1 00:00:01,600 --> 00:00:06,400 Speaker 1: Episode three sixty three Crook and Chase, which I listened 2 00:00:06,400 --> 00:00:08,680 Speaker 1: to Crook and Chase my whole life. I mean as 3 00:00:08,680 --> 00:00:11,200 Speaker 1: a kid. They were the They were on the radio 4 00:00:11,320 --> 00:00:13,040 Speaker 1: every weekend. I would hear and then I would see 5 00:00:13,119 --> 00:00:16,040 Speaker 1: him on TV on tenn and you know, a lot 6 00:00:16,079 --> 00:00:18,000 Speaker 1: of months and months ago, Mike, we were like, let's 7 00:00:18,040 --> 00:00:19,640 Speaker 1: get Crook and Chase. And then when I saw a 8 00:00:19,640 --> 00:00:22,560 Speaker 1: pop up my calendar, I message talk about like more 9 00:00:22,600 --> 00:00:26,360 Speaker 1: than anybody else. Very excited. Yeah, just because they just 10 00:00:26,440 --> 00:00:28,040 Speaker 1: they know it all. They have some great stories about 11 00:00:28,120 --> 00:00:33,480 Speaker 1: Johnny Cash and Shania Twain and Taylor Swift and they've 12 00:00:33,520 --> 00:00:35,040 Speaker 1: just been in it for a long time. And I 13 00:00:35,040 --> 00:00:38,239 Speaker 1: think some of people forget how famous they were in 14 00:00:38,280 --> 00:00:40,520 Speaker 1: country music because they had they had a national TV 15 00:00:40,640 --> 00:00:43,720 Speaker 1: show on all the country channels as well as the 16 00:00:43,880 --> 00:00:48,479 Speaker 1: radio show. You know, so they were the face of 17 00:00:48,520 --> 00:00:53,599 Speaker 1: country music on a national level forever and obviously still are. 18 00:00:53,640 --> 00:00:55,440 Speaker 1: We wouldn't want to talk to him, I mean so, 19 00:00:55,880 --> 00:00:59,280 Speaker 1: but just a really great interview. And I can attest 20 00:00:59,400 --> 00:01:02,360 Speaker 1: that Charlie Chase his voice is like this even when 21 00:01:02,400 --> 00:01:04,880 Speaker 1: he's not on the air, he just has a very 22 00:01:05,000 --> 00:01:09,319 Speaker 1: deep voice. But you know, they met back in three. 23 00:01:09,680 --> 00:01:11,120 Speaker 1: I don't even want to run it in the preview 24 00:01:11,120 --> 00:01:13,200 Speaker 1: because because I kind of find out some stuff during 25 00:01:13,200 --> 00:01:14,839 Speaker 1: the interview as well, which I thought was super cool. 26 00:01:15,280 --> 00:01:16,959 Speaker 1: It's also funny when I was like, do people think 27 00:01:16,959 --> 00:01:19,640 Speaker 1: you're married? Because you know, I probably did when I 28 00:01:19,640 --> 00:01:21,880 Speaker 1: was a kid like but and I didn't know why 29 00:01:22,040 --> 00:01:23,640 Speaker 1: because I didn't know who was Crook who was Chase 30 00:01:23,680 --> 00:01:27,320 Speaker 1: forever because I'd be like, I'm Crook, I'm Jason. I 31 00:01:27,360 --> 00:01:29,240 Speaker 1: should have known by that, but I didn't. But episode 32 00:01:29,280 --> 00:01:32,560 Speaker 1: three sixty three, this is Crook and Chase, Lorianne Crook 33 00:01:33,000 --> 00:01:36,360 Speaker 1: and Charlie Chase, and it's just super cool for me. 34 00:01:36,440 --> 00:01:38,600 Speaker 1: I'm getting out a little bit my old school country 35 00:01:38,600 --> 00:01:40,319 Speaker 1: stelf thought that was this was really awesome, and I 36 00:01:40,319 --> 00:01:44,720 Speaker 1: hope you do too, so enjoy You don't, well, are 37 00:01:44,720 --> 00:01:48,520 Speaker 1: we gonna play any clips? Okay, your professionals, then you know, well, 38 00:01:48,560 --> 00:01:51,320 Speaker 1: the the we're rolling. The issue is when people don't 39 00:01:51,320 --> 00:01:53,440 Speaker 1: wear headphones, as you guys will know, sometimes if then 40 00:01:53,520 --> 00:01:55,520 Speaker 1: have headphones on, they'll just talk. They'll talk from way 41 00:01:55,520 --> 00:01:56,960 Speaker 1: over here, and then you're like, no, I need you 42 00:01:56,960 --> 00:01:59,800 Speaker 1: to get close to the mind, you know, but with 43 00:02:00,000 --> 00:02:02,880 Speaker 1: you too, I need to learn things from you guys. Well, no, no, no, 44 00:02:02,920 --> 00:02:05,520 Speaker 1: you If you go back to the old Laughing Series 45 00:02:05,680 --> 00:02:08,280 Speaker 1: long time ago in a galaxy far far away, Gary 46 00:02:08,280 --> 00:02:10,360 Speaker 1: Owens used to hold his hand up like this, and 47 00:02:10,400 --> 00:02:13,120 Speaker 1: it acts as a little bit of a you still do, Yeah, 48 00:02:13,160 --> 00:02:15,680 Speaker 1: I do. When we're doing our radio show, I do this. 49 00:02:15,960 --> 00:02:17,600 Speaker 1: You hold your but to me, that's like someone in 50 00:02:17,639 --> 00:02:20,440 Speaker 1: Iraq reporting in from like all right, I can hear 51 00:02:20,560 --> 00:02:23,320 Speaker 1: you chuck in this studio, like the whold. I would 52 00:02:23,320 --> 00:02:26,000 Speaker 1: do that when I did the NFL Draft because screaming 53 00:02:26,000 --> 00:02:27,320 Speaker 1: in my ear so I had to push the earpiece 54 00:02:27,360 --> 00:02:29,960 Speaker 1: in deeper so I could hear. I didn't know that 55 00:02:30,040 --> 00:02:32,440 Speaker 1: was an actual thing used for sound, right, It's just 56 00:02:32,720 --> 00:02:36,160 Speaker 1: it just projects what you're saying back in. Yeah, it's 57 00:02:36,200 --> 00:02:38,839 Speaker 1: like picking up a ceashell and hearing the ocean. Try 58 00:02:39,000 --> 00:02:40,480 Speaker 1: you can hear your voice better. Oh, I was just 59 00:02:40,600 --> 00:02:43,600 Speaker 1: entering my ear by shoving up speaker in there. I 60 00:02:43,639 --> 00:02:46,320 Speaker 1: literally thought, that's what I was, like, I can't hear you, guys, 61 00:02:47,480 --> 00:02:50,359 Speaker 1: I'm shoving it in there, and don't you and don't 62 00:02:50,400 --> 00:02:52,000 Speaker 1: you see a lot of people don't realize that when 63 00:02:52,040 --> 00:02:54,200 Speaker 1: you're doing a live shot, like you're just talking about 64 00:02:54,280 --> 00:02:55,760 Speaker 1: You've got an ear piece in there, and you've got 65 00:02:55,800 --> 00:02:58,639 Speaker 1: all these people talking with you. You're trying to keep 66 00:02:58,680 --> 00:03:01,079 Speaker 1: your thought together and at the same time they're saying, 67 00:03:01,120 --> 00:03:02,560 Speaker 1: all right now, when you finished this, I want you. 68 00:03:03,520 --> 00:03:06,600 Speaker 1: Who's going to tell you? Yeah, it's a weird. It's weird, 69 00:03:06,639 --> 00:03:09,400 Speaker 1: and I'm not great. I'm okay, too, pretty good. I 70 00:03:09,440 --> 00:03:11,080 Speaker 1: have some friends that are great at it, Like they 71 00:03:11,080 --> 00:03:14,160 Speaker 1: can hear a whole three conversations while doing a live shot. 72 00:03:14,600 --> 00:03:16,720 Speaker 1: Me again, I just tried to shove it into you 73 00:03:16,720 --> 00:03:18,720 Speaker 1: because I couldn't. And it turns out I just didn't. 74 00:03:19,360 --> 00:03:21,400 Speaker 1: I couldn't process all the voices because it was out loud. 75 00:03:21,639 --> 00:03:23,000 Speaker 1: But the good thing about our job is we don't 76 00:03:23,000 --> 00:03:24,560 Speaker 1: really have to do at least I don't you guys 77 00:03:24,600 --> 00:03:25,960 Speaker 1: have to deal with anybody in your ear ever when 78 00:03:25,960 --> 00:03:29,480 Speaker 1: you're recording. Well, I mean we have, you know, producer, 79 00:03:29,520 --> 00:03:33,800 Speaker 1: owner ear usually, but this is where you know, you 80 00:03:33,880 --> 00:03:38,840 Speaker 1: separate the big boys from the bad producers. A good 81 00:03:38,840 --> 00:03:42,840 Speaker 1: producer knows when to talk to you, and that's not 82 00:03:42,880 --> 00:03:45,360 Speaker 1: when you're talking. There was a clip of Casey Kyson. 83 00:03:45,520 --> 00:03:48,400 Speaker 1: Did you guys ever meet? Yes, he was on our show. 84 00:03:48,720 --> 00:03:52,640 Speaker 1: We did a cooking segment. He was a vegan and 85 00:03:52,680 --> 00:03:55,200 Speaker 1: he came on and made some kind of a soup 86 00:03:55,520 --> 00:03:59,240 Speaker 1: with spinach and dandelion greens and all sorts of things 87 00:03:59,240 --> 00:04:01,360 Speaker 1: that Charlie wouldn't eat. But it looked like the front 88 00:04:01,400 --> 00:04:05,960 Speaker 1: yard sticks and stones and yeah, he cooked all that. 89 00:04:06,000 --> 00:04:08,720 Speaker 1: You would need it. He wouldn't need it, you know, 90 00:04:09,520 --> 00:04:12,160 Speaker 1: isn't it? Isn't it a bit you didn't commit? What 91 00:04:12,160 --> 00:04:13,800 Speaker 1: do you do? You got on the front yard and graves? 92 00:04:13,920 --> 00:04:17,040 Speaker 1: I don't know. I don't give me a hamburger. It 93 00:04:17,080 --> 00:04:20,360 Speaker 1: was delicious. Did he talk like that in person? To like? 94 00:04:20,960 --> 00:04:26,159 Speaker 1: Not so much? It's more pronounced on his There was 95 00:04:26,200 --> 00:04:29,159 Speaker 1: a clip of him where he's recording something and he's 96 00:04:29,520 --> 00:04:31,360 Speaker 1: he may have heard it, but he's like, I don't 97 00:04:31,360 --> 00:04:33,479 Speaker 1: want to do another set song into a set. He's 98 00:04:33,480 --> 00:04:36,640 Speaker 1: just going out right about the dog to get a dog. Yes, 99 00:04:36,760 --> 00:04:38,520 Speaker 1: I just wonder what clips of you two exists out 100 00:04:38,560 --> 00:04:42,080 Speaker 1: there that someone luckily threw away and they never got out. 101 00:04:42,600 --> 00:04:48,680 Speaker 1: Employees are prevented. Okay. So whenever we were having a 102 00:04:48,760 --> 00:04:52,560 Speaker 1: hard time with the show, technical difficulties or something was 103 00:04:52,600 --> 00:04:58,120 Speaker 1: going on, um, the director would play as loud as 104 00:04:58,160 --> 00:05:02,080 Speaker 1: he could over the speak gers in my ear, wild 105 00:05:02,160 --> 00:05:09,040 Speaker 1: cherry play, that funky music. I would immediately dart out 106 00:05:09,080 --> 00:05:12,520 Speaker 1: of my chair and I'm dancing, and it just brought 107 00:05:12,560 --> 00:05:15,039 Speaker 1: the whole show. Now, I think they recorded that. I 108 00:05:15,080 --> 00:05:17,160 Speaker 1: think somebody has commie. I'm glad you have it. Here's 109 00:05:17,160 --> 00:05:19,840 Speaker 1: the clip of it now and up on screen and 110 00:05:20,320 --> 00:05:23,480 Speaker 1: rest sure she's taking medication for that nice Yeah, I 111 00:05:23,600 --> 00:05:26,000 Speaker 1: love it. Isn't there a song that just makes you 112 00:05:26,080 --> 00:05:28,640 Speaker 1: cannot sit stale? Bobby? That's an interesting question. A song 113 00:05:28,720 --> 00:05:32,000 Speaker 1: that I just love and you have to get up. 114 00:05:32,000 --> 00:05:34,640 Speaker 1: There's this wild cherry play, that funky music. Do you 115 00:05:34,720 --> 00:05:41,080 Speaker 1: have one the twist? Just because of the fast beat. Yeah, 116 00:05:41,120 --> 00:05:44,400 Speaker 1: it's unbelieved. That song was number one and number one 117 00:05:44,440 --> 00:05:48,120 Speaker 1: in sixty three, same version or the same song. And 118 00:05:48,880 --> 00:05:51,480 Speaker 1: this is how old we are. We have actually done 119 00:05:51,960 --> 00:05:58,200 Speaker 1: the twist with Chubby really, so he came there, came 120 00:05:58,240 --> 00:06:00,479 Speaker 1: on our show a couple of times. He was making 121 00:06:00,480 --> 00:06:02,280 Speaker 1: in Paris and Myrtle Beach. Remember we're doing the show 122 00:06:02,320 --> 00:06:03,960 Speaker 1: over there, and he showed up. He was doing a 123 00:06:04,880 --> 00:06:07,000 Speaker 1: one of the outlet, but he did Music City tonight. 124 00:06:07,000 --> 00:06:09,200 Speaker 1: Because every time we saw him, we always ended up 125 00:06:09,200 --> 00:06:11,479 Speaker 1: doing the twist together. So much fun. I guess I 126 00:06:11,560 --> 00:06:15,080 Speaker 1: just I don't the years start to be cloudy to me. 127 00:06:15,360 --> 00:06:17,800 Speaker 1: I don't consider you guys old enough to have been 128 00:06:17,839 --> 00:06:21,560 Speaker 1: with Chubby Checker. Not meaning you're old, but you're such 129 00:06:21,600 --> 00:06:27,679 Speaker 1: a part of my adolescents, teenage years, early twenties, because 130 00:06:28,240 --> 00:06:31,560 Speaker 1: I just associate all the weekends from hearing you guys 131 00:06:31,600 --> 00:06:33,600 Speaker 1: all over the country wherever I was. Bobby, you're older 132 00:06:33,600 --> 00:06:36,240 Speaker 1: than you think. Oh, I am right. I think we're 133 00:06:36,640 --> 00:06:40,719 Speaker 1: getting for sure. Chubby was. Actually, and that's a very 134 00:06:40,760 --> 00:06:44,760 Speaker 1: interesting point you make. We were not like celebrating the 135 00:06:44,800 --> 00:06:48,200 Speaker 1: first iteration of the twist. We were celebrating what some 136 00:06:48,400 --> 00:06:52,920 Speaker 1: twenty or thirtieth anniversary like that. That's much fairer than okay. 137 00:06:52,960 --> 00:06:56,880 Speaker 1: So it's coming back around as celebration of okay. That 138 00:06:56,920 --> 00:07:00,680 Speaker 1: makes me feel up, but even by myself. So you 139 00:07:00,760 --> 00:07:03,520 Speaker 1: got to be together forty years? Yes, coming up? We 140 00:07:03,560 --> 00:07:08,839 Speaker 1: started our forty year this month. Actually, anything for forty years, 141 00:07:09,080 --> 00:07:11,880 Speaker 1: I mean I am forty two. Just I'm like, dang, 142 00:07:11,880 --> 00:07:13,840 Speaker 1: I've I'm doing pretty good just to be alive for 143 00:07:13,840 --> 00:07:16,360 Speaker 1: forty years, much less you guys, Wait a minute, you 144 00:07:16,400 --> 00:07:20,440 Speaker 1: were in diapers when we first started. I was, Yeah, too. 145 00:07:20,480 --> 00:07:22,800 Speaker 1: I guess you were on yourself. I still have no 146 00:07:23,080 --> 00:07:25,600 Speaker 1: and when you're still doing it, yeah, no, beginning in 147 00:07:25,880 --> 00:07:30,160 Speaker 1: middle all of that. So forty years ago you in 148 00:07:30,200 --> 00:07:33,800 Speaker 1: what city did you guys actually start working together? Was 149 00:07:33,800 --> 00:07:35,960 Speaker 1: in Nashville? Yeah. So but when you say you're a 150 00:07:35,960 --> 00:07:38,160 Speaker 1: Myrtle Beach, were you doing some kind of show down there? Yeah? 151 00:07:38,200 --> 00:07:40,240 Speaker 1: We we would take the show on the road occasionally 152 00:07:40,760 --> 00:07:42,680 Speaker 1: and the big production, you know, we go over there 153 00:07:42,720 --> 00:07:45,320 Speaker 1: for the summer. Had on theater over there, the Crook 154 00:07:45,320 --> 00:07:48,880 Speaker 1: and Chase Theater, and you had a theater and Myrtle 155 00:07:48,960 --> 00:07:54,200 Speaker 1: Beach we did that is awesome. Was did you guys 156 00:07:54,240 --> 00:07:58,240 Speaker 1: make so much money? No? Theater business is hard, but 157 00:07:58,280 --> 00:07:59,800 Speaker 1: I mean just to have a theater named after you, 158 00:08:00,000 --> 00:08:02,840 Speaker 1: someone had to go okay? Or did you guys just 159 00:08:02,880 --> 00:08:05,480 Speaker 1: do it yourself? Well? Okay. The Gatlin has had at 160 00:08:05,520 --> 00:08:08,160 Speaker 1: Larry Gatlin and the Gatlin brothers and my husband and 161 00:08:08,200 --> 00:08:11,160 Speaker 1: I bought it from them. So Brett Eldridge is one 162 00:08:11,160 --> 00:08:13,800 Speaker 1: of my best friends, and we've often talked about whenever 163 00:08:13,880 --> 00:08:16,560 Speaker 1: we're done, maybe people decide we should be done now 164 00:08:16,680 --> 00:08:18,640 Speaker 1: or twenty years we'll just go get a theater in 165 00:08:18,640 --> 00:08:21,560 Speaker 1: Branson and I'll do stand up and he'll do music, 166 00:08:22,000 --> 00:08:24,360 Speaker 1: and that'll be how we die, not doing the actual show. 167 00:08:24,440 --> 00:08:28,960 Speaker 1: But that's like, that's like the end of the concept. Hey, 168 00:08:29,040 --> 00:08:31,680 Speaker 1: the concept over there is quite quite good because it 169 00:08:31,680 --> 00:08:35,480 Speaker 1: gives artists who are I don't want to say fed up, 170 00:08:35,600 --> 00:08:39,800 Speaker 1: but tired of traveling the world to perform. They stay 171 00:08:39,840 --> 00:08:42,760 Speaker 1: home and everybody comes to them. I think it's awesome. 172 00:08:42,760 --> 00:08:45,280 Speaker 1: It's a wonderful format. I was reading a little bit 173 00:08:45,280 --> 00:08:47,400 Speaker 1: about you guys, because I didn't know, and you place 174 00:08:47,440 --> 00:08:49,079 Speaker 1: correct me if I'm wrong, because the Internet is known 175 00:08:49,160 --> 00:08:51,440 Speaker 1: have been wrong once or twice. But you started in 176 00:08:51,440 --> 00:08:53,839 Speaker 1: television together before radio? Is that true? Or you want 177 00:08:53,840 --> 00:08:57,200 Speaker 1: a national television syndication before national radio syndication? Let me start. 178 00:08:57,240 --> 00:09:01,440 Speaker 1: I started radio in sixty six, but together together we started. 179 00:09:01,480 --> 00:09:05,440 Speaker 1: We did TV first and then radio evolved. Okay, so 180 00:09:05,480 --> 00:09:08,200 Speaker 1: I was right, But as far as as a team 181 00:09:08,240 --> 00:09:13,040 Speaker 1: now individually, Lorian, when did you start in radio? Not 182 00:09:13,240 --> 00:09:17,640 Speaker 1: until eighty nine. I started in television. Uh in, oh, 183 00:09:17,679 --> 00:09:21,680 Speaker 1: that's your your background, say, we're absolutely opposite. Charlie started 184 00:09:21,720 --> 00:09:25,719 Speaker 1: in radio and morphed into television. I started in television 185 00:09:25,960 --> 00:09:28,000 Speaker 1: and then he dragged me into radio. What were you 186 00:09:28,000 --> 00:09:30,400 Speaker 1: doing in TV? Like, what was your speciality? A reporter 187 00:09:30,520 --> 00:09:34,760 Speaker 1: and anchor. I was a very terrible news reporter. Why 188 00:09:34,760 --> 00:09:44,040 Speaker 1: do you say terrible, because um, I am so. And 189 00:09:44,160 --> 00:09:48,360 Speaker 1: this probably frightens Charlie about me. I could not cover 190 00:09:48,920 --> 00:09:53,240 Speaker 1: murders and accidents and things that happened to babies that 191 00:09:53,280 --> 00:09:55,960 Speaker 1: were bad, and I would just stand there on a 192 00:09:56,000 --> 00:09:59,920 Speaker 1: live shot and cry. And Uh. Finally the new star 193 00:10:00,240 --> 00:10:03,280 Speaker 1: called me and said, you know, maybe you belong in entertainment. 194 00:10:04,880 --> 00:10:08,280 Speaker 1: So I started doing a show called Pan Magazine, which 195 00:10:08,360 --> 00:10:10,720 Speaker 1: was kind of a syndicated thing at the time. So 196 00:10:10,760 --> 00:10:13,640 Speaker 1: I was doing it in Texas, but the pieces I 197 00:10:13,679 --> 00:10:16,840 Speaker 1: was doing, we're seeing around the country and that's how 198 00:10:16,880 --> 00:10:18,920 Speaker 1: I got noticed to come back to Nashville. And so 199 00:10:18,960 --> 00:10:22,480 Speaker 1: you're doing radio since the sixties? What you said? Right? 200 00:10:22,520 --> 00:10:24,160 Speaker 1: And you started a small station, I'm assuming in a 201 00:10:24,160 --> 00:10:27,120 Speaker 1: small town like everybody did w r G S Rogersville. 202 00:10:27,240 --> 00:10:31,360 Speaker 1: Did you come out of the womb with a great voice. No, No, 203 00:10:33,120 --> 00:10:36,800 Speaker 1: it's honestly my dad and my brother. My dad was 204 00:10:36,840 --> 00:10:39,640 Speaker 1: in the produce business. My brother was a California Highway 205 00:10:39,640 --> 00:10:44,439 Speaker 1: patrolman and military Air Force police notice or anything. And 206 00:10:44,480 --> 00:10:46,400 Speaker 1: myself I got and I'm the only one got in radio. 207 00:10:46,440 --> 00:10:50,599 Speaker 1: We all sounded like which is kind of weird. Um, 208 00:10:50,679 --> 00:10:54,679 Speaker 1: But no, the unusual story is I did have kind 209 00:10:54,679 --> 00:10:56,360 Speaker 1: of a low tone everything in my voice when I 210 00:10:56,400 --> 00:10:58,760 Speaker 1: was like twelve and thirteen years old. And when I 211 00:10:58,800 --> 00:11:01,360 Speaker 1: first called my wife Karen, her dad hung up on 212 00:11:01,440 --> 00:11:05,440 Speaker 1: me because I was on the radio at and he 213 00:11:05,520 --> 00:11:07,480 Speaker 1: thought I was in some twenty one year old pervert 214 00:11:07,520 --> 00:11:10,760 Speaker 1: trying to call his kid, you know. So finally Karen 215 00:11:10,920 --> 00:11:13,520 Speaker 1: and I walked home together one time and he I 216 00:11:13,640 --> 00:11:16,160 Speaker 1: was introduced to him, so we got over that. It 217 00:11:16,280 --> 00:11:18,880 Speaker 1: must be in the thousands where people have thought that 218 00:11:18,960 --> 00:11:20,959 Speaker 1: you two are married because you've been coming for so long. 219 00:11:21,040 --> 00:11:24,120 Speaker 1: I mean, I'm assuming that's even normal that people just 220 00:11:24,160 --> 00:11:26,160 Speaker 1: think you're because Amy and I my co host on 221 00:11:26,200 --> 00:11:27,880 Speaker 1: the radio show and we do account down on the 222 00:11:27,920 --> 00:11:30,560 Speaker 1: weekend too. Forever, they thought we were together just because 223 00:11:30,600 --> 00:11:34,040 Speaker 1: we were together doing something professionally. So that's happened with 224 00:11:34,080 --> 00:11:35,920 Speaker 1: you guys, I assume, Well, we have a stock answer 225 00:11:35,920 --> 00:11:38,160 Speaker 1: for that, don't we. And they asked if we've ever 226 00:11:38,200 --> 00:11:41,880 Speaker 1: considered dating one another? Okay, my stock answer is do 227 00:11:41,960 --> 00:11:44,360 Speaker 1: I look that stupid? I like that? And mine is 228 00:11:44,440 --> 00:11:48,880 Speaker 1: do I look that desperate? But we used that a 229 00:11:48,920 --> 00:11:51,640 Speaker 1: few times before, But now you want to hear something 230 00:11:51,640 --> 00:11:55,360 Speaker 1: really crazy about that. Years ago, at the height of 231 00:11:55,440 --> 00:11:59,000 Speaker 1: tenn Charlie and I were basically ambassadors to the world 232 00:11:59,559 --> 00:12:02,240 Speaker 1: for teen in in and from Nashville, and so People 233 00:12:02,320 --> 00:12:05,240 Speaker 1: Magazine thought that they should come to Nashville and do 234 00:12:05,280 --> 00:12:08,760 Speaker 1: a story on us. Do you remember this? And so 235 00:12:08,920 --> 00:12:10,920 Speaker 1: I forgot her name. This lady she was one of 236 00:12:10,920 --> 00:12:13,720 Speaker 1: the famouite writers for It was very nice. Came to 237 00:12:13,800 --> 00:12:17,320 Speaker 1: each of our homes and interviewed us individually, and came 238 00:12:17,320 --> 00:12:20,160 Speaker 1: down to our studio on the row and introduced us 239 00:12:20,240 --> 00:12:23,160 Speaker 1: to you know, photographers, and had all this going on. 240 00:12:25,160 --> 00:12:28,280 Speaker 1: She came back. Did she come back to your house? 241 00:12:28,320 --> 00:12:31,560 Speaker 1: She came to my house again twice, and so she 242 00:12:31,600 --> 00:12:33,680 Speaker 1: don't I need to come back and ask follow up questions? 243 00:12:34,400 --> 00:12:37,720 Speaker 1: And basically she told us that Charlie and I were 244 00:12:37,800 --> 00:12:42,160 Speaker 1: so vanilla, that's the word she used, vanilla, that this 245 00:12:42,280 --> 00:12:45,200 Speaker 1: was not going to be an interesting People Magazine story. 246 00:12:45,559 --> 00:12:47,959 Speaker 1: And she was asking me, she goes, have you and 247 00:12:48,120 --> 00:12:51,560 Speaker 1: Charlie ever had an affair or ever stepped out of 248 00:12:51,960 --> 00:12:56,600 Speaker 1: just something that we can put in here. I said, no, no, 249 00:12:58,559 --> 00:13:03,199 Speaker 1: they killed the story. They never did it after spending 250 00:13:03,400 --> 00:13:07,000 Speaker 1: days with us in Nashville. They killed the story because 251 00:13:07,000 --> 00:13:11,000 Speaker 1: we're vanilla and we didn't have controversy, we hadn't done 252 00:13:11,040 --> 00:13:14,679 Speaker 1: bad things. I can't believe they didn't just run it, 253 00:13:14,720 --> 00:13:17,080 Speaker 1: but maybe not take up as much of the page 254 00:13:18,000 --> 00:13:20,720 Speaker 1: to just kill it, because you did that. Guys have 255 00:13:20,840 --> 00:13:24,200 Speaker 1: such a voice, meaning not your literal physical voices, but 256 00:13:24,559 --> 00:13:26,640 Speaker 1: for country music. I mean, you introduced me to so 257 00:13:26,679 --> 00:13:29,000 Speaker 1: many artists on t NN because I used to watch 258 00:13:29,280 --> 00:13:31,160 Speaker 1: That's what even when I was on when the opera 259 00:13:31,320 --> 00:13:34,560 Speaker 1: was on, my grandmother and I would watch all the time, right, 260 00:13:34,760 --> 00:13:37,120 Speaker 1: Not you guys so much then, because my grandmother didn't 261 00:13:37,160 --> 00:13:38,439 Speaker 1: much care for the new music, so she's kind of 262 00:13:38,440 --> 00:13:40,719 Speaker 1: tune it out when you guys are having it. But 263 00:13:42,200 --> 00:13:44,560 Speaker 1: you were the to me. You were how I learned 264 00:13:44,600 --> 00:13:48,000 Speaker 1: as a kid, other than kissing ninety six. It was 265 00:13:48,320 --> 00:13:51,000 Speaker 1: what country music artists look like. That's what I got 266 00:13:51,080 --> 00:13:52,959 Speaker 1: from you guys. First time I was a little big 267 00:13:52,960 --> 00:13:55,480 Speaker 1: town was you guys like saw them on the face 268 00:13:55,840 --> 00:13:57,960 Speaker 1: and I was I remember sitting on my couch and 269 00:13:58,040 --> 00:13:59,920 Speaker 1: I think tornado had happened, and you guys were like 270 00:14:00,000 --> 00:14:01,720 Speaker 1: walking into a studio or something with them. I remember 271 00:14:01,800 --> 00:14:05,600 Speaker 1: watching the oh yeah, our studio got hit, and so 272 00:14:05,760 --> 00:14:09,760 Speaker 1: it was. I told them my credit YouTube for letting 273 00:14:09,760 --> 00:14:11,560 Speaker 1: me know they're better looking to me, and so I 274 00:14:11,640 --> 00:14:14,320 Speaker 1: never will let them off that. But I'm surprised with 275 00:14:14,400 --> 00:14:16,560 Speaker 1: you guys having such a voice that they cut that 276 00:14:16,600 --> 00:14:19,080 Speaker 1: story well. But we we did have a nice story. 277 00:14:19,120 --> 00:14:24,200 Speaker 1: And TV Guide remember that they were very I think 278 00:14:24,280 --> 00:14:27,040 Speaker 1: now it's just a digital space. Yeah, probably, And the 279 00:14:27,120 --> 00:14:29,040 Speaker 1: last time I saw it was like a larger publication 280 00:14:29,080 --> 00:14:32,960 Speaker 1: but used to be you know, but like yeah, likes 281 00:14:33,880 --> 00:14:36,200 Speaker 1: every Friday and Cable Ace Awards were nice to us. 282 00:14:36,240 --> 00:14:41,720 Speaker 1: We got what we want, entertainment news show over um 283 00:14:41,760 --> 00:14:45,480 Speaker 1: over what entertainment Tonight, over Larry King or something. It was. 284 00:14:45,640 --> 00:14:47,440 Speaker 1: It was wild. So we were, you know, yeah, and 285 00:14:47,520 --> 00:14:49,760 Speaker 1: right now, if I'm not mistaken, I think we are 286 00:14:51,920 --> 00:14:54,440 Speaker 1: the as far as a national I think as the 287 00:14:54,480 --> 00:14:56,120 Speaker 1: longest do that's what you're gonna say. I looked it 288 00:14:56,160 --> 00:14:58,080 Speaker 1: up to I tried it forty years. I looked for 289 00:14:58,120 --> 00:15:01,520 Speaker 1: anybody that's been together, and it can not find any Nash. 290 00:15:01,760 --> 00:15:05,200 Speaker 1: It's hard to find anybody at all the time. And 291 00:15:05,240 --> 00:15:08,640 Speaker 1: then when she left, when she quit and Kelly Ripper 292 00:15:08,760 --> 00:15:12,760 Speaker 1: came in then that kind of yeah, catapulted us beyond 293 00:15:12,840 --> 00:15:15,120 Speaker 1: them in years again. Right then we were often compared 294 00:15:15,160 --> 00:15:18,120 Speaker 1: to John Tesh and Mary Heart on Entertainment Tonight, So 295 00:15:18,160 --> 00:15:20,080 Speaker 1: we were the country version of that. You know, I 296 00:15:20,120 --> 00:15:23,440 Speaker 1: think they're the A C version of you, because you 297 00:15:23,440 --> 00:15:28,560 Speaker 1: guys are the real deal. You've been in and I 298 00:15:28,600 --> 00:15:31,960 Speaker 1: mean that as people. Where you live in the country 299 00:15:32,040 --> 00:15:36,280 Speaker 1: music world depended on you, and I can remember places 300 00:15:36,280 --> 00:15:39,160 Speaker 1: in my life where I was listening to you. Listen, 301 00:15:39,160 --> 00:15:41,480 Speaker 1: what do I know about John Tesh. I've heard them sometimes, 302 00:15:41,560 --> 00:15:43,960 Speaker 1: but I don't think people are going to go John 303 00:15:43,960 --> 00:15:45,680 Speaker 1: Tesh and Mary Heart Like I remember being in sixth 304 00:15:45,720 --> 00:15:48,160 Speaker 1: grade grade making out the first time to John Tesh. 305 00:15:48,240 --> 00:15:50,200 Speaker 1: That's I don't think that's happening anywhere if I'm being 306 00:15:50,240 --> 00:15:53,480 Speaker 1: on And also I didn't make on sixth grade. I 307 00:15:53,480 --> 00:15:57,080 Speaker 1: was just making up some stuff there. And the documentary though, 308 00:15:57,280 --> 00:15:58,760 Speaker 1: you guys are gonna have to almost break up a 309 00:15:58,800 --> 00:16:02,880 Speaker 1: couple of times. Yeah, meaning so it's like the docuseries 310 00:16:02,960 --> 00:16:06,120 Speaker 1: Crook and Chase seventy three and Lorianne wants to leave 311 00:16:06,200 --> 00:16:08,400 Speaker 1: and then it's you going. Yeah. I just thought I 312 00:16:08,400 --> 00:16:10,160 Speaker 1: looked at him and thought, you'd looking like this, We're 313 00:16:10,200 --> 00:16:13,480 Speaker 1: never gonna get any from there, like yeah, it did 314 00:16:13,480 --> 00:16:15,560 Speaker 1: it ever come? We're like one of your agents was like, okay, 315 00:16:15,560 --> 00:16:17,040 Speaker 1: it's time to take it out and go solo. I 316 00:16:17,080 --> 00:16:22,120 Speaker 1: guess what. We don't have agents ever ever. No, we 317 00:16:22,120 --> 00:16:25,000 Speaker 1: actually talked to each other and work stuff out. But 318 00:16:25,080 --> 00:16:28,800 Speaker 1: I mean with companies, right, you have to negotiate some 319 00:16:28,800 --> 00:16:32,600 Speaker 1: sort of like yeah, they contact us directly for things 320 00:16:32,640 --> 00:16:36,760 Speaker 1: like that, and we feel it's in our particular cases, 321 00:16:36,960 --> 00:16:40,040 Speaker 1: not for everybody, but in our particular case, we are 322 00:16:40,080 --> 00:16:42,960 Speaker 1: hands on. We're the ones going to make the decision 323 00:16:43,000 --> 00:16:44,760 Speaker 1: on that. We're the one to get the initial feel 324 00:16:44,840 --> 00:16:47,120 Speaker 1: of what's being offered or whatever and whether we won't 325 00:16:47,120 --> 00:16:49,080 Speaker 1: do it, you know, Colonel and I passed a shirt 326 00:16:49,120 --> 00:16:51,360 Speaker 1: back and forth of you guys do we wear every 327 00:16:51,360 --> 00:16:53,720 Speaker 1: time we Honestly, I was gonna say, I'm a little 328 00:16:53,760 --> 00:16:56,720 Speaker 1: shocked and disheartened that you do not have my Crook 329 00:16:56,720 --> 00:17:03,160 Speaker 1: and Chase shirts, my motor cycle T shirt. He had 330 00:17:03,160 --> 00:17:05,480 Speaker 1: the one that you know, I have your two heads. Yeah, 331 00:17:05,480 --> 00:17:07,840 Speaker 1: the book cover and I wear it all the time, 332 00:17:08,359 --> 00:17:10,359 Speaker 1: and I wear it until I see Cole and then 333 00:17:10,400 --> 00:17:11,440 Speaker 1: I give it back. To him that he wears it 334 00:17:11,480 --> 00:17:13,080 Speaker 1: till he sees me, and we passed the crooked We 335 00:17:13,160 --> 00:17:16,720 Speaker 1: both love you guys so much. Wearing a church or something, 336 00:17:17,960 --> 00:17:22,159 Speaker 1: you know, you know it smells a little yeah, now 337 00:17:22,160 --> 00:17:26,439 Speaker 1: that you mentioned it a bit. No, I have a 338 00:17:26,880 --> 00:17:28,920 Speaker 1: There is a T shirt of me on my Harley 339 00:17:29,000 --> 00:17:32,440 Speaker 1: Davidson wearing short shorts. I don't know why I even 340 00:17:32,440 --> 00:17:36,439 Speaker 1: did that, but if I find one, I'm sending you one. 341 00:17:36,560 --> 00:17:38,080 Speaker 1: Do you have Do you guys have old merch still 342 00:17:38,119 --> 00:17:43,160 Speaker 1: around the house? And yes, I have like plastic tubs 343 00:17:43,200 --> 00:17:45,720 Speaker 1: full of it. I was talking to Ronnie Dunn, and 344 00:17:45,800 --> 00:17:48,600 Speaker 1: Ronnie and I have become friends. It's one of my 345 00:17:48,720 --> 00:17:53,199 Speaker 1: favorite out of nowhere friendships, honestly because I just everyone was. 346 00:17:53,520 --> 00:17:55,200 Speaker 1: They would be like, Okay, look and I love Brooks 347 00:17:55,240 --> 00:17:57,639 Speaker 1: and Dunn, like just listening before I ever had a 348 00:17:57,680 --> 00:18:00,520 Speaker 1: chance to even get in in this world. Who doesn't 349 00:18:00,520 --> 00:18:02,680 Speaker 1: love Brooks and Done? If you grow up on country music, right, 350 00:18:02,760 --> 00:18:05,920 Speaker 1: and so they would say, Okay, here's the deal, you're 351 00:18:05,920 --> 00:18:08,280 Speaker 1: gonna meet kicks. He's the nicest guy ever. Ronnie a 352 00:18:08,280 --> 00:18:10,800 Speaker 1: little prickly, That's what they would say. That they would say, 353 00:18:10,840 --> 00:18:13,240 Speaker 1: like yeah, they'd be like a little prickly little. He's tough, 354 00:18:13,359 --> 00:18:16,080 Speaker 1: he's smart, Alex tough, he goes. So it's it's hard 355 00:18:16,080 --> 00:18:18,119 Speaker 1: when you first meet him. And so I'm like, all right, 356 00:18:18,160 --> 00:18:19,960 Speaker 1: So the first time I ever played the operay, Kicks 357 00:18:20,280 --> 00:18:22,040 Speaker 1: was playing. He was doing something to himself when he 358 00:18:22,080 --> 00:18:23,880 Speaker 1: came in. You know because at the operated door stay 359 00:18:23,920 --> 00:18:25,879 Speaker 1: open unless you're literally changing the door, stay open. It 360 00:18:25,920 --> 00:18:30,680 Speaker 1: Kicks comes down, nicest guy, big, just hey, super when performed. 361 00:18:30,720 --> 00:18:32,480 Speaker 1: Still never met Ronnie, and I'm like, I never want 362 00:18:32,480 --> 00:18:35,919 Speaker 1: to meet Ronnie. They got prickly, you know, prickly and 363 00:18:35,960 --> 00:18:39,120 Speaker 1: prickly Ronnie. I'm just gonna meet Kicks and feel good 364 00:18:39,160 --> 00:18:43,000 Speaker 1: about it. And I'm I ran into Ronnie once. I 365 00:18:43,040 --> 00:18:46,720 Speaker 1: was doing some comedy for Reba at her her event 366 00:18:46,760 --> 00:18:51,399 Speaker 1: and DC the the Kennedy Center Honors. Yeah, and Ronnie 367 00:18:51,480 --> 00:18:53,760 Speaker 1: was in the audience and he's like, hey, what's up 368 00:18:53,760 --> 00:18:55,840 Speaker 1: because my wife watch you and dancing on Stars. And 369 00:18:55,880 --> 00:18:57,600 Speaker 1: I was like, cool, nice to meet you. I'm thinking 370 00:18:59,359 --> 00:19:02,560 Speaker 1: I couldn't get the out prick. And then we did 371 00:19:02,600 --> 00:19:05,720 Speaker 1: some picture stuff together and he's like, well, you text 372 00:19:05,800 --> 00:19:08,200 Speaker 1: wet Ronnie's awesome. Did you tell him that you thought 373 00:19:08,200 --> 00:19:10,119 Speaker 1: he was prickly. I told him everybody all thought he 374 00:19:10,160 --> 00:19:12,680 Speaker 1: was prickly. Yeah, I just I'm telling him. I was 375 00:19:12,760 --> 00:19:14,720 Speaker 1: just like, people said we'd never be friends, and he said, 376 00:19:14,760 --> 00:19:18,360 Speaker 1: they said the same thing about you, and I was like, well, 377 00:19:18,480 --> 00:19:19,920 Speaker 1: trying to figure out what we do if we see 378 00:19:19,920 --> 00:19:23,000 Speaker 1: Cold Swindell wearing our shirts? Ron to figure out some 379 00:19:23,119 --> 00:19:24,720 Speaker 1: My point was, Ronnie said him when him and Kicks 380 00:19:24,760 --> 00:19:27,400 Speaker 1: broke up, they had to decide who got the merch 381 00:19:27,440 --> 00:19:29,600 Speaker 1: and Kicks out all the march and he's like really, 382 00:19:29,760 --> 00:19:31,679 Speaker 1: He's like, it's all on Kicks his warehouse because we 383 00:19:31,680 --> 00:19:34,120 Speaker 1: had to split stuff up. Ronnie get the hot air 384 00:19:34,119 --> 00:19:35,720 Speaker 1: balloon or something did, and he puts it up in 385 00:19:35,720 --> 00:19:39,639 Speaker 1: his yard sometimes. Isn't that crazy? That's funny, That's right. 386 00:19:39,800 --> 00:19:41,600 Speaker 1: I love it, great memory. I want to go for 387 00:19:41,640 --> 00:19:43,960 Speaker 1: a ride. Yeah, just drive by and if you see 388 00:19:44,000 --> 00:19:46,840 Speaker 1: the Brooks and Dun balloon in someone's a yard. I 389 00:19:46,920 --> 00:19:48,600 Speaker 1: want to go over to Charlie's house and like drop 390 00:19:48,680 --> 00:19:55,600 Speaker 1: rotten tomatoes and stuff. You know. Okay, I've got touched 391 00:19:55,640 --> 00:19:57,640 Speaker 1: up on something here that's been bothering me. I don't 392 00:19:57,640 --> 00:20:02,120 Speaker 1: know what Nashville traffic. Okay, now, I think we said 393 00:20:02,160 --> 00:20:04,199 Speaker 1: over a couple of things. Hey, let's talk about this, 394 00:20:04,240 --> 00:20:07,000 Speaker 1: but I want to bring this up. Not a day 395 00:20:07,040 --> 00:20:11,080 Speaker 1: goes by that I'm behind somebody. The light turns green 396 00:20:11,160 --> 00:20:13,560 Speaker 1: and they sit there, and I love the way that 397 00:20:13,920 --> 00:20:16,280 Speaker 1: State Tennessee refers to it. They had their head in 398 00:20:16,280 --> 00:20:20,600 Speaker 1: their app okay, and they're not moving, And not a 399 00:20:20,680 --> 00:20:22,520 Speaker 1: day has gone by in the past two weeks. And 400 00:20:22,560 --> 00:20:24,600 Speaker 1: I'm serious about this. I'm not lying. I've had to 401 00:20:26,000 --> 00:20:28,520 Speaker 1: the horn. As long as you're that's okay, right, because 402 00:20:28,840 --> 00:20:31,840 Speaker 1: I think so if you do, that's that's coming out 403 00:20:31,880 --> 00:20:35,040 Speaker 1: with guns. No, no, no, no, it's just like, yep, 404 00:20:35,200 --> 00:20:39,639 Speaker 1: that's the mean. We had a discussion on what is 405 00:20:39,680 --> 00:20:41,960 Speaker 1: that if you pull out in front of somebody in 406 00:20:42,040 --> 00:20:45,720 Speaker 1: this town, which is just like a sport, if you 407 00:20:45,760 --> 00:20:47,879 Speaker 1: pull out in front of somebody accidentally or cut them 408 00:20:47,920 --> 00:20:50,679 Speaker 1: off accidentally or whatever, what is the proper wave to 409 00:20:50,800 --> 00:20:53,359 Speaker 1: let them know you're sorry? I got I just put 410 00:20:53,359 --> 00:20:55,480 Speaker 1: my hands in front of my face, like both hands, 411 00:20:55,600 --> 00:21:02,680 Speaker 1: you're driving, okay out And I suggested just a slight wave, 412 00:21:03,080 --> 00:21:06,960 Speaker 1: use all fingers, but just a slight wave that looks floppy, 413 00:21:07,000 --> 00:21:09,720 Speaker 1: looks like you're flopping a little. Yeah, I do. Sorry, 414 00:21:09,760 --> 00:21:21,199 Speaker 1: I'm like, sorry, they don't see it, did you, guys? 415 00:21:21,280 --> 00:21:23,760 Speaker 1: Because you've been in Nashville for so long, have you 416 00:21:23,760 --> 00:21:27,080 Speaker 1: ever met Johnny Cash? Oh my god. I went shopping 417 00:21:27,080 --> 00:21:30,280 Speaker 1: for hair spray with Johnny Cash once. What's the story 418 00:21:30,359 --> 00:21:33,240 Speaker 1: that led to you going with him to get hair spray? 419 00:21:33,359 --> 00:21:35,880 Speaker 1: It was late at night. It was Kroger twenty four. 420 00:21:36,760 --> 00:21:39,240 Speaker 1: I needed hair spray for whatever we were doing the 421 00:21:39,280 --> 00:21:41,600 Speaker 1: next day. And I ran in there and there was 422 00:21:41,640 --> 00:21:44,560 Speaker 1: the man in black standing in front of the what's 423 00:21:44,600 --> 00:21:46,600 Speaker 1: it called? The UK was something that he and Marty 424 00:21:46,640 --> 00:21:51,359 Speaker 1: Stewart bought, aquad Finished or some there it is. Yeah, 425 00:21:51,640 --> 00:21:54,400 Speaker 1: So Johnny Cash and I are standing there just kind 426 00:21:54,440 --> 00:21:56,600 Speaker 1: of laughing and talking about which hair spray we're going 427 00:21:56,640 --> 00:21:59,959 Speaker 1: to get. There are so many things down packed. Johnny 428 00:22:00,080 --> 00:22:04,359 Speaker 1: Marty bought akway Net the brand. I think Marty might 429 00:22:04,400 --> 00:22:07,480 Speaker 1: still use it if it's around Wow. And then he 430 00:22:07,600 --> 00:22:14,440 Speaker 1: was just hanging it was was he recognizable? Yeah? Yeah, 431 00:22:14,480 --> 00:22:17,359 Speaker 1: that was back when nobody went to the store that 432 00:22:17,440 --> 00:22:21,920 Speaker 1: light at night except Johnny Cash and somebody who needs 433 00:22:21,960 --> 00:22:27,560 Speaker 1: hair spray late night. People like that, You're usually not bothered. 434 00:22:28,640 --> 00:22:32,040 Speaker 1: People are respectful of what they do. They realize this 435 00:22:32,119 --> 00:22:35,320 Speaker 1: is an entertainment center and see stars all the time. 436 00:22:37,600 --> 00:22:39,000 Speaker 1: I don't know. I think starting to change a little 437 00:22:39,040 --> 00:22:42,160 Speaker 1: bit again for the worst. I think it depends where 438 00:22:42,640 --> 00:22:44,600 Speaker 1: where you go. If you go to a real touristy 439 00:22:44,600 --> 00:22:46,959 Speaker 1: place where people kind of don't know the rules, then 440 00:22:46,960 --> 00:22:49,359 Speaker 1: it gets a little ugly. So you're just gonna have 441 00:22:49,400 --> 00:22:50,960 Speaker 1: to pick your because I don't think it was. You 442 00:22:51,000 --> 00:22:52,119 Speaker 1: can tell me if I'm wrong. I don't think it 443 00:22:52,160 --> 00:22:58,360 Speaker 1: was as like a bachelor at touristy, not even years 444 00:22:58,359 --> 00:23:02,160 Speaker 1: and this the city has changed. It's grown, It's grown 445 00:23:02,240 --> 00:23:06,240 Speaker 1: really fast and because of the influx of people. Um, 446 00:23:06,560 --> 00:23:08,760 Speaker 1: I like to I always like to say this has 447 00:23:08,800 --> 00:23:10,920 Speaker 1: small town charm, but it's a big city. Was a 448 00:23:10,960 --> 00:23:15,040 Speaker 1: small town charm, but it's changing. Yeah, is that your 449 00:23:15,040 --> 00:23:18,560 Speaker 1: only Johnny Cash experience? Oh you do have a lot. 450 00:23:18,600 --> 00:23:21,760 Speaker 1: Oh here's on our show numerous times. Did you like him? 451 00:23:22,280 --> 00:23:25,480 Speaker 1: Loved him? You know what surprised me a lot. He 452 00:23:25,920 --> 00:23:31,320 Speaker 1: he helped us actually do a surprise tribute show to 453 00:23:31,520 --> 00:23:33,359 Speaker 1: the Statler Brothers. You know, he helped get the Staller 454 00:23:33,400 --> 00:23:37,360 Speaker 1: Brothers started, and the Statlers didn't know Johnny was going 455 00:23:37,400 --> 00:23:40,040 Speaker 1: to be there, and um, Johnny was going to jump 456 00:23:40,080 --> 00:23:42,119 Speaker 1: in and sing with them and surprise them on some 457 00:23:42,160 --> 00:23:45,640 Speaker 1: gospel numbers and back stag. Well, I remember, I think 458 00:23:45,680 --> 00:23:50,199 Speaker 1: this actually happened, Charlie on the air. Backstage, Johnny Cash 459 00:23:50,320 --> 00:23:52,920 Speaker 1: was pacing back and forth, and he was sweating, and 460 00:23:52,960 --> 00:23:56,560 Speaker 1: even when he got on set with us, he still 461 00:23:56,640 --> 00:23:59,680 Speaker 1: had just some perspiration on his face, and I don't 462 00:23:59,680 --> 00:24:01,639 Speaker 1: know if I kind of wiped it off or whatever, 463 00:24:02,040 --> 00:24:05,760 Speaker 1: but he admitted that he was nervous. He was still 464 00:24:05,800 --> 00:24:11,800 Speaker 1: after all of his superstardom, his world travel, getting on 465 00:24:12,040 --> 00:24:16,080 Speaker 1: a set in front of cameras on live TV, especially 466 00:24:16,080 --> 00:24:19,000 Speaker 1: in this sort of a surprise situation, we're all by 467 00:24:19,000 --> 00:24:21,480 Speaker 1: the seat of our pants. He admitted he was nervous. 468 00:24:22,359 --> 00:24:24,359 Speaker 1: It's wild that someone who had done so much still 469 00:24:24,480 --> 00:24:27,920 Speaker 1: felt like we feel sometimes. He was a funny guy though. 470 00:24:28,119 --> 00:24:29,560 Speaker 1: He was on the show one time and we have 471 00:24:29,800 --> 00:24:32,760 Speaker 1: a segment of audience questions where the crowd would actually 472 00:24:32,800 --> 00:24:35,080 Speaker 1: fill out questions and pass them to our producers and 473 00:24:35,119 --> 00:24:36,680 Speaker 1: they pick the one out and send it to us, 474 00:24:36,920 --> 00:24:41,560 Speaker 1: and one of them said, Mr Cash, you al was 475 00:24:41,600 --> 00:24:46,680 Speaker 1: wearing black. Do you wear black underwear? In his response 476 00:24:46,880 --> 00:24:50,760 Speaker 1: on camera, live on TV, was I don't wear underwear, 477 00:24:52,440 --> 00:24:56,679 Speaker 1: so now we know. I had Hank Jr. In a 478 00:24:56,760 --> 00:24:59,919 Speaker 1: couple of months ago, and he was a handful. I mean, 479 00:25:00,000 --> 00:25:03,560 Speaker 1: he was a he was a handful, and I don't 480 00:25:03,760 --> 00:25:05,640 Speaker 1: I don't know if it's because he's gotten He wanted 481 00:25:05,640 --> 00:25:09,160 Speaker 1: to smoke a cigar inside and we can't. We can't 482 00:25:09,280 --> 00:25:11,080 Speaker 1: do It's not my building. I don't make the rules. 483 00:25:11,640 --> 00:25:13,320 Speaker 1: And then so then he just wanted to get out, 484 00:25:13,560 --> 00:25:14,920 Speaker 1: and it was he was a handful, and it was 485 00:25:14,960 --> 00:25:16,439 Speaker 1: really cool to have him in. But was he a 486 00:25:16,440 --> 00:25:19,720 Speaker 1: handful back then? Oh? Yeah? But I mean he was 487 00:25:19,760 --> 00:25:22,160 Speaker 1: always very nice to me because I met him kind 488 00:25:22,160 --> 00:25:25,520 Speaker 1: of as a cup reporter early in my career, and 489 00:25:27,280 --> 00:25:30,399 Speaker 1: my first encounter was asking if I could go to 490 00:25:30,440 --> 00:25:32,400 Speaker 1: his home in Paris, Tennessee and do like a big 491 00:25:32,440 --> 00:25:37,919 Speaker 1: documentary with him. And so, uh, I don't know how 492 00:25:38,000 --> 00:25:41,760 Speaker 1: much of this I should tell. That means all, I 493 00:25:41,880 --> 00:25:44,119 Speaker 1: remember most of it. Some of it I'm not going 494 00:25:44,160 --> 00:25:47,160 Speaker 1: to tell, but I will say. So I got there 495 00:25:47,680 --> 00:25:50,400 Speaker 1: and I needed a place to touch up, and so 496 00:25:50,440 --> 00:25:53,480 Speaker 1: he sent me to his bedroom where there was still 497 00:25:53,520 --> 00:25:57,640 Speaker 1: a young lady there in the bed. Okay, I thought 498 00:25:57,680 --> 00:26:02,560 Speaker 1: you were going to delete that keep that no one 499 00:26:02,640 --> 00:26:07,560 Speaker 1: was surprised that. We were all like, okay, okay, that's fine, yeah, okay, fine. 500 00:26:07,760 --> 00:26:10,280 Speaker 1: So I go into the bathroom and the toilet seat 501 00:26:10,760 --> 00:26:15,439 Speaker 1: is that rolling stuff with that rolling stones, the tongue 502 00:26:15,440 --> 00:26:19,320 Speaker 1: thing is is the toilet seat And there are things 503 00:26:19,359 --> 00:26:22,760 Speaker 1: that I can't tell you about that sitting on the 504 00:26:22,840 --> 00:26:28,000 Speaker 1: stink um. But anyway, I was just I felt like, 505 00:26:28,080 --> 00:26:31,600 Speaker 1: oh my god, what have I gotten myself into. This 506 00:26:31,680 --> 00:26:33,720 Speaker 1: was the beginning of the day with him. But I 507 00:26:33,760 --> 00:26:36,320 Speaker 1: have to tell you he was the nicest guy. He 508 00:26:36,400 --> 00:26:38,600 Speaker 1: took me out, he had a little canoe, he taught 509 00:26:38,640 --> 00:26:41,520 Speaker 1: me how to fish on his pond. We had just 510 00:26:41,640 --> 00:26:46,360 Speaker 1: the greatest talk about his life and how at one 511 00:26:46,359 --> 00:26:49,520 Speaker 1: point he just wanted to die. And we had such 512 00:26:49,560 --> 00:26:52,639 Speaker 1: a great time that he then later on invited me 513 00:26:52,720 --> 00:26:56,720 Speaker 1: out to uh Montana where he had a place out there, 514 00:26:57,440 --> 00:27:00,719 Speaker 1: and UH got some more great footage out there. So 515 00:27:00,760 --> 00:27:02,760 Speaker 1: he and I became really good friends. He what wrote 516 00:27:02,760 --> 00:27:05,840 Speaker 1: me a note one time, uh which was very dear 517 00:27:05,880 --> 00:27:08,159 Speaker 1: to my heart, because he said most reporters came and 518 00:27:08,200 --> 00:27:11,000 Speaker 1: just tried to get trash on him. And he signed 519 00:27:11,000 --> 00:27:15,040 Speaker 1: a picture for me that said, dear Lorianne, thank you 520 00:27:15,240 --> 00:27:18,800 Speaker 1: for making me look good. I love your friend. That's awesome. 521 00:27:18,800 --> 00:27:20,600 Speaker 1: And he was nice with us, but he just wanted 522 00:27:20,600 --> 00:27:22,280 Speaker 1: to get out. He was a handful, like all right, 523 00:27:22,320 --> 00:27:26,399 Speaker 1: let's go to no patience And had you said you 524 00:27:26,440 --> 00:27:29,200 Speaker 1: went to his house and it was pristine and it 525 00:27:29,280 --> 00:27:32,560 Speaker 1: was clean, and there was only the Bible. I mean, like, 526 00:27:32,600 --> 00:27:34,399 Speaker 1: that's not that's not the hak I know, that's not 527 00:27:34,440 --> 00:27:36,399 Speaker 1: the that's not the hang On brand. But that's funny. 528 00:27:36,400 --> 00:27:37,720 Speaker 1: He had the rolling stone toilet and I want to 529 00:27:37,720 --> 00:27:40,560 Speaker 1: go one of those now, the big tongue. Yeah, I 530 00:27:40,600 --> 00:27:43,560 Speaker 1: didn't use the bathroom all day. Yeah, I would have 531 00:27:43,560 --> 00:27:45,119 Speaker 1: probably had to try to go there though. And that 532 00:27:45,200 --> 00:27:49,200 Speaker 1: one's just because that's where it was. What about an 533 00:27:49,200 --> 00:27:54,320 Speaker 1: early young Garth? What was a young Garth like? So 534 00:27:54,920 --> 00:27:58,679 Speaker 1: don't you when we first met him, we had not 535 00:27:58,840 --> 00:28:03,440 Speaker 1: seen him on stage and this guy walked out on 536 00:28:03,480 --> 00:28:06,200 Speaker 1: our set. We had, you know, kind of a live 537 00:28:06,280 --> 00:28:09,600 Speaker 1: situation where we sort of met people briefly backstage. I'm 538 00:28:09,600 --> 00:28:11,320 Speaker 1: not even sure we got his name right where we 539 00:28:11,359 --> 00:28:16,000 Speaker 1: call him Garp or Garth. We've never heard it right, 540 00:28:16,119 --> 00:28:19,640 Speaker 1: We've never heard Garth before. I could not believe how 541 00:28:19,840 --> 00:28:24,960 Speaker 1: soft spoken, very gentlemanly. I mean we're about the same age. 542 00:28:24,960 --> 00:28:28,520 Speaker 1: But he called me ma'am. And I thought to myself, 543 00:28:28,520 --> 00:28:29,800 Speaker 1: and I don't know, Charlie, if you and I had 544 00:28:29,800 --> 00:28:32,240 Speaker 1: a conversation about this or not. I thought, how is 545 00:28:32,320 --> 00:28:36,200 Speaker 1: this guy ever got to make it in music? He's 546 00:28:36,280 --> 00:28:41,719 Speaker 1: not outgoing enough. Little did we know that he's a 547 00:28:41,800 --> 00:28:49,520 Speaker 1: maniac on stage? Yeah? Whoa? Was he super kind? Was 548 00:28:49,600 --> 00:28:52,280 Speaker 1: his reputation? Because now it is. And I've been lucky 549 00:28:52,360 --> 00:28:53,640 Speaker 1: enough to get to know him on a personal level 550 00:28:53,640 --> 00:28:55,400 Speaker 1: a little bit. Do things professional with him? Was he 551 00:28:55,480 --> 00:29:01,440 Speaker 1: super kind then? Too? Always? Always? And um? I recall 552 00:29:01,480 --> 00:29:03,880 Speaker 1: one time he was doing Music City Tonight with us 553 00:29:04,000 --> 00:29:05,640 Speaker 1: on t N and and I had some friends in 554 00:29:05,760 --> 00:29:10,480 Speaker 1: from my hometown of Rogersville, Uh, Mavis Mall and she 555 00:29:10,560 --> 00:29:14,960 Speaker 1: was kind of like my second mom up there and 556 00:29:15,040 --> 00:29:17,560 Speaker 1: she was backstage. And after the show, Garth's on his 557 00:29:17,640 --> 00:29:20,400 Speaker 1: way out and he spots her and he sort of 558 00:29:20,440 --> 00:29:22,600 Speaker 1: figured he put two and two together and said, are 559 00:29:22,640 --> 00:29:25,240 Speaker 1: you Mall? And she said, well, yes I am. And 560 00:29:25,280 --> 00:29:28,320 Speaker 1: he took his hat off and shook his shook her 561 00:29:28,360 --> 00:29:30,640 Speaker 1: hand and said all sorts of pleasant things, And that 562 00:29:30,720 --> 00:29:33,280 Speaker 1: was the biggest thrill in the world for her. And 563 00:29:34,120 --> 00:29:37,680 Speaker 1: you know, when Garth first started out, he signed with 564 00:29:37,760 --> 00:29:41,680 Speaker 1: Capital and Jimmy Bowen, who was the guy who headed 565 00:29:41,760 --> 00:29:43,760 Speaker 1: up the label at that point, was one who signed him. 566 00:29:43,840 --> 00:29:46,520 Speaker 1: And I'm playing golf with Bowen and this is about 567 00:29:46,560 --> 00:29:52,560 Speaker 1: the time Garth is really starting to explode. And Jimmy 568 00:29:52,800 --> 00:29:54,840 Speaker 1: just kind of laughed when he was telling the story 569 00:29:54,880 --> 00:29:57,960 Speaker 1: about Garth. He said, I said, well, how Garth do 570 00:29:58,160 --> 00:30:00,440 Speaker 1: last year? And how's he gonna do this year? He 571 00:30:00,520 --> 00:30:06,160 Speaker 1: said he went from making dollars a year doing the clubs, 572 00:30:07,240 --> 00:30:11,360 Speaker 1: and then he mentioned some astronomical number like seven figures overnight. 573 00:30:12,280 --> 00:30:18,520 Speaker 1: And the thing is that Garthur is genuine. He's very sincere, 574 00:30:18,640 --> 00:30:23,960 Speaker 1: he's kind. All that you see, that's him. But he's 575 00:30:24,000 --> 00:30:26,840 Speaker 1: no pushover either. No. No, I've done a couple of 576 00:30:26,880 --> 00:30:29,520 Speaker 1: business things with him where we did some specials together 577 00:30:29,560 --> 00:30:34,200 Speaker 1: and partnered our two companies. And he knows what he wants, 578 00:30:35,120 --> 00:30:36,760 Speaker 1: he knows how he wants it to be and how 579 00:30:36,760 --> 00:30:40,400 Speaker 1: he doesn't want it to be. And um, he respected 580 00:30:40,440 --> 00:30:44,520 Speaker 1: my opinions. But he's very professional to work with. But 581 00:30:45,000 --> 00:30:47,560 Speaker 1: it's really interesting because you would think that, oh, maybe 582 00:30:47,560 --> 00:30:50,920 Speaker 1: he's so soft spoken that people could take advantage of him. No, 583 00:30:51,080 --> 00:30:53,640 Speaker 1: he's very very smart. You know, the one thing I've 584 00:30:53,640 --> 00:30:56,760 Speaker 1: always wondered about these megatours that he's on. You know, 585 00:30:56,760 --> 00:30:59,120 Speaker 1: it was finished up in fishing up in Ireland and 586 00:30:59,160 --> 00:31:01,640 Speaker 1: all the stadium tour is and everything. How hands on 587 00:31:01,800 --> 00:31:05,640 Speaker 1: is he on a daily basis on something that gigantic. 588 00:31:06,160 --> 00:31:09,520 Speaker 1: He's gonna have some lieutenants, you know. But but knowing Garth, 589 00:31:09,760 --> 00:31:12,280 Speaker 1: he's on everything that's going on. I think Sincere is 590 00:31:13,080 --> 00:31:15,520 Speaker 1: I've always searched for that perfect word. I mean, he's 591 00:31:15,560 --> 00:31:19,120 Speaker 1: so sincere, so so so sincere all the time that 592 00:31:19,120 --> 00:31:20,800 Speaker 1: you start to go, wait, is this real? But then 593 00:31:20,800 --> 00:31:22,160 Speaker 1: after he spent even more time with him, like yeah, 594 00:31:22,160 --> 00:31:25,120 Speaker 1: it's real, because he's never not. But he's also told 595 00:31:25,160 --> 00:31:29,600 Speaker 1: me he's there's three guards. There's Gartha businessman, There's Garth 596 00:31:29,640 --> 00:31:31,840 Speaker 1: the entertainer, There's Garth the person, and they all are 597 00:31:31,920 --> 00:31:34,960 Speaker 1: very different. And so Gartha businessman, I don't know that 598 00:31:35,000 --> 00:31:37,400 Speaker 1: I want to get mixed up with anyway. We're on 599 00:31:37,480 --> 00:31:41,160 Speaker 1: against him. Gartha person. Awesome, you know we were. I 600 00:31:41,200 --> 00:31:43,440 Speaker 1: love to hear those stories because Garth had called and said, hey, 601 00:31:43,480 --> 00:31:46,520 Speaker 1: come open up. I played razorback stadiums like seventy five people. 602 00:31:46,520 --> 00:31:48,280 Speaker 1: He said, come open up. Um, we'd love to have 603 00:31:48,320 --> 00:31:50,680 Speaker 1: you performed before I come on, he said to me. 604 00:31:50,720 --> 00:31:53,600 Speaker 1: And I was like, okay, that's a little weird about it, 605 00:31:53,640 --> 00:31:55,640 Speaker 1: but I said, okay, we'd love to because I'm in 606 00:31:55,640 --> 00:31:57,960 Speaker 1: a comedy music group and we played big shows, but 607 00:31:58,000 --> 00:32:00,280 Speaker 1: not like that where it's also maybe I don't know 608 00:32:00,280 --> 00:32:01,960 Speaker 1: who we are. People come to a theater and watch this, 609 00:32:02,040 --> 00:32:04,760 Speaker 1: but seventy people who don't know what's going on. They're 610 00:32:04,800 --> 00:32:07,880 Speaker 1: like these guys like the Weirdo Wiggles or something. You know. 611 00:32:08,080 --> 00:32:09,840 Speaker 1: That's what we thought. The guards like, you gotta come 612 00:32:09,880 --> 00:32:11,800 Speaker 1: to us. So we go and we show up and 613 00:32:11,840 --> 00:32:14,200 Speaker 1: Garth is there at sound check and it's like, hey man, 614 00:32:14,560 --> 00:32:15,840 Speaker 1: I'm gonna talk to you for a second. And I 615 00:32:15,880 --> 00:32:17,400 Speaker 1: was like, what's up? And he said, you can have 616 00:32:17,440 --> 00:32:20,160 Speaker 1: the whole stage. It's a whole round, and most headliners 617 00:32:20,200 --> 00:32:22,320 Speaker 1: don't allow the opener to have the whole stage, especially 618 00:32:22,320 --> 00:32:24,560 Speaker 1: one around. And then he goes, play as long as 619 00:32:24,600 --> 00:32:27,160 Speaker 1: you want, and I was like, wait, you don't want that. 620 00:32:27,440 --> 00:32:29,560 Speaker 1: He goes, how long is you're supposed to play? US 621 00:32:29,560 --> 00:32:32,200 Speaker 1: aid thirty five, he goes fifty sixty, She goes to 622 00:32:32,200 --> 00:32:34,320 Speaker 1: go over sixty. I'm coming out, he goes, she goes, 623 00:32:34,360 --> 00:32:38,800 Speaker 1: I'll stop you. But we only have six songs, so 624 00:32:39,400 --> 00:32:42,840 Speaker 1: just awesome. What about Taylor Taylor Swift? Oh my god, 625 00:32:42,920 --> 00:32:45,240 Speaker 1: remember the first time we've got to see we've got 626 00:32:45,240 --> 00:32:48,760 Speaker 1: the audio is there somewhere. Well, let me just jump 627 00:32:48,800 --> 00:32:51,120 Speaker 1: in here real fast, because we got a phone call 628 00:32:51,240 --> 00:32:53,360 Speaker 1: from our friend. And I don't think it was Scott 629 00:32:53,360 --> 00:32:56,160 Speaker 1: Burschetta himself. That's some assistant just with just just a 630 00:32:56,160 --> 00:32:59,120 Speaker 1: few doors down from us. And of course everything I'm 631 00:32:59,200 --> 00:33:03,160 Speaker 1: music grow every your doors are locked for obvious reasons. 632 00:33:03,240 --> 00:33:06,520 Speaker 1: And they said, in a few minutes, your doorbell at 633 00:33:06,560 --> 00:33:11,360 Speaker 1: your studio was going to ring. Just open the door. Yeah, 634 00:33:11,520 --> 00:33:13,320 Speaker 1: So we went down there and opened the door and 635 00:33:13,320 --> 00:33:16,560 Speaker 1: it was this beautiful blonde young lady with a guitar. 636 00:33:17,800 --> 00:33:21,000 Speaker 1: Thinks she was fourteen, and she wandered up and we 637 00:33:21,080 --> 00:33:23,200 Speaker 1: let her in. Yeah, she wandered up in the studio 638 00:33:23,560 --> 00:33:27,520 Speaker 1: based on that phone call, okay, and just as sweet 639 00:33:27,560 --> 00:33:30,560 Speaker 1: as she can be. And we we said, we talked 640 00:33:30,560 --> 00:33:32,640 Speaker 1: about her being in high school at this point writing 641 00:33:32,680 --> 00:33:35,640 Speaker 1: some songs, and she said, I've just written a couple 642 00:33:35,640 --> 00:33:39,320 Speaker 1: of songs. I'd love to play him for you. Sure, 643 00:33:39,960 --> 00:33:41,880 Speaker 1: So she reached it down and brings up her guitar 644 00:33:42,080 --> 00:33:44,600 Speaker 1: and fires up what became I guess her first two 645 00:33:44,680 --> 00:33:49,520 Speaker 1: number ones tim and tear drops on my rush on 646 00:33:49,600 --> 00:33:52,640 Speaker 1: my guitar. She performed both right there, just because she's 647 00:33:52,640 --> 00:33:55,200 Speaker 1: in tears. I was sitting there crying this girl, fourteen 648 00:33:55,240 --> 00:33:57,160 Speaker 1: year old girl I had just met, because what she 649 00:33:57,240 --> 00:34:00,160 Speaker 1: was thinking about reminded me of being in June. You're 650 00:34:00,240 --> 00:34:03,240 Speaker 1: high and having a first love or whatever. She had 651 00:34:03,280 --> 00:34:05,880 Speaker 1: me in tears the first time we met. Pretty cool. 652 00:34:06,160 --> 00:34:08,040 Speaker 1: That's yeah, that's an awesome story to have, and that 653 00:34:08,160 --> 00:34:10,200 Speaker 1: you let her in. I don't think I'm letting anybody 654 00:34:10,200 --> 00:34:12,360 Speaker 1: in a musical knocking on the door, even if somebody 655 00:34:12,360 --> 00:34:16,160 Speaker 1: says let him in. I'm like, I mean, well, listen, 656 00:34:16,239 --> 00:34:18,799 Speaker 1: that was gosh, I mean years ago, was that? I 657 00:34:18,840 --> 00:34:21,000 Speaker 1: mean things have changed a little bit more since then, 658 00:34:21,080 --> 00:34:24,239 Speaker 1: but uh yeah, we that was based on people that 659 00:34:24,320 --> 00:34:28,880 Speaker 1: we know and work with, business knowledge. Why not lorian 660 00:34:29,000 --> 00:34:32,920 Speaker 1: and Charlie? Is that a crooking chase? Like? What was 661 00:34:33,080 --> 00:34:39,120 Speaker 1: that conversation? I don't think we ever considered Lorianne and 662 00:34:40,600 --> 00:34:42,360 Speaker 1: Ring to it. It does the literations good. You just 663 00:34:42,360 --> 00:34:44,279 Speaker 1: don't know who's who. Just by the last names. I'd 664 00:34:44,280 --> 00:34:46,600 Speaker 1: be like, which one I know because I know you too, 665 00:34:46,880 --> 00:34:48,799 Speaker 1: But if I just were hearing you on the radio, 666 00:34:49,160 --> 00:34:52,480 Speaker 1: Crooked and Chase, they both could be either. Yeah. Well, 667 00:34:52,520 --> 00:34:55,839 Speaker 1: And the reason it isn't Chasing Crook it's because think 668 00:34:55,880 --> 00:34:57,760 Speaker 1: about it, if you say it fast enough, chasing Crook, 669 00:34:57,840 --> 00:35:02,560 Speaker 1: it sounds like a cop show, something chasing like chasing. Yeah. 670 00:35:02,640 --> 00:35:04,600 Speaker 1: So it was Crook and Chase and uh, and I 671 00:35:04,640 --> 00:35:06,719 Speaker 1: don't know what were we compying some other show that 672 00:35:06,840 --> 00:35:09,560 Speaker 1: had last names at that time, or maybe we were 673 00:35:09,560 --> 00:35:15,000 Speaker 1: trying to be different, would be different Crook and Chase. 674 00:35:15,400 --> 00:35:18,520 Speaker 1: I saw you got another cm A nomination. Yes, thank you, 675 00:35:18,680 --> 00:35:23,239 Speaker 1: even forty years later. And likewise, sir, oh listen, I 676 00:35:23,280 --> 00:35:24,560 Speaker 1: don't get to do what I do if you guys 677 00:35:24,600 --> 00:35:26,440 Speaker 1: don't do what you do for many, many years. So 678 00:35:26,520 --> 00:35:28,880 Speaker 1: it's like, I know that I get to be on 679 00:35:28,920 --> 00:35:31,680 Speaker 1: the shoulders of the grades, but it's you know, Tim 680 00:35:31,760 --> 00:35:35,200 Speaker 1: McGraw as an example, or Kenney, Chesney, even Garth to 681 00:35:35,280 --> 00:35:37,000 Speaker 1: be able to do something at a high level for 682 00:35:37,040 --> 00:35:39,319 Speaker 1: so long, because this is not the c m as 683 00:35:39,360 --> 00:35:41,040 Speaker 1: of people who used to be awesome. This is the 684 00:35:41,040 --> 00:35:43,319 Speaker 1: people who are awesome right now. And you're nominated, You're 685 00:35:43,360 --> 00:35:46,279 Speaker 1: you're nominated again. Now I would just think that it's 686 00:35:46,320 --> 00:35:50,200 Speaker 1: like still so cool to everything when it comes out, 687 00:35:50,239 --> 00:35:52,279 Speaker 1: you're just there again. Well can I tell you why 688 00:35:52,280 --> 00:35:55,280 Speaker 1: it's so cool? And you're just gonna think that we 689 00:35:55,640 --> 00:36:01,160 Speaker 1: are such idiots? For how long, Charlie did we not 690 00:36:02,200 --> 00:36:06,120 Speaker 1: submit to be considered for broadcast awards because we didn't 691 00:36:06,160 --> 00:36:09,719 Speaker 1: know you were supposed to. We just thought there's this 692 00:36:09,840 --> 00:36:13,440 Speaker 1: you know, large body, how many six seven six, I 693 00:36:13,440 --> 00:36:16,319 Speaker 1: guess thousand people in the c m A And we 694 00:36:16,440 --> 00:36:18,600 Speaker 1: just thought that they all voted and just maybe they 695 00:36:18,640 --> 00:36:21,480 Speaker 1: didn't think we were very good, and we were probably 696 00:36:22,120 --> 00:36:25,600 Speaker 1: like how many, like ten years into our radio career 697 00:36:25,880 --> 00:36:28,560 Speaker 1: before somebody said, I guess we went to c m 698 00:36:28,600 --> 00:36:30,440 Speaker 1: A party or something and somebody said, how can you 699 00:36:30,480 --> 00:36:33,280 Speaker 1: guys never submit? You know, you're great on the radio, 700 00:36:34,000 --> 00:36:37,520 Speaker 1: supposed to do that, and we had no agents there 701 00:36:37,520 --> 00:36:41,040 Speaker 1: you go, You would think you guys would have so 702 00:36:41,080 --> 00:36:44,799 Speaker 1: many more. We we did not know that we were 703 00:36:44,840 --> 00:36:47,919 Speaker 1: supposed to do that, and we felt funny. Even now 704 00:36:48,200 --> 00:36:50,880 Speaker 1: we kind of feel funny, and so we try to 705 00:36:50,880 --> 00:36:53,279 Speaker 1: have people that work with us. Well, you write this 706 00:36:53,320 --> 00:36:56,160 Speaker 1: about you know, you tell us what we should submit. 707 00:36:57,160 --> 00:36:59,719 Speaker 1: We can't brag on ourselves. Really, well, I can brag 708 00:36:59,760 --> 00:37:02,560 Speaker 1: on you be doing the whole show. Well you're kind 709 00:37:02,560 --> 00:37:04,440 Speaker 1: to say that, but seriously, if we sit out and 710 00:37:04,800 --> 00:37:08,359 Speaker 1: we'll we'll con confer about this. That's a little bit. 711 00:37:08,880 --> 00:37:10,640 Speaker 1: It's a little bit too self centered, you know, and 712 00:37:10,719 --> 00:37:14,200 Speaker 1: stuff like that. I don't like. Yeah, but Thursdays, darned, Charlie. 713 00:37:14,520 --> 00:37:19,560 Speaker 1: You have to know. Yeah, I tell him. I tell 714 00:37:19,640 --> 00:37:20,799 Speaker 1: him I don't want to see it because it makes 715 00:37:20,840 --> 00:37:22,880 Speaker 1: me uncomfortable. But make it as self centered as possible. 716 00:37:24,239 --> 00:37:25,759 Speaker 1: I don't want to know, but I make it. So. 717 00:37:32,360 --> 00:37:36,560 Speaker 1: I saw that you guys did on that Shania Netflix documentary. 718 00:37:36,680 --> 00:37:38,480 Speaker 1: You know you were in it from back back. I 719 00:37:38,520 --> 00:37:42,440 Speaker 1: don't know how long. Okay, So what was Shania like 720 00:37:42,880 --> 00:37:45,920 Speaker 1: when she came to town? Oh? She was. She was 721 00:37:46,040 --> 00:37:48,800 Speaker 1: a regular on our Music City Tonight show. To begin with, 722 00:37:49,880 --> 00:37:52,040 Speaker 1: I think what was the first single or no, wait 723 00:37:52,120 --> 00:37:54,400 Speaker 1: a minute, wait a minute, wait a minute, even before 724 00:37:54,560 --> 00:37:57,440 Speaker 1: Music City Tonight, because it wasn't she on Mercury and 725 00:37:57,560 --> 00:37:59,640 Speaker 1: she had her first album out and she came on 726 00:37:59,719 --> 00:38:02,520 Speaker 1: our and perform That's what that was. And then in 727 00:38:02,719 --> 00:38:05,719 Speaker 1: between that and all the major hits, she was a 728 00:38:05,760 --> 00:38:07,920 Speaker 1: regular performer on Music City Tonight, where she would do 729 00:38:08,000 --> 00:38:11,120 Speaker 1: cover songs. Okay, she was great, just absolutely gorgeous as 730 00:38:11,160 --> 00:38:15,840 Speaker 1: you could know. Um, and she I recall being in 731 00:38:15,920 --> 00:38:18,239 Speaker 1: the dressing room, you know, and everybody's getting all made 732 00:38:18,320 --> 00:38:20,759 Speaker 1: up and everything for the show, and she's just sitting 733 00:38:20,800 --> 00:38:23,279 Speaker 1: back here in one of those director's chairs, like, hey, hoy, 734 00:38:23,360 --> 00:38:25,040 Speaker 1: y'all doing you know, one of those kind of things. 735 00:38:25,120 --> 00:38:30,439 Speaker 1: This is just a sweetheart. And then suddenly after meeting Mutt, 736 00:38:31,480 --> 00:38:34,719 Speaker 1: things exploded. She became a worldwide phenomenon. Few quick to 737 00:38:34,800 --> 00:38:36,840 Speaker 1: you guys too. Yeah, and I'll tell you what was 738 00:38:36,880 --> 00:38:40,279 Speaker 1: fun where she did her world tour and she was 739 00:38:40,320 --> 00:38:43,560 Speaker 1: a bridge stone arena. And I love telling this story again, 740 00:38:43,680 --> 00:38:49,240 Speaker 1: talk about self. Here it comes. Um, we're probably twelve 741 00:38:49,320 --> 00:38:51,719 Speaker 1: rows in the stage, you know. Should I had set 742 00:38:51,800 --> 00:38:55,359 Speaker 1: us up with some tickets, okay, business thing. So I'm 743 00:38:55,400 --> 00:38:57,440 Speaker 1: there with the family and all that. We're enjoying the show. 744 00:38:57,480 --> 00:39:02,640 Speaker 1: And she was. She's great, and she looks down in 745 00:39:02,719 --> 00:39:05,520 Speaker 1: the audience and writing a little songs. Just I see you, 746 00:39:05,680 --> 00:39:10,560 Speaker 1: Charlie Chase, And of course in front of me are 747 00:39:10,719 --> 00:39:14,120 Speaker 1: Frank Wycheck of the Tennessee Titans and Aldel Grico and 748 00:39:14,160 --> 00:39:16,440 Speaker 1: they both turned around and said, well, your stock just 749 00:39:16,680 --> 00:39:22,719 Speaker 1: win up. And yeah, I know. Did it get weird 750 00:39:23,640 --> 00:39:28,120 Speaker 1: when her fame became international? Meaning did were you seeing 751 00:39:28,280 --> 00:39:32,040 Speaker 1: international situation where people coming into town? I don't know. 752 00:39:32,320 --> 00:39:34,800 Speaker 1: It just she got so big in so many countries, 753 00:39:35,200 --> 00:39:38,719 Speaker 1: more so than maybe except for Garth, maybe more than Garth. 754 00:39:38,719 --> 00:39:40,080 Speaker 1: I don't know. I just feel like she's been the 755 00:39:40,080 --> 00:39:43,080 Speaker 1: most famous country musicals we've ever had. Oh my gosh. 756 00:39:43,160 --> 00:39:46,399 Speaker 1: I mean she traveled the world, I believe on one 757 00:39:46,600 --> 00:39:50,560 Speaker 1: of her later albums with Mutt, they traveled around the 758 00:39:50,600 --> 00:39:54,480 Speaker 1: world and recorded uh in like in India and I 759 00:39:54,560 --> 00:39:58,919 Speaker 1: don't know, different places, Nepal, I don't know, um, but yeah, 760 00:39:58,920 --> 00:40:01,600 Speaker 1: you know what's so funny prior to meeting Mutt that 761 00:40:01,840 --> 00:40:04,480 Speaker 1: that was just a big turn in her life. And 762 00:40:04,719 --> 00:40:07,360 Speaker 1: she would even tell you that, but she would be 763 00:40:07,480 --> 00:40:11,200 Speaker 1: talking to us backstage, and I thought it was so interesting. 764 00:40:11,760 --> 00:40:13,600 Speaker 1: She goes, I just don't even know if I if 765 00:40:13,640 --> 00:40:17,480 Speaker 1: I fit in this town. You know, there were writing 766 00:40:17,560 --> 00:40:19,520 Speaker 1: appointments and you had to be a certain place at 767 00:40:19,520 --> 00:40:21,600 Speaker 1: a certain time and write with this person and that person. 768 00:40:21,640 --> 00:40:23,920 Speaker 1: And she goes, I'm like, I'm a little loose for this, 769 00:40:24,360 --> 00:40:27,200 Speaker 1: she has to be inspired. I think that's why she 770 00:40:27,320 --> 00:40:31,279 Speaker 1: and Mutt clicked because he allowed her too. And I 771 00:40:31,360 --> 00:40:35,000 Speaker 1: guess what Mutt does. He allows people to be the 772 00:40:35,200 --> 00:40:38,200 Speaker 1: artist that they want to be. But he's so private. 773 00:40:38,320 --> 00:40:42,359 Speaker 1: I remember she disappeared from Music City Tonight for several 774 00:40:42,440 --> 00:40:45,040 Speaker 1: weeks and when she came back, she was married and 775 00:40:45,520 --> 00:40:48,400 Speaker 1: she brought a picture of her wedding but it was 776 00:40:48,520 --> 00:40:51,960 Speaker 1: cut in half. Prophetic maybe, but Mutt wasn't in it. 777 00:40:52,040 --> 00:40:53,720 Speaker 1: I was like, well, wait a minute, where's your husband, 778 00:40:53,800 --> 00:40:56,080 Speaker 1: because I didn't know who Mutt lying was at the time, 779 00:40:56,560 --> 00:40:58,560 Speaker 1: and she goes, oh, well, he's really private and I 780 00:40:58,600 --> 00:41:00,759 Speaker 1: can't show his picture around. But she wanted us to 781 00:41:00,800 --> 00:41:03,000 Speaker 1: see her in her wedding dress on her wedding day. 782 00:41:03,400 --> 00:41:05,759 Speaker 1: But it was I don't think she was with our 783 00:41:05,760 --> 00:41:08,080 Speaker 1: show more than a few months after that because she 784 00:41:08,239 --> 00:41:11,160 Speaker 1: and much just I get one of my pictures, told 785 00:41:11,200 --> 00:41:13,600 Speaker 1: her to insert it right there, and she cut you 786 00:41:13,680 --> 00:41:19,080 Speaker 1: out of it. Yeah, an individual answer from both of you, 787 00:41:19,520 --> 00:41:22,600 Speaker 1: and Lorien, I'll start with you. If I say you 788 00:41:22,680 --> 00:41:24,239 Speaker 1: know you're gonna interview this person, it's gonna be a 789 00:41:24,320 --> 00:41:27,400 Speaker 1: great interview because they just are great on the microphone. 790 00:41:27,400 --> 00:41:31,200 Speaker 1: Who's a great interview? There are so many, but you 791 00:41:31,239 --> 00:41:36,439 Speaker 1: gotta give me one who's bad. I'm not saying it's 792 00:41:36,440 --> 00:41:39,399 Speaker 1: bad because okay, I will tell you mine to give 793 00:41:39,440 --> 00:41:42,680 Speaker 1: you thoughts on this. I know and again, much like you, 794 00:41:42,719 --> 00:41:45,280 Speaker 1: guys have been fortunate enough to forge relationships with certain 795 00:41:45,280 --> 00:41:46,680 Speaker 1: people in this town to some of them happen to 796 00:41:46,680 --> 00:41:51,000 Speaker 1: be artists. And one of my friends is Jake Owen, 797 00:41:51,400 --> 00:41:54,239 Speaker 1: who I know he's going to nail it on air 798 00:41:54,440 --> 00:41:57,760 Speaker 1: because he just has something. He's all. He comes in prepared. 799 00:41:58,280 --> 00:42:00,600 Speaker 1: He will go wherever I take or I'll let him 800 00:42:00,600 --> 00:42:03,120 Speaker 1: take me somewhere. We just have that relationship where I 801 00:42:03,160 --> 00:42:04,440 Speaker 1: know Jake is coming in it's going to be a 802 00:42:04,520 --> 00:42:07,279 Speaker 1: killer interview regardless. So if I were to put that 803 00:42:07,360 --> 00:42:11,640 Speaker 1: on you Lorian classic artist or current does let's go 804 00:42:11,800 --> 00:42:13,960 Speaker 1: classic classic you can do each if you want. We 805 00:42:14,000 --> 00:42:18,000 Speaker 1: can do the categories well okay, okay. Barbara Mandrell flat out, 806 00:42:18,040 --> 00:42:21,320 Speaker 1: we'll tell you the truth about anything. I love that. 807 00:42:21,800 --> 00:42:25,440 Speaker 1: And Reba, she and Reba. Yeah, Reba's awesome. She'll just 808 00:42:25,640 --> 00:42:29,840 Speaker 1: she was always like that. Yeah, because I don't know 809 00:42:29,840 --> 00:42:32,080 Speaker 1: if it's Reban now because she's Reba, because she will 810 00:42:32,120 --> 00:42:34,279 Speaker 1: just say it. I'll take that back. And when I 811 00:42:34,360 --> 00:42:40,239 Speaker 1: first interviewed her in three, I believe it was she 812 00:42:40,520 --> 00:42:45,560 Speaker 1: was still trying to get a feel. Yeah, the field 813 00:42:45,600 --> 00:42:47,680 Speaker 1: of the vine's a little timid at first. I guess 814 00:42:47,719 --> 00:42:51,839 Speaker 1: that's a good word. But boy, now she'll tell you whatever. 815 00:42:52,760 --> 00:42:55,160 Speaker 1: You love it, Yes, I love it. She'd be up 816 00:42:55,200 --> 00:42:57,440 Speaker 1: there too, as far as I just don't get to 817 00:42:57,600 --> 00:43:01,080 Speaker 1: interview her as much anymore. Um, because she's rebound. She 818 00:43:01,080 --> 00:43:04,040 Speaker 1: does whatever she wants. And but okay, so we're gonna 819 00:43:04,080 --> 00:43:06,799 Speaker 1: do Barbara Mandreau and then who would be current? Current are? 820 00:43:07,160 --> 00:43:09,439 Speaker 1: Oh god, Charlie. Who do we break into giggles about 821 00:43:11,440 --> 00:43:15,640 Speaker 1: so many? I will tell you, brothers Osborne, brothers Osborne. 822 00:43:15,840 --> 00:43:19,560 Speaker 1: For whatever reason, we just start off the rails and 823 00:43:19,640 --> 00:43:21,719 Speaker 1: we never get back on, and we just laugh a lot. 824 00:43:22,640 --> 00:43:25,640 Speaker 1: I love that. Good guys, good guys. Al Dean is funny. 825 00:43:27,719 --> 00:43:31,520 Speaker 1: Al Deane is a man. Well, it's because Charlie and 826 00:43:31,640 --> 00:43:35,600 Speaker 1: al Dean are naughty little boys, and when they get together, 827 00:43:35,840 --> 00:43:38,839 Speaker 1: I cannot, I can't keep it together on the show. Well, 828 00:43:38,840 --> 00:43:40,759 Speaker 1: we start out and giving him some crap to begin with, 829 00:43:41,200 --> 00:43:45,320 Speaker 1: and then it slowly just talking about tongue toilet, seats 830 00:43:45,440 --> 00:43:49,120 Speaker 1: and then you you're rolling sound toilets were not not 831 00:43:49,200 --> 00:43:52,279 Speaker 1: exactly that. But I'll tell you I like Trisia your wood. 832 00:43:52,640 --> 00:43:53,759 Speaker 1: She goes back to what you were saying in a 833 00:43:53,800 --> 00:43:56,480 Speaker 1: moment ago. You bring it, just throw it out there. 834 00:43:56,760 --> 00:43:58,600 Speaker 1: She'll go with you wherever you want to go. She's 835 00:43:58,760 --> 00:44:02,120 Speaker 1: so funny. And Justin Moore, I just did an interview 836 00:44:02,200 --> 00:44:04,919 Speaker 1: with him. He's on his mind, he's out of his mind. 837 00:44:05,719 --> 00:44:10,480 Speaker 1: You know, he's another Arkansas boy. So you just tell 838 00:44:10,520 --> 00:44:12,879 Speaker 1: me the other day, uh, you know, we're a woman 839 00:44:12,920 --> 00:44:14,600 Speaker 1: your love of course a big hit song and all that, 840 00:44:15,440 --> 00:44:17,360 Speaker 1: and he's talking about I said, well, what have you 841 00:44:17,440 --> 00:44:19,640 Speaker 1: had to do? What consessions have you had to make? 842 00:44:19,719 --> 00:44:24,439 Speaker 1: You will I've learned? He said, you know, I don't 843 00:44:24,480 --> 00:44:29,120 Speaker 1: like cats. And she brought home a damn cat and 844 00:44:29,560 --> 00:44:33,160 Speaker 1: I love that cat. It sleeps into bed. The cat 845 00:44:33,280 --> 00:44:36,880 Speaker 1: sleeps in the bed with me. And he just just 846 00:44:37,000 --> 00:44:39,520 Speaker 1: turned and walked away. And he's a good guy. So 847 00:44:39,719 --> 00:44:42,400 Speaker 1: you guys were inducted into the Country's a Call of 848 00:44:42,480 --> 00:44:46,719 Speaker 1: Fame radio. Yeah, that's awesome. So when you get that call, 849 00:44:47,239 --> 00:44:51,919 Speaker 1: how long was that? Okay? So that's I mean, that's 850 00:44:52,400 --> 00:44:53,960 Speaker 1: you just have I didn't know which acclam bounce with 851 00:44:54,000 --> 00:44:55,400 Speaker 1: you guys, I don't know which act like to focus on, 852 00:44:55,760 --> 00:44:57,440 Speaker 1: But I just like to talk to you guys, but 853 00:44:57,600 --> 00:45:00,359 Speaker 1: also want to share with our younger because we get 854 00:45:00,400 --> 00:45:02,520 Speaker 1: about a million people in the episode listen to this thing, 855 00:45:02,760 --> 00:45:06,160 Speaker 1: and so maybe some of our younger audience they're only 856 00:45:06,200 --> 00:45:09,880 Speaker 1: listening to stuff like streaming music and podcasts, and so 857 00:45:10,040 --> 00:45:11,320 Speaker 1: I was like, I want to really focus on a 858 00:45:11,360 --> 00:45:13,840 Speaker 1: couple of the but there's so many I didn't know 859 00:45:13,920 --> 00:45:16,879 Speaker 1: what to focus on. So we've spent some of this time. 860 00:45:17,040 --> 00:45:18,680 Speaker 1: We could do a whole podcast on just all the 861 00:45:18,760 --> 00:45:21,320 Speaker 1: cool things you guys have done. And that's one of 862 00:45:21,360 --> 00:45:23,640 Speaker 1: them in the country music the Country Radio Hall of Fame. 863 00:45:23,920 --> 00:45:26,400 Speaker 1: And so when you who calls and tells you that 864 00:45:26,680 --> 00:45:31,600 Speaker 1: or what's that? Yeah? Well Bill called me yeah, and 865 00:45:31,760 --> 00:45:34,200 Speaker 1: he basically I was at my desk and I picked 866 00:45:34,280 --> 00:45:38,080 Speaker 1: up the phone and uh, Bill Main and uh. He 867 00:45:38,280 --> 00:45:40,080 Speaker 1: asked me what I was doing on a certain date. 868 00:45:40,480 --> 00:45:43,040 Speaker 1: And usually that means people want you to come and 869 00:45:43,160 --> 00:45:46,640 Speaker 1: present or be on the board or whatever. And so 870 00:45:46,680 --> 00:45:48,759 Speaker 1: I was a little cautious because I don't want to 871 00:45:48,960 --> 00:45:51,400 Speaker 1: immediately commit to something that I don't know about him 872 00:45:51,440 --> 00:45:53,839 Speaker 1: my crazy schedule, and so I was kind of like, well, 873 00:45:54,440 --> 00:45:58,239 Speaker 1: what's the day. What are we talking about? And he says, 874 00:45:58,320 --> 00:46:01,880 Speaker 1: because you are going to be inducted into the Country 875 00:46:02,000 --> 00:46:03,759 Speaker 1: Radio Hall of Fame. And I swear to you I'm 876 00:46:03,760 --> 00:46:10,200 Speaker 1: gonna back up all he heard over there. I swear 877 00:46:10,280 --> 00:46:14,000 Speaker 1: I screamed that loud for about five minutes. I watched 878 00:46:14,040 --> 00:46:17,400 Speaker 1: a horror movie last night. It sounded just like uh 879 00:46:18,040 --> 00:46:21,360 Speaker 1: oh No. Bill called me as well, and he just said, uh, 880 00:46:21,800 --> 00:46:24,120 Speaker 1: you know he I knew who he was. I didn't 881 00:46:24,120 --> 00:46:25,760 Speaker 1: know why he was calling, though, because he's the country 882 00:46:25,840 --> 00:46:29,160 Speaker 1: radio broadcaster at CRB, and I figured, hey, wants us 883 00:46:29,160 --> 00:46:30,560 Speaker 1: to do something. He said, well, you're going down the 884 00:46:30,600 --> 00:46:35,040 Speaker 1: Hall of Fame. I said, are you sure? Yeah? Yeah, yeah, 885 00:46:35,280 --> 00:46:39,279 Speaker 1: And I was very pleased to hear that. Charlie, Well, 886 00:46:39,320 --> 00:46:40,600 Speaker 1: I'm not going to do what you did, but I 887 00:46:40,640 --> 00:46:45,600 Speaker 1: did something similar. I got, I got off the phone 888 00:46:45,600 --> 00:46:50,320 Speaker 1: and did okay, And no one. I don't think anyone 889 00:46:50,560 --> 00:46:52,759 Speaker 1: is more deserving than you, guys, but allow me to 890 00:46:52,800 --> 00:46:54,879 Speaker 1: be slightly offended that you weren't in years your years 891 00:46:54,920 --> 00:46:57,320 Speaker 1: earlier than that. I'm gonna be honest with you because 892 00:46:57,360 --> 00:46:59,880 Speaker 1: we don't see but that's about we hit on before. 893 00:47:00,320 --> 00:47:03,600 Speaker 1: We are so crazy. We are just so focused on 894 00:47:03,840 --> 00:47:06,920 Speaker 1: the next show and doing the next thing. We we 895 00:47:07,080 --> 00:47:10,800 Speaker 1: don't sit around and and and I guess we should, 896 00:47:11,480 --> 00:47:15,160 Speaker 1: but we don't figure out what award we want or um. 897 00:47:16,160 --> 00:47:20,719 Speaker 1: I don't even know how you get voted on are 898 00:47:20,800 --> 00:47:23,360 Speaker 1: nominated for these things. So I think maybe that's just 899 00:47:23,440 --> 00:47:26,360 Speaker 1: one of our weaknesses as as people in the business, 900 00:47:26,920 --> 00:47:29,720 Speaker 1: is that we we just have to get more self 901 00:47:29,840 --> 00:47:33,720 Speaker 1: promotion oriented some more people know about Probably our focus 902 00:47:33,800 --> 00:47:42,080 Speaker 1: has always been on day to day. On eBay, right now, 903 00:47:42,160 --> 00:47:46,040 Speaker 1: you can get a Crook and Chase Country Gold trading 904 00:47:46,120 --> 00:47:51,759 Speaker 1: card autographed. No, how much do you think that card 905 00:47:51,800 --> 00:47:55,120 Speaker 1: goes for cents? Well, you'll be shot? Could you've been 906 00:47:55,160 --> 00:47:57,359 Speaker 1: making three dollars and ten cents if one of those 907 00:47:57,760 --> 00:48:00,120 Speaker 1: non autographed? Though? If your autograph at least three d 908 00:48:00,560 --> 00:48:03,719 Speaker 1: is there a make an offer on there? Um by 909 00:48:03,760 --> 00:48:06,719 Speaker 1: it now? Yeah, we will sell it to you for 910 00:48:06,800 --> 00:48:09,200 Speaker 1: two dollars. Okay, you know what you got it. So 911 00:48:09,560 --> 00:48:11,319 Speaker 1: but Charlie, you know you have the go tee now 912 00:48:11,560 --> 00:48:15,160 Speaker 1: kind of the beard into the gotee just the must 913 00:48:15,480 --> 00:48:17,360 Speaker 1: When did when did you make the decision to go 914 00:48:17,480 --> 00:48:20,200 Speaker 1: from the single Mustache two more five years ago. I 915 00:48:20,280 --> 00:48:23,239 Speaker 1: have no idea why. I do recall when I first 916 00:48:23,239 --> 00:48:26,400 Speaker 1: started growing this beard and Charlie Daniels was coming by. 917 00:48:26,480 --> 00:48:29,000 Speaker 1: The late Charlie Daniels was coming by a studio and 918 00:48:29,120 --> 00:48:31,680 Speaker 1: he walked and he looked at me, said, I've been 919 00:48:31,719 --> 00:48:33,719 Speaker 1: growing up. I guess about a month. He said, are 920 00:48:33,760 --> 00:48:37,160 Speaker 1: you growing a beard? Yeah? He said, it's going to 921 00:48:37,239 --> 00:48:45,640 Speaker 1: be what going by. I became popular. Thomas grew a beard. Yeah, 922 00:48:45,640 --> 00:48:47,960 Speaker 1: And then everybody started growing a beard during the pandemic 923 00:48:48,360 --> 00:48:50,600 Speaker 1: and I kept it. So I started, this is a 924 00:48:50,719 --> 00:48:55,280 Speaker 1: pre pandemic beard. But yeah, I thought I'd tried, who's 925 00:48:55,280 --> 00:49:00,920 Speaker 1: your favorite artist of all time? Led Zeppelin? Mm hmmm. 926 00:49:03,120 --> 00:49:05,640 Speaker 1: I'm just I'm going to base this on just experience 927 00:49:05,719 --> 00:49:07,759 Speaker 1: and go into the shows and my youth and everything else. 928 00:49:07,800 --> 00:49:10,440 Speaker 1: The Rolling Stones, I know, tolet SA you could get 929 00:49:11,480 --> 00:49:16,759 Speaker 1: I know I do. I do have the shirt autographed 930 00:49:16,760 --> 00:49:19,360 Speaker 1: by Mick Jaggers. Thank you very much. Yes. As a 931 00:49:19,400 --> 00:49:21,200 Speaker 1: matter of fact, we saw the Stones. Karen and I 932 00:49:21,280 --> 00:49:23,080 Speaker 1: and my wife Karen and I saw the Rolling Stones 933 00:49:23,160 --> 00:49:29,440 Speaker 1: in Knoxville in nineteen seventy two, and there was the 934 00:49:29,480 --> 00:49:32,600 Speaker 1: tumbling dice to her, I guess it was yeah, and 935 00:49:36,520 --> 00:49:39,920 Speaker 1: we looked up and we didn't know this. It wasn't advertised. 936 00:49:40,600 --> 00:49:44,000 Speaker 1: But here comes the opening act. It was Stevie Wonder. 937 00:49:45,320 --> 00:49:48,560 Speaker 1: So here's Stevie Wonder coming on with the Sweet Inspirations 938 00:49:48,600 --> 00:49:51,000 Speaker 1: his backup group. One of the Sweet Inspirations was his 939 00:49:51,360 --> 00:49:53,160 Speaker 1: sister was in the group and they were doing a 940 00:49:53,239 --> 00:49:56,200 Speaker 1: condoline that's how they got him from one place to another, 941 00:49:56,719 --> 00:50:00,200 Speaker 1: you know, on stage. And then the Stones came out 942 00:50:00,840 --> 00:50:03,040 Speaker 1: and that was when they were comparing the loudness of 943 00:50:03,160 --> 00:50:05,600 Speaker 1: Rolling Stone concert to standing behind a jet engine. That 944 00:50:05,719 --> 00:50:09,320 Speaker 1: was a big deal back then. And we saw that 945 00:50:09,600 --> 00:50:12,440 Speaker 1: the tickets were six dollars and fifty cents. You can 946 00:50:12,480 --> 00:50:15,759 Speaker 1: get two trading cards for that price. Make an offer. 947 00:50:17,000 --> 00:50:19,880 Speaker 1: I'm just telling you. Do you want to do you 948 00:50:19,920 --> 00:50:22,880 Speaker 1: want to hear my pathetic led Zeppelin story? I was 949 00:50:23,080 --> 00:50:26,680 Speaker 1: to ask? So, first of all, they were the reason 950 00:50:26,760 --> 00:50:28,799 Speaker 1: that in high school I was grounded for an entire 951 00:50:28,880 --> 00:50:33,160 Speaker 1: summer because they came to Birmingham, Alabama, and my boyfriend 952 00:50:33,200 --> 00:50:35,600 Speaker 1: and I, without telling my parents, we went to see 953 00:50:36,200 --> 00:50:38,080 Speaker 1: at that point and I didn't get home till one 954 00:50:38,160 --> 00:50:39,560 Speaker 1: or two in the morning, so I got grounded. The 955 00:50:39,600 --> 00:50:44,920 Speaker 1: whole summer fast forward to I don't know when did 956 00:50:45,239 --> 00:50:49,040 Speaker 1: Robert Plant start working with Alison Krause. This is how 957 00:50:49,120 --> 00:50:53,120 Speaker 1: much I love Robert Plant. I had the opportunity in 958 00:50:53,200 --> 00:50:56,480 Speaker 1: a little hole way to meet him and shake his 959 00:50:56,560 --> 00:50:59,480 Speaker 1: hand like Charlie did. And I got about as far 960 00:51:00,520 --> 00:51:02,480 Speaker 1: to him as you are to me, Bobby, and I 961 00:51:02,600 --> 00:51:05,040 Speaker 1: turned around and ran out of the building, ran to 962 00:51:05,080 --> 00:51:10,360 Speaker 1: the elevator. I love this man and his artistry and 963 00:51:10,480 --> 00:51:13,280 Speaker 1: his voice so much. I did not have the guts 964 00:51:13,360 --> 00:51:16,800 Speaker 1: to meet him, and I still haven't. I chatted him up. Really, 965 00:51:18,560 --> 00:51:21,279 Speaker 1: what can I go back? I'm going to go back. 966 00:51:21,360 --> 00:51:23,759 Speaker 1: I need to amend my insurgence a little bit. There 967 00:51:23,800 --> 00:51:26,160 Speaker 1: are two number one artists for me. I mentioned the 968 00:51:26,200 --> 00:51:29,719 Speaker 1: Stones and the Beatles. Do you ever see him? Uh? 969 00:51:29,760 --> 00:51:32,319 Speaker 1: I see to him, saw McCartney. I never saw him 970 00:51:32,320 --> 00:51:36,319 Speaker 1: as a group. McCartney and Ringo. I saw Ringo down 971 00:51:36,360 --> 00:51:38,239 Speaker 1: at the Rhyman recently with his all star band. He 972 00:51:38,360 --> 00:51:43,719 Speaker 1: was incredibly good buying hair spray. You know, I don't know. 973 00:51:43,920 --> 00:51:46,040 Speaker 1: This man just turned eighty years old and he was 974 00:51:46,080 --> 00:51:50,040 Speaker 1: all over the place. Yeah he's eighty. Yeah, let me 975 00:51:50,120 --> 00:51:51,880 Speaker 1: ask you. And we're getting close to into this. We 976 00:51:52,000 --> 00:51:53,880 Speaker 1: almost an hour with you, guys. I'm just I'm just 977 00:51:53,880 --> 00:51:57,759 Speaker 1: grateful for your time. Were you worried about going up 978 00:51:57,840 --> 00:52:00,160 Speaker 1: to Robert Plant the whole time or did it just 979 00:52:00,640 --> 00:52:03,760 Speaker 1: hit you like I need to go? Like what because 980 00:52:03,760 --> 00:52:08,000 Speaker 1: you're going up to him? Can you walk me through that? Well? 981 00:52:08,160 --> 00:52:10,360 Speaker 1: The only reason I was going toward him was because 982 00:52:10,440 --> 00:52:13,360 Speaker 1: he and Allison were leaving the studio where they were working, 983 00:52:13,840 --> 00:52:16,360 Speaker 1: and I had Charlie and I had to walk toward 984 00:52:16,440 --> 00:52:18,439 Speaker 1: them and buy them to get to the studio where 985 00:52:18,480 --> 00:52:24,040 Speaker 1: we were working. And I just I don't even know 986 00:52:24,280 --> 00:52:27,560 Speaker 1: what I'm afraid of. I think I would just probably 987 00:52:27,560 --> 00:52:29,759 Speaker 1: act like an idiot or I just start crying. I 988 00:52:30,200 --> 00:52:32,560 Speaker 1: love you. I just didn't want to be an idiot. 989 00:52:33,320 --> 00:52:35,000 Speaker 1: It was part of it that you didn't want him 990 00:52:35,000 --> 00:52:36,480 Speaker 1: to not be nice, so you didn't want to have 991 00:52:36,600 --> 00:52:42,160 Speaker 1: to love him less. Maybe maybe I've made those decisions. Yeah, yeah, 992 00:52:42,200 --> 00:52:45,400 Speaker 1: where it's like, I'm such a big fan, I just 993 00:52:45,480 --> 00:52:49,799 Speaker 1: don't even want to risk not loving your arts. If 994 00:52:49,880 --> 00:52:56,320 Speaker 1: that happens, you could we can use anybody's singer, and 995 00:52:56,360 --> 00:52:58,040 Speaker 1: we use anybody as anyone. Go up to Plant and 996 00:52:58,120 --> 00:53:01,200 Speaker 1: go hold on love and play some wild cherry and 997 00:53:01,239 --> 00:53:04,320 Speaker 1: I'll dance. I'll be your dancer. Let me say to 998 00:53:04,440 --> 00:53:07,480 Speaker 1: you too. I I've been looking forward to this for 999 00:53:07,600 --> 00:53:10,360 Speaker 1: weeks and weeks when I saw pop up on my 1000 00:53:10,520 --> 00:53:13,840 Speaker 1: calendar because I told my god, we have like a 1001 00:53:14,000 --> 00:53:19,320 Speaker 1: dream list of people that we want personally, and you 1002 00:53:19,360 --> 00:53:21,839 Speaker 1: know we could really I mean, people come by, urban 1003 00:53:21,880 --> 00:53:24,719 Speaker 1: cup drives up, comes over, and everybody comes by. But 1004 00:53:24,960 --> 00:53:26,600 Speaker 1: when it was like our dream list, it's people that 1005 00:53:27,120 --> 00:53:29,840 Speaker 1: personally like have mattered to us, I said, man, I 1006 00:53:29,880 --> 00:53:32,680 Speaker 1: would love to get you too, and it popped up. 1007 00:53:32,680 --> 00:53:34,160 Speaker 1: He didn't tell me, he just popped from my calendar 1008 00:53:34,280 --> 00:53:35,840 Speaker 1: and I screenshot it and sent it back and I 1009 00:53:35,880 --> 00:53:38,640 Speaker 1: said him with it with a fist emoji, going, that's awesome. 1010 00:53:38,800 --> 00:53:43,319 Speaker 1: You didn't go. I did not. I did not. I'm disappointed. 1011 00:53:43,440 --> 00:53:45,880 Speaker 1: But when you guys walked in, instead of going up 1012 00:53:45,880 --> 00:53:47,880 Speaker 1: and saying hello, almost ran away, but I kept myself. 1013 00:53:48,239 --> 00:53:50,759 Speaker 1: I sat here and I'm glad I did. And then 1014 00:53:50,800 --> 00:53:56,200 Speaker 1: he went, because you're awesome. The congratulations on not just 1015 00:53:56,360 --> 00:54:01,040 Speaker 1: an excellent career, but the sustain success like they're completely independent. 1016 00:54:01,280 --> 00:54:08,200 Speaker 1: Congratulations on such a noteworthy and even to someone as 1017 00:54:08,239 --> 00:54:10,399 Speaker 1: a fan myself, it has impacted me in many ways. 1018 00:54:10,400 --> 00:54:13,160 Speaker 1: So it just selfishly personally, I say thank you, but 1019 00:54:13,280 --> 00:54:17,600 Speaker 1: also it's like you've sustained it where you're still relevant 1020 00:54:18,040 --> 00:54:23,040 Speaker 1: after forty years together, and that itself is just hopefully 1021 00:54:23,080 --> 00:54:25,680 Speaker 1: to you guys, like a treasure that you're able to 1022 00:54:25,719 --> 00:54:28,040 Speaker 1: stay together and keep doing it. It's a lot of fun. 1023 00:54:28,120 --> 00:54:31,319 Speaker 1: We we consider ourselves family, we're close friends. We've been 1024 00:54:31,360 --> 00:54:34,560 Speaker 1: through a lot together as friends and business partners and things, 1025 00:54:34,640 --> 00:54:37,879 Speaker 1: and it's, uh, it's good and it's by the grace 1026 00:54:37,920 --> 00:54:40,279 Speaker 1: of God. Yeah, let's just say it. You know, it's 1027 00:54:40,280 --> 00:54:42,200 Speaker 1: one of those things you can't plan it, and uh, 1028 00:54:42,400 --> 00:54:44,640 Speaker 1: if it happens this way, it's it's a god thing. 1029 00:54:44,960 --> 00:54:46,840 Speaker 1: And you can follow Charlie on TikTok. You have to 1030 00:54:46,920 --> 00:54:50,000 Speaker 1: just go over and can you imagine you're dancing on 1031 00:54:50,000 --> 00:54:54,319 Speaker 1: the tto. You're gonna buy the car. The car we've 1032 00:54:54,360 --> 00:54:57,799 Speaker 1: seen Bobby boing it to get up. You don't want 1033 00:54:57,800 --> 00:55:00,400 Speaker 1: to see me doing anything. You were good, and you 1034 00:55:00,520 --> 00:55:02,680 Speaker 1: did it with some kind of a large drinking. You've 1035 00:55:02,719 --> 00:55:06,680 Speaker 1: ever danced on this table, now's the time. All the 1036 00:55:06,800 --> 00:55:10,839 Speaker 1: laughter indicates otherwise it is not the time. Big fan 1037 00:55:11,200 --> 00:55:14,480 Speaker 1: always always thank you guys. This is fine. Thank you. 1038 00:55:15,280 --> 00:55:16,000 Speaker 1: That's awesome guy,