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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are a hot.

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Speaker 2: DK donkey Kong, he's the leader of the bunch. You

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Speaker 2: know him well, he's finally back to kick some tail.

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Speaker 2: His coconut gun can fire in spurs. If he shoots shut,

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Speaker 2: it's going to hurt. He's bigger, faster, and stronger too.

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Speaker 2: He's the first member of the DK crew. Hey, welcome

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Speaker 2: to the Blackout to his podcast. Y'alls Rod and Karen

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Speaker 2: and we're in the house on a Monday night. No

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Speaker 2: NFL football, no n C Double A Championships, just us,

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Speaker 2: Karen and we have a very special guest, NBA expert

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Speaker 2: comedian Mike Lawrence, who's been on the show before. He's

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Speaker 2: also done a couple of movie reviews with us. You

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Speaker 2: might know him from his podcast Nerd of Mouth, which

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Speaker 2: is an excellent podcast. I listen to it every every

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Speaker 2: week that it comes out. And you might follow him

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Speaker 2: on Twitter. He's a great follow at the Mike Lawrence

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Speaker 2: at his website is Mike on Comedy dot com. And

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Speaker 2: that you guys can hear he's a wrecking the tent

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Speaker 2: in the background. What's going on, Mike?

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Speaker 3: Not much had to bite my tongue and not say

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Speaker 3: that Monday Night Raw was happening now when you were

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Speaker 3: mentioning all the events that are occurring.

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Speaker 4: Oh yeah, we have a lot of people who watch that.

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Speaker 4: I see people live tweeting that too.

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Speaker 5: Oh yeah, yeah, yeah, I just I had realized the

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Speaker 5: last time that I, uh, well, we talked about non

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Speaker 5: stop together. But the last time I was on a

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Speaker 5: full episode of your show with Karen.

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Speaker 3: Was literally the day after, like I saw Ride Along

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Speaker 3: and now I'm on again, right after another Kevin Hart

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Speaker 3: January movie comes out. Yell.

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Speaker 2: Now, I also know he's.

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Speaker 3: Like, I'm not moving towards July or Junior yet, but

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Speaker 3: you give me January and September.

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Speaker 2: Now, I've also just seen that movie. Now this year,

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Speaker 2: I have not made the mistake of seeing Kevin Hart's movie.

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Speaker 6: Did you see his newest movie?

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Speaker 3: No, Although you know there's all this talk about lack

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Speaker 3: of diversity in movies, that is the most diverse poster

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Speaker 3: that I've ever seen, just just by being the first

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Speaker 3: poster to have a bald Asian man on a young

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Speaker 3: bald Asian man and Hurley from Lost.

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Speaker 2: Yeah, Kevin Hart, you know, for for his shortcomings for

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Speaker 2: all his shortcomings, he does play a lot of in

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Speaker 2: a lot of diverse movies, even if not diverse roles.

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Speaker 3: I would say the Wedding Ringer poster is Martin Luther

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Speaker 3: King Dream Junior's dream come to life. I've had a

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Speaker 3: dream that one day, black guy with not much depth

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Speaker 3: as an actor, games up with the less funnyt slot

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Speaker 3: left fat of Jack Black with glasses and we find

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Speaker 3: out that Hurlif from Lost is not dead as he

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Speaker 3: should have been from Hurly related causes.

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Speaker 2: Yeah, you know what's funny his trailers And I don't

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Speaker 2: know if it's just a black thing or not, but

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Speaker 2: every time I see it Kevin Hart trailer, part of

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Speaker 2: me does want to see the movie. And I don't

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Speaker 2: know why because I know it's gonna be bad. But

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Speaker 2: like I found myself looking at like trying to go

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Speaker 2: through the movies looking at what was out, and I

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Speaker 2: was I was literally sweating bullets over like American Sniper

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Speaker 2: Selma or The Wedding Ringers. I'm so serious.

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Speaker 3: I was the one movie that doesn't have brutal violence

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Speaker 3: and it will be the one you wish did.

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Speaker 2: Yeah, like someone killed me if nothing else, But you

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Speaker 2: know it is Oscar time, and uh, there has been

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Speaker 2: a lot of conversation around the Oscars man, So I

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Speaker 2: thought we talk about some acting stuff.

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Speaker 6: There's I got a lot of acting news.

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Speaker 2: Actually, now, Mike, before we get started, have you ever

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Speaker 2: done any acting?

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Speaker 3: Yeah? No, I was in I was in inside Amy

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Speaker 3: Schumer last year in a sketch as a creepy guy

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Speaker 3: type cast.

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Speaker 1: Uh.

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Speaker 3: It was the part I was born and then gave

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Speaker 3: up for. Uh, but yeah, I was a she ran

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Speaker 3: a serial killer eyeglass store and it was John Glazer,

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Speaker 3: who's who's amazing, Artie Lang, who's like the best, and

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Speaker 3: then me. So it was it was cool being on

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Speaker 3: set and stuff. That's but almost everything I auditioned for

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Speaker 3: it is drifter or addict or fat guy who thinks

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Speaker 3: he's attractive but nobody else does. So all the roles

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Speaker 3: Josh gadd gets them. He seems like a nice guy.

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Speaker 2: You just walk into the audition that you see him there,

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Speaker 2: you just turn around and walk out.

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Speaker 3: I just shoot him, I go, I don't believe in gad.

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Speaker 2: He baby.

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Speaker 1: Just let you know.

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Speaker 4: For some reasons, pre cast is cutting a food and

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Speaker 4: everybody talking about deer. Stuff is going black and they

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Speaker 4: can't hear see us.

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Speaker 2: Okay, they got to refresh. I don't know on my end,

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Speaker 2: I'll try to refresh it one more time. But okay.

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Speaker 6: Now, also, after you shoot them, you gotta go goddamn.

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Speaker 2: And then.

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Speaker 3: In gad we trust.

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Speaker 2: Now a lot of stuff has happened since the last

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Speaker 2: time you were on the show Man.

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Speaker 6: You got married.

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Speaker 2: Yeah, man, how's Mary?

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Speaker 3: It's good. It's funny like being asked how married life

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Speaker 3: is like three months into a marriage is like when

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Speaker 3: you watch a movie and someone ask you do you

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Speaker 3: like it so far and you've just seen like the

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Speaker 3: production credits. I don't know that that mandal a Tiger

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Speaker 3: is pretty cool, but I don't know how this is

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Speaker 3: really gonna work yet.

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Speaker 2: Well, you know some movies you can tell five minutes

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Speaker 2: in and like this is gonna be a ship fast,

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Speaker 2: so you know.

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Speaker 6: But yeah, you see the titles.

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Speaker 3: I love Kevin Hard. I'd like to work with him someday.

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Speaker 3: I will gladly play a serial killer in one of

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Speaker 3: his films. Now a really great dude, and I and

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Speaker 3: I kind of love that we stuck at the sony.

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Speaker 2: Oh, first of all, like my non enjoyment of his

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Speaker 2: most of his films does not impact two things.

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Speaker 6: One that's me seeing more of his films.

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Speaker 2: I don't know why that's I'm assuming it's gotta because

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Speaker 2: I'm black.

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Speaker 3: I can't films.

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Speaker 2: Yeah yeah, I just keep being like, you know what,

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Speaker 2: maybe this time he finally got it together. And then

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Speaker 2: the other thing is I still root for him as

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Speaker 2: like a person because he worked. He worked so like

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Speaker 2: he's the He's like the white dude that plays wide

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Speaker 2: receiver in the NFL, where you're just like that dude

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Speaker 2: must work hard as fuck to be there.

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Speaker 3: He's really hard working.

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Speaker 1: See.

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Speaker 3: I just wish the songs were more heartwarming. The thing.

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Speaker 3: The thing about him, it's like because his stand up

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Speaker 3: is great, Like the personality is great. But movie wise,

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Speaker 3: I feel like he just saw Eddie Murphy's career and

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Speaker 3: he just went, I just want to go to the

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Speaker 3: second part. I don't want to. I don't want to

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Speaker 3: have to deal with the credibility of the first part

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Speaker 3: of his movies, so I'll just he will. I think

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Speaker 3: like the movie wise, his thought is I just do

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Speaker 3: it for the money, you know.

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Speaker 2: Yeah. Well, Also, I mean like I was reading an

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Speaker 2: article today where he was saying that he would never

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Speaker 2: play a gay person in a movie, mostly because he

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Speaker 2: feels like he's not talented enough to pull it off,

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Speaker 2: which you know, I wouldn't argue with him. He probably

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Speaker 2: isn't either, but at the same time, like.

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Speaker 3: But see that. See. The only thing that I take

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Speaker 3: issue with there is how much differently do you have

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Speaker 3: to play it? If sexual press for instance, the only difference, Yeah,

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Speaker 3: you know, you can just be a gay person, you

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Speaker 3: know what I mean. You don't have to play a

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Speaker 3: gay person with all of the pain and horror of

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Speaker 3: the gay rights and movement. You know.

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Speaker 2: Well, you know, Kevin harr is a method actor, so uh,

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Speaker 2: he had to get pretty.

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Speaker 3: He was actually at my wedding.

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Speaker 6: But yeah, I don't know.

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Speaker 2: That was the thing for me is like I won't

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Speaker 2: begrudge somebody for saying like I wouldn't do this because

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Speaker 2: I don't think i'd be good at it, although I

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Speaker 2: think I do get the judge him and say, well,

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Speaker 2: that means you're not as good at this thing as

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Speaker 2: other people, because other people do it all the time.

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Speaker 3: Yeah, I don't think he's trying to be as you know.

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Speaker 3: It's like that's the thing too, you're paying to see him.

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Speaker 3: I mean as much as you know as the biggest

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Speaker 3: Chris Farley pain growing up. That's the only celebrity death

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Speaker 3: that like legit made me cry. And he was just

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Speaker 3: Chris Farley in every movie, right, And that's what you wanted.

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Speaker 3: I mean, there's some people that have more range and

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Speaker 3: can stretch and turn to something else. But sometimes, and

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Speaker 3: especially in the thirties and forties and fifties of like

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Speaker 3: the big studio era of movies where they just pumped

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Speaker 3: shit out and there wasn't really television yet, right, that's

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Speaker 3: what you do. You know, you go see Bob Hart

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Speaker 3: and who is It? Ben Crosby and all those road

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Speaker 3: movies and there would be like nine of them, or

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Speaker 3: the Marx Brothers or the Three Stooges. It was the

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Speaker 3: same shit every time, but you went because you knew

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Speaker 3: it would be.

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Speaker 2: Yeah. Yeah, I mean I agree with that. I think

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Speaker 2: I just think when people say that he's not a

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Speaker 2: good actor or whatever, that's that's kind of him lending

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Speaker 2: credence to that, like he's good at just doing him

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Speaker 2: and that's it, right, which is what most people have

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Speaker 2: been saying about him.

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Speaker 6: Anyway. Like I didn't find what he said to be controversial.

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Speaker 2: But it seems like because I basically said, well, you know,

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Speaker 2: that's because he's not that good at acting, and people

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Speaker 2: are like, whoa, whoa, So you got to insult the man.

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Speaker 2: I'm like, is that an insult? He's kind of saying

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Speaker 2: it ainy though anyway.

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Speaker 3: But it's also like, how much different is I now

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Speaker 3: pronounce you Chuck and Larry from most Adam Sandler Kevin

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Speaker 3: James movies.

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Speaker 2: You know what I mean?

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Speaker 3: Like what really what real different approach did those guys

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Speaker 3: bring to that movie that they didn't bring in their

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Speaker 3: other family type comedies. Yeah.

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Speaker 2: Plus, I think being gay in comedy for man, is

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Speaker 2: it necessarily as far reaching as it is in drama

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Speaker 2: or for women. Like it's kind of like you just

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Speaker 2: maybe you had to hold hands with a dude. Maybe

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Speaker 2: you'll see a dude with no shirt on or something

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Speaker 2: at some point, but like it's very rarely like these

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Speaker 2: intense love scenes and stuff like that, So he could

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Speaker 2: do it, I.

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Speaker 3: Think, But I think he only saw him broke back

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Speaker 3: mount and was like, I'm not doing that. I'm on

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Speaker 3: that cowboy hat. Like no gay people. Gay people you know,

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Speaker 3: they have lunch sometimes and they right they go see

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Speaker 3: Kevin Hart movies. Right, there's gay people at the wedding

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Speaker 3: ringer right now, mostly in the thirty six states that

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Speaker 3: A loved gay marriage. But it's really sad.

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Speaker 6: It's yeah, it is, man.

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Speaker 2: There's a there's more acting news going, but let me

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Speaker 2: first introduced the show.

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Speaker 6: This is the Blackout Tips.

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Speaker 2: Find us on iTunes of Stitcher search the Blackout Tips

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Speaker 2: dot com also uh, and you can become a premium listener.

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Speaker 2: Music while you're doing your New Year's resolutions. All right,

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Speaker 2: you guys are probably getting in the gym right now.

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Speaker 2: Get you some headphones, get you some music, keep motivated.

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Speaker 6: You know a lot of.

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Speaker 2: People's headphones are breaking right now, go ahead and get

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Speaker 2: you some new ones.

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Speaker 7: Man.

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Speaker 2: The official weapon of the show is Patasa, an unofficial sport.

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Speaker 2: It's bulletball and bullet ball extream. All right, back to

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Speaker 2: Mike doing dishes.

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Speaker 3: Listen, I will I will say this. This one last

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Speaker 3: thing about this uh is Kevin Hart thing is that

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Speaker 3: the rock? Remember so he does he does Scorpion King.

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Speaker 3: It was like this first movie, but then he does

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Speaker 3: be cool. Yeah, and he plays a gig guy who's

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Speaker 3: like a bodyguard who also wants to be a singer.

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Speaker 2: Yep, remember this country western singer. Yeah, I remember, Well

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Speaker 2: it's my top five rock roll.

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Speaker 3: Now that's a terrible movie. It's really really horrendous. They

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Speaker 3: just made a PG thirteen Get Shorty and had an

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Speaker 3: odd Aerosmith's cameo and lots of falls in the movie.

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Speaker 3: But he's good at it and it's not and you

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Speaker 3: know why he was good at it because he's just

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Speaker 3: the rock and he's not like hang guys, you know right, Oh,

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Speaker 3: I smell with you're cooking. You know, he's just he's

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Speaker 3: just himself like but and then he just says he's gay.

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Speaker 2: Yeah yeah, yeah, it's really all you got to it's

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Speaker 2: really all you gotta do to so many different types

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Speaker 2: of people that are gay. It's not like there's one

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Speaker 2: way to do it. And yeah, that that movie. I

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Speaker 2: also hated that movie, but I love the Rock in it.

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Speaker 2: And at the time that I said I hated it,

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Speaker 2: everybody was saying it was a good movie. So then

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Speaker 2: I had like this, I had to argue about the

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Speaker 2: damn movie all the time because I was just like

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Speaker 2: this MOVI sucked. They're like, no, you can't say that

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Speaker 2: The Rock was so good. I was like he was good.

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Speaker 6: Yim just it.

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Speaker 3: Yeah.

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Speaker 6: Now we talk.

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Speaker 2: We talk about movies sometimes on Facebook and whatnot, and

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Speaker 2: I see you talk about movies on Nerd of Mouth

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Speaker 2: and all this stuff. So I thought we'd do a

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Speaker 2: little movie talk on the show What are you looking

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Speaker 2: forward to for twenty fifteen?

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Speaker 1: Man?

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Speaker 3: Not as much as I thought, you know, like to

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Speaker 3: be honest with you, like, I know, like there's the

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Speaker 3: big NERD movies coming out. I think some of them

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Speaker 3: will be good, but I find the Avengers marketing to

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Speaker 3: be underwhelming. The am Man trailer is just to be awful.

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Speaker 3: Fantastic four. I know nothing about it. Everything I do

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Speaker 3: know about it, like there's there's been no trailer. Everything

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Speaker 3: I do know is kind of scary.

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Speaker 2: Yeah, but.

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Speaker 3: Star Wars just wasn't my thing growing up. I think

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Speaker 3: it'll be good. I think Abrams knows how to make

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Speaker 3: that type of movie. I think it's cool that the

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Speaker 3: guys from The Raider in it. Yeah, the guy from

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Speaker 3: Attack the Block, isn't it. I think the guy from

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Speaker 3: Inside Lewin Davis. I think it's an interesting cast. I

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Speaker 3: kind of I'm the I think that's part of what's fascinating.

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Speaker 3: How I know, I'm not a Star Wars guys. I'm

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Speaker 3: way more interested than all in all of the new

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Speaker 3: people that are in the movie than the said older people.

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Speaker 2: Well, I feel like as a Star Wars fan, I

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Speaker 2: also am excited about the new Blood because.

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Speaker 6: I mean, seventy year old Han Solo, I mean, I.

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Speaker 2: Really just can't. I really can't see that guy doing

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Speaker 2: a lot of action scenes. He broke his ankle on

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Speaker 2: the set.

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Speaker 3: You know, he looks like he's had a stroke. He's

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Speaker 3: very uncomfortable looking.

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Speaker 2: Yeah, he does. Man, I saw him in forty two

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Speaker 2: is branch Ricky, and I just kept being like that

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Speaker 2: dude was onn Solo. Oh my god, I'm so old

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Speaker 2: so but no, I think Star Wars might be my

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Speaker 2: most anticipated film.

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Speaker 1: Man.

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Speaker 4: I'm excited about that because that came out on what

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Speaker 4: Black Friday, and like it was what everybody talked about.

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Speaker 1: I was excited.

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Speaker 6: The trailer shut the internet down.

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Speaker 2: I love it just because I think JJ Abrams will

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Speaker 2: make the first good Star Wars movie, so I'll be

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Speaker 2: I'll be into it as opposed to join.

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Speaker 3: The first three. Like the original three, they're they're great

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Speaker 3: for what they are, but they're like awesome genre films

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Speaker 3: that have somehow been mistaken as brilliant films. I agree,

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Speaker 3: I don't you know, And there's fun moments in them.

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Speaker 3: But like I watched, you know, like Guardians of the

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Speaker 3: Galaxy to me is like Star Wars done perfectly.

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Speaker 2: Yeah. I feel like Star Wars the original Trilli trilogy

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Speaker 2: just age like Carry Fisher, you know, back then I

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Speaker 2: was all into it.

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Speaker 3: It holds up as well as Harrison Yeah.

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Speaker 6: Yeah, it's not.

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Speaker 2: Like when I try to watch it now is it's

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Speaker 2: one hundred percent nostalgia and not very much.

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Speaker 6: Oh, this is just legitimately good.

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Speaker 2: And with the new trilogy, I think the first two

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Speaker 2: movies are abhorring, but I do like the third of

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Speaker 2: the new trilogy, only like half the second half of

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00:17:24,440 --> 00:17:28,120
Speaker 2: it when and it can turns evil and starts killing everybody, right,

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Speaker 2: because yeah, yeah, yeah. Once Hayden Christensen doesn't talk, I

336
00:17:33,880 --> 00:17:37,080
Speaker 2: like him more than that. I don't know why, but

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Speaker 2: I am looking forward to ant Man a little bit.

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Speaker 2: But I think it's more like to use a sports

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00:17:43,320 --> 00:17:46,840
Speaker 2: analogy here. Hopefully I don't lose mic, but it's kind

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00:17:46,840 --> 00:17:48,480
Speaker 2: of like when a guy is hitting a bunch of

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Speaker 2: jump shots in the NBA and then one time he

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Speaker 2: just decides I want to shoot from like fucking half

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Speaker 2: court because I hit everything else. And I feel like

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Speaker 2: that's what Marvel's doing with ant Man. Order, like we

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Speaker 2: hit everything else, we're gonna just try this and if it,

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Speaker 2: you know, if it doesn't go in, if it doesn't work,

347
00:18:05,280 --> 00:18:07,160
Speaker 2: you know, no harm, no foul, they'll just go back

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Speaker 2: to the you know, tried and true franchise they have.

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Speaker 3: But I think I think Guardians already was that. You know, Guardians,

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00:18:14,560 --> 00:18:18,000
Speaker 3: was that like five seconds left in NBA jam and

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Speaker 3: you just hit the throw button from across the court, Yes,

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Speaker 3: and it actually gets in.

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Speaker 6: Yeah, but he's on fire, yes.

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Speaker 2: Yeah, yeah, well I guess, and man, is like when

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00:18:33,920 --> 00:18:36,639
Speaker 2: they switched up the code to get Bill Clinton and

356
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Speaker 2: they're just gonna play as him uh in NBA jam.

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Speaker 2: But yeah, I don't know.

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Speaker 3: Man.

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Speaker 2: I'm kind of excited about it, but only because I

360
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Speaker 2: feel like I've liked most of the Marvel movies at

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Speaker 2: this point, so I guess probably could announce anything and

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Speaker 2: i'd probably be excited, which you know, I guess eventually

363
00:18:56,000 --> 00:18:57,840
Speaker 2: that's gonna tap out.

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Speaker 3: After the Edgar, right thing, I really want, I really

365
00:19:00,280 --> 00:19:04,159
Speaker 3: needed to see a great trailer, and I don't like

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Speaker 3: the colors of it. It's like all red and black

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00:19:07,320 --> 00:19:10,399
Speaker 3: and kind of drab looking, and even the Avengers trailer

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00:19:10,480 --> 00:19:13,040
Speaker 3: just looks I guess they're you know, it is there

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00:19:13,119 --> 00:19:16,000
Speaker 3: like Empire Strikes Back it's the second one. Yeah, but

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00:19:16,000 --> 00:19:19,119
Speaker 3: it's just so bleak and depressing. And the thing I

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Speaker 3: loved about Guardians and I loved about Adventures is that

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Speaker 3: they were actually fun, Yes, very fun.

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Speaker 2: And now I gotta ask you this about Guardians because

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Speaker 2: you know, like I said, I listen to Nerd of

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Speaker 2: Mouth and I love Guardians like I would say it's

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Speaker 2: my favorite of the Marvel movies at this point, and

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Speaker 2: I think it's kind of It's been a while so

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00:19:38,960 --> 00:19:41,720
Speaker 2: I feel comfortable saying that. But you don't like that

379
00:19:41,800 --> 00:19:44,440
Speaker 2: they did the dance off at the end. Man, you're

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00:19:44,440 --> 00:19:45,560
Speaker 2: not a fan of that, right.

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Speaker 3: I despise it. I think it's everything that's wrong with

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Speaker 3: the Marvel movies.

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Speaker 6: Oh man, But it's not so we.

384
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Speaker 3: Could talk about this. It just doesn't make sense from

385
00:19:57,080 --> 00:20:05,480
Speaker 3: a character's standpoint, because Ronan, the accuser is Fred Phelps.

386
00:20:06,040 --> 00:20:09,560
Speaker 3: He is a hateful, bigot who will do anything he

387
00:20:09,720 --> 00:20:15,480
Speaker 3: can to you know, he's you know, he's let's just say,

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00:20:16,240 --> 00:20:21,600
Speaker 3: star Lord is Charlie hebdo and he's the terrorist. I mean,

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00:20:21,720 --> 00:20:24,199
Speaker 3: I know. But the thing is, you could say what

390
00:20:24,280 --> 00:20:26,560
Speaker 3: you want about Fred Phelps, and you could say what

391
00:20:26,640 --> 00:20:29,679
Speaker 3: you want about the terrorists, but they are unflinching in

392
00:20:29,720 --> 00:20:33,800
Speaker 3: their faith to their cause and they will fuck you up.

393
00:20:35,320 --> 00:20:40,200
Speaker 3: You know. These are people who just don't care because

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Speaker 3: they're zealous. And Fred Phelps would not let people dance,

395
00:20:48,600 --> 00:20:53,240
Speaker 3: you know. Again, those terrorists would not. It just doesn't

396
00:20:53,320 --> 00:20:58,879
Speaker 3: make sense. He has omnipotent power, he has one goal

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00:20:59,000 --> 00:21:02,920
Speaker 3: and mission. He would not be distracted by what Star

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Speaker 3: Wars did because he'd be too obsessed to allow anything

399
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Speaker 3: to happen and would just obliterate him.

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Speaker 2: But wouldn't a dance off be the one thing fred

401
00:21:13,000 --> 00:21:16,240
Speaker 2: fels wouldn't see coming? You know, he wouldn't care.

402
00:21:17,000 --> 00:21:21,240
Speaker 3: I mean, this is a guy who protested soldier's funerals, right, you.

403
00:21:21,240 --> 00:21:24,280
Speaker 2: Know, No, well he didn't. Now it's not But it's

404
00:21:24,320 --> 00:21:27,399
Speaker 2: not like fred Felts joined into the dance, you know

405
00:21:27,400 --> 00:21:29,280
Speaker 2: what I mean? Like it was just looking like what

406
00:21:29,320 --> 00:21:32,080
Speaker 2: the fuck are y'all doing? And that was all the

407
00:21:32,119 --> 00:21:33,280
Speaker 2: distraction that they needed.

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00:21:34,160 --> 00:21:36,879
Speaker 3: There's the iconic image, you know, you think of like

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Speaker 3: the early seventies and how we weren't in the sixties anymore,

410
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Speaker 3: and how dark things got right of the hippie put

411
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Speaker 3: in the flower in the gun. Yeah, and then the

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Speaker 3: gun fires. M yeah, Star wars the Flower and the gun.

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Speaker 6: But wouldn't that be a really sad way to end

414
00:21:55,480 --> 00:21:56,040
Speaker 6: that movie?

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Speaker 3: I know, I agree, I see, I see why it happened.

416
00:22:02,080 --> 00:22:05,200
Speaker 3: It just isn't It doesn't make sense for the character.

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00:22:05,400 --> 00:22:09,719
Speaker 3: It's a very poorly written scene. You barely give I mean,

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00:22:09,800 --> 00:22:13,320
Speaker 3: Rodan barely has any lines anyway, but you make him

419
00:22:13,359 --> 00:22:17,639
Speaker 3: this one dimensional zealot and then he's what's that? And

420
00:22:17,920 --> 00:22:21,960
Speaker 3: that's most of the Marvel movie villains. They get distracted easily.

421
00:22:22,080 --> 00:22:27,199
Speaker 3: They're really dumb. I mean, look at Whiplash in Iron

422
00:22:27,240 --> 00:22:29,920
Speaker 3: Man two, he takes his helmet off.

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00:22:30,240 --> 00:22:32,359
Speaker 2: Oh yeah, well Iron Man two sucks in my opinion,

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Speaker 2: So though, yeah, he's the rock of their but yeah,

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00:22:43,400 --> 00:22:45,880
Speaker 2: I was not a fan of that movie.

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Speaker 3: And start contrast to the rest of.

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Speaker 6: The Yeah, yeah, that's true.

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00:22:51,480 --> 00:22:51,879
Speaker 2: I guess.

429
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Speaker 6: Also, like you said, the tone the Towne was more fun.

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Speaker 2: So I think I just let this lit man like

431
00:22:59,040 --> 00:23:02,320
Speaker 2: I like me that dance off many. I mean, long

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Speaker 2: as they don't go back to the Well and Guardians

433
00:23:04,720 --> 00:23:07,400
Speaker 2: of the Galaxy too, I can let it slide.

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00:23:07,480 --> 00:23:08,840
Speaker 6: But we'll see what happens.

435
00:23:09,640 --> 00:23:12,280
Speaker 3: Yeah, I mean, you know, it is that thing, it's

436
00:23:12,280 --> 00:23:14,720
Speaker 3: the suspension of this belief. Like, and that's the thing

437
00:23:14,760 --> 00:23:19,680
Speaker 3: I will say. I accepted the fact that you don't

438
00:23:19,720 --> 00:23:22,960
Speaker 3: know how he got batteries for his walkman.

439
00:23:23,440 --> 00:23:25,480
Speaker 2: Yeah, you know, it's.

440
00:23:25,320 --> 00:23:28,919
Speaker 3: Like whatever, Okay, But when it's like because that's like

441
00:23:28,960 --> 00:23:31,840
Speaker 3: a technical nerd it pick. But when it's like a

442
00:23:31,960 --> 00:23:36,320
Speaker 3: character motivation, it just seems like it comes out of nowhere.

443
00:23:36,400 --> 00:23:38,600
Speaker 6: Yeah, and Ronan was pretty one note up to that point,

444
00:23:38,720 --> 00:23:40,040
Speaker 6: and I'm relating.

445
00:23:39,640 --> 00:23:42,280
Speaker 3: So but you know, what, what are you doing now?

446
00:23:42,400 --> 00:23:44,600
Speaker 3: He wouldn't ask that, though I will.

447
00:23:44,880 --> 00:23:47,600
Speaker 2: But here's the thing, though, they did set up earlier

448
00:23:48,080 --> 00:23:52,760
Speaker 2: that Ronan, you know, would let people that didn't need

449
00:23:52,800 --> 00:23:56,920
Speaker 2: to bother him distract him. When he fall draft to Destorier,

450
00:23:57,520 --> 00:24:01,160
Speaker 2: like he like Drafts basically was just a male distraction round,

451
00:24:01,480 --> 00:24:03,320
Speaker 2: you know, like he could have just been like, man,

452
00:24:03,320 --> 00:24:05,840
Speaker 2: this ain't on my mission and kept handling his business.

453
00:24:05,880 --> 00:24:07,879
Speaker 2: But he took time to beat that dude's ass and

454
00:24:07,920 --> 00:24:09,200
Speaker 2: let him know I killed your family.

455
00:24:09,720 --> 00:24:12,240
Speaker 3: Yeah, and he killed Thanos this guy just to show

456
00:24:12,280 --> 00:24:13,040
Speaker 3: how tough he was.

457
00:24:13,200 --> 00:24:14,800
Speaker 2: Yeah, that was which further.

458
00:24:14,880 --> 00:24:17,840
Speaker 3: Doesn't make sense that he would let Starlard dance when

459
00:24:17,880 --> 00:24:20,600
Speaker 3: he has the omnipotent power. He's been searching for it

460
00:24:20,680 --> 00:24:23,800
Speaker 3: through the whole movie and he's laying wasted cities without

461
00:24:23,800 --> 00:24:26,679
Speaker 3: thinking twice about it. Why is he thinking twice about

462
00:24:26,680 --> 00:24:30,400
Speaker 3: this if he's never thought twice about anything else. And

463
00:24:30,480 --> 00:24:32,080
Speaker 3: where is the music coming from?

464
00:24:32,359 --> 00:24:35,000
Speaker 2: Well, that's just because you've never been jammed. You never

465
00:24:35,080 --> 00:24:37,240
Speaker 2: had any boy jam like that on you. God, I

466
00:24:37,280 --> 00:24:39,320
Speaker 2: feel like you know no, But he's.

467
00:24:39,200 --> 00:24:42,119
Speaker 3: Got headphones on. How could the music be that loud?

468
00:24:42,480 --> 00:24:44,159
Speaker 3: Not to mention Ronan has a helmet on.

469
00:24:44,400 --> 00:24:49,520
Speaker 2: Well, interdimensional space batteries obviously are able to maximize the

470
00:24:49,560 --> 00:24:50,600
Speaker 2: speakers on his headphones.

471
00:24:50,600 --> 00:24:51,879
Speaker 3: That was obviously.

472
00:24:52,440 --> 00:24:54,800
Speaker 2: I don't know. Maybe I don't know what movie you saw.

473
00:24:55,800 --> 00:24:57,520
Speaker 3: I did the Wedding Ringer.

474
00:24:57,800 --> 00:25:03,560
Speaker 2: Yeah, so are you not looking because I've never saw

475
00:25:03,600 --> 00:25:04,720
Speaker 2: you talk about these movies.

476
00:25:04,760 --> 00:25:06,240
Speaker 6: So I'm I don't know.

477
00:25:06,240 --> 00:25:08,520
Speaker 2: I'm a guest that you're not a fan, but you're

478
00:25:08,560 --> 00:25:10,800
Speaker 2: not looking forward to Fast and Furious number seven?

479
00:25:11,640 --> 00:25:13,199
Speaker 3: I've never seen any of them. What.

480
00:25:14,040 --> 00:25:17,320
Speaker 1: Wow, I'm excited hotly crap man.

481
00:25:17,800 --> 00:25:19,719
Speaker 6: Well, now it's way too late for you to get started.

482
00:25:19,720 --> 00:25:22,640
Speaker 3: I'm the one person who wasn't said when Paul Walker died.

483
00:25:22,840 --> 00:25:26,320
Speaker 6: Oh no, I wasn't either. He owe me some money

484
00:25:26,320 --> 00:25:28,280
Speaker 6: because I saw Break Mansions.

485
00:25:28,200 --> 00:25:29,960
Speaker 1: Didn't I didn't go see that foolishness.

486
00:25:30,000 --> 00:25:32,640
Speaker 6: Nope, Yeah, I was not a I didn't appreciate.

487
00:25:32,200 --> 00:25:36,440
Speaker 3: How you brick mansion in the sky Doug.

488
00:25:37,920 --> 00:25:42,040
Speaker 2: In Tupac. So no, first, Okay, well, what about this

489
00:25:42,080 --> 00:25:45,680
Speaker 2: movie it's called what the fun was the name of it?

490
00:25:46,520 --> 00:25:48,359
Speaker 3: Should I see the Fast and furiouses?

491
00:25:48,840 --> 00:25:53,040
Speaker 2: Listen, here's the thing. I'm gonna say no, right, because

492
00:25:53,160 --> 00:25:57,040
Speaker 2: I hate when you specifically watch things I love, because

493
00:25:57,680 --> 00:26:00,720
Speaker 2: I always end up dissecting them to a point where

494
00:26:00,720 --> 00:26:03,480
Speaker 2: I'm like, God, damn it, I guess the movie did

495
00:26:03,520 --> 00:26:06,240
Speaker 2: have this fucking thing in it that I shouldn't be

496
00:26:06,800 --> 00:26:09,400
Speaker 2: cool with, and then I end up not liking it

497
00:26:09,480 --> 00:26:11,560
Speaker 2: and it's just not worth it for me. So I

498
00:26:11,560 --> 00:26:14,120
Speaker 2: would appreciate if you just keep staying away because those

499
00:26:14,119 --> 00:26:16,720
Speaker 2: movies are such silly fun that.

500
00:26:16,760 --> 00:26:19,920
Speaker 4: Oh yeah, that makes no sense and everything is impossible.

501
00:26:20,200 --> 00:26:23,240
Speaker 2: And it took. It took until the last three movies,

502
00:26:23,240 --> 00:26:26,760
Speaker 2: which are written by Justin Lynn, to be good. So

503
00:26:26,840 --> 00:26:30,359
Speaker 2: I had to sit through like three shitty movies and

504
00:26:30,400 --> 00:26:33,400
Speaker 2: then three really fun movies.

505
00:26:33,200 --> 00:26:35,760
Speaker 3: Yes, and he's got a background and stuff.

506
00:26:36,000 --> 00:26:38,680
Speaker 2: Yeah, and he's actually gonna be directing the next Star Trek,

507
00:26:38,800 --> 00:26:40,600
Speaker 2: so like you know, he's moving on the bigger and

508
00:26:40,680 --> 00:26:43,359
Speaker 2: better things. But yeah, I don't want you to watch

509
00:26:43,400 --> 00:26:45,199
Speaker 2: these movies because I don't need you to tell me

510
00:26:45,359 --> 00:26:47,400
Speaker 2: what I already know, which is that they're not that good.

511
00:26:47,680 --> 00:26:50,479
Speaker 2: I was gonna ask you about The Kingsman The Secret Service.

512
00:26:50,720 --> 00:26:51,760
Speaker 3: Were you interested fun?

513
00:26:52,400 --> 00:26:53,320
Speaker 6: Yeah? I'm interested.

514
00:26:54,000 --> 00:26:57,680
Speaker 3: I think I love Samuel L. Jackson, Like, I don't

515
00:26:57,720 --> 00:26:59,960
Speaker 3: know what he's doing in the movie, but it looks great.

516
00:27:00,560 --> 00:27:03,040
Speaker 2: It looks like a Spike Lead impersonation. But I'm not

517
00:27:03,119 --> 00:27:06,239
Speaker 2: sure you got to the side. He's got a New

518
00:27:06,280 --> 00:27:09,040
Speaker 2: York Knicks, had a slight list and some glasses.

519
00:27:09,080 --> 00:27:11,280
Speaker 6: I don't know, man, Spike.

520
00:27:11,080 --> 00:27:13,639
Speaker 2: Lee might want to sue for some sort of copyrighting

521
00:27:13,720 --> 00:27:14,800
Speaker 2: Frendran or something.

522
00:27:15,920 --> 00:27:21,320
Speaker 3: If he if he says please please, this character's name

523
00:27:21,440 --> 00:27:26,080
Speaker 3: is just Bars MacMan. It's different.

524
00:27:27,800 --> 00:27:31,000
Speaker 2: So yeah, I'm excited about that. And you know, obviously

525
00:27:31,200 --> 00:27:33,639
Speaker 2: the typical age agent ultron. I think it's gonna be

526
00:27:34,359 --> 00:27:37,240
Speaker 2: greatness thing. It's gonna be great, man. You know, I

527
00:27:37,280 --> 00:27:39,600
Speaker 2: think they're not showing much in the trailers on purpose.

528
00:27:39,680 --> 00:27:42,880
Speaker 1: Now don't please don't. Yeah, you got my money, don't

529
00:27:42,960 --> 00:27:43,800
Speaker 1: don't please don't.

530
00:27:44,720 --> 00:27:46,919
Speaker 2: I'm kind of worried that they're gonna show us a

531
00:27:46,960 --> 00:27:49,560
Speaker 2: bunch of ship during the Super Bowl because they did

532
00:27:49,600 --> 00:27:51,800
Speaker 2: that last year, I mean, the last time they had

533
00:27:51,800 --> 00:27:55,119
Speaker 2: a movie for Avengers, and I mean, I guess it

534
00:27:55,160 --> 00:27:57,560
Speaker 2: didn't hurt the movie too bad, but they showed that

535
00:27:57,600 --> 00:28:00,720
Speaker 2: scene where the Hulk grabs Iron Man when he's falling

536
00:28:00,760 --> 00:28:03,000
Speaker 2: back to the Earth and that's like the end of

537
00:28:03,040 --> 00:28:07,160
Speaker 2: the fucking movie, man, Like you gave away everything, thanks, asshole.

538
00:28:07,280 --> 00:28:09,480
Speaker 6: So I hope that the trailer isn't that good for

539
00:28:09,560 --> 00:28:10,320
Speaker 6: the super Bowl.

540
00:28:11,160 --> 00:28:13,159
Speaker 3: You ever you ever watched a trailer for a movie

541
00:28:13,880 --> 00:28:16,760
Speaker 3: for the first time after you've seen a movie, Yeah,

542
00:28:16,800 --> 00:28:20,480
Speaker 3: and and it just yeah, and you just realize how

543
00:28:20,560 --> 00:28:21,520
Speaker 3: much it gives away.

544
00:28:21,800 --> 00:28:23,600
Speaker 6: Right, Yeah, that's the worst, man.

545
00:28:23,760 --> 00:28:26,399
Speaker 4: So that's one thing about movie trailers me and right,

546
00:28:26,560 --> 00:28:28,440
Speaker 4: if I see a movie and I go, you got

547
00:28:28,440 --> 00:28:32,520
Speaker 4: my money, I avoid commercials like a player. Nope, don't,

548
00:28:32,960 --> 00:28:35,320
Speaker 4: don't show me nothing. Yeah, yeah, because I want to

549
00:28:35,440 --> 00:28:36,399
Speaker 4: enjoy the movie.

550
00:28:36,760 --> 00:28:40,280
Speaker 2: Yeah, Like I think Star Wars was my exception this

551
00:28:40,360 --> 00:28:43,160
Speaker 2: last year because I kind of needed my faith renew

552
00:28:43,320 --> 00:28:45,840
Speaker 2: because I was like, God, damn it, how can much

553
00:28:45,840 --> 00:28:48,480
Speaker 2: worse can this franchise get? And that was the one

554
00:28:48,560 --> 00:28:50,680
Speaker 2: trailer that surprised me enough to go, all right, I'll

555
00:28:50,680 --> 00:28:51,480
Speaker 2: be there, all right.

556
00:28:52,080 --> 00:28:55,240
Speaker 3: But George Lucas did like the most amazing thing though,

557
00:28:55,800 --> 00:28:58,800
Speaker 3: you know he when he sold to Disney, he gave

558
00:28:58,920 --> 00:29:02,880
Speaker 3: all that money to check. Yeah, like educational grants and

559
00:29:02,960 --> 00:29:06,160
Speaker 3: program We're talking like four point six billion dollars.

560
00:29:06,200 --> 00:29:08,680
Speaker 6: George Lucas's wife is the real MVP.

561
00:29:08,880 --> 00:29:09,080
Speaker 3: Man.

562
00:29:09,200 --> 00:29:12,640
Speaker 2: Yes, she is that lady. She made him do that

563
00:29:12,800 --> 00:29:17,200
Speaker 2: Redtails movie. And you know, only a saint would would

564
00:29:17,200 --> 00:29:19,720
Speaker 2: do some shit like that because the movie was shit

565
00:29:20,320 --> 00:29:23,240
Speaker 2: and like it and like when I heard George Lucas

566
00:29:23,240 --> 00:29:24,800
Speaker 2: speak on it, and he was just like, you know,

567
00:29:24,880 --> 00:29:26,920
Speaker 2: there's a lot of young black kids that need people

568
00:29:26,960 --> 00:29:28,240
Speaker 2: to look up to, and there's not a lot of

569
00:29:28,320 --> 00:29:29,600
Speaker 2: movies or role models in them.

570
00:29:29,800 --> 00:29:31,240
Speaker 6: And I wanted to make that movie.

571
00:29:31,440 --> 00:29:34,680
Speaker 2: And I was just like, God, damn, this dude really

572
00:29:34,720 --> 00:29:37,760
Speaker 2: loved that woman because this movie sucks. Like there's no

573
00:29:37,880 --> 00:29:41,200
Speaker 2: way anyone watched that movie and win it will inspire

574
00:29:41,200 --> 00:29:43,320
Speaker 2: a generation of black kids to be something.

575
00:29:43,400 --> 00:29:45,560
Speaker 4: It's like, when you die, you can't take this money,

576
00:29:45,600 --> 00:29:47,320
Speaker 4: and I die, I can't take this money.

577
00:29:47,360 --> 00:29:48,040
Speaker 1: Help somebody.

578
00:29:48,320 --> 00:29:50,520
Speaker 6: Yeah that's my theory.

579
00:29:50,520 --> 00:29:53,760
Speaker 2: Anyway, I think we're gonna find out she's the real philanthropist. O. Yeah,

580
00:29:54,400 --> 00:29:56,920
Speaker 2: but all right, man, let's talk about this year.

581
00:29:57,000 --> 00:29:57,200
Speaker 1: Man.

582
00:29:57,320 --> 00:30:00,720
Speaker 2: There's a lot of controversy around because this year.

583
00:30:01,200 --> 00:30:01,480
Speaker 3: Yep.

584
00:30:03,000 --> 00:30:08,360
Speaker 2: Now, I have not seen Selma yet, okay, and I

585
00:30:08,440 --> 00:30:11,480
Speaker 2: do want to kind of see it, but I don't.

586
00:30:11,280 --> 00:30:13,480
Speaker 3: Know, man, I think it was why you want to

587
00:30:13,520 --> 00:30:14,160
Speaker 3: see it.

588
00:30:14,160 --> 00:30:16,440
Speaker 2: It's kind of like w come out Bell said, where

589
00:30:16,800 --> 00:30:19,480
Speaker 2: when black movies come out for black people, it becomes homework,

590
00:30:21,560 --> 00:30:24,160
Speaker 2: Like you need to see the black movie this year

591
00:30:24,360 --> 00:30:27,000
Speaker 2: to know what had happened, so you can be upset

592
00:30:27,040 --> 00:30:30,000
Speaker 2: with the oscars or talk about it amongst your friends

593
00:30:30,040 --> 00:30:32,040
Speaker 2: as opposed to just being like, oh no, this movie

594
00:30:32,160 --> 00:30:34,320
Speaker 2: is really good, so go see it.

595
00:30:34,480 --> 00:30:36,920
Speaker 3: You know, like, here's what happened in the sixties that

596
00:30:37,040 --> 00:30:42,240
Speaker 3: still happens to you now. Yeah, I saw Selma on

597
00:30:42,320 --> 00:30:47,760
Speaker 3: the way to Selma.

598
00:30:46,480 --> 00:30:49,560
Speaker 2: Right, It's like, so after we go to the Black

599
00:30:49,600 --> 00:30:51,640
Speaker 2: Lives Matter protest, let's go see Seling.

600
00:30:51,840 --> 00:30:55,120
Speaker 6: Like, ah, I might go see the wedding Ring or

601
00:30:55,120 --> 00:30:56,040
Speaker 6: I need something light.

602
00:30:58,320 --> 00:31:01,480
Speaker 3: I've seen all the best sure nominees, except I haven't

603
00:31:01,480 --> 00:31:03,800
Speaker 3: seen an American Sniper yet. I want to see that

604
00:31:03,840 --> 00:31:06,760
Speaker 3: this week. But I saw some and so my thought,

605
00:31:06,960 --> 00:31:12,560
Speaker 3: my thought about the controversy is this, I think that

606
00:31:13,600 --> 00:31:17,480
Speaker 3: I truly believe this. I think that David I will

607
00:31:17,520 --> 00:31:20,240
Speaker 3: probably get his name wrong, which might be one of

608
00:31:20,240 --> 00:31:27,120
Speaker 3: the reasons they didn't nominate him. David Oil, I don't

609
00:31:27,160 --> 00:31:28,520
Speaker 3: know how to close close.

610
00:31:29,600 --> 00:31:32,120
Speaker 2: Sure, let's go with that. I'll actually look at it.

611
00:31:32,800 --> 00:31:35,960
Speaker 3: So he's amazing in it, and he totally got snubbed.

612
00:31:36,720 --> 00:31:39,680
Speaker 1: That's what everybody's saying. Everybody saying, David.

613
00:31:41,560 --> 00:31:43,360
Speaker 3: Okay, all right, David Oh.

614
00:31:43,680 --> 00:31:45,960
Speaker 6: We call him David around here, that's what we call him.

615
00:31:46,000 --> 00:31:48,920
Speaker 8: So you could do it to David Oh, David Oh, Okay,

616
00:31:49,080 --> 00:31:52,440
Speaker 8: I like that, So David not to be confused with

617
00:31:52,520 --> 00:31:56,640
Speaker 8: David o' russell, but yeah, so David Oh, let's just

618
00:31:56,680 --> 00:31:57,480
Speaker 8: say the guy who.

619
00:31:57,320 --> 00:32:03,320
Speaker 3: Played Martolus right now. But David Oh. Anytime he's not screened,

620
00:32:03,800 --> 00:32:08,040
Speaker 3: you're wishing he was again. And just through his performance,

621
00:32:08,240 --> 00:32:14,920
Speaker 3: you can see like the kind of charisma and energy

622
00:32:15,040 --> 00:32:20,840
Speaker 3: that you know, King must have had to convince these people,

623
00:32:21,240 --> 00:32:23,760
Speaker 3: because when he speaks in the movie, you believe it,

624
00:32:24,120 --> 00:32:25,120
Speaker 3: like you want to march.

625
00:32:25,280 --> 00:32:29,160
Speaker 2: You're just like, ye're yeah, And I understand they actually

626
00:32:30,000 --> 00:32:32,200
Speaker 2: had to change some of the words and his speeches

627
00:32:32,280 --> 00:32:35,400
Speaker 2: because they weren't given permission by the family of Martin

628
00:32:35,440 --> 00:32:38,480
Speaker 2: Luther King. Could you tell that they were changing words

629
00:32:38,560 --> 00:32:40,320
Speaker 2: or was it just kind of like still the same

630
00:32:40,360 --> 00:32:41,120
Speaker 2: general message.

631
00:32:41,920 --> 00:32:44,600
Speaker 3: Well, I'm white, so I don't remember exactly how they went.

632
00:32:44,840 --> 00:32:47,760
Speaker 2: Well, did you say, like I have a vision that

633
00:32:47,960 --> 00:32:50,280
Speaker 2: one day they didn't.

634
00:32:50,040 --> 00:32:52,960
Speaker 3: Show thee I have a dream, and maybe that's partly why.

635
00:32:53,080 --> 00:32:55,360
Speaker 3: But I mean it's okay, well, you know, they did

636
00:32:55,400 --> 00:32:58,600
Speaker 3: the smart thing. It takes place over like a very

637
00:32:59,320 --> 00:33:00,560
Speaker 3: limited amount out of time.

638
00:33:01,160 --> 00:33:04,280
Speaker 1: I think it was just focus own Salem right exactly.

639
00:33:04,360 --> 00:33:07,840
Speaker 3: Okay, So it's not like you don't see him in school,

640
00:33:07,920 --> 00:33:11,720
Speaker 3: you don't see his dad. It's just that specific time

641
00:33:11,840 --> 00:33:14,920
Speaker 3: in that march, which I think was a smart idea.

642
00:33:16,720 --> 00:33:19,160
Speaker 3: But now so I think he deserved I think he

643
00:33:19,200 --> 00:33:23,520
Speaker 3: got snubbed. I don't truly believe that Ava du Verne

644
00:33:23,640 --> 00:33:33,200
Speaker 3: got snubbed. I think that the other movies were better made.

645
00:33:33,560 --> 00:33:37,960
Speaker 3: I think that the directing in Birdman, in Boyhood and

646
00:33:38,040 --> 00:33:44,960
Speaker 3: Grand Budapest, U you know, the other it just there was.

647
00:33:44,680 --> 00:33:49,280
Speaker 3: I was American Sniper one of them. Oh no, no,

648
00:33:49,520 --> 00:33:52,400
Speaker 3: Imitation Game was, and then Fox Catcher.

649
00:33:52,760 --> 00:33:53,240
Speaker 2: Yeah.

650
00:33:53,320 --> 00:33:55,720
Speaker 3: I haven't seen Fox Catcher, but but at least out

651
00:33:55,720 --> 00:33:59,360
Speaker 3: of those four, I'd say it's about on par with

652
00:33:59,440 --> 00:34:04,680
Speaker 3: Imitation Game. The Imitation Game slightly better directed. It's just,

653
00:34:04,960 --> 00:34:10,040
Speaker 3: you know, because the problem is with Selma, I'm just

654
00:34:10,080 --> 00:34:12,480
Speaker 3: looking at it as a film. There are moments in

655
00:34:12,560 --> 00:34:17,919
Speaker 3: it that are breathtaking and amazing. And beautiful and you're

656
00:34:17,960 --> 00:34:21,800
Speaker 3: blown away. They show the death of the four little

657
00:34:21,800 --> 00:34:25,799
Speaker 3: girls and it's like incredibly shot. The way they do

658
00:34:25,880 --> 00:34:28,839
Speaker 3: it is like the most innovative like way you could

659
00:34:28,880 --> 00:34:33,359
Speaker 3: do that scene, and it's phenomenal. The marches when they

660
00:34:33,360 --> 00:34:37,439
Speaker 3: show them on the bridge, unbelievable, Like those parts were

661
00:34:37,520 --> 00:34:41,239
Speaker 3: probably some of the best directed scenes in movies I

662
00:34:41,280 --> 00:34:48,640
Speaker 3: saw last year. But however, she makes a lot of bad, cliched,

663
00:34:48,760 --> 00:34:53,520
Speaker 3: cheesy choices too, And that's where it hurts it overall

664
00:34:53,560 --> 00:34:56,200
Speaker 3: for me, just as the way it's made. One of

665
00:34:56,239 --> 00:34:59,759
Speaker 3: those reasons being Oprah is in it and because she

666
00:34:59,840 --> 00:35:03,440
Speaker 3: had to be, and he totally takes you out of

667
00:35:03,440 --> 00:35:03,840
Speaker 3: the movie.

668
00:35:03,960 --> 00:35:07,319
Speaker 2: Yes, so is common the rapper he's in it. I

669
00:35:07,360 --> 00:35:09,160
Speaker 2: typically don't see any movies with him in it. With

670
00:35:09,280 --> 00:35:09,839
Speaker 2: another reason.

671
00:35:09,840 --> 00:35:12,600
Speaker 1: I nobody was saying his hat was flawless.

672
00:35:13,080 --> 00:35:16,080
Speaker 2: Yeah, now here's the here's the thing now of these

673
00:35:16,160 --> 00:35:19,640
Speaker 2: other movies, because when you say there are some cliche

674
00:35:19,719 --> 00:35:21,560
Speaker 2: choices and stuff, would you say that about any of

675
00:35:21,600 --> 00:35:22,920
Speaker 2: the other movies Boyhood?

676
00:35:23,800 --> 00:35:27,400
Speaker 3: I said that about Imitation Game especially. I mean, I

677
00:35:27,440 --> 00:35:30,080
Speaker 3: think I think Boyhood is gonna win, and I think

678
00:35:30,120 --> 00:35:33,719
Speaker 3: it probably should. It is an achievement. I know people

679
00:35:33,760 --> 00:35:36,040
Speaker 3: are like twelve years of White Kid and all.

680
00:35:36,000 --> 00:35:38,879
Speaker 2: That, that's what I made. Chris Lamber said twelve years

681
00:35:38,880 --> 00:35:43,839
Speaker 2: of White Boy, which is the funniest thing I've ever heard,

682
00:35:43,920 --> 00:35:46,040
Speaker 2: because I had never heard he might say that before him,

683
00:35:46,600 --> 00:35:50,480
Speaker 2: but I do. I mean, it kind of trivializes the

684
00:35:50,480 --> 00:35:52,160
Speaker 2: difficulty of what was undertaken.

685
00:35:52,280 --> 00:35:54,399
Speaker 3: You know, Well that's the thing too, But does that

686
00:35:54,640 --> 00:35:57,080
Speaker 3: then it's the thing? Like, does that make it any

687
00:35:57,200 --> 00:35:58,160
Speaker 3: less of a movie?

688
00:35:58,600 --> 00:35:58,839
Speaker 1: Right?

689
00:35:59,000 --> 00:36:01,239
Speaker 3: You know that it's about up a white kid. And

690
00:36:01,520 --> 00:36:09,080
Speaker 3: I believe that link Letter's daughter at least looks somewhat Hispanic.

691
00:36:09,200 --> 00:36:13,799
Speaker 3: And she's the sister in Boyhood. You got that, and

692
00:36:13,800 --> 00:36:18,080
Speaker 3: and one of the Best Director nominees is Mexican.

693
00:36:19,920 --> 00:36:23,920
Speaker 2: So well, for me personally, I feel like, uh, and

694
00:36:24,000 --> 00:36:26,040
Speaker 2: I think I might just be at my threshold. I'm

695
00:36:26,040 --> 00:36:28,040
Speaker 2: just so tired of white people, Mike. I don't know

696
00:36:28,040 --> 00:36:33,120
Speaker 2: how to explain it, you know. I tried, yeah, you know,

697
00:36:33,239 --> 00:36:37,080
Speaker 2: like like I tried to watch this show called.

698
00:36:36,880 --> 00:36:40,680
Speaker 6: Transparent, which one of Golden Glow for the Funniest show Best.

699
00:36:40,960 --> 00:36:42,759
Speaker 3: It's a really white show. I love it, but I

700
00:36:43,560 --> 00:36:44,800
Speaker 3: I could see on that.

701
00:36:44,840 --> 00:36:46,240
Speaker 6: Yeah, like it's so white.

702
00:36:46,239 --> 00:36:48,880
Speaker 2: And the thing is, I didn't think it was that funny,

703
00:36:49,040 --> 00:36:51,160
Speaker 2: but it did seem good, you know what I mean.

704
00:36:52,200 --> 00:36:55,800
Speaker 6: I think Girls was really funny when it first started.

705
00:36:56,320 --> 00:36:59,359
Speaker 2: I don't I haven't watched it in like I think

706
00:36:59,400 --> 00:37:01,719
Speaker 2: I didn't even watch finale of last season, and I

707
00:37:01,760 --> 00:37:04,080
Speaker 2: haven't watched this season. I think I'm just kind of

708
00:37:04,120 --> 00:37:05,920
Speaker 2: tapped out. And I think a lot of people are

709
00:37:06,000 --> 00:37:09,040
Speaker 2: kind of reaching that threshold. And I think people thought

710
00:37:09,120 --> 00:37:13,480
Speaker 2: that last year, with the Oscars and twelve Years of Slave,

711
00:37:14,040 --> 00:37:16,480
Speaker 2: that there was gonna be more like a oh.

712
00:37:16,440 --> 00:37:17,920
Speaker 6: Okay, we're gonna we've reached this.

713
00:37:18,760 --> 00:37:21,600
Speaker 2: I don't know this. I don't wanna say Mountaintop now

714
00:37:21,760 --> 00:37:24,400
Speaker 2: it's just off of Selma, but you know, we've reached

715
00:37:24,400 --> 00:37:26,960
Speaker 2: this point where we'll start to expect to see a

716
00:37:27,000 --> 00:37:30,480
Speaker 2: little more diversity, at least in the nominations. And I

717
00:37:30,480 --> 00:37:33,120
Speaker 2: think when you see the picture of just like here

718
00:37:33,200 --> 00:37:37,560
Speaker 2: are the nominees and it's so glaringly white pretty much

719
00:37:37,560 --> 00:37:40,239
Speaker 2: from top to bottom, with like maybe a couple exceptions,

720
00:37:40,680 --> 00:37:43,680
Speaker 2: I think that's where everybody just had this major like pushback.

721
00:37:44,280 --> 00:37:46,399
Speaker 2: I'm not saying I have that pushback, because, like I said,

722
00:37:46,400 --> 00:37:48,640
Speaker 2: I haven't seen all these films and I don't feel comfortable

723
00:37:48,680 --> 00:37:52,439
Speaker 2: judging movies I didn't see. But I think that's where

724
00:37:52,600 --> 00:37:54,879
Speaker 2: it's like a general resentment or some shit where people

725
00:37:54,880 --> 00:37:56,160
Speaker 2: are just like, I'm tired of this shit.

726
00:37:56,880 --> 00:38:02,200
Speaker 3: No, I understand that. I'll say a few things. One Transparent,

727
00:38:02,440 --> 00:38:06,759
Speaker 3: I see what you're saying with it. However, as a Jew,

728
00:38:07,880 --> 00:38:10,359
Speaker 3: it is one of the most Jewish shows that's ever

729
00:38:10,400 --> 00:38:15,279
Speaker 3: been on TV, and there aren't that many shows that

730
00:38:15,440 --> 00:38:20,720
Speaker 3: really capture the Jewish experience, and in terms of diversity,

731
00:38:21,440 --> 00:38:23,319
Speaker 3: I thought it was unique in that way. I mean

732
00:38:23,920 --> 00:38:26,719
Speaker 3: in the way that you get a lot of slavery movies,

733
00:38:26,760 --> 00:38:30,759
Speaker 3: we get a lot of Holocaust films, and we make

734
00:38:30,800 --> 00:38:32,040
Speaker 3: all the fucking movies.

735
00:38:34,040 --> 00:38:34,680
Speaker 2: I will give you.

736
00:38:35,000 --> 00:38:38,080
Speaker 3: We control the industry. And yet there's still like I mean,

737
00:38:38,080 --> 00:38:40,839
Speaker 3: there are you know, Jewish actors and stuff, but like

738
00:38:40,920 --> 00:38:45,319
Speaker 3: there's there's moments in Transparent where you know, one of

739
00:38:45,360 --> 00:38:48,880
Speaker 3: the characters fights over wanting to have a bot mitzvah

740
00:38:48,920 --> 00:38:51,919
Speaker 3: and even just hearing the word shmeir. I mean, we've

741
00:38:51,920 --> 00:38:55,839
Speaker 3: got We've got Curby, your enthusiasm, we had Seinfeld, Uh,

742
00:38:56,360 --> 00:38:59,879
Speaker 3: you know, we got this. There there aren't as many.

743
00:39:00,160 --> 00:39:02,799
Speaker 6: Well, I mean, I'll even go further on Transparent.

744
00:39:03,000 --> 00:39:07,160
Speaker 2: I like that it's sexually diverse, like pretty much every

745
00:39:07,239 --> 00:39:11,200
Speaker 2: relationship is on the spectrum of something, you know what

746
00:39:11,280 --> 00:39:14,120
Speaker 2: I mean, where it's like not every relationship is just

747
00:39:14,160 --> 00:39:15,320
Speaker 2: a bunch of hetero people.

748
00:39:15,800 --> 00:39:17,960
Speaker 3: I like it And think of the amount of like

749
00:39:18,160 --> 00:39:23,600
Speaker 3: actual transgender people that are on the show, like the

750
00:39:24,600 --> 00:39:26,160
Speaker 3: you know, the woman that he lives with.

751
00:39:26,360 --> 00:39:29,520
Speaker 2: And I feel like part of what happens too with

752
00:39:29,560 --> 00:39:32,160
Speaker 2: the Oscars, and this is kind of any of these shows,

753
00:39:32,200 --> 00:39:37,120
Speaker 2: the global the Golden Globes as well. They have politicized

754
00:39:37,160 --> 00:39:42,400
Speaker 2: the award themselves, so you're gonna have people wanting to

755
00:39:42,440 --> 00:39:45,400
Speaker 2: make political statements like hey, we've never had a black

756
00:39:45,480 --> 00:39:49,680
Speaker 2: female director nominated, So people start looking at it at

757
00:39:49,680 --> 00:39:53,360
Speaker 2: that angle, even more so than just whether the film

758
00:39:53,480 --> 00:39:55,160
Speaker 2: deserved to be whether.

759
00:39:54,920 --> 00:39:57,200
Speaker 6: It was better than the other five films or not.

760
00:39:57,480 --> 00:39:57,840
Speaker 1: Correct.

761
00:39:57,960 --> 00:40:01,399
Speaker 2: It's almost like, well, isn't this making this statement more

762
00:40:01,440 --> 00:40:03,040
Speaker 2: important than.

763
00:40:03,040 --> 00:40:04,400
Speaker 6: These other people's films?

764
00:40:04,600 --> 00:40:04,719
Speaker 4: Uh?

765
00:40:04,920 --> 00:40:06,480
Speaker 6: You know how you feel about that?

766
00:40:07,560 --> 00:40:10,719
Speaker 3: Now? I see that. I feel like at least like

767
00:40:10,840 --> 00:40:14,880
Speaker 3: with you know, the twenty actors this year, Yeah, like

768
00:40:15,920 --> 00:40:19,480
Speaker 3: you know, we we could say that they could be

769
00:40:19,520 --> 00:40:22,920
Speaker 3: more diverse, right, and we all do jump to David

770
00:40:22,920 --> 00:40:27,400
Speaker 3: Oh as the most obvious snub, right, But then I

771
00:40:27,400 --> 00:40:30,480
Speaker 3: would say this, and this is the systematic problem that

772
00:40:31,120 --> 00:40:33,840
Speaker 3: there aren't as many good roles being given. But to

773
00:40:34,000 --> 00:40:36,719
Speaker 3: the people that are complaining about the lack of diversity, right,

774
00:40:36,840 --> 00:40:43,839
Speaker 3: like what movies you know they're because people keep saying Selma.

775
00:40:43,920 --> 00:40:46,280
Speaker 3: But yeah, like last year, you know, fruit Veale Station.

776
00:40:47,640 --> 00:40:50,680
Speaker 3: You know, that was an outrage, but it was like

777
00:40:50,800 --> 00:40:53,799
Speaker 3: a smaller outrage because they're like, well, we do have

778
00:40:53,840 --> 00:40:57,160
Speaker 3: this slave movie, right, yeah, like.

779
00:40:57,360 --> 00:41:01,800
Speaker 2: Yeah, other people got nominated of color and different diversity.

780
00:41:01,800 --> 00:41:05,080
Speaker 2: And I feel like it was almost like when uh

781
00:41:05,560 --> 00:41:08,799
Speaker 2: was Alfonso Coreon I hope of pronouncing that right, the

782
00:41:08,840 --> 00:41:13,080
Speaker 2: guy who did Gravity when he won. It's almost like, okay, guys,

783
00:41:13,600 --> 00:41:15,920
Speaker 2: can you really be pissed that dude just broke ground

784
00:41:16,040 --> 00:41:17,960
Speaker 2: for all Latino people every day?

785
00:41:18,000 --> 00:41:21,399
Speaker 9: And I was being excited, you know, like that, let's

786
00:41:21,440 --> 00:41:26,680
Speaker 9: be honest, like, if anyone has been shrifted the most

787
00:41:27,040 --> 00:41:32,720
Speaker 9: in the entertainment industry at the Oscars, it is Latinos.

788
00:41:32,239 --> 00:41:36,000
Speaker 2: Right, maybe maybe Asian Asians?

789
00:41:36,280 --> 00:41:38,680
Speaker 3: Yeah, both on the poster or the wedding ringer.

790
00:41:38,960 --> 00:41:44,560
Speaker 2: Yeah, everyone, everyone on the post of the wedding Ringer except.

791
00:41:44,600 --> 00:41:51,799
Speaker 3: Except but but yeah, Asians and and Latinos. But you think, like, like,

792
00:41:51,880 --> 00:41:54,840
Speaker 3: there's this movie Spare Parts that came out this week

793
00:41:55,200 --> 00:41:57,640
Speaker 3: and it's got George Lopez and it's you know, it's

794
00:41:57,640 --> 00:42:01,480
Speaker 3: based on a true story and it's a out. This

795
00:42:02,719 --> 00:42:06,120
Speaker 3: is like scientists, right that these Latino kids who go

796
00:42:06,200 --> 00:42:10,200
Speaker 3: to like a robotics competition. Yes, and they're like the

797
00:42:10,239 --> 00:42:13,640
Speaker 3: first Latino kids to do that, and their district or

798
00:42:13,680 --> 00:42:17,160
Speaker 3: ever or you know. But now the thing is, the

799
00:42:17,239 --> 00:42:21,200
Speaker 3: movie looks awful, right, yeah, and it got bad reviews.

800
00:42:21,880 --> 00:42:27,560
Speaker 3: So it's that thing of like, am I if it

801
00:42:27,600 --> 00:42:29,960
Speaker 3: looked great, I would want to see it? Am I

802
00:42:30,120 --> 00:42:34,319
Speaker 3: racist for not wanting to see this movie? Is there

803
00:42:34,400 --> 00:42:39,160
Speaker 3: someone racist for not giving it enough money or enough thought?

804
00:42:39,239 --> 00:42:41,319
Speaker 3: I mean, they got to make the movie, they got

805
00:42:41,320 --> 00:42:44,400
Speaker 3: to distribute the movie. Maybe the movie is good, but

806
00:42:44,560 --> 00:42:48,000
Speaker 3: the trailers look so cheesy and formulaic.

807
00:42:48,480 --> 00:42:50,920
Speaker 2: Well, I think we have to accept that the default

808
00:42:51,000 --> 00:42:54,640
Speaker 2: of America is always racist. So we got to accept that, which,

809
00:42:54,800 --> 00:42:56,680
Speaker 2: you know, which is I think is a place a

810
00:42:56,719 --> 00:42:57,319
Speaker 2: starting ground.

811
00:42:57,360 --> 00:42:59,000
Speaker 6: I don't say that to ad minus America.

812
00:42:59,040 --> 00:43:01,319
Speaker 2: I love this country, but I think if we kind

813
00:43:01,320 --> 00:43:07,040
Speaker 2: of default at Okay, it's kind of set up against uh,

814
00:43:07,120 --> 00:43:08,600
Speaker 2: you know, the odds are not in your favor if

815
00:43:08,640 --> 00:43:13,840
Speaker 2: you're not whatever. So Latino people, black people, Asian people,

816
00:43:14,080 --> 00:43:16,560
Speaker 2: they're only gonna get a certain Yeah, Native Americans are

817
00:43:16,600 --> 00:43:20,360
Speaker 2: only gonna get a certain amount of vehicles per year.

818
00:43:20,920 --> 00:43:24,080
Speaker 2: So it's almost like we you do get one, you

819
00:43:24,160 --> 00:43:26,600
Speaker 2: root for it harder, and it becomes like more obviously

820
00:43:26,600 --> 00:43:29,720
Speaker 2: because it's like, well, we know the other seven movies

821
00:43:29,760 --> 00:43:32,360
Speaker 2: that were considered black films won't be getting awards.

822
00:43:32,520 --> 00:43:34,839
Speaker 1: Yeah, we know the Miss Best, Miss Holiday ain't gonna

823
00:43:34,840 --> 00:43:35,600
Speaker 1: be getting right.

824
00:43:35,600 --> 00:43:37,360
Speaker 6: But this one, this one has a shot.

825
00:43:37,400 --> 00:43:40,319
Speaker 2: So everybody starts rooting behind it, you know, and I

826
00:43:40,400 --> 00:43:42,320
Speaker 2: wonder if it's well, I don't even wonder.

827
00:43:42,360 --> 00:43:45,080
Speaker 6: I bet it's similar for lack Latinos.

828
00:43:45,160 --> 00:43:48,319
Speaker 2: I bet it's similar for uh, Native Americans, Asian like

829
00:43:48,320 --> 00:43:51,160
Speaker 2: pretty much everybody that's not white, because like white people,

830
00:43:51,280 --> 00:43:54,520
Speaker 2: if if you categorize movies as white, then we would

831
00:43:54,560 --> 00:43:57,960
Speaker 2: be like white people get say ninety of the movies

832
00:43:58,120 --> 00:44:01,360
Speaker 2: every year, so they should get a lot of recognition

833
00:44:01,400 --> 00:44:02,200
Speaker 2: for awards.

834
00:44:02,520 --> 00:44:05,760
Speaker 3: And you even look at you know, the three big

835
00:44:06,320 --> 00:44:11,880
Speaker 3: Mexican directors, you know, Indy two Yama del Toro and Koran,

836
00:44:12,440 --> 00:44:14,960
Speaker 3: and it's like there is that sadness where you know,

837
00:44:15,000 --> 00:44:17,600
Speaker 3: they all started off as far as I know, you know,

838
00:44:18,040 --> 00:44:23,320
Speaker 3: making movies in their native tongue, right, you know, in Mexico,

839
00:44:24,000 --> 00:44:29,120
Speaker 3: making you know, these movies, and then you know, they

840
00:44:29,160 --> 00:44:32,040
Speaker 3: get noticed and it's kind of that thing of like

841
00:44:32,360 --> 00:44:35,000
Speaker 3: you know Dominicans with baseball, where they find like the

842
00:44:35,040 --> 00:44:37,560
Speaker 3: best ones and they just take them out and then

843
00:44:37,600 --> 00:44:38,880
Speaker 3: they're just out forever.

844
00:44:39,120 --> 00:44:42,120
Speaker 2: Yeah, and we're kind of it's funny too because just

845
00:44:42,200 --> 00:44:44,360
Speaker 2: the way the ward is set up is kind of

846
00:44:44,480 --> 00:44:48,160
Speaker 2: xenophobic anyway, where it's like foreign language film because none

847
00:44:48,160 --> 00:44:51,040
Speaker 2: of you deserve to be recognized as real films. I mean,

848
00:44:51,080 --> 00:44:52,719
Speaker 2: but you do it.

849
00:44:52,640 --> 00:44:54,840
Speaker 3: Every once in a while, but it's very rare. And

850
00:44:54,880 --> 00:44:57,160
Speaker 3: the shittiest thing about the foreign language thing is that

851
00:44:57,640 --> 00:45:03,160
Speaker 3: only one movie is allowed per country. Yeah oh yeah, yeah,

852
00:45:03,600 --> 00:45:06,880
Speaker 3: so they the country has to decide, you know what,

853
00:45:06,880 --> 00:45:10,840
Speaker 3: what whatever governing part of the country, you know, whatever

854
00:45:10,880 --> 00:45:14,239
Speaker 3: film society or whatever decides what film does submitted. So

855
00:45:14,320 --> 00:45:20,080
Speaker 3: for example, Pedro Amaldivar, who's from Spain talked to her,

856
00:45:20,560 --> 00:45:25,840
Speaker 3: was not the national selection that year, but it's still

857
00:45:26,000 --> 00:45:29,360
Speaker 3: won for I believe screenplay, and I think he was

858
00:45:29,400 --> 00:45:30,600
Speaker 3: nominated for director.

859
00:45:30,800 --> 00:45:33,680
Speaker 2: Wow, now don't and I don't think that it didn't

860
00:45:33,680 --> 00:45:36,480
Speaker 2: go unnoticed that you love Robert Rodriguez out.

861
00:45:36,520 --> 00:45:39,239
Speaker 6: Okay, he didn't make Mochee too.

862
00:45:40,000 --> 00:45:44,839
Speaker 3: But he's American. Oh oh, okay, Mexican American. But I'm

863
00:45:44,880 --> 00:45:47,759
Speaker 3: pretty sure he was born and raised in Texas. I

864
00:45:47,800 --> 00:45:49,000
Speaker 3: could be wrong there, but.

865
00:45:48,880 --> 00:45:51,640
Speaker 2: Well, now I go by I go by the South

866
00:45:51,640 --> 00:45:55,239
Speaker 2: Carolina Policeman test, so that's how I determined race.

867
00:45:55,320 --> 00:45:56,480
Speaker 6: So anything, Okay, No.

868
00:45:56,600 --> 00:46:00,879
Speaker 3: He's definitely Latino though, for sure, and even he but see,

869
00:46:00,880 --> 00:46:04,399
Speaker 3: he's a fascinating case because he's a guy who it's

870
00:46:04,480 --> 00:46:09,160
Speaker 3: like he's made like genuinely great movies, but he also

871
00:46:09,280 --> 00:46:12,040
Speaker 3: it seems like he's kind of marginalized himself.

872
00:46:12,640 --> 00:46:15,440
Speaker 2: Yeah, I don't think he. I think he likes that

873
00:46:15,560 --> 00:46:19,759
Speaker 2: grindhouse shit and he wants to keep making movies like that,

874
00:46:19,840 --> 00:46:22,480
Speaker 2: which I mean, God bless him if you do, because

875
00:46:22,520 --> 00:46:23,319
Speaker 2: I'm not gonna lie.

876
00:46:23,360 --> 00:46:25,680
Speaker 6: I really enjoyed the first Machete.

877
00:46:25,760 --> 00:46:26,239
Speaker 1: The first one.

878
00:46:26,320 --> 00:46:29,560
Speaker 2: The second one was terrible because it's a very fine

879
00:46:29,600 --> 00:46:31,799
Speaker 2: line between good and bad, like kind of.

880
00:46:32,000 --> 00:46:33,280
Speaker 3: Sad times with those movies.

881
00:46:33,360 --> 00:46:37,400
Speaker 2: Yeah, I love desper was great, Yes, but then the

882
00:46:37,480 --> 00:46:39,120
Speaker 2: sequels to Death Gerado, I hate it.

883
00:46:39,160 --> 00:46:41,560
Speaker 3: So, I mean, well that's the thing too. It's like

884
00:46:42,520 --> 00:46:46,279
Speaker 3: you could have made one Spike Kids and one sen

885
00:46:46,400 --> 00:46:51,000
Speaker 3: City and one Machete and one Desperado, yeah, and then

886
00:46:51,160 --> 00:46:53,880
Speaker 3: other new unique ideas.

887
00:46:53,440 --> 00:46:56,759
Speaker 2: Yeah, yeah, and being just fine in my book, although

888
00:46:56,760 --> 00:46:58,000
Speaker 2: I would take that Disney money.

889
00:46:58,040 --> 00:46:59,080
Speaker 6: Go ahead, Carol, what you're gonna say?

890
00:46:59,120 --> 00:47:01,439
Speaker 1: Oh, what was that terrible movie we just saw?

891
00:47:01,960 --> 00:47:04,040
Speaker 6: Okay, all right, I guess we should talk about some

892
00:47:04,080 --> 00:47:04,880
Speaker 6: movies watching.

893
00:47:05,080 --> 00:47:08,520
Speaker 2: Yes, Uh, the movie Chara referring to is a movie

894
00:47:08,520 --> 00:47:12,279
Speaker 2: that's getting pretty good reviews, but we both hated it. Uh.

895
00:47:12,360 --> 00:47:15,400
Speaker 6: It's a movie called lock Uh that takes.

896
00:47:15,480 --> 00:47:18,080
Speaker 3: I've heard about this Tom Hardy. He just drives around.

897
00:47:18,640 --> 00:47:22,880
Speaker 2: Yeah, I kind of I kind of wish I knew

898
00:47:23,000 --> 00:47:25,239
Speaker 2: he wasn't getting out that fucking car before I play

899
00:47:25,320 --> 00:47:30,000
Speaker 2: on my damn DVD player, because that was the most boring,

900
00:47:30,160 --> 00:47:32,439
Speaker 2: Like I was like winning, They gonna add like a

901
00:47:32,520 --> 00:47:35,359
Speaker 2: car chase from Taking two to spice this ship up.

902
00:47:35,400 --> 00:47:39,040
Speaker 2: Because he was just driving on the on the on

903
00:47:39,120 --> 00:47:42,200
Speaker 2: the speaker phone the whole fucking movie. It felt like

904
00:47:42,239 --> 00:47:44,200
Speaker 2: I was in a car with some asshole who was

905
00:47:44,239 --> 00:47:46,440
Speaker 2: like talking while I was trying to sleep. I'm not

906
00:47:46,480 --> 00:47:47,640
Speaker 2: a fan me either.

907
00:47:47,800 --> 00:47:50,279
Speaker 1: I sat there and was like, he not there yet?

908
00:47:50,280 --> 00:47:52,160
Speaker 1: What the fuck is happening? When is he going?

909
00:47:52,239 --> 00:47:54,160
Speaker 6: He should change the title that movie too, Are we

910
00:47:54,239 --> 00:47:54,719
Speaker 6: there yet?

911
00:47:54,880 --> 00:47:57,960
Speaker 2: Three? Like, because I just kept waiting for him to

912
00:47:57,960 --> 00:47:59,200
Speaker 2: get where the fuck he was going.

913
00:47:59,440 --> 00:48:01,920
Speaker 1: It was not man, he never got to his destination.

914
00:48:02,480 --> 00:48:06,440
Speaker 2: Yeah, yeah, I'm sorry. I don't know if that's a spoiler.

915
00:48:07,920 --> 00:48:10,720
Speaker 3: The question I had with terms of diversity is there

916
00:48:11,040 --> 00:48:15,480
Speaker 3: is there a difference between white movies and movies that

917
00:48:15,680 --> 00:48:19,080
Speaker 3: just happened to have white people in them?

918
00:48:19,200 --> 00:48:22,080
Speaker 6: Yes, I would say so. I think here's the thing.

919
00:48:22,640 --> 00:48:25,759
Speaker 2: I think there's movies that have low stakes because they

920
00:48:25,760 --> 00:48:26,960
Speaker 2: are white people problems.

921
00:48:28,040 --> 00:48:30,359
Speaker 6: Like I don't know if you've seen this movie Obvious.

922
00:48:30,080 --> 00:48:32,480
Speaker 3: Child, No, but I know of it.

923
00:48:32,520 --> 00:48:35,000
Speaker 2: All right, Well it's it's some really good performances in there,

924
00:48:36,239 --> 00:48:39,440
Speaker 2: and yeah, okay, yeah, well she was good.

925
00:48:39,640 --> 00:48:40,200
Speaker 6: You know what I mean.

926
00:48:40,280 --> 00:48:42,400
Speaker 2: I was it's kind of like dark comedy. But I

927
00:48:42,480 --> 00:48:45,360
Speaker 2: was laughing because I like dark comedy. But at the

928
00:48:45,440 --> 00:48:48,040
Speaker 2: end of the day, the steaks were so small because

929
00:48:48,560 --> 00:48:51,280
Speaker 2: everyone in the film that finds out, oh the films

930
00:48:51,280 --> 00:48:54,000
Speaker 2: about her getting pregnant on a one night stand and

931
00:48:54,000 --> 00:48:56,759
Speaker 2: then deciding that she's gonna have abortion or not so,

932
00:48:57,280 --> 00:49:00,279
Speaker 2: and then she decides to have an abortion, and literally

933
00:49:00,400 --> 00:49:04,160
Speaker 2: every person in the film is like, cool, no problem.

934
00:49:04,400 --> 00:49:06,879
Speaker 2: And to me, that's like a waste of an hour

935
00:49:06,920 --> 00:49:10,120
Speaker 2: and twenty minutes, Like someone gotta be the asshole man, Like,

936
00:49:10,239 --> 00:49:13,520
Speaker 2: you can't do the movie without like the antagonist.

937
00:49:13,760 --> 00:49:15,640
Speaker 6: There's something that you have to get over.

938
00:49:15,520 --> 00:49:18,840
Speaker 2: The stakes, and the stakes just felt so small because

939
00:49:18,880 --> 00:49:20,160
Speaker 2: it was like, oh, no, I got to talk to

940
00:49:20,200 --> 00:49:22,399
Speaker 2: my mom about this, and then the mom was like, oh, yeah,

941
00:49:22,400 --> 00:49:24,000
Speaker 2: I had an abortion in college, So what do you

942
00:49:24,040 --> 00:49:25,799
Speaker 2: need like five hundred dollars, don't worry about it's cool.

943
00:49:26,000 --> 00:49:27,520
Speaker 2: Oh I got to talk to the guy who got

944
00:49:27,560 --> 00:49:29,719
Speaker 2: me pregnant. He might not be cool with this. And

945
00:49:29,760 --> 00:49:32,040
Speaker 2: then he like sees her doing jokes about it on

946
00:49:32,120 --> 00:49:35,520
Speaker 2: stage and he walks out of the you know, walks

947
00:49:35,520 --> 00:49:37,600
Speaker 2: out of the club, and you're like, oh, so he's

948
00:49:37,640 --> 00:49:40,160
Speaker 2: gonna be the guy who's like fuck that, I can't

949
00:49:40,160 --> 00:49:42,319
Speaker 2: believe you would get an abortion whenout talking to me.

950
00:49:42,719 --> 00:49:44,640
Speaker 2: But then he shows up with flowers next day, like yeah,

951
00:49:44,680 --> 00:49:46,440
Speaker 2: let's do it, you know, I just want to support

952
00:49:46,480 --> 00:49:48,600
Speaker 2: you and be a good, good person.

953
00:49:48,760 --> 00:49:51,239
Speaker 4: Yeah, because and I think my thing with movies is

954
00:49:51,280 --> 00:49:56,640
Speaker 4: that if it's a compelling, excellent movie, the person doesn't matter, right,

955
00:49:56,719 --> 00:50:00,400
Speaker 4: you know. So to see people go through struggles, trials

956
00:50:00,440 --> 00:50:02,960
Speaker 4: and tripulations fall in love, that's beautiful.

957
00:50:03,000 --> 00:50:05,120
Speaker 1: Like I don't care who performed.

958
00:50:06,200 --> 00:50:09,360
Speaker 4: The part to me is when you get to certain

959
00:50:09,360 --> 00:50:12,920
Speaker 4: things where you like, Okay, this could only happen it

960
00:50:13,320 --> 00:50:14,080
Speaker 4: if you were white.

961
00:50:14,440 --> 00:50:16,720
Speaker 2: Yeah, Well, like I mean, I just mean the stakes,

962
00:50:16,760 --> 00:50:21,359
Speaker 2: like like Lock, the stakes in that movie are so low,

963
00:50:21,719 --> 00:50:24,560
Speaker 2: Like it's just like even it doesn't really even matter

964
00:50:24,560 --> 00:50:26,839
Speaker 2: if he gets there or not, to be honest to that,

965
00:50:26,920 --> 00:50:29,520
Speaker 2: to that plot, it doesn't really matter. So I just

966
00:50:29,600 --> 00:50:33,000
Speaker 2: watch him go through a day in the office and

967
00:50:33,239 --> 00:50:35,520
Speaker 2: with his family, and of course it's a traumatic day,

968
00:50:35,600 --> 00:50:38,440
Speaker 2: but it's it's just him in a car, like I

969
00:50:38,560 --> 00:50:41,320
Speaker 2: need it, Like I think when when I see stuff

970
00:50:41,360 --> 00:50:43,560
Speaker 2: like that, When I see stuff like that, the default

971
00:50:43,560 --> 00:50:46,080
Speaker 2: of my mind is, well, why can't you just make

972
00:50:46,120 --> 00:50:49,120
Speaker 2: this with a different like person or a different type

973
00:50:49,160 --> 00:50:52,440
Speaker 2: of person to maybe add something to it? Like Lock

974
00:50:52,480 --> 00:50:54,880
Speaker 2: would have been better if it was like Will Smith

975
00:50:54,960 --> 00:50:56,640
Speaker 2: driving a car and then he got pulled over by

976
00:50:56,640 --> 00:50:58,799
Speaker 2: the cops halfway through, I'd be like, see that's how

977
00:50:58,840 --> 00:51:01,759
Speaker 2: it is, Like I like, you're gonna be late like

978
00:51:02,200 --> 00:51:04,280
Speaker 2: I would. I don't know, like something, I just need

979
00:51:04,280 --> 00:51:08,640
Speaker 2: something more than just like white people go through something mundane.

980
00:51:08,760 --> 00:51:12,759
Speaker 6: That's all. But that's that's how I categorize white movies,

981
00:51:12,760 --> 00:51:13,680
Speaker 6: like I wouldn't call you.

982
00:51:13,760 --> 00:51:19,680
Speaker 3: Say that women are also marginalized. Yes, So to have

983
00:51:19,719 --> 00:51:23,040
Speaker 3: a movie that focuses on a woman who is going

984
00:51:23,080 --> 00:51:26,200
Speaker 3: through this abortion thing, and I mean, I mean, I'm

985
00:51:26,239 --> 00:51:29,120
Speaker 3: sure there's other, you know, abortion stories to be told,

986
00:51:29,160 --> 00:51:32,640
Speaker 3: But to me, based on the way you're describing that movie,

987
00:51:32,680 --> 00:51:35,160
Speaker 3: I'm like, oh, that actually seems different than what it

988
00:51:35,239 --> 00:51:35,960
Speaker 3: normally is.

989
00:51:36,440 --> 00:51:39,040
Speaker 2: Yeah, it is different. I mean, you know, we just

990
00:51:39,080 --> 00:51:42,640
Speaker 2: had Juno, which won awards based on a similar plot.

991
00:51:42,680 --> 00:51:46,800
Speaker 2: But I like, it is different, and I'm not knocking

992
00:51:46,840 --> 00:51:49,080
Speaker 2: it for not being different. I just think the stakes

993
00:51:49,560 --> 00:51:52,879
Speaker 2: need to be a higher if to keep to earn

994
00:51:52,960 --> 00:51:56,480
Speaker 2: that like praise for me, this like the story gotta

995
00:51:56,480 --> 00:51:59,160
Speaker 2: be a little bit more something, you know what I mean.

996
00:51:59,239 --> 00:52:01,359
Speaker 6: It felt like nothing happened the whole movie, So.

997
00:52:01,960 --> 00:52:05,520
Speaker 3: I see that. I mean, let's see, like that's the

998
00:52:05,520 --> 00:52:10,080
Speaker 3: thing that people complain about Boyhood that it is like,

999
00:52:10,239 --> 00:52:14,440
Speaker 3: you know, nothing happens, and then like I listened to

1000
00:52:14,440 --> 00:52:18,359
Speaker 3: an interview today with the director, and his whole thing

1001
00:52:18,480 --> 00:52:21,760
Speaker 3: was like, you know, if you look back at your life,

1002
00:52:21,800 --> 00:52:25,799
Speaker 3: would you say nothing happened, No things happened, They just

1003
00:52:25,920 --> 00:52:29,640
Speaker 3: weren't you know, these big things. He's like, but they have.

1004
00:52:29,840 --> 00:52:34,480
Speaker 3: That's every other movie, right, you know, this Boyhood is

1005
00:52:34,680 --> 00:52:37,759
Speaker 3: Boyhood is interesting to me because you know the way

1006
00:52:37,800 --> 00:52:39,680
Speaker 3: that they did it, where it is over twelve years

1007
00:52:39,719 --> 00:52:43,719
Speaker 3: and everything, like you see just like a picture of

1008
00:52:43,800 --> 00:52:47,640
Speaker 3: bush in the background and you know someone on MySpace

1009
00:52:47,880 --> 00:52:50,440
Speaker 3: and you know this was all in real time and

1010
00:52:50,440 --> 00:52:53,160
Speaker 3: it and it makes you think of the way that

1011
00:52:53,239 --> 00:52:56,319
Speaker 3: the world has changed and how much that stuff was

1012
00:52:56,360 --> 00:52:58,719
Speaker 3: in our life and then it's just not anymore and

1013
00:52:58,719 --> 00:53:01,719
Speaker 3: we won't even know the stuff that's gonna be in

1014
00:53:01,760 --> 00:53:03,520
Speaker 3: our life next. Well.

1015
00:53:03,560 --> 00:53:07,280
Speaker 2: I feel like with Boyhood, the task seems to be

1016
00:53:07,960 --> 00:53:11,440
Speaker 2: the stakes, like you know what I mean, like on

1017
00:53:11,560 --> 00:53:15,440
Speaker 2: a metal level, like what he undertook to get that

1018
00:53:15,560 --> 00:53:20,440
Speaker 2: film done, twelve years of filming the same people, Like

1019
00:53:20,760 --> 00:53:22,800
Speaker 2: anything could have happened, like one of them could have died,

1020
00:53:23,400 --> 00:53:26,600
Speaker 2: fucking you know, like six years in the kid goes,

1021
00:53:26,600 --> 00:53:28,400
Speaker 2: I don't want to fucking do this movie anymore. Like

1022
00:53:28,840 --> 00:53:32,040
Speaker 2: I think people to a certain extent, like the stakes,

1023
00:53:32,120 --> 00:53:34,680
Speaker 2: even with without being in the movie, are kind of

1024
00:53:34,719 --> 00:53:38,200
Speaker 2: like gonna always be present because we know, you know,

1025
00:53:38,239 --> 00:53:41,440
Speaker 2: as human beings, a lot can happen in twelve years.

1026
00:53:42,040 --> 00:53:42,879
Speaker 3: Oh yeah, so.

1027
00:53:43,080 --> 00:53:46,360
Speaker 2: I mean that's at least that's how I would understand

1028
00:53:46,400 --> 00:53:49,160
Speaker 2: people maybe like giving it a pass on, like, Okay,

1029
00:53:49,200 --> 00:53:52,080
Speaker 2: a lot didn't seem to happen in the narrative, but

1030
00:53:52,280 --> 00:53:54,399
Speaker 2: fuck man, that's hard to do what he just did.

1031
00:53:54,840 --> 00:53:57,040
Speaker 2: You kind of gotta give him credit. And you know,

1032
00:53:57,120 --> 00:53:59,480
Speaker 2: for me personally, I take a little bit away from

1033
00:53:59,520 --> 00:54:02,800
Speaker 2: it because they basically stole from one of my favorite films,

1034
00:54:02,800 --> 00:54:04,719
Speaker 2: Boys in the Hood, and they just took the end

1035
00:54:04,760 --> 00:54:07,239
Speaker 2: of Out And I don't feel like you can take

1036
00:54:07,280 --> 00:54:09,319
Speaker 2: the Z and the end the out and just make

1037
00:54:11,360 --> 00:54:14,640
Speaker 2: and take credit for all that ship man did y'all

1038
00:54:14,680 --> 00:54:17,359
Speaker 2: know that the head of the oscars, the president is

1039
00:54:17,840 --> 00:54:18,520
Speaker 2: a black woman.

1040
00:54:19,880 --> 00:54:22,759
Speaker 3: Yeah she is now, and she because I know that

1041
00:54:23,040 --> 00:54:26,840
Speaker 3: Al Sharpton wanted to get like a diversity task forced together.

1042
00:54:27,120 --> 00:54:29,160
Speaker 3: Ye dude, he's awful.

1043
00:54:29,560 --> 00:54:33,240
Speaker 2: Uh no, no, no, I know her. I love Al Sharpton,

1044
00:54:33,480 --> 00:54:35,839
Speaker 2: and I gotta fight. I gotta fight all the white

1045
00:54:35,840 --> 00:54:39,920
Speaker 2: people on this man. Al Sharpton sucks to you because

1046
00:54:39,920 --> 00:54:42,239
Speaker 2: the only time you hear about him is when white

1047
00:54:42,239 --> 00:54:45,399
Speaker 2: people fuck up. It's like, you know, uh, that thing

1048
00:54:45,719 --> 00:54:49,160
Speaker 2: pavlow is Pavlovian, Like yeah, every time a white person

1049
00:54:49,200 --> 00:54:52,120
Speaker 2: hears Al Sharpton, like, oh God damn it, because because

1050
00:54:52,320 --> 00:54:56,279
Speaker 2: because he never, he's never, yeah, he never shows up.

1051
00:54:56,320 --> 00:54:58,520
Speaker 2: It's like, you know what white people did, okay this week.

1052
00:54:59,800 --> 00:55:02,720
Speaker 3: But but here's the thing, like the whole diversity tesk

1053
00:55:02,760 --> 00:55:07,560
Speaker 3: Force thing that annoys me is that it's never like,

1054
00:55:07,920 --> 00:55:10,640
Speaker 3: don't say the word diversity. It's like because like in

1055
00:55:10,680 --> 00:55:13,839
Speaker 3: two thousand and six, I think it was a year

1056
00:55:13,880 --> 00:55:17,560
Speaker 3: where there were at least five or six black nominees,

1057
00:55:17,640 --> 00:55:21,800
Speaker 3: but once again, no Latino or Asian, and he's never

1058
00:55:23,160 --> 00:55:25,360
Speaker 3: he didn't call the test force. Then you know what

1059
00:55:25,400 --> 00:55:25,719
Speaker 3: I mean?

1060
00:55:26,400 --> 00:55:29,319
Speaker 6: Yeah, I feel you, Yes, no, I can understand that.

1061
00:55:29,400 --> 00:55:31,360
Speaker 6: But you know, he can't say the amount.

1062
00:55:31,120 --> 00:55:34,680
Speaker 3: Of money that he's made off of the strife and

1063
00:55:35,120 --> 00:55:38,280
Speaker 3: fighting of others. Like I'm sure he's done some good,

1064
00:55:38,680 --> 00:55:40,120
Speaker 3: but he's.

1065
00:55:39,920 --> 00:55:40,720
Speaker 2: Done a lot.

1066
00:55:40,800 --> 00:55:43,160
Speaker 6: He's done a lot more good than bad.

1067
00:55:43,320 --> 00:55:46,239
Speaker 2: And then also somebody got to do it, you know

1068
00:55:46,280 --> 00:55:48,560
Speaker 2: what I mean, It's just yeah, it's just like that's

1069
00:55:48,560 --> 00:55:52,080
Speaker 2: the thing. Is like when Trayvon Martin, when that happened,

1070
00:55:52,560 --> 00:55:55,320
Speaker 2: his parents couldn't get the media to cover, They couldn't

1071
00:55:55,320 --> 00:55:59,280
Speaker 2: get anyone to the police to even arrest George Zimmermann,

1072
00:55:59,360 --> 00:56:01,480
Speaker 2: and it took them calling Al Sharpton and be like

1073
00:56:01,520 --> 00:56:04,600
Speaker 2: can you come down here? But then it's always treated

1074
00:56:04,640 --> 00:56:07,440
Speaker 2: as oh, why has Al Sharpton got to go down there?

1075
00:56:07,440 --> 00:56:10,520
Speaker 2: It's like, well, do you think we'd like happy, like, yes,

1076
00:56:11,160 --> 00:56:14,279
Speaker 2: Al Sharpton, he's finally hit. We're like we're like, fuck,

1077
00:56:14,360 --> 00:56:17,400
Speaker 2: no one's gonna talk about this. No one really call.

1078
00:56:17,360 --> 00:56:19,720
Speaker 6: Al Sharpton, and then that's how it gets talked about.

1079
00:56:20,160 --> 00:56:25,759
Speaker 3: So Jackson right, yeah, yeah the crew. Now did they

1080
00:56:25,960 --> 00:56:27,120
Speaker 3: kick out Sharpton?

1081
00:56:27,760 --> 00:56:30,560
Speaker 2: No, not yet. I mean he's done a lot of

1082
00:56:30,600 --> 00:56:32,600
Speaker 2: good man. I think I.

1083
00:56:32,560 --> 00:56:35,279
Speaker 3: Think Jesse because he was asking for money, is that

1084
00:56:35,320 --> 00:56:35,840
Speaker 3: what happened?

1085
00:56:36,040 --> 00:56:37,640
Speaker 6: Yeah, Well he went the Ferguson.

1086
00:56:37,719 --> 00:56:40,440
Speaker 2: Yeah, he started talking about raising money for his own thing,

1087
00:56:40,520 --> 00:56:41,520
Speaker 2: and people are like the.

1088
00:56:41,719 --> 00:56:46,320
Speaker 3: Is this yeah, where they just threw out.

1089
00:56:47,280 --> 00:56:49,839
Speaker 2: Like that's the thing though, like black people, we can

1090
00:56:49,880 --> 00:56:52,560
Speaker 2: police our own ship when it comes to stuff like that, Like,

1091
00:56:53,239 --> 00:56:56,400
Speaker 2: I just feel like in general, like I feel like

1092
00:56:56,480 --> 00:56:58,919
Speaker 2: white people this day and of Al Sharpton and Jesse

1093
00:56:59,000 --> 00:57:01,879
Speaker 2: Jackson is completely from black people's disdain and them. Yeah,

1094
00:57:02,040 --> 00:57:04,040
Speaker 2: and I always feel like I have to say something

1095
00:57:04,080 --> 00:57:07,560
Speaker 2: because it is different, like the like they're not causing

1096
00:57:07,600 --> 00:57:11,080
Speaker 2: any problems. The problems exist and then they show up

1097
00:57:11,480 --> 00:57:13,800
Speaker 2: to be like how do we get attention to these problems?

1098
00:57:13,840 --> 00:57:16,040
Speaker 2: I just think white people are tired of them. But

1099
00:57:16,280 --> 00:57:18,840
Speaker 2: trust me, if it was some other dude, y'all would

1100
00:57:18,840 --> 00:57:20,800
Speaker 2: be tired of that motherfucker too. Man, A lot of

1101
00:57:20,880 --> 00:57:23,800
Speaker 2: racist shit happened all the time, and it's always gonna

1102
00:57:23,800 --> 00:57:26,640
Speaker 2: be somebody like, hey, some racist shit is happening, and

1103
00:57:26,680 --> 00:57:28,640
Speaker 2: nobody wants to hear that, you know what I'm saying.

1104
00:57:29,920 --> 00:57:32,720
Speaker 2: But yeah, So they they do have a black head

1105
00:57:32,880 --> 00:57:35,800
Speaker 2: of the of the Oscar of the Academy, and she

1106
00:57:36,000 --> 00:57:40,520
Speaker 2: said that they want to start a diversity initiative sooner

1107
00:57:40,640 --> 00:57:42,320
Speaker 2: rather than later because of this.

1108
00:57:43,960 --> 00:57:47,120
Speaker 6: So she's because I guess the voting.

1109
00:57:48,560 --> 00:57:51,720
Speaker 2: Like whatever, the average age of the voters are seventy three,

1110
00:57:52,440 --> 00:57:53,760
Speaker 2: and it's nice.

1111
00:57:53,480 --> 00:57:58,240
Speaker 3: It's mostly white white man. Yeah, that's a problem. But

1112
00:57:58,360 --> 00:58:01,200
Speaker 3: like I said that that that that's definitely a problem.

1113
00:58:01,280 --> 00:58:05,240
Speaker 3: But the main problem is also the movies being made,

1114
00:58:05,600 --> 00:58:09,480
Speaker 3: like I agree, and the way they're advertised, Like it

1115
00:58:09,680 --> 00:58:14,040
Speaker 3: sucks that if a movie has an all black cast, right,

1116
00:58:14,880 --> 00:58:17,160
Speaker 3: you know, it's like, you know, one of the big

1117
00:58:17,200 --> 00:58:20,920
Speaker 3: problems is and I don't know whose decision this is,

1118
00:58:21,280 --> 00:58:24,680
Speaker 3: but you often won't see the trailer of a movie

1119
00:58:24,840 --> 00:58:29,919
Speaker 3: of an all black cast during you know, a predominantly

1120
00:58:29,960 --> 00:58:30,840
Speaker 3: white movie.

1121
00:58:30,880 --> 00:58:32,480
Speaker 6: Right, yeah, all the time it happens.

1122
00:58:33,000 --> 00:58:36,800
Speaker 2: Another thing I noticed too, is, uh, like during that

1123
00:58:36,880 --> 00:58:38,960
Speaker 2: Sony hack, which you know, kind of sucks that they

1124
00:58:38,960 --> 00:58:44,720
Speaker 2: got hacked. Obviously, people's personal information and stuff goes out there,

1125
00:58:44,760 --> 00:58:46,840
Speaker 2: but you do get an insight into some of the

1126
00:58:46,880 --> 00:58:49,320
Speaker 2: decision making that you normally don't get to see a

1127
00:58:49,440 --> 00:58:51,880
Speaker 2: movie fans, right, And when you hear them say stuff

1128
00:58:51,960 --> 00:58:56,680
Speaker 2: like we got to stop giving Denzel Washington films because

1129
00:58:56,880 --> 00:59:01,560
Speaker 2: it won't do well overseas because he's black, you know,

1130
00:59:01,640 --> 00:59:03,720
Speaker 2: it makes you just wonder, like, so, then, what hope

1131
00:59:03,720 --> 00:59:06,920
Speaker 2: does anyone have? Because Denzel Washington is one of the

1132
00:59:06,920 --> 00:59:08,800
Speaker 2: best actors of all time and definitely one of the

1133
00:59:08,840 --> 00:59:11,520
Speaker 2: most famous actors of all time.

1134
00:59:11,960 --> 00:59:13,160
Speaker 3: I wish he showed more range.

1135
00:59:13,240 --> 00:59:14,600
Speaker 6: But yeah, I do too.

1136
00:59:14,720 --> 00:59:16,400
Speaker 3: I think there's better black actors than him.

1137
00:59:16,800 --> 00:59:17,160
Speaker 6: I do.

1138
00:59:17,280 --> 00:59:21,760
Speaker 3: I do think the note he's been in some great movies,

1139
00:59:21,800 --> 00:59:24,600
Speaker 3: and he's been great in great movies, but but you know,

1140
00:59:24,760 --> 00:59:26,880
Speaker 3: really done a comedy since Carbon Copy?

1141
00:59:27,120 --> 00:59:30,480
Speaker 2: Right. I feel like if you walked into someone's house

1142
00:59:30,520 --> 00:59:33,000
Speaker 2: Dow and said Denzel, you don't even have to say

1143
00:59:33,000 --> 00:59:37,040
Speaker 2: his last name, of course, so like for that guy

1144
00:59:37,160 --> 00:59:40,960
Speaker 2: to be like, yeah, that dude's not moving enough money

1145
00:59:41,040 --> 00:59:43,880
Speaker 2: for us, so let's not give him movies. To me,

1146
00:59:43,960 --> 00:59:47,560
Speaker 2: I'm like, so then who you know? Who could you

1147
00:59:47,600 --> 00:59:50,200
Speaker 2: possibly put an advertising budget behind? You know, not to

1148
00:59:50,200 --> 00:59:53,480
Speaker 2: mention it's kind of self self defeating. Like when you

1149
00:59:53,520 --> 00:59:56,720
Speaker 2: say we're not going to advertise a movie and then go,

1150
00:59:57,120 --> 00:59:58,040
Speaker 2: well it didn't do.

1151
00:59:58,040 --> 01:00:00,000
Speaker 1: Well, I'm like, well you didn't put them.

1152
01:00:01,080 --> 01:00:02,560
Speaker 2: No, ship's not gonna.

1153
01:00:02,320 --> 01:00:05,040
Speaker 3: Be I think it goes, you know, like it's tough

1154
01:00:05,080 --> 01:00:07,800
Speaker 3: because like when you say who, I'd say well Smith,

1155
01:00:08,280 --> 01:00:09,320
Speaker 3: And I think like.

1156
01:00:09,560 --> 01:00:11,360
Speaker 2: He's kind of done the same thing as Denzel. In

1157
01:00:11,360 --> 01:00:13,480
Speaker 2: my opinion, he didn't have that much range.

1158
01:00:15,040 --> 01:00:18,720
Speaker 3: He's done comedies and he's done and dramas and I

1159
01:00:18,720 --> 01:00:21,880
Speaker 3: mean action movies, and you know. He I feel like

1160
01:00:22,280 --> 01:00:25,000
Speaker 3: he could he could have more variety too. I would

1161
01:00:25,000 --> 01:00:27,920
Speaker 3: say Dentel is a better actor. But I think, you know,

1162
01:00:28,040 --> 01:00:31,280
Speaker 3: for a time, Will Smith, if he wasn't the top

1163
01:00:31,320 --> 01:00:35,560
Speaker 3: box office draw, he was fucking close. I mean the

1164
01:00:35,600 --> 01:00:37,760
Speaker 3: all time, you know, you know, I mean it's not

1165
01:00:37,800 --> 01:00:41,280
Speaker 3: a technicality, but it's Samuel L. Jackson. Just based on

1166
01:00:41,320 --> 01:00:45,240
Speaker 3: the amount of movies he's been in, he's the highest

1167
01:00:45,280 --> 01:00:51,000
Speaker 3: grossing actor. Yeah, you got three Star Wars movies, the Incredible,

1168
01:00:51,200 --> 01:00:53,120
Speaker 3: you know, all these movies. Even if he's you know,

1169
01:00:53,160 --> 01:00:54,360
Speaker 3: he's in Jurassic Park.

1170
01:00:56,120 --> 01:01:00,480
Speaker 2: Yeah, but could you see them giving him uh you know,

1171
01:01:00,560 --> 01:01:04,000
Speaker 2: but I couldn't see them giving like sam Jackson the

1172
01:01:04,040 --> 01:01:05,720
Speaker 2: movies that Denzel even gets.

1173
01:01:07,680 --> 01:01:09,920
Speaker 3: No. But I do think like there is progress in

1174
01:01:09,960 --> 01:01:13,120
Speaker 3: that he's like the I know it's the villain, but

1175
01:01:13,240 --> 01:01:16,200
Speaker 3: he's you know in this you know, spy movie, The Kingsman,

1176
01:01:16,280 --> 01:01:19,280
Speaker 3: which looks very British and it's probably British made, and

1177
01:01:19,320 --> 01:01:21,880
Speaker 3: you don't think twice about it in fact. Oh yeah, no,

1178
01:01:21,920 --> 01:01:23,919
Speaker 3: I I in the trailer and you want to see

1179
01:01:23,920 --> 01:01:24,600
Speaker 3: it because of him?

1180
01:01:24,760 --> 01:01:28,240
Speaker 2: Oh No. First of all, I agree that there's progress. Two,

1181
01:01:28,280 --> 01:01:30,200
Speaker 2: I definitely want to see that movie. It's not even

1182
01:01:30,200 --> 01:01:32,640
Speaker 2: because of him, Like that's just that movie just looks

1183
01:01:32,640 --> 01:01:37,040
Speaker 2: cool to me, like honestly, but uh yeah, but my thing.

1184
01:01:36,920 --> 01:01:40,360
Speaker 3: Is more like but Smith. What I was saying about

1185
01:01:40,360 --> 01:01:44,840
Speaker 3: Smith is that, like I think like with Smith, like

1186
01:01:44,920 --> 01:01:48,040
Speaker 3: he was making great movies and they were making a

1187
01:01:48,080 --> 01:01:51,120
Speaker 3: lot of money, and then he started to make shitty movies.

1188
01:01:51,400 --> 01:01:56,160
Speaker 3: And I don't know if you could say, like the

1189
01:01:56,280 --> 01:01:58,400
Speaker 3: lack of faith that they would have in someone like

1190
01:01:58,520 --> 01:02:01,880
Speaker 3: him is because of race. And it might be because

1191
01:02:01,960 --> 01:02:03,840
Speaker 3: Men in Black three was got awful.

1192
01:02:05,280 --> 01:02:08,560
Speaker 6: I like Men and Black three, so it's horrible. Well, see,

1193
01:02:08,600 --> 01:02:09,240
Speaker 6: I have I.

1194
01:02:09,200 --> 01:02:12,520
Speaker 2: Have an affinity for all black fatherhood moments in movies,

1195
01:02:13,640 --> 01:02:14,680
Speaker 2: and Men.

1196
01:02:14,560 --> 01:02:17,560
Speaker 6: And Black three won a very very shitty movie.

1197
01:02:17,680 --> 01:02:22,240
Speaker 2: But the the very end with the black fatherhood moment

1198
01:02:22,280 --> 01:02:24,520
Speaker 2: where his dad was the one who just like gave

1199
01:02:24,600 --> 01:02:26,120
Speaker 2: up his life so he could go on to be

1200
01:02:26,880 --> 01:02:30,720
Speaker 2: you know, uh aged k or whatever. I'm not gonna

1201
01:02:30,720 --> 01:02:35,720
Speaker 2: lie man. I cried and yeah, I'm a j My bad.

1202
01:02:36,040 --> 01:02:40,120
Speaker 2: Yeah I cried in that in that movie. Also, matter

1203
01:02:40,120 --> 01:02:42,840
Speaker 2: of fact, I gotta go back, No, that movie is good. Also,

1204
01:02:43,800 --> 01:02:48,160
Speaker 2: Tommy Tommy Lee Jones, the impression that Josh Berlyn did

1205
01:02:48,160 --> 01:02:49,040
Speaker 2: of him was good to me.

1206
01:02:49,680 --> 01:02:52,200
Speaker 6: Uh it felt like he was him.

1207
01:02:52,400 --> 01:02:55,000
Speaker 3: So, but the movie overall is really bad. I mean

1208
01:02:55,960 --> 01:02:58,840
Speaker 3: they they was it was it Helen Mirren, who's in it.

1209
01:02:59,320 --> 01:03:04,600
Speaker 2: When my man Jermaine Clement from from a flight of

1210
01:03:04,640 --> 01:03:06,520
Speaker 2: concord and.

1211
01:03:06,480 --> 01:03:09,640
Speaker 3: He's not given anything, his villain sucks. He literally just

1212
01:03:09,680 --> 01:03:13,080
Speaker 3: shoots those things out and that's it. But Helen Mirren's

1213
01:03:13,120 --> 01:03:15,000
Speaker 3: in it, and there's this like moment where she does

1214
01:03:15,040 --> 01:03:18,240
Speaker 3: like this or is it it might be a tom Yeah,

1215
01:03:18,520 --> 01:03:24,160
Speaker 3: that's it. I'm racist towards British way. I think they

1216
01:03:24,200 --> 01:03:28,160
Speaker 3: all look the same. But she she does this moment

1217
01:03:28,200 --> 01:03:31,440
Speaker 3: where she like sings this alien song. Yeah, and it

1218
01:03:31,720 --> 01:03:33,440
Speaker 3: bombs so hard.

1219
01:03:34,000 --> 01:03:35,040
Speaker 6: Such a bad moment.

1220
01:03:35,240 --> 01:03:35,880
Speaker 2: Oh god.

1221
01:03:36,080 --> 01:03:38,320
Speaker 3: Yeah. And there's a lot of scenes like that in

1222
01:03:38,360 --> 01:03:40,960
Speaker 3: the movie. I heard like during that movie they were

1223
01:03:41,040 --> 01:03:43,400
Speaker 3: writing it as they were shooting it. They didn't even

1224
01:03:43,720 --> 01:03:46,360
Speaker 3: they started making it without a finished script and it

1225
01:03:46,600 --> 01:03:48,040
Speaker 3: shows well.

1226
01:03:47,880 --> 01:03:50,120
Speaker 2: Will got pulled over by them cops and that was

1227
01:03:50,160 --> 01:03:54,080
Speaker 2: good and uh, yeah, I don't know, man, we just

1228
01:03:54,080 --> 01:03:55,920
Speaker 2: got to disagree on this and got six point nine

1229
01:03:55,960 --> 01:03:58,720
Speaker 2: on im dB. So I feel like closer to good

1230
01:03:58,800 --> 01:04:01,560
Speaker 2: than bad. Yeah, it was you know, and I got

1231
01:04:01,560 --> 01:04:04,120
Speaker 2: to add that extra two points for black fatherhood moments.

1232
01:04:04,120 --> 01:04:10,120
Speaker 3: Man, that that's that's counting the extra two points.

1233
01:04:11,840 --> 01:04:14,400
Speaker 2: By the way, I also did the same thing after Earth,

1234
01:04:14,440 --> 01:04:17,360
Speaker 2: So if you want to disregard my fend, please feel

1235
01:04:17,400 --> 01:04:19,800
Speaker 2: free too, because I also fuck with that movie because

1236
01:04:19,800 --> 01:04:20,960
Speaker 2: it's about black fatherhood.

1237
01:04:21,280 --> 01:04:24,120
Speaker 3: There's another one where but but but it was a

1238
01:04:24,360 --> 01:04:29,480
Speaker 3: huge financial loss, and I think that was him, you know,

1239
01:04:29,520 --> 01:04:32,200
Speaker 3: with his scientology beliefs and the amount of money put

1240
01:04:32,200 --> 01:04:34,600
Speaker 3: it in and the I mean, that's that thing where

1241
01:04:34,600 --> 01:04:37,360
Speaker 3: it's like, okay, like let's look at like m Night Shyamalan.

1242
01:04:39,160 --> 01:04:43,000
Speaker 3: You know, he started out, you know, I know he

1243
01:04:43,080 --> 01:04:45,320
Speaker 3: made something before Sixth Sense, but you know, for all

1244
01:04:45,360 --> 01:04:48,800
Speaker 3: intents and purposes, Sixth Sense was like his first movie, right,

1245
01:04:51,160 --> 01:04:53,360
Speaker 3: you know, it's the one where everyone's like, oh my god,

1246
01:04:53,800 --> 01:04:56,240
Speaker 3: and you know, and it was huge. It was a

1247
01:04:56,320 --> 01:04:59,920
Speaker 3: genre movie. But it got nominated and all this stuff,

1248
01:05:00,240 --> 01:05:04,600
Speaker 3: and the movie started to suck and he kind of

1249
01:05:04,640 --> 01:05:09,840
Speaker 3: got marginalized and pushed aside in Hollywood. And that's that's

1250
01:05:09,920 --> 01:05:13,560
Speaker 3: where I I mean, I definitely think there's racism. I

1251
01:05:13,560 --> 01:05:19,040
Speaker 3: mean because once again Indians horribly underrepresented in Hollywood. I

1252
01:05:19,080 --> 01:05:22,080
Speaker 3: mean slut and slum Dog. Get you know slum Dog

1253
01:05:22,120 --> 01:05:25,840
Speaker 3: is a movie made by a British white guy about

1254
01:05:26,000 --> 01:05:27,160
Speaker 3: squalor in India.

1255
01:05:27,880 --> 01:05:29,240
Speaker 2: Oh, I didn't know that either.

1256
01:05:30,200 --> 01:05:33,280
Speaker 6: Well, you know the other thing, and I didn't know

1257
01:05:33,280 --> 01:05:34,880
Speaker 6: it was made by I thought it was made by

1258
01:05:34,920 --> 01:05:36,000
Speaker 6: Indian dude. I had no idea.

1259
01:05:36,360 --> 01:05:38,720
Speaker 3: Oh no, it's made by Danny Boyle, who did twenty

1260
01:05:38,720 --> 01:05:40,160
Speaker 3: eight days Later in Trainspoting.

1261
01:05:40,480 --> 01:05:42,439
Speaker 1: Wow. Yeah, I like twenty eight days Later.

1262
01:05:42,600 --> 01:05:47,200
Speaker 2: And the thing is like with movies like that, I like,

1263
01:05:47,960 --> 01:05:52,760
Speaker 2: I enjoy having like diversity and diverse like cultures and

1264
01:05:52,800 --> 01:05:54,600
Speaker 2: stuff like looking at it because I just liked that

1265
01:05:54,600 --> 01:05:57,760
Speaker 2: the story is not the same as everybody else. But

1266
01:05:58,000 --> 01:06:01,880
Speaker 2: anytime you're looking at racism as a structural thing, you're

1267
01:06:01,920 --> 01:06:03,960
Speaker 2: not going to be able to prove it pretty much

1268
01:06:03,960 --> 01:06:06,520
Speaker 2: on an individual example, because I feel like you can

1269
01:06:06,600 --> 01:06:09,640
Speaker 2: make you can kind of deny every individual thing, right,

1270
01:06:09,800 --> 01:06:13,640
Speaker 2: Like it's just the collection of like, okay, you know

1271
01:06:13,680 --> 01:06:16,960
Speaker 2: what I mean, Like we've come up with seventeen different

1272
01:06:17,400 --> 01:06:20,680
Speaker 2: films that, like, seventeen different films that we have a

1273
01:06:20,680 --> 01:06:23,400
Speaker 2: reason they didn't make it. But it's like, well, the

1274
01:06:23,440 --> 01:06:27,160
Speaker 2: odds of none of these films getting critical getting that

1275
01:06:27,600 --> 01:06:30,720
Speaker 2: award is kind of the problem for most people.

1276
01:06:30,840 --> 01:06:33,600
Speaker 3: What I'm saying is like, because you look at like

1277
01:06:33,640 --> 01:06:39,720
Speaker 3: Shyamalan and his fall from Grace, right, if anything, was

1278
01:06:39,800 --> 01:06:42,919
Speaker 3: because of the fact that the movie started to suck,

1279
01:06:43,160 --> 01:06:46,920
Speaker 3: you know. And contrary to that, Justin Lynn, who started,

1280
01:06:46,960 --> 01:06:51,560
Speaker 3: you know, his first movie Better Luck Tomorrow was about

1281
01:06:51,720 --> 01:06:56,240
Speaker 3: you know, Asians and you know, and they start, you know,

1282
01:06:56,480 --> 01:06:58,920
Speaker 3: to do crime and stuff right, and you know, he

1283
01:06:58,960 --> 01:07:03,200
Speaker 3: wrote directed, made himself, got noticed, he got on to

1284
01:07:03,200 --> 01:07:06,240
Speaker 3: do Fast three, then he got through more fast movies

1285
01:07:06,440 --> 01:07:09,480
Speaker 3: and now he's getting Star Wars right because the movies

1286
01:07:10,120 --> 01:07:14,400
Speaker 3: made money, got bigger and made more money. And I

1287
01:07:14,440 --> 01:07:16,720
Speaker 3: mean capital system.

1288
01:07:16,240 --> 01:07:17,640
Speaker 6: Capitalism does trump all.

1289
01:07:18,800 --> 01:07:21,440
Speaker 2: I think. I think the thing with the Oscars and

1290
01:07:21,520 --> 01:07:25,400
Speaker 2: these type of awards is just over the over our lifetimes,

1291
01:07:25,440 --> 01:07:29,040
Speaker 2: it's just become so political, like they want the award

1292
01:07:29,080 --> 01:07:32,280
Speaker 2: to be political, so then they can't recall from the

1293
01:07:32,320 --> 01:07:35,200
Speaker 2: backlash when people go, hey, why didn't you make this statement?

1294
01:07:35,800 --> 01:07:38,520
Speaker 2: You know, like they're like they're gonna cause I would

1295
01:07:38,560 --> 01:07:40,840
Speaker 2: make the argument that it's not just about whether a

1296
01:07:40,920 --> 01:07:43,880
Speaker 2: film is good anymore, it's also about what the statement

1297
01:07:44,000 --> 01:07:47,720
Speaker 2: is at the Oscars, So it's not even like what

1298
01:07:47,840 --> 01:07:50,360
Speaker 2: we nominated these because they're the ten best. It's just

1299
01:07:51,200 --> 01:07:53,960
Speaker 2: we also sometimes just want to make a statement. We want, hey,

1300
01:07:54,000 --> 01:07:55,880
Speaker 2: we want a gay director to get this. We want

1301
01:07:56,520 --> 01:07:58,440
Speaker 2: we want a black director to get this, we want

1302
01:07:58,760 --> 01:08:00,720
Speaker 2: a Latino director to get this. And I feel like

1303
01:08:01,600 --> 01:08:03,440
Speaker 2: people feel let down that they didn't want to make

1304
01:08:03,440 --> 01:08:04,360
Speaker 2: that statement this year.

1305
01:08:04,920 --> 01:08:07,880
Speaker 3: Yeah, And to me, I think, but the more important

1306
01:08:07,920 --> 01:08:12,760
Speaker 3: thing is what happens afterwards. I mean, because the whole

1307
01:08:12,760 --> 01:08:17,360
Speaker 3: point of the Uskers is to make money for these movies,

1308
01:08:17,640 --> 01:08:20,320
Speaker 3: you know, for the studios to be able to sell

1309
01:08:20,360 --> 01:08:22,519
Speaker 3: a certain type of movie. I mean, you know, it's

1310
01:08:22,560 --> 01:08:24,400
Speaker 3: show business. It's all about money at the end of

1311
01:08:24,439 --> 01:08:27,240
Speaker 3: the day. Like it was fascinating to me. I think

1312
01:08:27,240 --> 01:08:32,200
Speaker 3: about this with like Ava Duverne her, you know, her

1313
01:08:32,240 --> 01:08:34,439
Speaker 3: first movie or not, I don't know first movie. But

1314
01:08:34,479 --> 01:08:36,519
Speaker 3: the movie before this was called Middle of Nowhere.

1315
01:08:36,680 --> 01:08:38,640
Speaker 2: Yeah, and it made.

1316
01:08:38,600 --> 01:08:43,160
Speaker 3: Three hundred thousand dollars and released in sixteen theaters with

1317
01:08:43,240 --> 01:08:47,479
Speaker 3: an all black cast featuring David Oh Yeah. And I

1318
01:08:47,479 --> 01:08:51,519
Speaker 3: mean that's sad that, you know, it was marginalized people

1319
01:08:51,560 --> 01:08:54,679
Speaker 3: probably you know, studios looked at it, oh a black movie.

1320
01:08:54,880 --> 01:08:55,160
Speaker 2: Yeah.

1321
01:08:55,320 --> 01:08:59,840
Speaker 3: And then she makes this and everyone's like, who is

1322
01:09:00,479 --> 01:09:03,599
Speaker 3: you know what I mean? And and uh and then

1323
01:09:03,680 --> 01:09:06,840
Speaker 3: I wonder, you know, to me, what's fascinating is so

1324
01:09:07,240 --> 01:09:09,040
Speaker 3: you know, what does she do next?

1325
01:09:09,280 --> 01:09:15,200
Speaker 2: I hope, hopefully, hopefully, Mike, she directs Black Panther, hopefully,

1326
01:09:16,040 --> 01:09:18,760
Speaker 2: because I would love to have a director who was

1327
01:09:18,880 --> 01:09:21,439
Speaker 2: like because you know, there's a huge controversy over the

1328
01:09:21,439 --> 01:09:23,240
Speaker 2: way she treated lend to B.

1329
01:09:23,400 --> 01:09:25,120
Speaker 6: Johnson from uh, you know, Lyndon B.

1330
01:09:25,240 --> 01:09:29,200
Speaker 2: Johnson's you know lbjes fan Club. You know, first of

1331
01:09:29,200 --> 01:09:31,360
Speaker 2: I was like, LBJ, what is Lebron James doing in

1332
01:09:31,400 --> 01:09:35,000
Speaker 2: this movie that that doesn't really make sense? But they said, no,

1333
01:09:35,120 --> 01:09:38,639
Speaker 2: it's lend to B. Johnson the parents some dude. But yes,

1334
01:09:38,720 --> 01:09:41,720
Speaker 2: So it was kind of like, uh, I like, she

1335
01:09:42,000 --> 01:09:44,479
Speaker 2: defended her decision to be like, no, it's not a

1336
01:09:44,560 --> 01:09:48,360
Speaker 2: movie about him, and I think historically I was, you know,

1337
01:09:48,720 --> 01:09:51,760
Speaker 2: fair to him, and I was like, man, I love

1338
01:09:51,800 --> 01:09:55,040
Speaker 2: a person like that to direct the Black Panther movie

1339
01:09:55,120 --> 01:09:57,639
Speaker 2: because I need my Black Panther to be a little

1340
01:09:57,640 --> 01:10:00,080
Speaker 2: bit like fuck white people, just a little bit of

1341
01:10:00,880 --> 01:10:04,080
Speaker 2: you know, because that's what makes that character badass. And

1342
01:10:04,640 --> 01:10:06,840
Speaker 2: for me and so many black kids, that looked up

1343
01:10:06,880 --> 01:10:10,120
Speaker 2: to child as a kid. It's like he's a dude

1344
01:10:10,280 --> 01:10:14,559
Speaker 2: that was completely able to function on his own, but

1345
01:10:15,120 --> 01:10:17,639
Speaker 2: you know, for the greater good and after much pride

1346
01:10:17,720 --> 01:10:20,360
Speaker 2: in Poland, he would go help the Avengers out. And

1347
01:10:20,400 --> 01:10:22,640
Speaker 2: I need somebody like that. So maybe she can do

1348
01:10:22,680 --> 01:10:23,320
Speaker 2: something like that.

1349
01:10:23,800 --> 01:10:28,640
Speaker 3: And most people consider the best black panther stories to

1350
01:10:28,720 --> 01:10:31,639
Speaker 3: be ridden by a black guy, you know, Christopher Priest.

1351
01:10:31,800 --> 01:10:35,720
Speaker 2: Yep. Yeah, so I'm excited for that. Man, I did

1352
01:10:35,800 --> 01:10:36,439
Speaker 2: have one more.

1353
01:10:36,360 --> 01:10:40,240
Speaker 3: Question, but I want to say with Ava, so to me,

1354
01:10:40,720 --> 01:10:43,439
Speaker 3: like when I think about the system of Hollywood, so

1355
01:10:43,560 --> 01:10:48,080
Speaker 3: like after this, you know, she she's gonna have more

1356
01:10:48,160 --> 01:10:51,960
Speaker 3: cloud and more notice to make the next movie, right,

1357
01:10:52,360 --> 01:10:58,160
Speaker 3: and she, I think more freedom now if she makes

1358
01:10:59,080 --> 01:11:04,599
Speaker 3: a movie with an all black cast, like that's really telling.

1359
01:11:05,240 --> 01:11:08,639
Speaker 3: We'll see if Hollywood will then just treat it as

1360
01:11:09,760 --> 01:11:12,840
Speaker 3: here's another all black movie, let's put in February. Let's

1361
01:11:12,920 --> 01:11:14,960
Speaker 3: just you know, not put it in trailers for most

1362
01:11:15,000 --> 01:11:18,280
Speaker 3: white movies. Let's marginalize this. Let's make this, you know,

1363
01:11:19,200 --> 01:11:24,960
Speaker 3: as unseen as possible. Yeah, or if they'll give it

1364
01:11:25,000 --> 01:11:27,960
Speaker 3: as much attention like that, because that not to me,

1365
01:11:28,240 --> 01:11:34,120
Speaker 3: Like what's fascinating when I think about films and you know,

1366
01:11:34,120 --> 01:11:37,040
Speaker 3: how they reflect on society and race. You look at

1367
01:11:37,080 --> 01:11:41,120
Speaker 3: like the late eighties and early nineties when we had

1368
01:11:41,439 --> 01:11:45,240
Speaker 3: you know, Bush Senior, and then let's start at Clinton,

1369
01:11:45,800 --> 01:11:52,479
Speaker 3: you had these like really powerful movies being made about

1370
01:11:52,600 --> 01:11:57,080
Speaker 3: modern times by black directors. You know, you had boy

1371
01:11:57,400 --> 01:12:02,519
Speaker 3: hoods do the right thing. And then and then now

1372
01:12:02,560 --> 01:12:05,759
Speaker 3: that we have a black president, we've gotten the help,

1373
01:12:06,120 --> 01:12:09,559
Speaker 3: and we've gotten Blindside, and we've gotten in forty two

1374
01:12:09,800 --> 01:12:12,920
Speaker 3: and we've gotten some much and it seems like we've

1375
01:12:13,000 --> 01:12:16,040
Speaker 3: kind of gone backwards, right, Yeah.

1376
01:12:15,840 --> 01:12:17,519
Speaker 6: We have to look to the past or whatever.

1377
01:12:18,080 --> 01:12:21,320
Speaker 2: Well, we did get fruit Vale Stationed, but again black

1378
01:12:21,360 --> 01:12:25,720
Speaker 2: tragedy movie. But I do I think we'll really have

1379
01:12:25,920 --> 01:12:32,120
Speaker 2: like true equality in Hollywood when the stories, like you

1380
01:12:32,160 --> 01:12:35,599
Speaker 2: said earlier, the stories that we call like quote unquote white,

1381
01:12:36,200 --> 01:12:39,320
Speaker 2: you know, the like low stakes, not much going on,

1382
01:12:40,320 --> 01:12:42,200
Speaker 2: when those stories get diversified.

1383
01:12:42,439 --> 01:12:44,800
Speaker 6: You know, because like I said to me.

1384
01:12:46,240 --> 01:12:48,120
Speaker 2: I think it it's kind of like when you I

1385
01:12:48,160 --> 01:12:51,320
Speaker 2: think you said earlier, suspension of disbelief you said earlier,

1386
01:12:52,240 --> 01:12:56,920
Speaker 2: I have like a suspension of racial diversity. So like

1387
01:12:57,080 --> 01:12:59,360
Speaker 2: if something's good enough, I don't really give a fuck

1388
01:13:00,040 --> 01:13:01,920
Speaker 2: you know what I mean, Like, if the movie knocks

1389
01:13:01,920 --> 01:13:04,160
Speaker 2: my socks off, man, listen, I don't give a fuck.

1390
01:13:04,200 --> 01:13:06,400
Speaker 2: I don't even know that was gender u A.

1391
01:13:06,680 --> 01:13:07,719
Speaker 1: It is great, it's great.

1392
01:13:07,840 --> 01:13:10,240
Speaker 2: That was like one black dude in Interstellar. But I

1393
01:13:10,280 --> 01:13:14,599
Speaker 2: love Interstellar, you know, yeah, yeah, he was good in them.

1394
01:13:15,560 --> 01:13:17,679
Speaker 3: But but I said, I said, you know, we get

1395
01:13:17,680 --> 01:13:21,559
Speaker 3: closer to mlk's dream every time we watched After Earth

1396
01:13:21,640 --> 01:13:26,200
Speaker 3: and we judge Jaden Smith by the color of his skin,

1397
01:13:27,280 --> 01:13:30,240
Speaker 3: the of his awfulness, by the lack by the lack

1398
01:13:30,280 --> 01:13:31,679
Speaker 3: of content in his lines.

1399
01:13:33,320 --> 01:13:35,519
Speaker 2: But yeah, man, so I feel like once we get

1400
01:13:35,600 --> 01:13:38,720
Speaker 2: to like that kind of level where it's just like, look, man,

1401
01:13:38,800 --> 01:13:42,040
Speaker 2: this movie's not gonna hurt anybody. If if we put

1402
01:13:42,200 --> 01:13:45,600
Speaker 2: like three or four people of different races, genders and

1403
01:13:45,640 --> 01:13:47,479
Speaker 2: all that shit in here, I feel like that's when

1404
01:13:47,479 --> 01:13:50,200
Speaker 2: we'll be like, all right, cool, you know, but we'll

1405
01:13:50,200 --> 01:13:52,439
Speaker 2: see what happens after this. I feel like the Oscars

1406
01:13:52,439 --> 01:13:54,240
Speaker 2: is going to probably try to come back hard next

1407
01:13:54,280 --> 01:13:57,719
Speaker 2: year and be like all black everything or something, because

1408
01:13:58,000 --> 01:14:00,000
Speaker 2: they seem folded at this point.

1409
01:14:00,240 --> 01:14:01,080
Speaker 6: You know, everyone and.

1410
01:14:01,880 --> 01:14:05,599
Speaker 3: If and if you know, Idris Elbow becomes the next

1411
01:14:05,680 --> 01:14:08,240
Speaker 3: James Bond and I hope he does. The first thing

1412
01:14:08,280 --> 01:14:11,639
Speaker 3: I'll ask is who's the villain and who's doing the song?

1413
01:14:11,800 --> 01:14:14,639
Speaker 3: Because that's what I've done for the other twenty three

1414
01:14:14,760 --> 01:14:15,320
Speaker 3: James Bond.

1415
01:14:15,640 --> 01:14:19,080
Speaker 2: Yeah, yeah, yeah, but that's what Yeah, that's what it

1416
01:14:19,160 --> 01:14:21,479
Speaker 2: kind of takes, though, is you know, that's real?

1417
01:14:21,600 --> 01:14:22,280
Speaker 6: To me, that's real.

1418
01:14:22,280 --> 01:14:26,519
Speaker 2: Equality is oh is James Bond? That makes sense? Now,

1419
01:14:26,840 --> 01:14:28,439
Speaker 2: why is the movie gonna suck this time?

1420
01:14:28,560 --> 01:14:28,760
Speaker 3: You know?

1421
01:14:29,479 --> 01:14:33,120
Speaker 2: Like like that seems more like fairness in my opinion.

1422
01:14:33,120 --> 01:14:36,559
Speaker 3: And to me it's about like I try to judge

1423
01:14:36,600 --> 01:14:39,920
Speaker 3: things on a case by case basis. He was great

1424
01:14:39,960 --> 01:14:43,599
Speaker 3: as Heimdel and Thor. Yeah, but the guy who played Hogan,

1425
01:14:43,680 --> 01:14:46,120
Speaker 3: the Graham, the Asian guy was terrible.

1426
01:14:46,600 --> 01:14:51,080
Speaker 2: Yeah, and it was terrible in ghost Rider though that

1427
01:14:51,080 --> 01:14:53,640
Speaker 2: that movie was horrible the nick k.

1428
01:14:54,120 --> 01:14:57,080
Speaker 3: Yeah, but it was progress because he was as equally

1429
01:14:57,240 --> 01:14:58,840
Speaker 3: bad as everything else.

1430
01:14:59,240 --> 01:15:03,960
Speaker 4: Yes, he was, Oh my god, yeah it was awesome,

1431
01:15:04,000 --> 01:15:05,040
Speaker 4: but yeah it was terrible.

1432
01:15:05,240 --> 01:15:08,520
Speaker 2: Yeah. Did you see by any chance the Scarlet Johansson

1433
01:15:08,600 --> 01:15:09,880
Speaker 2: movie Under the Skin.

1434
01:15:10,920 --> 01:15:11,560
Speaker 3: I did not.

1435
01:15:11,920 --> 01:15:12,879
Speaker 6: Oh that good.

1436
01:15:13,400 --> 01:15:18,599
Speaker 3: But it's also you know, people forget Blade was the

1437
01:15:18,680 --> 01:15:21,440
Speaker 3: movie that made all of this possible.

1438
01:15:22,040 --> 01:15:24,519
Speaker 2: True speak that truth, Mike, that.

1439
01:15:24,840 --> 01:15:28,000
Speaker 3: It really is. You know, I'm hit because if you

1440
01:15:28,040 --> 01:15:31,919
Speaker 3: look at the nineties and comic book movies, they literally

1441
01:15:32,000 --> 01:15:34,960
Speaker 3: this shows how old studio heads are. They did The

1442
01:15:35,080 --> 01:15:38,680
Speaker 3: Phantom and the Shadow and the Rocketeer because that's what

1443
01:15:38,920 --> 01:15:42,640
Speaker 3: those guys probably grew up reading. And then you know

1444
01:15:42,800 --> 01:15:46,600
Speaker 3: they made this movie Blade. Yeah, it was an obscure

1445
01:15:46,680 --> 01:15:49,639
Speaker 3: character that not a lot of people knew about. Maybe

1446
01:15:49,840 --> 01:15:52,400
Speaker 3: we had a Dolph Lungren Punisher movie in like eighty

1447
01:15:52,520 --> 01:15:55,800
Speaker 3: nine or ninety yep, and that was your Marvel shit

1448
01:15:55,880 --> 01:15:59,160
Speaker 3: back then. You know, a TV Captain America with JD.

1449
01:15:59,320 --> 01:16:04,200
Speaker 3: Salingers and it's just the worst garbage. The eighties, you know,

1450
01:16:04,320 --> 01:16:09,720
Speaker 3: Hulk and all that. We Hadde made people realize how

1451
01:16:09,840 --> 01:16:14,200
Speaker 3: much money all this stuff could make. And I don't

1452
01:16:14,240 --> 01:16:16,479
Speaker 3: think it gets enough credit. I don't think you know,

1453
01:16:16,760 --> 01:16:20,439
Speaker 3: Snipe gets enough credit. But because they saw that and

1454
01:16:20,439 --> 01:16:23,000
Speaker 3: they're like, oh, we could make this off a guy

1455
01:16:23,160 --> 01:16:27,520
Speaker 3: nobody knows and everybody knows the X Men and everybody

1456
01:16:27,600 --> 01:16:28,960
Speaker 3: knows Spider Man.

1457
01:16:29,160 --> 01:16:32,000
Speaker 2: Dude. I've seen that Blade and Blade Too movie so

1458
01:16:32,080 --> 01:16:36,320
Speaker 2: many times. I love that And like Wesley Snipes was

1459
01:16:36,400 --> 01:16:39,280
Speaker 2: so good. He was like the perfect casting for it. Yes,

1460
01:16:39,960 --> 01:16:43,080
Speaker 2: and then like obviously they had to send him to

1461
01:16:43,160 --> 01:16:45,760
Speaker 2: jail because you know, he's still a black man.

1462
01:16:45,800 --> 01:16:46,519
Speaker 6: He had to struggle.

1463
01:16:46,560 --> 01:16:49,680
Speaker 2: But you know, hey, your taxes. They set him up

1464
01:16:49,680 --> 01:16:51,519
Speaker 2: not to pay his taxes. You know how it is, Karen,

1465
01:16:52,320 --> 01:16:54,439
Speaker 2: you never paid people without the taxi taking out to

1466
01:16:54,520 --> 01:16:56,360
Speaker 2: check first. Why would you just give him a whole check?

1467
01:16:56,400 --> 01:16:58,960
Speaker 2: But he was but Noah, he was so good. And

1468
01:16:59,000 --> 01:17:01,160
Speaker 2: I do think that movie and get the credit deserves

1469
01:17:01,280 --> 01:17:05,080
Speaker 2: for starting the whole comic book revolution because those movies

1470
01:17:05,120 --> 01:17:08,960
Speaker 2: also proved that a rated R movie right could make

1471
01:17:09,040 --> 01:17:11,320
Speaker 2: could make money because it was true to the comic.

1472
01:17:11,439 --> 01:17:13,960
Speaker 2: Like that was what was more important than you know,

1473
01:17:14,240 --> 01:17:17,120
Speaker 2: just whether or not it was Pg. Thirteen like everything

1474
01:17:17,240 --> 01:17:19,680
Speaker 2: is now and oh it has to get me this

1475
01:17:19,840 --> 01:17:21,760
Speaker 2: run time, and it has to have this level of

1476
01:17:21,800 --> 01:17:23,760
Speaker 2: actor in it. It was just like, no, let's make

1477
01:17:23,800 --> 01:17:26,760
Speaker 2: a movie that feels like that comic book feels. And

1478
01:17:26,920 --> 01:17:28,840
Speaker 2: I think that's why I was successful, and I think

1479
01:17:28,840 --> 01:17:32,040
Speaker 2: that's why it makes money. And hopefully, you know, we'll

1480
01:17:32,040 --> 01:17:34,960
Speaker 2: continue to get that lesson with comic book movies going forward. Man.

1481
01:17:35,200 --> 01:17:37,840
Speaker 3: Well, yeah, and I think like one of the most

1482
01:17:37,960 --> 01:17:41,080
Speaker 3: you know, like important scenes in a comic book movie.

1483
01:17:41,280 --> 01:17:44,240
Speaker 3: Is the opening scene of that movie, Yes, when they

1484
01:17:44,280 --> 01:17:47,880
Speaker 3: go into the Rave Club and they have the showers

1485
01:17:48,360 --> 01:17:51,800
Speaker 3: of the world. Because it was a new idea, it

1486
01:17:51,880 --> 01:17:54,680
Speaker 3: was fresh, it was exciting, and you know, I want

1487
01:17:54,720 --> 01:17:59,919
Speaker 3: to see this and it's awesome, and it's fascinating because

1488
01:18:01,200 --> 01:18:04,320
Speaker 3: you know, the studios because Spawn came out the year before.

1489
01:18:04,640 --> 01:18:09,840
Speaker 2: Yep. Now, Spawn's not a good movie. And you know.

1490
01:18:10,960 --> 01:18:14,559
Speaker 3: There were there were probably studio heads that we're afraid

1491
01:18:14,560 --> 01:18:17,920
Speaker 3: of that. There were probably guys, well, look movie. You know,

1492
01:18:18,040 --> 01:18:21,200
Speaker 3: black superhero movies ain't gonna fucking sell. We already went

1493
01:18:21,200 --> 01:18:24,799
Speaker 3: through medior man, Now we've got this. And then someone

1494
01:18:25,080 --> 01:18:29,240
Speaker 3: probably showed that scene with the fucking showers of blood, like, no,

1495
01:18:29,320 --> 01:18:32,719
Speaker 3: this is good. Trust us, this will work. People will

1496
01:18:32,880 --> 01:18:33,280
Speaker 3: like this.

1497
01:18:33,600 --> 01:18:37,680
Speaker 2: We can make this happen. This dude, Ari is like

1498
01:18:37,720 --> 01:18:39,439
Speaker 2: a badass. You don't even have to know anything about

1499
01:18:39,479 --> 01:18:40,640
Speaker 2: the comic books.

1500
01:18:41,439 --> 01:18:44,400
Speaker 3: And it's a simple concept. And I don't even know

1501
01:18:44,439 --> 01:18:46,519
Speaker 3: how much like and I haven't read a lot of

1502
01:18:46,560 --> 01:18:50,640
Speaker 3: Blade comics, but so much of it was for just

1503
01:18:50,800 --> 01:18:53,639
Speaker 3: that movie, and it immediately brought you into that world

1504
01:18:53,760 --> 01:18:58,519
Speaker 3: without the continuity. And I mean, you look at in

1505
01:18:58,600 --> 01:19:01,920
Speaker 3: the comics you know, Nick Fury was white for years,

1506
01:19:02,439 --> 01:19:06,479
Speaker 3: they started to draw him like Samuel Jackson in the

1507
01:19:06,640 --> 01:19:13,000
Speaker 3: Ultimate Comics, and then it just is SAMUELO. Jackson. Now yeah,

1508
01:19:13,640 --> 01:19:16,600
Speaker 3: and it works and it's fine and no one, no

1509
01:19:16,680 --> 01:19:19,040
Speaker 3: one cares, no one complains.

1510
01:19:19,520 --> 01:19:23,000
Speaker 6: Yeah, the Tony start casting with Robert Downey Jr.

1511
01:19:23,120 --> 01:19:26,000
Speaker 2: Just like kind of stroke of genius worked out, you know,

1512
01:19:26,080 --> 01:19:28,800
Speaker 2: little stuff like that man like you Can. I mean,

1513
01:19:28,800 --> 01:19:31,519
Speaker 2: they basically sent it the whole Avengers franchise off of

1514
01:19:31,600 --> 01:19:32,920
Speaker 2: that man.

1515
01:19:33,160 --> 01:19:38,160
Speaker 3: But I'm also more excited to see Vincentinafrio is Kingpin

1516
01:19:38,880 --> 01:19:42,000
Speaker 3: than I was Michael Clark Duncan. Yeah, just because he

1517
01:19:42,120 --> 01:19:42,760
Speaker 3: wasn't good in that.

1518
01:19:44,600 --> 01:19:49,240
Speaker 2: Not only that, but like I pictured king Pin as

1519
01:19:49,280 --> 01:19:53,080
Speaker 2: like big strong and kind of fat, and Michael Clarke

1520
01:19:53,160 --> 01:19:56,439
Speaker 2: Duncan is just like a big ass strong dude. Well

1521
01:19:56,479 --> 01:19:59,040
Speaker 2: he didn't even grow a gut, Like he didn't commit

1522
01:19:59,080 --> 01:20:01,559
Speaker 2: to that part at all. Then, like it was like

1523
01:20:02,320 --> 01:20:04,080
Speaker 2: and then on top of that, he was black, so

1524
01:20:04,120 --> 01:20:05,800
Speaker 2: then it was just like this ain't the king Pan,

1525
01:20:06,360 --> 01:20:07,559
Speaker 2: and then that movie sucked.

1526
01:20:09,360 --> 01:20:12,559
Speaker 3: Theirs are always the most progressive, Like it's so funny,

1527
01:20:12,600 --> 01:20:16,400
Speaker 3: like when X Men came out, like people, I know

1528
01:20:16,479 --> 01:20:19,600
Speaker 3: that have probably never seen a movie with Angela Bassett.

1529
01:20:19,800 --> 01:20:21,799
Speaker 3: We're like, man, she should have been stormed.

1530
01:20:22,200 --> 01:20:23,799
Speaker 2: Yeah, yeah, exactly.

1531
01:20:23,840 --> 01:20:26,040
Speaker 3: Why couldn't she have been stormed? This ship?

1532
01:20:26,439 --> 01:20:26,720
Speaker 2: Yeah that.

1533
01:20:28,720 --> 01:20:29,400
Speaker 1: Was terrible.

1534
01:20:30,680 --> 01:20:32,960
Speaker 4: Yeah, Roger read this time like two people ain't coming back,

1535
01:20:32,960 --> 01:20:33,840
Speaker 4: and he read the names.

1536
01:20:33,840 --> 01:20:36,599
Speaker 1: I was like, so that means she can come back.

1537
01:20:37,200 --> 01:20:41,880
Speaker 2: Yeah, Karen's talking about the newest sequel, the X Men Apocalypse.

1538
01:20:42,280 --> 01:20:46,320
Speaker 2: The Yeah, they said two actors aren't coming back from

1539
01:20:46,680 --> 01:20:49,479
Speaker 2: uh the Day of the Future past, and uh the

1540
01:20:49,520 --> 01:20:55,360
Speaker 2: two actors were, uh, Sir Patrick, Uh, Stuart Stewart and

1541
01:20:55,720 --> 01:20:58,679
Speaker 2: Sir Ian McKellen. So it was like, wait a minute,

1542
01:21:00,520 --> 01:21:03,960
Speaker 2: don't you mean Holly Berry and uh, maybe the guy

1543
01:21:04,000 --> 01:21:06,040
Speaker 2: plays Cyclops or something like come on.

1544
01:21:06,000 --> 01:21:08,800
Speaker 3: Yeah, she's so. And that's the thing where it's like,

1545
01:21:08,840 --> 01:21:12,040
Speaker 3: you could have put the Path of Murkison in that

1546
01:21:12,120 --> 01:21:12,759
Speaker 3: fucking suit.

1547
01:21:12,840 --> 01:21:18,719
Speaker 6: God damn it, anybody, Like, honestly, I don't care.

1548
01:21:22,920 --> 01:21:24,240
Speaker 1: Anybody but her ass.

1549
01:21:24,360 --> 01:21:26,080
Speaker 2: Ye, put Kevin Hart in the costume.

1550
01:21:27,360 --> 01:21:29,639
Speaker 3: Have have it be Ruby d And then Ozzie Davis

1551
01:21:29,640 --> 01:21:34,000
Speaker 3: says Bishop and there you go. Be awesome.

1552
01:21:35,360 --> 01:21:38,599
Speaker 2: Well, Mike, I don't know if you got a roll yet, man,

1553
01:21:39,280 --> 01:21:41,479
Speaker 2: but I was gonna ask are you enjoying any of

1554
01:21:41,479 --> 01:21:44,599
Speaker 2: these TV shows that are out with the nerve stuff?

1555
01:21:44,640 --> 01:21:47,120
Speaker 2: I know, I think you gave up on Ages of

1556
01:21:47,200 --> 01:21:50,080
Speaker 2: Shield right, Oh yeah, yeah, because that that had a

1557
01:21:50,160 --> 01:21:52,519
Speaker 2: very slow start. It picked back up and now it's

1558
01:21:52,560 --> 01:21:56,280
Speaker 2: really good. But it was a long haul for people.

1559
01:21:56,479 --> 01:21:58,320
Speaker 1: Yes it was. I enjoy it.

1560
01:21:58,439 --> 01:22:01,960
Speaker 2: Yeah, I enjoyed it. What about Flash, because you don't

1561
01:22:02,000 --> 01:22:02,920
Speaker 2: watch aer that's.

1562
01:22:02,720 --> 01:22:05,160
Speaker 3: The one that's the Flash is the one I love.

1563
01:22:06,000 --> 01:22:07,479
Speaker 1: Yeah, I love Flash too.

1564
01:22:07,680 --> 01:22:13,080
Speaker 3: I'm so pumped for the new episode tomorrow because the

1565
01:22:13,160 --> 01:22:16,479
Speaker 3: thing is like Agents of Shield, like just needs to

1566
01:22:16,520 --> 01:22:18,599
Speaker 3: admit it can't afford to tell the story that it's

1567
01:22:18,640 --> 01:22:21,719
Speaker 3: trying to tell because it looks cheap, it feels cheap,

1568
01:22:21,840 --> 01:22:25,000
Speaker 3: it's poorly acted. I even I know it got better.

1569
01:22:25,080 --> 01:22:29,519
Speaker 3: I watched the first two episodes of season two because

1570
01:22:29,560 --> 01:22:32,240
Speaker 3: Absorbing Man is one of my favorite villains, and he

1571
01:22:32,400 --> 01:22:35,960
Speaker 3: was just so bland and uninteresting and barely said anything.

1572
01:22:36,080 --> 01:22:38,719
Speaker 3: And in the comics he's just like a dumb thug

1573
01:22:39,200 --> 01:22:42,080
Speaker 3: with like prison pants and a ball and chain. It's like,

1574
01:22:42,120 --> 01:22:46,679
Speaker 3: I'm gonna myrtalize you from That's all I wanted. That's

1575
01:22:46,720 --> 01:22:49,920
Speaker 3: all I wanted, And he's just like a hot Canadian

1576
01:22:49,960 --> 01:22:52,240
Speaker 3: model who every time he makes a face you can

1577
01:22:52,280 --> 01:22:55,920
Speaker 3: imagine it's the headshot that got him the part, and

1578
01:22:56,439 --> 01:23:00,600
Speaker 3: it doesn't say anything and is boring. He does his

1579
01:23:00,800 --> 01:23:03,559
Speaker 3: powers but barely because they can't afford to show them

1580
01:23:03,600 --> 01:23:07,479
Speaker 3: in full effect, and he gets like a ball and

1581
01:23:07,560 --> 01:23:09,559
Speaker 3: chain at one point, but it's just like tiny little

1582
01:23:09,560 --> 01:23:12,280
Speaker 3: ball and chain and I literally was like, fuck this shit.

1583
01:23:12,840 --> 01:23:16,400
Speaker 3: And then I put on Flash and Captain Cole's name

1584
01:23:16,439 --> 01:23:20,440
Speaker 3: is Leonard Snart. He's got the Parka, he's got the goggles,

1585
01:23:20,720 --> 01:23:23,800
Speaker 3: he's got the gun, and he's fighting the Flash. That's

1586
01:23:23,880 --> 01:23:26,120
Speaker 3: that's all we want. It's not much.

1587
01:23:27,080 --> 01:23:31,400
Speaker 2: Yeah, it's like I think, after years of listening to you,

1588
01:23:32,439 --> 01:23:35,000
Speaker 2: I kind of understand, like where.

1589
01:23:34,760 --> 01:23:37,519
Speaker 6: You're coming from with a lot of stuff.

1590
01:23:38,080 --> 01:23:41,599
Speaker 2: You really do love the characters they were, the way

1591
01:23:41,640 --> 01:23:45,000
Speaker 2: they were written in the books and you and like

1592
01:23:45,400 --> 01:23:47,200
Speaker 2: as when we were kids kind of you know what

1593
01:23:47,280 --> 01:23:47,880
Speaker 2: I mean, Like.

1594
01:23:48,080 --> 01:23:51,040
Speaker 3: Well, I just like the simplicity. I think that I

1595
01:23:51,080 --> 01:23:54,800
Speaker 3: think they always overthink these things. You know, it's that

1596
01:23:55,080 --> 01:24:01,679
Speaker 3: thing they project onto what they think people won, which

1597
01:24:01,720 --> 01:24:03,720
Speaker 3: I mean that's their job. They have to, you know,

1598
01:24:03,800 --> 01:24:07,040
Speaker 3: protict trends. You know, they're selling a product. But it's like,

1599
01:24:08,280 --> 01:24:10,839
Speaker 3: you know, you know, there was a guy for years

1600
01:24:11,120 --> 01:24:15,320
Speaker 3: who said, oh, people will never accept a talking raccoon,

1601
01:24:15,800 --> 01:24:16,320
Speaker 3: and he.

1602
01:24:16,240 --> 01:24:19,360
Speaker 1: Won for years, had me almost crying.

1603
01:24:20,200 --> 01:24:24,200
Speaker 3: Yeah, and either he died or finally shut up and.

1604
01:24:24,680 --> 01:24:29,320
Speaker 2: Throven you love. And the thing is like you probably

1605
01:24:29,360 --> 01:24:32,200
Speaker 2: love Batman the Brave in the Bowl, right, Oh?

1606
01:24:32,240 --> 01:24:33,439
Speaker 3: Absolutely the best?

1607
01:24:33,520 --> 01:24:36,320
Speaker 2: Yeah, Like that's the see, that's the I think that

1608
01:24:36,520 --> 01:24:39,160
Speaker 2: is the difference is like, uh.

1609
01:24:38,520 --> 01:24:40,120
Speaker 3: But I also love the animated series.

1610
01:24:40,360 --> 01:24:43,599
Speaker 2: Oh yeah, yeah, but when I look at that, I'm like, oh, man,

1611
01:24:43,640 --> 01:24:47,639
Speaker 2: that's kind of like corny from you know, like kind

1612
01:24:47,680 --> 01:24:50,040
Speaker 2: of a I don't know what, I don't know if

1613
01:24:50,080 --> 01:24:51,960
Speaker 2: that's the best word, but you know, like it just

1614
01:24:52,040 --> 01:24:55,160
Speaker 2: kind of hits that and I'm not saying corny in

1615
01:24:55,200 --> 01:24:56,080
Speaker 2: a bad way, but like.

1616
01:24:56,040 --> 01:24:57,840
Speaker 6: It hits that that.

1617
01:24:57,520 --> 01:25:01,479
Speaker 3: That itch for like, yeah, what a nostalgic.

1618
01:25:01,320 --> 01:25:05,320
Speaker 2: Yeah, exactly, like what would Batman and Red Tornado do

1619
01:25:05,400 --> 01:25:07,839
Speaker 2: on a mission together? Let's and they go to space

1620
01:25:07,960 --> 01:25:09,960
Speaker 2: and then they you know, like, let's just fucking do it.

1621
01:25:10,000 --> 01:25:12,280
Speaker 2: And there's like it's almost like when you're playing with

1622
01:25:12,320 --> 01:25:15,120
Speaker 2: your toys when your kid, like what you make up

1623
01:25:15,120 --> 01:25:19,760
Speaker 2: in your mind, but then there's also become this super realistic,

1624
01:25:19,880 --> 01:25:23,759
Speaker 2: domed down kind of uh success for a lot of characters,

1625
01:25:23,880 --> 01:25:27,680
Speaker 2: especially since Christopher Nolan did Batman and I can and

1626
01:25:27,720 --> 01:25:30,000
Speaker 2: I think you don't like that as much.

1627
01:25:30,760 --> 01:25:33,000
Speaker 3: Well, I'll say I'll say this, so I'll say two things.

1628
01:25:33,040 --> 01:25:36,160
Speaker 3: One about Braving the Bold, the reason that Braving the

1629
01:25:36,200 --> 01:25:39,840
Speaker 3: Bold and and to a larger extent before that, you

1630
01:25:39,880 --> 01:25:43,600
Speaker 3: know Batman the animated series and Jail You and Superman

1631
01:25:43,720 --> 01:25:47,040
Speaker 3: and all that Bruce tim stuff. The reason it works

1632
01:25:47,720 --> 01:25:51,479
Speaker 3: and most of the other stuff doesn't, Uh, most of

1633
01:25:51,479 --> 01:25:54,639
Speaker 3: the other cartoons and TV shows don't is because they

1634
01:25:54,760 --> 01:25:59,799
Speaker 3: took everything and they simplified it, and every single character

1635
01:26:00,200 --> 01:26:04,720
Speaker 3: on those shows, excuse me, can be explained in a sentence,

1636
01:26:05,240 --> 01:26:09,320
Speaker 3: and it's a compelling sentence. It's an interesting sentence because

1637
01:26:09,400 --> 01:26:14,639
Speaker 3: there've been cookie cutter cartoon shows for years, like and

1638
01:26:15,080 --> 01:26:19,280
Speaker 3: the best example of why Braving the Bold works and

1639
01:26:19,360 --> 01:26:22,280
Speaker 3: I wish that like the people that make the movies

1640
01:26:22,320 --> 01:26:25,559
Speaker 3: even took notes is look at Aquaman on that show.

1641
01:26:26,520 --> 01:26:30,480
Speaker 3: Aquaman has been around since nineteen forty. He's a punchline.

1642
01:26:30,560 --> 01:26:33,559
Speaker 3: He's never worked, he's never been fun, he sucks in

1643
01:26:33,600 --> 01:26:37,040
Speaker 3: the books. He's sucked on TV. He was laming the

1644
01:26:37,080 --> 01:26:41,280
Speaker 3: super Friends, and they got him right because they took

1645
01:26:41,320 --> 01:26:46,040
Speaker 3: something that was always inherent in Aquaman but was never exploited,

1646
01:26:46,360 --> 01:26:49,920
Speaker 3: which is that he's a king, right, And he's like,

1647
01:26:50,560 --> 01:26:52,760
Speaker 3: you know, they basically made him King Arthur. He's this

1648
01:26:52,960 --> 01:26:57,639
Speaker 3: noble you know, jousting, kind of a braggy jerk. Yeah,

1649
01:26:57,640 --> 01:27:01,240
Speaker 3: but it's the best portrayal of Aquaman that you've ever

1650
01:27:01,360 --> 01:27:05,360
Speaker 3: seen in you know, the seventy plus years of him

1651
01:27:05,360 --> 01:27:06,480
Speaker 3: being a character.

1652
01:27:06,520 --> 01:27:10,000
Speaker 2: Right, Yeah, Yeah, he's fun. Due Like when that character

1653
01:27:10,040 --> 01:27:13,040
Speaker 2: shows up and Batman and braving the boat, I'm always like, oh, yes,

1654
01:27:13,120 --> 01:27:14,960
Speaker 2: a Knockaman episode, let's go, you.

1655
01:27:14,920 --> 01:27:18,040
Speaker 3: Know, yeah, weird as and as weird as Batman is

1656
01:27:18,720 --> 01:27:22,960
Speaker 3: on the show, they realize what works about him. Like,

1657
01:27:23,040 --> 01:27:27,719
Speaker 3: for example, in the Music Meister episode, every other character

1658
01:27:27,880 --> 01:27:30,080
Speaker 3: sings but Batman never does.

1659
01:27:30,640 --> 01:27:32,080
Speaker 6: Yeah, it's awesome, man.

1660
01:27:32,800 --> 01:27:38,840
Speaker 3: Yeah. Or there's another episode where in jail you this

1661
01:27:38,880 --> 01:27:42,920
Speaker 3: little piggy where Batman sings but nobody else does. Right,

1662
01:27:43,080 --> 01:27:46,240
Speaker 3: he should always be doing something different than everyone else,

1663
01:27:46,520 --> 01:27:48,519
Speaker 3: and that's what makes him Batman. And that's just a

1664
01:27:48,600 --> 01:27:51,640
Speaker 3: simple thing. And the other thing I'd say is that

1665
01:27:51,800 --> 01:27:55,080
Speaker 3: when we look back on these Nolan movies twenty years

1666
01:27:55,120 --> 01:27:57,720
Speaker 3: from now, and a lot of the superhero movies of

1667
01:27:57,800 --> 01:28:00,920
Speaker 3: now in like a few years past. Look at them

1668
01:28:01,040 --> 01:28:05,879
Speaker 3: the same way that people looked at the nineteen sixties

1669
01:28:05,880 --> 01:28:08,639
Speaker 3: Adam West Batman, and the same way that people look

1670
01:28:08,680 --> 01:28:12,439
Speaker 3: at the nineteen eighty nine Batman. They're not timeless. They're

1671
01:28:12,560 --> 01:28:15,320
Speaker 3: very much of their time, and when you put them

1672
01:28:15,360 --> 01:28:20,160
Speaker 3: all together, it tells a narrative of how things have changed.

1673
01:28:20,479 --> 01:28:24,479
Speaker 2: Yeah, I agree with you. And actually, the way that

1674
01:28:24,560 --> 01:28:28,360
Speaker 2: I'm able to handle like the way that I end

1675
01:28:28,439 --> 01:28:30,800
Speaker 2: up liking most of these things, Like I loved Adam

1676
01:28:30,840 --> 01:28:34,639
Speaker 2: West Batman, I loved all the Justice League, the Batman cartoon,

1677
01:28:34,720 --> 01:28:38,280
Speaker 2: Batman Braving the Bolt, and I love Christopher Nolan's Batman.

1678
01:28:38,320 --> 01:28:39,920
Speaker 6: I think the way I'm able to handle it is

1679
01:28:39,960 --> 01:28:40,760
Speaker 6: I look at it like.

1680
01:28:40,760 --> 01:28:45,240
Speaker 2: When different artists write graphic novels about their take on Batman,

1681
01:28:46,240 --> 01:28:49,559
Speaker 2: and it's just like, well, this is the things that

1682
01:28:49,680 --> 01:28:53,400
Speaker 2: this artist has chosen to highlight about this character, But

1683
01:28:53,479 --> 01:28:56,040
Speaker 2: it doesn't define the character by itself, So I would

1684
01:28:56,120 --> 01:28:59,880
Speaker 2: never go, oh, the definitive take on Batman is only this,

1685
01:29:00,240 --> 01:29:02,080
Speaker 2: So I'm able to kind of be like, all right,

1686
01:29:02,160 --> 01:29:04,599
Speaker 2: I like this and I like this as well.

1687
01:29:04,600 --> 01:29:04,800
Speaker 10: You know.

1688
01:29:05,800 --> 01:29:09,240
Speaker 2: Oh yeah, all right, Mike, Man, we're about to get

1689
01:29:09,280 --> 01:29:12,360
Speaker 2: into some racism and talk about all this other stuff

1690
01:29:12,400 --> 01:29:15,040
Speaker 2: going on in the world. We're going to play some

1691
01:29:15,120 --> 01:29:17,880
Speaker 2: games and stuff. I know you gotta go, man, but

1692
01:29:17,920 --> 01:29:19,720
Speaker 2: you stay even longer than I thought you would.

1693
01:29:19,800 --> 01:29:20,439
Speaker 1: Man, Thank you.

1694
01:29:21,080 --> 01:29:22,439
Speaker 6: Yeah, we appreciate you, man.

1695
01:29:22,400 --> 01:29:22,720
Speaker 1: We do.

1696
01:29:23,000 --> 01:29:25,559
Speaker 3: Of course. It was really great fun talking to you guys.

1697
01:29:25,680 --> 01:29:29,360
Speaker 2: Yeah, Man, everybody listen to Nerd of Mouth. If you're

1698
01:29:29,400 --> 01:29:31,160
Speaker 2: a nerd like me, you'll enjoy.

1699
01:29:30,920 --> 01:29:32,080
Speaker 1: It and laugh.

1700
01:29:32,439 --> 01:29:34,839
Speaker 6: Yeah, the whole crew is funny.

1701
01:29:35,160 --> 01:29:35,519
Speaker 2: They are.

1702
01:29:36,040 --> 01:29:39,240
Speaker 3: And if you don't, you turned this podcast off ten

1703
01:29:39,280 --> 01:29:41,880
Speaker 3: minutes ago.

1704
01:29:43,680 --> 01:29:45,200
Speaker 2: That's a good point. That's a good point.

1705
01:29:45,200 --> 01:29:48,040
Speaker 3: And you got you just looked at your computer and said, Man,

1706
01:29:48,080 --> 01:29:51,000
Speaker 3: when is the racism talking games gonna start?

1707
01:29:51,360 --> 01:29:55,280
Speaker 2: Right? And man, you guys are you guys are so

1708
01:29:55,560 --> 01:29:59,679
Speaker 2: fucking funny the way you guys riff off of each other. Man,

1709
01:30:00,320 --> 01:30:04,559
Speaker 2: I save your show for Saturday afternoons after we record

1710
01:30:04,600 --> 01:30:06,960
Speaker 2: our feedback show, but we go out to eating. I know,

1711
01:30:07,040 --> 01:30:08,840
Speaker 2: we play it in the car with Karen and we'll

1712
01:30:08,920 --> 01:30:11,080
Speaker 2: just like sweet listen to you guys, man, because you

1713
01:30:11,080 --> 01:30:15,200
Speaker 2: guys are so funny the episode y'all talked about musicals

1714
01:30:15,280 --> 01:30:18,040
Speaker 2: and then you like all like riffed with these like

1715
01:30:18,640 --> 01:30:22,240
Speaker 2: mashups of musical and comic book characters. That that's some

1716
01:30:22,240 --> 01:30:24,679
Speaker 2: of those brilliant podcasts I've ever heard of my life, man,

1717
01:30:24,760 --> 01:30:27,920
Speaker 2: And uh thanks man. Yeah, if you could tell Marcus

1718
01:30:27,920 --> 01:30:30,880
Speaker 2: and Jake the same thing, man, Like those guys are brilliant.

1719
01:30:30,880 --> 01:30:31,040
Speaker 4: Man.

1720
01:30:31,080 --> 01:30:32,760
Speaker 1: Yes, they are all right, and.

1721
01:30:32,800 --> 01:30:35,519
Speaker 3: We keep doing new ones and we try to do

1722
01:30:35,920 --> 01:30:39,160
Speaker 3: you know, different types of things. I mean, like my

1723
01:30:39,320 --> 01:30:42,280
Speaker 3: thought on our podcast as always, there are a million

1724
01:30:42,479 --> 01:30:45,920
Speaker 3: nerd podcasts out there, but we want to be the

1725
01:30:45,960 --> 01:30:49,120
Speaker 3: one that actually makes you feel like a nerd for

1726
01:30:49,200 --> 01:30:52,960
Speaker 3: listening to it, because we don't. I mean, there are

1727
01:30:53,080 --> 01:30:57,759
Speaker 3: nerd podcasts that have money. They see every movie, they go,

1728
01:30:58,200 --> 01:31:01,760
Speaker 3: read every comic book. We're not. So we love Like,

1729
01:31:01,920 --> 01:31:04,559
Speaker 3: my favorite episodes are the ones about being a theater

1730
01:31:04,680 --> 01:31:09,439
Speaker 3: nerd or the ones about for instance, you know, we

1731
01:31:09,560 --> 01:31:14,240
Speaker 3: had like a historical reenactor on Yeah. Tomorrow we're recording

1732
01:31:14,280 --> 01:31:19,519
Speaker 3: one about my obsession with pop music, Yes, and like

1733
01:31:19,640 --> 01:31:23,840
Speaker 3: how beautiful pop music. I saw Sam Smith last week

1734
01:31:23,880 --> 01:31:24,599
Speaker 3: and it was amazing.

1735
01:31:25,000 --> 01:31:26,320
Speaker 6: Yeah, are you.

1736
01:31:26,360 --> 01:31:29,800
Speaker 3: That's a part of me that nobody ever expects, but

1737
01:31:29,840 --> 01:31:31,280
Speaker 3: they're always surprised by.

1738
01:31:31,560 --> 01:31:33,680
Speaker 6: Are you into the Taylor Swift album then?

1739
01:31:33,720 --> 01:31:36,599
Speaker 3: Because oh yeah yeah blank space.

1740
01:31:37,120 --> 01:31:38,200
Speaker 6: Yeah she killed it.

1741
01:31:38,240 --> 01:31:42,080
Speaker 3: Man, I can't I can't hear that song without going

1742
01:31:42,200 --> 01:31:46,439
Speaker 3: I love this song. It could be a nightmare dressed

1743
01:31:46,479 --> 01:31:49,599
Speaker 3: like a daydreams. She killed it because of Max Martin.

1744
01:31:50,000 --> 01:31:52,720
Speaker 2: Yeah yeah. And you you also like know about like

1745
01:31:52,960 --> 01:31:55,760
Speaker 2: food stuff like you. I've heard you on Keeping a

1746
01:31:55,840 --> 01:31:59,320
Speaker 2: Girl where you ripped about the food shows and stuff

1747
01:31:59,360 --> 01:32:01,760
Speaker 2: and you know, like chefs, like you know a lot

1748
01:32:01,840 --> 01:32:04,840
Speaker 2: of ship man. Like I don't know where you get it.

1749
01:32:04,800 --> 01:32:11,040
Speaker 3: From, man, but like you loneliness and I just like

1750
01:32:11,120 --> 01:32:14,880
Speaker 3: to learn stuff I liked. I like to challenge myself

1751
01:32:15,040 --> 01:32:19,960
Speaker 3: and you know, experience different things. Like it was funny

1752
01:32:20,000 --> 01:32:22,160
Speaker 3: I was doing a show on Friday and I was

1753
01:32:22,200 --> 01:32:26,599
Speaker 3: talking to these two Uh, this this older black comic

1754
01:32:27,120 --> 01:32:29,799
Speaker 3: and when I told him that I did Uptown Comedy

1755
01:32:29,800 --> 01:32:31,960
Speaker 3: Club in Atlanta one night, He's like, you did that?

1756
01:32:32,680 --> 01:32:37,160
Speaker 3: I was like yeah, he's like you. I was like yeah,

1757
01:32:37,200 --> 01:32:40,839
Speaker 3: He's like how it goes? Like it was fine? One guy, bood.

1758
01:32:42,880 --> 01:32:43,760
Speaker 2: Are you are?

1759
01:32:43,920 --> 01:32:45,200
Speaker 6: And now if people want to see you?

1760
01:32:45,600 --> 01:32:47,720
Speaker 2: H do you have any shows where people could like,

1761
01:32:47,840 --> 01:32:48,880
Speaker 2: might want to track you down.

1762
01:32:49,880 --> 01:32:53,840
Speaker 3: Yeah, I h You can find on my website Mike

1763
01:32:53,920 --> 01:32:57,880
Speaker 3: Lawrencecomedy dot com some of the shows I have coming up.

1764
01:32:58,560 --> 01:33:02,719
Speaker 3: If you're in the Connecticut area, yeah, you probably voted

1765
01:33:02,760 --> 01:33:08,240
Speaker 3: for the Oscars. But I'll be opening for John Oliver

1766
01:33:08,800 --> 01:33:13,400
Speaker 3: on Saturday, so that'd be cool at Foxwoods Casino. And

1767
01:33:13,439 --> 01:33:16,679
Speaker 3: then I have a few dates coming up with Chris Hardwick.

1768
01:33:17,080 --> 01:33:20,720
Speaker 2: Sweet man. Yeah, our friend Chris Lambert. He worked with

1769
01:33:20,800 --> 01:33:21,720
Speaker 2: Chris Hardwick too, man.

1770
01:33:22,200 --> 01:33:24,599
Speaker 3: Yeah, me and me and Chris worked with him together

1771
01:33:24,960 --> 01:33:29,200
Speaker 3: in New York. Oh, I love Chris. Chris Lambert is awesome.

1772
01:33:29,200 --> 01:33:31,120
Speaker 3: I did his podcast, Yeah, yeah.

1773
01:33:30,960 --> 01:33:33,320
Speaker 6: I heard that episode. Man, I'm on these podcasts.

1774
01:33:33,320 --> 01:33:33,479
Speaker 4: Man.

1775
01:33:33,520 --> 01:33:34,720
Speaker 2: Well, all right, we're gonna let you go.

1776
01:33:34,800 --> 01:33:35,000
Speaker 1: Man.

1777
01:33:35,439 --> 01:33:38,639
Speaker 2: Thank you so much, Sweetie, thank you pee.

1778
01:33:40,920 --> 01:33:41,599
Speaker 1: That was fun.

1779
01:33:41,760 --> 01:33:42,599
Speaker 6: I love that dude.

1780
01:33:42,640 --> 01:33:42,840
Speaker 4: Man.

1781
01:33:42,960 --> 01:33:46,360
Speaker 1: Yeah, they got everything worked out in chat. Yeah.

1782
01:33:46,520 --> 01:33:46,720
Speaker 3: Yeah.

1783
01:33:46,760 --> 01:33:48,760
Speaker 4: The dude for spreak Ass popped in. It was like, hey,

1784
01:33:48,760 --> 01:33:50,800
Speaker 4: we gonna try to fix this. So they've been seeing

1785
01:33:50,840 --> 01:33:52,559
Speaker 4: us for a while. But at first I was like, well.

1786
01:33:52,400 --> 01:33:55,919
Speaker 2: Well, yeah, hopefully I didn't nerd out too hard for everybody.

1787
01:33:57,000 --> 01:34:01,240
Speaker 2: Let's get into our game. Segments and musicals stuff. I guess, uh, yep,

1788
01:34:01,600 --> 01:34:04,120
Speaker 2: we should we no, actually, no it. We'll go a

1789
01:34:04,160 --> 01:34:06,360
Speaker 2: little longer today. Let's talk about some news. We still

1790
01:34:06,439 --> 01:34:09,240
Speaker 2: got some news we didn't talk about. MTV aired in

1791
01:34:09,320 --> 01:34:16,160
Speaker 2: black and white today. Why to start a conversation about race.

1792
01:34:16,880 --> 01:34:19,320
Speaker 4: Oh, versus me turning on my TV bod, what the

1793
01:34:19,360 --> 01:34:22,479
Speaker 4: fuck is this and pushing the buttons and going white

1794
01:34:22,479 --> 01:34:24,559
Speaker 4: my shit and color every other channel in their color.

1795
01:34:24,600 --> 01:34:27,760
Speaker 4: You just confused that people on TV people ain't gonna

1796
01:34:27,760 --> 01:34:28,320
Speaker 4: think about race.

1797
01:34:28,360 --> 01:34:29,759
Speaker 1: They gonna think shit is broke.

1798
01:34:30,000 --> 01:34:32,640
Speaker 2: Right, It's gonna be like MTV Real Real World, but

1799
01:34:32,760 --> 01:34:36,679
Speaker 2: black and white? Like, how is that making about racing? All? Like, yeah,

1800
01:34:36,720 --> 01:34:37,240
Speaker 2: I'm gonna.

1801
01:34:37,080 --> 01:34:40,240
Speaker 1: Say Xbox on they'd be like, oh, xbox what's happening here?

1802
01:34:41,320 --> 01:34:44,000
Speaker 2: Yep, it's the first time that it will be black

1803
01:34:44,040 --> 01:34:47,280
Speaker 2: and white and it's thirty four year history. The programming

1804
01:34:47,280 --> 01:34:51,120
Speaker 2: move is meant to promote hashtag the Talk initiative, encouraging

1805
01:34:51,200 --> 01:34:54,760
Speaker 2: viewers to discuss race with their friends and family. Oh man,

1806
01:34:54,760 --> 01:34:56,679
Speaker 2: how many people are gonna have to change the channel.

1807
01:34:58,320 --> 01:35:00,120
Speaker 2: So what do you think about Ferguson? I think they

1808
01:35:00,120 --> 01:35:02,880
Speaker 2: should let them niggers die. Oh my goodness, I'll just

1809
01:35:02,880 --> 01:35:05,960
Speaker 2: put this on VH one, then back to the regular

1810
01:35:06,000 --> 01:35:10,280
Speaker 2: schedule program The device of turning us black and white

1811
01:35:10,400 --> 01:35:12,800
Speaker 2: is going to be really visually a joke to say,

1812
01:35:13,160 --> 01:35:15,679
Speaker 2: you know what, there are differences. If we are going

1813
01:35:15,720 --> 01:35:18,840
Speaker 2: to ever get to a freer, more equal society, the

1814
01:35:18,880 --> 01:35:21,559
Speaker 2: best thing we can begin to do is talk about them.

1815
01:35:21,960 --> 01:35:24,320
Speaker 6: MTV president Stephen Friedman said.

1816
01:35:24,479 --> 01:35:26,639
Speaker 1: Don't waste my time. I like to see my MTV

1817
01:35:26,760 --> 01:35:27,799
Speaker 1: ratchetness and color.

1818
01:35:28,240 --> 01:35:32,320
Speaker 4: I like to see my MTV non music videos, thirty

1819
01:35:32,360 --> 01:35:35,760
Speaker 4: second clips in color show videos no more.

1820
01:35:35,920 --> 01:35:38,320
Speaker 2: The Retro Look programs will air for twelve hours and

1821
01:35:38,360 --> 01:35:42,280
Speaker 2: will include personal reflections on race from entertainers and public officials,

1822
01:35:42,320 --> 01:35:45,800
Speaker 2: including Kendrick Lamar, who doesn't believe in Rachel. He says,

1823
01:35:45,800 --> 01:35:47,360
Speaker 2: if you just pull your pairts up, you be all right.

1824
01:35:47,360 --> 01:35:47,880
Speaker 6: Black people.

1825
01:35:48,560 --> 01:35:51,080
Speaker 2: Wait, these are the people they got to talk about race.

1826
01:35:51,280 --> 01:35:58,000
Speaker 2: Kendrick Lamar, Big Sean, Big Sean of MILF That Big Sean,

1827
01:35:59,200 --> 01:36:00,879
Speaker 2: then Big Sean may pussy overrated?

1828
01:36:00,960 --> 01:36:01,840
Speaker 6: Was that somebody else?

1829
01:36:03,800 --> 01:36:11,519
Speaker 2: Jordan Sparks, Pete Went, Senator Rand Paul, Representative John Lewis,

1830
01:36:11,720 --> 01:36:17,400
Speaker 2: Senator Corey Booker, Selma, director Averra Dubeney, and actor David Oyoloo.

1831
01:36:17,560 --> 01:36:20,599
Speaker 6: Who I'm assuming they're gonna be from Selma.

1832
01:36:20,280 --> 01:36:22,200
Speaker 4: Right And I'm gonna tell you right now, I wouldn't

1833
01:36:22,200 --> 01:36:24,000
Speaker 4: see you in color? So why am I always timing

1834
01:36:24,080 --> 01:36:24,719
Speaker 4: black and white?

1835
01:36:24,760 --> 01:36:26,719
Speaker 6: I wonder if this is just a big ad for Selma.

1836
01:36:27,160 --> 01:36:30,160
Speaker 4: It's possibly, yeah, possibly had some kind of contract going

1837
01:36:30,200 --> 01:36:32,120
Speaker 4: on and they feel like people be like, well, what

1838
01:36:32,160 --> 01:36:32,840
Speaker 4: the fuck is this?

1839
01:36:33,000 --> 01:36:35,200
Speaker 1: And you know, stick up. But that's the thing. I'm

1840
01:36:35,200 --> 01:36:37,120
Speaker 1: not gonna say, what the fuck is this is? Stick around.

1841
01:36:37,400 --> 01:36:39,719
Speaker 1: I'm gonna go, what's the fucking this and change their channel.

1842
01:36:40,040 --> 01:36:43,240
Speaker 2: We thought that what better day, the MLK Day to

1843
01:36:43,280 --> 01:36:45,439
Speaker 2: really use not only the history and the power where

1844
01:36:45,439 --> 01:36:47,599
Speaker 2: doctor King said with the I have a dream speech,

1845
01:36:47,960 --> 01:36:50,280
Speaker 2: but hear it from artists, political leaders, and the audience

1846
01:36:50,360 --> 01:36:54,960
Speaker 2: to really spark a national conversation. The latest MTV initiative

1847
01:36:55,040 --> 01:36:58,120
Speaker 2: is part of a It's Looked Different anti bias campaign

1848
01:36:58,320 --> 01:37:01,519
Speaker 2: that launched April twenty fourteen to get young people to

1849
01:37:01,520 --> 01:37:03,720
Speaker 2: talk about race, gender, and sexual orientation.

1850
01:37:05,840 --> 01:37:06,679
Speaker 1: My thing is.

1851
01:37:08,600 --> 01:37:10,160
Speaker 2: I applaugive calls.

1852
01:37:10,200 --> 01:37:12,559
Speaker 6: Don't get me wrong, You just don't think of the work.

1853
01:37:12,840 --> 01:37:16,400
Speaker 4: No, because you talking, maybe you have to think you're

1854
01:37:16,439 --> 01:37:21,040
Speaker 4: talking to a whole generation, even including our generation. My

1855
01:37:21,080 --> 01:37:23,479
Speaker 4: TV was never in black and white. My TV was

1856
01:37:23,560 --> 01:37:26,320
Speaker 4: always in color. I you know, it's not like.

1857
01:37:26,280 --> 01:37:29,200
Speaker 1: We're going back to TV land, Like my shit was

1858
01:37:29,320 --> 01:37:30,280
Speaker 1: not the Honeymooners.

1859
01:37:30,320 --> 01:37:33,040
Speaker 4: So everything I watched has always been in color. So

1860
01:37:33,479 --> 01:37:35,639
Speaker 4: I would be confused. So I know somebody younger than

1861
01:37:35,640 --> 01:37:38,240
Speaker 4: me would be fucking confused. And to me, you're gonna

1862
01:37:38,280 --> 01:37:41,280
Speaker 4: cause more confusion at MTV. Why my shit in black

1863
01:37:41,280 --> 01:37:42,400
Speaker 4: and white at MTV?

1864
01:37:43,120 --> 01:37:45,960
Speaker 2: You know, I just want to know if it's gonna say,

1865
01:37:47,040 --> 01:37:50,479
Speaker 2: like hash tagged to talk at the bottom and then

1866
01:37:50,600 --> 01:37:55,480
Speaker 2: like thirty seconds of like Big Sean talking about racism,

1867
01:37:56,160 --> 01:37:59,000
Speaker 2: and then it's just gonna cut to like people in

1868
01:37:59,000 --> 01:38:01,360
Speaker 2: the real world beating each other because they're different races,

1869
01:38:01,400 --> 01:38:03,400
Speaker 2: you know what I mean? Like, like what like, are

1870
01:38:03,439 --> 01:38:05,920
Speaker 2: you gonna change your programming as well as it gonna

1871
01:38:05,920 --> 01:38:06,879
Speaker 2: be the same shit.

1872
01:38:06,920 --> 01:38:08,639
Speaker 1: Right, It's just gonna be in black and white.

1873
01:38:08,880 --> 01:38:13,200
Speaker 2: The campaign created commercials with civil rights group including the NAACP,

1874
01:38:13,360 --> 01:38:15,360
Speaker 2: and the aftermath of the fatal shooting of eighteen year

1875
01:38:15,360 --> 01:38:18,400
Speaker 2: old Michael Brown and Ferguson Missouri last summer. The network

1876
01:38:18,439 --> 01:38:21,360
Speaker 2: also aired a special Laverne Cox Presents the T word

1877
01:38:21,360 --> 01:38:24,599
Speaker 2: about transgender youth with Orange with the Oranges and New

1878
01:38:24,640 --> 01:38:28,080
Speaker 2: Black Star. A MTV study the word transgender.

1879
01:38:28,680 --> 01:38:31,760
Speaker 1: Yeah, I didn't know, just I mean.

1880
01:38:31,280 --> 01:38:33,080
Speaker 6: He's the name of the special I don't think people

1881
01:38:33,320 --> 01:38:34,080
Speaker 6: say the T word.

1882
01:38:34,040 --> 01:38:36,160
Speaker 1: Okay, because that was like something something, something going on,

1883
01:38:36,680 --> 01:38:37,200
Speaker 1: nothing about.

1884
01:38:37,439 --> 01:38:40,160
Speaker 2: An MTV study found that ninety one percent of millennials

1885
01:38:40,160 --> 01:38:43,479
Speaker 2: believe in equality and belief everyone should be treated equally. Well,

1886
01:38:43,479 --> 01:38:45,879
Speaker 2: who are the nine percent of assholes that were like, nah.

1887
01:38:47,880 --> 01:38:48,640
Speaker 1: Ibecked?

1888
01:38:48,960 --> 01:38:51,880
Speaker 2: Sorry, random internet poll, I do not believe in equality?

1889
01:38:52,000 --> 01:38:52,759
Speaker 2: A nice try.

1890
01:38:53,360 --> 01:38:54,839
Speaker 1: You won't give me with this question?

1891
01:38:55,000 --> 01:38:57,559
Speaker 2: Nope. About sixty one percent of teens and young adults

1892
01:38:57,560 --> 01:38:59,920
Speaker 2: said they believe that they have been the target of

1893
01:39:00,080 --> 01:39:03,439
Speaker 2: biased The percentage is even higher among women, people of color,

1894
01:39:03,520 --> 01:39:06,680
Speaker 2: and LGBT people. There was something else I want to

1895
01:39:06,680 --> 01:39:10,439
Speaker 2: say about this, and now I can't remember what it was. Mhm,

1896
01:39:11,120 --> 01:39:14,840
Speaker 2: I just left me that quick. But but yeah, I mean,

1897
01:39:14,880 --> 01:39:15,799
Speaker 2: I guess that's interesting.

1898
01:39:15,840 --> 01:39:17,000
Speaker 6: That's one way to look at it.

1899
01:39:18,160 --> 01:39:21,679
Speaker 2: You know. I figured the best way to get people

1900
01:39:21,720 --> 01:39:26,000
Speaker 2: talk about race is just to fucking interrupt their brunches, right, people,

1901
01:39:26,120 --> 01:39:29,479
Speaker 2: come on, you gotta get up in that brunch man,

1902
01:39:30,200 --> 01:39:33,160
Speaker 2: that's where that's where it hurts. Gotta walk up in

1903
01:39:33,200 --> 01:39:36,519
Speaker 2: there when they banging on those fucking bagels and be like,

1904
01:39:36,600 --> 01:39:38,240
Speaker 2: hold up, man, what about.

1905
01:39:37,960 --> 01:39:38,920
Speaker 6: These black people dying?

1906
01:39:38,960 --> 01:39:41,639
Speaker 2: And you know that's where people really I think that's

1907
01:39:41,680 --> 01:39:46,240
Speaker 2: the thing that worked the best, honestly, or if they

1908
01:39:46,320 --> 01:39:49,480
Speaker 2: even gonna air the video Black and White from Michael Jackson.

1909
01:39:49,439 --> 01:39:51,599
Speaker 1: Dame May as well since going full fledged.

1910
01:39:51,880 --> 01:39:54,960
Speaker 2: I just I guess tomorrow we'll hear what the statements

1911
01:39:54,960 --> 01:39:58,360
Speaker 2: were about that. But I feel like Kendrick big Sean,

1912
01:39:58,439 --> 01:40:00,320
Speaker 2: some of these artists have too much to ga to

1913
01:40:00,400 --> 01:40:04,559
Speaker 2: lose by being like I'm anti racism, gonna it's gonna be.

1914
01:40:04,600 --> 01:40:07,800
Speaker 4: Very generic, Like they're not gonna say anything controversial.

1915
01:40:08,320 --> 01:40:09,960
Speaker 2: Yeah, I feel like they're gonna come out and be like,

1916
01:40:10,040 --> 01:40:13,840
Speaker 2: you know, as long as we respect ourselves, then people

1917
01:40:13,880 --> 01:40:15,200
Speaker 2: will respect us and ship like that.

1918
01:40:15,600 --> 01:40:16,519
Speaker 1: Think they're gonna go that far.

1919
01:40:16,760 --> 01:40:18,880
Speaker 4: It's gonna be like, hey, we all should look at

1920
01:40:18,880 --> 01:40:22,240
Speaker 4: each other as equals because we are equals in this world.

1921
01:40:22,320 --> 01:40:25,400
Speaker 1: Like the Ship is gonna album, right, This Ship is

1922
01:40:25,439 --> 01:40:27,160
Speaker 1: gonna be very very generic.

1923
01:40:27,439 --> 01:40:30,080
Speaker 4: We you you MTV, you don't want to have a

1924
01:40:30,080 --> 01:40:33,960
Speaker 4: conversation about race because for a long time MTV black

1925
01:40:34,000 --> 01:40:36,280
Speaker 4: people were not allowed to come on your station. MTV

1926
01:40:36,520 --> 01:40:38,840
Speaker 4: people haven't forgot that bullshit if you know your history

1927
01:40:38,840 --> 01:40:39,479
Speaker 4: about MTV.

1928
01:40:40,280 --> 01:40:41,920
Speaker 2: Yeah.

1929
01:40:42,760 --> 01:40:43,000
Speaker 4: Uh.

1930
01:40:43,600 --> 01:40:47,800
Speaker 2: Also this is news. Diversity is important in the follow

1931
01:40:47,880 --> 01:40:51,559
Speaker 2: up to The Bible. Remember I think two years ago

1932
01:40:51,680 --> 01:40:54,439
Speaker 2: when they had the Bible miniseries, I didn't watch a

1933
01:40:54,520 --> 01:40:55,320
Speaker 2: single episode.

1934
01:40:55,479 --> 01:40:58,960
Speaker 6: Nope, and some people were upset. Well, they said.

1935
01:40:59,439 --> 01:41:02,439
Speaker 2: The Bible, which premieres Easter Sunday on NBC, said on

1936
01:41:02,520 --> 01:41:06,439
Speaker 2: Friday it was important to hire and ethnically ethnically diverse

1937
01:41:06,520 --> 01:41:08,599
Speaker 2: cash for the story of what happens in thee hundred

1938
01:41:08,680 --> 01:41:12,960
Speaker 2: years after the crucifaxion of Jesus Christ. Apostle John is

1939
01:41:12,960 --> 01:41:18,040
Speaker 2: portrayed by Gambian actor Babu Kise or maybe Si Say,

1940
01:41:18,479 --> 01:41:21,920
Speaker 2: while Mary Magdalene is played by chip o' chung, an

1941
01:41:22,000 --> 01:41:24,840
Speaker 2: actress who is half zimbabwe In and half Chinese and

1942
01:41:24,960 --> 01:41:29,120
Speaker 2: is now based in London. Juan Pablo di Passe or

1943
01:41:29,160 --> 01:41:33,879
Speaker 2: the Pace, who is from Argentina, has the role of Jesus.

1944
01:41:34,920 --> 01:41:37,680
Speaker 2: So they're gonna try diversify it up to get a

1945
01:41:37,720 --> 01:41:40,320
Speaker 2: bunch of brown people from all over the world and

1946
01:41:40,960 --> 01:41:44,160
Speaker 2: mix me in with the white folks and see what happens. Yeah,

1947
01:41:44,200 --> 01:41:45,880
Speaker 2: and you know what, if you're gonna be telling a

1948
01:41:45,880 --> 01:41:48,040
Speaker 2: story about the Bible, you might as well because people

1949
01:41:48,240 --> 01:41:52,560
Speaker 2: tend to make those stories so white centric in America.

1950
01:41:52,320 --> 01:41:54,160
Speaker 4: Right they you know, because it's a lot of it

1951
01:41:54,240 --> 01:41:57,400
Speaker 4: is based awful things happen in Egypt and Israel and

1952
01:41:57,479 --> 01:41:58,440
Speaker 4: all that stuff.

1953
01:41:58,120 --> 01:41:59,240
Speaker 6: In the Middle East.

1954
01:41:59,439 --> 01:42:01,360
Speaker 1: Right, those people are brown.

1955
01:42:01,439 --> 01:42:04,160
Speaker 2: Right Africa, in the Middle East where the Bible takes place.

1956
01:42:04,160 --> 01:42:06,760
Speaker 2: And then like everybody in the movie is white. And

1957
01:42:06,800 --> 01:42:08,640
Speaker 2: so yeah, if they're gonna mix it up a little bit,

1958
01:42:08,640 --> 01:42:11,479
Speaker 2: I think that's smart, you know too, Now, I do

1959
01:42:11,600 --> 01:42:13,840
Speaker 2: remember the big controversy last year was that the devil

1960
01:42:13,920 --> 01:42:18,040
Speaker 2: in that looked like Barack Obama and people got upset.

1961
01:42:18,200 --> 01:42:20,839
Speaker 6: So hopefully the devil doesn't make a return.

1962
01:42:20,960 --> 01:42:23,320
Speaker 1: Yeah, they decided to kick him off the cast.

1963
01:42:23,200 --> 01:42:25,000
Speaker 6: Right, or maybe he looks something different.

1964
01:42:25,439 --> 01:42:28,839
Speaker 2: Can get like a Romney devil this time since he lost,

1965
01:42:29,479 --> 01:42:31,720
Speaker 2: he'll be running for president now, and can get John

1966
01:42:31,800 --> 01:42:36,280
Speaker 2: McCaine looking devil. Raise he called him the white devil.

1967
01:42:37,720 --> 01:42:41,160
Speaker 2: Just put it out there for Hollywood. But uh, yeah,

1968
01:42:41,479 --> 01:42:45,280
Speaker 2: diversity in the Bible not bad, I mean, and I

1969
01:42:45,280 --> 01:42:47,080
Speaker 2: think I'm glad they came out and said something because

1970
01:42:47,120 --> 01:42:52,400
Speaker 2: I feel like it's a statement against Exodus.

1971
01:42:53,080 --> 01:42:58,080
Speaker 4: Right, because people were so mad that they was like, hey, doll, hey,

1972
01:42:58,439 --> 01:43:04,880
Speaker 4: hey yeah, all the brown people over there, now, could

1973
01:43:04,920 --> 01:43:05,320
Speaker 4: we start?

1974
01:43:05,439 --> 01:43:05,719
Speaker 6: Okay?

1975
01:43:06,200 --> 01:43:06,439
Speaker 2: Yeah?

1976
01:43:06,600 --> 01:43:08,720
Speaker 6: Like I just I feel like if you do.

1977
01:43:10,800 --> 01:43:13,000
Speaker 2: Come out with a diverse cast, it's there a direct

1978
01:43:13,040 --> 01:43:16,360
Speaker 2: shot at hey. All these reasons people said this wouldn't

1979
01:43:16,360 --> 01:43:19,760
Speaker 2: be successful. They said Exodus, you know, was a big like, oh,

1980
01:43:19,840 --> 01:43:21,800
Speaker 2: we can't make it too brown, nobody will watch it.

1981
01:43:22,400 --> 01:43:25,000
Speaker 6: I think NBC is still gonna get good ratings because it's.

1982
01:43:24,920 --> 01:43:26,600
Speaker 2: About the Bible. People are gonna watch it or not.

1983
01:43:26,760 --> 01:43:28,880
Speaker 2: You know, like a lot of people just gonna watch

1984
01:43:28,880 --> 01:43:30,720
Speaker 2: it because it's about the Bible. You don't necessarily need

1985
01:43:30,800 --> 01:43:34,519
Speaker 2: to make it some you know, only white cast. Correct.

1986
01:43:35,520 --> 01:43:39,920
Speaker 2: Uh So I watched the Whitney Houston Lifetime movie too,

1987
01:43:40,439 --> 01:43:43,360
Speaker 2: or as I like to call it, Whitney Houston the

1988
01:43:43,439 --> 01:43:44,360
Speaker 2: Bobby Brown Story.

1989
01:43:44,560 --> 01:43:45,920
Speaker 1: I guess exactly what it was.

1990
01:43:47,040 --> 01:43:50,560
Speaker 2: You can tell that the Witney Houston family did not

1991
01:43:50,800 --> 01:43:55,720
Speaker 2: work with director Angela Bassett at all, and you can

1992
01:43:55,800 --> 01:43:58,439
Speaker 2: tell that she had to go off a lot of

1993
01:43:58,479 --> 01:43:59,479
Speaker 2: what Bobby said.

1994
01:44:00,120 --> 01:44:00,599
Speaker 5: You can.

1995
01:44:02,640 --> 01:44:07,320
Speaker 2: Talking about finished the sentence car just living like fat anyway,

1996
01:44:09,400 --> 01:44:13,360
Speaker 2: but you can tell because I'm sorry now I can't

1997
01:44:13,400 --> 01:44:17,680
Speaker 2: stop hearing it. I got this, can I got this,

1998
01:44:17,880 --> 01:44:24,439
Speaker 2: I got these sentences. But yeah, So Whitney's family was

1999
01:44:24,560 --> 01:44:27,080
Speaker 2: not pleased with it. They actually said prepare yourself for

2000
01:44:27,120 --> 01:44:30,519
Speaker 2: the worst on Twitter. Oh, they said, if you watched

2001
01:44:30,520 --> 01:44:33,000
Speaker 2: this movie watching knowing that Lifetime is notorious for making

2002
01:44:33,080 --> 01:44:36,160
Speaker 2: bad biopics, why did we start calling the biopics? I

2003
01:44:36,280 --> 01:44:39,640
Speaker 2: used to think it was bio picks, but okay, biopics

2004
01:44:39,760 --> 01:44:42,479
Speaker 2: of deceased and celebrities, and brace yourself for the worst?

2005
01:44:42,520 --> 01:44:43,439
Speaker 6: Pat Houston wrote.

2006
01:44:44,000 --> 01:44:45,880
Speaker 2: She said she didn't think it entered the minds of

2007
01:44:45,880 --> 01:44:48,439
Speaker 2: anyone involved with that project about what lifts up one

2008
01:44:48,520 --> 01:44:50,920
Speaker 2: person in the headlines mayn in fact destroy another.

2009
01:44:51,320 --> 01:44:54,439
Speaker 4: Oh was just this saying that because of Leah, which

2010
01:44:54,479 --> 01:44:55,040
Speaker 4: I didn't see.

2011
01:44:55,240 --> 01:44:56,759
Speaker 6: The Lea movie I heard was terrible.

2012
01:44:56,840 --> 01:44:59,280
Speaker 2: I recorded it, I started watching, I got ten minutes

2013
01:44:59,320 --> 01:45:00,320
Speaker 2: and I turned that sh it off.

2014
01:45:00,600 --> 01:45:01,519
Speaker 6: It's the worst thing ever.

2015
01:45:01,640 --> 01:45:04,640
Speaker 2: And plus I wasn't a big a Lea fan like that,

2016
01:45:04,800 --> 01:45:06,559
Speaker 2: at least not on the level where I saw her

2017
01:45:06,600 --> 01:45:09,560
Speaker 2: as like a story that needs to be told, you know,

2018
01:45:10,160 --> 01:45:13,040
Speaker 2: Like I didn't find her life on or off record

2019
01:45:13,120 --> 01:45:16,280
Speaker 2: to be that fucking interesting. So I to me, I

2020
01:45:16,439 --> 01:45:19,040
Speaker 2: just never cared, you know. And then I think the

2021
01:45:19,160 --> 01:45:23,559
Speaker 2: person in charge was Wendy Williams. So it's like, fucking

2022
01:45:23,560 --> 01:45:26,519
Speaker 2: nor On, I'm watching that like it's bad.

2023
01:45:26,640 --> 01:45:26,960
Speaker 1: Actor.

2024
01:45:27,200 --> 01:45:31,639
Speaker 2: It was terrible, But in this joint with Angela bassett

2025
01:45:31,720 --> 01:45:36,280
Speaker 2: Man directing the Whitney Houston story, I gotta say, man,

2026
01:45:36,880 --> 01:45:37,519
Speaker 2: it was okay.

2027
01:45:38,120 --> 01:45:40,519
Speaker 1: Yeah, yeah, it wouldn't the best, but it wasn't the

2028
01:45:40,600 --> 01:45:41,639
Speaker 1: worst either, and they.

2029
01:45:41,600 --> 01:45:44,000
Speaker 6: Didn't really go into her complete downfall.

2030
01:45:44,160 --> 01:45:46,640
Speaker 2: They ended it on a slightly redemptive note of her

2031
01:45:46,760 --> 01:45:49,240
Speaker 2: like possibly thinking about going to rehabit straighten her life out.

2032
01:45:49,840 --> 01:45:53,519
Speaker 2: Obviously we know that didn't happen, but it was kind

2033
01:45:53,560 --> 01:45:59,479
Speaker 2: of funny because yah, Yah, the actress who played Whitney

2034
01:45:59,680 --> 01:46:03,760
Speaker 2: was so good. She was she really was good. Man, Like,

2035
01:46:04,560 --> 01:46:08,000
Speaker 2: I gotta put her right after Little Mama as Left

2036
01:46:08,040 --> 01:46:09,840
Speaker 2: Eye on the VH.

2037
01:46:09,640 --> 01:46:11,040
Speaker 6: One TLC movie.

2038
01:46:11,439 --> 01:46:13,559
Speaker 1: Yeah she became left yes, yeah, Like she.

2039
01:46:13,800 --> 01:46:17,800
Speaker 2: Wasn't quite Little Mama status, but damn she was up there.

2040
01:46:17,880 --> 01:46:18,000
Speaker 4: Man.

2041
01:46:18,120 --> 01:46:19,519
Speaker 6: She gave me the Whitney vibes.

2042
01:46:19,640 --> 01:46:19,800
Speaker 2: Man.

2043
01:46:20,040 --> 01:46:24,080
Speaker 6: She had the non dancing shoulder bot right right.

2044
01:46:24,120 --> 01:46:27,800
Speaker 4: Because Whitney couldn't dance and she lipseek the hell out

2045
01:46:27,840 --> 01:46:28,439
Speaker 4: of them songs.

2046
01:46:28,640 --> 01:46:32,599
Speaker 2: Yeah, I think they said Jennifer Hudson did the vocals,

2047
01:46:33,360 --> 01:46:37,640
Speaker 2: so she lip SYNCD to Jennifer Hudson's vocals, which you know,

2048
01:46:37,880 --> 01:46:42,400
Speaker 2: still amazing because it sounded good, you know, Like I

2049
01:46:42,640 --> 01:46:44,599
Speaker 2: like watching that movie. I don't think if I wouldn't

2050
01:46:44,640 --> 01:46:46,639
Speaker 2: have told somebody that, they would have thought Whitneys' music

2051
01:46:46,760 --> 01:46:47,120
Speaker 2: was playing.

2052
01:46:49,040 --> 01:46:51,559
Speaker 6: Oh that's what was Debora Cox my bad, not Jennifer Hudson.

2053
01:46:52,439 --> 01:46:55,599
Speaker 2: But anyway, same thing, Like someone else did the vocals

2054
01:46:56,120 --> 01:47:01,040
Speaker 2: and sang it and uh and they were so good

2055
01:47:01,080 --> 01:47:03,000
Speaker 2: that people were like, oh, that's what that. I think

2056
01:47:03,000 --> 01:47:05,519
Speaker 2: that's Whitney's singing that, Like she's lip singing the Whitney

2057
01:47:05,600 --> 01:47:10,800
Speaker 2: She wasn't. Now here's the words fucked up. You can

2058
01:47:10,960 --> 01:47:14,439
Speaker 2: tell the family wasn't involved in this shit. And Barbby

2059
01:47:14,479 --> 01:47:18,479
Speaker 2: Brown was giving his recollection or something, cause they made

2060
01:47:18,560 --> 01:47:22,040
Speaker 2: Barbby Brown out the BA fucking age or until the

2061
01:47:22,160 --> 01:47:23,479
Speaker 2: last fifteen minutes of that.

2062
01:47:23,560 --> 01:47:28,800
Speaker 1: Move saying no the drugs. Yes, Bobby Brown was was

2063
01:47:29,080 --> 01:47:30,200
Speaker 1: was fucking up the women.

2064
01:47:30,680 --> 01:47:32,320
Speaker 2: No, he was supposed to be the bad boy of

2065
01:47:32,640 --> 01:47:34,360
Speaker 2: R and B, but he wasn't he was saying, no

2066
01:47:34,479 --> 01:47:35,640
Speaker 2: the pussy, no.

2067
01:47:35,760 --> 01:47:37,960
Speaker 6: The drugs, No the alcohol.

2068
01:47:37,720 --> 01:47:38,640
Speaker 1: Whitney, I love you.

2069
01:47:39,000 --> 01:47:40,679
Speaker 6: Yeah, Whitney was doing the drugs.

2070
01:47:40,760 --> 01:47:41,679
Speaker 3: He was like, don't.

2071
01:47:42,080 --> 01:47:44,000
Speaker 2: And I understand some people will be like, well, that's

2072
01:47:44,400 --> 01:47:48,880
Speaker 2: what we heard about Bobby is that she corrupted him

2073
01:47:49,040 --> 01:47:51,920
Speaker 2: and all the shit. Man pull shit. He didn't do

2074
01:47:52,080 --> 01:47:55,040
Speaker 2: nothing wrong until her, get the fuck out of it. Nothing.

2075
01:47:55,880 --> 01:47:57,320
Speaker 2: Bobby Brown was just out here.

2076
01:47:57,240 --> 01:47:59,960
Speaker 6: Living clean and sober and free the fuck.

2077
01:48:01,439 --> 01:48:03,759
Speaker 2: So yeah, that movie didn't ring true with that because

2078
01:48:04,200 --> 01:48:06,439
Speaker 2: it's like every chance they had to make him look

2079
01:48:06,479 --> 01:48:09,360
Speaker 2: like the good guy they did, even when the when

2080
01:48:09,479 --> 01:48:13,760
Speaker 2: like she finds out that he has two kids already,

2081
01:48:14,640 --> 01:48:17,240
Speaker 2: uh he you know, he says like, I'm gonna take

2082
01:48:17,240 --> 01:48:19,719
Speaker 2: care of my kids always, and you know, I'm gonna

2083
01:48:19,720 --> 01:48:21,360
Speaker 2: do the right thing as a man, blah blah blah.

2084
01:48:21,360 --> 01:48:23,759
Speaker 2: And then he sleeps with his ex was baby Mama,

2085
01:48:24,600 --> 01:48:27,720
Speaker 2: and even that in that situation, he's like, I only

2086
01:48:27,760 --> 01:48:29,360
Speaker 2: slept with her because he was on a break ball.

2087
01:48:29,479 --> 01:48:31,880
Speaker 2: It felt like what a person that cheats tells you

2088
01:48:31,960 --> 01:48:36,040
Speaker 2: as their excuse, except as in a movie. It's like

2089
01:48:36,280 --> 01:48:38,360
Speaker 2: it was like the Bobby Brown is an Angel movie.

2090
01:48:38,640 --> 01:48:40,600
Speaker 2: You know, the only thing that I'm surprised they didn't do,

2091
01:48:40,800 --> 01:48:45,080
Speaker 2: was like have Whitney cheating on him. Yeah, I thought

2092
01:48:45,120 --> 01:48:46,600
Speaker 2: they were gonna go that way for a while, but

2093
01:48:46,680 --> 01:48:47,559
Speaker 2: I guess they didn't.

2094
01:48:48,560 --> 01:48:49,360
Speaker 1: Surprised too.

2095
01:48:49,479 --> 01:48:52,640
Speaker 4: And one thing I did like or enjoy was it

2096
01:48:52,720 --> 01:48:55,040
Speaker 4: it kind of took you down a trip down memory

2097
01:48:55,200 --> 01:49:00,360
Speaker 4: lane because while we was live tweeting Twitter and people

2098
01:49:00,439 --> 01:49:04,080
Speaker 4: followed like posting stuff to kind of show the accuracy.

2099
01:49:04,240 --> 01:49:06,320
Speaker 1: Was like, yeah, they had you know this on for

2100
01:49:06,400 --> 01:49:08,639
Speaker 1: the wedding, or they would this to this award show.

2101
01:49:08,760 --> 01:49:10,080
Speaker 1: So that was that was cool.

2102
01:49:10,120 --> 01:49:13,560
Speaker 4: And some things made me remember how lame the eighties was,

2103
01:49:13,680 --> 01:49:14,960
Speaker 4: like fucking white stockings.

2104
01:49:15,080 --> 01:49:16,599
Speaker 2: I hate got them white stockings.

2105
01:49:16,880 --> 01:49:17,280
Speaker 1: I'm sorry.

2106
01:49:17,320 --> 01:49:19,160
Speaker 4: I just had a flashback when I seen Whitney with

2107
01:49:19,200 --> 01:49:22,080
Speaker 4: them white stockings. And it's just one of those things

2108
01:49:22,160 --> 01:49:25,040
Speaker 4: where I thought that part of it was just cool

2109
01:49:25,080 --> 01:49:27,160
Speaker 4: and I didn't realize they were married for so long

2110
01:49:27,439 --> 01:49:29,240
Speaker 4: and stuff like that, like like that part of it

2111
01:49:29,360 --> 01:49:31,120
Speaker 4: was and to me it was just enjoyable, just the

2112
01:49:31,240 --> 01:49:31,639
Speaker 4: live too.

2113
01:49:31,720 --> 01:49:32,559
Speaker 1: Like I said, it wasn't the.

2114
01:49:32,800 --> 01:49:34,799
Speaker 2: Best, but lord knows it wouldn't.

2115
01:49:34,840 --> 01:49:36,679
Speaker 1: I've seen bad movies. It wasn't the worst.

2116
01:49:37,400 --> 01:49:41,760
Speaker 2: Yeah, So it was just you know, I was just

2117
01:49:42,560 --> 01:49:44,840
Speaker 2: I was impressed, but probably because I have very low

2118
01:49:44,880 --> 01:49:46,600
Speaker 2: expectations me too, you know.

2119
01:49:47,000 --> 01:49:49,920
Speaker 6: But at the same time, it felt like a love

2120
01:49:50,040 --> 01:49:51,520
Speaker 6: letter to Bobby Brown.

2121
01:49:51,400 --> 01:49:54,559
Speaker 4: Like, oh yeah, then after they finished in their half,

2122
01:49:55,520 --> 01:49:58,160
Speaker 4: after the movie, we gonna interview Bobby Brown to find

2123
01:49:58,200 --> 01:49:59,040
Speaker 4: out what really.

2124
01:49:59,200 --> 01:50:01,000
Speaker 1: Happened that bullshit is this?

2125
01:50:01,400 --> 01:50:05,280
Speaker 2: I couldn't watch that. I tried. I watched about twenty minutes,

2126
01:50:05,439 --> 01:50:08,320
Speaker 2: and I realized I didn't give a fuck me either.

2127
01:50:09,040 --> 01:50:11,000
Speaker 2: I didn't really care what Bobby's take on it was.

2128
01:50:11,240 --> 01:50:14,479
Speaker 2: You know, no offense to Bobby, but it just didn't

2129
01:50:14,479 --> 01:50:17,680
Speaker 2: really matter what he thought about everything because he had

2130
01:50:17,720 --> 01:50:20,400
Speaker 2: a lot of I didn't know, and he seemed like

2131
01:50:20,439 --> 01:50:22,760
Speaker 2: a real humble, cool guy. Didn't seem like he was

2132
01:50:22,920 --> 01:50:25,880
Speaker 2: being malicious at all. But it was just like, yeah,

2133
01:50:26,600 --> 01:50:29,160
Speaker 2: you know, all right, we get it. Well, you know,

2134
01:50:29,320 --> 01:50:31,320
Speaker 2: she wasn't perfect, but neither was Bobby, and that's all

2135
01:50:31,360 --> 01:50:35,320
Speaker 2: he was gonna give you anyway. The one part that

2136
01:50:35,479 --> 01:50:38,639
Speaker 2: was funny though, was when old Girl asked him could

2137
01:50:38,720 --> 01:50:41,360
Speaker 2: he have slept with did he was? He surprised when

2138
01:50:41,400 --> 01:50:44,760
Speaker 2: Whitney came on to him, and he was like, nah,

2139
01:50:45,280 --> 01:50:47,640
Speaker 2: like bitch, I could have fucked you if it was

2140
01:50:47,720 --> 01:50:49,240
Speaker 2: nineteen ninety six, what were you talking about?

2141
01:50:50,439 --> 01:50:50,479
Speaker 4: Like?

2142
01:50:50,640 --> 01:50:54,000
Speaker 2: That was fucking everything I had? Yeah, like you are

2143
01:50:54,040 --> 01:50:54,599
Speaker 2: you crazy?

2144
01:50:55,400 --> 01:50:56,719
Speaker 1: Loving? What are you talking about?

2145
01:50:56,920 --> 01:51:00,200
Speaker 2: She would have been blind, you know VH one. So

2146
01:51:00,360 --> 01:51:04,000
Speaker 2: the Sorority sisters and brought the season to a quick end.

2147
01:51:04,240 --> 01:51:06,439
Speaker 1: Ah your happy? People? Are you happy?

2148
01:51:07,000 --> 01:51:09,040
Speaker 2: They said? The last three or the ten episodes on

2149
01:51:09,120 --> 01:51:13,479
Speaker 2: air back to back Friday is intended to satisfy for

2150
01:51:13,520 --> 01:51:16,760
Speaker 2: your interest while bringing the cast stories full circle. So

2151
01:51:17,880 --> 01:51:20,960
Speaker 2: there you go, Sororities, you got, you got. The the

2152
01:51:21,040 --> 01:51:24,920
Speaker 2: show kicked off the air. It anyway, you know the

2153
01:51:25,000 --> 01:51:28,040
Speaker 2: funny thing, it wasn't a good show. Nope. And here's

2154
01:51:28,080 --> 01:51:31,639
Speaker 2: why I wasn't good because they actually weren't doing anything

2155
01:51:31,760 --> 01:51:35,720
Speaker 2: fucked up. No, they didn't get in any physical altercations.

2156
01:51:35,760 --> 01:51:38,680
Speaker 2: They weren't getting sloppy drunk, they didn't hit each other.

2157
01:51:38,840 --> 01:51:40,840
Speaker 2: They didn't, you know, do all the gross shit you

2158
01:51:40,920 --> 01:51:42,880
Speaker 2: betten people normally have to do in reality shows to

2159
01:51:43,000 --> 01:51:45,559
Speaker 2: keep you know, keep people's interests. You know, normally these

2160
01:51:45,600 --> 01:51:48,200
Speaker 2: shows got people like, oh she shit on the steps

2161
01:51:48,360 --> 01:51:50,280
Speaker 2: or you know, just something out, Oh look at her

2162
01:51:50,360 --> 01:51:50,880
Speaker 2: throwing up.

2163
01:51:51,080 --> 01:51:53,200
Speaker 6: You know, none of that shit happened.

2164
01:51:53,280 --> 01:51:56,720
Speaker 2: They were a little bit caddy, but other than you know,

2165
01:51:57,200 --> 01:51:58,760
Speaker 2: the cut scenes, or they would be like, you know what,

2166
01:51:58,960 --> 01:52:01,920
Speaker 2: because Delta girl, we don't play or something like that.

2167
01:52:02,240 --> 01:52:05,360
Speaker 2: There was really no point in a tie in to

2168
01:52:05,520 --> 01:52:08,439
Speaker 2: the sororities in the first place. It wasn't demeaning in

2169
01:52:08,560 --> 01:52:11,679
Speaker 2: my opinion, and for people to be like it needs

2170
01:52:11,760 --> 01:52:14,280
Speaker 2: to get off the air because it represents me and

2171
01:52:14,360 --> 01:52:19,880
Speaker 2: my sorority, it's just solidifies an idea that a lot

2172
01:52:19,920 --> 01:52:24,200
Speaker 2: of people those organizations just see themselves as above black people,

2173
01:52:24,560 --> 01:52:26,960
Speaker 2: because it's not like, even with you being black and

2174
01:52:27,040 --> 01:52:29,800
Speaker 2: in the sorority, you're not pissed at Love and Hip

2175
01:52:29,840 --> 01:52:31,200
Speaker 2: Hop for representing black people.

2176
01:52:31,240 --> 01:52:33,400
Speaker 6: You're not hit pissed at all.

2177
01:52:33,439 --> 01:52:35,559
Speaker 2: These other shows were black cast on it and going

2178
01:52:35,680 --> 01:52:37,920
Speaker 2: look at how they do us kick this shit off

2179
01:52:37,960 --> 01:52:40,679
Speaker 2: the air. But once it hit too close to home,

2180
01:52:40,720 --> 01:52:46,920
Speaker 2: which was to say, hey, this is your actual sorority,

2181
01:52:47,080 --> 01:52:49,000
Speaker 2: then it was like, well, now it's too much for me,

2182
01:52:49,800 --> 01:52:54,080
Speaker 2: so kind of whacking my opinion. Well let's see what

2183
01:52:54,160 --> 01:52:57,639
Speaker 2: else we got. Oh, we make jokes about glitter bombs

2184
01:52:57,680 --> 01:52:59,880
Speaker 2: and all this stuff, and how it's the best form

2185
01:53:00,080 --> 01:53:03,920
Speaker 2: of revenge. Someone created a website called Ship your Enemies

2186
01:53:03,920 --> 01:53:04,599
Speaker 2: glitter dot com.

2187
01:53:08,120 --> 01:53:10,559
Speaker 1: Yeah, yeah, people will order that shit like crazy.

2188
01:53:10,960 --> 01:53:15,800
Speaker 2: And they said we send glitter to people you hate.

2189
01:53:18,040 --> 01:53:20,000
Speaker 2: So it got two and a half million hits in

2190
01:53:20,080 --> 01:53:26,479
Speaker 2: four days, extremely extremely viral.

2191
01:53:28,040 --> 01:53:29,320
Speaker 6: The site is closed now.

2192
01:53:30,000 --> 01:53:31,519
Speaker 2: I think that guy said he didn't want to do

2193
01:53:31,600 --> 01:53:34,080
Speaker 2: it anymore because, uh, it was fucked up.

2194
01:53:34,160 --> 01:53:35,080
Speaker 1: It was so high.

2195
01:53:36,720 --> 01:53:39,960
Speaker 2: But he says, all right, so by now you've decided

2196
01:53:40,000 --> 01:53:41,640
Speaker 2: that someone's going to be able receiving any of a

2197
01:53:42,280 --> 01:53:46,080
Speaker 2: surprise glitter mess as you have to do to send them.

2198
01:53:46,600 --> 01:53:48,519
Speaker 2: All you have to do to send them said messages

2199
01:53:48,520 --> 01:53:51,360
Speaker 2: to fill out the form below and hit on the

2200
01:53:51,479 --> 01:53:54,160
Speaker 2: right end hit the buy now button. You'll be taking

2201
01:53:54,280 --> 01:53:57,840
Speaker 2: off this shitty website for payment processing via PayPal and

2202
01:53:58,360 --> 01:54:00,479
Speaker 2: you know all that stuff you know they go in

2203
01:54:00,600 --> 01:54:02,760
Speaker 2: for the say yes, we know paypals and shitty company. Hell,

2204
01:54:02,800 --> 01:54:05,599
Speaker 2: why not send those dicks some glitter after we received

2205
01:54:05,640 --> 01:54:08,080
Speaker 2: the payment and spend the profit on cheap booze. Will

2206
01:54:08,120 --> 01:54:10,560
Speaker 2: get shit ready and have the mail sit to the

2207
01:54:10,600 --> 01:54:13,639
Speaker 2: person you hate purchasing And then now they say purchasing

2208
01:54:13,680 --> 01:54:16,040
Speaker 2: has been temporary suspended. You guys have a sick fascination

2209
01:54:16,120 --> 01:54:19,280
Speaker 2: with shipping people glitter. We received all orders and working

2210
01:54:19,360 --> 01:54:21,160
Speaker 2: through them. There are tons, so be patient. You can

2211
01:54:21,200 --> 01:54:25,160
Speaker 2: spam me on Twitter for updates at Matt Carpenter on Twitter,

2212
01:54:27,040 --> 01:54:30,679
Speaker 2: who now has about nine thy three hundred and something followers.

2213
01:54:31,560 --> 01:54:33,280
Speaker 2: Maybe he listened to the podcast. I don't know how

2214
01:54:33,360 --> 01:54:37,680
Speaker 2: he thought of this idea, but I wish everybody that

2215
01:54:38,560 --> 01:54:40,680
Speaker 2: I would. Soone should just take our ideas, make a

2216
01:54:40,760 --> 01:54:42,560
Speaker 2: million dollar ideas, and then to send us a check

2217
01:54:42,720 --> 01:54:47,080
Speaker 2: for like ten percent, you know, but yeah, it says,

2218
01:54:47,520 --> 01:54:50,120
Speaker 2: but yeah, it was just fun that funny that someone

2219
01:54:50,200 --> 01:54:53,600
Speaker 2: actually did that. You know, we talked. We also talked about,

2220
01:54:53,680 --> 01:54:56,760
Speaker 2: you know, buying kids glitter as a Christmas gift so

2221
01:54:56,880 --> 01:55:00,600
Speaker 2: their parents have to clean it up everywhere. But yeah,

2222
01:55:00,760 --> 01:55:03,880
Speaker 2: ship your enemies glitter. I love that it had to

2223
01:55:04,800 --> 01:55:05,720
Speaker 2: shut down.

2224
01:55:06,120 --> 01:55:08,720
Speaker 4: Because again they said they basically could not keep up

2225
01:55:08,760 --> 01:55:10,840
Speaker 4: with demands. Like they was like, the shut it down

2226
01:55:11,280 --> 01:55:13,120
Speaker 4: because if not, we'll never be able to fill out

2227
01:55:13,120 --> 01:55:14,160
Speaker 4: all these goddamn motors.

2228
01:55:14,480 --> 01:55:19,240
Speaker 2: That's how honestly like, that's how fucked up people are. Right,

2229
01:55:19,480 --> 01:55:23,120
Speaker 2: they immediately were like, we need to do this. President

2230
01:55:23,200 --> 01:55:26,960
Speaker 2: Obama calls for cities to build government run high speed internet.

2231
01:55:28,400 --> 01:55:29,000
Speaker 1: I agree.

2232
01:55:29,680 --> 01:55:32,560
Speaker 4: The States will never go for it, but our motherfucking

2233
01:55:32,640 --> 01:55:36,080
Speaker 4: agree because we in America we pay too much for

2234
01:55:36,240 --> 01:55:41,040
Speaker 4: fucking internet access. We paid to motherfucking much for slow

2235
01:55:41,280 --> 01:55:46,000
Speaker 4: ass speed we do. We're using goddamn telephone lines. Most

2236
01:55:46,080 --> 01:55:49,240
Speaker 4: people's Internet access was designed for you to fucking talk

2237
01:55:49,400 --> 01:55:52,280
Speaker 4: and nothing more. And the companies are too goddamn cheap

2238
01:55:52,440 --> 01:55:55,320
Speaker 4: to invest money in an infrastructure to get the people

2239
01:55:55,760 --> 01:55:58,640
Speaker 4: the internet so that shit can drop. The only people

2240
01:55:58,680 --> 01:56:01,560
Speaker 4: that's doing it right is Google, but they're slowly moving

2241
01:56:01,640 --> 01:56:04,080
Speaker 4: across the country, and as soon as they get that

2242
01:56:04,160 --> 01:56:07,160
Speaker 4: shit here, that's what we're going to because god damn it,

2243
01:56:07,280 --> 01:56:09,320
Speaker 4: you're paying hundreds of dollars for a month a month

2244
01:56:09,520 --> 01:56:11,720
Speaker 4: for your shit to be slow going in and slow

2245
01:56:11,800 --> 01:56:12,240
Speaker 4: going out.

2246
01:56:12,440 --> 01:56:15,040
Speaker 1: You can't stream Netflix like you want to at high times.

2247
01:56:15,240 --> 01:56:15,600
Speaker 1: Fuck you.

2248
01:56:15,680 --> 01:56:18,160
Speaker 4: You're taking all this money and you're not investing it

2249
01:56:18,280 --> 01:56:21,000
Speaker 4: in making people shit faster here in America.

2250
01:56:21,800 --> 01:56:26,760
Speaker 2: Yeah. The other thing is nineteen states have laws restricting

2251
01:56:26,800 --> 01:56:30,640
Speaker 2: the construction of municipal networks, and the President's asking the

2252
01:56:30,680 --> 01:56:36,200
Speaker 2: Federal Communications Commission FCC to pre mp these laws. He's

2253
01:56:36,240 --> 01:56:39,640
Speaker 2: also planning to offer subsidy to promote investments in local briadband.

2254
01:56:41,160 --> 01:56:42,920
Speaker 1: Yeah, because you and on talking about it.

2255
01:56:43,040 --> 01:56:45,720
Speaker 4: You have places in our country they can't even get

2256
01:56:45,840 --> 01:56:46,640
Speaker 4: inter their access.

2257
01:56:47,280 --> 01:56:50,120
Speaker 2: Well right now, the typical American household has an Internet

2258
01:56:50,160 --> 01:56:53,600
Speaker 2: connection with a download speed between ten and twenty megabits

2259
01:56:53,600 --> 01:56:56,760
Speaker 2: per second, But the technology exists to build residential bridband

2260
01:56:56,840 --> 01:56:59,839
Speaker 2: networks that are a lot faster. In fact, few Americans

2261
01:57:00,000 --> 01:57:03,000
Speaker 2: these enjoyed network speed as high as a thousand mbps

2262
01:57:03,440 --> 01:57:06,600
Speaker 2: shit fifty to one hundred times faster than average. And

2263
01:57:06,800 --> 01:57:09,120
Speaker 2: some of the networks were built not by big telecom

2264
01:57:09,200 --> 01:57:13,160
Speaker 2: providers but by municipal governments or publicly owned electrical utilities companies.

2265
01:57:13,600 --> 01:57:17,120
Speaker 2: For example, the city of Chattanooga, Tennessee, has a publicly

2266
01:57:18,040 --> 01:57:22,080
Speaker 2: a public utility that decided to get into municipal broadband

2267
01:57:22,120 --> 01:57:24,480
Speaker 2: business of two thousand and seven. As a result, households

2268
01:57:24,560 --> 01:57:27,720
Speaker 2: can now get one gigabit, which is one thousand mbps

2269
01:57:28,280 --> 01:57:30,200
Speaker 2: service for just seventy dollars a month.

2270
01:57:32,120 --> 01:57:33,800
Speaker 6: Yeah, we paid much more than that far in and

2271
01:57:33,840 --> 01:57:35,480
Speaker 6: at much plus not that fast.

2272
01:57:35,880 --> 01:57:38,840
Speaker 4: No, that's why I've been looking at that Google shit, like,

2273
01:57:38,920 --> 01:57:41,480
Speaker 4: come on, Google, come on, get y'all asses here.

2274
01:57:41,680 --> 01:57:42,040
Speaker 1: Please.

2275
01:57:42,280 --> 01:57:46,080
Speaker 2: Municipal broadband supporters use Cedar Falls, where Obama is visiting today,

2276
01:57:46,200 --> 01:57:49,920
Speaker 2: is another success story there too. The public utility company

2277
01:57:50,040 --> 01:57:53,160
Speaker 2: built a municipal broadband network that provides speeds up to

2278
01:57:53,240 --> 01:57:56,640
Speaker 2: one gigabit per seconds. Gigabit service is expensive one hundred

2279
01:57:56,680 --> 01:57:58,920
Speaker 2: and thirty five per month, but you can also get

2280
01:57:59,000 --> 01:58:02,000
Speaker 2: download speeds of a hundred megabits per seconds for seventy

2281
01:58:02,080 --> 01:58:05,920
Speaker 2: dollars a month. That compares favorably to broadband service offered

2282
01:58:05,960 --> 01:58:08,920
Speaker 2: by conventional cable and telephone companies everywhere in the country.

2283
01:58:11,000 --> 01:58:13,120
Speaker 2: While the networks and Tattanooga City the follow on impressive,

2284
01:58:13,120 --> 01:58:15,080
Speaker 2: it is important to note that private companies have had

2285
01:58:15,120 --> 01:58:17,800
Speaker 2: some notable successes as well. Google has been a gig

2286
01:58:18,080 --> 01:58:21,480
Speaker 2: gigabit fiber optic network in Kansas City and it's currently

2287
01:58:21,520 --> 01:58:26,280
Speaker 2: expanding Austin, Texas and Provo Utah. An organization called gig

2288
01:58:26,520 --> 01:58:30,080
Speaker 2: u is working to arrange for private investors to finance

2289
01:58:30,120 --> 01:58:37,960
Speaker 2: gigabit networks in college towns. So a municipal briadband is controversial,

2290
01:58:38,240 --> 01:58:44,080
Speaker 2: especially among Republicans. Of course, municipal broadband services how to detractors.

2291
01:58:44,080 --> 01:58:46,640
Speaker 2: Critics argue that building municipal fiber is a big risk.

2292
01:58:46,720 --> 01:58:48,960
Speaker 2: The taxpayers are on the hook if the bet doesn't payoff.

2293
01:58:49,000 --> 01:58:52,040
Speaker 2: For example, they point the Provo utah where which was

2294
01:58:52,120 --> 01:58:54,040
Speaker 2: forced to sell its public network to Google at a

2295
01:58:54,120 --> 01:58:57,640
Speaker 2: huge loss after the network failed to match the lofty projections.

2296
01:58:58,280 --> 01:59:02,240
Speaker 2: Many municipal fiber opponents also have philosophical objections to the

2297
01:59:02,320 --> 01:59:06,960
Speaker 2: whole concept of the government's building Internet service. They believe

2298
01:59:07,000 --> 01:59:10,760
Speaker 2: it's unfair to use taxpayer dollars to compete with the

2299
01:59:10,840 --> 01:59:13,280
Speaker 2: private sector, and they think private companies will do a

2300
01:59:13,360 --> 01:59:16,160
Speaker 2: better job in the long run. I just think we're

2301
01:59:16,200 --> 01:59:18,160
Speaker 2: getting to the point where the Internet is a resource,

2302
01:59:18,240 --> 01:59:21,560
Speaker 2: is the same as water right, our heat, and the

2303
01:59:21,640 --> 01:59:23,440
Speaker 2: government does need to be involved.

2304
01:59:23,480 --> 01:59:24,280
Speaker 1: You have to have it.

2305
01:59:24,640 --> 01:59:24,840
Speaker 3: Yeah.

2306
01:59:24,960 --> 01:59:27,720
Speaker 2: I feel like we're the point where we put ourselves

2307
01:59:27,840 --> 01:59:29,800
Speaker 2: at risk of being behind as a country.

2308
01:59:29,920 --> 01:59:31,440
Speaker 1: Should we behind now? But you're not?

2309
01:59:31,560 --> 01:59:34,160
Speaker 4: Americans tell it we number one. We're the dumbest country

2310
01:59:34,200 --> 01:59:36,320
Speaker 4: in the motherfucking world. But we tell it we number

2311
01:59:36,360 --> 01:59:37,600
Speaker 4: one and everything word.

2312
01:59:38,000 --> 01:59:41,200
Speaker 2: Yeah, I think the Internet is at a point where

2313
01:59:41,200 --> 01:59:42,880
Speaker 2: we should be looking at it as a necessity, is

2314
01:59:43,120 --> 01:59:45,840
Speaker 2: something we want to provide for all citizens. You know,

2315
01:59:46,200 --> 01:59:49,800
Speaker 2: I don't think uh, you know, and I understand that

2316
01:59:50,000 --> 01:59:51,880
Speaker 2: you know, you don't want to violate the private area.

2317
01:59:51,960 --> 01:59:58,520
Speaker 2: But when it's competition, even with the government, you know necessarily, well,

2318
01:59:58,560 --> 02:00:00,520
Speaker 2: you know what, even if it's not competent, even if

2319
02:00:00,560 --> 02:00:03,280
Speaker 2: you make some of these companies suffer in the short

2320
02:00:03,400 --> 02:00:06,200
Speaker 2: term until they find other work arounds or even if

2321
02:00:06,240 --> 02:00:10,560
Speaker 2: you make them step up there on pricing and service

2322
02:00:10,640 --> 02:00:13,480
Speaker 2: customer service, because who the fuck would would you say,

2323
02:00:14,200 --> 02:00:16,800
Speaker 2: looks around at their cable provider, the internet provider goes

2324
02:00:16,840 --> 02:00:20,160
Speaker 2: I get great customer service? Not very many. And part

2325
02:00:20,200 --> 02:00:21,760
Speaker 2: of that is because they don't have to because they

2326
02:00:21,840 --> 02:00:25,320
Speaker 2: have they have commercial monopolies, right, and.

2327
02:00:25,400 --> 02:00:28,000
Speaker 4: There's no competition, and it's no for some place in

2328
02:00:28,080 --> 02:00:30,720
Speaker 4: this country. It's Comcast enough. For some place in this country,

2329
02:00:30,880 --> 02:00:33,600
Speaker 4: it's time win or nothing. You don't get another option.

2330
02:00:33,720 --> 02:00:36,680
Speaker 4: It's either that shit or fucking satellite. And the way

2331
02:00:36,720 --> 02:00:38,680
Speaker 4: they tell it, they was like, well you can get satellite.

2332
02:00:38,760 --> 02:00:41,680
Speaker 4: It is not the motherfucking same. It's not the same.

2333
02:00:41,960 --> 02:00:45,160
Speaker 1: Satellite is not the same, right, you know.

2334
02:00:45,360 --> 02:00:47,280
Speaker 4: And it's one of those things where people act like

2335
02:00:47,400 --> 02:00:49,080
Speaker 4: you could just flip flop and go between the two.

2336
02:00:49,240 --> 02:00:51,480
Speaker 1: Is not the same. And I think for me, the

2337
02:00:52,080 --> 02:00:54,320
Speaker 1: thing that frustrates me is that it would cause.

2338
02:00:54,280 --> 02:00:58,440
Speaker 4: Rates to go down. People pay too much for too little.

2339
02:00:58,640 --> 02:01:00,680
Speaker 4: The companies don't give a fuck. They just want your

2340
02:01:00,760 --> 02:01:03,600
Speaker 4: goddamn money and give you poor ass customer service. And

2341
02:01:04,120 --> 02:01:07,080
Speaker 4: if some shit happened, well, we can only come Monday

2342
02:01:07,280 --> 02:01:10,120
Speaker 4: between Noone and eight pm. Bitch, I can't block my

2343
02:01:10,160 --> 02:01:12,760
Speaker 4: home motherfucking day because this is the only time he can.

2344
02:01:12,720 --> 02:01:14,280
Speaker 1: Bring his ass by here to fix my shit.

2345
02:01:14,640 --> 02:01:17,000
Speaker 2: Right, So it's not like the government has been known

2346
02:01:17,040 --> 02:01:20,840
Speaker 2: to have the most efficient, shitting customer service as well.

2347
02:01:20,920 --> 02:01:23,120
Speaker 2: I think this is just give private companies also an

2348
02:01:23,120 --> 02:01:24,560
Speaker 2: impetus to step their game up.

2349
02:01:24,560 --> 02:01:26,680
Speaker 1: Man, right, and they're not gonna do it unless they

2350
02:01:26,720 --> 02:01:29,080
Speaker 1: prompt you. Companies don't give a fuck. Company is a

2351
02:01:29,120 --> 02:01:31,600
Speaker 1: bottom line that about that motherfucking profit. They do not

2352
02:01:31,800 --> 02:01:34,600
Speaker 1: change and they do not move unless they forced to.

2353
02:01:35,600 --> 02:01:42,240
Speaker 2: Yep, government Internet for everybody. Yay for friends of Obama's

2354
02:01:42,280 --> 02:01:43,920
Speaker 2: wild out right now. I love them.

2355
02:01:44,120 --> 02:01:46,320
Speaker 1: Yeah, because he's like cocky, what you're gonna do?

2356
02:01:46,400 --> 02:01:47,480
Speaker 2: You reelect me?

2357
02:01:48,120 --> 02:01:50,360
Speaker 6: Like every day he's just like, you know what, free college?

2358
02:01:50,560 --> 02:01:50,920
Speaker 2: Fuck it?

2359
02:01:51,520 --> 02:01:53,800
Speaker 6: Who wants some free college? Anybody wants some free college.

2360
02:01:54,520 --> 02:01:55,640
Speaker 6: You can have some free college.

2361
02:01:55,640 --> 02:01:58,920
Speaker 2: And you're just like what free college? Yeah, free college

2362
02:01:58,960 --> 02:02:02,920
Speaker 2: for everybody, y'all got this. Uh, let's see what else

2363
02:02:02,960 --> 02:02:05,360
Speaker 2: he got. Actually, I know we got more Obama news somewhere.

2364
02:02:07,480 --> 02:02:11,320
Speaker 2: Oh the Pope said people can breastfeed and Assistine Chapel.

2365
02:02:13,080 --> 02:02:16,960
Speaker 2: Another one of those things that very superficial.

2366
02:02:17,640 --> 02:02:19,240
Speaker 6: You get a lot of get a lot of press

2367
02:02:19,320 --> 02:02:22,040
Speaker 6: for it, get a lot of props for it. Doesn't

2368
02:02:22,040 --> 02:02:27,600
Speaker 6: really change anything. Where's my anyway?

2369
02:02:27,640 --> 02:02:30,080
Speaker 2: I know he there was something else Obama did, And

2370
02:02:30,160 --> 02:02:32,160
Speaker 2: I don't know if I saved it under a different

2371
02:02:32,200 --> 02:02:32,600
Speaker 2: tag or what.

2372
02:02:32,760 --> 02:02:36,840
Speaker 6: But at any rate, he's been busy, like he's just

2373
02:02:37,000 --> 02:02:37,880
Speaker 6: every day he's.

2374
02:02:37,800 --> 02:02:40,920
Speaker 1: Just like and now this shit, so you better enjoy

2375
02:02:40,960 --> 02:02:41,240
Speaker 1: it now.

2376
02:02:41,640 --> 02:02:44,720
Speaker 2: Oh well, this is what it was. Holder limit sees

2377
02:02:44,880 --> 02:02:50,240
Speaker 2: assets sharing process that split billions with local state police. Basically,

2378
02:02:51,200 --> 02:02:55,800
Speaker 2: nobody can just take your ship without a reason anymore.

2379
02:02:56,000 --> 02:02:59,960
Speaker 2: Like before they could just be like, we're taking your cat,

2380
02:03:00,360 --> 02:03:02,600
Speaker 2: cars and other property. We don't need a warrant or

2381
02:03:02,680 --> 02:03:06,360
Speaker 2: can criminal charges. We just suspect you might be doing something.

2382
02:03:06,400 --> 02:03:08,880
Speaker 2: We're just taking it. Hey, I smelled weed, give me

2383
02:03:08,960 --> 02:03:13,600
Speaker 2: your fucking car, right right. So he's using uh, he's

2384
02:03:13,640 --> 02:03:17,160
Speaker 2: stopping police. He barred them from using the federal law

2385
02:03:17,960 --> 02:03:20,480
Speaker 2: to seize cash, cars, and other property without warrants or

2386
02:03:20,480 --> 02:03:23,560
Speaker 2: criminal charges. Holders actions represents the most sweeping check on

2387
02:03:23,640 --> 02:03:26,440
Speaker 2: police power to confiscate personal property since the seizars began

2388
02:03:26,840 --> 02:03:27,720
Speaker 2: three decades ago.

2389
02:03:27,800 --> 02:03:29,680
Speaker 6: It's part of the war on drugs.

2390
02:03:29,680 --> 02:03:31,040
Speaker 1: Right, That's was their whole reason.

2391
02:03:31,280 --> 02:03:34,200
Speaker 4: So when you pull somebody over, if you suspect a

2392
02:03:34,360 --> 02:03:38,240
Speaker 4: think or read this, somebody they told you their babies mama, daddy,

2393
02:03:38,320 --> 02:03:39,680
Speaker 4: you could just pull them over, and a lot of

2394
02:03:39,720 --> 02:03:42,320
Speaker 4: people abuse that, and you would have people like, did

2395
02:03:42,400 --> 02:03:45,720
Speaker 4: we read the story about the strippers or somebody that

2396
02:03:45,960 --> 02:03:46,880
Speaker 4: like had all this cash.

2397
02:03:46,920 --> 02:03:47,800
Speaker 1: They just took that shit.

2398
02:03:47,880 --> 02:03:50,440
Speaker 4: And the thing is that it's a money racket because

2399
02:03:50,720 --> 02:03:55,080
Speaker 4: you take that shit, you don't charge them, You don't

2400
02:03:55,120 --> 02:03:57,640
Speaker 4: get them they shit back, or if you do charge them,

2401
02:03:57,760 --> 02:03:59,840
Speaker 4: they show up in court, the officer don't show up

2402
02:03:59,880 --> 02:04:01,000
Speaker 4: in You drop off.

2403
02:04:00,880 --> 02:04:02,960
Speaker 1: The charges, but they don't get their shit back that

2404
02:04:03,120 --> 02:04:04,080
Speaker 1: you took from them.

2405
02:04:04,600 --> 02:04:07,200
Speaker 2: Well, not just that, they make the burden of proof

2406
02:04:07,280 --> 02:04:10,000
Speaker 2: on you to prove the money's not illegal, right, Which

2407
02:04:10,040 --> 02:04:12,080
Speaker 2: if I'm just like a stripper getting paid in cash

2408
02:04:12,160 --> 02:04:14,480
Speaker 2: and I decided I'm not the positive money until I

2409
02:04:14,560 --> 02:04:17,800
Speaker 2: get back or whatever, now I've got to prove my

2410
02:04:17,960 --> 02:04:20,280
Speaker 2: money is not drug dealer money or some shit like

2411
02:04:20,880 --> 02:04:23,680
Speaker 2: that's impossible. Yeah, how do I prove I didn't do

2412
02:04:23,880 --> 02:04:27,280
Speaker 2: some shit when the police are involved like that, right?

2413
02:04:27,360 --> 02:04:29,280
Speaker 4: And this is how the target people that they know

2414
02:04:29,520 --> 02:04:33,680
Speaker 4: did with large amounts of cash, like you say, strippers,

2415
02:04:34,200 --> 02:04:37,560
Speaker 4: you know some sometimes waiters and waitresses have tons, you know,

2416
02:04:37,760 --> 02:04:40,920
Speaker 4: lots of ones and shit like that. You know, because

2417
02:04:41,000 --> 02:04:43,240
Speaker 4: like you said, you did it in the industry, just cash.

2418
02:04:44,000 --> 02:04:48,120
Speaker 6: Yeah, So I'm yeah, I'm a big fan of what

2419
02:04:48,240 --> 02:04:49,120
Speaker 6: Holder's doing here.

2420
02:04:49,280 --> 02:04:51,200
Speaker 1: I'm glad because fuck you don't pull me over and

2421
02:04:51,240 --> 02:04:51,760
Speaker 1: take my shit.

2422
02:04:52,040 --> 02:04:54,040
Speaker 2: Since two thousand and eight, thousands of local and state

2423
02:04:54,080 --> 02:04:56,720
Speaker 2: police agents that made more than fifty five thousand siezus

2424
02:04:56,760 --> 02:04:59,640
Speaker 2: of cash and property worth three billion dollars under a

2425
02:04:59,680 --> 02:05:03,600
Speaker 2: civil asset forfeiture program it's Justice Department called Equitable Sharing.

2426
02:05:04,600 --> 02:05:07,080
Speaker 2: The program has enabled local and state police to make

2427
02:05:07,200 --> 02:05:11,000
Speaker 2: seizures and then they have them adopted by federal agencies,

2428
02:05:11,040 --> 02:05:13,000
Speaker 2: which share in the proceeds, so then they take the

2429
02:05:13,040 --> 02:05:16,440
Speaker 2: money and they explit it. It allowed police departments and

2430
02:05:16,560 --> 02:05:18,600
Speaker 2: drug task forces to keep up to eighty percent of

2431
02:05:18,600 --> 02:05:21,520
Speaker 2: the proceeds of adopted seizures with the rest going to

2432
02:05:21,560 --> 02:05:27,120
Speaker 2: federal agencies. So also you're incentivizing them to over police communities.

2433
02:05:27,920 --> 02:05:28,520
Speaker 6: Mister warre on.

2434
02:05:28,600 --> 02:05:32,960
Speaker 2: Drugs, guess which community they're going to. With this new

2435
02:05:33,080 --> 02:05:36,120
Speaker 2: policy effective immediately, the Justice Department is taking an important

2436
02:05:36,120 --> 02:05:39,160
Speaker 2: step to prohibit it to prohibit federal agency adoptions of

2437
02:05:39,200 --> 02:05:42,880
Speaker 2: state and local seizures except for public safety reasons, Holders

2438
02:05:42,880 --> 02:05:45,800
Speaker 2: said in a statement. Holder's decision allows limited a sessions

2439
02:05:45,800 --> 02:05:50,200
Speaker 2: including illegal firearms, ammunition, explosive, and property associated with child

2440
02:05:50,240 --> 02:05:53,320
Speaker 2: pornography a small fraction of the total. This will eliminate

2441
02:05:53,400 --> 02:05:56,120
Speaker 2: virtually all cash and vehicle seizures made by local and

2442
02:05:56,160 --> 02:05:58,960
Speaker 2: state police from the program. Yeah, because sometimes they take

2443
02:05:59,000 --> 02:06:02,440
Speaker 2: that shit, turn around, sell it because you can't afford

2444
02:06:02,480 --> 02:06:04,480
Speaker 2: to get your own shit back, So they sell the cars,

2445
02:06:04,520 --> 02:06:07,960
Speaker 2: the auction them all while police because don't do them

2446
02:06:08,000 --> 02:06:10,560
Speaker 2: no good. Now, while police can't continue to make seizes

2447
02:06:10,640 --> 02:06:13,280
Speaker 2: under their own state laws, Equitable Sharing was easy to

2448
02:06:13,400 --> 02:06:16,080
Speaker 2: use and require most of the proceeds from the sieges

2449
02:06:16,120 --> 02:06:18,400
Speaker 2: to go to local and state police agencies. Some states

2450
02:06:18,760 --> 02:06:21,280
Speaker 2: have higher standards approof for four fittures, and some require

2451
02:06:21,320 --> 02:06:25,320
Speaker 2: seeds proceeds to go into the general fund. So with

2452
02:06:25,480 --> 02:06:27,480
Speaker 2: that program, they were able to be like, oh well,

2453
02:06:27,960 --> 02:06:30,640
Speaker 2: we will get the money. But with a lot of

2454
02:06:30,680 --> 02:06:32,600
Speaker 2: states now it's just going to go into a general fund.

2455
02:06:32,680 --> 02:06:35,000
Speaker 2: So it's like the police don't know that they'll get

2456
02:06:35,040 --> 02:06:36,640
Speaker 2: that money. But if they would have been the federal

2457
02:06:36,680 --> 02:06:39,280
Speaker 2: fund with the federal program, they would have actually split

2458
02:06:39,320 --> 02:06:41,200
Speaker 2: it fifty to fifty with federal government and then.

2459
02:06:41,160 --> 02:06:43,800
Speaker 6: Local police agents the local police department.

2460
02:06:44,600 --> 02:06:49,080
Speaker 2: So it was like, we find a car, we're taking it,

2461
02:06:49,720 --> 02:06:51,840
Speaker 2: We sell it for five thousand dollars. Twenty five hundred

2462
02:06:51,880 --> 02:06:54,760
Speaker 2: goes to FED twenty five hundred goals directly to the police.

2463
02:06:55,520 --> 02:06:59,040
Speaker 2: Now it'll be we find a car, we try to

2464
02:06:59,080 --> 02:07:02,040
Speaker 2: sell it for five thousand, five thousand dollars goes into

2465
02:07:02,120 --> 02:07:05,280
Speaker 2: a general fund for the government, not directly back to

2466
02:07:05,360 --> 02:07:08,640
Speaker 2: this police department. So you might have police departments that

2467
02:07:08,680 --> 02:07:13,800
Speaker 2: are less likely to confiscate shit. Good good, good good.

2468
02:07:14,120 --> 02:07:17,280
Speaker 4: I agree with that because it's like you said, it's

2469
02:07:17,320 --> 02:07:19,280
Speaker 4: one of those things where a lot of this comes from,

2470
02:07:19,840 --> 02:07:22,520
Speaker 4: you know, brown communities and shit like that. Because these

2471
02:07:22,560 --> 02:07:24,520
Speaker 4: other people that they're going to surge in seizure and

2472
02:07:24,640 --> 02:07:26,000
Speaker 4: just randomly take their shit.

2473
02:07:26,600 --> 02:07:30,280
Speaker 2: And Alabama principal wants kids to start bringing king goods

2474
02:07:30,320 --> 02:07:35,720
Speaker 2: to school care. Okay, yeah, yep, pretty good story. Huh,

2475
02:07:37,560 --> 02:07:39,600
Speaker 2: I don't know your tone. Well.

2476
02:07:40,680 --> 02:07:42,400
Speaker 6: He wants them to have them so they can be.

2477
02:07:44,360 --> 02:07:51,120
Speaker 2: Used to throw at possible school shooters or intruders. It'll

2478
02:07:51,120 --> 02:07:54,600
Speaker 2: be the last line of defense, throwing a can at

2479
02:07:54,680 --> 02:07:57,320
Speaker 2: someone that is shooting up the school boy.

2480
02:07:57,360 --> 02:08:00,680
Speaker 1: Instead of giving it to the underprivileged and or kids

2481
02:08:00,840 --> 02:08:04,080
Speaker 1: in your community. It probably could use the food to

2482
02:08:04,280 --> 02:08:06,000
Speaker 1: eat because they don't have the thing for dinner.

2483
02:08:07,240 --> 02:08:09,160
Speaker 6: Priscilla Holly, principal at W. F.

2484
02:08:09,240 --> 02:08:13,200
Speaker 2: Burns Middle School in Valley, Alabama, sent out a letter

2485
02:08:13,240 --> 02:08:16,640
Speaker 2: to parents on Friday, explaining that children can flean the canopies,

2486
02:08:16,680 --> 02:08:19,880
Speaker 2: corn and Irish potatoes at individuals who would do them harm.

2487
02:08:20,040 --> 02:08:22,800
Speaker 2: Holly asked that parents arm their children with eight ounce

2488
02:08:22,880 --> 02:08:25,920
Speaker 2: cans of their choice of food stuffs so that students

2489
02:08:26,240 --> 02:08:28,680
Speaker 2: might stun the intruder or even knock him out until

2490
02:08:28,720 --> 02:08:31,720
Speaker 2: police arrived. Now what if the students take their cans

2491
02:08:31,720 --> 02:08:33,400
Speaker 2: start throwing them at each other? Now, as you told them,

2492
02:08:33,400 --> 02:08:34,960
Speaker 2: they can throw these, right.

2493
02:08:35,200 --> 02:08:36,840
Speaker 1: Because that's what the fuck kids do?

2494
02:08:37,560 --> 02:08:40,600
Speaker 4: Or either Yeah, Now, not only do your baby get

2495
02:08:40,680 --> 02:08:42,400
Speaker 4: hit with a bullet, now your baby is sprayed with

2496
02:08:42,480 --> 02:08:44,280
Speaker 4: the can of corn he was throwing out the person

2497
02:08:44,680 --> 02:08:46,880
Speaker 4: or that person might take the can and beat your

2498
02:08:47,000 --> 02:08:49,160
Speaker 4: child with it because it's now another weapon.

2499
02:08:50,200 --> 02:08:54,200
Speaker 2: Uh yeah, the can food out and will give students

2500
02:08:54,240 --> 02:08:56,320
Speaker 2: a sense of empowerment to protect themselves and will make

2501
02:08:56,360 --> 02:08:57,040
Speaker 2: them feel secure.

2502
02:08:57,120 --> 02:08:59,240
Speaker 1: She said, Oh, I didn't know. Can corn make you

2503
02:08:59,320 --> 02:08:59,960
Speaker 1: feel powerful?

2504
02:09:00,760 --> 02:09:00,960
Speaker 3: Yeah?

2505
02:09:01,440 --> 02:09:03,560
Speaker 1: What can spinish do? Not gonna be pop up? What

2506
02:09:03,600 --> 02:09:05,280
Speaker 1: the fuck is happening? This makes no sense?

2507
02:09:05,600 --> 02:09:07,600
Speaker 2: Oh yeah, you know, I remember the other story. I

2508
02:09:07,640 --> 02:09:10,320
Speaker 2: was gonna talk about President Obama raising taxes on the rich.

2509
02:09:10,560 --> 02:09:11,520
Speaker 2: That's what he's proposing.

2510
02:09:12,160 --> 02:09:12,280
Speaker 3: Now.

2511
02:09:12,320 --> 02:09:16,680
Speaker 2: I don't think it'll pass, but I'm just saying, he

2512
02:09:17,080 --> 02:09:23,200
Speaker 2: he he'll be working. That's what I'm saying. Let's see

2513
02:09:23,200 --> 02:09:30,480
Speaker 2: what else he got going on. I feel like, let's

2514
02:09:30,560 --> 02:09:33,680
Speaker 2: do this instead of fucking with black people, we'll just

2515
02:09:33,800 --> 02:09:38,840
Speaker 2: do some stories here. Uh some of the nypds, finally said,

2516
02:09:38,960 --> 02:09:42,240
Speaker 2: Mayor de Blasio is sucking the cock of every protester.

2517
02:09:45,000 --> 02:09:46,480
Speaker 6: For the New York City's Mayor Bill A.

2518
02:09:46,520 --> 02:09:49,000
Speaker 2: Blasio. It's almost as if a little respect is hard

2519
02:09:49,040 --> 02:09:52,600
Speaker 2: to come by. But now, uh by now we should

2520
02:09:52,600 --> 02:09:55,720
Speaker 2: all be familiar with the NYPD's ill time arguably tasteless

2521
02:09:55,800 --> 02:09:59,680
Speaker 2: protests against Mayor to Blasio. Now, the New York Review

2522
02:09:59,760 --> 02:10:01,960
Speaker 2: of Books is reporting that some of New York's finances

2523
02:10:02,400 --> 02:10:05,360
Speaker 2: are expressing even more bitter sentiments against their boss's boss.

2524
02:10:06,080 --> 02:10:08,680
Speaker 2: Writer Michael Greenberg published a lengthy essay on the site

2525
02:10:08,720 --> 02:10:11,880
Speaker 2: detailing the depths of two on duty officers, protest culture,

2526
02:10:11,920 --> 02:10:15,320
Speaker 2: and now strained relationship between New York's police force and

2527
02:10:15,360 --> 02:10:18,560
Speaker 2: their mayor. The most jarring segment of the article, however,

2528
02:10:18,760 --> 02:10:20,680
Speaker 2: was when the writer joined a gang of police officers

2529
02:10:20,720 --> 02:10:24,920
Speaker 2: at a bar after Officer Rafael Raymos's funeral. In between

2530
02:10:24,960 --> 02:10:27,640
Speaker 2: SIPs and toast, the officers just credited the work of

2531
02:10:27,720 --> 02:10:30,400
Speaker 2: the protest, of those protesting in cahoots with the millions

2532
02:10:30,520 --> 02:10:33,760
Speaker 2: march in n YC and slarry Mayor Bill de Blasio.

2533
02:10:33,920 --> 02:10:38,200
Speaker 6: In one breath. After Officer Raymos's funeral, I asked.

2534
02:10:38,040 --> 02:10:39,880
Speaker 2: A group of cops who had gathered in one of

2535
02:10:39,920 --> 02:10:43,400
Speaker 2: the neighborhood bars why they aimed their argu are anger

2536
02:10:43,560 --> 02:10:46,760
Speaker 2: so exclusively It married to Blasio. Didn't the blacks and

2537
02:10:46,840 --> 02:10:49,920
Speaker 2: the protesters married at least a portion of their contempt. No,

2538
02:10:50,080 --> 02:10:53,000
Speaker 2: they said, I don't know. I didn't understand the protesters

2539
02:10:53,040 --> 02:10:57,080
Speaker 2: didn't count. They were just followers, ravel rousers, anarchists, know

2540
02:10:57,240 --> 02:10:59,880
Speaker 2: nothing kids looking to make a scene. When I said,

2541
02:11:00,040 --> 02:11:03,080
Speaker 2: yess it, that this surely wasn't true of everyone of

2542
02:11:03,200 --> 02:11:06,920
Speaker 2: the thirty thousand demonstrators in December thirteenth, I mean on

2543
02:11:07,000 --> 02:11:09,600
Speaker 2: December thirteenth, one of the officers shot back, It was

2544
02:11:09,760 --> 02:11:12,680
Speaker 2: de Blasio's follow all those people showed up. He told

2545
02:11:12,720 --> 02:11:15,120
Speaker 2: them it was okay to spit in our faces. They

2546
02:11:15,200 --> 02:11:17,880
Speaker 2: knew we had been given orders to let them run wild.

2547
02:11:18,880 --> 02:11:24,480
Speaker 2: A diminutive, white haired sergeant, what right, Wow, and they'll

2548
02:11:24,560 --> 02:11:26,280
Speaker 2: let them run wild? Like, what were you supposed to do?

2549
02:11:26,360 --> 02:11:30,160
Speaker 2: Beat them down? They weren't doing anything illegal, just gathering

2550
02:11:30,200 --> 02:11:32,080
Speaker 2: in a public space. Now you get to fucking fuck

2551
02:11:32,160 --> 02:11:35,640
Speaker 2: them up because you don't like it. A diminutive, white

2552
02:11:35,680 --> 02:11:38,879
Speaker 2: haired sergeant climbed to the top of the stool, silenced

2553
02:11:38,920 --> 02:11:40,960
Speaker 2: the bar, and then a booming voice delivered a rhyming

2554
02:11:41,000 --> 02:11:43,240
Speaker 2: toast that ended with the verse, the Blasio is nothing

2555
02:11:43,280 --> 02:11:46,640
Speaker 2: but a horse court gesture, sucking the cock of every protester.

2556
02:11:47,360 --> 02:11:49,920
Speaker 2: The cops in the bar roared, and three or four

2557
02:11:50,000 --> 02:11:53,320
Speaker 2: officers followed with the Blasio hayten telta. Their own drinks flowed.

2558
02:11:54,240 --> 02:11:57,160
Speaker 2: A retired detective from Yonkers reminisced in great detail about

2559
02:11:57,160 --> 02:11:59,640
Speaker 2: the various suspects or muths he clabbered and left for

2560
02:11:59,720 --> 02:12:03,040
Speaker 2: dead when he saw me listening and obviously suspected I was.

2561
02:12:03,240 --> 02:12:06,360
Speaker 2: It wasn't one of us, he said, with an unconvincing smile.

2562
02:12:06,720 --> 02:12:07,960
Speaker 2: None of those stories are true.

2563
02:12:08,080 --> 02:12:13,000
Speaker 4: I understand, right, because he's like, you look like you

2564
02:12:13,080 --> 02:12:14,960
Speaker 4: don't belong here, and you might be a reporter.

2565
02:12:15,760 --> 02:12:16,600
Speaker 2: Yeah, so.

2566
02:12:18,200 --> 02:12:21,680
Speaker 1: Them stories was real, baby, right, you can you can

2567
02:12:21,760 --> 02:12:23,000
Speaker 1: say that after the fact.

2568
02:12:23,160 --> 02:12:29,240
Speaker 2: But them stories you told was true. Yeah, yeah, just

2569
02:12:29,360 --> 02:12:34,680
Speaker 2: another just another day, all right.

2570
02:12:34,840 --> 02:12:34,960
Speaker 4: Oh.

2571
02:12:35,120 --> 02:12:40,320
Speaker 2: Lee Daniels says he wants to expose homophobia. I've been

2572
02:12:40,360 --> 02:12:44,360
Speaker 2: watching Empire, and I'd say so far, he's doing a

2573
02:12:44,400 --> 02:12:50,160
Speaker 2: great job making everybody look homophobic. On the show Man,

2574
02:12:50,200 --> 02:12:52,600
Speaker 2: they actually said faggot on Network TV. Didn't know you

2575
02:12:52,640 --> 02:12:55,880
Speaker 2: could even do that either, if he did shut that down.

2576
02:12:56,080 --> 02:12:58,200
Speaker 2: Says he wants to blow the lid off of homophobia

2577
02:12:58,280 --> 02:13:00,480
Speaker 2: in the African American community with the picture of the

2578
02:13:00,520 --> 02:13:04,720
Speaker 2: shows lead characters hostile relationship with his gate son Lee Daniel,

2579
02:13:04,720 --> 02:13:07,520
Speaker 2: who's also behind the movies Lee Dales, The Butler and

2580
02:13:07,760 --> 02:13:12,160
Speaker 2: Precious said that his own father's hostility towards gays frightened him,

2581
02:13:12,200 --> 02:13:14,280
Speaker 2: and he knows the same attitudes of being passed on

2582
02:13:14,760 --> 02:13:17,480
Speaker 2: from one generation to another in the households around the world.

2583
02:13:18,280 --> 02:13:20,480
Speaker 2: What we're trying to do is give people the opportunity

2584
02:13:20,520 --> 02:13:24,200
Speaker 2: to see what they're doing is painful, Daniel said television

2585
02:13:24,240 --> 02:13:26,880
Speaker 2: conference on Saturday. Empire is the story of a strong

2586
02:13:26,960 --> 02:13:31,280
Speaker 2: will music family, whose patriarch Lucius Lyon is portrayed by

2587
02:13:31,320 --> 02:13:33,960
Speaker 2: actor Terris Howard and his x CURL has gotten off

2588
02:13:33,960 --> 02:13:36,880
Speaker 2: to a strong start this month at the ratings.

2589
02:13:36,640 --> 02:13:37,720
Speaker 6: Challenged Fox Network.

2590
02:13:38,040 --> 02:13:40,800
Speaker 2: The series had the unusual feat of growing in viewership

2591
02:13:40,840 --> 02:13:43,560
Speaker 2: from its premier week to a second, compelling Fox to

2592
02:13:43,640 --> 02:13:46,880
Speaker 2: quickly give the go ahead to a second season. Damn yeah,

2593
02:13:47,120 --> 02:13:47,880
Speaker 2: so that's why.

2594
02:13:47,960 --> 02:13:50,760
Speaker 1: And Gotham had to wait a whole half a season

2595
02:13:50,760 --> 02:13:51,880
Speaker 1: before they try to renew it.

2596
02:13:52,120 --> 02:13:54,640
Speaker 2: During the show's first episode, Lines learns he has a

2597
02:13:54,680 --> 02:13:57,400
Speaker 2: fatal disease in is battling with his just release from

2598
02:13:57,520 --> 02:13:59,960
Speaker 2: jail wife over which of their three sons will take

2599
02:14:00,080 --> 02:14:01,000
Speaker 2: over the music empire.

2600
02:14:01,440 --> 02:14:03,720
Speaker 6: Line is openly hostile to his gay son Jamal.

2601
02:14:04,200 --> 02:14:06,440
Speaker 2: During a flashback, Line has shown stuff in Jamal into

2602
02:14:06,440 --> 02:14:08,160
Speaker 2: a garbage camp when he sees the boy trying on

2603
02:14:08,240 --> 02:14:09,520
Speaker 2: his mother to see our ills.

2604
02:14:10,320 --> 02:14:11,280
Speaker 6: I'm glad I can show the.

2605
02:14:11,280 --> 02:14:14,840
Speaker 2: African American community that this is what you're doing to

2606
02:14:14,960 --> 02:14:17,120
Speaker 2: your son, this is what you're doing to your nephew,

2607
02:14:17,480 --> 02:14:19,400
Speaker 2: this is what you're doing to the kid down the street.

2608
02:14:19,560 --> 02:14:23,880
Speaker 2: I'm just I just hate when it just falls on

2609
02:14:24,000 --> 02:14:26,520
Speaker 2: the only black people have a problem with gays.

2610
02:14:26,640 --> 02:14:27,240
Speaker 1: We all know this.

2611
02:14:27,680 --> 02:14:29,640
Speaker 2: We just I mean, like, there was an article the

2612
02:14:29,680 --> 02:14:33,920
Speaker 2: other day where a trans person was trying to be

2613
02:14:34,600 --> 02:14:36,480
Speaker 2: at the trying to be buried at church, and they

2614
02:14:36,520 --> 02:14:39,200
Speaker 2: were like, their family dressed him up as a boy.

2615
02:14:39,520 --> 02:14:41,840
Speaker 2: You know, like rather than hey, you are a woman

2616
02:14:42,600 --> 02:14:45,480
Speaker 2: that you identified. You know, you were a born a woman,

2617
02:14:45,520 --> 02:14:48,080
Speaker 2: but you identified as a man. I mean you're born

2618
02:14:48,120 --> 02:14:49,800
Speaker 2: a man. With you identified as a woman, We're gonna

2619
02:14:49,840 --> 02:14:52,919
Speaker 2: dress you up as a man because that's what we decided.

2620
02:14:53,600 --> 02:14:55,880
Speaker 2: Another story was there was one where they wouldn't they

2621
02:14:55,920 --> 02:14:57,920
Speaker 2: wouldn't let a family have a funeral because they were

2622
02:14:57,920 --> 02:15:01,920
Speaker 2: gonna put up a picture of her wife and kids.

2623
02:15:02,880 --> 02:15:05,600
Speaker 2: So they were like, no, no, take this lesbian shit down.

2624
02:15:05,680 --> 02:15:07,840
Speaker 2: We will not bury this person, will not let you

2625
02:15:07,920 --> 02:15:11,000
Speaker 2: have a funeral. But that's a white family. That's not

2626
02:15:11,080 --> 02:15:12,400
Speaker 2: a black thing, right, But you.

2627
02:15:12,440 --> 02:15:13,120
Speaker 1: Don't never hear that.

2628
02:15:13,280 --> 02:15:15,200
Speaker 2: But it always comes down when it's shit like this

2629
02:15:15,320 --> 02:15:17,040
Speaker 2: is always like only black people do this.

2630
02:15:17,360 --> 02:15:19,640
Speaker 4: Baby, We don't go to the polls and overwhelming and

2631
02:15:19,720 --> 02:15:21,400
Speaker 4: vote for shit not the past.

2632
02:15:21,240 --> 02:15:25,000
Speaker 2: That's not us, right, Like we made a small percentage

2633
02:15:25,040 --> 02:15:27,720
Speaker 2: of the vote in California. But yet Chick fil A

2634
02:15:27,880 --> 02:15:30,640
Speaker 2: who bought and paid for churches to get back and

2635
02:15:30,760 --> 02:15:34,240
Speaker 2: forth to fucking the polls to vote against gay marriage,

2636
02:15:34,520 --> 02:15:36,440
Speaker 2: they don't get any of the blame.

2637
02:15:36,640 --> 02:15:39,160
Speaker 6: It goes down to, oh, there are like three black.

2638
02:15:39,000 --> 02:15:41,839
Speaker 2: Priests that I saw, and I don't like those preachers

2639
02:15:41,880 --> 02:15:43,880
Speaker 2: and how they were talking about it. So it's a

2640
02:15:43,960 --> 02:15:46,760
Speaker 2: black thing. Like, No, a lot of people are anti

2641
02:15:46,960 --> 02:15:49,080
Speaker 2: are a homophobous.

2642
02:15:48,480 --> 02:15:51,640
Speaker 1: Across the board, all color, races, creed and religions.

2643
02:15:52,000 --> 02:15:54,160
Speaker 2: Yeah, but I can tell this is gonna be a

2644
02:15:54,240 --> 02:15:57,280
Speaker 2: thing because Lee Daniels has a history of dealing with

2645
02:15:57,400 --> 02:16:00,360
Speaker 2: this from his father and this is personal for him,

2646
02:16:00,440 --> 02:16:04,360
Speaker 2: so he's going to exploit this and uh, you know,

2647
02:16:04,920 --> 02:16:08,560
Speaker 2: and I mean I'm not mad at him. I'm not

2648
02:16:08,680 --> 02:16:10,160
Speaker 2: mad at him because you have to tell the story

2649
02:16:10,240 --> 02:16:13,200
Speaker 2: that you're born with correct, you want to tell the

2650
02:16:13,280 --> 02:16:13,640
Speaker 2: story that.

2651
02:16:13,720 --> 02:16:15,800
Speaker 6: You've experienced, and this is his experience.

2652
02:16:15,880 --> 02:16:18,160
Speaker 2: But it just sucks that it's going to be seen

2653
02:16:18,200 --> 02:16:21,680
Speaker 2: as a bride sweeping statement of all black people are homophobic.

2654
02:16:21,360 --> 02:16:22,400
Speaker 1: And that's not true.

2655
02:16:23,000 --> 02:16:27,880
Speaker 2: Yeah, are our school kids taking the school bus to hell?

2656
02:16:28,000 --> 02:16:28,200
Speaker 3: Care?

2657
02:16:29,200 --> 02:16:33,360
Speaker 2: I don't know, Otter, Well, we need to look into this.

2658
02:16:33,600 --> 02:16:34,680
Speaker 1: Somebody investigating.

2659
02:16:34,959 --> 02:16:39,480
Speaker 2: Yeah, somehow someone put a pentagram on the back of

2660
02:16:39,520 --> 02:16:43,440
Speaker 2: a school bus and that's how you can tell that

2661
02:16:43,840 --> 02:16:47,600
Speaker 2: some evil is a foot care. Well, that's what happened.

2662
02:16:47,680 --> 02:16:50,320
Speaker 2: Let me put this story in the chat room for everybody, eve,

2663
02:16:52,800 --> 02:16:54,439
Speaker 2: so everybody in the chatroom.

2664
02:16:54,120 --> 02:16:55,600
Speaker 6: Can follow along.

2665
02:16:57,120 --> 02:16:57,560
Speaker 2: There we go.

2666
02:16:59,160 --> 02:17:00,119
Speaker 3: And boom.

2667
02:17:02,680 --> 02:17:06,120
Speaker 2: And why is it moving slow? We've been using the

2668
02:17:06,160 --> 02:17:11,360
Speaker 2: spouts for a while, so give everybody a little bit

2669
02:17:11,400 --> 02:17:21,280
Speaker 2: of jam until we can get back. MS.

2670
02:17:50,760 --> 02:18:04,880
Speaker 6: Watch up, all right, I think it's back. Let me

2671
02:18:04,959 --> 02:18:06,039
Speaker 6: just turn the volume up.

2672
02:18:07,280 --> 02:18:07,400
Speaker 3: Uh.

2673
02:18:11,320 --> 02:18:13,240
Speaker 11: Pentagram in the break.

2674
02:18:16,200 --> 02:18:17,200
Speaker 2: You be the judge.

2675
02:18:17,440 --> 02:18:19,240
Speaker 1: Is this a satanic.

2676
02:18:18,879 --> 02:18:21,880
Speaker 10: Symbol on this mid South school bus or simply a

2677
02:18:22,000 --> 02:18:26,080
Speaker 10: break light? Some parents are concerned outraged after noticing what

2678
02:18:26,400 --> 02:18:29,520
Speaker 10: they see as a pentagram in the brake light of

2679
02:18:29,560 --> 02:18:30,160
Speaker 10: the school bus.

2680
02:18:30,280 --> 02:18:33,560
Speaker 3: Well, WNC actually News five's Kangy Anthony has more now

2681
02:18:33,720 --> 02:18:37,400
Speaker 3: on what some could see as the devil in the details.

2682
02:18:40,840 --> 02:18:44,280
Speaker 12: Robin Wilcom says she was so shocked she snapped a

2683
02:18:44,360 --> 02:18:46,959
Speaker 12: pick of the brake lights in this Durham School Services

2684
02:18:47,040 --> 02:18:48,520
Speaker 12: bus at a stop in Cordova.

2685
02:18:48,800 --> 02:18:53,440
Speaker 3: Anyone who fears a god is thought God Jesus Christ

2686
02:18:53,600 --> 02:18:54,560
Speaker 3: should be outraged.

2687
02:18:54,720 --> 02:18:57,400
Speaker 12: Wilkins says, it's appalling. The brake lights are shaped like

2688
02:18:57,480 --> 02:19:00,720
Speaker 12: a pentagram. A pentagram is an upside down five point

2689
02:19:00,800 --> 02:19:04,440
Speaker 12: at star. Marion Webster says the pentagram is often used

2690
02:19:04,600 --> 02:19:06,360
Speaker 12: as a magic or religious symbol.

2691
02:19:06,400 --> 02:19:08,200
Speaker 11: If you can't put the cross on there, you cannot

2692
02:19:08,240 --> 02:19:09,320
Speaker 11: put a pentagram on it.

2693
02:19:09,480 --> 02:19:12,440
Speaker 12: She points out just last month, Whalgreens pulled wrapping paper

2694
02:19:12,480 --> 02:19:15,359
Speaker 12: from its shelves because the images appeared to be swastikas.

2695
02:19:15,520 --> 02:19:19,080
Speaker 2: Would we allow a swastika, for instance.

2696
02:19:18,800 --> 02:19:20,119
Speaker 10: To be on the back of the bus.

2697
02:19:20,440 --> 02:19:22,680
Speaker 11: We asked unsuspecting people what they think.

2698
02:19:22,959 --> 02:19:28,680
Speaker 3: People should be upset if that is against their feelings, religions,

2699
02:19:28,760 --> 02:19:29,279
Speaker 3: et cetera.

2700
02:19:29,720 --> 02:19:31,560
Speaker 1: And what they see, I see a light.

2701
02:19:31,959 --> 02:19:34,000
Speaker 11: Even if they did only see a break light, they

2702
02:19:34,040 --> 02:19:35,359
Speaker 11: still had questions.

2703
02:19:35,160 --> 02:19:36,120
Speaker 1: Why do you put it up there?

2704
02:19:36,160 --> 02:19:36,600
Speaker 2: Why again?

2705
02:19:36,680 --> 02:19:37,720
Speaker 1: It liked it upside down.

2706
02:19:38,240 --> 02:19:41,279
Speaker 11: Joe Applewhite has been practicing with us sixteen years.

2707
02:19:41,600 --> 02:19:43,920
Speaker 1: Is that a pentagram? Technically?

2708
02:19:44,080 --> 02:19:44,280
Speaker 3: YF?

2709
02:19:44,520 --> 02:19:44,840
Speaker 1: She says.

2710
02:19:44,879 --> 02:19:47,720
Speaker 11: The pentagram is their cross or star of David WI.

2711
02:19:47,760 --> 02:19:49,119
Speaker 2: Can we believe in God?

2712
02:19:49,160 --> 02:19:51,440
Speaker 3: We believe in Jesus. We don't call him God.

2713
02:19:51,720 --> 02:19:54,280
Speaker 12: She won't deny the symbol is used by Satanists, but

2714
02:19:54,440 --> 02:19:56,640
Speaker 12: says it is also used for good. Find out what

2715
02:19:56,800 --> 02:19:59,240
Speaker 12: it really means before you start getting all wrought.

2716
02:19:59,080 --> 02:19:59,920
Speaker 3: Up and worked up at that.

2717
02:20:00,640 --> 02:20:02,560
Speaker 12: She wonders if people are making a whole lot of

2718
02:20:02,640 --> 02:20:05,320
Speaker 12: something out of nothing, hey go find out if it

2719
02:20:05,400 --> 02:20:08,200
Speaker 12: was intentional either way. Wilkins says the lights and the

2720
02:20:08,280 --> 02:20:10,119
Speaker 12: wrong signal, and she wants.

2721
02:20:09,920 --> 02:20:13,320
Speaker 3: Them changed to be replaced with just solid light.

2722
02:20:13,760 --> 02:20:16,840
Speaker 12: Neither their school system nor the bus company would respond

2723
02:20:16,920 --> 02:20:19,040
Speaker 12: to any of the questions from the newsroom.

2724
02:20:19,120 --> 02:20:21,280
Speaker 11: Conjie Anthony WMC Action News five.

2725
02:20:23,280 --> 02:20:29,440
Speaker 1: That's right, Karen, it was the bus to Hell, now,

2726
02:20:29,520 --> 02:20:31,320
Speaker 1: gus the bus just the bus to Hell.

2727
02:20:32,560 --> 02:20:38,800
Speaker 6: It was satan the bus. Uh the TLL like how

2728
02:20:38,879 --> 02:20:41,240
Speaker 6: much time do you have on your hands?

2729
02:20:41,720 --> 02:20:43,520
Speaker 1: A lot of them don't have time to be like,

2730
02:20:44,000 --> 02:20:45,680
Speaker 1: I need to call the news.

2731
02:20:45,959 --> 02:20:50,040
Speaker 6: I saw some I saw something.

2732
02:20:49,400 --> 02:20:49,760
Speaker 1: In the light.

2733
02:20:49,920 --> 02:20:52,640
Speaker 4: They have nothing but time because a lot of them like,

2734
02:20:52,720 --> 02:20:54,960
Speaker 4: oh okay, well let me turn left right here and

2735
02:20:55,120 --> 02:20:56,280
Speaker 4: take my black ass to work.

2736
02:20:56,760 --> 02:20:59,840
Speaker 2: Yeah, oh man, all right, let's get to everybody's new

2737
02:21:00,680 --> 02:21:01,520
Speaker 2: favorite segment.

2738
02:21:06,640 --> 02:21:06,920
Speaker 3: Ship.

2739
02:21:08,240 --> 02:21:11,199
Speaker 2: Yeah, I ain't eve know I'm looking for a five stop.

2740
02:21:14,240 --> 02:21:16,440
Speaker 7: I know I'm talking about got me looking like he

2741
02:21:16,640 --> 02:21:17,360
Speaker 7: just tempt up.

2742
02:21:22,040 --> 02:21:32,000
Speaker 2: Talking up something not so much past hit the twelve balls,

2743
02:21:32,320 --> 02:21:34,720
Speaker 2: you being your time call. We don't call him no

2744
02:21:34,840 --> 02:21:35,400
Speaker 2: more or nothing.

2745
02:21:35,440 --> 02:21:37,840
Speaker 6: We call him five star, five star neither.

2746
02:21:38,000 --> 02:21:40,600
Speaker 2: There's a five stars play that's a six for the

2747
02:21:40,720 --> 02:21:43,680
Speaker 2: five left the new m sick came up here, get

2748
02:21:43,760 --> 02:21:46,080
Speaker 2: a half pis might even play a rent And the

2749
02:21:46,160 --> 02:21:48,800
Speaker 2: way she give it to me best money ever spend

2750
02:21:49,000 --> 02:21:51,760
Speaker 2: like I ain't even lie, like I was a SUPERI

2751
02:21:52,120 --> 02:21:54,520
Speaker 2: I do not know. Were not keep u unless you

2752
02:21:54,600 --> 02:21:57,880
Speaker 2: hear something about you not a hell not. Here's a

2753
02:21:57,959 --> 02:22:02,680
Speaker 2: short all right, chat room, pay attention, and we're gonna

2754
02:22:02,720 --> 02:22:07,520
Speaker 2: go with these five options. Bellorific relationships dating, don't scare

2755
02:22:07,640 --> 02:22:12,280
Speaker 2: him away by at Miller greed. That's number one. Number

2756
02:22:12,320 --> 02:22:15,680
Speaker 2: two groupie tails. I met d Ray Davis in Chicago.

2757
02:22:17,320 --> 02:22:20,960
Speaker 2: Number three lollorific beauty butt in plants versus butt shots

2758
02:22:21,040 --> 02:22:26,080
Speaker 2: versus fat transfer by transfer by at Doctor Miami Number

2759
02:22:26,120 --> 02:22:27,800
Speaker 2: four ball hoorific relationships.

2760
02:22:27,840 --> 02:22:28,840
Speaker 6: Do I really want a date?

2761
02:22:28,879 --> 02:22:32,600
Speaker 2: A baller by at Queen Ivanya at Number five Miami

2762
02:22:32,720 --> 02:22:34,440
Speaker 2: Condo wants to kick bird Man out.

2763
02:22:34,720 --> 02:22:36,360
Speaker 1: We're gonna let the chat room when we all got

2764
02:22:36,440 --> 02:22:37,720
Speaker 1: between one through five?

2765
02:22:38,520 --> 02:22:47,119
Speaker 2: Mm hm uh three says with Conda's finest two, three, two,

2766
02:22:47,320 --> 02:22:48,680
Speaker 2: two and three are going at it.

2767
02:22:51,160 --> 02:22:54,640
Speaker 6: Woh, poor Karen gotta Cali all.

2768
02:22:54,640 --> 02:23:03,560
Speaker 2: This shit up. Hmm A lot of two's. I think

2769
02:23:03,600 --> 02:23:04,760
Speaker 2: a couple of people went twice.

2770
02:23:05,280 --> 02:23:07,959
Speaker 1: Oh oh because I went pandition.

2771
02:23:07,800 --> 02:23:10,360
Speaker 6: Who actually went twice for some reason.

2772
02:23:10,560 --> 02:23:12,800
Speaker 1: Okay, I'm gonna say two got.

2773
02:23:12,720 --> 02:23:15,520
Speaker 2: It all right, So we're going to number two group

2774
02:23:15,560 --> 02:23:20,360
Speaker 2: of tales. I met de Ray Davis in Chicago. Of course,

2775
02:23:20,440 --> 02:23:23,440
Speaker 2: we get these off for ball alert dot com, one

2776
02:23:23,440 --> 02:23:28,000
Speaker 2: of my favorite sites. Apparently this post is by eleven eight.

2777
02:23:28,680 --> 02:23:31,520
Speaker 2: Apparently Communians are getting all the group of love these days.

2778
02:23:32,000 --> 02:23:36,520
Speaker 2: We've had Little Duval, Charlemagne, the God, Corey Holcomb, and

2779
02:23:36,640 --> 02:23:39,600
Speaker 2: now d Ray Davis is next up. This one even

2780
02:23:39,680 --> 02:23:43,240
Speaker 2: includes screenshots red below. I gotta find more of those

2781
02:23:43,360 --> 02:23:45,560
Speaker 2: other ones did so we could put. I know we

2782
02:23:45,680 --> 02:23:48,560
Speaker 2: had some of those disclaimer group of taels are submitted

2783
02:23:48,560 --> 02:23:50,280
Speaker 2: by our readers. We canno confront with one hundred percent

2784
02:23:50,320 --> 02:23:54,560
Speaker 2: acurate of any story posted. So I never really do this,

2785
02:23:54,760 --> 02:23:57,960
Speaker 2: but I'm bored, so whatever. I met de Ray in

2786
02:23:58,040 --> 02:24:00,360
Speaker 2: Chicago over the summer. I was on summer right from

2787
02:24:00,360 --> 02:24:03,400
Speaker 2: the university that I tended downstate. My friend and I

2788
02:24:03,520 --> 02:24:05,560
Speaker 2: were in VIP at this club and he was making

2789
02:24:05,600 --> 02:24:08,959
Speaker 2: an appearance in that he was making a clearance in Okay.

2790
02:24:09,240 --> 02:24:11,960
Speaker 6: The DJ booth is connected to the VIP section.

2791
02:24:12,120 --> 02:24:14,920
Speaker 2: However, it had glass doors of security that separate the

2792
02:24:15,040 --> 02:24:18,200
Speaker 2: VIP section from the DJ book. Coincidentally, I knew the

2793
02:24:18,280 --> 02:24:20,520
Speaker 2: DJ that was hosting, so security let me and my

2794
02:24:20,600 --> 02:24:23,400
Speaker 2: friend in the booth. As soon as Dray seen me,

2795
02:24:23,520 --> 02:24:27,400
Speaker 2: I knew he wanted me what so after some playful flirting,

2796
02:24:27,480 --> 02:24:30,200
Speaker 2: I took down his number. I'm like, playful flirt and

2797
02:24:30,200 --> 02:24:33,560
Speaker 2: it's like grabbing his dick or something like probably like

2798
02:24:33,640 --> 02:24:36,880
Speaker 2: it's not classy at all. The next day I texted

2799
02:24:36,959 --> 02:24:39,000
Speaker 2: him good morning and he asked me what my plans

2800
02:24:39,040 --> 02:24:41,440
Speaker 2: were for the day after I told him I would

2801
02:24:41,440 --> 02:24:43,760
Speaker 2: be busy with family stuff. We kind of just stopped texting.

2802
02:24:43,920 --> 02:24:45,680
Speaker 2: Later that week, he hit me up and asked me

2803
02:24:46,200 --> 02:24:48,200
Speaker 2: what I was doing. I was leaving to go back

2804
02:24:48,240 --> 02:24:49,960
Speaker 2: to school that day. He told me to come over.

2805
02:24:50,560 --> 02:24:53,320
Speaker 2: Oddly enough, he lived right by me in the Chicago suburb.

2806
02:24:53,920 --> 02:24:56,080
Speaker 2: When I entered this house, I took a look around.

2807
02:24:56,680 --> 02:24:59,200
Speaker 2: It seemed pretty average for the area, two story home,

2808
02:24:59,320 --> 02:25:01,880
Speaker 2: not much fron of, but it was still very nice.

2809
02:25:02,560 --> 02:25:04,240
Speaker 2: We sat on the couch and it was so weird

2810
02:25:04,280 --> 02:25:06,760
Speaker 2: because I was literally just watching him on Wilden and Out.

2811
02:25:07,160 --> 02:25:10,480
Speaker 2: He's one of my favorite comedians. We casually talked about

2812
02:25:10,520 --> 02:25:14,240
Speaker 2: my major, my ex, and some other conversation on feelers

2813
02:25:14,959 --> 02:25:17,000
Speaker 2: until all of a sudden, he told me to stand up,

2814
02:25:17,040 --> 02:25:19,800
Speaker 2: and I was confusing. He clarified, I want to see

2815
02:25:19,840 --> 02:25:21,480
Speaker 2: what you work what I want to see what I'm

2816
02:25:21,520 --> 02:25:25,160
Speaker 2: working with. I stood up and turned around, and while

2817
02:25:25,160 --> 02:25:29,120
Speaker 2: he kept saying nice, nice, he also stood up and

2818
02:25:29,200 --> 02:25:31,160
Speaker 2: told me to come upstairs. I said, I was like,

2819
02:25:31,280 --> 02:25:34,120
Speaker 2: for what. He didn't really respond At that moment. I

2820
02:25:34,240 --> 02:25:36,560
Speaker 2: was just gonna leave, but curiosity made me stay, what

2821
02:25:36,680 --> 02:25:38,080
Speaker 2: the fuck did she think? What was happen on the

2822
02:25:38,360 --> 02:25:41,600
Speaker 2: right some dig is what? I followed him upstairs and

2823
02:25:41,680 --> 02:25:43,440
Speaker 2: he sat me on the bed to position his body

2824
02:25:43,480 --> 02:25:45,880
Speaker 2: between my legs and my mind. I was like, I

2825
02:25:45,920 --> 02:25:48,120
Speaker 2: won't ever see this man again. Why am I doing this?

2826
02:25:48,840 --> 02:25:51,560
Speaker 2: He tried to get my pants down, but I stopped him. No,

2827
02:25:51,840 --> 02:25:53,760
Speaker 2: I don't do this. I don't even know you. I

2828
02:25:53,800 --> 02:25:56,400
Speaker 2: shouldn't even went this far. He was like, are we

2829
02:25:56,480 --> 02:25:58,800
Speaker 2: acting like kids? Are we acting like grown ups? That

2830
02:25:58,959 --> 02:26:02,000
Speaker 2: made me laugh because that line was so corny. I

2831
02:26:02,040 --> 02:26:03,640
Speaker 2: eventually took off my pants.

2832
02:26:04,480 --> 02:26:06,840
Speaker 1: Of course, because you came to fucking sho did he?

2833
02:26:07,040 --> 02:26:08,560
Speaker 1: Why else with you with house?

2834
02:26:08,760 --> 02:26:14,440
Speaker 2: Oh my god, that's so good, so corny. Let me

2835
02:26:14,520 --> 02:26:17,879
Speaker 2: get these draws off and he pulled down his basketball shorts.

2836
02:26:18,440 --> 02:26:20,760
Speaker 2: Let's just say he's definitely not big, but he isn't

2837
02:26:20,800 --> 02:26:23,560
Speaker 2: little either. But it has a deep hook upward that

2838
02:26:23,920 --> 02:26:26,959
Speaker 2: looks funny, but that helped him. He turned me around

2839
02:26:27,000 --> 02:26:29,160
Speaker 2: and hit it from the back for a while, then

2840
02:26:29,280 --> 02:26:32,040
Speaker 2: turned me around missionary and like four pumps, he came.

2841
02:26:33,160 --> 02:26:35,800
Speaker 2: I was very disappointed. It didn't take much work at all.

2842
02:26:35,879 --> 02:26:38,640
Speaker 2: I washed, I washed up, and we had small talk again.

2843
02:26:38,680 --> 02:26:41,000
Speaker 2: I decided to leave because he was being very boring.

2844
02:26:41,480 --> 02:26:44,080
Speaker 2: We've only texted a couple of times afterwards, but nothing serious.

2845
02:26:44,200 --> 02:26:47,280
Speaker 2: Then she put the pictures of the texts. Oh lord,

2846
02:26:47,720 --> 02:26:50,760
Speaker 2: yeah she has forty three on. That's a text message,

2847
02:26:50,800 --> 02:26:52,560
Speaker 2: so I can only assume this woman is light skin.

2848
02:26:54,760 --> 02:26:57,800
Speaker 2: She took out his digits for the last five or

2849
02:26:57,840 --> 02:27:02,200
Speaker 2: seven digits, but she put the three in there so

2850
02:27:02,400 --> 02:27:03,039
Speaker 2: it says.

2851
02:27:02,959 --> 02:27:06,720
Speaker 6: Uh, that's where I am. Lool well, I'm in, And

2852
02:27:06,800 --> 02:27:08,080
Speaker 6: then she blaked out the location.

2853
02:27:08,800 --> 02:27:09,400
Speaker 3: So see me.

2854
02:27:10,200 --> 02:27:11,160
Speaker 2: Okay, I just woke up.

2855
02:27:11,200 --> 02:27:11,760
Speaker 6: Let me get ready.

2856
02:27:11,800 --> 02:27:13,360
Speaker 2: I'll text you want to leave it out about how

2857
02:27:13,440 --> 02:27:16,480
Speaker 2: long because I'm gonna take another nap, lol, like forty

2858
02:27:16,560 --> 02:27:19,720
Speaker 2: minutes and llol another nap. Get up. Okay, okay, I'm

2859
02:27:19,760 --> 02:27:23,080
Speaker 2: on eighty third and sister row but sleepy, call me

2860
02:27:23,160 --> 02:27:25,720
Speaker 2: when you hear. Then he gave it an address. I

2861
02:27:25,760 --> 02:27:29,199
Speaker 2: guess country Club Hill Okay, and then you put good.

2862
02:27:29,120 --> 02:27:33,800
Speaker 6: Pussy, have it ass drive safe, almost home? One more hour?

2863
02:27:34,160 --> 02:27:38,160
Speaker 6: Good he put with two exclamation points. Now, I'm assuming

2864
02:27:38,320 --> 02:27:40,400
Speaker 6: that could be from any nigga, but she said this

2865
02:27:40,480 --> 02:27:40,800
Speaker 6: from him.

2866
02:27:41,240 --> 02:27:44,960
Speaker 2: That's true. Now now hear the comments from Marcy. I

2867
02:27:45,040 --> 02:27:46,760
Speaker 2: don't know why this made me laugh so hard. I

2868
02:27:46,840 --> 02:27:50,160
Speaker 2: laughed my ass off. Selena Thomas put, he's not funny,

2869
02:27:50,240 --> 02:27:53,680
Speaker 2: and yes he's born. She should have she should have

2870
02:27:53,720 --> 02:27:57,280
Speaker 2: peeped this when they first met. Spencer said, for once,

2871
02:27:57,360 --> 02:27:59,720
Speaker 2: I actually believe this groupy tail laughed my ass off.

2872
02:28:00,520 --> 02:28:03,520
Speaker 2: Khalil Kleo says, eighty third to Cisero is a damn

2873
02:28:03,680 --> 02:28:06,240
Speaker 2: South suburbs. He does not stay anywhere near here, shaking

2874
02:28:06,320 --> 02:28:08,120
Speaker 2: my head. He lives on the west side and it

2875
02:28:08,240 --> 02:28:11,920
Speaker 2: the luke. Nico Rode says, she was like, I'm sending

2876
02:28:11,959 --> 02:28:15,119
Speaker 2: him in receipts. This made me giggle. That good pussy

2877
02:28:15,200 --> 02:28:21,720
Speaker 2: having ass sounds like a Negro might say. Ashley Morgan says,

2878
02:28:21,920 --> 02:28:25,760
Speaker 2: Lord have mercy. Looel So Luncher says, oh lord, I

2879
02:28:25,959 --> 02:28:28,800
Speaker 2: always thought he was so handsome with those eyes and lips.

2880
02:28:29,640 --> 02:28:32,040
Speaker 2: Selena Thomas says he is very attractive in person, but

2881
02:28:32,160 --> 02:28:35,200
Speaker 2: that's it. Oh Now, Selena was hating because she caught

2882
02:28:35,280 --> 02:28:38,760
Speaker 2: him not funny and born earlier. Katsu Princess, but I mean,

2883
02:28:38,760 --> 02:28:40,440
Speaker 2: you fucking him. You're not asking him to do stand

2884
02:28:40,560 --> 02:28:44,280
Speaker 2: up correct. Catsu Princess says, not surprised by his performance.

2885
02:28:44,320 --> 02:28:48,760
Speaker 2: He looks like a but he looks like a good dude. Honey, hot, hot, honey.

2886
02:28:48,879 --> 02:28:52,840
Speaker 2: Haunters says, I've been around deray twice and you can

2887
02:28:52,920 --> 02:28:54,360
Speaker 2: tell that he isn't packing.

2888
02:28:54,440 --> 02:28:55,560
Speaker 6: His body is out of shape.

2889
02:28:55,920 --> 02:28:58,240
Speaker 2: And the girls I've seen him pull are always skinny,

2890
02:28:58,320 --> 02:29:02,720
Speaker 2: boyish figure, light skinned or foreign. Oh lord, I'm not

2891
02:29:02,879 --> 02:29:08,360
Speaker 2: sure what that was that shade. Don't know what. I'm confused. Yeah,

2892
02:29:10,080 --> 02:29:12,640
Speaker 2: and then Coco Base said this made me laugh, and

2893
02:29:12,720 --> 02:29:15,600
Speaker 2: that's the last comment. So I said, for the five

2894
02:29:15,640 --> 02:29:19,280
Speaker 2: stars bitches today on the baller alert. Since she loves

2895
02:29:19,360 --> 02:29:21,280
Speaker 2: me about, she loved you, not ya ill about bitch,

2896
02:29:21,320 --> 02:29:22,240
Speaker 2: a love man.

2897
02:29:24,959 --> 02:29:26,120
Speaker 3: To you. You can find the.

2898
02:29:26,200 --> 02:29:29,960
Speaker 7: Five star till you just five star bitch, just the

2899
02:29:30,080 --> 02:29:32,720
Speaker 7: five star bitch, the pivestal bitch.

2900
02:29:32,840 --> 02:29:34,000
Speaker 1: This is a five star.

2901
02:29:34,040 --> 02:29:40,600
Speaker 7: Pitch, Joe Nesday, Juice Bucks and you hear things, Tidy

2902
02:29:40,720 --> 02:29:43,880
Speaker 7: jew will five star bench your five star bitch. You

2903
02:29:43,920 --> 02:29:48,760
Speaker 7: will five star bit your fivestar pitch past off the

2904
02:29:48,879 --> 02:29:54,280
Speaker 7: five star ben fastop, big fist of poor Joe.

2905
02:29:54,400 --> 02:29:54,720
Speaker 3: Got it?

2906
02:29:54,840 --> 02:29:57,879
Speaker 7: I do great a ship on the British Nigga walking

2907
02:29:58,160 --> 02:29:59,360
Speaker 7: and just the remix.

2908
02:30:00,000 --> 02:30:03,720
Speaker 2: All right, time to play our games, Karen. Let's do

2909
02:30:03,879 --> 02:30:07,680
Speaker 2: this first up, guess the race now that it is.

2910
02:30:07,760 --> 02:30:11,800
Speaker 13: Time for some guests the race. That's right, this guess

2911
02:30:11,920 --> 02:30:16,680
Speaker 13: the race time. Now that is time for some guests

2912
02:30:16,800 --> 02:30:20,560
Speaker 13: the race. That's right, This guests the race time.

2913
02:30:22,520 --> 02:30:25,800
Speaker 2: That's right. It's time for Gus the Race, the number

2914
02:30:25,840 --> 02:30:28,000
Speaker 2: one game show going across all the podcasts land. We

2915
02:30:28,080 --> 02:30:29,840
Speaker 2: read a play news articles from all over the golo

2916
02:30:30,160 --> 02:30:33,000
Speaker 2: and we asked our contestants today the chat room to

2917
02:30:33,240 --> 02:30:36,480
Speaker 2: guests the race, and the chat room.

2918
02:30:36,440 --> 02:30:37,680
Speaker 6: Is racist, all right.

2919
02:30:39,400 --> 02:30:41,760
Speaker 2: Woman was sentenced to two hundred and nineteen years for

2920
02:30:41,840 --> 02:30:47,720
Speaker 2: running the incest sex ring. Oh mm hmm. Wendy Holland,

2921
02:30:47,800 --> 02:30:50,360
Speaker 2: thirty five, was convicted last month on a host of charges,

2922
02:30:50,360 --> 02:30:54,119
Speaker 2: including sodomy and sexual abuse. She showed no emotion during

2923
02:30:54,160 --> 02:30:57,000
Speaker 2: the centizen, which reportedly ensure she'll served at least fifty

2924
02:30:57,080 --> 02:31:01,680
Speaker 2: years before an opportunity for parole will come by a.

2925
02:31:01,800 --> 02:31:04,680
Speaker 1: Right, I guess she was like, mm hmm, Davis fucking.

2926
02:31:04,480 --> 02:31:05,640
Speaker 2: Y'all, Alabama.

2927
02:31:06,160 --> 02:31:10,280
Speaker 6: Two hundred and nineteen years in prison care A lot

2928
02:31:10,360 --> 02:31:10,800
Speaker 6: of prison.

2929
02:31:11,280 --> 02:31:14,000
Speaker 1: You will never see the the day outside of that

2930
02:31:14,280 --> 02:31:17,760
Speaker 1: Bill House, Holland. I didn't know you can make a

2931
02:31:17,840 --> 02:31:18,560
Speaker 1: sentence that long.

2932
02:31:19,320 --> 02:31:21,760
Speaker 2: Yeah, well, she, this will happen when you helped run

2933
02:31:21,800 --> 02:31:25,959
Speaker 2: an incest sex ring. Holland and Brownlee were both convicted

2934
02:31:26,040 --> 02:31:29,240
Speaker 2: by separate Baldwin County jurys for sex crimes late last year.

2935
02:31:29,760 --> 02:31:32,120
Speaker 2: In both cases, victims testified about the hard farm and

2936
02:31:32,200 --> 02:31:35,599
Speaker 2: sexual acts they were involved in since young ages. Prosecutors

2937
02:31:35,640 --> 02:31:38,280
Speaker 2: have said since said the sexual abuse span at.

2938
02:31:38,240 --> 02:31:42,240
Speaker 6: Least three generations, all within the same family.

2939
02:31:42,560 --> 02:31:45,280
Speaker 2: Oh And that the defenders in some cases might have

2940
02:31:45,400 --> 02:31:50,040
Speaker 2: been victims themselves one than thirty years ago. Oh the

2941
02:31:50,120 --> 02:31:53,160
Speaker 2: rest of Hines and assistant Baldwin County District Attorney said

2942
02:31:53,480 --> 02:31:56,960
Speaker 2: after last month's conviction of Holland that victims viewed the

2943
02:31:57,000 --> 02:31:59,400
Speaker 2: sexual abuse a kid, the everyday activities like going to

2944
02:31:59,480 --> 02:31:59,959
Speaker 2: the grocerries.

2945
02:32:00,560 --> 02:32:03,400
Speaker 1: We goddamn yep, tying to go fuck pop pop.

2946
02:32:03,800 --> 02:32:07,120
Speaker 2: Let me gonna get this over it. Despite the fact

2947
02:32:07,160 --> 02:32:09,920
Speaker 2: that life sentence the case isn't exactly over. Holland still

2948
02:32:09,959 --> 02:32:12,879
Speaker 2: faces sentencing on other charges, and the family of one

2949
02:32:12,920 --> 02:32:15,959
Speaker 2: abused girl, presumed to be dead, is still looking for closure.

2950
02:32:16,560 --> 02:32:19,800
Speaker 2: We know she's been behind Brittany's disappeared as she knows

2951
02:32:19,840 --> 02:32:23,000
Speaker 2: where Brittany is, the girl stepmother tells Alabama dot Com.

2952
02:32:23,400 --> 02:32:26,880
Speaker 2: Even though this doesn't bring Brittany to us today, we

2953
02:32:27,080 --> 02:32:28,440
Speaker 2: know this is a victory for Brittany.

2954
02:32:28,800 --> 02:32:30,520
Speaker 1: Oh, so they think she had this, she had some

2955
02:32:31,000 --> 02:32:31,680
Speaker 1: baby's death.

2956
02:32:33,280 --> 02:32:38,199
Speaker 2: So I guess the race of Wendy Holland, Uh, pedophile,

2957
02:32:38,640 --> 02:32:41,920
Speaker 2: sex ring, incess worker, run up, pimp?

2958
02:32:42,240 --> 02:32:42,879
Speaker 6: Are you a pimp?

2959
02:32:42,959 --> 02:32:43,640
Speaker 2: If you on a pimp?

2960
02:32:43,760 --> 02:32:44,040
Speaker 3: Family?

2961
02:32:44,120 --> 02:32:45,400
Speaker 6: The family like, how does that work?

2962
02:32:45,520 --> 02:32:47,560
Speaker 2: You still a pimp? My boo, bitch, you better get

2963
02:32:47,600 --> 02:32:50,960
Speaker 2: my money from granddad. How I'm gonna pay for lunch?

2964
02:32:52,040 --> 02:32:55,400
Speaker 2: Whiter than Lena Dunham's fucking a black dude. Oh, this

2965
02:32:55,600 --> 02:32:59,160
Speaker 2: bologna sandwich, This bologna sandwich doesn't have enough mayonnaise on it.

2966
02:32:59,280 --> 02:33:02,240
Speaker 2: White black people just play spades, but white people be

2967
02:33:02,360 --> 02:33:06,360
Speaker 2: thrill seeking, called about school bus pentagram light while on

2968
02:33:06,480 --> 02:33:09,760
Speaker 2: the way to exploit some kids. White Wendy is a Cindy,

2969
02:33:09,879 --> 02:33:14,280
Speaker 2: which is another word for white. Also the the it

2970
02:33:14,480 --> 02:33:16,680
Speaker 2: went on, Oh, also it went on for thirty years

2971
02:33:17,240 --> 02:33:20,880
Speaker 2: celebrate Robert E. Lee Day and thinks Selma was just

2972
02:33:20,959 --> 02:33:25,000
Speaker 2: a made up story. White house, lendstads, cracker, dog kissing daddy, fucker,

2973
02:33:25,080 --> 02:33:29,359
Speaker 2: white Lena Dunnell's Southern relatives, nasty motherfucker's burning hell, white deliverance,

2974
02:33:29,400 --> 02:33:34,040
Speaker 2: white cereal reporter thinks she's innocent. White Circey Dunham White,

2975
02:33:34,400 --> 02:33:37,640
Speaker 2: petty Patty White. That is, I was told by apple

2976
02:33:37,680 --> 02:33:40,280
Speaker 2: Care white and white of the fruity pebble? Is a

2977
02:33:40,320 --> 02:34:00,760
Speaker 2: correct answer? Is white? Someone put true Detective White. Oh,

2978
02:34:00,840 --> 02:34:04,680
Speaker 2: I guess they want to make flowers with the other kids.

2979
02:34:06,120 --> 02:34:07,200
Speaker 6: Here's her picture.

2980
02:34:08,160 --> 02:34:09,040
Speaker 3: She like she did it.

2981
02:34:11,320 --> 02:34:12,040
Speaker 1: Yes, she does.

2982
02:34:12,520 --> 02:34:17,240
Speaker 6: An incest pimp just incest pimping baby incense.

2983
02:34:17,360 --> 02:34:18,840
Speaker 1: Madamal mm hmm.

2984
02:34:19,560 --> 02:34:32,920
Speaker 2: Let's go to the bonus round. Whoops double upon saying

2985
02:34:33,080 --> 02:34:39,080
Speaker 2: the race, double the saying the race. That's right, double

2986
02:34:39,120 --> 02:34:40,880
Speaker 2: the points, double the race and the bonus round. The

2987
02:34:40,920 --> 02:34:43,520
Speaker 2: guess the race. So far, everybody's one for one. Let's

2988
02:34:43,560 --> 02:34:45,320
Speaker 2: see if they can go two for two to close

2989
02:34:45,400 --> 02:34:47,840
Speaker 2: this out. It's right, We've been on for a while.

2990
02:34:49,160 --> 02:34:53,240
Speaker 2: A disgrunnold ex employee twenty five years old broke into

2991
02:34:53,280 --> 02:34:55,640
Speaker 2: the former bosses office and trashed it with glitter and

2992
02:34:55,760 --> 02:34:56,840
Speaker 2: purple silly stream.

2993
02:34:59,280 --> 02:35:02,760
Speaker 6: I know, with a petty and petty crime. Oh but

2994
02:35:02,879 --> 02:35:03,440
Speaker 6: I love it.

2995
02:35:04,000 --> 02:35:07,040
Speaker 2: It was a perfect revenge at this granto ex employee

2996
02:35:07,160 --> 02:35:09,440
Speaker 2: broke into her former bosses office before covering it with

2997
02:35:09,520 --> 02:35:14,200
Speaker 2: glittering purple silly string. Police have said Samantha Lockhart twenty five,

2998
02:35:14,240 --> 02:35:16,440
Speaker 2: who left her job as a clerk at the Summit

2999
02:35:16,480 --> 02:35:20,560
Speaker 2: County County Fiscal Office in Akron, Ohio on Monday, allegedly

3000
02:35:20,600 --> 02:35:23,160
Speaker 2: got into her supervisor's office on Wednesday by using her

3001
02:35:23,200 --> 02:35:26,440
Speaker 2: swipe card. She was seen inside the building around three

3002
02:35:26,560 --> 02:35:29,120
Speaker 2: fifteen pm carrying toilet paper and a bag and was

3003
02:35:29,160 --> 02:35:32,119
Speaker 2: accompanied by a man. According to the Northeast Ohio Media Group,

3004
02:35:33,480 --> 02:35:35,720
Speaker 2: Card right. She must have got the same card cookie

3005
02:35:35,760 --> 02:35:38,120
Speaker 2: got on Empire Right.

3006
02:35:38,400 --> 02:35:40,320
Speaker 6: I don't know how that woman keeps getting in that office.

3007
02:35:41,120 --> 02:35:43,640
Speaker 2: Once inside the office, she allegedly smashed the forty eight

3008
02:35:43,720 --> 02:35:47,840
Speaker 2: year old woman's personal photos through glitter and an unidentified

3009
02:35:47,920 --> 02:35:51,080
Speaker 2: white powder, and sprayed silly string around the room.

3010
02:35:51,760 --> 02:35:52,640
Speaker 6: During her rampage.

3011
02:35:52,680 --> 02:35:55,640
Speaker 2: She also trash two desktop computers, a scanner, and a printer,

3012
02:35:56,000 --> 02:35:58,200
Speaker 2: as well as sweater as the supervisor had left at

3013
02:35:58,200 --> 02:36:00,760
Speaker 2: her desk. She also allegedly broke it to the woman's

3014
02:36:00,760 --> 02:36:04,480
Speaker 2: personal filing cabinet. Summit County Attorney Michael Cassidy told the

3015
02:36:04,520 --> 02:36:07,320
Speaker 2: Northeast Ohio Media Group that he wasn't able to provide

3016
02:36:07,320 --> 02:36:10,840
Speaker 2: a reason for Lockhart's departure from the office. Lockhart was

3017
02:36:11,120 --> 02:36:14,040
Speaker 2: arrested on Thursday and faces crimal charges of fifth degree

3018
02:36:14,120 --> 02:36:17,760
Speaker 2: felony vandalism, fifth degree damn they go there high.

3019
02:36:18,040 --> 02:36:20,760
Speaker 6: I didn't know that felony too.

3020
02:36:20,920 --> 02:36:25,040
Speaker 1: One, two, three, four five everything you said right?

3021
02:36:27,240 --> 02:36:30,200
Speaker 2: If I there are so many a man man so

3022
02:36:31,160 --> 02:36:33,440
Speaker 2: all right, so breaking, then enter and and mister mean

3023
02:36:33,440 --> 02:36:37,040
Speaker 2: of criminal damaging. She had been hired by a fiscal

3024
02:36:37,080 --> 02:36:39,920
Speaker 2: office in February twenty thirteen. Their last day was on Monday.

3025
02:36:40,280 --> 02:36:42,560
Speaker 2: She will appear at court on Friday. Guess the race

3026
02:36:42,680 --> 02:36:46,960
Speaker 2: of Samantha Lockhart chat room bitch? You guessed it? You

3027
02:36:47,160 --> 02:36:47,959
Speaker 2: was right? White?

3028
02:36:48,400 --> 02:36:50,879
Speaker 6: Ha she black? A white bride would have been.

3029
02:36:51,240 --> 02:36:55,560
Speaker 2: What wouldn't break electronics? Huh, that's what reason is. That

3030
02:36:56,360 --> 02:36:59,480
Speaker 2: had some extra clop. Black people don't recollection.

3031
02:36:59,160 --> 02:37:01,840
Speaker 1: White people said about the company's property, and white people.

3032
02:37:01,640 --> 02:37:04,640
Speaker 2: Don't recolc chunks had some extra glitter from a cheap

3033
02:37:04,640 --> 02:37:07,360
Speaker 2: ass body loss in black. She picked up this fairy

3034
02:37:07,440 --> 02:37:11,000
Speaker 2: dust skill her Disney Prince's class white glitter from her

3035
02:37:11,040 --> 02:37:14,480
Speaker 2: wee black seen inside the build. Seen inside the building

3036
02:37:14,520 --> 02:37:17,879
Speaker 2: in northeast Ohio, wasn't shot white. Did the same thing

3037
02:37:18,040 --> 02:37:21,560
Speaker 2: to her cash jersey when lebron left. This is the

3038
02:37:21,680 --> 02:37:25,920
Speaker 2: most the work she ever done while they're lazy negro single,

3039
02:37:26,000 --> 02:37:29,080
Speaker 2: white male loving females. She'll get out on probation, white

3040
02:37:29,200 --> 02:37:33,480
Speaker 2: snow one who had mono because one white. Only white

3041
02:37:33,480 --> 02:37:37,840
Speaker 2: people get mono. White black Tinkerbelle white so white she

3042
02:37:38,040 --> 02:37:40,120
Speaker 2: gentrified the neighborhood on her way to do all that.

3043
02:37:40,720 --> 02:37:43,400
Speaker 6: The correct answer is she was black.

3044
02:38:00,760 --> 02:38:03,000
Speaker 2: Now many of you missed it, So let me play

3045
02:38:03,040 --> 02:38:19,680
Speaker 2: some booze, all right, and let's do Soword ratchetess and

3046
02:38:19,720 --> 02:38:20,560
Speaker 2: then we'll get out of here.

3047
02:38:41,840 --> 02:38:43,760
Speaker 6: That's right, That's how it always goes.

3048
02:38:45,040 --> 02:38:48,920
Speaker 2: Alexandra Police man with the samurai sword threatened the store employee.

3049
02:38:50,360 --> 02:38:55,360
Speaker 2: Can't even go to work these days. Minneapolis Alexandra Police

3050
02:38:55,400 --> 02:38:59,240
Speaker 2: say that arrested. They arrested a man who threatened a

3051
02:38:59,320 --> 02:39:03,199
Speaker 2: store employees while possessing the samurai saw on Wednesday. Shortly

3052
02:39:03,240 --> 02:39:06,520
Speaker 2: afternoon Wednesday, police responded to a reported fight in progress

3053
02:39:06,600 --> 02:39:10,840
Speaker 2: at a business. When officers arrived, they determined that somewhat

3054
02:39:10,879 --> 02:39:14,520
Speaker 2: disgruntled man, somewhat discroneled, he got a fucking sword somewhat

3055
02:39:15,000 --> 02:39:17,320
Speaker 2: He was wearing a button up shirt and shoes and

3056
02:39:17,680 --> 02:39:20,600
Speaker 2: entered the store carrying a samurai sword and threatened one

3057
02:39:20,600 --> 02:39:23,480
Speaker 2: of the employees during the incident. The sword was contained

3058
02:39:23,480 --> 02:39:26,000
Speaker 2: in the carrying sheath and was never brandished in a

3059
02:39:26,080 --> 02:39:28,600
Speaker 2: threatening manner, but he had possession of the sword and

3060
02:39:28,640 --> 02:39:29,360
Speaker 2: threatened to kill the.

3061
02:39:29,360 --> 02:39:32,119
Speaker 1: Store employee threatening manner.

3062
02:39:32,200 --> 02:39:35,920
Speaker 2: Yeah that's enough for me, right. Details are limited, but

3063
02:39:36,000 --> 02:39:38,200
Speaker 2: the man was then subdued by the store employees until

3064
02:39:38,240 --> 02:39:39,000
Speaker 2: officers arrived.

3065
02:39:39,400 --> 02:39:42,080
Speaker 6: The man's in custody and formal charges are appending.

3066
02:39:43,520 --> 02:39:43,760
Speaker 4: Man.

3067
02:39:44,240 --> 02:39:47,840
Speaker 6: What a sick Oh? Uh, there's another one.

3068
02:39:48,600 --> 02:39:48,720
Speaker 3: Uh.

3069
02:39:49,680 --> 02:39:54,600
Speaker 2: Suspect threatened man with large sword uh, and then robbed

3070
02:39:54,680 --> 02:39:56,480
Speaker 2: him inside of a Queen's Pet store.

3071
02:39:57,200 --> 02:39:57,920
Speaker 3: What not?

3072
02:39:58,040 --> 02:39:59,080
Speaker 6: Even the pets are safe.

3073
02:40:00,000 --> 02:40:01,800
Speaker 2: You don't care about human beings? Can't you at least

3074
02:40:01,840 --> 02:40:07,200
Speaker 2: keep out the animals? This happened in q Garden's, Queens.

3075
02:40:07,760 --> 02:40:10,400
Speaker 2: Police are searching for a sore well and suspect who

3076
02:40:10,600 --> 02:40:12,520
Speaker 2: robbed a man inside the Queen's Pet store.

3077
02:40:13,040 --> 02:40:16,200
Speaker 6: The robbery occurred around December thirteenth and five pm.

3078
02:40:17,640 --> 02:40:20,040
Speaker 2: According to police, the suspect end of the store, pulled

3079
02:40:20,080 --> 02:40:22,080
Speaker 2: out a large sword and a manded money. The suspect

3080
02:40:22,120 --> 02:40:24,440
Speaker 2: then fled the store. It around four hundred dollars and

3081
02:40:24,560 --> 02:40:27,400
Speaker 2: a SAMs on cell phone. No injuries, will report it.

3082
02:40:28,800 --> 02:40:30,560
Speaker 2: The suspect of the scribe is five foot seven and

3083
02:40:30,640 --> 02:40:32,800
Speaker 2: was last scene wearing the tan jacket, Yankees hat and

3084
02:40:32,959 --> 02:40:37,000
Speaker 2: blue jeans. All right, man, that's it for the day.

3085
02:40:37,680 --> 02:40:41,120
Speaker 2: Shout out to comedian Mike Lawrence. Really enjoyed having him

3086
02:40:41,200 --> 02:40:41,840
Speaker 2: on Fun.

3087
02:40:42,400 --> 02:40:44,760
Speaker 6: So much Fun. I always enjoy that deal. Check out

3088
02:40:44,800 --> 02:40:46,000
Speaker 6: his podcast nerd her Mouth.

3089
02:40:46,320 --> 02:40:49,440
Speaker 2: Check him out on Twitter, the Mike Lawrence at check

3090
02:40:49,480 --> 02:40:52,560
Speaker 2: out Mike Lawrencecomedy dot com. If he's coming to a

3091
02:40:52,680 --> 02:40:55,520
Speaker 2: place near you, go see him. His album's on iTunes

3092
02:40:55,560 --> 02:40:56,360
Speaker 2: satur Mantium.

3093
02:40:56,480 --> 02:41:02,320
Speaker 6: It's brilliant and makes you guys. Also check out our sponsor,

3094
02:41:02,360 --> 02:41:03,680
Speaker 6: tweaked Audio dot com co.

3095
02:41:03,920 --> 02:41:04,880
Speaker 1: T B g w T.

3096
02:41:05,640 --> 02:41:08,640
Speaker 6: We'll be back tomorrow. Until then, I love you, I

3097
02:41:08,680 --> 02:41:08,880
Speaker 6: Love you.

3098
02:41:09,560 --> 02:41:09,600
Speaker 3: W