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Speaker 1: Fifty percent special. I love you fifty to sit out.

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Speaker 1: Didn't become in the most prominent form what your ass

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Speaker 1: uthing early in the morning, but they told me it

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Speaker 1: was y'all. I said, hell yeah, I'm getting smaller shree

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Speaker 1: people's choice people. I can't believe you guys in the basket,

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Speaker 1: we know that Breakfast club petition that was Bryson Tiller

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Speaker 1: would exchange morning. Everybody is DJ mvy Angela Yee Charlomagne

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Speaker 1: the guy. We are the breakfast club. We got a

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Speaker 1: special guest in the building. Who are I seen in

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Speaker 1: the hall? I said, you're coming for war? You got

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Speaker 1: that's that's not what you're saying. That's how you and

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Speaker 1: a fitting like he's bang what he says. He just

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Speaker 1: came off the train, he said, Ay, got on the

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Speaker 1: Champion hoodie and some timberland. He about to stick somebody

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Speaker 1: out and he got that. That's that's a that's a

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Speaker 1: that's a fair assessment. Yeah, I came out of a cab.

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Speaker 1: But uh so, what's been up with you? Man? On

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Speaker 1: the grind? Baby, just just just trying to stay relevant. Man,

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Speaker 1: I've been to Airy Spears, Like I told him before,

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Speaker 1: you walking out like Airy was on everything me growing back,

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Speaker 1: guys shows, he was all over New York and find

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Speaker 1: him in the club. You didn't want to sacrifice to go? No, no, no,

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Speaker 1: it ain't got nothing to do. But I'm just kidd

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Speaker 1: when you say what happened? Why you why you say

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Speaker 1: what happened? As much as we used to. He's saying

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Speaker 1: you fell off Airy trying to fell off aries. No,

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Speaker 1: you know, it's funny to me. I know that's not

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Speaker 1: what he's trying to say, but you know it's funny

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Speaker 1: to me. It ain't like cats. Don't say that. You know,

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Speaker 1: I read the Twitter. I hear what people say. But

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Speaker 1: you know, people lose perspective. You know, if falling off me,

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Speaker 1: he's going on Abu Dhabi and doing one show for

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Speaker 1: eighty grand you know, then you wish to fall off.

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Speaker 1: If falling off me, he's traveling all around the country,

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Speaker 1: you know, going to Europe, gonna you know, Australia, going

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Speaker 1: to Africa, doing shows with a fan base. Then yeah, yeah,

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Speaker 1: you wish it was me. You know what I'm saying.

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Speaker 1: You know, it's like I do my job. You know,

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Speaker 1: I eat for free, drink for free, I travel damn

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Speaker 1: it for free, you know, go anywhere I want, get love,

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Speaker 1: you know, yeah, yeah yeah. Being famous for a dude

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Speaker 1: is like being a beautiful woman. A beautiful woman. So

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Speaker 1: people's people's perspective is hilarious to me when they say

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Speaker 1: fall off, because it's like, look, if you could have

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Speaker 1: my life based on what you do, and it ain't

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Speaker 1: about trying to be braggadocious or nothing, but it's like, look,

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Speaker 1: I can make it one weekend, which you're making a year.

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Speaker 1: You know what I'm saying. So when people say, yo,

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Speaker 1: you're falling off, it's like if I fell often where

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Speaker 1: you at? Do you think times have changed as far

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Speaker 1: as being able to be the Paul Mooney type? I

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Speaker 1: guess being able to speak your mind because of social

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Speaker 1: media and uh, you know what, not really you would

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Speaker 1: think that it has, but not really. Uh you know.

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Speaker 1: And and I'm trying to I'm trying to learn a

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Speaker 1: little bit and hold back a little bit more because

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Speaker 1: I know some of the things I say can sometimes

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Speaker 1: be off putting or shocking, but you know, I'm trying

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Speaker 1: to figure it out. You know, people think that me

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Speaker 1: and Kevin Hart really had a beef. There is no beef.

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Speaker 1: How are you gonna beat for somebody that huge. You know,

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Speaker 1: I never had a beef, I had an opinion, you know,

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Speaker 1: I was just simply saying that. You know, it's almost

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Speaker 1: like every comedian. We always have the intention of when

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Speaker 1: we come out with a new joke, we want that

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Speaker 1: joke to be a home run out of the park

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Speaker 1: grand slam. That's your intention. But it don't always work

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Speaker 1: out like that. Sometimes it do, sometimes it don't. So

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Speaker 1: if your intention is to be up here and you

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Speaker 1: somewhere in here, you gotta part me. You gotta work

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Speaker 1: it and craft it till you get it to that point.

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Speaker 1: And sometimes all it takes is a word, a phrase,

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Speaker 1: of physical movement, a little something extra to take you

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Speaker 1: from here to hear. And if somebody gives you the

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Speaker 1: ingredient whatever that is to go from here to hear,

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Speaker 1: how do you claim genius? Because if your bitch starts

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Speaker 1: out like this knowing you wanted to be here, then

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Speaker 1: you get it here to go. Yo, that's genius. It

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Speaker 1: was brilliant, okay, but before it was brilliant, where did

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Speaker 1: you get that to take it to the time. So

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Speaker 1: basically I'm just saying, yeah, you got you know, when

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Speaker 1: you got somebody that can help give you that last

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Speaker 1: You make a gumbo and you go, something's missing. Doesn't

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Speaker 1: every comedian have a writer with every comedian doesn't. You

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Speaker 1: might have writers for TV show or movie, but no,

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Speaker 1: not every comic for stand up. Same thing as stand up.

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Speaker 1: It's stand up, so many of it. If you look

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Speaker 1: at a lot of comedy specials at the end of it,

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Speaker 1: when you look at the credits, it says written and

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Speaker 1: produced by and nine times out of tennis, one name

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Speaker 1: every nine and then year you might get somebody would

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Speaker 1: a written by two people, but usually it's one name,

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Speaker 1: one author. That's it. It's my thing with comedians, right

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Speaker 1: Like every comedian has to mention Kevin Hard in some way,

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Speaker 1: and it's never like a flattering thing. And I always

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Speaker 1: wonder why, Well, first, I've always started off immediately by

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Speaker 1: by going, yo, Kevin Hard is so legit as a talent,

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Speaker 1: you know what I mean. So I never said he

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Speaker 1: wasn't funny. The boy is the truth. I'm just saying,

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Speaker 1: as far as stand up goes, it's real hard to

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Speaker 1: come out with a banging hour that consistently. And I understand,

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Speaker 1: you know, he says I work hard and all that,

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Speaker 1: and I get that I respected. But again, if you

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Speaker 1: got somebody telling you, hey man, that joke, you just

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Speaker 1: did say this instead, and that that's the difference between

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Speaker 1: one and ten. Maybe Kev's just that good. You're getting

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Speaker 1: one sense as far as being able to deliver an

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Speaker 1: hour every year written by himself or him. Yeah, maybe

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Speaker 1: because you got to thin think about how much he's

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Speaker 1: on the road and how much he travels, all the

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Speaker 1: different places he goes. He's got a lot of material

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Speaker 1: to draw and a lot of that stif it's from

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Speaker 1: his own life too, like his family and his kids.

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Speaker 1: Like he said, he doesn't really get into politics, right

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Speaker 1: and things like that too much. He talks more about

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Speaker 1: his family. God bless him, God bless him. I just

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Speaker 1: it was my opinion. You said you would, you wouldn't

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Speaker 1: have have no problems And he's launched is a comic network.

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Speaker 1: Would you do something that he said specifically he would

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Speaker 1: he would have you are absolutely listen, man, if the

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Speaker 1: money right, I'm there, you know, And like I said,

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Speaker 1: there never was any beast. It's a shame now that

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Speaker 1: you can't say something about somebody an opinion and people

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Speaker 1: run with it. Like you know, it's blasphemy, you know what,

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Speaker 1: I think it is because your respected comic also and

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Speaker 1: it gets it holds more way. Anything holds more weight

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Speaker 1: when you say it than when somebody on Twitter says

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Speaker 1: something right. I think people just look for drama. Comedian

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Speaker 1: from Mad TV Airy spears in the building. It's the

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Speaker 1: breakfast clogal Morning, the Breakfast Club, got that Masterpeep Morning.

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Speaker 1: Everybody is DJ m vy Angela Yee, Charlomgne the God.

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Speaker 1: We are the breakfast Club. We have comedian from Mad

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Speaker 1: TV Airy Spears in the building, are Ye. There's this

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Speaker 1: perception of comics being happy and telling jokes on stage,

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Speaker 1: but in real life they're like, you know, you know

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Speaker 1: what makes me miserable and depresses this business because it's

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Speaker 1: not what it should be. You know, I got into

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Speaker 1: this thinking it was it was about your talent. You

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Speaker 1: did your thing and the next thing boom. This stuff

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Speaker 1: is so political, it's so political, it's so racist. Like this,

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Speaker 1: this this business is dirty. You was in a different world.

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Speaker 1: You didn't Mad TVA many specials, the comedy Jym, you

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Speaker 1: weren't there. I don't you know what it's that that

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Speaker 1: might be easy to say from the outside look it in.

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Speaker 1: But I'm telling you, it's it's so many pitfalls and

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Speaker 1: dirtiness to this. It's unreal. What happened? Did they did

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Speaker 1: you invite you to Illuminati meeting? Or did you somebody

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Speaker 1: you in the room. And I'm gonna get an example.

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Speaker 1: Like the girl that does the mother on Family Guy,

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Speaker 1: Alex Bornstead, she was on Mad TV. She did miss

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Speaker 1: swan one of the most racist h C words I've

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Speaker 1: ever been around. Like, yeah, me and Debor was in

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Speaker 1: the makeup room one day, and you know, me and

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Speaker 1: Debor like brother and sister. Well, our chemistry was there.

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Speaker 1: And one day we're just sitting around waiting to shoot.

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Speaker 1: So Alex just starts looking at her fingernails. So she

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Speaker 1: keeps rubbing her fingernails and and uh, Debora used to

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Speaker 1: date Pat Hillbay and the white boy on the show.

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Speaker 1: So she goes, U, oh my god, Pat, I got

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Speaker 1: all this black dirt under my fingernails, Like I was

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Speaker 1: raped by an N word and I got the evidence

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Speaker 1: to prove it. So me and Debora took offense to that.

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Speaker 1: So you know, we complained to you, right, So yeah,

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Speaker 1: so we complained to the producers about it, and turn

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Speaker 1: out the producers was like Arias and Deborah making trouble

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Speaker 1: and we got singled out for being troublemakers. We was

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Speaker 1: troublemakers for being insulted. And somebody said that, I mean,

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Speaker 1: how do you you know what I'm saying? Like how

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Speaker 1: you blame the victim? How you blame the rape? You

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Speaker 1: know what I mean? And and so it's like, and

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Speaker 1: that's the kind of thing, this kind of thing Hollywood is.

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Speaker 1: You gotta it's so political and so racial. You gotta

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Speaker 1: watch where you step, you gotta watch what you say,

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Speaker 1: because all of it it's crazy. At one point there

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Speaker 1: had to be at least one moment where you knew,

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Speaker 1: all right, they ain't rocking with me, Like whether it's

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Speaker 1: something in a meeting or something you're talking to. I

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Speaker 1: just to be honest, man, I felt like that for

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Speaker 1: the last couple of years. I truly believe to some extent,

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Speaker 1: whether it's true or not, or whether I have I

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Speaker 1: don't have any actual evidence of it, but I just

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Speaker 1: something I believe. I'm black ball, man. What I just

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Speaker 1: just because there's a stigma. You know, my manager's even

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Speaker 1: told me, he goes, well, you know, people would go, yeah,

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Speaker 1: he's talented, but it ain't worth the trouble. We heard

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Speaker 1: he's this, we heard he's that. That's true to people

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Speaker 1: always say you have a bad attitude. So I wonder

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Speaker 1: do you think is there anything that makes you say

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Speaker 1: it could be me? Uh? Yeah, I just just I

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Speaker 1: should smile more, you know, I should interact. I look

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Speaker 1: like the Mahosia Dean. If I don't smile, it looks

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Speaker 1: serious smiling that hood and I'm walking the other way. Well, listen, man,

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Speaker 1: I'm gonna be honestly. I was. I ain't gonna I

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Speaker 1: ain't gonna lie. I was slightly intimidated coming here because

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Speaker 1: I again perception from what I heard about Charlemagne and

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Speaker 1: the way people say he is. I didn't know if

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Speaker 1: I'm gonna come to the studio and he's gonna try

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Speaker 1: and test me, that's terrible. That's a terrible perception. I've

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Speaker 1: never been there ever heard that. No, I hear that

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Speaker 1: all the time, but I never do that. Before you

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Speaker 1: watch any city want to make you cry today? No,

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Speaker 1: I'm just kidding now, Kem Peel, because you talked about

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Speaker 1: Mad TV only being like the Farm League or whatever.

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Speaker 1: But Kem Pell went on the tremendous success. And it's

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Speaker 1: funny because you, to me, was the face of that

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Speaker 1: show more than CAMPI well, one Key and Peel got

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Speaker 1: on when the Titanic was sinking, when the show was

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Speaker 1: at the apex of its success and its popularity, they

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Speaker 1: weren't on once Will left, Mo left, Deborah and a

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Speaker 1: lot of the people that helped define the show during

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Speaker 1: that time period the Titanic was sinking, writing wasn't it strong?

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Speaker 1: The cast? Wasn't it strong? Uh? And I think more

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Speaker 1: than popularity came from their own sketch show, the Kian

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Speaker 1: Peal Show, than it did Mad TV. And again God

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Speaker 1: bless him. But and again that's another thing I caught

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Speaker 1: flat four. Uh, you said that were chosen by the

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Speaker 1: black community. Black people like to go, well, what's being black?

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Speaker 1: But I gotta talk with ghetto and slang and act ignorant.

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Speaker 1: It's essence. There's a vibe. Black people have a natural cool,

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Speaker 1: a natural swagger. When a dog come in the room,

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Speaker 1: smell another dog. You know what I'm saying. It's like

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Speaker 1: brothers that are black on the outside, but you could

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Speaker 1: you could tell, you could you smell something? Ain't right?

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Speaker 1: They ain't got that something's missing in the gumboat. I

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Speaker 1: don't know if you articulated well enough for people to understand,

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Speaker 1: but I get exactly what you're saying when you say that.

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Speaker 1: What I'm saying like, like you said, exactly what you

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Speaker 1: mean when you say like this. They seem like people

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Speaker 1: that went to college with that al. You know what

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Speaker 1: I'm saying. It's just a different type of Listen, will

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Speaker 1: Will Smith is educated and as articulate and as bright

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Speaker 1: as any congressman or president or scholar. But he's but

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Speaker 1: he's a brother DMX. But but DMX is gutta gully

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Speaker 1: raiser in the mouth Foally talked to you, and he's

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Speaker 1: a brother. Now they two different kind of I'm saying,

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Speaker 1: one's the Huckstables, one is good Times. But they both

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Speaker 1: legitimately black Kim people don't have no they don't black core.

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Speaker 1: They don't like you know, like even got a black core.

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Speaker 1: Dave Chappelle had a black core right right, Listen. I'm

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Speaker 1: not saying just because you black dude with a white woman,

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Speaker 1: uh you not black, but most black dudes with white

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Speaker 1: women don't tend to be in touch with who they

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Speaker 1: are and the ones that are usually have white women

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Speaker 1: that want to be Nick. Nate Parker would disagree with you, right,

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Speaker 1: He made a movie about that. Turner and he has

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Speaker 1: a white wife. Were making a movie and being who

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Speaker 1: you really are two different things. We just talked about

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Speaker 1: that I could make a movie being a semi homosexual.

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Speaker 1: That don't mean I'm homosexual. So just because you make

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Speaker 1: a movie on racism, don't mean you send my homosexual.

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Speaker 1: We're gonna leave it there. What is this? What is this? Yeah? Yeah,

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Speaker 1: you know what I mean? Man. The Breakfast Club, thank you.

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Speaker 1: The Breakfast Club that was Beyonce with Sorry Morning, Everybody's DJ, Envy,

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Speaker 1: Angela Yee, Charlemagne, the guy we all the Breakfast Club.

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Speaker 1: One of our favorite people up here today, Young was

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Speaker 1: good Man, you're making up a lot of time because

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Speaker 1: you was locked up. How are you gonna just started

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Speaker 1: off like I just got out mixtape and everything. Listen.

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Speaker 1: I had got in trouble at a college, but it

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Speaker 1: wasn't my fault this time. I was totally. Everybody in

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Speaker 1: jail laughed at me when I said that I didn't

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Speaker 1: do it. They bought stop laughing. But I didn't do it.

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Speaker 1: Like we pulled up on the set. The cops. They

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Speaker 1: let us in, you know. They walked me to the

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Speaker 1: stage of the room or whatever, and I changed and

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Speaker 1: went on the stage and performed. Then I'm performing. You

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Speaker 1: know you've seen the Jews movie. Yeah, yeah, dude, come

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Speaker 1: in with me. Yeah, breakdown. So I come off the stage.

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Speaker 1: We walked outside. They got the cars around it. My

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Speaker 1: man spoiled. He walked up to him and like, yo, bro,

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Speaker 1: it's a trip in the car. It's like a tool

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Speaker 1: in the car. I'm all right, we know who that is,

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Speaker 1: you know what I mean. So they asked me. They

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Speaker 1: were like so they it was like this show gun

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Speaker 1: an't I really don't know about the gun. All these

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Speaker 1: years we've been performing. Don't tell guns of shows. That's

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Speaker 1: not what I do. So he was like, it's a

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Speaker 1: gun in the car. I was like, it's somebody's in

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Speaker 1: the car. I'm not the pointer. You feel me and man,

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Speaker 1: we just didn't want to. Yeah, we don't do that.

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Speaker 1: Don't make me point at you see. I hate people

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Speaker 1: like that in your crew. That's your man, that's your guns.

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Speaker 1: This was a fun. So the cop was cool. He

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Speaker 1: was like, yo, y'all just get it together because you know, money'

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Speaker 1: all taking them and then it gave us a moment.

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Speaker 1: Took like ten fifteen minutes. He was like that, put

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Speaker 1: the cups on draw. I was like, real, he put

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Speaker 1: me in the back of the cup. Man, I'm looking

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Speaker 1: at the back of the car like, man, my mom

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Speaker 1: gonna get y'all. Well wait, I tell my mom, but

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Speaker 1: this bro, you can't eat my house no more and

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Speaker 1: no more. Call of green views body, you can't eat

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Speaker 1: no more. But we go to jail, bro, were sitting

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Speaker 1: they found weed, you know what I mean, stuff like

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Speaker 1: you know, hip hop stuff. Who told you? Yeah what

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Speaker 1: y'all to main Ji said, but that's like it wasn't

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Speaker 1: even that much stuff, and you know the weed was

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Speaker 1: less than hounds. I took initiative to say, you know,

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Speaker 1: since we all in here, let's just go ahead and

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Speaker 1: split the charges up because I'm front to probably you know, hey, man, look,

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Speaker 1: yeah you take you take that talk to a lawyer

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Speaker 1: before you start. But no, no, because no, because we

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Speaker 1: don't want to talk to no lawyer because we could

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Speaker 1: just make bun and we'll deal with that later. But

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Speaker 1: for now, all of us has the same chart. You

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Speaker 1: feel me, So the lawyer're gonna say what you're gonna

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Speaker 1: take you feel me, you gotta have this worked out.

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Speaker 1: We fifty steps behind man and man down there is

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Speaker 1: he didn't win into a phase. He's like, yo, I

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Speaker 1: got a career, Like who that guy? My boy Spoony

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Speaker 1: Like I'm like, come on, yeah, my body, you know,

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Speaker 1: but that was my appartment, you know. I guess it

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Speaker 1: wasn't for me because he turned the story around and

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Speaker 1: was like, they're just saying the gun his mind because

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Speaker 1: of who drow is. It's his gun. He does. He

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Speaker 1: has a record. Man, I'm not like, bro, no, we

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Speaker 1: cuffed like from the waist down. I was trying to

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Speaker 1: slide talk ahead button you know what I mean. And

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Speaker 1: then when you know what I mean, I like, bro,

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Speaker 1: you know what I'm gonna get you. Bro. If everybody

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Speaker 1: and we end up doing like thirty five days like

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Speaker 1: so it's been afraid. Yeah, we're just sitting and we're

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Speaker 1: in Bullock County. It's slow. The court rules about this

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Speaker 1: big the side of this room. So people then there

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Speaker 1: got thirty forty years getting thirty and forty like because

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Speaker 1: it was like a town that had like surrounding states,

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Speaker 1: so everybody was a flight risk they don't give buns

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Speaker 1: and set bills and stuff like that too often two

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Speaker 1: or three times a year. Yeah, so really we really got.

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Speaker 1: You know, we had to pay like a lot of

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Speaker 1: money for lawyers. And the Megos had went down there before,

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Speaker 1: and I guess they whatever they did, but it was like,

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Speaker 1: you know the meg They was like, yeah, you better

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Speaker 1: ask the meges we did to him, I was like,

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Speaker 1: I honestly don't know what you're talking about. It. It

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Speaker 1: was messed up. So we sat down there thirty five days.

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Speaker 1: The last day we sat down there, dude was sitting

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Speaker 1: in there, we was going to court. He's I looked.

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Speaker 1: I was like, bro, you're not gonna take the charge.

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Speaker 1: He was like, Brian gun Bro. I couldn't believe it.

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Speaker 1: We rolled down here together that was and he was like, yeah, man,

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Speaker 1: I think so they moved about the room. I feel

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Speaker 1: for my life from Droe. I'm like, bro, I hired

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Speaker 1: you to come on the road to open up like

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Speaker 1: how you feel for your life? Like that was crazy.

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Speaker 1: So we did that. Time got out. He sent me

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Speaker 1: back like, I'm just like seven shows. I'm trying to

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Speaker 1: currently make those up. I got three daughters, you know what.

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Speaker 1: I mean, I'm not and a son. I just had

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Speaker 1: a son, the one year old. I ain't trying to

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Speaker 1: sit that ain't either. Brother Prenant, congratulations, you got work.

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Speaker 1: So you think that's my baby? About it? You said,

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Speaker 1: no comment, no comment? I did. Why not just say

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Speaker 1: that what if it's my baby? It is the only

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Speaker 1: man that can prove that you're a real woman then,

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Speaker 1: because I thought that was like, man, that's a real woman. Bro.

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Speaker 1: I with not being coozed with like that the right term.

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Speaker 1: I would not be associated with a man that looks

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Speaker 1: like a woman. It's a problem right there. But you

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Speaker 1: just gotta look at it. So there is a chance

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Speaker 1: that you just don't know you baby, Dad, are you

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Speaker 1: got the very dad? All right? We got more with

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Speaker 1: Young Drove when we come back. Keep it locked it

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Speaker 1: the breakfast club com one, the breakfast club that was

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Speaker 1: for free. DJ Kalett Drake warning everybody is DJ m

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Speaker 1: vy angela ye Charlemagne the god. We are the breakfast club.

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Speaker 1: Now Young drow is in the building. Did you think

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Speaker 1: TA was out of line for coming that Wayne Black

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Speaker 1: lives what Richard? Then a mother? I saw this, I

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Speaker 1: clinched in embarrassment. I was like, no, I don't like that.

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Speaker 1: I wish no, that was not cool. I mean, I

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Speaker 1: get it what he was saying, Like, you know, he's successful,

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Speaker 1: you know, and you know a lot of people do

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Speaker 1: stuff to you know, get the police involved in. You know,

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Speaker 1: you shouldn't stand behind nobody in their room, but you're

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Speaker 1: part of the stuff that's happening. Like your skin tone,

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Speaker 1: it shows it, and we're not getting a good end

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Speaker 1: of the stick. You know. I think all lives matter

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Speaker 1: for that cause, because everybody was saying TI I was

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Speaker 1: wrong for publicly calling them out because they friends. He

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Speaker 1: could have called them on the phone. No, no, no,

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Speaker 1: you can't say that because he that was a public

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Speaker 1: thing he did. I agree, you answer him back publicly,

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Speaker 1: damn right, you know what I mean? Somebody whoop your

385
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Speaker 1: ass outside? Whoop their ass back outside? I whop your

386
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Speaker 1: ass in the house, whoop you. I gotta whip you

387
00:19:25,640 --> 00:19:31,240
Speaker 1: on world world stuff. If your friends say something stupid

388
00:19:31,480 --> 00:19:34,080
Speaker 1: or something that don't but you might call them and

389
00:19:34,160 --> 00:19:35,679
Speaker 1: check them on the line and say I'm gonna check you.

390
00:19:35,720 --> 00:19:37,520
Speaker 1: But I think you should reach out and if that's

391
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Speaker 1: your friend, that's that's like reality. Stand up. How many

392
00:19:45,080 --> 00:19:47,240
Speaker 1: times you said something crazy, and I'm sure ta call you.

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00:19:47,359 --> 00:19:49,439
Speaker 1: Was like, Bro, but dro ain't say nothing publicly that

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Speaker 1: affects everybody. He may say something that affect him, Yeah,

395
00:19:52,320 --> 00:20:03,920
Speaker 1: but not n my life matter. Yeah, but I saw that.

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00:20:04,200 --> 00:20:06,800
Speaker 1: I get it, but I don't get it. It's a

397
00:20:06,840 --> 00:20:09,080
Speaker 1: lot of stuff going on right now. I got children,

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Speaker 1: and I wouldn't want my son to be a Trayvon Martin.

399
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Speaker 1: You know, I wouldn't want him to do that. It

400
00:20:14,920 --> 00:20:17,000
Speaker 1: was an Arizona juicon, you know what I mean. Coming man,

401
00:20:17,240 --> 00:20:19,600
Speaker 1: You just gotta understand that it's a lot of stuff

402
00:20:19,640 --> 00:20:21,960
Speaker 1: going on. People. When I seen the guy get pulled

403
00:20:21,960 --> 00:20:25,520
Speaker 1: over and m Charlotte or whatever that was sick. He

404
00:20:25,520 --> 00:20:27,399
Speaker 1: would just walking back to the truck. Bro. The thing

405
00:20:27,400 --> 00:20:29,959
Speaker 1: you know, he was laying on the ground. That matters, Bro,

406
00:20:30,320 --> 00:20:32,440
Speaker 1: you feel I mean, if you're in a bubble, well

407
00:20:32,480 --> 00:20:34,840
Speaker 1: you can't see that. I want to be in your bubble.

408
00:20:35,520 --> 00:20:38,160
Speaker 1: I want to go live on Wayne Street because it's

409
00:20:38,160 --> 00:20:40,119
Speaker 1: a lot of stuff happening on my street. Was it

410
00:20:40,200 --> 00:20:42,320
Speaker 1: one embarrassing moment or something that you looked at you

411
00:20:42,359 --> 00:20:44,560
Speaker 1: saw yourself like you said, Yeah, I had like thirty

412
00:20:44,640 --> 00:20:47,679
Speaker 1: days to sit down. Thirty five days and then like

413
00:20:47,800 --> 00:20:50,160
Speaker 1: for me not to be done did nothing at that time.

414
00:20:50,440 --> 00:20:53,040
Speaker 1: It was something else going on, so I just had

415
00:20:53,080 --> 00:20:55,480
Speaker 1: to I want to go to heaven at the end

416
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Speaker 1: of the day. I would what did I look like

417
00:21:01,880 --> 00:21:04,359
Speaker 1: that time I come in? I know why you ain't

418
00:21:14,800 --> 00:21:20,080
Speaker 1: I clearly my tea. This is a new draw. I

419
00:21:20,119 --> 00:21:22,520
Speaker 1: need listen. It's a real facility in a landout. I'm

420
00:21:22,520 --> 00:21:24,960
Speaker 1: telling you. Whatever they did for Drow and Gucci, just

421
00:21:25,040 --> 00:21:27,880
Speaker 1: do everybody need to attend trying? Are you gonna turch

422
00:21:27,960 --> 00:21:31,159
Speaker 1: every Sunday draw? Not every sound? But I want to

423
00:21:31,200 --> 00:21:33,320
Speaker 1: go back to what I used to, But I'm kind

424
00:21:33,320 --> 00:21:35,880
Speaker 1: of shaming to go because, uh, I cried too much.

425
00:21:35,920 --> 00:21:38,800
Speaker 1: I can't do it. When when they start singing, like

426
00:21:39,000 --> 00:21:40,840
Speaker 1: you can hear what your glasses on to come through,

427
00:21:40,920 --> 00:21:45,040
Speaker 1: tickling my jaw and you just be like the choir

428
00:21:45,040 --> 00:21:47,320
Speaker 1: of the sermon, the quiet yeah, yeah, yeah yeah, if

429
00:21:47,320 --> 00:21:51,720
Speaker 1: the song always what song is it? Uh? You just

430
00:21:51,720 --> 00:21:54,680
Speaker 1: just want me to open. I don't want to notice

431
00:21:54,720 --> 00:21:57,879
Speaker 1: the center of my joy, my center of my center

432
00:21:58,000 --> 00:21:59,800
Speaker 1: my joy. It was the first song I ever song

433
00:22:00,040 --> 00:22:02,960
Speaker 1: in church for my grandma. Oh yeah, it can't taste

434
00:22:03,000 --> 00:22:05,159
Speaker 1: me there getting people something drove to Judge might be

435
00:22:05,160 --> 00:22:12,879
Speaker 1: watching Jesus. Help Charlomagne because he's trying to make me say,

436
00:22:12,920 --> 00:22:16,000
Speaker 1: you have it the new improved Young Joe, leave us

437
00:22:16,040 --> 00:22:19,640
Speaker 1: with a PROD. Yeah it's going ahead. Come on, oh boy,

438
00:22:20,160 --> 00:22:22,040
Speaker 1: dear God, thank you for this breakfast that we had

439
00:22:22,040 --> 00:22:24,440
Speaker 1: at the club, not the nightclub, it was actually a

440
00:22:24,560 --> 00:22:28,040
Speaker 1: radio station. Thank you for Charlemagne for that cracking jokes

441
00:22:28,040 --> 00:22:31,400
Speaker 1: in the verse way. All trill y'all did good today,

442
00:22:31,600 --> 00:22:35,720
Speaker 1: All trill you, Thank you. Guard Amen, Amen, all right,

443
00:22:36,440 --> 00:22:45,040
Speaker 1: young Droe, good morning. That was needed me Rihanna morning.

444
00:22:45,080 --> 00:22:48,360
Speaker 1: Everybody is DJ m vy Angela yee. Charlomagne the guy.

445
00:22:48,400 --> 00:22:50,520
Speaker 1: We are to breakfast club. We got a special guest

446
00:22:50,600 --> 00:22:53,600
Speaker 1: in the building. Ladies, hold on to your panties. Oh man,

447
00:22:54,400 --> 00:22:57,640
Speaker 1: back twells him. What's up up? I'm trying, man, what's

448
00:22:57,680 --> 00:22:59,320
Speaker 1: going on now? I'm glad you're here because I saw

449
00:23:00,040 --> 00:23:05,040
Speaker 1: Oh you do Snapchata imposted. You can't you can't say

450
00:23:05,200 --> 00:23:06,439
Speaker 1: you can't be thinking about it the whole line. I

451
00:23:06,480 --> 00:23:08,960
Speaker 1: just messed up my my snap. That was a really

452
00:23:09,040 --> 00:23:13,359
Speaker 1: good snap. Yeah we out here. Maxwell. Yeah, I'm trying.

453
00:23:13,400 --> 00:23:19,560
Speaker 1: I'm doing I know your MS popping. Actually yes, they do. Yes, yes,

454
00:23:19,840 --> 00:23:23,040
Speaker 1: they they definitely popped. Yeah, you know, snapchat me that.

455
00:23:23,240 --> 00:23:27,479
Speaker 1: You know, It's an interesting world though, because I'm obviously

456
00:23:27,520 --> 00:23:30,040
Speaker 1: I'm forty two, so it's like I can't imagine what

457
00:23:30,080 --> 00:23:31,720
Speaker 1: it would be like to be a fourteen year old

458
00:23:31,760 --> 00:23:34,000
Speaker 1: with all of the social media the way it's going down.

459
00:23:34,200 --> 00:23:36,160
Speaker 1: Why haven't you connected with the people in so long? Man?

460
00:23:36,240 --> 00:23:40,120
Speaker 1: Seven years? Seven years? Right? Did you even realize that?

461
00:23:40,400 --> 00:23:42,480
Speaker 1: I you know, I don't. I gotta tell you, I

462
00:23:42,520 --> 00:23:45,840
Speaker 1: get anxiety about just trying to meet the challenge of

463
00:23:45,920 --> 00:23:48,920
Speaker 1: what what I did before. And at the same time,

464
00:23:48,960 --> 00:23:50,960
Speaker 1: I don't want to play myself and try to look

465
00:23:51,000 --> 00:23:53,760
Speaker 1: like I'm trying to be in the moment. All the

466
00:23:53,880 --> 00:23:56,680
Speaker 1: kids doing a record with future, well no, and don't

467
00:23:56,680 --> 00:23:59,520
Speaker 1: get into I know and love all of those records

468
00:23:59,560 --> 00:24:02,240
Speaker 1: like I'm that's you know, I listened to all of everything.

469
00:24:02,280 --> 00:24:06,359
Speaker 1: I mean, I listened to some really dark, bunchy trap

470
00:24:06,560 --> 00:24:10,240
Speaker 1: like all of that. But right now, uh, definitely, you

471
00:24:10,280 --> 00:24:14,320
Speaker 1: know Yogatti, definitely, um, Travis Scott, I mean, you know

472
00:24:14,359 --> 00:24:16,080
Speaker 1: I listened to I mean, I've been in the club,

473
00:24:16,200 --> 00:24:18,479
Speaker 1: so I know what these songs are and I can

474
00:24:18,600 --> 00:24:21,240
Speaker 1: I can sing with them. But I always have to

475
00:24:21,280 --> 00:24:24,240
Speaker 1: be really concerned about the brand and like what I've done,

476
00:24:24,520 --> 00:24:27,120
Speaker 1: you know, starting in ninety six, and and the fact

477
00:24:27,119 --> 00:24:29,159
Speaker 1: that like my music is when you go home to

478
00:24:29,440 --> 00:24:32,560
Speaker 1: after you've been where you've been, and hopefully it's with

479
00:24:32,600 --> 00:24:35,320
Speaker 1: your family. Hopefully it's what you do on Sunday mornings

480
00:24:35,320 --> 00:24:38,440
Speaker 1: when you're cooking, you get married to it, you having

481
00:24:38,520 --> 00:24:40,800
Speaker 1: kids to it, those types of things. So I've got

482
00:24:40,800 --> 00:24:43,960
Speaker 1: to think about those issues as I see the ever

483
00:24:44,080 --> 00:24:46,399
Speaker 1: changing situation out there in the music world. Now, you

484
00:24:46,400 --> 00:24:47,800
Speaker 1: talked about the pressure. Now, is it a lot of

485
00:24:47,800 --> 00:24:50,399
Speaker 1: pressure because you've always been I say, left, like you

486
00:24:50,600 --> 00:24:53,600
Speaker 1: never went with Trendon. I mean from you your first

487
00:24:53,640 --> 00:24:57,119
Speaker 1: album to your videos. Is there pressure staying different and

488
00:24:57,240 --> 00:24:59,240
Speaker 1: staying in that lane and staying and being as big

489
00:24:59,240 --> 00:25:01,960
Speaker 1: as those others songs and other albums. Yeah, for sure,

490
00:25:02,080 --> 00:25:04,119
Speaker 1: no doubt. I'm not gonna I'm not gonna I'm not

491
00:25:04,160 --> 00:25:05,879
Speaker 1: gonna lie to you about that. But that's part of

492
00:25:05,920 --> 00:25:08,000
Speaker 1: the fun, you know. The part of the challenge of

493
00:25:08,000 --> 00:25:11,120
Speaker 1: putting something together is saying to yourself, well, how can

494
00:25:11,160 --> 00:25:15,359
Speaker 1: I maintain relevancy but still be this is always the

495
00:25:15,359 --> 00:25:18,240
Speaker 1: greatest thing that I want is timelessness because so many

496
00:25:18,240 --> 00:25:20,679
Speaker 1: people come and go. There are certain rules to the

497
00:25:20,760 --> 00:25:23,119
Speaker 1: game about how do you how you do that? And

498
00:25:23,160 --> 00:25:25,639
Speaker 1: I think that if you stay true to the basics,

499
00:25:25,800 --> 00:25:28,960
Speaker 1: you know of what we're trying to exemplify, which is

500
00:25:29,000 --> 00:25:32,960
Speaker 1: I don't get I'm not too detailed oriented about shoes

501
00:25:33,040 --> 00:25:36,480
Speaker 1: and cars, and I mean I'm just kind of a

502
00:25:36,640 --> 00:25:39,560
Speaker 1: you know, we I just talk. I try to talk

503
00:25:39,600 --> 00:25:44,520
Speaker 1: about the bigger things in terms of just like you know, heartbreak, pain, betrayal,

504
00:25:45,040 --> 00:25:47,959
Speaker 1: want to get somebody back for hurting you, um, not

505
00:25:48,040 --> 00:25:50,840
Speaker 1: feeling like you're good enough. Those basic things or what

506
00:25:50,880 --> 00:25:54,080
Speaker 1: we always feel no matter what the watches that weekend,

507
00:25:54,119 --> 00:25:56,399
Speaker 1: no matter what the sneaker is, no matter what the

508
00:25:56,480 --> 00:25:59,080
Speaker 1: new car is where whatever it is, those are the

509
00:25:59,119 --> 00:26:02,800
Speaker 1: things that we always connected by. Why did you handle

510
00:26:02,840 --> 00:26:05,000
Speaker 1: the fame when it came to these women, man, because

511
00:26:05,000 --> 00:26:07,879
Speaker 1: you're fresh shout making all this great R and B music.

512
00:26:08,160 --> 00:26:10,040
Speaker 1: I'm sure girls was throwing it at you a hundred

513
00:26:10,040 --> 00:26:11,960
Speaker 1: mile powers. Not only that the type because he didn't

514
00:26:12,000 --> 00:26:13,720
Speaker 1: had if you think about it, he had to quote

515
00:26:13,760 --> 00:26:21,440
Speaker 1: unquote earthy women Earth? What is earth? Does that mean? Big? No?

516
00:26:21,480 --> 00:26:25,040
Speaker 1: But I'm good with big, big one. That shave when

517
00:26:25,080 --> 00:26:30,080
Speaker 1: they want to wear ancs. Right, it's so many the

518
00:26:30,160 --> 00:26:33,919
Speaker 1: monique type chicks exactly. I feel you, well, look, I

519
00:26:33,960 --> 00:26:36,760
Speaker 1: just think everything is beautiful. And the weirdest thing for

520
00:26:36,800 --> 00:26:38,920
Speaker 1: me is like when I look out into the audience,

521
00:26:39,160 --> 00:26:41,800
Speaker 1: because they'd be bad ones out there, but they're the

522
00:26:41,880 --> 00:26:45,040
Speaker 1: one that is the shyest, the one that maybe feels like,

523
00:26:45,119 --> 00:26:46,959
Speaker 1: you know, I need to like, you know, lose a

524
00:26:46,960 --> 00:26:49,439
Speaker 1: few here, lose a few there. That's just the one

525
00:26:49,480 --> 00:26:53,040
Speaker 1: I focus right on because I feel like I was predator.

526
00:26:53,119 --> 00:26:57,119
Speaker 1: You pick on that, Thrice Maxwell. I just want to

527
00:26:57,119 --> 00:26:59,400
Speaker 1: make I just want to make them feel good, right,

528
00:26:59,640 --> 00:27:00,960
Speaker 1: you know, at the end of the day, that's my

529
00:27:01,040 --> 00:27:03,200
Speaker 1: job on stage. I just want to make you feel good.

530
00:27:03,280 --> 00:27:06,840
Speaker 1: And everyone's gorgeous, everyone's sexy. But you know, for me,

531
00:27:08,000 --> 00:27:09,959
Speaker 1: I'm kind of a brain person. So it's like I

532
00:27:09,960 --> 00:27:12,680
Speaker 1: think that the situations that sort of like will come

533
00:27:12,680 --> 00:27:15,560
Speaker 1: to me on a personal level because I will be

534
00:27:15,680 --> 00:27:18,480
Speaker 1: more mental. I'm forty two. So it's like beauty. I

535
00:27:18,560 --> 00:27:20,840
Speaker 1: understand beauty. Beauty is amazing, but when you wake up

536
00:27:20,880 --> 00:27:23,639
Speaker 1: with someone after ten years, you don't even remember that

537
00:27:23,800 --> 00:27:25,600
Speaker 1: beauty part of it. You just know that you have

538
00:27:25,640 --> 00:27:28,080
Speaker 1: a friend. You just know that, you know, you got

539
00:27:28,080 --> 00:27:30,560
Speaker 1: somebody that's holding you down, hopefully like with my like

540
00:27:30,600 --> 00:27:33,359
Speaker 1: my my friend and manager John, you have someone who's

541
00:27:33,440 --> 00:27:36,159
Speaker 1: raising your kids that that's you know, the day and

542
00:27:36,280 --> 00:27:39,520
Speaker 1: the day out of that. Uh like all that stuff fades,

543
00:27:39,640 --> 00:27:45,520
Speaker 1: you know. Um so no, not yet. Maybe maybe I do.

544
00:27:45,560 --> 00:27:47,960
Speaker 1: I don't know, but you wint on the lest some

545
00:27:48,000 --> 00:27:50,280
Speaker 1: of that legendary sperm go. Man, Well you know what

546
00:27:50,359 --> 00:27:52,639
Speaker 1: I have this new Actually, you know it's interesting that

547
00:27:52,640 --> 00:27:56,040
Speaker 1: you should bring this up, sir. I have a marketing plan.

548
00:27:56,520 --> 00:28:00,800
Speaker 1: Instead of the albums, it'll be sperm. So I'm just

549
00:28:00,840 --> 00:28:05,639
Speaker 1: gonna market You're pregnant by Maxwell buying my new album. No, no,

550
00:28:05,760 --> 00:28:09,440
Speaker 1: just work. I'm just saying it's a new plan. I

551
00:28:09,560 --> 00:28:16,119
Speaker 1: might put a single with it, Okay, DJ d Angela, Ye,

552
00:28:16,320 --> 00:28:19,000
Speaker 1: Charloman the guy. We are the breakfast club. We have

553
00:28:19,160 --> 00:28:21,320
Speaker 1: Maxwell in the building, Like I don't go. I've been

554
00:28:21,320 --> 00:28:22,480
Speaker 1: to one of your shows and I really I'm in

555
00:28:22,520 --> 00:28:24,680
Speaker 1: the two of your shows and my wife was like

556
00:28:24,720 --> 00:28:27,680
Speaker 1: looking your shows, my wife now, but when she was

557
00:28:27,800 --> 00:28:29,959
Speaker 1: my girl and stuff, and I realized I ain't going

558
00:28:30,000 --> 00:28:32,199
Speaker 1: to the Maxwell show because you showed they for men

559
00:28:32,359 --> 00:28:34,720
Speaker 1: at all. It's just a bunch of screaming women. He

560
00:28:34,800 --> 00:28:38,720
Speaker 1: ain't thinking about us. My wife goes with her French bother,

561
00:28:40,240 --> 00:28:42,040
Speaker 1: go dad and get excited and bring you out looking

562
00:28:42,080 --> 00:28:44,480
Speaker 1: about what are you talking about? But with my wife

563
00:28:44,560 --> 00:28:46,760
Speaker 1: one time, and I felt a little funny because everybody's screaming.

564
00:28:46,800 --> 00:28:48,400
Speaker 1: I'm sitting in the corner like a sucker. So I'm like,

565
00:28:48,440 --> 00:28:50,440
Speaker 1: you know what, you bring your girlfriend next time? When

566
00:28:50,480 --> 00:28:52,840
Speaker 1: when he did fortunate, I went to sleep because because

567
00:28:52,880 --> 00:28:54,600
Speaker 1: I was like, it's like, it's like being It's like

568
00:28:54,640 --> 00:28:58,600
Speaker 1: sitting by your girl. Watched you watching scandal, Champion you none,

569
00:28:58,640 --> 00:29:01,120
Speaker 1: It's basically like when you guys watching the basketball game,

570
00:29:01,400 --> 00:29:03,960
Speaker 1: right football? Yeah, so this is like their revenge on you.

571
00:29:04,160 --> 00:29:06,479
Speaker 1: Basically that the fact I am the revenge of all

572
00:29:06,520 --> 00:29:12,640
Speaker 1: those times. But no mad Pelvic thrust thrust one more time?

573
00:29:14,120 --> 00:29:18,680
Speaker 1: Hey man, that ticket is expensive. I mean, I gotta

574
00:29:18,720 --> 00:29:20,440
Speaker 1: put working, but I'm just look, at the end of

575
00:29:20,480 --> 00:29:22,440
Speaker 1: the day, you get to take them home. Yeah, and

576
00:29:22,560 --> 00:29:25,800
Speaker 1: you get to get situations that you probably never imagine

577
00:29:25,840 --> 00:29:28,040
Speaker 1: what happened. I'm just saying, I can't believe it's twenty

578
00:29:28,120 --> 00:29:30,200
Speaker 1: years later, guys. That's all I gotta say, I'm just

579
00:29:31,120 --> 00:29:33,080
Speaker 1: and I'm so happy that I'm kicking it with you

580
00:29:33,160 --> 00:29:35,440
Speaker 1: because I hear you guys in the morning. You guys

581
00:29:35,480 --> 00:29:40,520
Speaker 1: are funny, real people. Uh, you know, you're in situation

582
00:29:40,680 --> 00:29:43,400
Speaker 1: sometimes because you gotta speak about things and whatever. But

583
00:29:43,560 --> 00:29:46,160
Speaker 1: you know, I just appreciate all the support throughout the years,

584
00:29:46,280 --> 00:29:49,000
Speaker 1: and I got you on those dance records on this. Okay,

585
00:29:49,080 --> 00:29:50,880
Speaker 1: how do you feel about the term neo soul because

586
00:29:50,880 --> 00:29:53,360
Speaker 1: people always give you credit for being the start of that.

587
00:29:53,520 --> 00:29:57,200
Speaker 1: I can't say that because DeAngelo was released in ninety five.

588
00:29:58,040 --> 00:30:01,040
Speaker 1: I have to admit um with great respect to him,

589
00:30:01,600 --> 00:30:05,480
Speaker 1: that he when he was set off, it really made

590
00:30:05,600 --> 00:30:08,200
Speaker 1: everybody at the label really understand because I was already

591
00:30:08,320 --> 00:30:10,400
Speaker 1: done with my album. I was just sitting on the sidelines.

592
00:30:10,400 --> 00:30:12,640
Speaker 1: I was on the bench. So you know, I give

593
00:30:12,680 --> 00:30:15,400
Speaker 1: credit to d for being the person to sort of

594
00:30:15,480 --> 00:30:17,560
Speaker 1: really get my record off the show. And then I

595
00:30:17,640 --> 00:30:20,400
Speaker 1: give a lot of credit to the radio stations that

596
00:30:20,560 --> 00:30:24,400
Speaker 1: just they played it without understanding what this was about,

597
00:30:24,480 --> 00:30:26,320
Speaker 1: because you know, I looked crazy. You know, I was

598
00:30:26,360 --> 00:30:29,000
Speaker 1: a big old hair and everything, and you know, having

599
00:30:29,120 --> 00:30:33,120
Speaker 1: all the weird West Indian type of thing, which that's

600
00:30:33,160 --> 00:30:36,680
Speaker 1: not a typical really for an arm vous person. Usually

601
00:30:36,680 --> 00:30:39,840
Speaker 1: they're from the South. Usually they're like like with D'Angelo,

602
00:30:39,960 --> 00:30:42,720
Speaker 1: his story is so perfect, Like he's from Richmond, Virginia.

603
00:30:43,120 --> 00:30:45,200
Speaker 1: He played in the church, you know, Like my dad's

604
00:30:45,200 --> 00:30:47,600
Speaker 1: from Puerto Rico, my mom's from Haiti. Like I'm like

605
00:30:47,760 --> 00:30:52,080
Speaker 1: first generation from Brooklyn. Yeah, I didn't feel black enough really,

606
00:30:52,400 --> 00:30:54,240
Speaker 1: So for me, it was like, man, I hope, I

607
00:30:54,360 --> 00:30:57,440
Speaker 1: hope my people like this music as much as I

608
00:30:57,560 --> 00:31:00,200
Speaker 1: love them. And you know, twenty years later, it's just

609
00:31:00,360 --> 00:31:03,080
Speaker 1: nice to know that that I was. I always wondered

610
00:31:03,120 --> 00:31:06,080
Speaker 1: why you didn't do many features, but there was there's

611
00:31:06,360 --> 00:31:09,760
Speaker 1: pretty much no Maxwell features. Yeah, yeah, you know, well,

612
00:31:09,960 --> 00:31:12,520
Speaker 1: I mean, look, I'm I'm not saying I'm better than anybody,

613
00:31:12,560 --> 00:31:14,240
Speaker 1: because there's a lot of people out there that I like,

614
00:31:14,520 --> 00:31:17,440
Speaker 1: but um, a lot of my choices are kind of

615
00:31:17,480 --> 00:31:21,480
Speaker 1: like family type choices. Like Nasi was signed released ninety five,

616
00:31:21,880 --> 00:31:24,080
Speaker 1: I was there in ninety six. Y'all kind of grew

617
00:31:24,160 --> 00:31:26,480
Speaker 1: up together. Yeah, you know, I was shocked that he'd

618
00:31:26,600 --> 00:31:28,920
Speaker 1: even liked my music because you know, he's an OZ,

619
00:31:28,960 --> 00:31:32,760
Speaker 1: he's hip hop. My stuff is all smooth, and we

620
00:31:32,920 --> 00:31:36,600
Speaker 1: developed a friendship and you know, we basically worked on

621
00:31:36,720 --> 00:31:39,920
Speaker 1: something once on one of his record Street Kings, and

622
00:31:40,040 --> 00:31:42,200
Speaker 1: then you know, we just did the Barkley thing together,

623
00:31:42,400 --> 00:31:44,280
Speaker 1: and you know, we have more plans to do more

624
00:31:44,320 --> 00:31:46,520
Speaker 1: business stuff together because we just we just get on.

625
00:31:46,880 --> 00:31:50,320
Speaker 1: And then Alicia Keys, who I knew at fifteen at

626
00:31:50,400 --> 00:31:53,200
Speaker 1: Columbia when she was signed there. She was kind of

627
00:31:53,280 --> 00:31:56,160
Speaker 1: like my special guest on her first album, so I

628
00:31:56,280 --> 00:31:58,000
Speaker 1: know her. I know Swiz. I thought you were going

629
00:31:58,040 --> 00:32:00,239
Speaker 1: to do a joint with jay Z and Jay at

630
00:32:00,280 --> 00:32:01,880
Speaker 1: one time. But during the Money and a Thing video,

631
00:32:02,280 --> 00:32:04,200
Speaker 1: when he's sitting there, they're playing it in the background.

632
00:32:04,240 --> 00:32:05,600
Speaker 1: I'm like, oh, this is this is here it goes,

633
00:32:05,640 --> 00:32:08,000
Speaker 1: Oh my god, that's my that's my next move. I mean,

634
00:32:08,240 --> 00:32:10,960
Speaker 1: you know, if if Jay is listening, because we're friends

635
00:32:11,000 --> 00:32:12,560
Speaker 1: and I see him all the time, and I know

636
00:32:12,680 --> 00:32:15,520
Speaker 1: his wife and um I've heard of his wife. Yeah,

637
00:32:15,600 --> 00:32:18,840
Speaker 1: his wife, yeah, yeah, yeah, yeah, his wife is cool.

638
00:32:19,280 --> 00:32:22,440
Speaker 1: I'm from Brooklyn, He's from Brooklyn. You know, it'd be amazing.

639
00:32:22,760 --> 00:32:24,520
Speaker 1: I think he makes I think he is the Frank

640
00:32:24,560 --> 00:32:27,320
Speaker 1: Sinatra of hip hop because all of his beats, he

641
00:32:27,440 --> 00:32:31,239
Speaker 1: never plays himself. I mean literally, And the craziest thing

642
00:32:31,440 --> 00:32:34,920
Speaker 1: is when reasonable doubt came out. He always just chooses

643
00:32:35,000 --> 00:32:37,200
Speaker 1: like the classic things and you can listen to all

644
00:32:37,240 --> 00:32:42,640
Speaker 1: those records forever, and that's rare. Man Like, people don't

645
00:32:42,680 --> 00:32:46,040
Speaker 1: understand it's so much harder to make hip hop classic

646
00:32:46,720 --> 00:32:50,080
Speaker 1: because there's so many ways that you could really play

647
00:32:50,120 --> 00:32:53,160
Speaker 1: yourself with with like all the new trends and the

648
00:32:53,320 --> 00:32:56,320
Speaker 1: new things that people do bol coder and whatever and

649
00:32:56,360 --> 00:32:59,200
Speaker 1: blah blah blah. You can dress like our Kelly. Kelly,

650
00:32:59,440 --> 00:33:03,480
Speaker 1: dress like he well you see, uh like I got.

651
00:33:03,520 --> 00:33:05,760
Speaker 1: I can't say nothing bad about him. I mean fortunate

652
00:33:05,920 --> 00:33:09,520
Speaker 1: we you know, I never seen anybody's records, and fortunate

653
00:33:09,640 --> 00:33:11,720
Speaker 1: when I when I heard it wasn't actually the first song,

654
00:33:12,280 --> 00:33:14,000
Speaker 1: but when I heard, I was like, because you just

655
00:33:14,120 --> 00:33:16,880
Speaker 1: gotta pay respect to him, because that guy can just

656
00:33:17,560 --> 00:33:20,080
Speaker 1: I mean, he could just pat a song, you know what,

657
00:33:20,240 --> 00:33:25,160
Speaker 1: like yes, he could have say yes Maxwell, Yes, nobody

658
00:33:25,160 --> 00:33:27,480
Speaker 1: even had to set you up for that one. Man great.

659
00:33:28,000 --> 00:33:31,080
Speaker 1: I was gonna say all you could say, oh god,

660
00:33:31,960 --> 00:33:36,720
Speaker 1: oh god, please, mister Kelly, please don't don't yes Maxwell, Yes,

661
00:33:37,120 --> 00:33:39,000
Speaker 1: I didn't mean to do that. I was gonna say

662
00:33:39,080 --> 00:33:42,120
Speaker 1: something else, but I didn't want to say that because

663
00:33:42,280 --> 00:33:45,000
Speaker 1: the current made you say what you needed to say. Man,

664
00:33:45,880 --> 00:33:51,240
Speaker 1: I appreciate you. Man. Yes, that was Drake with Controller Morning.

665
00:33:51,280 --> 00:33:54,720
Speaker 1: Everybody's DJ M vy Angela Yee, Charlemagne the guy we

666
00:33:54,800 --> 00:33:57,400
Speaker 1: are the Breakfast Club. We had a special guest and

667
00:33:57,480 --> 00:34:00,280
Speaker 1: this is the only guest in Breakfleast Club. He three

668
00:34:00,320 --> 00:34:02,960
Speaker 1: that has ever smoked up him and you kere not

669
00:34:03,040 --> 00:34:06,880
Speaker 1: gonna tell Snoop Dog no, like, did we get in

670
00:34:06,920 --> 00:34:11,799
Speaker 1: trouble for that? No, no, nooop Hey, we just had

671
00:34:12,160 --> 00:34:15,120
Speaker 1: a healthy debate with drama. It's Snooped the most famous

672
00:34:15,239 --> 00:34:18,440
Speaker 1: rapper in the world. I said, yes, globally. He said, no,

673
00:34:18,560 --> 00:34:20,600
Speaker 1: matter where you go in this world, no matter who

674
00:34:20,680 --> 00:34:24,640
Speaker 1: it is, race age, everybody knows Dog. I said, it

675
00:34:24,719 --> 00:34:26,120
Speaker 1: was between you a whole. He said, you are the

676
00:34:26,160 --> 00:34:29,239
Speaker 1: biggest brand. I don't know. It's kind of it's like

677
00:34:29,320 --> 00:34:31,000
Speaker 1: an out of body experience for me. It's hard for

678
00:34:31,040 --> 00:34:32,879
Speaker 1: me to say because I live with me every day,

679
00:34:33,600 --> 00:34:35,400
Speaker 1: so I don't know who the you know, the biggest

680
00:34:35,480 --> 00:34:37,320
Speaker 1: rapper is globally, but I do know that when I

681
00:34:37,440 --> 00:34:40,440
Speaker 1: do go certain places, like it's hard to try to

682
00:34:40,520 --> 00:34:43,719
Speaker 1: like camouflage the scott whatever, even baby girl up the

683
00:34:43,760 --> 00:34:46,239
Speaker 1: front desks. I just gave her another picture. What's her name?

684
00:34:50,880 --> 00:34:55,520
Speaker 1: A little something? When's the last time you've been somewhere

685
00:34:55,560 --> 00:34:59,839
Speaker 1: and haven't been recognized? Has that happened? See it doesn't

686
00:35:00,600 --> 00:35:02,239
Speaker 1: on some real talk. I'm being honest with you. I

687
00:35:02,280 --> 00:35:04,120
Speaker 1: don't even remember the last time it's been like that.

688
00:35:04,640 --> 00:35:10,120
Speaker 1: I hadn't been the grocery stores, churches underwater. I didn't

689
00:35:10,120 --> 00:35:13,640
Speaker 1: even look. This is a crazy this is a crazy part.

690
00:35:14,000 --> 00:35:15,879
Speaker 1: I hadn't been and done some you know, homeless work.

691
00:35:15,920 --> 00:35:17,440
Speaker 1: When you go down their feet, the homeless, and the

692
00:35:17,480 --> 00:35:20,400
Speaker 1: homeless be like snoo, dog, what's happening? Dog? Like? Man,

693
00:35:20,480 --> 00:35:22,040
Speaker 1: how do you know? Me? You ain't gonna TV, You

694
00:35:22,080 --> 00:35:25,719
Speaker 1: ain't gonna what. I don't know. I can't figure it out.

695
00:35:25,800 --> 00:35:28,719
Speaker 1: And you just have adjusted to this social media era

696
00:35:28,880 --> 00:35:31,319
Speaker 1: so well, like it's a famous meme, but it got

697
00:35:31,400 --> 00:35:35,600
Speaker 1: you with your head scoff on. I look like somebody, untie.

698
00:35:35,600 --> 00:35:37,720
Speaker 1: I don't care though, one thing about believe you posted

699
00:35:37,760 --> 00:35:39,960
Speaker 1: you don't When people make fun of me, when they

700
00:35:40,000 --> 00:35:41,879
Speaker 1: claim me, when they put me in a girl body

701
00:35:41,920 --> 00:35:44,400
Speaker 1: with my head on it or with a rabbit, I

702
00:35:44,560 --> 00:35:46,080
Speaker 1: see it. I throw it up, and I like who

703
00:35:46,160 --> 00:35:47,799
Speaker 1: did this to me? And I go right in a joke.

704
00:35:47,880 --> 00:35:50,480
Speaker 1: So I don't understand when people get offended when I

705
00:35:50,560 --> 00:35:52,200
Speaker 1: do that to them. When I do it to myself,

706
00:35:52,280 --> 00:35:56,040
Speaker 1: it's like, it's all funny. Games meant it should be about.

707
00:35:56,040 --> 00:35:57,759
Speaker 1: You know, when I got into the social media game,

708
00:35:57,800 --> 00:35:59,680
Speaker 1: I don't really understand it because I was like, I

709
00:35:59,680 --> 00:36:01,680
Speaker 1: don't want people in my business like that. But then

710
00:36:01,719 --> 00:36:03,239
Speaker 1: I was like, damn, I'm the type of person that

711
00:36:03,680 --> 00:36:06,280
Speaker 1: always go up to the fans and always do this anyway,

712
00:36:06,320 --> 00:36:08,120
Speaker 1: So I might as well just open up and you know,

713
00:36:08,320 --> 00:36:10,120
Speaker 1: let him be a part of my world every day. Now,

714
00:36:10,160 --> 00:36:11,759
Speaker 1: we've seen a video of you and Game walking to

715
00:36:11,840 --> 00:36:14,000
Speaker 1: the precinct in La. What was that all about? Explaining

716
00:36:14,000 --> 00:36:15,920
Speaker 1: that Why did you guys have to it felt like

717
00:36:16,000 --> 00:36:19,360
Speaker 1: you had to do it. Well. The morning before it happened,

718
00:36:19,400 --> 00:36:21,440
Speaker 1: Game it hit me and he was like on a hundred,

719
00:36:21,719 --> 00:36:24,000
Speaker 1: and he was hot and I was hot. We was

720
00:36:24,040 --> 00:36:25,960
Speaker 1: just mad at all of the violence that was happening

721
00:36:26,280 --> 00:36:28,920
Speaker 1: to these innocent people by the police, So you know,

722
00:36:29,040 --> 00:36:30,880
Speaker 1: I was ready to do whatever. So I was basically

723
00:36:30,920 --> 00:36:33,279
Speaker 1: following his league because I felt like it's a young

724
00:36:33,360 --> 00:36:35,000
Speaker 1: man's game, and he's younger than me, and he's gonna

725
00:36:35,000 --> 00:36:37,160
Speaker 1: take the league and I'm gonna follow this soldier. When

726
00:36:37,200 --> 00:36:39,520
Speaker 1: he hit me back, I told him, I said, look,

727
00:36:40,200 --> 00:36:41,759
Speaker 1: I don't want you to overreact. I want you to

728
00:36:41,800 --> 00:36:43,840
Speaker 1: think about everything that you're gonna do and put a

729
00:36:43,920 --> 00:36:46,080
Speaker 1: real plan together and hit me when you get your

730
00:36:46,120 --> 00:36:48,160
Speaker 1: plan together, and I'm with you. So then he went

731
00:36:48,320 --> 00:36:50,439
Speaker 1: and made a call to ferra Con for three hours

732
00:36:50,480 --> 00:36:51,640
Speaker 1: and did all the things he had to do to

733
00:36:51,680 --> 00:36:54,319
Speaker 1: prepare himself. Then he hit me back at about three

734
00:36:54,360 --> 00:36:57,160
Speaker 1: in the morning, was like, meet me here at five

735
00:36:57,280 --> 00:37:00,560
Speaker 1: in the morning. He didn't say nothing else. So I'm like,

736
00:37:00,920 --> 00:37:02,600
Speaker 1: I don't know what's going on. So I got dressed

737
00:37:02,640 --> 00:37:03,840
Speaker 1: to go to war, and you look like he was

738
00:37:03,880 --> 00:37:12,520
Speaker 1: ready to think about this. When you get the back car,

739
00:37:12,600 --> 00:37:15,239
Speaker 1: shot man, you just show up. He just someone's gonna

740
00:37:15,239 --> 00:37:16,920
Speaker 1: be putting my shoes all the time. Anna, hold on,

741
00:37:17,040 --> 00:37:19,000
Speaker 1: I'll be there. I was there, so when I get there,

742
00:37:19,040 --> 00:37:21,840
Speaker 1: I'm fully loaded and ready to go, and I'm looking around.

743
00:37:21,880 --> 00:37:24,440
Speaker 1: They passing on shirts and everybody on peace. And he

744
00:37:24,600 --> 00:37:26,239
Speaker 1: got us all in the circle and he said he

745
00:37:26,360 --> 00:37:28,600
Speaker 1: said something that was so deep. It's like, you know,

746
00:37:28,760 --> 00:37:30,399
Speaker 1: I didn't even know what I was gonna do. When

747
00:37:30,440 --> 00:37:31,840
Speaker 1: I came here, but now and I'm looking at the

748
00:37:31,840 --> 00:37:33,880
Speaker 1: spirit of everything. This is what I want to do,

749
00:37:33,920 --> 00:37:35,719
Speaker 1: and I want y'all to follow me on this. I

750
00:37:35,840 --> 00:37:38,239
Speaker 1: want us to walk down to the precinct, to the

751
00:37:38,320 --> 00:37:41,600
Speaker 1: precinct and reintroduce ourselves to the police department and let

752
00:37:41,640 --> 00:37:44,279
Speaker 1: them reach reintroduce themselves to us so we can get

753
00:37:44,360 --> 00:37:46,719
Speaker 1: some sort of dialogue on. And we listened to him,

754
00:37:46,760 --> 00:37:48,239
Speaker 1: and he was like, man, that is that's kind of

755
00:37:48,280 --> 00:37:50,279
Speaker 1: dope because we never talked to the police unless it's

756
00:37:50,320 --> 00:37:52,680
Speaker 1: too late. Let's get that understanding right now. So while

757
00:37:52,719 --> 00:37:55,640
Speaker 1: we're walking down there, police escort us there. Then when

758
00:37:55,680 --> 00:37:58,880
Speaker 1: we get there, come to find out the new recruiseter

759
00:37:59,040 --> 00:38:02,120
Speaker 1: graduating right now about to go hit the streets, and

760
00:38:02,160 --> 00:38:04,640
Speaker 1: the matter of twenty four hours and we standing outside

761
00:38:05,200 --> 00:38:07,560
Speaker 1: and the Chief of police is there and the mayorage there.

762
00:38:07,960 --> 00:38:10,880
Speaker 1: So they hear that we outside marching peacefully with the

763
00:38:11,000 --> 00:38:13,480
Speaker 1: Nation of Islam orders. So they send the word that

764
00:38:13,520 --> 00:38:16,360
Speaker 1: the chief would love to meet with me game and

765
00:38:16,440 --> 00:38:19,479
Speaker 1: two other of our people with the mayor behind closed doors.

766
00:38:19,680 --> 00:38:21,480
Speaker 1: So we went up there and talk. When them chopped

767
00:38:21,520 --> 00:38:24,600
Speaker 1: it up, got some understanding. Wasn't arguing, wasn't talking bad,

768
00:38:24,800 --> 00:38:27,440
Speaker 1: wasn't you know down planning, We was trying to get

769
00:38:27,480 --> 00:38:30,239
Speaker 1: some understanding and some dialogue. They had a couple of

770
00:38:30,320 --> 00:38:32,200
Speaker 1: meetings since then, and it's looking like it's gonna be

771
00:38:32,239 --> 00:38:34,640
Speaker 1: a great situation in LA with the police in the

772
00:38:34,719 --> 00:38:38,080
Speaker 1: communities because we're sitting tired of talking after the fact

773
00:38:38,080 --> 00:38:39,799
Speaker 1: when we could talk before the fact. But it's been

774
00:38:39,800 --> 00:38:41,920
Speaker 1: going on forever, especially in that later first time that

775
00:38:41,920 --> 00:38:45,200
Speaker 1: we policles with the Rodney King take. But it's never

776
00:38:45,320 --> 00:38:48,880
Speaker 1: been communication. And one thing about LA, we have sheriffs

777
00:38:48,920 --> 00:38:53,280
Speaker 1: and we have police department. The Sheriff's department have minor

778
00:38:53,400 --> 00:38:57,040
Speaker 1: incidents because they are sent to the county jail for

779
00:38:57,120 --> 00:38:59,400
Speaker 1: eighteen months as a part of their training before they

780
00:38:59,480 --> 00:39:03,399
Speaker 1: hit the streets. The lap D don't get no communication

781
00:39:03,520 --> 00:39:06,040
Speaker 1: with the streets until they hit the streets, so there's

782
00:39:06,040 --> 00:39:08,279
Speaker 1: a miscommunication off the jump. If you're scared, you never

783
00:39:08,360 --> 00:39:10,200
Speaker 1: dealt with nobody from the hood. You don't know what

784
00:39:10,280 --> 00:39:12,600
Speaker 1: he looked like. Now you already got a different perception

785
00:39:12,680 --> 00:39:14,279
Speaker 1: on you. But if you've been in the county gym,

786
00:39:14,360 --> 00:39:15,960
Speaker 1: you've been around him, you know they land go, they

787
00:39:16,080 --> 00:39:19,040
Speaker 1: know you. It's a different perspective when the sheriffs pull up.

788
00:39:19,120 --> 00:39:21,080
Speaker 1: All the sheriffs weren't the dope and guns. If you

789
00:39:21,120 --> 00:39:23,000
Speaker 1: ain't got on dope and no guns, they're letting you go.

790
00:39:23,080 --> 00:39:24,680
Speaker 1: They're not gonna shoot you when they don't shoot you

791
00:39:24,760 --> 00:39:27,759
Speaker 1: that much, but they're not gonna shoot you. On gp R,

792
00:39:27,920 --> 00:39:30,520
Speaker 1: the LAPD, they got a different agenda, so were trying

793
00:39:30,560 --> 00:39:33,200
Speaker 1: to get that understanding on let's get some different protocols

794
00:39:33,200 --> 00:39:35,960
Speaker 1: so they could be around these people in the community

795
00:39:36,040 --> 00:39:39,440
Speaker 1: before they start policing this community. Keep a lock of snoops.

796
00:39:39,440 --> 00:39:46,120
Speaker 1: He's the breakfast slogan Morning, the breakfast club that was

797
00:39:46,200 --> 00:39:50,000
Speaker 1: Tory Lands with Love Morning. Everybody's DJ M v Angela Yee,

798
00:39:50,080 --> 00:39:53,160
Speaker 1: Charlomagne the god we are the breakfast club Snoop dogs

799
00:39:53,239 --> 00:39:55,320
Speaker 1: in the building now, Charlomagne, did you learn how to

800
00:39:55,360 --> 00:39:57,839
Speaker 1: de escalade stuff? Like? Probably during Like do you wish

801
00:39:57,880 --> 00:39:59,879
Speaker 1: you had that same mentality during the whole East Coast

802
00:40:00,440 --> 00:40:03,279
Speaker 1: West Coast fiasco? I think I did. At the Source

803
00:40:03,320 --> 00:40:06,760
Speaker 1: Award that was a perfect example of the escalation because

804
00:40:07,160 --> 00:40:10,520
Speaker 1: Suge Knight had it escalated to I've seen people reaching

805
00:40:10,560 --> 00:40:12,880
Speaker 1: for pistols and I've seen pistols in there was no

806
00:40:13,040 --> 00:40:15,719
Speaker 1: police security. It was all hood security. It was New

807
00:40:15,840 --> 00:40:18,400
Speaker 1: York versus Death Row Records at that point, and my

808
00:40:18,560 --> 00:40:22,239
Speaker 1: conversation on that stage brought New York to a point

809
00:40:22,280 --> 00:40:24,160
Speaker 1: to what they said, you know what, we're gonna let

810
00:40:24,239 --> 00:40:26,400
Speaker 1: y'all get out of here. To us, that looked hostile

811
00:40:26,800 --> 00:40:29,040
Speaker 1: when it was very hostile because it was me saying

812
00:40:29,120 --> 00:40:31,600
Speaker 1: that I know where I'm at. But at the same time,

813
00:40:32,120 --> 00:40:35,000
Speaker 1: y'all know this is gangster rap that we do. We

814
00:40:35,120 --> 00:40:38,520
Speaker 1: don't just talk it, we live it. So if you're

815
00:40:38,560 --> 00:40:41,040
Speaker 1: really really in the mix, this is what takes place

816
00:40:41,080 --> 00:40:43,520
Speaker 1: in the mix. And at that time, Puffy wasn't with

817
00:40:43,680 --> 00:40:46,560
Speaker 1: it like that. He was making his music. He wasn't

818
00:40:46,600 --> 00:40:48,640
Speaker 1: what you know, I ain't what the rock rock. I'm

819
00:40:48,719 --> 00:40:51,279
Speaker 1: what the music should was with the raw rock, and

820
00:40:51,400 --> 00:40:53,160
Speaker 1: it's like, you know, it was a fine line because

821
00:40:53,200 --> 00:40:55,960
Speaker 1: Puffy and then was my friends, but I'm riding with

822
00:40:56,080 --> 00:40:57,960
Speaker 1: Death Row and at the same time I'm in New York.

823
00:40:58,239 --> 00:41:00,040
Speaker 1: Was like, if I don't say the right words, we

824
00:41:00,120 --> 00:41:03,600
Speaker 1: all gonna get killed. Damn. So I come back and

825
00:41:03,680 --> 00:41:08,600
Speaker 1: kick the buildings over because something happened. Because something happening

826
00:41:08,960 --> 00:41:11,759
Speaker 1: that I ain't gonna speak on that, we took that

827
00:41:11,880 --> 00:41:13,680
Speaker 1: on the chin and said, we'd just getting back on

828
00:41:13,840 --> 00:41:15,360
Speaker 1: this side. You know what I'm saying. Like, when you

829
00:41:15,960 --> 00:41:19,040
Speaker 1: involved into the art of war, certain losses you take,

830
00:41:19,360 --> 00:41:23,160
Speaker 1: certain you know, sacrifices you make. It come with the territory.

831
00:41:23,200 --> 00:41:24,799
Speaker 1: And we knew where it came from. We knew who

832
00:41:24,800 --> 00:41:27,160
Speaker 1: sent the shot, and we never had a problem with him.

833
00:41:27,600 --> 00:41:29,520
Speaker 1: We allowed that to happen because we knew in the

834
00:41:29,760 --> 00:41:32,560
Speaker 1: art of war that's what happens when you you're getting busy.

835
00:41:32,640 --> 00:41:34,320
Speaker 1: You gotta get, you gotta take what you get, you

836
00:41:34,320 --> 00:41:36,200
Speaker 1: know what I'm saying. So it's like we lived through it,

837
00:41:36,320 --> 00:41:39,239
Speaker 1: We survived it. We forgave, and we forgot, and we

838
00:41:39,400 --> 00:41:42,520
Speaker 1: moved forward. The parties that was involved we met behind

839
00:41:42,600 --> 00:41:44,799
Speaker 1: closed doors and we got an understand it yet because

840
00:41:44,800 --> 00:41:46,360
Speaker 1: I know you sent that at me. That was a

841
00:41:46,400 --> 00:41:49,160
Speaker 1: good shot. You missed though, I forgive you. We're gonna

842
00:41:49,200 --> 00:41:50,839
Speaker 1: move forward. I ain't gonna send nothing at you when

843
00:41:50,840 --> 00:41:53,759
Speaker 1: you're on my side. We're gravy, We're gravy. We're good.

844
00:41:53,840 --> 00:41:55,719
Speaker 1: Can you tell the story about nags Man. That was

845
00:41:55,840 --> 00:41:57,840
Speaker 1: the first time you met Nolage? You said, Yeah, the

846
00:41:57,880 --> 00:42:00,680
Speaker 1: first time I met Nasty Nas I was in a

847
00:42:00,800 --> 00:42:03,480
Speaker 1: gardena on a hundred and I think it was thirty

848
00:42:03,520 --> 00:42:05,440
Speaker 1: six thirty fifth one of those streets, and that's a

849
00:42:05,480 --> 00:42:08,680
Speaker 1: crip neighborhood. Yeah, shotguns. And I was out there hanging

850
00:42:08,719 --> 00:42:11,960
Speaker 1: tough with my own boys, and a white van pulls

851
00:42:12,080 --> 00:42:15,480
Speaker 1: up and they got like about fifteen sixteen people in it.

852
00:42:15,840 --> 00:42:18,759
Speaker 1: All of a sudden, door open, some dude jump out

853
00:42:19,360 --> 00:42:21,520
Speaker 1: and sweatpants is lifted up to his knee with some

854
00:42:21,640 --> 00:42:27,080
Speaker 1: boots on. He got on already running right towards me.

855
00:42:28,840 --> 00:42:30,680
Speaker 1: My homies is like they all drawn, they from the

856
00:42:30,760 --> 00:42:32,480
Speaker 1: drawn down on him. I'm like, hold on, cut, that's

857
00:42:32,520 --> 00:42:35,640
Speaker 1: the rapper from New York. That's nasty. Nas comes so

858
00:42:35,760 --> 00:42:38,160
Speaker 1: he come over to him and he shaked my hand.

859
00:42:38,200 --> 00:42:40,320
Speaker 1: I'm like, uh, it's a pleasure to meet you, but

860
00:42:40,480 --> 00:42:43,600
Speaker 1: let me let you know. And you ever in LA,

861
00:42:43,880 --> 00:42:46,200
Speaker 1: don't ever jump out with no red or no blue

862
00:42:46,200 --> 00:42:47,960
Speaker 1: on because you don't know what neighborhoods you were in.

863
00:42:48,080 --> 00:42:50,279
Speaker 1: Love one. Take my number down, So I'll high let

864
00:42:50,360 --> 00:42:52,040
Speaker 1: you next time you come to this crazy because I

865
00:42:52,080 --> 00:42:53,560
Speaker 1: tell you the time Nas pull out a gun on me,

866
00:42:53,640 --> 00:42:56,200
Speaker 1: I ran up on Nas like that. I ran up

867
00:42:56,239 --> 00:42:57,960
Speaker 1: on Nas. I had had a mixtapes in the bag.

868
00:42:58,480 --> 00:43:00,440
Speaker 1: I ran upo him just like that, you know, as

869
00:43:00,480 --> 00:43:01,759
Speaker 1: I got something for you and I was going in

870
00:43:01,840 --> 00:43:03,959
Speaker 1: my bag to pull it out. Not a good idea

871
00:43:05,960 --> 00:43:09,480
Speaker 1: for me, I said, it's a CD body guy. I said,

872
00:43:09,800 --> 00:43:13,400
Speaker 1: what you got? What you got for me? You used

873
00:43:13,440 --> 00:43:16,160
Speaker 1: to role like that At one point used had a briefcase. Yeah,

874
00:43:16,200 --> 00:43:18,520
Speaker 1: all that old stuff man at Charlot Magne. I'm peace now.

875
00:43:18,600 --> 00:43:22,160
Speaker 1: What I understood about about moving with the piece. When

876
00:43:22,200 --> 00:43:24,600
Speaker 1: I had the gun and have gun problems will travel?

877
00:43:24,880 --> 00:43:26,520
Speaker 1: You know what I'm saying. They say, have gun what travel?

878
00:43:26,640 --> 00:43:29,279
Speaker 1: Have gun problems will travel? When I removed the gun

879
00:43:29,400 --> 00:43:31,520
Speaker 1: from my game, I had less issues because I was

880
00:43:31,560 --> 00:43:34,160
Speaker 1: able to finesse and able to be more strategic with

881
00:43:34,280 --> 00:43:36,200
Speaker 1: my conversation. When I had the gun with me, I was,

882
00:43:36,480 --> 00:43:38,840
Speaker 1: you know, reckless because I had that thing, and I

883
00:43:38,920 --> 00:43:41,440
Speaker 1: thought that thing was you know, just like everybody else

884
00:43:41,520 --> 00:43:43,879
Speaker 1: was one of them things. They conversations more reckless when

885
00:43:43,880 --> 00:43:46,560
Speaker 1: you ain't got one, you're more understanding. And that's where

886
00:43:46,560 --> 00:43:48,160
Speaker 1: I wanted to be. I wanted to be about peace

887
00:43:48,440 --> 00:43:50,680
Speaker 1: as opposed to pushing violeus And you said you first

888
00:43:50,719 --> 00:43:53,920
Speaker 1: smoke we with your son right, my oldest son. Yeah, yeah,

889
00:43:53,960 --> 00:43:55,799
Speaker 1: we we did that question there on the Brekfy Club.

890
00:43:55,840 --> 00:43:57,480
Speaker 1: I think would you smoke we with the child to

891
00:43:57,560 --> 00:43:59,120
Speaker 1: keep it from doing it in the stream, because, like

892
00:43:59,200 --> 00:44:01,120
Speaker 1: I say, you know, what I'm gonna give him is

893
00:44:01,239 --> 00:44:02,839
Speaker 1: the righteous way. I don't know what y'all gonna put

894
00:44:02,880 --> 00:44:04,600
Speaker 1: in there. You may lace it, you know, it may be.

895
00:44:05,320 --> 00:44:07,239
Speaker 1: I don't know, because it happened to me before. I've

896
00:44:07,239 --> 00:44:09,359
Speaker 1: been laced with some things, so I don't trust the game.

897
00:44:09,400 --> 00:44:11,920
Speaker 1: So I would rather get him, you know, school for

898
00:44:12,040 --> 00:44:15,080
Speaker 1: me personally on the understanding on what is and whatnot

899
00:44:15,239 --> 00:44:17,520
Speaker 1: and what to do and what not to do. I

900
00:44:17,600 --> 00:44:19,080
Speaker 1: think they did that to you on purpose because they

901
00:44:19,160 --> 00:44:21,880
Speaker 1: knew you snoop and everybody want to out smoke. Let

902
00:44:21,920 --> 00:44:24,520
Speaker 1: me lace this blunt real quick, just to say I

903
00:44:24,920 --> 00:44:26,640
Speaker 1: don't even take blunts from people no more. You know,

904
00:44:26,719 --> 00:44:28,000
Speaker 1: it used to be asked to be in the crowd.

905
00:44:28,040 --> 00:44:29,640
Speaker 1: I used to be reckless. Man, I be in the

906
00:44:29,680 --> 00:44:31,600
Speaker 1: crowd and the ammy I'd be like open. Then I

907
00:44:31,680 --> 00:44:37,239
Speaker 1: start looking at these people like I I'm cool. I'm

908
00:44:37,280 --> 00:44:39,920
Speaker 1: gonna tell you how you influenced me. Recently, we were

909
00:44:39,960 --> 00:44:42,120
Speaker 1: having a cookout and I was gonna make some turkey franks.

910
00:44:42,360 --> 00:44:45,839
Speaker 1: Oh and then my family was like, you gotta see

911
00:44:46,440 --> 00:44:49,440
Speaker 1: Snoop finding out what is in these hot dogs? And

912
00:44:49,480 --> 00:44:50,960
Speaker 1: you're not gonna eat that again. You know we threw

913
00:44:51,000 --> 00:44:55,799
Speaker 1: the pack of franks out. Give me so it ain't.

914
00:44:55,880 --> 00:44:59,799
Speaker 1: That's the same. It's the same machine, man, it's na

915
00:45:00,000 --> 00:45:02,400
Speaker 1: I see man? Did you see that? You have to

916
00:45:02,440 --> 00:45:04,239
Speaker 1: see that. It'll make you never eat it again. I'm

917
00:45:04,280 --> 00:45:07,319
Speaker 1: telling you, horrible man, it's and I don't. I can't

918
00:45:07,360 --> 00:45:09,360
Speaker 1: get out. I used to come to New York. My hotel.

919
00:45:09,800 --> 00:45:12,440
Speaker 1: He got a hot dog. Man that's rat on the corner.

920
00:45:13,000 --> 00:45:15,640
Speaker 1: Me and cub being cool for twenty years. I don't

921
00:45:15,640 --> 00:45:17,680
Speaker 1: even look at him no more. I just brought quite

922
00:45:17,719 --> 00:45:20,560
Speaker 1: past him like he like, Snoop, my hot dogs are

923
00:45:20,560 --> 00:45:23,480
Speaker 1: waiting for you. No, I'm good because I've seen what

924
00:45:23,600 --> 00:45:26,080
Speaker 1: y'all doing. I'm cool on you. MX was a few

925
00:45:26,120 --> 00:45:34,879
Speaker 1: weeks ago. He ate four of them? Did he drank

926
00:45:34,920 --> 00:45:36,640
Speaker 1: a whole balla Henny and he was hungry that he

927
00:45:36,719 --> 00:45:38,279
Speaker 1: had four hot dogs to up all over the ship.

928
00:45:38,360 --> 00:45:40,640
Speaker 1: That's my dog, right. He the only person that ever

929
00:45:40,760 --> 00:45:43,360
Speaker 1: got me to drink Hennessy at an award show and

930
00:45:43,440 --> 00:45:45,400
Speaker 1: I mean at an award show that's on TV. Like

931
00:45:45,480 --> 00:45:47,040
Speaker 1: we was at the Grammys or something, and he was

932
00:45:47,080 --> 00:45:50,000
Speaker 1: sitting like two seats down. He had a Hennessey motle.

933
00:45:50,120 --> 00:45:53,280
Speaker 1: He was just big doll. You walt him. I couldn't

934
00:45:53,280 --> 00:45:55,040
Speaker 1: even say no. I was like, yeah, get here, cause

935
00:45:55,120 --> 00:45:57,719
Speaker 1: I'm like, we're sitting up in there getting drunk in

936
00:45:57,800 --> 00:46:00,320
Speaker 1: the Grammys in front of all these white folks with

937
00:46:00,600 --> 00:46:03,160
Speaker 1: real hennessy no cups straight out to the bottom. Shout

938
00:46:03,160 --> 00:46:05,399
Speaker 1: out to DMX for keeping it hood Snoop, you ain't

939
00:46:05,400 --> 00:46:07,040
Speaker 1: never cared about your image in front of white face

940
00:46:09,120 --> 00:46:13,000
Speaker 1: crazy Snoop appreciate joining us, man. Thank y'all for having me. Man.

941
00:46:13,040 --> 00:46:15,600
Speaker 1: It's one of my favorite shows to do, just because

942
00:46:15,719 --> 00:46:18,799
Speaker 1: y'all always keeping one honey, y'all keep it real, y'all

943
00:46:18,880 --> 00:46:21,960
Speaker 1: solid with me. I've done interviews with y'all individually and together,

944
00:46:21,960 --> 00:46:24,520
Speaker 1: and I love with y'all. Stand for continue success. I'm

945
00:46:24,560 --> 00:46:26,440
Speaker 1: glad to see y'all on a real TV network too.

946
00:46:27,840 --> 00:46:34,480
Speaker 1: The Breakfast Club is Snoop Dog Hello, Shot Maine, say

947
00:46:34,520 --> 00:46:37,879
Speaker 1: the game. Don't get out the shape man you are

948
00:46:38,800 --> 00:46:44,840
Speaker 1: you donkey today, just not discriminate. I might not have

949
00:46:45,000 --> 00:46:46,600
Speaker 1: the song of Today, but I got the donkey that,

950
00:46:47,080 --> 00:46:48,440
Speaker 1: So if you ever feel I need to be a

951
00:46:48,560 --> 00:46:53,040
Speaker 1: donkey man, hit it with the breakfast club bitches who

952
00:46:53,080 --> 00:47:00,879
Speaker 1: just don't give to day Today dunkey of to day

953
00:47:01,000 --> 00:47:03,560
Speaker 1: goes to a math teacher in Mobile, Alabama, slew to

954
00:47:03,600 --> 00:47:05,680
Speaker 1: everybody listening to us on one hundred point through the

955
00:47:05,719 --> 00:47:08,520
Speaker 1: beating mobile. Now, when I first reported this, the teacher

956
00:47:08,600 --> 00:47:11,320
Speaker 1: hadn't been identified by the school, but Mobile held me

957
00:47:11,440 --> 00:47:13,680
Speaker 1: down like I knew they would, and they hit me

958
00:47:13,760 --> 00:47:16,640
Speaker 1: up on social media at Sea to God on Instagram,

959
00:47:16,719 --> 00:47:18,920
Speaker 1: at Sea to God on Twitter, CTCH A G O D.

960
00:47:19,200 --> 00:47:23,360
Speaker 1: And this teacher has been identified as Joe Anne Bolster. Okay.

961
00:47:23,480 --> 00:47:25,840
Speaker 1: Parents say she's set to retire this year. Now, she

962
00:47:26,000 --> 00:47:28,480
Speaker 1: is a veteran educator and she's in her last year

963
00:47:28,520 --> 00:47:31,240
Speaker 1: before retirement, and she clearly doesn't give a damn anymore.

964
00:47:31,320 --> 00:47:33,480
Speaker 1: She's like President Barack Obama and his last year in

965
00:47:33,520 --> 00:47:36,680
Speaker 1: the White House, don't give it damn, just freeing and

966
00:47:36,719 --> 00:47:39,719
Speaker 1: shortening the sentences of drug offenders, inviting rappers over. He

967
00:47:39,800 --> 00:47:42,520
Speaker 1: don't care what y'all talking about. I'm out this bitch

968
00:47:42,760 --> 00:47:44,920
Speaker 1: and this teacher in Mobile, Alabama must be feeling the

969
00:47:45,000 --> 00:47:46,960
Speaker 1: same way because she gave her kids what is being

970
00:47:47,080 --> 00:47:51,279
Speaker 1: called a gang math test. Here, what's that? Let me

971
00:47:51,400 --> 00:47:53,320
Speaker 1: repeat and I'll tell you. She gave her kids what

972
00:47:53,440 --> 00:47:56,280
Speaker 1: it's being called a gang math test. Yes, this teacher

973
00:47:56,400 --> 00:47:59,800
Speaker 1: was teaching the kids a little crip calculus, some basic

974
00:48:00,040 --> 00:48:02,719
Speaker 1: blood math he has. According to the ny Daily News,

975
00:48:02,800 --> 00:48:05,080
Speaker 1: the math teacher was put on administrative leave after she

976
00:48:05,200 --> 00:48:07,399
Speaker 1: handed out a racially charged math test to her eighth

977
00:48:07,440 --> 00:48:11,600
Speaker 1: grade students that made gang references about drive by shootings, prostitution,

978
00:48:11,640 --> 00:48:14,319
Speaker 1: and drugs. I can't make this kind of stuff up, people,

979
00:48:14,640 --> 00:48:17,239
Speaker 1: I'm not that good, all right. Parents at Burns Middle

980
00:48:17,239 --> 00:48:19,480
Speaker 1: School were outraged to find out their kids have been

981
00:48:19,520 --> 00:48:21,839
Speaker 1: given a ten question quiz where you had to put

982
00:48:21,880 --> 00:48:24,600
Speaker 1: your gang crew name at the top on the example.

983
00:48:24,640 --> 00:48:26,719
Speaker 1: I saw somebody put the plug for that, and it

984
00:48:26,840 --> 00:48:30,880
Speaker 1: had questions like ramone has an AK forty seven with

985
00:48:31,040 --> 00:48:33,840
Speaker 1: a thirty round clip. He usually misses six out of

986
00:48:33,880 --> 00:48:36,319
Speaker 1: every ten shots, and he uses thirteen rounds per drive

987
00:48:36,400 --> 00:48:39,360
Speaker 1: by shooting? How many drive by shootings can Ramone attempt

988
00:48:39,400 --> 00:48:43,000
Speaker 1: before he has to steal enough ammunition and reload. Another

989
00:48:43,160 --> 00:48:46,840
Speaker 1: question is leroy has two rounds of cocaine. If he

990
00:48:46,920 --> 00:48:49,120
Speaker 1: sells an eighth ball to Antonio for three hundred and

991
00:48:49,160 --> 00:48:52,360
Speaker 1: twenty dollars and two grams to one for eighty five program,

992
00:48:52,719 --> 00:48:55,160
Speaker 1: what is the street value of the rest of his whole?

993
00:48:56,560 --> 00:49:00,920
Speaker 1: I really don't hold up, okay, because this might be

994
00:49:01,000 --> 00:49:03,959
Speaker 1: my favorite one. Lashanda is a lookout for the gang.

995
00:49:04,520 --> 00:49:08,279
Speaker 1: Lacuna also has a bowl constricted that eats five rats

996
00:49:08,360 --> 00:49:10,799
Speaker 1: per week at a cost of five dollars per rat

997
00:49:11,000 --> 00:49:13,840
Speaker 1: If Lashonda makes seven hundred dollars a week out of lookout,

998
00:49:14,040 --> 00:49:16,399
Speaker 1: how many weeks can she feed the bowla on one

999
00:49:16,440 --> 00:49:19,080
Speaker 1: week's income. Well, first of all, the hell got bowl

1000
00:49:19,160 --> 00:49:22,000
Speaker 1: constricted in the hood just lying around? Don't think I'm

1001
00:49:22,040 --> 00:49:24,200
Speaker 1: making this up. Let's go to the New York Daily

1002
00:49:24,239 --> 00:49:27,200
Speaker 1: News for the report. Please. A Mobile, Alabama math teacher

1003
00:49:27,280 --> 00:49:30,279
Speaker 1: was put on administrative leave after she handed out a

1004
00:49:30,440 --> 00:49:33,719
Speaker 1: racially charged math test to her eighth grade students that

1005
00:49:33,880 --> 00:49:38,200
Speaker 1: made gang references like drive by shootings, prostitutions, and drugs.

1006
00:49:38,560 --> 00:49:41,319
Speaker 1: Parents at the Burns Middle School were outraged to find

1007
00:49:41,400 --> 00:49:43,640
Speaker 1: their kids that have been given the ten question quiz

1008
00:49:44,000 --> 00:49:48,560
Speaker 1: asking them to answer questions about turning tricks, stolen BMW's,

1009
00:49:48,600 --> 00:49:51,000
Speaker 1: and knocking up women. Do I even have to tell

1010
00:49:51,080 --> 00:49:52,879
Speaker 1: y'all why this week she could feed the ball because

1011
00:49:53,200 --> 00:49:56,480
Speaker 1: for four weeks? Shut up? Do I even have to

1012
00:49:56,560 --> 00:49:59,680
Speaker 1: tell y'all why this is wrong? Okay? Let me read

1013
00:49:59,760 --> 00:50:03,840
Speaker 1: one more. See if Angeley can get this one. Tyrone

1014
00:50:03,920 --> 00:50:07,480
Speaker 1: knocked up four girls in the gang. Four girls. There

1015
00:50:07,520 --> 00:50:10,480
Speaker 1: are twenty girls in his gang. Okay, what is the

1016
00:50:10,560 --> 00:50:15,799
Speaker 1: exact percentage of the girls Tyrone? Okay? I got another one.

1017
00:50:15,920 --> 00:50:19,520
Speaker 1: Duwayne pimps three holes Okay, And then they asked the

1018
00:50:19,600 --> 00:50:22,200
Speaker 1: students to figure out how many tricks each of the

1019
00:50:22,320 --> 00:50:25,239
Speaker 1: hookers must turn in the day to support Dwayne's crack habit.

1020
00:50:25,320 --> 00:50:27,640
Speaker 1: I'm not that's the I don't understand how you know.

1021
00:50:28,960 --> 00:50:31,480
Speaker 1: Listen man, listen, teachers, you don't have to try to

1022
00:50:31,520 --> 00:50:33,840
Speaker 1: be cool. This isn't what's popping in these streets. We

1023
00:50:33,880 --> 00:50:36,839
Speaker 1: shouldn't legitimize the gang in drug coach I via math test,

1024
00:50:36,880 --> 00:50:39,320
Speaker 1: making it seem like these are some honorable professions that

1025
00:50:39,360 --> 00:50:41,520
Speaker 1: are worthy of being turned into math e questions. How

1026
00:50:41,560 --> 00:50:43,759
Speaker 1: about deal with the reality of this situation and ask

1027
00:50:43,800 --> 00:50:46,439
Speaker 1: the kids questions like if Tyrone gets caught with forty

1028
00:50:46,520 --> 00:50:50,480
Speaker 1: kilos and cocaine three illegal guns and one dead body

1029
00:50:50,520 --> 00:50:52,839
Speaker 1: in the trunk? How many years will he get under

1030
00:50:52,920 --> 00:50:55,799
Speaker 1: the jail? How about if Shamika polls out a gun

1031
00:50:55,880 --> 00:50:58,279
Speaker 1: and shoots there school yard at a rival gang member

1032
00:50:58,400 --> 00:51:01,000
Speaker 1: named Shikuana, but accidentally to twelve year old boy in

1033
00:51:01,040 --> 00:51:03,040
Speaker 1: the head and kills him. How long would that twelve

1034
00:51:03,120 --> 00:51:05,000
Speaker 1: year old boy be dead? And how much time in

1035
00:51:05,080 --> 00:51:07,000
Speaker 1: prison we should me could get the answer for all

1036
00:51:07,040 --> 00:51:10,560
Speaker 1: those questions should be for our whole Okay, listen, man,

1037
00:51:10,560 --> 00:51:12,240
Speaker 1: I don't know what kind of world we're living anymore.

1038
00:51:12,360 --> 00:51:14,880
Speaker 1: It's bad enough that, you know, the criminal lifestyle has

1039
00:51:14,960 --> 00:51:18,000
Speaker 1: been commercialized via music, TV movies, and I'm fine with

1040
00:51:18,080 --> 00:51:20,880
Speaker 1: that to a certain extent. But now it's invading the classroom.

1041
00:51:20,960 --> 00:51:23,720
Speaker 1: Why What is the reason these images are being planted

1042
00:51:23,760 --> 00:51:25,600
Speaker 1: in our kids' heads making it seem like this criminal

1043
00:51:25,640 --> 00:51:27,560
Speaker 1: behavior is normal. What if none of these kids have

1044
00:51:27,719 --> 00:51:29,840
Speaker 1: ever been exposed to any of this kind of stuff,

1045
00:51:29,960 --> 00:51:32,560
Speaker 1: but now they are in school. What's next? They're gonna

1046
00:51:32,560 --> 00:51:34,200
Speaker 1: teach you how much sprite should be in every point

1047
00:51:34,239 --> 00:51:36,880
Speaker 1: of leaning. Chemistry class, huh. They're gonna teach you how

1048
00:51:36,920 --> 00:51:39,759
Speaker 1: to run from cops in gym class, home economics class.

1049
00:51:39,800 --> 00:51:41,319
Speaker 1: You're gonna learn how to cook up a nice kill

1050
00:51:41,320 --> 00:51:45,920
Speaker 1: old coquette. How like, stop it, don't go chasing crip calculus.

1051
00:51:46,080 --> 00:51:48,239
Speaker 1: Stick to the same old arithmetic in English. You used

1052
00:51:48,239 --> 00:51:51,520
Speaker 1: to please give Joanne Bosa of burn Middle School the

1053
00:51:51,560 --> 00:51:56,800
Speaker 1: biggest he hall. Please can you send me those questions?

1054
00:51:56,840 --> 00:51:59,360
Speaker 1: I want to answer them. Why? I just want to

1055
00:51:59,360 --> 00:52:01,799
Speaker 1: see nice so you know, no math like I used

1056
00:52:01,800 --> 00:52:08,399
Speaker 1: to want. Everybody's dj MD Angela yee, Charlomine and guy,

1057
00:52:08,480 --> 00:52:10,600
Speaker 1: we are the breakfast club. We got a special guest

1058
00:52:10,719 --> 00:52:17,160
Speaker 1: in the building. Hey, look, look, listen listening, y'all better

1059
00:52:17,200 --> 00:52:22,880
Speaker 1: put something? Oh my, like somebody break down, like somebody

1060
00:52:22,920 --> 00:52:25,960
Speaker 1: took his luncheon. He got emotional. Man, Sometimes people get

1061
00:52:26,080 --> 00:52:28,400
Speaker 1: really really angry and they want to hurt something so

1062
00:52:28,640 --> 00:52:31,839
Speaker 1: bad that they get emotional like that. Hey being single, Hey,

1063
00:52:32,160 --> 00:52:34,640
Speaker 1: he listen. Anytime you see a girl man take a

1064
00:52:34,719 --> 00:52:40,279
Speaker 1: straw and start chewing it like it's some problem. Listen, Yes,

1065
00:52:40,400 --> 00:52:42,759
Speaker 1: you did, you did, Yeah you did. You made that

1066
00:52:42,840 --> 00:52:47,040
Speaker 1: little girl cry. So I can lead because I think

1067
00:52:47,120 --> 00:52:50,000
Speaker 1: you were bitch. I think you should leave. And he

1068
00:52:50,080 --> 00:52:54,600
Speaker 1: sat back down. What is going on? That'sind of like

1069
00:52:54,640 --> 00:52:56,120
Speaker 1: when I get in the fight with my boyfriend, and

1070
00:52:56,200 --> 00:52:57,640
Speaker 1: I'd be like I'm leaving him out and he's like

1071
00:52:57,680 --> 00:53:01,279
Speaker 1: all right, and then you're like, I'm not really work

1072
00:53:01,320 --> 00:53:06,320
Speaker 1: out the way I wanted to do whatever was Saturday.

1073
00:53:08,960 --> 00:53:11,120
Speaker 1: Wait wait wait wait wait, hold on, man, I got

1074
00:53:11,200 --> 00:53:14,360
Speaker 1: White Famous and it's a good move. So I was like,

1075
00:53:14,480 --> 00:53:17,360
Speaker 1: all right, let's do that. That's exactly what happened. I

1076
00:53:17,440 --> 00:53:20,200
Speaker 1: got White Famous, auditioned for it, I got the pilot.

1077
00:53:21,120 --> 00:53:30,319
Speaker 1: White Famous is the show talking about is doing. That's

1078
00:53:30,360 --> 00:53:33,200
Speaker 1: the show that Yeah, so Tim's story is tim Story

1079
00:53:33,239 --> 00:53:35,520
Speaker 1: to the right alone. He's start wrecting it. Jamie Fox

1080
00:53:35,760 --> 00:53:38,520
Speaker 1: is producing. Tom Capanos wrote it, and man, it was

1081
00:53:39,000 --> 00:53:40,960
Speaker 1: I just we shot the pilot. It was though, like

1082
00:53:41,120 --> 00:53:44,400
Speaker 1: it's it's nothing. Nothing on television is gonna be and

1083
00:53:44,440 --> 00:53:46,400
Speaker 1: it got greenlet right. Yeah, I mean it's a I

1084
00:53:46,520 --> 00:53:48,279
Speaker 1: think we all think it's about it. We all got

1085
00:53:48,320 --> 00:53:52,399
Speaker 1: the feeling. So we'll find out, like like you got fired,

1086
00:53:52,440 --> 00:53:54,920
Speaker 1: then you picked up job. Yeah, it was. It was

1087
00:53:55,040 --> 00:53:58,359
Speaker 1: just it was like a transitional thing, man, like you know, hey,

1088
00:53:58,560 --> 00:54:00,640
Speaker 1: I mean any place where you feel like and I

1089
00:54:00,760 --> 00:54:03,200
Speaker 1: think that's no for all of its opportunities that it

1090
00:54:03,280 --> 00:54:07,840
Speaker 1: did provide, but anytime you feel like you're you're you

1091
00:54:08,040 --> 00:54:10,200
Speaker 1: feel kind of slighted. It's like, all right, well, you know,

1092
00:54:10,560 --> 00:54:14,000
Speaker 1: go do your things, so you know, why wouldn't you

1093
00:54:14,280 --> 00:54:16,120
Speaker 1: both though they don't want to work on my schedule,

1094
00:54:16,160 --> 00:54:17,759
Speaker 1: So I was like, all right, cool, Well you know,

1095
00:54:18,560 --> 00:54:20,680
Speaker 1: you know I saw I seen the check for White Famous.

1096
00:54:20,719 --> 00:54:22,920
Speaker 1: I say, I'm out this bit ud. This is you

1097
00:54:22,960 --> 00:54:27,680
Speaker 1: know what I'm saying. So I guess Michael Chay who

1098
00:54:27,760 --> 00:54:33,959
Speaker 1: everybody think me? Yeah, I guess I I have Pete

1099
00:54:34,000 --> 00:54:37,160
Speaker 1: Due Obama. Yeah, man, yeah, that's my dude. I've seen

1100
00:54:37,200 --> 00:54:39,759
Speaker 1: a special shout out to Pete SMD that was dope.

1101
00:54:39,840 --> 00:54:41,799
Speaker 1: But yeah, I don't know who's gonna do it. Man,

1102
00:54:41,800 --> 00:54:43,759
Speaker 1: I know they got Keenan. He gonna do it. I mean, shoot,

1103
00:54:43,800 --> 00:54:46,160
Speaker 1: ain't ain't it get bigger? You know? Yeah, he said

1104
00:54:46,200 --> 00:54:47,560
Speaker 1: he was shocked when they got it was you and

1105
00:54:47,600 --> 00:54:49,440
Speaker 1: I was there to do his name Taran kill him. Yeah,

1106
00:54:49,440 --> 00:54:51,520
Speaker 1: he said he was shock because y'all did all impersonations.

1107
00:54:51,560 --> 00:54:54,120
Speaker 1: So he was like, oh damn, I might be next

1108
00:54:54,160 --> 00:54:56,040
Speaker 1: because I don't do ninety percent of what they can do.

1109
00:54:56,400 --> 00:54:59,520
Speaker 1: It's so crazy that like I'll do something off the

1110
00:54:59,640 --> 00:55:02,640
Speaker 1: show and it will go super viral like everything I've

1111
00:55:02,640 --> 00:55:04,560
Speaker 1: been doing has been going like super viral. So I

1112
00:55:04,600 --> 00:55:06,360
Speaker 1: guess I don't know if they if they saw it

1113
00:55:06,480 --> 00:55:08,480
Speaker 1: like hey, you know you're good now you can kind

1114
00:55:08,520 --> 00:55:09,800
Speaker 1: of stand alone. I don't know. I don't know what

1115
00:55:09,920 --> 00:55:12,439
Speaker 1: it was, but you know, they just hey, they didn't

1116
00:55:12,440 --> 00:55:14,040
Speaker 1: work on my schedule. So it wasn't a pink slip.

1117
00:55:14,080 --> 00:55:17,040
Speaker 1: It wasn't that, hey, mister Farrell, your services no longer needed.

1118
00:55:17,200 --> 00:55:19,399
Speaker 1: It was more of a well, you have this other

1119
00:55:19,480 --> 00:55:22,360
Speaker 1: thing going on, we can't accommodate that, so yeah, you

1120
00:55:22,480 --> 00:55:25,480
Speaker 1: have to pick and choose, and you chose. Yeah, White Famous.

1121
00:55:25,520 --> 00:55:28,719
Speaker 1: Does Lorn call you directly when stuff like that happens? Though, No,

1122
00:55:32,000 --> 00:55:34,040
Speaker 1: he sent me a teasing me an email like I

1123
00:55:34,160 --> 00:55:36,960
Speaker 1: emailed him. He sent me an email back, and uh.

1124
00:55:37,040 --> 00:55:38,920
Speaker 1: I saw him at the party and he gave me

1125
00:55:38,960 --> 00:55:40,680
Speaker 1: a hug. He was like, you got so he was like, yeah,

1126
00:55:40,719 --> 00:55:43,080
Speaker 1: you have so much going on and you're you're you're

1127
00:55:43,160 --> 00:55:45,160
Speaker 1: you're good and I love you and everything. I was like,

1128
00:55:45,160 --> 00:55:47,160
Speaker 1: all right, thank you. So it's it's no, that's my

1129
00:55:47,280 --> 00:55:49,560
Speaker 1: fam man, it's no bad blood. And he always said, yo,

1130
00:55:49,640 --> 00:55:51,360
Speaker 1: you know you're part of the family no matter what.

1131
00:55:51,480 --> 00:55:53,040
Speaker 1: And I was like, yeah, thank you, I appreciate that.

1132
00:55:53,040 --> 00:55:55,040
Speaker 1: That's what if the pilot don't get picked up, I'm

1133
00:55:55,080 --> 00:55:58,680
Speaker 1: sure I will, but it will, but I got come on, man,

1134
00:55:59,160 --> 00:56:04,080
Speaker 1: I will, But what if? I mean? I mean, shoot,

1135
00:56:04,160 --> 00:56:06,680
Speaker 1: I'm on the road, I got I got three movies

1136
00:56:06,719 --> 00:56:09,759
Speaker 1: I'm fitting to do and I'm working. Bro. That's it.

1137
00:56:10,120 --> 00:56:12,239
Speaker 1: I mean. So all right. Yeah, another thing I was

1138
00:56:12,280 --> 00:56:13,840
Speaker 1: asking you about. I was telling you what you was

1139
00:56:14,000 --> 00:56:17,600
Speaker 1: in comedian I was talking to and he was kind

1140
00:56:17,640 --> 00:56:19,480
Speaker 1: of mad about some things you said about him on

1141
00:56:19,560 --> 00:56:23,480
Speaker 1: the Breakfast Club because they were true. Donna Rowlins, what

1142
00:56:23,560 --> 00:56:27,319
Speaker 1: you said about Donnello, Well, Donna Rowlins, you know. He mean,

1143
00:56:27,640 --> 00:56:29,399
Speaker 1: it's tough out here people. You know what I'm saying.

1144
00:56:29,440 --> 00:56:32,560
Speaker 1: The Chappelle Show was Chappelle Show was like twelve years ago.

1145
00:56:32,760 --> 00:56:37,759
Speaker 1: So it's not like it's not like he's like an

1146
00:56:37,800 --> 00:56:41,040
Speaker 1: Hollywood pop. It's not like he's doing like Bad Boys three.

1147
00:56:42,320 --> 00:56:45,000
Speaker 1: He got mad, Yo, he tweeted me. He was like, yo, son,

1148
00:56:45,160 --> 00:56:47,359
Speaker 1: you you take a shot. So I was like, Nah,

1149
00:56:47,840 --> 00:56:50,080
Speaker 1: these are jokes, but it's it's real. Yeah. Then he

1150
00:56:50,080 --> 00:56:52,200
Speaker 1: said he ran into you and it was beef beef.

1151
00:56:52,280 --> 00:56:54,959
Speaker 1: He said, you back down, Nah, you let Donnell rolling

1152
00:56:55,000 --> 00:56:58,120
Speaker 1: back you down. He didn't backround. I was like, yo,

1153
00:56:58,840 --> 00:57:04,640
Speaker 1: like I happened. I did not have something really crazy

1154
00:57:04,680 --> 00:57:07,279
Speaker 1: to beef. I missed that one. It wasn't even a beef.

1155
00:57:07,360 --> 00:57:09,399
Speaker 1: It was just I was just saying that I made

1156
00:57:09,440 --> 00:57:11,600
Speaker 1: a joke and he tweeted me and that was all

1157
00:57:11,640 --> 00:57:13,520
Speaker 1: it was. And when I seen him, I just wanted

1158
00:57:13,520 --> 00:57:14,840
Speaker 1: to make sure because he tweeted me, I was like,

1159
00:57:14,960 --> 00:57:16,880
Speaker 1: you must have felt some type of weight. So I

1160
00:57:17,000 --> 00:57:18,680
Speaker 1: was like, let me smooth, let me smoove it out

1161
00:57:18,720 --> 00:57:21,360
Speaker 1: a dude. I was just joking. Oh yeah, Yeah. It's

1162
00:57:21,360 --> 00:57:23,200
Speaker 1: funny because sometimes people could tweet you and you could

1163
00:57:23,240 --> 00:57:24,480
Speaker 1: take it the wrong way, because what if when he

1164
00:57:24,560 --> 00:57:26,919
Speaker 1: tweeted you, he was really joking, you know, and yeah,

1165
00:57:27,040 --> 00:57:28,680
Speaker 1: you'll tell you take a shot and you read it

1166
00:57:28,800 --> 00:57:30,720
Speaker 1: that way. That happens all the time you try to

1167
00:57:30,720 --> 00:57:33,600
Speaker 1: play with somebody. I hate man, he's very sensitive. Yes,

1168
00:57:33,880 --> 00:57:36,720
Speaker 1: Twitter is. I hate Twitter, though, like I hate you.

1169
00:57:36,800 --> 00:57:39,240
Speaker 1: Take a break from it after like after the announced

1170
00:57:39,280 --> 00:57:41,720
Speaker 1: you got fired, you did, ye, I wasn't. I was

1171
00:57:41,800 --> 00:57:43,840
Speaker 1: just I was just chilling because I was getting so

1172
00:57:43,960 --> 00:57:46,520
Speaker 1: many I got so many tweets like hey, I hope

1173
00:57:46,520 --> 00:57:48,440
Speaker 1: you all right and all this, and I'm like, you

1174
00:57:48,600 --> 00:57:50,960
Speaker 1: wasn't I'm on Twitter. They'd be like, I'm glad you

1175
00:57:51,040 --> 00:57:55,560
Speaker 1: got fired. Nah they yeah, eighty percent of the people

1176
00:57:55,760 --> 00:57:57,440
Speaker 1: eighty percent of the people that was hitting me up.

1177
00:57:57,560 --> 00:57:59,320
Speaker 1: Was like, yo, man, I'm sorry to hear about this.

1178
00:57:59,520 --> 00:58:01,439
Speaker 1: And then on percent you know most of the black people,

1179
00:58:01,480 --> 00:58:06,080
Speaker 1: you gonta blad gonna bad. He won't never funny in

1180
00:58:06,120 --> 00:58:07,760
Speaker 1: the first pit like you said you won't never funny?

1181
00:58:07,800 --> 00:58:10,960
Speaker 1: Twitters me, man, that's why I lost weight. I see

1182
00:58:11,040 --> 00:58:13,120
Speaker 1: you taking a lot of SELFI picus. I never follow you, bro,

1183
00:58:13,640 --> 00:58:15,280
Speaker 1: you won't follow me because I'll take a self It

1184
00:58:15,360 --> 00:58:18,120
Speaker 1: was too many. Hey, there's too many, man. I listen.

1185
00:58:18,160 --> 00:58:20,600
Speaker 1: I'm trying to inspire in the world made insecure, I'm

1186
00:58:20,640 --> 00:58:22,960
Speaker 1: trying to inspire the world. Listen. Then that was said, yo,

1187
00:58:23,040 --> 00:58:26,400
Speaker 1: so I'm feeling uncomfortable. All these ad picks said my

1188
00:58:26,440 --> 00:58:31,600
Speaker 1: wife was steroids. He was like, look, I said the steroids. Hey,

1189
00:58:31,720 --> 00:58:35,560
Speaker 1: the hips are gone. So that everybody was clowning you.

1190
00:58:35,880 --> 00:58:38,880
Speaker 1: I lost weight because listen, I never recovered from when

1191
00:58:38,920 --> 00:58:41,800
Speaker 1: I did a VMA twenty fourteen. They lit my ass

1192
00:58:41,960 --> 00:58:45,240
Speaker 1: up talking about my hips. Bro looked like Barney. I

1193
00:58:45,320 --> 00:58:48,760
Speaker 1: said why, I said, I gotta. I had to. I

1194
00:58:48,880 --> 00:58:50,840
Speaker 1: had to do it, man, like seriously, they did a

1195
00:58:50,880 --> 00:58:53,400
Speaker 1: side by side with me and Nickimnah, say who are better?

1196
00:58:53,520 --> 00:58:56,040
Speaker 1: You don't remember that? And then I was winning like

1197
00:58:56,240 --> 00:58:59,040
Speaker 1: I had to. I had to do something, bro, how

1198
00:58:59,120 --> 00:59:02,360
Speaker 1: you lean up? I started running like I do, like

1199
00:59:02,560 --> 00:59:06,160
Speaker 1: my cardio game is crazy, like I run like nine.

1200
00:59:06,160 --> 00:59:09,400
Speaker 1: I was running like nine miles a day like yeah,

1201
00:59:09,480 --> 00:59:12,480
Speaker 1: for like two months, and then I just kept being

1202
00:59:12,520 --> 00:59:14,720
Speaker 1: consistent with it and I would now I'm running like

1203
00:59:14,840 --> 00:59:17,800
Speaker 1: five whatever. But when I was in Tokyo like lasting

1204
00:59:17,960 --> 00:59:20,360
Speaker 1: last week week for last, like I ran sixteen miles

1205
00:59:20,400 --> 00:59:23,040
Speaker 1: in a day like I don't play around with cardio.

1206
00:59:23,080 --> 00:59:24,520
Speaker 1: And then I got a trainer too, so you know,

1207
00:59:24,680 --> 00:59:27,800
Speaker 1: I'm trying to get the Marvel superhero roles. You know

1208
00:59:27,840 --> 00:59:29,520
Speaker 1: where the money is. How much is the training now?

1209
00:59:29,560 --> 00:59:31,280
Speaker 1: Because you just got fired, you got to think about that.

1210
00:59:33,080 --> 00:59:35,320
Speaker 1: I've been fired four times, trust me, and third days

1211
00:59:35,320 --> 00:59:41,439
Speaker 1: you gotta cut out how much training trains complimentary? Okay? Yeah,

1212
00:59:41,520 --> 00:59:43,360
Speaker 1: he's like, hey man, just get me a tag. I'm like,

1213
00:59:43,400 --> 00:59:51,040
Speaker 1: all right, we got more with Jay Farrell. That was

1214
00:59:51,200 --> 00:59:55,280
Speaker 1: Jay Cole Morning. Everybody's DJ n V Angela, Ye shagna God.

1215
00:59:55,320 --> 00:59:58,760
Speaker 1: We all the Breakfast Club now formerly of s n L.

1216
00:59:58,840 --> 01:00:01,520
Speaker 1: We have Jay Farrell in the building. Ye. So Jay,

1217
01:00:01,560 --> 01:00:03,520
Speaker 1: we've been talking about your weight loss. I know a

1218
01:00:03,560 --> 01:00:05,440
Speaker 1: lot of women you said you've been getting, but there

1219
01:00:05,440 --> 01:00:07,000
Speaker 1: are a lot of guys trying to holler at you.

1220
01:00:07,240 --> 01:00:09,400
Speaker 1: And he gets a lot of guys trying to holder well,

1221
01:00:09,440 --> 01:00:11,479
Speaker 1: my hips were bigger. They definitely was trying to holder

1222
01:00:11,480 --> 01:00:14,360
Speaker 1: that as another reason I had to cut that. Do

1223
01:00:14,440 --> 01:00:17,760
Speaker 1: you know Felice Johnson he got out. He got out

1224
01:00:17,760 --> 01:00:22,920
Speaker 1: of jail. Yes, he did. Is out If I think

1225
01:00:23,000 --> 01:00:24,880
Speaker 1: they I think they put him in a half I'm

1226
01:00:24,920 --> 01:00:26,600
Speaker 1: sitting yo, he got out, So I think it was

1227
01:00:26,680 --> 01:00:28,400
Speaker 1: like a couple It was a couple of years ago.

1228
01:00:28,480 --> 01:00:30,880
Speaker 1: He got out. I was like, no, no, no, no,

1229
01:00:31,080 --> 01:00:33,960
Speaker 1: but I'm just I'm just preparing. They said that halfway

1230
01:00:34,040 --> 01:00:35,840
Speaker 1: there was like at one point there was a halfway

1231
01:00:35,880 --> 01:00:38,240
Speaker 1: house that wouldn't take him or something like that. And

1232
01:00:38,480 --> 01:00:40,840
Speaker 1: now I think I think he got out. So I

1233
01:00:40,880 --> 01:00:42,720
Speaker 1: didn't want him to like come at S ANDL like

1234
01:00:42,800 --> 01:00:46,640
Speaker 1: waiting around the corner. It's waiting like with Jice Johnson

1235
01:00:46,760 --> 01:00:50,240
Speaker 1: is now on the loose end up raping Michael because

1236
01:00:50,240 --> 01:00:53,680
Speaker 1: you got getting no more Shay hit me up, your son,

1237
01:00:53,800 --> 01:00:55,640
Speaker 1: I got my cakes to us like they ain't thought.

1238
01:00:55,640 --> 01:00:57,840
Speaker 1: I was used. Can you watch the show? Do you

1239
01:00:57,880 --> 01:01:00,720
Speaker 1: watch it? Hey? I didn't watch it a lot. I

1240
01:01:00,840 --> 01:01:03,080
Speaker 1: watched it at a certain point before I got on

1241
01:01:03,160 --> 01:01:05,160
Speaker 1: the show, but like I wasn't like the current, Like

1242
01:01:05,240 --> 01:01:06,840
Speaker 1: I didn't know the Christen wig and all of that.

1243
01:01:06,960 --> 01:01:09,080
Speaker 1: But it's the same thing. Like I watched clips and

1244
01:01:09,080 --> 01:01:11,280
Speaker 1: stuff like oh that was funny or that whatever, So

1245
01:01:11,400 --> 01:01:14,440
Speaker 1: it's not it's nothing like, huh, I'm getting flashbacks from

1246
01:01:14,480 --> 01:01:17,200
Speaker 1: my job and my sketches cut if I watched the

1247
01:01:17,240 --> 01:01:19,840
Speaker 1: show or nothing now long. Michael said that he told

1248
01:01:19,920 --> 01:01:21,800
Speaker 1: us say the day that y'all served the show, well

1249
01:01:22,320 --> 01:01:24,520
Speaker 1: you and kill him, and you and y'all are two

1250
01:01:24,600 --> 01:01:27,240
Speaker 1: people that you really care about. But changes the lifeblood

1251
01:01:27,240 --> 01:01:29,320
Speaker 1: of the show. It always has been. You got to

1252
01:01:29,400 --> 01:01:33,240
Speaker 1: keep bringing new people in. But then, the only discrepancy

1253
01:01:33,320 --> 01:01:36,720
Speaker 1: I have with that statement is, uh, the fact that

1254
01:01:36,960 --> 01:01:39,600
Speaker 1: there have been people on the show for like almost

1255
01:01:39,640 --> 01:01:41,480
Speaker 1: twenty twenty years. That's what I said. I'm like changing

1256
01:01:41,520 --> 01:01:43,840
Speaker 1: the light of the show. Okay, I said, I put

1257
01:01:44,480 --> 01:01:47,080
Speaker 1: two hands. I was like all right, Cool, that's that's

1258
01:01:47,080 --> 01:01:48,919
Speaker 1: an explanation you want to get. I was like, that's cool.

1259
01:01:49,160 --> 01:01:52,320
Speaker 1: I think everybody's like mad political about that, but it's

1260
01:01:52,320 --> 01:01:55,560
Speaker 1: people that's been there mad long. Do you believe him

1261
01:01:55,600 --> 01:01:59,800
Speaker 1: when he says that he cares about you? You doctor,

1262
01:02:00,080 --> 01:02:10,600
Speaker 1: don't do you? Okay? Okay, okay, um, I don't know.

1263
01:02:10,720 --> 01:02:12,160
Speaker 1: I'm telling you. I don't know who that is, but

1264
01:02:12,640 --> 01:02:15,080
Speaker 1: she does fix my life. Okay, Okay, I'm gonna look

1265
01:02:15,120 --> 01:02:18,360
Speaker 1: it up next time, next time I come in. Um,

1266
01:02:18,640 --> 01:02:21,360
Speaker 1: I think he really cares. I think Lauren does care

1267
01:02:21,680 --> 01:02:24,720
Speaker 1: about us. You know, I don't think he would make

1268
01:02:24,840 --> 01:02:29,280
Speaker 1: decisions if he didn't believe in people's talent. So you know,

1269
01:02:29,720 --> 01:02:32,480
Speaker 1: I believe it. Yeah. This situation we talked about earlier,

1270
01:02:32,600 --> 01:02:35,920
Speaker 1: it's about Mariah Carey. She was engaged, it would be

1271
01:02:36,040 --> 01:02:40,440
Speaker 1: longer engaged. What did I ever beat Maria? No? Man?

1272
01:02:40,600 --> 01:02:43,640
Speaker 1: I was like, wait, I was agreeing to and then

1273
01:02:44,640 --> 01:02:48,160
Speaker 1: he's slipping you've been doing? That'd be slipping, bro. You

1274
01:02:48,200 --> 01:02:50,600
Speaker 1: know hey, I wanted bro, I did want to and

1275
01:02:50,720 --> 01:02:55,240
Speaker 1: I do want to though she's single. Yeah. The only

1276
01:02:55,320 --> 01:02:57,280
Speaker 1: thing is this all right? So now they're not getting

1277
01:02:57,320 --> 01:02:59,800
Speaker 1: married anymore? You know, he's a billionaire. She wants him

1278
01:02:59,840 --> 01:03:03,240
Speaker 1: to give her fifty million dollars plus by her mansion

1279
01:03:03,320 --> 01:03:06,200
Speaker 1: in La. Plus she gets to keep the ring, which

1280
01:03:06,240 --> 01:03:09,040
Speaker 1: is worth about ten million dollars. Is there ever a

1281
01:03:09,120 --> 01:03:11,880
Speaker 1: case you think where a man should give some palimony

1282
01:03:12,000 --> 01:03:15,200
Speaker 1: up if you didn't get married, but pay you. I

1283
01:03:15,240 --> 01:03:17,760
Speaker 1: don't think no ass is worth giving that much money.

1284
01:03:17,880 --> 01:03:20,240
Speaker 1: You don't even have sex with her? What she said?

1285
01:03:20,600 --> 01:03:22,760
Speaker 1: She says she's so traditional that she used to sleep

1286
01:03:22,800 --> 01:03:26,320
Speaker 1: in another bedroom. Wait, wait, she see that she see

1287
01:03:26,440 --> 01:03:28,160
Speaker 1: ard is as even on the yat She said they

1288
01:03:28,160 --> 01:03:30,160
Speaker 1: slept in different rooms. She don't know, she don't she

1289
01:03:30,240 --> 01:03:32,240
Speaker 1: don't get fifty then you ain't giving me no booty, you,

1290
01:03:32,320 --> 01:03:35,479
Speaker 1: Maria Carrie, You gave me no ass and we ain't married,

1291
01:03:35,520 --> 01:03:38,000
Speaker 1: we ain't got no kids, fifty million house in la

1292
01:03:38,160 --> 01:03:42,520
Speaker 1: and the ring? Do sex feel better without hips? Wait?

1293
01:03:42,640 --> 01:03:46,800
Speaker 1: What does it feel better without hips? Does flirting? That's why, Charlemagne?

1294
01:03:47,600 --> 01:03:50,480
Speaker 1: What you mean? Because you asking me? You asking me

1295
01:03:50,560 --> 01:03:52,640
Speaker 1: these pause questions. You used to have hips? You said

1296
01:03:52,640 --> 01:03:57,920
Speaker 1: you don't have hips? Looking down right? Think needs them

1297
01:03:57,960 --> 01:04:01,880
Speaker 1: to grab on sitting like a cat. And what is

1298
01:04:07,400 --> 01:04:09,680
Speaker 1: the posed? Though? The pose is killing me? Like? What

1299
01:04:10,480 --> 01:04:14,680
Speaker 1: you do want it again? Sex feel better without hims?

1300
01:04:15,320 --> 01:04:19,080
Speaker 1: You know what I mean? Pause, pause, Charlemagne super pause,

1301
01:04:19,760 --> 01:04:22,560
Speaker 1: but doesn't feel better? What's wrong with you asking the

1302
01:04:22,680 --> 01:04:25,080
Speaker 1: question that you've lost weight? I don't know how well

1303
01:04:26,320 --> 01:04:29,400
Speaker 1: can I be honest with you? Stamming the wise? I listen.

1304
01:04:29,480 --> 01:04:33,840
Speaker 1: I've never been a minute dude, never ever, never, never.

1305
01:04:34,800 --> 01:04:38,240
Speaker 1: Somebody's gonna tweet us definitely sure, Hey, I swear I did.

1306
01:04:38,320 --> 01:04:42,320
Speaker 1: If anybody please stand up, if you please stand up.

1307
01:04:42,400 --> 01:04:46,160
Speaker 1: But the stamming up from exercise and everything, like I'm

1308
01:04:46,240 --> 01:04:48,240
Speaker 1: on super saying blue right now, like you can't mess

1309
01:04:48,280 --> 01:04:49,600
Speaker 1: with me. You know, you know, y'all don't y'all don't

1310
01:04:49,600 --> 01:04:51,600
Speaker 1: get that reference because you don't watch that. You get

1311
01:04:51,640 --> 01:04:54,280
Speaker 1: that right. We got more with Jay Farrell when we

1312
01:04:54,360 --> 01:04:56,560
Speaker 1: come back. Keep a lock, don't move. It's the Breakfast Club.

1313
01:04:56,600 --> 01:05:03,600
Speaker 1: Good morning, the Breakfast Club. No, no, that was Beyonce

1314
01:05:03,800 --> 01:05:07,760
Speaker 1: with sorry morning. Everybody is TJ mvy Angela Yee, Charlomagne

1315
01:05:07,760 --> 01:05:10,040
Speaker 1: the guy. We are the Breakfast Club now formerly of

1316
01:05:10,280 --> 01:05:12,920
Speaker 1: s n L. We have Jay Farrell in the building. Now.

1317
01:05:12,960 --> 01:05:15,200
Speaker 1: You do a lot of impersonations. You get flat from

1318
01:05:15,240 --> 01:05:17,080
Speaker 1: doing it. They say, well, you're not funny because all

1319
01:05:17,080 --> 01:05:19,640
Speaker 1: you are is impression, well from what a lot of

1320
01:05:19,720 --> 01:05:23,000
Speaker 1: people have seen online or whatever. Like they'll say, oh

1321
01:05:23,120 --> 01:05:25,560
Speaker 1: he do impressions, Well that's all he do. But the

1322
01:05:25,640 --> 01:05:27,640
Speaker 1: people that actually come to my shows and they see it,

1323
01:05:27,680 --> 01:05:30,520
Speaker 1: they're like, wow, you do everything, And I'm like, yeah,

1324
01:05:30,960 --> 01:05:33,440
Speaker 1: when I was younger, it was a lot more impression stuff.

1325
01:05:33,440 --> 01:05:35,840
Speaker 1: But you know, now I'm just talking about me, like

1326
01:05:35,920 --> 01:05:38,280
Speaker 1: everything I've been through, and it's it's fun now. Yeah,

1327
01:05:38,320 --> 01:05:40,600
Speaker 1: I saw you talking about politics. You said with screwed

1328
01:05:40,640 --> 01:05:42,240
Speaker 1: either way, it doesn't matter if you want to hold

1329
01:05:42,560 --> 01:05:45,960
Speaker 1: just tipic. That's the truth. That's the thing, Like, you

1330
01:05:46,040 --> 01:05:52,200
Speaker 1: know what's screwed? They just said, let's you don't want

1331
01:05:52,200 --> 01:05:54,360
Speaker 1: to say to Charomagne you want to say this because

1332
01:05:54,360 --> 01:05:56,480
Speaker 1: you ain't saying no party this you you didn't sat

1333
01:05:56,600 --> 01:06:00,320
Speaker 1: like this. The cat poles don't do. Come on, it

1334
01:06:00,360 --> 01:06:07,160
Speaker 1: makes me very uncomfortable. All right, Yeah, what you got

1335
01:06:07,240 --> 01:06:10,480
Speaker 1: in your phone? Your bullet points? Man? Listen? Just who

1336
01:06:10,520 --> 01:06:12,240
Speaker 1: else you got in there? No? Man, we were just

1337
01:06:12,760 --> 01:06:14,240
Speaker 1: just a wait low. We talked. I think we really

1338
01:06:14,320 --> 01:06:16,160
Speaker 1: talked about everything. I liked that. I like when guests

1339
01:06:16,200 --> 01:06:17,760
Speaker 1: come prepared with what they know. They wanted to talk.

1340
01:06:19,760 --> 01:06:22,680
Speaker 1: Do you think this's Molly? No? Do it? No, come on, girl,

1341
01:06:22,720 --> 01:06:24,440
Speaker 1: don't don't do that. Don't do that. I got molly.

1342
01:06:25,840 --> 01:06:27,880
Speaker 1: I didn't do it. I got drugged. I actually did

1343
01:06:27,960 --> 01:06:31,200
Speaker 1: get drugs. Really just it was this white I was

1344
01:06:31,240 --> 01:06:34,160
Speaker 1: at a white party, all white, and this girl said

1345
01:06:34,400 --> 01:06:38,120
Speaker 1: we're gonna do some drugs. And I'm thinking we right,

1346
01:06:38,280 --> 01:06:40,120
Speaker 1: And then the friend was like, no, we're not doing

1347
01:06:40,200 --> 01:06:42,000
Speaker 1: hardcore drugs. I was like, wait a minute, what do

1348
01:06:42,040 --> 01:06:44,560
Speaker 1: you mean with the universe? Is this hard coach up?

1349
01:06:44,800 --> 01:06:46,520
Speaker 1: And then she was like, no, we're doing Molly. I

1350
01:06:46,600 --> 01:06:48,840
Speaker 1: was like, nick, no, and then she dropped it in

1351
01:06:48,920 --> 01:06:50,960
Speaker 1: my drink. I didn't know, and I drank the champagne

1352
01:06:51,080 --> 01:06:53,640
Speaker 1: and then I was I was gone, did you at

1353
01:06:53,680 --> 01:06:57,480
Speaker 1: least smash the chicks? It didn't work. It didn't yet

1354
01:06:58,240 --> 01:07:02,000
Speaker 1: didn't work now off the whole time, I blame it

1355
01:07:02,040 --> 01:07:06,680
Speaker 1: on you blamed it on maybe you needed a dog

1356
01:07:06,760 --> 01:07:11,480
Speaker 1: to come to your ba. I'm gonna wait. I'm anna white,

1357
01:07:13,040 --> 01:07:14,880
Speaker 1: I'm gonna waite. I'm gonna league because I think you

1358
01:07:17,080 --> 01:07:20,560
Speaker 1: leave because you don't get hard all right, what does

1359
01:07:20,600 --> 01:07:22,600
Speaker 1: that have to do with you? All right? Still, you

1360
01:07:22,680 --> 01:07:24,600
Speaker 1: know what there's been so I'm telling you, there's so

1361
01:07:24,680 --> 01:07:29,840
Speaker 1: many suspect moments in it. Charlte Mane, kick you out? Happen?

1362
01:07:30,000 --> 01:07:31,600
Speaker 1: Were not mean? You don't mean for it to happen,

1363
01:07:32,000 --> 01:07:34,640
Speaker 1: I think, But it's so natural, It comes so natural

1364
01:07:34,720 --> 01:07:36,720
Speaker 1: to y'all. What the hell like? All right? All right,

1365
01:07:37,400 --> 01:07:39,400
Speaker 1: doesn't want to hear anymore because you don't get hard.

1366
01:07:39,640 --> 01:07:41,840
Speaker 1: Why are you looking at him like that? He's still

1367
01:07:41,920 --> 01:07:48,400
Speaker 1: doing it, this pose that poses killing y'all. Okay, all right,

1368
01:07:48,560 --> 01:07:51,000
Speaker 1: Jay Farrell, you have it. It's the Breakfast Club. Good morning.

1369
01:07:51,280 --> 01:07:51,320
Speaker 1: It