WEBVTT - Episode 6: Nadine O'Leary

0:00:00.320 --> 0:00:03.680
<v Speaker 1>The Miniwauk Caves is intended for mature audiences. It contains

0:00:03.680 --> 0:00:07.600
<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

0:00:07.640 --> 0:00:11.160
<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

0:00:11.240 --> 0:00:14.600
<v Speaker 1>this is an extremely immersive experience and headphones are recommended.

0:00:18.480 --> 0:00:21.799
<v Speaker 1>You're listening to The manwac Caves, a production of iHeartRadio,

0:00:22.360 --> 0:00:25.160
<v Speaker 1>Blumhouse Television and Cycopia Pictures.

0:00:29.880 --> 0:00:32.320
<v Speaker 2>You can't fill out an accent report without note in

0:00:32.400 --> 0:00:35.680
<v Speaker 2>the conditions, whether the location.

0:00:36.880 --> 0:00:39.440
<v Speaker 3>You collect, witness information studied, the scene.

0:00:41.360 --> 0:00:47.279
<v Speaker 2>Safety is relative, and there's always a pattern, and then

0:00:47.280 --> 0:00:50.360
<v Speaker 2>if you pay attention, the pattern belies a deeper cycle.

0:00:52.120 --> 0:00:54.960
<v Speaker 2>I put on a bicycle, hit, buy a car, left

0:00:54.960 --> 0:01:00.720
<v Speaker 2>for dead. That's senseless and terrible. It tears down home families,

0:01:00.760 --> 0:01:04.000
<v Speaker 2>and that goes into the universe that wounded howl of

0:01:04.160 --> 0:01:06.920
<v Speaker 2>confusion and existential questions.

0:01:08.800 --> 0:01:10.920
<v Speaker 3>And again, the kid had no helmet.

0:01:11.560 --> 0:01:15.399
<v Speaker 2>He was crossed in Memorial and Boulevard, the most dangerous

0:01:15.440 --> 0:01:19.760
<v Speaker 2>intersection in the city. And there's a robbery at a

0:01:19.800 --> 0:01:23.679
<v Speaker 2>corner store, gone ry. That leads to the junkie who

0:01:23.720 --> 0:01:26.320
<v Speaker 2>needed that fix. That leads to the dealer that could

0:01:26.360 --> 0:01:28.920
<v Speaker 2>get it to 'em and it rolls on down the line.

0:01:31.160 --> 0:01:37.320
<v Speaker 2>Safety is relative. I mean there's always a pattern, forces

0:01:37.640 --> 0:01:43.600
<v Speaker 2>trajectories the momentum, and unless the pattern is disrupted, collisions

0:01:44.000 --> 0:01:44.920
<v Speaker 2>are inevitable.

0:01:47.440 --> 0:01:49.160
<v Speaker 3>There's a pattern here too.

0:01:49.520 --> 0:01:54.800
<v Speaker 2>A man of walk uh, cycle of violence. It's not

0:01:54.880 --> 0:02:00.840
<v Speaker 2>just those sadly boys. And unless the pattern is disrupt.

0:02:18.120 --> 0:02:24.280
<v Speaker 4>Stories about the caves go way back beyond early settler folkmore.

0:02:25.520 --> 0:02:27.320
<v Speaker 5>The ghost in the mill.

0:02:29.840 --> 0:02:33.080
<v Speaker 6>And the hounds of hell dancing in your.

0:02:34.680 --> 0:02:37.520
<v Speaker 3>What do you mean, like like ghost and witches, some

0:02:37.720 --> 0:02:41.440
<v Speaker 3>kind of he'll believe food or something.

0:02:42.800 --> 0:02:50.440
<v Speaker 5>Seems turn the river glean inside tells.

0:02:50.680 --> 0:02:55.040
<v Speaker 7>These tells the.

0:02:58.280 --> 0:03:02.040
<v Speaker 4>Hi Leary family such alter during a winter blizzard and

0:03:02.080 --> 0:03:06.320
<v Speaker 4>became trapped inside the cave. Only the youngest daughter, Nadine

0:03:06.320 --> 0:03:08.120
<v Speaker 4>o'hery mergem the cave.

0:03:08.680 --> 0:03:09.280
<v Speaker 3>That's the end.

0:03:09.320 --> 0:03:13.360
<v Speaker 4>Adventure was most interesting, discussing it's one of these great

0:03:13.400 --> 0:03:15.000
<v Speaker 4>unsold mysteries of this area.

0:03:18.960 --> 0:03:39.640
<v Speaker 8>All this call will be recorded as monitored. Please standside, Julia,

0:03:40.480 --> 0:03:44.800
<v Speaker 8>you ventcher, Yeah, it's me.

0:03:47.640 --> 0:03:52.200
<v Speaker 3>I need you to come bessing man. I don't have

0:03:52.320 --> 0:03:53.320
<v Speaker 3>much time lifting.

0:03:56.880 --> 0:03:57.320
<v Speaker 2>Neither you.

0:04:08.720 --> 0:04:17.640
<v Speaker 7>August ninth, five fifty five pm. Where to begin? There's

0:04:17.680 --> 0:04:21.719
<v Speaker 7>only four days left now four days till James Fincher's

0:04:21.720 --> 0:04:25.560
<v Speaker 7>scheduled to be executed by the State of Tennessee unless

0:04:25.600 --> 0:04:29.440
<v Speaker 7>I can still do something about it. I drove to

0:04:29.440 --> 0:04:33.080
<v Speaker 7>see him this morning the Riverbed Maximum Security Institution in

0:04:33.200 --> 0:04:37.760
<v Speaker 7>Nashville for the first time since he was convicted fourteen

0:04:37.800 --> 0:04:42.880
<v Speaker 7>years ago. I'm led into a windowless box where for

0:04:43.000 --> 0:04:45.640
<v Speaker 7>death row inmates, you are a partitioned from your visitor

0:04:45.640 --> 0:04:50.000
<v Speaker 7>by a sheet of thick plexiglass. Their voice only available

0:04:50.040 --> 0:04:53.919
<v Speaker 7>to you through a hard wire plastic phone. The divider

0:04:54.080 --> 0:04:59.479
<v Speaker 7>lends a surreal aspect to the whole ordeal, like I'm

0:04:59.520 --> 0:05:03.760
<v Speaker 7>watching a live event on TV. My face reflected in

0:05:03.800 --> 0:05:07.000
<v Speaker 7>the glass, so while I wait, I stare at myself

0:05:08.640 --> 0:05:14.279
<v Speaker 7>as though I'm seeing myself on the other side. In

0:05:14.320 --> 0:05:17.800
<v Speaker 7>the final days leading up to their execution, the death

0:05:17.880 --> 0:05:20.640
<v Speaker 7>row inmate is taken to a special cell away from

0:05:20.640 --> 0:05:25.120
<v Speaker 7>the other inmates. Their cells completely bear a blank canvas

0:05:25.680 --> 0:05:29.000
<v Speaker 7>for a busy mind. They're not allowed any tools or

0:05:29.040 --> 0:05:31.880
<v Speaker 7>silverware that they could potentially harm themselves with, and a

0:05:31.960 --> 0:05:34.080
<v Speaker 7>guard is stationed by their side twenty four to seven

0:05:34.160 --> 0:05:36.480
<v Speaker 7>until it's time to go to the death chamber. It's

0:05:36.520 --> 0:05:39.400
<v Speaker 7>a final torture leaving them sitting there and their selves

0:05:39.480 --> 0:05:43.560
<v Speaker 7>rotting away, counting the days till they're predetermined death, deprived

0:05:43.600 --> 0:05:48.840
<v Speaker 7>of their inalienable human right to die by surprise. What's

0:05:48.920 --> 0:05:52.080
<v Speaker 7>most fucked up about it, although, is just how fiercely

0:05:52.120 --> 0:05:54.800
<v Speaker 7>a death row inmate is protected against their own non

0:05:54.920 --> 0:05:59.839
<v Speaker 7>schedule death. God forbid it happen in any other way.

0:06:00.440 --> 0:06:01.080
<v Speaker 3>God forbid.

0:06:01.120 --> 0:06:08.240
<v Speaker 7>They grant the condemned a fleeting but final moment of autonomy.

0:06:08.960 --> 0:06:09.400
<v Speaker 3>Anyway.

0:06:10.520 --> 0:06:12.119
<v Speaker 7>I was about to see him for the first time

0:06:12.200 --> 0:06:15.760
<v Speaker 7>since before he was arrested fourteen years ago. But as

0:06:15.800 --> 0:06:19.279
<v Speaker 7>I looked at my reflection, all I could think about

0:06:19.839 --> 0:06:22.000
<v Speaker 7>was how I was about to come face to face

0:06:22.080 --> 0:06:24.120
<v Speaker 7>with everything I hate about myself.

0:06:32.240 --> 0:06:39.040
<v Speaker 5>Hey bene non.

0:06:39.080 --> 0:06:43.080
<v Speaker 9>I saw the cuts on him, deep lines of scar

0:06:43.200 --> 0:06:46.640
<v Speaker 9>tissue rising up from his chest, some older than others,

0:06:46.680 --> 0:06:51.480
<v Speaker 9>real old. Others looked fresh, still raw and faster, and

0:06:51.760 --> 0:06:55.120
<v Speaker 9>tons of them all spilling out from underneath his sleeves

0:06:55.160 --> 0:06:58.640
<v Speaker 9>like he had carved words and symbols into his flesh.

0:07:00.200 --> 0:07:04.080
<v Speaker 7>Didn't make any fucking sense. They go to great lengths

0:07:04.120 --> 0:07:06.840
<v Speaker 7>to ensure these miserable bastards on death Row can't kill

0:07:06.880 --> 0:07:11.760
<v Speaker 7>themselves no sharp objects, even if he manufactured some kind

0:07:11.760 --> 0:07:15.800
<v Speaker 7>of shit. These scars would have taken time years maybe

0:07:16.080 --> 0:07:18.200
<v Speaker 7>if they covered his whole body and finished didn't have

0:07:18.320 --> 0:07:20.320
<v Speaker 7>these scars. The last time I saw him in the

0:07:20.360 --> 0:07:22.320
<v Speaker 7>courtroom before he was taken away, So.

0:07:24.120 --> 0:07:28.920
<v Speaker 5>How the hell did he get him?

0:07:29.040 --> 0:07:32.480
<v Speaker 9>He looked good. I mean, I mean, you don't actually

0:07:32.480 --> 0:07:37.520
<v Speaker 9>look much different, That's what I mean. My first time

0:07:37.600 --> 0:07:38.320
<v Speaker 9>back a man to walk.

0:07:38.320 --> 0:07:44.160
<v Speaker 7>Everyone looks older, worn down, But but you don't look

0:07:44.200 --> 0:07:48.240
<v Speaker 7>like you've eached today. I mean, I know, I look

0:07:48.360 --> 0:07:51.440
<v Speaker 7>like shit. Haven't really slept, I don't really sleep anymore.

0:07:52.840 --> 0:07:55.440
<v Speaker 7>I spent last night in my car. I was supposed

0:07:55.440 --> 0:07:56.080
<v Speaker 7>to go to Tyler's.

0:07:56.120 --> 0:07:59.400
<v Speaker 9>But shit, man, I mean, I don't know what you've heard.

0:08:00.040 --> 0:08:05.880
<v Speaker 7>You know, if you've spoken to Dina, well you know

0:08:05.920 --> 0:08:06.360
<v Speaker 7>I'm Tyler.

0:08:06.560 --> 0:08:07.240
<v Speaker 3>He's missing.

0:08:08.400 --> 0:08:10.520
<v Speaker 9>I went over there and he was just go.

0:08:12.760 --> 0:08:14.280
<v Speaker 3>His whole place was smashed up.

0:08:15.000 --> 0:08:17.640
<v Speaker 9>But I yeah, I don't, I don't know. I don't

0:08:17.640 --> 0:08:30.000
<v Speaker 9>know what's going on. Look, I spent years thinking of

0:08:30.080 --> 0:08:36.439
<v Speaker 9>what i'd say to you, apologies and please and explanations

0:08:36.440 --> 0:08:44.920
<v Speaker 9>for what happened and why, But it's all bullshit. I

0:08:45.000 --> 0:08:48.720
<v Speaker 9>was a stupid, scared kid, and I have hated myself

0:08:48.880 --> 0:08:53.840
<v Speaker 9>for all these years, and so I'm here and I'm

0:08:53.920 --> 0:09:00.520
<v Speaker 9>trying to help, but I don't know if I'm doing

0:09:00.640 --> 0:09:01.360
<v Speaker 9>anything right.

0:09:05.720 --> 0:09:06.840
<v Speaker 6>Please say something.

0:09:11.240 --> 0:09:11.640
<v Speaker 2>You do.

0:09:13.640 --> 0:09:22.600
<v Speaker 3>Look like shit. I don't want no apologies.

0:09:24.000 --> 0:09:24.959
<v Speaker 9>Your study's gone.

0:09:26.880 --> 0:09:28.560
<v Speaker 10>I had a lot of time in here to work

0:09:28.600 --> 0:09:36.960
<v Speaker 10>on it, to work on controlling my thoughts. Dena says

0:09:36.960 --> 0:09:38.280
<v Speaker 10>you freaked out on her last night.

0:09:41.480 --> 0:09:48.120
<v Speaker 7>Ever since I got back up, it happened issues. Did

0:09:48.160 --> 0:09:49.560
<v Speaker 7>Tina tell you about Tyler?

0:09:51.200 --> 0:10:02.200
<v Speaker 10>Forget about Tyler? What forget Tyler? Tyler did his part

0:10:02.520 --> 0:10:07.079
<v Speaker 10>and I'm doing mine, but you still have work to do.

0:10:09.160 --> 0:10:14.000
<v Speaker 7>I know, man, I'll go back to Dana and Joe Campbell.

0:10:14.880 --> 0:10:19.440
<v Speaker 9>I'm sure they need reassurances after after I FORGEBT last night,

0:10:20.000 --> 0:10:21.680
<v Speaker 9>and I want to make sure that they have my

0:10:21.800 --> 0:10:27.320
<v Speaker 9>statement about the Coherce testimony. No wait, I was thinking,

0:10:28.360 --> 0:10:29.280
<v Speaker 9>I'm confused.

0:10:32.080 --> 0:10:35.160
<v Speaker 10>What exactly do you think you're doing back here, Joe.

0:10:37.960 --> 0:10:42.520
<v Speaker 7>I'm doing everything I can, everything I can do. I'm

0:10:42.600 --> 0:10:44.559
<v Speaker 7>really I'm grateful for your team's.

0:10:44.240 --> 0:10:45.679
<v Speaker 11>Gonna be able to make a new poop for you.

0:10:46.000 --> 0:10:49.079
<v Speaker 10>But in the meantime, I said you were writing a

0:10:49.120 --> 0:10:52.320
<v Speaker 10>book about all this about me?

0:10:54.640 --> 0:10:58.920
<v Speaker 7>Maybe, but that's not why I'm here now.

0:10:59.040 --> 0:11:01.520
<v Speaker 9>Listen, I've been reaching the steps that check to Smith

0:11:01.520 --> 0:11:04.560
<v Speaker 9>took when he was involved in the original homicide investigation.

0:11:04.800 --> 0:11:05.280
<v Speaker 3>I know.

0:11:07.000 --> 0:11:09.679
<v Speaker 5>What, how do you know?

0:11:10.040 --> 0:11:11.280
<v Speaker 3>I just know? Thanks you only.

0:11:14.320 --> 0:11:17.720
<v Speaker 12>Stuff you don't know, or maybe you blocked it out,

0:11:19.640 --> 0:11:23.480
<v Speaker 12>or you aren't allowed to know details about you and

0:11:23.600 --> 0:11:33.000
<v Speaker 12>Tie and the had leaves and the case, especially the case. Yeah,

0:11:35.280 --> 0:11:37.760
<v Speaker 12>I'm practically a goddamn scholar on the subject.

0:11:39.760 --> 0:11:46.120
<v Speaker 9>I have so much to ask just the history and geography.

0:11:48.440 --> 0:11:50.760
<v Speaker 3>I know stuff that you can't find in the history books.

0:11:52.520 --> 0:11:57.640
<v Speaker 13>I know, Man Good Winner of eighteen ninety three, what

0:11:58.840 --> 0:12:02.360
<v Speaker 13>the O'Leary family took shelter during the winter blizzard got

0:12:02.360 --> 0:12:07.280
<v Speaker 13>snowed in Eleanor O'Leary was trapped deep in the caves,

0:12:07.880 --> 0:12:11.080
<v Speaker 13>watching her daughter starve to death. Don't ask for the

0:12:11.080 --> 0:12:15.439
<v Speaker 13>Lord's help, of course, Braiden prayed, Oh, Heavenly Father, please,

0:12:15.480 --> 0:12:18.079
<v Speaker 13>I beg you, please deliver my poor innocent.

0:12:17.760 --> 0:12:21.320
<v Speaker 10>Child from the cool hand of death. But the Lord

0:12:21.360 --> 0:12:26.719
<v Speaker 10>didn't respond. He was a no show. Maybe deep in

0:12:26.800 --> 0:12:30.280
<v Speaker 10>those dark, evil caves, even God couldn't hear their small

0:12:30.280 --> 0:12:36.640
<v Speaker 10>and desperate voices calling out, Okay, but I believe someone

0:12:36.679 --> 0:12:50.240
<v Speaker 10>else did hear, and I imagine him appearing before h

0:12:50.240 --> 0:12:54.400
<v Speaker 10>Miss Oldliarry was something resembly pity in the slits of

0:12:54.440 --> 0:12:54.840
<v Speaker 10>his eyes.

0:13:00.120 --> 0:13:04.760
<v Speaker 13>Good mother, you should you should tell you that he

0:13:04.840 --> 0:13:06.240
<v Speaker 13>made Miss Oliery an offer.

0:13:07.800 --> 0:13:08.480
<v Speaker 3>I can help you.

0:13:09.080 --> 0:13:09.959
<v Speaker 5>I can object to.

0:13:10.520 --> 0:13:12.760
<v Speaker 10>I can say, your poor little girl.

0:13:12.640 --> 0:13:14.800
<v Speaker 5>And only if you make the deal.

0:13:15.240 --> 0:13:21.480
<v Speaker 1>And poor Eleanor starved, delirious, freezing, and on the brink

0:13:21.520 --> 0:13:21.880
<v Speaker 1>of death.

0:13:22.679 --> 0:13:24.800
<v Speaker 2>I imagine she did.

0:13:24.640 --> 0:13:27.800
<v Speaker 10>What any loving mother and a moment of defeat and

0:13:27.880 --> 0:13:28.599
<v Speaker 10>weakness would do.

0:13:32.800 --> 0:13:33.600
<v Speaker 2>She made the deal.

0:13:36.920 --> 0:13:37.920
<v Speaker 10>He dies.

0:13:39.400 --> 0:13:48.800
<v Speaker 5>Nor nothing in the scaff I'll protect you. We're going

0:13:48.840 --> 0:13:51.400
<v Speaker 5>to get to know each other for very long time.

0:14:00.320 --> 0:14:02.480
<v Speaker 10>I don't understand whether or not you believe that story

0:14:02.559 --> 0:14:06.320
<v Speaker 10>comes Spring of eighteen ninety three, the impossible happen. The

0:14:06.360 --> 0:14:09.120
<v Speaker 10>youngest daughter, Nadine, Sure shit, That little girl e murders

0:14:09.120 --> 0:14:12.240
<v Speaker 10>from the cave, the only survivor of the O'Leary family.

0:14:12.800 --> 0:14:17.599
<v Speaker 10>How she survived is a mystery to this day.

0:14:18.320 --> 0:14:25.280
<v Speaker 7>Finch, I'm here to tell you something. Smith knew.

0:14:26.360 --> 0:14:27.480
<v Speaker 5>He knew you didn't kill him.

0:14:27.600 --> 0:14:29.000
<v Speaker 6>I think he knew who did.

0:14:33.200 --> 0:14:40.760
<v Speaker 10>Why don't you ask him what, Detective Solomon Smith.

0:14:44.280 --> 0:14:48.360
<v Speaker 9>He's lone gone, Finch.

0:14:49.400 --> 0:14:50.280
<v Speaker 6>No one's seen him.

0:14:50.280 --> 0:14:53.960
<v Speaker 10>Since when are you going back to the house the

0:14:54.080 --> 0:14:58.840
<v Speaker 10>Fowler estayed off of twenty nine, that's where Smith was

0:14:58.880 --> 0:15:04.800
<v Speaker 10>living during the investigation. Right, yeah, when you're going back there?

0:15:07.160 --> 0:15:09.400
<v Speaker 3>Not cut good?

0:15:10.160 --> 0:15:11.040
<v Speaker 5>How did you know that?

0:15:12.120 --> 0:15:12.880
<v Speaker 3>Wait?

0:15:12.920 --> 0:15:15.000
<v Speaker 7>Wait, wait wait, I have so much to talk to

0:15:15.040 --> 0:15:15.680
<v Speaker 7>you about, Fitch.

0:15:16.000 --> 0:15:18.640
<v Speaker 10>Do you have any idea how hard it is to

0:15:18.720 --> 0:15:21.960
<v Speaker 10>speak to you. I'm not talking about just sitting here

0:15:21.960 --> 0:15:27.080
<v Speaker 10>across from but literally speak words to your face.

0:15:28.800 --> 0:15:34.200
<v Speaker 3>I have spent years in this place, years.

0:15:36.240 --> 0:15:39.760
<v Speaker 10>Teaching myself to focus on the shapes of words, quiet

0:15:39.760 --> 0:15:41.720
<v Speaker 10>in my mind, training the muscles in my face to

0:15:42.000 --> 0:15:43.640
<v Speaker 10>wrap around the words properly.

0:15:45.880 --> 0:15:46.520
<v Speaker 3>And I can.

0:15:48.200 --> 0:15:49.000
<v Speaker 13>When I'm calling.

0:15:51.280 --> 0:15:52.880
<v Speaker 10>But when I called you, all of a sudden, I

0:15:52.880 --> 0:15:56.280
<v Speaker 10>couldn't get one word out clean. It was like no

0:15:56.360 --> 0:16:06.000
<v Speaker 10>time had passed it all for James fucking go there

0:16:06.040 --> 0:16:07.320
<v Speaker 10>first to foul the place.

0:16:08.800 --> 0:16:20.320
<v Speaker 14>Tonight, Guard, We're done.

0:16:23.520 --> 0:16:24.760
<v Speaker 3>So who helped a little girl?

0:16:24.960 --> 0:16:28.560
<v Speaker 4>That's where the discovery of Eleanor O'Leary's journal is interesting.

0:16:29.760 --> 0:16:34.000
<v Speaker 4>Miss O'Leary described the entire deal in great detail. What

0:16:34.240 --> 0:16:36.680
<v Speaker 4>Fincher was most interested in this is the last few

0:16:36.760 --> 0:16:39.840
<v Speaker 4>enturies of her journal. When she starts to discuss the

0:16:39.880 --> 0:16:42.000
<v Speaker 4>presence inside the case with him.

0:16:43.160 --> 0:16:49.440
<v Speaker 7>The truth comes in different flavors. Sometimes it's revealed in

0:16:49.520 --> 0:16:51.120
<v Speaker 7>the intersection of facts.

0:16:50.800 --> 0:16:53.840
<v Speaker 3>Aaron with the father, Seamus, he died first.

0:16:54.320 --> 0:16:55.920
<v Speaker 7>Sometimes it's hidden the lore.

0:17:00.160 --> 0:17:04.720
<v Speaker 4>As the family went to extremes to avoid starvation, Miss

0:17:04.720 --> 0:17:07.760
<v Speaker 4>O'Leary's journal entries become less coherent.

0:17:07.920 --> 0:17:09.840
<v Speaker 3>More disturbed.

0:17:11.359 --> 0:17:15.679
<v Speaker 15>These dots are all interconnected. I can feel it. Richard

0:17:15.760 --> 0:17:21.200
<v Speaker 15>Roddell being from Anniwalk, Detective Smith moving into William Fowler's

0:17:21.200 --> 0:17:24.879
<v Speaker 15>place after Riddell's execution, and then coming on board the

0:17:24.880 --> 0:17:29.040
<v Speaker 15>Hadley murder case, only to become convinced that James Fincher's innocence,

0:17:29.480 --> 0:17:34.280
<v Speaker 15>and now Deacon Hadley's necklace found in Tyler Wilson's ransacked

0:17:34.320 --> 0:17:35.760
<v Speaker 15>house after Tyler's gone missing.

0:17:37.119 --> 0:17:39.800
<v Speaker 7>These devils pranks, They're.

0:17:39.600 --> 0:17:43.880
<v Speaker 15>Important more than clues or converging strings on an investigation

0:17:44.000 --> 0:17:49.760
<v Speaker 15>board or breadcrumb's on the trail, a thread through the labyrinth.

0:17:50.480 --> 0:17:52.840
<v Speaker 15>But what was Fincher's obsession with the story of the

0:17:52.840 --> 0:17:57.400
<v Speaker 15>O'Leary family. I know it's all connected somehow.

0:17:58.119 --> 0:18:02.040
<v Speaker 4>According to miss O'Leary, here emerges from the very shadows

0:18:02.040 --> 0:18:04.720
<v Speaker 4>of the caves and offers to help her.

0:18:05.119 --> 0:18:05.600
<v Speaker 5>What doll.

0:18:09.760 --> 0:18:15.480
<v Speaker 4>It would seem that miss O'Leary was lacking rational faculties, delirious, freezing, hallucinating,

0:18:15.560 --> 0:18:19.399
<v Speaker 4>No doubt conjured this narrative while on the brain coach starvation.

0:18:19.720 --> 0:18:23.560
<v Speaker 4>Would you agree it's a classic narrative. A surf in

0:18:23.600 --> 0:18:29.200
<v Speaker 4>the garden, Fousty embargain the devil, a crossroads. Some people

0:18:29.200 --> 0:18:34.439
<v Speaker 4>believe Fincher worships the devil, would you agree, doctor Tector? Well,

0:18:35.400 --> 0:18:39.000
<v Speaker 4>even Satanists don't believe in the literal Satan, detective, And.

0:18:39.080 --> 0:18:40.680
<v Speaker 3>What do you call people who do believe in a

0:18:40.800 --> 0:18:47.160
<v Speaker 3>literal Satan? Christians?

0:18:49.480 --> 0:18:52.200
<v Speaker 7>After I saw Finch at Riverbedd in Nashville, I drove

0:18:52.240 --> 0:18:55.440
<v Speaker 7>back to the Fowler's place, detect dismiss less known home.

0:19:12.640 --> 0:19:16.240
<v Speaker 7>In the wash of the flashlight, it looked decrepit hollowed

0:19:16.280 --> 0:19:20.480
<v Speaker 7>out a skull deer and out at the night. Its

0:19:20.520 --> 0:19:24.399
<v Speaker 7>front windows were opaque with dust. My flashlight didn't seem

0:19:24.400 --> 0:19:28.720
<v Speaker 7>to want to penetrate the dark inside. The door, of course,

0:19:28.840 --> 0:19:35.520
<v Speaker 7>was locked. What there's someone there?

0:19:37.960 --> 0:19:57.080
<v Speaker 16>Come on, I have a gun, It was, dear, what

0:19:57.119 --> 0:19:57.920
<v Speaker 16>the hell do you want?

0:20:00.200 --> 0:20:01.240
<v Speaker 7>Three doze in a buck?

0:20:02.160 --> 0:20:02.880
<v Speaker 5>A phone?

0:20:04.440 --> 0:20:06.240
<v Speaker 7>They all stood right there at did you the wood

0:20:06.320 --> 0:20:10.200
<v Speaker 7>staring at me, eyes reflecting back my beam shoe.

0:20:12.960 --> 0:20:13.560
<v Speaker 15>What the hell?

0:20:14.119 --> 0:20:17.480
<v Speaker 9>They didn't move when I shouted. It was like they

0:20:17.480 --> 0:20:18.600
<v Speaker 9>were waiting for something.

0:20:26.680 --> 0:20:31.159
<v Speaker 16>Okay, where those stand there? Just don't call the cops

0:20:31.160 --> 0:20:36.600
<v Speaker 16>when I and I won't send hunters out here. Freezy

0:20:36.640 --> 0:20:37.320
<v Speaker 16>pickens deal.

0:20:38.840 --> 0:20:53.800
<v Speaker 11>Okay, okay, all right to take the smith.

0:20:55.640 --> 0:21:19.520
<v Speaker 6>Let's see what you knew.

0:21:27.640 --> 0:21:29.280
<v Speaker 7>I'm not gonna lie. I didn't know what I was

0:21:29.320 --> 0:21:33.040
<v Speaker 7>expecting when I got inside, but it wasn't what I

0:21:33.080 --> 0:21:33.680
<v Speaker 7>was looking at.

0:21:35.119 --> 0:21:35.359
<v Speaker 6>First.

0:21:35.440 --> 0:21:38.000
<v Speaker 7>Off, it was cold, I mean outside it's nearly summer.

0:21:38.200 --> 0:21:44.000
<v Speaker 7>In the house, cold like twenty degree drop and damp, subterranean,

0:21:44.400 --> 0:21:46.640
<v Speaker 7>without the benefit of ever being worn by the sun.

0:21:48.040 --> 0:21:51.280
<v Speaker 7>The house had largely been untouched since Solomon skipped out,

0:21:51.760 --> 0:21:53.960
<v Speaker 7>so the furniture's all there, and the bed sheets still

0:21:54.000 --> 0:21:56.560
<v Speaker 7>must from the last night he slept in the dry

0:21:56.600 --> 0:21:58.720
<v Speaker 7>goods in the pantry, a single dirty plate in the

0:21:58.760 --> 0:22:01.720
<v Speaker 7>sink next to a coffee cup, mold that had grown

0:22:01.760 --> 0:22:05.960
<v Speaker 7>over them, long, sin stride and dead. It was like

0:22:06.040 --> 0:22:08.960
<v Speaker 7>I stepped back in time. The only thing suggesting the

0:22:09.000 --> 0:22:11.080
<v Speaker 7>Solomon had ever left were the open drawers and half

0:22:11.119 --> 0:22:14.280
<v Speaker 7>empty closet, the hangers on the bed and he'd left quickly,

0:22:15.280 --> 0:22:22.000
<v Speaker 7>and then in the back office hum around the room,

0:22:22.080 --> 0:22:24.760
<v Speaker 7>moleskin tablets the kinyrad used to jot down notes on

0:22:24.800 --> 0:22:28.800
<v Speaker 7>the case perhaps were scattered about. In the corner of

0:22:28.840 --> 0:22:32.200
<v Speaker 7>the office, a small aluminum waste paper basket sat beneath

0:22:32.240 --> 0:22:35.679
<v Speaker 7>the scorch section of the wall. Someone had made a

0:22:35.720 --> 0:22:38.200
<v Speaker 7>small fire, and from the looks of it, he'd burned

0:22:38.200 --> 0:22:40.560
<v Speaker 7>pages here and there from the notebooks, one of which

0:22:40.560 --> 0:22:45.399
<v Speaker 7>seemed to have been burned whole. That wasn't even the

0:22:45.400 --> 0:22:46.080
<v Speaker 7>weirdest thing.

0:22:47.240 --> 0:22:48.240
<v Speaker 6>What the fuck is this?

0:22:49.000 --> 0:22:51.760
<v Speaker 7>The weirdest thing was the wall above the waste paper basket.

0:22:52.040 --> 0:22:52.640
<v Speaker 5>What are you doing?

0:22:52.960 --> 0:22:57.399
<v Speaker 9>Simon writing scrawled all over it, articles from the town

0:22:57.520 --> 0:23:00.760
<v Speaker 9>photo copied and pinned with no tape, and scribbled and

0:23:00.800 --> 0:23:04.359
<v Speaker 9>pencil and sharp remarker, no rahm or reason of the order?

0:23:04.440 --> 0:23:05.119
<v Speaker 3>What the fuck?

0:23:05.320 --> 0:23:08.600
<v Speaker 7>But all of it painted a grizzly, unflattering picture of

0:23:08.640 --> 0:23:14.479
<v Speaker 7>Manahawaan County. Every murder, every assault, every suicide and fire

0:23:14.560 --> 0:23:18.600
<v Speaker 7>and deadly car accident ever recorded, all pinned up and

0:23:18.680 --> 0:23:39.320
<v Speaker 7>noted in Solomon Smith's neat handwriting. Oh shit, it's here's tapes.

0:23:41.560 --> 0:23:43.960
<v Speaker 7>These tapes were dated, but there's no labeling beyond that.

0:23:44.520 --> 0:23:46.040
<v Speaker 7>From the looks of it, they went all the way

0:23:46.119 --> 0:23:50.600
<v Speaker 7>up to two days before Solomon Smith skipped town. Luckily,

0:23:50.680 --> 0:23:53.439
<v Speaker 7>I'd come prepared with extra batteries and a sleeping bag

0:23:54.040 --> 0:23:59.920
<v Speaker 7>and a bottleful of courage. I found the most recent

0:24:00.280 --> 0:24:05.800
<v Speaker 7>and popped in on this platform.

0:24:06.119 --> 0:24:06.879
<v Speaker 3>What in, Hooper?

0:24:13.880 --> 0:24:17.000
<v Speaker 17>I thought we were having a beer, figured we'd go

0:24:17.040 --> 0:24:18.000
<v Speaker 17>to a bar or something.

0:24:18.400 --> 0:24:20.120
<v Speaker 3>You sure you want to be seen with me, sir?

0:24:21.320 --> 0:24:24.600
<v Speaker 3>And besides, I already moved on to whiskey a while ago.

0:24:25.200 --> 0:24:28.080
<v Speaker 3>From the looks of it, you want what or not?

0:24:28.920 --> 0:24:29.120
<v Speaker 13>Yeah?

0:24:29.119 --> 0:24:35.960
<v Speaker 3>I go on. Then something on your mind, Hooper? Solomon.

0:24:36.040 --> 0:24:38.199
<v Speaker 17>I asked you on to this case because I know

0:24:38.320 --> 0:24:41.520
<v Speaker 17>you're about a mile more qualified than anybody else around here,

0:24:41.640 --> 0:24:47.160
<v Speaker 17>myself included. But this is a small town. People are upset.

0:24:48.520 --> 0:24:50.600
<v Speaker 17>When those two boys turned up the way they did.

0:24:50.640 --> 0:24:54.520
<v Speaker 17>It felt like it was their own children been cutted

0:24:54.560 --> 0:25:00.840
<v Speaker 17>in those caves, and they want closure, They want to

0:25:00.880 --> 0:25:03.719
<v Speaker 17>put it behind it, and they should want the truth

0:25:03.840 --> 0:25:07.719
<v Speaker 17>and maybe they'll get it. Seems to me that James

0:25:07.720 --> 0:25:10.359
<v Speaker 17>Fincher truly was the only one with any real motive

0:25:10.400 --> 0:25:14.439
<v Speaker 17>to harm Deacon and Thomas. I think we need to

0:25:14.520 --> 0:25:18.359
<v Speaker 17>seriously consider leaning into the possibility that James Fincher killed

0:25:18.400 --> 0:25:22.879
<v Speaker 17>those boys. A man, James Fincher didn't kill nobody. What

0:25:22.960 --> 0:25:28.040
<v Speaker 17>do you have to go on that says he didn't experience. Look,

0:25:28.960 --> 0:25:33.360
<v Speaker 17>you have no idea what being different is. To stand out,

0:25:33.800 --> 0:25:39.320
<v Speaker 17>to be ostracized, marginalized, demonized, to be discriminated against in

0:25:39.440 --> 0:25:42.000
<v Speaker 17>a world full of people will think they're smarter than you,

0:25:42.760 --> 0:25:44.879
<v Speaker 17>who think they deserve better than you.

0:25:45.760 --> 0:25:46.240
<v Speaker 4>I hear you.

0:25:46.720 --> 0:25:50.800
<v Speaker 17>That's exactly why there's motive. I'm not arguing that the

0:25:50.840 --> 0:25:54.000
<v Speaker 17>system is perfect, It's goddamn far from it. But right

0:25:54.040 --> 0:25:56.840
<v Speaker 17>now we need to look at the impartial fact. Oh shit,

0:25:58.080 --> 0:26:00.439
<v Speaker 17>James Fischer didn't want to cause trouble.

0:26:00.600 --> 0:26:01.840
<v Speaker 3>He just wanted to get by.

0:26:03.840 --> 0:26:06.480
<v Speaker 18>Killing those boys would be a death sentence for a

0:26:06.560 --> 0:26:10.360
<v Speaker 18>kid like him in this town, and he damn well

0:26:10.480 --> 0:26:13.800
<v Speaker 18>is smart enough to know it. James Fincher has been

0:26:13.800 --> 0:26:16.679
<v Speaker 18>bullied since he moved here, and I'm not gonna let

0:26:16.760 --> 0:26:18.359
<v Speaker 18>him be bullied into a jail cell.

0:26:18.960 --> 0:26:19.400
<v Speaker 3>All right.

0:26:19.480 --> 0:26:21.680
<v Speaker 17>Look, I know you're a little bit heated and more

0:26:21.720 --> 0:26:23.919
<v Speaker 17>than a little drunk, but we gotta look at this

0:26:24.119 --> 0:26:26.080
<v Speaker 17>from the rest of the town's point of view too.

0:26:26.400 --> 0:26:30.880
<v Speaker 17>And how's that smart enough to know it isn't facts.

0:26:31.840 --> 0:26:35.439
<v Speaker 17>The fact is that multiple people have come forward pointing

0:26:35.440 --> 0:26:39.119
<v Speaker 17>a finger directly at James Fincher. We have interviews, we

0:26:39.160 --> 0:26:41.320
<v Speaker 17>have people willing to testify.

0:26:41.000 --> 0:26:45.680
<v Speaker 19>And Reverend Perkins has been particularly vocal. Excuse me, Reverend

0:26:45.760 --> 0:26:48.680
<v Speaker 19>Perkins has been putting pressure on you, all right, Sam,

0:26:48.880 --> 0:26:52.320
<v Speaker 19>of course he has. Why the hell wouldn't he You

0:26:52.400 --> 0:26:54.960
<v Speaker 19>get the backing of the first Baptist Church. You can

0:26:55.000 --> 0:26:58.080
<v Speaker 19>have whatever you want in this town, a raise, a

0:26:58.200 --> 0:27:02.960
<v Speaker 19>re election. Come on, two boys are dead, you son

0:27:03.000 --> 0:27:04.960
<v Speaker 19>of a bitch. These are good people.

0:27:05.760 --> 0:27:09.480
<v Speaker 17>They just want justice, and I would think that you,

0:27:10.040 --> 0:27:12.720
<v Speaker 17>of all people, would be able to relate to that.

0:27:12.840 --> 0:27:18.119
<v Speaker 17>Solomon Sheriff, I know what killed my boy. Maybe this

0:27:18.280 --> 0:27:21.159
<v Speaker 17>was a mistake. I think we've got more than a

0:27:21.200 --> 0:27:24.120
<v Speaker 17>little bit of a conflict of interest here. You understand

0:27:24.119 --> 0:27:26.160
<v Speaker 17>what I'm saying. Oh, you're taking me off the case.

0:27:26.280 --> 0:27:30.679
<v Speaker 17>I don't have much choice. It's my fault, it's not yours.

0:27:31.400 --> 0:27:33.560
<v Speaker 17>I should have put it together before bringing you on.

0:27:36.480 --> 0:27:41.639
<v Speaker 18>You need me on this thing, James Fincher don't stand

0:27:41.680 --> 0:27:42.360
<v Speaker 18>a chance.

0:27:43.400 --> 0:27:46.879
<v Speaker 17>I'm not so sure James Fincher deserves a chance.

0:27:55.080 --> 0:27:57.919
<v Speaker 7>Detective Smith up and left his life in Atlanta, but

0:27:58.000 --> 0:28:02.080
<v Speaker 7>his own personal demons followed him the Milwaukee. His son

0:28:02.119 --> 0:28:05.360
<v Speaker 7>committed suicide a few years before the move. See. By

0:28:05.400 --> 0:28:07.840
<v Speaker 7>all accounts, he was a smart kid, but he had

0:28:07.840 --> 0:28:11.439
<v Speaker 7>a minor physical deformity born missing two fingers off his

0:28:11.520 --> 0:28:14.600
<v Speaker 7>right hand. That's it. But he was bullied for it

0:28:14.640 --> 0:28:19.840
<v Speaker 7>his entire life heart and one day something finally pushed

0:28:19.880 --> 0:28:23.040
<v Speaker 7>him over the edge. He was eighteen years old when

0:28:23.040 --> 0:28:26.280
<v Speaker 7>he died. James Fincher was eighteen at the time of

0:28:26.320 --> 0:28:31.880
<v Speaker 7>the investigation. Maybe just another devil's prank is Jennifer Fowler

0:28:31.920 --> 0:28:32.360
<v Speaker 7>called them.

0:28:32.800 --> 0:28:36.280
<v Speaker 2>Listen, you can hear them off in the woods. I

0:28:36.359 --> 0:28:40.360
<v Speaker 2>know they're there every fucking night this goddamn week, right

0:28:40.400 --> 0:28:43.160
<v Speaker 2>outside my window, tapping and laughing.

0:28:44.600 --> 0:28:47.560
<v Speaker 7>Fast forwarded around on that first tape, his last one.

0:28:47.600 --> 0:28:50.120
<v Speaker 7>He'd recorded, come on and.

0:28:50.040 --> 0:28:55.480
<v Speaker 2>You piece this shit, Come on, show your goddamn faces.

0:28:55.560 --> 0:29:08.680
<v Speaker 3>Finally, come on, come on, come on.

0:29:09.840 --> 0:29:15.840
<v Speaker 2>Oh oh you motherfuckers.

0:29:21.000 --> 0:29:22.320
<v Speaker 3>God damn dear.

0:29:25.760 --> 0:29:27.760
<v Speaker 7>The tape from the perceiving that was much different. So

0:29:27.800 --> 0:29:32.240
<v Speaker 7>I skipped back a week or two and had another drink.

0:29:35.640 --> 0:29:38.640
<v Speaker 2>After reading letters, James Fincher wrote to doctor Tratner. I

0:29:38.720 --> 0:29:41.520
<v Speaker 2>went down to the Pottsville Library and pulled every book

0:29:41.520 --> 0:29:44.920
<v Speaker 2>Fincher checked out. He'd also had the library and printed

0:29:44.920 --> 0:29:48.680
<v Speaker 2>a few articles he'd found on their microfiche, and from

0:29:48.680 --> 0:29:52.360
<v Speaker 2>around Halloween he's run in the Pottsville Press. As I

0:29:52.360 --> 0:29:54.400
<v Speaker 2>don't know, I guess you'd call it what passes for

0:29:54.440 --> 0:29:58.640
<v Speaker 2>a human interest story around here. Amongst these tales of

0:29:58.880 --> 0:30:02.040
<v Speaker 2>terror and woe is this strange case of Nadine O'Leary

0:30:02.360 --> 0:30:05.720
<v Speaker 2>of the O'Leary family, Scotch settlers who had landed in

0:30:05.800 --> 0:30:07.760
<v Speaker 2>Norfolk and decided to try their.

0:30:07.720 --> 0:30:08.680
<v Speaker 3>Luck heading west.

0:30:13.440 --> 0:30:18.080
<v Speaker 2>Davis Wentworth of the newly founded Pottsville walked out onto

0:30:18.080 --> 0:30:21.760
<v Speaker 2>her back porch to find a small creature hunched over,

0:30:22.120 --> 0:30:26.120
<v Speaker 2>eating raw eggs whole from her chicken coop. At first,

0:30:26.160 --> 0:30:29.880
<v Speaker 2>she believed it to be a mangy bear, it was

0:30:29.920 --> 0:30:33.600
<v Speaker 2>so stooped and filthy. It turned out to be young

0:30:33.680 --> 0:30:38.200
<v Speaker 2>Nadine O'Leary, dressed in rags, missing fingers in parts of

0:30:38.240 --> 0:30:45.200
<v Speaker 2>her face from frostbite. She was nearly feral. For decades.

0:30:45.360 --> 0:30:49.840
<v Speaker 2>Nadine would give only a cursory account. However, on her

0:30:49.880 --> 0:30:56.120
<v Speaker 2>deathbed she told a different story.

0:30:57.400 --> 0:30:58.400
<v Speaker 16>What the fuck.

0:31:05.560 --> 0:31:23.840
<v Speaker 7>Hello, Hello, Well damn, a tree has landed on the

0:31:23.920 --> 0:31:30.640
<v Speaker 7>roof of the house, flush up against the chimney. Jesus,

0:31:48.960 --> 0:31:52.280
<v Speaker 7>Come on, detective, what else you got here?

0:31:54.920 --> 0:31:58.440
<v Speaker 2>Fas cases of Tom Trevor. He's thirty four, father of

0:31:58.520 --> 0:32:03.080
<v Speaker 2>two young children. Report it dead June thirtieth, nineteen ninety

0:32:03.760 --> 0:32:07.440
<v Speaker 2>after being spotted on a hike with it. Laura Solace?

0:32:07.920 --> 0:32:14.000
<v Speaker 3>Also what uh? Laura Solace?

0:32:15.560 --> 0:32:15.880
<v Speaker 2>Is that.

0:32:17.320 --> 0:32:26.200
<v Speaker 3>Wife of Paul Solace, mother of Julian Solace? Small world?

0:32:26.800 --> 0:32:28.640
<v Speaker 7>No, no fucking way.

0:32:29.600 --> 0:32:33.680
<v Speaker 3>What were you doing hiking with old Tom, Miss Solace?

0:32:33.880 --> 0:32:38.760
<v Speaker 2>No, he too fell, if her testimony was to be believed. No,

0:32:39.120 --> 0:32:42.800
<v Speaker 2>cracked his skull wide open, brains spilled out all.

0:32:42.640 --> 0:32:43.760
<v Speaker 6>Over the world.

0:32:44.240 --> 0:32:49.120
<v Speaker 3>No, but why were you with him? Looks like you

0:32:49.200 --> 0:32:50.840
<v Speaker 3>will with your husband at the dealership.

0:32:51.840 --> 0:32:55.120
<v Speaker 2>You'll probably travel to the same tiny circles in this hellhole,

0:32:55.720 --> 0:32:59.080
<v Speaker 2>probably tracked the same shitty beers and the same shitty bars.

0:32:59.160 --> 0:33:01.440
<v Speaker 3>Your kids maybe even played together.

0:33:01.760 --> 0:33:03.320
<v Speaker 11>Oh my god, we're.

0:33:03.000 --> 0:33:08.560
<v Speaker 2>Just passing the time talking about your happy marriages, your

0:33:08.600 --> 0:33:09.960
<v Speaker 2>beloved children.

0:33:10.120 --> 0:33:13.640
<v Speaker 3>Did you talk about Julian? But were you going up

0:33:13.680 --> 0:33:15.160
<v Speaker 3>there for something else?

0:33:17.600 --> 0:33:17.680
<v Speaker 6>What?

0:33:21.280 --> 0:33:23.840
<v Speaker 3>Hello? Is anyone out there?

0:33:24.000 --> 0:33:27.040
<v Speaker 6>Oh my god?

0:33:27.800 --> 0:33:29.160
<v Speaker 3>You get a little squirrel here?

0:33:29.280 --> 0:33:35.520
<v Speaker 2>So did he take it too far, move too fast

0:33:35.560 --> 0:33:37.640
<v Speaker 2>for you misunderstand your intent?

0:33:38.000 --> 0:33:40.560
<v Speaker 3>Did you push him? Or did you in a moment

0:33:40.600 --> 0:33:43.600
<v Speaker 3>of fear maybe he's bearing down on you.

0:33:43.640 --> 0:33:45.840
<v Speaker 2>Did you pick up a rock and finish that creasy

0:33:45.880 --> 0:33:47.200
<v Speaker 2>motherfucking yourself?

0:33:50.320 --> 0:33:57.040
<v Speaker 3>She wouldn't. Now you're probably right. She was just out

0:33:57.040 --> 0:33:59.680
<v Speaker 3>for a stroll in the woods with a friend, nothing more.

0:34:00.800 --> 0:34:06.040
<v Speaker 3>I mean, I guess we'll never know, will we, Julian?

0:34:09.160 --> 0:34:12.360
<v Speaker 2>Why don't we talk about something else? The subject doesn't

0:34:12.360 --> 0:34:13.319
<v Speaker 2>seem to agree with you.

0:34:16.480 --> 0:34:18.240
<v Speaker 3>I can't think of anything.

0:34:20.040 --> 0:34:22.560
<v Speaker 6>What happened to the olders?

0:34:22.840 --> 0:34:23.520
<v Speaker 5>Ah?

0:34:23.640 --> 0:34:28.640
<v Speaker 2>Yeah, you want a real devil's prank. This isn't the

0:34:28.640 --> 0:34:32.239
<v Speaker 2>first house to be built on this property. Guess who

0:34:32.320 --> 0:34:34.000
<v Speaker 2>the first owner of this land was?

0:34:37.800 --> 0:34:38.800
<v Speaker 6>Was it shamous oldier?

0:34:39.520 --> 0:34:39.759
<v Speaker 3>Well?

0:34:40.480 --> 0:34:44.719
<v Speaker 2>Look at you, Nancy Drew, How damn son you could

0:34:44.760 --> 0:34:48.480
<v Speaker 2>have been a detective. When he died, it passed down

0:34:48.520 --> 0:34:51.720
<v Speaker 2>to his only living relative, Nadine, who built a cabin

0:34:51.760 --> 0:34:54.280
<v Speaker 2>here and lived until the rife old age of ninety

0:34:54.760 --> 0:34:57.799
<v Speaker 2>before passing it down to her grandson, who knocked it

0:34:57.880 --> 0:34:58.960
<v Speaker 2>down and built this place.

0:34:59.000 --> 0:35:00.760
<v Speaker 3>You find yourself sit right now?

0:35:01.880 --> 0:35:07.359
<v Speaker 2>William Fowler Jennifer Fowler's granddad and my own benefactor.

0:35:07.840 --> 0:35:09.600
<v Speaker 5>Oh small fucking world.

0:35:10.560 --> 0:35:11.840
<v Speaker 3>You ain't kidding.

0:35:14.040 --> 0:35:15.919
<v Speaker 15>The only reus what happened to them in the cave.

0:35:18.719 --> 0:35:21.799
<v Speaker 2>Navin's story didn't that up. There was no way she

0:35:21.800 --> 0:35:24.360
<v Speaker 2>could have sabred by herself, and on her.

0:35:24.239 --> 0:35:25.520
<v Speaker 3>Deathbed she fessed up.

0:35:28.600 --> 0:35:31.040
<v Speaker 2>Seamus wasn't much of a hunter, and one day I

0:35:31.080 --> 0:35:33.520
<v Speaker 2>was trying to build a snare, Shamus slipped and broke

0:35:33.560 --> 0:35:38.920
<v Speaker 2>his ankle, compound bone sticking out. Took him hours to

0:35:38.960 --> 0:35:41.720
<v Speaker 2>hop her back to the caves. Within a couple of days,

0:35:41.760 --> 0:35:45.960
<v Speaker 2>he'd succumbed to sepsis not a pretty way to die,

0:35:46.760 --> 0:35:53.279
<v Speaker 2>fever dreams and visions of hell. Poor bastard. They were

0:35:53.360 --> 0:35:57.480
<v Speaker 2>devastated within it. Eleanor wailed and gnashed her teeth and

0:35:57.800 --> 0:36:04.080
<v Speaker 2>pulled out her hair. Though she was grieving, she was

0:36:04.080 --> 0:36:08.279
<v Speaker 2>in a dumb She saw an opportunity to keep her

0:36:08.320 --> 0:36:09.080
<v Speaker 2>girls alive.

0:36:10.080 --> 0:36:16.040
<v Speaker 6>Oh, they ate their daddy.

0:36:13.840 --> 0:36:14.279
<v Speaker 3>That's right.

0:36:15.960 --> 0:36:19.600
<v Speaker 2>They ate him right up, bit by bit, cutting off

0:36:19.680 --> 0:36:23.239
<v Speaker 2>parts of him with a rock ILLINOI shope keeping the

0:36:23.280 --> 0:36:26.520
<v Speaker 2>body cold at the mouth of the cave, hoping there

0:36:26.520 --> 0:36:28.200
<v Speaker 2>would be a break in the weather so they could

0:36:28.200 --> 0:36:30.680
<v Speaker 2>try to make it back to civilization. But that break

0:36:30.719 --> 0:36:36.279
<v Speaker 2>didn't come, and as the days passed and the meat dwindled,

0:36:36.960 --> 0:36:42.239
<v Speaker 2>they began to lose all hope. Three days later, Milicine

0:36:42.239 --> 0:36:50.279
<v Speaker 2>got sick dysentery, Daddy's flesh had gone rancid. One night late,

0:36:51.560 --> 0:36:55.720
<v Speaker 2>the fire had died down. Nadine awoke, feeling that something

0:36:55.800 --> 0:36:58.840
<v Speaker 2>wasn't right. She looked over to where her sister was

0:36:58.840 --> 0:37:04.480
<v Speaker 2>sleeping and saw a form huddled over her, shaking and

0:37:04.560 --> 0:37:10.200
<v Speaker 2>grunting as her eyes had just as she realized it

0:37:10.320 --> 0:37:15.560
<v Speaker 2>was her mother, smothering the life out of her older

0:37:15.640 --> 0:37:18.280
<v Speaker 2>daughter to put her out of her misery.

0:37:18.400 --> 0:37:20.480
<v Speaker 6>Jesus Christ.

0:37:21.080 --> 0:37:26.160
<v Speaker 2>And this is where it gets interesting. Eleanor died in

0:37:26.239 --> 0:37:32.680
<v Speaker 2>the caves too starvation. Her remains were found along with

0:37:32.719 --> 0:37:33.240
<v Speaker 2>the others.

0:37:34.200 --> 0:37:35.560
<v Speaker 7>So how did Nadine survive?

0:37:36.920 --> 0:37:39.680
<v Speaker 2>As a child, she claimed there was someone else in

0:37:39.719 --> 0:37:45.799
<v Speaker 2>the caves, a nameless and faithless man who led her

0:37:45.840 --> 0:37:49.839
<v Speaker 2>to safety. Then, when she was older, she denied it,

0:37:51.120 --> 0:37:54.480
<v Speaker 2>and the truth about what happened in the caves, well,

0:37:54.719 --> 0:37:58.279
<v Speaker 2>Nadine carried that to her deathbed, and she died right

0:37:58.320 --> 0:38:01.920
<v Speaker 2>here in this room. Only then did she whisper the

0:38:01.960 --> 0:38:06.960
<v Speaker 2>story to her grandson, mister William Fowler, same man who

0:38:07.040 --> 0:38:07.960
<v Speaker 2>left me this house.

0:38:10.840 --> 0:38:12.239
<v Speaker 5>You didn't leave town, did you?

0:38:13.000 --> 0:38:14.680
<v Speaker 3>What happened there?

0:38:14.719 --> 0:38:15.280
<v Speaker 2>It is again?

0:38:16.000 --> 0:38:17.640
<v Speaker 7>Let's smell what'd smell?

0:38:17.880 --> 0:38:24.080
<v Speaker 2>Apple wood, smoke, lightning struck, makes for damn fine barbecue.

0:38:24.719 --> 0:38:25.840
<v Speaker 3>What happened to me?

0:38:27.360 --> 0:38:29.280
<v Speaker 2>Take a look around your old all, will you?

0:38:29.320 --> 0:38:31.600
<v Speaker 3>No? No, no, no? What happened? Really?

0:38:31.880 --> 0:38:33.279
<v Speaker 2>I think I live something over there?

0:38:33.480 --> 0:38:36.239
<v Speaker 6>Last? I love this, I appreciate.

0:38:39.760 --> 0:38:40.200
<v Speaker 3>Jesus.

0:38:44.480 --> 0:38:50.680
<v Speaker 16>Hello, Julia Tyler? Yeah, what the fuck?

0:38:51.760 --> 0:38:53.920
<v Speaker 3>You probably wanted grand ship and get out of there?

0:38:55.560 --> 0:38:58.320
<v Speaker 16>What where are you?

0:38:58.360 --> 0:39:00.640
<v Speaker 3>Seriously? You're five?

0:39:04.920 --> 0:39:07.000
<v Speaker 16>What? What the fuck?

0:39:08.560 --> 0:39:09.360
<v Speaker 17>What the fuck?

0:39:31.160 --> 0:39:31.520
<v Speaker 2>Tyler?

0:39:32.120 --> 0:39:32.480
<v Speaker 17>Tyler?

0:39:32.520 --> 0:39:35.040
<v Speaker 6>Hello, Tyler?

0:39:37.520 --> 0:39:38.280
<v Speaker 16>What the hell?

0:39:43.960 --> 0:39:46.000
<v Speaker 7>I looked back at the house and there she was,

0:39:48.640 --> 0:39:51.680
<v Speaker 7>silhouetted before the bright flames that began to engulf the

0:39:51.719 --> 0:39:58.960
<v Speaker 7>Fowler homestead. A little girl in a tatter dress standing

0:39:59.000 --> 0:40:02.680
<v Speaker 7>in the doorway like a whole of blackness, a nothing

0:40:02.760 --> 0:40:07.160
<v Speaker 7>that's negative space, a paper girl cut out of this world,

0:40:07.640 --> 0:40:11.400
<v Speaker 7>her eyes barely visible on the flickering light. It was

0:40:11.520 --> 0:40:18.400
<v Speaker 7>Nadine O'Leary watching me, and soon she was enveloped by

0:40:18.440 --> 0:40:20.560
<v Speaker 7>the heat waves and smoked it and golfed in front

0:40:20.600 --> 0:40:21.360
<v Speaker 7>porch of the house.

0:40:27.560 --> 0:40:28.160
<v Speaker 3>Breeze.

0:40:28.760 --> 0:40:32.400
<v Speaker 16>What hairs right? Sing, Holy, this was an accident. The

0:40:32.480 --> 0:40:36.680
<v Speaker 16>fuck up? Pick her hairs raised? Turn around, truly, I'm telling.

0:40:36.400 --> 0:40:39.719
<v Speaker 14>You that, shut the fuck up. Turn around, Neil, kick

0:40:39.760 --> 0:40:40.399
<v Speaker 14>your hairs right.

0:40:42.000 --> 0:40:43.359
<v Speaker 7>What's the point of you talking?

0:40:44.960 --> 0:40:47.560
<v Speaker 16>Yeah, the right to remain silent.

0:40:48.360 --> 0:40:50.960
<v Speaker 20>Anything you say can and we'll be held against you.

0:40:50.920 --> 0:40:53.600
<v Speaker 7>In a court of law, you dumb motherfucker.

0:40:58.040 --> 0:41:01.279
<v Speaker 20>Once it's sixth to radio, I got it, ding car

0:41:01.360 --> 0:41:19.319
<v Speaker 20>now way.

0:41:22.520 --> 0:41:25.640
<v Speaker 1>The mana Walk Caves stars Jonathan Tucker as Julian Sallace,

0:41:26.160 --> 0:41:30.840
<v Speaker 1>Eddie Gatheggy as James Fincher, Clark Peters as Detective Solomon Smith,

0:41:31.280 --> 0:41:36.000
<v Speaker 1>Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson,

0:41:36.400 --> 0:41:40.760
<v Speaker 1>Jill Jane Clements as Jill Campbell, Brad Carter as Dooley Tappert,

0:41:41.200 --> 0:41:45.480
<v Speaker 1>Scott Poythus as Reverend Perkins, Samantha Ashley as Dina Fincher,

0:41:46.120 --> 0:41:50.280
<v Speaker 1>Justin Matthews Smith as Paul Sawace, Tara Oaks as Laura Sallas,

0:41:50.880 --> 0:41:55.440
<v Speaker 1>Jonathan Horn as Deacon Hadley, Alden Karanovich as Thomas Hadley,

0:41:56.239 --> 0:42:01.120
<v Speaker 1>Mike w Anderson as Griff Washington, Body Walter as Jimmy Fincher,

0:42:01.640 --> 0:42:05.560
<v Speaker 1>Brian McClure as Ian Spinks, Larry Clark as Bobby Hadley,

0:42:05.880 --> 0:42:09.840
<v Speaker 1>Payden Fallis as ed LeBlanc, Vic Palisis as William Fowler,

0:42:10.120 --> 0:42:15.080
<v Speaker 1>Nick Takosky as Richard Rydell, and Aileen Loy as The Darkness,

0:42:15.520 --> 0:42:20.120
<v Speaker 1>with additional performances by Clint McGowan, Dina Dill, Edward Howard,

0:42:20.440 --> 0:42:27.000
<v Speaker 1>Henry Foster Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry, Bailey Heineman,

0:42:27.440 --> 0:42:32.440
<v Speaker 1>David Mitchell, and Bernard Sataro Clark. Created by Connell Byrne

0:42:32.480 --> 0:42:36.360
<v Speaker 1>and Dan Bush. Written by Dan Bush, Zoe Cooper and

0:42:36.480 --> 0:42:41.280
<v Speaker 1>Nicholas Dakoski, featuring our theme song Killer Inside, written produced

0:42:41.320 --> 0:42:42.840
<v Speaker 1>and performed by Lera A.

0:42:42.920 --> 0:42:43.160
<v Speaker 3>Lynn.

0:42:43.600 --> 0:42:48.040
<v Speaker 1>Our executive producers are Matt Frederick, Alexander Williams, Michael Monty,

0:42:48.360 --> 0:42:52.480
<v Speaker 1>and Courtney du Frees. Our executive producers at Blumhouse Television

0:42:52.680 --> 0:42:57.200
<v Speaker 1>are Jeremy Gold, Chris Dickey, and Noah Feinberg. Produced by

0:42:57.239 --> 0:43:02.520
<v Speaker 1>Dan Bush, music by Ben Lovett. Additional music by Alexander Rodriguez.

0:43:03.040 --> 0:43:07.120
<v Speaker 1>This episode features the song Wayfaring Stranger, performed by Helena Rose,

0:43:07.520 --> 0:43:11.480
<v Speaker 1>edited by Dan Bush, Chris Childs, Stephen Perez, and David Chen.

0:43:12.200 --> 0:43:17.000
<v Speaker 1>Sound design by Benjamin Balcom. Additional sound design by Alexander Rodriguez.

0:43:17.320 --> 0:43:20.960
<v Speaker 1>Dialogue editing and sound mixing by Juan Campos. Recorded at

0:43:21.000 --> 0:43:24.520
<v Speaker 1>Studio Awesome in Los Angeles, Sound Byte Studio in Atlanta,

0:43:24.800 --> 0:43:28.920
<v Speaker 1>and Echo Mountain in Ashville. Casting by Sunday Bowling, Kennedy

0:43:28.960 --> 0:43:32.920
<v Speaker 1>and Meg Mormon. Our dialect coach is Linda Bessesti, Assistant director,

0:43:33.040 --> 0:43:37.840
<v Speaker 1>Michael Monty, second assistant director, script supervisor and production coordinator

0:43:38.239 --> 0:43:43.359
<v Speaker 1>Sarah Klein. Supervising producer Josh Than Special thanks to Mary

0:43:43.360 --> 0:43:47.960
<v Speaker 1>Ellen and Jason Davis, Jonathan Dieter, and Joe Rickman. The

0:43:48.000 --> 0:43:51.640
<v Speaker 1>Manowalk Caves is a production of iHeart Radio, Blumhouse Television

0:43:52.040 --> 0:43:53.920
<v Speaker 1>and Psycopia Pictures Us.

0:43:56.360 --> 0:44:00.400
<v Speaker 5>The Crows Seltendi.

0:44:01.239 --> 0:44:02.200
<v Speaker 2>And enter.

0:44:04.040 --> 0:44:05.400
<v Speaker 3>A home way to card.

0:44:06.840 --> 0:44:13.440
<v Speaker 9>I'm going there to see my sign who shed for me.

0:44:15.080 --> 0:44:23.160
<v Speaker 5>It's precious Bill. I am just going way over toward him.

0:44:23.600 --> 0:44:24.560
<v Speaker 17>I am just go