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Speaker 1: Miley Stars. She's been in that seat so many times.

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Speaker 1: I feel like you've sat in that seat over the generations.

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Speaker 2: I definitely have. I think I've been here with no teeth,

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Speaker 2: with braces on my teeth, probably in a Hannah wig

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Speaker 2: at some point. My grandmother, who now has passed. You know,

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Speaker 2: who was your girlfriend? Is what she told us.

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Speaker 3: All we know this.

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Speaker 4: Yeah, my grandma came here.

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Speaker 2: My grandma's had the same glasses since nineteen sixty. Literally

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Speaker 2: they're hot pink with diamonds everywhere. And my grandma walked

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Speaker 2: in and Ryan said, who's the haughty with Miley? And

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Speaker 2: she took that to the very last day that she

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Speaker 2: was the Ryan's girlfriend. So that really was a nice

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Speaker 2: family moment. I know my Lane, I know my exactly.

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Speaker 1: So, by the way, what does it just speaking of

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Speaker 1: different generations, your grandma, yourself being here over the years,

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Speaker 1: what does it mean to you to have fans of

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Speaker 1: so many different generations? Now, my niece six, like she

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Speaker 1: knew you were coming on. She was excited. My mom

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Speaker 1: knows you're here. She's excited.

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Speaker 4: Well I was that way.

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Speaker 2: I was just talking actually to Dolly this morning about that,

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Speaker 2: because she called me she's got a you know, her

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Speaker 2: new Broadway play that's premiering in Nashville and then going

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Speaker 2: to New York. And she just shows you that you

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Speaker 2: can never stop evolving and changing and exploring your lanes.

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Speaker 2: And I think that's how you really keep a relevant career,

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Speaker 2: is that you just are always growing with the audience.

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Speaker 2: And when I see young people that weren't even around

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Speaker 2: when Hannah Montana was on air, it's you know, very

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Speaker 2: meaningful because they don't know me just from the show.

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Speaker 2: They know me as Miley, they actually don't know me

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Speaker 2: as Hannah. But there's a longevity and a loyalty with

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Speaker 2: my fan base that's definitely, you know, reminiscent of how

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Speaker 2: Dolly has been with her fans.

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Speaker 3: Dolly Parton.

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Speaker 1: I mean, this is like royalty, not just music royalty,

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Speaker 1: all entertain like Planet's royalty.

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Speaker 2: And she's you know, loved for her And even though

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Speaker 2: there's a characterization of Dolly Parton, she is loved as

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Speaker 2: you know, as a real human that's underneath all of

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Speaker 2: the drag, which you know, that's all what it is.

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Speaker 2: We you know, we all have our own sense of

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Speaker 2: an alter ego or a drag queen, or our own

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Speaker 2: Hannah Montana.

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Speaker 4: That makes us feel powerful.

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Speaker 1: Miley Cyrus. Here, I was thinking back because we have

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Speaker 1: not talked in a while. Here on the show, I

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Speaker 1: was thinking back to when you won your first Grammy. Right,

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Speaker 1: it was twenty twenty four, you won your first Grammy.

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Speaker 1: You sang, you dropped the mic. I remember Oprah singing

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Speaker 1: along job legend was iconic feet right to me, that was.

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Speaker 3: Like a moment. If I'm you thinking, holy that just happened.

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Speaker 2: Well, no one can tell me anything now because Oprah

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Speaker 2: sang along to myself.

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Speaker 3: She's saying she sing flowers.

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Speaker 4: Now I'm done.

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Speaker 2: So now anyone tries to tell me anything you know

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Speaker 2: past the salad, Well, Oprah sang to flowers.

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Speaker 4: So maybe not you know?

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Speaker 3: So she did you know her before?

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Speaker 4: I was on Oprah?

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Speaker 2: When I was younger, we did an episode where I

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Speaker 2: got to perform with Joan Jet for the first time

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Speaker 2: because it was idols meeting their idols. So I've known

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Speaker 2: her from then, but she wasn't you know someone that

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Speaker 2: I can't say that I know Oprah, But I don't

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Speaker 2: know if any of us ever will, which is the allure.

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Speaker 2: I do you really want to I don't want to know,

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Speaker 2: I don't want to know share, like I don't want

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Speaker 2: to know my queens.

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Speaker 1: No, no, But watching the cutaway it stuck with me

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Speaker 1: to this day. A cutaway of you singing your first Grammy.

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Speaker 1: She's singing along and John legends on his feet at

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Speaker 1: the end of it was like.

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Speaker 2: Honestly, Christie and John were keeping me going because they

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Speaker 2: were singing along such good energy.

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Speaker 4: I was so nervous.

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Speaker 2: You know, I still get anxious in situations like that

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Speaker 2: and singing Oh yeah, I mean the Grammys.

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Speaker 3: Is that makes me happy? And A yeah, that's top.

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Speaker 2: Tier, that's you know, everyone in the audience is the

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Speaker 2: best of the best, So you're not just performing for like,

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Speaker 2: if you have bad pitch and you're just playing a

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Speaker 2: show in Kansas, ninety percent of the audience will have

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Speaker 2: no idea that you have bad pitch. But if you're

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Speaker 2: sitting at the Grammys, you know, damn well that Beyonce's

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Speaker 2: like that was good, but it was pitchy, and you know,

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Speaker 2: you don't think I'm doing it. I I do have

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Speaker 2: an ear where I'm enjoying someone's show, but I'm also

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Speaker 2: kind of like, you know, I'm just listening, and so

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Speaker 2: a regular audience doesn't do that in the way that

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Speaker 2: these professional, best of the best singers do.

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Speaker 1: Well, I'm curious, and what do you you do to

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Speaker 1: overcome it? Like when you get nervous like that in

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Speaker 1: a pressure moment, what do you.

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Speaker 4: Do do it?

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Speaker 2: Anyway, the things that you do that you're afraid of

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Speaker 2: are you know, they're the things that really change the

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Speaker 2: challenges really do change you. And I have something in

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Speaker 2: my mind that is really my mantra, and it's don't

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Speaker 2: run away. And even in this moment, you know, talking

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Speaker 2: with you all, I always have a moment before because

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Speaker 2: this is not as much as this is a part

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Speaker 2: of my life and it's been a part of my

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Speaker 2: life for a long time. My day to day is

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Speaker 2: kind of much more regular and kind of you know,

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Speaker 2: just humble, and it's in its own kind of normalcy

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Speaker 2: of my life and I've designed it that way. And

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Speaker 2: so when you're in these kind of situations that your everyone,

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Speaker 2: like I said, has a version of themselves. That's a

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Speaker 2: performance and you want to be honest, but you also

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Speaker 2: all of us perform in a way of protection. So

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Speaker 2: I tell myself, don't run away, and usually it all

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Speaker 2: settles and to feel really nervous or to feel butterflies

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Speaker 2: or anxiety is completely normal when you're warming for Oprah

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Speaker 2: and Beyonce.

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Speaker 4: So you just go. It would be weird if I

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Speaker 4: wasn't nervous and.

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Speaker 1: Be human and you settle in congratulate in the Grammy

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Speaker 1: with Beyonce too. So Miley and Beyonce obviously want a

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Speaker 1: Grammy after her first one. And she's in Paris, Beyonce's

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Speaker 1: on your Paris. You want to show in Paris. Beyonce's

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Speaker 1: on stage and she brings out Miley as a surprise.

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Speaker 4: I invited myself.

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Speaker 3: How how did it happen?

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Speaker 2: So I was in Paris already, and you know, me

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Speaker 2: and everybody else wanted to go to the Beyonce show

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Speaker 2: in Paris. But again, I'm just you know, because I

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Speaker 2: am Dolly's god daughter. I can't do anything for fun.

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Speaker 2: I have to turn it into.

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Speaker 3: It's got to be projects.

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Speaker 2: It's got to be a project. So yes, I want

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Speaker 2: to go to the Beyonce concert, but I don't want

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Speaker 2: to watch. I want to be a part of it.

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Speaker 2: So I get to do both. I got to be

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Speaker 2: a part of it. And she's everything that you would

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Speaker 2: want her to be up close personally, you know, rehearsals,

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Speaker 2: she is you know, meet your heroes when it comes

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Speaker 2: to Beyonce, because.

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Speaker 3: She she puts the work in. There's the work in.

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Speaker 4: She's super you know, kind of warm with that.

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Speaker 2: Everybody makes everybody on the crew, you know, feel as

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Speaker 2: valuable as they are. And then the show after that

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Speaker 2: is one of the best shows, if not the best

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Speaker 2: I've ever gotten to see live.

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Speaker 4: I mean, of our generation.

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Speaker 2: I think she's probably is the top tier best performer

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Speaker 2: that we.

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Speaker 1: Have totally well to your right, who works for us,

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Speaker 1: who's one of our favorite people here is Ronnie Rye

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Speaker 1: fell Off fell Off from that show.

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Speaker 3: He was there. Yeah, he.

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Speaker 1: Saw you come out and Ronnie take us into your

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Speaker 1: head in that moment.

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Speaker 5: It was the craziest thing ever. Like even when she

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Speaker 5: started the show, she was like, we have a very

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Speaker 5: special show for you, and I was like, something's happening

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Speaker 5: because that's like I've seen the show at that point,

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Speaker 5: was my third time seeing it, so I was like,

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Speaker 5: something special is happening. And I saw you did an

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Speaker 5: interview saying, Hey, if I do come out with Beiance,

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Speaker 5: I want to come out in Paris. So I was like, Okay,

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Speaker 5: you know my leader.

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Speaker 3: Yes, you planted the seed.

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Speaker 5: So you're like, okay, I want to come out in Paris.

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Speaker 5: So I was like, okay, she has three nights in Paris.

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Speaker 5: I'm at night one. What are the chances Miley's coming out?

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Speaker 5: I saw all over Twitter there like Miley's coming, Miley's coming.

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Speaker 5: I was like, I don't want to get my hopes

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Speaker 5: up just in case. And then literally I'm there on

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Speaker 5: the floor and you appeared.

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Speaker 6: It was.

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Speaker 3: You appeared out of fin air my life truly.

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Speaker 4: By that riser.

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Speaker 2: The like yes, and I love because I think that's

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Speaker 2: a real testament to her and you know, her support.

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Speaker 2: You know, confident women don't compete, and so that's why

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Speaker 2: both of a get to stand there in our own

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Speaker 2: lane and just celebrate each other. I'm not insecure, she's

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Speaker 2: on insecure, so together we can be really powerful. And

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Speaker 2: I thought that it was, you know, kind of metaphorical

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Speaker 2: that she gave me her riser, because that's the way

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Speaker 2: that women that support others, that's what you do, is

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Speaker 2: you go, how can I make your entrance something that

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Speaker 2: is really special and gives you all the power. And

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Speaker 2: that wasn't you know something that I was always given,

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Speaker 2: you know, and the hall in the past, and so that.

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Speaker 1: Just you know it all that's interesting someone or people

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Speaker 1: did not do that for you.

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Speaker 4: Well, I think too. It's when you're a guest.

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Speaker 2: You know, they always everyone you're the guest on the

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Speaker 2: guests and they kind of give you this like guest entrance.

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Speaker 7: And just to remind you, this is not your shape

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Speaker 7: exactly as if I didn't know, as if I'm not

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Speaker 7: riding a horseshoe around ninety I got it, but it

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Speaker 7: just shows I really thought that was just a true

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Speaker 7: kind of testament to the kind of woman that she is.

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Speaker 1: Here is a little clip of that, and then we'll

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Speaker 1: come back with Miley Cyrus and talk about the visual

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Speaker 1: album streaming on Hulu and Disney Plus today.

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Speaker 6: The day you think you can hear Ronnie's scream Here

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Speaker 6: at the start, I was also frying the day Ailey

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Speaker 6: Cyrus beyance that was in Paris a while ago, not

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Speaker 6: too long ago.

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Speaker 1: Actually, we'll come back here, kiss, I've been with my life.

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Speaker 1: I see christ with you. Tanya here sist on vacation

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Speaker 1: this week, Miley Cyrus spending some time very important day,

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Speaker 1: very big day. The visual album from Miley Miley Sarrus

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Speaker 1: Something Beautiful is out on Hulu and Disney Plus exciting

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Speaker 1: there all right. So approaching a visual album versus making

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Speaker 1: an album, what's the difference.

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Speaker 2: Well, I've always been inspired visually when I'm making a record,

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Speaker 2: but you don't always make, you know, a piece like this,

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Speaker 2: and for many reasons of which I learned the hard

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Speaker 2: way on this one. Not only is it a lot

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Speaker 2: of a lot of work, but to make everything interesting

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Speaker 2: and tell the stories within a reasonable budget is a

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Speaker 2: new challenge that, you know, because I'm a big dreamer,

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Speaker 2: which means you need deep pockets for that. And when

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Speaker 2: I really actually kind of started to minimalize the idea

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Speaker 2: and the concept, it became more pure because I think sometimes,

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Speaker 2: especially in my past, I've allowed the concepts or maybe

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Speaker 2: even it's you know, the kind of the controversy that

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Speaker 2: surrounded an album or something kind of eclipsed the music itself.

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Speaker 2: And so by creating something that is extravagant and we

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Speaker 2: hope to be really beautiful, it's also really simple and

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Speaker 2: kind of minimal, and I think that gave the platform

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Speaker 2: in the stage to the music, which doesn't always come first.

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Speaker 2: So that was kind of an important pillar that we kept,

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Speaker 2: you know, structurally integral that the music comes first.

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Speaker 1: In starting the visual album, You've got the prelude from

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Speaker 1: her album as well, and the metaphors that are in

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Speaker 1: that prelude, and you know, one of which starts with

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Speaker 1: like when following an image from a train, your eyes

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Speaker 1: can't keep the passing landscapes and it.

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Speaker 3: Goes on so curiously.

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Speaker 1: How did you distill it down to those metaphors in

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Speaker 1: that direction from the top From the beginning.

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Speaker 2: Well, I knew I wanted to open the movie with

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Speaker 2: a prayer because I think, no matter what you believe

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Speaker 2: in or you know, separate from spirituality or religion, I think,

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Speaker 2: you know, anytime the world, you know, we come together

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Speaker 2: and we say a piece or a prayer together, I

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Speaker 2: think that's really the most powerful changes.

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Speaker 4: And movements that we make.

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Speaker 2: And so I knew that I wanted to open my

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Speaker 2: film with a prayer, and as I kept, you know,

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Speaker 2: writing that, and I felt it's really what the world

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Speaker 2: needed at that time. The final line, the beauty one

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Speaker 2: finds alone as a prayer that longs to be shared

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Speaker 2: is I've I mean, this is kind of a silly story,

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Speaker 2: but I went to I did some meditation at a monastery,

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Speaker 2: and I noticed that it was a very kind of

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Speaker 2: individualized and isolated experience that everyone was praying obviously quietly

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Speaker 2: to not disturb the rest, And I kind.

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Speaker 4: Of thought, if you're so, you know, if you've got

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Speaker 4: this wisdom in this light meant to me.

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Speaker 2: I'm the person that wants to whisper to the person

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Speaker 2: next to me and communicate and connect. And so I thought,

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Speaker 2: you know, I like what they've got going on here.

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Speaker 2: But if I was to have my own monastery, I

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Speaker 2: would make it not silent, because I feel that's very

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Speaker 2: me that I.

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Speaker 4: Think it's important, you know, to be able.

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Speaker 2: And I get that you don't want to disrupt or

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Speaker 2: interrupt someone else's kind of like, you know, personal journey

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Speaker 2: that they're on. But I'm the one that wants to

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Speaker 2: tell you about my journey immediately.

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Speaker 3: Would you interrupt anyone on this meditation.

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Speaker 2: Or I did hold it to myself. I did not

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Speaker 2: want to. Everything in me was already jumping ahead, which

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Speaker 2: is also what you're supposed to not be doing into meditation.

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Speaker 2: You're not supposed to be writing your next movie or album. Yeah,

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Speaker 2: you're not supposed to be doing that. But so I

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Speaker 2: did not disrupt, but I thought, you know, if I

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Speaker 2: ever had the Miley Monastery, this would be the house

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Speaker 2: rules would be a little different.

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Speaker 3: Would you ever do a silent retreat?

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Speaker 2: I actually have that on my list of to dos

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Speaker 2: because I've I've learned too that sometimes things don't have

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Speaker 2: to be so drastic. You know that you can do

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Speaker 2: something of These retreats are three, five, seven, ten days.

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Speaker 2: You can really make these really big powerful shifts in

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Speaker 2: your life over these times that they're kind of more.

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Speaker 3: Condensed than that's a reasonable amount of time.

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Speaker 2: I think ten, yeah, ten days of silence is good.

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Speaker 2: You don't know this part of me, but I actually

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Speaker 2: do really enjoy my alone time. And I think I

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Speaker 2: spend so much of my time performing and entertaining and

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Speaker 2: projecting that actually I really crave.

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Speaker 4: Like kind of silence and alone time.

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Speaker 2: Get I can do after this, And I can do

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Speaker 2: because I'd be with my favorite person, having my favorite

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Speaker 2: conversations with myself, which then I'm all good because no

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Speaker 2: one says nothing about you know, you talk to yourself.

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Speaker 3: I do.

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Speaker 4: And I'm into me, Like I think I've made that

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Speaker 4: pretty clear. I like it.

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Speaker 2: I'm indoor, I'm picking up what she's putting down. I'm

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Speaker 2: down to spend time with me. But I think that's

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Speaker 2: that's maybe the part of the isolation that they want

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Speaker 2: you to question is how okay are you with you?

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Speaker 4: And I'm good with it.

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Speaker 3: I like it. I'm starting with ten hours of these voices.

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Speaker 1: Uh, Miley Cyrus here the visual album? So what was

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Speaker 1: your when you when you watch what you saw it?

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Speaker 1: When when'd you see the whole thing edited together? I'm

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Speaker 1: sure you saw it along the way, piece by.

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Speaker 4: Piece, you know.

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Speaker 2: I was in the editing room and I did every minute,

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Speaker 2: you know, sitting creating this together. But to actually see

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Speaker 2: it at Tribeca, I think was the moment that it

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Speaker 2: felt the most real, sharing that with you know, the audience,

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Speaker 2: and the album had been out, so the audience was

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Speaker 2: singing along, and uh, I was kind of inspired by

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Speaker 2: Wicked because I remember that everyone was really annoyed when

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Speaker 2: everyone was singing along in the theaters, and I thought,

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Speaker 2: I want that. I want I want the annoyance of

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Speaker 2: the person you know sitting next to you to be

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Speaker 2: singing louder than I am, because I love the communal

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Speaker 2: part of music, and I think with our isolated experiences

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Speaker 2: like streaming, and you know, so much music as being

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Speaker 2: taken in on headphones. It's so isolating, it's so personal that,

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Speaker 2: you know, growing up going to a record store with

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Speaker 2: my brothers and sisters and my friends and buying an

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Speaker 2: album and going back in the car and listening to

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Speaker 2: it together.

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Speaker 4: We really had this time that we all heard.

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Speaker 2: I heard hit Me Baby one more time for the

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Speaker 2: first time with a car full of people, and all

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Speaker 2: of us knew that it was special.

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Speaker 4: And when you have a moment like.

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Speaker 2: That in music, it's really really special, which is why

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Speaker 2: I think still being a part of the radio is

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Speaker 2: just so important because I remember so much music that

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Speaker 2: I've heard for the first time by just I remember

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Speaker 2: Rihanna didn't even exist.

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Speaker 4: I didn't even know what it was until I was

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Speaker 4: on my way.

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Speaker 2: I'll never forget I was on my way to school

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Speaker 2: and Rihanna came on the radio. It was the first

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Speaker 2: time I had ever heard her before, and that changed me.

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Speaker 4: Period.

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Speaker 3: If you're in school when we were here as probably.

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Speaker 2: It was the first song the ballad murder Oh Yeah.

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Speaker 4: I was like, I don't want to do this anymore.

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Speaker 2: Reason why that was playing. I was in my nannies,

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Speaker 2: little my babysitters, little Buick, and I was on the

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Speaker 2: way the Champagne Buick, pulling up to school, listen to

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Speaker 2: rere and it was everything.

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Speaker 4: And I was a guy unfaithful. That's the song.

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Speaker 2: Yeah and now and now when I see her like today,

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Speaker 2: I remember that moment.

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Speaker 4: And you know, the young kids today, they won't they

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Speaker 4: won't get some.

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Speaker 2: Of the experiences that I got to get with the

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Speaker 2: radio because I even called and requested.

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Speaker 4: I might have even called even before.

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Speaker 1: You really recalled Rick D's Then I did.

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Speaker 3: I did.

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Speaker 2: I was in Nashville, and I kept calling, calling, calling,

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Speaker 2: calling until someone answered the phone.

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Speaker 4: And then I got to freaked out and I made

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Speaker 4: uh by the way.

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Speaker 1: I called him as well, and I got freaked out

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Speaker 1: because I wanted to come be a DJ after him.

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Speaker 4: I hear my voice on the radio.

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Speaker 3: Oh no, well you overcame that.

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Speaker 4: Yeah, that was fine.

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Speaker 1: Do you tell me about your being? You're good with yourself,

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Speaker 1: You're go with you. Do you like do you hear

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Speaker 1: a lyric that you wrote? And when you hear it

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Speaker 1: every time you go, I am a genius.

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Speaker 4: I really like the more to Lose lyric.

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Speaker 2: Are my tears are streaming like our favorite show Tonight,

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Speaker 2: which I thought was maybe going to be very cringe.

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Speaker 4: But the reason that I wrote is well, I thought

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Speaker 4: it was either so.

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Speaker 2: Modern that it was going to be cringey, or it

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Speaker 2: was going to be like call Me by Blondie. Because

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Speaker 2: when I think about, you know what call me means

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Speaker 2: now historically, and you imagine telephone booths, and you know

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Speaker 2: that what call me meant at that time. It that's

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Speaker 2: what streaming is today, us calling each other streaming. It

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Speaker 2: kind of puts it in a in a nice time

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Speaker 2: capital I think.

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Speaker 3: Yeah, do you listen to you when you exercise?

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Speaker 4: When I exercise?

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Speaker 2: No, I don't listen to me necessarily when I exercise,

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Speaker 2: but I do shamelessly listen to myself sometimes when I'm

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Speaker 2: driving to.

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Speaker 3: Malibu, just to Malibu.

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Speaker 4: Yeah, that's because it's like an hour drive.

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Speaker 2: Because I make bodies of work, Okay, I don't make singles,

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Speaker 2: So I listen the entire This is okay.

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Speaker 3: Well, next, this is a this is an LA County.

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Speaker 2: And I'm not looking at my phone. I'm driving, I'm

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Speaker 2: not skipping around. So I put on one album top

400
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Speaker 2: to bottom. I listened to esp I listen to Dead

401
00:17:45,119 --> 00:17:47,760
Speaker 2: pet something beautiful. But you know I don't have time

402
00:17:47,800 --> 00:17:49,840
Speaker 2: to thumb through my faves. I listened to the Body

403
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Speaker 2: of Art.

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Speaker 1: Do you listen to Malibu while driving a Malibu?

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Speaker 4: I listened to Malibu sometimes.

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Speaker 2: But see, I have too many production notes that sometimes

407
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Speaker 2: I can't listen to my own music because I can't

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Speaker 2: enjoy it without making notes.

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Speaker 3: It is perfect? Do you have Did they have to

410
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Speaker 3: tell you stop working on it? We got to release?

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Speaker 4: Uh?

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Speaker 2: Yeah, That's what I love most about streaming is that

413
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Speaker 2: you can actually take songs down and replace them with

414
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Speaker 2: new mixes, which I have done before. On Plastic Hearts

415
00:18:13,640 --> 00:18:16,639
Speaker 2: there's a song called hate Me and I despised the

416
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Speaker 2: mix and I have swapped it out. So if you

417
00:18:18,840 --> 00:18:20,679
Speaker 2: have the CD and you listen on streaming, they're completely

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Speaker 2: as wild card on ESB CD, streaming is different. There's

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Speaker 2: a synth missing on the on the streaming at first,

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Speaker 2: and then I replaced it, so I can't quite working

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Speaker 2: on it.

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Speaker 1: I don't this. Maybe this is like a term people

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00:18:33,280 --> 00:18:36,000
Speaker 1: don't like. But is it perfectionism? Is it wanting to

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Speaker 1: just do the best you can't like?

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Speaker 3: What is that for you?

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Speaker 2: I wouldn't say that I'm necessarily a perfectionist, because I

427
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Speaker 2: do think that that's sometimes more of the beautiful things,

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Speaker 2: like I love a good distortion in the mix or

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Speaker 2: something that you get to feel. But probably a sense

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Speaker 2: of maybe obsessiveness. I'm a bit, you know, a bit obsessive.

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Speaker 1: Quickly, before you go, what's the lens you look through

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Speaker 1: when you make a decision in your world, in your

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Speaker 1: I think, in your creative world, in your in your work, I.

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Speaker 2: Would say, uh, meaning and time to look at time

435
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Speaker 2: from an overhead view, and don't get too lost in

436
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Speaker 2: today because today is yesterday and it all moves forward.

437
00:19:20,080 --> 00:19:23,560
Speaker 2: And to me, I think you know something about quality work.

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Speaker 2: It's timeless. It's never going to go out of style.

439
00:19:26,640 --> 00:19:28,560
Speaker 2: Dolly actually said today, she said, some.

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Speaker 4: Call it old school. I call it old cool, and

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Speaker 4: you you keep it classic.

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Speaker 2: And I know I don't think that quality and uh,

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Speaker 2: you know, devotion is ever going to go out of style.

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Speaker 4: Miley, with the quotes today.

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Speaker 1: We're gonna go back to We're gonna go back and

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Speaker 1: listen to ourselves of you after this show, just to

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Speaker 1: hear all of these. Thus again, all right, Miley Cyrus,

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Speaker 1: thanks for being here. Thank you so much, visual album

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Speaker 1: Beautiful Disney Bus Today, I'll see you.

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Speaker 3: Thanks for you, Thank you,