WEBVTT - Tom Hollander

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<v Speaker 1>You're listening to Ruthie's table for in Partnership with Montclair.

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<v Speaker 1>Imagine going to a close friend's birthday months after the

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<v Speaker 1>death of your son. Imagine realizing it was too soon

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<v Speaker 1>and telling the man you're talking to, who you hardly know,

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<v Speaker 1>why you need to leave. He takes your arm and

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<v Speaker 1>he insists on seeing you to the lift. Then he

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<v Speaker 1>goes down with you until you get to the street.

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<v Speaker 1>This becomes a ten minute walk to the car park,

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<v Speaker 1>a climb up the stairs, him holding your hand tightly,

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<v Speaker 1>until you find your car, driving off. You see him

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<v Speaker 1>in the rear view mirror, waving good bye. I was

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<v Speaker 1>this woman, and Tom Hollander was this man, and his

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<v Speaker 1>act of tenderness and compassion has stayed with me for

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<v Speaker 1>thirteen years. There are many stories about Tom Hollander. The

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<v Speaker 1>best ones are told by him, not least his life

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<v Speaker 1>in the Day for the Sunday Times, the best in

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<v Speaker 1>a great ever written. He is a fantastic actor White

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<v Speaker 1>Lotus Patriots, most recently captivating audiences as Truman Capote in

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<v Speaker 1>Feud Capote versus the Swans. He sings beautiful songs to

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<v Speaker 1>a six month old son. He's passionate about what he

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<v Speaker 1>cooks and what he eats. Yesterday he sent me a

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<v Speaker 1>photograph with no caption, of fran Hickman with a large

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<v Speaker 1>stainless steel saucepan obscuring her face, drinking the contents. Imagine

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<v Speaker 1>being me in the River Cafe with Tom Hollander on

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<v Speaker 1>a Tuesday afternoon, talking about memories of food, memories of friendship,

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<v Speaker 1>family and all he is doing. Then imagine how special

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<v Speaker 1>this feels. And it's true, I remember that, and it

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<v Speaker 1>is something that stayed with me for years. But what

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<v Speaker 1>is really staying with me is spaghetti with peas and pascutto.

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<v Speaker 2>So ingredients untagrams of butter, one small red onion, chopped,

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<v Speaker 2>three hundred grams of peas, sea salt and ground pepper.

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<v Speaker 2>One loaf of garlic, thinly sliced, two tablespoons of chopped

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<v Speaker 2>flat leaf parsley, three tablespoons extra virgin olive oil, one

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<v Speaker 2>hundred and fifty grounds producto slices torn into pieces, three

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<v Speaker 2>hundred grounds of spaghetti, fifty grounds of freshly grated parmesan.

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<v Speaker 2>Heat the butter in a heavy frying pan over a

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<v Speaker 2>medium heat, Add the onion and fry until soft. Add

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<v Speaker 2>the peas, and salt and pepper, reduce the heat low

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<v Speaker 2>and cook for five minutes. So that's the thing about peas,

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<v Speaker 2>I know quite sure. Mostly we cook frozen peas, don't we,

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<v Speaker 2>And you can pretty much just sort of put them

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<v Speaker 2>in water for about a minute and then they're ready.

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<v Speaker 2>But these peas fresh, so you cook for longer. That's

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<v Speaker 2>why they they take five minutes of cooking.

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<v Speaker 1>Yeah, it depends really what part of the season you're in.

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<v Speaker 1>When you have the very very small pieas, you hardly

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<v Speaker 1>have to cook them at all, I see. And then

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<v Speaker 1>you know, the tougher they get and the larger they get,

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<v Speaker 1>you might not use them in a pasta sauce because

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<v Speaker 1>you want them to be cooked down and really part

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<v Speaker 1>of the softness of the pasta.

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<v Speaker 2>But so these were new seas, fresh fresh peas. So

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<v Speaker 2>you've added the peas and the salt in the pepper,

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<v Speaker 2>and you reduce the heat to low and you cook

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<v Speaker 2>it for five minutes, and then you add the garlic, parsley,

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<v Speaker 2>produter and olive oil. You cover and cook over a

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<v Speaker 2>low heat for fifteen minutes. Meanwhile, bring a large saucepan

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<v Speaker 2>of salted water to the boil, add the spaghetti and

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<v Speaker 2>cook until al dente. Add the spaghetti to the pe mixture,

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<v Speaker 2>stir well with a spoon. Stir in the pasta water,

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<v Speaker 2>and top with parmesan cheese. Serve immediately.

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<v Speaker 1>So you've just made this in the River cafe. What

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<v Speaker 1>was that like?

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<v Speaker 2>I watched Joseph. It was thrilling because I haven't ever

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<v Speaker 2>seen somebody who knows really what they're doing that close up.

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<v Speaker 2>It was also delicious and made me want to go

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<v Speaker 2>and cook. It's good to watch, isn't it.

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<v Speaker 1>It's good to actually see something being made rather than

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<v Speaker 1>always reading.

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<v Speaker 2>Yes yes, and to see his hands move someone who's

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<v Speaker 2>done it for years, so it becomes like a dance.

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<v Speaker 1>Have we ever cooked on stage?

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<v Speaker 2>I don't. Oh, I feel like I did. When I

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<v Speaker 2>was a child actor. We did sausages. We had sausages

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<v Speaker 2>in It was called Captain Styrick and it was one

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<v Speaker 2>of the greatest shows that the Children's Music Theater, which

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<v Speaker 2>is I think now called the National Youth Music Theater

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<v Speaker 2>National Youth Music Theater created. It was a brilliant dark

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<v Speaker 2>ballad opera. It was called and we were all ragged Children,

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<v Speaker 2>Dickenzie and Beggar children in Bartholomew Fair, and there was

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<v Speaker 2>a and Captain Styrick was the young It was the

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<v Speaker 2>young kid who was our leader. There was it wasn't

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<v Speaker 2>fake in like, it wasn't Oliver Twist. It was actually darker.

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<v Speaker 2>And Captain Syrih went mad, Julian Sylvester. He was called,

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<v Speaker 2>if you're out there, Julians Soversity, you were unforgettable. Anyway,

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<v Speaker 2>maybe he's listening, maybe he is. I hope he is somewhere.

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<v Speaker 2>And we oh thirteen fourteen, and we did it on

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<v Speaker 2>the stage of the National Theater in what was then

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<v Speaker 2>called the Cottaslow Theater. And we had sausages which we

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<v Speaker 2>cooked on a we I mean, I don't think we

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<v Speaker 2>really cooked them, but we were as if cooking them.

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<v Speaker 2>And then we got to eat them, and you know,

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<v Speaker 2>it was quite fun to have something to eat halfway

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<v Speaker 2>through the second half. I remember that, yeah, And I

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<v Speaker 2>sing a song from that was it? I sing that

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<v Speaker 2>kit our son. I've seen it to him. Now, many

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<v Speaker 2>a man has left this land on a boat that's

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<v Speaker 2>bound for Botany. Why should he grieve? He could be

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<v Speaker 2>leaving a life of meal and not any you'll boast

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<v Speaker 2>and brag of the deed he's done to avoid the

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<v Speaker 2>nag of the hungry sun. But he's been undone at

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<v Speaker 2>the feast of fun and it's botany Bay for him.

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<v Speaker 2>So do you.

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<v Speaker 1>When you're on stage, does your schedule for eating change?

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<v Speaker 2>I try to eat in the day before the biggest

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<v Speaker 2>meals in the afternoon before the show because it's quite athletic.

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<v Speaker 1>So what time would that be if the place starts

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<v Speaker 1>at seven.

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<v Speaker 2>Then three or fours? Yeah, you two or three or

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<v Speaker 2>four and then go to sleep, yeah, and then do

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<v Speaker 2>the show. And then if there are people in then

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<v Speaker 2>you and you find out you're going out to dinner.

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<v Speaker 2>Then you have to have fish and vegetables and try

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<v Speaker 2>not to eat all the chips and all the rest

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<v Speaker 2>of it and that nose Masnez the last play, I

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<v Speaker 2>would have a fanaffel salad in the dressing room without

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<v Speaker 2>leaving between shows, because that you just need carbohydrate and

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<v Speaker 2>fuel and then go and you'd try to eat a

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<v Speaker 2>bigish breakfast on a mass in a day, but that

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<v Speaker 2>in between showday I would buy it before I'd take

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<v Speaker 2>it in, put in my fridge, eat it, go to sleep.

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<v Speaker 2>That was a ritual that was very good.

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<v Speaker 1>Would you drink. Would you have alcohol if you are

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<v Speaker 1>going on.

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<v Speaker 2>Stage between shows? Yeah? No, never, no, though everyone No,

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<v Speaker 2>I tried to. I tried all of those things in

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<v Speaker 2>my twenties, and they it's a mess. It affects your

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<v Speaker 2>timing and your memory and your speed and your reactivity.

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<v Speaker 2>Don't you can't. It ruins it. But in the olden days.

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<v Speaker 2>I remember Oliver Cotton telling me that he remember it

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<v Speaker 2>was very strange in the mid eighties at the National

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<v Speaker 2>everyone stopped drinking during the show, and he said, if

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<v Speaker 2>you were on stage with Paul Schofield and you were

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<v Speaker 2>downstage center, you would expect to smell whiskey on his breath.

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<v Speaker 2>So they were just they were just used to it.

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<v Speaker 2>I think it didn't They would drink so much more

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<v Speaker 2>in those days that it just didn't affect them in

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<v Speaker 2>the same way. But obviously alcohol, a small amount of

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<v Speaker 2>alcohol or a small amount of any intoxicant allows releases

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<v Speaker 2>your imaginative stuff and makes you relax. When I played

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<v Speaker 2>the violin at school, I would always find concerts very

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<v Speaker 2>tense making, and I discovered that having half a half

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<v Speaker 2>of a glass of beer allowed me to play better

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<v Speaker 2>in a concert situation, just because I was so racked

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<v Speaker 2>with nerves otherwise. But the association between, you know, being

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<v Speaker 2>artistically brilliant and being intoxicated has got an awful lot

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<v Speaker 2>of people into terrible trouble over the years, not least

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<v Speaker 2>of whom Truman Coupoti.

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<v Speaker 1>We could talk about Capoti and women and food because

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<v Speaker 1>those women a lot of so many scenes in restauran. Right,

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<v Speaker 1>they went to lunch every day.

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<v Speaker 2>You're right, But I wonder if they skin he was

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<v Speaker 2>their job. Yeah, they drank. I think they drank and smoked.

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<v Speaker 2>They drank and smoked and and sort of died young. Yeah,

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<v Speaker 2>perhaps they were celebrating being in the inn crowd and

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<v Speaker 2>being at the table, the best table in the best restaurant.

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<v Speaker 2>And yes, they were restraining themselves. He couldn't stop, he

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<v Speaker 2>couldn't control his appetite. And he loved cooking. He loved

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<v Speaker 2>he loved his own kitchen. Yeah, in the South was yes, yes.

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<v Speaker 2>And the black and white ball they served his, you know,

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<v Speaker 2>the black and white ball sort of apotheos. The black

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<v Speaker 2>and white ball was a ball that Truman Capoti threw

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<v Speaker 2>in I can't remember when the very early sixties, on

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<v Speaker 2>the back of In Cold Blood, which had made him

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<v Speaker 2>hugely famous, and his obsession with sort of high society

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<v Speaker 2>and his own celebrity came together in one glorious moment,

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<v Speaker 2>and he created the guest list to beat all guest

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<v Speaker 2>lists that have ever existed, so much so that people

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<v Speaker 2>knew about him were fighting to get on it. And

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<v Speaker 2>aristocrats flew from Europe. All the film stars, you know,

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<v Speaker 2>Frank Sinatra, Mia Farrow, the Anneli's the probably Mick Jagger,

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<v Speaker 2>we can ask him. They all turned up to the

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<v Speaker 2>plaza and he gave them corn beef hash, which he

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<v Speaker 2>remembered fondly from Monroeville, Alabama, where he'd grown up. But

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<v Speaker 2>they all complained about the budget of the catering that

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<v Speaker 2>it was very small. For him, it was about getting

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<v Speaker 2>them in. They were the decoration, They were the party,

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<v Speaker 2>their dresses, their masks, but there was nothing there. There

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<v Speaker 2>were some balloons and some rather dodgy food that neither wanted,

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<v Speaker 2>and I think the party ended relatively early, and a

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<v Speaker 2>whole bunch of them went gambling.

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<v Speaker 1>Was it like filming that scene? Did you do it?

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<v Speaker 2>They recreated it in the place, and Zach Posen had

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<v Speaker 2>done the dresses for the ladies. It was amazing that was,

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<v Speaker 2>and there was there's a sequence in it if people

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<v Speaker 2>he did it emotionally for his mother, we think, we

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<v Speaker 2>think those of us who made that show because his

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<v Speaker 2>mother wanted to Truman's mother, who'd abandoned him when he

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<v Speaker 2>was four, then married a man called Joe Capoti, who

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<v Speaker 2>gave him his name, Truman his name, but who was

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<v Speaker 2>a He was a sort of he was dodgy, his

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<v Speaker 2>finances were dodgy, and she nearly made it herself into

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<v Speaker 2>Upper east Side society. And then Joe Caboti was revealed

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<v Speaker 2>as being sort of bankrupt and hopeless. It all fell

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<v Speaker 2>apart and she killed herself, and then Truman had this

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<v Speaker 2>ball to kind of to go, look, Mum, I've done it.

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<v Speaker 2>I've done it for us. Every noone wants to be here.

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<v Speaker 2>They've all got to be here. And in our version

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<v Speaker 2>of it, episode three of Feud Capodi and the Women.

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<v Speaker 2>In our version of it, his mother comes to him

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<v Speaker 2>as a ghost in the ball, and what Lee Radswell

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<v Speaker 2>sees is Truman dancing drunkenly on his own and Lee

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<v Speaker 2>Radswell looks across looks across the room, Callista f Lockhart

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<v Speaker 2>looking at him sadly going look at the Paul sod.

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<v Speaker 2>He's just a drunk. And then the final scene of

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<v Speaker 2>the episode is in color and he's not dancing on

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<v Speaker 2>his hand, he's dancing with his mum.

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<v Speaker 1>Did he he did?

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<v Speaker 2>Loves cooking. Yeah, he was addictive and compulsive. So he

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<v Speaker 2>goes up and down. You see. We in our version

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<v Speaker 2>we pretty much do fat Trooman because I couldn't in

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<v Speaker 2>a TV schedule go up and down as much as

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<v Speaker 2>I needed to, so we went with fat. Ryan Murphy said,

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<v Speaker 2>you need to you need to put some weight, so

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<v Speaker 2>I did, which was very enjoyable. Obviously less enjoyable trying

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<v Speaker 2>to lose it again. How do you get weight? I've

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<v Speaker 2>done this a couple of times. I did it, and

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<v Speaker 2>it basically you have to just eat all the things,

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<v Speaker 2>the obvious things like pizza and ice cream and cornish

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<v Speaker 2>pasties and chips, and then you get fat very quickly.

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<v Speaker 1>How does it make you feel?

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<v Speaker 2>And then it's marvelous in the moment, And then and

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<v Speaker 2>I started to find it hard to put my socks on,

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<v Speaker 2>and I got breathless doing sensible things I thought, easy usual,

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<v Speaker 2>I mean ordinary things. That was that was distressing. So

0:13:39.679 --> 0:13:41.880
<v Speaker 2>and also I'm a bit old to be messing around

0:13:41.880 --> 0:13:47.880
<v Speaker 2>with my weight like that. And furthermore, I've I have

0:13:48.040 --> 0:13:50.960
<v Speaker 2>a little bit of a compulsion to overeat myself, and

0:13:51.040 --> 0:13:55.080
<v Speaker 2>have spent all of my most of my professional life

0:13:55.120 --> 0:14:00.600
<v Speaker 2>slightly going slightly slightly up in between jobs and then

0:14:00.840 --> 0:14:03.240
<v Speaker 2>having a diet before a job, and going up and

0:14:03.240 --> 0:14:05.880
<v Speaker 2>going down, and going up and going down, and trying

0:14:05.920 --> 0:14:08.679
<v Speaker 2>to stay disciplined, trying to be like my father, who

0:14:08.720 --> 0:14:12.400
<v Speaker 2>weighs himself every day and if he ever goes over

0:14:12.440 --> 0:14:16.640
<v Speaker 2>eleven stone, he has a look at breakfast, he says,

0:14:16.679 --> 0:14:18.720
<v Speaker 2>I work. I know whether I can have a heavy

0:14:18.840 --> 0:14:20.720
<v Speaker 2>or like retors, depending on what the scales it on

0:14:21.080 --> 0:14:23.600
<v Speaker 2>every day? Does that which sounds like, you know, one

0:14:23.600 --> 0:14:26.240
<v Speaker 2>of the Swans with its level of obsession, but he's

0:14:26.800 --> 0:14:28.920
<v Speaker 2>he's eighty eight and still going strong.

0:14:29.960 --> 0:14:32.280
<v Speaker 1>You're saying before that putting it on was one thing,

0:14:32.320 --> 0:14:34.760
<v Speaker 1>but you haven't told us about how you take it off.

0:14:35.800 --> 0:14:38.720
<v Speaker 2>So I went to a clinic, about half of it

0:14:38.760 --> 0:14:43.720
<v Speaker 2>came off in an Austrian clinic, and then I really

0:14:43.720 --> 0:14:45.600
<v Speaker 2>only lost. And then I went and did the play

0:14:45.600 --> 0:14:48.000
<v Speaker 2>in which I was playing someone who needed to actually

0:14:48.000 --> 0:14:50.680
<v Speaker 2>be a bit heavier than me. So I took me

0:14:50.840 --> 0:14:55.600
<v Speaker 2>that was Patriots playing Berezovsky, who was quite portly. So

0:14:55.720 --> 0:14:59.000
<v Speaker 2>I kept it on for that and that worked and

0:14:59.040 --> 0:15:02.920
<v Speaker 2>then I only I only got it off about three

0:15:02.920 --> 0:15:06.760
<v Speaker 2>months ago with the fear of doing the American breast junk.

0:15:06.800 --> 0:15:06.840
<v Speaker 3>It.

0:15:07.520 --> 0:15:12.360
<v Speaker 2>That motivated me enough to cut down on everything for

0:15:12.400 --> 0:15:17.280
<v Speaker 2>a few weeks and it came off. And so I'm

0:15:17.320 --> 0:15:21.320
<v Speaker 2>always trying to to, you know, discipline myself. But I

0:15:22.760 --> 0:15:25.960
<v Speaker 2>do have a tendency to I love eating, but I

0:15:26.040 --> 0:15:31.680
<v Speaker 2>also eat my feelings, you know, which which people do,

0:15:31.760 --> 0:15:34.680
<v Speaker 2>and if you do it too much, it's it's it's

0:15:34.720 --> 0:15:37.040
<v Speaker 2>not good for you. So I tried to do other

0:15:37.080 --> 0:15:38.280
<v Speaker 2>things with my feelings.

0:15:39.560 --> 0:15:42.160
<v Speaker 1>Friend of mine, I was at a dinner recently where

0:15:42.160 --> 0:15:46.720
<v Speaker 1>they were talking about a zempec. Oh yes, yes, and

0:15:46.800 --> 0:15:49.800
<v Speaker 1>they were saying that, and it was kind of interesting

0:15:49.800 --> 0:15:51.680
<v Speaker 1>to her. She said, really, what it's done for me,

0:15:52.360 --> 0:15:56.080
<v Speaker 1>It's taken the noise of food away. It's taken all

0:15:56.120 --> 0:16:01.280
<v Speaker 1>that noise. Should I shouldn't? I how much? When? And

0:16:01.600 --> 0:16:05.680
<v Speaker 1>actually I understand that a lot, But I also think

0:16:05.800 --> 0:16:07.520
<v Speaker 1>it's a kind of noise we do want in our

0:16:07.560 --> 0:16:09.960
<v Speaker 1>life as well. We like the noise of food, don't

0:16:09.960 --> 0:16:12.240
<v Speaker 1>we we like the kind of thought of going to

0:16:12.280 --> 0:16:13.800
<v Speaker 1>bed at night and thinking what am I going to

0:16:13.840 --> 0:16:16.080
<v Speaker 1>have tomorrow for lunch or then?

0:16:17.360 --> 0:16:21.320
<v Speaker 2>And actually it's the noise of being alive, isn't it.

0:16:21.320 --> 0:16:26.920
<v Speaker 2>It's the desire then, the fulfillment of the desire, that

0:16:27.200 --> 0:16:31.880
<v Speaker 2>the creative process, the gathering of ingredients, the construction, the destruction,

0:16:32.600 --> 0:16:35.680
<v Speaker 2>the kind of the clearing up afterwards, everything from the

0:16:35.680 --> 0:16:38.360
<v Speaker 2>preparation to the end of it. It's all it's And

0:16:38.400 --> 0:16:40.760
<v Speaker 2>it's a sort of I mean, you could, I could

0:16:40.760 --> 0:16:44.040
<v Speaker 2>become pretentious if I'd say, but you know, it's a

0:16:44.040 --> 0:16:47.600
<v Speaker 2>cycle of life, isn't it. But yes, But but to

0:16:47.640 --> 0:16:51.400
<v Speaker 2>be at war with food, which you can be, is

0:16:51.440 --> 0:16:53.640
<v Speaker 2>not good. And I have I do have a sense

0:16:53.680 --> 0:16:56.680
<v Speaker 2>of that because being you know, an actor, where you

0:16:56.720 --> 0:17:02.360
<v Speaker 2>become inevitably obsessed with your appearance, you know, it has

0:17:02.400 --> 0:17:04.600
<v Speaker 2>an a tendency to make you think, I mustn't need,

0:17:04.640 --> 0:17:07.520
<v Speaker 2>I mustn't need, I mustn't eat, so I'm beautiful, beautiful, beautiful.

0:17:08.960 --> 0:17:12.639
<v Speaker 2>It's never really made any difference. I met her. I

0:17:12.720 --> 0:17:17.200
<v Speaker 2>met her an actor once in Italy who'd long retired.

0:17:18.119 --> 0:17:25.080
<v Speaker 2>He'd been a famous sixties heart throw quite famous. And

0:17:25.119 --> 0:17:27.200
<v Speaker 2>I'm not going to name him, partly because it would

0:17:27.200 --> 0:17:28.840
<v Speaker 2>be the wrong thing to do, and also because I

0:17:28.840 --> 0:17:34.480
<v Speaker 2>can't remember his name. But he said I had to

0:17:34.520 --> 0:17:38.199
<v Speaker 2>retire because I was sick of being thin and I

0:17:38.240 --> 0:17:40.639
<v Speaker 2>wanted to eat. And he lived in the Italian hills

0:17:40.680 --> 0:17:43.960
<v Speaker 2>near Cordona, and he loved food and he ate it.

0:17:43.960 --> 0:17:46.600
<v Speaker 2>And he's probably no longer with us, but he was

0:17:46.920 --> 0:17:49.800
<v Speaker 2>living the life of a you know, a bonne viver.

0:17:50.560 --> 0:17:55.080
<v Speaker 2>And I did sometimes think I'll get to a certain

0:17:55.119 --> 0:17:58.440
<v Speaker 2>age and then I'll give up trying to not be fat,

0:17:58.480 --> 0:18:02.800
<v Speaker 2>and then I'll just become a fat actor. Because fat

0:18:02.840 --> 0:18:06.000
<v Speaker 2>actors they never stopped working. They're always there's always rumber,

0:18:06.040 --> 0:18:08.800
<v Speaker 2>a fat actor in everything. Anyway, I can't do that.

0:18:08.920 --> 0:18:14.439
<v Speaker 2>Orson Welles Well exactly, Dear Richard Griffiths, or you know,

0:18:14.560 --> 0:18:18.080
<v Speaker 2>you sort of think they're they're loved. But I don't

0:18:18.119 --> 0:18:20.159
<v Speaker 2>want to do that because I think I want to.

0:18:20.359 --> 0:18:22.160
<v Speaker 2>I now need to live as long as I can.

0:18:22.640 --> 0:18:25.160
<v Speaker 1>For sure, we certainly shall, because you have a son

0:18:25.440 --> 0:18:34.200
<v Speaker 1>I do. Did you know the River Cafe has a shop.

0:18:34.640 --> 0:18:37.600
<v Speaker 1>It's full of our favorite foods and designs. We have

0:18:37.680 --> 0:18:41.199
<v Speaker 1>cookbooks and then a Napkins kitchen ware toad bags with

0:18:41.240 --> 0:18:45.320
<v Speaker 1>our signatures, glasses from Venice, chocolates from Turin. You can

0:18:45.320 --> 0:18:47.560
<v Speaker 1>find us right next door to the River Cafe in

0:18:47.640 --> 0:18:52.400
<v Speaker 1>London or online at shop Therivercafe dot co dot uk.

0:18:59.720 --> 0:19:01.960
<v Speaker 1>What meals like in your house? Did you all sit

0:19:02.040 --> 0:19:05.320
<v Speaker 1>down for dinner every night? Your sister and your sister.

0:19:06.400 --> 0:19:10.200
<v Speaker 2>Us, your cook and mom would cook and did you cook?

0:19:10.200 --> 0:19:12.720
<v Speaker 2>His dad didn't cook then, but he did. He didn't

0:19:12.760 --> 0:19:14.760
<v Speaker 2>cook when we were children, really, but he learned to

0:19:14.800 --> 0:19:18.000
<v Speaker 2>cook once we left home and he loves cooking now.

0:19:18.720 --> 0:19:22.120
<v Speaker 2>That's one thing that's maybe that's changed. I wonder whether

0:19:22.160 --> 0:19:23.879
<v Speaker 2>this was true. I was thinking about it, just that

0:19:24.359 --> 0:19:28.520
<v Speaker 2>when I grew up it felt like, you know, mothers

0:19:28.560 --> 0:19:32.680
<v Speaker 2>did the cooking, fathers did the eating, but that we've

0:19:32.720 --> 0:19:36.200
<v Speaker 2>lived through a period where that's changed, right as sorry,

0:19:36.240 --> 0:19:39.040
<v Speaker 2>mothers are working, mothers are working, so fathers are cooking,

0:19:39.080 --> 0:19:42.880
<v Speaker 2>and then people like Jamie Oliver, scion of the River

0:19:42.960 --> 0:19:47.400
<v Speaker 2>Cafe have taught everyone how that they can do it too, right.

0:19:47.640 --> 0:19:51.320
<v Speaker 2>So but I have image of my father learning to cook,

0:19:51.320 --> 0:19:53.560
<v Speaker 2>and then I am sort of learning to cook actually

0:19:53.640 --> 0:19:57.639
<v Speaker 2>the same sort of age, which is great. That's a

0:19:57.760 --> 0:19:59.240
<v Speaker 2>that's a great development isn't it.

0:19:59.480 --> 0:20:03.760
<v Speaker 1>Yes, when you were growing up in your parents' house,

0:20:04.560 --> 0:20:06.320
<v Speaker 1>your grandparents were nearby.

0:20:06.400 --> 0:20:08.680
<v Speaker 2>Were they they were in Devon? No, we were in Oxford,

0:20:08.720 --> 0:20:11.439
<v Speaker 2>but they We used to go to them on the

0:20:11.440 --> 0:20:15.960
<v Speaker 2>way to Cornwall every spring and every summer, and sometimes

0:20:15.960 --> 0:20:19.000
<v Speaker 2>on the way back. And then towards the end of

0:20:19.000 --> 0:20:22.280
<v Speaker 2>my grandparents' life he was living with us in Oxford.

0:20:22.640 --> 0:20:28.720
<v Speaker 1>Your grandfather who came from Germany with your father background, Yeah,

0:20:28.840 --> 0:20:30.800
<v Speaker 1>Czechoovcia checkless.

0:20:31.000 --> 0:20:33.959
<v Speaker 2>Yeah, in nineteen thirty nine he came with my dad. Yeah.

0:20:34.160 --> 0:20:36.600
<v Speaker 1>And how old was your father three? Oh? I see,

0:20:36.640 --> 0:20:40.400
<v Speaker 1>so your father came very early. Yeah, so the grandmother,

0:20:40.680 --> 0:20:41.879
<v Speaker 1>grandfather and your.

0:20:41.720 --> 0:20:45.680
<v Speaker 2>Father nineteen thirty nine. Yeah, they made this epic journey

0:20:45.720 --> 0:20:54.280
<v Speaker 2>across Central Europe and landed it marriage I think. Yeah.

0:20:54.320 --> 0:20:56.800
<v Speaker 2>And they had sort of twenty five suitcases at the

0:20:56.840 --> 0:20:59.920
<v Speaker 2>beginning of the journey, and they were thrown off one

0:21:00.119 --> 0:21:02.159
<v Speaker 2>I won, reduced to about three by the time they

0:21:02.200 --> 0:21:05.199
<v Speaker 2>got to the end. Any money they had left was

0:21:05.320 --> 0:21:12.400
<v Speaker 2>there in my father's shoe, the toddler's shoe, and then

0:21:12.440 --> 0:21:17.360
<v Speaker 2>they but they knew some people. My grandfather was ran

0:21:17.400 --> 0:21:20.640
<v Speaker 2>a radio station in Czechoslovakia. The music was in charge

0:21:20.680 --> 0:21:23.240
<v Speaker 2>of the music, the classical music part of it, and

0:21:24.560 --> 0:21:27.520
<v Speaker 2>a BBC producer had sent him this letter inviting him

0:21:27.600 --> 0:21:30.439
<v Speaker 2>to come to give a talk about Yanichek as my

0:21:30.520 --> 0:21:34.560
<v Speaker 2>father knew Yanichek and had written about Yanicheck and promoted

0:21:34.640 --> 0:21:38.080
<v Speaker 2>Yanischeck and was a friend of his, and please bring

0:21:38.160 --> 0:21:40.919
<v Speaker 2>us your some expertise about Yanicheck. And that was what

0:21:41.000 --> 0:21:44.280
<v Speaker 2>allowed them to get through because they had German accents,

0:21:44.440 --> 0:21:47.720
<v Speaker 2>so people they were immediately people were suspicious of them.

0:21:48.040 --> 0:21:49.680
<v Speaker 1>Did they speak English at all?

0:21:49.880 --> 0:21:57.320
<v Speaker 2>My grandmother spoke quite good English, and my grandfather had

0:21:57.359 --> 0:21:58.960
<v Speaker 2>to learn English. But they were you know, he was

0:21:59.040 --> 0:22:02.080
<v Speaker 2>forty two or something forty He was born in eighteen

0:22:02.119 --> 0:22:05.120
<v Speaker 2>ninety nine, So yeah.

0:22:04.880 --> 0:22:08.359
<v Speaker 1>They And as is your grandparents, did they cook for you?

0:22:09.400 --> 0:22:13.399
<v Speaker 2>They did a bit. I think my parents used to

0:22:13.480 --> 0:22:16.400
<v Speaker 2>take over pretty much doing all the domestic things when

0:22:16.400 --> 0:22:19.120
<v Speaker 2>they got there. We used to say it was Bohemian

0:22:20.280 --> 0:22:26.199
<v Speaker 2>their life on it was technically Moravian. Happy food situations

0:22:26.240 --> 0:22:32.120
<v Speaker 2>were in our home. I have very happy memories of

0:22:32.160 --> 0:22:36.120
<v Speaker 2>our family suppers in which the day would be downloaded

0:22:36.160 --> 0:22:38.440
<v Speaker 2>and we'd all share our experience of school. My parents

0:22:38.440 --> 0:22:40.920
<v Speaker 2>were teachers, so we would all be talking about ask

0:22:41.080 --> 0:22:43.320
<v Speaker 2>what had happened at school. They would be as well,

0:22:44.280 --> 0:22:47.399
<v Speaker 2>and I did miss that. That is that's one of

0:22:47.400 --> 0:22:50.280
<v Speaker 2>the principal memories of growing up, is that moment of

0:22:50.320 --> 0:22:51.320
<v Speaker 2>the day for sure.

0:22:51.840 --> 0:22:52.880
<v Speaker 1>So let's look at this point.

0:22:53.520 --> 0:22:56.840
<v Speaker 2>So this is a book that my mother made me

0:22:56.880 --> 0:22:58.760
<v Speaker 2>when I was a student and sent me off to

0:22:58.800 --> 0:23:01.200
<v Speaker 2>be a student with and put in a few of

0:23:00.600 --> 0:23:03.479
<v Speaker 2>the favorite things that we'd eat and that she'd cooked us,

0:23:03.480 --> 0:23:05.960
<v Speaker 2>and it was just sort of start us off. So

0:23:06.680 --> 0:23:08.679
<v Speaker 2>this is when you went to Cambridge. Yeah, yeah, so

0:23:08.800 --> 0:23:11.280
<v Speaker 2>nineteen eighty five. She would have made this for one

0:23:11.400 --> 0:23:13.240
<v Speaker 2>So I was looking at a book. So she's written

0:23:13.280 --> 0:23:20.440
<v Speaker 2>bon epitty and then she sectioned it into soup, fish, meat, miscellaneous.

0:23:20.960 --> 0:23:23.160
<v Speaker 2>Under miscellaneous is tomato chutney.

0:23:23.440 --> 0:23:25.320
<v Speaker 1>And your mother grew up in Britain.

0:23:25.680 --> 0:23:28.440
<v Speaker 2>Yeah, yeah, well yeah, she grew up in Africa until

0:23:28.440 --> 0:23:32.119
<v Speaker 2>she was six and then she then she was in England.

0:23:32.800 --> 0:23:36.200
<v Speaker 2>But they're to rollo cross there. That's the sort of

0:23:36.320 --> 0:23:39.679
<v Speaker 2>thing that we used to eat children. So well, it's

0:23:39.760 --> 0:23:43.679
<v Speaker 2>Central Europe. It's Tyrilian. Actually it's Czech Austrian because they

0:23:43.720 --> 0:23:48.200
<v Speaker 2>were so we did eat and dad, what's fascinating about

0:23:48.440 --> 0:23:53.080
<v Speaker 2>because dad does not really that is that is an

0:23:53.119 --> 0:23:58.640
<v Speaker 2>Englishman now, but when we go it's food. Food reveals

0:23:58.680 --> 0:24:02.439
<v Speaker 2>about your origin. So he loves venishntsel, and he loves

0:24:03.520 --> 0:24:09.119
<v Speaker 2>apple strudle, which he now makes. He makes very good.

0:24:10.280 --> 0:24:14.359
<v Speaker 2>And so Mum used to cook things o goulash we

0:24:14.440 --> 0:24:18.400
<v Speaker 2>had we used to eat regularly, which I've recently learned

0:24:18.440 --> 0:24:22.120
<v Speaker 2>how to make, which is I'm thrilled about because it's

0:24:22.680 --> 0:24:27.240
<v Speaker 2>what meat do you use? Well, actually, mushrooms the last time,

0:24:27.600 --> 0:24:31.920
<v Speaker 2>no meat. A vegetarian goulash because Fran is vegetarian. And

0:24:32.000 --> 0:24:35.400
<v Speaker 2>then I secretly sometimes make it if Fran's not at home.

0:24:35.560 --> 0:24:41.080
<v Speaker 2>I made it with venison. We live in a bit

0:24:41.440 --> 0:24:44.480
<v Speaker 2>of the country which is infested with deer, and people

0:24:44.520 --> 0:24:47.200
<v Speaker 2>are always giving each other piles of venison out the

0:24:47.240 --> 0:24:52.560
<v Speaker 2>deep freeze. So delicious. But terrolla crosl is torolla crosal

0:24:52.680 --> 0:24:57.000
<v Speaker 2>is a sort of is a kind of peasant Alpine dish.

0:24:58.280 --> 0:25:02.480
<v Speaker 1>Cooked potatoes, potato and sausage. You have the cooked potatoes

0:25:02.960 --> 0:25:06.440
<v Speaker 1>and then you're earning slammy ham and sausage.

0:25:06.600 --> 0:25:10.240
<v Speaker 2>Those are those are sort of oars either garlic sausage,

0:25:10.320 --> 0:25:12.119
<v Speaker 2>just the classic okay, yeah, and.

0:25:12.200 --> 0:25:14.720
<v Speaker 1>Then you add the guy. Then the potatoes fry, add

0:25:14.800 --> 0:25:17.800
<v Speaker 1>the meat to the ingredients, and cook for another ten minutes.

0:25:18.280 --> 0:25:20.639
<v Speaker 1>That seems like a cook recipe for a college student,

0:25:20.720 --> 0:25:21.119
<v Speaker 1>doesn't it.

0:25:21.880 --> 0:25:23.920
<v Speaker 2>Yes, And then it was then it was a bad

0:25:24.040 --> 0:25:27.920
<v Speaker 2>recipe for an out of work young actor who didn't

0:25:27.920 --> 0:25:31.000
<v Speaker 2>have enough to do and would go, well, I can

0:25:31.119 --> 0:25:33.879
<v Speaker 2>fill the second half of the day with lunch and

0:25:34.000 --> 0:25:37.080
<v Speaker 2>the consequences of lunch. I can fill it with the

0:25:37.200 --> 0:25:40.639
<v Speaker 2>buying of the ingredients, the cooking of lunch, the over eating,

0:25:40.720 --> 0:25:43.200
<v Speaker 2>and then the falling asleep. And that'll get me till

0:25:43.520 --> 0:25:46.440
<v Speaker 2>that'll get me to PM program that would get me

0:25:46.520 --> 0:25:49.880
<v Speaker 2>to five o'clock. No, but I remember making to roller

0:25:49.920 --> 0:25:50.760
<v Speaker 2>Cross Limpeca.

0:25:51.160 --> 0:26:06.080
<v Speaker 1>Yeah, this is beautiful. If you liked listening to Ruthie's

0:26:06.119 --> 0:26:10.040
<v Speaker 1>Table four, would you please make sure to rape and

0:26:10.200 --> 0:26:15.119
<v Speaker 1>review the podcast on the iHeartRadio app, Apple Podcasts, Spotify,

0:26:15.680 --> 0:26:25.800
<v Speaker 1>or wherever you get your podcasts. Thank you. You were

0:26:25.840 --> 0:26:27.920
<v Speaker 1>doing theater ever since you were in the play in

0:26:28.000 --> 0:26:30.960
<v Speaker 1>the National Youth Theater and new auditioned for this from

0:26:31.040 --> 0:26:31.800
<v Speaker 1>the Dragon School.

0:26:31.840 --> 0:26:32.280
<v Speaker 3>Is that No?

0:26:32.840 --> 0:26:36.280
<v Speaker 2>No, it was at the next school. It was called

0:26:36.400 --> 0:26:40.520
<v Speaker 2>Abingdon School. And yeah, this company used to go around

0:26:41.320 --> 0:26:45.240
<v Speaker 2>schools and work in the school with the drama department

0:26:45.280 --> 0:26:47.000
<v Speaker 2>for a term and create a show and then take

0:26:47.040 --> 0:26:49.879
<v Speaker 2>it to the Edinburgh Festival. And we were all incredibly lucky.

0:26:50.560 --> 0:26:55.400
<v Speaker 2>And from that I got They did one called Well

0:26:55.520 --> 0:26:57.600
<v Speaker 2>Captain Syrick was the first one, which I think they'd

0:26:57.640 --> 0:27:03.000
<v Speaker 2>started at Haberdasher's Asks. All sounds very embarrassingly privileged, which

0:27:03.040 --> 0:27:05.719
<v Speaker 2>it was because they were all I think independent schools.

0:27:05.760 --> 0:27:09.320
<v Speaker 2>Tiffins it started at, which is I think a sort

0:27:09.320 --> 0:27:13.240
<v Speaker 2>of grammar school at that point, but it was actually

0:27:13.320 --> 0:27:16.560
<v Speaker 2>that children Yeah, that National Youth Music Theater thing that

0:27:16.960 --> 0:27:21.439
<v Speaker 2>I got picked up for a TV film a BBC

0:27:21.920 --> 0:27:25.040
<v Speaker 2>Tikenzie and drama for children's theater in nineen eighty one

0:27:25.119 --> 0:27:27.720
<v Speaker 2>called John Diamond, which was an adaptation of a Leon

0:27:27.800 --> 0:27:32.520
<v Speaker 2>Garfield book, and that was so exciting to be picked up.

0:27:32.520 --> 0:27:34.639
<v Speaker 2>I had a term off school. I was driven around

0:27:35.280 --> 0:27:38.200
<v Speaker 2>in a car and I got given money and got

0:27:38.280 --> 0:27:42.920
<v Speaker 2>to stay in a hotel on my own and eat.

0:27:43.760 --> 0:27:46.879
<v Speaker 2>I remember eating duck a la range on my age

0:27:46.920 --> 0:27:52.639
<v Speaker 2>fourteen in a hotel in Tetbury and thinking Wow, this

0:27:52.800 --> 0:27:55.720
<v Speaker 2>is the life. And that rather rewired my brain in

0:27:55.800 --> 0:27:59.240
<v Speaker 2>a way that is either helpful or helpful because it

0:27:59.320 --> 0:28:02.000
<v Speaker 2>meant sort of the end of ambition, or at least

0:28:02.359 --> 0:28:06.040
<v Speaker 2>it meant the end of imagination. So I then thought, well,

0:28:06.040 --> 0:28:07.640
<v Speaker 2>I must repeat this for the rest of my life

0:28:07.720 --> 0:28:11.280
<v Speaker 2>and become an actor. So that was when I was fourteen,

0:28:11.359 --> 0:28:13.280
<v Speaker 2>and then I went back school, went to university, and

0:28:13.320 --> 0:28:16.119
<v Speaker 2>then yes, was always waiting to start acting.

0:28:16.800 --> 0:28:20.119
<v Speaker 1>Anyway, this is a report recently. Have you seen that

0:28:21.000 --> 0:28:25.040
<v Speaker 1>the percentage of actors who've been to private schools is

0:28:25.119 --> 0:28:29.280
<v Speaker 1>getting I think maybe, and so maybe this will change

0:28:29.320 --> 0:28:33.280
<v Speaker 1>with their new government. But the investment in state schools

0:28:33.400 --> 0:28:35.399
<v Speaker 1>to culture where we could get political, but it is

0:28:35.520 --> 0:28:39.960
<v Speaker 1>true that you know it is it is part of

0:28:40.120 --> 0:28:43.400
<v Speaker 1>education and part of a miniority of a society to

0:28:43.520 --> 0:28:44.520
<v Speaker 1>find the kids who.

0:28:46.440 --> 0:28:53.560
<v Speaker 2>Have all the sixties heroes, all those actors that Albert Finney's.

0:28:53.240 --> 0:28:54.160
<v Speaker 1>And Michael Caine.

0:28:54.560 --> 0:28:58.680
<v Speaker 2>Yeah, they were all the Terrence Stamps and the petro'tools.

0:28:58.720 --> 0:29:00.320
<v Speaker 2>They weren't privately educatd.

0:29:00.360 --> 0:29:03.600
<v Speaker 1>But Michael Caine said that he was not allowed he

0:29:03.800 --> 0:29:06.520
<v Speaker 1>was Yeah, I think he was not allowed or he

0:29:06.960 --> 0:29:08.760
<v Speaker 1>it was a real triumph when he was able to

0:29:08.840 --> 0:29:12.360
<v Speaker 1>play a military man with a Cockney accent, because.

0:29:13.040 --> 0:29:15.920
<v Speaker 2>That was not I see, I see, yeah, no, but

0:29:16.040 --> 0:29:17.840
<v Speaker 2>that that was of course exactly.

0:29:18.400 --> 0:29:21.600
<v Speaker 1>I think that's another theme that has gone through. You know,

0:29:21.840 --> 0:29:25.120
<v Speaker 1>we talked about Grandmother's cookie, but we also talked about people,

0:29:25.200 --> 0:29:29.920
<v Speaker 1>particularly in the arts they see, being able to eat

0:29:30.040 --> 0:29:33.239
<v Speaker 1>the food that they want drink the wine that they

0:29:33.240 --> 0:29:37.680
<v Speaker 1>would like to have as a measure of their success,

0:29:38.320 --> 0:29:42.160
<v Speaker 1>you know, discovering that food, what food could be? Did

0:29:42.200 --> 0:29:43.400
<v Speaker 1>you have that or did you know?

0:29:43.840 --> 0:29:44.600
<v Speaker 2>Yeah? I did?

0:29:45.120 --> 0:29:45.720
<v Speaker 1>And when was that?

0:29:45.880 --> 0:29:45.920
<v Speaker 3>That?

0:29:46.000 --> 0:29:46.959
<v Speaker 1>Will you describe him?

0:29:48.600 --> 0:29:50.480
<v Speaker 2>In a hotel fourteen?

0:29:50.560 --> 0:29:54.400
<v Speaker 1>So still that was all the memories you have, choosing

0:29:54.480 --> 0:29:55.120
<v Speaker 1>the eating one.

0:29:55.400 --> 0:29:58.760
<v Speaker 2>You're right, I did, I repeatedly did it that the

0:29:59.280 --> 0:30:01.560
<v Speaker 2>twenty or thirty? Is that I in which I mean?

0:30:01.680 --> 0:30:04.440
<v Speaker 2>It came to a head when my accountant said that

0:30:04.840 --> 0:30:06.520
<v Speaker 2>when I went for that meeting that you have with

0:30:06.640 --> 0:30:08.239
<v Speaker 2>your accountant at the end of the year where they

0:30:08.680 --> 0:30:10.840
<v Speaker 2>they tally everything up, he said, you as you eat

0:30:10.920 --> 0:30:14.480
<v Speaker 2>every single night in a restaurant, And I said, do

0:30:14.640 --> 0:30:16.680
<v Speaker 2>I am sure it can't be true, and you know

0:30:16.760 --> 0:30:19.320
<v Speaker 2>you do pretty much five out of seven men, you

0:30:19.400 --> 0:30:22.400
<v Speaker 2>know you're doing that to you? And no, But I

0:30:22.560 --> 0:30:26.600
<v Speaker 2>think I was definitely experiencing that thing of going I

0:30:26.680 --> 0:30:29.680
<v Speaker 2>can I can celebrate the fact that at least it's

0:30:29.720 --> 0:30:32.880
<v Speaker 2>working out sufficiently to allow me to do this. And

0:30:35.800 --> 0:30:40.040
<v Speaker 2>and yes, regularly celebrating the fact that it's it's okay

0:30:40.280 --> 0:30:44.080
<v Speaker 2>by ordering something slightly more than you ought to.

0:30:44.680 --> 0:30:47.000
<v Speaker 1>Is that where you put so? Is that where you spent?

0:30:47.320 --> 0:30:50.000
<v Speaker 1>He's noticed that. Did he also say you've bought too

0:30:50.080 --> 0:30:51.959
<v Speaker 1>many clothes, You've got so many taxis?

0:30:52.040 --> 0:30:55.160
<v Speaker 2>No, I would say it was food. It was that. Yeah, yeah,

0:30:55.160 --> 0:30:55.920
<v Speaker 2>it's restaurants.

0:30:56.240 --> 0:30:58.040
<v Speaker 1>We did that when Richard and I lived in Paris.

0:30:58.320 --> 0:31:00.400
<v Speaker 1>It was when the days when you had check books

0:31:00.440 --> 0:31:03.520
<v Speaker 1>and checkbook stubs. Yes, and you know, we flow through it,

0:31:03.600 --> 0:31:05.800
<v Speaker 1>you flick through it, and every stub was the name

0:31:05.880 --> 0:31:08.600
<v Speaker 1>of a restaurant or a food chop. It was it

0:31:08.680 --> 0:31:09.440
<v Speaker 1>went to the food.

0:31:09.760 --> 0:31:12.480
<v Speaker 2>Yeah. Well, at this moment, in this conversation, it feels

0:31:12.520 --> 0:31:16.120
<v Speaker 2>like a wonderful thing to have done. I sometimes think, ooh, ouch,

0:31:16.480 --> 0:31:18.720
<v Speaker 2>maybe I could have just now I'm in a phase.

0:31:19.160 --> 0:31:21.600
<v Speaker 2>Now we're in this sort of the world has changed

0:31:22.040 --> 0:31:24.800
<v Speaker 2>and that's not the way I live anymore. And also

0:31:24.920 --> 0:31:29.640
<v Speaker 2>now we have a child, and so the family dinner

0:31:29.800 --> 0:31:33.520
<v Speaker 2>thing is suddenly becoming exciting, you know, And so that

0:31:33.880 --> 0:31:36.640
<v Speaker 2>that little vignette that we were just talking about the

0:31:36.720 --> 0:31:40.240
<v Speaker 2>family supper that's suddenly becoming the kitchen table, the home

0:31:40.360 --> 0:31:45.080
<v Speaker 2>cooked food thing that's all suddenly becoming the new aspiration. Also,

0:31:45.160 --> 0:31:48.880
<v Speaker 2>the world has changed, and so swaning about jumping out

0:31:48.920 --> 0:31:54.160
<v Speaker 2>of cars going into flashy restaurants doesn't feel quite right anymore.

0:31:55.280 --> 0:32:00.920
<v Speaker 2>But I'm looking forward to, you know, cooking our child,

0:32:01.160 --> 0:32:07.160
<v Speaker 2>fish fingers and peas, that joy and catch up. I'm

0:32:07.520 --> 0:32:08.560
<v Speaker 2>looking forward to all of that.

0:32:09.040 --> 0:32:13.920
<v Speaker 1>Food is about your father and your grandfather coming from Czechoslovakia.

0:32:14.080 --> 0:32:16.800
<v Speaker 1>Food is about sitting at the table and your mother's

0:32:17.240 --> 0:32:20.000
<v Speaker 1>book that you know, this beautiful book that your mother

0:32:20.120 --> 0:32:22.560
<v Speaker 1>gave you as a gift to tell you what to

0:32:22.640 --> 0:32:24.400
<v Speaker 1>cook and what to eat, is almost like she was

0:32:24.480 --> 0:32:29.880
<v Speaker 1>coming with you. It also is comfort. So to finish

0:32:30.000 --> 0:32:34.080
<v Speaker 1>what has been a glorious, imagine day, I would ask you,

0:32:34.360 --> 0:32:37.640
<v Speaker 1>Tom Hollander, to tell me if you need comfort, if

0:32:37.680 --> 0:32:41.880
<v Speaker 1>you have to go to food for comfort, is there

0:32:42.080 --> 0:32:43.600
<v Speaker 1>a food that you would choose.

0:32:44.360 --> 0:32:49.239
<v Speaker 2>Well, I'm in a sort of desert island, dissy way.

0:32:49.240 --> 0:32:51.360
<v Speaker 2>If I had to reduce it, if I had to take,

0:32:51.480 --> 0:32:54.120
<v Speaker 2>if I was allowed the one food to comfort me,

0:32:54.240 --> 0:32:59.040
<v Speaker 2>I would take my mother's actually grandmother's chutney recipe.

0:32:59.080 --> 0:32:59.680
<v Speaker 1>Do you want to read it?

0:33:00.080 --> 0:33:04.280
<v Speaker 2>Sure? Three pounds of tomatoes, one pound of onions, half

0:33:04.720 --> 0:33:07.680
<v Speaker 2>a pint of vinegar, malt very important. I try to

0:33:07.760 --> 0:33:10.680
<v Speaker 2>make it with refined more viger. The other they didn't work.

0:33:11.120 --> 0:33:14.320
<v Speaker 2>One tablespoonful of curry powder, one tablespoonful of dry mustard,

0:33:14.400 --> 0:33:18.080
<v Speaker 2>one and a half tablespoonfuls of cornflour, a pound of sugar,

0:33:18.640 --> 0:33:20.840
<v Speaker 2>seven dried chilies. But the chilies you can put far

0:33:20.920 --> 0:33:23.320
<v Speaker 2>more in. Some people like it very hot, some people don't.

0:33:23.880 --> 0:33:28.680
<v Speaker 2>Corner of teaspoonful of cayne pepper salt, two tablespoonfuls of salt,

0:33:29.240 --> 0:33:31.040
<v Speaker 2>and you cut up the tomatoes and the onions, and

0:33:31.120 --> 0:33:33.600
<v Speaker 2>you sprinkle the salt, and you leave them overnight. That's

0:33:34.000 --> 0:33:39.240
<v Speaker 2>the long bit, and you let them do some chemical

0:33:39.320 --> 0:33:43.440
<v Speaker 2>thing and it smells very strong the next morning, that mixture.

0:33:43.520 --> 0:33:44.959
<v Speaker 2>And then you pour in the vinegar and you add

0:33:45.040 --> 0:33:46.520
<v Speaker 2>the sugar and the chilies and the cane. You boil

0:33:46.560 --> 0:33:49.520
<v Speaker 2>for half an hour. You mix the curry powder of

0:33:49.520 --> 0:33:51.520
<v Speaker 2>the mustard and the corn flowers, and you get a

0:33:51.560 --> 0:33:53.720
<v Speaker 2>paste and a little vinegar. You add it to the

0:33:53.960 --> 0:33:56.440
<v Speaker 2>rest slowly and you stir it in, stir it in

0:33:56.560 --> 0:33:59.080
<v Speaker 2>bit by bit boil for five minutes, stirring all the time,

0:33:59.120 --> 0:34:01.360
<v Speaker 2>and then you put into bottle and seal and you

0:34:01.480 --> 0:34:03.320
<v Speaker 2>take the chilies out before bottling if you don't want

0:34:03.320 --> 0:34:07.240
<v Speaker 2>it too well. And it's absolutely the most delicious jompney

0:34:07.560 --> 0:34:12.080
<v Speaker 2>I've ever had. And and you can you know, have

0:34:12.239 --> 0:34:15.280
<v Speaker 2>it with cheese. Obviously you can also stir it into risotto.

0:34:15.560 --> 0:34:18.000
<v Speaker 2>It's you could probably put a blob on. You can

0:34:18.040 --> 0:34:20.279
<v Speaker 2>put it on anything. I love it.

0:34:20.719 --> 0:34:22.160
<v Speaker 1>What would you bring me one next time?

0:34:22.360 --> 0:34:24.560
<v Speaker 2>Okay, I will, I will, I should have done that,

0:34:26.120 --> 0:34:26.920
<v Speaker 2>I will bring.

0:34:27.480 --> 0:34:30.239
<v Speaker 1>Okay, thank you, thank you, beautiful time.

0:34:30.560 --> 0:34:33.200
<v Speaker 2>Thank you. How many a man has left this land

0:34:33.280 --> 0:34:38.040
<v Speaker 2>on a boat that's bound for Botany? Why should he grieve?

0:34:38.200 --> 0:34:41.040
<v Speaker 2>He could be leaving a life of me, not any.

0:34:46.719 --> 0:34:50.200
<v Speaker 1>Thank you for listening to Ruthie's Table for in partnership

0:34:50.280 --> 0:34:50.960
<v Speaker 1>with Montclair.

0:34:59.640 --> 0:35:03.239
<v Speaker 3>Ruthie's The Table four is produced by Atame Studios for iHeartRadio.

0:35:03.640 --> 0:35:07.040
<v Speaker 3>It's hosted by Ruthie Rogers and it's produced by William Lensky.

0:35:07.800 --> 0:35:10.920
<v Speaker 3>This episode was edited by Julia Johnson and mixed by

0:35:11.000 --> 0:35:16.000
<v Speaker 3>Nigel Appleton. Our executive producers are Fay Stewart and zad Rogers.

0:35:16.640 --> 0:35:20.040
<v Speaker 3>Our production manager is Caitlin Paramore and our production coordinator

0:35:20.160 --> 0:35:22.960
<v Speaker 3>is Bella Cellini. Thank you to everyone at The River

0:35:23.040 --> 0:35:25.240
<v Speaker 3>Cafe for your help in making this episode.