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Speaker 1: your nearest y in DC, Maryland or Virginia today, Yo yo, yo,

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Speaker 1: Welcome to another episode of his updat podcast. I am

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Speaker 1: your active and attractive hosts for another episode of the

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Speaker 1: fastest growing podcast. First of all, I want to say

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Speaker 1: thank you for being here. Welcome to another episode. We

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Speaker 1: are grateful to be in a position we are in.

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Speaker 1: Let's let's get into the show, get the business out

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Speaker 1: the way. If you're listening to the audio EVENTU at

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Speaker 1: his podcast and you want to show your support, you

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Speaker 1: head to patreon dot com. It's updat podcast. That's the

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Speaker 1: only place to video will be at moving forward. We're

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Speaker 1: behind a paywall with this so we can deal with

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Speaker 1: the people that want to deal with us. We don't

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Speaker 1: like to really play. You can find clips on the

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Speaker 1: fojilfo tv will live there. We want to say salute

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Speaker 1: to all the listeners all around the world as our

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Speaker 1: listenership is growing. We got a lot to talk about today.

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Speaker 1: I want to get right into it. Today. We're gonna

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Speaker 1: talk about Boost and Tim they're back and forth, and

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Speaker 1: my thinking and how I feel. We're gonna talk about

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Speaker 1: Master p Treier, Jess Hilarious, that whole thing, and artists

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Speaker 1: and executive relationship and business acumen, longevity in the game,

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Speaker 1: and all these different things. So we got so many

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Speaker 1: things to talk about, right, I want to be clear

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Speaker 1: on that. Right, So first we're gonna talk about little

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Speaker 1: Boost and Tia. For those of you that don't know,

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Speaker 1: a clip surface of TI talking about an alleged snitching.

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Speaker 1: Let's take a look at that video. Did not I

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Speaker 1: have not ever told any kind of information to any

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Speaker 1: form of law enforcement that can get any man, woman,

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Speaker 1: or child, whether innocent or guilty, criminal or citizen, that

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Speaker 1: could get them any time for any crime. Say look,

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Speaker 1: if it's like, sir, did you see such and such

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Speaker 1: a such do such and such a sense? Oh wait

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Speaker 1: a minute, only time, the only time? All right? So

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Speaker 1: me and my cousin too, God rises. So we had

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Speaker 1: a little hustle we were running. He had like freight

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Speaker 1: trains and truck loads or Banana Republic and Jay crew,

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Speaker 1: like white folks like you know, office clothed. And so

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Speaker 1: before we actually get on the spread away to real

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Speaker 1: police for us overay, pull us over. I have a gun.

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Speaker 1: So why are we going through the court proceed Unfortunately,

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Speaker 1: my cousin two passed away m P Two so we

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Speaker 1: called those gun cases to that, and you know, my

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Speaker 1: lawyer said, well, you know I could make everything go

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Speaker 1: away if it was too if it was your mails.

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Speaker 1: And I had to talk with two and what to

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Speaker 1: said host humously, Yeah, yeah, yeah. After he had passed,

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Speaker 1: After he had passed, I had a talk with him,

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Speaker 1: what to say, say, I take all the charges you

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Speaker 1: got if you can walk away free and put it

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Speaker 1: on me. God damn right, because I'd be damned if

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Speaker 1: they gonna come to motherfucking extradite me from here. Look

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Speaker 1: it come getting me from here and serve me war.

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Speaker 1: They doing damn good. So that old boys giving you

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Speaker 1: shit about because you put it on now here. Now okay, Now,

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Speaker 1: no nobody even know about that. I just volunteered this.

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Speaker 1: I'm that the only time I'd never said it gained

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Speaker 1: no information in about because that's my cousin, my big cousin.

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Speaker 1: He was dead and he told me that it was okay.

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Speaker 1: This clip resurfaced of TI from an old podcast. It

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Speaker 1: made his social media rounds, and as I viewed the clip,

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Speaker 1: I said, he put himself in a very interesting situation.

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Speaker 1: I know what it's like though. See when you do podcasts,

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Speaker 1: all the time. That's why I try to tell people

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Speaker 1: it ain't just easy as people make it. Look when

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Speaker 1: somebody's good at it, or this work involved in it,

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Speaker 1: or we just natural with the conversation thing. Get t

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Speaker 1: I was hustling good with podcasts. He was hustling good

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Speaker 1: right far as numbers. He had numbers, he had people coming, guests,

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Speaker 1: and he's able to sustain a conversation. But the thing

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Speaker 1: is you start over reaching at some point. See these cameras.

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Speaker 1: Once you start doing this forty weeks in a row,

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Speaker 1: Noddy's camera started to be so normal. You're just having

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Speaker 1: a conversation, not even thinking this. And I think he

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Speaker 1: was embellishing. When you pay attention to that clip, you

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Speaker 1: see a lot of pauses. You see him damn it,

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Speaker 1: creating this as he's going. And he bagged himself into

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Speaker 1: a weird corner. And so Tip never came out and

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Speaker 1: defended Here's the thing, just like with me speaking about

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Speaker 1: Joe and Nory, when a certain voice comes out and

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Speaker 1: speak about something, now you'd be like, I gotta defend that.

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Speaker 1: So after this came out and sold me, it went

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Speaker 1: to all the blogs, Tip didn't say nothing. But now

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Speaker 1: you insert Charleston White and you change this in my opinion,

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Speaker 1: and we're gonna get to my narrative about that. So

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Speaker 1: now Boosey goes to where he does is his biggest

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Speaker 1: views that over with Blad, and the first thing he

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Speaker 1: does he speaks about the TI thing. Blad brings it up.

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Speaker 1: Let's take a look at that. Some interviews back, I

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Speaker 1: brought up Terrence gangster Williams. Yeah, and we talked about

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Speaker 1: how he cooperated on some of his friends. How you

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Speaker 1: think how you think Blad stop making that law. You

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Speaker 1: don't know if he did that to get out of jail. Okay,

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Speaker 1: fair enough, we don't know that. Gooey, have you saw paperwork?

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Speaker 1: I've seen some paperwork. I haven't seen paperwork. How do

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Speaker 1: you know that there's been a lot of paper that's

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Speaker 1: been floating around? How do you know that? Okay? Well, look, okay,

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Speaker 1: so well, regardless of what happened exactly, I brought up

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Speaker 1: the situation to you a few interviews ago, and I said, look,

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Speaker 1: Terrence Williams cooperated on some of his dead friends, on

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Speaker 1: some murders, and that in turn allowed him to get

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Speaker 1: out earlier. Oh and I also give him some murders oh,

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Speaker 1: you know that shit leave with and it hurt me.

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Speaker 1: They hear that the cast that came out with your

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Speaker 1: Man TI last interview, there's a podcast that came out

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Speaker 1: with your Man TI. Yeah, and he talked about a

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Speaker 1: somewhat similar situation. He said that him and his cousin

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Speaker 1: ended up catching a guncase. His cousin died, and he

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Speaker 1: cooperated against his dead cousin and made that guncase go away.

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Speaker 1: So all through the comments when that came out was Hey,

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Speaker 1: for the life of me, I really don't I understand

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Speaker 1: from a podcast perspective, But everything you've built up, you know,

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Speaker 1: the only thing that can tell that down is these

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Speaker 1: kind of allegations. Certain things can tell that down within

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Speaker 1: the blink of a nine. Everything that y'all need to

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Speaker 1: be standing on right, And so to play with that

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Speaker 1: and flirt with that was it's just a weird place. Man.

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Speaker 1: Let's pay attention. Terrence. How does he feel about the

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Speaker 1: situation with Ti? Well, I feel like the situation with Terrence,

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Speaker 1: I don't even know if that's that's true, because I

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Speaker 1: got people won't come into Blad TV and talk to

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Speaker 1: you about ten okay, But so I don't know if

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Speaker 1: that's true with the TI situation. If he did that,

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Speaker 1: you're a fucking rat too. I don't spare no motherfucking

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Speaker 1: bout it. Because if you if you, if you're doing

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Speaker 1: anything wrong, you're doing anything criminal? Why and you cooperate

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Speaker 1: with law enforcement to get you out of trouble, that

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Speaker 1: means you're covering. That means you're a rat. But I'm

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Speaker 1: gonna tell you like this, when I saw that, I

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Speaker 1: think TI fucking line. I think he went up there

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Speaker 1: and just got the fucking talking. You think something happened

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Speaker 1: at seventeen year eighteen years old? Right, You're gonna hold

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Speaker 1: I bunker he is. I've been around this. You're gonna

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Speaker 1: hold that in all them damn time, all this damn time,

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Speaker 1: for twenty something years. You're gonna hold that in. And

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Speaker 1: it finally came out? Why Why admitted? Why admit to that? After? Like? Bro, Bro,

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Speaker 1: this is what I'm saying. That's what I'm saying. This

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Speaker 1: is what I'm saying. So I don't know till but

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Speaker 1: if I just look at what Boost is saying, it

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Speaker 1: basically sound like he's saying home he really be talking

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Speaker 1: too much to hole let for that long. Like I know, him,

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Speaker 1: he really be yapping, like you know, so you get

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Speaker 1: paid for yapping too. Now all podcasts, that's what that's

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Speaker 1: what this is. So you get a glimpse as to

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Speaker 1: what boost it. Think Like, man, look, I come to

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Speaker 1: the conclusion dude lying because I know him, and he'd

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Speaker 1: be talking all these interviews. He'n't done all these podcasts.

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Speaker 1: He'd undone. He ain't never said nothing about this. He

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Speaker 1: was just reaching that day. But if he did cooperate

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Speaker 1: here rad and so I know at some point Tip

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Speaker 1: is gonna get upset because that's his homeboy and should

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Speaker 1: have reached out Tom's paperwork and all listen that. But damn,

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Speaker 1: are using your words against you though it ain't like

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Speaker 1: he come up with nothing from the haters or come

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Speaker 1: from somebody from the outside, and then he could have

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Speaker 1: called you. I agree with that, but he you really

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Speaker 1: can't hold and you say you gay. I got to say, man,

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Speaker 1: you know brot gay and gay now like you said

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Speaker 1: you gay, I ain't trying to experience that with you. Home.

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Speaker 1: I ain't trying to get you to tell on me

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Speaker 1: to say I know firsthand he is snid. Home said

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Speaker 1: out of his mouth though. That's why your tongue is powerful.

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Speaker 1: You don't confuse the people, and you insert Charleston White.

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Speaker 1: Charleston White to me put them guys against the wall,

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Speaker 1: where he was like boosting hard on, gonna say something

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Speaker 1: about all these snitchet but won't say nothing about Ti.

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Speaker 1: And he drove a wedge doing Vlad capitalized on that wedge.

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Speaker 1: Let's pay attention. I'm saying, that's what I'm saying, Tid.

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Speaker 1: He's saying this happening in the early in his career,

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Speaker 1: right like when all listeners going around with the with

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Speaker 1: the with the with the what they said he on

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Speaker 1: the with the guns with the no the video when

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Speaker 1: he was doing it for them, the video man the

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Speaker 1: crime stop was oh yeah yeah, well yeah, like I said,

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Speaker 1: he got busted with a bunch of guns and he

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Speaker 1: ended up getting a deal which involved him doing crimestopper commercials. Bro,

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Speaker 1: I just feel like from me talking environment with this man,

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Speaker 1: I don't feel like he could have held that in

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Speaker 1: fucking all these years. You just wait, basically, just come

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Speaker 1: out and say some sit like that like this ship

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Speaker 1: look and then like I'm like, why the team say that?

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Speaker 1: When we got an album feeling come out Okay, like

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Speaker 1: it was like, br okay, so is that album coming out? No? Oh,

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Speaker 1: so you have a finished album with TI that's not

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Speaker 1: coming out? No, because it ruined everything. Because of that,

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Speaker 1: it ruined everything. I woke up with my motherfucking phone

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Speaker 1: everything full like boostit. You cannot do an album. Boosit.

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Speaker 1: My real fans like boosting you to Lance one left.

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Speaker 1: They're like, you cannot put this album out, Like you know,

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Speaker 1: my uncle og Nick called me like boosting, like go, hey,

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Speaker 1: go what you're gonna Hey, look that album my uncle

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Speaker 1: called me to. That album ain't coming up. Six. There's

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Speaker 1: a lot to unpack pack with this. Here's the trick

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Speaker 1: with Charleston White and these guys. Let me explain it

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Speaker 1: to you. These guys fall into Charleston White trick. Right.

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Speaker 1: What he does he is he antagonized him and he

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Speaker 1: makes them He pushed them in a position where he

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Speaker 1: goes on a somewhat media run with a narrative. Right,

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Speaker 1: So if you ignore me, I'm gonna make your fans

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Speaker 1: bother you, like I'm done talking about it and people

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Speaker 1: still in your comments on it, because I don't want

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Speaker 1: on this media run on all different sides of the

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Speaker 1: country doing interviews on all different sides of the country

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Speaker 1: about Ti and boost It and Hi, Boost ain't said

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Speaker 1: none to Ti, and he supposed to be the last

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Speaker 1: one left. See I go, and I'm creating that all

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Speaker 1: around the country, all these different platforms getting paid to

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Speaker 1: due and no matter what Boost says in response, we

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Speaker 1: come from where you're smart enough to find something out

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Speaker 1: of to pick it. So I know whatever Boosty said,

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Speaker 1: it ain't good enough for Charleston White because he creates

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Speaker 1: his media runs off this, right, And I know Charleston,

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Speaker 1: so I can just peep the game that he's putting down.

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Speaker 1: And so when he has effectively created a narrative about

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Speaker 1: bootsit not standing on business because boost supposed to be

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Speaker 1: so hard on rats and ain't say nothing about Ti Raden.

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Speaker 1: First he was on the crime stop of thing that

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Speaker 1: this video right here, he just doubled and tripled down

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Speaker 1: and went on another media run about right, and so

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Speaker 1: so he effectively drives a wedge in between those two people,

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Speaker 1: and Vlad capitalizes off that and ask the question that

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Speaker 1: again is on the internet floating around. But if you

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Speaker 1: pay attention, see Vlad is a he'd been doing it

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Speaker 1: for a while. Pay attention. How he titled the video.

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Speaker 1: He didn't say Bootsey goes off on TI. He said

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Speaker 1: Bootsey goes off. He put indication that that's the end

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Speaker 1: of that. Then he said speaks on TA. So it

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Speaker 1: may still read like Booshy goes off on TIA, But

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Speaker 1: when it's time to hold him accountable, he can say

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Speaker 1: I never even put Boosey goals off on TI. He's

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Speaker 1: checking his traps. He didn't make it. He's trying to

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Speaker 1: make sure that I'm clear. But I'm still capitalizing on

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Speaker 1: what narratives are setting the questions that these people want

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Speaker 1: be to ask. Bootsey had been on all kind of platforms,

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Speaker 1: could address that. He beholding that kind of gif for Vlad.

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Speaker 1: That's his gay Lad probably pay him good. So it's

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Speaker 1: bitterness like, Hey, I'm gonna come here and talk about that.

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Speaker 1: This is why I do the biggest numbers, that I

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Speaker 1: get the most views. Right, So I'm reserved to this

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Speaker 1: platform to do these kind of things and address these

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Speaker 1: narratives that's attached to my name. But where this gets

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Speaker 1: slippery is again t I ignored shade room posting, academics

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Speaker 1: posting that everybody posting. He ignored it when boost says something.

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Speaker 1: He had to respond because now Boost tapped into a

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Speaker 1: certain kind of person out there, and he called on

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Speaker 1: them a rat. And so now they go to the

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Speaker 1: paperwork thing and said, well, you ain't got paperwork, And

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Speaker 1: then Tip responds with this tweet. He said, yeah, I

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Speaker 1: don't know if it's you or your old g uncle.

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Speaker 1: They need to see it. But I got my paperwork

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Speaker 1: ready to show, pull up my number the same, my

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Speaker 1: address the same. To get on in there and speak

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Speaker 1: on some you never spoke to me about. Is leaving

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Speaker 1: me to believe that you've been hiding that in your

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Speaker 1: heart the whole time. Never speak certain disrespect on your name,

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Speaker 1: reputation bout it. If Homie the convict code say winning

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Speaker 1: Dal pulled the paperwork out, and if you ain't did that,

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Speaker 1: shut up am. Now. I don't know what type of

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Speaker 1: time you want, But I said again, if it was

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Speaker 1: a question of confusion about anything I said, you could

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Speaker 1: have called an ass so you can report back and

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Speaker 1: tell your OG. Or you could have pulled up and

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Speaker 1: checked the black and white like I'm offering now. Either way, though,

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Speaker 1: my I ain't bounding the opinion of me because what

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Speaker 1: they think would never overrule what I know. So I

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Speaker 1: don't want to know mohom and answer if pull up

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Speaker 1: and report back to the rest of these new opinion

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Speaker 1: matter so much to you because I can give a

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Speaker 1: about what don think about me. The tears should never wag.

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Speaker 1: The dog leadership leads with facts and stats. We don't

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Speaker 1: follow no fantasy land ship. Remember that. And I ain't

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Speaker 1: bending my knees for none and fearing none but God,

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Speaker 1: So come and see what you're speaking about. So next

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Speaker 1: time you can speak intelligently. And he tagged boosh, I

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Speaker 1: expected more from you. This ain't solid. Obviously, I thought

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Speaker 1: we wore something we wasn't. I don't think I'm tribbing

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Speaker 1: to Charleston. White got a lot to do with that,

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Speaker 1: because I think Boost could have ignored it if it

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Speaker 1: didn't get loud enough. But Charleston, again, they forced him

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Speaker 1: outside of the algorithm, right. So they forced him to

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Speaker 1: go create algorithm with other people's channels, right, And so

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Speaker 1: they put him in a position where he can literally

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Speaker 1: create a narrative if he starts saying something go on

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Speaker 1: all these little YouTube channels. Maybe Lord his rate twenty

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Speaker 1: five hundred, Lord his rate five thousand or something and

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Speaker 1: get more books and just run with this narrative on

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Speaker 1: all these different platforms and be making good points. That's

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Speaker 1: why I say it's so easy for somebody like one

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Speaker 1: of us that have conversation to just you know, you

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Speaker 1: know what I'm saying. It's just an easy thing if

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Speaker 1: you come from this right here. Boost still hasn't responded.

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Speaker 1: Tr then goes on the podcast to speak about it.

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Speaker 1: How would you feel? How am I post to feel with?

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Speaker 1: I know, don't call me, and then he get online

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Speaker 1: say I'm a rat, but he using my words against me.

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Speaker 1: That's where it gets slippery. It's just like if Tom

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Speaker 1: Brady come out and say I'm retiring and then ESPN

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Speaker 1: start reporting where he retiring. It's like, now he come

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Speaker 1: out and say, y'all, y'all gonna report I'm retiring like

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Speaker 1: that without me filing my retirement. It's like with damn,

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Speaker 1: I we're kind of using what you said, like people

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Speaker 1: you feel what I'm saying. That's where it gets slippery.

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Speaker 1: At you know, I don't think this is need to

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Speaker 1: be no real beef. But when you come out and

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Speaker 1: it seemed like it's going where it shouldn't have went.

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Speaker 1: It seemed like this might be going left. You know

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Speaker 1: what I'm saying, seemed like it might be going left.

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Speaker 1: You know, your reputation is everything. You know, put that

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Speaker 1: mouse next to your name, you know what? You know?

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Speaker 1: Everybody trying to get a mouse out of the house.

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Speaker 1: Everybody trying to get a little mice out of the house.

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Speaker 1: You know what I'm saying, You're trying to get a

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Speaker 1: rent out of the house. Don't nobody want to live

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Speaker 1: with rests? It take a certain kind of individual to

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Speaker 1: want to do that. But t I went on this podcast,

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Speaker 1: So let's take a look at what he said about

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Speaker 1: how he actually felt about Bushy not head him up.

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Speaker 1: Pretty interesting situation, man, You are the handle a kuff

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Speaker 1: a kirkfuffle. Yeah, an entanglement of Instagram drama for sure. Yeah.

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Speaker 1: So you know, for those of y'all who don't know

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Speaker 1: what's going on, mister mister Harris, here was, for lack

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Speaker 1: of better words, called out is the parentheses word? Will you?

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Speaker 1: I ain't think that the one called that. It was

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Speaker 1: question question by Little Busy today and the question is

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Speaker 1: about this man's involvement of telling Yeah cooperation, Uh, she

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Speaker 1: was confusing, becauld he not have a relationship, right, and uh,

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Speaker 1: it's so need to tell like what, somebody had your

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Speaker 1: phone number and your drick and you know they could

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Speaker 1: have called or pulled up and you have like so

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Speaker 1: let me say this. And I didn't want to stop

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Speaker 1: the video for this. But whoever this dude is, I

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Speaker 1: guess it's the rich travel You ain't gotta put the

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Speaker 1: logo on the gay man, it's all they're gonna find

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Speaker 1: the like, bro, this this is like, this is ridiculous.

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Speaker 1: You put the logo on the main on the real

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Speaker 1: video like they'd be reaching for this. Bro, it make

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Speaker 1: good content. This come. I promise you that. Let's listen

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Speaker 1: very very important mutual acquaintances. It just baffle me as

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Speaker 1: to how it ended up. There's more ways to communicate

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Speaker 1: than not communicating. I mean, the public internet route is crazy, right,

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Speaker 1: But that's I guess what prompted you to reach out

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Speaker 1: to me to say, hey, but the video. But I

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Speaker 1: appreciate I appreciate that, you know, and that's kind of

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Speaker 1: what I would have expected from a person I have

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Speaker 1: a real relationship with a phone call, like, hey, bro,

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Speaker 1: I got a question to respect you, did? I mean?

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Speaker 1: So that made it that made it wild you know

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Speaker 1: I did that project coming out together TV shows all

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Speaker 1: coming yeah, I mean thing. Hey, look man Donnan, one

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Speaker 1: of us need the other one in order to get

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Speaker 1: out hand making that shape. You see what I'm saying.

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Speaker 1: So whatever we were doing, it was because we wanted

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Speaker 1: to do it right. Which you know it's not the

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Speaker 1: head of the um. But when you are standing on

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Speaker 1: soft salad, when you're standing on some salad, you got

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Speaker 1: to make sure what you're standing on it actually salad.

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Speaker 1: If you put your reputation or relationship is valuable, own

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Speaker 1: something that you aren't sure of, and you speak on

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Speaker 1: that publicly, but you're standing on a salad, and if

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Speaker 1: it flams it did you are only as strong as

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Speaker 1: this is it You're gonna be here to count if Yeah,

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Speaker 1: And that's why I would confuse it to you. Never

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Speaker 1: said t I didn't do this. If if TI did this,

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Speaker 1: it can't be said. But anyway, so it went from

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00:24:02,040 --> 00:24:06,240
Speaker 1: sounding like someone searching about something 's getting someone unsearchain

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Speaker 1: about something. Then they went to as though, this is

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Speaker 1: certainly what will happen right on the other end of it.

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00:24:13,080 --> 00:24:15,720
Speaker 1: So what he's saying is and I peeped a too,

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00:24:17,640 --> 00:24:21,520
Speaker 1: what he's saying, is is that? Literally four minutes before that,

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Speaker 1: when they was talking about Gangster Terrence, Gangster william said,

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Speaker 1: do you know that? So he wouldn't he wouldn't verify

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Speaker 1: without the paperwork. But then he went alone to say

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Speaker 1: tip heyo, you said it, so so that's what he said.

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Speaker 1: In the same clip, Gangster Williams, you said, don't they

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Speaker 1: don't take him for his word. That ain't really nothing.

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Speaker 1: I won't know Wayne saw the paperwork. And then later

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Speaker 1: on in that same clip, you say, well do he

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Speaker 1: said it? That's all we need. If he did that,

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Speaker 1: that's a rat if he did that. He did say

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Speaker 1: if he did that, and I don't believe that. So

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Speaker 1: you know, it's a weird. It's like a tornado of

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00:24:59,640 --> 00:25:02,040
Speaker 1: ship happening over there. You got Chargedton White in the

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Speaker 1: Gangster Williams TI bullshit blad TV. It's like it's a

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00:25:06,320 --> 00:25:08,960
Speaker 1: missiship going on right there. So you can get loose

424
00:25:09,080 --> 00:25:11,920
Speaker 1: in that. But I don't mind believing or you know,

425
00:25:12,000 --> 00:25:15,760
Speaker 1: I tell y'all, I believe threats. You know, only thing

426
00:25:15,840 --> 00:25:18,600
Speaker 1: I don't believe it's compliments. But if you threadn me

427
00:25:18,840 --> 00:25:21,160
Speaker 1: stuff like that, I believe what you say, oh, man,

428
00:25:21,280 --> 00:25:23,960
Speaker 1: doing them say they with that, or do them say

429
00:25:24,280 --> 00:25:26,840
Speaker 1: they broke or do them say they got it? Whatever

430
00:25:26,960 --> 00:25:29,320
Speaker 1: you say, there's your business. I ain't looking too far

431
00:25:29,480 --> 00:25:31,879
Speaker 1: into it. If it don't affect me, you see what

432
00:25:31,960 --> 00:25:34,200
Speaker 1: I'm saying. So if you're running around saying that it's

433
00:25:34,200 --> 00:25:37,080
Speaker 1: a problem, let's listen to a little more. Then they

434
00:25:37,119 --> 00:25:39,160
Speaker 1: went back to it, but I'm not certain. I don't

435
00:25:39,200 --> 00:25:41,959
Speaker 1: even think that it's and that to me, I couldn't

436
00:25:41,960 --> 00:25:44,639
Speaker 1: follow it. I couldn't make sense of it. Yeah, because

437
00:25:44,760 --> 00:25:48,119
Speaker 1: it's the if he is, you know, has done this.

438
00:25:48,280 --> 00:25:52,040
Speaker 1: If he did, I'm going to do this, But I

439
00:25:52,119 --> 00:25:55,520
Speaker 1: don't think he did. I wouldn't have never put that

440
00:25:55,680 --> 00:25:58,280
Speaker 1: out there like that. Back nobody who I had any

441
00:25:58,359 --> 00:26:00,879
Speaker 1: kind of a relationship without it the phone and say

442
00:26:00,960 --> 00:26:03,960
Speaker 1: hey did you do this? So now so okay, so

443
00:26:04,119 --> 00:26:08,080
Speaker 1: let's let's explain that what he's saying is basically bullshit.

444
00:26:08,160 --> 00:26:11,280
Speaker 1: Went from saying if he did that, then he's a rat.

445
00:26:11,840 --> 00:26:14,840
Speaker 1: But I don't think he'd done that. But the tape

446
00:26:14,880 --> 00:26:17,879
Speaker 1: ain't coming out because he said that, it sounds like

447
00:26:18,080 --> 00:26:20,800
Speaker 1: ta is trying to blur the lines where he trying

448
00:26:20,800 --> 00:26:24,440
Speaker 1: to say that the tape ain't coming out because he

449
00:26:24,600 --> 00:26:26,800
Speaker 1: done that, but it said if he'd done it, Now

450
00:26:26,880 --> 00:26:28,960
Speaker 1: that he's saying the tape ain't coming out because he

451
00:26:29,160 --> 00:26:31,920
Speaker 1: said that. To even say that the tape ain't coming

452
00:26:32,000 --> 00:26:34,600
Speaker 1: out whether you've done that or not, I don't even

453
00:26:34,640 --> 00:26:37,000
Speaker 1: believe you've done it, But because you said it, the

454
00:26:37,160 --> 00:26:39,400
Speaker 1: tape can't come out. That's what I think he's saying.

455
00:26:39,520 --> 00:26:42,080
Speaker 1: Let's listen to a little more too, and in doing

456
00:26:42,119 --> 00:26:44,760
Speaker 1: in actuality, if you guys relationship and dealing in what

457
00:26:44,880 --> 00:26:47,359
Speaker 1: it actually is, would you expect him to know you

458
00:26:47,480 --> 00:26:49,600
Speaker 1: better than that to not even question it, or would

459
00:26:49,600 --> 00:26:51,639
Speaker 1: you just expect the courtesy of a phone call up

460
00:26:51,680 --> 00:26:54,639
Speaker 1: a real name quote unquote. I have to say both, Okay,

461
00:26:54,800 --> 00:26:56,880
Speaker 1: I have to say both. Would he kind of alluded

462
00:26:56,920 --> 00:27:00,280
Speaker 1: to be Now I'm not gonna say that though till

463
00:27:00,560 --> 00:27:02,440
Speaker 1: like I don't know. I can't even say that you

464
00:27:02,600 --> 00:27:05,680
Speaker 1: in bullshit relationship? Is you in bullshit relationship? But I'm

465
00:27:05,720 --> 00:27:08,080
Speaker 1: not really gonna be able to say that, like not

466
00:27:08,280 --> 00:27:11,800
Speaker 1: even know, Like don't nobody know each other in this industry,

467
00:27:12,480 --> 00:27:15,399
Speaker 1: Like unless you came in the brothers you came in with, right,

468
00:27:15,480 --> 00:27:17,040
Speaker 1: I can't really say one of them if one of

469
00:27:17,160 --> 00:27:20,359
Speaker 1: y'all gonna tell or not, and then that's booster. He

470
00:27:20,480 --> 00:27:23,080
Speaker 1: half stunn up stood under that pressure. Now he probably

471
00:27:23,119 --> 00:27:26,200
Speaker 1: ain't just fining handing that over to no Nick you

472
00:27:26,320 --> 00:27:28,520
Speaker 1: know what I'm saying, just like y'all here man, Yeah, now,

473
00:27:28,640 --> 00:27:30,800
Speaker 1: he deafitely ain't gonna tell. Now, I don't know if

474
00:27:30,840 --> 00:27:33,240
Speaker 1: he went through what I went through, if they had

475
00:27:33,280 --> 00:27:35,159
Speaker 1: a life centers on the table, I don't know what

476
00:27:35,280 --> 00:27:37,600
Speaker 1: he'll do. Because I don't know what he'll doing. I

477
00:27:37,680 --> 00:27:41,680
Speaker 1: ain't because you popular this, he's he's what I'm saying now,

478
00:27:41,840 --> 00:27:45,280
Speaker 1: one of you rapping as athlete dudes, none of you dudes.

479
00:27:45,600 --> 00:27:48,760
Speaker 1: Your popularity ain't gonna make me hand you real Nick

480
00:27:48,840 --> 00:27:55,440
Speaker 1: card reputation isn't handed to you. It's earned, especially some

481
00:27:55,600 --> 00:27:58,920
Speaker 1: of the things like when you do stand in this

482
00:27:59,119 --> 00:28:01,960
Speaker 1: dog part of the world, right, that's the streets. It's

483
00:28:02,000 --> 00:28:04,440
Speaker 1: a very dark corner of the world. But when you

484
00:28:04,560 --> 00:28:07,679
Speaker 1: do operate outside of the law and you find yourself

485
00:28:07,800 --> 00:28:11,280
Speaker 1: under those circumstances, it means the world to have pressure

486
00:28:11,359 --> 00:28:15,680
Speaker 1: on your back and not crumble because everybody said right,

487
00:28:15,760 --> 00:28:18,240
Speaker 1: And so when we deal with somebody like bullshit who

488
00:28:18,280 --> 00:28:21,040
Speaker 1: doesn't been down that role. I don't think he's certain

489
00:28:21,080 --> 00:28:24,119
Speaker 1: about Tip not telling or none of these dudes not telling.

490
00:28:24,359 --> 00:28:26,480
Speaker 1: I ain't even face the life sentence. And I ain't

491
00:28:26,480 --> 00:28:29,560
Speaker 1: certain about man one of these not telling. I've been

492
00:28:29,680 --> 00:28:32,280
Speaker 1: set up by somebody that I've helped for nine and

493
00:28:32,400 --> 00:28:35,960
Speaker 1: ten years. So it ain't no in between with that.

494
00:28:36,160 --> 00:28:39,240
Speaker 1: It ain't no now. It don't blurred the lions. Anybody

495
00:28:39,360 --> 00:28:42,880
Speaker 1: a goal because it's self preservation kick in. You see

496
00:28:42,920 --> 00:28:45,640
Speaker 1: these dudes in the interrogation room and what be happening.

497
00:28:46,200 --> 00:28:49,880
Speaker 1: You're dealing with self preservation at the highest level. You

498
00:28:49,960 --> 00:28:52,000
Speaker 1: know what I'm saying. They're trying to just say their self.

499
00:28:53,640 --> 00:28:56,120
Speaker 1: I didn't separate it from the tribe, just I just

500
00:28:56,240 --> 00:28:59,440
Speaker 1: need to save me at this point. And I can't.

501
00:28:59,520 --> 00:29:04,200
Speaker 1: I can't say that you won't sacrifice saving you just

502
00:29:04,440 --> 00:29:07,520
Speaker 1: for to be called a real one. I just don't

503
00:29:07,560 --> 00:29:11,120
Speaker 1: know how many people willing to do that, and I'm

504
00:29:11,200 --> 00:29:13,840
Speaker 1: not sure how small that is. But if you operate

505
00:29:13,960 --> 00:29:16,479
Speaker 1: in that dog side of the world, in that corner

506
00:29:16,520 --> 00:29:19,720
Speaker 1: of the world that I've I'm gonna keep my children

507
00:29:19,760 --> 00:29:22,320
Speaker 1: out of because it's so ineffective down through that, but

508
00:29:22,440 --> 00:29:24,880
Speaker 1: you do get some things out of there. You won't

509
00:29:24,920 --> 00:29:28,480
Speaker 1: find nowhere else. It's like one stole in the world

510
00:29:28,560 --> 00:29:30,560
Speaker 1: where it's like you're going there, or you're gonna come

511
00:29:30,600 --> 00:29:33,479
Speaker 1: out with some swags, some slang. You're gonna come out

512
00:29:33,520 --> 00:29:36,840
Speaker 1: with some understanding, or you're gonna come out with some flavor.

513
00:29:37,000 --> 00:29:39,680
Speaker 1: You're gonna right, You're gonna come out seasoned in a

514
00:29:39,800 --> 00:29:42,640
Speaker 1: way where it won't happen nowhere else in the world.

515
00:29:42,960 --> 00:29:47,560
Speaker 1: But you're gonna come out traumatized. You're gonna come out

516
00:29:47,640 --> 00:29:50,800
Speaker 1: needing therapy. You're gonna come out damaged. You're gonna come

517
00:29:50,840 --> 00:29:54,200
Speaker 1: out of that fighting because you can't come out of

518
00:29:54,280 --> 00:29:57,600
Speaker 1: that walking with your head up and just everything is sweet.

519
00:29:57,880 --> 00:30:01,760
Speaker 1: So you come out of that dogness a very unfortunate way.

520
00:30:02,400 --> 00:30:05,200
Speaker 1: You see what I'm saying. And I just don't think

521
00:30:05,240 --> 00:30:08,120
Speaker 1: bootshe nobody's for certain about none of you dudes. I

522
00:30:08,120 --> 00:30:10,680
Speaker 1: didn't hustle with what you do. I don't know what

523
00:30:10,840 --> 00:30:13,400
Speaker 1: a happened with you dudes. When the lights get cut off,

524
00:30:14,040 --> 00:30:16,120
Speaker 1: I don't know water happened when they take you in

525
00:30:16,200 --> 00:30:19,360
Speaker 1: their room by yourself and they got you separated from

526
00:30:19,400 --> 00:30:21,960
Speaker 1: that bank account. You love to brag about so much

527
00:30:22,400 --> 00:30:24,520
Speaker 1: and then weed you love to smoke in the big

528
00:30:24,640 --> 00:30:28,240
Speaker 1: comfortable bids. You've gotten all these houses and radio station

529
00:30:28,400 --> 00:30:31,840
Speaker 1: dudes go to and shows and bad all surround. I

530
00:30:31,920 --> 00:30:35,000
Speaker 1: don't know what y'all to do, and your popularity won't

531
00:30:35,040 --> 00:30:37,280
Speaker 1: convince me, and nothing else. Let's listen to a little moment.

532
00:30:37,760 --> 00:30:39,719
Speaker 1: If you want to thank you want something real, then

533
00:30:39,800 --> 00:30:42,640
Speaker 1: you come and ask real questions, your real elsers from

534
00:30:42,680 --> 00:30:45,960
Speaker 1: a person. They have a real understanding. And if you're

535
00:30:45,960 --> 00:30:48,520
Speaker 1: just throwing that ship like I don't know if it

536
00:30:48,600 --> 00:30:52,000
Speaker 1: did or it didn't, but if and then that kind

537
00:30:52,040 --> 00:30:56,040
Speaker 1: of like they're just stirring up the circus. And I

538
00:30:56,080 --> 00:30:59,080
Speaker 1: wouldn't do that with nobody who I had no real relationship.

539
00:30:59,280 --> 00:31:01,600
Speaker 1: So do you think more concerned about getting that click

540
00:31:01,720 --> 00:31:04,640
Speaker 1: for that interview more so than actually maintaining the relationship

541
00:31:04,680 --> 00:31:06,880
Speaker 1: with the frame. One thing I ain't gonna do is

542
00:31:07,840 --> 00:31:10,600
Speaker 1: I'm not going to soon, but nobody would do. I'm

543
00:31:10,680 --> 00:31:13,240
Speaker 1: only gonna look at the reality of the fact that happen,

544
00:31:13,520 --> 00:31:17,560
Speaker 1: right right, Um, is there anything about that particular interview

545
00:31:17,600 --> 00:31:20,560
Speaker 1: that made you Obviously the whole thing is unsetting. I

546
00:31:20,600 --> 00:31:23,880
Speaker 1: haven't seen it, bro, Do you plan to watching it? Nah?

547
00:31:24,360 --> 00:31:31,200
Speaker 1: Why not? I mean I got digisted even, But then

548
00:31:31,280 --> 00:31:34,480
Speaker 1: one can make the point that you're watching the click. Man,

549
00:31:34,560 --> 00:31:38,760
Speaker 1: I ain't gon to watch that for real. People called

550
00:31:38,840 --> 00:31:40,240
Speaker 1: me and I was like, hey, man, what's up with it?

551
00:31:40,320 --> 00:31:41,640
Speaker 1: I'm like, man, I don't know. I ain't seen it,

552
00:31:42,480 --> 00:31:45,560
Speaker 1: and I read like the headline, but I don't even.

553
00:31:46,400 --> 00:31:48,120
Speaker 1: I don't want to give it too much energy to

554
00:31:48,200 --> 00:31:53,400
Speaker 1: be any wish. But what I can do is address defense. Yeah,

555
00:31:53,520 --> 00:31:59,120
Speaker 1: I mean the one. The conversation came from a conversation

556
00:31:59,160 --> 00:32:02,480
Speaker 1: I was having on my play that for expedition, uh.

557
00:32:03,280 --> 00:32:07,120
Speaker 1: And having a platform, you know, my job, because I

558
00:32:07,240 --> 00:32:09,840
Speaker 1: am not bound to restricted that nobody's opinion of me.

559
00:32:10,560 --> 00:32:12,560
Speaker 1: My life don't change no matter what you think of me.

560
00:32:12,680 --> 00:32:15,880
Speaker 1: My life will remain to say. So I have the

561
00:32:16,040 --> 00:32:19,840
Speaker 1: luxury or the ability to say things that other people

562
00:32:19,960 --> 00:32:25,320
Speaker 1: might not say. I can offer some alternative perspective to

563
00:32:25,440 --> 00:32:30,040
Speaker 1: the way things are being viewed by the majority, open

564
00:32:30,200 --> 00:32:33,959
Speaker 1: up the floor for conversation about tagging topics, free thinking.

565
00:32:34,680 --> 00:32:37,760
Speaker 1: So I have that, uh, that luxury, and that's what

566
00:32:37,840 --> 00:32:41,000
Speaker 1: I were doing because but it came from a conversation

567
00:32:41,600 --> 00:32:44,880
Speaker 1: that my partner and I were having, and that conversation

568
00:32:45,200 --> 00:32:49,800
Speaker 1: was if me and you catch a case together and

569
00:32:49,960 --> 00:32:55,000
Speaker 1: I die before you. It's mad. It's man. He's like, no,

570
00:32:55,200 --> 00:32:57,440
Speaker 1: I can't do that. Yes you can, it's man, Why

571
00:32:57,480 --> 00:33:00,479
Speaker 1: don't Why can't you? I don't understand it. Damn man,

572
00:33:00,520 --> 00:33:03,959
Speaker 1: can't go to jail. I just don't understand. You understand,

573
00:33:04,000 --> 00:33:06,600
Speaker 1: I mean? And he said, no, I can't do it.

574
00:33:06,880 --> 00:33:08,280
Speaker 1: You know what I mean? He said, Man, I can't

575
00:33:08,320 --> 00:33:11,200
Speaker 1: really say nothing by anybody who do, but I can't

576
00:33:11,240 --> 00:33:15,000
Speaker 1: do it. So off of that conversation, I created a

577
00:33:15,120 --> 00:33:20,760
Speaker 1: set of circumstances. I mean. And I thought that the

578
00:33:20,920 --> 00:33:23,640
Speaker 1: embellishment was clear when I said I talked to my

579
00:33:23,800 --> 00:33:25,880
Speaker 1: cousin and then he told me. They didn't get the

580
00:33:25,920 --> 00:33:28,200
Speaker 1: satire and conversation. They didn't get the change, the infliction

581
00:33:28,240 --> 00:33:29,640
Speaker 1: and voice. They didn't get the fact that you was

582
00:33:29,680 --> 00:33:39,240
Speaker 1: basically being sarcastic humor sarcasms. The case was resolved because

583
00:33:39,320 --> 00:33:43,480
Speaker 1: of emotion to suppress all evidence due to an illegal

584
00:33:43,560 --> 00:33:45,960
Speaker 1: search and seizure, no need to point no finger, to

585
00:33:46,040 --> 00:33:51,200
Speaker 1: say nothing about nobody, that that situation shouldn't have happened exactly.

586
00:33:51,480 --> 00:33:55,160
Speaker 1: That's what That was the argument that counsel. My counsel

587
00:33:55,280 --> 00:33:58,360
Speaker 1: took to the judge. The Judge Bank just gavel after

588
00:33:58,520 --> 00:34:01,160
Speaker 1: hearing why they prove it or so. And the reason

589
00:34:01,200 --> 00:34:03,280
Speaker 1: why I put it in such an elementary term is

590
00:34:03,320 --> 00:34:05,600
Speaker 1: because again we do live in this age of the internet.

591
00:34:05,720 --> 00:34:08,319
Speaker 1: So as far as Jolly with Trap News network, they'll

592
00:34:08,360 --> 00:34:10,320
Speaker 1: never be rooms for it. Well maybe maybe not. This

593
00:34:10,480 --> 00:34:13,239
Speaker 1: is what down to the nitty gritty man to be

594
00:34:13,360 --> 00:34:18,520
Speaker 1: honey with you. People out there is just talking for

595
00:34:18,600 --> 00:34:21,080
Speaker 1: the sake of talking. It passed their time, but take

596
00:34:21,160 --> 00:34:24,400
Speaker 1: their mind off, they off they were for many man,

597
00:34:24,520 --> 00:34:26,960
Speaker 1: this is how it went down. And at that point

598
00:34:27,520 --> 00:34:31,080
Speaker 1: you got orders of operation. You got some clarity there.

599
00:34:31,760 --> 00:34:34,200
Speaker 1: Now it's like the till wagon the doll. You know,

600
00:34:34,400 --> 00:34:36,840
Speaker 1: you the person got access to the facts and you

601
00:34:36,880 --> 00:34:39,600
Speaker 1: were landing on the person with absolutely no access to

602
00:34:39,719 --> 00:34:43,720
Speaker 1: the facts to lead you. For me, I still believe

603
00:34:43,800 --> 00:34:45,560
Speaker 1: and stand by what I said. I think it was

604
00:34:45,600 --> 00:34:48,839
Speaker 1: the own slot of things. I think Charleston White played

605
00:34:48,880 --> 00:34:51,520
Speaker 1: a role creating a narrative, and I think just online,

606
00:34:51,760 --> 00:34:55,279
Speaker 1: Shade Room, all these different places, they was very involved

607
00:34:55,400 --> 00:34:57,640
Speaker 1: with this conversation. They didn't want to let him just

608
00:34:58,239 --> 00:35:00,640
Speaker 1: you know, I didn't heard worse on Paul podcast like

609
00:35:00,840 --> 00:35:03,040
Speaker 1: I hear a lot of podcasts you see some of

610
00:35:03,080 --> 00:35:07,320
Speaker 1: these podcasts try to rid the lgbt Q plus community

611
00:35:07,680 --> 00:35:10,640
Speaker 1: to get clicks. You see people you know come out

612
00:35:10,800 --> 00:35:14,080
Speaker 1: naked and all kind of right. It's just everybody's doing

613
00:35:14,200 --> 00:35:16,759
Speaker 1: something to try to entertain the audience, especially when you

614
00:35:16,880 --> 00:35:19,680
Speaker 1: do podcasting, because you speak so much. I can see

615
00:35:19,719 --> 00:35:22,279
Speaker 1: both sides of this if I'm being honest, because it's like, Yo,

616
00:35:22,440 --> 00:35:25,160
Speaker 1: if I am your homeboy, you know, I would like

617
00:35:25,280 --> 00:35:28,400
Speaker 1: a conversation from you, but you don't put pressure on me.

618
00:35:28,440 --> 00:35:30,360
Speaker 1: Out there in the public. People see me, which you

619
00:35:30,520 --> 00:35:33,000
Speaker 1: locked in with you and now everybody saying this to me.

620
00:35:33,440 --> 00:35:38,520
Speaker 1: You know, the internet is affected everything. Bro, homeboys won't

621
00:35:38,560 --> 00:35:40,319
Speaker 1: even call you know, more like Yo, it's out there

622
00:35:40,360 --> 00:35:42,600
Speaker 1: in the public. I gotta say something out there, dogs

623
00:35:42,840 --> 00:35:46,200
Speaker 1: just how it is. T I didn't let it go though,

624
00:35:46,360 --> 00:35:49,239
Speaker 1: when you pay attention to what's happening. TA he feel

625
00:35:49,280 --> 00:35:52,239
Speaker 1: away about this? He probably feel like us again after

626
00:35:52,400 --> 00:35:54,879
Speaker 1: that Charleston come out and the tech boots again. Boy,

627
00:35:55,000 --> 00:35:56,920
Speaker 1: you one of them kind of us it they get

628
00:35:56,960 --> 00:35:59,320
Speaker 1: out on camera and talk about your homeboy. You just

629
00:35:59,400 --> 00:36:01,600
Speaker 1: gonna talk about your people like you one of them?

630
00:36:01,719 --> 00:36:04,880
Speaker 1: Kind of you old sucker head man. You got that

631
00:36:04,960 --> 00:36:07,680
Speaker 1: man number being around his kids, been around his family,

632
00:36:09,160 --> 00:36:11,040
Speaker 1: and a lot of people is under that saying damn

633
00:36:11,160 --> 00:36:14,520
Speaker 1: that's true. Ain't go with that narrative again. So then

634
00:36:14,560 --> 00:36:16,759
Speaker 1: when he go on these YouTube channel, they're gonna say, well,

635
00:36:17,120 --> 00:36:19,800
Speaker 1: Boosey came out and finally responded to Tia, how do

636
00:36:19,880 --> 00:36:21,839
Speaker 1: you feel? And he gonna go back into that man,

637
00:36:21,920 --> 00:36:24,399
Speaker 1: that shit and that man been kicking with and they're

638
00:36:24,400 --> 00:36:27,040
Speaker 1: gonna run with that for a while. You see what

639
00:36:27,120 --> 00:36:30,120
Speaker 1: I'm saying, And um, it's a great hustle if you

640
00:36:30,200 --> 00:36:32,120
Speaker 1: ask me, because I thought they would lock him out,

641
00:36:32,400 --> 00:36:34,920
Speaker 1: but he's figured out a way. But TI won't let

642
00:36:35,000 --> 00:36:39,919
Speaker 1: this go. In my humble opinion, TI feels as if

643
00:36:40,280 --> 00:36:43,759
Speaker 1: there's no way, then I'm gonna sit back and let

644
00:36:43,880 --> 00:36:46,120
Speaker 1: that just fly under because me and this dude really

645
00:36:46,200 --> 00:36:49,479
Speaker 1: had a relationship, in my opinion, and feel like he ain't.

646
00:36:49,560 --> 00:36:52,399
Speaker 1: He ain't just letting that ride like that. Let's take

647
00:36:52,440 --> 00:36:55,719
Speaker 1: a look at something that he posted just six hours ago.

648
00:37:00,719 --> 00:37:03,640
Speaker 1: Run needed to be looking around you, You don't need

649
00:37:03,719 --> 00:37:06,960
Speaker 1: to be looking at me. Let be looking around me.

650
00:37:09,080 --> 00:37:12,200
Speaker 1: But anyway, I'm taking from me, a bro, who are

651
00:37:12,200 --> 00:37:19,319
Speaker 1: you saying? Real? Real man? Where you what you read

652
00:37:19,360 --> 00:37:24,840
Speaker 1: where you from what I'm saying, come on going on,

653
00:37:25,560 --> 00:37:28,000
Speaker 1: but you ain't got no reason to really a fake lie?

654
00:37:28,120 --> 00:37:32,360
Speaker 1: Got with me? Have you ever got a chance with

655
00:37:32,440 --> 00:37:36,759
Speaker 1: my name? You, I pay you. We'll do it. We'll

656
00:37:36,880 --> 00:37:39,480
Speaker 1: move to me. Okay, what the first thing I said

657
00:37:39,560 --> 00:37:41,800
Speaker 1: when I saw you today? Gave me your paper works

658
00:37:41,840 --> 00:37:43,960
Speaker 1: in the hill. I seen it, I read it. I'm

659
00:37:44,000 --> 00:37:46,239
Speaker 1: seeing what I said. I was here to see. I

660
00:37:46,360 --> 00:37:48,880
Speaker 1: remember hit the streets what I'm saying. So I was

661
00:37:48,960 --> 00:37:50,480
Speaker 1: here to see. I want to see on what's going

662
00:37:50,520 --> 00:37:53,680
Speaker 1: on what I'm saying, and I I feel like it's him.

663
00:37:54,080 --> 00:37:56,560
Speaker 1: I was my relationship with him and me, remember in

664
00:37:56,640 --> 00:37:58,400
Speaker 1: the streets. I had to come to see for myself.

665
00:37:58,880 --> 00:38:00,480
Speaker 1: He said, it's a paper on the call, and I

666
00:38:00,560 --> 00:38:12,400
Speaker 1: see it. I'm saying, legal surgencies already. Now wait a minute,

667
00:38:12,440 --> 00:38:15,200
Speaker 1: one more thing, all right? So with that being said, oh,

668
00:38:15,280 --> 00:38:19,440
Speaker 1: convy rule, O convy rule if you call it a rent,

669
00:38:19,800 --> 00:38:22,840
Speaker 1: and he got paperwork to prove otherwise, what usually be

670
00:38:22,960 --> 00:38:29,880
Speaker 1: the consequent for that? Shut out to my brother Poli

671
00:38:30,160 --> 00:38:34,000
Speaker 1: right there talking to Tip about this now again, I

672
00:38:34,239 --> 00:38:36,640
Speaker 1: understand that you know what's happening, but I want you

673
00:38:36,800 --> 00:38:40,320
Speaker 1: to understand, Tip ain't letting this ride. The metal verses

674
00:38:40,360 --> 00:38:43,560
Speaker 1: starting to affect the universe, right, So now people are

675
00:38:43,600 --> 00:38:46,160
Speaker 1: coming up to him, and Boost said, man, you know Boost,

676
00:38:46,200 --> 00:38:48,920
Speaker 1: he got him walking around with paperwork. He got a

677
00:38:49,000 --> 00:38:51,239
Speaker 1: soon he see pole here, man, look at this, man,

678
00:38:51,320 --> 00:38:53,600
Speaker 1: I know, I already know, you know saw what he did.

679
00:38:53,680 --> 00:38:57,000
Speaker 1: All this shady room didn't make him do that. None

680
00:38:57,040 --> 00:39:00,320
Speaker 1: of these other platforms when Boost said something, made do that.

681
00:39:00,360 --> 00:39:02,480
Speaker 1: Because Boost is viewed in the light. He's viewed in

682
00:39:03,040 --> 00:39:05,680
Speaker 1: the same way when I said something about Noriy and Joe,

683
00:39:06,200 --> 00:39:09,879
Speaker 1: Nori reached out to me. So Paulay's bank head, right,

684
00:39:09,960 --> 00:39:13,279
Speaker 1: he wear side down and then it's undisputed. So you

685
00:39:13,360 --> 00:39:15,399
Speaker 1: get him next to you, he get to talk about

686
00:39:15,480 --> 00:39:17,200
Speaker 1: like you ain't got no reading a lie? Do you

687
00:39:17,760 --> 00:39:23,279
Speaker 1: pay attention by now I'm just saying, but like what

688
00:39:23,520 --> 00:39:26,080
Speaker 1: is due? I'm saying, like how that you to him?

689
00:39:35,360 --> 00:39:40,560
Speaker 1: Let me get one. But it is a consequence. Okay,

690
00:39:40,880 --> 00:39:45,760
Speaker 1: you can't bring without without without without paper. Okay. Anytime

691
00:39:45,760 --> 00:39:47,880
Speaker 1: you say anything about anybody out to have payn't you

692
00:39:47,920 --> 00:39:52,520
Speaker 1: know I'm saying, Okay, what you're saying your show man

693
00:39:52,680 --> 00:40:00,680
Speaker 1: people work? God? Now, man, that's a good question. Man asked,

694
00:40:01,200 --> 00:40:03,520
Speaker 1: what if you come, all right, brother, give me a minute.

695
00:40:03,840 --> 00:40:06,799
Speaker 1: All right? As the man said, what if you show

696
00:40:06,880 --> 00:40:11,879
Speaker 1: somebody paperwork and it's still if? So, if you show

697
00:40:12,000 --> 00:40:16,760
Speaker 1: somebody paperwork and the person who questioned my paperwork still

698
00:40:17,239 --> 00:40:19,640
Speaker 1: with the person who wanted the paperwork, you show me,

699
00:40:20,880 --> 00:40:24,840
Speaker 1: what do we do? Then I got black and white

700
00:40:27,200 --> 00:40:32,439
Speaker 1: and and everything gets it's googlable, everything gets a google aboy.

701
00:40:32,520 --> 00:40:35,560
Speaker 1: And with that being said, land time, I'm gonna dress it.

702
00:40:37,800 --> 00:40:43,120
Speaker 1: Land time, I'm gonna dress it. Simply become man, bro

703
00:40:43,280 --> 00:40:45,160
Speaker 1: the level of life that I'm looking to be on,

704
00:40:45,400 --> 00:40:49,200
Speaker 1: rub it, don't it don't involve none of the note.

705
00:40:50,320 --> 00:40:52,160
Speaker 1: So at the end of the day, and to be

706
00:40:52,239 --> 00:40:55,200
Speaker 1: honest with you, all you questioning about what my motherfucking

707
00:40:55,280 --> 00:41:00,440
Speaker 1: involvement is, I'm not doing no crime with y'all. You

708
00:41:00,520 --> 00:41:05,200
Speaker 1: need to question it around you. I don't say not

709
00:41:05,440 --> 00:41:10,239
Speaker 1: doing no crime no more a question that you got

710
00:41:10,320 --> 00:41:18,040
Speaker 1: the authorization to check, can't check him anyway, And man

711
00:41:18,239 --> 00:41:20,759
Speaker 1: number none respect So nan, this has turned into an

712
00:41:20,800 --> 00:41:23,200
Speaker 1: internet battle. This has turned into we're gonna talk to

713
00:41:23,280 --> 00:41:25,399
Speaker 1: each other the internet. Boots ain't gonna say nothing because

714
00:41:25,440 --> 00:41:28,279
Speaker 1: he hustling, so you're gonna wait till I get back

715
00:41:28,320 --> 00:41:30,880
Speaker 1: on Vlad, and then Lad gonna ask him again. So

716
00:41:31,080 --> 00:41:33,879
Speaker 1: t I responded to our last video when you went out,

717
00:41:33,960 --> 00:41:37,279
Speaker 1: and he gonna I think that it was right. That's

718
00:41:37,320 --> 00:41:39,640
Speaker 1: what's gonna right. So he ain't gonna say nothing. He's

719
00:41:39,640 --> 00:41:41,719
Speaker 1: gonna tweet, noning, ain't gonna he ain't gonna be nohing.

720
00:41:41,719 --> 00:41:43,680
Speaker 1: He gonna respond when he get back on Flad. Really

721
00:41:43,719 --> 00:41:46,000
Speaker 1: that's gonna make Lad cut him another check, but they

722
00:41:46,200 --> 00:41:48,880
Speaker 1: probably speed up. The couple of them cut him another

723
00:41:49,000 --> 00:41:52,480
Speaker 1: chick in the Nick sixty day forty five eight. Because

724
00:41:52,560 --> 00:41:54,960
Speaker 1: I know Vlad got in these contracts. They listened. After

725
00:41:55,040 --> 00:41:57,279
Speaker 1: you come here, man, try not to speak nowhere for

726
00:41:57,360 --> 00:41:59,520
Speaker 1: a many you know, we try to create that value

727
00:41:59,560 --> 00:42:02,360
Speaker 1: in this hocket. That's why I respected what Pe and

728
00:42:02,440 --> 00:42:05,080
Speaker 1: Baby did for me so much. I dropped my interview

729
00:42:05,160 --> 00:42:07,880
Speaker 1: five six days for anybody had a little baby interview.

730
00:42:08,040 --> 00:42:10,440
Speaker 1: So we had no choice but to put me in position.

731
00:42:11,320 --> 00:42:14,239
Speaker 1: It wasn't even no competition out there. You see what

732
00:42:14,320 --> 00:42:16,080
Speaker 1: I'm saying. There was such a blessing. That's why I

733
00:42:16,160 --> 00:42:19,600
Speaker 1: mean the to them for life. But Lad utilizes that

734
00:42:19,760 --> 00:42:22,360
Speaker 1: business structure to try to say listen, let's create the

735
00:42:22,520 --> 00:42:25,680
Speaker 1: value on this side and create an understanding. And when

736
00:42:25,719 --> 00:42:28,080
Speaker 1: he comes it with lad, it's gonna be dynamic, it's

737
00:42:28,120 --> 00:42:30,719
Speaker 1: gonna be fulfilling, and it's gonna be long lasting. But

738
00:42:30,800 --> 00:42:32,520
Speaker 1: I wanted to take a look at that again. It's

739
00:42:32,560 --> 00:42:34,960
Speaker 1: getting messy. With'll probably report on the next week just

740
00:42:35,120 --> 00:42:38,040
Speaker 1: to see what else is unfolded. I want to talk

741
00:42:38,080 --> 00:42:40,799
Speaker 1: about this master ping fat trail, but before I get

742
00:42:40,880 --> 00:42:42,960
Speaker 1: into that, I want to ask what do you do

743
00:42:43,160 --> 00:42:48,480
Speaker 1: when all you no longer is working? What do you

744
00:42:48,680 --> 00:42:54,120
Speaker 1: do when all you know is no longer working. I've

745
00:42:54,160 --> 00:42:56,880
Speaker 1: been involved in things that taught me lessons that you

746
00:42:57,040 --> 00:43:01,640
Speaker 1: can't get inside of classroom. I always say there's a

747
00:43:01,719 --> 00:43:04,400
Speaker 1: place for the Guinness Book of World Records. It carves

748
00:43:04,440 --> 00:43:08,720
Speaker 1: out a special corner in the world that keeps track

749
00:43:09,400 --> 00:43:12,799
Speaker 1: of unique ability. And whether you're an athlete or rapp

750
00:43:12,960 --> 00:43:16,120
Speaker 1: or entrepreneur, if you got on messing with crypto, or

751
00:43:16,120 --> 00:43:18,320
Speaker 1: if you got on washing cars, if you got on

752
00:43:18,480 --> 00:43:21,359
Speaker 1: cutting half, you got on picking up trads, you got

753
00:43:21,440 --> 00:43:24,200
Speaker 1: on podcasts, and if you got on scam and have it,

754
00:43:24,320 --> 00:43:27,719
Speaker 1: you got on And before we get into this masterpeak conversation,

755
00:43:27,800 --> 00:43:31,319
Speaker 1: I want to just ask people, can you build something

756
00:43:31,400 --> 00:43:34,359
Speaker 1: that can withstand the test of time because time will

757
00:43:34,480 --> 00:43:38,840
Speaker 1: test it. You have to know how to build something

758
00:43:38,880 --> 00:43:41,800
Speaker 1: that can stand the test of time, because there's a

759
00:43:41,920 --> 00:43:46,200
Speaker 1: guarantee that time will tested. Everything won't stay hot and

760
00:43:46,360 --> 00:43:50,400
Speaker 1: everything won't stay cold. Everything won't stay good, and everything

761
00:43:50,520 --> 00:43:53,600
Speaker 1: won't stay bad. Every dog has its day, right, So

762
00:43:53,760 --> 00:43:55,719
Speaker 1: you gotta be in position to be ready for the

763
00:43:55,840 --> 00:43:58,560
Speaker 1: past and looking at getting your favorite spot for a

764
00:43:58,640 --> 00:44:03,000
Speaker 1: high percented shot. So if you sell furniture right at

765
00:44:03,080 --> 00:44:05,719
Speaker 1: text time, you gotta load up and know how to

766
00:44:05,840 --> 00:44:08,160
Speaker 1: do marketing and run a hell of a sale and

767
00:44:08,320 --> 00:44:11,400
Speaker 1: figure out how to get these ads converting and traveling.

768
00:44:11,920 --> 00:44:17,279
Speaker 1: You gotta add some ingredients main into this. Far too

769
00:44:17,360 --> 00:44:19,640
Speaker 1: many times people want something for none. I don't give

770
00:44:19,680 --> 00:44:22,080
Speaker 1: out something for none. I laugh at people because you

771
00:44:22,200 --> 00:44:24,160
Speaker 1: ask the man, can these dudes mess with you? And

772
00:44:24,239 --> 00:44:27,040
Speaker 1: they say no. Everybody say no, man, he can't mess

773
00:44:27,120 --> 00:44:30,000
Speaker 1: with me. They ain't even two layers deep with their information.

774
00:44:30,120 --> 00:44:34,120
Speaker 1: You ask them why they don't know why you thank

775
00:44:34,200 --> 00:44:36,960
Speaker 1: you the greatest that they don't know what took Kobe

776
00:44:37,000 --> 00:44:38,920
Speaker 1: to be the greatest, what it take Lebron to be

777
00:44:39,040 --> 00:44:41,560
Speaker 1: the greatest? What it took Kevin Durant what it takes

778
00:44:41,600 --> 00:44:44,400
Speaker 1: Steff what it took Tom Brady? Do you know? They

779
00:44:44,440 --> 00:44:47,200
Speaker 1: don't even know, but I'm the best. They don't even

780
00:44:47,320 --> 00:44:49,480
Speaker 1: know if they're capable what it takes. They ain't even

781
00:44:49,560 --> 00:44:53,680
Speaker 1: did the research. But we kept the files. We stand

782
00:44:53,719 --> 00:44:56,160
Speaker 1: on the backs of great men, so we kept the files.

783
00:44:57,239 --> 00:44:59,320
Speaker 1: I was telling the home in the other day. Sometimes

784
00:44:59,360 --> 00:45:02,480
Speaker 1: I shot away from therapy. I'm open to the information,

785
00:45:02,640 --> 00:45:06,600
Speaker 1: but sometimes the way that they are calibrating me can

786
00:45:06,680 --> 00:45:10,919
Speaker 1: cost me my life. Often time, they don't have people

787
00:45:10,960 --> 00:45:13,800
Speaker 1: that can relate to what it takes for us to survive.

788
00:45:13,880 --> 00:45:16,400
Speaker 1: That's why even with rich people, famous people, how you

789
00:45:16,480 --> 00:45:18,880
Speaker 1: gonna tell me how to operate when you ain't encounter

790
00:45:19,000 --> 00:45:22,279
Speaker 1: the things I've encountered. The information sounds good, Just see

791
00:45:22,360 --> 00:45:24,360
Speaker 1: me down and give me information, but don't try to

792
00:45:24,440 --> 00:45:26,839
Speaker 1: tailor make it like you are the one that can

793
00:45:27,320 --> 00:45:29,680
Speaker 1: delegate the way that I have the things in my life.

794
00:45:29,719 --> 00:45:33,560
Speaker 1: I'm uncomfortable with that unless I'm for sure you've been

795
00:45:33,680 --> 00:45:36,839
Speaker 1: through it. And that's what makes this master Peak conversation

796
00:45:37,120 --> 00:45:41,080
Speaker 1: very important. But we must learn that going through it

797
00:45:41,560 --> 00:45:44,000
Speaker 1: ain't good enough if you ain't get none from it,

798
00:45:44,719 --> 00:45:46,560
Speaker 1: And so when we look at you when it all

799
00:45:46,680 --> 00:45:49,160
Speaker 1: falls down, we want to know what you got from it,

800
00:45:50,680 --> 00:45:54,759
Speaker 1: what you get from it. I'm intrigued by what you

801
00:45:54,920 --> 00:45:58,080
Speaker 1: got from me. I'm looking to interview people that fail too.

802
00:45:58,239 --> 00:46:00,359
Speaker 1: We ain't just interviewing the people that said the top

803
00:46:00,400 --> 00:46:02,759
Speaker 1: of the change. What you get from it, It's more

804
00:46:02,840 --> 00:46:08,240
Speaker 1: important than the money to me, did it do anything

805
00:46:08,400 --> 00:46:11,560
Speaker 1: to you? Did it change you in any way? Did

806
00:46:11,640 --> 00:46:15,359
Speaker 1: you adopt any standards that you shouldn't have adopted, did

807
00:46:15,440 --> 00:46:19,200
Speaker 1: you switch up on your traditions? Last week I spoke

808
00:46:19,239 --> 00:46:22,719
Speaker 1: about the fruits of your label and how there's a

809
00:46:22,760 --> 00:46:25,480
Speaker 1: lot of people in our industry and then our culture

810
00:46:25,520 --> 00:46:27,480
Speaker 1: that has made their mind up and put their flag

811
00:46:27,600 --> 00:46:29,719
Speaker 1: in the ground and put their backs against the wall

812
00:46:29,840 --> 00:46:31,960
Speaker 1: and went and got some money and save their family.

813
00:46:33,520 --> 00:46:36,840
Speaker 1: But they've left no information by no means. Hear me

814
00:46:37,000 --> 00:46:39,239
Speaker 1: saying this and say you give a grown man money,

815
00:46:39,320 --> 00:46:45,320
Speaker 1: that's out the question. I'm telling you information. And this

816
00:46:45,520 --> 00:46:49,440
Speaker 1: is what makes Masterpiece so important. He was one of

817
00:46:49,480 --> 00:46:52,319
Speaker 1: the first people with that kind of bag, the two

818
00:46:52,440 --> 00:46:55,520
Speaker 1: or three hundred million dollar kind of play. So we

819
00:46:55,640 --> 00:46:57,920
Speaker 1: need to hear from him, But we need to hear

820
00:46:57,960 --> 00:47:01,400
Speaker 1: the truth from him. I was just with P down there,

821
00:47:01,480 --> 00:47:04,320
Speaker 1: raps next shout out, James, shout out there, everybody involved,

822
00:47:04,440 --> 00:47:08,239
Speaker 1: me bag E forty Romeo, Maryland, James Meek. It was

823
00:47:08,320 --> 00:47:10,480
Speaker 1: a wallow. It was all kind of people down there.

824
00:47:10,600 --> 00:47:13,960
Speaker 1: So I had the panel and I didn't get into

825
00:47:14,000 --> 00:47:16,399
Speaker 1: some of these questions, and I really feel bad about

826
00:47:16,440 --> 00:47:18,800
Speaker 1: it because I do have some questions. I got a

827
00:47:18,880 --> 00:47:21,760
Speaker 1: high level respect for P. And he's from the South,

828
00:47:23,440 --> 00:47:26,080
Speaker 1: and so I give him grace as an elder. When

829
00:47:26,120 --> 00:47:29,640
Speaker 1: I sit and talk to P, I want some information

830
00:47:29,760 --> 00:47:34,640
Speaker 1: talk the entrepreneurs and the product talk. I want to

831
00:47:34,719 --> 00:47:40,960
Speaker 1: know about taxes. I want to talk about accounting. I

832
00:47:41,080 --> 00:47:44,560
Speaker 1: want to talk about returns. I want to talk about

833
00:47:44,600 --> 00:47:48,760
Speaker 1: the ROI own things. And and why is this common

834
00:47:48,880 --> 00:47:52,440
Speaker 1: thread of the people that you say misrepresent what happens

835
00:47:52,480 --> 00:47:55,640
Speaker 1: in that time with you or is there misunderstanding with

836
00:47:55,760 --> 00:47:59,279
Speaker 1: your information that was presented to them versus what they got.

837
00:48:00,200 --> 00:48:01,920
Speaker 1: I don't know, but I know it's a lot of

838
00:48:02,000 --> 00:48:05,400
Speaker 1: information in Pete brain because Pete being there. Pete done it,

839
00:48:06,239 --> 00:48:09,000
Speaker 1: but it just seemed like he on defense in the

840
00:48:09,120 --> 00:48:12,080
Speaker 1: same way that the Internet affected Ti Boosey, and that

841
00:48:12,320 --> 00:48:15,720
Speaker 1: that narrative get created. I think master P is fully

842
00:48:15,800 --> 00:48:18,520
Speaker 1: aware of the narrative that's created every time he talked.

843
00:48:18,840 --> 00:48:22,320
Speaker 1: He defends the narrative online and so that gives me

844
00:48:22,440 --> 00:48:24,839
Speaker 1: a glimpse into way he spends his time, or what's

845
00:48:24,920 --> 00:48:28,359
Speaker 1: being said to him, or how things are being installed

846
00:48:28,800 --> 00:48:32,080
Speaker 1: into his infrastructure, how people are telling him that man,

847
00:48:32,160 --> 00:48:34,480
Speaker 1: they saying you broke man Dunea say you stole from

848
00:48:34,680 --> 00:48:37,680
Speaker 1: So let's get to what we're talking about. Fat Trail

849
00:48:37,840 --> 00:48:40,080
Speaker 1: came out of shat with Adam twenty two shout out

850
00:48:40,120 --> 00:48:43,840
Speaker 1: at him, and he had a conversation about why he

851
00:48:44,000 --> 00:48:46,719
Speaker 1: no longer misses with master P. Let's take a listen

852
00:48:46,760 --> 00:48:50,680
Speaker 1: to that conversation. Ship So he connects a call. He's

853
00:48:50,680 --> 00:48:53,879
Speaker 1: like yo, I'm like yeah, and then master P started talking.

854
00:48:53,920 --> 00:48:56,319
Speaker 1: I'm like this really, master P, you know what I'm saying.

855
00:48:56,400 --> 00:49:00,080
Speaker 1: So boom, He like, Yo, I'm shooting the movie. I

856
00:49:00,120 --> 00:49:02,120
Speaker 1: think he was trying to buy the rights to film

857
00:49:02,200 --> 00:49:06,000
Speaker 1: Minutes to Society too, and he was like, I want

858
00:49:06,040 --> 00:49:07,479
Speaker 1: you to be in it, you know what I'm saying.

859
00:49:07,560 --> 00:49:09,960
Speaker 1: I was like, all right, beat. So I'm like I'm young,

860
00:49:10,320 --> 00:49:13,120
Speaker 1: like acting like you know what I'm saying. Whatever, like

861
00:49:13,920 --> 00:49:15,759
Speaker 1: acting wasn't even on my radar. I'm still trying to

862
00:49:15,800 --> 00:49:17,160
Speaker 1: come up as a rapper, you know what I'm saying.

863
00:49:17,160 --> 00:49:21,920
Speaker 1: So I'm like, all right, bet So he like, um, yeah, man,

864
00:49:22,040 --> 00:49:23,880
Speaker 1: I want I'm you know who Ali Boy is? And

865
00:49:23,920 --> 00:49:25,840
Speaker 1: I'm like, yeah, I heard the Ali Boy from Atlanta.

866
00:49:25,840 --> 00:49:28,040
Speaker 1: I don't know him personally, never met him, but yeah

867
00:49:28,040 --> 00:49:29,680
Speaker 1: I heard him. He was like, all right, bet I

868
00:49:29,719 --> 00:49:32,000
Speaker 1: want I want you and him to come to California

869
00:49:32,160 --> 00:49:34,279
Speaker 1: and let's sit down and have some meetings about this movie.

870
00:49:34,640 --> 00:49:37,239
Speaker 1: I'm like, okay, cool, you know what I'm saying. So

871
00:49:37,360 --> 00:49:39,719
Speaker 1: we fly to Cali. We get out together, probably like

872
00:49:39,760 --> 00:49:43,480
Speaker 1: two weeks later. We fly to Cali and when we land,

873
00:49:43,560 --> 00:49:45,200
Speaker 1: mastered the p at a video shoot. He's shooting a

874
00:49:45,280 --> 00:49:49,160
Speaker 1: video at something mansion and ship, so okay cool. We

875
00:49:49,239 --> 00:49:50,880
Speaker 1: sit there and we start chopping it up about the

876
00:49:51,000 --> 00:49:54,200
Speaker 1: movie and he was like, this is what I want

877
00:49:54,239 --> 00:49:55,799
Speaker 1: to do. This is the role I want you to play.

878
00:49:56,200 --> 00:49:58,920
Speaker 1: The scripture nothing, it's not written up. Cool. I'm like

879
00:49:59,480 --> 00:50:01,359
Speaker 1: this music to my ears in the back of my mind.

880
00:50:01,719 --> 00:50:03,640
Speaker 1: He don't know how happy I am, but I'm playing

881
00:50:03,640 --> 00:50:06,239
Speaker 1: a cool, humble yeah, sure, yeah, no problem, you know.

882
00:50:06,320 --> 00:50:07,960
Speaker 1: But then by my mind, I'm like, yeah, man, this

883
00:50:08,040 --> 00:50:11,960
Speaker 1: is a society too, sounds pretty crazy. Yeah yeah. So

884
00:50:12,120 --> 00:50:15,040
Speaker 1: I'm like, okay, cool. So he was like, look, I'm

885
00:50:15,080 --> 00:50:17,920
Speaker 1: gonna need you to move out here. So I'm like

886
00:50:18,239 --> 00:50:21,319
Speaker 1: looking at my manager like what he was like, yeah,

887
00:50:21,400 --> 00:50:23,719
Speaker 1: just you know, like a year or two. I'm like

888
00:50:23,840 --> 00:50:26,799
Speaker 1: all right, And you know, I don't know. I'm young man,

889
00:50:26,800 --> 00:50:28,400
Speaker 1: I'm like twenty two, twenty three at the time. I

890
00:50:28,400 --> 00:50:30,320
Speaker 1: don't know. I'm about the cost of living all that

891
00:50:30,440 --> 00:50:32,440
Speaker 1: grown up saint even in my mind, I'm like all right,

892
00:50:32,520 --> 00:50:35,239
Speaker 1: So I'm like whatever. So he was like, look, we're

893
00:50:35,239 --> 00:50:37,440
Speaker 1: gonna be paying. I'm gonna give you ex amount of

894
00:50:37,480 --> 00:50:41,239
Speaker 1: dollars a month. I'm like, okay, cool, you know what

895
00:50:41,280 --> 00:50:46,560
Speaker 1: I'm saying. Um, But when I moved there, bro, the

896
00:50:46,680 --> 00:50:51,120
Speaker 1: movie never got brought up, and so, you know me

897
00:50:51,200 --> 00:50:52,600
Speaker 1: and out of the way, we rapped Master up hears

898
00:50:52,640 --> 00:50:54,520
Speaker 1: a rapper. So the natural place for us to always

899
00:50:54,600 --> 00:50:56,680
Speaker 1: meet up at it is at the studio. Outside of

900
00:50:56,760 --> 00:50:59,319
Speaker 1: going out to eat and all that. We always met

901
00:50:59,400 --> 00:51:01,560
Speaker 1: up at the studio and we had talked and had conversations.

902
00:51:01,600 --> 00:51:04,440
Speaker 1: But Alie Boy at the time was signed to Atlantic.

903
00:51:04,680 --> 00:51:07,440
Speaker 1: I specifically remember us sitting in the house and his

904
00:51:07,640 --> 00:51:10,399
Speaker 1: videos and come on on MTV jams like Allie Boy litter.

905
00:51:10,400 --> 00:51:14,120
Speaker 1: At that time, I didn't have a deal. I'm independent.

906
00:51:14,200 --> 00:51:15,839
Speaker 1: I don't have a deal, you know what I'm saying.

907
00:51:15,880 --> 00:51:20,560
Speaker 1: So Ali Boy was really cool with the situation. And

908
00:51:20,719 --> 00:51:23,600
Speaker 1: I always thought like I felt like we was recording

909
00:51:23,640 --> 00:51:27,359
Speaker 1: too much music because I'm like, we're here for the movie, bro,

910
00:51:27,600 --> 00:51:30,040
Speaker 1: you know what I'm saying, And like, I've been living

911
00:51:30,120 --> 00:51:33,200
Speaker 1: here for about seven months. I haven't started an acting class.

912
00:51:33,320 --> 00:51:35,759
Speaker 1: We no longer spoke about the scripts. The movie never

913
00:51:35,800 --> 00:51:39,320
Speaker 1: ever came up, and you know, we're doing video shoots

914
00:51:39,360 --> 00:51:42,160
Speaker 1: and photo shoots, and we got shirts pressed up that

915
00:51:42,239 --> 00:51:44,759
Speaker 1: say Louis V Mob and he calling us to Louis

916
00:51:44,840 --> 00:51:48,160
Speaker 1: V Mob. And you know, outside of the money that

917
00:51:48,280 --> 00:51:52,520
Speaker 1: he was paying me monthly, I was receiving nothing for

918
00:51:53,120 --> 00:51:55,279
Speaker 1: all the music I'm putting out, you know what I'm saying.

919
00:51:55,280 --> 00:51:59,240
Speaker 1: And so and he always used to sit around outside

920
00:51:59,280 --> 00:52:01,680
Speaker 1: of us having fun and all that he was always

921
00:52:01,680 --> 00:52:03,839
Speaker 1: sitting around him was like, I just feel like something

922
00:52:04,080 --> 00:52:08,040
Speaker 1: right about this, you know what I'm saying. And I'm

923
00:52:08,080 --> 00:52:12,000
Speaker 1: a nineties baby. I grew up on Wayne Gucci and Ross.

924
00:52:12,600 --> 00:52:14,680
Speaker 1: Those are the main three rappers I listened to over

925
00:52:14,719 --> 00:52:17,640
Speaker 1: and over and over growing up as a kid. I'm

926
00:52:17,719 --> 00:52:20,000
Speaker 1: not from the era where I was a fan of

927
00:52:20,080 --> 00:52:22,800
Speaker 1: master P, so it was always business with me. My

928
00:52:23,000 --> 00:52:25,879
Speaker 1: manager was at that time. He was a super fan

929
00:52:25,960 --> 00:52:27,920
Speaker 1: of master P. A lot of things he's seen, he

930
00:52:28,080 --> 00:52:31,800
Speaker 1: let schlide because he was a fan. And I was like,

931
00:52:32,360 --> 00:52:34,520
Speaker 1: you know, I respect him as a businessman, you know

932
00:52:34,600 --> 00:52:38,880
Speaker 1: what I'm saying, But I'm not a fan of his art,

933
00:52:38,960 --> 00:52:41,239
Speaker 1: so I don't view him the same. I'm looking at

934
00:52:41,320 --> 00:52:43,480
Speaker 1: him as a business and technically we're not doing the

935
00:52:43,520 --> 00:52:47,240
Speaker 1: business that we were supposed to be. A businessman clothing company,

936
00:52:47,280 --> 00:52:49,600
Speaker 1: he played in a couple of NBA games, a lot

937
00:52:49,680 --> 00:52:52,480
Speaker 1: of movies, sold millions of records. I respect him for that,

938
00:52:53,120 --> 00:52:55,000
Speaker 1: you know what I'm saying. I would have respected it

939
00:52:55,080 --> 00:52:57,240
Speaker 1: if he said, hey, you know, I want to shoot

940
00:52:57,280 --> 00:53:00,520
Speaker 1: a movie and I want to like read a group

941
00:53:00,560 --> 00:53:04,200
Speaker 1: where like me, you and Olie Boy, I would have

942
00:53:04,280 --> 00:53:07,239
Speaker 1: thought about it, like you know, that would have been

943
00:53:07,280 --> 00:53:11,799
Speaker 1: a thought. But he never said that. And so we're

944
00:53:11,800 --> 00:53:14,040
Speaker 1: doing all these shows and ship and he was doing

945
00:53:14,120 --> 00:53:16,080
Speaker 1: shows that I think he did like eight three c

946
00:53:16,280 --> 00:53:19,680
Speaker 1: in Austin where he headlined it, and like we performed

947
00:53:19,719 --> 00:53:22,000
Speaker 1: a lot on that show, we didn't receive nothing. I

948
00:53:22,120 --> 00:53:24,320
Speaker 1: ain't say nothing. In the back of my mind, I

949
00:53:24,400 --> 00:53:26,640
Speaker 1: wanted to, but I ain't say nothing. And then the

950
00:53:26,840 --> 00:53:29,560
Speaker 1: last straw was like black and has showed me that

951
00:53:29,920 --> 00:53:33,960
Speaker 1: one of those albums was on iTunes. It was you know,

952
00:53:34,239 --> 00:53:36,560
Speaker 1: this is before Apple Music and Spotify and all that,

953
00:53:36,719 --> 00:53:40,600
Speaker 1: like the album was for sale on iTunes and Olie

954
00:53:40,640 --> 00:53:42,800
Speaker 1: Boy gotta deal something like Alie, you know about this,

955
00:53:42,880 --> 00:53:44,200
Speaker 1: and he was like, no, I ain't know about it,

956
00:53:44,800 --> 00:53:48,400
Speaker 1: but we're on an album magic p And I'm not

957
00:53:48,560 --> 00:53:50,480
Speaker 1: salting Olie Boy down in no way, you know what

958
00:53:50,520 --> 00:53:53,680
Speaker 1: I'm saying. I'm just saying that Ali Boy was getting money.

959
00:53:53,719 --> 00:53:57,400
Speaker 1: He was booked heavily. Like I said, we used to

960
00:53:57,400 --> 00:53:59,160
Speaker 1: sit down there, He'll pop up on a TV screen

961
00:53:59,280 --> 00:54:02,279
Speaker 1: like he was lit. At that time, I wasn't where

962
00:54:02,280 --> 00:54:04,920
Speaker 1: I wanted to be in my career, and I felt

963
00:54:04,960 --> 00:54:07,520
Speaker 1: like I was kind of sort of wasting time out

964
00:54:07,600 --> 00:54:09,880
Speaker 1: here doing this, you know what I'm saying. And then

965
00:54:09,920 --> 00:54:12,080
Speaker 1: when I seen you put the album up without paperwork

966
00:54:12,160 --> 00:54:14,439
Speaker 1: or without me getting anything from it, I just felt

967
00:54:14,440 --> 00:54:16,160
Speaker 1: like that was wrong. You know what I'm saying. And

968
00:54:16,280 --> 00:54:18,279
Speaker 1: so there at that time and I was trying to

969
00:54:18,320 --> 00:54:20,560
Speaker 1: do something else. I believe Sosa had just got his

970
00:54:20,680 --> 00:54:23,040
Speaker 1: deal with Interscope, and I was looking for a deal,

971
00:54:23,160 --> 00:54:25,200
Speaker 1: you know, or a large lum summer money where I

972
00:54:25,239 --> 00:54:27,480
Speaker 1: could take care of my family and be put into

973
00:54:27,560 --> 00:54:30,680
Speaker 1: a situation where I can work and show how great

974
00:54:30,719 --> 00:54:32,600
Speaker 1: of an artist I can be. And I felt like

975
00:54:32,719 --> 00:54:35,319
Speaker 1: that that situation wasn't providing me with that. And then

976
00:54:35,400 --> 00:54:37,880
Speaker 1: when I left, I seen he had diner interview with

977
00:54:38,000 --> 00:54:40,560
Speaker 1: like the Breakfast Club or something, I can't remember who

978
00:54:40,600 --> 00:54:42,360
Speaker 1: it was, and it was him and out of and

979
00:54:42,440 --> 00:54:44,440
Speaker 1: I was like, yo, Fedral and he was like um

980
00:54:45,440 --> 00:54:48,160
Speaker 1: master piece said something like you know, Fedrel man, he

981
00:54:48,239 --> 00:54:50,759
Speaker 1: didn't have any patience, you know, he didn't believe in

982
00:54:51,239 --> 00:54:54,120
Speaker 1: what I had going on, and you know, he was

983
00:54:54,160 --> 00:54:56,799
Speaker 1: just trying to get a deal, like Fedrel, just trying

984
00:54:56,840 --> 00:54:59,040
Speaker 1: to sign a deal so he could get some money.

985
00:54:59,080 --> 00:55:03,319
Speaker 1: And I looked at that like that was a form

986
00:55:03,360 --> 00:55:07,040
Speaker 1: of disrespect, you know what I'm saying. And I ain't

987
00:55:07,080 --> 00:55:09,040
Speaker 1: called his phone enough and I ain't had no conversation

988
00:55:09,120 --> 00:55:11,480
Speaker 1: with him or nothing, because I've been around p and

989
00:55:11,560 --> 00:55:14,880
Speaker 1: I know what type of person he really is? And

990
00:55:16,560 --> 00:55:19,160
Speaker 1: you know if if if I respected him as a man,

991
00:55:19,640 --> 00:55:21,120
Speaker 1: I would have felt some type of way about it.

992
00:55:21,239 --> 00:55:23,279
Speaker 1: But me, Norm what type of person like being around him?

993
00:55:23,280 --> 00:55:25,360
Speaker 1: And Norm what type of niggas? I was just like,

994
00:55:25,440 --> 00:55:28,160
Speaker 1: I just let it slide, like you know what I'm saying.

995
00:55:28,680 --> 00:55:30,719
Speaker 1: It ain't it ain't neces serious even though he lying,

996
00:55:30,760 --> 00:55:32,600
Speaker 1: he lied to their faces, you know what I'm saying,

997
00:55:32,640 --> 00:55:35,640
Speaker 1: because we were never that was never supposed to be

998
00:55:35,719 --> 00:55:37,800
Speaker 1: a Louis vimb He was never supposed to record a

999
00:55:37,880 --> 00:55:41,000
Speaker 1: single record together. As you hear Fat Trail speak to

1000
00:55:41,200 --> 00:55:44,319
Speaker 1: him talk about being a fan, and sometimes you can

1001
00:55:44,360 --> 00:55:46,120
Speaker 1: be a fan of somebody and just be like, man,

1002
00:55:46,280 --> 00:55:49,359
Speaker 1: damn DoD, that's who do woo standing next to him,

1003
00:55:49,440 --> 00:55:52,719
Speaker 1: that's an accomplishment for me. And I think you got

1004
00:55:52,840 --> 00:55:54,920
Speaker 1: to ignore that. I think it's natural for that to

1005
00:55:55,080 --> 00:55:58,719
Speaker 1: happen because you naturally grow up to some of these

1006
00:55:58,840 --> 00:56:02,799
Speaker 1: people and that as soundtrack to your lives. You gotta

1007
00:56:02,840 --> 00:56:05,239
Speaker 1: know that's a natural human behavior and know how to

1008
00:56:05,320 --> 00:56:09,400
Speaker 1: ignore that. Like now, but I still I don't put

1009
00:56:09,440 --> 00:56:11,160
Speaker 1: a lot of work in or I'm willing to put

1010
00:56:11,239 --> 00:56:13,040
Speaker 1: work in, or I know how far I'm willing to go.

1011
00:56:13,200 --> 00:56:15,240
Speaker 1: I know I won't fail because I'm gonna do everything

1012
00:56:15,360 --> 00:56:17,279
Speaker 1: I need to do and get up earlier about it

1013
00:56:17,360 --> 00:56:19,320
Speaker 1: or go to sleep later about it if I need to,

1014
00:56:19,480 --> 00:56:22,000
Speaker 1: And too, I'm able to take a vacation and get

1015
00:56:22,040 --> 00:56:24,160
Speaker 1: a villa and get with a video vix and and

1016
00:56:24,280 --> 00:56:27,240
Speaker 1: do some things that don't need to be seen unless

1017
00:56:27,239 --> 00:56:30,560
Speaker 1: it's behind a paywall. You know what I'm saying. Maybe

1018
00:56:30,600 --> 00:56:32,960
Speaker 1: I'm gonna get to that point, but for right now,

1019
00:56:33,160 --> 00:56:35,680
Speaker 1: I know I gotta work, work, work, work, work to

1020
00:56:35,800 --> 00:56:38,000
Speaker 1: try to get out of the situation I was placed in.

1021
00:56:38,600 --> 00:56:41,239
Speaker 1: Right So for some of us, we don't view it

1022
00:56:41,400 --> 00:56:43,880
Speaker 1: that way, and sometimes we want to cheat the system.

1023
00:56:43,960 --> 00:56:45,520
Speaker 1: So we say, man, if I get next to him,

1024
00:56:45,600 --> 00:56:48,279
Speaker 1: I cheat all of that hard work he did. And

1025
00:56:48,440 --> 00:56:51,319
Speaker 1: sometimes it is a trampoline. But you gotta look at

1026
00:56:51,360 --> 00:56:53,799
Speaker 1: how many people have bounced up ball off of him,

1027
00:56:54,160 --> 00:56:56,399
Speaker 1: how many people have he put on I always talk

1028
00:56:56,440 --> 00:56:58,840
Speaker 1: about the fruits of your label. It's different than the

1029
00:56:58,880 --> 00:57:01,840
Speaker 1: fruits of your leadership. You see what I'm saying. And

1030
00:57:01,920 --> 00:57:04,279
Speaker 1: so Pee went on on the podcast I think it's

1031
00:57:04,360 --> 00:57:07,000
Speaker 1: Ryan Daniels, and he went and spoke about it. Let's

1032
00:57:07,000 --> 00:57:08,880
Speaker 1: take a look doing it, bro, I didn't try to

1033
00:57:08,960 --> 00:57:10,920
Speaker 1: help so many people that I'm like, Okay, they're going

1034
00:57:10,960 --> 00:57:13,160
Speaker 1: on with their like they're gonna be good. Yeah, next thing,

1035
00:57:13,239 --> 00:57:16,520
Speaker 1: you know, Oh well, P like so this this is

1036
00:57:16,520 --> 00:57:18,360
Speaker 1: the problem that we live in down right. And that's

1037
00:57:18,400 --> 00:57:20,200
Speaker 1: why I got into the product game. I said, product

1038
00:57:20,240 --> 00:57:24,760
Speaker 1: got ways talent, Product, don't talk back. Product. I want

1039
00:57:24,800 --> 00:57:26,640
Speaker 1: you to know, I said. It's my words. I say,

1040
00:57:26,760 --> 00:57:29,080
Speaker 1: get you something that don't talk back, because think about it.

1041
00:57:29,360 --> 00:57:31,880
Speaker 1: Product ain't gonna take your money and go to strip

1042
00:57:31,960 --> 00:57:35,800
Speaker 1: club and speaking with you like I need some more money. No, no,

1043
00:57:38,040 --> 00:57:40,920
Speaker 1: A product ain't gonna go and talk about you to somebody.

1044
00:57:41,520 --> 00:57:44,240
Speaker 1: The only person that gave himself. If I had an untie,

1045
00:57:44,240 --> 00:57:48,640
Speaker 1: I brought out house. I cut them all quickly. I

1046
00:57:48,760 --> 00:57:50,720
Speaker 1: cut them quick, y'all because I mean because I'm like,

1047
00:57:50,760 --> 00:57:52,720
Speaker 1: I be like, because I'm thinking, like when you skiing,

1048
00:57:52,760 --> 00:57:54,720
Speaker 1: I'm like, why are you even like dog? Do you

1049
00:57:54,800 --> 00:57:57,840
Speaker 1: know like you've done more than any of them have?

1050
00:57:58,000 --> 00:58:00,840
Speaker 1: The like you. I can't think of one person and

1051
00:58:01,000 --> 00:58:02,520
Speaker 1: if you could think of I can't think of one

1052
00:58:02,560 --> 00:58:05,800
Speaker 1: person that took more people on the ride. Yeah, well

1053
00:58:05,840 --> 00:58:09,520
Speaker 1: you know what, you know the roller coaster, go up

1054
00:58:09,560 --> 00:58:11,680
Speaker 1: and then come down. See it's a it's a hell

1055
00:58:11,720 --> 00:58:16,240
Speaker 1: of a thing, right, because that don't mean taking me

1056
00:58:16,400 --> 00:58:20,080
Speaker 1: on the ride. Tell me where to go get the tickets.

1057
00:58:20,120 --> 00:58:22,000
Speaker 1: I got some fold that want me to take them

1058
00:58:22,120 --> 00:58:24,840
Speaker 1: on the rad I got folk need to be took

1059
00:58:24,920 --> 00:58:26,800
Speaker 1: on the ride. You keep telling about you took me.

1060
00:58:27,160 --> 00:58:29,160
Speaker 1: I got people to be so tell me where to

1061
00:58:29,200 --> 00:58:32,880
Speaker 1: get the tickets from. Just don't hand me one ticket

1062
00:58:32,960 --> 00:58:36,720
Speaker 1: for one ride one person, Like I ain't got family.

1063
00:58:38,000 --> 00:58:40,320
Speaker 1: And so this is that industry talking. I got a

1064
00:58:40,360 --> 00:58:42,480
Speaker 1: lot of respect for all these guys, but I need

1065
00:58:42,560 --> 00:58:44,920
Speaker 1: them to understand how it's being received. It's like, yo,

1066
00:58:45,480 --> 00:58:48,120
Speaker 1: taking me on the ride ain't enough. What do that mean?

1067
00:58:48,560 --> 00:58:50,560
Speaker 1: What do taking me on the ride mean? For the

1068
00:58:50,640 --> 00:58:54,720
Speaker 1: sacred conversation? What does that mean? You took me on

1069
00:58:54,840 --> 00:58:58,000
Speaker 1: the rad like, I ain't nobody the child or nobody

1070
00:58:58,280 --> 00:59:01,080
Speaker 1: you know, daughter, no shop that you don't take me

1071
00:59:01,200 --> 00:59:03,440
Speaker 1: on the ride. You show me where they get the

1072
00:59:03,560 --> 00:59:09,160
Speaker 1: tickets at respect the fact I got family too, right,

1073
00:59:09,280 --> 00:59:12,200
Speaker 1: So so there's there's something that's happening there right. Why

1074
00:59:12,240 --> 00:59:14,720
Speaker 1: it's people on the other side, like, man, I'm trusting you.

1075
00:59:16,120 --> 00:59:18,200
Speaker 1: I'm getting on the ride with you, but I'm trusting

1076
00:59:18,240 --> 00:59:20,240
Speaker 1: them when I get off this ride. We walked back

1077
00:59:20,280 --> 00:59:25,360
Speaker 1: around the way you got the tickets at. And somewhere

1078
00:59:25,360 --> 00:59:28,320
Speaker 1: along the lines, people who understand where they get the

1079
00:59:28,400 --> 00:59:31,840
Speaker 1: tickets from they disconnected from that process. They think, well,

1080
00:59:31,880 --> 00:59:33,640
Speaker 1: I took you on the ride, you didn't get nothing from.

1081
00:59:33,680 --> 00:59:37,520
Speaker 1: It ain't my fault. The people didn't pick you. You

1082
00:59:37,600 --> 00:59:39,560
Speaker 1: see what I'm saying, And so that is a there's

1083
00:59:39,600 --> 00:59:41,720
Speaker 1: some gray area there because there's some truth to that

1084
00:59:41,840 --> 00:59:44,600
Speaker 1: as well. It's like, yo, we can't force the market

1085
00:59:44,680 --> 00:59:48,160
Speaker 1: to react to you. Period behind that, But show me

1086
00:59:48,280 --> 00:59:51,280
Speaker 1: how you hustling with the with like me that ain't

1087
00:59:51,320 --> 00:59:54,000
Speaker 1: making nothing. In case I found they do make something,

1088
00:59:54,040 --> 00:59:55,560
Speaker 1: I can do what you was trying to do with

1089
00:59:55,720 --> 00:59:58,520
Speaker 1: me that didn't work. It's just game on top of game.

1090
00:59:58,600 --> 01:00:00,400
Speaker 1: But you gotta be able to pick that up too.

1091
01:00:01,000 --> 01:00:03,600
Speaker 1: You don't got time to just be explained and explain.

1092
01:00:03,640 --> 01:00:05,520
Speaker 1: You got to baby to pick game up as it's

1093
01:00:05,560 --> 01:00:09,520
Speaker 1: being executed. You got to know demonstration in progress and

1094
01:00:09,600 --> 01:00:12,120
Speaker 1: pick some of that up. You can't be slow, slow feet,

1095
01:00:12,160 --> 01:00:14,600
Speaker 1: don't eat a lot of them, ain't prepare for it

1096
01:00:14,720 --> 01:00:17,200
Speaker 1: to go down. Yeah, So me, I don't care. When

1097
01:00:17,200 --> 01:00:20,120
Speaker 1: you got God gonna keep blessing you. He keep blessing me.

1098
01:00:20,680 --> 01:00:23,040
Speaker 1: Whenever it go down, I come right back up exactly

1099
01:00:23,120 --> 01:00:25,800
Speaker 1: because I know that he. I think sometimes he wants

1100
01:00:25,800 --> 01:00:28,280
Speaker 1: to get them people out of them seasons in your life.

1101
01:00:28,840 --> 01:00:31,520
Speaker 1: So if everything go good, they're not gonna leave because

1102
01:00:31,520 --> 01:00:33,160
Speaker 1: you're not gonna even see it. You're trying to bless

1103
01:00:33,200 --> 01:00:35,720
Speaker 1: somebody that don't even deserve to bless it. And so

1104
01:00:35,880 --> 01:00:38,160
Speaker 1: that's when I look at these artists, I'm like, how

1105
01:00:38,160 --> 01:00:39,760
Speaker 1: could the artists be mad with me? Let me tell

1106
01:00:39,800 --> 01:00:41,920
Speaker 1: y'all what mine and I want all y'all to notice,

1107
01:00:42,000 --> 01:00:44,400
Speaker 1: this is what my motto was. If you don't want

1108
01:00:44,400 --> 01:00:45,680
Speaker 1: to be with me, I don't want to be with you.

1109
01:00:45,960 --> 01:00:48,560
Speaker 1: It's almost like in a relationship. I ain't trying to

1110
01:00:48,640 --> 01:00:51,400
Speaker 1: hold you back. Yeah, you know what I'm saying. And

1111
01:00:51,520 --> 01:00:53,360
Speaker 1: so a lot of these artists go back and check

1112
01:00:53,800 --> 01:00:55,920
Speaker 1: whenever they say they didn't want to be with no

1113
01:00:56,040 --> 01:00:58,280
Speaker 1: limits or they fitted that they could go ahead, move on.

1114
01:00:58,480 --> 01:01:01,680
Speaker 1: I tell the contractor, ain't took no money from him.

1115
01:01:01,840 --> 01:01:04,320
Speaker 1: I let him go, So you got no money. I'm

1116
01:01:04,320 --> 01:01:06,160
Speaker 1: gonna tell y'all, why what if some of them I

1117
01:01:06,240 --> 01:01:09,480
Speaker 1: didn't even sign contracts with so I let him go side.

1118
01:01:10,000 --> 01:01:12,520
Speaker 1: Think about this, y'all, I got all this right now.

1119
01:01:12,960 --> 01:01:16,840
Speaker 1: That's what I call ungratefulness. If if if you moved

1120
01:01:16,920 --> 01:01:21,000
Speaker 1: on ten or fifteen or twenty years after me, why

1121
01:01:21,160 --> 01:01:26,680
Speaker 1: you talking about me? Why are we still? Like I

1122
01:01:26,800 --> 01:01:29,720
Speaker 1: forgot about yall? Real like I'm the only thing you

1123
01:01:29,760 --> 01:01:32,040
Speaker 1: can talk that sounds like that sounds like you're a

1124
01:01:32,080 --> 01:01:34,240
Speaker 1: woman that had a good man that you ain't got

1125
01:01:34,320 --> 01:01:36,560
Speaker 1: him no more. You got a bad man. Yeah, you're like,

1126
01:01:36,760 --> 01:01:40,120
Speaker 1: damn I wish I had because you Yeah, and so

1127
01:01:40,320 --> 01:01:42,760
Speaker 1: if you look at it, right, who y'all knowing this

1128
01:01:42,920 --> 01:01:46,080
Speaker 1: business allowed people to go sign with other companies, but

1129
01:01:46,200 --> 01:01:49,000
Speaker 1: they never talk about those other companies after they moved on.

1130
01:01:49,160 --> 01:01:51,600
Speaker 1: They're still talking about me. That makes me feel good,

1131
01:01:51,680 --> 01:01:56,840
Speaker 1: Like still thinking about me. You probably was the best

1132
01:01:56,880 --> 01:01:59,160
Speaker 1: time of their life. After seven years, you shouldn't be

1133
01:01:59,200 --> 01:02:03,120
Speaker 1: allowed to go can talk about nobody think about it

1134
01:02:06,560 --> 01:02:09,720
Speaker 1: if you ain't been around that person and over seven years. Please,

1135
01:02:09,720 --> 01:02:11,960
Speaker 1: you don't even deserve to talk about it. Exactly. You

1136
01:02:11,960 --> 01:02:14,560
Speaker 1: don't know no more, you don't exactly like especially if

1137
01:02:14,720 --> 01:02:16,800
Speaker 1: you haven't been in and out of jail. Yeah, man,

1138
01:02:16,880 --> 01:02:18,560
Speaker 1: let me tell your something. I didn't got dudes in

1139
01:02:18,640 --> 01:02:22,520
Speaker 1: and out of jail, took cam ye too, ky Mama's

1140
01:02:22,920 --> 01:02:27,160
Speaker 1: right about it. But then you may tell y'all something.

1141
01:02:27,480 --> 01:02:31,240
Speaker 1: The thing is right. I don't even mind the haters.

1142
01:02:31,280 --> 01:02:33,800
Speaker 1: I love them. They motivated because they wave for distance,

1143
01:02:34,440 --> 01:02:36,560
Speaker 1: the part that tripped me out, the ones that be

1144
01:02:36,640 --> 01:02:39,560
Speaker 1: in your circle. And so when you see him say

1145
01:02:39,640 --> 01:02:42,920
Speaker 1: something like that, you see that Romeo had reached out

1146
01:02:43,000 --> 01:02:44,800
Speaker 1: the trail and was like, Yo, I'm with you, bro.

1147
01:02:45,040 --> 01:02:46,960
Speaker 1: He got over on me and some things like that.

1148
01:02:47,120 --> 01:02:50,400
Speaker 1: So he was kind of sided with fat trail on that.

1149
01:02:50,720 --> 01:02:53,840
Speaker 1: And as I see people say things about peeing in

1150
01:02:53,920 --> 01:02:56,000
Speaker 1: the respect I got for him and what he'd done,

1151
01:02:57,040 --> 01:03:02,360
Speaker 1: he taught me hustling ain't enough, master peace single handed.

1152
01:03:02,400 --> 01:03:06,880
Speaker 1: That taught me hustling is not enough. Just being able

1153
01:03:06,920 --> 01:03:09,200
Speaker 1: to wrack up to three hundred met and drop an

1154
01:03:09,200 --> 01:03:11,280
Speaker 1: out of me a week and do what ain't never

1155
01:03:11,480 --> 01:03:13,480
Speaker 1: being done. That ain't enough. If you ain't got no

1156
01:03:13,600 --> 01:03:16,000
Speaker 1: information to go with that, you're gonna fumble the ball

1157
01:03:16,760 --> 01:03:19,320
Speaker 1: just because you hit the hole and you get some yards,

1158
01:03:19,400 --> 01:03:23,000
Speaker 1: you think you're gone. Now you gotta score with this hill.

1159
01:03:23,640 --> 01:03:27,000
Speaker 1: You gotta secure this in the long term, not just

1160
01:03:27,200 --> 01:03:29,560
Speaker 1: in the intriment. So what will happen is they'll let

1161
01:03:29,600 --> 01:03:31,880
Speaker 1: you wreck that money up and then pencil whoop you

1162
01:03:31,920 --> 01:03:34,880
Speaker 1: beat you with the information. And so when people look

1163
01:03:34,960 --> 01:03:37,520
Speaker 1: at Pee, he gotta understand they looking like, did you

1164
01:03:37,640 --> 01:03:42,400
Speaker 1: withstand the wind? Though? They everybody asking, though we know

1165
01:03:42,560 --> 01:03:45,200
Speaker 1: you got it up there, we know you lifted three

1166
01:03:45,280 --> 01:03:47,560
Speaker 1: fifty four hundred in the gym, but did it break

1167
01:03:47,600 --> 01:03:51,080
Speaker 1: your back when you went home? It didn't do something

1168
01:03:51,120 --> 01:03:54,640
Speaker 1: to you that you irreversible damage to you? Did you

1169
01:03:54,880 --> 01:03:59,520
Speaker 1: make it after that? Right? So everybody looking because you

1170
01:03:59,640 --> 01:04:03,400
Speaker 1: gotta build something that can withstand the win. It's gonna

1171
01:04:03,400 --> 01:04:06,240
Speaker 1: be strong wind when you get up to two hundred million,

1172
01:04:06,880 --> 01:04:10,840
Speaker 1: a honey million dollars happening. It's strong wind trying to

1173
01:04:10,920 --> 01:04:17,040
Speaker 1: take that. Lawsuits, tax information, baby mama drama, alamony, child

1174
01:04:17,160 --> 01:04:26,520
Speaker 1: support man, it's all kind of trickery, insurance, bonding, it's corps, accountant, lawyers,

1175
01:04:26,840 --> 01:04:30,760
Speaker 1: operational budget, it's all kind of happening. Did you build

1176
01:04:30,800 --> 01:04:33,760
Speaker 1: something that withstood that? That's what made his name seep

1177
01:04:33,840 --> 01:04:37,080
Speaker 1: out of them conversations, because if you think about it,

1178
01:04:37,280 --> 01:04:44,280
Speaker 1: everybody else just mentioned when you deal with pe Baby, Jay, Diddy, TDQC.

1179
01:04:44,480 --> 01:04:46,600
Speaker 1: All those labels are the new era. But I'm talking

1180
01:04:46,640 --> 01:04:49,760
Speaker 1: about that those founding fathers of it. When you deal

1181
01:04:49,840 --> 01:04:53,360
Speaker 1: with all of them, we look at them and say

1182
01:04:53,360 --> 01:04:56,080
Speaker 1: a lot of them built something that withstanding the wind

1183
01:04:57,200 --> 01:05:01,000
Speaker 1: and the storm and the rain. Because all y'all might

1184
01:05:01,080 --> 01:05:06,920
Speaker 1: have been doing skeptical business in the nineties, But did

1185
01:05:07,000 --> 01:05:09,680
Speaker 1: you last long enough to come back around the corner

1186
01:05:09,680 --> 01:05:12,880
Speaker 1: and get most of that back? Right? Everybody that had

1187
01:05:13,000 --> 01:05:15,640
Speaker 1: something on baby name, he come out every time and

1188
01:05:15,680 --> 01:05:19,680
Speaker 1: say I didn't pay anybody, and you don't. In my opinion,

1189
01:05:19,760 --> 01:05:22,360
Speaker 1: you don't really talk like that when that receipts to

1190
01:05:22,520 --> 01:05:26,840
Speaker 1: say otherwise. You talk like that knowing that you don't

1191
01:05:26,880 --> 01:05:29,560
Speaker 1: came back around. Did it got enough? He don't came Jay.

1192
01:05:29,720 --> 01:05:32,000
Speaker 1: All these dudes don't came back around, and either Gay

1193
01:05:32,080 --> 01:05:34,840
Speaker 1: these guys jaws. Millions of dollars put him in some

1194
01:05:35,040 --> 01:05:38,200
Speaker 1: kind of position, and everybody looking at pee, did you

1195
01:05:38,360 --> 01:05:43,080
Speaker 1: build something that withstand the wind? Though? He gotta understand

1196
01:05:43,160 --> 01:05:45,680
Speaker 1: that we know you're hustling. Mother, that you taught us

1197
01:05:45,760 --> 01:05:48,960
Speaker 1: hustling ain't enough just bout viewing it. Did they whoop

1198
01:05:49,000 --> 01:05:51,240
Speaker 1: you with the pencil? Did they whoop you with the

1199
01:05:51,320 --> 01:05:57,080
Speaker 1: Texas with the information. That's the question that we all behaving.

1200
01:05:58,480 --> 01:06:01,800
Speaker 1: We can't never take away what he done, the blue print,

1201
01:06:01,840 --> 01:06:04,680
Speaker 1: he said, We never can't never take that away. But

1202
01:06:04,840 --> 01:06:07,640
Speaker 1: we know by example that everybody that's been able to

1203
01:06:07,800 --> 01:06:11,160
Speaker 1: hustle through the nineties and withstand and got a billion

1204
01:06:11,240 --> 01:06:14,440
Speaker 1: next to their name or high three, four, five, six,

1205
01:06:14,600 --> 01:06:17,240
Speaker 1: hunting million dollars and they didn't produce. Dudes, it's worth

1206
01:06:17,320 --> 01:06:20,040
Speaker 1: one two fifty. They selves like they got a lot

1207
01:06:20,080 --> 01:06:23,120
Speaker 1: of fruits. So they leadership. That's something I brought to

1208
01:06:23,280 --> 01:06:26,280
Speaker 1: the game. Difference between fruits of your labor and fruits

1209
01:06:26,320 --> 01:06:29,400
Speaker 1: of your leadership. I view fruits, so your leadership. So

1210
01:06:29,560 --> 01:06:32,000
Speaker 1: as I see that, we look at pe and we say, damn,

1211
01:06:32,080 --> 01:06:34,280
Speaker 1: did he build something that with standing the win over?

1212
01:06:34,880 --> 01:06:37,880
Speaker 1: We know he was hustling with all the grace. Yeah,

1213
01:06:38,000 --> 01:06:40,240
Speaker 1: nah he was. We won the league first, he was

1214
01:06:40,880 --> 01:06:46,920
Speaker 1: doctor j But did he get paid for That's how

1215
01:06:47,000 --> 01:06:50,400
Speaker 1: he needs to understand. That's what's happening. But we can't

1216
01:06:50,440 --> 01:06:53,040
Speaker 1: take his legendary status. But on the heels of that,

1217
01:06:53,280 --> 01:06:57,800
Speaker 1: Fat Trail responded, But before he responded, just hilarious came

1218
01:06:57,880 --> 01:07:00,400
Speaker 1: out on the breakfast club shout out Breakfast when she

1219
01:07:00,480 --> 01:07:02,760
Speaker 1: spoke about it, like, Yo, you know, I was in

1220
01:07:02,840 --> 01:07:04,520
Speaker 1: one of the movies where he was hustling in the

1221
01:07:04,640 --> 01:07:06,680
Speaker 1: nineties and early two thousand. I was in one of

1222
01:07:06,720 --> 01:07:09,280
Speaker 1: them movies. He got old on me too. Let's take

1223
01:07:09,320 --> 01:07:12,360
Speaker 1: a look talk about him. I don't care if it

1224
01:07:12,560 --> 01:07:15,680
Speaker 1: was seldom is a lelbom is, You don't if you

1225
01:07:15,800 --> 01:07:17,919
Speaker 1: did something to me and I have something to say,

1226
01:07:18,080 --> 01:07:19,960
Speaker 1: I'm saying, that's just what it is. You know what

1227
01:07:20,040 --> 01:07:21,840
Speaker 1: I'm saying. And you're not the only one out here

1228
01:07:21,880 --> 01:07:23,880
Speaker 1: being talked about we had. We got Diddy, people still

1229
01:07:23,880 --> 01:07:25,800
Speaker 1: talking about him. We got right people talking about Mace

1230
01:07:25,960 --> 01:07:29,040
Speaker 1: because what happened to him. They talked about Jay's now Jay.

1231
01:07:29,800 --> 01:07:32,040
Speaker 1: So many people, so you're not the only person. And

1232
01:07:33,080 --> 01:07:35,919
Speaker 1: basically it all boils down to this. Fat Trail said

1233
01:07:35,960 --> 01:07:38,880
Speaker 1: that he was promised by master P that he would

1234
01:07:38,920 --> 01:07:42,160
Speaker 1: be put in a Minister Society sequel that never came

1235
01:07:42,240 --> 01:07:45,600
Speaker 1: to fruition. How come Minister Society sequel? He never even

1236
01:07:45,680 --> 01:07:49,080
Speaker 1: did the first one or the second one. Now, Masterpiece

1237
01:07:49,080 --> 01:07:51,840
Speaker 1: said he never mentioned making a Minister Society sequel. He

1238
01:07:51,880 --> 01:07:57,120
Speaker 1: wanted to make a movie like Minister Society and he

1239
01:07:57,200 --> 01:07:59,160
Speaker 1: wanted Gucci man and being it, but Gucci was getting

1240
01:07:59,200 --> 01:08:02,200
Speaker 1: locked up all the time. But so so he just

1241
01:08:02,360 --> 01:08:03,720
Speaker 1: was like he put the idea of the rest. But

1242
01:08:04,000 --> 01:08:06,120
Speaker 1: Fat Troll was like, yo, you still promised me to

1243
01:08:06,200 --> 01:08:08,520
Speaker 1: be in this movie or whatever, and so he was like,

1244
01:08:08,560 --> 01:08:09,920
Speaker 1: I don't want to be with you no more. Now

1245
01:08:10,720 --> 01:08:14,880
Speaker 1: I see both sides, um, Fat Troll, I get it.

1246
01:08:15,080 --> 01:08:17,120
Speaker 1: He liked, look, Yo, that was like a bit of

1247
01:08:17,160 --> 01:08:20,240
Speaker 1: a temper tantrum to me a little bit. But I

1248
01:08:20,400 --> 01:08:23,400
Speaker 1: do believe him. I do believe that master, because that

1249
01:08:23,800 --> 01:08:25,720
Speaker 1: that that man will talk a good game to you,

1250
01:08:26,080 --> 01:08:29,240
Speaker 1: like even with me. I got to hook up. I'm

1251
01:08:29,280 --> 01:08:31,880
Speaker 1: still old some bread for that. I'm not gonna yeah,

1252
01:08:31,880 --> 01:08:33,640
Speaker 1: I ain't gonna lie. You know. He pay at all?

1253
01:08:34,000 --> 01:08:36,880
Speaker 1: Yeah yeah, yeah for the first scene, and then I

1254
01:08:37,000 --> 01:08:39,280
Speaker 1: did two scenes. He thought because he used one scene,

1255
01:08:39,280 --> 01:08:41,160
Speaker 1: he got paid for the second. No. I stayed there

1256
01:08:41,760 --> 01:08:44,479
Speaker 1: thirteen hours to do two scenes. But that's not how

1257
01:08:44,520 --> 01:08:45,960
Speaker 1: it worked. I thought, you get paid for a movie,

1258
01:08:46,000 --> 01:08:47,560
Speaker 1: don't you get paid for the whole time? I do

1259
01:08:47,760 --> 01:08:49,840
Speaker 1: by scene when it's come to a skit movie like that,

1260
01:08:51,200 --> 01:08:53,000
Speaker 1: you know, you know, I got to hook up was

1261
01:08:53,040 --> 01:08:59,519
Speaker 1: a long skit it. I like to charge fifteen thousand

1262
01:08:59,560 --> 01:09:03,240
Speaker 1: per ski. That was a long time ago number. Man,

1263
01:09:03,280 --> 01:09:05,120
Speaker 1: it ain't been seven years, so I can still talk

1264
01:09:05,200 --> 01:09:08,680
Speaker 1: about I can still talk about this. I don't care.

1265
01:09:08,720 --> 01:09:10,479
Speaker 1: As soon as you give me the check will be good. Man.

1266
01:09:10,720 --> 01:09:14,000
Speaker 1: So you was charging him per skit for the movie. Yeah,

1267
01:09:14,080 --> 01:09:17,559
Speaker 1: well yeah, ain't knew what you're talking about. He signed

1268
01:09:17,600 --> 01:09:19,840
Speaker 1: doing what you're talking about. We signed back and forth.

1269
01:09:20,120 --> 01:09:26,840
Speaker 1: Yeah yeah, yeah. I try to hit Romeo hit, but

1270
01:09:26,960 --> 01:09:30,200
Speaker 1: they got their own problems on. You know, I'm a

1271
01:09:30,280 --> 01:09:32,400
Speaker 1: way to a die down again. But Fat trol I

1272
01:09:32,520 --> 01:09:35,320
Speaker 1: get where coming from. Okay, So Master Pete went and

1273
01:09:35,400 --> 01:09:37,840
Speaker 1: posted this as you see if you're watching the video,

1274
01:09:37,960 --> 01:09:40,120
Speaker 1: this is a video of him addle boy and Fat

1275
01:09:40,200 --> 01:09:44,920
Speaker 1: Trail says, I'm only giving people opportunities. He's never forced

1276
01:09:45,000 --> 01:09:47,400
Speaker 1: an artist to make music of going to the studio.

1277
01:09:48,040 --> 01:09:50,360
Speaker 1: It's sad that there's always us against us. But I'm

1278
01:09:50,360 --> 01:09:52,320
Speaker 1: going to keep educating the ones they want to learn

1279
01:09:52,400 --> 01:09:55,280
Speaker 1: and grow. And then everyone I crossed path will I

1280
01:09:55,400 --> 01:10:06,080
Speaker 1: wish them success. I got my young Shooter part of it.

1281
01:10:06,400 --> 01:10:09,080
Speaker 1: We were ahead of our time. There was twenty thirteen

1282
01:10:09,200 --> 01:10:11,519
Speaker 1: Ali Boy real G. I respect him to the end.

1283
01:10:11,600 --> 01:10:14,360
Speaker 1: We didn't pop. Back then, we didn't have a hit record.

1284
01:10:14,439 --> 01:10:17,040
Speaker 1: We only had street records that didn't cross over. I

1285
01:10:17,160 --> 01:10:19,880
Speaker 1: invested in this project, lost on it, and I still

1286
01:10:19,960 --> 01:10:22,640
Speaker 1: haven't been able to make money from streaming. That's one

1287
01:10:22,680 --> 01:10:24,639
Speaker 1: of the reasons why I got out of the music

1288
01:10:24,760 --> 01:10:27,920
Speaker 1: industry and into the product game product don't talk back.

1289
01:10:28,200 --> 01:10:30,640
Speaker 1: I love just hilarious, and I know she was just

1290
01:10:30,800 --> 01:10:33,559
Speaker 1: cracking jokes, but she signed a contract and got paid

1291
01:10:33,640 --> 01:10:36,320
Speaker 1: what she was old for. I got to hook up too,

1292
01:10:36,600 --> 01:10:38,920
Speaker 1: But if she's trying to squeeze me for another teen case,

1293
01:10:39,000 --> 01:10:42,080
Speaker 1: she got that one thing about the truth can't be changed,

1294
01:10:42,080 --> 01:10:44,000
Speaker 1: and it would always come to the light. What they

1295
01:10:44,400 --> 01:10:46,600
Speaker 1: meant for harm, God will use for good. I'm going

1296
01:10:46,680 --> 01:10:49,519
Speaker 1: to keep doing the right thing. That's why bigger blessings

1297
01:10:49,880 --> 01:10:53,320
Speaker 1: keep coming. I wish Fat Trail the best, but it's

1298
01:10:53,360 --> 01:10:55,679
Speaker 1: old none for me in my company. The only business

1299
01:10:55,760 --> 01:10:58,200
Speaker 1: we ever did was put out a free mixtape on

1300
01:10:58,320 --> 01:11:01,599
Speaker 1: Live Mixtapes in twenty thirteen, which is available for download

1301
01:11:01,680 --> 01:11:05,639
Speaker 1: for free today. I think Live Mixtapes did used to pay.

1302
01:11:07,040 --> 01:11:09,800
Speaker 1: If I'm not mistaken, it might be available for free,

1303
01:11:09,840 --> 01:11:12,360
Speaker 1: but YouTube it's for free. As millionaires over there. Let's

1304
01:11:12,400 --> 01:11:15,439
Speaker 1: be clear. Live mixtapes world start. A lot of them

1305
01:11:15,600 --> 01:11:17,759
Speaker 1: was early on the ad game with a free site,

1306
01:11:17,840 --> 01:11:20,840
Speaker 1: making millions of dollars. The game translated to where they

1307
01:11:20,960 --> 01:11:24,000
Speaker 1: pay what their eyeballs. We know that. So if you

1308
01:11:24,120 --> 01:11:26,840
Speaker 1: sent the millions over to click that, it's some kind

1309
01:11:26,880 --> 01:11:29,120
Speaker 1: of money involved in that. I don't know who got it,

1310
01:11:29,240 --> 01:11:32,920
Speaker 1: but it's somewhere somebody being paid. I don't know where

1311
01:11:32,960 --> 01:11:34,760
Speaker 1: it triggered down to, but I need to say that

1312
01:11:34,880 --> 01:11:37,160
Speaker 1: for the youngster, so they do know it's value in

1313
01:11:37,280 --> 01:11:42,200
Speaker 1: those transactions. Those are not empty opportunities. There's money involved

1314
01:11:42,280 --> 01:11:45,080
Speaker 1: in that. You see the business model with YouTube. It's

1315
01:11:45,120 --> 01:11:49,040
Speaker 1: free and they pay millions. It's a millionaire's birthed over there, right,

1316
01:11:49,200 --> 01:11:51,360
Speaker 1: and it's free for you to get on their Facebook,

1317
01:11:51,439 --> 01:11:54,040
Speaker 1: free for you to get on there. They pay rights.

1318
01:11:54,120 --> 01:11:57,320
Speaker 1: It's Google. You can Google anything at any time. It's

1319
01:11:57,360 --> 01:12:00,840
Speaker 1: one they pay, right, So you gotta under stand what's happening.

1320
01:12:00,960 --> 01:12:03,360
Speaker 1: Let's listen. We also put it on iTunes, which it

1321
01:12:03,439 --> 01:12:05,519
Speaker 1: didn't sell because you can get it for free from

1322
01:12:05,560 --> 01:12:08,599
Speaker 1: line mixtapes. That definitely makes sense, and I say would

1323
01:12:08,600 --> 01:12:11,840
Speaker 1: take it down. I covered the entire production caused paid

1324
01:12:11,880 --> 01:12:14,080
Speaker 1: for flights in the park being rental cars that were

1325
01:12:14,120 --> 01:12:16,479
Speaker 1: trast and damage. So that's why he's saying I kept

1326
01:12:16,520 --> 01:12:18,160
Speaker 1: it up. I need to try to get whatever I

1327
01:12:18,320 --> 01:12:20,439
Speaker 1: can from it. I'm the only one that made a

1328
01:12:20,520 --> 01:12:23,560
Speaker 1: financial investment in this project and took a loss. I

1329
01:12:23,640 --> 01:12:26,200
Speaker 1: have receised to prove it. Everyone that was around us

1330
01:12:26,240 --> 01:12:28,360
Speaker 1: at the time to know the truth. Since then, he

1331
01:12:28,479 --> 01:12:30,720
Speaker 1: signed with Rick Rosson went to prison. That was over

1332
01:12:30,840 --> 01:12:33,639
Speaker 1: ten years ago. Now y'all know the truth. Let's see

1333
01:12:33,680 --> 01:12:36,280
Speaker 1: the media sites going have integrity and do the right thing.

1334
01:12:36,720 --> 01:12:40,200
Speaker 1: For the car was hiding behind computers enforcing fake news.

1335
01:12:40,280 --> 01:12:43,479
Speaker 1: I have just hilarious contract from five years ago for

1336
01:12:43,640 --> 01:12:45,240
Speaker 1: I got to hook up to In the copy of

1337
01:12:45,320 --> 01:12:47,439
Speaker 1: the check, cash and page, she was joking about the

1338
01:12:47,520 --> 01:12:50,759
Speaker 1: second check that was never in a contract. That was narrative.

1339
01:12:51,200 --> 01:12:54,679
Speaker 1: They ran with a click baita headlines thank god for receipts.

1340
01:12:55,040 --> 01:12:58,360
Speaker 1: If he got receipts, that's why numbers don't lie. Master

1341
01:12:58,479 --> 01:13:00,920
Speaker 1: Pete taught me that Allied Boy five hundred and eighty

1342
01:13:01,000 --> 01:13:04,519
Speaker 1: thousand and count go to live mix tapes, remake Master

1343
01:13:04,600 --> 01:13:07,559
Speaker 1: Pepe breaking out something on world stuff. Fat Tril put

1344
01:13:07,640 --> 01:13:09,840
Speaker 1: that up so I guess that's the album that was

1345
01:13:09,920 --> 01:13:14,360
Speaker 1: out dropped in twenty thirteen. Let's see what Fat Tril

1346
01:13:14,439 --> 01:13:19,560
Speaker 1: had to say. Hey, what's up man? Hey, look, this

1347
01:13:19,640 --> 01:13:21,200
Speaker 1: is gonna be my um, this is gonna be my

1348
01:13:21,280 --> 01:13:24,440
Speaker 1: last time addressing the ship. As far as that Masterpiece,

1349
01:13:25,240 --> 01:13:27,960
Speaker 1: I just seen a little breakfast club with Charlemagne and god.

1350
01:13:28,240 --> 01:13:30,960
Speaker 1: Um Jess, I believe her name is Jess from Baltimore, right,

1351
01:13:31,040 --> 01:13:35,760
Speaker 1: shout out the jets. Um. First of all, I ain't

1352
01:13:35,760 --> 01:13:37,800
Speaker 1: throw no temper chants when us. First of all, first

1353
01:13:37,800 --> 01:13:41,240
Speaker 1: of all, to address Master Pete. He talking about bringing

1354
01:13:41,320 --> 01:13:43,400
Speaker 1: his name up and all that. If you saw the

1355
01:13:43,479 --> 01:13:48,120
Speaker 1: No Jumper interview, Adam from No Jumper asked me, I

1356
01:13:48,240 --> 01:13:50,320
Speaker 1: remember a situation where you was dealing with Master Peak.

1357
01:13:50,320 --> 01:13:51,960
Speaker 1: Can't you tell us about that? And all I did

1358
01:13:52,080 --> 01:13:54,839
Speaker 1: was tell the truth. I ain't had no temper tantrum

1359
01:13:54,880 --> 01:13:56,800
Speaker 1: or none of that. I didn't even bring Master pe

1360
01:13:57,040 --> 01:13:58,800
Speaker 1: name up. We was doing an interview. He asked me

1361
01:13:58,800 --> 01:14:01,400
Speaker 1: about Master Pete, and I told him the truth, that's

1362
01:14:01,479 --> 01:14:05,640
Speaker 1: first of all. Second of all, all I said was

1363
01:14:05,760 --> 01:14:08,719
Speaker 1: that I was there to do the movie. I wasn't

1364
01:14:08,760 --> 01:14:11,200
Speaker 1: there to make music with Master p to have a

1365
01:14:11,280 --> 01:14:14,280
Speaker 1: song with Matt. To have a song with master P,

1366
01:14:14,760 --> 01:14:16,800
Speaker 1: it's cool and all that year legend in the rap game.

1367
01:14:17,000 --> 01:14:20,360
Speaker 1: I respect that. I respect what he did, you know,

1368
01:14:20,560 --> 01:14:22,280
Speaker 1: music wise, all the records he sold and all that.

1369
01:14:23,080 --> 01:14:26,560
Speaker 1: But I wasn't there to do music all that he

1370
01:14:26,680 --> 01:14:29,080
Speaker 1: told the about. It should be a statue of limitation

1371
01:14:29,120 --> 01:14:31,840
Speaker 1: for Nick to talk about me. I ain't had master

1372
01:14:31,920 --> 01:14:33,600
Speaker 1: Pal on my mind. Asked me a question, and I

1373
01:14:33,720 --> 01:14:37,000
Speaker 1: kept a hunting. If I'm gonna do an interview with him, question,

1374
01:14:37,120 --> 01:14:38,800
Speaker 1: I'm gonna keep it a hunting, you know what I'm saying.

1375
01:14:39,320 --> 01:14:43,559
Speaker 1: But I like how master P didn't address the fact

1376
01:14:43,640 --> 01:14:46,280
Speaker 1: that he put out music with me and Ali Boy

1377
01:14:46,880 --> 01:14:49,800
Speaker 1: on iTunes and he sold albums, and he didn't do

1378
01:14:49,920 --> 01:14:53,240
Speaker 1: no contract, no paperwork. He didn't contact no lawyers or nothing.

1379
01:14:53,960 --> 01:14:56,760
Speaker 1: And once again, I was never a no limit artist.

1380
01:14:56,840 --> 01:14:59,680
Speaker 1: We didn't sign no contract. I wasn't in California to

1381
01:15:00,000 --> 01:15:02,679
Speaker 1: here no limit artists or to do music with matter

1382
01:15:02,720 --> 01:15:04,479
Speaker 1: to pe. I was out there to do a movie,

1383
01:15:04,840 --> 01:15:10,640
Speaker 1: you know what I'm saying. So all this tempotantial, but

1384
01:15:10,800 --> 01:15:14,720
Speaker 1: like I was saying, um, yeah, and he ain't never

1385
01:15:14,840 --> 01:15:17,080
Speaker 1: bring he ain't bring up all that trying to sound

1386
01:15:17,160 --> 01:15:21,280
Speaker 1: fly and all that. Uh yeah, you know all I separated.

1387
01:15:21,280 --> 01:15:22,360
Speaker 1: You don't want to be with me no more. You

1388
01:15:22,400 --> 01:15:24,360
Speaker 1: don't want to be me on one people and all

1389
01:15:24,400 --> 01:15:27,800
Speaker 1: that sound fly to to to somebody that's dumb man.

1390
01:15:28,240 --> 01:15:31,320
Speaker 1: We weren't out there to do no music. Olie Boy

1391
01:15:31,439 --> 01:15:34,080
Speaker 1: had already had to deal with Atlantic Records. Olie Boy

1392
01:15:34,160 --> 01:15:36,600
Speaker 1: was shooting videos. His videos was on MTV jams and

1393
01:15:36,640 --> 01:15:38,360
Speaker 1: all that. When we used to Chilling the Crib. We

1394
01:15:38,439 --> 01:15:40,280
Speaker 1: weren't out there to do no music with Pete. We

1395
01:15:40,400 --> 01:15:42,479
Speaker 1: was out there strictly for the movie. So I just

1396
01:15:42,640 --> 01:15:44,640
Speaker 1: kept it real with with no jumping, and told him

1397
01:15:45,600 --> 01:15:48,720
Speaker 1: how the whole thing matter p went down. And that's

1398
01:15:48,720 --> 01:15:51,040
Speaker 1: why a lot of people thought that opposing no limit artists.

1399
01:15:51,080 --> 01:15:54,800
Speaker 1: But I wasn't no no, no, no, no no limit artists,

1400
01:15:54,920 --> 01:15:57,720
Speaker 1: you know what I'm saying. And you know he put

1401
01:15:57,800 --> 01:15:59,880
Speaker 1: out albums with us on it, and he sold that

1402
01:16:00,120 --> 01:16:03,040
Speaker 1: shot tunes and we didn't get paid, and I don't

1403
01:16:03,080 --> 01:16:05,799
Speaker 1: know if Ali Boy got paid. They never contacted my Lloise.

1404
01:16:06,640 --> 01:16:08,439
Speaker 1: What I don't like is the fact that a niche

1405
01:16:08,479 --> 01:16:11,280
Speaker 1: child sounds sweet trying to sound fly to amos, and

1406
01:16:11,600 --> 01:16:12,920
Speaker 1: it should be a statue and let me tell you

1407
01:16:13,120 --> 01:16:15,080
Speaker 1: how long you could talk about you. I want to

1408
01:16:15,120 --> 01:16:17,320
Speaker 1: talking about you. Man, ask me a question, and I

1409
01:16:17,680 --> 01:16:20,720
Speaker 1: answered the question. You feel what I'm saying? Um, And

1410
01:16:20,880 --> 01:16:23,160
Speaker 1: I like, how all that out of all that flash?

1411
01:16:23,320 --> 01:16:25,519
Speaker 1: She said, you ain't addressed the fact that you put

1412
01:16:25,560 --> 01:16:29,280
Speaker 1: out music and and didn't do the proper paperwork and

1413
01:16:29,400 --> 01:16:32,679
Speaker 1: go about about putting these albums out. Man, you're a businessman.

1414
01:16:32,720 --> 01:16:34,720
Speaker 1: You know how that went. I was a young you

1415
01:16:34,800 --> 01:16:37,600
Speaker 1: know what I'm saying, And you know my manager, my

1416
01:16:37,680 --> 01:16:40,720
Speaker 1: old manager let that go down and all that. So

1417
01:16:41,280 --> 01:16:43,760
Speaker 1: it is what it is. Though, But at the end

1418
01:16:43,800 --> 01:16:46,559
Speaker 1: of the day, I ain't tell no lie. And as

1419
01:16:46,640 --> 01:16:49,600
Speaker 1: far as that hold on that getting money, Oh, I

1420
01:16:49,640 --> 01:16:52,280
Speaker 1: wanted to make a movie call get Money. You never

1421
01:16:52,760 --> 01:16:55,120
Speaker 1: communicated that to me. You told me he was trying

1422
01:16:55,160 --> 01:16:57,120
Speaker 1: to buy the rights or somehow do the rights to

1423
01:16:57,200 --> 01:16:59,559
Speaker 1: Minister Society two or something. I never knew none about

1424
01:16:59,560 --> 01:17:03,400
Speaker 1: Gucci had none of that, ain't cabin Matt. I also

1425
01:17:03,479 --> 01:17:05,439
Speaker 1: want to speak a little bit about this as well.

1426
01:17:07,200 --> 01:17:09,760
Speaker 1: In this industry, there's a lot of middleman hustling, just

1427
01:17:09,880 --> 01:17:11,640
Speaker 1: like in the street, right, and so when you go

1428
01:17:11,840 --> 01:17:15,479
Speaker 1: broke your job automatically turns in the middleman. Hustling. It's

1429
01:17:15,520 --> 01:17:17,400
Speaker 1: just part of it in the industry. And so what

1430
01:17:17,560 --> 01:17:19,760
Speaker 1: happens is when you get to a certain point in

1431
01:17:19,840 --> 01:17:22,400
Speaker 1: you middleman, and I think it kind of reeks of

1432
01:17:22,560 --> 01:17:25,400
Speaker 1: desperation to people. And I also want to be clear,

1433
01:17:25,400 --> 01:17:29,560
Speaker 1: it's the difference between hustling and middleman. And as I

1434
01:17:29,680 --> 01:17:32,000
Speaker 1: talk to people, when they talk about PE, they always

1435
01:17:32,080 --> 01:17:35,120
Speaker 1: bring up the Kodak Black situation. It's like, Yo, you

1436
01:17:35,160 --> 01:17:37,960
Speaker 1: said you're gonna help me. I sent the contract over there,

1437
01:17:38,000 --> 01:17:41,920
Speaker 1: you sent the invoice. That sounds like you're hustling. They

1438
01:17:41,960 --> 01:17:43,960
Speaker 1: don't sound like you're helping. And so when you start

1439
01:17:44,040 --> 01:17:47,200
Speaker 1: to blur those lines, ain't nobody mad at you. They

1440
01:17:47,320 --> 01:17:49,400
Speaker 1: just wondering. Dude, you got the money you've seen you

1441
01:17:49,520 --> 01:17:51,479
Speaker 1: got right, And so I think that's what some of

1442
01:17:51,560 --> 01:17:55,000
Speaker 1: the question comes in that in regards to dealing with PE.

1443
01:17:56,360 --> 01:17:58,000
Speaker 1: It's just like me when I pull up at the

1444
01:17:58,040 --> 01:18:01,120
Speaker 1: gas station, soon I see a nigga immediately start trying

1445
01:18:01,160 --> 01:18:03,360
Speaker 1: to wipe my wonder pump. My I know he, I

1446
01:18:03,479 --> 01:18:06,439
Speaker 1: know he needs something for that. Nah, he ain't just

1447
01:18:06,600 --> 01:18:10,160
Speaker 1: out there just because he generous. You see what I'm saying,

1448
01:18:10,280 --> 01:18:12,559
Speaker 1: so if I ain't willing to pay, I'm stopping him. Hey, now,

1449
01:18:12,560 --> 01:18:14,720
Speaker 1: I don't wipe my wonder home. Now, I don't need

1450
01:18:14,800 --> 01:18:17,160
Speaker 1: nobody pumping my gas. Don't wipe my wonder because I

1451
01:18:17,280 --> 01:18:20,120
Speaker 1: know what go with that. Even when you win New

1452
01:18:20,240 --> 01:18:23,439
Speaker 1: York and somebody to try to stop you, it's game

1453
01:18:23,560 --> 01:18:25,559
Speaker 1: that they play when you win these other cities. Man,

1454
01:18:25,640 --> 01:18:27,720
Speaker 1: I like it. Head oh man for real? Yeah you're

1455
01:18:27,720 --> 01:18:29,559
Speaker 1: a fan. Yeah Nah, this ain't. I ain't a fan.

1456
01:18:29,680 --> 01:18:31,120
Speaker 1: Let me tell you, man, I got this right here

1457
01:18:31,160 --> 01:18:34,679
Speaker 1: for sale. I've been trying to get this out of Man. Look,

1458
01:18:34,720 --> 01:18:37,880
Speaker 1: I got what I'm saying is is hustle involved with

1459
01:18:38,000 --> 01:18:41,880
Speaker 1: interactions right almost everywhere in the world. And when you

1460
01:18:42,040 --> 01:18:45,439
Speaker 1: position yourself as the help and then you started, it

1461
01:18:45,600 --> 01:18:49,559
Speaker 1: started to look like you hustling, right see, helping in hustling.

1462
01:18:49,760 --> 01:18:51,840
Speaker 1: That's a thin line. A lot of people is out

1463
01:18:51,880 --> 01:18:55,519
Speaker 1: there living on right now? Is you helping the hustling?

1464
01:18:56,360 --> 01:18:59,040
Speaker 1: Because I'm not sure what that is you're doing over there.

1465
01:18:59,160 --> 01:19:01,280
Speaker 1: You see what I'm saying, And I think that P

1466
01:19:01,640 --> 01:19:04,240
Speaker 1: is one of those individuals. You can't take what he's

1467
01:19:04,280 --> 01:19:06,439
Speaker 1: done in the game, in the business. You can't take

1468
01:19:06,520 --> 01:19:09,639
Speaker 1: that from him. But at the same time, I think

1469
01:19:09,720 --> 01:19:15,200
Speaker 1: there's some room for conversation in regards to business practices

1470
01:19:15,240 --> 01:19:18,240
Speaker 1: and information and what happened. But here's the other thing.

1471
01:19:18,400 --> 01:19:22,240
Speaker 1: In this industry, you gotta be prepared for all kinds

1472
01:19:22,240 --> 01:19:25,800
Speaker 1: of things like that middlemen, three folk people down the

1473
01:19:25,880 --> 01:19:28,280
Speaker 1: line plug and you with someone that's plugged, then with

1474
01:19:28,400 --> 01:19:31,400
Speaker 1: somebody that's plugged then and sometimes that she can go

1475
01:19:31,560 --> 01:19:34,639
Speaker 1: and some other times they fall through. So in this industry,

1476
01:19:34,680 --> 01:19:37,200
Speaker 1: when you're dealing with the people that's operating with money

1477
01:19:37,240 --> 01:19:39,680
Speaker 1: and they start to be skeptical, hey, I ain't never

1478
01:19:39,800 --> 01:19:43,080
Speaker 1: made that. Nobody if they worried about their money, Like

1479
01:19:43,160 --> 01:19:45,880
Speaker 1: if they're looking at it three folks six times, they

1480
01:19:45,960 --> 01:19:48,479
Speaker 1: want to keep taking the diamonds up at testing. Whatever

1481
01:19:48,560 --> 01:19:51,920
Speaker 1: you need to do. The truth, don't mind being investigated,

1482
01:19:52,680 --> 01:19:55,240
Speaker 1: and we don't have no talking points about things because

1483
01:19:55,240 --> 01:19:57,920
Speaker 1: we're dealing with the real information. What I think p

1484
01:19:58,200 --> 01:20:00,439
Speaker 1: also has against him is is because he made so

1485
01:20:00,680 --> 01:20:03,160
Speaker 1: much money. So see, once you make so much money

1486
01:20:03,400 --> 01:20:05,639
Speaker 1: and they see you back down here doing certain things,

1487
01:20:05,680 --> 01:20:08,160
Speaker 1: they're gonna start, oh, he might not got that money,

1488
01:20:08,240 --> 01:20:11,880
Speaker 1: no mo See, because if jay Z would have sent

1489
01:20:12,040 --> 01:20:15,080
Speaker 1: a fifty thousand dollars invoice. They would have ran with that,

1490
01:20:15,479 --> 01:20:18,560
Speaker 1: But jay Z doesn't circle back around and popped a

1491
01:20:18,640 --> 01:20:21,479
Speaker 1: lot of shit off and got two three billion under

1492
01:20:21,479 --> 01:20:24,719
Speaker 1: his name. So I think they viewed a little different.

1493
01:20:24,760 --> 01:20:27,840
Speaker 1: Like I was explaining early in the part, he might

1494
01:20:27,960 --> 01:20:30,200
Speaker 1: be the only person that hustled in the nineties to

1495
01:20:30,280 --> 01:20:33,240
Speaker 1: early two thousands, really one of the first entrepreneurs out

1496
01:20:33,240 --> 01:20:37,040
Speaker 1: of the South, really in the music industry period, black

1497
01:20:37,120 --> 01:20:40,120
Speaker 1: men that got up to two honey me and for

1498
01:20:40,280 --> 01:20:43,479
Speaker 1: some reason, some tax things happened, and you know, I

1499
01:20:43,600 --> 01:20:46,920
Speaker 1: think the information wasn't available for him, or something happened

1500
01:20:46,960 --> 01:20:50,160
Speaker 1: to where he lost the money. Now, I believe that

1501
01:20:50,280 --> 01:20:52,720
Speaker 1: everybody in the nineties in the early two thousands were

1502
01:20:52,760 --> 01:20:55,240
Speaker 1: doing bad business. You heard stories come out of all

1503
01:20:55,280 --> 01:20:57,800
Speaker 1: the camps. He was one of the only people that

1504
01:20:57,960 --> 01:21:00,280
Speaker 1: never circled back around and was able to pay none

1505
01:21:00,320 --> 01:21:03,200
Speaker 1: of them aretists or give them jobs or give them opportunities.

1506
01:21:03,240 --> 01:21:05,800
Speaker 1: So it's almost like them, did your candle burn out

1507
01:21:05,920 --> 01:21:09,840
Speaker 1: somewhere along the line, because when we look at did

1508
01:21:09,920 --> 01:21:11,719
Speaker 1: it Man, a lot of those dudes that he doesn't

1509
01:21:11,760 --> 01:21:14,200
Speaker 1: came back around, and they don't straighten a lot of

1510
01:21:14,280 --> 01:21:16,519
Speaker 1: their business. Some of them dudes didn't come back around

1511
01:21:16,560 --> 01:21:19,400
Speaker 1: and did other business with these people. Jay don't even

1512
01:21:19,800 --> 01:21:22,080
Speaker 1: got with his arch enemy at one time or his

1513
01:21:22,200 --> 01:21:25,720
Speaker 1: competitive inspiration. I'll say that in nas and even dead

1514
01:21:25,800 --> 01:21:28,400
Speaker 1: business with him. So like all these other people have

1515
01:21:28,560 --> 01:21:31,439
Speaker 1: came back around the curve with some information and started

1516
01:21:31,520 --> 01:21:36,200
Speaker 1: to like even baby babies, yo, all them Nigga's been paid. Yeah,

1517
01:21:36,280 --> 01:21:39,880
Speaker 1: the label helped me clear everything up. That's done right,

1518
01:21:39,960 --> 01:21:42,560
Speaker 1: And so he kind of were the only one that

1519
01:21:42,680 --> 01:21:44,920
Speaker 1: it seemed like we're still looking around the corner to

1520
01:21:45,000 --> 01:21:47,599
Speaker 1: see if he came around, not that he ain't a legend,

1521
01:21:47,680 --> 01:21:50,080
Speaker 1: not there, And I'm only I'm clear with that because

1522
01:21:50,560 --> 01:21:54,680
Speaker 1: people I respect and also I respect people people that

1523
01:21:54,800 --> 01:21:58,120
Speaker 1: I really respect, got a lot of respect and love

1524
01:21:58,200 --> 01:22:01,160
Speaker 1: for Pete and he's inspired their earnings, which has inspired

1525
01:22:01,280 --> 01:22:04,120
Speaker 1: my journey on top of him inspired my journey and

1526
01:22:04,280 --> 01:22:06,240
Speaker 1: me growing up on him. So we give him grace,

1527
01:22:06,360 --> 01:22:08,280
Speaker 1: but we want to deal with the information for the

1528
01:22:08,400 --> 01:22:12,280
Speaker 1: next generation, like was it, what's going on? How do

1529
01:22:12,360 --> 01:22:15,120
Speaker 1: we learn from it? And this ain't even about P.

1530
01:22:15,280 --> 01:22:17,200
Speaker 1: I want to take this off P for a second.

1531
01:22:17,520 --> 01:22:19,880
Speaker 1: More importantly, I think we have to standing under the

1532
01:22:20,000 --> 01:22:24,760
Speaker 1: understanding and deal with the information, and failure isn't final, right,

1533
01:22:24,840 --> 01:22:27,639
Speaker 1: and we're not gonna be viewed as winning in every situation.

1534
01:22:27,760 --> 01:22:30,320
Speaker 1: I don't even want to give off that aura because

1535
01:22:30,439 --> 01:22:32,679
Speaker 1: I won't be able to learn if I don't take risk.

1536
01:22:33,240 --> 01:22:36,240
Speaker 1: Risk is involved with what I'm doing for me to elevate,

1537
01:22:36,600 --> 01:22:39,880
Speaker 1: and I'm clear on that. And so sometimes we don't

1538
01:22:39,960 --> 01:22:42,320
Speaker 1: want to live in the reality that man, I might

1539
01:22:42,360 --> 01:22:44,680
Speaker 1: have blew that bag. But what we gotta understand is

1540
01:22:44,720 --> 01:22:47,719
Speaker 1: dealing with the truth is dealing with what God love.

1541
01:22:49,439 --> 01:22:52,360
Speaker 1: Dealing with the truth is dealing with what the universe love. Right,

1542
01:22:52,439 --> 01:22:54,519
Speaker 1: So we gotta figure out a way to deal with Hey,

1543
01:22:54,600 --> 01:22:57,040
Speaker 1: what really happened and what's going on? And how can

1544
01:22:57,120 --> 01:22:59,080
Speaker 1: we do this? Because we need to be able to

1545
01:22:59,160 --> 01:23:01,760
Speaker 1: eat together. And I can't trust you if I don't

1546
01:23:01,800 --> 01:23:05,679
Speaker 1: think you're telling me the truth even in the street,

1547
01:23:05,720 --> 01:23:07,680
Speaker 1: Like I can't trust dudes like you don't have to

1548
01:23:07,760 --> 01:23:10,840
Speaker 1: have showed me that you really can got access, right,

1549
01:23:10,920 --> 01:23:13,280
Speaker 1: everybody can't make a phone call and have somebody to

1550
01:23:13,320 --> 01:23:15,800
Speaker 1: pull up with two three hundred thousand dudes. Got to

1551
01:23:15,880 --> 01:23:18,800
Speaker 1: know you had access to that level of product at

1552
01:23:18,880 --> 01:23:21,360
Speaker 1: one time. Everybody, Man, you make a call, man, I

1553
01:23:21,439 --> 01:23:23,280
Speaker 1: got him over here for twenty five a piece. Come

1554
01:23:23,320 --> 01:23:25,560
Speaker 1: get your ten on. Man, you ain't never even you

1555
01:23:25,600 --> 01:23:28,960
Speaker 1: ain't one of them kind of gays. I'm not bringing

1556
01:23:29,040 --> 01:23:31,840
Speaker 1: two hundred and fifty k over to you. Who is it?

1557
01:23:32,479 --> 01:23:35,680
Speaker 1: You're a card, right, and I'm I'm trying to give

1558
01:23:35,760 --> 01:23:39,559
Speaker 1: you some relatable examples. But at the end of the day,

1559
01:23:39,600 --> 01:23:43,680
Speaker 1: I need the youngsters to know failure isn't final, nor

1560
01:23:43,880 --> 01:23:45,840
Speaker 1: is it fatal. You don't got to be scared to

1561
01:23:45,960 --> 01:23:48,439
Speaker 1: say I failed at that. But I'm still up. Man,

1562
01:23:48,560 --> 01:23:51,120
Speaker 1: My credit good and I put dudes on in position

1563
01:23:51,200 --> 01:23:54,400
Speaker 1: and I right, So you gotta really be grabbing your

1564
01:23:54,439 --> 01:23:57,360
Speaker 1: infinity stones. That's why it's important to be hustling and

1565
01:23:57,479 --> 01:24:01,040
Speaker 1: not talking. But if I think you got dirt on

1566
01:24:01,120 --> 01:24:03,760
Speaker 1: your hands, you can't eat at my table. I had

1567
01:24:03,800 --> 01:24:06,080
Speaker 1: to tell people, if you wash your hands, you can

1568
01:24:06,160 --> 01:24:08,920
Speaker 1: eat with kings, but I can't allow you to eat

1569
01:24:08,960 --> 01:24:11,080
Speaker 1: at this table with dirty hand. You're telling me I

1570
01:24:11,120 --> 01:24:13,479
Speaker 1: don't kind of you know, I can't really trust believe

1571
01:24:13,560 --> 01:24:16,000
Speaker 1: what dudes be saying, like bro, I do it with

1572
01:24:16,160 --> 01:24:19,360
Speaker 1: my own money. Feel like it's some trickery involved. I

1573
01:24:19,479 --> 01:24:22,439
Speaker 1: think y'all think I'm lying about I do it myself,

1574
01:24:22,560 --> 01:24:25,200
Speaker 1: So let me do this right quick. The biggest question

1575
01:24:25,280 --> 01:24:28,840
Speaker 1: that everybody has that's dealing with our culture is where

1576
01:24:29,240 --> 01:24:35,120
Speaker 1: is the untapped value? Where is the untapped value? Is

1577
01:24:35,160 --> 01:24:38,639
Speaker 1: the number one question from everyone in this culture. Because

1578
01:24:38,840 --> 01:24:41,160
Speaker 1: we know how to run a bag up, where do

1579
01:24:41,280 --> 01:24:44,600
Speaker 1: we put things that they can now translate into products

1580
01:24:44,880 --> 01:24:48,439
Speaker 1: and do other things that we haven't seen done right?

1581
01:24:48,560 --> 01:24:50,840
Speaker 1: How do we take the blueprint that some of these

1582
01:24:50,880 --> 01:24:53,519
Speaker 1: people have poured off and put us in position? How

1583
01:24:53,600 --> 01:24:56,120
Speaker 1: do we do that? But when you operate knowing that

1584
01:24:56,280 --> 01:25:02,360
Speaker 1: failure isn't final, nor is it fatal, you give yourself

1585
01:25:02,520 --> 01:25:04,640
Speaker 1: leg room. Say a lot of these dudes don't got

1586
01:25:04,760 --> 01:25:07,040
Speaker 1: no leg room. They ever say I ain't yo. That

1587
01:25:07,160 --> 01:25:11,360
Speaker 1: didn't work out, that didn't work out. They ain't got

1588
01:25:11,479 --> 01:25:14,599
Speaker 1: no leg room people watching them so close. They bed

1589
01:25:14,760 --> 01:25:16,880
Speaker 1: not fail letting none because they don't lie to so

1590
01:25:17,040 --> 01:25:20,680
Speaker 1: many people. They didn't big so much up. Man, Just hustle, man,

1591
01:25:20,800 --> 01:25:23,920
Speaker 1: just hustle. It's gonna speak. You're gonna pop up at

1592
01:25:23,960 --> 01:25:26,040
Speaker 1: places where they say, boy that I know he's getting

1593
01:25:26,040 --> 01:25:28,160
Speaker 1: the bag. Boy, I know he's getting a bag. But

1594
01:25:28,280 --> 01:25:30,600
Speaker 1: you ain't got to be doing all that. And so

1595
01:25:30,800 --> 01:25:34,080
Speaker 1: I always say living reality, deal with reality, deal with

1596
01:25:34,200 --> 01:25:36,680
Speaker 1: the cards that are really being dealt with you, and

1597
01:25:36,840 --> 01:25:39,599
Speaker 1: be loud about the results you won't and be willing

1598
01:25:39,680 --> 01:25:42,759
Speaker 1: to put the work in. But failure is not final,

1599
01:25:43,200 --> 01:25:45,840
Speaker 1: nor is it fatal. But one thing about it, you

1600
01:25:45,960 --> 01:25:50,240
Speaker 1: gotta be brave to deal with the truth. A lot

1601
01:25:50,320 --> 01:25:54,000
Speaker 1: of these claim gangster claim street claim all this. You

1602
01:25:54,120 --> 01:25:56,280
Speaker 1: gotta be brave to deal with the truth. A lot

1603
01:25:56,360 --> 01:25:58,679
Speaker 1: of these dudes ain't brave enough to deal with the truth.

1604
01:25:58,760 --> 01:26:03,000
Speaker 1: I fell off, Not even I fell off. I fumbled.

1605
01:26:03,880 --> 01:26:06,519
Speaker 1: Even if I recovered and didn't get back up to there,

1606
01:26:06,840 --> 01:26:10,320
Speaker 1: but I fumbled. And here's what I learned on the fumble. Dude,

1607
01:26:10,320 --> 01:26:12,360
Speaker 1: you got a coach position over there. I know a

1608
01:26:12,479 --> 01:26:15,840
Speaker 1: few things. And so as you go from a board

1609
01:26:15,920 --> 01:26:21,360
Speaker 1: to a man, or a girl to a woman, or

1610
01:26:21,360 --> 01:26:25,519
Speaker 1: a child to an adult, you realize that accountability is

1611
01:26:25,560 --> 01:26:31,519
Speaker 1: the highest form of adulthood. And so you gotta hold

1612
01:26:31,600 --> 01:26:35,280
Speaker 1: yourself accountable for your own reality and not say I'm

1613
01:26:35,360 --> 01:26:38,200
Speaker 1: also an advocate of I'm never gonna criticize me on

1614
01:26:38,360 --> 01:26:42,240
Speaker 1: behalf for you. I'm gonna criticize me on behalf for me,

1615
01:26:42,320 --> 01:26:44,240
Speaker 1: and I'm gonna be critical of me because I know

1616
01:26:44,360 --> 01:26:46,160
Speaker 1: what it takes to get on the other side or

1617
01:26:46,200 --> 01:26:49,679
Speaker 1: whatever my goals are. So I'm critical of me from

1618
01:26:49,760 --> 01:26:52,600
Speaker 1: that aspect, but never will I be critical of me

1619
01:26:52,760 --> 01:26:57,360
Speaker 1: on behalf of you. That's why I turned my comments off.

1620
01:26:57,400 --> 01:27:01,320
Speaker 1: I'm not interested in what nobody else thinks the people.

1621
01:27:01,360 --> 01:27:03,680
Speaker 1: I'm interested in what they think. Most of them have

1622
01:27:03,920 --> 01:27:08,080
Speaker 1: books that I read on the daily. So operating knowing

1623
01:27:08,160 --> 01:27:12,840
Speaker 1: that taking accountability is the highest form of adulthood. And

1624
01:27:12,960 --> 01:27:15,479
Speaker 1: the OG ain't willing to say I made a mistakes.

1625
01:27:15,479 --> 01:27:17,880
Speaker 1: See it ain't no ain't no different in the street. Dude,

1626
01:27:18,479 --> 01:27:22,400
Speaker 1: ain't no different in the street. Og come out to

1627
01:27:22,479 --> 01:27:25,639
Speaker 1: penitential did thirty years, he come right back to the block.

1628
01:27:26,160 --> 01:27:28,519
Speaker 1: He ain't brave enough to come to the block and say, Man,

1629
01:27:28,560 --> 01:27:31,160
Speaker 1: I only I made mustachion have done none of that. Hey, y'all,

1630
01:27:31,200 --> 01:27:33,720
Speaker 1: don't do that. We were bullying. Let's go the other way.

1631
01:27:34,160 --> 01:27:37,240
Speaker 1: We don't lose nothing going the other way. It will

1632
01:27:37,360 --> 01:27:39,280
Speaker 1: be confusing me. And it's why I got to be

1633
01:27:39,400 --> 01:27:42,080
Speaker 1: loud about He say, Bro, we don't lose nothing going

1634
01:27:42,160 --> 01:27:45,439
Speaker 1: the other Wayne. You don't lose your cool. You're rep

1635
01:27:45,720 --> 01:27:48,280
Speaker 1: You're nothing if you're reputable. You can go wherever you

1636
01:27:48,760 --> 01:27:51,439
Speaker 1: go to other ways to you, we're losing too much

1637
01:27:51,479 --> 01:27:54,479
Speaker 1: on the streets a bad and bowl that were losing

1638
01:27:54,560 --> 01:27:57,800
Speaker 1: too much over there. It don't wear enough. It's it's

1639
01:27:57,960 --> 01:28:00,639
Speaker 1: it ain't making good sense. At some point we gotta

1640
01:28:00,680 --> 01:28:05,880
Speaker 1: wake up. It doesn't matter who you are. When we've

1641
01:28:05,960 --> 01:28:09,200
Speaker 1: saw your mistakes happen on the front line, and you're

1642
01:28:09,280 --> 01:28:14,040
Speaker 1: not taking accountability from it. Cheapens everything you've ever said,

1643
01:28:14,120 --> 01:28:17,120
Speaker 1: all your accolades not take it away. It just cheapens it.

1644
01:28:18,800 --> 01:28:20,840
Speaker 1: And so you make it hard for those that want

1645
01:28:20,840 --> 01:28:23,880
Speaker 1: to hold your jurors up with the greats. I always

1646
01:28:23,920 --> 01:28:26,320
Speaker 1: tell people you gotta be careful because at some point

1647
01:28:26,360 --> 01:28:28,439
Speaker 1: your strength will become your weakness. When I deal with

1648
01:28:28,520 --> 01:28:31,000
Speaker 1: the peace situation, and I look at because you are

1649
01:28:31,120 --> 01:28:33,599
Speaker 1: moobil because you had all them artists, because you dropped

1650
01:28:33,640 --> 01:28:35,559
Speaker 1: once a week made out that money. Now that has

1651
01:28:35,600 --> 01:28:39,200
Speaker 1: become your weakness, because whatever has happened with your transition.

1652
01:28:39,280 --> 01:28:42,160
Speaker 1: I remember with fifty cent, the idea that he was

1653
01:28:42,280 --> 01:28:44,280
Speaker 1: selling so much, and he was at the top of

1654
01:28:44,360 --> 01:28:47,479
Speaker 1: the game for so long, and he would bring up

1655
01:28:47,720 --> 01:28:51,200
Speaker 1: people sound scan and they sales the minute. Your sales

1656
01:28:51,240 --> 01:28:53,400
Speaker 1: ain't in that place. Now you fall victim to the

1657
01:28:53,520 --> 01:28:56,760
Speaker 1: standard that you put in place. You see, so at

1658
01:28:56,840 --> 01:29:00,360
Speaker 1: some point your strength can become your weakness, and you

1659
01:29:00,479 --> 01:29:03,280
Speaker 1: got to realize that. Now here's where it gets interesting.

1660
01:29:03,400 --> 01:29:08,040
Speaker 1: Sometimes your weakness become your strength. Right. The fact that

1661
01:29:08,439 --> 01:29:10,640
Speaker 1: I did had them tax problems, the fact that I

1662
01:29:10,760 --> 01:29:13,080
Speaker 1: did have fifteen artists, the fact that I did go

1663
01:29:13,200 --> 01:29:15,719
Speaker 1: over here and it didn't work. When now that becomes

1664
01:29:15,840 --> 01:29:18,560
Speaker 1: my strength because the information I got in it. But

1665
01:29:18,760 --> 01:29:20,479
Speaker 1: because of the way I look at it, I feel

1666
01:29:20,520 --> 01:29:22,479
Speaker 1: like I got to defend the fact that none of

1667
01:29:22,560 --> 01:29:24,600
Speaker 1: that worked instead of saying, boy, you don't know what

1668
01:29:24,720 --> 01:29:28,200
Speaker 1: I got going through them tunnels. You wouldn't been able

1669
01:29:28,240 --> 01:29:30,240
Speaker 1: to see what they sold in them stores if you

1670
01:29:30,360 --> 01:29:32,800
Speaker 1: never went in. Then one no commercials running on how

1671
01:29:32,840 --> 01:29:35,760
Speaker 1: to get to the NBA. One no commercials on how

1672
01:29:35,800 --> 01:29:38,479
Speaker 1: to do a movie and get all these people in

1673
01:29:38,640 --> 01:29:40,640
Speaker 1: one spot. Nobody knew how to do it. So I

1674
01:29:40,800 --> 01:29:43,280
Speaker 1: was trying to do things right in the information I got.

1675
01:29:43,400 --> 01:29:45,840
Speaker 1: But for me, that turns into your strength, and you

1676
01:29:45,880 --> 01:29:48,280
Speaker 1: don't need to view it as a weakness. There's something

1677
01:29:48,400 --> 01:29:53,720
Speaker 1: to be said about understanding your strengths and knowing your weaknesses.

1678
01:29:54,360 --> 01:29:56,400
Speaker 1: Even when you look at something like the elephant. As

1679
01:29:56,479 --> 01:29:58,719
Speaker 1: big as the elephant is, it don't use its teeth.

1680
01:29:58,840 --> 01:30:01,360
Speaker 1: That ain't what people scared of. It's its trunk as

1681
01:30:01,439 --> 01:30:04,719
Speaker 1: big as the elephant is. It don't use its weight.

1682
01:30:04,880 --> 01:30:07,080
Speaker 1: It don't use the fact is that big and come

1683
01:30:07,160 --> 01:30:09,800
Speaker 1: at you backwards or do try to kick you. You

1684
01:30:10,040 --> 01:30:13,240
Speaker 1: it understands my trunk is what I you. That's my strength.

1685
01:30:13,680 --> 01:30:16,240
Speaker 1: Let me deal with that. Let me try to figure

1686
01:30:16,240 --> 01:30:18,919
Speaker 1: out what I need to do with this to defend myself,

1687
01:30:19,000 --> 01:30:21,080
Speaker 1: to get me some food too, And this is what

1688
01:30:21,240 --> 01:30:24,759
Speaker 1: you gotta do, man. I view life as a big jungle.

1689
01:30:25,120 --> 01:30:27,320
Speaker 1: Sometimes I zoom out, man, because I'm in such a

1690
01:30:27,479 --> 01:30:30,960
Speaker 1: unique position, like I can't even explain it. I was

1691
01:30:31,040 --> 01:30:34,200
Speaker 1: telling Charlemagne the other day just about the people that

1692
01:30:34,320 --> 01:30:37,400
Speaker 1: I can call on. It's like crazy. The people that

1693
01:30:37,840 --> 01:30:39,960
Speaker 1: really got my best interest in the industry are the

1694
01:30:40,160 --> 01:30:42,680
Speaker 1: most powerful people in the industry. I heard somebody to say,

1695
01:30:42,720 --> 01:30:45,360
Speaker 1: you're gonna either deal with discipline or deal with disaster.

1696
01:30:45,400 --> 01:30:48,120
Speaker 1: And I think about that like it's just like if

1697
01:30:48,160 --> 01:30:51,200
Speaker 1: you're someone to say you're getting out of shape, say

1698
01:30:51,240 --> 01:30:53,080
Speaker 1: you've been eating too much and you know and you

1699
01:30:53,240 --> 01:30:55,439
Speaker 1: noticing my pains ain't fitting. And you're saying, man, I

1700
01:30:55,520 --> 01:30:58,280
Speaker 1: need to get in the gym. You know you need

1701
01:30:58,360 --> 01:31:00,080
Speaker 1: to get in the gym, but you never do it.

1702
01:31:01,680 --> 01:31:04,639
Speaker 1: And so now if you ignore that discipline, you're gonna

1703
01:31:04,680 --> 01:31:08,760
Speaker 1: have to deal with the disaster. And nobody in their

1704
01:31:08,920 --> 01:31:12,519
Speaker 1: right mind sees you go from two or three hundred

1705
01:31:12,600 --> 01:31:15,519
Speaker 1: million to people starting to say you ain't paid them

1706
01:31:15,600 --> 01:31:20,519
Speaker 1: and don't have questions. Were all streeting it, you know

1707
01:31:20,640 --> 01:31:23,799
Speaker 1: what I'm saying, We all street We're dealing with packs,

1708
01:31:23,880 --> 01:31:27,560
Speaker 1: messing with these industry companies. Say Universe are sent me

1709
01:31:27,600 --> 01:31:32,080
Speaker 1: a hundred up, I'm dealing with a hundred of You know,

1710
01:31:32,160 --> 01:31:34,479
Speaker 1: I'm signing a black effect. They sent me fifth um.

1711
01:31:35,320 --> 01:31:37,160
Speaker 1: You know, it's just like being in the streets. You know,

1712
01:31:37,240 --> 01:31:39,519
Speaker 1: I'm an fifty brick man over here at this company.

1713
01:31:39,520 --> 01:31:41,680
Speaker 1: I'm gonna hunted brick man over here. Far as the

1714
01:31:42,400 --> 01:31:44,680
Speaker 1: leverage I got in the market, or the amount of

1715
01:31:44,760 --> 01:31:47,400
Speaker 1: money that's that's being generated or spent on me, or

1716
01:31:47,439 --> 01:31:51,000
Speaker 1: the amount of interests from these companies, right, it keeps

1717
01:31:51,080 --> 01:31:53,760
Speaker 1: me in a position a well. I understand that it's

1718
01:31:53,840 --> 01:31:58,479
Speaker 1: high stakes and everybody trying to get a piece of man.

1719
01:31:58,520 --> 01:32:01,240
Speaker 1: I know for affect, everybody don't love me like they said,

1720
01:32:01,280 --> 01:32:04,599
Speaker 1: but this podcast don't want the popping. Everybody loved me now,

1721
01:32:04,840 --> 01:32:07,040
Speaker 1: and so you got to really be able to identify

1722
01:32:07,160 --> 01:32:09,599
Speaker 1: the Yo. None of this is real. The love ain't real,

1723
01:32:09,680 --> 01:32:13,320
Speaker 1: the hate ain't real. None of this sh ain't real. Right,

1724
01:32:13,439 --> 01:32:16,639
Speaker 1: the people that love you as your family, your kids,

1725
01:32:16,680 --> 01:32:20,680
Speaker 1: your mother, you're significant other, these are the people that

1726
01:32:20,840 --> 01:32:24,280
Speaker 1: really love you. Outside of that, this is all fake. Oh,

1727
01:32:24,400 --> 01:32:28,960
Speaker 1: this is just interaction and obsession, and for me, obsession

1728
01:32:29,120 --> 01:32:31,519
Speaker 1: is dangerous. I was listening to somebody talking about and

1729
01:32:31,560 --> 01:32:33,519
Speaker 1: I'm gonna move past this. But I was listening to

1730
01:32:33,600 --> 01:32:37,200
Speaker 1: somebody to talk about and I think it was Kanye

1731
01:32:37,280 --> 01:32:39,560
Speaker 1: West that it's self pawn on the internet and that

1732
01:32:39,800 --> 01:32:42,479
Speaker 1: is such a real thing. Like now even on Facebook,

1733
01:32:42,479 --> 01:32:45,280
Speaker 1: I'll be scrow. I'm like, oh, like shit, be paid

1734
01:32:45,320 --> 01:32:47,000
Speaker 1: and be making me want to stop my day and

1735
01:32:47,120 --> 01:32:50,320
Speaker 1: go ahead, sit like hey, Yola, we I'm gonna stop

1736
01:32:50,400 --> 01:32:52,639
Speaker 1: my day. I'm gonna go man, Damn, they're gonna turned

1737
01:32:52,720 --> 01:32:56,880
Speaker 1: me up over here. I wasn't even on this. I said, damn,

1738
01:32:57,000 --> 01:32:59,559
Speaker 1: they really starting to like And then on Instagram it's

1739
01:32:59,600 --> 01:33:02,840
Speaker 1: all day his ass all on Instagram, and we all

1740
01:33:02,960 --> 01:33:07,200
Speaker 1: on that, we all looking like a mother were peeking

1741
01:33:07,280 --> 01:33:10,240
Speaker 1: and not speaking. You see what I'm saying on every

1742
01:33:10,280 --> 01:33:13,920
Speaker 1: occasion on there. But what I'm saying is it does

1743
01:33:14,040 --> 01:33:17,240
Speaker 1: something to the psyche when you see it, when you

1744
01:33:17,360 --> 01:33:21,559
Speaker 1: see six and it's something happening. And also I want

1745
01:33:21,560 --> 01:33:23,600
Speaker 1: to say this really quick and address this, and I

1746
01:33:23,720 --> 01:33:26,879
Speaker 1: want people to give me their commentary or their comments

1747
01:33:26,920 --> 01:33:31,360
Speaker 1: on it, or their opinions on it. TikTok, y'all not slick.

1748
01:33:32,200 --> 01:33:34,360
Speaker 1: I'm on top of TikTok. How many of y'all have

1749
01:33:34,439 --> 01:33:37,360
Speaker 1: been paying attention to all of the things that's been

1750
01:33:37,439 --> 01:33:40,479
Speaker 1: happening with China and how the spy balloons over here,

1751
01:33:40,479 --> 01:33:43,559
Speaker 1: and how all of these different occasions around America where

1752
01:33:43,640 --> 01:33:47,000
Speaker 1: we've been having interactions with what they are saying to

1753
01:33:47,160 --> 01:33:51,599
Speaker 1: be objects from China. So clearly something happening between us

1754
01:33:51,640 --> 01:33:54,640
Speaker 1: and China. And then on the other side, they've invaded

1755
01:33:55,200 --> 01:33:59,519
Speaker 1: our information with the TikTok thing, and so there's a

1756
01:33:59,640 --> 01:34:02,280
Speaker 1: band coming on TikTok. I think China is aware of

1757
01:34:02,360 --> 01:34:04,960
Speaker 1: the band on TikTok. I think everybody may be aware

1758
01:34:04,960 --> 01:34:07,280
Speaker 1: of the ban on TikTok. What I believe to be

1759
01:34:07,400 --> 01:34:09,719
Speaker 1: taking place though, And this is what I mean about

1760
01:34:09,800 --> 01:34:13,479
Speaker 1: innovation and having think tanks and people thinking about how

1761
01:34:13,560 --> 01:34:16,560
Speaker 1: do we sustain the leverage that we have. Because what

1762
01:34:16,720 --> 01:34:18,880
Speaker 1: I believe that has happened, and I could be wrong.

1763
01:34:18,960 --> 01:34:21,639
Speaker 1: I've looked at it none. I'm just going based off

1764
01:34:21,720 --> 01:34:25,320
Speaker 1: intuition and what I've been viewing. What I think TikTok

1765
01:34:25,479 --> 01:34:28,640
Speaker 1: is doing. I think TikTok is transferring everybody over. The

1766
01:34:28,720 --> 01:34:35,679
Speaker 1: cap cutting on TikTok is headed down the road when

1767
01:34:35,720 --> 01:34:38,600
Speaker 1: you take a look at it. They've now inserted a

1768
01:34:38,760 --> 01:34:42,000
Speaker 1: new app into TikTok, integrated and in that they usually

1769
01:34:42,080 --> 01:34:44,280
Speaker 1: don't do that because they were so selfish with their

1770
01:34:44,320 --> 01:34:47,120
Speaker 1: information in their data. They didn't wan't nobody else to

1771
01:34:47,200 --> 01:34:49,760
Speaker 1: be able to tap into their stuff and interact and

1772
01:34:50,000 --> 01:34:53,679
Speaker 1: integrate into the app. They were very intentional on blocking

1773
01:34:53,720 --> 01:34:56,599
Speaker 1: people out. They had number one, a very unique growth spurt,

1774
01:34:56,720 --> 01:34:59,560
Speaker 1: and they maintaining that growth spurt and the level of

1775
01:34:59,600 --> 01:35:05,240
Speaker 1: information they was getting from its enormous. But now with

1776
01:35:05,439 --> 01:35:08,280
Speaker 1: that being a situation where that could be banned, I

1777
01:35:08,479 --> 01:35:11,840
Speaker 1: believe that now they've inserted cap Cut. Cap Cut is

1778
01:35:11,880 --> 01:35:14,120
Speaker 1: an app in which you see all these little funny

1779
01:35:14,760 --> 01:35:17,840
Speaker 1: pictures that go to the bead and all these little memes.

1780
01:35:17,920 --> 01:35:20,479
Speaker 1: And then this is where everyone is just creating all

1781
01:35:20,479 --> 01:35:23,240
Speaker 1: of these TikTok reels that you see now going viral.

1782
01:35:23,320 --> 01:35:26,439
Speaker 1: And they've allowed cap cut to integrate in a way

1783
01:35:26,520 --> 01:35:29,479
Speaker 1: where you just tap it on TikTok and it opens

1784
01:35:29,560 --> 01:35:32,080
Speaker 1: cap cut and it posts right on TikTok. This is

1785
01:35:32,800 --> 01:35:35,639
Speaker 1: this marriage is not just for you to make good

1786
01:35:35,760 --> 01:35:38,320
Speaker 1: video and good pictures. I believe that they're sharing the

1787
01:35:38,439 --> 01:35:41,559
Speaker 1: data from TikTok knowing that it's on its way out

1788
01:35:41,600 --> 01:35:44,120
Speaker 1: of the US, and they're gonna take that over the

1789
01:35:44,240 --> 01:35:46,880
Speaker 1: cap cut and they're gonna frame that like that's not

1790
01:35:47,040 --> 01:35:49,160
Speaker 1: owned by the same people, but I believes they have

1791
01:35:49,320 --> 01:35:51,760
Speaker 1: the same interests. See, you don't have to be owned

1792
01:35:51,800 --> 01:35:54,120
Speaker 1: by the same people that have the same interest But

1793
01:35:54,240 --> 01:35:57,160
Speaker 1: I don't have to sell my club to my racist uncle.

1794
01:35:57,640 --> 01:36:00,360
Speaker 1: I can sell my club to a racist person. The

1795
01:36:00,479 --> 01:36:03,960
Speaker 1: agenda still stay the same, the same with say you

1796
01:36:04,040 --> 01:36:06,400
Speaker 1: got a black agenda. Say you say we want to

1797
01:36:06,439 --> 01:36:09,080
Speaker 1: make sure African American people are hired over here, black

1798
01:36:09,160 --> 01:36:11,200
Speaker 1: people are hired at a high rate over here. You

1799
01:36:11,240 --> 01:36:13,040
Speaker 1: don't have to give it to your daughter or your

1800
01:36:13,080 --> 01:36:15,000
Speaker 1: son to do that. You can hire someone with that

1801
01:36:15,160 --> 01:36:19,439
Speaker 1: same interest and they can fulfill the footprints you put

1802
01:36:19,479 --> 01:36:22,439
Speaker 1: in the sand. I truly believe TikTok is up to

1803
01:36:22,600 --> 01:36:25,000
Speaker 1: something with this. Y'all will pay attention to this in

1804
01:36:25,080 --> 01:36:29,160
Speaker 1: the weeks coming forward. But I truly, truly, truly believe

1805
01:36:29,840 --> 01:36:33,840
Speaker 1: that cap cut is just a umbrella of sorts to

1806
01:36:34,120 --> 01:36:37,640
Speaker 1: keep TikTok in the palms of Americans. That's just me.

1807
01:36:37,960 --> 01:36:40,160
Speaker 1: Let's talk about this Drake when it sat with little

1808
01:36:40,240 --> 01:36:43,800
Speaker 1: Yaddi and they had a conversation about a number of things.

1809
01:36:43,880 --> 01:36:46,599
Speaker 1: I think Drake is in a very unique position. Yadi too.

1810
01:36:46,720 --> 01:36:50,120
Speaker 1: Yadi just dropped this album Let's start here is doing well.

1811
01:36:50,840 --> 01:36:54,280
Speaker 1: Shout out coach Man, you know, shout out coach Man,

1812
01:36:54,400 --> 01:36:57,479
Speaker 1: Shout out Pe and shout out Yaddi and Drake. I

1813
01:36:57,560 --> 01:37:00,360
Speaker 1: think that this conversation was a very good conversation. I

1814
01:37:00,479 --> 01:37:03,080
Speaker 1: like these little things y'all he's doing. I think he

1815
01:37:03,240 --> 01:37:06,840
Speaker 1: has room to be so many different things, and I

1816
01:37:06,920 --> 01:37:09,479
Speaker 1: believe with QC just inking that deal. This is where

1817
01:37:09,520 --> 01:37:12,600
Speaker 1: you get to see them diversify in a way that

1818
01:37:12,800 --> 01:37:15,320
Speaker 1: you probably couldn't vision, right because a lot of you

1819
01:37:15,439 --> 01:37:18,000
Speaker 1: people are just music here, so you don't understand that

1820
01:37:18,120 --> 01:37:21,639
Speaker 1: the brand that baby got ain't yet that gone Cereal,

1821
01:37:21,760 --> 01:37:24,680
Speaker 1: that s gone video game, that she can go on

1822
01:37:24,880 --> 01:37:28,040
Speaker 1: like so many different things like YouTube. I tell I

1823
01:37:28,160 --> 01:37:30,760
Speaker 1: tell rappers all the time. I'll just say this, you

1824
01:37:30,840 --> 01:37:33,120
Speaker 1: can easily make a hundred thousand a month on YouTube

1825
01:37:33,160 --> 01:37:36,479
Speaker 1: if you know what you're doing. Easily. You can easily

1826
01:37:36,520 --> 01:37:38,760
Speaker 1: make a honey can on Twitch a month if you

1827
01:37:38,880 --> 01:37:40,719
Speaker 1: know what you're doing, and you some of these rappers

1828
01:37:40,800 --> 01:37:44,280
Speaker 1: with these big brands, it's so easy to leverage your brand. Man,

1829
01:37:44,400 --> 01:37:48,439
Speaker 1: you are, you're walking billboard. Kanye West was the first person,

1830
01:37:48,640 --> 01:37:50,680
Speaker 1: or not the first person to do it, but one

1831
01:37:50,720 --> 01:37:53,240
Speaker 1: of the first people to help me understand how to

1832
01:37:53,439 --> 01:37:57,759
Speaker 1: monetize that. Because we was always cool. We was always

1833
01:37:57,840 --> 01:38:00,599
Speaker 1: in a fashion as rappers or as people from my culture.

1834
01:38:00,840 --> 01:38:03,439
Speaker 1: If you even go back to the eighties dudes you know,

1835
01:38:03,640 --> 01:38:05,880
Speaker 1: go back to Dapper day and and dudes just getting

1836
01:38:05,960 --> 01:38:08,519
Speaker 1: flied and just doing it. So we've been those kind

1837
01:38:08,560 --> 01:38:11,080
Speaker 1: of individuals, but we never knew how to monetize it.

1838
01:38:11,200 --> 01:38:15,200
Speaker 1: We've always approached it from a consumer standpoint. Right, we're

1839
01:38:15,240 --> 01:38:17,320
Speaker 1: gonna go by the big dukey ropes. You're gonna go

1840
01:38:17,439 --> 01:38:20,080
Speaker 1: by the big Gucci this to cool you this or

1841
01:38:20,120 --> 01:38:23,480
Speaker 1: whatever it's popping at the time, and be the biggest consumers.

1842
01:38:23,560 --> 01:38:26,400
Speaker 1: And that's the way we brad. So you got to

1843
01:38:26,520 --> 01:38:29,639
Speaker 1: understand that it ain't really no flex. Being the biggest

1844
01:38:29,680 --> 01:38:33,960
Speaker 1: consumes having money to be able to spend money as

1845
01:38:34,000 --> 01:38:37,479
Speaker 1: a blessing. But you treat it like it's a flex

1846
01:38:37,520 --> 01:38:41,320
Speaker 1: when it's a blessing. Now to go go get the

1847
01:38:41,439 --> 01:38:43,840
Speaker 1: rose Rods for three hundred thousand is a blessing. It

1848
01:38:43,920 --> 01:38:45,840
Speaker 1: ain't a flex because the flexer be to be the

1849
01:38:45,960 --> 01:38:51,400
Speaker 1: owner Rose Rods. It's a blessing to get paid twenty

1850
01:38:51,439 --> 01:38:54,320
Speaker 1: million with this company. It ain't a flex. A flexor

1851
01:38:54,439 --> 01:38:59,280
Speaker 1: be paying twenty mill and then it ain't even afflex

1852
01:38:59,360 --> 01:39:02,320
Speaker 1: to be paying the twenty meeting. De flexes the person

1853
01:39:02,439 --> 01:39:04,800
Speaker 1: paying the person it's paying the twenty right, And so

1854
01:39:04,960 --> 01:39:07,320
Speaker 1: it's always a blessing. It's what I'm trying to tea.

1855
01:39:09,200 --> 01:39:11,640
Speaker 1: You gotta pick that up. It's always a blessing and

1856
01:39:11,720 --> 01:39:14,120
Speaker 1: they never a flex. A lot of times people get

1857
01:39:14,200 --> 01:39:16,519
Speaker 1: they're blurred and they think they're flexing. And that's why

1858
01:39:16,560 --> 01:39:18,800
Speaker 1: I'd be coming off too. We come out wrong because

1859
01:39:18,800 --> 01:39:21,559
Speaker 1: you flexing home and that's a blessing. But let's listen

1860
01:39:21,600 --> 01:39:23,639
Speaker 1: to what Drake said. He spoke about being the man

1861
01:39:23,960 --> 01:39:32,200
Speaker 1: will start there. Well, I think like on a broader scale,

1862
01:39:34,320 --> 01:39:36,200
Speaker 1: I think I'm at the point now where I just

1863
01:39:36,320 --> 01:39:39,679
Speaker 1: want to like I feel like maybe we talked about

1864
01:39:39,720 --> 01:39:43,679
Speaker 1: this the other day, but I feel like I'm kind

1865
01:39:43,720 --> 01:39:51,719
Speaker 1: of introducing the concept in my mind of a graceful exit,

1866
01:39:52,200 --> 01:39:56,080
Speaker 1: like and almost just kind of I feel like a

1867
01:39:56,160 --> 01:39:59,080
Speaker 1: lot of people that I've watched as the years have

1868
01:39:59,200 --> 01:40:06,080
Speaker 1: gone on, it's a really addictive competitive space and oftentimes

1869
01:40:06,160 --> 01:40:10,560
Speaker 1: you're like addicted to the competition itself, and so you

1870
01:40:10,640 --> 01:40:13,160
Speaker 1: know you'll you'll like it. Sometimes it'll baffle you, like

1871
01:40:13,280 --> 01:40:18,479
Speaker 1: why are these people still making attempts at um like

1872
01:40:19,479 --> 01:40:22,639
Speaker 1: trying to be present in the space. And then you'll

1873
01:40:22,680 --> 01:40:27,080
Speaker 1: realize like they probably their their needs and desires and

1874
01:40:27,160 --> 01:40:30,240
Speaker 1: their soul was probably fed for so long off of

1875
01:40:30,360 --> 01:40:33,960
Speaker 1: being a guy or the guy that they can't let

1876
01:40:34,040 --> 01:40:38,000
Speaker 1: it go. And so I guess, like what's left for

1877
01:40:38,160 --> 01:40:45,559
Speaker 1: me is just to find a way to gracefully content

1878
01:40:45,720 --> 01:40:49,920
Speaker 1: like I'm not ready now, but to gracefully like continue

1879
01:40:49,960 --> 01:40:54,400
Speaker 1: making projects that are extremely like interesting and hopefully cherished

1880
01:40:54,439 --> 01:40:57,400
Speaker 1: by people and then to find the right time to say, like,

1881
01:40:57,560 --> 01:41:00,360
Speaker 1: I can't wait to see what the next generation does.

1882
01:41:01,479 --> 01:41:03,880
Speaker 1: I'll still be around to like, you know, work with

1883
01:41:04,040 --> 01:41:07,040
Speaker 1: people or do a show here or there, but I'm

1884
01:41:07,080 --> 01:41:11,080
Speaker 1: not going to like force myself to compete. I would

1885
01:41:11,160 --> 01:41:16,120
Speaker 1: love to just see what the next generation does. I

1886
01:41:16,240 --> 01:41:19,759
Speaker 1: think he made a very poignant point when he spoke

1887
01:41:19,840 --> 01:41:25,000
Speaker 1: about basically being a prisoner of your position. It's so

1888
01:41:25,240 --> 01:41:27,800
Speaker 1: easy to get wrapped up in your identity, to live

1889
01:41:27,920 --> 01:41:31,680
Speaker 1: in being in that position. That's why athletes deal with

1890
01:41:31,760 --> 01:41:34,000
Speaker 1: it a lot. Or they lead the NFL or the NBA,

1891
01:41:34,080 --> 01:41:37,320
Speaker 1: and they instantly get out of shape. They don't got

1892
01:41:37,400 --> 01:41:39,760
Speaker 1: that same reason that they had to get up in

1893
01:41:39,800 --> 01:41:41,840
Speaker 1: the mornings and hit the gym, and it's like they

1894
01:41:41,960 --> 01:41:44,800
Speaker 1: identity lived in that. So you're bumping tune four, five

1895
01:41:44,960 --> 01:41:48,040
Speaker 1: sixty years removed from the league, they no longer even

1896
01:41:48,120 --> 01:41:52,719
Speaker 1: out the same individual because they lost themselves in turning

1897
01:41:52,800 --> 01:41:56,560
Speaker 1: that own. And this is what a question becomes, what

1898
01:41:56,720 --> 01:42:00,160
Speaker 1: does it cost you? Right? Because you're searching in this room, right,

1899
01:42:00,240 --> 01:42:02,640
Speaker 1: you searching in the dark room to cut this light on.

1900
01:42:03,160 --> 01:42:06,639
Speaker 1: When you turn that light on, it invokes an emotion

1901
01:42:06,920 --> 01:42:10,800
Speaker 1: and a gratification and a satisfaction in you that nothing

1902
01:42:10,920 --> 01:42:13,920
Speaker 1: else making touch. And so when you just get that's

1903
01:42:14,000 --> 01:42:16,439
Speaker 1: just getting the light on. That ain't even talking about

1904
01:42:16,520 --> 01:42:21,000
Speaker 1: controlling the room, possibly letting other people in the room.

1905
01:42:21,560 --> 01:42:23,719
Speaker 1: They ain't even had to go through the pressure finding

1906
01:42:23,760 --> 01:42:27,120
Speaker 1: the light because it's already lit up in here. See,

1907
01:42:27,200 --> 01:42:29,640
Speaker 1: all this gives you a certain level of confidence, and

1908
01:42:29,720 --> 01:42:32,839
Speaker 1: it lends itself to your identity, and it wraps itself

1909
01:42:32,960 --> 01:42:36,840
Speaker 1: around your position. And when you live there, the minute

1910
01:42:36,880 --> 01:42:41,400
Speaker 1: you lose that position, what happens. Or you're sixty years old,

1911
01:42:42,479 --> 01:42:44,920
Speaker 1: still coming out with the patch on your eye wrapping,

1912
01:42:45,040 --> 01:42:48,000
Speaker 1: or trying to compete with the youngsters. You know, in

1913
01:42:48,080 --> 01:42:50,760
Speaker 1: no disrespect to the ogs, I'll take that off them,

1914
01:42:50,880 --> 01:42:53,439
Speaker 1: but you're still trying to compete with the youngsters because

1915
01:42:54,400 --> 01:42:57,880
Speaker 1: everything you love lives inside of that room that you

1916
01:42:58,040 --> 01:43:01,080
Speaker 1: had the lighter on. Then. But there's a new sheriff

1917
01:43:01,160 --> 01:43:03,640
Speaker 1: in town. That's the way the world works. There's a

1918
01:43:03,760 --> 01:43:06,800
Speaker 1: fresher now. I've been amazed that Drake's been able to

1919
01:43:06,880 --> 01:43:09,760
Speaker 1: hold on on that long. It shows you how great

1920
01:43:09,800 --> 01:43:12,800
Speaker 1: the dude is. You can't not if anybody disputing what

1921
01:43:12,920 --> 01:43:16,479
Speaker 1: Drake is, they clearly hate us, right. I've never I've

1922
01:43:16,560 --> 01:43:19,879
Speaker 1: never been able to dispute dude, you know behind this microphone.

1923
01:43:19,880 --> 01:43:21,880
Speaker 1: I've never been able to come and say, Yo, dude,

1924
01:43:21,920 --> 01:43:24,640
Speaker 1: they ain't. He ain't one of them guys. He the

1925
01:43:24,720 --> 01:43:29,800
Speaker 1: golden child. And the number said, and before the number

1926
01:43:29,920 --> 01:43:33,840
Speaker 1: said it, the technique said it. See well, before the

1927
01:43:33,960 --> 01:43:37,400
Speaker 1: money said, the technique has show you the passion, to

1928
01:43:37,520 --> 01:43:42,240
Speaker 1: show you the dedication, to show itself this way, before

1929
01:43:42,320 --> 01:43:46,120
Speaker 1: the money come in, you can tell, oh, this person

1930
01:43:46,200 --> 01:43:48,960
Speaker 1: got something special. This is a special thing. This ain't

1931
01:43:49,000 --> 01:43:51,920
Speaker 1: just like everything else. They just talking. This is teaching.

1932
01:43:52,000 --> 01:43:54,599
Speaker 1: They both start with tea, but they ain't the same thing.

1933
01:43:55,080 --> 01:43:58,040
Speaker 1: So you ask yourself, if you're Drake and you've been

1934
01:43:58,080 --> 01:44:01,000
Speaker 1: on top for ten years and you're still on top,

1935
01:44:03,240 --> 01:44:07,800
Speaker 1: when do you say, though, let's put this down. Are

1936
01:44:07,840 --> 01:44:10,960
Speaker 1: you still passionate about making music? Is it still fun

1937
01:44:11,160 --> 01:44:16,040
Speaker 1: to you? It gotta be and it can't be about money,

1938
01:44:16,080 --> 01:44:18,800
Speaker 1: and you're not putting your and to me, Drake hasn't

1939
01:44:18,840 --> 01:44:23,360
Speaker 1: really positioned himself to really really be dedicated to anything else.

1940
01:44:23,400 --> 01:44:25,519
Speaker 1: So to me, it seemed like he still need deep

1941
01:44:25,600 --> 01:44:30,559
Speaker 1: in music and he's continuing to execute at a high click.

1942
01:44:31,080 --> 01:44:33,240
Speaker 1: It is rough to continue to come up with these

1943
01:44:33,280 --> 01:44:35,759
Speaker 1: songs back to back to back, and you keep dropping,

1944
01:44:35,800 --> 01:44:37,680
Speaker 1: and you keep drying, you keep finding a way to

1945
01:44:37,720 --> 01:44:40,559
Speaker 1: say this little keep finding a little melanded is stick,

1946
01:44:40,640 --> 01:44:43,519
Speaker 1: and keep finding the little commercial hit. You keep finding

1947
01:44:43,560 --> 01:44:45,560
Speaker 1: a little R and B hit. You keep running in

1948
01:44:45,680 --> 01:44:48,280
Speaker 1: here and getting with this individual. Yo, It's a lot

1949
01:44:48,439 --> 01:44:50,920
Speaker 1: going on. Then on top of that, it's business to

1950
01:44:51,040 --> 01:44:53,120
Speaker 1: be had in the midst of all that. And then

1951
01:44:53,160 --> 01:44:55,800
Speaker 1: you're doing joint collapse and you're doing Nike this, and

1952
01:44:55,840 --> 01:44:58,320
Speaker 1: you're running over here, and it's a lot going on

1953
01:44:59,360 --> 01:45:01,920
Speaker 1: at the top. But the industry it ain't a lot

1954
01:45:02,040 --> 01:45:04,560
Speaker 1: going on for about it, but the wars this getting it,

1955
01:45:04,680 --> 01:45:07,200
Speaker 1: it's a lot going on. Listen, listen to a little more.

1956
01:45:08,080 --> 01:45:12,720
Speaker 1: I think that we're like twenty six and I was young. Yeah,

1957
01:45:13,280 --> 01:45:19,479
Speaker 1: I think like that and some like sometimes when I've

1958
01:45:19,560 --> 01:45:22,080
Speaker 1: like said girls names and songs, maybe those are the

1959
01:45:22,160 --> 01:45:24,519
Speaker 1: two things that I look back on, I'm like, maybe

1960
01:45:24,520 --> 01:45:27,759
Speaker 1: I could have done without like shitting on people for age,

1961
01:45:28,520 --> 01:45:32,400
Speaker 1: like or or saying like you know, or like disrupting

1962
01:45:32,479 --> 01:45:35,720
Speaker 1: somebody's life. I never like the lyrics are never with

1963
01:45:35,840 --> 01:45:38,479
Speaker 1: ill intent, but like I had somebody one time, be like,

1964
01:45:38,560 --> 01:45:40,720
Speaker 1: you know, it's not necessarily what you're saying about me,

1965
01:45:40,760 --> 01:45:43,240
Speaker 1: it's the fact that you've said it. What does that mean,

1966
01:45:43,760 --> 01:45:45,479
Speaker 1: like just in the sense of like you don't know

1967
01:45:45,600 --> 01:45:47,160
Speaker 1: what it does to me, Like you don't know who

1968
01:45:47,240 --> 01:45:49,600
Speaker 1: my boyfriend is at the time, or you don't know

1969
01:45:49,720 --> 01:45:53,360
Speaker 1: who like what my family knows and doesn't know, you know.

1970
01:45:53,520 --> 01:45:56,360
Speaker 1: And if you do express like any form of discontempt

1971
01:45:56,479 --> 01:45:58,760
Speaker 1: for me in a song and saying and call me

1972
01:45:58,880 --> 01:46:01,800
Speaker 1: by name, then all of a sudden, like I'm left

1973
01:46:01,840 --> 01:46:03,800
Speaker 1: to kind of like pick up the pieces in my

1974
01:46:03,920 --> 01:46:06,479
Speaker 1: own life that I've tried to build up for myself.

1975
01:46:07,960 --> 01:46:11,519
Speaker 1: So I've tried my best to stop doing that. But

1976
01:46:11,600 --> 01:46:13,400
Speaker 1: I like to be honest in music too. So it's

1977
01:46:13,920 --> 01:46:17,599
Speaker 1: it's that one's a pushing see that he talking about

1978
01:46:17,880 --> 01:46:21,080
Speaker 1: for right there, he's talking about when you he mentioned

1979
01:46:21,080 --> 01:46:25,000
Speaker 1: in girl's names and reps, and so I know the feeling.

1980
01:46:25,080 --> 01:46:26,920
Speaker 1: I don't know it like Drake nor but I'm the

1981
01:46:27,000 --> 01:46:29,479
Speaker 1: eggs that the girl got to keep blocks so the

1982
01:46:29,560 --> 01:46:32,559
Speaker 1: relationship can work. If your woman mentioned me, you don't

1983
01:46:32,600 --> 01:46:35,120
Speaker 1: want to listen to me looking at me, following me

1984
01:46:35,720 --> 01:46:38,760
Speaker 1: doing none of that. Because sometimes dudes be kind of

1985
01:46:38,800 --> 01:46:41,080
Speaker 1: spooped U by man. Damn, I think he got this

1986
01:46:41,200 --> 01:46:44,720
Speaker 1: sauce man. Now, I think he can capture hub Man

1987
01:46:44,840 --> 01:46:47,680
Speaker 1: whenever he want to capture hub Man and get a

1988
01:46:47,720 --> 01:46:50,760
Speaker 1: little slippery for dudes. And then it's Drake, one of

1989
01:46:50,840 --> 01:46:53,080
Speaker 1: the biggest, and he's saying your gad name in a

1990
01:46:53,200 --> 01:46:55,360
Speaker 1: song and she got to come home to you. I

1991
01:46:55,479 --> 01:46:58,439
Speaker 1: was talking about last week that most times people hate

1992
01:46:59,280 --> 01:47:03,519
Speaker 1: the people celebrity or whether that's man or woman, they'll

1993
01:47:03,560 --> 01:47:06,160
Speaker 1: hate you because of what they significant other is willing

1994
01:47:06,200 --> 01:47:08,639
Speaker 1: to do on your behalf. So let's just say Sissor

1995
01:47:08,680 --> 01:47:12,120
Speaker 1: come to town, and I mean a committed relationship, but boys,

1996
01:47:12,160 --> 01:47:15,240
Speaker 1: Scissor got my phone number, and I'm dying there with

1997
01:47:15,400 --> 01:47:17,920
Speaker 1: Sissy that I got this shit on. I'm telling the

1998
01:47:18,080 --> 01:47:20,960
Speaker 1: sen siss Or whatever, like, yo, she in my city.

1999
01:47:21,120 --> 01:47:23,760
Speaker 1: Let her know, big dude, and them saying, yeah, turn

2000
01:47:23,880 --> 01:47:26,479
Speaker 1: her off. Yeah, it's all on me, And I ain't

2001
01:47:26,560 --> 01:47:29,120
Speaker 1: bothered in her, but I sent my blessing. You know,

2002
01:47:29,240 --> 01:47:31,599
Speaker 1: I'm acting the ass down there. And so a lot

2003
01:47:31,640 --> 01:47:34,400
Speaker 1: of times that's like, damn, man, you you know, the

2004
01:47:34,520 --> 01:47:36,920
Speaker 1: person who loves you or your significant other can be

2005
01:47:37,040 --> 01:47:41,599
Speaker 1: offended by that. I can even imagine. On the other side,

2006
01:47:41,680 --> 01:47:44,160
Speaker 1: said rapper, come to the town, this dude, old lady

2007
01:47:44,240 --> 01:47:46,320
Speaker 1: been walking around the house without a hat done for

2008
01:47:46,520 --> 01:47:49,479
Speaker 1: three weeks. Man, all of a sudden, we all of

2009
01:47:49,479 --> 01:47:51,800
Speaker 1: a sudden, rap dude in town. She head down to

2010
01:47:51,920 --> 01:47:54,599
Speaker 1: the beauty shop. Yeah, she's gonna get her hat done.

2011
01:47:54,920 --> 01:47:58,240
Speaker 1: She's gonna put on her dress. Yeah no, panis you

2012
01:47:58,360 --> 01:48:00,519
Speaker 1: understand me, And she's gonna come out side and let

2013
01:48:00,600 --> 01:48:04,360
Speaker 1: it be known that she wanted them once. Whole time

2014
01:48:04,439 --> 01:48:07,280
Speaker 1: the rapper don't even know dude, though, lady doesn't. She's

2015
01:48:07,320 --> 01:48:09,120
Speaker 1: been getting ready for this for foll to a he

2016
01:48:09,160 --> 01:48:12,320
Speaker 1: don't even know her. But the man at home know that.

2017
01:48:13,200 --> 01:48:16,599
Speaker 1: And sometime to dude at home, he and this feeling man.

2018
01:48:16,720 --> 01:48:18,960
Speaker 1: She ain't did a makeup, did none of that all

2019
01:48:19,120 --> 01:48:21,479
Speaker 1: month from week now, all of a sudden because she

2020
01:48:22,560 --> 01:48:25,479
Speaker 1: now y'all shopping. Then you it'd be that insecurity they'd

2021
01:48:25,479 --> 01:48:27,320
Speaker 1: be living with. And I keep telling y'all, as you

2022
01:48:27,439 --> 01:48:31,000
Speaker 1: get older, that should become an attractive See when you're young.

2023
01:48:31,120 --> 01:48:33,840
Speaker 1: I know some of them, young people, young girls and dudes,

2024
01:48:33,880 --> 01:48:36,240
Speaker 1: they'd be thinking that it's attractive. Way. It's like I

2025
01:48:36,479 --> 01:48:39,439
Speaker 1: kee key crazy about me. He don't want nobody talking

2026
01:48:39,479 --> 01:48:42,599
Speaker 1: to me now, you can't you what are you trying

2027
01:48:42,640 --> 01:48:46,800
Speaker 1: to do? So I'm I specialize in talking to people.

2028
01:48:47,840 --> 01:48:50,160
Speaker 1: You know. Just picture saying your old lady name and

2029
01:48:50,240 --> 01:48:52,439
Speaker 1: you at the house, whether you come home, Drake just

2030
01:48:52,640 --> 01:48:56,240
Speaker 1: dropped and and you cut it on and yo, lady,

2031
01:48:56,760 --> 01:49:02,559
Speaker 1: Teresa Simmons, the love of my life and yo' yo ladies. Damn.

2032
01:49:03,000 --> 01:49:05,000
Speaker 1: And he go to talking about how he couldn't make

2033
01:49:05,040 --> 01:49:07,400
Speaker 1: it work because he busy chasing his dreams and if

2034
01:49:07,479 --> 01:49:09,760
Speaker 1: he could have turned it all back, he would come

2035
01:49:09,800 --> 01:49:12,000
Speaker 1: back and get it and he'd never been that way.

2036
01:49:12,040 --> 01:49:15,240
Speaker 1: And you're looking like, man, damn, you ain't tell me

2037
01:49:15,280 --> 01:49:19,240
Speaker 1: you head did kind of competition going on. You ain't

2038
01:49:19,280 --> 01:49:22,680
Speaker 1: tell me you head certified lovel boy doing this and

2039
01:49:22,840 --> 01:49:26,880
Speaker 1: that you understand me. So now, man, I'm telling y'all

2040
01:49:27,000 --> 01:49:29,840
Speaker 1: get it, get it, Get real personal about what these

2041
01:49:29,920 --> 01:49:33,320
Speaker 1: people significant other is willing to do for celebrities or

2042
01:49:33,400 --> 01:49:37,720
Speaker 1: people that they just are intrigued with you a lot.

2043
01:49:37,760 --> 01:49:40,560
Speaker 1: I uhou think you're making girls names up? No, No,

2044
01:49:40,800 --> 01:49:42,400
Speaker 1: I don't think I've ever made a girl's name up.

2045
01:49:44,040 --> 01:49:46,160
Speaker 1: I think that's the one thing that I would like,

2046
01:49:46,439 --> 01:49:48,720
Speaker 1: maybe say is like just makes me kind of be like,

2047
01:49:49,240 --> 01:49:53,000
Speaker 1: like the biggest conversation that I have obviously when you're

2048
01:49:53,000 --> 01:49:54,800
Speaker 1: like with people who just don't know you or people

2049
01:49:54,840 --> 01:49:57,560
Speaker 1: who just as swed him. It's that like just the

2050
01:49:57,720 --> 01:50:02,040
Speaker 1: conception people have of you in their mind, and it's

2051
01:50:02,120 --> 01:50:04,679
Speaker 1: so insane. And I can remember being younger and maybe

2052
01:50:04,760 --> 01:50:07,840
Speaker 1: having certain conceptions, but but they were never like the

2053
01:50:07,960 --> 01:50:10,560
Speaker 1: ones that I hear now, you know, like just like

2054
01:50:10,680 --> 01:50:13,240
Speaker 1: what people really assume. Then I had to step back.

2055
01:50:13,600 --> 01:50:16,360
Speaker 1: I guess when you know someone, it's hard to even

2056
01:50:16,560 --> 01:50:19,200
Speaker 1: see something from someone's point of view who doesn't you know,

2057
01:50:19,520 --> 01:50:21,280
Speaker 1: but like when you just start and think about it,

2058
01:50:21,360 --> 01:50:22,760
Speaker 1: like I mean, I don't think you've done it even

2059
01:50:22,800 --> 01:50:25,760
Speaker 1: an interviewing so long past that I think all people

2060
01:50:25,840 --> 01:50:30,080
Speaker 1: really have to live off its music and Instagram post,

2061
01:50:30,479 --> 01:50:33,840
Speaker 1: you know, and like Alex posting a video with the

2062
01:50:33,960 --> 01:50:36,680
Speaker 1: ring with the necklace, you know, like just things that

2063
01:50:36,760 --> 01:50:39,360
Speaker 1: little people like people depiction. Then they just create this

2064
01:50:39,479 --> 01:50:43,400
Speaker 1: synopsis of like you as a man, and it when

2065
01:50:43,600 --> 01:50:46,280
Speaker 1: when we first started hanging out and got really close

2066
01:50:46,320 --> 01:50:48,800
Speaker 1: to you used to like really irritate me and piss

2067
01:50:48,880 --> 01:50:50,880
Speaker 1: me out. Like I've been in lots of arguments. You

2068
01:50:50,880 --> 01:50:53,120
Speaker 1: would get really upset and you would text me and

2069
01:50:53,200 --> 01:50:55,440
Speaker 1: be really, you know, I'm just I'm just very defensive

2070
01:50:55,920 --> 01:51:01,320
Speaker 1: of our friendship. That's honest. But it's a talent part,

2071
01:51:01,640 --> 01:51:03,120
Speaker 1: you know. I think it's a talent part, you know,

2072
01:51:03,240 --> 01:51:06,160
Speaker 1: I think that. And I think it's just like people

2073
01:51:06,280 --> 01:51:08,599
Speaker 1: think like the whole Like even like the upbringing from

2074
01:51:08,600 --> 01:51:10,680
Speaker 1: the Grassy, people try and use that. It's like, oh,

2075
01:51:10,840 --> 01:51:14,240
Speaker 1: he's like he's not like that, or he's like he's

2076
01:51:14,400 --> 01:51:18,479
Speaker 1: you know, just all. I'm gonna be honest when we

2077
01:51:18,600 --> 01:51:20,840
Speaker 1: deal with Drake. I don't think none of this shtick

2078
01:51:21,040 --> 01:51:25,000
Speaker 1: the Grasses. I think the ghost writing that did a

2079
01:51:25,120 --> 01:51:29,760
Speaker 1: little something, But I still think dude greatness on that mic.

2080
01:51:30,080 --> 01:51:32,240
Speaker 1: It's just an overshadow that. And then this is the

2081
01:51:32,360 --> 01:51:35,800
Speaker 1: music industry. You never allow people to treat you out

2082
01:51:35,880 --> 01:51:39,280
Speaker 1: of using what's working for you. That's what I say. Man,

2083
01:51:39,439 --> 01:51:41,800
Speaker 1: easy eating them ain't given a damn coming out of

2084
01:51:41,800 --> 01:51:46,280
Speaker 1: the street. Man whoever righte this trying to get paid well,

2085
01:51:46,360 --> 01:51:51,080
Speaker 1: y'all and got a pin got sedated by this. Now

2086
01:51:51,160 --> 01:51:53,760
Speaker 1: we take pride in this, but that's a conversation for

2087
01:51:53,840 --> 01:51:56,920
Speaker 1: the purists over But in this industry thing when we

2088
01:51:57,000 --> 01:51:58,880
Speaker 1: got to pump out two or three albums a year

2089
01:51:59,040 --> 01:52:02,720
Speaker 1: to super high league man call us, some producers call

2090
01:52:02,880 --> 01:52:05,320
Speaker 1: us some people that write treatments for videos that I

2091
01:52:05,360 --> 01:52:09,200
Speaker 1: already understand. I write brand, and I brand visibility, and

2092
01:52:09,280 --> 01:52:12,080
Speaker 1: I bring colors and the themes and right, so put

2093
01:52:12,200 --> 01:52:14,720
Speaker 1: things together that make it easier for the dude. That's

2094
01:52:14,760 --> 01:52:17,960
Speaker 1: totally load. I always agree with that. I don't think,

2095
01:52:18,120 --> 01:52:22,000
Speaker 1: in my opinion, that most of that stuff that they

2096
01:52:22,080 --> 01:52:25,280
Speaker 1: throw it drake to the grassy. None of that. I

2097
01:52:25,360 --> 01:52:28,000
Speaker 1: just don't think you stick. Maybe some people do. I don't.

2098
01:52:28,080 --> 01:52:30,200
Speaker 1: I think it ain't even worth speaking about no more.

2099
01:52:30,280 --> 01:52:32,920
Speaker 1: It's so old and he hasn't done so much to me,

2100
01:52:33,120 --> 01:52:37,240
Speaker 1: It don't stick. Not assumptions that that really irritate me

2101
01:52:37,280 --> 01:52:40,880
Speaker 1: from people who've heard for so long. And it's just

2102
01:52:41,120 --> 01:52:45,759
Speaker 1: I realize that it's it's not like I stopped chasing

2103
01:52:45,960 --> 01:52:49,880
Speaker 1: unanimous love a long time ago. I don't think like,

2104
01:52:50,760 --> 01:52:54,519
Speaker 1: I don't think unanimous love is attainable when you're in

2105
01:52:54,640 --> 01:52:58,080
Speaker 1: any form of competitive space, even if it is like

2106
01:52:58,240 --> 01:53:01,120
Speaker 1: based on opinion, right, Like you know, I'll bring up

2107
01:53:01,160 --> 01:53:04,400
Speaker 1: sports a lot in music, but again it's it's a

2108
01:53:04,479 --> 01:53:07,240
Speaker 1: lot different, right, because sports there's a winner and a loser,

2109
01:53:07,360 --> 01:53:09,240
Speaker 1: so you can you can really base your point on

2110
01:53:09,320 --> 01:53:11,840
Speaker 1: the fact that this guy's the best because of number,

2111
01:53:11,840 --> 01:53:13,840
Speaker 1: this many rings or this pointing points or whatever, but

2112
01:53:14,040 --> 01:53:17,400
Speaker 1: which is still opinionated. Yeah, it is opinionated, hundred percent,

2113
01:53:17,479 --> 01:53:19,840
Speaker 1: but but it's it's a little more like it's got

2114
01:53:19,880 --> 01:53:23,880
Speaker 1: a little more foundation to it. Our shit is really

2115
01:53:23,960 --> 01:53:25,840
Speaker 1: just like what you like and what you don't like.

2116
01:53:26,520 --> 01:53:29,880
Speaker 1: And I just realized a long time ago, not long enough.

2117
01:53:30,000 --> 01:53:32,920
Speaker 1: I wish it was earlier, but a while ago, that

2118
01:53:33,320 --> 01:53:40,120
Speaker 1: I'm not gonna make every everybody love love me. Here's

2119
01:53:40,160 --> 01:53:43,280
Speaker 1: the thing. I think this is so important, and I'm

2120
01:53:43,320 --> 01:53:46,719
Speaker 1: trying to teach myself that now there's an extreme amount

2121
01:53:46,760 --> 01:53:51,320
Speaker 1: of value in ignoring the cheers and the bulls and

2122
01:53:51,520 --> 01:53:54,880
Speaker 1: knowing that you cannot make all these people happy. Don't

2123
01:53:54,920 --> 01:53:57,639
Speaker 1: try to cater to these people. When people say don't

2124
01:53:57,680 --> 01:54:00,280
Speaker 1: try to cater to these people, it's important to understand

2125
01:54:00,360 --> 01:54:02,800
Speaker 1: that don't mean to ignore the work that needs to

2126
01:54:02,840 --> 01:54:06,320
Speaker 1: be put in to make sure your points are fluid.

2127
01:54:06,560 --> 01:54:10,679
Speaker 1: They are informative, and they are whole, and they represent

2128
01:54:10,800 --> 01:54:13,160
Speaker 1: your real perspective. And so putting the work in and

2129
01:54:13,280 --> 01:54:15,880
Speaker 1: still gonna always be a part of the ingredients for

2130
01:54:15,920 --> 01:54:18,880
Speaker 1: you to continue to move forward. But in regards to

2131
01:54:19,960 --> 01:54:22,960
Speaker 1: falling victim to man, they all like that post man,

2132
01:54:23,040 --> 01:54:25,120
Speaker 1: I'm gonna keep giving them posts like that, and then

2133
01:54:25,200 --> 01:54:28,720
Speaker 1: you become a character yourself. That's why sometimes I just

2134
01:54:28,800 --> 01:54:31,479
Speaker 1: stow random stuff out like it's like, yo, I'm going

2135
01:54:31,600 --> 01:54:33,680
Speaker 1: this way with it, you know. I tell all my

2136
01:54:33,800 --> 01:54:38,400
Speaker 1: business partners it's extremely important for me, just from a

2137
01:54:38,520 --> 01:54:42,280
Speaker 1: podcast perspective, to spread out very early in this journey

2138
01:54:43,720 --> 01:54:46,880
Speaker 1: and make sure that this podcast is not cornered into

2139
01:54:47,120 --> 01:54:50,680
Speaker 1: no hip hop. Not falling victim to being trying to

2140
01:54:50,760 --> 01:54:53,920
Speaker 1: please everybody is so so so important. I'm so glad

2141
01:54:54,040 --> 01:54:56,640
Speaker 1: dude spoke on that. I've been trying to teach myself

2142
01:54:56,720 --> 01:54:59,800
Speaker 1: for years to ignore words because when you get wrapped

2143
01:54:59,880 --> 01:55:03,960
Speaker 1: up been what people say, oftentimes you don't pay attention

2144
01:55:04,040 --> 01:55:07,120
Speaker 1: to what they do. And so that's why I try

2145
01:55:07,160 --> 01:55:09,920
Speaker 1: to ignore words at the highest level because so many

2146
01:55:10,000 --> 01:55:13,000
Speaker 1: people that's been a hundred years of for this involved

2147
01:55:13,000 --> 01:55:16,120
Speaker 1: with language and selling fantasy. Like I always say, you

2148
01:55:16,200 --> 01:55:18,240
Speaker 1: don't support me if you're in a position to give

2149
01:55:18,280 --> 01:55:21,080
Speaker 1: me a check, and don't give me one if we

2150
01:55:21,200 --> 01:55:23,320
Speaker 1: have a way to make money together. This is the

2151
01:55:23,400 --> 01:55:25,520
Speaker 1: business you in, and we don't make no money together.

2152
01:55:25,640 --> 01:55:27,840
Speaker 1: You don't support me, and that's fine, but just don't

2153
01:55:27,880 --> 01:55:30,280
Speaker 1: frame it that way. I think rap Coach has been

2154
01:55:30,360 --> 01:55:33,200
Speaker 1: always good with that. When you look at dudes putting

2155
01:55:33,200 --> 01:55:36,280
Speaker 1: a lot for me or you on their record labels

2156
01:55:36,360 --> 01:55:41,360
Speaker 1: and family on their record labels, and you know, naming

2157
01:55:41,440 --> 01:55:44,440
Speaker 1: themselves maybe after the Gambinos and certain things. So we

2158
01:55:44,600 --> 01:55:47,840
Speaker 1: gave off this illusion that we wore a team or

2159
01:55:48,160 --> 01:55:51,680
Speaker 1: army or a game right or congregation when the whole

2160
01:55:51,760 --> 01:55:55,280
Speaker 1: time they ain't cutting you in like we gain. I've

2161
01:55:55,320 --> 01:55:57,800
Speaker 1: seen the post going Viole. It made so much sense.

2162
01:55:57,880 --> 01:55:59,800
Speaker 1: It said, say, bro, they called you about the beef,

2163
01:55:59,840 --> 01:56:03,080
Speaker 1: and if you out on the money and you went

2164
01:56:03,240 --> 01:56:07,320
Speaker 1: for that, then just hit your land about sladding and

2165
01:56:07,480 --> 01:56:09,800
Speaker 1: didn't hit your land about getting no money and you

2166
01:56:09,920 --> 01:56:13,080
Speaker 1: went for that. Then to only come get you when

2167
01:56:13,160 --> 01:56:16,160
Speaker 1: it is afraid that somebody's gonna try to come get them.

2168
01:56:17,240 --> 01:56:19,560
Speaker 1: They don't never call you when it's about no money,

2169
01:56:19,720 --> 01:56:23,320
Speaker 1: and you went for that. I want to put a

2170
01:56:23,440 --> 01:56:25,760
Speaker 1: PSA out. Don't call me about no beef. If you

2171
01:56:25,800 --> 01:56:29,240
Speaker 1: ain't calling me about no business, I don't call me

2172
01:56:29,280 --> 01:56:32,680
Speaker 1: about no bullish. I'm not like a real I really

2173
01:56:33,080 --> 01:56:36,200
Speaker 1: I don't feel often when I meet people, I have

2174
01:56:36,360 --> 01:56:39,960
Speaker 1: to like humanize myself. If I was talking to a

2175
01:56:40,080 --> 01:56:45,120
Speaker 1: therapist at one point and he said something and he

2176
01:56:45,360 --> 01:56:49,160
Speaker 1: was like, you know, it was a it was a

2177
01:56:49,200 --> 01:56:51,440
Speaker 1: really valid point. I'm not really a big therapy guy.

2178
01:56:51,480 --> 01:56:55,600
Speaker 1: I don't feel like I necessarily want the same life

2179
01:56:55,640 --> 01:56:57,960
Speaker 1: as a therapist is trying to pitch me on, which

2180
01:56:58,120 --> 01:57:01,400
Speaker 1: is like some life of life morals and simplicity and

2181
01:57:02,400 --> 01:57:04,480
Speaker 1: type of thing. Yeah, not to say I don't have

2182
01:57:05,000 --> 01:57:07,000
Speaker 1: morals and simplicity, but like I don't need my life

2183
01:57:07,000 --> 01:57:09,720
Speaker 1: to be rooted and like find somewhere to disappear in

2184
01:57:09,760 --> 01:57:11,840
Speaker 1: the world and like disconnect from everybody. That's not really

2185
01:57:11,880 --> 01:57:15,440
Speaker 1: like where I'm headed, right, But I did talk to

2186
01:57:15,480 --> 01:57:17,360
Speaker 1: a therapist one time and he made this point about

2187
01:57:17,440 --> 01:57:19,840
Speaker 1: being like, you know, no matter what kind of woman

2188
01:57:19,920 --> 01:57:23,520
Speaker 1: you're chasing physically, right, like you like you like ask

2189
01:57:23,680 --> 01:57:27,880
Speaker 1: you like titties, you like like he's like, you have

2190
01:57:28,040 --> 01:57:31,680
Speaker 1: the biggest tits in the room. He's like, you walk

2191
01:57:31,760 --> 01:57:34,720
Speaker 1: into any room and you have just the most gigantic tits.

2192
01:57:35,440 --> 01:57:38,520
Speaker 1: Nobody can think about anything else other than whatever your

2193
01:57:38,600 --> 01:57:43,160
Speaker 1: gigantic tits, which is your Drake, I remember this about

2194
01:57:43,160 --> 01:57:44,920
Speaker 1: this guy. Remember that about this guy. I bet this

2195
01:57:45,000 --> 01:57:47,120
Speaker 1: guy does this. I bet this guy does that. Like

2196
01:57:47,360 --> 01:57:50,880
Speaker 1: all the preconceived notions, they're just like they can't see

2197
01:57:50,920 --> 01:57:54,000
Speaker 1: past the gigantic tits unless they talk to you and

2198
01:57:54,120 --> 01:57:57,040
Speaker 1: then they're like, oh wow, like you're actually like, I mean,

2199
01:57:57,120 --> 01:57:59,840
Speaker 1: your tits are huge. This is a great point about there.

2200
01:58:00,200 --> 01:58:02,600
Speaker 1: I was talking on poor minds about therapy. I really

2201
01:58:03,080 --> 01:58:05,880
Speaker 1: am not having got to the point where I've went

2202
01:58:05,960 --> 01:58:09,720
Speaker 1: to therapy because again affecting the way I look at

2203
01:58:09,800 --> 01:58:12,120
Speaker 1: life and how I view things. I just don't know

2204
01:58:12,240 --> 01:58:14,680
Speaker 1: how safe that is for me at this point. I

2205
01:58:14,800 --> 01:58:17,320
Speaker 1: believe Drake and Yady had a great conversation. If you

2206
01:58:17,440 --> 01:58:19,640
Speaker 1: haven't checked that out, go check that out. Shout out

2207
01:58:19,680 --> 01:58:23,440
Speaker 1: to the board. Let's speak about this. Kanye West enterdidas

2208
01:58:23,840 --> 01:58:26,480
Speaker 1: after the fall of Kanye West, Adidas is trying to

2209
01:58:26,560 --> 01:58:29,320
Speaker 1: figure out what to do with one point two billion

2210
01:58:29,520 --> 01:58:34,240
Speaker 1: in unsellable products with Kanye West. For those of you underworld,

2211
01:58:34,320 --> 01:58:37,320
Speaker 1: that has been reports that Kanye West end Adidas is

2212
01:58:37,360 --> 01:58:41,000
Speaker 1: trying to reach a new deal for products that's already

2213
01:58:41,080 --> 01:58:45,560
Speaker 1: been manufactured. I want people that's watching entrepreneurship in business

2214
01:58:45,680 --> 01:58:49,360
Speaker 1: to understand that this is an important time to pay attention,

2215
01:58:49,680 --> 01:58:54,360
Speaker 1: but also to note that Kanye West Yay is an

2216
01:58:54,400 --> 01:58:58,400
Speaker 1: anomaly his position in the marketplace. And this is when

2217
01:58:58,440 --> 01:59:01,320
Speaker 1: you look at this in thelidity of it. I'm not sure,

2218
01:59:01,400 --> 01:59:04,200
Speaker 1: but I do understand that he has put a tremendous

2219
01:59:04,280 --> 01:59:08,760
Speaker 1: strain on Adidas in regard because they were heavily invested

2220
01:59:08,840 --> 01:59:10,880
Speaker 1: in him, which they should have been, because he's a

2221
01:59:10,960 --> 01:59:13,960
Speaker 1: product mover. And when you when you think back and

2222
01:59:14,080 --> 01:59:16,160
Speaker 1: you look at him as he was on drink Chumps

2223
01:59:16,200 --> 01:59:18,480
Speaker 1: and he was doing this media run where he was

2224
01:59:18,520 --> 01:59:21,240
Speaker 1: saying some of these crazy things, and he was saying,

2225
01:59:21,320 --> 01:59:25,120
Speaker 1: Adidas can't cancel me is because he knew how much

2226
01:59:25,200 --> 01:59:29,520
Speaker 1: product he had in their warehouses. He felt like that, Yo,

2227
01:59:29,680 --> 01:59:33,560
Speaker 1: they so capital driven, they can't do this. They won't

2228
01:59:33,680 --> 01:59:36,400
Speaker 1: let this go. It's too much money at risk. And

2229
01:59:36,520 --> 01:59:39,840
Speaker 1: I'm exposing them and I'm gonna remain powerful because they

2230
01:59:39,880 --> 01:59:42,440
Speaker 1: ain't letting this go. They can't do it without me.

2231
01:59:43,120 --> 01:59:45,760
Speaker 1: But Adidas went into they Think tank and they said, listen,

2232
01:59:45,840 --> 01:59:47,560
Speaker 1: we gotta let him go. We think we can do

2233
01:59:47,640 --> 01:59:50,880
Speaker 1: it without them, and quickly realize that it will not happen.

2234
01:59:51,200 --> 01:59:53,560
Speaker 1: The whole time, I always said, man, yeah, he ain't

2235
01:59:53,600 --> 01:59:56,840
Speaker 1: breaking telling me he got some information. Man, he is

2236
01:59:56,920 --> 01:59:59,320
Speaker 1: not giving into what they're saying. They even offered them

2237
01:59:59,360 --> 02:00:03,720
Speaker 1: about at some point, but he was not breaking. So

2238
02:00:03,840 --> 02:00:07,080
Speaker 1: I was saying, man, for some reason, he ain't respecting

2239
02:00:07,160 --> 02:00:11,320
Speaker 1: the pump fake And I said, well, he's in a

2240
02:00:11,960 --> 02:00:14,640
Speaker 1: very interesting situation because he can't go back to Nike.

2241
02:00:14,800 --> 02:00:19,320
Speaker 1: I don't think, especially at the time, with those remarks,

2242
02:00:19,360 --> 02:00:22,320
Speaker 1: and he left Nike because of the Red October. Last

2243
02:00:22,360 --> 02:00:24,839
Speaker 1: week I spoke on the influence of the Red October

2244
02:00:24,880 --> 02:00:27,800
Speaker 1: to now. However, many years later you see this red

2245
02:00:27,920 --> 02:00:30,520
Speaker 1: blue boot flying around. Now, the Red Boot won't be

2246
02:00:30,680 --> 02:00:33,840
Speaker 1: as influential as the Red October, not even close, and

2247
02:00:33,960 --> 02:00:36,400
Speaker 1: they won't probably be able to transition in the same

2248
02:00:36,520 --> 02:00:40,520
Speaker 1: way or take up as much as the marketplaces he

2249
02:00:40,680 --> 02:00:45,320
Speaker 1: did with that. But it just shows that history repeats itself,

2250
02:00:46,720 --> 02:00:48,880
Speaker 1: and I believe that they were inspired by that in

2251
02:00:49,040 --> 02:00:51,600
Speaker 1: some way. To note or marketing may tell you that

2252
02:00:51,800 --> 02:00:57,080
Speaker 1: Red something's happening with that. That's my opinion. But I

2253
02:00:57,120 --> 02:00:59,520
Speaker 1: don't see him being able to go to the Nike

2254
02:00:59,600 --> 02:01:02,080
Speaker 1: because he left Nike to go to Adidas, and I said, well,

2255
02:01:02,080 --> 02:01:04,720
Speaker 1: who else is out there? I'm not really sure anyone

2256
02:01:04,800 --> 02:01:07,120
Speaker 1: else can offer him the amount of money that's currently

2257
02:01:07,200 --> 02:01:10,840
Speaker 1: in the market right maybe overseas companies and things like that,

2258
02:01:11,040 --> 02:01:13,760
Speaker 1: but then you have to get inside those stores and

2259
02:01:13,880 --> 02:01:16,360
Speaker 1: those relationships. It's just it's a lot on that. So

2260
02:01:16,480 --> 02:01:19,320
Speaker 1: I mean, it can be done, or I forget the stores,

2261
02:01:19,400 --> 02:01:21,800
Speaker 1: go direct to consumer. He has that kind of brand.

2262
02:01:22,080 --> 02:01:23,960
Speaker 1: But at the end of the day, he was moving

2263
02:01:24,040 --> 02:01:26,640
Speaker 1: around and he was not respecting the pump fake and

2264
02:01:26,800 --> 02:01:29,800
Speaker 1: I think he was being told they cannot do this.

2265
02:01:30,320 --> 02:01:32,400
Speaker 1: He's saying, what they're doing it, they can't do this.

2266
02:01:32,560 --> 02:01:35,120
Speaker 1: I'm telling you, they can't do this without you. I

2267
02:01:35,280 --> 02:01:38,160
Speaker 1: believe that even if he wasn't told that, he may

2268
02:01:38,200 --> 02:01:40,560
Speaker 1: have thought that. I believe he was told that, But

2269
02:01:40,720 --> 02:01:43,080
Speaker 1: I also believe he probably thought that as well. And

2270
02:01:43,200 --> 02:01:45,600
Speaker 1: if this is true, this isn't a decision you make

2271
02:01:45,680 --> 02:01:51,120
Speaker 1: with just no information. So they've did that due diligence.

2272
02:01:51,200 --> 02:01:53,800
Speaker 1: That's trying to put them on sale without his endorsement,

2273
02:01:53,880 --> 02:01:56,640
Speaker 1: to try to take his name off of them and

2274
02:01:56,800 --> 02:01:59,240
Speaker 1: put them out there to test certain markets, to try

2275
02:01:59,240 --> 02:02:01,160
Speaker 1: to do a lot of So we're facing to drive

2276
02:02:01,240 --> 02:02:03,840
Speaker 1: the sales, and nothing was working, and so they have

2277
02:02:03,960 --> 02:02:05,920
Speaker 1: to come back to the drawing board and say, listen,

2278
02:02:06,320 --> 02:02:08,800
Speaker 1: he has done some very unique in the space where

2279
02:02:08,800 --> 02:02:12,840
Speaker 1: if he's not attached to it, the value just diminishes.

2280
02:02:13,880 --> 02:02:16,560
Speaker 1: It's not many people that can do that. Chapelle did there,

2281
02:02:16,680 --> 02:02:19,280
Speaker 1: Ya did it like. It's not many people that can

2282
02:02:19,360 --> 02:02:21,000
Speaker 1: be like, hey, yo, if I'm not standing with that,

2283
02:02:21,160 --> 02:02:23,480
Speaker 1: no more, it ain't it ain't doing nothing, it ain't nothing,

2284
02:02:24,120 --> 02:02:26,760
Speaker 1: and the market responds to it in that way. I'm

2285
02:02:26,800 --> 02:02:29,680
Speaker 1: not sure if it was because of the circuits surrounding

2286
02:02:29,800 --> 02:02:32,640
Speaker 1: all of it, or is it literally because Yea is

2287
02:02:32,680 --> 02:02:36,280
Speaker 1: no longer standing with it, nobody's interested in the shoe anymore.

2288
02:02:36,640 --> 02:02:39,560
Speaker 1: If that I believe that's the case, I'm not sure.

2289
02:02:39,600 --> 02:02:41,680
Speaker 1: Because I'm an information guy, I don't like to say

2290
02:02:41,760 --> 02:02:45,880
Speaker 1: things off emotion. But in my opinion, it seems that

2291
02:02:46,000 --> 02:02:48,640
Speaker 1: that's the case. Is just that the market isn't responding

2292
02:02:48,720 --> 02:02:51,000
Speaker 1: without Yea being attached to it. When I look at it,

2293
02:02:51,080 --> 02:02:53,000
Speaker 1: I say, it's not many people that when I'm no

2294
02:02:53,160 --> 02:02:57,080
Speaker 1: longer next to you, your access to the customer changes.

2295
02:02:57,960 --> 02:03:02,840
Speaker 1: Imagine that we see it in wrap some time. It's

2296
02:03:02,880 --> 02:03:05,200
Speaker 1: like yo, when such and such no longer co sign

2297
02:03:05,240 --> 02:03:07,640
Speaker 1: them where they're no longer signing such and such, they

2298
02:03:07,720 --> 02:03:11,640
Speaker 1: just look different in the market now. But this is

2299
02:03:11,720 --> 02:03:16,640
Speaker 1: at the highest level. They Adidas has every resource available

2300
02:03:17,160 --> 02:03:19,720
Speaker 1: for someone that's been in this industry for that amount

2301
02:03:19,760 --> 02:03:22,000
Speaker 1: of time, So they have everything you can think of

2302
02:03:22,200 --> 02:03:25,760
Speaker 1: that they need. So they literally have been put in

2303
02:03:25,840 --> 02:03:29,440
Speaker 1: a position to now have to update their circumstance to

2304
02:03:29,720 --> 02:03:34,000
Speaker 1: understand that without ya, this does not penetrate the market

2305
02:03:34,920 --> 02:03:37,360
Speaker 1: with all the resources we got. Even when I look

2306
02:03:37,400 --> 02:03:40,680
Speaker 1: at podcasts, you know, that's my industry, so I always

2307
02:03:40,720 --> 02:03:43,600
Speaker 1: pay attention to it. I'm like, yo, all y'all next

2308
02:03:43,640 --> 02:03:46,520
Speaker 1: to each other, man, pretty good podcasting going on now.

2309
02:03:47,160 --> 02:03:49,600
Speaker 1: But by yourself, can you hold that kind of conversation?

2310
02:03:49,680 --> 02:03:53,040
Speaker 1: How you doing by yourself? And you don't have to

2311
02:03:53,200 --> 02:03:58,480
Speaker 1: operate in this industry by yourself? Right, you don't. But

2312
02:03:58,640 --> 02:04:00,800
Speaker 1: I do think that there's some I'm to be said

2313
02:04:02,880 --> 02:04:06,360
Speaker 1: when people are huddled up and they and that's and

2314
02:04:06,440 --> 02:04:09,360
Speaker 1: they seem to be very effective, and when they're a

2315
02:04:09,400 --> 02:04:13,200
Speaker 1: boy theirself, it's much to desire when you think about

2316
02:04:13,240 --> 02:04:15,000
Speaker 1: why they may have to come back to the drawing

2317
02:04:15,080 --> 02:04:17,839
Speaker 1: table they've been in business with ya since two and fifteen.

2318
02:04:18,960 --> 02:04:22,280
Speaker 1: It's a long time. That's a heavy investment. There's billions

2319
02:04:22,320 --> 02:04:26,880
Speaker 1: of dollars that wrapped up in that, and Yay knowing

2320
02:04:26,960 --> 02:04:30,520
Speaker 1: his contract and saying that these people care about money

2321
02:04:30,600 --> 02:04:33,560
Speaker 1: more than they care about everything, because based on what

2322
02:04:33,680 --> 02:04:35,760
Speaker 1: I've looked at, based on what I've been told, I

2323
02:04:35,880 --> 02:04:39,400
Speaker 1: really believe that. And they went against that. But but

2324
02:04:39,560 --> 02:04:42,840
Speaker 1: them coming back is a very powerful sign for him,

2325
02:04:43,600 --> 02:04:46,080
Speaker 1: and it lets the market know like he is who

2326
02:04:46,160 --> 02:04:48,320
Speaker 1: we thought he was. If this is the case in

2327
02:04:48,440 --> 02:04:51,960
Speaker 1: regards to product, in regards to fashion, he's that guy

2328
02:04:52,800 --> 02:04:55,120
Speaker 1: I see Louis just hired for real I wanted. Did

2329
02:04:55,160 --> 02:04:57,600
Speaker 1: he want that job? I wonder how he felt about that.

2330
02:04:57,720 --> 02:04:59,840
Speaker 1: Did he want to take Virgil spot? Did he blow

2331
02:05:00,000 --> 02:05:02,400
Speaker 1: itself up to what they couldn't hire him? Was that

2332
02:05:02,600 --> 02:05:05,400
Speaker 1: his position? If this didn't happen with he's still been

2333
02:05:05,440 --> 02:05:09,240
Speaker 1: at Adidas Balenciaga and then were at LV. Do he

2334
02:05:09,400 --> 02:05:11,400
Speaker 1: think he operating with the truth or did he had

2335
02:05:11,440 --> 02:05:13,560
Speaker 1: a tantrum? What happened? Like, I can't wait to have

2336
02:05:13,640 --> 02:05:15,960
Speaker 1: a conversation with him. Is so much game to be had,

2337
02:05:16,280 --> 02:05:19,200
Speaker 1: And I don't worry because I understand they can't nobody

2338
02:05:19,280 --> 02:05:22,080
Speaker 1: had the conversations. I'm a hell because my perspective is

2339
02:05:22,120 --> 02:05:24,960
Speaker 1: my perspective, and so I just I'm looking at a

2340
02:05:25,040 --> 02:05:27,880
Speaker 1: lot of this in a very very interesting way. I'm

2341
02:05:28,000 --> 02:05:30,840
Speaker 1: very intrigued. These rumors that's going around are very clear,

2342
02:05:30,880 --> 02:05:33,080
Speaker 1: and they're saying they, Yo, this does not speak to

2343
02:05:33,200 --> 02:05:36,360
Speaker 1: our deal moving forward. We don't have any reports circulating

2344
02:05:36,440 --> 02:05:40,120
Speaker 1: that we are moving forward with any partnership or anything.

2345
02:05:40,520 --> 02:05:43,440
Speaker 1: I think what that's doing is again testing the market.

2346
02:05:43,520 --> 02:05:46,560
Speaker 1: These people are data driven, and so what I believe

2347
02:05:46,640 --> 02:05:48,680
Speaker 1: they're doing is that we're gonna put these out. If

2348
02:05:48,760 --> 02:05:50,840
Speaker 1: these people don't trip out and say, oh man, they

2349
02:05:50,960 --> 02:05:53,680
Speaker 1: back with Kanye, they someone, they all buy money, they

2350
02:05:53,800 --> 02:05:57,840
Speaker 1: capitalist mother. If don't nobody say that, we might go

2351
02:05:57,880 --> 02:06:00,040
Speaker 1: ahead and put that deal back in place. Man, you

2352
02:06:00,160 --> 02:06:03,880
Speaker 1: represented sixty some percent of our online sales. Like that

2353
02:06:04,080 --> 02:06:07,760
Speaker 1: hurt bad? You know, So again paying attention to this business,

2354
02:06:07,840 --> 02:06:10,600
Speaker 1: this is something to watch. I've seen a couple of

2355
02:06:10,680 --> 02:06:13,320
Speaker 1: the Yay fan pages posting it. Now I'm starting to

2356
02:06:13,360 --> 02:06:16,120
Speaker 1: see a little bit more reports of it. Now. Adidas

2357
02:06:16,200 --> 02:06:19,480
Speaker 1: has not came out to rebuttal it and say it's

2358
02:06:19,520 --> 02:06:25,200
Speaker 1: not true, or even to deny it, and that's what's

2359
02:06:25,280 --> 02:06:27,800
Speaker 1: making me think that maybe civilidity because they can easily

2360
02:06:27,840 --> 02:06:29,840
Speaker 1: come out and say that's not true. We're not doing

2361
02:06:29,880 --> 02:06:32,920
Speaker 1: anything with ya watching ya. Also, you're starting to see

2362
02:06:33,000 --> 02:06:35,560
Speaker 1: him change with Papa ROSSI. He's starting to go to

2363
02:06:35,680 --> 02:06:38,160
Speaker 1: the police and call the car like y'all get away

2364
02:06:38,200 --> 02:06:40,200
Speaker 1: from me with all that I don't want y'all. He

2365
02:06:40,360 --> 02:06:43,960
Speaker 1: might be viewing that like y'all ruin my life. Y'all

2366
02:06:44,000 --> 02:06:45,680
Speaker 1: put me in a trick bag in which I was

2367
02:06:45,760 --> 02:06:49,200
Speaker 1: really kind of somewhat performing for y'all. And then when

2368
02:06:49,240 --> 02:06:52,000
Speaker 1: they hung me out to dry, anybody disappear men get

2369
02:06:52,040 --> 02:06:54,200
Speaker 1: out my face with them cameras. Ain't no more pictures,

2370
02:06:54,200 --> 02:06:56,640
Speaker 1: ain't no more none of that. I ain't shaving my

2371
02:06:56,760 --> 02:06:59,120
Speaker 1: face or none of that. I'm just out here. I'm hustling.

2372
02:06:59,160 --> 02:07:01,640
Speaker 1: I'm still yeah. You know what the vibes is. I

2373
02:07:01,640 --> 02:07:04,160
Speaker 1: ain't doing music no more. He didn't stripped our way

2374
02:07:04,200 --> 02:07:06,720
Speaker 1: back down and he does that sometime where he had

2375
02:07:06,800 --> 02:07:09,040
Speaker 1: going to the dog and I do music no more,

2376
02:07:09,120 --> 02:07:10,760
Speaker 1: none of it, and then just pop back out. I'm

2377
02:07:10,800 --> 02:07:13,920
Speaker 1: back on music, selling our stadiums. All right, Let's deal

2378
02:07:13,960 --> 02:07:18,200
Speaker 1: with this. Grant Cordon has been making this media rounds lately,

2379
02:07:18,480 --> 02:07:21,240
Speaker 1: a couple of clips that came up, and they have

2380
02:07:21,360 --> 02:07:25,320
Speaker 1: identified him as a racist. I don't know much about

2381
02:07:25,360 --> 02:07:28,200
Speaker 1: Grand cordon but I do know that he thrives in

2382
02:07:28,280 --> 02:07:30,600
Speaker 1: a space where he sells how to get rich to

2383
02:07:30,760 --> 02:07:35,760
Speaker 1: people who are less fortunate. This is a brand new space, right,

2384
02:07:35,800 --> 02:07:38,920
Speaker 1: and so some tycoons were made in this space. You

2385
02:07:39,000 --> 02:07:41,480
Speaker 1: gotta be able to identify who's speaking in space. But

2386
02:07:41,600 --> 02:07:44,480
Speaker 1: Grant Cordone has been effective in the space, so let's

2387
02:07:44,520 --> 02:07:47,840
Speaker 1: deal with what has happened. He's been someone that, in

2388
02:07:48,000 --> 02:07:51,040
Speaker 1: my opinion, has always been trying to integrate with hip

2389
02:07:51,080 --> 02:07:54,520
Speaker 1: hop culture. People are calling him a culture vulture. I

2390
02:07:54,560 --> 02:07:56,520
Speaker 1: don't know a lot about him. We're gonna view these

2391
02:07:56,600 --> 02:07:59,800
Speaker 1: conversations and speak on them as we see fit and

2392
02:08:00,280 --> 02:08:03,480
Speaker 1: in context. I believe there's dirt on the hands of

2393
02:08:03,560 --> 02:08:07,160
Speaker 1: a lot of people who operate in this space right,

2394
02:08:08,040 --> 02:08:12,160
Speaker 1: particularly in the space where they're selling courses in doing

2395
02:08:12,240 --> 02:08:14,960
Speaker 1: those things, and that's why my brothers I always try

2396
02:08:15,000 --> 02:08:17,600
Speaker 1: to ask them and get information about the course thing

2397
02:08:17,760 --> 02:08:21,080
Speaker 1: because I try to identify the value, right and for me,

2398
02:08:21,200 --> 02:08:24,360
Speaker 1: it's all about information and value. For whatever reason, Grand

2399
02:08:24,400 --> 02:08:27,440
Speaker 1: Cordona has been able to go across the country selling out,

2400
02:08:27,840 --> 02:08:33,960
Speaker 1: selling seminars, speaking engagements, and targeting black people with his

2401
02:08:34,120 --> 02:08:38,640
Speaker 1: target set on people who have aspirations to be rich PSA,

2402
02:08:38,800 --> 02:08:43,760
Speaker 1: the black people, psay the hip hop culture. Everybody's targeting us.

2403
02:08:44,440 --> 02:08:46,520
Speaker 1: They know when we get our money, win or do

2404
02:08:46,720 --> 02:08:49,760
Speaker 1: numbers spinning. So when you want to target something, you

2405
02:08:49,840 --> 02:08:52,520
Speaker 1: come to black people. This is a harsh reality. This

2406
02:08:52,720 --> 02:08:55,560
Speaker 1: is a very harsh reality. We have a problem with

2407
02:08:56,120 --> 02:09:00,160
Speaker 1: interacting with one another with that same consumer spirit. But

2408
02:09:00,320 --> 02:09:03,000
Speaker 1: we show enough gonna spend some money on some things,

2409
02:09:03,760 --> 02:09:06,120
Speaker 1: and a lot of these people have tapped into that

2410
02:09:06,280 --> 02:09:08,920
Speaker 1: and they understand that. And the market says that it's

2411
02:09:09,080 --> 02:09:11,720
Speaker 1: very visible when you look at the numbers and who's

2412
02:09:11,760 --> 02:09:14,200
Speaker 1: spending what and what they're spending it at. And so

2413
02:09:14,400 --> 02:09:16,560
Speaker 1: when you deal with us, we won't better. A lot

2414
02:09:16,640 --> 02:09:18,960
Speaker 1: of us want to get from nothing to something. We

2415
02:09:19,120 --> 02:09:21,760
Speaker 1: do want to make a transition and try to take

2416
02:09:21,840 --> 02:09:25,280
Speaker 1: the little understanding we got gains much more knowledge and

2417
02:09:25,440 --> 02:09:28,760
Speaker 1: execute that. And so with that being said, with searching,

2418
02:09:28,880 --> 02:09:32,360
Speaker 1: a lot of us are searching. Here's the problem. They say,

2419
02:09:32,400 --> 02:09:34,440
Speaker 1: a lot of these people are no longer dealing with

2420
02:09:34,520 --> 02:09:39,840
Speaker 1: the searching. They're searching after people now, so then they're

2421
02:09:39,920 --> 02:09:42,520
Speaker 1: knocking on your door. When I looked in the Grand Courtdome,

2422
02:09:43,080 --> 02:09:46,880
Speaker 1: I was seeing a couple of articles about people saying

2423
02:09:46,920 --> 02:09:49,600
Speaker 1: that he had and this is allegend, I don't know,

2424
02:09:50,160 --> 02:09:53,720
Speaker 1: but a couple of articles were speaking to him and

2425
02:09:53,920 --> 02:09:57,040
Speaker 1: his pitch being listen, you don't have to reach out

2426
02:09:57,120 --> 02:10:00,560
Speaker 1: have don't invest in real estate yourself, invest in my

2427
02:10:00,720 --> 02:10:03,839
Speaker 1: real estate company because I get these billion dollar contracts.

2428
02:10:03,920 --> 02:10:06,640
Speaker 1: The banks can never go under their never foreclosed on this.

2429
02:10:06,800 --> 02:10:09,880
Speaker 1: They're making too much money. But your house, if you

2430
02:10:09,960 --> 02:10:13,920
Speaker 1: go get you a house, the bank may go under

2431
02:10:14,280 --> 02:10:18,400
Speaker 1: your house. Isn't security. So instead of you getting the home,

2432
02:10:18,600 --> 02:10:21,640
Speaker 1: which real estate and land is really the only thing

2433
02:10:21,760 --> 02:10:26,080
Speaker 1: that matters in America when all hell break loose, when

2434
02:10:26,120 --> 02:10:29,240
Speaker 1: they snatched the value from all this other, land still

2435
02:10:29,320 --> 02:10:33,080
Speaker 1: gonna be land, right, And so the idea that that

2436
02:10:33,320 --> 02:10:35,680
Speaker 1: was part of the ingredients made me raise. And now

2437
02:10:35,800 --> 02:10:37,840
Speaker 1: that's the first thing. I don't bite this kind of

2438
02:10:37,880 --> 02:10:40,640
Speaker 1: bait because for a big fish, you need big bait.

2439
02:10:40,680 --> 02:10:42,560
Speaker 1: And this little bit of fish, this little bit of

2440
02:10:42,640 --> 02:10:46,800
Speaker 1: worms they're throwing this ain't This don't attract shaws. But

2441
02:10:46,960 --> 02:10:49,240
Speaker 1: I do know a lot all my people ain't shawls,

2442
02:10:49,520 --> 02:10:52,760
Speaker 1: and so several videos popped up. The first video we're

2443
02:10:52,800 --> 02:10:55,360
Speaker 1: gonna deal with is with him when he spoke with

2444
02:10:55,480 --> 02:10:59,200
Speaker 1: a Vanka Trump. This is Grant Cordon and a Vanka Trump.

2445
02:10:59,320 --> 02:11:01,400
Speaker 1: This is the entire our video. We won't watch the

2446
02:11:01,600 --> 02:11:03,920
Speaker 1: entire video, but we're going to try to watch any

2447
02:11:04,040 --> 02:11:08,160
Speaker 1: context and provide some commentarial. Let's take a look. Why

2448
02:11:08,200 --> 02:11:10,880
Speaker 1: do you think it is that you translate so well

2449
02:11:10,920 --> 02:11:13,840
Speaker 1: to people because people obviously are interested in what you're doing.

2450
02:11:14,760 --> 02:11:18,160
Speaker 1: Is it because they aspire to be like you? Because

2451
02:11:18,240 --> 02:11:21,160
Speaker 1: you are successful and you're not shy about your success.

2452
02:11:21,240 --> 02:11:22,720
Speaker 1: You know, I've I've seen a lot of the things

2453
02:11:22,800 --> 02:11:28,240
Speaker 1: you've done, especially on your Instagram frenching any of them, Like, well, no,

2454
02:11:28,360 --> 02:11:31,160
Speaker 1: it's funny because the way you do things, I actually

2455
02:11:31,200 --> 02:11:34,440
Speaker 1: think is very tasteful. Some people do them and it's

2456
02:11:34,440 --> 02:11:37,600
Speaker 1: a little like okay, like we got it, you know,

2457
02:11:37,920 --> 02:11:40,280
Speaker 1: but I think seeing how you did it, you know,

2458
02:11:40,360 --> 02:11:43,240
Speaker 1: it's very tastefully done. But I do think is it

2459
02:11:43,400 --> 02:11:46,000
Speaker 1: because you're an inspiration of people and people want to

2460
02:11:46,040 --> 02:11:48,000
Speaker 1: be like you? What? Why do you think You've had

2461
02:11:48,560 --> 02:11:53,280
Speaker 1: all of the follows on all these social media platforms well,

2462
02:11:54,440 --> 02:11:57,480
Speaker 1: I think that I'm not tasteful half the time. But

2463
02:11:59,040 --> 02:12:00,840
Speaker 1: I mean I look at stuff and not cringe. I'm like,

2464
02:12:00,880 --> 02:12:03,600
Speaker 1: oh my god, I'm sitting on the topic. I'm sitting

2465
02:12:03,680 --> 02:12:06,720
Speaker 1: on a Rolls Royce on the on the on the well,

2466
02:12:06,760 --> 02:12:08,560
Speaker 1: I haven't seen that one. I'll have to go check

2467
02:12:08,640 --> 02:12:11,120
Speaker 1: that one out. And I'm throwing money, you know, Like

2468
02:12:12,080 --> 02:12:14,840
Speaker 1: so anyway. What I'm trying to do, though, is you

2469
02:12:14,920 --> 02:12:17,160
Speaker 1: know that that's not going to appeal to you, right,

2470
02:12:17,240 --> 02:12:19,720
Speaker 1: But there's audiences, and I think the reason we have

2471
02:12:19,880 --> 02:12:23,280
Speaker 1: done well there is because it's very raw, it's fast,

2472
02:12:23,520 --> 02:12:27,480
Speaker 1: it's unedited, it's uh, you know, a little bit in

2473
02:12:27,560 --> 02:12:30,720
Speaker 1: your face. I'm telling people the truth. I'm very similar

2474
02:12:30,760 --> 02:12:34,280
Speaker 1: to your following law in some case in some ways. Yeah, yeah, dude,

2475
02:12:34,640 --> 02:12:36,560
Speaker 1: I'm gonna I'm just gonna lay it out the way

2476
02:12:36,560 --> 02:12:38,720
Speaker 1: it is. If you don't like me for it, no problem.

2477
02:12:38,920 --> 02:12:41,760
Speaker 1: There's an audience. There's an audience out there. That's the

2478
02:12:41,880 --> 02:12:44,160
Speaker 1: only way you could stop them, because you're competing with

2479
02:12:44,240 --> 02:12:47,400
Speaker 1: all this other stuff, right, Yeah, and that's true. They

2480
02:12:47,440 --> 02:12:50,080
Speaker 1: want to stop and look at it as they're scrolling through. Well,

2481
02:12:50,080 --> 02:12:51,600
Speaker 1: that's all people are doing. They're doing this. If you

2482
02:12:51,720 --> 02:12:54,480
Speaker 1: just watch yourself move through it, you're just moving. So

2483
02:12:54,800 --> 02:12:57,040
Speaker 1: if you don't stop, I never really got your attention.

2484
02:12:57,720 --> 02:13:01,960
Speaker 1: So for us, about half my audience is black under

2485
02:13:02,000 --> 02:13:04,200
Speaker 1: the age of party. How did how did a white

2486
02:13:04,240 --> 02:13:09,600
Speaker 1: guy attract an audience? Like if I'm out, If I'm

2487
02:13:09,640 --> 02:13:11,880
Speaker 1: out in public and I see a fifty five year

2488
02:13:11,880 --> 02:13:14,680
Speaker 1: old white man or a twenty five year old black kid,

2489
02:13:15,120 --> 02:13:18,360
Speaker 1: the black kid knows who I am. There's like there's

2490
02:13:18,400 --> 02:13:21,400
Speaker 1: a there's a better there's a ten times better chance

2491
02:13:21,480 --> 02:13:25,120
Speaker 1: ten x that the black kid knows me. Now, the

2492
02:13:25,280 --> 02:13:28,000
Speaker 1: reason is because we go after that audience is and

2493
02:13:28,120 --> 02:13:32,760
Speaker 1: we're talking to them in very um street terms, if

2494
02:13:32,800 --> 02:13:36,760
Speaker 1: you will, very not big nomenclature, vocabularies. You know, we

2495
02:13:36,920 --> 02:13:40,040
Speaker 1: just keep everything very tight and simple. And at the

2496
02:13:40,120 --> 02:13:43,760
Speaker 1: same time, we've had you know, I've raised a billion

2497
02:13:43,800 --> 02:13:46,320
Speaker 1: dollars in the last three years over the internet, uh,

2498
02:13:46,960 --> 02:13:50,760
Speaker 1: from accredited investor. So we've we're hitting both bands. They're

2499
02:13:50,800 --> 02:13:53,520
Speaker 1: all in social media. The whole world's eric. All right,

2500
02:13:53,600 --> 02:13:56,680
Speaker 1: let's deal. Well, we just listened to Grant Cardon spoke

2501
02:13:56,800 --> 02:14:00,800
Speaker 1: to basically doing targeting marketing. I won't people to understand

2502
02:14:00,840 --> 02:14:03,600
Speaker 1: that that is a reality. That's part of business. Now,

2503
02:14:03,760 --> 02:14:05,920
Speaker 1: this is where Grant Cardon lost me, And this is

2504
02:14:05,960 --> 02:14:09,320
Speaker 1: where I think you effed up, because as long as

2505
02:14:09,400 --> 02:14:11,880
Speaker 1: he was speaking to listen, there's an audience out there

2506
02:14:11,920 --> 02:14:14,760
Speaker 1: that when I cater it like this, it gets them.

2507
02:14:14,880 --> 02:14:16,920
Speaker 1: They like it this way. Long as he lived there,

2508
02:14:17,040 --> 02:14:21,400
Speaker 1: he was good. But he went along to say half

2509
02:14:21,440 --> 02:14:24,080
Speaker 1: for my audience is black people. So that indicates that

2510
02:14:24,280 --> 02:14:26,560
Speaker 1: you're saying that you talk to them in that way.

2511
02:14:26,640 --> 02:14:29,120
Speaker 1: And then you said in very street terms, and see,

2512
02:14:29,240 --> 02:14:31,520
Speaker 1: that's when you lose me. I won't be critical of

2513
02:14:31,600 --> 02:14:33,640
Speaker 1: you for being a liar in the space if you

2514
02:14:33,760 --> 02:14:37,160
Speaker 1: are a liar, because I would say ninety nine point

2515
02:14:37,280 --> 02:14:41,800
Speaker 1: four percentities guys in this space a liars. I've only

2516
02:14:41,880 --> 02:14:44,800
Speaker 1: been able to get money with Ian Dunleft. That's the

2517
02:14:44,920 --> 02:14:47,800
Speaker 1: only person that talked this financial talker that I've been

2518
02:14:47,840 --> 02:14:50,400
Speaker 1: able to get some money with. Outside of that, it's

2519
02:14:50,440 --> 02:14:53,680
Speaker 1: been very quiet. And that don't mean because you don't

2520
02:14:53,720 --> 02:14:55,920
Speaker 1: get money with me, you ain't effective. What I'm saying

2521
02:14:56,040 --> 02:14:58,680
Speaker 1: is I can only speak to what I've been through

2522
02:14:59,440 --> 02:15:03,600
Speaker 1: and provide evidence that the ears can't interpret. So I'm

2523
02:15:03,640 --> 02:15:06,800
Speaker 1: not hearing no more talking about financial and I want

2524
02:15:06,840 --> 02:15:10,600
Speaker 1: to see something, and so if you pay attention, words

2525
02:15:10,640 --> 02:15:14,160
Speaker 1: have definition, categories, mean things. So when you say, yo,

2526
02:15:14,640 --> 02:15:16,480
Speaker 1: if I go out in a black dude see me,

2527
02:15:16,600 --> 02:15:18,800
Speaker 1: he know me. And twenty seconds ago you were just

2528
02:15:18,920 --> 02:15:22,280
Speaker 1: speaking to how basically dumbing it down and speaking to

2529
02:15:22,360 --> 02:15:25,880
Speaker 1: a certain audience. It only resonates this way. This is

2530
02:15:25,920 --> 02:15:29,400
Speaker 1: another issue when you use only and then couple that

2531
02:15:29,560 --> 02:15:32,440
Speaker 1: with black people. You say it can only resonate when

2532
02:15:32,480 --> 02:15:35,280
Speaker 1: I speak like this, and then couple that with black people,

2533
02:15:35,320 --> 02:15:37,800
Speaker 1: and then that's where the problem arrive. Even when I

2534
02:15:37,920 --> 02:15:40,560
Speaker 1: look at some of these guys, I can see how

2535
02:15:40,640 --> 02:15:46,480
Speaker 1: contagious our coaches. What I don't appreciate is is that

2536
02:15:46,680 --> 02:15:50,680
Speaker 1: how people can view it from the outside, see what

2537
02:15:50,920 --> 02:15:54,200
Speaker 1: we're doing, and capitalize on it faster than we can

2538
02:15:54,360 --> 02:15:58,640
Speaker 1: from inside the building. Because Grant car don't when you

2539
02:15:58,800 --> 02:16:01,000
Speaker 1: deal with him talking about the rose rots and all

2540
02:16:01,040 --> 02:16:03,160
Speaker 1: of that, he basically should have just said, Yo, I'm

2541
02:16:03,240 --> 02:16:08,600
Speaker 1: doing what the rappers do. I'm basically being like a

2542
02:16:08,760 --> 02:16:11,360
Speaker 1: rapper with the Rose Royce, the money. I'm putting it

2543
02:16:11,440 --> 02:16:13,880
Speaker 1: in their face. You know, I'm doing the things that

2544
02:16:14,000 --> 02:16:17,120
Speaker 1: basically I see the music artists due that's so famous.

2545
02:16:18,400 --> 02:16:20,160
Speaker 1: I didn't know it will work like that, but it

2546
02:16:20,280 --> 02:16:25,640
Speaker 1: worked like that. It's funny how showing money that they

2547
02:16:25,720 --> 02:16:27,880
Speaker 1: don't know if it's yours or not, but just showing

2548
02:16:28,000 --> 02:16:31,560
Speaker 1: money and high priced cars and jets and things like that.

2549
02:16:32,120 --> 02:16:37,680
Speaker 1: It's funny how that how they capture people online to

2550
02:16:37,800 --> 02:16:40,119
Speaker 1: the point where they'll see you in the Rose Royce

2551
02:16:40,480 --> 02:16:43,000
Speaker 1: seeing you a billionaire, and they're seeing you setting the

2552
02:16:43,080 --> 02:16:46,440
Speaker 1: five dollars of the last two hundred to get it here.

2553
02:16:46,720 --> 02:16:49,640
Speaker 1: You talk about how to see a real estate and

2554
02:16:49,800 --> 02:16:52,240
Speaker 1: you need fifty thousand in the start, and they got

2555
02:16:52,600 --> 02:16:56,480
Speaker 1: one twenty five left in their account. The game is

2556
02:16:56,520 --> 02:16:59,200
Speaker 1: to be sold like it's very it's credence on that.

2557
02:16:59,400 --> 02:17:01,600
Speaker 1: You got to see the game. It's gang. The game

2558
02:17:01,760 --> 02:17:04,120
Speaker 1: is to be sold. But once you get up to

2559
02:17:04,200 --> 02:17:05,920
Speaker 1: a bee, I think you can give it away. At

2560
02:17:06,000 --> 02:17:07,879
Speaker 1: this point you can find a way to write it over.

2561
02:17:08,040 --> 02:17:11,400
Speaker 1: There's something that's something you can do to circumvent some

2562
02:17:11,560 --> 02:17:15,120
Speaker 1: of the money, right, Get some sponsors or somebody to

2563
02:17:15,200 --> 02:17:18,120
Speaker 1: throw a free event for every charge event you do.

2564
02:17:19,280 --> 02:17:20,800
Speaker 1: You know what I'm saying, Hey, yo, I'm doing a

2565
02:17:20,920 --> 02:17:23,000
Speaker 1: charge event. This is what a high price dues that.

2566
02:17:23,160 --> 02:17:25,400
Speaker 1: But I'm doing a little many free event at this

2567
02:17:25,520 --> 02:17:27,960
Speaker 1: little place over here around the corner. You know, it

2568
02:17:28,040 --> 02:17:30,240
Speaker 1: might can get a hundred fifty two hundred people in there.

2569
02:17:30,320 --> 02:17:32,880
Speaker 1: We might talk for twenty five minutes. I'm giving y'all

2570
02:17:33,000 --> 02:17:35,920
Speaker 1: that game free. Do that for the people, especially if

2571
02:17:35,920 --> 02:17:39,120
Speaker 1: you're selling this kind of right, because it's important not

2572
02:17:39,240 --> 02:17:41,960
Speaker 1: to be viewed when the dust settle is. Man, you

2573
02:17:42,040 --> 02:17:43,920
Speaker 1: ain't we ain't got nothing from you, and we've been

2574
02:17:44,000 --> 02:17:48,720
Speaker 1: giving you that information. Now all this time in black culture,

2575
02:17:48,760 --> 02:17:50,520
Speaker 1: there's a lot of talking like we want to man,

2576
02:17:50,560 --> 02:17:52,200
Speaker 1: we're gonna get with you. Man, We're definitely gonna do

2577
02:17:52,240 --> 02:17:54,520
Speaker 1: We're gonna get some money. Man, We're definitely gonna say, yo, man,

2578
02:17:54,560 --> 02:17:56,640
Speaker 1: who gonna really get some money with us? Like what

2579
02:17:56,760 --> 02:17:59,840
Speaker 1: we're really doing. But Grand cordone them can come right

2580
02:18:00,040 --> 02:18:02,920
Speaker 1: and act like a rapper, appeal to our people. Talk

2581
02:18:03,000 --> 02:18:05,920
Speaker 1: about saving yourself. He wants said everybody can be a

2582
02:18:06,000 --> 02:18:11,960
Speaker 1: big and know that is just not mathematically true. But

2583
02:18:12,160 --> 02:18:14,440
Speaker 1: these are the kind of things that you're able to say,

2584
02:18:14,520 --> 02:18:17,560
Speaker 1: and you're able to if you gotta enough savey you're

2585
02:18:17,600 --> 02:18:19,720
Speaker 1: able to you know, get through with these things. And

2586
02:18:19,840 --> 02:18:23,760
Speaker 1: now he's a great businessman and has money. He has businesses,

2587
02:18:24,040 --> 02:18:27,760
Speaker 1: and so it's credence to his conversation when they look

2588
02:18:27,840 --> 02:18:31,640
Speaker 1: into it. Now, that's another thing. He's somebody that's getting

2589
02:18:31,720 --> 02:18:35,320
Speaker 1: some paper, so they give him. It's credence when he's speaking.

2590
02:18:35,480 --> 02:18:38,360
Speaker 1: They believe it. You understand me. But at the end

2591
02:18:38,400 --> 02:18:40,440
Speaker 1: of the day, some things you just gotta know again

2592
02:18:40,480 --> 02:18:43,040
Speaker 1: where you're getting the information. Here's where things get slippery.

2593
02:18:43,240 --> 02:18:46,960
Speaker 1: Another video came out on you on Twitter where he

2594
02:18:47,080 --> 02:18:49,840
Speaker 1: was talking to Pat BEV saying he wanted to use

2595
02:18:49,920 --> 02:18:52,039
Speaker 1: the N word. Let's look at that. We were gonna

2596
02:18:52,040 --> 02:18:56,640
Speaker 1: pick here or for lad right, I said, you got

2597
02:18:56,840 --> 02:19:03,120
Speaker 1: this clowns. You're there's the rainbow collige. I don't know

2598
02:19:03,120 --> 02:19:05,440
Speaker 1: if you're fully white though. Man, there's something going on

2599
02:19:05,600 --> 02:19:11,880
Speaker 1: there that somebody to use the N word right here?

2600
02:19:12,800 --> 02:19:14,680
Speaker 1: Who knows? That's all I want. That's one of the

2601
02:19:14,720 --> 02:19:18,480
Speaker 1: stups I want. You want that. I need you to

2602
02:19:18,600 --> 02:19:21,240
Speaker 1: tell me that I have permission to use the N word.

2603
02:19:21,240 --> 02:19:23,560
Speaker 1: I got to carry it like my p somebody validated

2604
02:19:23,640 --> 02:19:28,120
Speaker 1: for you. Man, have somebody valid permit card am I

2605
02:19:28,240 --> 02:19:31,080
Speaker 1: carrying around with me everywhere I go. I can use

2606
02:19:31,160 --> 02:19:34,560
Speaker 1: the black I can use the N word. Okay, So okay,

2607
02:19:34,640 --> 02:19:39,400
Speaker 1: so entrepreneurship, this is what went dog, this is where

2608
02:19:39,440 --> 02:19:41,800
Speaker 1: you win zero dog thirty used it in word for

2609
02:19:41,920 --> 02:19:46,200
Speaker 1: what what does that do? Why? You know? You could

2610
02:19:46,200 --> 02:19:49,640
Speaker 1: have said a million different things. Teach me how to hoop,

2611
02:19:50,120 --> 02:19:53,280
Speaker 1: Teach me how to jump, teach me how to wrap,

2612
02:19:53,560 --> 02:19:56,160
Speaker 1: teach me how to dance on beat, you know, teach

2613
02:19:56,200 --> 02:19:58,800
Speaker 1: me how to do a number of things. But to

2614
02:19:58,920 --> 02:20:01,680
Speaker 1: say the N word to be closer to us, that

2615
02:20:01,800 --> 02:20:04,160
Speaker 1: ain't You can't from the outside. They don't make you

2616
02:20:04,280 --> 02:20:08,640
Speaker 1: closer to us if you didn't grow up in this

2617
02:20:08,800 --> 02:20:12,720
Speaker 1: coach and grow up in no circumstances. Man, it's disrespect

2618
02:20:12,920 --> 02:20:16,480
Speaker 1: using that word, right. I know we're smiling and laughing

2619
02:20:16,560 --> 02:20:18,280
Speaker 1: and thinking, we're trying to find the way I want

2620
02:20:18,280 --> 02:20:20,200
Speaker 1: to relate and be relatable. I want to be like

2621
02:20:20,320 --> 02:20:22,520
Speaker 1: a rapper or whatever it might be. But I'm saying

2622
02:20:24,520 --> 02:20:29,240
Speaker 1: that's gravity attached to that word that a smile can't fix.

2623
02:20:29,920 --> 02:20:32,880
Speaker 1: And I wonder why your idea as being closer to

2624
02:20:33,040 --> 02:20:36,800
Speaker 1: us is saying a word that is offensive enough for

2625
02:20:36,879 --> 02:20:40,959
Speaker 1: you to know you need a pass to communicate it. See,

2626
02:20:41,000 --> 02:20:43,440
Speaker 1: if you pay attention to people verbiage, they tell you

2627
02:20:43,560 --> 02:20:47,680
Speaker 1: everything you know. The word is not something you can communicate.

2628
02:20:47,800 --> 02:20:49,640
Speaker 1: So you say, I need a brother to give me

2629
02:20:49,720 --> 02:20:53,560
Speaker 1: a pass to said, because I'm down here in Miami,

2630
02:20:53,640 --> 02:20:56,000
Speaker 1: I'm flying, ain't white. I got a little bit of

2631
02:20:56,080 --> 02:20:58,000
Speaker 1: brother in me. You know, I got a little bit

2632
02:20:58,080 --> 02:21:00,400
Speaker 1: of that in me. Yeah, that got a little uive.

2633
02:21:01,040 --> 02:21:03,880
Speaker 1: It's what he's trying to act like. He's saying. And

2634
02:21:04,080 --> 02:21:08,840
Speaker 1: even if that is the case, saying the N word,

2635
02:21:08,920 --> 02:21:11,920
Speaker 1: don't give you that, don't give you that pass, saying

2636
02:21:12,120 --> 02:21:15,520
Speaker 1: that ain't what Now that he's saying, he really suive.

2637
02:21:15,879 --> 02:21:19,560
Speaker 1: Now he really wanted them guys. Now that he's saying

2638
02:21:19,600 --> 02:21:22,760
Speaker 1: the N word in his vocabulary, now that ain't how

2639
02:21:22,840 --> 02:21:25,840
Speaker 1: they go. So again, a guy with such an intensive

2640
02:21:25,959 --> 02:21:28,240
Speaker 1: vocabulary for that to be the word you want to

2641
02:21:28,400 --> 02:21:35,760
Speaker 1: use to connect with us, very strange, right, And it's

2642
02:21:35,800 --> 02:21:40,000
Speaker 1: a much we view that for what it is. But understand,

2643
02:21:40,120 --> 02:21:43,160
Speaker 1: black people, everybody's talking in us because we spend money,

2644
02:21:43,240 --> 02:21:45,640
Speaker 1: we're gonna spend it soon we get it, and we

2645
02:21:45,720 --> 02:21:48,119
Speaker 1: ain't gonna spend it with us. These are the unfortunate

2646
02:21:48,240 --> 02:21:52,720
Speaker 1: realities that we must change. There's a fact that happens

2647
02:21:52,760 --> 02:21:55,640
Speaker 1: that when black people get money, they foreshow gonna spending

2648
02:21:55,920 --> 02:21:58,440
Speaker 1: and probably seven times out of ten, they ain't gonna

2649
02:21:58,440 --> 02:22:01,200
Speaker 1: spending with somebody black. So talk get the blacks with

2650
02:22:01,360 --> 02:22:04,199
Speaker 1: whatever you're selling, because they buy from people that ain't black.

2651
02:22:05,959 --> 02:22:08,760
Speaker 1: You can talk black ship, you can look black. You

2652
02:22:08,879 --> 02:22:12,680
Speaker 1: can get the black culture clothing and the slain appeal

2653
02:22:12,800 --> 02:22:15,000
Speaker 1: to them, and you can get it sold to them.

2654
02:22:16,959 --> 02:22:18,880
Speaker 1: But if you're black, it might be a little bit,

2655
02:22:19,000 --> 02:22:20,880
Speaker 1: it might be an issue. It might be a little

2656
02:22:20,959 --> 02:22:23,120
Speaker 1: harder for you. It's gonna be a little tougher for you.

2657
02:22:23,240 --> 02:22:27,240
Speaker 1: They're gonna say that don't taste right, and it's identical

2658
02:22:27,320 --> 02:22:30,960
Speaker 1: to what they're getting in that other ship. They're gonna say, man,

2659
02:22:31,040 --> 02:22:33,200
Speaker 1: them shirts look kind of thin, and that's the same

2660
02:22:33,280 --> 02:22:36,640
Speaker 1: shirt a Vanchi get you. They're gonna say them has

2661
02:22:36,760 --> 02:22:39,600
Speaker 1: don't feel good. That's the same manufacture from error. They're

2662
02:22:39,600 --> 02:22:42,040
Speaker 1: gonna they're gonna be critical of it because it comes

2663
02:22:42,080 --> 02:22:44,600
Speaker 1: from one of us, and they think we're gonna get

2664
02:22:44,640 --> 02:22:47,400
Speaker 1: over on each other. They don't never look at the

2665
02:22:47,480 --> 02:22:49,680
Speaker 1: outside and say, man, then folk trying to get over

2666
02:22:49,760 --> 02:22:51,879
Speaker 1: on us. It's always were getting over on each other.

2667
02:22:52,200 --> 02:22:55,320
Speaker 1: I think, deep down again, man, I believe that a

2668
02:22:55,440 --> 02:22:57,840
Speaker 1: lot of people are afraid of their own culture, man,

2669
02:22:57,920 --> 02:23:00,200
Speaker 1: I really believe that. Let's talk about this. I say,

2670
02:23:00,240 --> 02:23:02,480
Speaker 1: everybody got goals, but at some point you got to

2671
02:23:02,520 --> 02:23:05,400
Speaker 1: ask yourself what is the goal worth to you? And

2672
02:23:05,640 --> 02:23:09,280
Speaker 1: is it worth enough for you to keep going? See,

2673
02:23:09,280 --> 02:23:10,800
Speaker 1: it's easy to get up and do it on the

2674
02:23:10,920 --> 02:23:14,800
Speaker 1: sunny days. It's easy to get up and do it

2675
02:23:14,879 --> 02:23:17,640
Speaker 1: on the days when you're paid payday, is easy to

2676
02:23:17,720 --> 02:23:21,320
Speaker 1: go to work. It's easy to get up and do

2677
02:23:21,440 --> 02:23:24,200
Speaker 1: it when everybody looking and everybody clapping. But as you're

2678
02:23:24,240 --> 02:23:26,320
Speaker 1: gonna do it on the rainy days, when you don't

2679
02:23:26,360 --> 02:23:28,600
Speaker 1: feel like it, when it's dog when it ain't cool,

2680
02:23:29,640 --> 02:23:32,800
Speaker 1: when you're dreading it, is it worth you keep going?

2681
02:23:35,000 --> 02:23:37,320
Speaker 1: Is it worth enough to you for you to keep

2682
02:23:37,440 --> 02:23:44,000
Speaker 1: going through uncertainty, when you're being denied, when you're being disputed,

2683
02:23:44,160 --> 02:23:47,800
Speaker 1: Is it worth you to keep going? I'm locked and loaded.

2684
02:23:48,280 --> 02:23:52,800
Speaker 1: I'm one of them guys with all lies on me,

2685
02:23:52,920 --> 02:23:55,160
Speaker 1: against all lies. I feel as though we're gonna pick

2686
02:23:55,280 --> 02:23:57,440
Speaker 1: one foot put it in front of the other. Ain't

2687
02:23:57,480 --> 02:23:59,840
Speaker 1: no grass growing under our feet. And it's just the

2688
02:24:00,080 --> 02:24:01,920
Speaker 1: start of a new chapter. It's the start of a

2689
02:24:02,040 --> 02:24:05,680
Speaker 1: new wave. And there's so many people doing the same thing,

2690
02:24:05,800 --> 02:24:08,960
Speaker 1: and so many people placing themselves amongst the greats. I

2691
02:24:09,120 --> 02:24:12,280
Speaker 1: need people to really understand there's a difference between traditional

2692
02:24:12,400 --> 02:24:17,680
Speaker 1: and classic. A lot of these guys are traditional. Traditional

2693
02:24:17,800 --> 02:24:20,199
Speaker 1: most time speaks to it being familiar to the people

2694
02:24:20,280 --> 02:24:23,560
Speaker 1: that consume it. It doesn't necessarily speak to the potency

2695
02:24:23,640 --> 02:24:26,720
Speaker 1: of the product when you deal with calling some Classic

2696
02:24:27,520 --> 02:24:29,920
Speaker 1: categorizes that product in a way to make it a

2697
02:24:30,040 --> 02:24:33,840
Speaker 1: stand out amongst other things in the market. And I

2698
02:24:33,959 --> 02:24:36,400
Speaker 1: just want to be clear on positions, right, because goals

2699
02:24:36,480 --> 02:24:39,600
Speaker 1: are important, but knowing what you up against is important

2700
02:24:39,600 --> 02:24:42,360
Speaker 1: because you will be afraid because you think you're dealing

2701
02:24:42,440 --> 02:24:45,880
Speaker 1: with classic and you're dealing with traditional. He's there because

2702
02:24:45,920 --> 02:24:48,760
Speaker 1: he's been there, not because what he's done to stay though.

2703
02:24:50,120 --> 02:24:54,480
Speaker 1: We respect our elders, but information is overall, and so

2704
02:24:54,640 --> 02:24:58,480
Speaker 1: you got to tweak your life. Man. I think we

2705
02:24:58,600 --> 02:25:02,080
Speaker 1: had a good show today, you know, Before we get

2706
02:25:02,120 --> 02:25:04,000
Speaker 1: out of here, I want to talk about one more thing.

2707
02:25:04,200 --> 02:25:09,720
Speaker 1: T I came back at bullshit again. Let's look, that's

2708
02:25:09,760 --> 02:25:13,040
Speaker 1: the paperwork to show me. I got some paper work

2709
02:25:13,080 --> 02:25:19,360
Speaker 1: to show him and y'all little dude, and the paperwork

2710
02:25:19,440 --> 02:25:22,600
Speaker 1: on Britain. And if they wasn't here, this should be

2711
02:25:22,720 --> 02:25:28,959
Speaker 1: said he I've been waiting on what special inviting gets

2712
02:25:29,040 --> 02:25:33,080
Speaker 1: to show up, and he ain't showed up yet. But

2713
02:25:33,240 --> 02:25:35,720
Speaker 1: it was somebody who had something to say about me

2714
02:25:35,879 --> 02:25:39,080
Speaker 1: and hand the question. Man, you know disposition to some

2715
02:25:39,200 --> 02:25:43,880
Speaker 1: of my cases. We're here here to see what paperwork man,

2716
02:25:44,000 --> 02:25:47,920
Speaker 1: I just don't like. But god damn get flat. He

2717
02:25:47,959 --> 02:25:54,120
Speaker 1: didn't get shit. You hear it. I'm right here in

2718
02:25:54,240 --> 02:25:56,240
Speaker 1: the ceiling. You hear me something. Come on, if you

2719
02:25:56,320 --> 02:25:59,200
Speaker 1: got something to say by me, if you think it is,

2720
02:25:59,280 --> 02:26:01,360
Speaker 1: when it they But one way to clear it up,

2721
02:26:01,720 --> 02:26:03,840
Speaker 1: blown up. Let me show you what you're looking for.

2722
02:26:05,160 --> 02:26:07,360
Speaker 1: I want to see who want to see you hear it?

2723
02:26:08,320 --> 02:26:10,800
Speaker 1: And if it ain't, and then after you see what

2724
02:26:10,920 --> 02:26:14,039
Speaker 1: you need to see it. So you now you're gonna

2725
02:26:14,120 --> 02:26:18,560
Speaker 1: strain that ship up because you they got too far.

2726
02:26:19,879 --> 02:26:35,760
Speaker 1: They got too much, a lot of bits out. So

2727
02:26:35,920 --> 02:26:38,840
Speaker 1: I read that earlier. But again I said early in

2728
02:26:38,920 --> 02:26:41,360
Speaker 1: the park tip just ain't he he ain't letting that go.

2729
02:26:42,040 --> 02:26:45,720
Speaker 1: You know, Um, I heard club talking about this and

2730
02:26:45,800 --> 02:26:47,960
Speaker 1: this is true because I'm not sure the guy I

2731
02:26:48,080 --> 02:26:50,800
Speaker 1: know the gown on me didn't have no confidential inform

2732
02:26:50,879 --> 02:26:53,400
Speaker 1: and paperwork prior to me because that's part of why

2733
02:26:53,440 --> 02:26:57,760
Speaker 1: I was able, um to identify him not being a

2734
02:26:58,160 --> 02:27:02,039
Speaker 1: confidential informant at the time, to rest right, he turned

2735
02:27:02,160 --> 02:27:05,080
Speaker 1: informed then, so it was like a flip they did

2736
02:27:05,200 --> 02:27:07,840
Speaker 1: on him. But but just like Coob was saying, sometimes

2737
02:27:07,879 --> 02:27:10,680
Speaker 1: you don't have paperwork and you didn't gave some information.

2738
02:27:10,800 --> 02:27:13,280
Speaker 1: That is a real thing. You see what I'm saying,

2739
02:27:13,320 --> 02:27:16,160
Speaker 1: And so people gotta understand it. Operating in that gray

2740
02:27:16,240 --> 02:27:19,440
Speaker 1: area over there, it's just a rough dealing. It's a

2741
02:27:19,520 --> 02:27:21,920
Speaker 1: big playbook you're dealing with over there in the street.

2742
02:27:22,480 --> 02:27:24,800
Speaker 1: You see what I'm saying. D dude putting all kind

2743
02:27:24,879 --> 02:27:28,160
Speaker 1: of edits. Man, it's like Fortnite now. They putting all

2744
02:27:28,280 --> 02:27:31,000
Speaker 1: kind of edits on this ship. Man. You know what

2745
02:27:31,080 --> 02:27:34,200
Speaker 1: I'm saying, building on I didn't sneak because he said

2746
02:27:34,240 --> 02:27:36,120
Speaker 1: this and he done this, And so when I said this,

2747
02:27:36,280 --> 02:27:38,320
Speaker 1: exst out because he said that, and what I was

2748
02:27:38,360 --> 02:27:40,680
Speaker 1: just doing. What response it like, it's too much, it's

2749
02:27:40,720 --> 02:27:42,640
Speaker 1: too much to keep up with. I'm really sick of

2750
02:27:42,840 --> 02:27:45,480
Speaker 1: If I'm being one hundred percent honest, I'm really sick

2751
02:27:45,560 --> 02:27:48,120
Speaker 1: of hearing about it. I'm damning it about close to

2752
02:27:48,240 --> 02:27:53,800
Speaker 1: saying all we're standing on accountability and responsibility, but all

2753
02:27:53,879 --> 02:27:56,400
Speaker 1: that street shit, I'm really ain't trying to have those

2754
02:27:56,440 --> 02:27:59,920
Speaker 1: conversations because they didn't edit it. I was talking to mama.

2755
02:28:00,040 --> 02:28:02,320
Speaker 1: I'm of yesterday. This is how I really come up.

2756
02:28:03,000 --> 02:28:05,640
Speaker 1: And if anybody got a question about me, they can't

2757
02:28:05,760 --> 02:28:09,120
Speaker 1: know me. You don't know me. If you're saying anything

2758
02:28:09,240 --> 02:28:12,720
Speaker 1: about me, that going contrary to what I'm saying. And

2759
02:28:12,879 --> 02:28:14,720
Speaker 1: I don't you gotta be a little louder because I

2760
02:28:14,840 --> 02:28:18,160
Speaker 1: can't hear you. You understand, And I'm really getting money

2761
02:28:18,160 --> 02:28:21,080
Speaker 1: and I'm popping it too, So whatever, let's get to it.

2762
02:28:21,200 --> 02:28:25,920
Speaker 1: But anyway, I was talking to my mama, right, I said, Man,

2763
02:28:26,000 --> 02:28:28,200
Speaker 1: you remember when I was young, y'all taught me not

2764
02:28:28,360 --> 02:28:32,000
Speaker 1: to tell. I'm like, man, I was afraid to tell

2765
02:28:32,120 --> 02:28:35,600
Speaker 1: since I was young. I was always understood that they

2766
02:28:35,720 --> 02:28:39,440
Speaker 1: go against nigga. My mother put that in me. This

2767
02:28:39,680 --> 02:28:43,160
Speaker 1: something you can ask my mama. So it's like it's

2768
02:28:43,200 --> 02:28:46,520
Speaker 1: a different thing, bro, I come up like this. You

2769
02:28:46,600 --> 02:28:50,119
Speaker 1: see what I'm saying, Like I seen my first person

2770
02:28:50,280 --> 02:28:53,400
Speaker 1: shot that later died. At fifteen, I walked in on

2771
02:28:53,640 --> 02:28:57,560
Speaker 1: on my people hit right, you gotta I really grew

2772
02:28:57,680 --> 02:29:00,920
Speaker 1: up like so I'm saying. What I'm saying is this

2773
02:29:01,240 --> 02:29:04,320
Speaker 1: is the rules were clear when I were coming up.

2774
02:29:04,400 --> 02:29:06,480
Speaker 1: It was just you don't say nothing. If you do,

2775
02:29:07,040 --> 02:29:09,640
Speaker 1: you want against the grain and you're putting it in

2776
02:29:09,800 --> 02:29:11,760
Speaker 1: day in, and it can it can start a real

2777
02:29:11,879 --> 02:29:15,320
Speaker 1: war because we don't saw murders happened. That ain't nobody

2778
02:29:15,440 --> 02:29:18,560
Speaker 1: testifying on people we loved, and that ain't nobody went

2779
02:29:18,600 --> 02:29:23,800
Speaker 1: to court, whether the police figured it out and convicted,

2780
02:29:23,920 --> 02:29:28,440
Speaker 1: but ain't nobody win. What I'm saying is and for us,

2781
02:29:28,640 --> 02:29:33,279
Speaker 1: it's like coming up like that, it teaches your accountability

2782
02:29:33,360 --> 02:29:35,800
Speaker 1: if you stand on it. The trick of it is

2783
02:29:35,879 --> 02:29:37,760
Speaker 1: you never know who was standing on it till they

2784
02:29:37,840 --> 02:29:40,560
Speaker 1: in it. Once you win it, then it's like, oh,

2785
02:29:42,400 --> 02:29:44,600
Speaker 1: you know. And in my situation, I'm gonna talk about

2786
02:29:44,600 --> 02:29:46,480
Speaker 1: it more when I get you know, when I have

2787
02:29:46,640 --> 02:29:48,800
Speaker 1: some of these bigger interviews coming up. But it's like

2788
02:29:49,520 --> 02:29:51,760
Speaker 1: I was so afraid because I'm thinking, oh, they've been

2789
02:29:51,800 --> 02:29:55,640
Speaker 1: investigating me, they don't busted me, And it was it

2790
02:29:55,800 --> 02:29:57,520
Speaker 1: was more of a they didn't flip one of the

2791
02:29:57,600 --> 02:30:00,800
Speaker 1: people I were dealing with, like to what he just roll?

2792
02:30:01,480 --> 02:30:04,160
Speaker 1: You see what I'm saying. And so again, all these

2793
02:30:04,280 --> 02:30:10,400
Speaker 1: things are experiences man, that I can't really explain to

2794
02:30:10,520 --> 02:30:13,880
Speaker 1: you if you never encounter them. You know, but this

2795
02:30:14,040 --> 02:30:16,960
Speaker 1: snitch word now listen then going back and forth and

2796
02:30:17,040 --> 02:30:21,480
Speaker 1: these dudes with homeboard, these dudes, well homeboards in my opinion,

2797
02:30:22,000 --> 02:30:25,160
Speaker 1: you know you know you hear boost say I'm the

2798
02:30:25,240 --> 02:30:27,680
Speaker 1: last one left. I'm standing on that. So I don't

2799
02:30:27,720 --> 02:30:29,680
Speaker 1: know how this is gonna end up. And so it's

2800
02:30:29,680 --> 02:30:32,920
Speaker 1: another episode. Man, the fastest, the best podcast in the

2801
02:30:33,000 --> 02:30:35,840
Speaker 1: world come to patroon dot com. It's up there podcast

2802
02:30:35,959 --> 02:30:38,960
Speaker 1: for the vibes. We got some real special announcements on

2803
02:30:39,040 --> 02:30:41,920
Speaker 1: the way. And let me clarify something for y'all. So

2804
02:30:42,160 --> 02:30:44,880
Speaker 1: for the people that's coming, I know they don't listen

2805
02:30:44,959 --> 02:30:49,800
Speaker 1: to the entire part. We got mom from Joe Budden

2806
02:30:49,879 --> 02:30:53,840
Speaker 1: podcast episode coming out. We got about ten episodes that's

2807
02:30:53,879 --> 02:30:55,920
Speaker 1: about to drop. The reason why I haven't dropped them

2808
02:30:56,000 --> 02:30:58,640
Speaker 1: yet it's because I'm about to close another deal. This

2809
02:30:58,840 --> 02:31:02,160
Speaker 1: deal is gonna put us at the top of podcasting.

2810
02:31:03,000 --> 02:31:05,040
Speaker 1: I'm telling you this right, and so I'm about to

2811
02:31:05,080 --> 02:31:08,240
Speaker 1: close another deal. Then we'll drop those shows. I will

2812
02:31:08,320 --> 02:31:11,560
Speaker 1: not drop those shows before the deal is closed. That

2813
02:31:11,720 --> 02:31:15,440
Speaker 1: doesn't make sense of the part of the leverage of

2814
02:31:15,600 --> 02:31:19,440
Speaker 1: the deal are the shows that already have, right, I'm

2815
02:31:19,520 --> 02:31:22,320
Speaker 1: already established in the market, so this is part of

2816
02:31:22,400 --> 02:31:25,520
Speaker 1: my negotiation. Right. So I see a lot of people

2817
02:31:25,640 --> 02:31:29,160
Speaker 1: like I got maybe two thousand more people came over

2818
02:31:29,240 --> 02:31:33,320
Speaker 1: on Patron and it's like maybe twenty people that's saying, YO,

2819
02:31:33,440 --> 02:31:35,680
Speaker 1: what an interview? Where an interview? Where an interview? Yo?

2820
02:31:35,959 --> 02:31:39,960
Speaker 1: It's coming right And if you and if you come

2821
02:31:40,040 --> 02:31:42,760
Speaker 1: on that just for the interview and then you leave,

2822
02:31:43,160 --> 02:31:46,800
Speaker 1: I'm blocking you. I'm gonna keep it, gangster, because you're

2823
02:31:46,840 --> 02:31:49,400
Speaker 1: trying to cheer pick my content that I put my

2824
02:31:49,520 --> 02:31:52,360
Speaker 1: hard work in you, I don't want you to see

2825
02:31:52,360 --> 02:31:54,560
Speaker 1: it at that point. I don't even want your viewership.

2826
02:31:54,600 --> 02:31:56,640
Speaker 1: I don't want your money. I don't want nothing to

2827
02:31:56,720 --> 02:31:59,760
Speaker 1: do with you. You ain't my kind. Right, So if

2828
02:31:59,800 --> 02:32:02,040
Speaker 1: you ain't to do that supporting me and figured out

2829
02:32:02,080 --> 02:32:04,440
Speaker 1: our ship. This dude got all these interviews. I'm going

2830
02:32:04,480 --> 02:32:09,080
Speaker 1: on patroon and support dude, then don't even come now.

2831
02:32:09,920 --> 02:32:13,280
Speaker 1: But we also are going to put all of those

2832
02:32:13,400 --> 02:32:16,720
Speaker 1: interviews on this RSS feedway it's up there. Podcast is

2833
02:32:16,760 --> 02:32:18,800
Speaker 1: that we're gonna merge the two for the next year

2834
02:32:19,360 --> 02:32:22,720
Speaker 1: while we take this deal and maximize it. And so

2835
02:32:24,240 --> 02:32:26,680
Speaker 1: I just hope y'all are proud and happy. Man, we're

2836
02:32:26,720 --> 02:32:28,320
Speaker 1: doing a lot. We got a lot of work to

2837
02:32:28,400 --> 02:32:30,760
Speaker 1: put in and we're about to take over this game.

2838
02:32:31,280 --> 02:32:34,720
Speaker 1: Had the best conversations in the world. I can promise

2839
02:32:34,760 --> 02:32:37,840
Speaker 1: you all that y'all keep us at the highest level.

2840
02:32:38,280 --> 02:32:40,760
Speaker 1: Y'all make sure y'all tell everybody you know about the

2841
02:32:40,879 --> 02:32:43,280
Speaker 1: podcast and share it every week it come out. It's

2842
02:32:43,320 --> 02:32:46,800
Speaker 1: so important to the algorithm. They got a shadow band

2843
02:32:46,920 --> 02:32:49,280
Speaker 1: in some places because of the things we talk about

2844
02:32:49,320 --> 02:32:51,680
Speaker 1: and the people that we may have mentioned, and how

2845
02:32:51,720 --> 02:32:55,480
Speaker 1: we approach it right. We're a real wrench. We're a

2846
02:32:55,560 --> 02:32:59,920
Speaker 1: real monkey wrench in the programming, and so we appreciate

2847
02:33:00,240 --> 02:33:02,600
Speaker 1: about it. Is locked in a subject podcast is biggest

2848
02:33:02,640 --> 02:33:05,000
Speaker 1: show in the world. Is skid it? Do you find

2849
02:33:05,040 --> 02:33:08,480
Speaker 1: yourself wishing you had more energy, healthier habits, or fun

2850
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Speaker 1: family activities? At the YMCA, you can find your passion,

2851
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Speaker 1: find family, fun, and find your happy place, all while

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Speaker 1: supporting your community. Join the y in March with a

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Speaker 1: org to learn more and to find your nearest y

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Speaker 1: in DC, Maryland or Virginia today. Do you find yourself

2857
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Speaker 1: wishing you had more energy, healthier habits, or fun family activities?

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Speaker 1: At the YMCA, you can find your passion, find family fun,

2859
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Speaker 1: and find your happy place, all while supporting your community.

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Speaker 1: Join the y in March with a zero dollar enrollment

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Speaker 1: and so much more. Visit YMCADC dot org to learn

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2864
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Speaker 1: or Virginia today