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Speaker 1: Look at bays in the back. The digital dossier in effect.

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Speaker 2: That Yo, those stats was crazy, right, Listen, man, I

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Speaker 2: was really I was sold after that. He knows everything

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Speaker 2: about me.

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Speaker 1: We had a meeting where we were meeting about the meeting,

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Speaker 1: my favorite type of meeting, meeting about a meeting, and

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Speaker 1: some analytics were brought to our attention, and I just

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Speaker 1: want to let everyone know the fellas really in them,

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Speaker 1: all the fellas like Mare. I don't know if that's

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Speaker 1: what we got from that, That's what I got from that.

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Speaker 1: I sat there and said, man could bring the dudes out.

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Speaker 2: Yeah, I don't know.

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Speaker 1: I got got dudes Mal's Instagram because they are there.

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Speaker 2: Oh man, it's crazy.

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Speaker 1: So yeah, you're forever the digital dossier.

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Speaker 2: Listen, man, it was good to see those numbers. You

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Speaker 2: kind of I kind of know where I stand now,

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Speaker 2: kind of know my strengths and my weaknesses. Uh, got

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Speaker 2: to know certain areas I need to work on a

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Speaker 2: little bit, you know what I mean. It was good.

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Speaker 2: It was good to see that.

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Speaker 1: No, you're that your Instagram reminded me a lot of

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Speaker 1: like an underground rap concert.

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Speaker 2: Yeah, yeah, like it definitely did.

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Speaker 1: You and a moral technique I think of the same

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Speaker 1: fan base.

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Speaker 2: Somewhere along those lines with yeah, same venues.

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Speaker 1: Hey it's profitable.

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Speaker 2: No, absolutely, it's profitable. I love it. I love it. Yeah,

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Speaker 2: I'm excited to see yours, though she said she had yours.

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Speaker 1: You're definitely like a Who's Next Hot ninety seven showcase

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Speaker 1: at SOBS.

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Speaker 2: Yeah, that's what it looked like. You're right, that's exactly

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Speaker 2: what it looked like.

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Speaker 1: I don't want to see mine.

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Speaker 2: I do, I do.

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Speaker 1: Mine is probably more more dudes than me. No, well,

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Speaker 1: you were ninety nine point nine nine.

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Speaker 2: I was not. I was about seventy five percent.

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Speaker 1: But how are you going to switch up your content

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Speaker 1: to bring the women?

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Speaker 2: I don't know. Gotta, I gotta start talking about, like, uh,

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Speaker 2: home decoor.

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Speaker 1: I guess how did you pronounce that decore de core? Yeah,

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Speaker 1: I gotta start them some homes, take them to the buffets.

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Speaker 2: Yeah, the buffets that like your car. Yeah, maybe a

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Speaker 2: fish filet. I gotta start talking about, uh, you know,

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Speaker 2: more more pastels, more colors. Okay, Uh yeah, I gotta,

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Speaker 2: I gotta. I gotta cooking. Okay, I think we got

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Speaker 2: to incorporate some some cooking, you.

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Speaker 1: Know what, to help you don't think the fear of Gods.

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Speaker 2: I bring it out now, this is not going to

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Speaker 2: get the.

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Speaker 1: I see what she tried to do, blasphemy up top,

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Speaker 1: fearing God.

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Speaker 2: You see, it's the whole thing I'm giving you.

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Speaker 1: No, No, this is why it's ninety.

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Speaker 2: It's the whole thing I'm giving you. No.

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Speaker 1: Girl was like, yeah, I didn't even see this fit

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Speaker 1: was an entendre.

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Speaker 2: My fit is not ontonsured. I'm glad you painted that

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Speaker 2: picture though. For me. I'm glad you. Yeah.

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Speaker 1: You're like a contradiction. Understand.

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Speaker 2: Yeah, it's like she has to figure me out while

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Speaker 2: I'm home on the street, you know what I mean. Okay, yeah, man,

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Speaker 2: so that's new.

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Speaker 1: You know, say La back from LA. I did survive you.

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Speaker 2: Feeling because I didn't see you since we got back

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Speaker 2: and he was under the weather.

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Speaker 1: So yeah, so uh for those that don't care, we

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Speaker 1: went to La landed. I said, hey, I'm not going

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Speaker 1: to go to the hotel. I'm gonna go to urgent care. Yeah,

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Speaker 1: go to urgent care. They say I have an ear infection,

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Speaker 1: like I'm a ten year old because I am a child,

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Speaker 1: so I can still get ear infections. Then say hey,

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Speaker 1: maybe you got strep throat. We'll take some more tests. Whatever.

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Speaker 1: Here's some antibiotics. We go about. We shoot the entire

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Speaker 1: time we're in LA. I'm talking on a microphone for

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Speaker 1: five six hours a day, can barely speak, just going

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Speaker 1: to bed, praying that I have a voice. In the morning,

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Speaker 1: we're on our way to the airport, they said, hey, hey, buddy,

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Speaker 1: we've been giving you the wrong antibiotics this entire time.

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Speaker 1: We misdiagnosed you. That was actually been making it worse

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Speaker 1: and spreading throughout your body. You should seek medical attention.

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Speaker 2: Immediately right when the trip is over. Yeah.

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Speaker 1: Yeah, So we shot all this content where I was dying.

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Speaker 1: I didn't get to really enjoy, you know, the whole

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Speaker 1: year side of La right you were in these streets

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Speaker 1: though a little bit.

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Speaker 2: I didn't really I didn't really do too much other

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Speaker 2: than you know, we went out that one night together.

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Speaker 2: We went to Shadik, which is phenomenal party. I gotta

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Speaker 2: give props to Sean. That's a a dope, real, real

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Speaker 2: nice collection of people in it.

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Speaker 1: It's a great part. For those that don't know it's

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Speaker 1: it's a Wednesday night. They say it's R and B

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Speaker 1: and it is R and B for the first hour.

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Speaker 1: So yeah, then all rappers show up and for some

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Speaker 1: reason the DJ feels like they need to play all

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Speaker 1: those rappers music. Yeah, because rappers want to hear themselves

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Speaker 1: when they walk into a club, right. I know. People say,

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Speaker 1: myself included that LA is super phony and it's like

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Speaker 1: all the celeb shit. But if you don't actually live

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Speaker 1: there and just visit, people underestimate how fun it is

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Speaker 1: to be phony.

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Speaker 2: Yeah.

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Speaker 1: Like, I really enjoyed that Wednesday night of like pretending

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Speaker 1: to like people and I got every line off, like

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Speaker 1: now we should, we should, we should get up, Yeah,

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Speaker 1: yeah we should, we should shoot something together. It was

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Speaker 1: but I enjoy being phony. People won't admit it. They

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Speaker 1: enjoy being phony.

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Speaker 2: Yeah, I mean it's fun, it's fun. But I do

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Speaker 2: think that mix of people in the room, I do

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Speaker 2: think they fuck with each other though, because a lot

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Speaker 2: of those like I'm not gonna name drop, but some

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Speaker 2: of the guys that they were just in the studio together,

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Speaker 2: they had just left the studio and came straight there.

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Speaker 1: But does that mean they really rock with each other?

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Speaker 2: I think if you, I think if you make music

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Speaker 2: with each other, A lot of music not if you

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Speaker 2: just do one joint, like if you have like a

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Speaker 2: collection of music with an artist. I think y'all really

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Speaker 2: have a relationship, like y'all fuck with each other.

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Speaker 1: I think you guys are profitable, and I think you

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Speaker 1: can like someone off profit.

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Speaker 2: Yeah, but I don't. I don't know, man, because the

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Speaker 2: artists we're talking about don't need each other. You say

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Speaker 2: that they don't need each other. You say, don't they

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Speaker 2: don't need it helps, but they don't need to profit

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Speaker 2: off of each other. They're fine, They're fine. And then

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Speaker 2: it was like, you know, the the some of the

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Speaker 2: women that was in the room, you know it was.

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Speaker 2: It was a real nice I gotta give Sean his props. Man,

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Speaker 2: that's a really really nice party. That's a really good

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Speaker 2: party he has going on a Wednesdays.

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Speaker 1: It is it is, uh, And don't don't pretend you

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Speaker 1: weren't the only phony person. Was I'm saying I was

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Speaker 1: the only phony person?

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Speaker 2: Oh? Was that phony?

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Speaker 1: I heard you laugh a little louder than usual. You

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Speaker 1: would have maybe a different octave on a joke that

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Speaker 1: wasn't the funniest.

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Speaker 2: Was it with a lady? Guys?

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Speaker 1: There were some rappers around, Oh oh, then may be listen,

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Speaker 1: we all need to admit we're phony. It's you have

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Speaker 1: to get on. It's fun to be phony.

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Speaker 2: You have to give off a certain energy when you're

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Speaker 2: around artists and celebs that you may or may not

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Speaker 2: have a rapport with, and you see at times sometimes

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Speaker 2: you got to give off a certain energy where it's like,

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Speaker 2: you know, hey, man, good to see you.

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Speaker 1: It's it's not even trying to be industry because I

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Speaker 1: particularly don't give a fuck about any of these rappers.

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Speaker 1: But it is fun to sit in a part and go, yo, man,

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Speaker 1: I love the project, not knowing if they put a

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Speaker 1: project up. It's fun to me.

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Speaker 2: That's love the project. Nothing out Yo last on repeat?

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Speaker 2: Which one are you talking about? Four years ago?

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Speaker 1: But the music's loud so they can't even really am yeah.

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Speaker 2: Yeah. But some of the artists we fuck with though,

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Speaker 2: like we fuck with genuinely. Like some of the guys

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Speaker 2: I saw in there, I like, I fuck with them.

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Speaker 1: Yeah. And it is funny to watch rappers like try

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Speaker 1: to have some type of game with women, because a

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Speaker 1: lot of them, you know, started getting women when they

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Speaker 1: became famous. But at this party, the music isn't so loud.

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Speaker 1: It's R and B, so there is some time to

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Speaker 1: converse with people. So it's great people watching and being

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Speaker 1: a fly on the wall of what some of that

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Speaker 1: game is. Because when all these fucking A list rappers, singers,

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Speaker 1: whatever in the room together, famous kind of off the table,

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Speaker 1: you can't really use that when there's a bunch of

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Speaker 1: I like being a mere mortal in those situations because

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Speaker 1: I can just observe. Now you got to kind of

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Speaker 1: be funny. Yeah, there's no bottle work, everything's free, everyone's famous.

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Speaker 1: It's time to get on your fucking your personality. Let's

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Speaker 1: see your jokes.

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Speaker 2: Yeah, your personality.

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Speaker 1: Let's let's see how much of a gentleman you can

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Speaker 1: actually be.

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Speaker 2: Yeah. Yeah, But the thing I liked about that party was,

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Speaker 2: even though you know it was a bunch of you know,

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Speaker 2: celebrities and artists and things like that, everyone seems to

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Speaker 2: mingle with each other. They leave their sections, they walk

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Speaker 2: to you know, other people's sections, tables, have fun jokes,

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Speaker 2: crack some lash, whatever like. I like that part of it.

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Speaker 2: I like when celebrities and artists are in a room

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Speaker 2: and they mingle with each other. I don't like to

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Speaker 2: just sitting in your corner and you sit in your

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Speaker 2: corner like that's to me, that's kind of like old school,

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Speaker 2: Like that's like that's played out now. Now it's like, yo,

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Speaker 2: you can walk around in here. Nobody's gonna jump on

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Speaker 2: your back and nobody's gonna attack you. Like everybody in

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Speaker 2: this room is kind of sort of somebody or have

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Speaker 2: some type of they know how to act around people.

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Speaker 2: That wasn't a party full of people that just have

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Speaker 2: never been outside.

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Speaker 1: Okay, do you take any credit or responsibility for parties

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Speaker 1: being that way?

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Speaker 2: Do I take credit for it? Not?

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Speaker 1: This new parties are starting to come back. People are

203
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Speaker 1: starting to dance a bit more, people are mingling, people

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Speaker 1: are actually talking to women. It's not so much the

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Speaker 1: phone thing. I feel like that could have been one

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Speaker 1: thing COVID helped out with. People aren't really running out

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Speaker 1: and doing the phone thing as much as I feel like.

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Speaker 1: But as a member of Rockefeller and that lineage, do

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Speaker 1: you take responsibility for parties being people standing there and

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Speaker 1: buying bottles? We're finally getting away from what you guys ruined.

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Speaker 2: Not because when you know what's funny? When when when

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Speaker 2: my brother and started going out partying like it wasn't

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Speaker 2: even a like the VIP section. It totally changed.

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Speaker 1: Well, now it's more people in the VIP than like.

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Speaker 2: Back then, it was like, you know, it was really

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Speaker 2: like a section. It was like, yeah, you couldn't even

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Speaker 2: get in there. And then even back then, they still

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Speaker 2: mingled and walked around the club and cause that was

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Speaker 2: the thing. Like we used to walk in the club

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Speaker 2: and it would be like, Okay, walk around, find some

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Speaker 2: some cool pretty women that seem like they you know, personality,

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Speaker 2: not just standing there looking stuck up. Find some pretty

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Speaker 2: women that seem like they're cool, and bring them to

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Speaker 2: the VIP section. Now the whole club is a VIP section.

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Speaker 2: Like everybody has a table, everybody has bottles. Everybody had

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Speaker 2: so it's like it's a little different now Like back

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Speaker 2: then it was literally like a section. You can't get

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Speaker 2: over here unless you know what I mean. Now it's

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Speaker 2: like everybody. You could be a regular dude with a

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Speaker 2: nine to five if you want to spend three grand,

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Speaker 2: it's not you might end up sitting next to Drake,

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Speaker 2: like you know what I mean. That's just how it

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Speaker 2: is now.

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Speaker 1: Back then would never happen, Like you were literally like

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Speaker 1: and like what is it called coach economy. Economy.

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Speaker 2: You were standing in an economy and you'd had to

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Speaker 2: walk one hundred yards to go get a drink and

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Speaker 2: fight through people to come back and wait and hope

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Speaker 2: that your homies were still standing there. Like now it's

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Speaker 2: like everybody has a table, everybody has a section. Yes,

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Speaker 2: it was.

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Speaker 1: It was that Spirit Airlines. In the party, you're paying

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Speaker 1: for everything exactly, paying to get in, paying to sit down,

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Speaker 1: paying for your drink. Your parties are Spirit Airlines now

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Speaker 1: that I really think about it. But was different, like

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Speaker 1: everybody was paying for like the shittiest seat ever.

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Speaker 2: Yeah, you know, you're not even paying for a seat.

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Speaker 1: You're standing up sat at a club and man like,

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Speaker 1: m this is a comfortable No.

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Speaker 2: No, no, it's it's it's it's certain clubs that they

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Speaker 2: pay attention to the sofas and they make sure people

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Speaker 2: want to have a you know, comfortable chair or something

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Speaker 2: to sit in. But for the most part, it's a

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Speaker 2: little cushion, some wood, fiberglass maybe, and you know, standing

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Speaker 2: on this ship, tear it up all you want, like

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Speaker 2: they don't care.

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Speaker 1: Did you lie to any women at this party?

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Speaker 2: Did I lie? Well? Maybe they some women asked me

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Speaker 2: when I was going to LA, the Land of Lies. Yeah. No,

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Speaker 2: but some women asked me when I was an.

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Speaker 1: Assumption New York. LA stands for start with A.

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Speaker 2: They asked me when I was going back to New York,

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Speaker 2: and I lied about that. I'm gonna have lied about

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Speaker 2: when I was leaving LA.

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Speaker 1: Okay, Yeah, I definitely, because you know, when you're in

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Speaker 1: that mix, naturally women will ask just what do you do?

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Speaker 1: I was a TikTok rapper. Yeah, I managed artists next

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Speaker 1: to me, you know.

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Speaker 2: Working on this project.

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Speaker 1: Listen, man, La, it's fun. I always have to leave this.

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Speaker 2: Just left the stool. Still. You get to the club

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Speaker 2: and they see you and thelo where you come for

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Speaker 2: or just left the stud.

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Speaker 1: Lying to women in LA any only hobby that I

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Speaker 1: really have out there? You have to make something though,

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Speaker 1: because they're lying to them, they're lying to themselves one

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Speaker 1: and then they're lying to me absolutely, so why have.

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Speaker 2: To So it's kind of like you gotta lie? Who

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Speaker 2: can lie first?

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Speaker 1: Yes?

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Speaker 2: Got you?

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Speaker 1: Let's lie. Let's lie my way into this hotel room.

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Speaker 2: Yeah, let's lie to each other and then lie next

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Speaker 2: to each other. Yes, that's that's that's that's in a

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Speaker 2: bed of lies, in a bed of Come on, man,

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Speaker 2: see this is why you my god, because see you

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Speaker 2: just you see how you come off the screen and

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Speaker 2: just shoot. That's what you do. Yeah, but you gotta

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Speaker 2: be thrown out.

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Speaker 1: I love you before midnight.

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Speaker 2: That's that I love you is dangerous, though, is it? Though?

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Speaker 1: It is when you both know you're lying. I don't

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Speaker 1: think it's that dangerous if we.

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Speaker 2: Have how do you know when a woman is lying

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Speaker 2: to you when she said you know you? But how

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Speaker 2: do you know?

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Speaker 1: I'm such a liar and have met so many liars

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Speaker 1: that we just haven't understand. It's like a fucking what's

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Speaker 1: what's the ship? When you can read each other's mind,

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Speaker 1: it's like a telepathic lying to each other. Okay, let's

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Speaker 1: just enjoy this night and get as much passion of

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Speaker 1: love we we kind of take from our actual love

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Speaker 1: experiences and throw it into this lie. Okay, it's like

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Speaker 1: PTSD of loving and we're just gonna put it into tonight,

305
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Speaker 1: take all the good out of it and not have

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Speaker 1: any bad because we both know we're lying to each other.

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Speaker 1: But there's a difference between I love you face to face,

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Speaker 1: like we're really into this. Wait, now, if you start,

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Speaker 1: if you fuck face to face and say I love you,

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Speaker 1: you're treading dangerous waters. Now. If we both know we're lying,

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Speaker 1: it's like role playing. Role playing as a couple on

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Speaker 1: the first night, there's a different Yo, you have to

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Speaker 1: live this way more.

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Speaker 2: There's a difference between I love you and I'm in

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Speaker 2: love with you.

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Speaker 1: You're getting too complicated.

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Speaker 2: I'm just saying, what if she What if the next

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Speaker 2: morning she's still like, you're done with the lies, right,

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Speaker 2: Let's just say you wake up.

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Speaker 1: No, there's no expirations, no, listen, let's.

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Speaker 2: Just say you wake up. Let's just say no, listen.

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Speaker 2: Let's just say you wake up, and you're like, you

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Speaker 2: know what, like last night was great, but like today,

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Speaker 2: I'm on a different.

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Speaker 1: Well, if she said it was great, then I know

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Speaker 1: she's really lying. But why what if you gave her

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Speaker 1: a great like twelve minutes though twelve Yeah, I must

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Speaker 1: have been really drunk then, Yeah, what if you gave

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Speaker 1: her great, the greatest twelve minutes she's had in like

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Speaker 1: three years. I must have had on those those condoms

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Speaker 1: that numb everything. Yeah, but what if you just, like

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Speaker 1: a long time.

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Speaker 2: You gave it to her, and you know, because you

334
00:13:59,720 --> 00:14:01,960
Speaker 2: get you. We know when we performed, we know we

335
00:14:01,960 --> 00:14:04,360
Speaker 2: walked to the bathroom like you were like, damn, it's

336
00:14:04,360 --> 00:14:05,920
Speaker 2: gonna be hard to shake this one. You know what

337
00:14:05,960 --> 00:14:08,439
Speaker 2: I mean? You have that talk with yourself in the shower, like, Yo,

338
00:14:08,520 --> 00:14:10,360
Speaker 2: she gonna really be in love with me. She's gonna

339
00:14:10,360 --> 00:14:12,640
Speaker 2: be blowing up my phone like you know when you

340
00:14:12,720 --> 00:14:15,280
Speaker 2: lay it down. Now, what if you've done that and

341
00:14:15,360 --> 00:14:18,920
Speaker 2: she wakes up and she's like yo, like so like

342
00:14:18,960 --> 00:14:20,480
Speaker 2: what are you doing today? Like you could tell she's

343
00:14:20,480 --> 00:14:23,680
Speaker 2: trying to make your day part of her day, like

344
00:14:23,720 --> 00:14:25,960
Speaker 2: she's trying to make it sh where y'all actually spending

345
00:14:25,960 --> 00:14:28,840
Speaker 2: time again today with each other. Then you know like okay,

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00:14:28,840 --> 00:14:29,600
Speaker 2: she really is like.

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Speaker 1: See that's that's rookie shit. Because I'm so advanced in

348
00:14:32,960 --> 00:14:35,680
Speaker 1: lying that I already told her the night before that

349
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Speaker 1: I'm meeting my mom for breakfast at seven am.

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Speaker 2: Oh, you're getting all these lives off if you have

351
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Speaker 2: what you said the next day before.

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Speaker 1: Yeah, you've never tried to get a stranger out.

353
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Speaker 2: Of your house? Yeah no, no, no, it's true, it's true.

354
00:14:46,880 --> 00:14:50,520
Speaker 2: But but sometimes they cause again, we know we're lying

355
00:14:50,560 --> 00:14:53,080
Speaker 2: to each other. Yes, so they'll kind of like giggle,

356
00:14:53,200 --> 00:14:55,160
Speaker 2: which is fine if you both know. I'm not saying

357
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Speaker 2: you should lie to people. I'm not saying that's a

358
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Speaker 2: thing if you're both in on the lines. Okay, I

359
00:15:01,040 --> 00:15:03,400
Speaker 2: believe so. I believe so. But it is a dangerous thing,

360
00:15:03,480 --> 00:15:05,520
Speaker 2: especially like if you've just given her some great sex

361
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Speaker 2: and then like you know, face to face and kissing

362
00:15:08,280 --> 00:15:10,640
Speaker 2: and all of that, it's like you still looking at

363
00:15:10,640 --> 00:15:12,200
Speaker 2: each other like, wait, are you lying? Like I'm lying

364
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Speaker 2: because this is starting to feel.

365
00:15:13,640 --> 00:15:16,960
Speaker 1: So there's all option that you can lie your way

366
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Speaker 1: into a real relationship, like you know how you fake

367
00:15:20,400 --> 00:15:21,960
Speaker 1: it till you make it, or or front to whatever.

368
00:15:22,000 --> 00:15:24,040
Speaker 1: You look up and like all of a sudden we're like, okay,

369
00:15:24,080 --> 00:15:30,200
Speaker 1: we're together, and yeah, our relationship is built on lies.

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Speaker 2: It's like at some point one of us has to say, okay,

371
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Speaker 2: nothing in that.

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Speaker 1: Family without lies.

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Speaker 2: Yeah.

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Speaker 1: Yeah, I think some of the best relationships are built

375
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Speaker 1: on lies, built on or survived surviving survive online, not

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Speaker 1: only to your significant other but to yourself.

377
00:15:47,360 --> 00:15:49,720
Speaker 2: That's terrible, though, is it? Like when you know you're

378
00:15:49,760 --> 00:15:51,800
Speaker 2: in a relationship and it's like, yo, weird, we're lying

379
00:15:51,840 --> 00:15:53,600
Speaker 2: to each other. That's terrible.

380
00:15:54,520 --> 00:15:57,880
Speaker 1: I'm not saying flat out lies of like I'm still

381
00:15:57,920 --> 00:16:00,440
Speaker 1: in love with you, or I'm not cheating or like that.

382
00:16:00,440 --> 00:16:02,720
Speaker 1: Those I'm not talking about those lies. But you do

383
00:16:02,800 --> 00:16:06,040
Speaker 1: need to lie to each other to make shit feel

384
00:16:06,120 --> 00:16:10,320
Speaker 1: fun at times, like I kind of like hate the

385
00:16:10,360 --> 00:16:13,560
Speaker 1: way you eat toast. I can't say that. I gotta lie, like, hey, baby,

386
00:16:13,560 --> 00:16:16,080
Speaker 1: you want something to eat knowing good and well, I

387
00:16:16,120 --> 00:16:18,960
Speaker 1: want to choke you anytime that you eat eggs.

388
00:16:19,040 --> 00:16:20,480
Speaker 2: Yeah, yeah, I get it.

389
00:16:20,600 --> 00:16:21,320
Speaker 1: You have to lie to yourself.

390
00:16:21,360 --> 00:16:22,840
Speaker 2: That's when you spent a lot of time with each other.

391
00:16:22,920 --> 00:16:25,120
Speaker 2: When somebody choose it and the way they chew it

392
00:16:25,520 --> 00:16:27,760
Speaker 2: annoys you. Yeah, that's when it's like, okay, we need

393
00:16:27,800 --> 00:16:30,600
Speaker 2: to like spend some time apart.

394
00:16:30,400 --> 00:16:34,320
Speaker 1: But that's marriage. That's why the divorce rate is fifty

395
00:16:34,320 --> 00:16:35,480
Speaker 1: percent because no one.

396
00:16:35,400 --> 00:16:36,600
Speaker 2: Will like it. All those real numbers.

397
00:16:36,640 --> 00:16:38,360
Speaker 1: Yeah around are you?

398
00:16:38,480 --> 00:16:39,360
Speaker 2: Wow? Okay?

399
00:16:39,560 --> 00:16:41,160
Speaker 1: You know I usually have their out stats and i'm

400
00:16:41,240 --> 00:16:43,240
Speaker 1: and I'm I know, I really think it is around

401
00:16:43,240 --> 00:16:47,720
Speaker 1: fifty percent. Okay that that's probably the number one reason

402
00:16:47,720 --> 00:16:50,760
Speaker 1: people are just sick of watching their significant other eat breakfast.

403
00:16:50,880 --> 00:16:53,200
Speaker 2: I think you need time apart. I think you need.

404
00:16:53,320 --> 00:16:55,680
Speaker 2: I think that's healthy. I don't think enough people would

405
00:16:55,720 --> 00:16:58,080
Speaker 2: admit it, but you do need time apart from each other.

406
00:16:58,120 --> 00:17:01,800
Speaker 2: I think that always have me in your own place

407
00:17:01,880 --> 00:17:05,240
Speaker 2: to live, like your own if it's apartment whatever, like

408
00:17:05,280 --> 00:17:08,000
Speaker 2: you just have your your space to go to if

409
00:17:08,000 --> 00:17:09,520
Speaker 2: you have if you're fortunate enough to have a house

410
00:17:09,560 --> 00:17:11,760
Speaker 2: big enough to where you know, I could be on

411
00:17:11,840 --> 00:17:13,560
Speaker 2: this side of the house and you can go sleep

412
00:17:13,600 --> 00:17:14,840
Speaker 2: on the other side the guest bet.

413
00:17:14,760 --> 00:17:16,919
Speaker 1: Which is what a very fortunate thing to have. Especially

414
00:17:16,960 --> 00:17:18,120
Speaker 1: couples that just went through.

415
00:17:17,960 --> 00:17:20,560
Speaker 2: I think those are the couple intact that that survived.

416
00:17:20,760 --> 00:17:23,600
Speaker 2: You gotta have you gotta have space. Everybody needs their

417
00:17:23,640 --> 00:17:27,439
Speaker 2: own space. Everybody needs their own area to just you know,

418
00:17:27,760 --> 00:17:29,119
Speaker 2: a lot of times I'll be saying I need my

419
00:17:29,119 --> 00:17:30,680
Speaker 2: own space, and then when I have my own space

420
00:17:30,720 --> 00:17:32,359
Speaker 2: to do whatever I want, it's like I'm really not

421
00:17:32,440 --> 00:17:34,720
Speaker 2: doing shit. I just want to be alone.

422
00:17:34,760 --> 00:17:38,240
Speaker 1: But that's important to not do anything absolutely by yourself.

423
00:17:38,280 --> 00:17:42,000
Speaker 2: Absolutely I talk to myself, I answer myself. Sometimes people

424
00:17:42,040 --> 00:17:43,920
Speaker 2: say that's crazy, but I don't think. I think it's healthy.

425
00:17:44,080 --> 00:17:47,800
Speaker 1: A lot of that comes from the I don'tven want

426
00:17:47,800 --> 00:17:49,480
Speaker 1: to just blame social media because I feel like there's

427
00:17:49,480 --> 00:17:53,080
Speaker 1: been books and articles on that which are typically written

428
00:17:53,080 --> 00:17:55,359
Speaker 1: by single people. Of you know, your partner should be

429
00:17:55,400 --> 00:17:58,680
Speaker 1: your best friend. You should want to spend every crazy

430
00:17:58,680 --> 00:18:00,440
Speaker 1: moment with them, and if you don't want to spend

431
00:18:00,520 --> 00:18:03,160
Speaker 1: that means they're not the one for you. And yeah,

432
00:18:03,600 --> 00:18:05,720
Speaker 1: those people who have not done a five year bid.

433
00:18:06,040 --> 00:18:09,040
Speaker 2: Yeah, but you're right. But we had besides it lying

434
00:18:09,080 --> 00:18:12,080
Speaker 2: in La. We had a great time. We shot a

435
00:18:12,080 --> 00:18:12,760
Speaker 2: lot of content.

436
00:18:13,960 --> 00:18:15,440
Speaker 1: I almost died off antibiotics.

437
00:18:15,440 --> 00:18:18,480
Speaker 2: You almost died off for the wrong antibiotics. Yeah, we

438
00:18:18,600 --> 00:18:20,959
Speaker 2: chopped it up with some of our favorite people. I was.

439
00:18:21,040 --> 00:18:23,760
Speaker 1: I was sober in La. You had to be because

440
00:18:23,760 --> 00:18:26,159
Speaker 1: you want anti LA is like a look, it's a

441
00:18:26,160 --> 00:18:29,320
Speaker 1: different world, so whoa. Yeah, I don't understand how people

442
00:18:29,320 --> 00:18:32,280
Speaker 1: do that. Yeah, it looked different, like sunset did not

443
00:18:32,320 --> 00:18:32,840
Speaker 1: look the same.

444
00:18:33,000 --> 00:18:34,840
Speaker 2: Yeah. Well we had a good time though, I mean

445
00:18:34,960 --> 00:18:37,680
Speaker 2: we went to they had a nice dinner. Yeah, we

446
00:18:38,080 --> 00:18:41,560
Speaker 2: we We learned about some very historical wines.

447
00:18:42,119 --> 00:18:44,160
Speaker 1: We did that were way out of my price range,

448
00:18:44,200 --> 00:18:45,240
Speaker 1: way out of my price range.

449
00:18:45,240 --> 00:18:47,159
Speaker 2: Everybody was hitting me saying, yo, you should have got

450
00:18:47,160 --> 00:18:49,399
Speaker 2: the four thousand dollars one I said, Nah, we went

451
00:18:49,440 --> 00:18:51,600
Speaker 2: with the un twenty dollars Camis and had a great night.

452
00:18:51,680 --> 00:18:53,760
Speaker 1: Yeah, yeah, you know we had We had a great

453
00:18:53,840 --> 00:18:55,760
Speaker 1: night with nice yellow tail.

454
00:18:55,880 --> 00:18:58,040
Speaker 2: Yeah yeah. Yeah. We kept it right there, kept it

455
00:18:58,119 --> 00:19:01,640
Speaker 2: right there. But again, we shot some content. I think

456
00:19:01,640 --> 00:19:03,800
Speaker 2: we got some some some good ship that we great

457
00:19:03,840 --> 00:19:04,280
Speaker 2: to put out.

458
00:19:04,440 --> 00:19:07,120
Speaker 1: Yeah, we've we've been harassed pretty significantly.

459
00:19:07,240 --> 00:19:09,080
Speaker 2: Yeah, I've seen a lot of people reaching out and

460
00:19:09,080 --> 00:19:10,520
Speaker 2: then when is it, when is it coming? When is

461
00:19:10,560 --> 00:19:11,040
Speaker 2: it dropping?

462
00:19:11,359 --> 00:19:13,280
Speaker 1: I mean, we could have just put something out real quick.

463
00:19:13,359 --> 00:19:14,840
Speaker 1: That would have been some bullshit of.

464
00:19:14,960 --> 00:19:18,040
Speaker 2: Just shaking ship. Like I told people, listen, you can't

465
00:19:18,119 --> 00:19:18,760
Speaker 2: rush the chef.

466
00:19:19,119 --> 00:19:21,320
Speaker 1: Well, honestly, I just kind of wanted to shut the

467
00:19:21,320 --> 00:19:24,119
Speaker 1: fuck up for like a few weeks. It was like

468
00:19:24,280 --> 00:19:27,399
Speaker 1: five years of not stop talking. And yeah, I was

469
00:19:27,440 --> 00:19:29,600
Speaker 1: listening back to all episodes and I just was like, Yo,

470
00:19:29,640 --> 00:19:31,359
Speaker 1: can this kid just shut the fuck up. It was

471
00:19:31,400 --> 00:19:34,119
Speaker 1: definitely a self awareness time of a few weeks, like

472
00:19:34,200 --> 00:19:36,920
Speaker 1: I just don't my opinion shouldn't be out there.

473
00:19:37,000 --> 00:19:39,520
Speaker 2: Yeah, and it's good to something recharge. Like I said,

474
00:19:39,520 --> 00:19:41,959
Speaker 2: we went to La We hung out with some people,

475
00:19:42,359 --> 00:19:44,360
Speaker 2: we got we got to spend some time away from

476
00:19:44,400 --> 00:19:47,800
Speaker 2: our element of New York City. You know what I mean.

477
00:19:47,840 --> 00:19:52,080
Speaker 2: You you experienced La sober for the first time probably ever. Yeah,

478
00:19:52,200 --> 00:19:53,640
Speaker 2: I think all of that it helped.

479
00:19:53,640 --> 00:19:55,320
Speaker 1: Like going to coke Nder in New York now, just

480
00:19:55,720 --> 00:19:58,679
Speaker 1: to balance it out. No, I don't do, don't do.

481
00:19:59,359 --> 00:20:02,440
Speaker 2: Like I like this Rory right here. But yeah, La

482
00:20:02,560 --> 00:20:04,440
Speaker 2: was dope. Man had a good time. I wasn't ready

483
00:20:04,440 --> 00:20:05,879
Speaker 2: to leave yet, but we had to get back and

484
00:20:06,520 --> 00:20:09,480
Speaker 2: get to get to business and and handle some things.

485
00:20:09,480 --> 00:20:10,440
Speaker 2: So here we are.

486
00:20:11,440 --> 00:20:14,880
Speaker 1: Yeah, the land of Tesla's man. La is a scary

487
00:20:15,040 --> 00:20:17,520
Speaker 1: I think I'm getting one, all right. I have a question,

488
00:20:17,680 --> 00:20:21,639
Speaker 1: and I'm really not Baisley Baisley Relax. I'm really not

489
00:20:23,119 --> 00:20:26,720
Speaker 1: trying to be an asshole. I'm really asking what why

490
00:20:26,720 --> 00:20:30,400
Speaker 1: do we care about Elon Musk? Elon Musk, he put

491
00:20:30,400 --> 00:20:34,520
Speaker 1: an iPad in an electric Toyota and he made a

492
00:20:34,520 --> 00:20:38,359
Speaker 1: flame thrower. I may be missing anything else because I'm

493
00:20:38,359 --> 00:20:41,720
Speaker 1: ignorant and I don't do research of what Elon Musk

494
00:20:41,760 --> 00:20:44,400
Speaker 1: has done that we care about. Like he promised La subways.

495
00:20:44,400 --> 00:20:46,760
Speaker 1: I even think he gave a release date, pushed it

496
00:20:46,800 --> 00:20:49,560
Speaker 1: back tunnel. I didn't see one train station in Los Angeles.

497
00:20:50,080 --> 00:20:52,920
Speaker 1: So a guy that made a flame thrower cool put

498
00:20:52,920 --> 00:20:55,200
Speaker 1: an iPad in a Toyota and made it plug in

499
00:20:55,200 --> 00:20:55,920
Speaker 1: instead of gas.

500
00:20:56,720 --> 00:20:57,400
Speaker 2: That's a big thing.

501
00:20:57,440 --> 00:21:01,439
Speaker 1: Though he knows Kanye West. Yeah, he wears Yeezys in

502
00:21:01,520 --> 00:21:03,520
Speaker 1: Palo Alto. This is why we love him.

503
00:21:03,920 --> 00:21:07,600
Speaker 2: Well, I think it's more so his his division, that

504
00:21:07,680 --> 00:21:10,280
Speaker 2: he has his ideas. I think people love his ideas.

505
00:21:10,400 --> 00:21:12,440
Speaker 2: He's done a lot. He's done a lot. I mean

506
00:21:12,520 --> 00:21:14,440
Speaker 2: he has a lot of thinking. Yeah, he's done a

507
00:21:14,440 --> 00:21:17,120
Speaker 2: lot of thinking. Some of the things he's put he's

508
00:21:17,160 --> 00:21:19,959
Speaker 2: put out, you know what I mean. But I think

509
00:21:20,000 --> 00:21:22,520
Speaker 2: people are just they just like the fact that there's

510
00:21:22,600 --> 00:21:26,479
Speaker 2: somebody that is creating an optic of what the future

511
00:21:26,520 --> 00:21:27,159
Speaker 2: is going to look like.

512
00:21:27,200 --> 00:21:29,199
Speaker 1: Well, I threw a rock through a windshield when I

513
00:21:29,240 --> 00:21:33,000
Speaker 1: was fifteen and it broke. No one called me a visionary.

514
00:21:33,080 --> 00:21:34,440
Speaker 1: I actually almost got a rest it. Yeah, but you

515
00:21:34,480 --> 00:21:36,960
Speaker 1: weren't wearing Yeezies when you did it. See, they didn't

516
00:21:37,000 --> 00:21:39,840
Speaker 1: exist exactly. He was wearing like the questions. Yeah.

517
00:21:39,960 --> 00:21:41,560
Speaker 2: No, See you had to have one of the Yeasies.

518
00:21:41,560 --> 00:21:42,960
Speaker 2: You had to bring it all together, tie in the

519
00:21:43,000 --> 00:21:47,200
Speaker 2: story together. But I like Elon Man. I'm a fan

520
00:21:47,240 --> 00:21:51,440
Speaker 2: of anybody that you know is creating their vision and

521
00:21:51,440 --> 00:21:55,359
Speaker 2: putting it out. My homeboy bought a Tesla and he

522
00:21:55,440 --> 00:21:57,719
Speaker 2: picked me up while we was in La, and I

523
00:21:57,800 --> 00:21:59,760
Speaker 2: was like, man, I think I love the Tesla. I

524
00:21:59,760 --> 00:22:03,919
Speaker 2: think I just like the cleanness of it. The ride

525
00:22:04,000 --> 00:22:06,879
Speaker 2: is very smooth and nacuum. Yeah, but it's like just

526
00:22:06,920 --> 00:22:09,720
Speaker 2: the car is very It just feels like doing something

527
00:22:09,720 --> 00:22:11,680
Speaker 2: great for the environment. It just feels very The ride

528
00:22:11,720 --> 00:22:12,240
Speaker 2: feels very.

529
00:22:12,840 --> 00:22:15,159
Speaker 1: I see what it is. Elon Musch just has the

530
00:22:15,160 --> 00:22:18,280
Speaker 1: best PR team on earth that helped We've just fallen

531
00:22:18,359 --> 00:22:19,400
Speaker 1: for the bullshit exactly.

532
00:22:19,440 --> 00:22:21,200
Speaker 2: That's how that's how you sell to the people.

533
00:22:21,480 --> 00:22:24,840
Speaker 1: I can plug my car in. Meanwhile, Kaned, I'm not

534
00:22:24,880 --> 00:22:26,560
Speaker 1: paying that bill. No think I'm gonna add a car

535
00:22:26,640 --> 00:22:27,480
Speaker 1: to my content bill.

536
00:22:28,080 --> 00:22:32,320
Speaker 2: But it's I just like the aesthetic of the Tesla. Uh.

537
00:22:32,400 --> 00:22:36,280
Speaker 2: And again, the ride is very smooth, very clean, and

538
00:22:36,280 --> 00:22:39,240
Speaker 2: it's technology. Man who doesn't like technology? I love technology.

539
00:22:40,320 --> 00:22:41,560
Speaker 2: I like being able to be in a car and

540
00:22:41,680 --> 00:22:43,160
Speaker 2: the screen is right here. You can see the cars

541
00:22:43,160 --> 00:22:45,040
Speaker 2: on the right left in front of you. Like, I

542
00:22:45,119 --> 00:22:47,400
Speaker 2: just like that whole that whole thing. It's just it's

543
00:22:47,400 --> 00:22:47,920
Speaker 2: just very cool.

544
00:22:48,119 --> 00:22:52,120
Speaker 1: Wait for a blackout. No, but it's different because when

545
00:22:52,119 --> 00:22:53,560
Speaker 1: you park your car in La, they have all of

546
00:22:53,560 --> 00:22:55,720
Speaker 1: those parking spots where you can actually plug your your

547
00:22:55,760 --> 00:22:58,240
Speaker 1: Tesla in. Though you were around for the Great Blackout

548
00:22:58,240 --> 00:22:59,560
Speaker 1: of O three, I was.

549
00:23:00,080 --> 00:23:04,240
Speaker 2: I was scary times. But I think I'm just I'm

550
00:23:04,240 --> 00:23:06,480
Speaker 2: just a fan of Elon. I like Elon. I like

551
00:23:06,560 --> 00:23:07,080
Speaker 2: I like him.

552
00:23:07,240 --> 00:23:09,679
Speaker 1: You just like his name? Is that even? Is that

553
00:23:09,720 --> 00:23:10,440
Speaker 1: his stage name?

554
00:23:10,640 --> 00:23:11,680
Speaker 2: You know? I like that?

555
00:23:11,720 --> 00:23:13,200
Speaker 1: I don't, you know, like actors changed, like you know,

556
00:23:13,280 --> 00:23:14,720
Speaker 1: like Stephen Colbert changed his name.

557
00:23:15,200 --> 00:23:16,120
Speaker 2: What did he change his name?

558
00:23:16,200 --> 00:23:18,199
Speaker 1: Like Jamie Fox changed his name? Like, that's not his

559
00:23:18,280 --> 00:23:20,720
Speaker 1: name is Elon? That's not a real name. No, one's

560
00:23:20,800 --> 00:23:21,960
Speaker 1: last name is musk.

561
00:23:23,680 --> 00:23:27,200
Speaker 2: No, I think that's his name. Yeah, Elon Reeve, musk Reeve.

562
00:23:28,040 --> 00:23:30,439
Speaker 1: This is bullshit. Yes, that's actually a cool way he

563
00:23:30,520 --> 00:23:34,480
Speaker 1: come from. He's he was born in where's he born?

564
00:23:34,880 --> 00:23:37,480
Speaker 1: I don't know, some planet he was born on in

565
00:23:37,560 --> 00:23:38,320
Speaker 1: a test tube?

566
00:23:39,400 --> 00:23:43,520
Speaker 2: Oh he was born in South Africa. See, come on,

567
00:23:43,560 --> 00:23:45,000
Speaker 2: you didn't think You didn't think he was born in

568
00:23:45,040 --> 00:23:45,680
Speaker 2: South Africa?

569
00:23:45,840 --> 00:23:48,200
Speaker 1: No, it did not, see, but it makes me definitely

570
00:23:48,200 --> 00:23:50,120
Speaker 1: makes sense because he does have a racist face.

571
00:23:53,160 --> 00:23:54,960
Speaker 2: He kind of looks like you without a beard.

572
00:23:55,240 --> 00:23:57,400
Speaker 1: I have a racist face without a bear.

573
00:23:58,160 --> 00:24:00,439
Speaker 2: Shave your beard. You're gonna have a racist face with.

574
00:24:00,320 --> 00:24:02,160
Speaker 1: My beard if I let it grow. I look even

575
00:24:02,280 --> 00:24:05,960
Speaker 1: more forces without that's you without a beer look instead

576
00:24:05,960 --> 00:24:07,720
Speaker 1: of a red cup. Put a Budweiser in my hand.

577
00:24:07,800 --> 00:24:11,720
Speaker 1: I look like I say that any moment, just throw

578
00:24:11,760 --> 00:24:14,359
Speaker 1: it out there, even in context that don't make sense.

579
00:24:14,840 --> 00:24:19,040
Speaker 1: I look like that person. He looks scary, man, I

580
00:24:19,080 --> 00:24:20,520
Speaker 1: like I know a lot.

581
00:24:20,400 --> 00:24:23,359
Speaker 2: Of people don't particularly care for him. I like him.

582
00:24:23,400 --> 00:24:26,280
Speaker 2: I like ilon. Yeah, I'm a fan of the Tesla,

583
00:24:26,320 --> 00:24:28,200
Speaker 2: So yeah, I think I'm gonna get one, man, I.

584
00:24:28,119 --> 00:24:32,240
Speaker 1: Think Speaking of South Africa, they had I've been flying

585
00:24:32,320 --> 00:24:34,800
Speaker 1: Jet Blue NonStop for like the last two months, so

586
00:24:34,840 --> 00:24:37,679
Speaker 1: I kind of ran out of movies to watch. They

587
00:24:37,720 --> 00:24:40,840
Speaker 1: had the Rugby one about uh Nelson Mandela.

588
00:24:40,480 --> 00:24:43,760
Speaker 2: And okay with Matt Damon and not yet.

589
00:24:44,520 --> 00:24:47,040
Speaker 1: And I turned it on and I'm sure there's other

590
00:24:47,080 --> 00:24:51,960
Speaker 1: Nelson Mandela movies and all that, But why do I

591
00:24:51,960 --> 00:24:53,480
Speaker 1: give a fuck about this rugby team?

592
00:24:54,680 --> 00:24:56,560
Speaker 2: Well? It was was it based on a true story?

593
00:24:56,720 --> 00:25:00,399
Speaker 1: Yeah, but everything Nelson Mandela did in his life and

594
00:25:00,440 --> 00:25:03,800
Speaker 1: how important Nelson Mandela is. The movie we're gonna make

595
00:25:04,080 --> 00:25:06,639
Speaker 1: is about a rugby team and like, oh, this is

596
00:25:06,680 --> 00:25:09,679
Speaker 1: Nelson's story. Yeah, but I think Matt Damon.

597
00:25:10,040 --> 00:25:13,040
Speaker 2: Yeah, but it was something around that though. It was

598
00:25:13,080 --> 00:25:15,520
Speaker 2: it was something around that rugby team that time.

599
00:25:15,640 --> 00:25:18,040
Speaker 1: Look what it took for Nelson Mandela to get a blockbuster.

600
00:25:18,240 --> 00:25:20,119
Speaker 1: We need Matt Damon and rugby.

601
00:25:20,400 --> 00:25:21,240
Speaker 2: No, but what's your name?

602
00:25:21,560 --> 00:25:24,000
Speaker 1: He was in jail for like fifty years, but interesting

603
00:25:24,280 --> 00:25:26,920
Speaker 1: played South Africa. Well, hey, these guys threw a ball

604
00:25:26,960 --> 00:25:30,000
Speaker 1: and fucking hugged each other's nuts. Let's throw Matt Damon

605
00:25:30,040 --> 00:25:30,239
Speaker 1: in it.

606
00:25:30,960 --> 00:25:32,639
Speaker 2: See not rugby players are gonna be upset at you

607
00:25:32,680 --> 00:25:35,200
Speaker 2: because that's a very tough sport. That's a very rough sport.

608
00:25:35,280 --> 00:25:37,720
Speaker 2: That's not very rough sport. So listen, I love rugby.

609
00:25:37,800 --> 00:25:39,440
Speaker 2: Let me just put that out there. I love wearing rugby,

610
00:25:39,520 --> 00:25:41,359
Speaker 2: so I have a few of my collection. I have

611
00:25:41,400 --> 00:25:44,040
Speaker 2: a few polo rugbies in my collection. Just want to

612
00:25:44,040 --> 00:25:46,040
Speaker 2: put that out there, because you know, you don't want

613
00:25:46,040 --> 00:25:47,600
Speaker 2: to run into a rugby play in the street, like yo,

614
00:25:47,600 --> 00:25:49,639
Speaker 2: I heard you have some choice words for us. We'll

615
00:25:49,640 --> 00:25:52,040
Speaker 2: grab each other's nuts and shit like that. Like, so

616
00:25:52,240 --> 00:25:53,960
Speaker 2: we just put that out there. I love rugby. I'm

617
00:25:53,960 --> 00:25:54,280
Speaker 2: a fan.

618
00:25:54,680 --> 00:25:56,720
Speaker 1: No, you like polo, and you like Ralph laurent.

619
00:25:56,840 --> 00:25:59,520
Speaker 2: I like the uniforms, the rugby. Something tells me the sport.

620
00:25:59,560 --> 00:26:00,919
Speaker 2: I would ever played that sport.

621
00:26:00,960 --> 00:26:03,399
Speaker 1: But something tells me you didn't gather the fellas together

622
00:26:03,440 --> 00:26:04,320
Speaker 1: and Saint Nick.

623
00:26:04,200 --> 00:26:07,960
Speaker 2: Park No, no, no, definitely not definitely.

624
00:26:07,640 --> 00:26:08,600
Speaker 1: Had a little pickup game.

625
00:26:08,720 --> 00:26:12,280
Speaker 2: No, but it just ever played the dope Nelson Mandela though.

626
00:26:12,640 --> 00:26:13,360
Speaker 1: I have to see that.

627
00:26:13,680 --> 00:26:14,560
Speaker 2: Yeah, I think he did.

628
00:26:14,760 --> 00:26:17,840
Speaker 1: Like why why is Matt Damon holding that trophy? What

629
00:26:17,880 --> 00:26:20,159
Speaker 1: do you mean Nelson playing the guy that won the

630
00:26:20,240 --> 00:26:24,199
Speaker 1: fucking the championship? I guess whatever the fuck that.

631
00:26:24,200 --> 00:26:25,600
Speaker 2: I don't know. I don't remember how that movie was,

632
00:26:25,640 --> 00:26:27,600
Speaker 2: but I did see that movie. Yeah, see it. He

633
00:26:27,600 --> 00:26:32,560
Speaker 2: played a dope Nelson Mandela. Yeah, Long Walked the Freedom all.

634
00:26:32,560 --> 00:26:36,280
Speaker 1: Right, let me watch that one. Yeah, watch Matt Damon

635
00:26:36,320 --> 00:26:39,320
Speaker 1: with a fake accent. How I can learn about Nelson Vindela.

636
00:26:39,440 --> 00:26:41,119
Speaker 2: Yeah, that was a great movie, Long Walked the Freedom

637
00:26:41,160 --> 00:26:44,399
Speaker 2: with it just was a great, great, uh movie about

638
00:26:44,400 --> 00:26:46,600
Speaker 2: Nelson Mandela and resting piece of Nelson Mandela.

639
00:26:47,200 --> 00:26:51,080
Speaker 1: All right, Well, speaking of rough sports and US flying,

640
00:26:51,440 --> 00:26:54,639
Speaker 1: we were at baggage claim, Yes, and I will be

641
00:26:54,680 --> 00:26:57,000
Speaker 1: the only one that admits it even though Treiler put

642
00:26:57,000 --> 00:26:58,399
Speaker 1: out how much money they made and they was like,

643
00:26:58,400 --> 00:27:00,000
Speaker 1: all right, Boot like that. I be like, I paid

644
00:27:00,080 --> 00:27:02,639
Speaker 1: for the fight. Mm hmm, I did not use one

645
00:27:02,640 --> 00:27:05,600
Speaker 1: of your links. Yeah I paid for it or not truly.

646
00:27:05,680 --> 00:27:09,760
Speaker 1: I'm sorry showtime, h want my fifty bucks back.

647
00:27:11,160 --> 00:27:13,240
Speaker 2: You weren't happy. We were almost almost.

648
00:27:13,119 --> 00:27:14,320
Speaker 1: Called fraud of my entire card.

649
00:27:14,400 --> 00:27:15,959
Speaker 2: I think, yeah, I think we had the same We

650
00:27:15,960 --> 00:27:18,280
Speaker 2: were looking at it and we had the same reaction

651
00:27:18,400 --> 00:27:22,560
Speaker 2: to the fight. It just feels like at this point,

652
00:27:24,440 --> 00:27:26,600
Speaker 2: you know, and then Floyd almost alluded to it, It's

653
00:27:26,680 --> 00:27:29,560
Speaker 2: just it's just robbery at this point. It's just like,

654
00:27:29,640 --> 00:27:32,280
Speaker 2: you know, once again, y'all fell for it. Some people

655
00:27:32,320 --> 00:27:36,560
Speaker 2: are mad, you know, and I get it, but I agree.

656
00:27:36,600 --> 00:27:38,920
Speaker 2: I've seen some some sports analysts saying they don't agree

657
00:27:38,960 --> 00:27:41,919
Speaker 2: with you know, Floyd doing this. It's kind of ruining

658
00:27:42,000 --> 00:27:46,760
Speaker 2: his legacy. It's ruining boxing to a certain degree. And

659
00:27:46,960 --> 00:27:49,280
Speaker 2: I'm on, I think I'm on that side. I don't.

660
00:27:49,280 --> 00:27:52,640
Speaker 2: I don't. I don't think Floyd. Uh, I just don't

661
00:27:52,680 --> 00:27:54,760
Speaker 2: agree with this, you know what I mean. Like it's

662
00:27:54,800 --> 00:28:00,400
Speaker 2: it's it's like you're Floyd Mayweather. You're arguably the greatest boxer. Ever. Uh,

663
00:28:00,480 --> 00:28:02,360
Speaker 2: you know, I'm not. I'm not one of these people

664
00:28:02,400 --> 00:28:04,280
Speaker 2: that play into the narrative that Floyd is going broke

665
00:28:04,320 --> 00:28:07,320
Speaker 2: and needs the money. I don't. I don't watch people's pockets.

666
00:28:07,359 --> 00:28:11,159
Speaker 2: I don't think Floyd is broke. Though. I think Floyd

667
00:28:11,240 --> 00:28:14,639
Speaker 2: just saw this as an easy bag, and uh, you know,

668
00:28:14,720 --> 00:28:16,399
Speaker 2: I just don't. But I think I think at some

669
00:28:16,440 --> 00:28:19,159
Speaker 2: point you have to put your legacy, you know what

670
00:28:19,200 --> 00:28:21,280
Speaker 2: I mean, Like, I don't think that what's quote was

671
00:28:21,520 --> 00:28:25,800
Speaker 2: my kids can't eat legacy. Well, your your kids can't

672
00:28:25,840 --> 00:28:30,880
Speaker 2: eat the word legacy, No, but but your legacy should?

673
00:28:31,040 --> 00:28:33,560
Speaker 2: You know? His legacy will feed his family forever.

674
00:28:33,960 --> 00:28:34,320
Speaker 1: Agreed.

675
00:28:34,440 --> 00:28:36,479
Speaker 2: You know, I think Floyd made whether his family is

676
00:28:36,680 --> 00:28:39,239
Speaker 2: the Mayweather family is good forever. I think he's uh,

677
00:28:39,360 --> 00:28:42,760
Speaker 2: he's he's a massed enough money. He's doing great promotion

678
00:28:42,880 --> 00:28:45,680
Speaker 2: for the for the the up and coming fighters. Floyd

679
00:28:45,720 --> 00:28:47,640
Speaker 2: is a businessman, and I understand and I understand get

680
00:28:47,640 --> 00:28:49,600
Speaker 2: this bag. It's an easy bag. He knew that Logan

681
00:28:50,040 --> 00:28:53,360
Speaker 2: Paul wasn't a threat to him. Uh. But I think

682
00:28:53,360 --> 00:28:55,360
Speaker 2: at some point you have to, you know, because we

683
00:28:55,400 --> 00:28:58,360
Speaker 2: don't want to see I wouldn't want to see Jordan

684
00:28:58,440 --> 00:29:01,360
Speaker 2: playing in the Big Three. You know what I'm saying.

685
00:29:01,360 --> 00:29:02,640
Speaker 2: It's like, I think I think there's.

686
00:29:02,480 --> 00:29:04,400
Speaker 1: A little bit more integrity to the Big Three than

687
00:29:04,440 --> 00:29:06,760
Speaker 1: there is to this, and it may be much more

688
00:29:06,800 --> 00:29:08,560
Speaker 1: into Yeah it may be, but I'm just saying, actually

689
00:29:08,560 --> 00:29:10,400
Speaker 1: think the Big Three is a really cool experience for

690
00:29:10,640 --> 00:29:11,160
Speaker 1: tied fighters.

691
00:29:11,200 --> 00:29:11,400
Speaker 2: Yeah.

692
00:29:12,000 --> 00:29:15,720
Speaker 1: I think who did Tye some fight? Uh? Not Roy Jones?

693
00:29:15,800 --> 00:29:21,440
Speaker 1: Uh it was I thought that was cool. I think

694
00:29:21,480 --> 00:29:24,760
Speaker 1: there is a world where exhibition fights for fighters to

695
00:29:24,800 --> 00:29:28,120
Speaker 1: continue to make money is a great, great thing. I mean,

696
00:29:28,160 --> 00:29:31,800
Speaker 1: that's the ship that sucks with athletics, especially ones that

697
00:29:31,840 --> 00:29:35,160
Speaker 1: are violent like football and boxing, where you really fuck

698
00:29:35,200 --> 00:29:36,400
Speaker 1: your body and can only do it for so long.

699
00:29:36,440 --> 00:29:39,080
Speaker 1: I think that's great mockery. Shit, I'm never gonna be

700
00:29:39,080 --> 00:29:40,040
Speaker 1: mad at them for taking that back.

701
00:29:40,400 --> 00:29:40,680
Speaker 2: I'm not.

702
00:29:40,800 --> 00:29:43,160
Speaker 1: But I think there is a middle ground, especially to

703
00:29:43,240 --> 00:29:44,560
Speaker 1: when Floyd was saying, all right, if you don't want

704
00:29:44,560 --> 00:29:46,640
Speaker 1: to watch our exhibitions, don't watch them, which is very

705
00:29:46,760 --> 00:29:49,560
Speaker 1: very well true. But you could have done this exhibition

706
00:29:49,800 --> 00:29:50,520
Speaker 1: and still fought.

707
00:29:51,560 --> 00:29:53,280
Speaker 2: No. But here's the difference.

708
00:29:53,720 --> 00:29:56,280
Speaker 1: Joneknock each other's heads off. No, but Jones du it

709
00:29:56,400 --> 00:29:58,680
Speaker 1: up after you give him a rite like that didn't

710
00:29:58,680 --> 00:30:00,280
Speaker 1: hold he did.

711
00:30:00,360 --> 00:30:01,160
Speaker 2: No, he didn't hold them up.

712
00:30:01,200 --> 00:30:03,000
Speaker 1: Logan Paul said, I can't believe people thought that you

713
00:30:03,040 --> 00:30:05,040
Speaker 1: got punched right in your face. You couldn't see he

714
00:30:05,040 --> 00:30:05,520
Speaker 1: helped you up.

715
00:30:05,680 --> 00:30:07,680
Speaker 2: No, But I don't think Floyd can hold up Logan

716
00:30:07,720 --> 00:30:09,680
Speaker 2: Paul like that. First he did. But I think that

717
00:30:09,840 --> 00:30:13,440
Speaker 2: Deroyd Jones enticing thing was different because they're both professional fighters,

718
00:30:13,520 --> 00:30:15,960
Speaker 2: which I think is fine and greats Logan Paul is

719
00:30:16,000 --> 00:30:17,240
Speaker 2: not a professional.

720
00:30:16,720 --> 00:30:19,800
Speaker 1: Fighter, and I don't mind some undercard stuff like that,

721
00:30:19,880 --> 00:30:22,520
Speaker 1: like with the Nate Robinson thing and Jake Paul for

722
00:30:22,600 --> 00:30:22,880
Speaker 1: the tights.

723
00:30:22,920 --> 00:30:24,440
Speaker 2: That was all right when it's both.

724
00:30:24,440 --> 00:30:24,880
Speaker 1: It's funny.

725
00:30:25,000 --> 00:30:26,840
Speaker 2: Amateur fighters have a ball.

726
00:30:26,960 --> 00:30:29,040
Speaker 1: I think out your single doing it. I'm not mad

727
00:30:29,080 --> 00:30:32,920
Speaker 1: at that type of stuff. It's just this didn't even

728
00:30:33,480 --> 00:30:37,000
Speaker 1: look like they were trying to fight each other. Well,

729
00:30:37,000 --> 00:30:38,360
Speaker 1: it was every now and then you'd get.

730
00:30:38,240 --> 00:30:39,960
Speaker 2: A punch, It wasn't They weren't trying to fight. You

731
00:30:40,320 --> 00:30:42,360
Speaker 2: had the greatest of all time, arguably in there with

732
00:30:42,400 --> 00:30:43,280
Speaker 2: the amateur.

733
00:30:42,920 --> 00:30:43,960
Speaker 1: One of the greatest. Yeah, for sure.

734
00:30:43,960 --> 00:30:45,840
Speaker 2: So it's gonna look a little awkward, you know what

735
00:30:45,880 --> 00:30:48,760
Speaker 2: I mean. But I just I don't think Floyd you know,

736
00:30:48,840 --> 00:30:51,840
Speaker 2: I again, man, his legacy, I think he should leave

737
00:30:51,880 --> 00:30:53,600
Speaker 2: that there. And you know, you don't want people to

738
00:30:53,720 --> 00:30:56,240
Speaker 2: view you through this optics of you know, because now

739
00:30:56,240 --> 00:30:57,959
Speaker 2: some people saying, well, he's going to fight a kangaroo next,

740
00:30:58,000 --> 00:30:59,760
Speaker 2: they're gonna put boxing gloves on the kangaroo. He's gonna

741
00:30:59,760 --> 00:30:59,960
Speaker 2: get in.

742
00:31:00,320 --> 00:31:01,400
Speaker 1: That's a tough fight, you.

743
00:31:01,400 --> 00:31:04,400
Speaker 2: Know what I mean. So it's like, yeah, I just don't.

744
00:31:04,440 --> 00:31:06,360
Speaker 2: I mean, I get it though he's Floyda's a businessman.

745
00:31:06,400 --> 00:31:09,240
Speaker 2: He makes that very clear. He's about that money, and

746
00:31:09,320 --> 00:31:11,960
Speaker 2: you know this was an easy bag for him, So

747
00:31:12,040 --> 00:31:13,800
Speaker 2: go get that bag. But I think at some point

748
00:31:13,880 --> 00:31:16,800
Speaker 2: you have to say, yo, you know, I just it's

749
00:31:16,840 --> 00:31:18,440
Speaker 2: certain shit that I just can't do, you know what

750
00:31:18,440 --> 00:31:20,440
Speaker 2: I mean? I think fighting if he wants to fight

751
00:31:20,640 --> 00:31:23,120
Speaker 2: a retired professional boxer.

752
00:31:22,960 --> 00:31:26,120
Speaker 1: With that, and you know ifoers want to fight with

753
00:31:26,200 --> 00:31:27,160
Speaker 1: that all the way, Yeah, let.

754
00:31:27,160 --> 00:31:29,040
Speaker 2: Them fight each other though, let them fight each other,

755
00:31:29,080 --> 00:31:32,200
Speaker 2: but jumping in the ring with arguably the greatest, Like

756
00:31:32,280 --> 00:31:33,640
Speaker 2: I would feel some type of way if I turned

757
00:31:33,640 --> 00:31:36,680
Speaker 2: on my TV and saw Michael Jordan playing one on

758
00:31:36,680 --> 00:31:40,640
Speaker 2: one against you know, the best street baller of all time,

759
00:31:40,920 --> 00:31:42,240
Speaker 2: Like I would be like Mike, what are you doing?

760
00:31:42,320 --> 00:31:45,560
Speaker 1: I mean, and then if you do do that, let

761
00:31:45,560 --> 00:31:48,920
Speaker 1: me let me give another example. Mike would do those

762
00:31:48,960 --> 00:31:52,040
Speaker 1: camps with all those fucking billionaires and bankers where he

763
00:31:52,040 --> 00:31:54,240
Speaker 1: would play them one on one for money, like I

764
00:31:54,480 --> 00:31:56,240
Speaker 1: just done. People do this shit.

765
00:31:56,360 --> 00:31:58,160
Speaker 2: Yeah, but that's different because these are people that are

766
00:31:58,160 --> 00:32:00,000
Speaker 2: coming to a camp and they just want that experience.

767
00:32:00,080 --> 00:32:02,080
Speaker 2: To me, say, y'all played against Mike at the camp.

768
00:32:02,560 --> 00:32:05,040
Speaker 2: Mike is not selling out Madison Square Guard and pay

769
00:32:05,080 --> 00:32:09,680
Speaker 2: per view to play somebody, Yeah, to play Tim de Banker,

770
00:32:09,960 --> 00:32:11,360
Speaker 2: Like he's not doing that, you know what I mean.

771
00:32:11,400 --> 00:32:13,920
Speaker 2: It's a difference, Like you know, it's just yeah, your

772
00:32:14,000 --> 00:32:17,320
Speaker 2: legacy has to mean more than money at some point,

773
00:32:17,400 --> 00:32:18,920
Speaker 2: you know what I mean. And that's my only thing

774
00:32:18,920 --> 00:32:21,400
Speaker 2: with Floyd, Like I get it though bag was super easy.

775
00:32:21,440 --> 00:32:22,960
Speaker 2: He knows he's not gonna go in there and get hurt.

776
00:32:23,760 --> 00:32:26,080
Speaker 2: But again, your legacy has to mean something. It has

777
00:32:26,120 --> 00:32:27,080
Speaker 2: to mean more than money.

778
00:32:27,200 --> 00:32:30,240
Speaker 1: I mean, I know nothing about Jake Paul or Logan Paul.

779
00:32:30,560 --> 00:32:33,640
Speaker 2: Listen and shout out to the to them because they

780
00:32:33,840 --> 00:32:37,680
Speaker 2: mastered whatever. They figure they figured something out. Yeah, they

781
00:32:37,840 --> 00:32:38,640
Speaker 2: figured something out.

782
00:32:38,960 --> 00:32:40,800
Speaker 1: I don't know, I found out about them when the

783
00:32:40,880 --> 00:32:41,680
Speaker 1: Nate Robinson ship.

784
00:32:42,080 --> 00:32:43,680
Speaker 2: Yeah, they they but they they tapped in.

785
00:32:43,840 --> 00:32:45,720
Speaker 1: I'm not in the YouTube scene, and I'm not saying

786
00:32:45,720 --> 00:32:46,360
Speaker 1: that in mockery way.

787
00:32:46,400 --> 00:32:48,400
Speaker 2: I probably should be. I love what they've done. I

788
00:32:48,400 --> 00:32:50,560
Speaker 2: love what they've done. They they've they've tapped into something

789
00:32:51,280 --> 00:32:54,680
Speaker 2: a market, They've created their own lane, and you know

790
00:32:54,680 --> 00:32:58,000
Speaker 2: they're making a shipload of money. Like like Logan said,

791
00:32:58,160 --> 00:33:00,400
Speaker 2: I'm in the ring with Floyd Mayweather, like so much

792
00:33:00,440 --> 00:33:02,400
Speaker 2: like what the fuck am I doing here? How am I?

793
00:33:02,480 --> 00:33:03,239
Speaker 2: How did I get hit?

794
00:33:03,280 --> 00:33:06,720
Speaker 1: But that it speaks to and I cannot, even though

795
00:33:06,720 --> 00:33:08,760
Speaker 1: every bone in my body wants to, just because of

796
00:33:08,800 --> 00:33:12,120
Speaker 1: how I was raised. Look at where YouTube in the

797
00:33:12,200 --> 00:33:17,600
Speaker 1: Internet has like superseded, if that's even a word. A

798
00:33:17,720 --> 00:33:22,400
Speaker 1: YouTube guy is fighting the greatest fighter of all time. Right,

799
00:33:22,600 --> 00:33:26,120
Speaker 1: you know how many professional boxers probably spent their whole

800
00:33:26,160 --> 00:33:29,800
Speaker 1: life goal to Yo, I want to fight Floyd. It

801
00:33:29,840 --> 00:33:32,360
Speaker 1: took and then this guy does some skits on the

802
00:33:32,720 --> 00:33:34,680
Speaker 1: Look how long you're now fighting the greatest fighter of

803
00:33:34,680 --> 00:33:37,080
Speaker 1: all Look how long it took society. But then again,

804
00:33:37,320 --> 00:33:40,800
Speaker 1: a reality star was our president. This does not surprise

805
00:33:40,840 --> 00:33:42,960
Speaker 1: me at all at this point. Jake Paul Logan Paul

806
00:33:42,960 --> 00:33:43,640
Speaker 1: got to fight each other.

807
00:33:45,080 --> 00:33:46,600
Speaker 2: I don't see that. I don't see them doing that.

808
00:33:47,200 --> 00:33:48,719
Speaker 2: I don't see they're going to fight more people, But

809
00:33:48,720 --> 00:33:50,720
Speaker 2: that's gonna be the end. Yeah, like it looked it

810
00:33:50,720 --> 00:33:53,120
Speaker 2: took pack out how many years to finally get his

811
00:33:53,120 --> 00:33:53,760
Speaker 2: fight with Floyd.

812
00:33:53,760 --> 00:33:56,920
Speaker 1: It took well, he was taking steroids. Yeah, I'm a

813
00:33:56,920 --> 00:33:59,520
Speaker 1: Floyd fan, so okay, I mean I'm a Floyd fan too.

814
00:33:59,520 --> 00:34:03,400
Speaker 2: I don't think that was taking steroids. But again, I

815
00:34:03,440 --> 00:34:05,200
Speaker 2: don't know, man, I just you know, shout out to

816
00:34:05,240 --> 00:34:07,040
Speaker 2: Floyd for getting that easy bag. Shout out to the

817
00:34:07,040 --> 00:34:10,600
Speaker 2: Paul brothers for figuring out their lane and tapping into

818
00:34:10,640 --> 00:34:14,319
Speaker 2: something incredible for themselves. But again, me just as a

819
00:34:14,320 --> 00:34:16,959
Speaker 2: fight fan, as a Floyd Mayweather, as a boxing fan,

820
00:34:17,760 --> 00:34:22,160
Speaker 2: I don't want to see legends fighting YouTube stars. That's

821
00:34:22,200 --> 00:34:24,239
Speaker 2: just me. I don't want to see that, you know

822
00:34:24,280 --> 00:34:26,080
Speaker 2: what I mean? And if and if you're gonna and

823
00:34:26,080 --> 00:34:28,320
Speaker 2: if you're gonna do it, like I was saying on

824
00:34:28,440 --> 00:34:32,920
Speaker 2: on Twitter, Floyd was supposed to put him down, you

825
00:34:32,920 --> 00:34:34,080
Speaker 2: know what I mean, Like he was supposed to make

826
00:34:34,120 --> 00:34:36,759
Speaker 2: it clear cut, Like listen, rest of you guys don't

827
00:34:36,760 --> 00:34:38,279
Speaker 2: get no idea. Oh Yeah, that's why I say Logan

828
00:34:38,320 --> 00:34:40,960
Speaker 2: Paul won. He didn'tet. He didn't get knocked down. He didn't.

829
00:34:41,040 --> 00:34:43,280
Speaker 2: I wasn't sure if there was a no knockout clause.

830
00:34:43,320 --> 00:34:45,719
Speaker 2: But he didn't get knocked out. Uh, he didn't get

831
00:34:45,760 --> 00:34:49,800
Speaker 2: severely hurt. You know. His eyes were a little swollen,

832
00:34:50,000 --> 00:34:53,520
Speaker 2: you know, but he wasn't like unrecognizable after the fight.

833
00:34:53,719 --> 00:34:56,200
Speaker 2: Everything that I thought was gonna happen to him going

834
00:34:56,440 --> 00:34:59,560
Speaker 2: into this fight did not happen. So it's a win

835
00:34:59,600 --> 00:35:01,520
Speaker 2: for him. And he's not a professional fighter, and he

836
00:35:01,600 --> 00:35:04,560
Speaker 2: got a match with arguably the greatest of all time.

837
00:35:04,600 --> 00:35:05,560
Speaker 2: Like that's a win for Logan.

838
00:35:05,640 --> 00:35:10,960
Speaker 1: It was just the just the intro, introing Floyd fifty

839
00:35:11,000 --> 00:35:14,520
Speaker 1: one to oher all his stats and then Logan Logan

840
00:35:14,560 --> 00:35:16,480
Speaker 1: comes in oh and one against someone that's not a

841
00:35:16,520 --> 00:35:17,640
Speaker 1: professional boxer.

842
00:35:17,480 --> 00:35:20,359
Speaker 2: Oh and one. They showed how many Instagram followers he had,

843
00:35:20,360 --> 00:35:23,440
Speaker 2: what was it, sixty six million subscribers on social media,

844
00:35:23,560 --> 00:35:24,359
Speaker 2: Like it was.

845
00:35:24,320 --> 00:35:25,400
Speaker 1: Just like felt nasty.

846
00:35:25,520 --> 00:35:27,640
Speaker 2: I'm looking at that. And then the way he was

847
00:35:27,680 --> 00:35:29,880
Speaker 2: warming up in his dress room, those those punches he

848
00:35:29,920 --> 00:35:32,360
Speaker 2: was throwing. I said, Logan Paul was gonna get hurt.

849
00:35:32,560 --> 00:35:33,879
Speaker 2: That's what I thought, and I told you, I said,

850
00:35:33,880 --> 00:35:36,279
Speaker 2: he's gonna get hurt bad. This is gonna end bad.

851
00:35:36,400 --> 00:35:39,120
Speaker 2: And to my surprise, he didn't get hurt.

852
00:35:39,920 --> 00:35:43,840
Speaker 1: And I know, and to Floyd's credit, I do believe

853
00:35:43,840 --> 00:35:46,759
Speaker 1: Floyd was at about sixty percent as far as like

854
00:35:47,160 --> 00:35:50,040
Speaker 1: thirty foot on the gas maybe thirty Yeah, I think

855
00:35:50,080 --> 00:35:52,880
Speaker 1: he didn't really, you know, he didn't go in there

856
00:35:53,280 --> 00:35:55,000
Speaker 1: really taking this for the most part. He gave the

857
00:35:55,000 --> 00:35:58,440
Speaker 1: same angles the entire time. It wasn't but he should

858
00:35:58,440 --> 00:35:59,680
Speaker 1: have been Floyd. He was supposed to.

859
00:35:59,840 --> 00:36:01,680
Speaker 2: He was to put him down one time just to

860
00:36:01,719 --> 00:36:03,960
Speaker 2: show send a message to the rest of these YouTube

861
00:36:04,080 --> 00:36:06,279
Speaker 2: was like, listen, this is not a game. You know

862
00:36:06,360 --> 00:36:08,880
Speaker 2: you coming here with me, I'm gonna tag you, you

863
00:36:08,880 --> 00:36:10,520
Speaker 2: know what I mean. Like, I thought, Floyd should have

864
00:36:10,560 --> 00:36:13,400
Speaker 2: sent that message, and or you know, who knows just

865
00:36:13,440 --> 00:36:15,200
Speaker 2: his strategy may have been, let me just not hurt

866
00:36:15,280 --> 00:36:16,960
Speaker 2: him too bad and leave the door open for another

867
00:36:17,120 --> 00:36:18,000
Speaker 2: eighty million dollar bag.

868
00:36:18,160 --> 00:36:20,359
Speaker 1: It was a spectacle, man. It was fifty bucks. And

869
00:36:20,640 --> 00:36:24,040
Speaker 1: the first three rounds, instead of showing replays, they showed commercials. Yeah,

870
00:36:24,080 --> 00:36:28,879
Speaker 1: and that should say everything in between rounds is for replays.

871
00:36:29,160 --> 00:36:30,200
Speaker 1: Listen when it comes to boxing.

872
00:36:30,200 --> 00:36:31,319
Speaker 2: Shout out to the polls for this.

873
00:36:31,440 --> 00:36:33,600
Speaker 1: Hope this doesn't fuck up real boxing where boxing feels

874
00:36:33,640 --> 00:36:35,280
Speaker 1: like they have to do even more of a spectacle

875
00:36:35,800 --> 00:36:37,359
Speaker 1: to keep up with this type of shit.

876
00:36:37,719 --> 00:36:41,000
Speaker 2: Yeah, and our boy Chad Johnson Ocho Sinko was in there.

877
00:36:41,040 --> 00:36:44,120
Speaker 2: He got knocked down, you know, got right back up, man,

878
00:36:44,160 --> 00:36:45,480
Speaker 2: but he blamed it. I like, but I like this.

879
00:36:45,520 --> 00:36:48,000
Speaker 1: Why I like Ocho because yeah, but I like him

880
00:36:48,000 --> 00:36:49,960
Speaker 1: because he said, if y'all would have let me eat

881
00:36:50,000 --> 00:36:53,000
Speaker 1: my McDonald's like I usually do before the fights, I

882
00:36:53,000 --> 00:36:54,239
Speaker 1: wouldn't have gotten knocked down.

883
00:36:54,600 --> 00:36:56,520
Speaker 2: So I was like, you know what, he's still on brand.

884
00:36:56,760 --> 00:36:59,840
Speaker 2: He's still sticking with you know, sciences bullshit when it

885
00:36:59,840 --> 00:37:01,560
Speaker 2: comes to being in shape. Like, listen, you get you

886
00:37:01,680 --> 00:37:04,520
Speaker 2: whatever you want, just work out. Yeah, so I mean, listen,

887
00:37:04,800 --> 00:37:07,400
Speaker 2: you gotta love chat for that man. But shout out

888
00:37:07,400 --> 00:37:08,359
Speaker 2: to him, and he didn't get hurt.

889
00:37:08,880 --> 00:37:11,960
Speaker 1: I definitely pulled the Ocho Sinko after I got hit

890
00:37:12,000 --> 00:37:14,440
Speaker 1: and the fight was over, Yo, Yo, you got me.

891
00:37:15,280 --> 00:37:16,600
Speaker 1: He was walking around, Yo.

892
00:37:16,960 --> 00:37:19,080
Speaker 2: That was a good I know. I got you. He's like,

893
00:37:19,120 --> 00:37:22,759
Speaker 2: I know your ship is not enough.

894
00:37:22,800 --> 00:37:25,640
Speaker 1: I know, yeah, yeah, I know, I saw you didn't see.

895
00:37:25,760 --> 00:37:28,600
Speaker 2: Yeah, but yeah, man shout out. I don't know. I

896
00:37:28,600 --> 00:37:30,560
Speaker 2: think this is I think this is a new thing, Rory.

897
00:37:30,560 --> 00:37:33,360
Speaker 2: I think this is here to state. This is a exhibition,

898
00:37:33,640 --> 00:37:36,120
Speaker 2: you know, celebrities boxing each other. I think this is

899
00:37:36,120 --> 00:37:36,640
Speaker 2: here to stay.

900
00:37:36,800 --> 00:37:37,640
Speaker 1: Are you are you fighting?

901
00:37:39,520 --> 00:37:42,600
Speaker 2: I would fight Floyd if he's gonna fight like that. No,

902
00:37:43,360 --> 00:37:46,799
Speaker 2: why not if you give me three months to train

903
00:37:47,000 --> 00:37:49,120
Speaker 2: and Floyd is gonna fight at that like he's not.

904
00:37:49,200 --> 00:37:50,840
Speaker 2: He's gonna He's not gonna step all the way on

905
00:37:50,880 --> 00:37:51,360
Speaker 2: the gas.

906
00:37:51,400 --> 00:37:54,200
Speaker 1: As much as I'm shitting on the Paul Brothers, Logan brothers,

907
00:37:54,239 --> 00:37:56,080
Speaker 1: whatever their last name is. They have two first names.

908
00:37:57,680 --> 00:38:00,840
Speaker 1: They they don't know they have some under standing of boxing.

909
00:38:01,239 --> 00:38:05,040
Speaker 1: That's like when everyone's saying I know Jake, Like all right, relax.

910
00:38:04,800 --> 00:38:08,319
Speaker 2: No the other brothers. Jake he can fight. Like I've

911
00:38:08,320 --> 00:38:09,319
Speaker 2: seen some of his thing.

912
00:38:09,360 --> 00:38:10,440
Speaker 1: I'm like, look, look too bad.

913
00:38:10,440 --> 00:38:13,719
Speaker 2: Of course he didn't. He didn't look bad. But Jake can.

914
00:38:13,800 --> 00:38:15,160
Speaker 2: He can fight like he.

915
00:38:15,120 --> 00:38:18,000
Speaker 1: Can need the most technical sport on earth. Yeah, people

916
00:38:18,040 --> 00:38:20,600
Speaker 1: think because they've knocked someone out when they weren't looking,

917
00:38:20,719 --> 00:38:22,960
Speaker 1: that they could box. It's not the it's not the case.

918
00:38:23,000 --> 00:38:25,320
Speaker 2: Listen, I tell people all the time, Like the average

919
00:38:25,320 --> 00:38:27,080
Speaker 2: street fight is thirty five seconds.

920
00:38:27,120 --> 00:38:29,120
Speaker 1: Maybe you're overshooting it, you know what I mean, Like.

921
00:38:29,120 --> 00:38:31,960
Speaker 2: You talking about three minute rounds. You got to be

922
00:38:32,000 --> 00:38:33,640
Speaker 2: in shady so condition for that. Yeah, you got to

923
00:38:33,640 --> 00:38:35,360
Speaker 2: be in shape for that. But yeah, shout out to

924
00:38:35,400 --> 00:38:37,400
Speaker 2: everybody that got a bag that night. Man, I'm not

925
00:38:37,440 --> 00:38:39,120
Speaker 2: mad at it again. I just don't want to see

926
00:38:39,640 --> 00:38:42,400
Speaker 2: the legends fall into there's too deep and start ruining

927
00:38:42,400 --> 00:38:44,160
Speaker 2: their legacy. That's my only thing from it.

928
00:38:44,239 --> 00:38:47,920
Speaker 1: Okay, he was feeling the Migos culture three tomorrow or

929
00:38:47,920 --> 00:38:50,479
Speaker 1: whenever we put this out today. I think you today,

930
00:38:50,520 --> 00:38:51,760
Speaker 1: it's out already, who knows.

931
00:38:51,960 --> 00:38:54,879
Speaker 2: I think it's I think it's time. I think it's

932
00:38:54,880 --> 00:38:57,239
Speaker 2: time for the Migos. I think this is the perfect time.

933
00:38:57,280 --> 00:39:00,840
Speaker 2: Everything is opening back up. Uh, people are moving around,

934
00:39:01,000 --> 00:39:04,439
Speaker 2: Clubs are starting to open, venues are open. I think

935
00:39:04,480 --> 00:39:06,800
Speaker 2: this is the time for I think they've been waiting

936
00:39:06,800 --> 00:39:08,799
Speaker 2: for this to you know, obviously they probably had this

937
00:39:09,280 --> 00:39:12,120
Speaker 2: in the can for a few months now. I think

938
00:39:12,120 --> 00:39:13,640
Speaker 2: this is the time, man. I think this is the

939
00:39:13,680 --> 00:39:14,279
Speaker 2: Migos time.

940
00:39:15,520 --> 00:39:18,120
Speaker 1: I know it may not appear this way because they

941
00:39:18,160 --> 00:39:20,920
Speaker 1: are the Migos, and that just says something in itself.

942
00:39:21,400 --> 00:39:26,440
Speaker 1: I'm not saying the Migos fell off, need anything. Pressure's

943
00:39:26,440 --> 00:39:28,719
Speaker 1: on with this album. I think their their fan base

944
00:39:28,719 --> 00:39:31,120
Speaker 1: said it. I think they know it. I think the

945
00:39:31,160 --> 00:39:37,160
Speaker 1: casual fan knows it. Culture two was not really it. Again,

946
00:39:37,200 --> 00:39:39,880
Speaker 1: Culture two too is not really it. They make great music,

947
00:39:40,400 --> 00:39:43,320
Speaker 1: they're they're aligned with other great artists, they do great features,

948
00:39:43,320 --> 00:39:46,000
Speaker 1: they do great solo shit, so they're always going to

949
00:39:46,040 --> 00:39:48,960
Speaker 1: be relevant in that space. But as a group Culture

950
00:39:48,960 --> 00:39:50,400
Speaker 1: two wasn't it. There's pressure with this.

951
00:39:50,480 --> 00:39:52,719
Speaker 2: I think, no this, I think there's you know what,

952
00:39:52,880 --> 00:39:55,879
Speaker 2: I think there's pressure anytime artists drop a project because

953
00:39:55,920 --> 00:39:59,760
Speaker 2: you're either trying to outdo what you your last effort

954
00:39:59,800 --> 00:40:01,800
Speaker 2: was or you know what I mean Again, the fans

955
00:40:01,800 --> 00:40:03,440
Speaker 2: are like, Okay, well we're gonna do with this one

956
00:40:03,480 --> 00:40:06,240
Speaker 2: because the last one wasn't So. I think it's always

957
00:40:06,239 --> 00:40:10,480
Speaker 2: pressure when artists dropping a project, especially when you're caliber

958
00:40:10,520 --> 00:40:12,920
Speaker 2: like the Migos. I think so many eyes and ears

959
00:40:12,920 --> 00:40:16,319
Speaker 2: are on them. But I think they built for it, man.

960
00:40:16,360 --> 00:40:17,600
Speaker 2: I think you know, they just got to do what

961
00:40:17,600 --> 00:40:20,919
Speaker 2: the Migos do. Don't try to, you know, experiment too much.

962
00:40:20,960 --> 00:40:22,880
Speaker 2: I think it's good to show growth through your music.

963
00:40:23,239 --> 00:40:25,680
Speaker 2: I think it's good to, you know, try different things

964
00:40:25,719 --> 00:40:28,640
Speaker 2: production and music wise, but as long as you keep

965
00:40:28,719 --> 00:40:33,200
Speaker 2: that core sound what makes you who you are, and

966
00:40:33,239 --> 00:40:35,319
Speaker 2: then give us something you know to show like, Okay,

967
00:40:35,400 --> 00:40:38,640
Speaker 2: y'all are grown, y'all are maturing, y'all experiencing life a

968
00:40:38,680 --> 00:40:42,000
Speaker 2: little differently. Now sprinkle some of that in there. I

969
00:40:42,040 --> 00:40:44,719
Speaker 2: think I think it'll come across just fine for the fans. Man,

970
00:40:44,760 --> 00:40:46,759
Speaker 2: I just thought, I don't think they need to just

971
00:40:47,200 --> 00:40:49,400
Speaker 2: stare too far away from what and who they are.

972
00:40:49,440 --> 00:40:54,760
Speaker 1: Though, does does Quabo give us a three thirty three?

973
00:40:55,000 --> 00:40:57,799
Speaker 2: I don't know. I hope you don't.

974
00:40:57,840 --> 00:40:59,600
Speaker 1: I hope you don't go many how many times you

975
00:40:59,600 --> 00:41:01,360
Speaker 1: could flip sweet and sweetie?

976
00:41:01,480 --> 00:41:04,160
Speaker 2: Yeah, but I don't want but but but but see,

977
00:41:04,200 --> 00:41:06,520
Speaker 2: you'll start to sound salty though, you know what I mean.

978
00:41:06,640 --> 00:41:09,839
Speaker 2: And that's my thing. It's like, don't give us too much. Yeah,

979
00:41:09,880 --> 00:41:12,080
Speaker 2: you could drop but he could drop a few lines

980
00:41:12,120 --> 00:41:13,680
Speaker 2: and you know, kind of play have fun with it

981
00:41:14,160 --> 00:41:15,840
Speaker 2: as long as he don't go too far and it

982
00:41:15,840 --> 00:41:18,400
Speaker 2: starts to sound too like, oh, you're bitter, you know

983
00:41:18,440 --> 00:41:20,279
Speaker 2: what I mean? Because it's a fine line because even

984
00:41:20,320 --> 00:41:22,399
Speaker 2: if you're not, you could be absolutely happy for your

985
00:41:22,400 --> 00:41:24,279
Speaker 2: ex and be like, yo, it's great. People gon be like,

986
00:41:24,320 --> 00:41:26,080
Speaker 2: oh you salty. You you hate and.

987
00:41:26,080 --> 00:41:31,280
Speaker 1: You know you can give that and become salty, especially

988
00:41:31,280 --> 00:41:32,879
Speaker 1: if you were really in love. Weird have women get

989
00:41:32,880 --> 00:41:34,839
Speaker 1: empowered when they tell their story and men just look

990
00:41:34,880 --> 00:41:37,000
Speaker 1: salty when we tell ours, Well, we look salty.

991
00:41:37,040 --> 00:41:40,440
Speaker 2: If it was our fault that the relationship ended either way, Nah,

992
00:41:40,960 --> 00:41:43,279
Speaker 2: I don't. I don't think so. I think if it was,

993
00:41:43,520 --> 00:41:45,640
Speaker 2: you know, one of those things where y'all just both

994
00:41:45,680 --> 00:41:48,799
Speaker 2: were like, it's over, I think it's hard. You would

995
00:41:48,840 --> 00:41:50,880
Speaker 2: have to try to look salty in that in that instance,

996
00:41:51,120 --> 00:41:54,320
Speaker 2: Now she cheated on you something like that, then absolutely

997
00:41:54,400 --> 00:41:55,080
Speaker 2: assault was there.

998
00:41:55,160 --> 00:41:58,200
Speaker 1: Well, she's brave when she tells her story. Yeah, I

999
00:41:58,200 --> 00:41:59,200
Speaker 1: should shut the fuck up.

1000
00:41:59,760 --> 00:42:02,440
Speaker 2: Yeah. As men, we're supposed to just like take the breakup,

1001
00:42:02,880 --> 00:42:04,520
Speaker 2: deal with it. Yeah, you know what I mean. We're

1002
00:42:04,560 --> 00:42:06,839
Speaker 2: supposed to make sure we still look right. We don't.

1003
00:42:06,920 --> 00:42:10,000
Speaker 2: Can't get fat and sloppy and start walking around looking depressed.

1004
00:42:10,400 --> 00:42:12,680
Speaker 2: We can't do those things. We gotta keep looking like ourselves.

1005
00:42:12,719 --> 00:42:15,840
Speaker 2: We gotta put on more jewelry, we gotta buy more cars.

1006
00:42:16,440 --> 00:42:19,520
Speaker 2: That's what men have to do all women have to do, see.

1007
00:42:19,320 --> 00:42:22,560
Speaker 1: You're saying, suppress our feelings and dump them into material objects.

1008
00:42:22,640 --> 00:42:25,480
Speaker 2: Absolutely, that's how job. Men. When we break up with

1009
00:42:25,560 --> 00:42:28,360
Speaker 2: our significant other, we have to go out here and

1010
00:42:28,400 --> 00:42:32,200
Speaker 2: we have to look like we are okay, and deep

1011
00:42:32,239 --> 00:42:35,000
Speaker 2: down inside it's a little boy inside of us crying

1012
00:42:35,040 --> 00:42:35,800
Speaker 2: his eyes out.

1013
00:42:36,200 --> 00:42:39,120
Speaker 1: Okay, So then I'll buy the maserati, get the new chick,

1014
00:42:39,239 --> 00:42:41,640
Speaker 1: and then take out all that suppressed anger out on her.

1015
00:42:41,800 --> 00:42:44,000
Speaker 1: And then we just rinse and repeat exactly.

1016
00:42:44,200 --> 00:42:46,399
Speaker 2: And I just gotta get a new watch, baggage, get

1017
00:42:46,440 --> 00:42:50,239
Speaker 2: a you gotta get a new chain, You gotta gotta

1018
00:42:50,440 --> 00:42:54,200
Speaker 2: pop a lot of tags, new designer everywhere, new car.

1019
00:42:54,840 --> 00:42:56,640
Speaker 2: They can't see you in whatever you was driving when

1020
00:42:56,680 --> 00:42:58,279
Speaker 2: y'all were together. You gotta get rid of it. Well,

1021
00:42:58,280 --> 00:42:59,920
Speaker 2: I mean, I'm in a monster does not in intense.

1022
00:43:00,280 --> 00:43:02,600
Speaker 2: Her chapstick is still in the car somewhere, you know

1023
00:43:02,600 --> 00:43:04,200
Speaker 2: what I mean, Like it's something in the car that

1024
00:43:04,239 --> 00:43:06,520
Speaker 2: her mind. Your hair, her hair is him on the

1025
00:43:06,520 --> 00:43:09,719
Speaker 2: carpetge somewhere, you know, you know, the makeup is on

1026
00:43:09,760 --> 00:43:12,200
Speaker 2: the little sun visor thing from you know, her hands

1027
00:43:12,200 --> 00:43:14,320
Speaker 2: has the makeup on it, and you still see her fingerprints.

1028
00:43:14,520 --> 00:43:15,920
Speaker 2: Once you see that while you have the toe and

1029
00:43:15,960 --> 00:43:17,799
Speaker 2: you reach to the easy path, you start crying. You

1030
00:43:17,800 --> 00:43:19,160
Speaker 2: know how it is like you gotta.

1031
00:43:18,960 --> 00:43:21,600
Speaker 1: Women the whole new car hide and seek.

1032
00:43:22,360 --> 00:43:26,359
Speaker 2: Like at Hide and Seek, they'll place things spots that

1033
00:43:27,320 --> 00:43:30,040
Speaker 2: not hide and go get it. No, oh okay, I

1034
00:43:30,040 --> 00:43:32,200
Speaker 2: see what you're saying, hide and seek, okay, because that

1035
00:43:32,320 --> 00:43:33,280
Speaker 2: was my game.

1036
00:43:33,120 --> 00:43:34,840
Speaker 1: From our past that we should we should have a

1037
00:43:34,920 --> 00:43:35,719
Speaker 1: real we need to have.

1038
00:43:38,480 --> 00:43:41,040
Speaker 2: This was the first person that came up with hide

1039
00:43:41,040 --> 00:43:42,799
Speaker 2: and go get it, and I want to the thing

1040
00:43:42,840 --> 00:43:43,839
Speaker 2: because it was definitely a guy.

1041
00:43:43,960 --> 00:43:46,920
Speaker 1: I remember people yelling let's play hide and go get

1042
00:43:46,920 --> 00:43:49,600
Speaker 1: it like around adults, and adults were like, yeah, guys,

1043
00:43:49,600 --> 00:43:52,200
Speaker 1: go play like men with daughters.

1044
00:43:52,280 --> 00:43:55,600
Speaker 2: Yeah yeah, like yeah, go go ahead. Wait, what do

1045
00:43:55,640 --> 00:43:57,080
Speaker 2: you know what we're about to do if we find

1046
00:43:57,080 --> 00:44:01,600
Speaker 2: each other. It was as nasty as and go get it? Man.

1047
00:44:01,640 --> 00:44:03,319
Speaker 2: We were crazy crazy at kids.

1048
00:44:03,320 --> 00:44:05,440
Speaker 1: Man, don't add freeze tag into it.

1049
00:44:08,600 --> 00:44:10,160
Speaker 2: Look at this ship we had to do then, Like

1050
00:44:10,200 --> 00:44:12,880
Speaker 2: these kids now have the internet, we had freeze tags

1051
00:44:12,880 --> 00:44:15,920
Speaker 2: still a bacon manhunt, Hide and Seek, Hide and Go

1052
00:44:15,960 --> 00:44:18,400
Speaker 2: get It? Remember Seventh Heaven. That was that was that

1053
00:44:18,480 --> 00:44:20,040
Speaker 2: was a core legendary game.

1054
00:44:20,640 --> 00:44:22,960
Speaker 1: Uh man, man, you kind of turned into hide and

1055
00:44:23,040 --> 00:44:24,480
Speaker 1: go get it depending on who you were playing with.

1056
00:44:25,080 --> 00:44:26,920
Speaker 2: Yeah, but see, if you grew up in certain neighborhoods,

1057
00:44:26,960 --> 00:44:28,640
Speaker 2: it was like it was just way too many dudes

1058
00:44:28,640 --> 00:44:29,080
Speaker 2: on the block.

1059
00:44:29,560 --> 00:44:31,600
Speaker 1: Yeah, well that's how you that's why you tried to

1060
00:44:31,640 --> 00:44:34,760
Speaker 1: do like the the secret manhunt, like don't tell everyone

1061
00:44:34,800 --> 00:44:35,520
Speaker 1: we're playing.

1062
00:44:35,360 --> 00:44:39,080
Speaker 2: Yeah, and together, yeah, yeah, yeah, that's when you was like,

1063
00:44:39,239 --> 00:44:41,120
Speaker 2: that's when you almost in high school you started to

1064
00:44:41,160 --> 00:44:43,600
Speaker 2: learn that thing like if we hide together, we'll get

1065
00:44:43,640 --> 00:44:44,520
Speaker 2: away from everybody.

1066
00:44:44,600 --> 00:44:47,240
Speaker 1: I think I learned my first like sight of shadiness

1067
00:44:47,360 --> 00:44:50,280
Speaker 1: might have been in manhunt of just like allowing certain

1068
00:44:50,280 --> 00:44:52,239
Speaker 1: people to play and other people not to play. Yeah,

1069
00:44:52,440 --> 00:44:54,239
Speaker 1: well just a chance to be like yeh, let's hide

1070
00:44:54,239 --> 00:44:55,319
Speaker 1: this way. Oh she's on my team.

1071
00:44:55,360 --> 00:44:57,359
Speaker 2: Yeah. It took a certain level of creep, like you

1072
00:44:57,360 --> 00:44:58,360
Speaker 2: had to be a certain but.

1073
00:44:58,440 --> 00:45:00,759
Speaker 1: When you're in little creep, when you and your friend

1074
00:45:00,800 --> 00:45:02,200
Speaker 1: really got on the same page, all right, you be

1075
00:45:02,280 --> 00:45:04,799
Speaker 1: a captain. I'll be a captain. Yeah, I'm gonna pick her.

1076
00:45:04,880 --> 00:45:08,080
Speaker 1: I'm pick So you know, kids were fucking scheming.

1077
00:45:08,200 --> 00:45:10,279
Speaker 2: It was always there. It was always a little the

1078
00:45:10,320 --> 00:45:13,920
Speaker 2: little nastiness brains, but it's it's listen man, you know

1079
00:45:14,040 --> 00:45:15,439
Speaker 2: you you knew when girls were cute.

1080
00:45:15,480 --> 00:45:16,960
Speaker 1: But then at the same time, it's not like we

1081
00:45:16,960 --> 00:45:19,800
Speaker 1: did anything aggressive in those times. That was much better

1082
00:45:19,880 --> 00:45:21,800
Speaker 1: than being able to send my dick in a phone

1083
00:45:21,840 --> 00:45:23,680
Speaker 1: to a girl at that age.

1084
00:45:24,239 --> 00:45:25,719
Speaker 2: Yeah, no, you don't want to send you a dick

1085
00:45:25,760 --> 00:45:29,200
Speaker 2: to a girl now. But like I said, these kids now.

1086
00:45:30,239 --> 00:45:32,480
Speaker 2: I met one kid one time, he was no older

1087
00:45:32,480 --> 00:45:36,680
Speaker 2: than twelve, and we were, you know, messing with him, like, man,

1088
00:45:36,719 --> 00:45:39,160
Speaker 2: you ain't got no, you ain't got no girls, Like

1089
00:45:39,200 --> 00:45:40,520
Speaker 2: you may get out of here, like one of those

1090
00:45:40,520 --> 00:45:42,040
Speaker 2: type of things, you know, the little kid on the block.

1091
00:45:42,080 --> 00:45:43,560
Speaker 2: And he was like what he was like, I got

1092
00:45:43,600 --> 00:45:45,600
Speaker 2: a bunch of girls, and we laughing at him. Bro,

1093
00:45:45,719 --> 00:45:48,239
Speaker 2: this little dude opened up his phone and showed us

1094
00:45:48,239 --> 00:45:51,880
Speaker 2: a sex tape like he was having sex at twelve.

1095
00:45:53,400 --> 00:45:56,480
Speaker 2: I'm like, wait what now I saw why he was

1096
00:45:56,520 --> 00:45:58,560
Speaker 2: so upset, Like he was like, oh yeah, got me

1097
00:45:58,600 --> 00:46:01,399
Speaker 2: twisted like I got footage. I'm like, wait, first of all,

1098
00:46:01,440 --> 00:46:03,760
Speaker 2: you have a thousand dollar phone at twelve years old.

1099
00:46:03,800 --> 00:46:07,760
Speaker 1: And what's sick about that shit is that makes Apple

1100
00:46:07,760 --> 00:46:11,560
Speaker 1: and Samsung complacent in like child pornography to me. I'm

1101
00:46:11,600 --> 00:46:14,040
Speaker 1: not even trying to make a joke. The fact that

1102
00:46:14,040 --> 00:46:16,200
Speaker 1: that's available for children to do. And I'm going to

1103
00:46:16,239 --> 00:46:20,320
Speaker 1: sound like an old dickhead here, but that makes Apple

1104
00:46:20,360 --> 00:46:27,520
Speaker 1: complicit and fuckingography children can do that is nuts noo,

1105
00:46:27,640 --> 00:46:28,799
Speaker 1: and I don't know how to fix it, So I'm

1106
00:46:28,840 --> 00:46:30,240
Speaker 1: complaining with no solutions.

1107
00:46:30,280 --> 00:46:31,960
Speaker 2: But I don't think you could put that on Apple,

1108
00:46:32,080 --> 00:46:34,279
Speaker 2: like they don't know that kids are going to take

1109
00:46:34,320 --> 00:46:36,680
Speaker 2: the camera phone and they use They.

1110
00:46:36,640 --> 00:46:39,279
Speaker 1: Can use my face and my fingerprint. Look making a

1111
00:46:39,360 --> 00:46:41,480
Speaker 1: kid's face. If it's a kid's face, you can't use

1112
00:46:41,480 --> 00:46:42,160
Speaker 1: the camera.

1113
00:46:43,680 --> 00:46:45,799
Speaker 2: But kids can use cameras. I had a camera when

1114
00:46:45,800 --> 00:46:46,279
Speaker 2: I was a kid.

1115
00:46:46,440 --> 00:46:48,000
Speaker 1: And this is not a gender thing either. If my

1116
00:46:48,080 --> 00:46:49,920
Speaker 1: son is sending a dick pic in my house, I'm

1117
00:46:49,920 --> 00:46:53,120
Speaker 1: smacking the shit out of my kid. Joking, joking. I'm

1118
00:46:53,120 --> 00:46:56,359
Speaker 1: going to discipline him in a verbal way and try

1119
00:46:56,400 --> 00:47:00,040
Speaker 1: to understand where it's rooted from. R gotta talk and

1120
00:47:00,239 --> 00:47:01,160
Speaker 1: encourage him.

1121
00:47:01,520 --> 00:47:04,440
Speaker 2: Yeah you can't. You can't just you know, beat your kid.

1122
00:47:04,520 --> 00:47:04,680
Speaker 1: Man.

1123
00:47:04,719 --> 00:47:06,839
Speaker 2: You gotta you gotta talk to them. You tell him

1124
00:47:06,840 --> 00:47:09,239
Speaker 2: why that was wrong, you know, tell them that this

1125
00:47:09,280 --> 00:47:11,360
Speaker 2: is what can happen. You can get into serious trouble

1126
00:47:11,400 --> 00:47:14,799
Speaker 2: with this type of thing. But you can't hit your kids, man,

1127
00:47:16,200 --> 00:47:19,000
Speaker 2: I wouldn't, I think now raising kids, I'll see you. Wait.

1128
00:47:19,160 --> 00:47:22,560
Speaker 1: No, I've changed. I've changed drastically in my stance on Yeah.

1129
00:47:23,040 --> 00:47:24,880
Speaker 2: I think I think it's now. If you have a

1130
00:47:24,960 --> 00:47:27,120
Speaker 2: kid that's just like out here causing terror in the

1131
00:47:27,160 --> 00:47:31,520
Speaker 2: neighborhood and electric No. No, but you, like some of

1132
00:47:31,560 --> 00:47:33,080
Speaker 2: these kids, you gotta be like, all right, man, the

1133
00:47:33,600 --> 00:47:36,000
Speaker 2: time out and and showing them why this was wrong.

1134
00:47:36,080 --> 00:47:38,120
Speaker 2: All of that putting out that's not working. This kid

1135
00:47:38,120 --> 00:47:40,840
Speaker 2: is still out here stealing ship. He's breaking into people's properties,

1136
00:47:40,880 --> 00:47:42,319
Speaker 2: costing you because as a parent, you got to pay

1137
00:47:42,320 --> 00:47:44,440
Speaker 2: for all of this ship. Yeah. Like at that point,

1138
00:47:44,680 --> 00:47:46,759
Speaker 2: as a dad, you got to take your son in

1139
00:47:46,800 --> 00:47:48,160
Speaker 2: the backyard and put the gloves.

1140
00:47:47,840 --> 00:47:49,840
Speaker 1: On and you shoot them.

1141
00:47:50,800 --> 00:47:52,479
Speaker 2: No. No, I didn't hear anything.

1142
00:47:52,480 --> 00:47:56,279
Speaker 1: The mics went out, God choked. We were on music though.

1143
00:47:56,280 --> 00:47:58,279
Speaker 2: I felt like Migos migos three.

1144
00:47:58,360 --> 00:48:05,880
Speaker 1: Oh we're off that uh bank, Lloyd, he's back Lamborghini Lloyd.

1145
00:48:06,080 --> 00:48:10,480
Speaker 2: I was so so happy to hear this project, only

1146
00:48:10,520 --> 00:48:15,080
Speaker 2: because again it's continuing the wave of the rap that

1147
00:48:15,160 --> 00:48:17,239
Speaker 2: I grew up on in the type of style and

1148
00:48:17,280 --> 00:48:20,520
Speaker 2: the lyricism and the music and the beats and the production.

1149
00:48:21,560 --> 00:48:24,040
Speaker 2: Like it's still being celebrated, you know what I mean,

1150
00:48:24,120 --> 00:48:26,800
Speaker 2: like the rock Marcis and the you know, the Griselda's

1151
00:48:26,920 --> 00:48:30,280
Speaker 2: and you know, Ransom had a great year, Freddie Gibbs

1152
00:48:30,360 --> 00:48:34,640
Speaker 2: and Alfredo, you know Royce. That type of music is

1153
00:48:34,680 --> 00:48:38,120
Speaker 2: still being celebrated. And I think that Lloyd putting out

1154
00:48:38,120 --> 00:48:42,759
Speaker 2: this project is a direct reflection of you know, those

1155
00:48:42,840 --> 00:48:45,960
Speaker 2: rappers from that cloth being inspired again because now they

1156
00:48:45,960 --> 00:48:47,840
Speaker 2: say that we still have a place, we still have

1157
00:48:47,840 --> 00:48:49,919
Speaker 2: a place in the market. There's still a fan base

1158
00:48:49,960 --> 00:48:53,520
Speaker 2: that wants that. Uh, you know, Alfredo being nominated for

1159
00:48:53,640 --> 00:48:56,440
Speaker 2: Grammy was major for that for that Alan, it was

1160
00:48:56,480 --> 00:48:58,800
Speaker 2: like that was the real hip hop album.

1161
00:48:59,400 --> 00:49:02,400
Speaker 1: Yeah, I felt it was a full circle moment in

1162
00:49:02,640 --> 00:49:07,279
Speaker 1: rap period because not to say that Banks created the

1163
00:49:07,320 --> 00:49:10,680
Speaker 1: style that Griselda is in now and Gibbs and Hami

1164
00:49:10,680 --> 00:49:15,440
Speaker 1: and everybody, but was definitely leading that in the early

1165
00:49:15,480 --> 00:49:19,040
Speaker 1: and mid two thousands. It was nice to see. If

1166
00:49:19,040 --> 00:49:22,560
Speaker 1: you go through Banks albums, obviously he was with G Unit,

1167
00:49:22,640 --> 00:49:26,320
Speaker 1: which was Superstars at that point. So even though Banks

1168
00:49:26,360 --> 00:49:28,520
Speaker 1: is the super lyrical guy, punchline King all that shit.

1169
00:49:29,080 --> 00:49:33,239
Speaker 1: His albums had hits, his albums had girl records. He

1170
00:49:33,600 --> 00:49:35,400
Speaker 1: slipped in some of his shit in there, but his

1171
00:49:35,560 --> 00:49:41,000
Speaker 1: albums were always had some pop appeal to some degree

1172
00:49:41,239 --> 00:49:44,120
Speaker 1: or pop rap. At that time. He had to focus

1173
00:49:44,200 --> 00:49:47,080
Speaker 1: on getting the single, whether that was with fifty or

1174
00:49:47,080 --> 00:49:49,520
Speaker 1: not with fifty, or with Gunit or not with JUnit.

1175
00:49:51,200 --> 00:49:53,399
Speaker 1: Then he put out his mixtapes in between that would

1176
00:49:53,440 --> 00:49:56,040
Speaker 1: sound like the shit you could tell Banks actually wanted

1177
00:49:56,080 --> 00:49:58,399
Speaker 1: to make, but it didn't really have a market one

1178
00:49:58,440 --> 00:50:01,360
Speaker 1: because it was a mixtape era and that wasn't really profitable.

1179
00:50:01,360 --> 00:50:03,319
Speaker 1: That was kind of like a commercial like here, I'm

1180
00:50:03,320 --> 00:50:05,279
Speaker 1: not going away. Here's something in the meantime while my

1181
00:50:05,280 --> 00:50:06,759
Speaker 1: album comes or while I try to figure out the

1182
00:50:06,760 --> 00:50:08,719
Speaker 1: first single. Then I'll profit off my album going tour,

1183
00:50:08,760 --> 00:50:12,440
Speaker 1: et cetera. Banks has been super active in that mixtape space,

1184
00:50:13,320 --> 00:50:16,040
Speaker 1: but it coming full circle and seeing how profitable Griselda

1185
00:50:16,040 --> 00:50:19,120
Speaker 1: has become, how profitable Gibbs has become, the recognition that's

1186
00:50:19,160 --> 00:50:25,279
Speaker 1: come with it. I think, sorry, Basley's going nuts, how

1187
00:50:25,280 --> 00:50:27,960
Speaker 1: profitable that's become. I think Banks is now in the

1188
00:50:28,000 --> 00:50:30,880
Speaker 1: space where he can have his mixtapes sound like his

1189
00:50:30,920 --> 00:50:32,759
Speaker 1: album because if you go back to Hunger for War two,

1190
00:50:32,760 --> 00:50:35,200
Speaker 1: which was his last album of Rotten Apple sits on there, Bima,

1191
00:50:35,239 --> 00:50:37,320
Speaker 1: Benz and Bentley are the joint with Jeremiah. There was

1192
00:50:37,320 --> 00:50:41,640
Speaker 1: a lot of hits on that shit. Finally Banks can

1193
00:50:41,719 --> 00:50:44,920
Speaker 1: make an album that sounds like the mixtape stuff, just

1194
00:50:45,200 --> 00:50:49,040
Speaker 1: at a higher degree. He can rap for real. He's

1195
00:50:49,080 --> 00:50:51,200
Speaker 1: not just so focused on the choruses. He's not just

1196
00:50:51,239 --> 00:50:53,960
Speaker 1: so focused on is this the girl record? Is this

1197
00:50:54,000 --> 00:50:55,480
Speaker 1: going to be the one that plays on radio? Is

1198
00:50:55,560 --> 00:50:57,560
Speaker 1: this the one that we're gonna put money behind? Is

1199
00:50:57,560 --> 00:50:58,799
Speaker 1: this the one I have to shoot a video for?

1200
00:50:59,520 --> 00:51:01,840
Speaker 1: It was just used to see everything come full circle

1201
00:51:01,920 --> 00:51:05,160
Speaker 1: for Banks, where hip hop is in a place that

1202
00:51:05,320 --> 00:51:07,040
Speaker 1: values what Banks is best at.

1203
00:51:07,200 --> 00:51:10,839
Speaker 2: Right. Yeah, and again, man, I was just happy, man,

1204
00:51:10,880 --> 00:51:13,720
Speaker 2: because we've we've wanted a Bank's product.

1205
00:51:13,760 --> 00:51:15,880
Speaker 1: I mean, Banks high School is my favorite rapper.

1206
00:51:17,280 --> 00:51:18,920
Speaker 2: He was. He was one of the guys that it

1207
00:51:19,040 --> 00:51:20,640
Speaker 2: was like, damn, like, we want to hit we want

1208
00:51:20,680 --> 00:51:23,120
Speaker 2: to hear from Banks in this in this time, in

1209
00:51:23,160 --> 00:51:27,719
Speaker 2: this moment, and he delivered, Like his album is amazing.

1210
00:51:28,840 --> 00:51:30,680
Speaker 2: I listened to it, you know, on our on our

1211
00:51:30,719 --> 00:51:33,759
Speaker 2: way uh on my way here. I was listening to it.

1212
00:51:34,120 --> 00:51:36,920
Speaker 2: I listened to it all day yesterday because before his

1213
00:51:37,000 --> 00:51:39,760
Speaker 2: album came out, I was on the mock comedy album Heavy,

1214
00:51:39,840 --> 00:51:41,400
Speaker 2: like that was the album that I was just one

1215
00:51:41,440 --> 00:51:43,080
Speaker 2: of my favorite the year. Yeah, definitely one of my

1216
00:51:43,080 --> 00:51:45,080
Speaker 2: favorite of the year. And then coming off to Monck

1217
00:51:45,120 --> 00:51:48,960
Speaker 2: Comy and listening to this Banks again, it was like, Okay,

1218
00:51:49,000 --> 00:51:50,680
Speaker 2: the music that the type of rap that I grew

1219
00:51:50,760 --> 00:51:52,960
Speaker 2: up on, the type of you know, production in the

1220
00:51:53,040 --> 00:51:56,120
Speaker 2: sound is still here. It's still you know, it's still

1221
00:51:56,160 --> 00:51:58,560
Speaker 2: an audience for it, and you know, our favorite artist

1222
00:51:58,600 --> 00:52:00,960
Speaker 2: obviously is still thriving and that it's just great to see. Man.

1223
00:52:01,000 --> 00:52:03,640
Speaker 2: I'm just happy for Banks that he was able to

1224
00:52:03,680 --> 00:52:08,360
Speaker 2: put out this project. Shout out the whole vein uh

1225
00:52:08,360 --> 00:52:11,000
Speaker 2: for sure. Yeah, man, salute the Banks man. I'm just

1226
00:52:11,040 --> 00:52:13,520
Speaker 2: happy that Banks is still he's still he's still in shape.

1227
00:52:13,920 --> 00:52:15,800
Speaker 2: Oh yeah, still you know, I mean he's still in shape.

1228
00:52:16,200 --> 00:52:17,799
Speaker 1: I mean, if you kept up with his mixtapes, he's

1229
00:52:17,880 --> 00:52:20,000
Speaker 1: he's definitely always been in shape. But it was definitely

1230
00:52:20,000 --> 00:52:24,880
Speaker 1: in mixtape mode. Yeah, and this is that but on steroids,

1231
00:52:25,040 --> 00:52:27,880
Speaker 1: Like it's album type music, but it's not I have

1232
00:52:27,920 --> 00:52:30,360
Speaker 1: to chase what I used to have to chase in

1233
00:52:30,440 --> 00:52:33,080
Speaker 1: JUnit where I'm expected to put out all right, is

1234
00:52:33,120 --> 00:52:35,040
Speaker 1: there a karma on this album? Is there a on

1235
00:52:35,160 --> 00:52:38,240
Speaker 1: fire on this album? And on top of that, Banks

1236
00:52:38,280 --> 00:52:42,200
Speaker 1: was kind of put in this corner where he didn't

1237
00:52:42,200 --> 00:52:46,080
Speaker 1: necessarily have beef with any of these rappers. Man, because

1238
00:52:46,239 --> 00:52:50,400
Speaker 1: he's gonna attack the fat jokes. He's going to attack

1239
00:52:50,440 --> 00:52:52,759
Speaker 1: Kiss's gonna attack game. So it was so great to

1240
00:52:52,760 --> 00:52:56,960
Speaker 1: see Banks and Styles and before. But it's just for

1241
00:52:57,040 --> 00:52:59,360
Speaker 1: Banks not to have an affiliation and he didn't go

1242
00:52:59,600 --> 00:53:03,440
Speaker 1: feature heavy to any degree. But it's just nice. And

1243
00:53:03,520 --> 00:53:05,560
Speaker 1: I don't know this for a fact, but to see

1244
00:53:05,600 --> 00:53:08,319
Speaker 1: Banks have a clear conscience on it doesn't matter what

1245
00:53:08,360 --> 00:53:08,719
Speaker 1: I work with.

1246
00:53:08,920 --> 00:53:10,680
Speaker 2: Yeah, from my album, well, you know what it is,

1247
00:53:12,320 --> 00:53:15,480
Speaker 2: everybody got older, man, everybody's grown in. Everybody got either

1248
00:53:15,520 --> 00:53:19,600
Speaker 2: got kids. It's like we're not in that same you know,

1249
00:53:20,000 --> 00:53:22,520
Speaker 2: mentality we were in in the early two thousands where

1250
00:53:22,560 --> 00:53:24,319
Speaker 2: it was like we were young and moving around and

1251
00:53:24,360 --> 00:53:26,799
Speaker 2: it was my crew versus your crew. And it's not

1252
00:53:26,840 --> 00:53:29,799
Speaker 2: that same energy anymore. Now. It's like everybody understands, like, man,

1253
00:53:29,840 --> 00:53:33,000
Speaker 2: we grown, we're grown men. You know. Everybody is raising

1254
00:53:33,040 --> 00:53:35,719
Speaker 2: their families, taking care of their families. We just want

1255
00:53:35,760 --> 00:53:38,400
Speaker 2: to still exist and put out our art and you know,

1256
00:53:38,680 --> 00:53:41,480
Speaker 2: still be the the artist that people love, and you know,

1257
00:53:41,480 --> 00:53:43,200
Speaker 2: we still want to create. And I think that it's

1258
00:53:43,239 --> 00:53:45,919
Speaker 2: dope man Like coming off to j Cole and into

1259
00:53:45,920 --> 00:53:48,719
Speaker 2: the Makhami and to Now and to Banks, like it's

1260
00:53:48,760 --> 00:53:51,839
Speaker 2: just like, yeah, it's a very it's a very good,

1261
00:53:52,120 --> 00:53:55,719
Speaker 2: very consistent level of rapping that's going on right now,

1262
00:53:56,160 --> 00:53:59,600
Speaker 2: level of artistry that's still alive. And I'm happy, man,

1263
00:53:59,640 --> 00:54:01,799
Speaker 2: Like I'm I'm I'm super excited like that this type

1264
00:54:01,800 --> 00:54:03,919
Speaker 2: of rap is still here, it can exist, that people

1265
00:54:03,960 --> 00:54:06,719
Speaker 2: are supporting it. I can't wait to see some of

1266
00:54:06,760 --> 00:54:10,160
Speaker 2: these dudes on the road live because that's another element

1267
00:54:10,200 --> 00:54:12,440
Speaker 2: that they want to get back into and touching their

1268
00:54:12,480 --> 00:54:16,160
Speaker 2: fan base and performing. So it's this is great, man.

1269
00:54:16,200 --> 00:54:18,239
Speaker 2: I think hip hop is in is in a very

1270
00:54:18,400 --> 00:54:21,640
Speaker 2: very good good position right now. Like that, like I said,

1271
00:54:21,680 --> 00:54:25,040
Speaker 2: J Cole and to Mock and to Banks, it's as

1272
00:54:25,080 --> 00:54:27,879
Speaker 2: a rap fan, you can't be mad every like right now,

1273
00:54:27,880 --> 00:54:30,160
Speaker 2: this is a great time for rapping hip hop as

1274
00:54:30,160 --> 00:54:30,800
Speaker 2: far as uncleser.

1275
00:54:31,000 --> 00:54:33,759
Speaker 1: I mean, I tweeted when the Cold Project came out,

1276
00:54:34,000 --> 00:54:36,920
Speaker 1: Top Tier like sounds will come and go trends will

1277
00:54:36,960 --> 00:54:39,560
Speaker 1: come and go. Top tier rapping will never.

1278
00:54:39,400 --> 00:54:40,239
Speaker 2: Not be relevant. Right.

1279
00:54:40,480 --> 00:54:42,000
Speaker 1: You could fight it as much as you want and

1280
00:54:42,160 --> 00:54:45,120
Speaker 1: call it lyrical miracle ship. You can do any joke

1281
00:54:45,160 --> 00:54:46,520
Speaker 1: you want on that. No one's trying to hear that

1282
00:54:46,520 --> 00:54:48,120
Speaker 1: shiit yo, I'm trying to party. I'm not trying to

1283
00:54:48,120 --> 00:54:51,160
Speaker 1: hear a fucking lecture. Whatever satire you want to throw

1284
00:54:51,200 --> 00:54:53,040
Speaker 1: into it. Top tier rapping will never not be relevant.

1285
00:54:53,200 --> 00:54:55,960
Speaker 2: Yeah, I agree, And they're showing it, man, So salute

1286
00:54:56,000 --> 00:54:58,920
Speaker 2: to the to the rappers. Uh, the artists that you

1287
00:54:58,960 --> 00:55:02,880
Speaker 2: know just have that certain sound and that skill level

1288
00:55:03,040 --> 00:55:05,280
Speaker 2: when it comes to you know, hip hop, Like they're

1289
00:55:05,360 --> 00:55:08,400
Speaker 2: still pushing forwards just so, and it's good to exist

1290
00:55:08,560 --> 00:55:11,239
Speaker 2: in the same space with a lot of the new generation. Yeah,

1291
00:55:11,239 --> 00:55:12,920
Speaker 2: because they could look at it and be like, oh, okay,

1292
00:55:12,960 --> 00:55:14,160
Speaker 2: like you know what I'm saying, Like we grew up

1293
00:55:14,200 --> 00:55:15,759
Speaker 2: on that, Like you know what I mean. But it's

1294
00:55:15,760 --> 00:55:18,240
Speaker 2: still here, It's still relevant, and it's still a certain

1295
00:55:18,280 --> 00:55:21,239
Speaker 2: level of you know, like technique and skill that you

1296
00:55:21,360 --> 00:55:23,239
Speaker 2: have to have if you want to be considered one

1297
00:55:23,280 --> 00:55:23,920
Speaker 2: of the best.

1298
00:55:24,200 --> 00:55:26,120
Speaker 1: And you know what I mean. I don't want to

1299
00:55:26,120 --> 00:55:28,439
Speaker 1: say it's too soon, but it is something I do

1300
00:55:28,560 --> 00:55:32,920
Speaker 1: want to challenge the Griseldas and the Gibbs and the

1301
00:55:33,000 --> 00:55:35,160
Speaker 1: well Rock did it with Stove God. Let mean I

1302
00:55:35,200 --> 00:55:36,880
Speaker 1: say say that, but I do want.

1303
00:55:36,760 --> 00:55:39,240
Speaker 2: To have one of the best albums God for sure.

1304
00:55:39,480 --> 00:55:43,600
Speaker 1: I do want to see this sound of music that

1305
00:55:43,760 --> 00:55:47,440
Speaker 1: is working currently with money and just with attention to

1306
00:55:47,560 --> 00:55:48,719
Speaker 1: find the young kids that do this.

1307
00:55:49,560 --> 00:55:50,200
Speaker 2: They're out there.

1308
00:55:50,440 --> 00:55:52,439
Speaker 1: They're definitely out there. They're out there for sure because

1309
00:55:52,440 --> 00:55:55,080
Speaker 1: because a lot of like the era Banks came from.

1310
00:55:55,120 --> 00:55:56,759
Speaker 1: It's not a slight to Banks, it's just what that

1311
00:55:56,840 --> 00:56:00,480
Speaker 1: era was. What unless you had a label, which a

1312
00:56:00,480 --> 00:56:02,799
Speaker 1: lot of people didn't have real actual labels, they are

1313
00:56:02,800 --> 00:56:07,560
Speaker 1: they man's in them ship right, never really harness talent

1314
00:56:07,640 --> 00:56:10,200
Speaker 1: and try to develop the younger kids. And that's where

1315
00:56:10,239 --> 00:56:12,600
Speaker 1: I think that divide came, where the younger generation was like,

1316
00:56:12,640 --> 00:56:14,320
Speaker 1: we don't fuck with them old heads, and old heads

1317
00:56:14,320 --> 00:56:16,719
Speaker 1: like we don't fuck with them. I'd like to see

1318
00:56:16,719 --> 00:56:20,960
Speaker 1: the Griselda's and that crew find the younger generation that

1319
00:56:21,000 --> 00:56:23,000
Speaker 1: does this type of shit and does this type of sound.

1320
00:56:23,400 --> 00:56:25,720
Speaker 2: Yeah, I think they exist. Yeah, No, they definitely exist.

1321
00:56:25,840 --> 00:56:28,040
Speaker 2: And again this is why this is important, so that

1322
00:56:28,120 --> 00:56:31,000
Speaker 2: you know it shows those younger dudes that you know,

1323
00:56:31,360 --> 00:56:34,120
Speaker 2: came up on this type of sound that there's still

1324
00:56:34,120 --> 00:56:35,880
Speaker 2: a market an a sitiation.

1325
00:56:36,080 --> 00:56:38,000
Speaker 1: Let me stop, because I see Conway doing that and

1326
00:56:38,040 --> 00:56:39,680
Speaker 1: I do see Benny doing that. Yeah for sure.

1327
00:56:39,760 --> 00:56:41,719
Speaker 2: Yeah, they definitely have their crews and their young young

1328
00:56:41,760 --> 00:56:44,160
Speaker 2: cats that bringing up behind them that you know, they

1329
00:56:44,440 --> 00:56:47,280
Speaker 2: they're carrying that legacy and that torch of we spit,

1330
00:56:47,360 --> 00:56:50,239
Speaker 2: you know what I'm saying, like we really rap and again, man,

1331
00:56:50,280 --> 00:56:52,920
Speaker 2: I'm just I'm super happy for Lloyd Man. Like this

1332
00:56:53,120 --> 00:56:55,400
Speaker 2: was like, you know, we got to hear some of

1333
00:56:55,400 --> 00:56:57,279
Speaker 2: the album before it came out, you know, thanks to

1334
00:56:57,280 --> 00:56:58,920
Speaker 2: who Vane playing a couple of joints, let you know,

1335
00:56:59,520 --> 00:57:02,160
Speaker 2: and I I heard it, I said, oh, Banks is inspired.

1336
00:57:02,880 --> 00:57:05,160
Speaker 2: I was like, oh he's still and he was like yeah, man,

1337
00:57:05,200 --> 00:57:07,560
Speaker 2: Like I was like, okay, cool. So but to hear

1338
00:57:07,560 --> 00:57:09,799
Speaker 2: it all together and then the joints that we didn't hear,

1339
00:57:10,640 --> 00:57:12,920
Speaker 2: I was like, whoa. He put out a project like

1340
00:57:13,000 --> 00:57:13,840
Speaker 2: this is fire.

1341
00:57:14,080 --> 00:57:16,960
Speaker 1: It's a lot to digest words And I'm not saying

1342
00:57:17,600 --> 00:57:19,480
Speaker 1: too much rapping. It's just he was saying a lot.

1343
00:57:19,560 --> 00:57:21,280
Speaker 2: No, he was, he was rapping, he was, he was.

1344
00:57:22,800 --> 00:57:25,560
Speaker 1: It's father Banks it's exactly exactly.

1345
00:57:25,640 --> 00:57:27,360
Speaker 2: It's different, different experiences.

1346
00:57:27,560 --> 00:57:29,920
Speaker 1: You look at that life through a different smoke, the

1347
00:57:29,960 --> 00:57:34,120
Speaker 1: same crew anymore, Banks, right, right, Yeah, I finally know

1348
00:57:34,400 --> 00:57:35,120
Speaker 1: who I am.

1349
00:57:35,280 --> 00:57:39,919
Speaker 2: Banks like growth maturity, man, you hear it. And it's

1350
00:57:39,920 --> 00:57:44,040
Speaker 2: beautiful to see that rappers can age and still be relevant,

1351
00:57:44,200 --> 00:57:46,240
Speaker 2: you know what I mean, because we feel like rap

1352
00:57:46,280 --> 00:57:49,439
Speaker 2: is such a young sport, and to a degree it is,

1353
00:57:50,000 --> 00:57:52,200
Speaker 2: but it's not as young as we think it is.

1354
00:57:52,480 --> 00:57:54,400
Speaker 2: You don't have to you don't have to be a

1355
00:57:54,520 --> 00:57:57,960
Speaker 2: super young guy in this in this in this culture

1356
00:57:58,040 --> 00:58:01,000
Speaker 2: to be prosperous and to be success. You can be

1357
00:58:01,120 --> 00:58:03,920
Speaker 2: one of the eldest statesmen and still be dope and

1358
00:58:03,960 --> 00:58:06,880
Speaker 2: still you know, put out a great project. And you know,

1359
00:58:07,000 --> 00:58:08,360
Speaker 2: Banks is a is a testament to that.

1360
00:58:08,520 --> 00:58:11,240
Speaker 1: Shout out to Banks man. But no, I'm glad we

1361
00:58:11,480 --> 00:58:14,040
Speaker 1: sat down quickly chop it up. I think we needed

1362
00:58:14,040 --> 00:58:16,919
Speaker 1: to give a p s A to everyone that's that's

1363
00:58:16,920 --> 00:58:20,480
Speaker 1: been on our mentioned supporting us, which I yeah, really

1364
00:58:20,600 --> 00:58:23,800
Speaker 1: really appreciate. I love the and I don't want to

1365
00:58:23,840 --> 00:58:25,920
Speaker 1: call it annoying because it's not annoying just everyone saying, Yo,

1366
00:58:25,960 --> 00:58:28,280
Speaker 1: where the fuck is the podcast at? Yeah, I appreciate

1367
00:58:28,320 --> 00:58:28,840
Speaker 1: that type of shit.

1368
00:58:28,880 --> 00:58:30,880
Speaker 2: No, we we we we were working, man. We got

1369
00:58:30,920 --> 00:58:33,760
Speaker 2: we got some stuff coming, some some visual stuff that

1370
00:58:33,800 --> 00:58:37,040
Speaker 2: we we shot that we we're going to give to

1371
00:58:37,040 --> 00:58:40,560
Speaker 2: the people. But again, man, we just were working, and

1372
00:58:40,600 --> 00:58:42,080
Speaker 2: this was something we wanted to sit down and just

1373
00:58:42,160 --> 00:58:44,280
Speaker 2: kind of let people know it's coming.

1374
00:58:44,480 --> 00:58:47,680
Speaker 1: Yeah, this is something in the meantime we're developing some

1375
00:58:47,680 --> 00:58:50,440
Speaker 1: stuff outside of just like, let's set up some microphones

1376
00:58:50,920 --> 00:58:53,720
Speaker 1: and talk about what's on the shade room.

1377
00:58:53,920 --> 00:58:54,440
Speaker 2: We want to go.

1378
00:58:54,880 --> 00:58:56,640
Speaker 1: We did, We did that for for a long time

1379
00:58:57,560 --> 00:59:01,480
Speaker 1: and it was fucking draining. So yeah, I think this

1380
00:59:01,680 --> 00:59:04,600
Speaker 1: was just a good way to to start this this page.

1381
00:59:04,600 --> 00:59:07,840
Speaker 1: And well, we'll have some some cool ship coming up,

1382
00:59:07,880 --> 00:59:09,880
Speaker 1: some cool ship to put out in the meantime. Then

1383
00:59:10,040 --> 00:59:13,040
Speaker 1: we'll get into the real episodes. We'll still do this, like,

1384
00:59:13,360 --> 00:59:17,040
Speaker 1: we'll still definitely sit and chop it up about random ship. Yeah,

1385
00:59:17,200 --> 00:59:19,240
Speaker 1: you know what we do basically needs to stretch her

1386
00:59:19,280 --> 00:59:23,479
Speaker 1: legs so she can come out, get off the crib. Yeah,

1387
00:59:23,880 --> 00:59:26,480
Speaker 1: this was cool. Finally got my voice back. It's happy

1388
00:59:26,560 --> 00:59:27,640
Speaker 1: to uh yeah, that.

1389
00:59:27,600 --> 00:59:30,600
Speaker 2: Was actually I wanted you to be at one hundred

1390
00:59:30,600 --> 00:59:31,840
Speaker 2: percent and know you was fucked up.

1391
00:59:32,680 --> 00:59:35,120
Speaker 1: Good we're real fucked up. So I'm curious to see

1392
00:59:35,120 --> 00:59:37,280
Speaker 1: how all the stuff we shot in La how it

1393
00:59:37,400 --> 00:59:38,120
Speaker 1: come sound.

1394
00:59:38,440 --> 00:59:40,040
Speaker 2: I think we did a good job. Well you did

1395
00:59:40,080 --> 00:59:41,680
Speaker 2: a good job, because I know you were feeling under

1396
00:59:41,680 --> 00:59:43,000
Speaker 2: the weather. But I think that, you know, we were

1397
00:59:43,040 --> 00:59:46,160
Speaker 2: able to to capture some dope ship, and I think

1398
00:59:46,160 --> 00:59:48,520
Speaker 2: that people are going to enjoy it and seeing us

1399
00:59:48,560 --> 00:59:49,960
Speaker 2: in different light, in different space.

1400
00:59:50,320 --> 00:59:53,240
Speaker 1: Yeah, and and different content again, not not just two

1401
00:59:53,320 --> 00:59:57,600
Speaker 1: MIC's set up and talking. Yeah, let's let's go out

1402
00:59:57,600 --> 00:59:59,000
Speaker 1: and do some fucking activities.

1403
00:59:59,480 --> 01:00:02,680
Speaker 2: Fine, man, let's try some different ship. Let's let's let's

1404
01:00:02,760 --> 01:00:05,560
Speaker 2: change the optics a little bit on this. Yeah, media

1405
01:00:05,680 --> 01:00:06,840
Speaker 2: culture or whatever you want to.

1406
01:00:06,880 --> 01:00:10,320
Speaker 1: Call it, and the media culture it's whatever, Okay, bullshit,

1407
01:00:12,440 --> 01:00:15,920
Speaker 1: in no way becoming the guest Base podcast by any

1408
01:00:16,200 --> 01:00:19,320
Speaker 1: terms at all. But they talk to some cool people

1409
01:00:19,320 --> 01:00:19,760
Speaker 1: every now, but.

1410
01:00:19,880 --> 01:00:22,640
Speaker 2: That we really like and we really appreciate, and they

1411
01:00:22,680 --> 01:00:25,000
Speaker 2: appreciate us, and they want to sit down and kick

1412
01:00:25,000 --> 01:00:26,200
Speaker 2: it with us. So we're gonna be doing a lot

1413
01:00:26,240 --> 01:00:29,360
Speaker 2: of that traveling. We got it. We got an interesting

1414
01:00:29,560 --> 01:00:32,960
Speaker 2: trip to Joshua Tree that we've been talking about. Yes,

1415
01:00:33,400 --> 01:00:35,360
Speaker 2: that we're gonna shoot in a couple of months.

1416
01:00:35,400 --> 01:00:37,200
Speaker 1: Oh and I finally got you to drink at least

1417
01:00:37,200 --> 01:00:40,080
Speaker 1: some shroom tea. Has some shroom tea and Joshua Tree.

1418
01:00:40,360 --> 01:00:41,600
Speaker 1: Definitely gonna have to actually.

1419
01:00:41,400 --> 01:00:43,000
Speaker 2: Eat the shree. Yeah. No, we're gonna do actually do

1420
01:00:43,080 --> 01:00:45,640
Speaker 2: the shrooms and Joshua Tree. Yeah, but yeah, it has

1421
01:00:45,640 --> 01:00:48,200
Speaker 2: some strome tea. It was great, man, it was real mellow.

1422
01:00:48,280 --> 01:00:49,920
Speaker 2: It felt like, you know, it had just smoked some

1423
01:00:50,000 --> 01:00:52,320
Speaker 2: good weed. Like it was a real mellow vibe. Like

1424
01:00:52,720 --> 01:00:53,840
Speaker 2: they wanted you fast.

1425
01:00:53,960 --> 01:00:56,400
Speaker 1: I need you to hallucinate in sweat and like tell

1426
01:00:56,440 --> 01:00:59,440
Speaker 1: me your your fears and not I cannot God, like,

1427
01:00:59,560 --> 01:01:02,840
Speaker 1: you're real. I could do that, not sneak.

1428
01:01:03,760 --> 01:01:05,680
Speaker 2: I could do that without taking shrooms. Man, I could

1429
01:01:05,680 --> 01:01:08,120
Speaker 2: sweat and just tell you, like, bro, I'm scared of

1430
01:01:08,160 --> 01:01:09,680
Speaker 2: fucking elevators.

1431
01:01:09,200 --> 01:01:10,440
Speaker 1: Like I don't say, but you don't know what you're

1432
01:01:10,440 --> 01:01:13,120
Speaker 1: scared of until you get on the shrooms tap into

1433
01:01:13,120 --> 01:01:14,280
Speaker 1: that different you gotta know.

1434
01:01:14,680 --> 01:01:16,400
Speaker 2: Yeah, we're gonna do that. We're gon we're gonna shoot that.

1435
01:01:16,400 --> 01:01:18,160
Speaker 2: That'll be I think that'd be pretty dope for us

1436
01:01:18,160 --> 01:01:20,240
Speaker 2: to do, man. So we definitely want to shoot that.

1437
01:01:20,320 --> 01:01:22,040
Speaker 1: And then we gotta go to Houston for like three

1438
01:01:22,080 --> 01:01:23,120
Speaker 1: months sucks.

1439
01:01:23,200 --> 01:01:25,080
Speaker 2: Yeah, it sucks Ben in Houston for three months. But

1440
01:01:25,160 --> 01:01:26,000
Speaker 2: somebody's gotta do it.

1441
01:01:26,120 --> 01:01:26,560
Speaker 1: Content.

1442
01:01:26,680 --> 01:01:28,920
Speaker 2: Yeah, somebody's got to deliver the content from Houston.

1443
01:01:28,960 --> 01:01:30,720
Speaker 1: Who is gonna interview but Bee? But us?

1444
01:01:31,120 --> 01:01:32,120
Speaker 2: Nobody?

1445
01:01:32,080 --> 01:01:34,920
Speaker 1: Yeah, bro, everyone on Earth wants.

1446
01:01:34,800 --> 01:01:37,600
Speaker 2: To talk about exactly. Yeah.

1447
01:01:37,640 --> 01:01:40,320
Speaker 1: So now we're gonna be around doing doing some different ship.

1448
01:01:40,160 --> 01:01:41,800
Speaker 2: Man, having fun. We want to have one.

1449
01:01:41,840 --> 01:01:44,520
Speaker 1: We don't want to recreate the past and be like,

1450
01:01:44,560 --> 01:01:47,080
Speaker 1: oh well, let's just do that version of what we

1451
01:01:47,160 --> 01:01:48,960
Speaker 1: used to do here, like we have no interest in

1452
01:01:49,000 --> 01:01:49,479
Speaker 1: doing that ship.

1453
01:01:49,520 --> 01:01:50,400
Speaker 2: No, we want to do something.

1454
01:01:50,480 --> 01:01:52,840
Speaker 1: We have other interests, more as other interests. I have

1455
01:01:52,880 --> 01:01:54,960
Speaker 1: other interests. We can go do other ship.

1456
01:01:55,000 --> 01:01:59,080
Speaker 2: You're gonna give problem, We're gonna give people us. Yeah,

1457
01:01:59,160 --> 01:02:01,200
Speaker 2: you know what I mean. It's gonna again obviously this

1458
01:02:01,400 --> 01:02:04,200
Speaker 2: you know we're doing this together. But you know you're

1459
01:02:04,200 --> 01:02:06,040
Speaker 2: gonna have your ship that you're you're doing on your own.

1460
01:02:06,080 --> 01:02:08,280
Speaker 2: I'm gonna have my ship that I'm doing on my own. Yeah,

1461
01:02:08,320 --> 01:02:09,800
Speaker 2: and you know we're gonna be putting it out in

1462
01:02:09,840 --> 01:02:11,440
Speaker 2: a cool way and giving it to the people and

1463
01:02:11,480 --> 01:02:12,640
Speaker 2: again just having fun with this ship.

1464
01:02:12,720 --> 01:02:15,640
Speaker 1: Yeah, mal is gonna take you to NARSI for Haitian

1465
01:02:15,720 --> 01:02:16,600
Speaker 1: voodoo ceremony.

1466
01:02:17,080 --> 01:02:19,280
Speaker 2: It's not a bad idea. Actually might I might have

1467
01:02:19,320 --> 01:02:21,160
Speaker 2: to set that up. That might not be a bad idea,

1468
01:02:21,440 --> 01:02:21,920
Speaker 2: you know what I mean.

1469
01:02:22,120 --> 01:02:25,480
Speaker 1: Stay tuned, But we're gonna have fun with this ship man, definitely. Yeah,

1470
01:02:25,520 --> 01:02:30,080
Speaker 1: so this will be up what they say, like subscribe, Yeah,

1471
01:02:30,160 --> 01:02:32,600
Speaker 1: hit the buttons wherever the buttons are at, hit on

1472
01:02:32,800 --> 01:02:33,440
Speaker 1: all that ship.

1473
01:02:33,600 --> 01:02:34,600
Speaker 2: Yeah? What is that?

1474
01:02:34,640 --> 01:02:35,200
Speaker 1: You can just say it out?

1475
01:02:35,240 --> 01:02:35,360
Speaker 2: Love?

1476
01:02:36,600 --> 01:02:39,320
Speaker 1: Oh review us? Is that what I'm to say?

1477
01:02:39,400 --> 01:02:42,560
Speaker 2: As they've been doing Okay, yeah, how much we suck?

1478
01:02:42,840 --> 01:02:45,400
Speaker 2: Tell us we ain't ship? Uh yeah, tell us if

1479
01:02:45,440 --> 01:02:46,120
Speaker 2: we dope?

1480
01:02:46,200 --> 01:02:48,160
Speaker 1: I told I told you they couldn't do this. You

1481
01:02:48,160 --> 01:02:49,600
Speaker 1: know that type of that type of ship.

1482
01:02:49,640 --> 01:02:49,960
Speaker 2: We love it.

1483
01:02:50,080 --> 01:02:53,960
Speaker 1: Sh it all in their acting is terrible, you know

1484
01:02:54,080 --> 01:02:54,880
Speaker 1: that type of stuff.

1485
01:02:55,320 --> 01:02:57,800
Speaker 2: Listen, man, you know what. But what was great about

1486
01:02:57,800 --> 01:02:59,960
Speaker 2: that is I did like the fact that everybody was like,

1487
01:03:00,120 --> 01:03:03,440
Speaker 2: oh my god, like whoever wrote that is amazing, and

1488
01:03:03,480 --> 01:03:06,560
Speaker 2: like we freestyle that. It wasn't nothing written down.

1489
01:03:06,640 --> 01:03:10,480
Speaker 1: That was just us being yeah, and I shout out

1490
01:03:10,520 --> 01:03:13,240
Speaker 1: to Katy love. Katie shot out to Katie went got

1491
01:03:13,240 --> 01:03:15,960
Speaker 1: on the Borderroom podcast and talked about that. My mentions

1492
01:03:15,960 --> 01:03:17,880
Speaker 1: were for like I knew they had nothing.

1493
01:03:17,600 --> 01:03:18,120
Speaker 2: To do with that.

1494
01:03:19,680 --> 01:03:24,080
Speaker 1: Man, what I knew it wasn't them, Like, no, we

1495
01:03:24,080 --> 01:03:26,040
Speaker 1: we shot wrote that dire thing.

1496
01:03:26,880 --> 01:03:27,960
Speaker 2: It wasn't even nothing written.

1497
01:03:28,200 --> 01:03:30,280
Speaker 1: Yeah, I think I wrote my head.

1498
01:03:30,320 --> 01:03:32,600
Speaker 2: I think I think I written some bullshit lines on

1499
01:03:32,640 --> 01:03:34,480
Speaker 2: the resume that I had, which was funny. Yeah, but

1500
01:03:34,560 --> 01:03:37,240
Speaker 2: other than that, it was it was just us being silly. Man.

1501
01:03:37,240 --> 01:03:39,320
Speaker 2: But again, we just want to have fun with this ship. Man.

1502
01:03:39,360 --> 01:03:41,840
Speaker 2: We're to have fun in this space. Man, So you

1503
01:03:41,880 --> 01:03:44,600
Speaker 2: know if you if you fuck with us, follow us

1504
01:03:44,720 --> 01:03:46,920
Speaker 2: like subscribe comment.

1505
01:03:47,040 --> 01:03:49,160
Speaker 1: Yeah, same mean things in my mentions.

1506
01:03:49,320 --> 01:03:51,680
Speaker 2: Yeah, that's fine, you get your ship off, just just

1507
01:03:51,760 --> 01:03:53,440
Speaker 2: give us some type of energy feedback.

1508
01:03:53,760 --> 01:03:55,960
Speaker 1: I understand you're upset and you need to express yourself.

1509
01:03:56,280 --> 01:03:57,160
Speaker 1: My mentions is open.

1510
01:03:57,520 --> 01:04:00,200
Speaker 2: It's totally fine. But just know that we're having hate

1511
01:04:00,200 --> 01:04:01,560
Speaker 2: yourself a lot of this ship.

1512
01:04:02,200 --> 01:04:04,400
Speaker 1: Well protect that on me. I'm totally fine with it.

1513
01:04:04,520 --> 01:04:05,680
Speaker 2: Yeah, like I'm having fun.

1514
01:04:05,960 --> 01:04:08,560
Speaker 1: Anytime someone does that, I do feel better, Like, all right,

1515
01:04:09,080 --> 01:04:12,080
Speaker 1: this person is really going through something and really hates themselves. Like,

1516
01:04:12,120 --> 01:04:14,080
Speaker 1: I'm glad they could get that anger out, even if it'

1517
01:04:14,080 --> 01:04:16,120
Speaker 1: at my expense. Happy you let that out. You'll be

1518
01:04:16,160 --> 01:04:18,480
Speaker 1: the point we're gonna channel. We're gonna find a different

1519
01:04:18,480 --> 01:04:21,000
Speaker 1: way to channel that anger. But in the meantime, mentions

1520
01:04:21,040 --> 01:04:21,480
Speaker 1: wide open.

1521
01:04:21,720 --> 01:04:24,680
Speaker 2: Yeah, and just know that again, you know this is

1522
01:04:25,320 --> 01:04:26,960
Speaker 2: this is just us just having a great time.

1523
01:04:27,200 --> 01:04:30,600
Speaker 1: Just lead Baisley out of it. Yeah, please, that she

1524
01:04:30,720 --> 01:04:31,080
Speaker 1: did nothing.

1525
01:04:31,360 --> 01:04:34,000
Speaker 2: A whole different level of like emotions that Roy will

1526
01:04:34,040 --> 01:04:35,720
Speaker 2: tap into that you don't want him to tap into.

1527
01:04:35,760 --> 01:04:37,200
Speaker 1: And you don't even know the type of people that

1528
01:04:37,400 --> 01:04:41,240
Speaker 1: like will come outside for Basley, not even for me,

1529
01:04:41,880 --> 01:04:45,400
Speaker 1: for Baisley. Take that shit different.

1530
01:04:45,880 --> 01:04:46,400
Speaker 2: Oh man.

1531
01:04:46,560 --> 01:04:49,120
Speaker 1: So yeah, man, I don't really know how to say goodbye.

1532
01:04:49,680 --> 01:04:52,480
Speaker 2: Not goodbye. We probably got some shit right after this

1533
01:04:52,600 --> 01:04:54,320
Speaker 2: that they can look at and they can do and

1534
01:04:54,360 --> 01:04:56,520
Speaker 2: they could you know, have some fun with.

1535
01:04:57,120 --> 01:05:00,240
Speaker 1: And uh that's why I don't. It's not even copy written.

1536
01:05:00,240 --> 01:05:03,440
Speaker 1: I don't give a fuck the sleeper pick thing. I

1537
01:05:03,520 --> 01:05:05,280
Speaker 1: think I found a way cool way for us to

1538
01:05:05,360 --> 01:05:09,360
Speaker 1: do it eventually, just just for right now, YouTube copyrights

1539
01:05:09,360 --> 01:05:11,560
Speaker 1: all that shit. But don't worry. There will be playlists

1540
01:05:11,640 --> 01:05:14,840
Speaker 1: and things happening around new music that they will be

1541
01:05:14,920 --> 01:05:16,640
Speaker 1: doing that I think will be in a much much

1542
01:05:16,720 --> 01:05:20,720
Speaker 1: cooler way, much much easier way to share. Yes, album.

1543
01:05:21,840 --> 01:05:25,200
Speaker 1: Didn't forget about it, just going through some label things.

1544
01:05:25,920 --> 01:05:29,560
Speaker 2: But that happens, that happens. You were expecting that that happens.

1545
01:05:30,080 --> 01:05:32,040
Speaker 1: Yeah, well I was supposed to put something now, I

1546
01:05:32,080 --> 01:05:34,320
Speaker 1: was supposed to put a two back out on June sixteenth,

1547
01:05:35,600 --> 01:05:40,840
Speaker 1: and uh, you know, some label label issues happened. And

1548
01:05:40,920 --> 01:05:42,080
Speaker 1: you know, I'm so easy to work with.

1549
01:05:43,960 --> 01:05:47,240
Speaker 2: The best. Take it from me, he's the best.

1550
01:05:47,880 --> 01:05:50,880
Speaker 1: No, everything as well. We're just pride delayed two weeks

1551
01:05:51,800 --> 01:05:53,840
Speaker 1: to put some stuff us nothing but yeah, I'm excited,

1552
01:05:54,520 --> 01:05:56,040
Speaker 1: excited to put that out, excited for it to be

1553
01:05:56,040 --> 01:05:59,160
Speaker 1: shitted on, excited for it to be praised, or no

1554
01:05:59,320 --> 01:05:59,760
Speaker 1: in between.

1555
01:06:00,080 --> 01:06:00,280
Speaker 2: Yeah.

1556
01:06:00,760 --> 01:06:02,280
Speaker 1: No, No one ever says, well that was all right,

1557
01:06:03,440 --> 01:06:06,080
Speaker 1: just the the worst thing they've ever heard, or oh

1558
01:06:06,120 --> 01:06:09,160
Speaker 1: my god, this is a classic. Yeah yeah, all right.

1559
01:06:09,240 --> 01:06:11,200
Speaker 1: Well with that said, bage, you got anything?

1560
01:06:12,600 --> 01:06:20,680
Speaker 2: Nope, nope, backed up all right, spot by Lahim something

1561
01:06:20,720 --> 01:06:20,880
Speaker 2: like that.

1562
01:06:21,120 --> 01:06:24,880
Speaker 1: Right, there's a conflict going on right now, fucking channel man.

1563
01:06:24,880 --> 01:06:26,920
Speaker 2: We we hear man. We'll be back with something else,

1564
01:06:27,120 --> 01:06:29,600
Speaker 2: gonna look totally different. Just know that we hear man.

1565
01:06:29,640 --> 01:06:29,840
Speaker 2: That's it.