker 8: your show based on your own life experiences, your own

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Speaker 8: crazy family.

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Speaker 1: I believe it's called Rob.

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Speaker 4: It's called Rob or the Rob Show, or featuring the

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Speaker 4: show featuring Rob.

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Speaker 2: Well, I know Rob Schneider had done Rob with like

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Speaker 2: an exclamation point, and so you were going to do

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Speaker 2: Rob with either a question mark or a semi semi colin.

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Speaker 2: But I realized, I don't know, how do you like?

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Speaker 4: This is a show, This is an honest show, and

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Speaker 4: I don't know how to use a semi colon at all, and.

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Speaker 1: You don't have to, that's exactly.

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Speaker 4: But I thought, well, it'd be dishonest of me to

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00:25:04,200 --> 00:25:07,280
Speaker 4: put that kind of punctuation. The punctuation that I don't

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Speaker 4: understand in the title of the show.

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Speaker 2: Is honestly important to you and your work robe.

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00:25:12,760 --> 00:25:17,080
Speaker 4: Yes, absolutely, one hundred percent honesty all the time. And

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Speaker 4: that's why this show has been brewing and percolating and

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Speaker 4: marinating and all the things that you do with ideas.

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Speaker 2: In my head for for years.

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Speaker 4: And I feel like with all these other little silly

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Speaker 4: hospital shows that I do, that those are just like

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Speaker 4: I'm swinging three bats in the batter's box and now

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Speaker 4: I'm stepping up with one really light bat and I'm

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Speaker 4: just gonna knock it out of the park.

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Speaker 1: Wow.

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Speaker 4: Yeah, And I don't mean like I mean the bat too,

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Speaker 4: Like the bat's gonna fly out of my hands and

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Speaker 4: it's gonna go out of the park too, like even

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Speaker 4: farther than the ball does.

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00:25:52,720 --> 00:25:57,119
Speaker 2: And it's going to smash a windshow. And that's yeah, exactly,

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00:25:57,200 --> 00:25:59,080
Speaker 2: exactly exactly, And that's points.

441
00:25:59,160 --> 00:26:00,480
Speaker 1: And I put a note on the bat.

442
00:26:00,840 --> 00:26:02,760
Speaker 2: I put a note on the mat, and I got secret.

443
00:26:02,880 --> 00:26:05,679
Speaker 4: And the then whoever, when the when the bird drops

444
00:26:05,720 --> 00:26:08,320
Speaker 4: the bat and then the person reads the note, they'll

445
00:26:08,920 --> 00:26:09,439
Speaker 4: they'll get it.

446
00:26:09,480 --> 00:26:11,320
Speaker 1: I mean, I'm not going to tell you what. Maybe

447
00:26:11,320 --> 00:26:11,960
Speaker 1: you guys will get it.

448
00:26:12,320 --> 00:26:14,160
Speaker 2: I'd love to be there when that note gets read.

449
00:26:14,359 --> 00:26:17,840
Speaker 1: Yeah, let's should we read? Yeah, let's break in it.

450
00:26:17,880 --> 00:26:19,960
Speaker 2: So Rob is going to be a show that follows

451
00:26:20,000 --> 00:26:21,400
Speaker 2: you and your crazy family.

452
00:26:21,480 --> 00:26:25,600
Speaker 4: Yeah, the Cordrees I have is the working name for

453
00:26:25,680 --> 00:26:29,720
Speaker 4: the family. Sure, but of course network will have notes,

454
00:26:29,720 --> 00:26:30,200
Speaker 4: I'm sure.

455
00:26:30,280 --> 00:26:32,399
Speaker 1: And how does that break down? You have one daughter

456
00:26:32,440 --> 00:26:33,840
Speaker 1: who's kind of fucked up, and they have.

457
00:26:34,119 --> 00:26:40,720
Speaker 4: One daughter who is severely handicapped, ye, who misbehaves a lot. Sure,

458
00:26:41,359 --> 00:26:46,600
Speaker 4: and then I I have a Chicano wife. She's Chicano.

459
00:26:46,880 --> 00:26:49,399
Speaker 1: That's very funny, right, And that's in my real just

460
00:26:49,840 --> 00:26:50,359
Speaker 1: real life.

461
00:26:50,440 --> 00:26:54,760
Speaker 2: No, but yeah, but just imagine imagine the like, imagine

462
00:26:55,000 --> 00:26:58,320
Speaker 2: Christmas morning in the household. Yeah, you know, it's like

463
00:26:58,400 --> 00:27:01,280
Speaker 2: you got ham, she's got to and who's going to

464
00:27:01,320 --> 00:27:03,760
Speaker 2: win this one? Well, no, that's that's I'm glad you

465
00:27:03,800 --> 00:27:06,919
Speaker 2: brought that up. She's not actually of any sort of

466
00:27:07,000 --> 00:27:10,600
Speaker 2: Latin descent, right, because one day she asked me what

467
00:27:10,640 --> 00:27:12,360
Speaker 2: does Chicano mean?

468
00:27:12,640 --> 00:27:14,160
Speaker 4: Like, what is it Chicano? And I said, I don't

469
00:27:14,200 --> 00:27:16,200
Speaker 4: fucking know what a Chicano is. I don't care about

470
00:27:16,200 --> 00:27:18,239
Speaker 4: that kind of thing, And so she looked it up

471
00:27:18,240 --> 00:27:21,800
Speaker 4: on Wikipedia which we have always by our bed. We

472
00:27:21,840 --> 00:27:23,520
Speaker 4: have the whole set, the whole thing, the whole set

473
00:27:23,600 --> 00:27:26,000
Speaker 4: right there. And she looked it up and Chicano is

474
00:27:26,040 --> 00:27:34,239
Speaker 4: apparently a self described term that the Indigenous Mexicans that

475
00:27:34,400 --> 00:27:39,080
Speaker 4: have grown up in the southern Southwest United States give

476
00:27:39,160 --> 00:27:43,439
Speaker 4: to themselves. So it's a self described name, and so

477
00:27:43,480 --> 00:27:48,240
Speaker 4: she decided to describe herself as Chicano.

478
00:27:48,320 --> 00:27:51,320
Speaker 1: So anyone can anyone, anyone can make the choice.

479
00:27:51,400 --> 00:27:53,200
Speaker 2: You know, hey, I didn't think I was going to

480
00:27:53,320 --> 00:27:55,760
Speaker 2: learn today what a.

481
00:27:55,760 --> 00:27:58,919
Speaker 1: Racket because they make it seem like it's so hard

482
00:27:59,520 --> 00:28:01,879
Speaker 1: to be one, but really it's just a matter of

483
00:28:02,000 --> 00:28:03,360
Speaker 1: saying you just are one.

484
00:28:03,560 --> 00:28:06,240
Speaker 2: I mean, that's as a as one in Native American.

485
00:28:06,320 --> 00:28:10,000
Speaker 2: That is very frustrating to me, because of course heritage

486
00:28:10,040 --> 00:28:13,320
Speaker 2: is very important. I feel like, yeah, so say it.

487
00:28:13,760 --> 00:28:15,640
Speaker 2: It's not really the same thing as being it and

488
00:28:15,640 --> 00:28:16,119
Speaker 2: doing it.

489
00:28:16,960 --> 00:28:20,640
Speaker 4: Yes, on one hand, yes, but on another hand, no, way,

490
00:28:20,760 --> 00:28:21,880
Speaker 4: absolutely not right?

491
00:28:22,480 --> 00:28:25,280
Speaker 1: Right? Yes, you know, like there's two sides to.

492
00:28:25,359 --> 00:28:28,280
Speaker 2: The opposite, is true, and even maybe truer.

493
00:28:28,080 --> 00:28:29,240
Speaker 1: Two sides to every coin.

494
00:28:30,119 --> 00:28:34,520
Speaker 2: M Yes, that's what makes two face such a powerful character, right,

495
00:28:34,560 --> 00:28:36,200
Speaker 2: who is also two face?

496
00:28:36,760 --> 00:28:39,720
Speaker 4: You're referencing the script. Two Face is also the villain

497
00:28:39,760 --> 00:28:43,440
Speaker 4: that lives next door. I live next to a batman villain.

498
00:28:43,600 --> 00:28:44,000
Speaker 2: Mm hmm.

499
00:28:45,360 --> 00:28:47,840
Speaker 4: And we, you know, we have that kind of relationship

500
00:28:47,880 --> 00:28:51,280
Speaker 4: where we get along. But he's fucking his face has

501
00:28:51,320 --> 00:28:53,680
Speaker 4: been mutilated and he's angry about it, and he's a

502
00:28:53,920 --> 00:28:55,080
Speaker 4: really evil guy.

503
00:28:55,880 --> 00:28:59,080
Speaker 2: It's such a great moment in the And do we

504
00:28:59,120 --> 00:29:02,280
Speaker 2: want to go to that? Yeah, where you're returning his lawnmower.

505
00:29:04,160 --> 00:29:07,240
Speaker 1: Okay, do you want to read two Faces? Yes, yes,

506
00:29:07,280 --> 00:29:10,600
Speaker 1: I'll do, and I'll read rob That's that sounds great. Yeah,

507
00:29:11,760 --> 00:29:18,240
Speaker 1: exterior cordery lawn. Two Faces trying to mow his front lawn,

508
00:29:18,320 --> 00:29:21,600
Speaker 1: but he realizes that he doesn't have a lawnmower in

509
00:29:21,680 --> 00:29:24,800
Speaker 1: his hands, and he and he yells out angrily.

510
00:29:25,560 --> 00:29:36,080
Speaker 2: You beautiful rab oh great? Yeah, why am I not

511
00:29:36,280 --> 00:29:38,680
Speaker 2: holding my lawn mowing machine?

512
00:29:39,960 --> 00:29:40,480
Speaker 1: Huh?

513
00:29:40,600 --> 00:29:44,760
Speaker 4: Let me think about that, mister Face. Maybe because it's

514
00:29:44,800 --> 00:29:47,160
Speaker 4: still in my garage.

515
00:29:47,800 --> 00:29:53,160
Speaker 6: Well that's why I'm so friggin' pissed.

516
00:29:54,080 --> 00:29:56,600
Speaker 2: Oh no, I know it's coming.

517
00:29:56,680 --> 00:30:01,720
Speaker 1: Next two Face reveals a large dollar coin, half of

518
00:30:01,760 --> 00:30:05,280
Speaker 1: which has been scratched out with a knife.

519
00:30:05,480 --> 00:30:08,920
Speaker 6: I'm gonna flip this coin and if it lands scratched

520
00:30:09,000 --> 00:30:14,200
Speaker 6: up side up, I'm gonna boil you in a big pot,

521
00:30:20,720 --> 00:30:22,040
Speaker 6: all right, just give me a lot more.

522
00:30:21,920 --> 00:30:27,600
Speaker 4: Back so, and that's the scene that went through many

523
00:30:27,640 --> 00:30:32,840
Speaker 4: different workshopping stages, and then it just ultimately became you

524
00:30:32,880 --> 00:30:35,680
Speaker 4: know what it was, what the actual story was.

525
00:30:36,040 --> 00:30:38,680
Speaker 1: That just really happened verbatim, Like that.

526
00:30:40,560 --> 00:30:44,800
Speaker 4: Funny story about two face that a lot of people

527
00:30:44,800 --> 00:30:46,320
Speaker 4: don't know he's a.

528
00:30:46,320 --> 00:30:49,240
Speaker 2: Huge gay Oh okay.

529
00:30:49,040 --> 00:30:52,080
Speaker 4: Wow, yeah, and that that will show up. It doesn't

530
00:30:52,080 --> 00:30:54,080
Speaker 4: show up in the pot. Both both parts of his

531
00:30:54,160 --> 00:30:54,760
Speaker 4: face are gay.

532
00:30:55,320 --> 00:31:00,200
Speaker 1: The whole deal, the whole deally, the whole package. Interesting, yeah,

533
00:31:00,320 --> 00:31:05,120
Speaker 1: because so much of him is conflicted, but in the

534
00:31:05,240 --> 00:31:08,000
Speaker 1: in this case, one thing about him that is that

535
00:31:08,160 --> 00:31:11,440
Speaker 1: he's one hundred percent consistent on Yeah, you'll find that

536
00:31:11,480 --> 00:31:12,920
Speaker 1: out as the season goes on. Like that.

537
00:31:12,960 --> 00:31:16,680
Speaker 4: He actually lives with a man, an older gentleman who's

538
00:31:16,680 --> 00:31:24,080
Speaker 4: an associate professor at UC Bakersfield, a professor of history,

539
00:31:24,240 --> 00:31:25,560
Speaker 4: and he's just a real curmudgeon.

540
00:31:25,600 --> 00:31:28,520
Speaker 1: He walks with a cane and he's really sweet. Is

541
00:31:28,560 --> 00:31:34,360
Speaker 1: that done on Sutherland? Well, hope, hope, right, Sure, it

542
00:31:34,440 --> 00:31:36,520
Speaker 1: sounds like him, It sounds like it was written, sounds

543
00:31:36,520 --> 00:31:37,280
Speaker 1: like it fits him.

544
00:31:37,320 --> 00:31:39,360
Speaker 4: I know he's not on, he's not on, he's not

545
00:31:39,400 --> 00:31:41,160
Speaker 4: all set up on email yet, so I have not

546
00:31:41,240 --> 00:31:42,120
Speaker 4: been able to get in.

547
00:31:42,000 --> 00:31:44,280
Speaker 2: Touch with him. Yeah, that's been a problem with us

548
00:31:44,320 --> 00:31:45,040
Speaker 2: for Donnie too.

549
00:31:45,160 --> 00:31:52,560
Speaker 1: Yeah, Now go a little deeper into your actual family makeup.

550
00:31:52,720 --> 00:31:55,200
Speaker 1: You have the one daughter, but I know that's not

551
00:31:55,240 --> 00:31:56,040
Speaker 1: the only that's.

552
00:31:55,960 --> 00:31:59,360
Speaker 4: Not the only daughter in no, there there. So there's

553
00:31:59,360 --> 00:32:03,120
Speaker 4: my daughter, here's your Chicano wife, my Chicano wife. Uh,

554
00:32:03,240 --> 00:32:10,600
Speaker 4: there's my mother who lives in an RV right outside

555
00:32:10,600 --> 00:32:14,520
Speaker 4: my house, right on the street. And that's gonna be

556
00:32:14,560 --> 00:32:17,640
Speaker 4: probably the second episode where the whole thing is about

557
00:32:17,720 --> 00:32:20,840
Speaker 4: how it's street cleaning day and she's got to move

558
00:32:20,880 --> 00:32:21,600
Speaker 4: the damn thing.

559
00:32:22,000 --> 00:32:25,320
Speaker 1: But she forgets how to drive all of a sudden, right, Yeah,

560
00:32:25,400 --> 00:32:26,160
Speaker 1: she's got dementia.

561
00:32:26,360 --> 00:32:28,480
Speaker 4: And you guys see where I mean, that's just goes.

562
00:32:28,800 --> 00:32:31,000
Speaker 4: It goes exactly where you think it's going to go.

563
00:32:31,480 --> 00:32:33,240
Speaker 1: I drive it to the other side of the street.

564
00:32:33,800 --> 00:32:34,000
Speaker 8: Yeah.

565
00:32:34,200 --> 00:32:34,600
Speaker 1: Yeah.

566
00:32:34,600 --> 00:32:38,120
Speaker 2: After a bunch of hem and hant and and though

567
00:32:38,400 --> 00:32:44,960
Speaker 2: and lessons are yeah, like she relearns how to drive,

568
00:32:45,080 --> 00:32:46,480
Speaker 2: thank you process. So she learned.

569
00:32:46,640 --> 00:32:48,920
Speaker 4: There's a moral to it that's really nice if you

570
00:32:49,080 --> 00:32:52,440
Speaker 4: if you live in a moving vehicle, you should know

571
00:32:52,440 --> 00:32:53,000
Speaker 4: how to drive.

572
00:32:53,200 --> 00:32:57,160
Speaker 2: And so much TV now forgets to do the lesson

573
00:32:57,280 --> 00:33:02,440
Speaker 2: part yeah, where they have somebody drive, but they don't

574
00:33:02,440 --> 00:33:03,680
Speaker 2: talk about how you drive.

575
00:33:03,880 --> 00:33:08,000
Speaker 1: They just show up already knowing how something. And you

576
00:33:08,040 --> 00:33:10,880
Speaker 1: don't see any any change, there's no r And so

577
00:33:10,880 --> 00:33:11,440
Speaker 1: in that way.

578
00:33:11,320 --> 00:33:15,440
Speaker 4: It's not a tool, isn't no, no, no, no, exactly, it's well,

579
00:33:15,440 --> 00:33:17,040
Speaker 4: that's one of the things one of I set out

580
00:33:17,080 --> 00:33:19,680
Speaker 4: to do this show is that I in my life,

581
00:33:19,680 --> 00:33:22,400
Speaker 4: I learn a lot of lessons. I'm like a vessel.

582
00:33:22,760 --> 00:33:25,560
Speaker 4: I'm like an empty lesson vessel that I want to

583
00:33:25,600 --> 00:33:29,200
Speaker 4: fill to the to the to the right where you

584
00:33:29,280 --> 00:33:32,560
Speaker 4: think it almost looks like the lessons are like there's

585
00:33:32,560 --> 00:33:34,600
Speaker 4: a bubble on top of it, and how is that

586
00:33:34,680 --> 00:33:37,200
Speaker 4: not spilling. It's because it's because I just want to

587
00:33:37,240 --> 00:33:38,280
Speaker 4: suck down more lessons.

588
00:33:38,320 --> 00:33:38,880
Speaker 1: That's my life.

589
00:33:39,640 --> 00:33:42,640
Speaker 4: So every episode to this show is going to be

590
00:33:42,840 --> 00:33:44,440
Speaker 4: a very special episode.

591
00:33:45,480 --> 00:33:47,040
Speaker 1: And so and you go out in the world and

592
00:33:47,080 --> 00:33:49,840
Speaker 1: you see a problem like all these people getting street

593
00:33:49,840 --> 00:33:54,240
Speaker 1: cleaning tickets. You walk down the street and just windshields

594
00:33:54,360 --> 00:33:58,640
Speaker 1: littered with yes, street cleaning literally in this city, and

595
00:33:58,760 --> 00:34:00,920
Speaker 1: in every city in the world, and you say, like,

596
00:34:01,000 --> 00:34:03,160
Speaker 1: what can I do? Like as a writer performer, like,

597
00:34:03,200 --> 00:34:04,640
Speaker 1: how can I what can I do?

598
00:34:04,800 --> 00:34:07,280
Speaker 2: I'm not a I'm not the governor, I'm not the mayor,

599
00:34:07,520 --> 00:34:08,920
Speaker 2: you know. And what you can do is you can

600
00:34:09,040 --> 00:34:13,000
Speaker 2: just a storyteller. Yeah, but it's it's not just a storyteller.

601
00:34:13,000 --> 00:34:17,480
Speaker 2: Just storyteller's minimizing it. That's a pretty big thing to.

602
00:34:17,440 --> 00:34:21,160
Speaker 4: Be gosh, I mean there's a lot on our shoulders. Yeah,

603
00:34:21,320 --> 00:34:23,560
Speaker 4: a story we have a big, big responsibility.

604
00:34:24,960 --> 00:34:28,839
Speaker 1: Now, your character loves is his own car quite a bit,

605
00:34:28,960 --> 00:34:32,840
Speaker 1: that's right, Right, that's right. Talk about sort of the

606
00:34:33,600 --> 00:34:36,560
Speaker 1: romantic love triangle that develops between you and your wife

607
00:34:37,080 --> 00:34:37,600
Speaker 1: in your car.

608
00:34:37,760 --> 00:34:43,920
Speaker 4: Right, So my character loves fucking, you know, fucking sucking

609
00:34:45,120 --> 00:34:45,759
Speaker 4: the whole thing.

610
00:34:45,880 --> 00:34:48,719
Speaker 2: That feels amazing. Yeh yeah, exactly exact.

611
00:34:48,760 --> 00:34:50,120
Speaker 4: And that's what I want to sort of bring, Like

612
00:34:50,160 --> 00:34:53,040
Speaker 4: I want that sort of visceral like I want you

613
00:34:53,080 --> 00:34:56,879
Speaker 4: to feel like when I'm fucking on television, that you're

614
00:34:56,960 --> 00:34:59,719
Speaker 4: right there getting fucked, you're getting it, you're doing it,

615
00:35:00,040 --> 00:35:02,960
Speaker 4: getting the whole thing, or if you're not taking it,

616
00:35:03,040 --> 00:35:06,400
Speaker 4: that your dick is my dick and I'm imagining that

617
00:35:06,440 --> 00:35:08,640
Speaker 4: I'm fucking what you are exactly what is what you

618
00:35:08,680 --> 00:35:10,360
Speaker 4: make it right? Because we bring our own life to

619
00:35:10,760 --> 00:35:12,480
Speaker 4: the stories we sure each.

620
00:35:12,400 --> 00:35:15,600
Speaker 1: And that's why the POV scenes I think are some

621
00:35:15,640 --> 00:35:16,560
Speaker 1: of the most interesting.

622
00:35:17,080 --> 00:35:23,080
Speaker 4: Was ninety, which some said was crazy and others said

623
00:35:23,640 --> 00:35:27,000
Speaker 4: this is stupid, and then others still said, I'm not

624
00:35:27,040 --> 00:35:30,560
Speaker 4: even going to say anything about this idea. I'm not

625
00:35:30,560 --> 00:35:32,759
Speaker 4: going to even tell you what my opinion is. And

626
00:35:32,760 --> 00:35:34,719
Speaker 4: then some people were like, great, And I listen to

627
00:35:34,760 --> 00:35:36,520
Speaker 4: those people because they are doers.

628
00:35:36,600 --> 00:35:40,880
Speaker 1: If one person I feel like gets horny from like

629
00:35:41,200 --> 00:35:44,440
Speaker 1: a show, from something i've I've done my job right,

630
00:35:44,560 --> 00:35:44,759
Speaker 1: you know.

631
00:35:44,960 --> 00:35:49,360
Speaker 4: Well, so I have a very very charged sexual relationship

632
00:35:49,440 --> 00:35:55,359
Speaker 4: with my Chicano, my white, white Chicano wife, and I

633
00:35:55,560 --> 00:36:01,440
Speaker 4: also have a very very sordid relationship with my nineteen

634
00:36:01,480 --> 00:36:06,560
Speaker 4: seventy five Ford Pinto Wagon because it has woodwalls, and

635
00:36:06,600 --> 00:36:08,680
Speaker 4: that's something that you've never seen in a show before.

636
00:36:08,719 --> 00:36:11,280
Speaker 4: I mean, fucking a car. Sure, there was a whole show.

637
00:36:11,520 --> 00:36:14,640
Speaker 4: It was a documentary quote unquote, yeah, buck, guys that

638
00:36:14,800 --> 00:36:18,200
Speaker 4: like fucking cars, but you've never seen it the way

639
00:36:18,239 --> 00:36:22,200
Speaker 4: I do it, which is just fucking the longest scenes

640
00:36:22,239 --> 00:36:25,919
Speaker 4: in television history. I hope of me just laying into

641
00:36:25,960 --> 00:36:28,680
Speaker 4: that car. Man, just laying into that car, you know

642
00:36:28,719 --> 00:36:30,240
Speaker 4: what I mean? Like, should we do that scene?

643
00:36:30,360 --> 00:36:31,560
Speaker 1: Yeah? Yeah, let's read it.

644
00:36:31,960 --> 00:36:34,680
Speaker 2: And this is just me. Uh but you you want

645
00:36:34,680 --> 00:36:37,279
Speaker 2: to do the car sounds because the car is on,

646
00:36:37,960 --> 00:36:39,760
Speaker 2: all right, and the radio is on as well.

647
00:36:40,480 --> 00:36:44,000
Speaker 1: Okay, playing great, Okay, let's do it.

648
00:36:48,800 --> 00:36:53,160
Speaker 4: Fuck yeah, oh god, oh my god, oh my god.

649
00:36:52,920 --> 00:36:53,600
Speaker 2: Oh my god, oh my god.

650
00:36:53,600 --> 00:36:57,120
Speaker 4: Sepopopp stop, stop, oh my god, oh my god.

651
00:36:57,239 --> 00:37:01,240
Speaker 2: Turn turn the heater, turn the heater on. You're getting

652
00:37:01,239 --> 00:37:03,759
Speaker 2: the fuck okay, didn't notice you to too much? Too

653
00:37:03,800 --> 00:37:08,840
Speaker 2: much too. I used to paying too much money for

654
00:37:08,880 --> 00:37:12,439
Speaker 2: your auto insurance CONWAYN one hundred and six point six

655
00:37:12,520 --> 00:37:15,640
Speaker 2: auto to gain bare prices on your auto insurance.

656
00:37:19,000 --> 00:37:24,600
Speaker 1: I can't. The garage light turns on, missus SENIORA. Cordrey

657
00:37:25,160 --> 00:37:26,560
Speaker 1: enters the garage.

658
00:37:26,760 --> 00:37:28,840
Speaker 2: Rob, What at you doing?

659
00:37:31,560 --> 00:37:35,560
Speaker 4: I am having sex with my nineteen seventy five Ford

660
00:37:35,640 --> 00:37:39,240
Speaker 4: Pinto Wagon, or at least I was until the lights

661
00:37:39,280 --> 00:37:40,120
Speaker 4: came on in here.

662
00:37:40,840 --> 00:37:44,840
Speaker 2: Oh Rob, please don't waste your massive sexual energy on

663
00:37:44,960 --> 00:37:49,640
Speaker 2: dot car. I needed to satisfy all of me. I'm

664
00:37:49,680 --> 00:37:56,719
Speaker 2: so horny baby.

665
00:37:54,400 --> 00:37:58,080
Speaker 1: Now can I ask you about this character, her concept

666
00:37:58,160 --> 00:38:04,879
Speaker 1: of chicado. She takes it to the limit. What's her

667
00:38:05,040 --> 00:38:10,359
Speaker 1: source material for what she thinks a Chicano voice is.

668
00:38:11,280 --> 00:38:16,200
Speaker 4: Who she goes like a lot of Vietnamese refugees from

669
00:38:16,239 --> 00:38:19,560
Speaker 4: the seventies. Sure, she heard one interview on YouTube with

670
00:38:20,000 --> 00:38:25,000
Speaker 4: one who was severely burnt and basically was just this

671
00:38:25,040 --> 00:38:27,279
Speaker 4: little girl crying and saying words every once a while.

672
00:38:27,280 --> 00:38:31,120
Speaker 4: And that's what she based her accent, because I don't

673
00:38:31,160 --> 00:38:33,080
Speaker 4: know even know if Chicanos have an accent. So it's

674
00:38:33,160 --> 00:38:35,680
Speaker 4: kind of like a it's a squirrel's nest, it's whatever

675
00:38:35,680 --> 00:38:36,080
Speaker 4: you want to hear.

676
00:38:36,320 --> 00:38:38,759
Speaker 1: It's part of the self description of just being able

677
00:38:38,800 --> 00:38:40,640
Speaker 1: to say, this is who I am, and I get

678
00:38:40,640 --> 00:38:44,440
Speaker 1: to decide, Yeah, what it is? What an inspirational lady?

679
00:38:46,840 --> 00:38:47,880
Speaker 1: What else is it this show?

680
00:38:48,400 --> 00:38:54,480
Speaker 2: Oh? Well, of course grandpa's in jail yep, yep for

681
00:38:55,560 --> 00:38:59,400
Speaker 2: killing a cop yep. And so there are some nice

682
00:38:59,480 --> 00:39:02,840
Speaker 2: reunion scenes where you go to meet him and he

683
00:39:03,000 --> 00:39:05,560
Speaker 2: seems like maybe you killed the cop and he took

684
00:39:05,640 --> 00:39:07,720
Speaker 2: the fall because he's so old.

685
00:39:07,960 --> 00:39:10,799
Speaker 4: Yeah, well, yeah, definitely that is actually should not even

686
00:39:10,840 --> 00:39:11,600
Speaker 4: be subtext.

687
00:39:11,719 --> 00:39:14,760
Speaker 1: That should be okay understood.

688
00:39:14,320 --> 00:39:16,400
Speaker 2: You guys do say that's what happening, but the tone

689
00:39:16,400 --> 00:39:17,120
Speaker 2: of it, I didn't know.

690
00:39:17,160 --> 00:39:21,560
Speaker 4: If we're joking with each other, still tweaking that storyline, Yeah.

691
00:39:21,120 --> 00:39:24,239
Speaker 1: You tugging your collar a lot, yes, when you're yeah,

692
00:39:24,239 --> 00:39:24,719
Speaker 1: a lot of us.

693
00:39:24,800 --> 00:39:28,439
Speaker 2: Yeah, keep winking at him and yeah, So I guess

694
00:39:28,480 --> 00:39:31,120
Speaker 2: when you see it, it will be clearer than just

695
00:39:31,239 --> 00:39:32,160
Speaker 2: reading it on the page.

696
00:39:32,160 --> 00:39:35,680
Speaker 4: Sometimes reading something doesn't fully bring it to life. And

697
00:39:35,680 --> 00:39:38,680
Speaker 4: that's he's sort of the character. He's like the wise

698
00:39:39,760 --> 00:39:43,240
Speaker 4: old grandfather in jail character that you see like that trope.

699
00:39:43,600 --> 00:39:46,640
Speaker 2: Yes, yes, a trope that have we seen it a

700
00:39:46,640 --> 00:39:47,239
Speaker 2: billion times?

701
00:39:47,320 --> 00:39:47,560
Speaker 1: Yeah?

702
00:39:47,680 --> 00:39:49,160
Speaker 2: Is it still great? Well?

703
00:39:49,200 --> 00:39:50,680
Speaker 1: Yeah, it works for a reason.

704
00:39:50,719 --> 00:39:52,640
Speaker 2: It's you see a billion times for a reason.

705
00:39:52,800 --> 00:39:55,120
Speaker 1: Yeah. And that's why it made so much sense for

706
00:39:55,239 --> 00:39:58,400
Speaker 1: him to be black, yes, when it would normally make

707
00:39:58,520 --> 00:40:01,080
Speaker 1: sense for someone related to you to be of a

708
00:40:01,080 --> 00:40:04,000
Speaker 1: different race. But he's also very wise and like, uh,

709
00:40:04,280 --> 00:40:08,480
Speaker 1: but listen to what you just said. It makes sense, right.

710
00:40:08,840 --> 00:40:09,240
Speaker 5: Mm.

711
00:40:09,920 --> 00:40:13,200
Speaker 1: So he did say that, I did, you said it.

712
00:40:13,400 --> 00:40:16,520
Speaker 4: I don't remember anything else you said except for that.

713
00:40:16,680 --> 00:40:20,399
Speaker 2: I I zeroed in on that. I don't either, Yeah, yeah,

714
00:40:20,800 --> 00:40:23,160
Speaker 2: I mean it's pretty wild, right. So you hear when

715
00:40:23,200 --> 00:40:26,160
Speaker 2: you said that, now you kind of know yeah what

716
00:40:26,200 --> 00:40:26,680
Speaker 2: we mean.

717
00:40:26,960 --> 00:40:31,640
Speaker 1: Yeah, uh, Now your character hates cops.

718
00:40:32,040 --> 00:40:36,160
Speaker 4: Yes, hates all law enforcement, including cops. Yeah, and that's

719
00:40:36,200 --> 00:40:37,040
Speaker 4: from your real life.

720
00:40:37,120 --> 00:40:37,319
Speaker 1: Yes.

721
00:40:38,400 --> 00:40:41,120
Speaker 4: Yeah, I studied to.

722
00:40:41,080 --> 00:40:44,520
Speaker 2: Be a policeman. I was pre law.

723
00:40:45,719 --> 00:40:49,319
Speaker 4: Uh and then I was post law, I guess. And

724
00:40:49,360 --> 00:40:51,520
Speaker 4: then I took the exam and they said, no, you're

725
00:40:51,520 --> 00:40:52,000
Speaker 4: too fat.

726
00:40:53,000 --> 00:40:57,000
Speaker 1: So you were pre law yep, to be a law.

727
00:40:57,840 --> 00:41:01,239
Speaker 4: Office because I wanted to know the law before I

728
00:41:01,440 --> 00:41:02,000
Speaker 4: enforce it.

729
00:41:02,200 --> 00:41:04,440
Speaker 2: Yeah. People always think being pre law only means you

730
00:41:04,440 --> 00:41:07,200
Speaker 2: can be a lawyer, but it's any kind of law stuff.

731
00:41:07,840 --> 00:41:10,680
Speaker 1: Yes, it really. I mean, how could you go out

732
00:41:10,719 --> 00:41:14,759
Speaker 1: and be a policeman without knowing what the law is? Yeah,

733
00:41:14,800 --> 00:41:16,520
Speaker 1: and yet you know, just be guessing.

734
00:41:16,560 --> 00:41:17,120
Speaker 2: You better know what.

735
00:41:17,160 --> 00:41:19,160
Speaker 4: There are so many policemen out on the street that

736
00:41:19,320 --> 00:41:22,960
Speaker 4: have no idea. They think their whole job is riding

737
00:41:23,000 --> 00:41:30,000
Speaker 4: around smiling, giving out candy and fucking wearing Oakley's on

738
00:41:30,040 --> 00:41:31,879
Speaker 4: the back of their head. You know what I mean,

739
00:41:32,719 --> 00:41:35,520
Speaker 4: that's what they think the job is. They literally think that,

740
00:41:35,920 --> 00:41:40,080
Speaker 4: they think it and then do it. Yeah, and that's

741
00:41:40,080 --> 00:41:43,600
Speaker 4: what you're seeing. Well, yeah, no, I want all cops

742
00:41:43,960 --> 00:41:47,400
Speaker 4: all law enforcement officers dead. I want them all dead.

743
00:41:47,719 --> 00:41:49,480
Speaker 4: I want to end them all when I see them

744
00:41:49,880 --> 00:41:52,920
Speaker 4: like a rage, a boiling, boiling hot rage.

745
00:41:53,719 --> 00:41:55,680
Speaker 2: And that's what makes that scene where you do get

746
00:41:55,680 --> 00:41:58,080
Speaker 2: pulled over so tense in the pilot.

747
00:42:00,280 --> 00:42:02,200
Speaker 1: Yeah, should we should we do that scene?

748
00:42:02,440 --> 00:42:04,600
Speaker 2: Yeah, let's let's run. Let's run right into it.

749
00:42:04,719 --> 00:42:04,919
Speaker 1: Great?

750
00:42:05,040 --> 00:42:11,759
Speaker 2: All right? M Uh sir, do you know why I

751
00:42:11,760 --> 00:42:19,239
Speaker 2: pulled jover? H? No, why don't you tell me? Well,

752
00:42:19,280 --> 00:42:23,719
Speaker 2: you you had a tail light out and kind of dangerous.

753
00:42:24,320 --> 00:42:27,480
Speaker 2: You know why my tail light was out? Officer?

754
00:42:27,840 --> 00:42:31,319
Speaker 1: He finger quotes in the uh in the script.

755
00:42:31,400 --> 00:42:33,960
Speaker 2: Uh, yeah, it looks like there's a hatchet sticking out

756
00:42:33,960 --> 00:42:37,000
Speaker 2: of the back in your car. So I think it's

757
00:42:37,040 --> 00:42:41,280
Speaker 2: out from from the hatchet that you I guess jammed

758
00:42:41,280 --> 00:42:42,080
Speaker 2: into your tail light.

759
00:42:42,160 --> 00:42:43,920
Speaker 1: That's exactly right, officer.

760
00:42:44,280 --> 00:42:47,680
Speaker 4: Wow, you must have gotten a good sleep last night,

761
00:42:47,719 --> 00:42:50,080
Speaker 4: because you know what's going on with my car you

762
00:42:50,200 --> 00:42:50,960
Speaker 4: just described it.

763
00:42:51,960 --> 00:42:54,879
Speaker 1: I was also I was also.

764
00:42:56,080 --> 00:42:58,960
Speaker 4: Taking hatchets to all sorts of ship that you don't

765
00:42:59,000 --> 00:43:02,240
Speaker 4: know anything about, because you're not in my life.

766
00:43:02,640 --> 00:43:03,440
Speaker 1: You don't know me.

767
00:43:04,600 --> 00:43:05,600
Speaker 2: All you see is me.

768
00:43:05,719 --> 00:43:07,480
Speaker 1: You look at me, and you see a hatchet in

769
00:43:07,520 --> 00:43:09,080
Speaker 1: my taillight, sir.

770
00:43:08,960 --> 00:43:12,160
Speaker 2: You seem agitated. I don't know what you're upset about.

771
00:43:12,360 --> 00:43:13,160
Speaker 1: I'm sorry.

772
00:43:13,400 --> 00:43:17,640
Speaker 4: It's because I'm drunk, and I am a bad drunk.

773
00:43:17,840 --> 00:43:20,200
Speaker 2: Okay, let's stop before one of us says something that

774
00:43:20,239 --> 00:43:26,520
Speaker 2: we can't take back. I hate black people. Hey, hey,

775
00:43:26,560 --> 00:43:30,640
Speaker 2: something like that. Yes, that would be an example. I mean,

776
00:43:30,680 --> 00:43:33,520
Speaker 2: if you're just giving an example, that's okay. But hey, look,

777
00:43:34,800 --> 00:43:37,280
Speaker 2: I was maybe out of line. I saw the hatchet.

778
00:43:37,320 --> 00:43:38,360
Speaker 2: I overreacted.

779
00:43:38,600 --> 00:43:40,160
Speaker 1: I don't want to be the.

780
00:43:40,160 --> 00:43:41,000
Speaker 2: Bad guy here.

781
00:43:41,440 --> 00:43:45,240
Speaker 4: Oh wow, are you done with your power trip yet?

782
00:43:46,280 --> 00:43:48,320
Speaker 1: Are you done with your power trip?

783
00:43:49,360 --> 00:43:51,720
Speaker 2: Look? If you feel like I'm in the power position,

784
00:43:51,800 --> 00:43:53,719
Speaker 2: maybe I get in the car and sit down. You

785
00:43:53,760 --> 00:43:55,919
Speaker 2: get out talk to me through the window. I don't

786
00:43:55,920 --> 00:44:00,120
Speaker 2: do that, okay, dorosh me.

787
00:44:00,239 --> 00:44:02,839
Speaker 1: I don't know. Then, Okay, this takes a long time

788
00:44:02,880 --> 00:44:03,879
Speaker 1: because we do it in real time.

789
00:44:04,000 --> 00:44:04,239
Speaker 2: Yep.

790
00:44:04,400 --> 00:44:07,560
Speaker 1: And then the seatbelt has to cope. I had to see.

791
00:44:07,600 --> 00:44:10,040
Speaker 2: Yeah, exactly, there's a bunch of holes in this seat.

792
00:44:10,040 --> 00:44:11,239
Speaker 2: It looks like you've been fucking this.

793
00:44:11,239 --> 00:44:12,000
Speaker 1: Car a lot, sir.

794
00:44:12,880 --> 00:44:17,239
Speaker 2: Yeah, get comfy, okay, but not too comfy if you

795
00:44:17,320 --> 00:44:21,320
Speaker 2: start fucking this car. Role play over all, right, because

796
00:44:21,320 --> 00:44:23,759
Speaker 2: this is my car. Hey, do you know why I

797
00:44:23,840 --> 00:44:27,320
Speaker 2: pulled you over? Uh?

798
00:44:28,160 --> 00:44:29,719
Speaker 1: About Is it about my tail light?

799
00:44:30,600 --> 00:44:34,120
Speaker 2: Yeah, it's about your tail light.

800
00:44:36,160 --> 00:44:39,600
Speaker 4: Okay, And I hate you and I hate all cops.

801
00:44:40,080 --> 00:44:48,040
Speaker 4: But now you're a cop, right you. Now you're learning.

802
00:44:48,160 --> 00:44:50,360
Speaker 4: Now you're listening and you're learning.

803
00:44:51,719 --> 00:44:55,360
Speaker 1: Thank you. What a really nice scene.

804
00:44:55,719 --> 00:44:58,080
Speaker 4: I feel like there's still some tweaking to be done

805
00:44:58,080 --> 00:44:59,759
Speaker 4: on that. I don't think it doesn't really end. I

806
00:44:59,800 --> 00:45:00,880
Speaker 4: don't to be longer.

807
00:45:01,719 --> 00:45:04,279
Speaker 2: It may want to be longer, and it may and

808
00:45:04,320 --> 00:45:08,360
Speaker 2: you may want the cop character to make fewer choices

809
00:45:08,960 --> 00:45:13,040
Speaker 2: just in terms of what he's doing, and you might

810
00:45:13,080 --> 00:45:16,280
Speaker 2: want him to be more passive because it just feels

811
00:45:16,280 --> 00:45:19,280
Speaker 2: like he's driving it so much. You're the main character.

812
00:45:19,360 --> 00:45:23,120
Speaker 2: Let's have an active protagonist, and let's make sure that

813
00:45:23,280 --> 00:45:26,320
Speaker 2: the cop character is sort of just there.

814
00:45:26,560 --> 00:45:28,719
Speaker 1: Yeah, he sort of takes up from that point. That's

815
00:45:28,760 --> 00:45:32,400
Speaker 1: what was so interesting. You're right. The cop character drives away,

816
00:45:32,719 --> 00:45:34,759
Speaker 1: drives home in your car, the car. It sort of

817
00:45:34,840 --> 00:45:36,960
Speaker 1: becomes it's living your life.

818
00:45:37,000 --> 00:45:38,840
Speaker 4: I'm left on the side of the road. And the

819
00:45:38,880 --> 00:45:42,839
Speaker 4: rest of the show he breaks into two shows. Yeah,

820
00:45:42,920 --> 00:45:43,919
Speaker 4: and there's a spin off.

821
00:45:45,360 --> 00:45:45,799
Speaker 1: You know that.

822
00:45:45,960 --> 00:45:48,720
Speaker 4: Well, a back door pilot we call it sure where

823
00:45:49,239 --> 00:45:52,400
Speaker 4: the cop has just taken over my complete identity and

824
00:45:52,600 --> 00:45:55,239
Speaker 4: I spend twenty two minutes by the side of a

825
00:45:55,320 --> 00:45:57,640
Speaker 4: road just trying to hitch, just trying to figure out

826
00:45:57,719 --> 00:46:01,280
Speaker 4: what happened, and no one picks up hitchhikers anymore.

827
00:46:01,360 --> 00:46:03,480
Speaker 2: No, Yeah, And you talk about that a lot. It's

828
00:46:03,840 --> 00:46:06,759
Speaker 2: all I talk about. All I talk about hitch and

829
00:46:06,800 --> 00:46:08,480
Speaker 2: just say't what it used to be in this town?

830
00:46:08,640 --> 00:46:09,640
Speaker 1: Yeah?

831
00:46:10,000 --> 00:46:11,800
Speaker 2: Yeah.

832
00:46:11,920 --> 00:46:16,560
Speaker 1: Now there's the one sort of triumphant final scene that

833
00:46:16,600 --> 00:46:20,160
Speaker 1: I've sort of felt really uplifted by, where you and

834
00:46:20,239 --> 00:46:24,839
Speaker 1: your weird daughter have a lot of conflict through that

835
00:46:25,239 --> 00:46:28,880
Speaker 1: pilot episode, each sort of fighting for like who's like

836
00:46:29,080 --> 00:46:31,759
Speaker 1: dominant in the house, right, and then there's the fist

837
00:46:31,800 --> 00:46:34,160
Speaker 1: fight between the two of you at the end where

838
00:46:34,200 --> 00:46:37,720
Speaker 1: you like really show her whose boss.

839
00:46:37,800 --> 00:46:40,440
Speaker 4: Yeah, but it's really that's one of my favorite scenes

840
00:46:40,719 --> 00:46:44,680
Speaker 4: because I think it's got the funniest joke in it

841
00:46:44,800 --> 00:46:47,840
Speaker 4: in the whole show. It's got the fit ends with

842
00:46:47,880 --> 00:46:50,640
Speaker 4: the funniest joke, and it's which I think, if I can't,

843
00:46:50,680 --> 00:46:52,799
Speaker 4: if I may say, is pretty brave because I the

844
00:46:52,880 --> 00:46:56,520
Speaker 4: whole scene, there's nothing funny happening at all. I'm bashing.

845
00:46:57,000 --> 00:47:00,880
Speaker 4: I'm bashing her in the face with my clothes, fist right.

846
00:47:01,040 --> 00:47:03,680
Speaker 2: Yashing and punching the fuck out of her, yashinger and

847
00:47:03,719 --> 00:47:04,399
Speaker 2: bashing her.

848
00:47:04,960 --> 00:47:08,080
Speaker 1: And at the end, at the end, I say, do

849
00:47:08,120 --> 00:47:10,080
Speaker 1: you want to well, should we just say okay and

850
00:47:10,360 --> 00:47:17,800
Speaker 1: we start with the bashing? Okay, great, great? Ah, okay,

851
00:47:18,640 --> 00:47:19,719
Speaker 1: it's another one.

852
00:47:20,000 --> 00:47:22,440
Speaker 2: Oh and another one? Thank you?

853
00:47:22,719 --> 00:47:25,680
Speaker 1: What is that one hundred? I get one hundred and one?

854
00:47:25,880 --> 00:47:26,840
Speaker 2: Yes, uh huh.

855
00:47:26,880 --> 00:47:27,839
Speaker 1: I'm learning from this.

856
00:47:28,120 --> 00:47:32,680
Speaker 4: Oh your head and face, we're so soft to begin with,

857
00:47:32,840 --> 00:47:33,440
Speaker 4: and now.

858
00:47:33,280 --> 00:47:36,960
Speaker 2: I've made them softer and you're so strong. Oh take that.

859
00:47:38,000 --> 00:47:39,400
Speaker 2: Oh this is gonna help me.

860
00:47:39,840 --> 00:47:40,719
Speaker 1: Oh my.

861
00:47:42,200 --> 00:47:46,000
Speaker 2: Hand hurts. I'm gonna switch hands. Oh no, not the

862
00:47:46,080 --> 00:47:46,680
Speaker 2: other hand.

863
00:47:46,840 --> 00:47:48,800
Speaker 4: And then that then it just fight. We just fight

864
00:47:49,160 --> 00:47:52,520
Speaker 4: for a page and a half. And then here's a joke. Ah,

865
00:47:52,880 --> 00:47:58,120
Speaker 4: now I'm done. I hope you learn something. Wait a minute,

866
00:47:58,880 --> 00:48:02,120
Speaker 4: I don't know if this blood on my hand is

867
00:48:02,160 --> 00:48:02,960
Speaker 4: yours or mine.

868
00:48:06,840 --> 00:48:12,000
Speaker 1: Now get the hell out of here. Okay, that's a nice,

869
00:48:12,160 --> 00:48:12,840
Speaker 1: nice joke, and.

870
00:48:13,840 --> 00:48:15,600
Speaker 2: Well, and it shows that you are a family.

871
00:48:16,400 --> 00:48:19,640
Speaker 4: It's a joke too that you've heard a million times. Yes,

872
00:48:19,840 --> 00:48:22,520
Speaker 4: you know, Well, that's what's comfortable for me. I hate

873
00:48:22,520 --> 00:48:26,440
Speaker 4: when these people are trying to do new jokes in

874
00:48:26,440 --> 00:48:29,120
Speaker 4: some of these shows, right, and I'm like, well, how

875
00:48:29,160 --> 00:48:31,040
Speaker 4: am I supposed to know if that's a joke?

876
00:48:32,000 --> 00:48:32,839
Speaker 1: Do you know what I mean?

877
00:48:33,000 --> 00:48:33,239
Speaker 2: Rob?

878
00:48:34,320 --> 00:48:37,319
Speaker 4: You have to telegraph it by doing a joke that

879
00:48:38,040 --> 00:48:40,160
Speaker 4: has been done a million times. I think sometimes that's

880
00:48:40,160 --> 00:48:41,920
Speaker 4: just one of the tools in your toolbox.

881
00:48:41,960 --> 00:48:45,000
Speaker 1: Will you speak on that? Yeah, the different tools? Oh

882
00:48:45,040 --> 00:48:45,359
Speaker 1: my god?

883
00:48:45,440 --> 00:48:49,160
Speaker 4: Well, you've got okay in the toolbox, right, So let's

884
00:48:49,200 --> 00:48:51,719
Speaker 4: imagine that it's an actual toolbox, right. You's a big

885
00:48:51,760 --> 00:48:54,359
Speaker 4: red toolbox and you open it up, or you try

886
00:48:54,360 --> 00:48:57,080
Speaker 4: and open it up, but it's locked because you lock

887
00:48:57,120 --> 00:49:00,400
Speaker 4: your toolbox full of tricks, right, right, And so you

888
00:49:00,480 --> 00:49:02,600
Speaker 4: got to fumble around with the lock for a in it, right,

889
00:49:02,680 --> 00:49:05,280
Speaker 4: and then you wish I had a tool to open

890
00:49:05,320 --> 00:49:09,960
Speaker 4: the lot but it's in there. But it's in the toolbox,

891
00:49:10,080 --> 00:49:13,800
Speaker 4: so you just have to somehow get it open. And

892
00:49:15,040 --> 00:49:21,040
Speaker 4: let's say it's with those big, big fucking metal shears

893
00:49:21,239 --> 00:49:22,280
Speaker 4: that will cut through anything.

894
00:49:23,040 --> 00:49:25,680
Speaker 1: Yeah, yeah, bolt cutter, thank you. And then you open

895
00:49:25,680 --> 00:49:25,920
Speaker 1: it up.

896
00:49:25,960 --> 00:49:29,839
Speaker 4: You get it open, and there's another bolt cutter there,

897
00:49:30,600 --> 00:49:33,320
Speaker 4: which is irony, which is a tool in your toolbox.

898
00:49:36,480 --> 00:49:38,680
Speaker 4: And then you take off that shelf that is just

899
00:49:38,840 --> 00:49:42,480
Speaker 4: full of irony, and then under it there are a

900
00:49:42,520 --> 00:49:44,840
Speaker 4: bunch of devices.

901
00:49:45,040 --> 00:49:50,760
Speaker 1: Oh yeah, there's.

902
00:49:50,200 --> 00:49:51,880
Speaker 2: A ticking clock.

903
00:49:52,640 --> 00:49:56,360
Speaker 1: Oh okay, yes, like a bomb.

904
00:49:56,960 --> 00:50:01,640
Speaker 4: No, no, just thinglock.

905
00:50:03,680 --> 00:50:09,000
Speaker 2: It's a device, a storytelling device. And there's also a bomb.

906
00:50:09,719 --> 00:50:13,920
Speaker 2: Oh two silent bombs. Silent bomb.

907
00:50:14,280 --> 00:50:17,200
Speaker 1: So you spend trying to disarm the.

908
00:50:17,080 --> 00:50:20,840
Speaker 2: Clock, but the bomb can't. But the bomb was the

909
00:50:21,080 --> 00:50:21,760
Speaker 2: true threat.

910
00:50:22,719 --> 00:50:26,280
Speaker 4: Yeah, and that's just and that it isn't that surprise?

911
00:50:26,440 --> 00:50:30,680
Speaker 4: Red Harring, Red Herring. Yeah, surprise, you got a Red

912
00:50:30,680 --> 00:50:31,200
Speaker 4: Herring in your.

913
00:50:31,120 --> 00:50:32,720
Speaker 1: Tool And that's comedy. Comedy.

914
00:50:33,080 --> 00:50:35,600
Speaker 2: Comedy is only surprises.

915
00:50:35,880 --> 00:50:39,960
Speaker 4: We've said it so many times, only surprises, and I

916
00:50:40,040 --> 00:50:43,799
Speaker 4: surprise people sometimes, like we were saying, with jokes that

917
00:50:43,800 --> 00:50:44,600
Speaker 4: have been done before.

918
00:50:45,040 --> 00:50:47,799
Speaker 1: That's a surprise. It came back. I can't believe done.

919
00:50:47,880 --> 00:50:49,960
Speaker 4: I can't believe he just did this joke that I've

920
00:50:50,000 --> 00:50:53,640
Speaker 4: heard Paul Rodriguez do on stage for twenty years.

921
00:50:53,680 --> 00:50:56,800
Speaker 1: Sure, but he did it. And that's a surprise.

922
00:50:59,080 --> 00:51:05,520
Speaker 2: So that's just what I do. Well, thank you so much, Rob,

923
00:51:05,680 --> 00:51:11,239
Speaker 2: I mean, just for you to speak to our audience

924
00:51:11,440 --> 00:51:15,040
Speaker 2: and educate them on. It's just so important to write

925
00:51:15,560 --> 00:51:17,600
Speaker 2: from your own life. We see all these people out

926
00:51:17,600 --> 00:51:21,840
Speaker 2: here trying to invent shows and imagine shows. That's cause

927
00:51:22,239 --> 00:51:26,560
Speaker 2: you're living in a TV show. Yeah, just write it down.

928
00:51:26,800 --> 00:51:29,440
Speaker 1: And it's like they spend so much time writing and

929
00:51:29,480 --> 00:51:33,960
Speaker 1: imagining that they aren't actually going out and actually fucking

930
00:51:34,080 --> 00:51:34,480
Speaker 1: doing that.

931
00:51:34,480 --> 00:51:36,280
Speaker 2: How many times have you heard some of your bros

932
00:51:36,680 --> 00:51:39,800
Speaker 2: like you you're token some weed with a couple of

933
00:51:39,840 --> 00:51:43,040
Speaker 2: year bros, right, yeah, and they're like, oh my, oh gosh,

934
00:51:43,320 --> 00:51:44,160
Speaker 2: we just did.

935
00:51:44,280 --> 00:51:47,960
Speaker 4: If we could just film this conversation, it would be

936
00:51:47,960 --> 00:51:52,680
Speaker 4: better than any TV show. And I say, only if

937
00:51:52,719 --> 00:51:55,640
Speaker 4: I'm one of the guys in the room talking shit

938
00:51:55,760 --> 00:51:57,560
Speaker 4: and smoking a fat doobie.

939
00:51:57,960 --> 00:51:59,880
Speaker 1: Right, And that's the point where you have ten to

940
00:51:59,880 --> 00:52:01,239
Speaker 1: gootiate to make sure that.

941
00:52:01,560 --> 00:52:03,040
Speaker 2: It's all about negotiating.

942
00:52:03,080 --> 00:52:06,759
Speaker 1: You actually get a prominent role in that conversation.

943
00:52:06,320 --> 00:52:10,000
Speaker 2: Show now you fight. Yeah, some of them funny, that's

944
00:52:10,040 --> 00:52:12,360
Speaker 2: what it's about, joy or the reef for jokes or

945
00:52:12,400 --> 00:52:13,160
Speaker 2: some of the funniest one.

946
00:52:13,200 --> 00:52:15,400
Speaker 1: Sure, because you're the most of all your bros. Like,

947
00:52:15,480 --> 00:52:17,840
Speaker 1: your bros aren't really that famous. If it's going to

948
00:52:17,920 --> 00:52:19,880
Speaker 1: get a lot of them are not. No, it's going

949
00:52:19,960 --> 00:52:20,600
Speaker 1: to get on TV.

950
00:52:21,160 --> 00:52:23,680
Speaker 4: I'm not going to hang out with a famous guy.

951
00:52:23,719 --> 00:52:28,400
Speaker 4: I'd like to be the funniest, most famous guy in

952
00:52:28,400 --> 00:52:29,120
Speaker 4: the room at all time.

953
00:52:29,239 --> 00:52:32,640
Speaker 1: Sure, But it's amazing that how some non famous people

954
00:52:32,680 --> 00:52:37,200
Speaker 1: are actually like very funny. Oh my god, just like

955
00:52:37,320 --> 00:52:39,200
Speaker 1: the point, that's a good point.

956
00:52:39,360 --> 00:52:44,239
Speaker 2: My friend Brian from my hometown is so funny and

957
00:52:44,280 --> 00:52:47,120
Speaker 2: I almost feel like he could have done like a

958
00:52:47,239 --> 00:52:48,920
Speaker 2: really funny thing with his life.

959
00:52:49,239 --> 00:52:51,200
Speaker 1: Yeah, And it's like, how you weren't the funny You're

960
00:52:51,239 --> 00:52:51,799
Speaker 1: like he was.

961
00:52:52,080 --> 00:52:54,200
Speaker 2: He was actually the funny one between us when we

962
00:52:54,200 --> 00:52:55,600
Speaker 2: were younger, but then I turned out to be the

963
00:52:55,600 --> 00:52:57,400
Speaker 2: funny one because now I'm on TV.

964
00:52:57,719 --> 00:52:59,680
Speaker 1: Right, And is that funny?

965
00:52:59,800 --> 00:53:02,160
Speaker 2: And isn't that sort of what's funny about just the

966
00:53:02,160 --> 00:53:04,080
Speaker 2: way life goes? And a lot of it's just about

967
00:53:04,120 --> 00:53:07,160
Speaker 2: being brave and having the fucking balls to pony up

968
00:53:07,200 --> 00:53:10,000
Speaker 2: to the table and just go, hey, look, this is

969
00:53:10,480 --> 00:53:13,600
Speaker 2: fucking my big honkin dick. I'm gonna lay it out

970
00:53:13,640 --> 00:53:18,080
Speaker 2: there and try to make you laugh and uh, and

971
00:53:18,200 --> 00:53:20,880
Speaker 2: actually having the cojones and the nuts and the stones

972
00:53:20,920 --> 00:53:22,719
Speaker 2: to do that. And I think Brian didn't have that.

973
00:53:22,800 --> 00:53:25,000
Speaker 2: I think that's why he's pumping, fucking he's too scared

974
00:53:25,040 --> 00:53:27,240
Speaker 2: to pony up to the table. And he didn't pony

975
00:53:27,320 --> 00:53:29,000
Speaker 2: up to the table, and he didn't lay it out there,

976
00:53:29,000 --> 00:53:30,960
Speaker 2: and he didn't have the cojones or the stones or

977
00:53:30,960 --> 00:53:32,720
Speaker 2: the nuts speak on that rop.

978
00:53:34,840 --> 00:53:37,120
Speaker 1: I don't know, Brian, but I do know this.

979
00:53:39,040 --> 00:53:41,640
Speaker 4: If he didn't pony up and fucking lay it all

980
00:53:41,680 --> 00:53:45,120
Speaker 4: out there, then he's not only gonna be pumping guess

981
00:53:45,360 --> 00:53:47,920
Speaker 4: he's going to be pumping gas like on Christmas, even

982
00:53:47,960 --> 00:53:50,040
Speaker 4: Christmas morning, because that's the worst shift.

983
00:53:50,800 --> 00:53:53,960
Speaker 1: So many people trying to get gas. Well you're always

984
00:53:53,960 --> 00:53:55,440
Speaker 1: out of guess that's really frantic.

985
00:53:55,560 --> 00:53:58,680
Speaker 2: Yeah, it's a it's a terrible, terrible shift, and it's

986
00:53:58,680 --> 00:54:04,719
Speaker 2: clear in their church clothes because it's December December ish.

987
00:54:03,440 --> 00:54:05,440
Speaker 1: And then the tips are act that time of year.

988
00:54:05,520 --> 00:54:07,839
Speaker 1: Actually very good though it's the best.

989
00:54:08,320 --> 00:54:09,440
Speaker 2: It's the most magical.

990
00:54:09,280 --> 00:54:12,640
Speaker 1: Financially, financially by far the most lucrative because people are

991
00:54:12,719 --> 00:54:15,799
Speaker 1: just in a generous movie there hitting out money. But

992
00:54:16,400 --> 00:54:17,319
Speaker 1: it's knowing.

993
00:54:19,120 --> 00:54:21,480
Speaker 2: Rob again, just thank you so much for coming in,

994
00:54:21,800 --> 00:54:26,240
Speaker 2: and we really appreciate it. If you want to plug anything,

995
00:54:27,840 --> 00:54:30,160
Speaker 2: I mean, you know, what if do you have anything

996
00:54:30,200 --> 00:54:32,680
Speaker 2: coming up a live tour or maybe an album.

997
00:54:33,680 --> 00:54:37,120
Speaker 1: No, I'm just I'm on Twitter at Dwayne the.

998
00:54:37,160 --> 00:54:42,759
Speaker 2: Rock, Okay, so find him there. Please do like our

999
00:54:42,800 --> 00:54:45,960
Speaker 2: facebook page, rate us on iTunes, give us a high rating,

1000
00:54:46,000 --> 00:54:50,359
Speaker 2: and then write a nice review about us, and get

1001
00:54:50,400 --> 00:54:54,080
Speaker 2: on the forums. Don't be scared of that, and please

1002
00:54:54,120 --> 00:54:58,360
Speaker 2: buy the pro version. Haz who bought the pro version

1003
00:54:58,400 --> 00:54:58,840
Speaker 2: this week?

1004
00:54:59,080 --> 00:55:04,719
Speaker 1: I think the Narnald bought it again this week? Think

1005
00:55:04,800 --> 00:55:09,600
Speaker 1: someone named Pat Smear? Oh no, that's right, sorry, the Narnald.

1006
00:55:10,600 --> 00:55:15,520
Speaker 1: Pat Smear bought the pro version the pro version? And

1007
00:55:15,560 --> 00:55:17,520
Speaker 1: what does he get? It must be a good prize.

1008
00:55:18,480 --> 00:55:20,560
Speaker 2: Yes, he definitely gets a good prize.

1009
00:55:21,000 --> 00:55:21,759
Speaker 8: And I and I.

1010
00:55:21,719 --> 00:55:22,359
Speaker 2: Speak on that.

1011
00:55:23,080 --> 00:55:27,799
Speaker 1: I think the prize must be Rob Cordrey explaining what

1012
00:55:28,000 --> 00:55:30,120
Speaker 1: is funny about your name?

1013
00:55:30,719 --> 00:55:35,640
Speaker 2: Oh yes, that's right, So Pat Smear is this Jesus name?

1014
00:55:36,040 --> 00:55:38,400
Speaker 2: And I have a lot to say and you and

1015
00:55:38,520 --> 00:55:40,439
Speaker 2: you go ahead and lay out for him what makes

1016
00:55:40,480 --> 00:55:44,560
Speaker 2: that so good? Yeah? Yeah, over like a breakfast. Yeah,

1017
00:55:44,719 --> 00:55:47,200
Speaker 2: you guys are gonna sit down or just right now

1018
00:55:47,400 --> 00:55:48,759
Speaker 2: or on air, live on air.

1019
00:55:50,000 --> 00:55:53,759
Speaker 4: Okay, First of all, your name's probably Pat right, and

1020
00:55:53,880 --> 00:55:58,239
Speaker 4: pap smear is like a thing that chicks do with

1021
00:55:58,280 --> 00:56:01,200
Speaker 4: their vagina, and all right, so.

1022
00:56:01,200 --> 00:56:11,440
Speaker 2: There you go, right there, Bye bye. This has been

1023
00:56:11,440 --> 00:56:15,000
Speaker 2: an Earwolf Media production. Executive producers Jeff Ulrich and Scott Ackerman.

1024
00:56:15,160 --> 00:56:16,960
Speaker 2: For more information, visit earwolf dot.

1025
00:56:16,840 --> 00:56:24,480
Speaker 6: Com, EARWARLF Radio, Boom dot

1026
00:56:24,520 --> 00:56:32,480
Speaker 1: Com, The worf Dead