1 00:00:03,720 --> 00:00:08,400 Speaker 1: It's time for Donkey of the day. I'm a Democrat, 2 00:00:08,440 --> 00:00:10,680 Speaker 1: so being Drunky of the day a little bit of 3 00:00:10,680 --> 00:00:15,840 Speaker 1: a mixed jug, so like a donkey the other day 4 00:00:16,880 --> 00:00:19,520 Speaker 1: club bitches. Now, I've been called a lot of my 5 00:00:19,560 --> 00:00:21,599 Speaker 1: twenty three years, but Dunky of the day is a 6 00:00:21,640 --> 00:00:24,800 Speaker 1: new wife. Yeah, it's Dunkey of to day for Tuesday, 7 00:00:24,880 --> 00:00:28,600 Speaker 1: May for a teenth goes to Phoenix Suns forward Josh Jackson. Now, 8 00:00:28,720 --> 00:00:31,319 Speaker 1: Josh is twenty two years old. He got drafted in 9 00:00:31,320 --> 00:00:34,360 Speaker 1: twenty seventeen first round pick. Uh he was number four. 10 00:00:34,400 --> 00:00:37,640 Speaker 1: Actually a solid player so far in the league, I 11 00:00:37,680 --> 00:00:39,760 Speaker 1: would say so. Rookie year, he averaged a little over 12 00:00:39,800 --> 00:00:42,360 Speaker 1: thirteen points a game. This year he averaged around eleven 13 00:00:42,360 --> 00:00:44,879 Speaker 1: points a game, So decent first couple of years. I 14 00:00:44,880 --> 00:00:46,599 Speaker 1: think his career average is like twelve points a game 15 00:00:46,680 --> 00:00:48,440 Speaker 1: something like that. He's still got a lot of work 16 00:00:48,479 --> 00:00:50,640 Speaker 1: to do, though, a lot of work to do to 17 00:00:50,760 --> 00:00:53,040 Speaker 1: be a household name. And he was reminded of that 18 00:00:53,120 --> 00:00:56,279 Speaker 1: this past weekend at the Rolling Loud Festival in Miami. Now, 19 00:00:56,280 --> 00:00:58,280 Speaker 1: I think, God, I've never been one of these negroes 20 00:00:58,320 --> 00:01:01,680 Speaker 1: who have a desire, our problem getting in vi ip 21 00:01:01,800 --> 00:01:03,880 Speaker 1: Okay let me tell you something to to this day, 22 00:01:04,040 --> 00:01:07,759 Speaker 1: to this die. If I'm somewhere and there's a VIP section, 23 00:01:07,920 --> 00:01:09,800 Speaker 1: if they don't let me in, I'm not tripping. I'm 24 00:01:09,800 --> 00:01:11,760 Speaker 1: not about to beg anyone. I'm not about to ask 25 00:01:11,959 --> 00:01:14,280 Speaker 1: to talk to anyone. To manager, I'm damn sure not 26 00:01:14,360 --> 00:01:16,240 Speaker 1: hitting you with it. Do you know who I am? 27 00:01:16,440 --> 00:01:18,840 Speaker 1: Because number one, security got a job to do, all right. 28 00:01:19,040 --> 00:01:21,200 Speaker 1: Number two they may know who you are and not 29 00:01:21,360 --> 00:01:23,880 Speaker 1: care because they have a job to do. And number three, 30 00:01:23,920 --> 00:01:26,600 Speaker 1: who the hell are you? Okay, No, I don't know 31 00:01:26,640 --> 00:01:28,600 Speaker 1: who you are, and it's my job to keep people 32 00:01:28,600 --> 00:01:31,880 Speaker 1: out of here because dull, I have a job to 33 00:01:31,920 --> 00:01:34,160 Speaker 1: do and you don't have the credentials to be in here. Well, 34 00:01:34,240 --> 00:01:36,640 Speaker 1: Josh Jackson of the Phoenix Suns is one of those people, 35 00:01:36,880 --> 00:01:38,880 Speaker 1: one of those annoying ass people who can't take no 36 00:01:39,000 --> 00:01:41,360 Speaker 1: fa an answer when it comes to not being allowed 37 00:01:41,400 --> 00:01:44,480 Speaker 1: in the VIP. The male ego is so fragile. The 38 00:01:44,560 --> 00:01:46,920 Speaker 1: rejection of not being allowed in the vi IP is 39 00:01:46,959 --> 00:01:50,360 Speaker 1: too much for Josh Jackson the handle, especially because he's 40 00:01:50,360 --> 00:01:53,280 Speaker 1: an NBA player and this happened. Let's go to Andy 41 00:01:53,320 --> 00:01:56,080 Speaker 1: Slayer Show for the report. Police Josh Jackson plays with 42 00:01:56,120 --> 00:01:59,600 Speaker 1: the Phoenix Suns. He was at Rolling Loud in Miami Gardens, 43 00:01:59,600 --> 00:02:04,080 Speaker 1: which is a hard rock stadium, and according to my sources, 44 00:02:04,600 --> 00:02:09,400 Speaker 1: Josh Jackson was arrested because he tried to get into 45 00:02:09,440 --> 00:02:15,880 Speaker 1: the VIP area several times without having proper VIP access. 46 00:02:16,320 --> 00:02:20,200 Speaker 1: Officers were being kind of polite to him. After like 47 00:02:20,240 --> 00:02:24,160 Speaker 1: three or four times he tried him and then they 48 00:02:24,200 --> 00:02:27,000 Speaker 1: finally took him out. They put him in handcuffs, put 49 00:02:27,080 --> 00:02:30,440 Speaker 1: him on a golf cart. And this NBA player gets 50 00:02:30,520 --> 00:02:33,760 Speaker 1: off the golf cart in handcuffs and starts running away, 51 00:02:33,919 --> 00:02:36,040 Speaker 1: so police catch up to him and then they charge 52 00:02:36,120 --> 00:02:40,799 Speaker 1: him with a felony for escape and then also resisting arrest. Now, 53 00:02:40,800 --> 00:02:43,320 Speaker 1: I want to ask Angelie a question. If you couldn't 54 00:02:43,320 --> 00:02:45,440 Speaker 1: get into the VFP, would you beg to get int 55 00:02:45,440 --> 00:02:48,600 Speaker 1: the VF Absolutely not, I'll walk away, Envy. If you 56 00:02:48,600 --> 00:02:50,440 Speaker 1: couldn't get into VFP, would you beg to get into 57 00:02:50,440 --> 00:02:53,360 Speaker 1: the VFP. That doesn't happen to me, bro Angelie. I 58 00:02:53,360 --> 00:02:56,600 Speaker 1: think Envy would definitely be put in the situation through 59 00:02:59,320 --> 00:03:01,680 Speaker 1: and if he doesn't do that, he might argue with 60 00:03:01,720 --> 00:03:04,080 Speaker 1: security and time. You don't know who I am. That 61 00:03:04,080 --> 00:03:07,480 Speaker 1: doesn't happen to me. Bro, This absolutely sounds like something 62 00:03:07,520 --> 00:03:10,520 Speaker 1: that would happen in me. But I was Keep in mind, 63 00:03:10,639 --> 00:03:13,560 Speaker 1: Josh Jackson is six eight all right, running when handcuffs 64 00:03:13,560 --> 00:03:16,800 Speaker 1: on that rolling loud? Josh Jackson, where are you going? Right? 65 00:03:16,880 --> 00:03:18,799 Speaker 1: You think nobody is going to notice the sixth eighth 66 00:03:18,840 --> 00:03:21,880 Speaker 1: man running in handcuffs that rolling loud? And Josh, you 67 00:03:21,880 --> 00:03:24,200 Speaker 1: would never you would never have been in this situation 68 00:03:24,320 --> 00:03:26,800 Speaker 1: if you went where you are celebrating, not where you're tolerating. 69 00:03:26,880 --> 00:03:29,440 Speaker 1: Not only that, instead of fighting and getting the VP, 70 00:03:29,880 --> 00:03:32,640 Speaker 1: take your ass to general population and do what we 71 00:03:32,720 --> 00:03:36,040 Speaker 1: all do. Okay, day dream about one day being in 72 00:03:36,120 --> 00:03:38,720 Speaker 1: position to get you and your friends in the VIP 73 00:03:39,120 --> 00:03:40,800 Speaker 1: if you want to, well, he should have did with 74 00:03:40,920 --> 00:03:42,960 Speaker 1: Texas agent and be like, look I'm out here, I 75 00:03:43,080 --> 00:03:45,600 Speaker 1: need you to get me into the VIP. Make it happen. 76 00:03:45,720 --> 00:03:47,640 Speaker 1: And then you wait until they text you back and 77 00:03:47,720 --> 00:03:49,800 Speaker 1: be like, Okay, I have sex texts coming to get 78 00:03:49,840 --> 00:03:52,840 Speaker 1: you where you are. I highly doubt his basketball agent 79 00:03:53,040 --> 00:03:56,000 Speaker 1: knows anything about some damn rolling loud. He'll figure it out, 80 00:03:56,160 --> 00:03:59,640 Speaker 1: trust me. The money they get paid. Now here's another secret. 81 00:03:59,680 --> 00:04:01,640 Speaker 1: Once you get into v IP, you'll realize you don't 82 00:04:01,640 --> 00:04:03,160 Speaker 1: even want to be in there, all right, nothing in 83 00:04:03,200 --> 00:04:05,200 Speaker 1: there but a bunch of people acting fake important. Who 84 00:04:05,200 --> 00:04:07,080 Speaker 1: got time for that? All right? You should feel like 85 00:04:07,200 --> 00:04:09,760 Speaker 1: VP wherever you go, and you don't need the validation 86 00:04:09,760 --> 00:04:12,440 Speaker 1: of a v IP credential to be considered a very 87 00:04:12,480 --> 00:04:16,120 Speaker 1: important person. Now, if Josh hits that court and does 88 00:04:16,160 --> 00:04:19,040 Speaker 1: what he's supposed to do and becomes an all star, right, 89 00:04:19,120 --> 00:04:22,400 Speaker 1: starts getting endorsement deals, gets into some commercials, hits the 90 00:04:22,440 --> 00:04:24,800 Speaker 1: Suns in the playoffs so people can see him, he 91 00:04:24,839 --> 00:04:28,520 Speaker 1: won't ever have to beg to get into a VP ever. Again, 92 00:04:28,760 --> 00:04:33,440 Speaker 1: the moral of the story is work, so you never 93 00:04:33,520 --> 00:04:36,520 Speaker 1: have to introduce yourself. Please give Josh Jackson to the 94 00:04:36,520 --> 00:04:41,760 Speaker 1: Phoenix Suns the biggest he hall. Although I will say 95 00:04:41,800 --> 00:04:43,919 Speaker 1: at an event like that, maybe it was annoying for 96 00:04:44,000 --> 00:04:46,719 Speaker 1: him because he is very tall, people might recognize him, 97 00:04:47,160 --> 00:04:49,000 Speaker 1: so people might have just kept coming up to him, 98 00:04:49,440 --> 00:04:52,040 Speaker 1: and you're just trying to not be out there. I 99 00:04:52,080 --> 00:04:55,640 Speaker 1: don't know, guessing because he's so tall, people already look 100 00:04:55,640 --> 00:04:59,960 Speaker 1: at you, Josh Jackson, but I highly doubt anybody knows 101 00:05:00,080 --> 00:05:03,520 Speaker 1: Josh Jackson. That's disrespectful, Holly do not not not no. 102 00:05:04,720 --> 00:05:07,040 Speaker 1: You know some basketball fans mane give it some time. 103 00:05:07,080 --> 00:05:08,640 Speaker 1: And he's only been in the league two years. Give 104 00:05:08,640 --> 00:05:11,800 Speaker 1: me some time. That's all all right, Well, thank you 105 00:05:11,800 --> 00:05:17,400 Speaker 1: for that donkey today. Now let's talking low quis no quiha. 106 00:05:17,520 --> 00:05:19,360 Speaker 1: All right, that's a new movie that's coming out that 107 00:05:19,480 --> 00:05:27,000 Speaker 1: people are upset about. Let's play a place. I know, 108 00:05:28,839 --> 00:05:31,479 Speaker 1: the biggest thing in radio, but I still need mine. 109 00:05:31,560 --> 00:05:37,920 Speaker 1: And then Louisa, what's your problem? It's oh, I ain't 110 00:05:37,960 --> 00:05:40,200 Speaker 1: talking to you, not the way you sound. Nuts dollar 111 00:05:40,560 --> 00:05:43,440 Speaker 1: you go, girl. You just be good at her. If 112 00:05:43,480 --> 00:05:45,760 Speaker 1: you're good at yourself, you can be good at others. 113 00:05:46,240 --> 00:05:48,200 Speaker 1: Don't be too good because the police are come around. 114 00:05:48,600 --> 00:05:53,800 Speaker 1: Question is a real if African American woman? I think 115 00:05:53,880 --> 00:05:55,800 Speaker 1: I might be a black woman trapped in a white 116 00:05:55,800 --> 00:05:58,160 Speaker 1: man's body. Now let's talk low quistion. Now give him 117 00:05:58,880 --> 00:06:00,880 Speaker 1: not like a man? Okay. So the truth to this 118 00:06:00,960 --> 00:06:03,440 Speaker 1: story is it's a white man who is pretending to 119 00:06:03,520 --> 00:06:05,719 Speaker 1: be a black woman because there was an opening that's 120 00:06:05,720 --> 00:06:09,039 Speaker 1: looking for a black woman radio host and he wasn't 121 00:06:09,080 --> 00:06:10,920 Speaker 1: able to get it as a white man, so he 122 00:06:11,120 --> 00:06:14,240 Speaker 1: disguises himself just his voice to be talking as a 123 00:06:14,520 --> 00:06:17,640 Speaker 1: black woman, calls himself a Loquisha, and that's his idea 124 00:06:17,680 --> 00:06:20,040 Speaker 1: to try to land this job. Of course they have 125 00:06:20,200 --> 00:06:22,560 Speaker 1: not seen that he's a white man, so he basically 126 00:06:22,680 --> 00:06:25,040 Speaker 1: gets the job and goes on the air pretending to 127 00:06:25,120 --> 00:06:28,520 Speaker 1: be a black woman named Loquisha. Amazing premise. All right, 128 00:06:28,600 --> 00:06:30,520 Speaker 1: what's the problem. Let's open up the phone lines. How 129 00:06:30,560 --> 00:06:34,000 Speaker 1: do you feel about you yet? We didn't ask you yet? 130 00:06:34,040 --> 00:06:37,920 Speaker 1: Eight hundred five one on five one. How do you 131 00:06:38,040 --> 00:06:41,040 Speaker 1: guys feel about it? A white man acting like a 132 00:06:41,200 --> 00:06:45,560 Speaker 1: black woman to get a job seems out of five 133 00:06:45,680 --> 00:06:47,800 Speaker 1: eight five one on five one. We'll talk about it 134 00:06:47,839 --> 00:06:50,080 Speaker 1: when we come back. It's kind of like a like 135 00:06:50,440 --> 00:06:52,000 Speaker 1: what they did in White Chicks. It was a black 136 00:06:52,040 --> 00:06:54,280 Speaker 1: guy it pretended to be a white chick. Then now 137 00:06:54,360 --> 00:06:57,600 Speaker 1: there's a white man that's pretending to be a hold on, 138 00:06:57,640 --> 00:07:00,240 Speaker 1: I need more detail, though, who's behind this film? Like 139 00:07:00,400 --> 00:07:03,520 Speaker 1: a white man? Is the person that wrote, directed and 140 00:07:03,600 --> 00:07:06,239 Speaker 1: started it? He's the white man. Well that's the problem 141 00:07:06,320 --> 00:07:09,200 Speaker 1: because because it's not it's not the idea that's bothering people, 142 00:07:09,240 --> 00:07:12,520 Speaker 1: it's the presentation. He should have had a name, Well, 143 00:07:12,600 --> 00:07:14,800 Speaker 1: Jeremy should have had a black person, specifically a black 144 00:07:14,840 --> 00:07:16,720 Speaker 1: woman to be the executive producer. If this was a 145 00:07:16,760 --> 00:07:19,280 Speaker 1: black woman's idea, are presented as a black woman's idea, 146 00:07:19,400 --> 00:07:21,200 Speaker 1: it wouldn't be an issue. Well, let's let's talk about 147 00:07:21,240 --> 00:07:23,200 Speaker 1: it when we come back. Eight hundred five eight five 148 00:07:23,280 --> 00:07:25,600 Speaker 1: one on five one, What are your thoughts? Call us now, 149 00:07:25,600 --> 00:07:28,480 Speaker 1: it's the Breakfast Club. Good morning, the Breakfast Club.