WEBVTT - Interview: Marissa Meyer

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<v Speaker 1>School of Humans.

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<v Speaker 2>It's so interesting to me that I will read a

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<v Speaker 2>source material and I will decide on the things that

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<v Speaker 2>I think are absolutely necessary. But then I'll go and

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<v Speaker 2>I'll read someone else's retelling about rumpelstilt skin and be like,

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<v Speaker 2>they like totally took out the whole baby thing. There's

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<v Speaker 2>no newborn child, there's no bargaining for it. And to me,

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<v Speaker 2>that just like blows my mind, Like it didn't even

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<v Speaker 2>cross my mind to just not include it. I struggled

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<v Speaker 2>for months trying to figure out what I was going

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<v Speaker 2>to do with that, you know, like, what that was

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<v Speaker 2>an option you could just like.

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<v Speaker 3>No, I'm Miranda Hawkins. Welcome to the Deep Dark Woods.

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<v Speaker 3>The last few episodes have taken us down paths of

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<v Speaker 3>forgotten slippers, breadcrumb trails, and mischievous helpers. We're starting to

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<v Speaker 3>understand where Brothers grim Tales come from and why each

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<v Speaker 3>of these stories continue to live on throughout centuries. But

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<v Speaker 3>before we get to more stories, I thought it would

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<v Speaker 3>be important to speak to some celebrated authors who have

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<v Speaker 3>taken beloved fairy tales and put their own spin on them.

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<v Speaker 3>Like I said before, fairy tales and their adaptations are

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<v Speaker 3>snapshots of society and our values of what's going on

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<v Speaker 3>in that moment in history. By speaking with authors from

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<v Speaker 3>our era, we can see how their fairy tale adaptations

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<v Speaker 3>reflect this moment in time. Today, I am speaking with

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<v Speaker 3>none other than author Marissa Meyer. Marissa is a New

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<v Speaker 3>York Times bestselling author of The Lunar Chronicles, The Renegadees Trilogy, Heartless,

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<v Speaker 3>The Gilded Duology, and Instant Karma. She is also a

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<v Speaker 3>fellow podcaster with her show The Happy Writer, where she

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<v Speaker 3>interviews other writers about their books.

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<v Speaker 1>And like so many of us, she.

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<v Speaker 3>First got introduced to fairy tales through Disney.

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<v Speaker 2>I can trace back to first seeing The Little Mermaid

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<v Speaker 2>in theaters Disney's The Little Mermaid, and I was like five,

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<v Speaker 2>I think when it came out, and I just like

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<v Speaker 2>was obsessed. And of course then we got the movie

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<v Speaker 2>and I watched it NonStop, and you know, I had

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<v Speaker 2>it all memorized, blah blah blah. And then my grandma,

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<v Speaker 2>who I was also really close to before she passed,

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<v Speaker 2>she heard that I was so obsessed with this movie,

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<v Speaker 2>and so she got me a little book of fairy

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<v Speaker 2>tales and the first story in that book was the

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<v Speaker 2>Little Mermaid by Hans Christian Anderson, and I don't think

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<v Speaker 2>she knew how different.

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<v Speaker 1>It actually is from the Disney movie.

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<v Speaker 2>So I read it as you know, five six year old,

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<v Speaker 2>little starry eyed child, and.

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<v Speaker 1>Was just devastated about this story.

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<v Speaker 2>And I was angry and I was upset, and I

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<v Speaker 2>fell like Disney had lied to me, and it was

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<v Speaker 2>kind of traumatical, I guess. But it also then like

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<v Speaker 2>led to all this curiosity and I thought, well, okay,

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<v Speaker 2>but what about Cinderella?

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<v Speaker 1>Did Disney lie to me about Cinderella?

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<v Speaker 2>And so now I have to go off and read

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<v Speaker 2>the old Cinderella, and you know what they did. There

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<v Speaker 2>was things in this that I wasn't expecting and that

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<v Speaker 2>that just continued on for pretty much my whole life.

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<v Speaker 3>Now, yeah, that's devastating for like a five or six year.

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<v Speaker 1>Old stopping it's not just story at.

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<v Speaker 3>All, No, No, I mean eventually we all have to

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<v Speaker 3>learn like these things. But like, yeah, whatever, it's it's hard,

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<v Speaker 3>especially when it's the fairy Tales, but it's so funny.

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<v Speaker 1>You bring up Cinderella.

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<v Speaker 3>Was that the first Brother's grim story that you ran across?

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<v Speaker 2>I honestly don't know. I know that after that book

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<v Speaker 2>of fairy tales that my grandma gave me, I started reading.

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<v Speaker 2>I mean, I became voracious reading Brothers Graham, reading folk

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<v Speaker 2>tales from around the world. So I don't have a

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<v Speaker 2>clear memory of what the first grim fairy tale was

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<v Speaker 2>that I read, but I became pretty obsessed, pretty.

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<v Speaker 3>Hard when I was also doing I guess my unlearning

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<v Speaker 3>of Disney Cinderella was the first Brother's Grim that I

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<v Speaker 3>ran across. That was the non disneyfied version, And I

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<v Speaker 3>was like, what, But that's kind That's actually why I

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<v Speaker 3>started this podcast because I love the darker tales. They

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<v Speaker 3>really speak to me more so than the more light

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<v Speaker 3>hearted versions. But that's just that's a personal preference. But

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<v Speaker 3>you know, you're saying having this book, like you just

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<v Speaker 3>wanted to know more and everything, But do you have

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<v Speaker 3>anything specific about like what drew you do these tales?

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<v Speaker 3>Was it the different endings or just I don't know something?

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<v Speaker 3>And then that spoke to you.

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<v Speaker 2>Yeah, I mean I think, like you, it was the

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<v Speaker 2>darkness a lot of it. I love Disney. I still

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<v Speaker 2>love Disney. I'm definitely a Disney girl at heart, but

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<v Speaker 2>but there's such a difference between you know what Disney

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<v Speaker 2>is giving us, and you know that element pop culture

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<v Speaker 2>versus these old tales that have been around for hundreds

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<v Speaker 2>of years. And I think in our modern society now

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<v Speaker 2>that we're all used to Disney and we kind of

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<v Speaker 2>all have this expectation of like, well, this is for kids,

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<v Speaker 2>and then you read these old dark stories and you

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<v Speaker 2>start to get people thinking, oh, that's too dark for children,

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<v Speaker 2>that's too scary, and I'm like.

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<v Speaker 1>No, children love this stuff.

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<v Speaker 2>They eat it up, they're fascinated by it, and we

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<v Speaker 2>forget that, like a lot of kids have to deal

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<v Speaker 2>with really difficult dark things in their lives, and in

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<v Speaker 2>a lot of ways, I think, here we go psychoanalyzing already.

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<v Speaker 2>But it's healthy for kids to be able to see

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<v Speaker 2>some of these darker things happening in this fairly safe

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<v Speaker 2>environment of reading it in a story, in a magical

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<v Speaker 2>story where generally there's a happy ending at the end.

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<v Speaker 1>So I don't know.

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<v Speaker 2>I mean, I think for me as a kid, I

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<v Speaker 2>liked the dark things. I liked the creepy things. I

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<v Speaker 2>liked the blood and gore. And I don't know if

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<v Speaker 2>at that age I felt like I was maybe pushing

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<v Speaker 2>back against the culture that was telling me I was

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<v Speaker 2>too young for it.

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<v Speaker 1>I wasn't ready for it. If it was maybe a

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<v Speaker 1>little bit of rebellion.

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<v Speaker 2>In there, but yeah, I just thought they were really

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<v Speaker 2>cool and interesting. Yeah.

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<v Speaker 3>No, So I've been speaking with a lot of folkloreists

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<v Speaker 3>because that's evidently a job you can have, and I

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<v Speaker 3>definitely know that.

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<v Speaker 1>Yeah, I know, I was, like I messed up, But so.

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<v Speaker 3>That seems to be a very common theme, is like,

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<v Speaker 3>you know, there's this idea that we have to protect children,

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<v Speaker 3>but actually that's not what. You know, children are a

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<v Speaker 3>lot stronger than we give them credit for, and these

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<v Speaker 3>stories are a way of introducing them to these really

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<v Speaker 3>hard things and these hard ideas.

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<v Speaker 1>That's a safe way to do it, you know.

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<v Speaker 3>Speaking though, of the original Cinderella with the stepsisters cutting

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<v Speaker 3>off parts of their feet to like fit into the shoe,

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<v Speaker 3>you mentioned that the idea for Cinder came to you

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<v Speaker 3>in a dream where she like lost her leg, and

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<v Speaker 3>I was wondering if that original Grim's Tale was any

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<v Speaker 3>inspiration Forcender.

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<v Speaker 1>Yeah.

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<v Speaker 2>I mean, who knows how our subconscious works, but yeah,

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<v Speaker 2>I definitely by that point had read the Grim version,

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<v Speaker 2>had read Charles Barrow had read a translation of Yashen,

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<v Speaker 2>the Chinese version of Cinderella, from like way before the

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<v Speaker 2>Grim Brothers.

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<v Speaker 1>So yeah, I mean I had a lot of source.

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<v Speaker 2>Material floating around in my brain by the time I

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<v Speaker 2>had that dream, and I had been thinking about fairy tales,

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<v Speaker 2>and I had had the idea for a few months

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<v Speaker 2>that I wanted to write a series of science fiction

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<v Speaker 2>fairy tale retellings, and so that was just kind of

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<v Speaker 2>in my brain and something I'd been you know, brainstorming

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<v Speaker 2>and considering what fairy tales would I do and what

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<v Speaker 2>would that look like in this kind of you know,

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<v Speaker 2>high tech futuristic setting, but things hadn't really started to

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<v Speaker 2>come together into a cohesive story yet. And then, yeah,

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<v Speaker 2>I had that dream about Cinderella. And the dream, as

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<v Speaker 2>I remember, it was very traditional, very Disney Cinderella, like

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<v Speaker 2>big ball gown and she's running away from the castle

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<v Speaker 2>and all of this, and then she tripped on the

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<v Speaker 2>steps and her foot fell off, And when I woke up,

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<v Speaker 2>my first thought was that she was a cyborg and

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<v Speaker 2>it was this like robotic foot that hadn't been properly attached,

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<v Speaker 2>and that's that's how it fell off, and that became Cinder.

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<v Speaker 1>And what's great.

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<v Speaker 2>And I love brain science, and I wish I knew,

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<v Speaker 2>like really understood how brains work, because I'm just fascinated

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<v Speaker 2>by them. But clearly I can almost like see how

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<v Speaker 2>all of these ideas had been jumbling around in my

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<v Speaker 2>brain and just like waiting for that one one thing

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<v Speaker 2>to start bringing them all together. Because as soon as

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<v Speaker 2>I had that idea about doing Cinderella as a cyborg,

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<v Speaker 2>all of these other ideas that I'd been brainstorming and

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<v Speaker 2>working on for months just started to fall into place,

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<v Speaker 2>and I could start to see Cinder and her character

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<v Speaker 2>in her world and how over the course of multiple

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<v Speaker 2>books she was going to gather around this like ragtag

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<v Speaker 2>group of fairy tale characters and they were gonna have

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<v Speaker 2>to go off and save the world and start a

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<v Speaker 2>revolution and it would it really just like grew from

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<v Speaker 2>that seed very quickly.

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<v Speaker 1>So yeah, that's that's how it happened.

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<v Speaker 3>So I want to talk about this series a little bit,

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<v Speaker 3>but for our listeners who don't know, the Lunar Chronicles

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<v Speaker 3>is a series of predominantly four books, I know you

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<v Speaker 3>have a few others in there now that follow a

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<v Speaker 3>journey of revolution and mystery and romance through the retellings

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<v Speaker 3>of Cinderella, Little Red, Riding Hood, Rapunzel, and snow White.

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<v Speaker 3>So I know you mentioned, you know about how this

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<v Speaker 3>drag tag group of fairy tale creatures get together and

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<v Speaker 3>everyone's like helping sender and figure things out. But how

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<v Speaker 3>did you decide that those were the retellings that you

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<v Speaker 3>wanted to do, Like do they hold any meaning to

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<v Speaker 3>you specifically?

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<v Speaker 2>So the first thing when I decided I wanted to

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<v Speaker 2>try to do a series of futuristic fairy tales, my

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<v Speaker 2>first step was to make a list of my personal

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<v Speaker 2>favorite fairy tales.

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<v Speaker 1>And I don't know, there.

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<v Speaker 2>Was maybe fifteen stories on that list, I'm not entirely sure,

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<v Speaker 2>and just start throwing ideas at it. Like I remember

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<v Speaker 2>rumpel Stiltskin was on the list, and I remember thinking, well,

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<v Speaker 2>maybe he could be an android, or maybe he could

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<v Speaker 2>be an alien from outer space, or you know, just

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<v Speaker 2>like what do you do if it was Sleeping Beauty.

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<v Speaker 2>Maybe she's asleep because she's like a cryogenic freezing chamber,

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<v Speaker 2>and just trying to get ideas for it. The four

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<v Speaker 2>fairy tales that I ended up going with were the

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<v Speaker 2>ones that, like.

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<v Speaker 1>For starters.

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<v Speaker 2>I just felt like I had the best ideas for them,

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<v Speaker 2>and I could more or less begin to see how

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<v Speaker 2>they would fit into this science fiction genre. But then

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<v Speaker 2>also once I had the idea for Cinder and Cinderella

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<v Speaker 2>as a cyborg, then her story very quickly got tied

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<v Speaker 2>up with this evil queen. And I knew the evil

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<v Speaker 2>queen was going to be the evil queen from snow White,

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<v Speaker 2>So of course snow White's going to be one of

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<v Speaker 2>my fairy tales. And in those early planning stages, I

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<v Speaker 2>could begin to see how this evil queen character had

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<v Speaker 2>been meddling with the lives of these other characters, and

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<v Speaker 2>I could see how she'd been messing with Little Red

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<v Speaker 2>Riding Hood's life, how she'd been messing with Rapunzel's life,

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<v Speaker 2>of course her stepdaughter snow White. And so from very

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<v Speaker 2>early on, I could start to see how these four

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<v Speaker 2>stories were going to connect, not so much with Cinder,

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<v Speaker 2>but really a lot of it revolved around that evil

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<v Speaker 2>queen and what she was doing, and why were these

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<v Speaker 2>character is going to hate her to the degree where

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<v Speaker 2>they would actually put their lives on the line to

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<v Speaker 2>try to fight against her.

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<v Speaker 3>So you drew inspiration from lunar chronicles, from fairy tales

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<v Speaker 3>of course, right, But you also mention like Star Wars

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<v Speaker 3>and Firefly, which I love Firefly. But you also did research,

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<v Speaker 3>like you did some heavy research, reading like scientific magazines

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<v Speaker 3>and all of that. Because while these books are like

0:12:33.325 --> 0:12:36.965
<v Speaker 3>fairy tale retellings, they're very much sci fi. What elements

0:12:36.965 --> 0:12:40.045
<v Speaker 3>do you think align the genres of fairy tale and

0:12:40.085 --> 0:12:44.445
<v Speaker 3>sci fi? Because initially they seem like very opposite.

0:12:44.005 --> 0:12:45.405
<v Speaker 1>Ends right of the spectrum.

0:12:45.845 --> 0:12:49.485
<v Speaker 3>But yet you were able to take these two genres

0:12:49.765 --> 0:12:52.405
<v Speaker 3>and I mean it worked wonderfully, right.

0:12:52.485 --> 0:12:54.205
<v Speaker 1>I mean, the proof is in the pudding, so they.

0:12:54.045 --> 0:12:57.645
<v Speaker 2>Say, so, I think the biggest thing is good versus evil,

0:12:57.885 --> 0:13:01.525
<v Speaker 2>which you see in Cinderella versus the Wicked Witch, and

0:13:01.605 --> 0:13:04.445
<v Speaker 2>you see in Little Ren versus the big bad Wolf,

0:13:05.125 --> 0:13:05.845
<v Speaker 2>and you.

0:13:05.725 --> 0:13:08.405
<v Speaker 1>See in Luke versus you know.

0:13:08.365 --> 0:13:11.485
<v Speaker 2>The Emperor, and you know, so that's that's I think

0:13:11.525 --> 0:13:13.885
<v Speaker 2>the biggest thing that kind of ties the two together

0:13:13.925 --> 0:13:16.045
<v Speaker 2>and ties lots of genres together. Of course, it's it's

0:13:16.085 --> 0:13:19.405
<v Speaker 2>certainly not just these two, but those are pretty universal

0:13:19.445 --> 0:13:23.205
<v Speaker 2>themes and things that we can all get on board with, Like,

0:13:23.245 --> 0:13:26.325
<v Speaker 2>of course we want good to fight evil, but it's also,

0:13:26.525 --> 0:13:28.245
<v Speaker 2>I mean, you've seen it in fairy tales and you

0:13:28.285 --> 0:13:30.805
<v Speaker 2>see it in sci fi, where, even though that is

0:13:30.845 --> 0:13:35.805
<v Speaker 2>so often the overarching theme, we also get to dig

0:13:35.845 --> 0:13:38.965
<v Speaker 2>in and explore those gray areas what is good and

0:13:39.005 --> 0:13:42.125
<v Speaker 2>what is evil and what happens when those two things

0:13:42.125 --> 0:13:45.605
<v Speaker 2>are not clear cut, and so I love playing with

0:13:45.645 --> 0:13:46.725
<v Speaker 2>those as a as a writer.

0:13:47.045 --> 0:13:50.965
<v Speaker 3>So, so, what do you think it says mixing fairy

0:13:50.965 --> 0:13:52.605
<v Speaker 3>tales with science fiction?

0:13:55.085 --> 0:13:56.285
<v Speaker 1>It says that I'm a nerd.

0:14:00.605 --> 0:14:05.725
<v Speaker 2>Fair. Yeah, I mean, I'm I'm curious about a lot

0:14:05.805 --> 0:14:08.045
<v Speaker 2>of things, and you know, in the writing world, we're

0:14:08.085 --> 0:14:11.285
<v Speaker 2>always here to write what you know, and I hate

0:14:11.285 --> 0:14:11.925
<v Speaker 2>that advice.

0:14:12.205 --> 0:14:15.165
<v Speaker 1>My go to is to write what I'm curious about.

0:14:15.885 --> 0:14:18.405
<v Speaker 1>And I think this is stuff is cool.

0:14:18.485 --> 0:14:20.845
<v Speaker 2>I think the idea that we could colonize the Moon

0:14:21.085 --> 0:14:23.845
<v Speaker 2>and like to know that there are scientists trying to

0:14:23.885 --> 0:14:25.925
<v Speaker 2>figure out how we might do that, that that's an

0:14:25.965 --> 0:14:28.885
<v Speaker 2>actual thing people are working on. I think that's fascinating.

0:14:29.205 --> 0:14:32.405
<v Speaker 2>Cybernetics and artificial intelligence and all of this.

0:14:32.565 --> 0:14:36.565
<v Speaker 1>I just find it engrossing. So, yeah, I being.

0:14:36.325 --> 0:14:40.845
<v Speaker 2>A fan of Star Wars and Firefly, having that in

0:14:40.885 --> 0:14:43.645
<v Speaker 2>my background, I wanted to give my own twist to

0:14:43.685 --> 0:14:46.565
<v Speaker 2>the sci fi genre or the space opera genre, and

0:14:46.845 --> 0:14:47.765
<v Speaker 2>this is what it came to.

0:14:49.965 --> 0:14:52.485
<v Speaker 3>Do you think that part of that is because that's

0:14:52.525 --> 0:14:55.285
<v Speaker 3>maybe where like you see us going, Because a lot

0:14:55.285 --> 0:14:59.765
<v Speaker 3>of times fairy tales and our adaptations are reflections of

0:14:59.805 --> 0:15:03.885
<v Speaker 3>you know, ourselves or society, and that is kind of

0:15:04.245 --> 0:15:07.725
<v Speaker 3>the main reason why I'm doing this show, because as

0:15:07.725 --> 0:15:09.885
<v Speaker 3>time has gone on and all the different adaptations are

0:15:10.245 --> 0:15:14.365
<v Speaker 3>basically snapshots of where society is. So you're not writing

0:15:14.405 --> 0:15:17.285
<v Speaker 3>what you know, but the things that you're curious about.

0:15:17.365 --> 0:15:19.405
<v Speaker 3>Do you think maybe down the road, these are places

0:15:19.445 --> 0:15:19.925
<v Speaker 3>we're headed.

0:15:20.685 --> 0:15:23.685
<v Speaker 2>It's funny, yes in some ways, and know in others,

0:15:24.085 --> 0:15:28.685
<v Speaker 2>it's hilarious now that Cinder came out. Gosh, it's been

0:15:29.205 --> 0:15:32.485
<v Speaker 2>twelve years since Cinder came out, and a lot of

0:15:32.525 --> 0:15:35.965
<v Speaker 2>the technology that I was writing in the book that

0:15:36.085 --> 0:15:38.965
<v Speaker 2>I thought, oh, i'm researching, you know, is where is

0:15:39.045 --> 0:15:41.845
<v Speaker 2>science and technology going to be in one hundred years

0:15:41.845 --> 0:15:44.045
<v Speaker 2>from now? And I'm trying to make it really authentic

0:15:44.125 --> 0:15:49.845
<v Speaker 2>and believable and we've already surpassed him. It's like, wait, no,

0:15:50.125 --> 0:15:53.805
<v Speaker 2>slow down, world. There's things like that that I tried

0:15:54.045 --> 0:15:58.605
<v Speaker 2>hard not to like ever specify this is how far

0:15:58.645 --> 0:16:01.765
<v Speaker 2>into the future it is because we just don't know

0:16:01.885 --> 0:16:06.085
<v Speaker 2>the way that technology is surpassing certainly my expects on

0:16:06.285 --> 0:16:08.365
<v Speaker 2>a very very speedy manner.

0:16:09.085 --> 0:16:11.165
<v Speaker 1>At the same time, there are things that I hope for.

0:16:11.245 --> 0:16:14.485
<v Speaker 2>I mean, one of the biggest I don't know fantasies

0:16:14.645 --> 0:16:18.725
<v Speaker 2>I guess in the series is that even though there's

0:16:18.805 --> 0:16:22.405
<v Speaker 2>this evil queen who lives on the Moon and is likery,

0:16:22.685 --> 0:16:24.765
<v Speaker 2>is doing bad stuff and is trying to take over

0:16:24.965 --> 0:16:28.925
<v Speaker 2>Planet Earth, planet Earth itself is in a pretty good

0:16:28.925 --> 0:16:32.325
<v Speaker 2>place in this series, like it has seen world peace

0:16:32.445 --> 0:16:33.685
<v Speaker 2>for more than a century.

0:16:34.685 --> 0:16:36.125
<v Speaker 1>And I love this.

0:16:36.125 --> 0:16:41.205
<v Speaker 2>Idea and I am hopelessly optimistic, and I know that

0:16:41.325 --> 0:16:45.245
<v Speaker 2>people call it naivete, but I like to think that

0:16:45.285 --> 0:16:48.405
<v Speaker 2>we could come to a place where we actually find

0:16:48.485 --> 0:16:52.325
<v Speaker 2>peace on this planet and find a way to not

0:16:52.485 --> 0:16:56.485
<v Speaker 2>have wars and you know, remove prejudice and all of

0:16:56.525 --> 0:16:58.525
<v Speaker 2>these things that plague society today.

0:16:58.605 --> 0:17:01.125
<v Speaker 1>So I like to think that maybe we are hitting

0:17:01.125 --> 0:17:01.725
<v Speaker 1>in that direction.

0:17:03.165 --> 0:17:16.405
<v Speaker 3>We'll be right back with Marissa Meyer. So author Marissa

0:17:16.525 --> 0:17:19.925
<v Speaker 3>Meyer and I were talking about her Center series, where

0:17:19.965 --> 0:17:24.005
<v Speaker 3>she combined four fairy tales and science fiction to make

0:17:24.045 --> 0:17:28.565
<v Speaker 3>a whole new universe. I'm curious when it comes to

0:17:29.205 --> 0:17:33.845
<v Speaker 3>the character development and some of the tension everything the conflicts,

0:17:33.965 --> 0:17:36.885
<v Speaker 3>do those stem from like personal experience or like, how

0:17:36.965 --> 0:17:40.205
<v Speaker 3>much of that might stem from personal experience? Right, Oh,

0:17:40.245 --> 0:17:43.045
<v Speaker 3>got much of yourself as in these characters or in

0:17:43.085 --> 0:17:43.925
<v Speaker 3>these conflicts?

0:17:44.205 --> 0:17:45.085
<v Speaker 1>It varies.

0:17:45.365 --> 0:17:48.525
<v Speaker 2>There's some characters that I relate to really strongly and

0:17:48.565 --> 0:17:51.565
<v Speaker 2>I put a lot of myself into, and then there's

0:17:51.685 --> 0:17:54.805
<v Speaker 2>characters that I don't see myself in so much, but

0:17:54.925 --> 0:17:57.805
<v Speaker 2>that I really admire. A lot of times I'll write

0:17:57.845 --> 0:18:03.765
<v Speaker 2>a character, a protagonist in particular, who has characteristics that

0:18:03.885 --> 0:18:07.085
<v Speaker 2>I wish that I had Maura, or I think are

0:18:07.125 --> 0:18:10.565
<v Speaker 2>just really cool and impressive, or they have skills that.

0:18:10.565 --> 0:18:13.045
<v Speaker 1>I really admire, and so there's a lot of that.

0:18:13.085 --> 0:18:15.485
<v Speaker 2>It's kind of a little bit of wish fulfillment when

0:18:15.525 --> 0:18:18.685
<v Speaker 2>I'm writing and creating these characters. And then as far

0:18:18.685 --> 0:18:24.165
<v Speaker 2>as the conflicts, I've lived a fairly low conflict life,

0:18:25.445 --> 0:18:29.885
<v Speaker 2>and like there's no big revolutions, no big wars, but

0:18:30.165 --> 0:18:34.125
<v Speaker 2>a lot of the internal conflicts you're still facing. And

0:18:34.205 --> 0:18:36.805
<v Speaker 2>so a lot of times we can take things that

0:18:36.885 --> 0:18:41.885
<v Speaker 2>we feel on a small level and then you put

0:18:41.885 --> 0:18:46.245
<v Speaker 2>them into these characters who are experiencing really big, life changing,

0:18:46.485 --> 0:18:50.805
<v Speaker 2>world changing events, and they're experiencing the same emotions just

0:18:50.885 --> 0:18:53.485
<v Speaker 2>in a bigger way. So an example of that might

0:18:53.525 --> 0:18:56.845
<v Speaker 2>be something like periods of my life where I've faced

0:18:56.845 --> 0:19:00.645
<v Speaker 2>imposter syndrome and felt like, you know, you question yourself,

0:19:00.645 --> 0:19:03.245
<v Speaker 2>you doubt yourself. I think I'm a good person, but

0:19:03.885 --> 0:19:06.325
<v Speaker 2>there was that one time I said that really mean thing,

0:19:06.605 --> 0:19:08.645
<v Speaker 2>So maybe I'm not as good as I think. Like

0:19:08.685 --> 0:19:11.245
<v Speaker 2>we've all had those moments. And then you have a

0:19:11.325 --> 0:19:15.045
<v Speaker 2>character like Cinder who's trying to you know, lead this

0:19:15.125 --> 0:19:18.645
<v Speaker 2>revolution and take down this evil queen and she's facing

0:19:18.685 --> 0:19:21.485
<v Speaker 2>really big things, but she still has these internal conflicts

0:19:21.525 --> 0:19:24.245
<v Speaker 2>with herself where she's wondering like, I think I'm a

0:19:24.245 --> 0:19:26.165
<v Speaker 2>good person and I think I'm doing the right thing,

0:19:27.005 --> 0:19:31.125
<v Speaker 2>but also I know that I there's moments where I've

0:19:31.125 --> 0:19:33.925
<v Speaker 2>felt a little power hungry, and there's moments where I've

0:19:34.165 --> 0:19:37.005
<v Speaker 2>done things I wasn't thrilled that I did, and so

0:19:37.245 --> 0:19:39.125
<v Speaker 2>maybe I'm not a good person after all. And so

0:19:39.245 --> 0:19:44.845
<v Speaker 2>you can, you know, use the personal experiences to then

0:19:45.365 --> 0:19:47.925
<v Speaker 2>inspire what the character is going through and hopefully write

0:19:47.925 --> 0:19:50.645
<v Speaker 2>those emotions in a way that readers can really relate

0:19:50.645 --> 0:19:52.645
<v Speaker 2>to even though readers are like, well, I don't know

0:19:52.725 --> 0:19:54.805
<v Speaker 2>what I would do in that situation either.

0:19:57.165 --> 0:19:57.485
<v Speaker 1>Yeah.

0:19:57.645 --> 0:20:00.565
<v Speaker 3>No, that's the thing is like being human, we all

0:20:00.925 --> 0:20:04.285
<v Speaker 3>have these similar experiences, right, It's just like, but to

0:20:04.365 --> 0:20:06.645
<v Speaker 3>like what degree or to what I extent or any

0:20:06.645 --> 0:20:08.165
<v Speaker 3>of that. But I also think that's why I like,

0:20:08.245 --> 0:20:11.445
<v Speaker 3>you know, people love reading and characters.

0:20:11.485 --> 0:20:14.245
<v Speaker 1>They always see some parts of themselves within them. So

0:20:14.645 --> 0:20:17.805
<v Speaker 1>I'm going to like just give her listeners quick heads up.

0:20:17.845 --> 0:20:19.805
<v Speaker 3>There is a little bit of a spoiler for the

0:20:19.885 --> 0:20:22.205
<v Speaker 3>end of the Lunar Chronicles here, because I accidentally did

0:20:22.245 --> 0:20:25.125
<v Speaker 3>a spoiler the other day and someone was not very

0:20:25.165 --> 0:20:28.085
<v Speaker 3>happy with me. One of the folklores I spoke with.

0:20:28.205 --> 0:20:31.245
<v Speaker 3>Her name is doctor Gina Jorgensen, as she's another guest

0:20:31.285 --> 0:20:34.365
<v Speaker 3>on the show. But we are discussing about how in

0:20:34.445 --> 0:20:38.205
<v Speaker 3>these original fairy tales, the end goal essentially was for

0:20:38.405 --> 0:20:41.725
<v Speaker 3>these women to get married, and that was their happy ending, right,

0:20:41.765 --> 0:20:46.125
<v Speaker 3>that was They've made it, They're successful, that's it. However,

0:20:46.645 --> 0:20:50.565
<v Speaker 3>and the Lunar Chronicles, Sinder decides to say on Luna

0:20:50.645 --> 0:20:53.045
<v Speaker 3>to help the country get back on its feet. First,

0:20:53.605 --> 0:20:56.885
<v Speaker 3>then she tells Prince Kai, who is the Prince of

0:20:56.925 --> 0:20:59.685
<v Speaker 3>the book that you know she'd be happy to come

0:20:59.805 --> 0:21:03.445
<v Speaker 3>and meet him later. I'm curious, what was your reasoning

0:21:03.645 --> 0:21:08.445
<v Speaker 3>behind that ending? It's not the atypical for Cinderella.

0:21:08.685 --> 0:21:09.045
<v Speaker 1>Yeah.

0:21:09.125 --> 0:21:14.205
<v Speaker 2>So, of course, if we think why in historically in

0:21:14.285 --> 0:21:19.365
<v Speaker 2>fairy tales, why was the ending get married, find a prince,

0:21:19.365 --> 0:21:22.445
<v Speaker 2>get married, live happily ever after. And of course, through

0:21:22.485 --> 0:21:26.445
<v Speaker 2>most of human history women had so little power, and

0:21:26.765 --> 0:21:30.765
<v Speaker 2>one of the few ways a woman could be cared

0:21:30.845 --> 0:21:34.045
<v Speaker 2>for and know that she didn't have to worry about

0:21:34.445 --> 0:21:36.085
<v Speaker 2>am I going to eat? And am I going to

0:21:36.165 --> 0:21:39.405
<v Speaker 2>have shelter and like these basic human needs was to

0:21:39.445 --> 0:21:42.565
<v Speaker 2>find a husband and fingers crossed, he's a nice guy.

0:21:43.005 --> 0:21:44.205
<v Speaker 1>And so it makes a lot.

0:21:44.165 --> 0:21:47.285
<v Speaker 2>Of sense that for so much of history that was

0:21:47.365 --> 0:21:50.285
<v Speaker 2>the focus for a lot of these fairy tales. Well,

0:21:50.365 --> 0:21:54.245
<v Speaker 2>nowadays this is not, you know, the be all end all.

0:21:54.365 --> 0:21:57.125
<v Speaker 2>We can have a career, we can make our own money,

0:21:57.165 --> 0:21:59.765
<v Speaker 2>we can buy our own homes and run our own businesses,

0:21:59.925 --> 0:22:04.605
<v Speaker 2>and finding a husband is not the thing that means

0:22:04.685 --> 0:22:07.125
<v Speaker 2>we're going to survive and we're going to be okay.

0:22:07.685 --> 0:22:11.765
<v Speaker 2>So on like a thematic level, it just didn't make

0:22:11.845 --> 0:22:14.285
<v Speaker 2>sense that had to be the thing that Cinder was

0:22:14.325 --> 0:22:17.845
<v Speaker 2>working toward this whole series, like, Okay.

0:22:17.565 --> 0:22:20.685
<v Speaker 1>She beat the queen and she won the war, but

0:22:20.965 --> 0:22:22.165
<v Speaker 1>does she get the prince?

0:22:22.325 --> 0:22:25.165
<v Speaker 2>Like, that's not the important thing that we're looking at here,

0:22:25.845 --> 0:22:28.165
<v Speaker 2>And so so I definitely wanted to end it in

0:22:28.205 --> 0:22:31.165
<v Speaker 2>a place where she is in a position of power,

0:22:31.565 --> 0:22:34.445
<v Speaker 2>but also in a place where she gets to make

0:22:34.485 --> 0:22:38.365
<v Speaker 2>her own decisions, because for much of the series, especially

0:22:38.445 --> 0:22:41.765
<v Speaker 2>in the first book, she was seen as a lesser

0:22:41.805 --> 0:22:44.245
<v Speaker 2>citizen and there was a lot of prejudice against her,

0:22:44.325 --> 0:22:44.925
<v Speaker 2>and she.

0:22:45.565 --> 0:22:48.525
<v Speaker 1>At one point her body is like literally sold to.

0:22:48.965 --> 0:22:52.525
<v Speaker 2>Science, And so I really wanted to show that Cinder

0:22:52.725 --> 0:22:55.285
<v Speaker 2>was independent and on her own and she didn't need

0:22:55.365 --> 0:22:59.005
<v Speaker 2>Prince Kai, she didn't need marriage. That said, I am

0:22:59.045 --> 0:23:04.245
<v Speaker 2>certainly a romantic, and so we imply, of course that

0:23:04.805 --> 0:23:07.885
<v Speaker 2>sometime after the end of the series she and Kai

0:23:08.125 --> 0:23:10.725
<v Speaker 2>will get married, after Luna's been taken care of and

0:23:10.765 --> 0:23:14.125
<v Speaker 2>her responsibilities are fulfilled, not because she means him, but

0:23:14.165 --> 0:23:15.725
<v Speaker 2>because she loves him and he loves her.

0:23:16.885 --> 0:23:20.285
<v Speaker 3>You've pretty much already spoken to this, But why do

0:23:20.325 --> 0:23:24.245
<v Speaker 3>you think that, especially with fairy tale retellings, why do

0:23:24.285 --> 0:23:27.805
<v Speaker 3>you think that the endings are changing Fairy tales.

0:23:27.485 --> 0:23:28.965
<v Speaker 1>In general change.

0:23:29.365 --> 0:23:33.845
<v Speaker 2>They change because society changes and what we are craving

0:23:33.845 --> 0:23:37.085
<v Speaker 2>in our stories changes, and that's honestly, I think that's

0:23:37.085 --> 0:23:41.085
<v Speaker 2>my favorite thing about fairy tales is to look at

0:23:41.085 --> 0:23:45.885
<v Speaker 2>them across history and to see what are the things

0:23:46.325 --> 0:23:48.925
<v Speaker 2>that have not changed in hundreds of years and in

0:23:48.965 --> 0:23:51.685
<v Speaker 2>some cases in thousands of years, Like we still have

0:23:52.685 --> 0:23:55.325
<v Speaker 2>the Lost Slipper, we still have the going to a

0:23:55.405 --> 0:23:59.965
<v Speaker 2>ball or a festival. We still have these things, and

0:24:00.045 --> 0:24:02.165
<v Speaker 2>yet what is different, what has changed?

0:24:02.245 --> 0:24:04.285
<v Speaker 1>And I just think that's so interesting.

0:24:04.325 --> 0:24:06.725
<v Speaker 2>They're like little snap and I think you kind of

0:24:06.765 --> 0:24:09.925
<v Speaker 2>called it this earlier. They're like little snapshots of society

0:24:09.965 --> 0:24:12.885
<v Speaker 2>and where where we are at the time that that

0:24:13.085 --> 0:24:13.925
<v Speaker 2>story was written.

0:24:16.525 --> 0:24:20.045
<v Speaker 3>I spoke with Marissa about her Guilded duology books. We

0:24:20.165 --> 0:24:23.125
<v Speaker 3>talked about it in the last episode about Rumpel, but

0:24:23.205 --> 0:24:27.485
<v Speaker 3>it's a retelling of Rumpelstiltskin where the mischievous helper is

0:24:27.605 --> 0:24:31.485
<v Speaker 3>actually the good guy, a prince no less, and he

0:24:31.805 --> 0:24:34.485
<v Speaker 3>and his kingdom have been put under a curse by

0:24:34.525 --> 0:24:38.085
<v Speaker 3>a demon king that the miller's daughter helps him break.

0:24:38.845 --> 0:24:42.285
<v Speaker 3>I asked Marissa what inspired her to write Guilded.

0:24:43.205 --> 0:24:48.885
<v Speaker 2>With Guilded, I had, I think I'm going to guess that,

0:24:49.245 --> 0:24:52.005
<v Speaker 2>young Marissa. The first fairy tale I ever wanted to

0:24:52.045 --> 0:24:56.485
<v Speaker 2>retell was Rumpelstiltskin. That's before I even like could have

0:24:57.005 --> 0:25:01.245
<v Speaker 2>comprehended writing an entire novel. I'm thinking like when I

0:25:01.285 --> 0:25:04.365
<v Speaker 2>was eight, nine, ten years old and like writing short

0:25:04.405 --> 0:25:08.045
<v Speaker 2>stories and then the very beginning of my artistic journey.

0:25:08.885 --> 0:25:12.645
<v Speaker 2>I loved and hated rumpelstilt Skin. It was one of

0:25:12.645 --> 0:25:15.725
<v Speaker 2>my favorite stories, but also one of the most frustrating

0:25:15.805 --> 0:25:18.005
<v Speaker 2>stories because I felt.

0:25:17.805 --> 0:25:19.525
<v Speaker 1>Like it had so many plot holes.

0:25:19.685 --> 0:25:22.405
<v Speaker 2>I felt like it left me with so many unanswered

0:25:22.485 --> 0:25:26.525
<v Speaker 2>questions and pretty much my whole.

0:25:26.325 --> 0:25:28.605
<v Speaker 1>Life for at least the last you know, thirty years.

0:25:28.965 --> 0:25:31.325
<v Speaker 2>It was just in the back of my head as like,

0:25:31.805 --> 0:25:34.085
<v Speaker 2>I need to do something with that story.

0:25:35.285 --> 0:25:37.445
<v Speaker 1>Yeah, and so I finally did and yielded.

0:25:38.925 --> 0:25:43.445
<v Speaker 3>Okay, that's so funny, because I feel like Rumpelstiltskin isn't

0:25:43.965 --> 0:25:47.525
<v Speaker 3>typically people's like go to stories. I know, I kind

0:25:47.525 --> 0:25:50.165
<v Speaker 3>of obscure a little bit. I feel like, yeah, I

0:25:50.165 --> 0:25:53.565
<v Speaker 3>feel like it's a bit on the back burner. So

0:25:53.765 --> 0:25:56.445
<v Speaker 3>I really love to hear this. Other than having plot

0:25:56.445 --> 0:25:59.725
<v Speaker 3>holes or any in everything, is there something else up

0:25:59.765 --> 0:26:01.365
<v Speaker 3>to you to this particular tale.

0:26:02.365 --> 0:26:05.645
<v Speaker 1>Uh, I mean, it's weirdness. It's a weird little story.

0:26:05.805 --> 0:26:08.085
<v Speaker 2>And as we talked before, you and I we like

0:26:08.165 --> 0:26:09.645
<v Speaker 2>the weird ones, the dark ones.

0:26:11.285 --> 0:26:12.965
<v Speaker 1>But no, I mean a lot of it was the

0:26:13.245 --> 0:26:18.525
<v Speaker 1>unanswered questions. I wanted to know more about rumpel Stiltskin.

0:26:18.645 --> 0:26:21.805
<v Speaker 2>I wanted to know how he got this gift of

0:26:21.845 --> 0:26:25.285
<v Speaker 2>being able to spin straw to gold that's never really explained.

0:26:25.445 --> 0:26:27.765
<v Speaker 2>I wanted to know what he was gonna do with

0:26:27.805 --> 0:26:30.685
<v Speaker 2>the baby, Like, in the end, he really wants this

0:26:30.845 --> 0:26:34.085
<v Speaker 2>child and bargains with the young Queen to get her

0:26:34.125 --> 0:26:35.365
<v Speaker 2>firstborn child.

0:26:35.085 --> 0:26:37.125
<v Speaker 1>But we have no idea why. It's like, is he

0:26:37.125 --> 0:26:38.165
<v Speaker 1>gonna eat the child?

0:26:38.245 --> 0:26:40.765
<v Speaker 2>Does he want it for some sort of black magic?

0:26:40.845 --> 0:26:43.405
<v Speaker 2>And then there's like that little optimistic part of me that's.

0:26:43.245 --> 0:26:45.565
<v Speaker 1>Like, maybe he's just lonely, he just wants to be

0:26:45.605 --> 0:26:48.525
<v Speaker 1>a dad, And so I really wanted to know about that.

0:26:49.405 --> 0:26:51.485
<v Speaker 2>And I think, honestly, I think the thing that bothered

0:26:51.485 --> 0:26:53.925
<v Speaker 2>me the most about it was it when you read

0:26:54.005 --> 0:26:58.565
<v Speaker 2>rumpel Stiltskin. Clearly the intention is for the reader to

0:26:58.605 --> 0:27:02.005
<v Speaker 2>see rumpel Stiltskin as the villain of the story, and

0:27:02.045 --> 0:27:05.485
<v Speaker 2>in the end, she's married to this king and Rumbell's

0:27:05.485 --> 0:27:09.765
<v Speaker 2>Stiltskin is defeated and she gets to keep her child

0:27:09.845 --> 0:27:12.285
<v Speaker 2>and she's now married happily ever after.

0:27:12.485 --> 0:27:15.285
<v Speaker 1>And I was like, no, this king, this king is

0:27:15.325 --> 0:27:16.125
<v Speaker 1>a bad dude.

0:27:16.245 --> 0:27:20.005
<v Speaker 2>He took her from her family, he locked her in

0:27:20.085 --> 0:27:22.925
<v Speaker 2>this dungeon, he ordered her to do this impossible thing.

0:27:23.005 --> 0:27:26.245
<v Speaker 2>He threatened to kill her multiple times. And now we're

0:27:26.285 --> 0:27:27.165
<v Speaker 2>supposed to be like.

0:27:27.165 --> 0:27:29.005
<v Speaker 1>Oh, yay, they're so happy.

0:27:29.245 --> 0:27:32.005
<v Speaker 2>I just did not buy it, and that really really

0:27:32.045 --> 0:27:35.925
<v Speaker 2>bothered me. And again, I love this story, like this

0:27:36.005 --> 0:27:38.445
<v Speaker 2>was one of my favorite stories that I think in

0:27:38.565 --> 0:27:40.685
<v Speaker 2>part part of the reason that I loved it so

0:27:40.765 --> 0:27:43.005
<v Speaker 2>much was because even as a kid, my little writer

0:27:43.165 --> 0:27:45.805
<v Speaker 2>brain was like thinking of the other options.

0:27:47.645 --> 0:27:48.005
<v Speaker 3>And so.

0:27:49.605 --> 0:27:52.805
<v Speaker 2>When I decided I was going to retell rumbel Stiltskin,

0:27:52.885 --> 0:27:55.365
<v Speaker 2>that's probably the first thing that I knew I was

0:27:55.445 --> 0:27:57.765
<v Speaker 2>going to change. I knew that I was going to

0:27:57.805 --> 0:28:01.285
<v Speaker 2>have the king be the villain and rumbel Stiltstigen was

0:28:01.325 --> 0:28:04.085
<v Speaker 2>going to be the hero slash love interest. And so

0:28:04.165 --> 0:28:07.645
<v Speaker 2>that was kind of the twist that grabbed me from

0:28:07.645 --> 0:28:11.245
<v Speaker 2>the beginning and then ended up turning into this story.

0:28:12.285 --> 0:28:13.045
<v Speaker 1>I agree with you.

0:28:13.605 --> 0:28:17.805
<v Speaker 3>So, with all of your retellings, how do you decide

0:28:18.085 --> 0:28:21.165
<v Speaker 3>what you keep and what you create? And why are

0:28:21.245 --> 0:28:24.005
<v Speaker 3>those the elements that you choose to keep important to you.

0:28:24.645 --> 0:28:27.805
<v Speaker 2>Yeah, that's such a good question because it's interesting to

0:28:27.845 --> 0:28:33.685
<v Speaker 2>me reading other fairy tale retellings, because for me, that's

0:28:33.965 --> 0:28:34.525
<v Speaker 2>step one.

0:28:34.605 --> 0:28:36.645
<v Speaker 1>I'm going to do retelling of this story.

0:28:37.365 --> 0:28:38.845
<v Speaker 2>The first thing I do is I go and I

0:28:38.885 --> 0:28:40.845
<v Speaker 2>read the source material, and a lot of times I'll

0:28:40.845 --> 0:28:45.525
<v Speaker 2>go and read multiple versions of a fairy tale and decide, Okay,

0:28:45.565 --> 0:28:48.285
<v Speaker 2>if I'm doing Rumpelstiltskin, what to me are the most

0:28:48.285 --> 0:28:50.925
<v Speaker 2>important iconic elements.

0:28:50.445 --> 0:28:51.085
<v Speaker 1>Of this story.

0:28:51.165 --> 0:28:53.365
<v Speaker 2>I want to include the necklace in the ring that

0:28:53.405 --> 0:28:55.925
<v Speaker 2>get bargained away. I know at some point we're going

0:28:56.005 --> 0:28:58.605
<v Speaker 2>to have a newborn baby, or at least a bargain

0:28:58.645 --> 0:29:01.005
<v Speaker 2>for a newborn baby. There has to be a question

0:29:01.045 --> 0:29:03.525
<v Speaker 2>about the name that to me, that's a huge part

0:29:03.565 --> 0:29:06.085
<v Speaker 2>of the Rumpelstiltskin's story is why does he keep his

0:29:06.165 --> 0:29:08.405
<v Speaker 2>name hidden? What does it mean? Why is that important?

0:29:09.005 --> 0:29:13.085
<v Speaker 2>There's gonna be spinning straw into gold. So I figure out, like,

0:29:13.125 --> 0:29:15.485
<v Speaker 2>what to me are the really iconic things about this

0:29:15.565 --> 0:29:18.965
<v Speaker 2>story that make it this fairy tale, and to me,

0:29:19.205 --> 0:29:21.605
<v Speaker 2>cannot be taken away. And if you take them away,

0:29:21.685 --> 0:29:24.285
<v Speaker 2>they're no longer this fairy tale. Now you're writing something

0:29:24.325 --> 0:29:25.005
<v Speaker 2>totally different.

0:29:25.925 --> 0:29:27.805
<v Speaker 1>And then I start kind of building off of that.

0:29:27.925 --> 0:29:30.605
<v Speaker 2>Once I know what things I want to keep, then

0:29:30.645 --> 0:29:33.245
<v Speaker 2>I figure out how am I going to change them.

0:29:33.525 --> 0:29:36.205
<v Speaker 2>I know that I want the maiden in question to

0:29:36.285 --> 0:29:39.605
<v Speaker 2>have a necklace that she's going to bargain with Rumpelstiltskin

0:29:39.725 --> 0:29:43.645
<v Speaker 2>for where did that necklace come from, why is it important?

0:29:43.645 --> 0:29:47.285
<v Speaker 2>What's its significance? And it kind of starts to build

0:29:47.405 --> 0:29:50.525
<v Speaker 2>its own story off of that, and eventually you hope

0:29:50.525 --> 0:29:52.605
<v Speaker 2>that all of those threads tie together into something that

0:29:52.685 --> 0:29:53.165
<v Speaker 2>makes sense.

0:29:54.245 --> 0:29:55.605
<v Speaker 1>And that's kind of my process.

0:29:55.925 --> 0:29:58.965
<v Speaker 2>But as I was gonna say before, it's so interesting

0:29:59.005 --> 0:30:01.965
<v Speaker 2>to me that I will read the source material and

0:30:02.005 --> 0:30:04.605
<v Speaker 2>I will decide on the things that I think are

0:30:04.725 --> 0:30:08.565
<v Speaker 2>absolutely ne But then I'll go and I'll read someone

0:30:08.605 --> 0:30:11.885
<v Speaker 2>else's retelling about rumbelstilt Skin and be.

0:30:11.925 --> 0:30:14.885
<v Speaker 1>Like, they like totally took out the whole baby thing.

0:30:15.045 --> 0:30:17.525
<v Speaker 1>There's no newborn child, there's no bargaining for it.

0:30:17.565 --> 0:30:19.365
<v Speaker 2>And to me, that just like blows my mind, like

0:30:19.365 --> 0:30:21.965
<v Speaker 2>it didn't even cross my mind, it just not include it.

0:30:22.045 --> 0:30:24.445
<v Speaker 2>I struggled for months trying to figure out what I

0:30:24.485 --> 0:30:28.365
<v Speaker 2>was going to do with that, you know, like what

0:30:29.525 --> 0:30:32.165
<v Speaker 2>that was an option you could just like no include it.

0:30:35.805 --> 0:30:37.125
<v Speaker 1>One of the things.

0:30:36.805 --> 0:30:40.285
<v Speaker 3>That I've noticed with a lot of the modern adaptations

0:30:41.045 --> 0:30:44.925
<v Speaker 3>is that these retellings, as we've said a couple times already,

0:30:45.125 --> 0:30:48.525
<v Speaker 3>really choose to explore the gray. It's no longer just

0:30:48.805 --> 0:30:51.565
<v Speaker 3>like Stark, this is right, this is wrong, or these

0:30:51.645 --> 0:30:53.365
<v Speaker 3>characters that were portrayed as wrong were like but.

0:30:53.285 --> 0:30:55.645
<v Speaker 1>Were they really you know, I'm kind of curious what

0:30:55.685 --> 0:30:57.565
<v Speaker 1>your thoughts and like, why do you think that is?

0:30:57.845 --> 0:31:01.965
<v Speaker 3>Like what is causing that shift in these stories to happen?

0:31:02.765 --> 0:31:05.125
<v Speaker 2>Yeah, I think when we're doing retellings, we just have

0:31:05.205 --> 0:31:11.085
<v Speaker 2>a lot more space to explore than someone writing a three.

0:31:10.885 --> 0:31:13.125
<v Speaker 1>Page fairy tale has to explore.

0:31:13.805 --> 0:31:16.165
<v Speaker 2>And then I don't I can't speak for everyone, of course,

0:31:16.205 --> 0:31:19.325
<v Speaker 2>but for me personally, I think the gray areas are

0:31:19.365 --> 0:31:21.565
<v Speaker 2>really interesting and that's what makes us human.

0:31:21.805 --> 0:31:22.045
<v Speaker 1>You Know.

0:31:22.125 --> 0:31:25.085
<v Speaker 2>We can say we try to be good people, we

0:31:25.165 --> 0:31:27.005
<v Speaker 2>try to do the right thing, but there's not a

0:31:27.045 --> 0:31:29.725
<v Speaker 2>person among us who doesn't have something that we regret

0:31:30.045 --> 0:31:33.365
<v Speaker 2>or some time that we, you know, recognize, oh, I

0:31:33.405 --> 0:31:37.245
<v Speaker 2>could have behaved better there. So that's such a universal thing.

0:31:38.645 --> 0:31:43.205
<v Speaker 2>And also when you start looking at at other people,

0:31:43.325 --> 0:31:48.485
<v Speaker 2>it's really really easy to cast judgments and to look

0:31:48.525 --> 0:31:52.485
<v Speaker 2>at someone else's actions and label them as good or bad.

0:31:53.405 --> 0:31:57.365
<v Speaker 2>But I think by and large, we're very rarely right

0:31:57.765 --> 0:32:01.645
<v Speaker 2>about that. I think it's much more true to life

0:32:01.685 --> 0:32:05.325
<v Speaker 2>if we recognize, like, well, I don't like what that

0:32:05.565 --> 0:32:08.845
<v Speaker 2>person did, but wouldn't it be interesting to know their

0:32:08.885 --> 0:32:09.685
<v Speaker 2>reasons for it?

0:32:09.765 --> 0:32:10.605
<v Speaker 1>And when you start.

0:32:10.405 --> 0:32:12.925
<v Speaker 2>Digging into the reasons and then what is motivating a

0:32:12.965 --> 0:32:16.125
<v Speaker 2>person to do things, suddenly there's a story there, and

0:32:16.245 --> 0:32:20.525
<v Speaker 2>suddenly it kind of forces us to question, well, that

0:32:20.805 --> 0:32:24.525
<v Speaker 2>might change my opinion, or now I have to question, Okay,

0:32:24.565 --> 0:32:26.565
<v Speaker 2>if I was in that situation, how would I have

0:32:26.645 --> 0:32:29.925
<v Speaker 2>handled it? I mean, things are just so rarely black

0:32:29.965 --> 0:32:33.565
<v Speaker 2>and white, and that's just true about humanity. And so

0:32:33.645 --> 0:32:38.525
<v Speaker 2>that's to me far more interesting than writing characters who

0:32:38.525 --> 0:32:40.565
<v Speaker 2>are entirely good or entirely evil.

0:32:42.285 --> 0:32:45.685
<v Speaker 3>We'll be right back with my interview with author Marissa Meyer.

0:32:54.605 --> 0:32:57.605
<v Speaker 3>Author Marissa Meyer has been a fan of fairy tales

0:32:57.725 --> 0:33:01.365
<v Speaker 3>since she was a kid, so I asked her why

0:33:01.405 --> 0:33:05.125
<v Speaker 3>does she think the Brothers Grim stories specifically stand out.

0:33:06.445 --> 0:33:11.805
<v Speaker 2>I think because there are themes and ideas in them

0:33:12.165 --> 0:33:16.805
<v Speaker 2>that people can relate to, no matter what year they're born,

0:33:16.925 --> 0:33:19.565
<v Speaker 2>no matter where on this planet they were born. There

0:33:19.605 --> 0:33:22.965
<v Speaker 2>are things that are just universal to the human experience,

0:33:23.165 --> 0:33:26.605
<v Speaker 2>and these stories boil them down to things that we

0:33:26.645 --> 0:33:27.725
<v Speaker 2>can all understand.

0:33:28.445 --> 0:33:32.165
<v Speaker 3>And why do you think storytellers like yourself revisit these

0:33:32.205 --> 0:33:33.445
<v Speaker 3>tales time and time again?

0:33:34.165 --> 0:33:38.565
<v Speaker 2>For me, because I love the familiarity of these stories,

0:33:39.085 --> 0:33:41.525
<v Speaker 2>and I love that they do have these kind of

0:33:41.605 --> 0:33:45.765
<v Speaker 2>built in themes and these universal themes. But at the

0:33:45.805 --> 0:33:49.605
<v Speaker 2>same time, you can take them and they're like little

0:33:49.765 --> 0:33:53.205
<v Speaker 2>frameworks that as a creator, you've got this kind of

0:33:53.245 --> 0:33:56.885
<v Speaker 2>built in skeleton of a story, but then you can

0:33:56.965 --> 0:34:01.085
<v Speaker 2>expand it beyond that to be anything. And so it's

0:34:01.085 --> 0:34:05.045
<v Speaker 2>this great creative challenge for me to take what's already

0:34:05.125 --> 0:34:10.885
<v Speaker 2>there and write something that readers will feel is both

0:34:11.045 --> 0:34:13.885
<v Speaker 2>familiar and yet unlike anything.

0:34:13.565 --> 0:34:14.845
<v Speaker 1>Else they've ever read before.

0:34:16.325 --> 0:34:20.845
<v Speaker 3>Okay, And I feel like stories are reflections of ourselves, right,

0:34:21.605 --> 0:34:25.485
<v Speaker 3>Like we write or we read so we can learn

0:34:25.525 --> 0:34:27.765
<v Speaker 3>about ourselves, like in safer ways, like we were talking

0:34:27.765 --> 0:34:29.765
<v Speaker 3>about like the kids earlier, right, like learn about like

0:34:29.805 --> 0:34:32.205
<v Speaker 3>the heartships of the world. So what do you think

0:34:32.365 --> 0:34:34.285
<v Speaker 3>these tales tell us about who we are?

0:34:35.365 --> 0:34:41.885
<v Speaker 2>I think that fiction in general puts us into the

0:34:41.925 --> 0:34:45.325
<v Speaker 2>shoes of other people and puts us in these experiences

0:34:45.325 --> 0:34:49.725
<v Speaker 2>that we may never actually experience in real life. But

0:34:49.765 --> 0:34:54.485
<v Speaker 2>it forces us to ask the question what would I do?

0:34:55.205 --> 0:34:58.765
<v Speaker 2>And I think that sometimes we're surprised by those answers,

0:34:58.805 --> 0:35:03.525
<v Speaker 2>and sometimes reading a story changes us and who we

0:35:03.525 --> 0:35:06.125
<v Speaker 2>were before we read the story, and what we would

0:35:06.125 --> 0:35:09.365
<v Speaker 2>have answered to that question might be different after reading it.

0:35:10.525 --> 0:35:13.245
<v Speaker 3>And finally, why do you think the Brother's Grim fairy

0:35:13.285 --> 0:35:14.245
<v Speaker 3>Tales will live on?

0:35:17.325 --> 0:35:24.365
<v Speaker 1>Well, we've lasted this long. No, they're not going away.

0:35:25.285 --> 0:35:27.445
<v Speaker 2>I think they'll continue to change, and I think that

0:35:27.525 --> 0:35:30.325
<v Speaker 2>there will be whole generations that know them as the

0:35:30.365 --> 0:35:33.125
<v Speaker 2>Disney movies or maybe even.

0:35:32.925 --> 0:35:34.645
<v Speaker 1>As the mrsa. Meyer fairy Tales.

0:35:34.685 --> 0:35:36.885
<v Speaker 2>I don't know, but there are going to people be

0:35:36.925 --> 0:35:39.645
<v Speaker 2>people like you and me who are so curious about

0:35:39.685 --> 0:35:42.205
<v Speaker 2>the older versions and want to dig a little deeper.

0:35:42.325 --> 0:35:46.765
<v Speaker 2>And for me, like I'm currently reading the complete collection

0:35:46.845 --> 0:35:49.125
<v Speaker 2>of the Brothers Grim to my nine year old daughters

0:35:49.205 --> 0:35:51.245
<v Speaker 2>and because that to me, that's important, Like I want

0:35:51.325 --> 0:35:54.525
<v Speaker 2>them to know the Disney movies are great, that's wonderful,

0:35:54.565 --> 0:35:56.885
<v Speaker 2>but I also want to show them the other versions.

0:35:58.005 --> 0:35:58.765
<v Speaker 1>I really love that.

0:35:58.965 --> 0:36:03.045
<v Speaker 2>I absolutely love that so also great because they're so lucky,

0:36:03.325 --> 0:36:05.365
<v Speaker 2>all of them. There's like two hundred and fifty and

0:36:06.365 --> 0:36:09.605
<v Speaker 2>I've never sat down and read all of them, and

0:36:09.685 --> 0:36:12.445
<v Speaker 2>so there's in reading over it. It's been fascinating to

0:36:12.485 --> 0:36:15.365
<v Speaker 2>me and how there's some stories that you're like, Okay,

0:36:15.405 --> 0:36:17.445
<v Speaker 2>I can totally see why nobody cares about this one

0:36:17.445 --> 0:36:18.525
<v Speaker 2>and nobody's ever heard of it.

0:36:18.565 --> 0:36:19.525
<v Speaker 1>But then there's other.

0:36:19.405 --> 0:36:22.605
<v Speaker 2>Stories that are so good, and I'm like, how how

0:36:22.645 --> 0:36:25.845
<v Speaker 2>has this one not been as popular as like Jack

0:36:25.885 --> 0:36:26.605
<v Speaker 2>and the Beanstock.

0:36:27.845 --> 0:36:35.925
<v Speaker 1>Honestly, like that's like us, that's an undertaking. I forget

0:36:35.965 --> 0:36:37.965
<v Speaker 1>about Jack and the bean Stock. It's not my favorite.

0:36:38.125 --> 0:36:40.165
<v Speaker 1>It's not my favorite.

0:36:40.325 --> 0:36:44.725
<v Speaker 3>Yeah it's okay, but yeah, because like someone gifted me.

0:36:45.805 --> 0:36:48.685
<v Speaker 3>It was I think a family member years and years ago,

0:36:49.445 --> 0:36:51.685
<v Speaker 3>like the Collected works, right, and I remember like I

0:36:51.725 --> 0:36:53.645
<v Speaker 3>was like, oh, yeah, I'm gonna I'm gonna read all

0:36:53.685 --> 0:36:54.965
<v Speaker 3>of these and I remember getting into it and I

0:36:54.965 --> 0:36:57.485
<v Speaker 3>was like this is not gonna happen. Yeah, Granted, I

0:36:57.565 --> 0:36:59.245
<v Speaker 3>was like I think in my teen so I was like,

0:36:59.285 --> 0:36:59.925
<v Speaker 3>this is boring.

0:37:00.085 --> 0:37:01.885
<v Speaker 1>This is boring, you know, like kind of one of those.

0:37:01.965 --> 0:37:05.165
<v Speaker 3>But yeah, So honestly, like I give you mad prouts

0:37:05.165 --> 0:37:07.485
<v Speaker 3>for doing that. I think that's great. And that also,

0:37:07.725 --> 0:37:12.525
<v Speaker 3>like your daughter, your daughter's right that they also get

0:37:12.605 --> 0:37:16.445
<v Speaker 3>to experience that too. So that's it's been really really fun.

0:37:16.925 --> 0:37:19.045
<v Speaker 2>We're I remember maybe like a third of the way

0:37:19.045 --> 0:37:22.325
<v Speaker 2>through the book now, but it's it's hilarious because of

0:37:22.325 --> 0:37:25.045
<v Speaker 2>course there's patterns, and they have now picked up on

0:37:25.085 --> 0:37:26.725
<v Speaker 2>some of the patterns. And at one point one of

0:37:26.765 --> 0:37:29.765
<v Speaker 2>my daughters, I don't remember what story we'd finished, but

0:37:29.845 --> 0:37:33.125
<v Speaker 2>she goes, Mom, why are these stories always about death?

0:37:35.645 --> 0:37:39.085
<v Speaker 1>I don't know, but it is. It is amazing reading

0:37:39.125 --> 0:37:40.005
<v Speaker 1>all of them back to back.

0:37:40.045 --> 0:37:42.245
<v Speaker 4>You're like, yeah, there's like a lot of death, a

0:37:42.245 --> 0:37:45.045
<v Speaker 4>lot of blood, and a lot of gore. It's they're

0:37:45.165 --> 0:37:50.485
<v Speaker 4>very very violent, they're gruesome, they're they're pretty rough.

0:37:50.525 --> 0:37:53.885
<v Speaker 3>They're they're very rough. Well, thank you so much for

0:37:54.005 --> 0:37:57.645
<v Speaker 3>joining me. I super appreciate it. This has been absolutely wonderful.

0:37:57.685 --> 0:38:00.245
<v Speaker 1>So it's been a pleasure. Thank you for having me.

0:38:05.245 --> 0:38:07.885
<v Speaker 3>You learn more about Marissa Meyer and her books on

0:38:07.925 --> 0:38:11.925
<v Speaker 3>her website. Marissameyer dot com. That's m A R I

0:38:12.165 --> 0:38:16.285
<v Speaker 3>S S A M E y e r dot com.

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<v Speaker 3>Next time, My what.

0:38:18.445 --> 0:38:20.005
<v Speaker 1>Big eyes you have? Grandmother?

0:38:22.005 --> 0:38:24.205
<v Speaker 3>The Deep Dark Woods is a production of School of

0:38:24.285 --> 0:38:28.365
<v Speaker 3>Humans and iHeart Podcasts. It was created, written, and hosted

0:38:28.365 --> 0:38:33.445
<v Speaker 3>by me Miranda Hawkins. Senior producer is Gabby Watts. Executive

0:38:33.445 --> 0:38:38.125
<v Speaker 3>producers are Virginia Prescott, Brandon barr Els Crowley, and Maya Howard.

0:38:38.645 --> 0:38:42.205
<v Speaker 3>Theme song was composed by Jesse Niswanger, who also sound

0:38:42.205 --> 0:38:44.085
<v Speaker 3>designed and mixed this episode.

0:38:44.405 --> 0:38:45.045
<v Speaker 1>You can follow the

0:38:45.045 --> 0:38:48.165
<v Speaker 3>Show on Instagram at School of Humans and don't forget

0:38:48.205 --> 0:38:49.965
<v Speaker 3>to subscribe and leave a review.