WEBVTT - TechStuff Classic: How Planetariums Work

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<v Speaker 1>Welcome to Tech Stuff, a production from I Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>job and Strickland. I'm an executive producer with iHeart Radio

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<v Speaker 1>and a love of all things tech. It is time

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<v Speaker 1>for a classic episode, my friends. This episode originally published

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<v Speaker 1>on May nineteen, twenty fourteen, back when we had three

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<v Speaker 1>pieces of tech. How far we've come. So this particular

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<v Speaker 1>episode is about how planetariums work. So I would say

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<v Speaker 1>it's out of this world. Let's take a listen. So

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<v Speaker 1>there are a lot of different types of planetariums that

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<v Speaker 1>all use a very similar approach, but you know, the

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<v Speaker 1>actual implementation can differ between one and the other. But

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<v Speaker 1>we wanted to talk more about all of the kind

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<v Speaker 1>of history that built into coming up to the planetariums

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<v Speaker 1>as well as how they actually work. Right. We didn't

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<v Speaker 1>I just explain it's a projector and then go in

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<v Speaker 1>from there. I mean, because because y'all basically it's a projector. Yea,

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<v Speaker 1>So we could just say it's a projector, and if

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<v Speaker 1>you know how a projector, it's a Friday, so we're

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<v Speaker 1>ready to go home. But no, we wanted to actually

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<v Speaker 1>talk about the history of planetariums because it's a fascinating story.

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<v Speaker 1>I mean, obviously, as as a species, humans have been

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<v Speaker 1>fascinated with the heavens since before recorded history. I mean,

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<v Speaker 1>this is something that we've obviously been really amazed by

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<v Speaker 1>over thousands of years. It's pretty amazing. And what's interesting

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<v Speaker 1>is that there have been lots of different attempts to

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<v Speaker 1>create a an indoor version of this experience, because it's

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<v Speaker 1>not always convenient to go outside and do all your

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<v Speaker 1>your work. And based upon thousands of years of observations,

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<v Speaker 1>we've got pretty good at figuring out how to represent

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<v Speaker 1>the night sky in a way that was accurate even

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<v Speaker 1>the movement of things like planets in the moon and

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<v Speaker 1>the sun and Earth itself. Yeah, I mean it took

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<v Speaker 1>us a while to figure that part out, that the

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<v Speaker 1>Earth itself was moving and not say everything else was

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<v Speaker 1>moving around the Earth. And depending upon whom you are,

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<v Speaker 1>you might still argue that thinking of a specific documentary

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<v Speaker 1>that Jane Way was the voice for anyway, So assuming

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<v Speaker 1>you're not having this geocentric view, even even that would

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<v Speaker 1>allow you to see that the the heavens move in

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<v Speaker 1>a very predictable way. It may take a long time

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<v Speaker 1>for a particular cycle to happen. But once you know

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<v Speaker 1>what those cycles are, you could predict make observations that

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<v Speaker 1>would end up either verifying or or negating the previous

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<v Speaker 1>guesswork and eventually make it into a science. So why

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<v Speaker 1>our planetariums themselves awesome? Well, for one, you get to

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<v Speaker 1>look at the stars, even if again you are in

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<v Speaker 1>a place where you can't normally see them, like here

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<v Speaker 1>in Atlanta, we get a lot of what's called light pollution.

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<v Speaker 1>So that's just you know, any major city tends to

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<v Speaker 1>have this where you've got lots of lights that are

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<v Speaker 1>on at night, and that tends to drown out some

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<v Speaker 1>of the stars. You can't see the fainter ones. You

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<v Speaker 1>really only see the brightest ones that are in the sky. Uh.

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<v Speaker 1>You know, you might be able to see things like Venus,

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<v Speaker 1>which are that's that's extremely bright, and you might see

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<v Speaker 1>some of the major stars and some of the major constellations,

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<v Speaker 1>but you're missing out on a lot. Oh certainly, so

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<v Speaker 1>unless you go way out into the middle of nowhere

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<v Speaker 1>where there aren't so many lights, or you have to

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<v Speaker 1>live someplace that has really strict rules about the lights

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<v Speaker 1>at night. Because there are a few of those places

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<v Speaker 1>you probably can't see that many and even in those

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<v Speaker 1>places it sometimes rains or gets cloudy. That turns out

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<v Speaker 1>clouds really inhibit the stargazing activities. Also, the sky over

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<v Speaker 1>the Southern Hemisphere is different than that over the Northern Hemisphere.

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<v Speaker 1>So um, if if you don't travel back and forth

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<v Speaker 1>pretty frequently between the two, yeah, you don't know. If

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<v Speaker 1>don't cross the line over at the equator and shout

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<v Speaker 1>out to all my navy buddies who do. Um, if

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<v Speaker 1>you don't do that frequently, yeah, you don't. You miss

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<v Speaker 1>out on the way the sky looks and in the

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<v Speaker 1>Southern Hemisphere or if you live in the Southern Hemisphere

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<v Speaker 1>the Northern hemisphere. So to our new deal and listeners,

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<v Speaker 1>there's a lot of you. There's actually quite a few

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<v Speaker 1>of you. Um, I will not confuse you with the

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<v Speaker 1>Australian listeners. We love all of you equally. So if

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<v Speaker 1>you've never been there, but you want to see what

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<v Speaker 1>the sky looks like, a planetarium, some of them anyway

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<v Speaker 1>can accommodate you. A lot of them have the capability

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<v Speaker 1>of showing the stars over any particular point on Earth

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<v Speaker 1>like that's how sophisticated they've become so. Not only that,

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<v Speaker 1>but they many of them can also show you what

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<v Speaker 1>the sky would look like on any given date, So

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<v Speaker 1>you might say, well, what did the sky look like yesterday,

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<v Speaker 1>What will it look like tomorrow? What will it look

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<v Speaker 1>like in a century? What will it look like a

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<v Speaker 1>hundred centuries from now? What did it look like back

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<v Speaker 1>in the day that Shakespeare wrote his plays? Like, you

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<v Speaker 1>could do any of those things, and by plugging in

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<v Speaker 1>some some numbers. The computers that handle the calculations for

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<v Speaker 1>most of these uh devices, not all of them, some

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<v Speaker 1>of them are a little older, but most of them

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<v Speaker 1>can take that into consideration and actually determine what the

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<v Speaker 1>position of the planets would be on any given date,

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<v Speaker 1>the stars, etcetera. Which is pretty awesome. Yeah. Um. They

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<v Speaker 1>can also be used to teach celestial navigation, and they

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<v Speaker 1>certainly were used for that purpose during World War Two.

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<v Speaker 1>Very useful, especially if you can't always depend upon instruments

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<v Speaker 1>to be able to get around. Also, uh, hey, uh

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<v Speaker 1>it teaches astronomy, which you know, I always almost left

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<v Speaker 1>that out of the notes, and I was like, yeah,

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<v Speaker 1>that's uh, that's a big deal. I guess that's a thing. Yeah,

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<v Speaker 1>so obviously the astronomers out there if you want to

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<v Speaker 1>be able to identify various star clusters things like that.

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<v Speaker 1>And a lot of these have special um projectors that

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<v Speaker 1>show things like the Milky Way galaxy or other nebula

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<v Speaker 1>or things like that. And that's important. Oh sure, sure,

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<v Speaker 1>but we will get into that later on. Um, let's

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<v Speaker 1>talk for right now about the history of these devices,

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<v Speaker 1>because people have been painting the sky on ceilings, I mean,

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<v Speaker 1>for for basically ever. Yeah, I mean, like I got

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<v Speaker 1>a cousin who has the Glow in the Dark ones

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<v Speaker 1>that's been on her her bedroom ceiling like since she

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<v Speaker 1>was like four. So yeah. Also, there's a star map

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<v Speaker 1>on the ceiling of the tomb of the Egyptian official

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<v Speaker 1>Sentement that dates from like that does predate my cousin,

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<v Speaker 1>so a little bit. Your your argument is valid. Yeah,

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<v Speaker 1>I mean this is something, like I said, humans have

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<v Speaker 1>been fascinated with the stars for as long as we've

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<v Speaker 1>been looking around and being able to express our thoughts.

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<v Speaker 1>So it's no surprise that we're seeing evidence of that

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<v Speaker 1>in in prehistoric and and uh, you know, just post historic,

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<v Speaker 1>fairly historic uh you know, drawings and and uh and

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<v Speaker 1>depictions on things like this tomb. And then we have

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<v Speaker 1>some early examples of what could be something like a

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<v Speaker 1>planetarium from the Arabic world. Right right there, there were

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<v Speaker 1>Arabic tents made with holes in the fabric to let

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<v Speaker 1>outside lights shine through, representing each star or each star

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<v Speaker 1>as they knew them in in that time. UM described

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<v Speaker 1>in European History Circle that twelve hundreds or so, and

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<v Speaker 1>so that's that's you know, that's a good while back,

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<v Speaker 1>right and then we had, uh, let's let's switch up

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<v Speaker 1>to say, oh, I don't know, let's let's go to

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<v Speaker 1>the idea of using globes and sky maps. This is

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<v Speaker 1>really cool too, So starting a couple of thousand years ago,

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<v Speaker 1>it became really popular in the West to draw sky

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<v Speaker 1>maps on globes and um the first planetariums known to

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<v Speaker 1>history were huge versions of these, like big enough for

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<v Speaker 1>people to sit in. A really famous example is the

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<v Speaker 1>gor Top globe, supposedly based on plans found among Tico

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<v Speaker 1>Brahe's papers. Okay, so wait, wait, wait, Tico Brian, I've

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<v Speaker 1>always heard Tycho Bray. Where did you hear Tico Brian?

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<v Speaker 1>I'm one of my astronomy professors in college called him Tico.

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<v Speaker 1>That's good enough for me. So, I know, I know

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<v Speaker 1>that the Penny Arcade dude calls himself tycho, but hey,

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<v Speaker 1>we're going with an astronomy professor's approach. I'm I'm all

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<v Speaker 1>right with bowing to authority on this one. He had

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<v Speaker 1>a really impressive beard. So that also, I mean, that's

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<v Speaker 1>like credentials in the astronomy world. So that's totally cool.

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<v Speaker 1>So that that was that was built in the mid

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<v Speaker 1>sixteen hundreds and what's now Germany, and it was large

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<v Speaker 1>enough for like twelve people to sit in on these

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<v Speaker 1>circular benches that were around a table um where refreshments

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<v Speaker 1>could be served. Obviously, yeah, um so so the so

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<v Speaker 1>the object, this globe was about ten feet or three

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<v Speaker 1>meters in diameter, and the stars in it were these gilded,

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<v Speaker 1>spangled fixtures in the inside surface of the globe that

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<v Speaker 1>we're eliminated by a lamp that would sit on the

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<v Speaker 1>table along with your you know, snacky cakes. Interesting. So

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<v Speaker 1>it's like it's like if you look at a regular globe,

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<v Speaker 1>you know, that's something that we look at on the

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<v Speaker 1>outside service obviously that's you know, representing the Earth. But

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<v Speaker 1>this is one where we would go on the inside

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<v Speaker 1>and we're looking at the inner wall, which is representing

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<v Speaker 1>the heavens, the heavens right right, and the outside of

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<v Speaker 1>it was actually painted like like the Earth. It had

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<v Speaker 1>all of the continents and everything on it. Pretty cool

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<v Speaker 1>that whole globe shell could could rotate around the viewers

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<v Speaker 1>thanks to some water powered machinery. And it took some

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<v Speaker 1>ten years to build and weighs like three tons, despite

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<v Speaker 1>which it was moved to St. Petersburg as a gift

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<v Speaker 1>to Peter the Great in seventeen seventeen. Shortly after that

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<v Speaker 1>it was partially destroyed in a fire, then restored, then

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<v Speaker 1>stolen by the Germans in World War Two, found by

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<v Speaker 1>US troops, and restored again to St. Petersburg. Pretty sure,

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<v Speaker 1>that should be an Indiana Jones plot, right, it's great,

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<v Speaker 1>And this thing weighs three tons. It takes some determination

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<v Speaker 1>to steal anything that weighs three tons. That's pretty incredible.

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<v Speaker 1>But so the practice of making these these enterable sky

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<v Speaker 1>globes like this unwieldy as they were persisted into the

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<v Speaker 1>nineteen hundreds, and the Museum of the Chicago Academy of

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<v Speaker 1>Sciences built their atwood globe as late as nineteen um

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<v Speaker 1>and that's that's about the same size a little bigger

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<v Speaker 1>at measure sixteen feet that's about five meters in diameter

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<v Speaker 1>um and shows six stars plus the planets in our

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<v Speaker 1>Solar system as as holes through which outside light can shine.

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<v Speaker 1>It's electric and the shell can spin once every eight

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<v Speaker 1>minutes around viewers. Interesting, and so this is kind of

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<v Speaker 1>it's it's like it's taking a note back from those

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<v Speaker 1>old Arabic tents, right, the lights coming from outside shining

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<v Speaker 1>through holes, and that's what represents the stars, very much

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<v Speaker 1>like those tents that had the holes pin break through

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<v Speaker 1>the tent canvas right right. You know, of course this

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<v Speaker 1>depends on either in this case probably electric lights outside

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<v Speaker 1>or in the case of those tents, having a good

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<v Speaker 1>source of sun light in order to see what's going on. Um.

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<v Speaker 1>By the way, a couple of distinctions that I wanted

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<v Speaker 1>to make here. If you've ever heard of an order

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<v Speaker 1>e um, that's that's a physical model of the planets

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<v Speaker 1>in our Solar system and sometimes also called a planetarium,

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<v Speaker 1>and they're also sometimes included in planetariums. So that's nice

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<v Speaker 1>and confusing, right, So orris are if you've ever seen

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<v Speaker 1>one of those physical models where you've got the Sun

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<v Speaker 1>in the center, and then you have all the different

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<v Speaker 1>planets that can spin around the Sun. Sometimes they are

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<v Speaker 1>actually mounted on gears or motors so that it represents

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<v Speaker 1>the accurate movement of each of these bodies as they

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<v Speaker 1>would move in relation to one another. So for example,

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<v Speaker 1>the Earth's uh, the Earth's movement around the Sun is

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<v Speaker 1>different from Saint Mars, which is different from Neptune or Saturn. Anyway,

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<v Speaker 1>you would be able to watch these and see how

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<v Speaker 1>they move in relation to each other, see the times

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<v Speaker 1>when they happen to align, when they get out of alignment,

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<v Speaker 1>and it's really fascinating to see an or but it's

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<v Speaker 1>from an outside perspective. You're not looking from the inside out.

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<v Speaker 1>You're looking as if you were able to distance yourself

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<v Speaker 1>all the way out of the Solar system and look

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<v Speaker 1>in on it, right and and being that especially early ones,

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<v Speaker 1>where we're you know, the planets were all on their

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<v Speaker 1>little rods and would all be going on a on

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<v Speaker 1>a single plane around the Sun, rather than in the

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<v Speaker 1>truth three dimensions in which right right, it would be

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<v Speaker 1>it would be as if we had a completely flat

0:12:24.679 --> 0:12:27.200
<v Speaker 1>solar system, which is not exactly true. Yeah, it's like

0:12:27.200 --> 0:12:29.480
<v Speaker 1>Star Trek world. Everything just comes right knows up to

0:12:29.520 --> 0:12:31.559
<v Speaker 1>each other. Yeah. And also they would move in and

0:12:31.800 --> 0:12:34.479
<v Speaker 1>essentially perfect circles. They wouldn't have these kind of elliptical

0:12:34.600 --> 0:12:37.480
<v Speaker 1>orbitals because that's really hard to do with physical rods.

0:12:38.040 --> 0:12:40.679
<v Speaker 1>But you know, my favorite or y of all time

0:12:41.120 --> 0:12:43.200
<v Speaker 1>is from the movie The Dark Crystal, and it's what

0:12:43.280 --> 0:12:45.679
<v Speaker 1>Augra had. Now that of course was an or y

0:12:45.880 --> 0:12:50.040
<v Speaker 1>for a fictional solar system, but was amazing that an

0:12:50.160 --> 0:12:53.400
<v Speaker 1>enormous things spinning around all over the place. That that

0:12:53.480 --> 0:12:56.480
<v Speaker 1>lady still creeps me out as an incredible movie that

0:12:56.559 --> 0:12:59.679
<v Speaker 1>everyone should go see. Uh oh, absolutely, yes, very much so.

0:13:00.040 --> 0:13:06.720
<v Speaker 1>Plexis I can't okay science besides planetariums and uh and

0:13:06.840 --> 0:13:09.160
<v Speaker 1>or planetaria if we want to talk about or reason

0:13:09.160 --> 0:13:14.000
<v Speaker 1>in that sense, and these globes, we also have the

0:13:14.040 --> 0:13:18.520
<v Speaker 1>concept of keeping track of astronomical phenomena in other ways

0:13:18.600 --> 0:13:21.840
<v Speaker 1>that aren't again all immersive. All right, Well, part of

0:13:21.880 --> 0:13:27.080
<v Speaker 1>the function of a planetarium is as an astronomical clock, right,

0:13:27.520 --> 0:13:29.520
<v Speaker 1>like you were saying earlier, being able to to go

0:13:29.559 --> 0:13:31.280
<v Speaker 1>into the future, into the past and see what the

0:13:31.320 --> 0:13:33.840
<v Speaker 1>stars looked like at any given point. Um, and you

0:13:33.920 --> 0:13:39.079
<v Speaker 1>and Joe talked about a really famous one Antiquathera device

0:13:39.160 --> 0:13:42.600
<v Speaker 1>or Antiquithera mechanism, which is a some people would call

0:13:42.760 --> 0:13:46.920
<v Speaker 1>the oldest computer and analog computer. And yeah, on Forward

0:13:46.920 --> 0:13:49.280
<v Speaker 1>Thinking we did a podcast. No I think I think

0:13:49.280 --> 0:13:51.320
<v Speaker 1>you did it on tech Stuff. It was well days,

0:13:52.280 --> 0:13:55.080
<v Speaker 1>that's right, that's right. See here's the things that I do.

0:13:55.160 --> 0:13:57.679
<v Speaker 1>Too many shows for too many different different versions. Yes,

0:13:57.720 --> 0:13:59.760
<v Speaker 1>we did do the tech Stuff one so as a

0:13:59.800 --> 0:14:03.240
<v Speaker 1>re minder, because obviously I need one. Uh. The Anticathera

0:14:03.360 --> 0:14:07.520
<v Speaker 1>device was this, uh, this gadget that had been lost

0:14:07.640 --> 0:14:12.040
<v Speaker 1>in a shipwreck and recovered by sponge divers, and it

0:14:12.120 --> 0:14:14.000
<v Speaker 1>was recovered in very poor repair. It was all these

0:14:14.000 --> 0:14:16.760
<v Speaker 1>different pieces and some of them were big chunks and

0:14:16.800 --> 0:14:20.560
<v Speaker 1>some were smaller pieces. Uh. And eventually it took decades

0:14:20.600 --> 0:14:22.640
<v Speaker 1>to do this, but eventually we figured out that this

0:14:22.680 --> 0:14:27.160
<v Speaker 1>was an astronomical computer. It was able to show where

0:14:27.600 --> 0:14:29.800
<v Speaker 1>the position of the planets were in relation to the

0:14:29.800 --> 0:14:33.920
<v Speaker 1>Earth on any given date, including the position and phase

0:14:33.960 --> 0:14:36.360
<v Speaker 1>of the Moon and the position of the Sun. And

0:14:36.400 --> 0:14:40.560
<v Speaker 1>you would turn a crank in order to adjust the

0:14:40.600 --> 0:14:43.320
<v Speaker 1>dials so that you could change it to any date

0:14:43.440 --> 0:14:47.320
<v Speaker 1>and see what what the that actual alignment happened to

0:14:47.360 --> 0:14:49.400
<v Speaker 1>be on that given date. It was also very useful

0:14:49.440 --> 0:14:53.240
<v Speaker 1>for things like planning out specific events, because you could

0:14:53.560 --> 0:14:55.400
<v Speaker 1>do this and find out when there was going to

0:14:55.440 --> 0:14:58.640
<v Speaker 1>be an eclipse, for example, and an eclipse tended to

0:14:58.680 --> 0:15:02.480
<v Speaker 1>be considered a bad men, so you might think, hey,

0:15:02.520 --> 0:15:05.000
<v Speaker 1>this big festival, we want to have what happened to

0:15:05.040 --> 0:15:06.880
<v Speaker 1>fall on in the eclipse, So we're going to have

0:15:07.120 --> 0:15:11.120
<v Speaker 1>a special a special festival that's going to be three

0:15:11.120 --> 0:15:13.560
<v Speaker 1>weeks earlier so that we don't have to worry about that,

0:15:13.920 --> 0:15:16.600
<v Speaker 1>or an Olympics event that there would be another example,

0:15:16.720 --> 0:15:20.680
<v Speaker 1>So it's really super cool. However, again this was something

0:15:20.720 --> 0:15:24.800
<v Speaker 1>that was relatively small. We're talking about like the size

0:15:24.800 --> 0:15:27.840
<v Speaker 1>of a large book, and so you're looking at at

0:15:27.880 --> 0:15:30.840
<v Speaker 1>these dials rather than again being immersed in the experience.

0:15:31.080 --> 0:15:33.600
<v Speaker 1>But it was really useful for checking out, you know,

0:15:33.680 --> 0:15:36.400
<v Speaker 1>what a a a planetary alignment would be on any

0:15:36.440 --> 0:15:40.440
<v Speaker 1>given date, because again they understood that the movements of

0:15:40.440 --> 0:15:44.120
<v Speaker 1>the planets were regular and cyclical. Yeah, and so they

0:15:44.120 --> 0:15:46.680
<v Speaker 1>were able to do this, and I don't want to

0:15:47.560 --> 0:15:50.960
<v Speaker 1>minimize how difficult this was. They had to build exact

0:15:51.560 --> 0:15:55.360
<v Speaker 1>gear ratios to represent the movement of all these planets

0:15:55.400 --> 0:16:00.200
<v Speaker 1>and sometimes hand machining those yeah, yeah, yeah, and dorble

0:16:00.200 --> 0:16:02.360
<v Speaker 1>amount of precision is required and sometimes you know, you

0:16:02.360 --> 0:16:04.400
<v Speaker 1>would have to have things move backwards a little bit

0:16:04.680 --> 0:16:07.720
<v Speaker 1>and then move forwards because from our perspective, that's the

0:16:07.760 --> 0:16:11.440
<v Speaker 1>way things seem to be moving. So really really complicated stuff.

0:16:11.840 --> 0:16:15.960
<v Speaker 1>Uh but still again, that's that's not quite an astronomical clock.

0:16:16.040 --> 0:16:19.240
<v Speaker 1>It's very similar to one. Once we looked at actual

0:16:19.360 --> 0:16:23.200
<v Speaker 1>astronomical clocks. Those look like clocks, but they happen to

0:16:23.240 --> 0:16:27.360
<v Speaker 1>have either a dial or sometimes it's a uh, you know,

0:16:27.640 --> 0:16:31.600
<v Speaker 1>a little physical representation of what the planetary alignments are

0:16:31.600 --> 0:16:33.880
<v Speaker 1>going to be or those phase of the moon or whatever.

0:16:34.160 --> 0:16:37.160
<v Speaker 1>These have been popular since the Middle Ages. There were

0:16:37.200 --> 0:16:40.080
<v Speaker 1>also some of those posh sky globes that could hypothetically

0:16:40.160 --> 0:16:42.920
<v Speaker 1>predict the movement of celestial bodies, and Archimedes is said

0:16:42.920 --> 0:16:48.440
<v Speaker 1>to have had one background two right, so uh, probably

0:16:48.440 --> 0:16:52.280
<v Speaker 1>true lost stuff about that time period. Difficult for us

0:16:52.320 --> 0:16:55.880
<v Speaker 1>to verify, but but I'm willing to believe it because

0:16:56.040 --> 0:17:00.200
<v Speaker 1>they are wicked smart. So uh yeah, yeah, again, we're

0:17:00.200 --> 0:17:02.160
<v Speaker 1>still talking about stuff that lets you look at it.

0:17:02.160 --> 0:17:06.119
<v Speaker 1>It doesn't surround you like the crazy um the globes

0:17:06.160 --> 0:17:08.480
<v Speaker 1>where you would walk inside and take a seat. But

0:17:08.600 --> 0:17:13.520
<v Speaker 1>that's what leads us to the more modern day planetarium

0:17:13.560 --> 0:17:17.840
<v Speaker 1>that would require projection and not not like standing in

0:17:17.880 --> 0:17:20.880
<v Speaker 1>the middle and projecting out by speaking more loudly. We're

0:17:20.920 --> 0:17:25.959
<v Speaker 1>talking about light projection here. Okay, we've got some some

0:17:26.000 --> 0:17:29.280
<v Speaker 1>planetarium talk ahead of us, but uh says here on

0:17:29.400 --> 0:17:31.399
<v Speaker 1>my clock that it's time for us to take a

0:17:31.480 --> 0:17:44.440
<v Speaker 1>quick break and we'll be right back. Okay, So projectors planetarium,

0:17:44.480 --> 0:17:47.960
<v Speaker 1>all right. The first one was installed in a roof

0:17:48.040 --> 0:17:51.639
<v Speaker 1>on a rooftop in Jenna, Germany. And I apologize, I

0:17:51.680 --> 0:17:54.639
<v Speaker 1>suppose it would it be Jenna, Germany? The j is

0:17:54.720 --> 0:17:58.480
<v Speaker 1>generally pronounced like a y. I did well, Jacob would

0:17:58.520 --> 0:18:03.240
<v Speaker 1>be a cub Johan. I, I see where you're going,

0:18:03.320 --> 0:18:06.719
<v Speaker 1>and I approve. I'm guessing it's Jenna. Any of our

0:18:06.760 --> 0:18:10.080
<v Speaker 1>German listeners who would like to to reprimand me on

0:18:10.080 --> 0:18:13.720
<v Speaker 1>my pronunciation feel free, because um, I should know better

0:18:13.800 --> 0:18:16.480
<v Speaker 1>at this point. But it was an optical projector, so

0:18:16.600 --> 0:18:19.560
<v Speaker 1>it actually used light and lenses to project images of

0:18:19.640 --> 0:18:23.960
<v Speaker 1>stars on a curved surface the inside of a dome. Yeah,

0:18:24.359 --> 0:18:27.959
<v Speaker 1>so this dates all the way back to nineteen thirteen

0:18:28.040 --> 0:18:30.679
<v Speaker 1>for the earliest of the plans. That's when a man

0:18:30.760 --> 0:18:34.480
<v Speaker 1>named Oscar von Miller commissioned the device for the Deutschet

0:18:34.520 --> 0:18:38.679
<v Speaker 1>Museum in Mind. So the idea to actually use projection

0:18:39.400 --> 0:18:42.399
<v Speaker 1>was agreed upon in nineteen fourteen. There was this big

0:18:42.440 --> 0:18:46.919
<v Speaker 1>meeting and generally speaking, most people credit and engineer by

0:18:46.920 --> 0:18:50.640
<v Speaker 1>the name of Walter Bausfeld who came up with this

0:18:50.720 --> 0:18:54.040
<v Speaker 1>idea to use a projector. He was working with the company,

0:18:54.119 --> 0:18:57.080
<v Speaker 1>a company called Carl Zeiss, which was an optics company

0:18:57.200 --> 0:19:00.240
<v Speaker 1>still is in fact, is that that's very true? Uh,

0:19:00.280 --> 0:19:03.720
<v Speaker 1>And they decided that they would use this kind of approach.

0:19:03.880 --> 0:19:05.960
<v Speaker 1>They decided that they wanted to use something that was

0:19:06.400 --> 0:19:09.640
<v Speaker 1>fairly new, the idea of a new source of light

0:19:09.840 --> 0:19:12.280
<v Speaker 1>for people at that time. Well, their their original idea

0:19:12.320 --> 0:19:16.520
<v Speaker 1>here was was to use those fancy newfangled light bulbs

0:19:17.200 --> 0:19:20.159
<v Speaker 1>as instead of a pin prick, instead of having a

0:19:20.160 --> 0:19:22.480
<v Speaker 1>pin hole for for each light source, they wanted to

0:19:22.560 --> 0:19:25.240
<v Speaker 1>use a light bulb for each star. And they very

0:19:25.320 --> 0:19:29.920
<v Speaker 1>quickly realized how complex and expensive and terrifying that would be,

0:19:30.040 --> 0:19:32.720
<v Speaker 1>especially if you want to be able to move your

0:19:32.760 --> 0:19:35.120
<v Speaker 1>field of vision right right. So if you had all

0:19:35.160 --> 0:19:37.840
<v Speaker 1>these stars in fixed positions on the dome. How do

0:19:37.880 --> 0:19:40.000
<v Speaker 1>you move them if you want to if you want

0:19:40.000 --> 0:19:42.360
<v Speaker 1>to move the entire ceiling and that's oh, that's not good.

0:19:42.400 --> 0:19:45.199
<v Speaker 1>Can you imagine the heat generated from those old bulbs

0:19:45.200 --> 0:19:47.880
<v Speaker 1>to all of those things. So this this one engineer,

0:19:47.960 --> 0:19:52.200
<v Speaker 1>Vaulter Uh supposedly said, hey, why don't we put the

0:19:52.280 --> 0:19:54.760
<v Speaker 1>light in the middle and then shine it out on

0:19:54.800 --> 0:19:57.680
<v Speaker 1>the on the on the inside, as opposed to poking

0:19:57.680 --> 0:19:59.800
<v Speaker 1>holes on the inside and putting these light bulbs through.

0:20:00.359 --> 0:20:04.600
<v Speaker 1>And people said, you're crazy, except for another engineer, and

0:20:04.680 --> 0:20:07.359
<v Speaker 1>this one. This is a very interesting and tragic story.

0:20:07.400 --> 0:20:09.600
<v Speaker 1>There's actually a really good documentary that we'll talk about.

0:20:09.640 --> 0:20:13.120
<v Speaker 1>But there's an engineer, a scientist, an engineer named Rudolph

0:20:13.200 --> 0:20:17.560
<v Speaker 1>Straubel who expanded upon Bauersfeld's suggestion. He actually said, wait,

0:20:17.600 --> 0:20:19.560
<v Speaker 1>this is a great idea. We can use a projector,

0:20:19.840 --> 0:20:22.520
<v Speaker 1>and not only can the projector show things like the

0:20:22.520 --> 0:20:25.120
<v Speaker 1>the position of planets, which was that that was kind

0:20:25.119 --> 0:20:27.320
<v Speaker 1>of the initial approach was, well, we can show the

0:20:27.320 --> 0:20:29.480
<v Speaker 1>planets this way, So no, we can actually show the

0:20:29.520 --> 0:20:32.320
<v Speaker 1>stars this way too. We don't have to just rely

0:20:32.400 --> 0:20:34.240
<v Speaker 1>on this as being a way of showing the planets,

0:20:34.680 --> 0:20:37.480
<v Speaker 1>and they all began to work on this. Now, Strawble

0:20:37.480 --> 0:20:42.159
<v Speaker 1>would eventually leave the museum and this his position working

0:20:42.200 --> 0:20:46.359
<v Speaker 1>on this project because he refused to divorce his Jewish wife.

0:20:46.960 --> 0:20:50.200
<v Speaker 1>So this was the rise of the Nazis in Germany

0:20:50.200 --> 0:20:54.320
<v Speaker 1>at the time. And UM there's a documentary called Planetarium

0:20:54.359 --> 0:20:58.800
<v Speaker 1>that really follows this, and the the general perspective on

0:20:58.840 --> 0:21:03.840
<v Speaker 1>Planetarium is that straw was actually a major contributor to UH,

0:21:03.960 --> 0:21:07.000
<v Speaker 1>to this first planetarium, but his work was all but

0:21:07.160 --> 0:21:11.000
<v Speaker 1>erased by the Nazis, and then the Nazis attempts to

0:21:11.000 --> 0:21:16.080
<v Speaker 1>erase it were then subsequently erased, partly because the the company,

0:21:16.320 --> 0:21:19.600
<v Speaker 1>the Zeiss Company, got split into two companies after World

0:21:19.640 --> 0:21:21.720
<v Speaker 1>War Two. Half of it was in the East Germany,

0:21:21.800 --> 0:21:24.639
<v Speaker 1>the other half in West Germany, and too for the

0:21:24.680 --> 0:21:28.600
<v Speaker 1>West Germany side to UH to talk about Strawble would

0:21:28.640 --> 0:21:31.399
<v Speaker 1>have also been to admit that they had bowed to

0:21:31.560 --> 0:21:37.760
<v Speaker 1>the Nazis UH demands, and so it was not politically UH,

0:21:38.280 --> 0:21:41.600
<v Speaker 1>let's see, what's the rightway prudent. It was not prudent

0:21:41.840 --> 0:21:45.120
<v Speaker 1>at that at that juncture, so to speak, to make

0:21:45.119 --> 0:21:47.880
<v Speaker 1>that admission. So if you're really interested to hear more

0:21:47.920 --> 0:21:51.000
<v Speaker 1>about the uh, the drama behind that and also the

0:21:51.720 --> 0:21:55.480
<v Speaker 1>truly the tragedy behind that story. Check out the documentary

0:21:55.480 --> 0:21:58.879
<v Speaker 1>Planetarium at Anyway, getting back to the planetarium itself, it

0:21:58.960 --> 0:22:03.080
<v Speaker 1>took year of research and development before construction could begin, right.

0:22:03.160 --> 0:22:07.080
<v Speaker 1>Also they were there was a war from from uh, yeah,

0:22:07.119 --> 0:22:09.199
<v Speaker 1>there was World War one, yeah, and then and then

0:22:09.240 --> 0:22:13.159
<v Speaker 1>the nineteen fourteen nine eighteen yeah, so that we had

0:22:13.200 --> 0:22:16.440
<v Speaker 1>World War one going, so that that puts things on hold.

0:22:16.640 --> 0:22:20.040
<v Speaker 1>Construction will begin in nineteen nineteen. It wouldn't be completed

0:22:20.080 --> 0:22:23.720
<v Speaker 1>until nineteen twenty three and was first shown on a

0:22:23.840 --> 0:22:27.960
<v Speaker 1>rooftop in Jena, Germany, and then would eventually move to

0:22:28.080 --> 0:22:32.000
<v Speaker 1>its permanent home in the Deutsche Museum in nine and

0:22:32.280 --> 0:22:36.520
<v Speaker 1>this had what was called a star ball. A star

0:22:36.640 --> 0:22:39.040
<v Speaker 1>ball this is this is a perforated sphere that that

0:22:39.160 --> 0:22:41.720
<v Speaker 1>powerful light can be shown through up onto the dome

0:22:41.840 --> 0:22:45.600
<v Speaker 1>like like we've been talking about um by By around

0:22:45.600 --> 0:22:48.119
<v Speaker 1>a decade later, domes like this would be installed in

0:22:48.200 --> 0:22:52.880
<v Speaker 1>museums around the world, especially after affordability improvements were made

0:22:52.920 --> 0:22:56.960
<v Speaker 1>to the Zeis device by Armand's fits in nineteen six.

0:22:57.520 --> 0:23:00.000
<v Speaker 1>He was then the director of the Franklin Institute in Philadelphi.

0:23:00.080 --> 0:23:04.240
<v Speaker 1>You and he His innovation was to um to scale

0:23:04.280 --> 0:23:08.800
<v Speaker 1>it down from from a starball to a star dottecahedron.

0:23:09.119 --> 0:23:11.240
<v Speaker 1>Ah yeah, okay, that makes sense. You get a lot

0:23:11.280 --> 0:23:15.679
<v Speaker 1>more flat surfaces. Flat surfaces, it's easier to machine in

0:23:15.680 --> 0:23:19.680
<v Speaker 1>those days. The machining a sphere is not easy. No, no, Um.

0:23:19.720 --> 0:23:21.920
<v Speaker 1>It was actually suggested to him by Einstein. The story

0:23:21.960 --> 0:23:27.720
<v Speaker 1>goes way to go Einstein. All right, So yeah, Um,

0:23:27.960 --> 0:23:30.560
<v Speaker 1>circ of the nineteen sixties, lenses would come and to

0:23:30.680 --> 0:23:33.360
<v Speaker 1>use to amplify the appearance of brighter stars to make

0:23:33.359 --> 0:23:36.879
<v Speaker 1>a more realistic starfield, and more expensive machines around the

0:23:36.920 --> 0:23:40.800
<v Speaker 1>same time, multiple projectors, each with their own star plates.

0:23:41.200 --> 0:23:44.639
<v Speaker 1>Um would let you use lights of different brightnesses to

0:23:45.000 --> 0:23:48.560
<v Speaker 1>project different magnitudes of stars. Gotcha. So yeah, it gets

0:23:48.560 --> 0:23:51.640
<v Speaker 1>a little tricky, like how do you represent the stars

0:23:51.760 --> 0:23:53.879
<v Speaker 1>accurately because some, of course when you look up in

0:23:53.880 --> 0:23:56.400
<v Speaker 1>the sky, are much brighter than others. And there's only

0:23:56.400 --> 0:23:59.560
<v Speaker 1>so much you can do with with machining different different

0:23:59.560 --> 0:24:02.600
<v Speaker 1>apertures of pin pricks, right right, So yeah, it was

0:24:02.640 --> 0:24:06.040
<v Speaker 1>pretty complicated stuff. So how do they work today? Well,

0:24:06.080 --> 0:24:07.320
<v Speaker 1>if you were to go to the one in the

0:24:07.359 --> 0:24:11.280
<v Speaker 1>Deutsche museum. It's been updated several times over the course

0:24:11.280 --> 0:24:13.600
<v Speaker 1>of its history, so it's not the same device that

0:24:13.720 --> 0:24:18.119
<v Speaker 1>was installed back. It's had some eight million visitors or

0:24:18.200 --> 0:24:21.680
<v Speaker 1>more over the intervening years. And now they use a

0:24:21.720 --> 0:24:24.760
<v Speaker 1>projector that has thirty two different slides to create the

0:24:24.760 --> 0:24:27.680
<v Speaker 1>images of stars and planets on the curved surface of

0:24:27.720 --> 0:24:30.840
<v Speaker 1>the walls and ceiling. Now these slides have a fine

0:24:30.880 --> 0:24:33.800
<v Speaker 1>pattern of holes that correspond to the actual position of

0:24:33.840 --> 0:24:37.840
<v Speaker 1>stars in the night sky above Germany. It's specific to that. Yeah,

0:24:37.880 --> 0:24:40.239
<v Speaker 1>I mean it would be weird for them to have

0:24:40.480 --> 0:24:42.959
<v Speaker 1>a representation of the sky above somewhere else. I mean,

0:24:43.000 --> 0:24:46.280
<v Speaker 1>this is this is, you know, above where the facility is.

0:24:46.680 --> 0:24:48.960
<v Speaker 1>Each slide is a pair of glass panes, you know,

0:24:49.080 --> 0:24:52.160
<v Speaker 1>like a slide you know, the jubilender a microscope or something.

0:24:52.480 --> 0:24:55.879
<v Speaker 1>Between these pines there's a thin layer of copper and

0:24:55.920 --> 0:24:58.760
<v Speaker 1>they punch holes in the copper. Now, the size of

0:24:58.800 --> 0:25:01.919
<v Speaker 1>the whole determines how bright the star is going to be, right,

0:25:01.960 --> 0:25:03.680
<v Speaker 1>So if you make a tiny hole, it's going to

0:25:03.760 --> 0:25:06.160
<v Speaker 1>be a relatively faint star. If you make a larger hole,

0:25:06.320 --> 0:25:09.240
<v Speaker 1>it's gonna be a brighter star. The lenses you used

0:25:09.240 --> 0:25:12.720
<v Speaker 1>to help focus that light so that it's the right size,

0:25:13.040 --> 0:25:16.400
<v Speaker 1>so you've got the right brightness and size. Yep. Yeah,

0:25:16.440 --> 0:25:18.000
<v Speaker 1>you don't want to have just this kind of fuzzy

0:25:18.000 --> 0:25:22.160
<v Speaker 1>blurry effect. Uh. So generally speaking, you got a lamp

0:25:22.400 --> 0:25:25.280
<v Speaker 1>that's what's providing the back light, and you have special

0:25:25.280 --> 0:25:28.560
<v Speaker 1>projectors for the sun, Moon, the planets, and the Milky

0:25:28.600 --> 0:25:30.800
<v Speaker 1>Way to complete the picture. So this is a multi

0:25:30.840 --> 0:25:35.160
<v Speaker 1>projector set up. Now, the original structure relied on gears

0:25:35.400 --> 0:25:38.959
<v Speaker 1>to turn the projectors precisely to mimic celestial movements, so

0:25:39.359 --> 0:25:42.679
<v Speaker 1>you would actually have someone manually turning something. We have

0:25:42.760 --> 0:25:46.439
<v Speaker 1>sense upgraded now it's electric motors that do this. Uh.

0:25:46.520 --> 0:25:49.080
<v Speaker 1>And again you have the gear ratios worked out so

0:25:49.160 --> 0:25:52.560
<v Speaker 1>that they mimic the actual movements. So uh, you know,

0:25:52.640 --> 0:25:54.760
<v Speaker 1>you could just have everything turning, but of course that

0:25:54.760 --> 0:25:57.679
<v Speaker 1>wouldn't be accurate to what we actually see in nature.

0:25:58.000 --> 0:26:00.640
<v Speaker 1>You have to be a little more specific so that

0:26:01.000 --> 0:26:03.840
<v Speaker 1>you know when Mars is going past your vision, it's

0:26:03.880 --> 0:26:07.160
<v Speaker 1>doing so at the right speed relative to the other

0:26:07.400 --> 0:26:11.359
<v Speaker 1>other sites in the sky. So the neat thing about

0:26:11.440 --> 0:26:14.760
<v Speaker 1>this is that you can actually obviously speed things up

0:26:14.840 --> 0:26:17.200
<v Speaker 1>or slow things down. So you could sit there and say,

0:26:17.240 --> 0:26:21.240
<v Speaker 1>all right, here's what the path of Mars looks like

0:26:21.320 --> 0:26:23.960
<v Speaker 1>over the course of a month, and you could show

0:26:23.960 --> 0:26:26.360
<v Speaker 1>it in in uh sped up time, so you don't

0:26:26.359 --> 0:26:28.080
<v Speaker 1>actually have to sit there for a month to see

0:26:28.080 --> 0:26:30.480
<v Speaker 1>it happen, right, Or you can reverse it so that

0:26:30.520 --> 0:26:32.960
<v Speaker 1>you can say, here's what Mars did last month, right,

0:26:32.960 --> 0:26:35.760
<v Speaker 1>And then of course that sets time backward. And then,

0:26:35.800 --> 0:26:38.480
<v Speaker 1>because we learned that from Superman, right, if you spend

0:26:38.480 --> 0:26:41.520
<v Speaker 1>the world backwards, then obviously time reverses. It's okay, they

0:26:41.560 --> 0:26:43.520
<v Speaker 1>all have way back machines in turns, right, so they

0:26:43.600 --> 0:26:45.920
<v Speaker 1>all everything works out in the end. By the time

0:26:45.920 --> 0:26:47.960
<v Speaker 1>you leave, everything's right back to where was, so you

0:26:48.000 --> 0:26:50.280
<v Speaker 1>don't have to mess with your watch. That's that's really smart.

0:26:50.840 --> 0:26:55.640
<v Speaker 1>Now about six of all planetariums still use projectors like this.

0:26:55.800 --> 0:26:59.800
<v Speaker 1>I get this particular figure from the planetarium in Hilo,

0:27:00.119 --> 0:27:03.200
<v Speaker 1>white E, a lovely place to visit, by the way,

0:27:03.800 --> 0:27:07.960
<v Speaker 1>So they use standard video special mechanical projectors to create

0:27:07.960 --> 0:27:10.200
<v Speaker 1>those images of the night sky. But beginning in the

0:27:10.280 --> 0:27:13.680
<v Speaker 1>nineteen eighties, some planetariums began to experiment with going digital

0:27:13.840 --> 0:27:17.080
<v Speaker 1>rather than analog. It wouldn't be until the nineteen nineties

0:27:17.080 --> 0:27:21.000
<v Speaker 1>that planetariums could actually experiment with full dome animated content.

0:27:21.640 --> 0:27:25.000
<v Speaker 1>Uh now, full dome animated content. This is used for

0:27:25.040 --> 0:27:27.560
<v Speaker 1>lots of stuff. It's not just used for planetariums. For example,

0:27:27.600 --> 0:27:31.480
<v Speaker 1>there are virtual environments that use domes to represent things

0:27:31.560 --> 0:27:37.040
<v Speaker 1>like say the sky for a a jet simulator. So

0:27:37.200 --> 0:27:39.920
<v Speaker 1>these domes allow you to have this amazing field of

0:27:40.040 --> 0:27:42.880
<v Speaker 1>view that you can then project some sort of virtual

0:27:43.480 --> 0:27:46.639
<v Speaker 1>environment on, and that's more effective than say being in

0:27:46.880 --> 0:27:50.440
<v Speaker 1>a flat room with corners and flat surfaces. That doesn't

0:27:50.960 --> 0:27:56.120
<v Speaker 1>usually convey as realistic and experience. So for planetariums it's

0:27:56.119 --> 0:27:58.680
<v Speaker 1>great because it can mimic the night sky very well.

0:27:59.200 --> 0:28:02.600
<v Speaker 1>Uh Now, this this full dome approach meant that you

0:28:02.640 --> 0:28:06.399
<v Speaker 1>could have some really cool effects, but it also comes

0:28:06.440 --> 0:28:09.760
<v Speaker 1>with some challenges. It's not uh always easy to do.

0:28:09.800 --> 0:28:13.240
<v Speaker 1>If you're using a multiprojector approach, for example, you have

0:28:13.280 --> 0:28:15.080
<v Speaker 1>to make sure that all of the edges are going

0:28:15.119 --> 0:28:16.840
<v Speaker 1>to line up with each other so that you don't

0:28:16.880 --> 0:28:20.200
<v Speaker 1>have any kind of wackiness in between, right exactly. Let's so,

0:28:20.280 --> 0:28:22.919
<v Speaker 1>let's say that you have a projector that is a

0:28:23.000 --> 0:28:25.320
<v Speaker 1>certain like if you look at the dome as kind

0:28:25.320 --> 0:28:27.840
<v Speaker 1>of a a pie. So you think of a slice

0:28:27.840 --> 0:28:30.919
<v Speaker 1>of that pie. One projector is responsible for that slice,

0:28:30.960 --> 0:28:33.560
<v Speaker 1>the next projector is responsible for the slice next to that.

0:28:34.000 --> 0:28:36.760
<v Speaker 1>If those two projectors are out of alignment, then you're

0:28:36.760 --> 0:28:38.920
<v Speaker 1>gonna have some stars that are overlapping each other. And

0:28:38.920 --> 0:28:41.400
<v Speaker 1>then you have this additive property of light. You know,

0:28:41.520 --> 0:28:43.960
<v Speaker 1>you have light from two different sources hitting the same

0:28:43.960 --> 0:28:46.720
<v Speaker 1>physical space, and it's gonna be blurry, it's gonna be

0:28:46.760 --> 0:28:49.320
<v Speaker 1>too bright, it's not going to represent the actual stars.

0:28:49.320 --> 0:28:51.760
<v Speaker 1>So this is something that has to be very carefully

0:28:51.800 --> 0:28:54.800
<v Speaker 1>calibrated every single time any maintenance is done on it.

0:28:55.080 --> 0:28:57.840
<v Speaker 1>So this is true for all planetariums. It's not just

0:28:57.920 --> 0:29:01.240
<v Speaker 1>for the ones that are multiprojector, but multi projector in particular.

0:29:01.320 --> 0:29:04.800
<v Speaker 1>You have to make these considerations. Yeah, they generally still

0:29:04.840 --> 0:29:07.520
<v Speaker 1>call it a star ball. By the way, this kind

0:29:07.560 --> 0:29:11.680
<v Speaker 1>of a spherical construction into which all of these projectors

0:29:11.680 --> 0:29:14.240
<v Speaker 1>are are sat is still called a star ball. I

0:29:14.280 --> 0:29:16.760
<v Speaker 1>think starball is a really great word. Starball just I mean,

0:29:17.600 --> 0:29:19.440
<v Speaker 1>it sounds like something out of Cartamari Domonty to me,

0:29:19.480 --> 0:29:20.920
<v Speaker 1>which I think is why I'm so fond of it.

0:29:21.000 --> 0:29:23.920
<v Speaker 1>I was I was thinking it sounds like a like

0:29:23.920 --> 0:29:26.480
<v Speaker 1>like a John Carpenter movie, but maybe I'm thinking Starman.

0:29:27.280 --> 0:29:30.440
<v Speaker 1>We've got more about how planetariums work, but before we

0:29:30.440 --> 0:29:40.920
<v Speaker 1>get to that, let's take another quick break. So if

0:29:40.960 --> 0:29:43.600
<v Speaker 1>you wanna have a planetarium, one of the concerns you

0:29:43.640 --> 0:29:45.640
<v Speaker 1>have is that you wanted to be really dark. You

0:29:45.680 --> 0:29:47.680
<v Speaker 1>don't want to have any kind of other light bleeding

0:29:47.720 --> 0:29:51.280
<v Speaker 1>into it because that's going to interrupt the actual view

0:29:51.320 --> 0:29:54.200
<v Speaker 1>that you want. Um Also, you know, you could go

0:29:54.320 --> 0:29:56.880
<v Speaker 1>with a single projector, which would be at the center

0:29:57.160 --> 0:30:00.680
<v Speaker 1>of the planetarium, so you've got a injector that's right

0:30:00.720 --> 0:30:04.240
<v Speaker 1>in the very middle. Now, one thing that you have

0:30:04.280 --> 0:30:07.360
<v Speaker 1>to keep in mind, there's a drawback there. You can't

0:30:07.400 --> 0:30:10.200
<v Speaker 1>stand in the middle because that's where the actual projector is.

0:30:10.240 --> 0:30:13.000
<v Speaker 1>These things, by the way, cost lots of money, you know,

0:30:13.080 --> 0:30:16.760
<v Speaker 1>sometimes hundreds of thousands of dollars. So generally speaking, if

0:30:16.800 --> 0:30:19.120
<v Speaker 1>you're in a planetarium that has a single projector, there

0:30:19.120 --> 0:30:21.280
<v Speaker 1>tends to be like railings and things like that so

0:30:21.320 --> 0:30:23.600
<v Speaker 1>that you can't get too close and mess with it.

0:30:24.200 --> 0:30:27.920
<v Speaker 1>I remember standing right next to one for a commercial

0:30:27.960 --> 0:30:31.320
<v Speaker 1>for a science fiction convention back when I was thirteen

0:30:31.400 --> 0:30:33.360
<v Speaker 1>years old, and I would never been more terrified in

0:30:33.400 --> 0:30:35.280
<v Speaker 1>my life that I was going to end up bankrupting

0:30:35.280 --> 0:30:39.960
<v Speaker 1>my parents by by accidentally falling against this planetarium projector.

0:30:40.720 --> 0:30:43.480
<v Speaker 1>But yeah, it's it's uh, it's it's usually blocked off.

0:30:43.520 --> 0:30:45.680
<v Speaker 1>It takes up that center space. So one thing you've

0:30:45.680 --> 0:30:47.960
<v Speaker 1>got to keep in mind is that takes up potential

0:30:48.120 --> 0:30:51.760
<v Speaker 1>place for people to sit. However, sitting in the center

0:30:51.760 --> 0:30:55.160
<v Speaker 1>of a planetarium is rarely the best seat, so usually

0:30:55.200 --> 0:30:57.600
<v Speaker 1>you just you just make use of the outer edge

0:30:57.600 --> 0:31:00.320
<v Speaker 1>as much as you possibly can. But with that center

0:31:00.840 --> 0:31:03.360
<v Speaker 1>single projector, you also don't have to worry about bleeding

0:31:03.400 --> 0:31:06.800
<v Speaker 1>into other projectors. Assuming you've got one that's the master

0:31:06.840 --> 0:31:10.120
<v Speaker 1>projector that handles everything including the planets, the Sun, the moon,

0:31:10.200 --> 0:31:12.760
<v Speaker 1>all that stuff, you're good to go. You don't have

0:31:12.800 --> 0:31:16.680
<v Speaker 1>to worry about that those other issues of are these

0:31:16.680 --> 0:31:19.640
<v Speaker 1>things perfectly aligned, because everything should be fine assuming that

0:31:19.680 --> 0:31:22.680
<v Speaker 1>the projector itself is in good working order. The multi

0:31:22.720 --> 0:31:25.200
<v Speaker 1>projector set ups that that that I was talking about

0:31:25.240 --> 0:31:28.040
<v Speaker 1>a second ago are are in those starballs. But I

0:31:28.080 --> 0:31:30.320
<v Speaker 1>but it sounds like Jonathan, you're talking about a a

0:31:30.400 --> 0:31:32.800
<v Speaker 1>different kind of projector set up. Yeah, there's actually there

0:31:32.800 --> 0:31:34.360
<v Speaker 1>are different ways you can do this. You can have

0:31:34.400 --> 0:31:37.120
<v Speaker 1>the multiprojector all in the center, which is similar to

0:31:37.160 --> 0:31:40.120
<v Speaker 1>that single projector I was just talking about, which may

0:31:40.240 --> 0:31:43.160
<v Speaker 1>or may not have multiple lenses on it. In fact,

0:31:43.200 --> 0:31:45.880
<v Speaker 1>it usually does have multiple lenses on it, so it

0:31:46.000 --> 0:31:48.760
<v Speaker 1>can look a lot like the multi projector set up.

0:31:49.000 --> 0:31:51.120
<v Speaker 1>But there are other multi projector setups where it leaves

0:31:51.120 --> 0:31:53.200
<v Speaker 1>the center completely clear. And the way they do that

0:31:53.320 --> 0:31:56.720
<v Speaker 1>is they set the projectors up along the inside perimeter

0:31:56.920 --> 0:31:59.760
<v Speaker 1>of this dome and they use mirrors to reflect the

0:31:59.800 --> 0:32:02.240
<v Speaker 1>lie from the projectors so that it hits the precise

0:32:02.280 --> 0:32:04.360
<v Speaker 1>spots on the inside of the dome, so you get

0:32:04.360 --> 0:32:07.880
<v Speaker 1>that starry night appearance. So yeah, you know, they're multiple.

0:32:07.960 --> 0:32:10.680
<v Speaker 1>The nice thing is is that once you know the

0:32:10.720 --> 0:32:13.680
<v Speaker 1>actual movement of the celestial bodies and you're able to

0:32:13.720 --> 0:32:18.800
<v Speaker 1>represent them accurately, there are multiple ways to actually achieve that.

0:32:18.920 --> 0:32:21.440
<v Speaker 1>And that's the cool thing is that we've seen lots

0:32:21.440 --> 0:32:24.640
<v Speaker 1>of different approaches to this particular problem and all of

0:32:24.680 --> 0:32:27.240
<v Speaker 1>them work. They just work in different ways, which is

0:32:27.240 --> 0:32:30.000
<v Speaker 1>pretty awesome. It just shows the ingenuity of people when

0:32:30.040 --> 0:32:31.920
<v Speaker 1>it comes to I want to represent this thing that's

0:32:31.920 --> 0:32:34.200
<v Speaker 1>in nature, how do I do that? And people come

0:32:34.280 --> 0:32:37.120
<v Speaker 1>up with completely different ideas that all work the uh

0:32:37.200 --> 0:32:40.720
<v Speaker 1>you know, equally well, just in different ways. So we

0:32:40.800 --> 0:32:43.640
<v Speaker 1>actually have we have a couple of planetariums here in

0:32:43.680 --> 0:32:46.800
<v Speaker 1>Atlanta that uh you know. I think fern Bank has one,

0:32:46.880 --> 0:32:50.720
<v Speaker 1>but Emory also has one, and uh, Emory's is interesting

0:32:51.040 --> 0:32:53.680
<v Speaker 1>for a couple of different reasons. One is that it

0:32:54.000 --> 0:32:56.880
<v Speaker 1>h it's a classroom as well as a planetarium, so

0:32:57.160 --> 0:33:00.600
<v Speaker 1>it can actually double up, and in fact, the planetarium

0:33:00.600 --> 0:33:02.840
<v Speaker 1>stuff can fade off into the background so that it

0:33:02.880 --> 0:33:05.400
<v Speaker 1>can just be a regular schoolroom. By by by fade off,

0:33:05.440 --> 0:33:07.840
<v Speaker 1>you mean you mean sink into the floor like a

0:33:07.840 --> 0:33:11.120
<v Speaker 1>super villain layer. Apparently in Atlanta we have this thing

0:33:11.400 --> 0:33:15.720
<v Speaker 1>about incredible equipment sinking into the floor. It's it's the

0:33:15.720 --> 0:33:19.280
<v Speaker 1>planetarium at Emory. It's the Mighty mo Oregan over at

0:33:19.320 --> 0:33:21.280
<v Speaker 1>the Fox Theater. Why don't why don't we have this

0:33:21.320 --> 0:33:23.920
<v Speaker 1>in the office anywhere? Yeah, you know, I think Ben

0:33:24.000 --> 0:33:26.160
<v Speaker 1>sunk into the floor once, but I'm not sure that

0:33:26.240 --> 0:33:29.920
<v Speaker 1>anyone besides me saw it, so I could just be crazy,

0:33:30.080 --> 0:33:32.360
<v Speaker 1>but I don't know. Sometimes he likes to make me

0:33:32.400 --> 0:33:34.160
<v Speaker 1>think that. The other reason why I wanted to bring

0:33:34.160 --> 0:33:37.920
<v Speaker 1>it up is because the planetarium itself has a projector

0:33:38.000 --> 0:33:42.360
<v Speaker 1>called the Zeiss Skymaster z KP three, which is cool

0:33:42.560 --> 0:33:45.680
<v Speaker 1>because it's it's Yeah, it's from the same company that

0:33:45.800 --> 0:33:50.120
<v Speaker 1>made the very first planetarium projector, so again they're still

0:33:50.160 --> 0:33:52.719
<v Speaker 1>in business. They're still making that. This one was installed,

0:33:52.760 --> 0:33:55.160
<v Speaker 1>I believe in two thousand two, so it wasn't wasn't

0:33:55.200 --> 0:33:59.440
<v Speaker 1>that long ago. Now, the one at Emory is computer controlled.

0:33:59.480 --> 0:34:01.800
<v Speaker 1>It's got a key board for manual input and has

0:34:01.840 --> 0:34:05.840
<v Speaker 1>thirty nine different projecting lenses of different sizes that create

0:34:05.880 --> 0:34:08.480
<v Speaker 1>the stars, planets, and other celestial bodies on the inner

0:34:08.560 --> 0:34:11.000
<v Speaker 1>surface of the dome, and can project more than seven

0:34:11.040 --> 0:34:15.680
<v Speaker 1>thousand individual stars, plus star clusters, nebula galaxies, the Milky Way,

0:34:15.719 --> 0:34:19.120
<v Speaker 1>the planet's sun, the Moon, and it can superimpose lines

0:34:19.280 --> 0:34:23.840
<v Speaker 1>between stars to illustrate constellations. So if you hear about

0:34:23.880 --> 0:34:27.600
<v Speaker 1>these constellations and you think I just just looks like

0:34:27.640 --> 0:34:30.759
<v Speaker 1>a cluster of stars. I don't, I don't get it,

0:34:31.040 --> 0:34:35.960
<v Speaker 1>then they can actually show the connections that U The

0:34:36.080 --> 0:34:38.920
<v Speaker 1>inspired the imaginations of people thousands of years ago to

0:34:38.960 --> 0:34:43.680
<v Speaker 1>call the stars wacky things like O Ryan. Yeah, I

0:34:43.920 --> 0:34:46.200
<v Speaker 1>always had trouble with those. The only one I could

0:34:46.200 --> 0:34:47.880
<v Speaker 1>ever pick out was a Ryan because I could pick

0:34:47.880 --> 0:34:51.320
<v Speaker 1>out a Ryan's belt. But otherwise I was I was hopeless.

0:34:51.320 --> 0:34:52.440
<v Speaker 1>I was. I was a whiz at it when I

0:34:52.440 --> 0:34:55.399
<v Speaker 1>was a kid. I've had a really big astronomy phase. Yeah,

0:34:55.520 --> 0:34:57.680
<v Speaker 1>I wish I had taken a course in astronomy. I

0:34:57.719 --> 0:35:00.239
<v Speaker 1>never did. Uh. The one at Emory also usually shows

0:35:00.280 --> 0:35:03.200
<v Speaker 1>the sky over Atlanta. Again, no big surprise, but because

0:35:03.239 --> 0:35:05.480
<v Speaker 1>it is a computer system, it's one of those that

0:35:05.520 --> 0:35:08.200
<v Speaker 1>can show you the sky over any given point on

0:35:08.239 --> 0:35:10.839
<v Speaker 1>the art at any given time, so you can set

0:35:10.880 --> 0:35:14.040
<v Speaker 1>it for whenever now. Um. The other cool thing about

0:35:14.160 --> 0:35:17.000
<v Speaker 1>is that it's connected to a telescope that's on the

0:35:17.000 --> 0:35:20.160
<v Speaker 1>building's rooftop, and they have a direct video feed from

0:35:20.160 --> 0:35:23.480
<v Speaker 1>the telescope to the planetarium, So for astronomical events you

0:35:23.480 --> 0:35:26.080
<v Speaker 1>can go and you know, yeah, just watch it, and

0:35:26.120 --> 0:35:28.720
<v Speaker 1>just watch it from on the ceiling of this planetarium,

0:35:29.080 --> 0:35:31.280
<v Speaker 1>which is you know, you could see a live event.

0:35:31.360 --> 0:35:33.960
<v Speaker 1>They they've hosted several live events there, not all of

0:35:34.040 --> 0:35:37.240
<v Speaker 1>them were some that you could watch through the telescope. Like, uh,

0:35:37.320 --> 0:35:41.040
<v Speaker 1>I'm pretty sure that the Mars rover landing you probably

0:35:41.080 --> 0:35:43.960
<v Speaker 1>couldn't see thither the telescope. I cannot imagine that would

0:35:44.000 --> 0:35:47.240
<v Speaker 1>be possible. Now, but but they do show some interesting

0:35:47.280 --> 0:35:51.200
<v Speaker 1>feeds from various sources. So these days, I mean, as

0:35:51.280 --> 0:35:54.239
<v Speaker 1>impressive as that planetarium is and as proud as I

0:35:54.239 --> 0:35:56.600
<v Speaker 1>am as a as a native at Lantin, that's here.

0:35:57.239 --> 0:36:01.560
<v Speaker 1>Uh there are others that are even more sophisticated. We're

0:36:01.560 --> 0:36:05.560
<v Speaker 1>talking four K or eight K projectors. So you know,

0:36:05.719 --> 0:36:08.759
<v Speaker 1>think of the general rule of thumb, and granted it's

0:36:08.760 --> 0:36:11.280
<v Speaker 1>a rough rule of thumb is four K means four

0:36:11.360 --> 0:36:15.759
<v Speaker 1>times the the resolution of say a ten eight high

0:36:15.840 --> 0:36:19.160
<v Speaker 1>definition television. That that's when you get into ultra high definition. Yeah,

0:36:19.200 --> 0:36:21.480
<v Speaker 1>this is this is way more high def than your

0:36:21.560 --> 0:36:25.440
<v Speaker 1>local cinema. Yeah, eight K even more so. Uh yeah,

0:36:25.520 --> 0:36:27.319
<v Speaker 1>even if you have a four K cinema near you,

0:36:27.400 --> 0:36:30.120
<v Speaker 1>eight K twice as good relations when you get down

0:36:30.160 --> 0:36:33.560
<v Speaker 1>to it. Again, that's very rough. I mean, anyone who's

0:36:33.600 --> 0:36:36.880
<v Speaker 1>a a true video file is cringing when I say this.

0:36:37.000 --> 0:36:40.080
<v Speaker 1>But yeah, you can go and see planetariums use eight

0:36:40.120 --> 0:36:42.680
<v Speaker 1>K projectors. Some of them have full three D effects

0:36:42.680 --> 0:36:44.960
<v Speaker 1>at six D frames per second, so you can actually

0:36:45.000 --> 0:36:47.840
<v Speaker 1>feel like you're floating through space. They can take you

0:36:47.880 --> 0:36:50.840
<v Speaker 1>on on journeys all the way around the the Solar

0:36:50.880 --> 0:36:54.840
<v Speaker 1>System and the galaxy. You've got data feeds from all over,

0:36:54.920 --> 0:36:57.919
<v Speaker 1>like including space probes. It's pretty incredible. So yeah, yeah,

0:36:57.960 --> 0:37:00.520
<v Speaker 1>some of these things can show over nine and stars

0:37:00.520 --> 0:37:03.399
<v Speaker 1>that ago, go backward and forward ten thousand years into

0:37:03.400 --> 0:37:06.600
<v Speaker 1>the past and future, um and and right take you

0:37:06.640 --> 0:37:10.080
<v Speaker 1>so far beyond Earth to to show any kind of

0:37:10.600 --> 0:37:13.240
<v Speaker 1>any kind of data that we have anywhere in the universe.

0:37:13.480 --> 0:37:17.280
<v Speaker 1>Um and you can you can composite the astronomer's data

0:37:17.360 --> 0:37:20.880
<v Speaker 1>and and artists composits. Yeah, it's fantastic. I love the

0:37:20.920 --> 0:37:23.480
<v Speaker 1>idea of also being able to see things like here's

0:37:23.480 --> 0:37:25.239
<v Speaker 1>what the Knights Sky would look like if you were

0:37:25.280 --> 0:37:28.760
<v Speaker 1>on Mars. I mean, that's incredible stuff that we clearly

0:37:29.320 --> 0:37:32.040
<v Speaker 1>most of us are not going to ever have the

0:37:32.120 --> 0:37:34.840
<v Speaker 1>chance of looking at the stars from the surface of

0:37:34.880 --> 0:37:37.719
<v Speaker 1>another planet, or to go into the center of our

0:37:37.800 --> 0:37:40.000
<v Speaker 1>galaxy and check out the black hole there. Yeah. I

0:37:40.560 --> 0:37:43.680
<v Speaker 1>had plans and they got canceled. The other couple that

0:37:43.719 --> 0:37:45.799
<v Speaker 1>was gonna go with us something came up, and when

0:37:45.840 --> 0:37:48.320
<v Speaker 1>that happened. Yeah, So that's the nice thing about the

0:37:48.320 --> 0:37:51.239
<v Speaker 1>planetariums is they give us this opportunity to journey to

0:37:51.320 --> 0:37:55.080
<v Speaker 1>places we physically could not get to and really understand

0:37:55.160 --> 0:38:00.080
<v Speaker 1>more about our galaxy and the way everything seems to

0:38:00.160 --> 0:38:02.879
<v Speaker 1>work in relation to each other based upon our knowledge now.

0:38:02.960 --> 0:38:05.840
<v Speaker 1>And the other nice thing about planetariums is that these

0:38:06.000 --> 0:38:10.720
<v Speaker 1>facilities update as our understanding grows, So there are times

0:38:10.760 --> 0:38:14.239
<v Speaker 1>when we might learn something that ends up affecting the

0:38:14.280 --> 0:38:17.239
<v Speaker 1>way a planetarium is displaying the night sky, and it's

0:38:17.320 --> 0:38:21.640
<v Speaker 1>pretty easy with digital projection to fix it and relatively yeah,

0:38:21.800 --> 0:38:23.880
<v Speaker 1>and so you might even be able to watch something

0:38:23.920 --> 0:38:27.080
<v Speaker 1>like here's what a supernova looks like. And you know,

0:38:27.120 --> 0:38:30.479
<v Speaker 1>there there have been events in the past where they've

0:38:30.520 --> 0:38:33.840
<v Speaker 1>been amazing astronomical events, but many of them happened before

0:38:34.320 --> 0:38:37.080
<v Speaker 1>most of us were alive, so it'd be really cool

0:38:37.120 --> 0:38:40.200
<v Speaker 1>to be able to see those kind of representations things

0:38:40.200 --> 0:38:44.520
<v Speaker 1>like uh Hallie's comment as another good example, or maybe

0:38:44.600 --> 0:38:46.640
<v Speaker 1>if you wanted to see what it would look like

0:38:46.680 --> 0:38:48.960
<v Speaker 1>with some of the other famous comments that have gone by,

0:38:49.160 --> 0:38:51.520
<v Speaker 1>but you never got a chance when they actually happened,

0:38:51.520 --> 0:38:53.760
<v Speaker 1>maybe it was clowney that day, or maybe you weren't

0:38:53.760 --> 0:38:56.840
<v Speaker 1>born yet. It would give you the opportunity. So super

0:38:56.880 --> 0:39:00.759
<v Speaker 1>cool stuff. Um really interesting again to look into it,

0:39:00.800 --> 0:39:04.280
<v Speaker 1>and the fact that so many different people have created

0:39:04.400 --> 0:39:08.960
<v Speaker 1>similar but different approaches for this same purpose is really cool.

0:39:09.040 --> 0:39:11.360
<v Speaker 1>I mean it's it's it's rare when we talk about

0:39:11.360 --> 0:39:14.880
<v Speaker 1>a technology where there are all these multiple pathways that

0:39:14.960 --> 0:39:18.000
<v Speaker 1>get to the same destination. Usually we talk about convergence,

0:39:18.080 --> 0:39:22.000
<v Speaker 1>where you know, competing technologies start to fall away until

0:39:22.040 --> 0:39:26.000
<v Speaker 1>you have a clear front runner or maybe two possible ones.

0:39:26.280 --> 0:39:28.799
<v Speaker 1>But with this there are lots of different ways. Oh yeah,

0:39:28.800 --> 0:39:32.239
<v Speaker 1>and all of these interactions with multiple disciplines of of

0:39:32.320 --> 0:39:35.480
<v Speaker 1>bringing together the knowledge that we have been gathering over

0:39:35.520 --> 0:39:38.719
<v Speaker 1>the centuries about the universe around us, along with the

0:39:38.760 --> 0:39:42.560
<v Speaker 1>optics fields that have let us use these technologies to

0:39:42.560 --> 0:39:46.719
<v Speaker 1>to project stuff onto a ceiling. That wraps up this

0:39:46.800 --> 0:39:50.239
<v Speaker 1>classic episode of tech Stuff How planetariums work. Hope you

0:39:50.320 --> 0:39:52.840
<v Speaker 1>enjoyed it. If you have any suggestions for topics I

0:39:52.880 --> 0:39:55.680
<v Speaker 1>should cover in future episodes of tech Stuff, or perhaps

0:39:55.840 --> 0:39:59.080
<v Speaker 1>a topic that needs an update, maybe you just want

0:39:59.120 --> 0:40:01.120
<v Speaker 1>to say hi, the best way to reach me is

0:40:01.160 --> 0:40:04.400
<v Speaker 1>over on Twitter. The handle we use is tech stuff

0:40:04.680 --> 0:40:07.280
<v Speaker 1>H s W and I'll tell it to you again

0:40:08.040 --> 0:40:16.880
<v Speaker 1>really soon. Yeah. Tech Stuff is an I Heart Radio production.

0:40:17.120 --> 0:40:19.960
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