WEBVTT - YOUR LIFE'S GOING DOWN THE TOILET!

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<v Speaker 1>Brain blast. Do you're what's Jimmy Neutron? Mm hmm, there's

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<v Speaker 1>dummy thick mom, the mom with a dumb trunk ass

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<v Speaker 1>she does. Have you seen Jimmy Neutra's mom. Jimmy Neutra's

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<v Speaker 1>mom is his mom, the mom from the Fairly Odd

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<v Speaker 1>Parents too. Oh yeah, they are packing these women are.

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<v Speaker 1>I love the wagons they dragon. I have two favorite

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<v Speaker 1>movies of all time that are kind of nugga nut. Okay,

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<v Speaker 1>I think I know what they are. One of them

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<v Speaker 1>is Marie Antoinette. Was Marie Antoinette, And the other one

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<v Speaker 1>is Rear Window, the Hitchcock movie. Right, extremely boring, boring,

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<v Speaker 1>Already we are. We are less than a minute into

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<v Speaker 1>this podcast, and you're already coming for me, coming in

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<v Speaker 1>hot with bad takes about Alfred Hitchcock. I was a

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<v Speaker 1>kid with a d h D. I couldn't muscle my

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<v Speaker 1>way through most fold movies. Okay, well, I think that's

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<v Speaker 1>that's a you thing, not a Hitchcock thing. Okay, sure, okay,

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<v Speaker 1>those have been my favorite movies for years. But I

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<v Speaker 1>think a third option presented itself somewhat recently, and I

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<v Speaker 1>believe it is also your favorite movie. It is not

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<v Speaker 1>one of my favorite movies. Moonstruck is uncontestedly my favorite movie,

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<v Speaker 1>point blank period and I have it tattooed on my leg.

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<v Speaker 1>We'll get into that. Today. We were talking about Moonstruck

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<v Speaker 1>film starring Share Nicholas Cage, Olympu du Cacus, that one

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<v Speaker 1>guy from Frasier. Yes, before that, we're going to talk

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<v Speaker 1>about what's going on in pop culture. It's the end

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<v Speaker 1>of the year, so maybe we'll like take a look

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<v Speaker 1>back on some of our favorite pieces of pop culture

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<v Speaker 1>from We will toxically around up the best of the year,

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<v Speaker 1>create hierarchy. Yeah, we might do them against you. We

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<v Speaker 1>might do some lists. Uh. This is like a Virgin

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<v Speaker 1>the podcast where we talk about yesterday's pop culture and

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<v Speaker 1>give it today's takes. I'm ros damn you, I'm fan

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<v Speaker 1>Toronto and that's a more a. I'm excited that we're

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<v Speaker 1>gonna talk about all of this stuff that we really

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<v Speaker 1>loved from this year and nothing that we didn't like,

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<v Speaker 1>because we only we want to go forward into two

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<v Speaker 1>with positivity. That's right. This is our year in review,

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<v Speaker 1>our queer in review. If you will love that. I

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<v Speaker 1>guess we should start with TV because I don't know

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<v Speaker 1>about you. But that's like the thing that I consumed

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<v Speaker 1>the most of this year. A lot of my faves

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<v Speaker 1>where everybody else's faves, like loved Wan Division, loved sex Education.

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<v Speaker 1>I was there for White Lotus and Hacks like every week.

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<v Speaker 1>I think if I were to think about what my

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<v Speaker 1>like standout shows of the year were, Legendary the season

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<v Speaker 1>two of Legendary was definitely one of them. I watched

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<v Speaker 1>every episode multiple times. I was so invested in every

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<v Speaker 1>single team. For those of you that don't know, Legendary

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<v Speaker 1>is like a ballroom culture competition reality series on HBO

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<v Speaker 1>Max that is just some of the best reality TV

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<v Speaker 1>storytelling I've heard in ages, combined with dance sequences that

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<v Speaker 1>are mind blowing. Another show, Well, actually, what what were

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<v Speaker 1>What was one of your favorites from one Division? Definitely,

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<v Speaker 1>you know, that was a big moment for us. We

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<v Speaker 1>watched it together every week. It was event television in

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<v Speaker 1>a way that we haven't had in a while. It

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<v Speaker 1>felt like truly everyone was watching it and it was

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<v Speaker 1>really compelling. It was, like, I think, one of the

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<v Speaker 1>best things the m c U has done in years.

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<v Speaker 1>But I guess if I'm thinking of a standout episode

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<v Speaker 1>of a show. This one's pretty recent, but the final

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<v Speaker 1>season of Pen fifteen just came out on Hulu, and

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<v Speaker 1>there's an episode Yuki that's about one of the character's moms,

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<v Speaker 1>And it's like one of those episodes of a TV

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<v Speaker 1>show where it focuses on a character who's not the lead,

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<v Speaker 1>and it gives this woman who is just like a mother.

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<v Speaker 1>There's interior life, and like she meets up with her

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<v Speaker 1>ex husband and they have this whole day together and

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<v Speaker 1>it's so like beautiful and sad and sweet, and I

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<v Speaker 1>just really loved it and it has stuck with me

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<v Speaker 1>since I watched it. I think I think it's one

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<v Speaker 1>of the best episodes of TV I've seen in years.

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<v Speaker 1>I am still making my way through season two. I

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<v Speaker 1>can't wait to watch that episode. If we're talking about

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<v Speaker 1>fave episodes of the year, I will reserve my thoughts

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<v Speaker 1>for Pose as a whole. However, the Electra episode of

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<v Speaker 1>Pose and Her Argent Story, which I think is episode

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<v Speaker 1>three of this last season, is maybe the best episode

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<v Speaker 1>of the entire show. It was so compelling and beautiful

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<v Speaker 1>and original and thoughtful. Um. I also really really loved

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<v Speaker 1>Hunter Schaefer's special episode of Euphoria that came out at

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<v Speaker 1>the beginning of this year. It's one that, like I

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<v Speaker 1>talked about in therapy multiple times. It like haunted me.

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<v Speaker 1>I thought it was like exquisite writing, um I I.

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<v Speaker 1>But also something that you and I both enjoyed is

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<v Speaker 1>the episode of Schmiga Dun that involves both an amazing

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<v Speaker 1>Ariana Debo's performance and a four and a half minute

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<v Speaker 1>song by Kristin Chenowith wherein she's like spitting rhymes and

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<v Speaker 1>she does it all in one take. That was a

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<v Speaker 1>great episode. I do think though, that the Schmicka Dune

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<v Speaker 1>episode I liked more was the one with Jane Kurkowski

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<v Speaker 1>where she does that that number. Well, she's she's standing

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<v Speaker 1>on top of the car. I feel like people really slip.

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<v Speaker 1>I was gonna say slept. People are really slept on

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<v Speaker 1>Schmiga Dun year. It really did. But if you're not

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<v Speaker 1>familiar with Schmigadoon and um, it's like basically this rom

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<v Speaker 1>com sitcom. We're in a couple stumbles upon a town

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<v Speaker 1>that is basically a Rogers and Hammerstein musical, and it

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<v Speaker 1>kind of pokes fun at various tropes within musicals. It's

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<v Speaker 1>super funny, very ingenious. I also wanted to quickly touch

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<v Speaker 1>on maybe my other favorite TV show of the year.

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<v Speaker 1>I really loved this show sort Of, which is an

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<v Speaker 1>HBO Max original. It's about a trans non binary Pakistani

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<v Speaker 1>nanny bartender who is at kind of this like pivotal

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<v Speaker 1>moment in their life. I'm not gonna lie I I

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<v Speaker 1>really judged the show before I went into it, like

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<v Speaker 1>the people that were recommending it to me were, i'll

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<v Speaker 1>say it siss and to me like quite frankly, I

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<v Speaker 1>think a lot of like media portrayals of non binary

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<v Speaker 1>people specifically are are in a post them dot us

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<v Speaker 1>world are like very manufactured, like they're very for like

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<v Speaker 1>CIS consumption, And that's kind of what I thought I

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<v Speaker 1>was getting into because like a lot of like portrayals

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<v Speaker 1>of non binary people have this very like self serious,

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<v Speaker 1>like over rotten nous. You know, it's like triumph porn,

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<v Speaker 1>but sort of was so disinterested in the question of

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<v Speaker 1>non binary identity and was really more of like a

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<v Speaker 1>queer brown like Daria. If I were to give it

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<v Speaker 1>like a comparison, I love that so much, dead pan

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<v Speaker 1>and like floating through life like they're high stakes things

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<v Speaker 1>that happened. There's a lot of like hijinks, but the

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<v Speaker 1>show doesn't revel in conversations about pronouns, right, Like for

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<v Speaker 1>me personally, like if if stories about pronouns are important

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<v Speaker 1>and impactful for you to consume, that's cool. For me,

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<v Speaker 1>they are overplayed and they're boring and they're just not

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<v Speaker 1>what a general conforming experience is about. And like, I

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<v Speaker 1>personally don't talk about this a lot, but like my

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<v Speaker 1>gender has been like an ongoing project since I was

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<v Speaker 1>a kid, but like most of the last two years

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<v Speaker 1>have been looking at like where I belong on the

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<v Speaker 1>trans spectrum and like what my gender means to me.

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<v Speaker 1>And the promise of the show sort of is like

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<v Speaker 1>that it's okay to still be evolving and that we

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<v Speaker 1>should create space for that to be okay. So this

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<v Speaker 1>show was like such a must watch. I was talking

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<v Speaker 1>to my dad the other day and he like we

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<v Speaker 1>kind of got into something about how like I don't

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<v Speaker 1>like tell him things, and he was like, oh, and

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<v Speaker 1>you like never talk to me about your transition anymore,

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<v Speaker 1>And I was like, I don't talk to anyone about

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<v Speaker 1>it because it's not interesting. And I mean, it's great

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<v Speaker 1>to have an offering that like is presenting the life

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<v Speaker 1>of someone who is trans and like, of course that's

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<v Speaker 1>I'm sure that's part of the story and there lived experience,

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<v Speaker 1>but like the story is about a story exactly. Speaking

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<v Speaker 1>of representation, get getting into the best of movies of

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<v Speaker 1>the year. Finally, bad bitch as are represented in Cruelay

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<v Speaker 1>Corella was I will okay, my my top three movies

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<v Speaker 1>of the year were definitely The Green Night, Corrella and

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<v Speaker 1>Spencer Krella was the first movie I saw back in

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<v Speaker 1>theaters after I got vaccinated. It was so good, you know,

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<v Speaker 1>I think we had been teased for so long about

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<v Speaker 1>the Emma Stone Corrella movie, which like is, um, someone's

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<v Speaker 1>made this joke before that like it's it's a movie

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<v Speaker 1>that sounds like the premise came from a tweet that

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<v Speaker 1>like Emma Stone should play young Cruella and like it

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<v Speaker 1>actually happened. Yeah that is actually true. But it was

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<v Speaker 1>a really fun movie. She was great in it. The

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<v Speaker 1>looks were amazing, It had a killer soundtrack of all

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<v Speaker 1>this like great like sixteas and seventies like rock and Punk.

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<v Speaker 1>I honestly looked at the year end movies and I

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<v Speaker 1>cannot really say that I had a faith. I'm not

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<v Speaker 1>gonna lie. I think that there were a lot of

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<v Speaker 1>movies that came out where I was like, I love that,

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<v Speaker 1>but I had a huge problem with it. I mean,

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<v Speaker 1>even with like something like in Conto, It's like that

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<v Speaker 1>would have been a favor of the year, but like

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<v Speaker 1>the music was really so so not it for me.

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<v Speaker 1>Maybe shuan Chi was like the most fun I had

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<v Speaker 1>while watching a movie this year. I also really loved

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<v Speaker 1>the Tina Turner documentary on HBO Max. But other than that,

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<v Speaker 1>I mean, movies were a flop for me this year.

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<v Speaker 1>Should we get into music, Yeah, I'm looking on our notes.

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<v Speaker 1>You have a very extensive list of your favorites. I

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<v Speaker 1>only put one song, which was which was Message in

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<v Speaker 1>a Bottle by Taylor Swift from Red Taylor's version. This

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<v Speaker 1>is both like kind of a joke and also serious

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<v Speaker 1>I Message in a Bottle. I think this is the

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<v Speaker 1>best song of I honestly don't think it's a joke

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<v Speaker 1>at all. I think that we should hold space for

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<v Speaker 1>that to be a legitimate critique of the year in music.

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<v Speaker 1>I totally agree with that. I'm on on board with it.

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<v Speaker 1>Thank you so much. I really appreciate it. A lot

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<v Speaker 1>of my favorite songs of the year where like everybody

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<v Speaker 1>else's favorites, at least in queer world, like the Gasoline

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<v Speaker 1>Him remix with Taylor I thought was amazing. We all

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<v Speaker 1>loved like Please by Jesse Ware Bunny as a Right,

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<v Speaker 1>or Silk Chiffon by Muna. I really loved the Dealer

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<v Speaker 1>off of the new Lana del Rey album. Dealer was

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<v Speaker 1>great Brutal. I don't think that the album was like

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<v Speaker 1>a hit, but I thought Brutal was, like, so you didn't.

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<v Speaker 1>I think Sour is my favorite album, and of all

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<v Speaker 1>of the songs on it, good for You what Like,

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<v Speaker 1>I had such a moment with good for You, Like

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<v Speaker 1>that was one of my most listened to songs this

0:11:29.480 --> 0:11:33.440
<v Speaker 1>year on Spotify, And I think the pop punk thing

0:11:33.600 --> 0:11:37.440
<v Speaker 1>she was doing just really resonated um with me. And

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<v Speaker 1>that is why Sour is my favorite new album of

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<v Speaker 1>the year for sure. So I'm at a crossroads with

0:11:44.360 --> 0:11:48.560
<v Speaker 1>Sour specifically because part of me feels like if it

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<v Speaker 1>had just been an EP and it had been Brutal,

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<v Speaker 1>Driver's License, good for You and like Jealousy, jealousy, you know,

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<v Speaker 1>like those bangers like that absolutely would have been and

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<v Speaker 1>like quote unquote album or like compilation of the year,

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<v Speaker 1>but at the same time she had released an EP,

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<v Speaker 1>it never would have been like this cult sensation. Obviously

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<v Speaker 1>it had to be an album. So it's kind of

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<v Speaker 1>stupid to say, but for me, there were a lot

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<v Speaker 1>of skips on the album. There's some fill for sure. Yeah,

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<v Speaker 1>there there's some filler queens, which is why it's not

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<v Speaker 1>Album of the Year for me, but brutal undeniable. Um.

0:12:19.600 --> 0:12:23.439
<v Speaker 1>In terms of my number ones for tracks. Um. There

0:12:23.520 --> 0:12:27.199
<v Speaker 1>is an unreleased Scissor song that she herself put out

0:12:27.240 --> 0:12:30.760
<v Speaker 1>on SoundCloud called Janie that It's like a minute and

0:12:30.800 --> 0:12:34.440
<v Speaker 1>a half and features Scissor's whistle tone. I also loved

0:12:34.679 --> 0:12:37.560
<v Speaker 1>Billie Eilish is Happier than ever, the title track on

0:12:37.600 --> 0:12:41.200
<v Speaker 1>that album. If you are not a little eyelash, that

0:12:41.440 --> 0:12:45.120
<v Speaker 1>song We'll set you Free. Um. And then I also

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<v Speaker 1>loved Into the Count of It by Ocean Kelly, which

0:12:49.320 --> 0:12:52.719
<v Speaker 1>is this kind of TikTok sound that remixes a song

0:12:52.760 --> 0:12:55.560
<v Speaker 1>from the backyard agains that I think it's really amazing,

0:12:55.600 --> 0:12:58.280
<v Speaker 1>and I think Ocean Kelly, who you know, there's kind

0:12:58.280 --> 0:13:00.840
<v Speaker 1>of like some Azalea Banks Comparius Ends, but she made

0:13:00.840 --> 0:13:04.040
<v Speaker 1>that one division remix. Her stuff is so good. She

0:13:04.080 --> 0:13:07.040
<v Speaker 1>also did the song um can I get that Vegan Vegan?

0:13:10.320 --> 0:13:12.360
<v Speaker 1>But she like that was one of the tracks of

0:13:12.400 --> 0:13:14.120
<v Speaker 1>the year for me. I thought it was so good

0:13:14.160 --> 0:13:17.560
<v Speaker 1>and so fun. This really was the year of TikTok

0:13:17.720 --> 0:13:23.240
<v Speaker 1>Sounds that Willow song Mimi at our Spot what. I

0:13:23.280 --> 0:13:26.120
<v Speaker 1>did listen to that a lot this year because of TikTok.

0:13:26.480 --> 0:13:27.840
<v Speaker 1>It did come out like a year or two ago,

0:13:27.880 --> 0:13:31.480
<v Speaker 1>but it was kind of a song of I liked

0:13:31.480 --> 0:13:33.040
<v Speaker 1>a lot of the stuff she put out this year.

0:13:33.080 --> 0:13:36.400
<v Speaker 1>I really liked her song with Avril Levine. It's like,

0:13:36.480 --> 0:13:39.000
<v Speaker 1>it's only like two minutes long. I need. I need

0:13:39.040 --> 0:13:42.840
<v Speaker 1>the girls to start making longer songs. It's not I

0:13:42.880 --> 0:13:45.800
<v Speaker 1>need more than three minutes, babe. Obviously you and I

0:13:45.840 --> 0:13:50.120
<v Speaker 1>loved Red and Solar Power, Yes and Soil of Pow.

0:13:50.800 --> 0:13:53.079
<v Speaker 1>I guess like, when I'm thinking about my favorite album

0:13:53.120 --> 0:13:55.640
<v Speaker 1>of the year, it's like, not even necessarily what did

0:13:55.679 --> 0:13:59.360
<v Speaker 1>I love the most? Front to back? It's like, what

0:13:59.520 --> 0:14:02.720
<v Speaker 1>is the album that like really was the vibe of

0:14:03.840 --> 0:14:06.880
<v Speaker 1>for me? And it definitely was sour, which I mean

0:14:07.000 --> 0:14:09.360
<v Speaker 1>like obviously makes me feel feel weird because I'm thirty

0:14:09.400 --> 0:14:14.720
<v Speaker 1>three in the liberal labricos is eight, um, but I

0:14:14.800 --> 0:14:17.160
<v Speaker 1>do kind of still give credence to the idea that

0:14:17.200 --> 0:14:20.160
<v Speaker 1>she's like an industry plant who's making like music for

0:14:20.280 --> 0:14:24.680
<v Speaker 1>millennials while like pretending that it's for gen Z. She

0:14:24.840 --> 0:14:28.680
<v Speaker 1>was manufactured in a a gen Z laboratory. Should we

0:14:28.720 --> 0:14:32.600
<v Speaker 1>go into books. I read a lot this year because,

0:14:32.920 --> 0:14:36.240
<v Speaker 1>like I hate to say this, but it kind of

0:14:36.400 --> 0:14:40.600
<v Speaker 1>is because of TikTok, because I like got really into

0:14:40.640 --> 0:14:45.760
<v Speaker 1>TikTok this spring, and um like got really into book talk,

0:14:45.800 --> 0:14:48.680
<v Speaker 1>and so I got a lot of really good book recommendations.

0:14:49.280 --> 0:14:52.360
<v Speaker 1>And I would say my favorites are not really things

0:14:52.440 --> 0:14:55.880
<v Speaker 1>that came out this year. Well, definitely, De Transition Baby

0:14:56.160 --> 0:14:57.560
<v Speaker 1>was one of my favorite books of the year, and

0:14:57.560 --> 0:15:00.440
<v Speaker 1>it was released this year and I think is an

0:15:00.480 --> 0:15:05.440
<v Speaker 1>incredible novel by Tory Peters. But my favorite books that

0:15:05.600 --> 0:15:09.480
<v Speaker 1>I read this year, Number one was A Certain Hunger

0:15:09.800 --> 0:15:13.520
<v Speaker 1>by Chelsea G. Summers, which is sort of like a

0:15:13.720 --> 0:15:18.480
<v Speaker 1>female American psycho. It's like a fake memoir of this

0:15:18.960 --> 0:15:23.800
<v Speaker 1>food critic who is a serial killer cannibalist. It's super

0:15:23.880 --> 0:15:28.240
<v Speaker 1>funny the way that she talks about food and sex

0:15:28.520 --> 0:15:33.760
<v Speaker 1>is like so like beautifully grotesque. Definitely like if you

0:15:33.880 --> 0:15:39.280
<v Speaker 1>enjoy that like sort of unreliable narrator, like evil protagonist,

0:15:39.480 --> 0:15:42.600
<v Speaker 1>I would definitely check that out. And then I don't

0:15:42.600 --> 0:15:44.400
<v Speaker 1>know if it's my favorite of the year, but kind

0:15:44.440 --> 0:15:49.160
<v Speaker 1>of like an influential book through through which I became

0:15:49.200 --> 0:15:52.240
<v Speaker 1>like a book influencer and made several people in my

0:15:52.320 --> 0:15:55.840
<v Speaker 1>life read something was Red White and Royal Blue by

0:15:55.880 --> 0:16:00.680
<v Speaker 1>Casey mcquinston. We're giggling because one this this book came

0:16:00.680 --> 0:16:03.520
<v Speaker 1>out like a few years ago to like it's just

0:16:03.560 --> 0:16:07.320
<v Speaker 1>like the quintessential like queer young adult, like it's not

0:16:07.360 --> 0:16:09.600
<v Speaker 1>a young adult novel, but like new adult is like

0:16:09.640 --> 0:16:13.680
<v Speaker 1>the categorization of what it is. And it was easily

0:16:13.920 --> 0:16:17.120
<v Speaker 1>my book of the year, Like I I can't remember

0:16:17.160 --> 0:16:20.880
<v Speaker 1>the last time I had such a emotional reaction to

0:16:21.000 --> 0:16:23.360
<v Speaker 1>a book and how I really tore through a book.

0:16:23.400 --> 0:16:26.000
<v Speaker 1>But if anyone who doesn't know what Red White and

0:16:26.080 --> 0:16:30.920
<v Speaker 1>Royal Blue is, it's about the bisexual first son of

0:16:30.960 --> 0:16:35.240
<v Speaker 1>the United States falling in love with the gay Prince

0:16:35.320 --> 0:16:38.080
<v Speaker 1>of England and they have like a love affair and

0:16:38.120 --> 0:16:41.720
<v Speaker 1>it's it's a rom com. It's like it has like

0:16:41.800 --> 0:16:44.120
<v Speaker 1>all the tropes that you want, and it's like enemies

0:16:44.160 --> 0:16:48.640
<v Speaker 1>to lovers. There's a fake not relationship, but like they're

0:16:48.680 --> 0:16:51.200
<v Speaker 1>forced together because they have to pretend to be friends

0:16:51.280 --> 0:16:56.160
<v Speaker 1>because of a cake incident. It is just really so many,

0:16:56.280 --> 0:16:59.200
<v Speaker 1>so many components of it should be on paper like

0:16:59.280 --> 0:17:02.200
<v Speaker 1>a bad book, and it is an incredible book all

0:17:02.240 --> 0:17:05.560
<v Speaker 1>the way through. Fran What were your other favorite books

0:17:05.560 --> 0:17:09.760
<v Speaker 1>of the year. I really loved Cleanness by Garth Greenwell,

0:17:09.840 --> 0:17:12.800
<v Speaker 1>which is like an erotic novel that has a really

0:17:12.800 --> 0:17:15.400
<v Speaker 1>gorgeous prose. I think Arth Greenwell writes like the best

0:17:15.400 --> 0:17:18.560
<v Speaker 1>sex scenes on the planet. I also really loved Little

0:17:18.600 --> 0:17:22.119
<v Speaker 1>Devil in America by Heneif Abdura Cybe, which is a

0:17:22.200 --> 0:17:27.920
<v Speaker 1>collection of criticism on black culture in America, starting from

0:17:27.960 --> 0:17:31.600
<v Speaker 1>like things like Soul Train or Michael Jackson or you know,

0:17:31.680 --> 0:17:34.840
<v Speaker 1>a Wreath of Franklin to like, you know, things happening

0:17:34.840 --> 0:17:37.600
<v Speaker 1>in the modern day. I just think that Hennie's writing

0:17:37.600 --> 0:17:40.840
<v Speaker 1>as like a poet is a really beautiful lens on

0:17:41.160 --> 0:17:45.080
<v Speaker 1>cultural criticism. Another book I've I forgot to mention that

0:17:45.119 --> 0:17:47.240
<v Speaker 1>I really loved this year. I don't think that this

0:17:47.280 --> 0:17:48.800
<v Speaker 1>came out this year, but it was one of my

0:17:48.880 --> 0:17:52.920
<v Speaker 1>faves a Dowry of Blood by S. T. Gibson. It's

0:17:52.960 --> 0:17:58.760
<v Speaker 1>about Dracula's brides and it's like super saffic and really

0:17:58.880 --> 0:18:07.680
<v Speaker 1>like beautiful lyrical writing. So if you're into vampires and lesbians,

0:18:08.040 --> 0:18:11.080
<v Speaker 1>which why wouldn't you be? Why wouldn't you check it out?

0:18:11.119 --> 0:18:13.719
<v Speaker 1>It's a it's a nice like little novella. It's probably

0:18:13.760 --> 0:18:17.000
<v Speaker 1>like two pages. The virgins listening. We want to hear

0:18:17.040 --> 0:18:20.159
<v Speaker 1>what your best of was this year. You should like

0:18:20.240 --> 0:18:23.440
<v Speaker 1>tweet at us are getting our Instagram stories about like

0:18:23.920 --> 0:18:26.480
<v Speaker 1>what you were your faiths of the year, Like, I'm

0:18:26.520 --> 0:18:29.560
<v Speaker 1>just curious to see what else is out there? Yeah,

0:18:29.400 --> 0:18:43.760
<v Speaker 1>to tell us we want to know, don't don't don't

0:18:43.800 --> 0:18:50.000
<v Speaker 1>do googled moon Struck to find out what year it is,

0:18:50.440 --> 0:18:53.600
<v Speaker 1>and there you know the section where says people also

0:18:53.680 --> 0:18:56.359
<v Speaker 1>ask the first question is why is moon Struck a

0:18:56.400 --> 0:18:59.480
<v Speaker 1>good movie? Uh? So, I guess that's a that's a

0:18:59.480 --> 0:19:01.880
<v Speaker 1>good way to are our discussion for an excellent primise

0:19:01.920 --> 0:19:05.399
<v Speaker 1>why is moon Struck a good movie? So? The thing

0:19:05.480 --> 0:19:09.920
<v Speaker 1>about Moonstruck, at least upon first watch, is that it

0:19:10.080 --> 0:19:13.600
<v Speaker 1>has all of the ingredients of what you think will

0:19:13.640 --> 0:19:18.600
<v Speaker 1>be a bad movie. It has a kind of bizarre premise.

0:19:18.840 --> 0:19:21.439
<v Speaker 1>It has Share, who you think is not an actress

0:19:21.480 --> 0:19:23.119
<v Speaker 1>if you've never watched Share before, and then you have

0:19:23.160 --> 0:19:27.200
<v Speaker 1>Nicholas Cage, who's kind of like a meme in pop culture. Now, well,

0:19:27.280 --> 0:19:29.200
<v Speaker 1>I don't let's not talk about why people think it's

0:19:29.200 --> 0:19:31.679
<v Speaker 1>a bad movie. Why is it a good movie? Well,

0:19:31.680 --> 0:19:36.080
<v Speaker 1>because it's like maybe one of the most beautiful like

0:19:36.200 --> 0:19:40.080
<v Speaker 1>meditations on like love and fate and like the messiness

0:19:40.119 --> 0:19:42.560
<v Speaker 1>of romance that like I've ever watched in my entire life.

0:19:42.600 --> 0:19:46.000
<v Speaker 1>Why do you think it's a good movie. It's really funny.

0:19:46.320 --> 0:19:51.880
<v Speaker 1>It's a really great slice of life movie, which I love.

0:19:52.280 --> 0:19:55.320
<v Speaker 1>It's kind of structured like a play in a way.

0:19:55.520 --> 0:20:00.520
<v Speaker 1>It's it's a very tight glimpse into a really short

0:20:00.560 --> 0:20:05.720
<v Speaker 1>period of time in one family's life. Very John Patrick Chinley, right,

0:20:06.119 --> 0:20:10.080
<v Speaker 1>I think Moonstruck is definitely remembered as one of the

0:20:10.160 --> 0:20:14.320
<v Speaker 1>greatest films of our lifetimes. And it's a romantic comedy,

0:20:14.320 --> 0:20:17.199
<v Speaker 1>which I don't think, like are not usually elevated in

0:20:17.240 --> 0:20:20.320
<v Speaker 1>the kind of way that moon Struck is. Plus, you've

0:20:20.359 --> 0:20:22.880
<v Speaker 1>never seen Nick Cage in like a Ram Camp. Well,

0:20:22.920 --> 0:20:25.640
<v Speaker 1>actually National Treasure, you know, is kind of a rom

0:20:25.720 --> 0:20:28.720
<v Speaker 1>calm it's a what is the romance between him and

0:20:28.800 --> 0:20:31.119
<v Speaker 1>Treasure Hunt? No, there's a there's a woman in it.

0:20:31.320 --> 0:20:32.800
<v Speaker 1>I don't know, I saw ages ago, but there's a

0:20:32.800 --> 0:20:34.399
<v Speaker 1>woman in it that he like kind of falls in

0:20:34.400 --> 0:20:36.159
<v Speaker 1>love with while as they're like, you know, you know,

0:20:36.240 --> 0:20:41.320
<v Speaker 1>pillaging for Treasure. And I wouldn't call it a romantic comedy.

0:20:41.640 --> 0:20:43.960
<v Speaker 1>I would, I would, I would. I would say National

0:20:43.960 --> 0:20:46.719
<v Speaker 1>Treasure is a romantic comedy for those of you listening

0:20:46.720 --> 0:20:48.919
<v Speaker 1>that maybe haven't watched yet, which is you didn't do

0:20:48.960 --> 0:20:51.160
<v Speaker 1>your homework. But that's okay, that's why you're here. Um,

0:20:51.400 --> 0:20:55.719
<v Speaker 1>should we like loosely go over the plot? Sure? Loretta Casserini,

0:20:56.040 --> 0:20:59.359
<v Speaker 1>she is a widow. She is supposed to be, like

0:20:59.680 --> 0:21:02.760
<v Speaker 1>I guess saw a homely version of share. They like,

0:21:02.920 --> 0:21:08.280
<v Speaker 1>give her gray hair, they's account. She's a woman who,

0:21:08.640 --> 0:21:10.600
<v Speaker 1>you know, kind of feels that life has passed her by,

0:21:10.680 --> 0:21:13.600
<v Speaker 1>so she's not really taking care of herself. Yeah, exactly.

0:21:13.880 --> 0:21:16.119
<v Speaker 1>She lives. She lives at home with her family in

0:21:16.160 --> 0:21:22.720
<v Speaker 1>this frankly incredible house that probably costs millions and millions

0:21:22.720 --> 0:21:24.480
<v Speaker 1>of dollars. I'm so glad you brought it up, because

0:21:24.600 --> 0:21:27.439
<v Speaker 1>it is in fact for sale for the nominal price

0:21:27.520 --> 0:21:31.040
<v Speaker 1>of twelve point three million dollars. And and if any

0:21:31.359 --> 0:21:34.440
<v Speaker 1>daddy's out there listening to this podcast, want to know,

0:21:34.920 --> 0:21:39.359
<v Speaker 1>these turned into like a virgin headquarters part of Brooklyn Heights.

0:21:39.359 --> 0:21:42.159
<v Speaker 1>It's like an a gorgeous location. You're right on the water,

0:21:42.600 --> 0:21:45.600
<v Speaker 1>like it's just it would be so beautiful. Also a

0:21:45.680 --> 0:21:48.639
<v Speaker 1>very important part of the movie is that Share is

0:21:48.680 --> 0:21:50.919
<v Speaker 1>Italian and her family is Italian. I would say that

0:21:51.080 --> 0:21:54.639
<v Speaker 1>is maybe the most important thematic thing about the movie.

0:21:54.760 --> 0:21:57.119
<v Speaker 1>I would disagree by I get what. I would get

0:21:57.119 --> 0:21:59.679
<v Speaker 1>what you're saying. It is about and it is about

0:21:59.680 --> 0:22:02.600
<v Speaker 1>and its Hallians family. Yes, this is about you know,

0:22:02.880 --> 0:22:06.960
<v Speaker 1>Italian culture. So Share is a widow. She is in

0:22:06.960 --> 0:22:12.959
<v Speaker 1>a relationship with Johnny Ary who proposes to her. But

0:22:13.040 --> 0:22:17.159
<v Speaker 1>I'm the worst way, yeah, and the horrible um rotted

0:22:17.480 --> 0:22:19.159
<v Speaker 1>and definitely not how I want to be proposed to,

0:22:19.240 --> 0:22:20.920
<v Speaker 1>even though I don't want to be proposed to. You

0:22:20.960 --> 0:22:24.040
<v Speaker 1>can watch the movie, but like it's painting this picture

0:22:24.080 --> 0:22:27.080
<v Speaker 1>of a woman who has basically conceded to life. Her

0:22:27.359 --> 0:22:30.440
<v Speaker 1>previous husband got hit by a bus, she doesn't really

0:22:30.520 --> 0:22:33.520
<v Speaker 1>kind of believe in love anymore. She's in her thirties,

0:22:33.560 --> 0:22:36.080
<v Speaker 1>which like in this era, like in the eighties, it's like,

0:22:36.440 --> 0:22:38.240
<v Speaker 1>you know, you might as well be dead if you're

0:22:38.320 --> 0:22:40.199
<v Speaker 1>like a woman in your thirty and you're not married.

0:22:40.280 --> 0:22:42.800
<v Speaker 1>Like it's it's just like there's so many different I mean,

0:22:43.000 --> 0:22:46.240
<v Speaker 1>that's also like an Italian American thing. Like she's like

0:22:46.280 --> 0:22:50.000
<v Speaker 1>a failed woman, and so she's found the nearest possible guy,

0:22:50.480 --> 0:22:54.640
<v Speaker 1>this guy Johnny Camerary, who is like a shlub and terrible. Yes,

0:22:54.760 --> 0:22:57.560
<v Speaker 1>but he is a family man, and so he proposes

0:22:57.560 --> 0:22:59.439
<v Speaker 1>to her and then has to go to Italy because

0:22:59.440 --> 0:23:01.600
<v Speaker 1>his mother is dying, and he says, I can't, like

0:23:01.640 --> 0:23:03.800
<v Speaker 1>I need my mother needs to be a part of

0:23:03.880 --> 0:23:06.359
<v Speaker 1>this this well, he says, I can't get married until

0:23:06.920 --> 0:23:11.040
<v Speaker 1>like until my mother is okay, until she dies. Um.

0:23:11.080 --> 0:23:15.240
<v Speaker 1>But before he leaves to Italy, he tells Loretta that

0:23:15.320 --> 0:23:19.160
<v Speaker 1>he needs to reconcile with his brother played by Nicholas

0:23:19.200 --> 0:23:25.280
<v Speaker 1>Cage Ronnie so hot Um before they get married. So

0:23:25.359 --> 0:23:29.800
<v Speaker 1>Loretta has to go and you know, try to help

0:23:30.359 --> 0:23:34.280
<v Speaker 1>mend this rift between the brothers, someone she's never met,

0:23:34.400 --> 0:23:38.200
<v Speaker 1>never met, and spoiler alert, she and Ronnie fall in love.

0:23:38.280 --> 0:23:42.119
<v Speaker 1>They don't just fall in love, they fuck. They have

0:23:42.240 --> 0:23:44.880
<v Speaker 1>like great tack they have. It's well, we will get

0:23:44.920 --> 0:23:47.120
<v Speaker 1>into it. But also while all this is going on,

0:23:47.480 --> 0:23:51.840
<v Speaker 1>we also see Loretta's family life and her mother played

0:23:51.840 --> 0:23:55.320
<v Speaker 1>by olymp You Ducaccus, is feeling you know, slighted by

0:23:55.320 --> 0:23:57.680
<v Speaker 1>her father, which she should because her father is having

0:23:57.680 --> 0:24:00.280
<v Speaker 1>an affair of course. Um it feels like a lot

0:24:00.280 --> 0:24:03.200
<v Speaker 1>of there's a lot of themes of like infidelity, loving

0:24:03.240 --> 0:24:06.400
<v Speaker 1>the wrong people, stuff like that. Yes, and then there's

0:24:06.440 --> 0:24:10.520
<v Speaker 1>also a moon, right, the moon of the primary characters,

0:24:10.560 --> 0:24:14.320
<v Speaker 1>one of the yes as played by the Moon as

0:24:14.320 --> 0:24:17.520
<v Speaker 1>played by um Ariana Grande. No as played by the Moon.

0:24:17.680 --> 0:24:21.040
<v Speaker 1>Oh yeah, the Moon appearing as herself. I just always imagine,

0:24:21.080 --> 0:24:24.560
<v Speaker 1>you know how are like loves the moon. She's a cancer, Yes,

0:24:24.640 --> 0:24:26.880
<v Speaker 1>she's a cancer, and she just you know, the moon

0:24:27.000 --> 0:24:28.680
<v Speaker 1>is like a part of her set or everything. I

0:24:28.680 --> 0:24:30.440
<v Speaker 1>can just see her like little face popping out of

0:24:30.440 --> 0:24:33.040
<v Speaker 1>the moon when like they go, oh look it's Cosmos

0:24:33.080 --> 0:24:34.960
<v Speaker 1>Cosmos moon, and then you just see Ari and she's

0:24:35.000 --> 0:24:42.679
<v Speaker 1>like Unfortunately. I do think that in twenty years someone

0:24:42.680 --> 0:24:45.720
<v Speaker 1>will try to remake Moonstruck, and like probably will cast

0:24:45.720 --> 0:24:49.439
<v Speaker 1>Ariana Grande No. It's gonna be like Beanie Feldstiner something

0:24:49.440 --> 0:24:52.840
<v Speaker 1>like that. But Arianna's Italian, I know, but ari cannot

0:24:52.880 --> 0:24:56.200
<v Speaker 1>pull well. I'm not saying she can do it. I'm

0:24:56.240 --> 0:24:58.920
<v Speaker 1>saying they will probably try to make her do it,

0:24:58.920 --> 0:25:03.760
<v Speaker 1>and no one could possibly ladder up to what Share gives. However,

0:25:03.840 --> 0:25:06.879
<v Speaker 1>I can give camp I think that she would be fine.

0:25:07.960 --> 0:25:09.880
<v Speaker 1>She would have. We have we given a good enough

0:25:09.920 --> 0:25:13.080
<v Speaker 1>explanation of the plot of moonstruct the setup, which I

0:25:13.080 --> 0:25:15.280
<v Speaker 1>think is all shots needed because we can, you know,

0:25:15.400 --> 0:25:19.120
<v Speaker 1>meander through these other parts. It must be said that, um,

0:25:19.160 --> 0:25:22.320
<v Speaker 1>when Johnny, not Ronnie, not Nicolas Cage, but Nicolas Cage's

0:25:22.320 --> 0:25:26.119
<v Speaker 1>brother is taking off on the airport, there's an old

0:25:26.160 --> 0:25:30.080
<v Speaker 1>woman as played by Rose Damn you. Um it is

0:25:30.359 --> 0:25:32.879
<v Speaker 1>literally literally you and there's a old woman. She's like

0:25:32.920 --> 0:25:34.680
<v Speaker 1>looking at the plane as it's leaving. This is back

0:25:34.680 --> 0:25:37.000
<v Speaker 1>in the day pre ninal event, when you could like

0:25:37.040 --> 0:25:39.480
<v Speaker 1>go and like watch people like take flight, you know,

0:25:39.520 --> 0:25:41.560
<v Speaker 1>watch their flights take off or whatever. Watch them to

0:25:41.600 --> 0:25:44.080
<v Speaker 1>five gravity, watch them to via gravity. Yeah, there's an

0:25:44.080 --> 0:25:46.240
<v Speaker 1>old woman that's like, I put a coach on that

0:25:46.359 --> 0:25:49.600
<v Speaker 1>plane on my sister who cheated on me, and she

0:25:49.680 --> 0:25:52.920
<v Speaker 1>her sister and cheat on her sister married the man

0:25:53.040 --> 0:25:55.119
<v Speaker 1>that she had wanted to marry exactly. It's not important.

0:25:55.160 --> 0:25:57.040
<v Speaker 1>It's like a kind of like throw away no, but

0:25:57.080 --> 0:25:59.920
<v Speaker 1>it's a great like the movie is filled with these

0:26:00.160 --> 0:26:03.240
<v Speaker 1>small moments that just stick with you like that they're

0:26:03.280 --> 0:26:08.880
<v Speaker 1>so specific yes and unexpected, and this movie has one

0:26:08.920 --> 0:26:12.280
<v Speaker 1>of the best glow ups of all time. Share, who

0:26:12.320 --> 0:26:15.959
<v Speaker 1>starts the movie looking kind of dowdy, which like for

0:26:16.000 --> 0:26:18.399
<v Speaker 1>any other woman, would be the most glamorous they ever looked,

0:26:18.480 --> 0:26:23.679
<v Speaker 1>and she still looks amazing. Yeah um she So Share

0:26:24.480 --> 0:26:28.320
<v Speaker 1>hooks up with Ronnie and they go to the opera

0:26:28.400 --> 0:26:30.880
<v Speaker 1>together and before that she gets a makeover. Well there's

0:26:30.920 --> 0:26:34.200
<v Speaker 1>some steaks in that too. Basically, Ronnie says, She says,

0:26:34.880 --> 0:26:37.960
<v Speaker 1>this is a cheating We're cheating right now. This will

0:26:38.000 --> 0:26:40.399
<v Speaker 1>never work. We can never speak to each other again.

0:26:40.720 --> 0:26:43.640
<v Speaker 1>And Ronnie says, okay, fine, We're never going to speak

0:26:43.640 --> 0:26:46.280
<v Speaker 1>to each other again one basically like one more time

0:26:46.280 --> 0:26:49.800
<v Speaker 1>with feeling like let's do one last cheaty thing and

0:26:49.880 --> 0:26:52.520
<v Speaker 1>let me take you to the opera. It's like this

0:26:52.680 --> 0:26:56.840
<v Speaker 1>kind of like there's this emotional steak to it where

0:26:56.960 --> 0:26:59.439
<v Speaker 1>Ronnie's like, I'm never going to be happy without you

0:26:59.520 --> 0:27:02.400
<v Speaker 1>in my life and I can't have you, but can

0:27:02.440 --> 0:27:04.760
<v Speaker 1>I have you just for this one night? And so

0:27:05.119 --> 0:27:08.400
<v Speaker 1>Share gives us what is the makeover montage of all

0:27:08.480 --> 0:27:11.480
<v Speaker 1>makeover montages? I mean not of all, but like it's

0:27:11.520 --> 0:27:14.680
<v Speaker 1>a really good makeover. It's not even really like that

0:27:14.760 --> 0:27:17.679
<v Speaker 1>much of a montage. Like you do see her, you know,

0:27:17.760 --> 0:27:19.800
<v Speaker 1>in the chair getting her hair done, her makeup done,

0:27:20.119 --> 0:27:26.520
<v Speaker 1>but it's about the moment when she emerges and is Share.

0:27:26.920 --> 0:27:30.239
<v Speaker 1>She's Share, she is and sheher says in interviews that

0:27:30.280 --> 0:27:33.679
<v Speaker 1>she preferred playing like the dowdier version of Loretta. Like

0:27:33.720 --> 0:27:36.520
<v Speaker 1>she she you know, after the glow up. She you know,

0:27:36.800 --> 0:27:39.200
<v Speaker 1>was having a harder time. She really can inhabit a

0:27:39.280 --> 0:27:42.600
<v Speaker 1>character like That's something that is really beautiful about her

0:27:42.600 --> 0:27:45.640
<v Speaker 1>portrayal of Loretta is even though she has her sherry

0:27:45.720 --> 0:27:47.920
<v Speaker 1>kind of snap out of it like things in it,

0:27:47.960 --> 0:27:51.760
<v Speaker 1>Like it still is not her distinctly. Yeah. I do

0:27:51.920 --> 0:27:54.640
<v Speaker 1>love the scene right after she gets made over where

0:27:54.680 --> 0:27:57.000
<v Speaker 1>she goes home and she's like sitting in front of

0:27:57.000 --> 0:28:01.800
<v Speaker 1>the fire and getting ready. Um, that is my favorite

0:28:01.800 --> 0:28:05.240
<v Speaker 1>scene too. I have to say, like it is essentially

0:28:06.240 --> 0:28:10.480
<v Speaker 1>a sex scene with no one else. She comes home,

0:28:10.560 --> 0:28:13.600
<v Speaker 1>she turns on the fireplace, she pours herself a glass

0:28:13.640 --> 0:28:16.680
<v Speaker 1>of wine like some like you know, sexy like shod

0:28:16.800 --> 0:28:20.680
<v Speaker 1>Day kind of jazz plays she and she's like, literally,

0:28:20.760 --> 0:28:24.280
<v Speaker 1>it's literally us after Black Friday, like opening up her

0:28:24.760 --> 0:28:27.159
<v Speaker 1>all the things she bought for herself. She's a dragon

0:28:27.359 --> 0:28:29.439
<v Speaker 1>looking at all the wealth that she's hoarded, and you

0:28:29.480 --> 0:28:31.800
<v Speaker 1>know not to go to earnest too quickly. But like

0:28:31.920 --> 0:28:36.240
<v Speaker 1>that scene actually I think encapsulates like my favorite element

0:28:36.320 --> 0:28:39.360
<v Speaker 1>of the film, which is like a story that is

0:28:39.400 --> 0:28:43.160
<v Speaker 1>actually about coming into your own and falling in love

0:28:43.240 --> 0:28:46.959
<v Speaker 1>with yourself again. Like the Portrait of Loretta is like

0:28:47.040 --> 0:28:50.040
<v Speaker 1>this woman who has she's a wolf, as they say

0:28:50.040 --> 0:28:52.640
<v Speaker 1>in the film, like she has like she's been down

0:28:52.640 --> 0:28:55.200
<v Speaker 1>on her luck. She doesn't really believe in magic or

0:28:55.280 --> 0:28:58.360
<v Speaker 1>love anymore. She doesn't really think that she deserves nice things.

0:28:58.680 --> 0:29:01.400
<v Speaker 1>And now a decade after her lover has died, she

0:29:01.520 --> 0:29:04.120
<v Speaker 1>finally has this like hot guy that's really into her,

0:29:04.160 --> 0:29:06.360
<v Speaker 1>that's swept her off her feet in an unexpected way,

0:29:06.360 --> 0:29:09.480
<v Speaker 1>and she's like, oh, I am actually desirable. There's this

0:29:09.600 --> 0:29:12.200
<v Speaker 1>very funny scene as she just is exiting the make

0:29:12.240 --> 0:29:14.880
<v Speaker 1>of her montage where a bunch of construction workers like

0:29:14.920 --> 0:29:17.960
<v Speaker 1>kind of cat call her and she goes like who me,

0:29:18.240 --> 0:29:21.719
<v Speaker 1>Like like, are you sure? Like it's kind of this like, oh,

0:29:21.840 --> 0:29:24.880
<v Speaker 1>I forgot what it feels like to be attractive. So

0:29:24.920 --> 0:29:26.880
<v Speaker 1>when she sits down with her like you know, Chanel

0:29:27.000 --> 0:29:31.240
<v Speaker 1>shoes or whatever the her Revlon like it's so beautiful. Yeah,

0:29:31.400 --> 0:29:34.600
<v Speaker 1>I really want to have that kind of share a

0:29:34.640 --> 0:29:39.240
<v Speaker 1>moment like not even like a makeover or like buying

0:29:39.320 --> 0:29:41.320
<v Speaker 1>something that makes me feel better about myself, but like

0:29:41.720 --> 0:29:45.800
<v Speaker 1>that moment where you realize that you are a like

0:29:45.960 --> 0:29:51.000
<v Speaker 1>embodied sexual being. I really want that for myself this

0:29:51.240 --> 0:29:53.960
<v Speaker 1>um like holiday season, that's what that's the energy I'm

0:29:53.960 --> 0:29:58.080
<v Speaker 1>bringing into Yes, that is that is And there's even

0:29:58.120 --> 0:30:00.920
<v Speaker 1>after like when you know, she turns on the fireplace

0:30:00.920 --> 0:30:03.200
<v Speaker 1>and she pours herself a glass of point, she goes

0:30:03.320 --> 0:30:06.680
<v Speaker 1>over to the mirror and she looks at herself like

0:30:07.360 --> 0:30:10.120
<v Speaker 1>like it's like sex. It did kind of remind me

0:30:10.240 --> 0:30:12.880
<v Speaker 1>of the scene in the House of Gucci as Mauriceo

0:30:12.880 --> 0:30:15.760
<v Speaker 1>Gucci is getting killed when Gaga's in the bath, and

0:30:15.800 --> 0:30:20.040
<v Speaker 1>it kind of reads as if she's like masturbating to

0:30:20.200 --> 0:30:24.040
<v Speaker 1>the thought of her estranged husband being murdered. There are

0:30:24.360 --> 0:30:28.480
<v Speaker 1>actually a lot of side by sides between like House

0:30:28.520 --> 0:30:30.480
<v Speaker 1>of Gucci and Moonstruck. Did you notice, I mean you

0:30:30.560 --> 0:30:32.680
<v Speaker 1>you're kind of alluding to these, like, yeah, well, I

0:30:32.720 --> 0:30:37.080
<v Speaker 1>do think like Gaga and Share doing similar things in

0:30:37.120 --> 0:30:40.000
<v Speaker 1>these roles, or like I do think the House of

0:30:40.040 --> 0:30:44.680
<v Speaker 1>Gucci is kind of like Gaga's Moonstruck. Yeah, okay, we'll

0:30:44.680 --> 0:30:48.440
<v Speaker 1>get into the movie comparisons, but on that actually, I mean,

0:30:48.520 --> 0:30:51.760
<v Speaker 1>obviously I'm not saying like Gaga's copying Shure, but Gaga

0:30:51.920 --> 0:30:55.040
<v Speaker 1>is in shares lineage when she goes from the pop

0:30:55.080 --> 0:31:00.160
<v Speaker 1>star to award winning actress, you know, elevation like that

0:31:00.320 --> 0:31:03.520
<v Speaker 1>is like absolutely you see those you know how those

0:31:03.520 --> 0:31:06.280
<v Speaker 1>are blossoming together and they're both doing like Gaga is

0:31:06.320 --> 0:31:09.720
<v Speaker 1>doing it I think beautifully. But like with this movie specifically,

0:31:10.480 --> 0:31:14.280
<v Speaker 1>when the trailer dropped, everyone's making fun of Gaga, you

0:31:14.280 --> 0:31:16.800
<v Speaker 1>know what I mean, Everyone's like, you know, dragging the accent.

0:31:16.840 --> 0:31:19.520
<v Speaker 1>They're like, this is gonna be so camp. When Moonstruck,

0:31:19.560 --> 0:31:23.680
<v Speaker 1>like the premier of Moonstruck was like happening, Like SHARE's

0:31:23.800 --> 0:31:26.640
<v Speaker 1>name would come on the credit scene and the audience

0:31:26.680 --> 0:31:29.440
<v Speaker 1>would laugh at her, and then who had the last laugh?

0:31:30.000 --> 0:31:34.480
<v Speaker 1>She did exactly. It's this moment where you've been a caricature,

0:31:34.560 --> 0:31:36.360
<v Speaker 1>because to be a pop star, to be a woman

0:31:36.400 --> 0:31:38.200
<v Speaker 1>and a pop star, is to be a character. You

0:31:38.200 --> 0:31:41.520
<v Speaker 1>have to constantly force this, like you know, archetype of yourself,

0:31:41.640 --> 0:31:43.920
<v Speaker 1>often changing your identity over and over again just to

0:31:44.000 --> 0:31:47.960
<v Speaker 1>like stay in the business. But like people you know

0:31:48.000 --> 0:31:50.560
<v Speaker 1>don't want to take those archetypes seriously, like Madonna or

0:31:50.640 --> 0:31:53.240
<v Speaker 1>Share or Gaga, And so when they decigned to do

0:31:53.320 --> 0:31:55.280
<v Speaker 1>something serious, all of a sudden, everyone's like, no, you

0:31:55.320 --> 0:31:58.120
<v Speaker 1>can't do that. Yeah, well okay, so you, of the

0:31:58.160 --> 0:32:01.080
<v Speaker 1>two of us, you are the share her Storian. I

0:32:01.120 --> 0:32:03.240
<v Speaker 1>love Share, but you love Share on a on a

0:32:03.480 --> 0:32:07.440
<v Speaker 1>level that I cannot even like think of as sending to.

0:32:07.920 --> 0:32:11.960
<v Speaker 1>So where where was Share in her life and her

0:32:12.000 --> 0:32:16.960
<v Speaker 1>career when Moonstruck came along? Okay, so basically it had

0:32:17.000 --> 0:32:21.560
<v Speaker 1>been Oh, I guess her and Sunny broke up seventy nine,

0:32:21.720 --> 0:32:24.760
<v Speaker 1>I think, and this movie took place in eight seven,

0:32:25.360 --> 0:32:30.880
<v Speaker 1>um between seventy nine and early eighties. She re emerged

0:32:30.960 --> 0:32:33.960
<v Speaker 1>as a solo pop star pretty quickly. Um or actually

0:32:34.040 --> 0:32:36.800
<v Speaker 1>not quickly. She had a few flops and then everyone

0:32:36.880 --> 0:32:39.160
<v Speaker 1>was like, oh, no, Share is just share. We forgot

0:32:39.200 --> 0:32:43.480
<v Speaker 1>about Sonny. Sonny dies. I think a year or two

0:32:43.520 --> 0:32:47.160
<v Speaker 1>before Moonstruck comes out, and it actually should be said,

0:32:47.200 --> 0:32:52.600
<v Speaker 1>I was reading recently that this movie was very hot

0:32:52.640 --> 0:32:56.720
<v Speaker 1>off the tails of shares appearance on The Letterman Show,

0:32:56.760 --> 0:32:59.320
<v Speaker 1>the very iconic one that has like I think, recirculated

0:32:59.360 --> 0:33:02.720
<v Speaker 1>a lot on share Twitter, which I am on, wherein

0:33:02.880 --> 0:33:06.280
<v Speaker 1>she calls Letterman an asshole because he's being a fucking

0:33:06.280 --> 0:33:08.440
<v Speaker 1>asshole and doing what Letterman always does, which is ask

0:33:08.520 --> 0:33:11.560
<v Speaker 1>women about people they've slept with or plastic surgery or

0:33:11.600 --> 0:33:14.080
<v Speaker 1>like whatever. You know. It was kind of a viral

0:33:14.120 --> 0:33:18.920
<v Speaker 1>moment proceeding viral media, and so this version of share

0:33:18.960 --> 0:33:22.120
<v Speaker 1>where she's kind of like, never gonna let men do

0:33:22.200 --> 0:33:26.040
<v Speaker 1>that to her in a public place. I hesitant, hesitate

0:33:26.080 --> 0:33:28.520
<v Speaker 1>to say like feminist, but like that kind of component

0:33:28.560 --> 0:33:30.840
<v Speaker 1>of like I'm not going to let you say that

0:33:30.880 --> 0:33:33.480
<v Speaker 1>to me. Kind of share, this share that you know,

0:33:33.520 --> 0:33:35.959
<v Speaker 1>we'll never let you live it down is coming out

0:33:36.040 --> 0:33:37.800
<v Speaker 1>right at this time. Everyone's seeing this side of So

0:33:38.040 --> 0:33:41.120
<v Speaker 1>is this does this predate the mom I am a

0:33:41.240 --> 0:33:44.680
<v Speaker 1>rich Man moment? It does predate the mom I am

0:33:44.720 --> 0:33:47.320
<v Speaker 1>a rich So this is really like the genesis of

0:33:47.400 --> 0:33:50.760
<v Speaker 1>share kind of becoming the share we know today. She

0:33:50.840 --> 0:33:54.320
<v Speaker 1>did already have anom for silk Wood, where she played

0:33:54.360 --> 0:33:58.720
<v Speaker 1>Meryl Streep's lesbian roommate. I have never seen Silkwood. I

0:33:58.720 --> 0:34:01.640
<v Speaker 1>will have to really need it on it um. Then

0:34:01.840 --> 0:34:03.960
<v Speaker 1>she had been in a few other flop movies silk

0:34:04.000 --> 0:34:05.720
<v Speaker 1>What she got an arm And this was the year

0:34:05.720 --> 0:34:08.200
<v Speaker 1>it was, which is of Eastwick? It was also eight seven?

0:34:08.480 --> 0:34:11.120
<v Speaker 1>Oh wow, so which is it? Eastwick and Moonstrauck came

0:34:11.120 --> 0:34:14.319
<v Speaker 1>out in the same year. Yeah, I guess probably the

0:34:14.360 --> 0:34:16.680
<v Speaker 1>two film roles that Share is best known for. And

0:34:16.760 --> 0:34:21.319
<v Speaker 1>so with this movie specifically, they really didn't think it

0:34:21.400 --> 0:34:23.759
<v Speaker 1>was going to transcend, Like they only spent fifteen mill

0:34:23.920 --> 0:34:27.160
<v Speaker 1>on it. Olympia Ducoccus said in interviews later, she was like,

0:34:27.160 --> 0:34:29.120
<v Speaker 1>this movie is going to be a flop. She thought

0:34:29.120 --> 0:34:30.400
<v Speaker 1>this movie was going to be a flop, and she

0:34:30.440 --> 0:34:33.520
<v Speaker 1>talked about it with actors on set. Um And the

0:34:33.520 --> 0:34:36.239
<v Speaker 1>movie was one of the highest grossing films of the year,

0:34:36.600 --> 0:34:39.080
<v Speaker 1>and Share won an Oscar for it, and it didn't

0:34:39.080 --> 0:34:42.120
<v Speaker 1>win Best Picture. It won Best Screenplay. Okay, I don't

0:34:42.120 --> 0:34:45.040
<v Speaker 1>think it was nominated for Best Picture, which, like it

0:34:45.080 --> 0:34:48.440
<v Speaker 1>makes sense because I think the writing is part of

0:34:48.480 --> 0:34:51.799
<v Speaker 1>what mad like. Obviously, the performances are what we remember,

0:34:52.120 --> 0:34:54.520
<v Speaker 1>but the writing and the story, Like when I say

0:34:54.560 --> 0:34:57.160
<v Speaker 1>that it has the same kind of structure as a play,

0:34:57.280 --> 0:35:00.120
<v Speaker 1>I do think like it comes down to like the

0:35:00.200 --> 0:35:03.040
<v Speaker 1>language and the way the story is told, and how

0:35:03.160 --> 0:35:05.200
<v Speaker 1>One thing that really struck me when I saw it

0:35:05.239 --> 0:35:11.480
<v Speaker 1>is how these really dramatic things are happening, but people

0:35:11.680 --> 0:35:15.000
<v Speaker 1>are not reacting to them in melodramatic ways. Like it

0:35:15.120 --> 0:35:20.320
<v Speaker 1>really it feels so lived in and so real. Um

0:35:20.360 --> 0:35:24.439
<v Speaker 1>Like at the end when um Olympiodococcus says to Share,

0:35:24.520 --> 0:35:26.360
<v Speaker 1>like do you love him, Loretta, and she says I do,

0:35:26.400 --> 0:35:29.359
<v Speaker 1>and she says like what did she feel? Like, it's like,

0:35:29.400 --> 0:35:31.839
<v Speaker 1>oh that's too bad. Yeah, you know, like it's so

0:35:32.920 --> 0:35:52.800
<v Speaker 1>it's so grounded in this family feels real. It also

0:35:52.880 --> 0:35:55.279
<v Speaker 1>has to be said that another thing that you and

0:35:55.320 --> 0:35:57.560
<v Speaker 1>I respond to in the in the in the vein

0:35:57.600 --> 0:36:01.360
<v Speaker 1>of what you're talking about is the wolf feness of

0:36:01.400 --> 0:36:04.680
<v Speaker 1>all of the characters, Like there's this inside you. There

0:36:04.680 --> 0:36:07.480
<v Speaker 1>are two wolves. One of them is Share and the

0:36:07.520 --> 0:36:11.520
<v Speaker 1>other one is also Share. Yeah. Yeah, Well the film

0:36:11.600 --> 0:36:13.640
<v Speaker 1>used to be called it was called The Bride and

0:36:13.680 --> 0:36:16.120
<v Speaker 1>the Wolf or whatever, before it was called Moonstruck, And

0:36:16.160 --> 0:36:18.040
<v Speaker 1>it comes from this conversation in the sex scene that

0:36:18.120 --> 0:36:20.760
<v Speaker 1>Rose was talking about earlier, where they say you're a wolf,

0:36:21.280 --> 0:36:24.960
<v Speaker 1>and um, there's this iconic line where she says, not Loretta,

0:36:25.040 --> 0:36:28.360
<v Speaker 1>but Loretta's I guess. Aunt says I've seen a wolf

0:36:28.440 --> 0:36:31.200
<v Speaker 1>and every man I ever met, and I say, a

0:36:31.280 --> 0:36:34.120
<v Speaker 1>wolf in me you, and like the motif of the

0:36:34.160 --> 0:36:38.600
<v Speaker 1>wolf is used as this downtrodden person, like someone who

0:36:38.880 --> 0:36:42.640
<v Speaker 1>has been so kind of like hardened by life that

0:36:42.840 --> 0:36:47.880
<v Speaker 1>they have these underwhelmed like this kind of like monotony

0:36:48.040 --> 0:36:50.759
<v Speaker 1>reaction to anything that happens, even if it is like

0:36:51.040 --> 0:36:54.400
<v Speaker 1>mystical and magical and and love like because I don't know,

0:36:54.400 --> 0:36:55.719
<v Speaker 1>I would warrant to say that you and I are

0:36:55.800 --> 0:36:58.440
<v Speaker 1>kind of jaded by life a little bit, like I

0:36:58.480 --> 0:37:01.400
<v Speaker 1>think that you and I are, you know, always like

0:37:01.520 --> 0:37:04.880
<v Speaker 1>in a very stupid way, being like love doesn't exist

0:37:05.000 --> 0:37:08.200
<v Speaker 1>like man suck blah blah blah, but like it comes

0:37:08.520 --> 0:37:11.719
<v Speaker 1>it comes from a place, a specific place of like

0:37:12.040 --> 0:37:14.520
<v Speaker 1>how you or I grew up. And I guess in

0:37:14.600 --> 0:37:17.919
<v Speaker 1>this moment, like how Shares character came to Fruition. Before

0:37:17.920 --> 0:37:22.760
<v Speaker 1>we met the character herself, I did um as someone

0:37:22.800 --> 0:37:25.680
<v Speaker 1>who had heard about this movie and seen the way

0:37:25.719 --> 0:37:28.279
<v Speaker 1>that it permeated pop culture for so long, but never

0:37:28.320 --> 0:37:31.560
<v Speaker 1>actually sat down and watched it. When I did watch it,

0:37:31.560 --> 0:37:37.120
<v Speaker 1>it felt like it slotted itself into like my identity

0:37:37.360 --> 0:37:41.840
<v Speaker 1>so quickly. So the first time you ever watched the movie,

0:37:42.520 --> 0:37:45.040
<v Speaker 1>what what was the thing that you kind of immediately

0:37:45.160 --> 0:37:47.680
<v Speaker 1>latched onto, Like what component of it where you were like,

0:37:47.680 --> 0:37:50.560
<v Speaker 1>aside from obviously share which takes up a lot of space,

0:37:50.600 --> 0:37:53.799
<v Speaker 1>and like the reasons that someone might watch Moonstruck, Like

0:37:54.520 --> 0:37:57.000
<v Speaker 1>what did you come away with that affected it, that

0:37:57.080 --> 0:38:00.680
<v Speaker 1>made it? I just I don't know I can break

0:38:00.680 --> 0:38:02.960
<v Speaker 1>it down to one thing. I really do think it's

0:38:02.960 --> 0:38:09.520
<v Speaker 1>a perfect movie. Um, and it feels so warm. I

0:38:09.560 --> 0:38:12.360
<v Speaker 1>agree it's a perfect movie. I'm obviously very prone to

0:38:12.440 --> 0:38:16.440
<v Speaker 1>exaggeration and hyperbole, but I do think that it's perfect.

0:38:16.640 --> 0:38:19.480
<v Speaker 1>And when I made me laugh, it made me cry.

0:38:19.920 --> 0:38:23.120
<v Speaker 1>It feels like it's like that that video of Gwyneth Paltrow.

0:38:23.520 --> 0:38:26.440
<v Speaker 1>I laughed, I cried, I had a shot, you know,

0:38:26.600 --> 0:38:30.640
<v Speaker 1>like it is. It is the full range of human

0:38:30.640 --> 0:38:35.120
<v Speaker 1>emotions in one film. Generally speaking, I I do love

0:38:35.200 --> 0:38:39.800
<v Speaker 1>things that strike that balance between like absurdist and camp

0:38:40.080 --> 0:38:44.359
<v Speaker 1>and like kind of even quote unquote bad when someone

0:38:44.400 --> 0:38:46.640
<v Speaker 1>says is like, why is this movie good? Why this

0:38:46.680 --> 0:38:49.799
<v Speaker 1>movie bad? Whatever? Um, And also happens to be like

0:38:49.920 --> 0:38:52.600
<v Speaker 1>very emotionally resonant at the end, like I think that

0:38:52.719 --> 0:38:54.880
<v Speaker 1>the thing that it teaches you is really beautiful. But

0:38:54.920 --> 0:38:56.920
<v Speaker 1>I which we'll get into, But I have to say,

0:38:56.920 --> 0:38:58.440
<v Speaker 1>when I first watched this movie, I was like a

0:38:58.440 --> 0:39:01.480
<v Speaker 1>freshman in college, had no idea what to expect. Was

0:39:01.520 --> 0:39:03.920
<v Speaker 1>blown away by the idea that share In Nicolas Cage

0:39:03.960 --> 0:39:05.799
<v Speaker 1>are in a movie together. I think that's the most

0:39:05.840 --> 0:39:09.160
<v Speaker 1>common reaction, at least now. Well, this is at such

0:39:09.200 --> 0:39:14.600
<v Speaker 1>an early stage of Nicolas Cage's career, and like I guess,

0:39:14.600 --> 0:39:17.480
<v Speaker 1>from what you're saying, a kind of weird midway point

0:39:17.640 --> 0:39:22.239
<v Speaker 1>in shares or like a transitional point. Um. I do

0:39:22.280 --> 0:39:24.839
<v Speaker 1>think this is the one time Nicolas Cage has ever

0:39:24.880 --> 0:39:27.960
<v Speaker 1>been hot, absolutely, and he is very hot. He is

0:39:28.000 --> 0:39:30.840
<v Speaker 1>like if he had to peek and only be hot once,

0:39:31.520 --> 0:39:35.759
<v Speaker 1>this was it. Because he is so fucking sexy in

0:39:35.800 --> 0:39:39.480
<v Speaker 1>a way that is like still kind of gross. Like

0:39:39.600 --> 0:39:41.960
<v Speaker 1>the first scene where she goes into the basement of

0:39:42.000 --> 0:39:44.560
<v Speaker 1>the bakery. You know that Chrissie gave me the big

0:39:44.560 --> 0:39:50.600
<v Speaker 1>bring me the Big night, Ronnie the sexual chemistry they have.

0:39:52.040 --> 0:39:54.839
<v Speaker 1>I mean, of course, like how could you not have

0:39:54.920 --> 0:39:59.520
<v Speaker 1>that with share Um? But I really do think that

0:39:59.680 --> 0:40:06.880
<v Speaker 1>this their their love scene is the best romantic, sexy

0:40:07.120 --> 0:40:10.879
<v Speaker 1>love scene I've ever seen. And it's bizarre as well. Yeah,

0:40:10.880 --> 0:40:14.960
<v Speaker 1>it's weird, it's weird her cooking him the steak, and

0:40:16.320 --> 0:40:19.640
<v Speaker 1>it's just and and like the melodrama of it, the

0:40:20.080 --> 0:40:23.640
<v Speaker 1>uh I don't care, take me, take me the movie

0:40:23.719 --> 0:40:29.040
<v Speaker 1>likes to the thing about I guess talking about like

0:40:29.280 --> 0:40:32.000
<v Speaker 1>camp in this film or like John Patrick Shanley's kind

0:40:32.040 --> 0:40:37.160
<v Speaker 1>of love for exaggeration is that so many he takes

0:40:37.239 --> 0:40:40.400
<v Speaker 1>all these tropes from rom coms and romances we've already

0:40:40.520 --> 0:40:43.919
<v Speaker 1>seen and you kind of like inflates them a little

0:40:43.960 --> 0:40:46.640
<v Speaker 1>bit and makes them like bizarre and weird. And so

0:40:47.000 --> 0:40:49.160
<v Speaker 1>you know, in that sex scene, like Nick Cage like

0:40:49.440 --> 0:40:51.640
<v Speaker 1>swoops her off her feet in a way that feels

0:40:51.680 --> 0:40:54.880
<v Speaker 1>like almost like the scene was like overblocked, like or

0:40:54.920 --> 0:40:58.080
<v Speaker 1>like they were doing it. And again it is like play.

0:40:58.160 --> 0:41:00.279
<v Speaker 1>It feels like it feels like it feels like they

0:41:00.320 --> 0:41:03.880
<v Speaker 1>are playing to the back of the house and in

0:41:03.880 --> 0:41:06.759
<v Speaker 1>in a scene that is shot very intimately. And then

0:41:06.760 --> 0:41:09.439
<v Speaker 1>it also like the script also loves like these ham

0:41:09.520 --> 0:41:12.399
<v Speaker 1>fisted metaphors, like in the scene in the Bakery where

0:41:12.440 --> 0:41:17.000
<v Speaker 1>like Nick Cage goes, He's like, and I big bread, bread, bread,

0:41:17.040 --> 0:41:18.840
<v Speaker 1>and I still get in it out of this hot

0:41:18.880 --> 0:41:21.960
<v Speaker 1>hole every day, like he says that, And like John

0:41:22.000 --> 0:41:24.239
<v Speaker 1>Petrick Chanley knows what he's doing when he said, like

0:41:24.440 --> 0:41:27.880
<v Speaker 1>when he when they say, like, you're a bride without

0:41:27.880 --> 0:41:30.239
<v Speaker 1>a head, a wolf without a foot, and then he

0:41:30.280 --> 0:41:32.799
<v Speaker 1>sweeps her off her feet for no reason, like he

0:41:32.880 --> 0:41:35.520
<v Speaker 1>knows that that's weird. And I think that part of

0:41:35.560 --> 0:41:38.959
<v Speaker 1>the reason that people say, wait, this is a bad

0:41:39.000 --> 0:41:42.040
<v Speaker 1>movie is because they don't understand how self aware of

0:41:42.040 --> 0:41:45.719
<v Speaker 1>the script actually do people say it's a bad movie, Yes, absolutely.

0:41:45.760 --> 0:41:48.560
<v Speaker 1>I think a lot of people don't understand that this

0:41:48.600 --> 0:41:51.400
<v Speaker 1>film is legitimately good. There's a kind of, you know,

0:41:51.480 --> 0:41:54.440
<v Speaker 1>a whole caravan of people, especially like gay gays, that

0:41:54.480 --> 0:41:56.239
<v Speaker 1>are like, oh my god, it's so bad it's good,

0:41:56.280 --> 0:41:58.160
<v Speaker 1>which I love things that are so bad it's good.

0:41:58.160 --> 0:42:00.040
<v Speaker 1>But that's not I guess I just like, how have

0:42:00.080 --> 0:42:02.799
<v Speaker 1>been engaged with that part of it. I have only

0:42:02.840 --> 0:42:09.799
<v Speaker 1>interacted with people who genuinely love this movie. I think

0:42:09.800 --> 0:42:13.160
<v Speaker 1>the movie has like a like some beautiful like lessons

0:42:13.160 --> 0:42:16.080
<v Speaker 1>and themes that kind of come from what are there

0:42:16.120 --> 0:42:20.880
<v Speaker 1>the idea of being a wolf without a foot? Like

0:42:20.960 --> 0:42:26.120
<v Speaker 1>the monologue comes through because Share makes some presumptions about

0:42:26.200 --> 0:42:28.799
<v Speaker 1>like Nick Cage's former former romantic life, which in the

0:42:28.800 --> 0:42:31.640
<v Speaker 1>movie it's like his hand got chopped off by a

0:42:31.680 --> 0:42:34.680
<v Speaker 1>bread slicer and then his wife left him because he

0:42:34.760 --> 0:42:37.720
<v Speaker 1>wasn't paying attention because he was distracted by his brother,

0:42:37.800 --> 0:42:41.000
<v Speaker 1>which is like why there's a rift between them, right

0:42:41.080 --> 0:42:43.319
<v Speaker 1>and she kind of like pull She kind of says

0:42:43.400 --> 0:42:46.080
<v Speaker 1>right away, look like you're jaded by life. You've done

0:42:46.080 --> 0:42:48.399
<v Speaker 1>this to yourself, Like it's not about your hand, This

0:42:48.440 --> 0:42:50.879
<v Speaker 1>isn't about your hand, this is about you. And Nick

0:42:50.920 --> 0:42:53.319
<v Speaker 1>Cage spins it around. He's like, you're doing the exact

0:42:53.400 --> 0:42:55.920
<v Speaker 1>same thing since you your husband died a decade ago.

0:42:56.480 --> 0:42:59.040
<v Speaker 1>You know, they kind of like see each other's like

0:43:00.080 --> 0:43:03.160
<v Speaker 1>hurt or like they're kind of like tortured romantic past lives,

0:43:03.520 --> 0:43:06.640
<v Speaker 1>and that is like what makes them decide to have sex,

0:43:06.719 --> 0:43:08.440
<v Speaker 1>you know what I mean. It's like the fact that

0:43:08.960 --> 0:43:11.760
<v Speaker 1>Share couldn't Share didn't have anything in common with Johnny

0:43:11.760 --> 0:43:15.399
<v Speaker 1>because her actual fiance because he's an idiot and he's

0:43:15.400 --> 0:43:18.680
<v Speaker 1>lived a charmed life, but she also seems to be

0:43:18.760 --> 0:43:23.000
<v Speaker 1>like a marriage of not convenience. But she's settling, yeah,

0:43:23.120 --> 0:43:26.360
<v Speaker 1>you know, definitely settling. Yeah yeah, but that's I think.

0:43:26.480 --> 0:43:31.240
<v Speaker 1>My favorite thing about this film is like, um, Sharon

0:43:31.320 --> 0:43:34.360
<v Speaker 1>Nicolas Cage, like they get spoiler, they get together in

0:43:34.400 --> 0:43:36.200
<v Speaker 1>the end and they get they said they're going to

0:43:36.239 --> 0:43:40.200
<v Speaker 1>get married. Um, they're probably not a great match for marriage,

0:43:40.360 --> 0:43:42.719
<v Speaker 1>you know what I mean? Like they may not. Actually

0:43:43.040 --> 0:43:44.880
<v Speaker 1>if you think about, like if there were a sequel,

0:43:45.080 --> 0:43:46.840
<v Speaker 1>like I don't think they would last as a couple.

0:43:47.120 --> 0:43:50.040
<v Speaker 1>I do. Well, Okay, we should get into that. But

0:43:50.320 --> 0:43:53.000
<v Speaker 1>my point is it's it actually the London. Whether the

0:43:53.080 --> 0:43:57.279
<v Speaker 1>relationship works or not has nothing to do with to me,

0:43:57.600 --> 0:43:59.880
<v Speaker 1>the key lesson, of the crucial lesson of the film,

0:44:00.000 --> 0:44:03.319
<v Speaker 1>which is that Share is falling in love with herself

0:44:03.440 --> 0:44:07.320
<v Speaker 1>and Ronnie happens to be a vehicle for that because

0:44:07.320 --> 0:44:10.439
<v Speaker 1>she's finally doing something that she just wants to do

0:44:10.760 --> 0:44:13.640
<v Speaker 1>instead of settling for something she has to. I also

0:44:13.760 --> 0:44:18.480
<v Speaker 1>think that if we're gonna like fan fictionify Moonstruck and

0:44:18.520 --> 0:44:22.000
<v Speaker 1>think about what would happen next, Like there is something

0:44:22.000 --> 0:44:27.000
<v Speaker 1>about like the cycle of what happens in families, and

0:44:27.120 --> 0:44:32.000
<v Speaker 1>maybe like after Moonstruck, like she and Ronnie will end

0:44:32.080 --> 0:44:34.520
<v Speaker 1>up in this situation that her parents are in where

0:44:34.520 --> 0:44:37.560
<v Speaker 1>her dad's cheating on her mom, and like eventually she's like,

0:44:37.800 --> 0:44:40.440
<v Speaker 1>knock it off and they come back together because they

0:44:40.440 --> 0:44:45.239
<v Speaker 1>do think there's a tension in Moonstruck between responsibility and

0:44:45.280 --> 0:44:50.440
<v Speaker 1>passion and how those things play out in families, because

0:44:50.480 --> 0:44:53.720
<v Speaker 1>you know, the father is having this affair with this woman,

0:44:54.520 --> 0:44:58.880
<v Speaker 1>and you know his wife like doesn't leave him. Um,

0:44:58.960 --> 0:45:02.200
<v Speaker 1>she just kind of remind him like you you know,

0:45:02.520 --> 0:45:05.160
<v Speaker 1>you're my husband, like, you know, knock it off. Well,

0:45:05.200 --> 0:45:09.960
<v Speaker 1>she says, well, first of all, she um Olympia Ducoccus.

0:45:10.200 --> 0:45:12.560
<v Speaker 1>After we're finding out that her husband is cheating on her,

0:45:12.600 --> 0:45:15.160
<v Speaker 1>goes on like a very innocent kind of dinner date

0:45:15.239 --> 0:45:18.440
<v Speaker 1>with the Fraser guy or whatever. And in this conversation

0:45:19.160 --> 0:45:22.080
<v Speaker 1>the dad from the dad from Fraser um And in

0:45:22.160 --> 0:45:25.439
<v Speaker 1>this conversation she goes, she's thinking about her husband cheating

0:45:25.440 --> 0:45:27.920
<v Speaker 1>on he and she goes, why do men chase women?

0:45:28.520 --> 0:45:30.520
<v Speaker 1>And he has this like kind of long like me

0:45:30.600 --> 0:45:33.360
<v Speaker 1>and you're an answer about like you know whatever, something stupid,

0:45:33.400 --> 0:45:35.560
<v Speaker 1>and she goes, I think it's because they fear death

0:45:36.239 --> 0:45:39.920
<v Speaker 1>and like, which is so true. It is absolutely true,

0:45:40.120 --> 0:45:46.200
<v Speaker 1>you know, I think about it's so true. The thrill

0:45:46.239 --> 0:45:51.520
<v Speaker 1>of the chase is it's literally a production of testosterone

0:45:51.680 --> 0:45:54.960
<v Speaker 1>because before I transitioned, the way I thought about sex

0:45:55.080 --> 0:45:59.480
<v Speaker 1>was just about hunting it down and finding it, and

0:45:59.520 --> 0:46:04.800
<v Speaker 1>then the actual act itself was always like kind of anticlimactic,

0:46:05.040 --> 0:46:08.280
<v Speaker 1>considering it's a climax every time. Um, it was really

0:46:08.320 --> 0:46:12.440
<v Speaker 1>about the hunt, and like I was so much more

0:46:13.160 --> 0:46:17.920
<v Speaker 1>of a predator not a predator. Um, I mean that

0:46:18.040 --> 0:46:20.480
<v Speaker 1>is why when men the actual answer to why men

0:46:20.560 --> 0:46:23.520
<v Speaker 1>chase women is because they're all predators. Like yeah, but

0:46:23.840 --> 0:46:28.560
<v Speaker 1>it's it's true, like there is this like biological imperative

0:46:28.719 --> 0:46:34.120
<v Speaker 1>in men two hunt for sex like a wolf, and

0:46:34.400 --> 0:46:40.640
<v Speaker 1>I like that Share in this movie like finds that

0:46:40.800 --> 0:46:44.760
<v Speaker 1>impulse within her to like be the wolf. Despite being

0:46:44.840 --> 0:46:48.480
<v Speaker 1>so much about like this traditional Italian American family. It

0:46:48.600 --> 0:46:52.000
<v Speaker 1>subverts this idea of fidelity and in the end, like

0:46:52.080 --> 0:46:55.319
<v Speaker 1>cheaters actually do prosper you know what I mean. I

0:46:55.400 --> 0:46:59.759
<v Speaker 1>love about it and it's really like, um, that's like

0:47:00.239 --> 0:47:05.200
<v Speaker 1>you know, like the film ends with the man who

0:47:05.280 --> 0:47:09.200
<v Speaker 1>Share has cheated on being welcomed into the family. Because

0:47:09.200 --> 0:47:11.560
<v Speaker 1>she is now in love with his brother. And the

0:47:11.880 --> 0:47:16.800
<v Speaker 1>end the movie is like as one big, happy, dysfunctional family,

0:47:16.920 --> 0:47:21.520
<v Speaker 1>and that feels really realistic. You know, families are complicated

0:47:21.560 --> 0:47:24.760
<v Speaker 1>and fucked up and people make bad decisions and life

0:47:24.760 --> 0:47:28.279
<v Speaker 1>goes on, which brings me to my favorite moment in

0:47:28.320 --> 0:47:31.279
<v Speaker 1>the entire film and the scene that I do have

0:47:31.440 --> 0:47:35.400
<v Speaker 1>tattooed on my leg, which is when Share and Nicolas

0:47:35.480 --> 0:47:38.320
<v Speaker 1>Cage have this. Basically, they've gone to the opera together.

0:47:38.760 --> 0:47:41.839
<v Speaker 1>Share is very moved by the opera. She catches her

0:47:41.920 --> 0:47:44.920
<v Speaker 1>dad cheating with this woman that kind of puts her

0:47:44.920 --> 0:47:47.160
<v Speaker 1>on a mental spin about her own infidelity and what

0:47:47.280 --> 0:47:50.839
<v Speaker 1>she's doing with Nicolas Cage, and so they have this

0:47:50.960 --> 0:47:54.239
<v Speaker 1>argument about love and why and Share is kind of

0:47:54.280 --> 0:47:57.600
<v Speaker 1>being like, we shouldn't be doing this, and Nicholas Cage

0:47:57.680 --> 0:48:02.480
<v Speaker 1>says love isn't perfect like stars are perfect, snowflakes are perfect,

0:48:02.560 --> 0:48:07.000
<v Speaker 1>Like love is not supposed to be this like perfect

0:48:07.040 --> 0:48:09.160
<v Speaker 1>picture that you see at the end of a rom com.

0:48:09.200 --> 0:48:12.239
<v Speaker 1>It's supposed to be messy and we're supposed to love

0:48:12.400 --> 0:48:16.279
<v Speaker 1>the wrong people. And that's why I love this movie,

0:48:16.360 --> 0:48:19.680
<v Speaker 1>is like there is something to take away from the

0:48:19.840 --> 0:48:22.759
<v Speaker 1>ways and the kind of molds that we fit our

0:48:22.800 --> 0:48:25.960
<v Speaker 1>own stories into because that's what you're supposed to do.

0:48:26.040 --> 0:48:29.520
<v Speaker 1>You're not supposed to cheat on your partner. But they

0:48:29.560 --> 0:48:34.280
<v Speaker 1>are actually so many reasons, like for specific people's specific

0:48:34.320 --> 0:48:37.680
<v Speaker 1>lives why actually would be very legitimately rational to like

0:48:37.719 --> 0:48:39.920
<v Speaker 1>cheat on your partner or to fall in love with

0:48:39.960 --> 0:48:43.120
<v Speaker 1>someone new. That is, that could be the actual better

0:48:43.239 --> 0:48:46.160
<v Speaker 1>route for you. You could have a better partner by cheating,

0:48:46.520 --> 0:48:49.719
<v Speaker 1>And that doesn't make it right, but that does make

0:48:49.719 --> 0:48:52.399
<v Speaker 1>it an essential part of your destiny, which I think

0:48:52.520 --> 0:48:55.279
<v Speaker 1>is like the motif of the moon is like the

0:48:55.280 --> 0:48:59.440
<v Speaker 1>moon is about mysticism and serendipity and things just kind

0:48:59.480 --> 0:49:27.360
<v Speaker 1>of happening and being beautiful. Have you ever been cheated

0:49:27.360 --> 0:49:31.240
<v Speaker 1>on or been a cheater? I've never been cheated on. However,

0:49:31.440 --> 0:49:36.040
<v Speaker 1>I have been the other woman seven times. That's a

0:49:36.080 --> 0:49:40.240
<v Speaker 1>lot of times. But I you know, that's it wasn't

0:49:40.680 --> 0:49:42.759
<v Speaker 1>I mean, I would say a lot of it was

0:49:42.800 --> 0:49:45.239
<v Speaker 1>when I was in college, and some of it was

0:49:45.280 --> 0:49:47.839
<v Speaker 1>with the same They were at least two of these

0:49:47.880 --> 0:49:53.080
<v Speaker 1>people where they cheated on multiple boyfriends with me, which

0:49:53.120 --> 0:49:55.040
<v Speaker 1>is I mean, I'm not like proud as I but

0:49:55.120 --> 0:49:57.320
<v Speaker 1>at the time I was like very like that's on them,

0:49:57.320 --> 0:49:59.680
<v Speaker 1>like this is about them, this is about you. Absolutely

0:49:59.719 --> 0:50:05.960
<v Speaker 1>are have also been the other woman, yeah, to to

0:50:07.520 --> 0:50:11.280
<v Speaker 1>married men. I've been the other woman to one married

0:50:11.280 --> 0:50:15.400
<v Speaker 1>man in situations where both like I knew what was

0:50:15.440 --> 0:50:18.600
<v Speaker 1>going on or like phone out after the fact, or

0:50:18.680 --> 0:50:25.600
<v Speaker 1>like it was just kind of implied and it's it's

0:50:25.640 --> 0:50:29.640
<v Speaker 1>really complicated, and you know you you I have certainly

0:50:29.680 --> 0:50:32.560
<v Speaker 1>never asked about it. Yeah, I don't either. You kind

0:50:32.560 --> 0:50:34.640
<v Speaker 1>of avoid it to like because you don't. You don't

0:50:34.800 --> 0:50:38.280
<v Speaker 1>you don't know what people's situations are. Although I certainly

0:50:38.320 --> 0:50:40.960
<v Speaker 1>think I don't think in any of the scenarios I've

0:50:41.000 --> 0:50:44.080
<v Speaker 1>been in, like these people were in an open relationship.

0:50:44.719 --> 0:50:48.000
<v Speaker 1>I think as as you know, queer people in one,

0:50:48.800 --> 0:50:52.880
<v Speaker 1>hopefully we're not getting into situations where anyone's cheating because

0:50:53.400 --> 0:50:58.200
<v Speaker 1>we are, you know, in open relationships or have partners

0:50:58.239 --> 0:51:01.160
<v Speaker 1>who are like polyamorous or you know, whatever the situation is.

0:51:01.560 --> 0:51:07.160
<v Speaker 1>But even in open relationships, like there can still be

0:51:07.960 --> 0:51:10.560
<v Speaker 1>in fidelity. And I think really what it comes down

0:51:10.560 --> 0:51:14.799
<v Speaker 1>to is is lying to your partner. It is and

0:51:14.840 --> 0:51:17.760
<v Speaker 1>that is like the crucial it's kind of a loophole

0:51:17.760 --> 0:51:21.800
<v Speaker 1>in the film is that like sure doesn't necessarily lie

0:51:22.200 --> 0:51:24.600
<v Speaker 1>to Johnny to get to where she is. She's just

0:51:24.680 --> 0:51:28.120
<v Speaker 1>kind of like circumnavigated, I guess the truth to get

0:51:28.160 --> 0:51:31.920
<v Speaker 1>to that moment, the full circle of that old woman

0:51:31.960 --> 0:51:34.120
<v Speaker 1>as played by you Rose Doamu casting the curse on

0:51:34.120 --> 0:51:37.799
<v Speaker 1>the plane that Johnny is on. She basically like says,

0:51:37.800 --> 0:51:39.600
<v Speaker 1>I put across on that plane, it's going to crash

0:51:39.600 --> 0:51:41.720
<v Speaker 1>and burn or whatever, and shares like I don't believe

0:51:41.760 --> 0:51:45.320
<v Speaker 1>in curses. Um, the fact that she cursed the plane,

0:51:45.360 --> 0:51:48.719
<v Speaker 1>that the curse came true, Johnny's wife basically cheated on

0:51:48.800 --> 0:51:51.680
<v Speaker 1>him and left him. It's like the curse kind of manifested,

0:51:51.680 --> 0:51:54.400
<v Speaker 1>and what is the perfect ending? So full circle is

0:51:54.440 --> 0:51:58.360
<v Speaker 1>so full circle? Well, I've never been in a monogamous

0:51:58.400 --> 0:52:04.319
<v Speaker 1>relationship before, so I've never been a cheater. I've had

0:52:04.400 --> 0:52:07.799
<v Speaker 1>partners who I've been dishonest too, and I think that

0:52:07.880 --> 0:52:13.800
<v Speaker 1>can be as devastating in relationships as infidelity, if not worse. Honestly,

0:52:14.239 --> 0:52:16.560
<v Speaker 1>I think that a lot of like especially in like

0:52:16.680 --> 0:52:21.560
<v Speaker 1>sis hetero relationships, like infidelity is like this like a okay,

0:52:21.560 --> 0:52:24.560
<v Speaker 1>it's over, like fuck you, Like that's a final straw,

0:52:24.680 --> 0:52:26.400
<v Speaker 1>Like there's no way you can stay together after the

0:52:26.480 --> 0:52:29.399
<v Speaker 1>cheating happens, and like that's just, like, to me, such

0:52:29.400 --> 0:52:32.960
<v Speaker 1>a limiting way to think about your relationship. It's also

0:52:33.040 --> 0:52:37.520
<v Speaker 1>not realistic. I think, like I would imagine that most

0:52:38.719 --> 0:52:45.160
<v Speaker 1>monogamous couples have there has been some kind of infidelity

0:52:45.320 --> 0:52:48.360
<v Speaker 1>and whether they've talked about it or not, like they've

0:52:48.400 --> 0:52:51.080
<v Speaker 1>moved past it. I think probably the best example is

0:52:51.400 --> 0:52:53.840
<v Speaker 1>the Sex and City movie when Steve cheats on Miranda

0:52:54.440 --> 0:52:58.600
<v Speaker 1>and like it almost ends their marriage, but they you know,

0:52:58.880 --> 0:53:04.000
<v Speaker 1>decide mutually to move past it stay together. Wow, Esther

0:53:04.200 --> 0:53:08.160
<v Speaker 1>Perel found dead. Um, I feel like Esther Perel, I

0:53:08.200 --> 0:53:11.000
<v Speaker 1>don't know how that is. Oh my god. The producer

0:53:11.000 --> 0:53:12.759
<v Speaker 1>Phoebe is freaking out as much as I am. Okay,

0:53:12.760 --> 0:53:16.719
<v Speaker 1>So Esther Perel is this relationships expert. She's Jewish and

0:53:16.840 --> 0:53:19.080
<v Speaker 1>she's like literally a genius, and she has a lot

0:53:19.160 --> 0:53:24.080
<v Speaker 1>of like teachings about like romance, especially like monogamous relationship romance.

0:53:24.360 --> 0:53:27.200
<v Speaker 1>But she has you know, whole book a doubt like

0:53:27.280 --> 0:53:31.080
<v Speaker 1>the artifice of infidelity as we've created it in Western culture,

0:53:31.200 --> 0:53:35.960
<v Speaker 1>and like how movies like rom coms have painted this

0:53:36.000 --> 0:53:39.359
<v Speaker 1>picture of cheating being the thing that you will never

0:53:39.400 --> 0:53:42.160
<v Speaker 1>get away with and everything else you can work through,

0:53:42.480 --> 0:53:45.360
<v Speaker 1>you know what I mean, which is so absurd, and

0:53:45.400 --> 0:53:48.000
<v Speaker 1>so that's again another beautiful thing about this movie is

0:53:48.080 --> 0:53:53.520
<v Speaker 1>like just painting a picture wherein infidelity actually is the

0:53:53.600 --> 0:53:57.200
<v Speaker 1>best fate for these protagonists, you know what I mean.

0:53:57.480 --> 0:54:00.160
<v Speaker 1>Do you ever see yourself wanting to be in a

0:54:00.160 --> 0:54:06.120
<v Speaker 1>monogamous relationship, a Monoga Mish relationship, Yes, for sure. I

0:54:06.160 --> 0:54:08.480
<v Speaker 1>think honestly, if we were painting the fan fick of

0:54:08.680 --> 0:54:11.400
<v Speaker 1>share in Knick Cage, they probably are gonna. If they

0:54:11.400 --> 0:54:13.360
<v Speaker 1>were to work, it would have to be like Monoga

0:54:13.440 --> 0:54:17.320
<v Speaker 1>Mish or like an open relationship or something. For me personally,

0:54:18.000 --> 0:54:20.480
<v Speaker 1>I feel like I believe in love cycles, you know

0:54:20.480 --> 0:54:23.960
<v Speaker 1>what I mean. I think I go through like moments

0:54:24.000 --> 0:54:27.160
<v Speaker 1>with people or in it's like really deep, really passionate,

0:54:27.239 --> 0:54:30.240
<v Speaker 1>really intimate and can be for a long long time,

0:54:30.760 --> 0:54:34.440
<v Speaker 1>but that those cycles have endings. And if that includes

0:54:34.520 --> 0:54:36.319
<v Speaker 1>like me being with a long term partner and then

0:54:36.520 --> 0:54:38.960
<v Speaker 1>maybe falling for a short term partner or something like that,

0:54:39.040 --> 0:54:41.440
<v Speaker 1>like I don't know, I think that's much more realistic

0:54:41.480 --> 0:54:44.960
<v Speaker 1>than an idea of monogamy. What about you, I would

0:54:45.000 --> 0:54:48.680
<v Speaker 1>like to say that I don't think I'll ever want

0:54:48.719 --> 0:54:51.960
<v Speaker 1>to be in a monogamous relationship because it hasn't happened.

0:54:52.400 --> 0:54:54.600
<v Speaker 1>But I also know myself well enough to know that

0:54:54.680 --> 0:55:01.080
<v Speaker 1>I am secretly a romantic, and I if I was

0:55:02.080 --> 0:55:06.160
<v Speaker 1>in love with someone deeply enough that I wanted to

0:55:06.200 --> 0:55:10.520
<v Speaker 1>commit myself to them, I don't know if I could,

0:55:10.880 --> 0:55:15.000
<v Speaker 1>like be in an open relationship. Yeah, you don't think,

0:55:15.719 --> 0:55:20.279
<v Speaker 1>I don't know. I really don't know. But for as

0:55:20.440 --> 0:55:24.160
<v Speaker 1>as jaded and cynical as I am and always have been,

0:55:24.600 --> 0:55:27.720
<v Speaker 1>especially in a way that's been applied to my relationships,

0:55:28.520 --> 0:55:34.360
<v Speaker 1>I really am a romantic and like believe in I

0:55:34.400 --> 0:55:38.600
<v Speaker 1>don't know true love. I don't know if I believe

0:55:38.600 --> 0:55:41.880
<v Speaker 1>in it for myself. We'll see, we'll see if it happens,

0:55:42.120 --> 0:55:47.239
<v Speaker 1>um But you know, like if who who knows? Like

0:55:48.239 --> 0:55:50.000
<v Speaker 1>if I will fall in love with someone in a

0:55:50.040 --> 0:55:52.880
<v Speaker 1>way so deeply where I can't imagine wanting to be

0:55:52.920 --> 0:55:57.160
<v Speaker 1>with someone else, and where I would be devastated if

0:55:57.239 --> 0:56:00.600
<v Speaker 1>they wanted someone else. I know that it's not fair

0:56:00.719 --> 0:56:04.520
<v Speaker 1>or realistic to expect that, you know, one person will

0:56:04.600 --> 0:56:09.600
<v Speaker 1>only want to be intimate with one person for the

0:56:09.640 --> 0:56:13.680
<v Speaker 1>rest of their lives. But I don't know. I do

0:56:14.080 --> 0:56:16.719
<v Speaker 1>feel like there's part of me that like wouldn't be

0:56:16.800 --> 0:56:19.719
<v Speaker 1>okay with it. You know. It's so funny though, is

0:56:19.760 --> 0:56:23.000
<v Speaker 1>that like the premise of that question that we hear

0:56:23.000 --> 0:56:25.759
<v Speaker 1>a lot of, like do you believe in love? Do

0:56:25.800 --> 0:56:29.440
<v Speaker 1>you believe in that kind of romance? Is really predicated

0:56:29.600 --> 0:56:33.600
<v Speaker 1>on this picture of this mainstream depiction of love that

0:56:33.680 --> 0:56:36.200
<v Speaker 1>we see in movies and books and whatever since the

0:56:36.239 --> 0:56:38.919
<v Speaker 1>dawn of time. It's like we have when we are

0:56:39.000 --> 0:56:42.640
<v Speaker 1>asked do you believe in love? They're actually asking do

0:56:42.719 --> 0:56:46.040
<v Speaker 1>you believe in this fairy tale kind of Oh? Absolutely?

0:56:46.080 --> 0:56:50.279
<v Speaker 1>I know that my romanticism comes from the media I

0:56:50.360 --> 0:56:53.960
<v Speaker 1>consumed at a formative age, which is why this like

0:56:54.000 --> 0:56:56.520
<v Speaker 1>moon Strike is amazing. But like that's like our answers

0:56:56.520 --> 0:56:59.239
<v Speaker 1>should be like I don't believe in that version of love,

0:56:59.600 --> 0:57:02.719
<v Speaker 1>but like there's a version of perfect romance that maybe

0:57:02.760 --> 0:57:05.120
<v Speaker 1>doesn't check all the boxes that you think it needs

0:57:05.160 --> 0:57:10.200
<v Speaker 1>to check, that is still true love. Yes, absolutely. That's

0:57:10.239 --> 0:57:14.600
<v Speaker 1>one of the beautiful things about Moonstruck is it provides

0:57:15.000 --> 0:57:19.480
<v Speaker 1>a lens to like look at your life and your

0:57:19.480 --> 0:57:24.080
<v Speaker 1>relationships in like there is something for everyone in it.

0:57:24.320 --> 0:57:26.200
<v Speaker 1>It does the best thing art can do, which is

0:57:26.240 --> 0:57:31.640
<v Speaker 1>like tell a really specific story that also is extremely universal,

0:57:32.280 --> 0:57:37.040
<v Speaker 1>and it breaks down this like the dichotomy of the

0:57:37.080 --> 0:57:40.760
<v Speaker 1>bride and the wolf, the person who believes in love,

0:57:40.800 --> 0:57:43.000
<v Speaker 1>believes in the fantasy, and the person who's like jaded

0:57:43.040 --> 0:57:45.560
<v Speaker 1>by life and won't you know, accept it in It's like,

0:57:45.920 --> 0:57:48.760
<v Speaker 1>it's basically saying that there is like a medium between

0:57:48.760 --> 0:57:52.000
<v Speaker 1>these two things that can make you a perfectly well

0:57:52.120 --> 0:57:54.400
<v Speaker 1>rounded person. Honestly, this is like you and me. It's

0:57:54.440 --> 0:57:57.080
<v Speaker 1>like you're the wolf, I guess, and I'm the am

0:57:57.120 --> 0:58:00.640
<v Speaker 1>I the bride. Yeah, you're You're the bride and also believe,

0:58:00.680 --> 0:58:03.320
<v Speaker 1>but also like I'm secretly the bride. Yeah, you are,

0:58:03.560 --> 0:58:06.440
<v Speaker 1>and I'm secretly the wolf. Yeah, inside you there are

0:58:06.480 --> 0:58:18.040
<v Speaker 1>two wolves. One is one is Yes. Well, this is

0:58:18.080 --> 0:58:21.240
<v Speaker 1>our last episode of the year. I know we started

0:58:21.280 --> 0:58:23.400
<v Speaker 1>this kind of towards the end of the year, but

0:58:23.680 --> 0:58:26.080
<v Speaker 1>you us and the listeners are we're new friends. Yes,

0:58:26.280 --> 0:58:29.240
<v Speaker 1>And even though we've only done a few months of episodes.

0:58:29.640 --> 0:58:32.560
<v Speaker 1>Fran and I started working on this podcast almost a

0:58:32.640 --> 0:58:36.240
<v Speaker 1>year ago at this point, basically in the new year. Yeah,

0:58:36.320 --> 0:58:42.080
<v Speaker 1>and it has been really beautiful to see y'all listen

0:58:42.120 --> 0:58:45.840
<v Speaker 1>to it and respond to it and engage with it,

0:58:45.920 --> 0:58:49.520
<v Speaker 1>and I'm so grateful for everyone who listens to this podcast.

0:58:49.840 --> 0:58:54.800
<v Speaker 1>I'm so grateful to our producer Phoebe, everyone at I hear,

0:58:55.080 --> 0:58:57.040
<v Speaker 1>our team and I heart who are so amazing. And

0:58:57.360 --> 0:59:00.720
<v Speaker 1>I'm so grateful to Fran my co host, the Sister

0:59:01.160 --> 0:59:06.280
<v Speaker 1>a rare on the record moment of genuine affection. It

0:59:06.320 --> 0:59:08.440
<v Speaker 1>won't last. I'm grateful for you too, Rose, And I'm

0:59:08.480 --> 0:59:11.520
<v Speaker 1>thankful for all the Virgins. We love you, virgin, Grateful

0:59:11.560 --> 0:59:14.320
<v Speaker 1>for what you're introducing to me next week. Oh yeah,

0:59:14.400 --> 0:59:19.040
<v Speaker 1>So next up on our first episode of two, we

0:59:19.080 --> 0:59:24.440
<v Speaker 1>will be talking about Twilight, which, to be totally honest,

0:59:24.600 --> 0:59:28.200
<v Speaker 1>is maybe the purest like um kind of can see

0:59:28.200 --> 0:59:31.480
<v Speaker 1>of this podcast in general. It's like something Rose genuinely

0:59:31.680 --> 0:59:33.920
<v Speaker 1>showed me for the first time. Yes, and we will

0:59:33.960 --> 0:59:38.440
<v Speaker 1>be discussing it with the like number one Twilight stand

0:59:38.560 --> 0:59:42.600
<v Speaker 1>I know other than myself. Peyton dix Um leave us

0:59:42.640 --> 0:59:45.800
<v Speaker 1>a review, please if you love us also tweeted us,

0:59:45.840 --> 0:59:48.360
<v Speaker 1>posting your Instagram story, tell us are you a wolf

0:59:48.520 --> 0:59:50.920
<v Speaker 1>or are you a bride? And don't forget if you

0:59:50.960 --> 0:59:52.920
<v Speaker 1>want to call in and let us know the thing

0:59:52.960 --> 0:59:55.160
<v Speaker 1>that you are so obsessed with cable, leave us a

0:59:55.160 --> 0:59:59.240
<v Speaker 1>message little Confession if you will at three to three

0:59:59.240 --> 1:00:02.880
<v Speaker 1>pennants that's three to three seven three six two six

1:00:03.040 --> 1:00:05.440
<v Speaker 1>two three. I'm friend Ratto. You can find me at

1:00:05.440 --> 1:00:08.520
<v Speaker 1>Friends squish co on Instagram and Twitter. And I'm Rost

1:00:08.560 --> 1:00:11.040
<v Speaker 1>Damn You. You can find me at Rose Damn You

1:00:11.160 --> 1:00:13.240
<v Speaker 1>on Instagram and Twitter. You can subscribe to Like a

1:00:13.320 --> 1:00:16.920
<v Speaker 1>Virgin anywhere you listen to podcasts. Our producer is Phoebe

1:00:16.960 --> 1:00:20.320
<v Speaker 1>you inter v PU inter We Love you dB with

1:00:20.360 --> 1:00:23.920
<v Speaker 1>support from Lindsay Hoffman, Julian Weller, Jess Cranechitch and Nikki

1:00:24.000 --> 1:00:28.080
<v Speaker 1>Vtour Until next week, see you later, Virgin until next year.

1:00:28.240 --> 1:00:36.640
<v Speaker 1>Until next year in two virgins, We love you so much. Bye,