WEBVTT - #89 - K Camp

0:00:04.800 --> 0:00:11.080
<v Speaker 1>Yeah, yeah, yeah, all right, all right, all right, check

0:00:11.119 --> 0:00:14.680
<v Speaker 1>it out man. Welcome to the bootlet Camp Podcast. Another edition.

0:00:14.840 --> 0:00:18.319
<v Speaker 1>Damn it. Shot to the homie Kcamp who pulled up

0:00:18.360 --> 0:00:21.160
<v Speaker 1>on us, very underrated artists who's been doing this thing,

0:00:21.200 --> 0:00:22.560
<v Speaker 1>got a lot of hit records. Man, so we got

0:00:22.600 --> 0:00:23.759
<v Speaker 1>to chop it up with him. But we got a

0:00:23.760 --> 0:00:26.040
<v Speaker 1>shout out to our guys at odds socks. Make sure

0:00:26.079 --> 0:00:29.040
<v Speaker 1>you go to odd socksoficial dot com. Yo. They bring

0:00:29.040 --> 0:00:32.320
<v Speaker 1>you the podcast every single episode, and you can use

0:00:32.640 --> 0:00:35.600
<v Speaker 1>the keyword bootleg cav get twenty percent off at odd

0:00:35.600 --> 0:00:38.199
<v Speaker 1>socksoficial dot com. Go get you some socks. They got

0:00:38.200 --> 0:00:42.720
<v Speaker 1>all the crazy licenses, scarface, goddamn breaking, bad, street fight

0:00:42.800 --> 0:00:44.199
<v Speaker 1>or whatever you need, they got it. They also got

0:00:44.240 --> 0:00:46.000
<v Speaker 1>the draws, they got the mask. So go over to

0:00:46.040 --> 0:00:48.919
<v Speaker 1>odd socksofficial dot com. Use that keyword bootlet cap save

0:00:48.960 --> 0:00:52.839
<v Speaker 1>twenty percent off. Let's get into the k Camp interview. Yo,

0:00:52.880 --> 0:00:56.080
<v Speaker 1>it's the bootlet Cavs Show. Special guest in here. Welcome

0:00:56.160 --> 0:00:58.800
<v Speaker 1>k Caamp. What's hadding? What's up? Man? Ain't nothing kicking

0:00:58.920 --> 0:01:02.200
<v Speaker 1>kicking shit Like I feel like, man, I got to

0:01:02.200 --> 0:01:03.639
<v Speaker 1>give you some flowers because I feel like you wanted

0:01:03.640 --> 0:01:05.720
<v Speaker 1>the more underrated artists man in the show the last

0:01:05.760 --> 0:01:07.480
<v Speaker 1>like decade or so. So we just had his talk.

0:01:07.640 --> 0:01:09.520
<v Speaker 1>You know what I'm saying. Ten minutes ago, I say undefeated.

0:01:09.560 --> 0:01:12.160
<v Speaker 1>Now they underrated. Yeah, man, talk talk to me like,

0:01:12.920 --> 0:01:15.800
<v Speaker 1>obviously you've been on a run. I feel like when

0:01:15.920 --> 0:01:17.560
<v Speaker 1>was when did when was cut that bitch off? Like

0:01:17.560 --> 0:01:21.040
<v Speaker 1>twenty fourteen fourteen, So we're going on seven eight years now,

0:01:21.200 --> 0:01:23.560
<v Speaker 1>you know what I'm saying. And I feel like you've

0:01:23.600 --> 0:01:26.680
<v Speaker 1>just been so consistent with putting out just for hits.

0:01:26.760 --> 0:01:28.920
<v Speaker 1>For sure. It's my bloodline at this point, you know

0:01:28.920 --> 0:01:31.000
<v Speaker 1>what I'm saying. Yeah, Man, like people got to know

0:01:31.040 --> 0:01:33.200
<v Speaker 1>I make music. Do you feel like you get enough

0:01:33.200 --> 0:01:36.480
<v Speaker 1>credit though? Now? Yet it's coming though every every I

0:01:36.480 --> 0:01:38.320
<v Speaker 1>feel like every artist go through this shit, you know

0:01:38.360 --> 0:01:40.880
<v Speaker 1>what I'm saying, Like even the Drakes even you know

0:01:40.880 --> 0:01:42.560
<v Speaker 1>what I'm saying, everybody went through that period of time

0:01:42.600 --> 0:01:45.040
<v Speaker 1>where all this shit been Future it went through it.

0:01:45.520 --> 0:01:47.680
<v Speaker 1>Future definitely when he went through it, it was it

0:01:47.720 --> 0:01:49.480
<v Speaker 1>was one point. It's this tweet I'm trying to find

0:01:49.720 --> 0:01:52.600
<v Speaker 1>to this day. Future tweeted he was like, man, the

0:01:52.680 --> 0:01:54.560
<v Speaker 1>motherfucker keep playing me, Like I ain't dropping, you know,

0:01:54.880 --> 0:01:57.200
<v Speaker 1>just popping his shit, and I think, like a year later,

0:01:57.200 --> 0:01:59.280
<v Speaker 1>that's my future. You know. You know what's crazy you

0:01:59.280 --> 0:02:02.000
<v Speaker 1>said about him, Becau. I remember having that conversation because

0:02:02.080 --> 0:02:07.000
<v Speaker 1>Future put out Tony Montana and Magic going crazy. Yeah,

0:02:07.000 --> 0:02:09.639
<v Speaker 1>but like people really weren't paying attention until he went

0:02:09.639 --> 0:02:12.120
<v Speaker 1>on that mixtape run exactly he put Pluto out and

0:02:12.120 --> 0:02:14.160
<v Speaker 1>don't really care exactly, you know what I'm saying, Like

0:02:14.160 --> 0:02:16.640
<v Speaker 1>he had to have one record no one cares, so

0:02:16.720 --> 0:02:18.040
<v Speaker 1>I'd be like that, you know what I'm saying. You

0:02:18.080 --> 0:02:20.760
<v Speaker 1>gotta just you gotta know where you at as an artist,

0:02:21.040 --> 0:02:23.120
<v Speaker 1>know where you want to be mentally, you know what

0:02:23.120 --> 0:02:25.480
<v Speaker 1>I'm saying, and keeps it, putting that work into and

0:02:25.520 --> 0:02:27.760
<v Speaker 1>shit crat. I feel like to you you have like

0:02:27.760 --> 0:02:30.079
<v Speaker 1>a bunch of different bags you could you could tap

0:02:30.120 --> 0:02:32.680
<v Speaker 1>into as an artist, like you put out like like

0:02:32.840 --> 0:02:35.919
<v Speaker 1>Kiss five was crazy. Like when you do like something

0:02:35.919 --> 0:02:38.320
<v Speaker 1>from the Kiss series, it's more melodic, more for the

0:02:38.400 --> 0:02:42.040
<v Speaker 1>ladies compared to when you do, like your new album

0:02:42.080 --> 0:02:44.200
<v Speaker 1>that's coming out, is it is it a different approach

0:02:44.280 --> 0:02:46.920
<v Speaker 1>or is that kind of like give me that The

0:02:46.960 --> 0:02:50.919
<v Speaker 1>thought process behind with the Kiss projects as as mainly

0:02:51.040 --> 0:02:52.720
<v Speaker 1>R and B. Right, you know what I'm saying, it's

0:02:52.960 --> 0:02:55.400
<v Speaker 1>catering to my female fan base because they love that shit,

0:02:55.760 --> 0:02:57.400
<v Speaker 1>you get what I'm saying. But when I really like

0:02:57.480 --> 0:02:59.440
<v Speaker 1>create my alms, like my first album came out with

0:02:59.480 --> 0:03:01.720
<v Speaker 1>all the Way Is Up, One Way, all my you

0:03:01.720 --> 0:03:04.160
<v Speaker 1>know what I'm saying, real, I wouldn't say not real

0:03:04.200 --> 0:03:08.520
<v Speaker 1>ALUs all real albums, but it's a you're pulling from

0:03:08.520 --> 0:03:10.799
<v Speaker 1>everywhere I'm making I'm making trap shit, I'm making ship

0:03:10.840 --> 0:03:13.040
<v Speaker 1>for the females, I'm making vibe shit. I make ship

0:03:13.120 --> 0:03:15.400
<v Speaker 1>for the club, and it's all one you know what

0:03:15.440 --> 0:03:19.920
<v Speaker 1>I'm saying. Project, But Kiss series just straight female. So

0:03:19.960 --> 0:03:22.079
<v Speaker 1>I like to balance the bags though, But I'd rather

0:03:22.120 --> 0:03:25.120
<v Speaker 1>do everything you want. So you like to just do

0:03:25.160 --> 0:03:26.560
<v Speaker 1>it all. I like to just make music and put

0:03:26.600 --> 0:03:27.919
<v Speaker 1>it all together and make it you know what I'm saying,

0:03:28.240 --> 0:03:29.760
<v Speaker 1>Make it flow the right way. You know, it's all

0:03:29.800 --> 0:03:31.480
<v Speaker 1>about the flow and just the vibe of the project.

0:03:31.560 --> 0:03:33.399
<v Speaker 1>So you gotta really be you know what I'm saying,

0:03:33.400 --> 0:03:35.480
<v Speaker 1>mindful lot of what you put on there and how

0:03:35.480 --> 0:03:37.520
<v Speaker 1>that ship moving through the project. Yeah, I feel like

0:03:37.560 --> 0:03:39.720
<v Speaker 1>to like you know, when you think of like just

0:03:39.760 --> 0:03:42.480
<v Speaker 1>the range of you as an artist, you cut that

0:03:42.520 --> 0:03:44.680
<v Speaker 1>bitch off all the way to like a record like comfortable.

0:03:45.400 --> 0:03:48.360
<v Speaker 1>It's totally different, right, dif from worlds. Yeah, And if

0:03:48.360 --> 0:03:51.840
<v Speaker 1>you just go on your Spotify and pick whatever projects

0:03:51.840 --> 0:03:52.640
<v Speaker 1>you have a lot of a lot of people, you

0:03:52.720 --> 0:03:56.280
<v Speaker 1>got a lot of discography. Ship could depending on what

0:03:56.320 --> 0:03:57.640
<v Speaker 1>you listen to, you and be like, wait, this is

0:03:57.760 --> 0:04:00.280
<v Speaker 1>this is the same guy for sure? Now it's facts, Yeah,

0:04:00.280 --> 0:04:01.400
<v Speaker 1>but it have been like that. You know what I'm

0:04:01.440 --> 0:04:03.760
<v Speaker 1>saying that just I'm a songwriter first, you get what

0:04:03.800 --> 0:04:06.520
<v Speaker 1>I'm saying. So it's to the point where you can

0:04:06.560 --> 0:04:08.240
<v Speaker 1>put any instrumental in front of me and I'm just

0:04:08.480 --> 0:04:10.240
<v Speaker 1>I'm a vibe out on that bitch. I don't go

0:04:10.240 --> 0:04:12.800
<v Speaker 1>in the studio saying I'm about to make this record

0:04:12.920 --> 0:04:15.120
<v Speaker 1>right or this is what I'm on today. I just

0:04:15.440 --> 0:04:18.240
<v Speaker 1>whatever I hear, that's what I'm giving. That's fair. Man.

0:04:19.120 --> 0:04:22.960
<v Speaker 1>What do you think has held you back from being

0:04:23.320 --> 0:04:27.680
<v Speaker 1>like a superstar myself? Why why do you say that

0:04:28.600 --> 0:04:30.680
<v Speaker 1>me being naive in the beginning. You know what I'm saying,

0:04:30.680 --> 0:04:32.480
<v Speaker 1>not really listening to you know what I'm saying the

0:04:33.000 --> 0:04:36.080
<v Speaker 1>advice people, not everybody, but you know what I'm saying,

0:04:36.120 --> 0:04:38.320
<v Speaker 1>it's a certain few people that just told me certain

0:04:38.360 --> 0:04:40.599
<v Speaker 1>things I should do and what I shouldn't do. But

0:04:40.680 --> 0:04:42.160
<v Speaker 1>at the same time, I feel like this shit plan

0:04:42.240 --> 0:04:44.080
<v Speaker 1>out the way I wanted to play out. You get

0:04:44.080 --> 0:04:45.960
<v Speaker 1>what I'm saying, Like I get. I hear that all

0:04:45.960 --> 0:04:47.520
<v Speaker 1>the time about the superstar. I should be bigger than

0:04:47.520 --> 0:04:49.279
<v Speaker 1>should be bigger than what I am now. But what's bigger?

0:04:49.320 --> 0:04:51.680
<v Speaker 1>You know what I'm saying like this, I think I

0:04:51.720 --> 0:04:53.719
<v Speaker 1>think that when I think of k Camp, I think

0:04:53.760 --> 0:04:55.560
<v Speaker 1>of this guy's got a lot of hit records. Yeah,

0:04:55.600 --> 0:04:57.720
<v Speaker 1>for sure, I definitely should be way you got hits.

0:04:57.920 --> 0:05:01.640
<v Speaker 1>But but I feel like that there's it's hard. It's

0:05:01.760 --> 0:05:03.520
<v Speaker 1>you know, I feel like the music part is easy

0:05:03.520 --> 0:05:05.600
<v Speaker 1>for you, right. I feel like the other the other

0:05:05.640 --> 0:05:07.960
<v Speaker 1>side of it is like the exposure. It's the exposure

0:05:08.000 --> 0:05:09.760
<v Speaker 1>and how do you get people to care about you?

0:05:10.400 --> 0:05:11.840
<v Speaker 1>As long as my fans care, I don't give a

0:05:11.920 --> 0:05:14.000
<v Speaker 1>damn who else care. So as long as I can

0:05:14.040 --> 0:05:16.120
<v Speaker 1>sell our shows and continue to make money and put

0:05:16.120 --> 0:05:18.599
<v Speaker 1>out great bodies of work and and and tour and

0:05:18.320 --> 0:05:21.599
<v Speaker 1>do the same ship the motherfucker popping doing, make the

0:05:21.600 --> 0:05:25.640
<v Speaker 1>same Listen, you're popping up like when you say, I

0:05:25.640 --> 0:05:27.120
<v Speaker 1>hear what you're saying. Yeah, you know what I'm saying,

0:05:27.200 --> 0:05:31.560
<v Speaker 1>Like it's it's really just it's it's that, it's that exposure, man,

0:05:31.640 --> 0:05:33.160
<v Speaker 1>It's it's the media. You know what I'm saying. Once

0:05:33.200 --> 0:05:35.440
<v Speaker 1>we tap into you know, the propaganda. You know, I

0:05:35.640 --> 0:05:38.040
<v Speaker 1>don't do that. You don't get into any of the controversies.

0:05:38.080 --> 0:05:42.400
<v Speaker 1>Exactly the thing that leads to act looks you ask

0:05:42.440 --> 0:05:44.720
<v Speaker 1>some music on top of you. You know what I'm saying.

0:05:44.760 --> 0:05:46.600
<v Speaker 1>But I like to stand my lane and make sure

0:05:46.640 --> 0:05:49.200
<v Speaker 1>my business together and make sure everything that's that's running

0:05:49.200 --> 0:05:51.039
<v Speaker 1>on my ends is operating on the on the on

0:05:51.080 --> 0:05:53.839
<v Speaker 1>the right level. You mentioned, uh being a songwriter first,

0:05:54.520 --> 0:05:58.160
<v Speaker 1>how often do you lend your pen to other artists recently?

0:05:58.240 --> 0:06:00.240
<v Speaker 1>Not that much, you know what I'm saying, Because to

0:06:00.279 --> 0:06:02.680
<v Speaker 1>the point where I was just having this conversation the

0:06:02.720 --> 0:06:05.360
<v Speaker 1>other day, I had wrote a verse for Beyonce this

0:06:05.480 --> 0:06:08.159
<v Speaker 1>Savage remix. You know what I'm saying, But my verse

0:06:08.160 --> 0:06:11.160
<v Speaker 1>don't get used and just off that simple fact of

0:06:11.200 --> 0:06:13.000
<v Speaker 1>me taking my time on my day to write some shit,

0:06:13.080 --> 0:06:14.719
<v Speaker 1>and it don't get you. I ain't got time to

0:06:14.720 --> 0:06:18.400
<v Speaker 1>be you know what I'm saying. Just pausing my day

0:06:18.400 --> 0:06:21.560
<v Speaker 1>to get a placement. So I don't know. It's it's

0:06:21.839 --> 0:06:23.320
<v Speaker 1>if I get if I get a call, I'm you

0:06:23.320 --> 0:06:25.400
<v Speaker 1>know what I'm saying, Say Beyonce Orrinda call me right now,

0:06:25.480 --> 0:06:29.479
<v Speaker 1>say come to the studio and write this pull up.

0:06:29.480 --> 0:06:30.920
<v Speaker 1>But I'm not about to do the middle man. Send

0:06:30.920 --> 0:06:33.599
<v Speaker 1>it to somebody sent. Yeah. Now that's the hustle and

0:06:33.600 --> 0:06:36.360
<v Speaker 1>bustle of the It's like the producer game. I be

0:06:36.400 --> 0:06:39.400
<v Speaker 1>feeling bad. A producers be really just chomping at the

0:06:39.400 --> 0:06:41.320
<v Speaker 1>bitch just to get that place, to get that placement.

0:06:41.320 --> 0:06:42.479
<v Speaker 1>You know what I'm saying, And I ain't got time

0:06:42.480 --> 0:06:43.960
<v Speaker 1>for that. If it's direct, I'm with it. But as

0:06:43.960 --> 0:06:46.240
<v Speaker 1>far as like, I ain't doing that run around. So

0:06:46.320 --> 0:06:49.359
<v Speaker 1>with the Beyonce situation, someone had reached out to a

0:06:49.400 --> 0:06:51.320
<v Speaker 1>middle person that reached out to you. He really was

0:06:51.320 --> 0:06:53.400
<v Speaker 1>in the middle man. He was he was the man, right,

0:06:53.520 --> 0:06:55.960
<v Speaker 1>But you know what I'm saying, Like before that, before

0:06:55.960 --> 0:06:58.320
<v Speaker 1>I wrote that, I ain't really wrote nobody shit in

0:06:58.360 --> 0:07:00.960
<v Speaker 1>a minute. I don't even always. So you just submitted

0:07:00.960 --> 0:07:02.680
<v Speaker 1>a verse. I was just doing he said beyond was

0:07:02.720 --> 0:07:04.560
<v Speaker 1>like ship all right, been right? But you know what

0:07:04.560 --> 0:07:06.600
<v Speaker 1>I'm saying, when it Atlanta, I'm like, come on, man,

0:07:06.640 --> 0:07:09.160
<v Speaker 1>you should just kept whoever you call first. They got

0:07:09.160 --> 0:07:10.680
<v Speaker 1>the verse. You know what I'm saying, Lamb to do it?

0:07:10.680 --> 0:07:12.640
<v Speaker 1>You feel me? But ain't no, ain't no bad feelings,

0:07:12.720 --> 0:07:14.800
<v Speaker 1>bad blood. That's the game. Do you know if she

0:07:14.840 --> 0:07:17.760
<v Speaker 1>cut the verse or you don't know, I never met

0:07:17.760 --> 0:07:20.360
<v Speaker 1>beyond her, that'd mean yeah, I mean, that'd be crazy.

0:07:20.440 --> 0:07:22.520
<v Speaker 1>I'd be crazy. Though. I'm gonna get one though. You

0:07:22.680 --> 0:07:25.680
<v Speaker 1>know who? Like you know you mentioned beyond to Beyonce's legend,

0:07:25.720 --> 0:07:27.760
<v Speaker 1>but like who? Who are the artists that you still

0:07:27.760 --> 0:07:29.440
<v Speaker 1>aspire to be in the same room as that you

0:07:29.440 --> 0:07:35.560
<v Speaker 1>haven't yet mad or worked with? Of course, Jay, you

0:07:35.560 --> 0:07:37.080
<v Speaker 1>know what I'm saying, Me and me and me and

0:07:37.160 --> 0:07:43.160
<v Speaker 1>Drake Overdue. It's a lot, man, It's a lot of

0:07:43.160 --> 0:07:45.120
<v Speaker 1>talented artists in the game. I still want to want

0:07:45.120 --> 0:07:46.440
<v Speaker 1>to tap in with. You know what I'm saying. I

0:07:46.720 --> 0:07:50.040
<v Speaker 1>can name one hundred artists, you know what I'm saying.

0:07:50.040 --> 0:07:51.720
<v Speaker 1>Just the people that y'all ain't hurt me with yet,

0:07:51.960 --> 0:07:53.200
<v Speaker 1>you know what I'm saying. The thugs, you know what

0:07:53.240 --> 0:07:55.320
<v Speaker 1>I'm saying, Like people in my city, that's you know

0:07:55.360 --> 0:07:56.840
<v Speaker 1>what I'm saying. Got a wave going people in l

0:07:56.840 --> 0:07:58.360
<v Speaker 1>A Me and watch still ain't got one on a

0:07:58.440 --> 0:08:00.400
<v Speaker 1>hot to hell. Yeah, you've been like super appain on

0:08:00.440 --> 0:08:02.200
<v Speaker 1>the West Coast too for ye years. Well y G

0:08:02.360 --> 0:08:03.800
<v Speaker 1>was on the cut Off remix. But I don't count

0:08:04.480 --> 0:08:05.400
<v Speaker 1>you know what I'm saying, Like it's a lot of

0:08:05.440 --> 0:08:07.480
<v Speaker 1>folks that I fucked with on the music. You know

0:08:07.480 --> 0:08:09.760
<v Speaker 1>what I'm saying. Level, I'm like ship once that time come,

0:08:10.160 --> 0:08:11.960
<v Speaker 1>I don't never force nothing. I'll be in my own world.

0:08:11.960 --> 0:08:14.680
<v Speaker 1>I do my own thing. So when that, when that,

0:08:14.720 --> 0:08:19.520
<v Speaker 1>when that energy happened, it happened, you know, talk give

0:08:19.520 --> 0:08:21.160
<v Speaker 1>me the rundown of this new album. You got some

0:08:21.200 --> 0:08:24.240
<v Speaker 1>dope features, you got PMB rock, moved Ski Trey songs,

0:08:24.880 --> 0:08:27.600
<v Speaker 1>some R and B features, some yeah. Yeah, the album

0:08:28.080 --> 0:08:30.320
<v Speaker 1>it's just to follow up on Kiss five. You get

0:08:30.320 --> 0:08:33.080
<v Speaker 1>what I'm saying. I got one more deal until I'm

0:08:33.080 --> 0:08:34.880
<v Speaker 1>fully independing. I'm not one more deal, one more project

0:08:34.960 --> 0:08:37.400
<v Speaker 1>till I'm fully independent. So it's just it's just the

0:08:37.440 --> 0:08:40.320
<v Speaker 1>follow up. It's been a year since I dropped the album.

0:08:40.360 --> 0:08:42.800
<v Speaker 1>The last album was Depending in the Pandemic, you know

0:08:42.840 --> 0:08:45.440
<v Speaker 1>what I'm saying, did very well in the pandemic. But

0:08:45.520 --> 0:08:47.040
<v Speaker 1>it's just it's just time for me to you know,

0:08:47.840 --> 0:08:50.040
<v Speaker 1>drop my nuts again, to me ask you this. You're

0:08:50.040 --> 0:08:54.160
<v Speaker 1>going independent once the deals up. Of course, I saw

0:08:54.160 --> 0:08:56.679
<v Speaker 1>you at Gazi's birthday party. That's my dog. You're going

0:08:56.720 --> 0:08:59.240
<v Speaker 1>to Empire. I was already with Empire. Okay, so you're

0:08:59.280 --> 0:09:03.160
<v Speaker 1>gonna after this. It's possible. Okay, guys were just talking

0:09:03.200 --> 0:09:04.920
<v Speaker 1>like two weeks ago. I mean, I'm saying, I saw

0:09:04.920 --> 0:09:07.280
<v Speaker 1>you got his birthday. Yeah, it's possible. You know what

0:09:07.280 --> 0:09:09.200
<v Speaker 1>I'm saying. I really want to just get a feel

0:09:09.280 --> 0:09:11.839
<v Speaker 1>for it. I ain't been independence down fourteen. You know

0:09:11.840 --> 0:09:13.800
<v Speaker 1>what I'm saying. I'm trying to God damn, because you know,

0:09:14.320 --> 0:09:15.839
<v Speaker 1>like I said, I run my own label. I got

0:09:15.840 --> 0:09:20.560
<v Speaker 1>my whole whole situation. We got our own distribution, marketing,

0:09:20.679 --> 0:09:24.040
<v Speaker 1>marketing team, uh playlist and team, we got, we got

0:09:24.040 --> 0:09:26.559
<v Speaker 1>the we got the whole nine independently. So you know,

0:09:26.559 --> 0:09:27.920
<v Speaker 1>I'm saying, I just want to tap in and see

0:09:28.000 --> 0:09:29.719
<v Speaker 1>how much I can do by myself. Give me your

0:09:29.800 --> 0:09:32.240
<v Speaker 1>like rundown because you know, you said, I know one

0:09:32.240 --> 0:09:33.840
<v Speaker 1>of your artists on your album, but kind of tell

0:09:33.880 --> 0:09:36.080
<v Speaker 1>me like about your label, the name and just some

0:09:36.120 --> 0:09:38.320
<v Speaker 1>of some of the artists you're working with. Yeah, where

0:09:38.440 --> 0:09:40.079
<v Speaker 1>sound is just you know what I'm saying, what it

0:09:40.200 --> 0:09:42.840
<v Speaker 1>sounds like. You feel me when I was staying out

0:09:42.880 --> 0:09:46.240
<v Speaker 1>here in LA but like twenty sixteen, in the sixteen

0:09:46.280 --> 0:09:48.559
<v Speaker 1>beginning the seventeen, when we had moved back to Atlanta,

0:09:48.880 --> 0:09:50.679
<v Speaker 1>we used to go by slums, slum lords, you know

0:09:50.679 --> 0:09:51.679
<v Speaker 1>I'm saying. That's when we was on that. You know

0:09:51.679 --> 0:09:54.160
<v Speaker 1>what I'm saying, that bullshit, wild shit. But we had

0:09:54.160 --> 0:09:56.200
<v Speaker 1>to evolve, you know what I'm saying. During that time,

0:09:56.240 --> 0:09:58.040
<v Speaker 1>I came with the name Rare. You know what I'm saying.

0:09:58.040 --> 0:10:00.120
<v Speaker 1>I was really just speaking on my behalf on I

0:10:00.160 --> 0:10:01.800
<v Speaker 1>felt like I was as an artist, I was rare.

0:10:02.559 --> 0:10:04.760
<v Speaker 1>You know, came back to Atlanta. You know, we've been

0:10:04.760 --> 0:10:08.160
<v Speaker 1>building since twenty seventeen since the Rare Project got dropped

0:10:08.160 --> 0:10:09.960
<v Speaker 1>in Atlanta. The first project got dropped when I moved

0:10:09.960 --> 0:10:12.560
<v Speaker 1>back to Atlanta, and it eventually turned the Rare Sound,

0:10:12.600 --> 0:10:15.880
<v Speaker 1>and it just it just became a thing where, you

0:10:15.880 --> 0:10:17.480
<v Speaker 1>know what I'm saying, we wanted to do We wanted

0:10:17.480 --> 0:10:20.160
<v Speaker 1>to do something that haven't been done before in the

0:10:20.200 --> 0:10:22.120
<v Speaker 1>game as far as like structure in the business side,

0:10:22.360 --> 0:10:24.120
<v Speaker 1>right you know what I'm saying, a lot of artists

0:10:24.120 --> 0:10:25.559
<v Speaker 1>get trapped in these deals and do all this. You

0:10:25.600 --> 0:10:28.040
<v Speaker 1>know what I'm saying, get get bullshit out of money.

0:10:28.080 --> 0:10:29.320
<v Speaker 1>And you know what I'm saying, we try to do

0:10:29.360 --> 0:10:33.120
<v Speaker 1>fair deals on rare sound end. We give the artists

0:10:33.120 --> 0:10:35.040
<v Speaker 1>full control creativity. You know what I'm saying. They do

0:10:35.080 --> 0:10:36.559
<v Speaker 1>it they want whoever the artist is. That's what the

0:10:36.600 --> 0:10:38.080
<v Speaker 1>artists gonna be. You know I'm saying. We can always

0:10:38.160 --> 0:10:40.559
<v Speaker 1>chime in and help them out, but we let everybody

0:10:40.640 --> 0:10:44.000
<v Speaker 1>beat them, and it's a win win. If you pop,

0:10:44.160 --> 0:10:46.680
<v Speaker 1>you're gonna get paid. It ain't nobody eating your pockets

0:10:46.720 --> 0:10:48.559
<v Speaker 1>up saying. We're just trying to assist you and get

0:10:48.600 --> 0:10:51.560
<v Speaker 1>you going because I went through the ship where my

0:10:51.600 --> 0:10:53.920
<v Speaker 1>shit was fucked up, and I don't want nobody around

0:10:54.000 --> 0:10:56.079
<v Speaker 1>me feeling the same way I felt, because that can

0:10:56.120 --> 0:10:58.640
<v Speaker 1>either make or break you. You know what I'm saying.

0:10:58.679 --> 0:11:00.880
<v Speaker 1>You get into a fucked up label situation, everybody could

0:11:00.880 --> 0:11:03.720
<v Speaker 1>break it. Everybody out of your seat, Everybody immensely strown.

0:11:03.720 --> 0:11:05.599
<v Speaker 1>They can't can't handle that much shit. You know what

0:11:05.600 --> 0:11:08.000
<v Speaker 1>I'm saying, By the grace of God, I'm built like

0:11:08.000 --> 0:11:09.600
<v Speaker 1>a fucking machine, and I've been through a lot of

0:11:09.600 --> 0:11:12.240
<v Speaker 1>shit and I'm still here, still still hustling, and still

0:11:12.640 --> 0:11:14.960
<v Speaker 1>better than ever. But on the rest noun and we

0:11:14.960 --> 0:11:17.080
<v Speaker 1>try to do fair deals. And like I said, we

0:11:17.120 --> 0:11:19.040
<v Speaker 1>got our own distribution. So whenever you want to draw,

0:11:19.080 --> 0:11:20.400
<v Speaker 1>it's like you got free range of what the fuck

0:11:20.440 --> 0:11:22.440
<v Speaker 1>you want. You're gonna drop every fucking day. We ain't

0:11:22.480 --> 0:11:24.760
<v Speaker 1>gonna tell you we're gonna but if you want to

0:11:24.800 --> 0:11:27.640
<v Speaker 1>drop every day, you got that. You got the range too. Hey,

0:11:27.640 --> 0:11:30.199
<v Speaker 1>interrupting the interview to tell you about our good friends

0:11:30.200 --> 0:11:32.880
<v Speaker 1>at odd Socks. Now, as you can see, I always

0:11:32.880 --> 0:11:34.920
<v Speaker 1>have my odd socks on. Baby. You know what I'm saying,

0:11:35.720 --> 0:11:38.200
<v Speaker 1>Shout out to my bony ass knees. Listen, go to

0:11:38.200 --> 0:11:40.680
<v Speaker 1>odd socks official dot com. They got all the craziest socks.

0:11:41.040 --> 0:11:44.040
<v Speaker 1>These are the outsiders, you know what I'm saying. They

0:11:44.080 --> 0:11:49.559
<v Speaker 1>got SpongeBob, they got Cheech and Chong listen, breaking bad Godfather.

0:11:50.240 --> 0:11:53.520
<v Speaker 1>Whatever you need, they got it. And now they have underwear.

0:11:53.679 --> 0:11:56.320
<v Speaker 1>That's right, you can get your odd socks underwear. The

0:11:56.400 --> 0:11:58.440
<v Speaker 1>boxer briefs are the best underwear that you could ever

0:11:58.480 --> 0:12:00.400
<v Speaker 1>fit on your ass. Trust me when I tell you

0:12:00.840 --> 0:12:04.480
<v Speaker 1>these are Chucky draws? What you know about top ramin underwear?

0:12:04.520 --> 0:12:06.760
<v Speaker 1>All right? Go to odd socksoficial dot com used the

0:12:06.840 --> 0:12:10.680
<v Speaker 1>keyword bootleg cabin checkout and you'll save twenty percent off

0:12:10.800 --> 0:12:16.560
<v Speaker 1>of your order underwear, masks, slippers, socks, whatever you need,

0:12:16.600 --> 0:12:19.160
<v Speaker 1>they got it. Odd socksofficial dot com keyword bootleg cabat

0:12:19.200 --> 0:12:21.760
<v Speaker 1>check out, save twenty percent. What were some situations or

0:12:21.800 --> 0:12:24.240
<v Speaker 1>some things that you had to learn kind of like

0:12:24.280 --> 0:12:27.480
<v Speaker 1>the hard way in the music game. Was it some pubshit?

0:12:27.679 --> 0:12:29.839
<v Speaker 1>Was it the label shit? Man? Was it was all

0:12:29.880 --> 0:12:31.880
<v Speaker 1>the shit? Right? It was all the shit, you know

0:12:31.920 --> 0:12:34.840
<v Speaker 1>what I'm saying, not reading contracts, just being just being

0:12:34.880 --> 0:12:36.360
<v Speaker 1>blind to the money, you know what I'm saying, The

0:12:36.400 --> 0:12:38.520
<v Speaker 1>money coming in and not really taking care of business.

0:12:38.559 --> 0:12:40.480
<v Speaker 1>And the business ended up biting me in the ass

0:12:40.559 --> 0:12:42.559
<v Speaker 1>few years later, and I had to clean up the business.

0:12:43.120 --> 0:12:45.240
<v Speaker 1>And for the past couple of years when people thought

0:12:45.240 --> 0:12:47.480
<v Speaker 1>I was gone, I was cleaning up the business, you

0:12:47.480 --> 0:12:49.440
<v Speaker 1>know what I'm saying. And that took times. To this day,

0:12:49.480 --> 0:12:51.600
<v Speaker 1>I'm still you know what I'm saying. Everything is back

0:12:51.640 --> 0:12:54.360
<v Speaker 1>how it need to be, but it takes time to

0:12:54.440 --> 0:12:56.960
<v Speaker 1>really like take some shit that's fucked up and fix it,

0:12:57.040 --> 0:12:58.880
<v Speaker 1>put all a piece together by yourself, you know what

0:12:58.880 --> 0:13:02.319
<v Speaker 1>I'm saying, Like really like locked in on some you

0:13:02.360 --> 0:13:04.839
<v Speaker 1>know what I'm saying, Pinky and the Brain ship right,

0:13:04.840 --> 0:13:08.520
<v Speaker 1>you feel me so, But I can't complain the days

0:13:08.960 --> 0:13:11.720
<v Speaker 1>would you say? Like, because a lot of artists, like

0:13:11.760 --> 0:13:14.440
<v Speaker 1>you said, they'll they'll get a deal and they won't

0:13:14.559 --> 0:13:17.600
<v Speaker 1>worry so much about the terms, but they'll maybe they'll

0:13:17.600 --> 0:13:21.160
<v Speaker 1>get that front end advance and they're like, yeah, it's beautiful.

0:13:21.920 --> 0:13:23.640
<v Speaker 1>In advance is beautiful, you know what I'm saying, But

0:13:24.240 --> 0:13:28.080
<v Speaker 1>it ain't right for people who don't know like what

0:13:28.240 --> 0:13:30.920
<v Speaker 1>is because I always try to tell artists like, look

0:13:31.040 --> 0:13:34.440
<v Speaker 1>like an advance is cool, but it's not. It's really

0:13:34.880 --> 0:13:36.520
<v Speaker 1>all that matters of your terms because you have to

0:13:36.520 --> 0:13:38.360
<v Speaker 1>pay that money back to give it back. You got

0:13:38.400 --> 0:13:40.640
<v Speaker 1>to give it back, and it's most of the time

0:13:40.679 --> 0:13:45.080
<v Speaker 1>it's at a really bad rate, you know what I'm saying.

0:13:45.840 --> 0:13:48.000
<v Speaker 1>And you know, I think a lot of young artists

0:13:48.040 --> 0:13:50.400
<v Speaker 1>that they make that mistake where they run to whoever

0:13:51.160 --> 0:13:53.400
<v Speaker 1>you always hear about bidding wars and ship You'll be like, well,

0:13:53.400 --> 0:13:56.640
<v Speaker 1>who's got the biggest advance? Sometimes it ain't it's not

0:13:56.720 --> 0:13:59.160
<v Speaker 1>about that for the rate, because you can get you

0:13:59.200 --> 0:14:02.040
<v Speaker 1>can get a large as advance and don't you know

0:14:02.040 --> 0:14:04.199
<v Speaker 1>what I'm saying, don't succeed on the other side. I

0:14:04.240 --> 0:14:06.360
<v Speaker 1>mean you talk about White G. You know I was

0:14:06.400 --> 0:14:08.200
<v Speaker 1>talking to White G. I mean this is on video,

0:14:08.280 --> 0:14:09.840
<v Speaker 1>so it's not like this. He's like, I haven't seen

0:14:09.840 --> 0:14:12.400
<v Speaker 1>any money off my music for real. Yeah, he probably

0:14:12.440 --> 0:14:13.959
<v Speaker 1>got a crazy as adan. We didn't know because he

0:14:14.000 --> 0:14:15.800
<v Speaker 1>signed with Depth jam Ian. He just re upped. But

0:14:15.880 --> 0:14:18.160
<v Speaker 1>before that, like he was like bro like when he

0:14:18.200 --> 0:14:21.720
<v Speaker 1>was unhappy with Depth Chamber was because he probably Yeah,

0:14:21.720 --> 0:14:23.000
<v Speaker 1>you gotta know, yo, you got you know what I'm saying,

0:14:23.000 --> 0:14:25.200
<v Speaker 1>got them it's somebody with platinum records. Yeah, I would

0:14:25.200 --> 0:14:26.280
<v Speaker 1>have never thought that. You know what I'm saying, You

0:14:26.280 --> 0:14:28.000
<v Speaker 1>gotta have them good lawyers on your You know what

0:14:28.000 --> 0:14:30.320
<v Speaker 1>I'm saying. You gotta be in communication with your lawyer.

0:14:30.320 --> 0:14:31.800
<v Speaker 1>You can have a lawyer, but if you ain't talking

0:14:31.800 --> 0:14:34.480
<v Speaker 1>to him. Yeah, Young Blue just told us that, right. Yeah,

0:14:34.520 --> 0:14:37.280
<v Speaker 1>Young Blue was like I got three three was it

0:14:37.280 --> 0:14:40.680
<v Speaker 1>with Colombia? He had three gold records. He's like a

0:14:40.720 --> 0:14:42.640
<v Speaker 1>lot of folks go through that same ship. Ye, but

0:14:42.840 --> 0:14:44.600
<v Speaker 1>you gotta go through. You know what I'm saying. At

0:14:44.800 --> 0:14:46.360
<v Speaker 1>the end of the day, it's how long you're gonna

0:14:46.520 --> 0:14:48.840
<v Speaker 1>you're gonna stand for that ship? You know what I'm saying.

0:14:48.920 --> 0:14:50.840
<v Speaker 1>It also like would you rather have the quick nut

0:14:51.000 --> 0:14:54.640
<v Speaker 1>or like the consistent residual bag every month? Exactly? I

0:14:54.760 --> 0:14:57.640
<v Speaker 1>take the residual bag. Yep, you get what I'm saying.

0:14:57.640 --> 0:14:59.200
<v Speaker 1>But I went to the same face. You know what

0:14:59.200 --> 0:15:01.680
<v Speaker 1>I'm saying. During that time I'm doing that twenty sixteen

0:15:01.840 --> 0:15:03.920
<v Speaker 1>seventeen period, I ain't see a chick. I ain't seen

0:15:04.000 --> 0:15:06.320
<v Speaker 1>music chacking two years. You know what I'm saying. Off

0:15:06.320 --> 0:15:07.920
<v Speaker 1>that event, right, I had to live off just you

0:15:07.960 --> 0:15:09.480
<v Speaker 1>know what I'm saying, the shoulder I had, you know

0:15:09.520 --> 0:15:11.280
<v Speaker 1>what I'm saying, and the ship I had saved up

0:15:11.320 --> 0:15:13.160
<v Speaker 1>and had to figure the shit out and to the

0:15:13.200 --> 0:15:14.680
<v Speaker 1>point where, you know what I'm saying, I did what

0:15:14.720 --> 0:15:16.680
<v Speaker 1>I did, and I cracked, you know what I'm saying,

0:15:16.680 --> 0:15:19.120
<v Speaker 1>the conversation with with the with the uppers, you know,

0:15:19.320 --> 0:15:22.080
<v Speaker 1>and shit got straightened. Well, you're also in a great

0:15:22.120 --> 0:15:24.880
<v Speaker 1>position too, because you have like hits, So no matter what,

0:15:25.040 --> 0:15:26.600
<v Speaker 1>there's always a bag for you to get. You know

0:15:26.640 --> 0:15:29.040
<v Speaker 1>what I'm saying. You can't. You can't tell me. Yeah,

0:15:29.080 --> 0:15:31.040
<v Speaker 1>even within in the building, Like, you can't tell me

0:15:31.080 --> 0:15:33.200
<v Speaker 1>I ain't making no money, right, you can't tell me

0:15:33.240 --> 0:15:35.040
<v Speaker 1>I ain't making no money. All these records, you can't.

0:15:35.080 --> 0:15:37.080
<v Speaker 1>You can't. Yeah, Like there's like not a lot of

0:15:37.120 --> 0:15:39.520
<v Speaker 1>people are in your position where they have that many

0:15:39.560 --> 0:15:41.880
<v Speaker 1>records where they could be like, yo, fuck the label.

0:15:41.920 --> 0:15:46.960
<v Speaker 1>I could just go get ten fifteen and your ketalog. Yeah,

0:15:47.080 --> 0:15:48.840
<v Speaker 1>let me just list that you can do. Now, let

0:15:48.840 --> 0:15:50.360
<v Speaker 1>me go hit the you know, get the back end

0:15:50.400 --> 0:15:53.760
<v Speaker 1>of whatever club or be straight. Yeah, dolphing them running

0:15:53.800 --> 0:15:56.720
<v Speaker 1>place dogs. Yeah what I'm saying, don't killing that shit.

0:15:57.080 --> 0:16:01.360
<v Speaker 1>Jesus christis you feel me? Yeah? Yeah, yeah yeah, dolphs

0:16:01.400 --> 0:16:04.880
<v Speaker 1>on his ship. Man, is there anybody who you said

0:16:04.880 --> 0:16:06.800
<v Speaker 1>you went through it in like twenty sixteen, twenty seventeen,

0:16:06.960 --> 0:16:09.720
<v Speaker 1>anybody like any artists or any any executives that kind

0:16:09.720 --> 0:16:11.480
<v Speaker 1>of mentored you through that, that kind of was like,

0:16:11.640 --> 0:16:14.120
<v Speaker 1>you know, help helped get you to the other side.

0:16:14.440 --> 0:16:16.720
<v Speaker 1>Oh yeah, my management. Now you know what I'm saying,

0:16:16.760 --> 0:16:18.280
<v Speaker 1>shout out to Madden. You know what I'm saying, they

0:16:18.600 --> 0:16:21.200
<v Speaker 1>coached us and really, you know what I'm saying, kept

0:16:21.200 --> 0:16:23.240
<v Speaker 1>our spears high when when shit was you know what

0:16:23.240 --> 0:16:26.240
<v Speaker 1>I'm saying, kind of rocky and shit. So it's not

0:16:26.640 --> 0:16:29.120
<v Speaker 1>too many. Not too many, oh GZ came in and

0:16:29.160 --> 0:16:30.440
<v Speaker 1>got it. But the ones who did, you know what

0:16:30.440 --> 0:16:33.280
<v Speaker 1>I'm saying, fell but grateful, you know, because we really

0:16:33.360 --> 0:16:36.680
<v Speaker 1>just we we tapped in and took it the point ourself,

0:16:36.680 --> 0:16:37.920
<v Speaker 1>me and my business partner, you know what I'm saying,

0:16:37.920 --> 0:16:40.680
<v Speaker 1>Shout out to James and really figured this shit out.

0:16:40.720 --> 0:16:42.160
<v Speaker 1>And V you know what I'm saying, V was locked

0:16:42.200 --> 0:16:43.400
<v Speaker 1>in with us. You know what I'm saying. We were

0:16:43.440 --> 0:16:45.280
<v Speaker 1>just really like trying to figure out the way is

0:16:45.280 --> 0:16:47.960
<v Speaker 1>how the fuck do we get out this bullshit? And

0:16:48.040 --> 0:16:50.040
<v Speaker 1>every day it was as soon as I wake up,

0:16:50.040 --> 0:16:52.680
<v Speaker 1>soon as I opened my eyes, we locked in on

0:16:52.800 --> 0:16:55.680
<v Speaker 1>you know, either we recording or we figuring out what

0:16:55.720 --> 0:16:57.000
<v Speaker 1>the hell we gotta do to get you know what

0:16:57.000 --> 0:17:00.200
<v Speaker 1>I'm saying out shit. So it was every day process. Man,

0:17:00.600 --> 0:17:02.520
<v Speaker 1>I don't regret it because I learned so much in

0:17:02.560 --> 0:17:04.680
<v Speaker 1>that time, you know what I'm saying, as far as

0:17:04.720 --> 0:17:06.879
<v Speaker 1>me being you know what I'm saying, the CEO of

0:17:06.960 --> 0:17:09.719
<v Speaker 1>my label, I learned all the ins and out. It's

0:17:09.720 --> 0:17:11.320
<v Speaker 1>the tricks I'm still learning, but you know what I'm saying,

0:17:11.320 --> 0:17:13.720
<v Speaker 1>It's like I got so much information during that time.

0:17:13.960 --> 0:17:15.720
<v Speaker 1>You mentioned that you moved to LA for a period

0:17:15.760 --> 0:17:17.840
<v Speaker 1>of time. Yeah, it seems like every artist does at

0:17:17.840 --> 0:17:21.679
<v Speaker 1>some point in time. Now, is was that something that

0:17:21.800 --> 0:17:23.879
<v Speaker 1>was like beneficial to you? Because I feel like sometimes

0:17:23.880 --> 0:17:26.000
<v Speaker 1>people come to LA just because it's the thing to do.

0:17:26.240 --> 0:17:27.879
<v Speaker 1>It was, it was, it was I say, fifty to

0:17:27.880 --> 0:17:30.159
<v Speaker 1>fifty when I came out here. We came out here,

0:17:30.160 --> 0:17:32.159
<v Speaker 1>you know what I'm saying, just due to that was

0:17:32.200 --> 0:17:34.480
<v Speaker 1>the beginning of when my shit got fucked up when

0:17:34.480 --> 0:17:35.960
<v Speaker 1>I came to LA. That was when my ship was

0:17:36.000 --> 0:17:38.000
<v Speaker 1>getting rocky Atlanta on my management and all that shit.

0:17:39.280 --> 0:17:42.840
<v Speaker 1>That's why I originally left, like fuck, get away from

0:17:42.840 --> 0:17:43.879
<v Speaker 1>this show, me get out of here, you know what

0:17:43.880 --> 0:17:46.200
<v Speaker 1>I'm saying. Then we came to LA doing l a

0:17:46.320 --> 0:17:49.040
<v Speaker 1>shit lit party in you know what I'm saying, get

0:17:49.200 --> 0:17:51.480
<v Speaker 1>lost in the lifestyle till you know what I'm saying,

0:17:51.480 --> 0:17:53.440
<v Speaker 1>We look back at Atlanta. We about a year and

0:17:53.480 --> 0:17:56.000
<v Speaker 1>a half in LA. Liked what the fuck? Somebody else,

0:17:56.000 --> 0:17:57.560
<v Speaker 1>Poppy or somebody else, like, you know what I'm saying,

0:17:57.560 --> 0:17:59.480
<v Speaker 1>that shit don't ever stop. You know what I'm saying,

0:17:59.480 --> 0:18:01.840
<v Speaker 1>around this time, twenty one savage is bubbling yep. So

0:18:01.880 --> 0:18:03.800
<v Speaker 1>we're like, oh, it's a whole new fucking vibe coming

0:18:03.800 --> 0:18:05.840
<v Speaker 1>through the city, you know what I'm saying. And you

0:18:05.840 --> 0:18:07.960
<v Speaker 1>could tell the energy was different between you know what

0:18:07.960 --> 0:18:09.880
<v Speaker 1>I'm saying, people that we want was cool with. So

0:18:10.359 --> 0:18:12.800
<v Speaker 1>we had to pack our shit up in La as

0:18:12.800 --> 0:18:16.359
<v Speaker 1>we save a lot of money on rent. Boy, Yeah,

0:18:16.560 --> 0:18:18.320
<v Speaker 1>went back to Atlanta. You know what I'm saying. Kiss

0:18:18.320 --> 0:18:19.879
<v Speaker 1>the babies. You know what I'm saying. Did you know

0:18:19.920 --> 0:18:24.480
<v Speaker 1>what I'm saying, Aull the relationships that was fucked up right,

0:18:24.920 --> 0:18:27.240
<v Speaker 1>brought them back together the best way we could. And

0:18:27.320 --> 0:18:28.400
<v Speaker 1>you know what I'm saying, We've been in the city

0:18:28.440 --> 0:18:30.399
<v Speaker 1>ever since, just building that ship. Yeah, tell everybody, I

0:18:30.440 --> 0:18:34.000
<v Speaker 1>feel like Atlanta is the one city in our industry

0:18:34.000 --> 0:18:38.199
<v Speaker 1>and hip hop, in our culture that is literally you

0:18:38.320 --> 0:18:41.720
<v Speaker 1>need Atlanta. You need it like you can't like like

0:18:41.840 --> 0:18:46.280
<v Speaker 1>Atlanta is what is the taste maker of all cities.

0:18:46.280 --> 0:18:48.199
<v Speaker 1>That's the one. It don't matter who you are. You

0:18:48.200 --> 0:18:51.159
<v Speaker 1>could be regional on the West Coast, You'll never be

0:18:51.240 --> 0:18:53.760
<v Speaker 1>anything else but La or West Coast artists And unless

0:18:53.800 --> 0:18:56.120
<v Speaker 1>you go tapping with Atlanta. You gotta tap in man,

0:18:56.200 --> 0:18:59.119
<v Speaker 1>and we knew that. Think about y G right, hy G?

0:18:59.400 --> 0:19:04.000
<v Speaker 1>Why G is hardcore l A West Coast? Remember? And

0:19:04.040 --> 0:19:06.960
<v Speaker 1>then the t T shit happened. And then my head

0:19:06.960 --> 0:19:09.000
<v Speaker 1>of rich Ony quads on the hear and that ship

0:19:09.040 --> 0:19:11.440
<v Speaker 1>put him on a whole other level exactly, and and

0:19:11.440 --> 0:19:13.440
<v Speaker 1>and it works the same way in Atlanta. You know

0:19:13.440 --> 0:19:14.560
<v Speaker 1>what I'm saying. If you, if you, if you even

0:19:14.640 --> 0:19:16.399
<v Speaker 1>came up in Atlanta for so long, you still you

0:19:16.440 --> 0:19:18.680
<v Speaker 1>can look at it as Atlanta artist. Now, Atlanta don't

0:19:18.720 --> 0:19:22.119
<v Speaker 1>need it. I really don't think Atlanta needs LA because

0:19:22.160 --> 0:19:24.000
<v Speaker 1>I think Atlanta don't need l A. But if you

0:19:24.040 --> 0:19:27.040
<v Speaker 1>want to, if you want to make that bridge a Gavin, listen,

0:19:28.000 --> 0:19:32.040
<v Speaker 1>you should tapping with LA because it got too you know,

0:19:32.119 --> 0:19:33.960
<v Speaker 1>it's the West Coast the way you got it's a

0:19:33.960 --> 0:19:35.679
<v Speaker 1>big as mark. The way I look at it is.

0:19:35.840 --> 0:19:40.879
<v Speaker 1>Atlanta music isn't regional music. It's just everywhere. Yeah. If

0:19:40.920 --> 0:19:44.639
<v Speaker 1>you go to the club in l A, eighty to

0:19:44.720 --> 0:19:47.040
<v Speaker 1>seventy percent of the music you're gonna hear, it's gonna

0:19:47.080 --> 0:19:50.400
<v Speaker 1>either be from Atlanta or from Memphis. Yeah, or it's

0:19:50.520 --> 0:19:52.920
<v Speaker 1>the South, the South going crazy. Period. You know what

0:19:52.960 --> 0:19:55.480
<v Speaker 1>I'm saying. Now, if you go to the club in Atlanta,

0:19:55.600 --> 0:19:58.520
<v Speaker 1>you're not You're not gonna hear the West Coast. You

0:19:58.640 --> 0:20:03.600
<v Speaker 1>might hear something here, Roddy the other one, yeah, you might. No.

0:20:03.760 --> 0:20:06.520
<v Speaker 1>But outside of that, if you like Atlanta, you go

0:20:06.560 --> 0:20:10.200
<v Speaker 1>to New York, yeah, you're gonna hear seventy to eighty

0:20:10.240 --> 0:20:12.920
<v Speaker 1>percent South music. You're gonna hear some New York ship

0:20:13.000 --> 0:20:15.360
<v Speaker 1>for sure because you're in New York. That ain't that's

0:20:15.400 --> 0:20:19.600
<v Speaker 1>the difference. You got point. Atlanta's sound is the United States,

0:20:20.160 --> 0:20:23.639
<v Speaker 1>but it's so different though. It's like the sound changed

0:20:23.680 --> 0:20:27.160
<v Speaker 1>so fast down that motherfucker. Though it does, it does,

0:20:27.240 --> 0:20:30.040
<v Speaker 1>but it also it does, but it like, that's what

0:20:30.240 --> 0:20:35.399
<v Speaker 1>makes Atlanta's so important. That's what makes Atlanta so important

0:20:35.400 --> 0:20:38.760
<v Speaker 1>because it dictates the sound everywhere exactly. You know what

0:20:38.800 --> 0:20:42.280
<v Speaker 1>I'm saying, And I agree with you in my whole life.

0:20:42.280 --> 0:20:44.240
<v Speaker 1>And I just seen a lot of this ship. I

0:20:44.320 --> 0:20:46.040
<v Speaker 1>was like, Man, I don't understand artists who don't go

0:20:46.080 --> 0:20:50.200
<v Speaker 1>tap in Atlanta. I've been seeing like you got to man,

0:20:50.600 --> 0:20:53.080
<v Speaker 1>that's an artist. Artists can't tap in Atlanta. We ain't

0:20:53.480 --> 0:20:55.160
<v Speaker 1>with you. Wh ain't fucking with you? There's an artist

0:20:55.160 --> 0:20:57.840
<v Speaker 1>out here the name named Kaln for real, for real. Yeah,

0:20:57.840 --> 0:21:00.520
<v Speaker 1>he did a great job of going to the South

0:21:00.640 --> 0:21:03.960
<v Speaker 1>first tapping it with like, you know, the homie DJ

0:21:04.080 --> 0:21:07.240
<v Speaker 1>Win in Florida and going to Atlanta and setting up shot.

0:21:07.280 --> 0:21:09.000
<v Speaker 1>It was like, yo, that's low key, like you gotta

0:21:09.040 --> 0:21:11.199
<v Speaker 1>do it that way, especially coming from this side, like

0:21:11.359 --> 0:21:13.480
<v Speaker 1>you know what I'm saying, But no, that's the homie though,

0:21:13.520 --> 0:21:17.320
<v Speaker 1>shout out to Atlanta. So this is your last album

0:21:17.640 --> 0:21:19.959
<v Speaker 1>as far as Interscope records. This one the one I'm

0:21:19.960 --> 0:21:21.439
<v Speaker 1>about to draw. This one come out on the thirteenth,

0:21:21.480 --> 0:21:23.520
<v Speaker 1>and I got one more, so you got okay, okay,

0:21:23.520 --> 0:21:25.119
<v Speaker 1>So this one coming out on the thirteenth and my

0:21:25.160 --> 0:21:26.800
<v Speaker 1>mind one more, this one it had been done all right,

0:21:26.840 --> 0:21:28.479
<v Speaker 1>So it's done all right. And then from there you're

0:21:28.480 --> 0:21:30.600
<v Speaker 1>gonna you're gonna get back to the indie grind. I'm

0:21:30.640 --> 0:21:32.680
<v Speaker 1>get beast ton endiegrind. Lest somebody offer me your bag,

0:21:32.720 --> 0:21:35.600
<v Speaker 1>I can't refuse. That's fair as long as them terms

0:21:35.600 --> 0:21:37.000
<v Speaker 1>a right. Yeah, long as the terms right. You know

0:21:37.040 --> 0:21:38.439
<v Speaker 1>what I'm saying, Because I know how to I know

0:21:38.440 --> 0:21:40.040
<v Speaker 1>how to stretch the money, So you know what I'm

0:21:40.040 --> 0:21:42.400
<v Speaker 1>saying if anybody give me what I'm when you say

0:21:42.400 --> 0:21:43.919
<v Speaker 1>you know how to stretch the money, Like, what are

0:21:43.920 --> 0:21:46.919
<v Speaker 1>some things that you noticed artists fucking money off on that?

0:21:47.000 --> 0:21:49.080
<v Speaker 1>You're like, man, you don't really gotta do that. Like

0:21:49.119 --> 0:21:50.879
<v Speaker 1>I'm not even talking about like jewelry or shit. I

0:21:50.880 --> 0:21:54.359
<v Speaker 1>mean like music shit, Like it's is certain shit. If

0:21:54.400 --> 0:21:56.199
<v Speaker 1>you don't know what to hear you you paying foe,

0:21:56.520 --> 0:21:57.760
<v Speaker 1>you're gonna get you know what I'm say, You're gonna

0:21:57.760 --> 0:22:00.720
<v Speaker 1>get finxt it's a for next game we infinitition. I

0:22:00.760 --> 0:22:04.400
<v Speaker 1>still see artists like cutting bags to people who will

0:22:04.400 --> 0:22:08.880
<v Speaker 1>get you blog placements. You feel me like, and that's prime.

0:22:08.960 --> 0:22:10.560
<v Speaker 1>It doesn't matter if you don't know what you're doing.

0:22:10.960 --> 0:22:12.480
<v Speaker 1>If you got this guy said, he give me on

0:22:12.520 --> 0:22:14.240
<v Speaker 1>Complex for a thousand dollars, I'm like, bro, it doesn't

0:22:14.240 --> 0:22:16.399
<v Speaker 1>matter if you get on Complex. It's not it's not

0:22:16.440 --> 0:22:18.600
<v Speaker 1>twenty twelve. Bro. You might well do something viral and

0:22:18.720 --> 0:22:20.760
<v Speaker 1>send yourself up in a viral network or something for

0:22:20.800 --> 0:22:23.080
<v Speaker 1>one thousand dollars and get mold cloud. How do you

0:22:23.119 --> 0:22:25.400
<v Speaker 1>feel about like just kind of like the way TikTok's

0:22:25.480 --> 0:22:30.040
<v Speaker 1>kind of changing the way, I mean, it's really changed music. Look,

0:22:31.160 --> 0:22:33.000
<v Speaker 1>have you had like a TikTok moment yet where like

0:22:33.119 --> 0:22:35.600
<v Speaker 1>maybe I bust TikTok side of the head man Lotter,

0:22:35.680 --> 0:22:38.159
<v Speaker 1>it was TikTok. That was all TikTok. Yeah, that sh

0:22:38.200 --> 0:22:39.680
<v Speaker 1>it was that was the one that opened the flood?

0:22:39.760 --> 0:22:41.679
<v Speaker 1>Was that on purpose? Like did you put somebody? What

0:22:41.840 --> 0:22:44.600
<v Speaker 1>just happened? It just happened. Happened organically, you know what

0:22:44.640 --> 0:22:48.080
<v Speaker 1>I'm saying. And you know that the downside of it,

0:22:48.080 --> 0:22:50.920
<v Speaker 1>I don't really get the benefits financially from that because

0:22:50.920 --> 0:22:54.040
<v Speaker 1>it was some new ship. Yeah you don't. Yeah, yeah, yeah,

0:22:54.040 --> 0:22:55.320
<v Speaker 1>because that was that was like a year and a half.

0:22:55.720 --> 0:22:57.520
<v Speaker 1>That was just some some some new ship. So you know,

0:22:57.560 --> 0:23:01.120
<v Speaker 1>I didn't really get to see the full But yeah, man,

0:23:01.280 --> 0:23:03.320
<v Speaker 1>like we said that, we said the blueprint. Do you

0:23:03.320 --> 0:23:05.320
<v Speaker 1>know we want to we want a Cleo Award for that.

0:23:05.640 --> 0:23:09.280
<v Speaker 1>Do you see someone like t Paine who's on TikTok

0:23:09.320 --> 0:23:12.960
<v Speaker 1>and on Twitch like going crazy, he's hilarious, funny. Do

0:23:12.960 --> 0:23:15.239
<v Speaker 1>you see ship like that? And like, because I feel like,

0:23:15.480 --> 0:23:20.920
<v Speaker 1>you know, if you overexpose yourself sometimes it could be bad.

0:23:21.200 --> 0:23:23.120
<v Speaker 1>But if you got a great personality and you got

0:23:23.119 --> 0:23:25.040
<v Speaker 1>a lot like like dope content to bring at the

0:23:25.040 --> 0:23:27.720
<v Speaker 1>table could be a good thing for sure. Strengthen your brand,

0:23:27.760 --> 0:23:29.320
<v Speaker 1>is that something like where you're like, man, I need

0:23:29.320 --> 0:23:31.720
<v Speaker 1>to maybe do more as far as getting my personality,

0:23:31.760 --> 0:23:33.760
<v Speaker 1>getting who I am out there more, Yeah, I think

0:23:33.800 --> 0:23:35.080
<v Speaker 1>about that all the time. You know what I'm saying.

0:23:35.080 --> 0:23:36.720
<v Speaker 1>Every day, I'm trying to figure out what's my niche

0:23:36.720 --> 0:23:38.919
<v Speaker 1>that I can just do it or it don't seem forced,

0:23:38.960 --> 0:23:40.720
<v Speaker 1>you know what I'm saying, Like right now, I'm heavy

0:23:40.760 --> 0:23:43.080
<v Speaker 1>on YouTube. You know what I'm saying. I do float sessions.

0:23:43.119 --> 0:23:45.760
<v Speaker 1>I bring my fans in to my world. You like

0:23:45.760 --> 0:23:49.159
<v Speaker 1>stream Nah, just just you know what I'm saying, just

0:23:49.200 --> 0:23:51.280
<v Speaker 1>everyday lifestyle type shit. You know what I'm saying, I

0:23:51.320 --> 0:23:54.280
<v Speaker 1>really do that just to get get a folks a

0:23:54.320 --> 0:23:57.160
<v Speaker 1>new insight on k camp just not just an album

0:23:57.280 --> 0:23:59.680
<v Speaker 1>or me just rapping the ship. But as far as

0:23:59.680 --> 0:24:02.760
<v Speaker 1>me being on TikTok doing all that ship ship, I can't.

0:24:02.840 --> 0:24:04.320
<v Speaker 1>You know what I'm saying, I ain't got the time

0:24:04.359 --> 0:24:06.639
<v Speaker 1>for it, and I don't want to know that. It's

0:24:06.720 --> 0:24:08.560
<v Speaker 1>something I ain't like. I ain't about to be just

0:24:08.600 --> 0:24:11.000
<v Speaker 1>doing all that crazy ship just for something. I feel you, Bro,

0:24:11.040 --> 0:24:13.920
<v Speaker 1>I'm cool, Bro, the TikTok shit is. It's a diffic

0:24:14.080 --> 0:24:15.840
<v Speaker 1>it's for me. I haven't even cracked the cookie. It's

0:24:15.840 --> 0:24:17.840
<v Speaker 1>a different world. Bro shout out my girl mon because

0:24:17.880 --> 0:24:19.800
<v Speaker 1>she'd be doing all my TikTok. She just takes pieces

0:24:19.800 --> 0:24:22.000
<v Speaker 1>for my interviews and post them. But yeah, it's ways

0:24:22.080 --> 0:24:23.639
<v Speaker 1>she's ship like Noah, but I'll be like that. I

0:24:23.680 --> 0:24:27.720
<v Speaker 1>know I want to do some original like ship on there,

0:24:27.760 --> 0:24:29.520
<v Speaker 1>but every time I open it up, I'm like, man,

0:24:29.560 --> 0:24:32.320
<v Speaker 1>I'm a grown ass man. You feel me exactly exactly.

0:24:32.359 --> 0:24:34.600
<v Speaker 1>But a lot of folks love that ship, man. You know,

0:24:34.720 --> 0:24:37.040
<v Speaker 1>say it worked for some that work, It don't work

0:24:37.040 --> 0:24:39.200
<v Speaker 1>for some motherfuckers. But would you ever get on Twitch

0:24:39.400 --> 0:24:42.520
<v Speaker 1>do the gaming ship? Yeah? Do you play games? Yeah?

0:24:42.960 --> 0:24:45.880
<v Speaker 1>Two K call of duty? Hey man? That for two?

0:24:46.200 --> 0:24:48.639
<v Speaker 1>That ship is a bag. It is a bag. My

0:24:48.680 --> 0:24:50.639
<v Speaker 1>manager was just telling us about that. They're paying folks

0:24:50.680 --> 0:24:54.119
<v Speaker 1>to uh to do it. But listen, there's someone I

0:24:54.160 --> 0:24:57.399
<v Speaker 1>know very well who's an artist who got paid one

0:24:57.480 --> 0:25:00.919
<v Speaker 1>hundred and eighty thousand dollars for real too play games

0:25:00.960 --> 0:25:05.639
<v Speaker 1>for two hours and talk about seven eleven's pizza for

0:25:06.320 --> 0:25:09.520
<v Speaker 1>during the just while he was playing video games. Hey v,

0:25:09.680 --> 0:25:13.080
<v Speaker 1>let me get that. So you out there, that was Twitch?

0:25:14.359 --> 0:25:17.120
<v Speaker 1>I need that hundred Eddy k for two hours talking

0:25:17.119 --> 0:25:19.600
<v Speaker 1>about pizza on Twitch. You gotta get that Twitch. That

0:25:19.640 --> 0:25:21.880
<v Speaker 1>Twitch is a movie. Yeah, I remember you saying something

0:25:21.880 --> 0:25:25.880
<v Speaker 1>about a couple of weeks ago. Let's yeah do that? Well? Look,

0:25:25.920 --> 0:25:29.919
<v Speaker 1>so the album after this album comes out, when is

0:25:29.960 --> 0:25:32.720
<v Speaker 1>the timeline to get the other one out? Out your deal?

0:25:34.040 --> 0:25:35.800
<v Speaker 1>I had a different timeline in my head, but it didn't.

0:25:35.800 --> 0:25:38.000
<v Speaker 1>It didn't work out like I thought. Are you trying

0:25:38.000 --> 0:25:39.920
<v Speaker 1>to get the album out before the end of the

0:25:39.960 --> 0:25:42.879
<v Speaker 1>year your last album? Rather if I could, I would.

0:25:43.520 --> 0:25:45.240
<v Speaker 1>Is it up to you or what the major label thing? Do?

0:25:45.320 --> 0:25:48.960
<v Speaker 1>They got to agree terms? It's the terms, you know

0:25:48.960 --> 0:25:51.159
<v Speaker 1>what I'm saying. You gotta just play play by the

0:25:51.240 --> 0:25:53.320
<v Speaker 1>rules and the terms and the agreements that everybody, you

0:25:53.359 --> 0:25:55.480
<v Speaker 1>know what I'm saying, agreed on. But if I could,

0:25:55.520 --> 0:25:57.400
<v Speaker 1>I would. But I say, you know what I'm saying,

0:25:57.600 --> 0:26:00.640
<v Speaker 1>quarter one Q two from next year, around that time,

0:26:00.680 --> 0:26:04.880
<v Speaker 1>I should be free m the last album probably came out.

0:26:05.240 --> 0:26:07.760
<v Speaker 1>I don't want We're gonna see get you back on Empire,

0:26:07.800 --> 0:26:11.360
<v Speaker 1>you know what I'm saying, Shut of the empire anymore? Empire?

0:26:11.359 --> 0:26:14.280
<v Speaker 1>You know what I'm saying, there it is. Man. Well,

0:26:14.280 --> 0:26:16.280
<v Speaker 1>look I appreciate you pulling up. I don't know what

0:26:16.280 --> 0:26:18.240
<v Speaker 1>what's your single? Introduce it man? For the radio show

0:26:18.920 --> 0:26:20.960
<v Speaker 1>right now, I can't even tell you the single. Once

0:26:21.000 --> 0:26:22.520
<v Speaker 1>we drove the alum, were gonna let the fans shore.

0:26:23.040 --> 0:26:26.040
<v Speaker 1>But game a free, game a free You need the

0:26:26.119 --> 0:26:28.880
<v Speaker 1>song to introduce for the radio show. For the radio show,

0:26:28.880 --> 0:26:31.080
<v Speaker 1>We're gonna get youall guts stand now, which wan should

0:26:31.080 --> 0:26:32.200
<v Speaker 1>we be give? But by the way, there's a song

0:26:32.240 --> 0:26:34.359
<v Speaker 1>called Guts Guts. It's just about being inside of a

0:26:34.359 --> 0:26:37.119
<v Speaker 1>woman's guts. It's a line in the song saying that,

0:26:37.160 --> 0:26:42.040
<v Speaker 1>but it ain't about you know what I'm saying, Hey man,

0:26:42.080 --> 0:26:44.119
<v Speaker 1>it's his k compt Man. They see his Guts featuring

0:26:44.160 --> 0:26:46.320
<v Speaker 1>True Story t produced by six and eight. You know

0:26:46.359 --> 0:26:49.440
<v Speaker 1>what I'm saying. Let's get into it. Guts, ladies and gentlemen. Yeah, gets,

0:26:49.760 --> 0:26:53.160
<v Speaker 1>get some guts, get some guts every night. Perfect