WEBVTT - The Mysterious Boot Club

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<v Speaker 1>Family Secrets is a production of I Heart Radio. There

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<v Speaker 1>is a question mark almost lost in a sea of

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<v Speaker 1>names on the walls of an old synagogue in Prague.

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<v Speaker 1>Visitors hushed children as they passed through each chamber of

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<v Speaker 1>the Pincus Memorial. It is hard not to be overwhelmed

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<v Speaker 1>by the dizzying display of black and red letters. They

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<v Speaker 1>memorialize seventy seven thousand, two hundred and ninety seven individuals.

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<v Speaker 1>Each was a resident of the Czech districts of Bohemia

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<v Speaker 1>and Moravia during the war. All were victims of the Nazis.

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<v Speaker 1>Next to every name is stenciled the date of birth,

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<v Speaker 1>and next to each state of birth neatly sits the

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<v Speaker 1>date of death. One entry bears the name of my father,

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<v Speaker 1>Hannas Stanislav Norman, born on February nine one. It is different,

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<v Speaker 1>unlike the others on the wall, it has no date

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<v Speaker 1>of death. Instead, carefully calligraphed, there's an incongruous and bald

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<v Speaker 1>black question mark. I visited the memorial in nineteen ninety

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<v Speaker 1>seven as a tourist, unaware of any link with the synagogue.

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<v Speaker 1>Scanning across the top all to my right as I

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<v Speaker 1>descended the steps into the first chamber. I was astounded

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<v Speaker 1>to see my father's name. He was then very much alive,

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<v Speaker 1>settled and working in Cadakas, and yet the bold question

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<v Speaker 1>mark was there, both jarring an oddly opposite. This was

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<v Speaker 1>the first time and I had seen the query inked

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<v Speaker 1>on the wall. But questions about my father had emerged

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<v Speaker 1>long before my quest for answer started, when I was

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<v Speaker 1>just a little girl, living across an ocean and a

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<v Speaker 1>sea in a very different world. That's Ariana noym It,

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<v Speaker 1>a writer and mother of three who currently lives with

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<v Speaker 1>her family in London. Arianna's first book, When Time Stopped,

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<v Speaker 1>a memoir of my father's war and What Remains is

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<v Speaker 1>just out, and it centers on an extraordinary secret held

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<v Speaker 1>tightly at the very core of her father's life, one

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<v Speaker 1>he never spoke of while he was living. Ariana, as

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<v Speaker 1>the sole heir to a vanished world, painstakingly brings an

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<v Speaker 1>entire lost family to life. I'm Danny Shapiro, and this

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<v Speaker 1>is family secrets, the secrets that are kept from us,

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<v Speaker 1>the secrets we keep from others, and the secrets we

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<v Speaker 1>keep from ourselves. So I grew up in the Venezuela

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<v Speaker 1>of the seventies, and which is completely disintu course than

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<v Speaker 1>the Venezuelage day. It was then at place billed with

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<v Speaker 1>promise and with light. There were theaters being built, museums, schools, airports, roads.

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<v Speaker 1>It was really a place of potential. It was seen

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<v Speaker 1>as the capital of South America, really bustling and vibrates,

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<v Speaker 1>and of course the nature there is absolutely useful and

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<v Speaker 1>in this at least wonderful surroundings in this wonderful country.

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<v Speaker 1>Was my father, and she was involved in everything. He

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<v Speaker 1>had industries, he had newspapers, he was involved in museums,

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<v Speaker 1>he was setting up schools and had set up as

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<v Speaker 1>design institution at a university to study business. He was

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<v Speaker 1>involved in charity. So he was really vibrant, engaged person.

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<v Speaker 1>And I lived in this beautiful house in the center

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<v Speaker 1>of practice, with stunning gardens, and it was just a

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<v Speaker 1>plaise built with colors and joys, and you know, garms

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<v Speaker 1>were lush, and they were parents and slots, and it

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<v Speaker 1>was really a pretty magical place. Tell me more about

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<v Speaker 1>life with your parents, Maybe describe your mother a little

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<v Speaker 1>bit to me as well. She was quite an old father.

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<v Speaker 1>My mother was twenty years younger, and she was just

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<v Speaker 1>stunningly beautiful um and she was also involved in the arts,

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<v Speaker 1>and as I grew up, she was involved in anitary

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<v Speaker 1>of culture and started a ballet company. So, you know,

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<v Speaker 1>my house was filled with interesting people, bill with politicians,

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<v Speaker 1>with artists, with ballet dancers, and there was a constant

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<v Speaker 1>flock of you know, people of ideas. You just felt

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<v Speaker 1>that you were in the center of it all. And

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<v Speaker 1>my parents were very much in love with each other,

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<v Speaker 1>thanking people seemed to be just in love with them.

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<v Speaker 1>People were just flowing into this house and surrounding them

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<v Speaker 1>all the time. My parents were quite social. They weren't

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<v Speaker 1>super involved in my upbringing in the ways that we're

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<v Speaker 1>involved and children stop bringing now, so they want to

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<v Speaker 1>sort of checking on my homework and taking me to

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<v Speaker 1>school and things like that. But I was very much

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<v Speaker 1>part of their world and part of their you know,

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<v Speaker 1>I just milled about these gardens and sat around with

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<v Speaker 1>these people and attended the sort of brings parties that

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<v Speaker 1>they gave, and you know, whatever they were in meetings,

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<v Speaker 1>I just tapped there are my mother's lap and was

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<v Speaker 1>part of it. Really. Ariana was unfazed by her unusual

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<v Speaker 1>and in many ways magical childhood. What she really wanted,

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<v Speaker 1>what was most interesting to her, was to have a

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<v Speaker 1>mystery to solve. She sort of took over the family's kennel.

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<v Speaker 1>The Neuman's had really larger dogs, Great Danes and Rottweiler's,

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<v Speaker 1>so it was a big kennel and Arianna would sit

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<v Speaker 1>in it on a crate, and she turned it into

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<v Speaker 1>a library of sorts. A favorite, unsurprisingly was Nancy Drew.

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<v Speaker 1>Arianna was an only child, quite isolated in many ways.

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<v Speaker 1>I so relate to this, the dreamy only child who

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<v Speaker 1>spends a lot of time reading and solving mysteries. She

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<v Speaker 1>even starts a detective club with a cousin and some friends,

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<v Speaker 1>called the Mysterious Boot Club. Arianna, what do you think

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<v Speaker 1>that was about? I was so taken by that in

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<v Speaker 1>your book, the idea that you wanted to be a

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<v Speaker 1>detective as a child, and that you created this mysterious

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<v Speaker 1>boot club. And of course hindsight is twenty twenty, but

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<v Speaker 1>what was the sense you had that there were mysteries

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<v Speaker 1>to be solved? I just thought, why wouldn't everyone want

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<v Speaker 1>to solve mysteries? And what I realized now is that

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<v Speaker 1>I obviously spent that there was a mystery there that

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<v Speaker 1>there were things that we're obviously not being told to me,

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<v Speaker 1>and my father really was at the center of this mystery.

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<v Speaker 1>The Aldren Slash detectives, who were members of the Mysterious

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<v Speaker 1>Boot Club kept an eye on Ariana's father. He never

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<v Speaker 1>ever spoke about feelings. He was always talking about ideas

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<v Speaker 1>and concept and you know, sort of the puzzled or

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<v Speaker 1>he was repairing watches. He was absolutely obsessed by this

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<v Speaker 1>watch connection that he had. And it wasn't the normal

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<v Speaker 1>sort of obsession with some triality and time that you know,

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<v Speaker 1>a successful man would have because he wants to maximize

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<v Speaker 1>his time in order to be more efficient. It was

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<v Speaker 1>a real obsession and at the same time, I think

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<v Speaker 1>he found fullest there. I think there was a therapy

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<v Speaker 1>to it. But whenever he was with his watches, he

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<v Speaker 1>would lock himself in a room and a room that

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<v Speaker 1>no one else had keys to and that was completely

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<v Speaker 1>dark and windowless, and he would just spend hours there,

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<v Speaker 1>as far as I could tell, just observing mechanisms and

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<v Speaker 1>making sure that these watches worked. He was absolutely mystordical

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<v Speaker 1>and obsessed with orders. So if he looked at his

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<v Speaker 1>record collection, you know, it was all aligned by category

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<v Speaker 1>of music by composers. They all had different little colors,

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<v Speaker 1>and they all had to be absolutely perfect. He had

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<v Speaker 1>always quirks and all these obsessions. And then one of

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<v Speaker 1>these afternoons, one of my cousins reported that he had

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<v Speaker 1>seen my father moved a books, and that my father

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<v Speaker 1>had moved a book from that room at the back

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<v Speaker 1>of the house where he kept his watchers and when

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<v Speaker 1>he repaired his watches, and that he had moved the

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<v Speaker 1>box and then slightly all the manner. There was something

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<v Speaker 1>peculiar about the way he carried the books, and he

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<v Speaker 1>carried it into this room, which was sort of the

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<v Speaker 1>library in our house. And my cousin reported that, you know,

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<v Speaker 1>there was obviously something precious in the books, and must

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<v Speaker 1>be maybe it was the jeweled watches or something. I

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<v Speaker 1>waited for everyone to go, and I went and I

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<v Speaker 1>found this book, and when I opened it, I was

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<v Speaker 1>quite a delusion. There was actually no treature, no to

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<v Speaker 1>old watching, which is some old papers. And one of

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<v Speaker 1>the old papers I found was terrifying because it was

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<v Speaker 1>the photograph of my father as a young man, and

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<v Speaker 1>I recognized it had be very distinct. I um so

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<v Speaker 1>I knew it was him, But right underneath this picture

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<v Speaker 1>of my father was the stamp of HIT there. And

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<v Speaker 1>I was pretty young, but old enough to know that

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<v Speaker 1>he was obviously not a good guy. And then it

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<v Speaker 1>was stated ninety three, It said er Lynn, and that

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<v Speaker 1>made no sense because I knew my father actually was

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<v Speaker 1>a check immigrant and I knew that he had come

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<v Speaker 1>from Proud And then the name was someone else's name.

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<v Speaker 1>It wasn't Harns Moylan. That's obviously completely threw me. And

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<v Speaker 1>what I did that afternoon is I ran to my

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<v Speaker 1>mother and I said, he's an impostor. And I think

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<v Speaker 1>that is also a very telling because I don't think

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<v Speaker 1>that my children found an ID card. When my husband's

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<v Speaker 1>photograph that someone else's name, the reaction would not be

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<v Speaker 1>to say demands an impostor. So I think that speaks

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<v Speaker 1>to the fact that there was obviously some mystery there

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<v Speaker 1>and that I was aware of it, but there was

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<v Speaker 1>something that my father was not telling me, possibly not

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<v Speaker 1>telling others. That was probably the first two. And when

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<v Speaker 1>I saw that all these other moments, what the fund

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<v Speaker 1>became relevant to all these spilences or you know, there

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<v Speaker 1>were whenever he spoke to my father, Um, he was

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<v Speaker 1>incredibly engaged. But if you asked him about the past,

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<v Speaker 1>if you asked him about par because you asked him

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<v Speaker 1>about his family, there would be a time minute talk

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<v Speaker 1>with silence, and then he had moved the conversation swiss

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<v Speaker 1>ly on. He just absolutely was accused to speak about

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<v Speaker 1>the past or about his family. And then there were

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<v Speaker 1>the nightmare So when I was a child, just stept

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<v Speaker 1>down the corridor from my parents, and there were punch

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<v Speaker 1>of nights where I was just woken up by these

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<v Speaker 1>horrific screams, and it was my father and my father

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<v Speaker 1>screaming in a language that I didn't understand, and I

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<v Speaker 1>just remember sort of waking up terrified and finding my

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<v Speaker 1>father covered and sweat and my mother trying to sort

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<v Speaker 1>of call and dace. You know, that was obviously also unusual.

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<v Speaker 1>Why would a man who was so successful, so seemingly happy,

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<v Speaker 1>so carefree, wake up screaming in the night. What did

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<v Speaker 1>your mother say when you first found the contents of

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<v Speaker 1>the box and you found this strange document and said,

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<v Speaker 1>Dad's an impostor? What was her response to that? My mother,

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<v Speaker 1>she's very open and very soothing, and she's basically just said,

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<v Speaker 1>don't worry too much about this. I'm not worried about it.

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<v Speaker 1>You shouldn't worry about it. And that was sort of

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<v Speaker 1>general seeing whenever I asked. Having said that, I could

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<v Speaker 1>have never asked my father outright, because that's very cute

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<v Speaker 1>time that I did. The response was just so overwhelmingly

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<v Speaker 1>emotional and awful that I just couldn't. Ariana tuxs this

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<v Speaker 1>information or non information away in that hidden place where

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<v Speaker 1>we put things we don't yet comprehend. She heads to

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<v Speaker 1>the States for college, and at Tufts University, she has

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<v Speaker 1>approached on the first day of orientation for international students

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<v Speaker 1>by a freshman from Mexico, a guy who actually delivers

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<v Speaker 1>the line, hey, we should meet up because we're both

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<v Speaker 1>good looking, we're both Latin American, and we're both Jewish,

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<v Speaker 1>to which Ariana comes back with the perfect rejoinder, the

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<v Speaker 1>kind of thing you usually think of after the fact.

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<v Speaker 1>She says, listen, you're not good looking and I'm not Jewish,

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<v Speaker 1>but the comment stays with her. It's the first time

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<v Speaker 1>anyone has ever used the word Jewish in reference to Ariana.

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<v Speaker 1>Venezuela was such a melting pot culture back then, that

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<v Speaker 1>the Neumans were surrounded by people of every religion and background,

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<v Speaker 1>but no one was ever categorized in terms of their religion,

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<v Speaker 1>not until Ariana's new friend decided to point it out,

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<v Speaker 1>based simply on her surname, Neuman, a Jewish name. I

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<v Speaker 1>called my father a couple of days later, and I

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<v Speaker 1>called him up and I said that us Mexican kid

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<v Speaker 1>just came up to me and said I was Jewish

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<v Speaker 1>and he just on silent. Understand, man was constantly talking,

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<v Speaker 1>and you know, he was more than animated, and silence

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<v Speaker 1>was an unusual thing unless he was preparing his watches

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<v Speaker 1>of writing or reading. He said, what do you mean

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<v Speaker 1>and I said, well, he said, we have Jewish blood.

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<v Speaker 1>And his voice started to shake and he said, please

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<v Speaker 1>that you ever used that term with me. That is

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<v Speaker 1>what the Nazis said about us. And he just took

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<v Speaker 1>the framed up. In your book, you write, there were

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<v Speaker 1>hints before peppered across my memories, were moments that jarred,

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<v Speaker 1>instances of disquiet. The cracks had been there all along,

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<v Speaker 1>you know. I think with family secrets, when we discover

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<v Speaker 1>something is as important as what we discover when we're

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<v Speaker 1>ready or not ready to discover something can really alter

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<v Speaker 1>and effect the way that we then contend with or

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<v Speaker 1>metabolize it. I think that's absolutely right, and I realized,

0:14:32.080 --> 0:14:34.200
<v Speaker 1>I mean, you have to be ready to do these

0:14:34.200 --> 0:14:38.200
<v Speaker 1>things and to absorb. We'll be back in a moment

0:14:38.240 --> 0:14:50.480
<v Speaker 1>with more family secrets. Ariana's first child, a son, has

0:14:50.560 --> 0:14:53.080
<v Speaker 1>just been born when her father dies after an extended

0:14:53.120 --> 0:14:58.880
<v Speaker 1>illness in September of two. Never does Hans Neuman break

0:14:58.960 --> 0:15:02.560
<v Speaker 1>his silence about his past. There is no laden life

0:15:02.640 --> 0:15:07.120
<v Speaker 1>unburdening to his only daughter. But what does happen is

0:15:07.200 --> 0:15:11.160
<v Speaker 1>even more remarkable than a lifetime of silence. He leaves

0:15:11.280 --> 0:15:16.360
<v Speaker 1>Ariana the box. Yes, the box, the very one she

0:15:16.480 --> 0:15:20.760
<v Speaker 1>snooped through once as founding member of the mysterious Boot Club.

0:15:21.520 --> 0:15:25.600
<v Speaker 1>She hasn't seen it since, and now the box and

0:15:25.640 --> 0:15:30.240
<v Speaker 1>the history it will yield is hers. In death, Hans

0:15:30.360 --> 0:15:35.000
<v Speaker 1>is giving Ariana permission, no more than permission. This is

0:15:35.040 --> 0:15:40.320
<v Speaker 1>an exportation to piece together and investigate their lost family history.

0:15:41.040 --> 0:15:44.360
<v Speaker 1>But she isn't ready. How can she be. She's just

0:15:44.480 --> 0:15:48.440
<v Speaker 1>embarked on the most optimistic adventure of building her own family.

0:15:49.560 --> 0:15:53.280
<v Speaker 1>As you know, when you start a wonderful relationship with

0:15:53.360 --> 0:15:57.200
<v Speaker 1>someone and you decide to children into this world. You

0:15:57.320 --> 0:15:59.520
<v Speaker 1>have to be in a particular frame of mind. You're

0:15:59.560 --> 0:16:02.080
<v Speaker 1>happy with your present who are looking into the future

0:16:02.640 --> 0:16:06.640
<v Speaker 1>with excitement. So to turn around and and delve into

0:16:06.720 --> 0:16:08.960
<v Speaker 1>a path which I then thought was going to be

0:16:09.080 --> 0:16:12.600
<v Speaker 1>just filled with horror and darkness. I just thought I

0:16:12.640 --> 0:16:16.840
<v Speaker 1>couldn't handle. I just couldn't read the letters and then

0:16:16.960 --> 0:16:19.200
<v Speaker 1>go back and you know, read fairy tales for my

0:16:19.280 --> 0:16:21.360
<v Speaker 1>children at night, and do the voices for the very

0:16:21.440 --> 0:16:25.680
<v Speaker 1>hungry chime press. It wasn't compatible. So it wasn't until

0:16:25.720 --> 0:16:27.840
<v Speaker 1>they grew up a little bit more, you know, I

0:16:27.880 --> 0:16:30.360
<v Speaker 1>did little by little why it had the letters translated,

0:16:30.720 --> 0:16:33.240
<v Speaker 1>and every so often, you know, when sort of the

0:16:33.400 --> 0:16:36.440
<v Speaker 1>kids were at school and nursery and my husband was

0:16:36.440 --> 0:16:39.240
<v Speaker 1>at work, and I just felt brave, I would dip

0:16:39.320 --> 0:16:43.520
<v Speaker 1>into one of the letters. Arianna keeps the box in

0:16:43.600 --> 0:16:47.600
<v Speaker 1>an antique contraption that looks like three wooden steps, like

0:16:47.640 --> 0:16:51.000
<v Speaker 1>the beginning of a staircase to nowhere. The contraption is

0:16:51.040 --> 0:16:54.360
<v Speaker 1>in her office where she writes, but inside there's a

0:16:54.440 --> 0:16:58.200
<v Speaker 1>hidden compartment. The steps lift and the lid lifts up,

0:16:58.840 --> 0:17:02.280
<v Speaker 1>and no one would ever know. In fact, you yourself

0:17:02.280 --> 0:17:06.760
<v Speaker 1>could forget that anything was hidden away. There. Years go by,

0:17:06.920 --> 0:17:11.000
<v Speaker 1>during which Mariana has two more children. Eventually she feels

0:17:11.040 --> 0:17:14.280
<v Speaker 1>ready to tackle the contents of the box. Inside the steps,

0:17:15.200 --> 0:17:19.320
<v Speaker 1>she begins to research send material for transcription from Check

0:17:19.359 --> 0:17:23.480
<v Speaker 1>into English, and slowly, as she's able to gather more

0:17:23.520 --> 0:17:27.040
<v Speaker 1>and more information, she begins to piece together a portrait

0:17:27.440 --> 0:17:31.080
<v Speaker 1>of the lives of a large extended family in Czechoslovakia

0:17:31.480 --> 0:17:35.280
<v Speaker 1>in the late nineteen thirties. The family owned a paint

0:17:35.320 --> 0:17:39.199
<v Speaker 1>and lacquer business called Montana, with factories in Prague and

0:17:39.240 --> 0:17:45.119
<v Speaker 1>in southeastern Czechoslovakia. They were a middle class Jewish family, assimilated,

0:17:45.440 --> 0:17:52.880
<v Speaker 1>not particularly religious, so discovered to the letters was just huge, vibrant, happy,

0:17:53.080 --> 0:17:56.560
<v Speaker 1>well happy trying to survive in what was a world

0:17:56.640 --> 0:18:01.119
<v Speaker 1>that was becoming more anti Semitic. Baby, there were postcards

0:18:01.200 --> 0:18:04.520
<v Speaker 1>as my grandparents in the trance in nineteen thirty six

0:18:04.640 --> 0:18:09.040
<v Speaker 1>and my grandfather in a bathing so smiling. It's remarkable

0:18:09.320 --> 0:18:11.840
<v Speaker 1>to me that they could still find moments of drawings.

0:18:11.960 --> 0:18:14.719
<v Speaker 1>And it's because in nineteen thirty six, certainly in Prague

0:18:14.760 --> 0:18:18.600
<v Speaker 1>and most definitely in Germany, you know, Jews did not

0:18:18.680 --> 0:18:21.800
<v Speaker 1>feel sick, and a lot of them had already started permegrated.

0:18:22.320 --> 0:18:24.439
<v Speaker 1>They were very much part of the Jewish community, and

0:18:24.480 --> 0:18:27.359
<v Speaker 1>they also have funds who were in Jewish and you know,

0:18:27.400 --> 0:18:32.199
<v Speaker 1>they managed to solder on until It's remarkable to me

0:18:32.320 --> 0:18:36.240
<v Speaker 1>because someone said, why did they not rebel? Why did

0:18:36.280 --> 0:18:39.320
<v Speaker 1>your father not rebel? Why did they not rebel against it?

0:18:39.440 --> 0:18:43.960
<v Speaker 1>And because it's very difficult to rebel against these blue laws,

0:18:44.040 --> 0:18:47.760
<v Speaker 1>which are so minute. It's the aggregation of all of them,

0:18:48.320 --> 0:18:51.680
<v Speaker 1>and it's sort of how bullies and futilitarian regimes work.

0:18:51.800 --> 0:18:55.360
<v Speaker 1>It's just that gradual de humanization. So it's very interesting

0:18:55.440 --> 0:18:59.119
<v Speaker 1>for me to have these letters which span from actually

0:18:59.119 --> 0:19:04.440
<v Speaker 1>the twenties through the thirties up until nineteen two well

0:19:04.480 --> 0:19:07.680
<v Speaker 1>and then the once from the camps until nine, because

0:19:07.720 --> 0:19:12.320
<v Speaker 1>you really see how effectively my family was to humanized.

0:19:12.640 --> 0:19:15.359
<v Speaker 1>Well I say that, and at the same time, I

0:19:15.400 --> 0:19:18.800
<v Speaker 1>don't think that's really accurate, because they weren't humanized and

0:19:18.920 --> 0:19:24.120
<v Speaker 1>yet managed to find humanity in even in the concentration

0:19:24.160 --> 0:19:26.919
<v Speaker 1>camp and moments of joy and moments of happiness and

0:19:27.240 --> 0:19:31.280
<v Speaker 1>moments of just being human. But they were certainly humanized

0:19:31.320 --> 0:19:34.680
<v Speaker 1>in the eyes of the others. So it was basically

0:19:34.960 --> 0:19:39.680
<v Speaker 1>my father, his older brother. My grandfather, and my grandmother

0:19:40.240 --> 0:19:44.040
<v Speaker 1>and my father turned eighteen in nineteen nine, the year

0:19:44.119 --> 0:19:49.359
<v Speaker 1>that had Ger invaded Chechoslovakia, and his older brother was

0:19:49.640 --> 0:19:54.000
<v Speaker 1>three years older. His older brother was married to a

0:19:54.000 --> 0:19:57.040
<v Speaker 1>woman who was a gentile, so she was thought Jewish,

0:19:57.359 --> 0:20:02.399
<v Speaker 1>and that protected him from being transported. My grandparents and

0:20:02.520 --> 0:20:06.080
<v Speaker 1>my father were not protected by anything and um in

0:20:06.200 --> 0:20:10.960
<v Speaker 1>ninety two. In May nineteen forty two, transport letter arived

0:20:11.000 --> 0:20:13.679
<v Speaker 1>saying that they all had to report to put me

0:20:13.680 --> 0:20:17.879
<v Speaker 1>into the transtations and be transported to rising Stuff. My

0:20:17.960 --> 0:20:21.600
<v Speaker 1>grandfather started pulling every possible string that could and trying

0:20:21.600 --> 0:20:23.639
<v Speaker 1>to find every excuse like he could so that they

0:20:23.640 --> 0:20:26.760
<v Speaker 1>wouldn't be transported, and they were successful in as far

0:20:26.800 --> 0:20:30.880
<v Speaker 1>as they managed to stays my grandfather and my father

0:20:31.359 --> 0:20:35.480
<v Speaker 1>from the transport. From that transport, so my grandmother was

0:20:35.560 --> 0:20:38.359
<v Speaker 1>spent alone. She was sent alone with two of her brothers.

0:20:38.680 --> 0:20:43.000
<v Speaker 1>My grandfather is then deported in November forty two. They're

0:20:43.000 --> 0:20:47.719
<v Speaker 1>both spending letters out saying we're okay, don't worry about us,

0:20:47.840 --> 0:20:51.080
<v Speaker 1>but whatever you do, don't get spent here. You know,

0:20:51.160 --> 0:20:54.960
<v Speaker 1>do whatever you can, he says, but don't come here.

0:20:55.560 --> 0:20:58.000
<v Speaker 1>So my father gets a deportation that are in marsh

0:20:58.040 --> 0:21:04.920
<v Speaker 1>Warty three, and by then there's there's no way that

0:21:05.240 --> 0:21:09.359
<v Speaker 1>he's going to save from this. MHM justifies to hide.

0:21:10.800 --> 0:21:13.359
<v Speaker 1>With the help of the manager of the paint factory,

0:21:13.680 --> 0:21:16.640
<v Speaker 1>his brother, and his brother's wife, who is a non Jew,

0:21:17.240 --> 0:21:20.560
<v Speaker 1>Hans is hidden in the paint factory. They build a

0:21:20.600 --> 0:21:24.480
<v Speaker 1>fake wall and create a tiny little room. He's hidden

0:21:24.520 --> 0:21:26.960
<v Speaker 1>there during the day when the paint factory is in business,

0:21:27.680 --> 0:21:32.440
<v Speaker 1>and for two months, Ariana's father remains very still aware

0:21:32.640 --> 0:21:36.840
<v Speaker 1>always that he's in danger. He's on the Gestapo's wanted list,

0:21:37.400 --> 0:21:40.200
<v Speaker 1>and one of the places the Gestapo would undoubtedly come

0:21:40.240 --> 0:21:45.360
<v Speaker 1>looking for him is in his family's factory. Luckily, amazingly,

0:21:45.520 --> 0:21:48.960
<v Speaker 1>the Gestapo don't show up. Hans has just finished a

0:21:49.000 --> 0:21:51.760
<v Speaker 1>degree in chemistry school and he has a best friend

0:21:51.840 --> 0:21:55.560
<v Speaker 1>called Fene Fenek isn't Jewish and he works for the

0:21:55.600 --> 0:22:00.320
<v Speaker 1>Nazis in Berlin at a paint factory. So after has

0:22:00.320 --> 0:22:03.040
<v Speaker 1>been hiding for a couple of months, Fenic comes to

0:22:03.119 --> 0:22:06.159
<v Speaker 1>him one night and says, just in passing, oh, we

0:22:06.240 --> 0:22:09.760
<v Speaker 1>have so much work in Berlin, were so understaffed and

0:22:09.800 --> 0:22:12.120
<v Speaker 1>there's no one capable in Berlin. To do this job,

0:22:12.840 --> 0:22:16.000
<v Speaker 1>and Phoenix says, if only you could be there with me,

0:22:17.840 --> 0:22:20.840
<v Speaker 1>and you know, it's one of those sort of Drinka

0:22:20.960 --> 0:22:25.600
<v Speaker 1>moments where my father just says, that's it, that's what

0:22:25.680 --> 0:22:29.480
<v Speaker 1>I have to do. And I traced senex Son, who

0:22:29.680 --> 0:22:32.960
<v Speaker 1>told me this beautiful story about how they were sitting

0:22:33.000 --> 0:22:36.280
<v Speaker 1>there and you know, with one candle licked in this

0:22:36.320 --> 0:22:38.680
<v Speaker 1>little room because they didn't want to alert the neighbors

0:22:38.680 --> 0:22:41.280
<v Speaker 1>to their presence. And there's a check saying that says

0:22:41.320 --> 0:22:45.640
<v Speaker 1>the darkest shadow, it's just beneath the candle. So if

0:22:45.680 --> 0:22:49.679
<v Speaker 1>you want to hide, you don't hide around the candle

0:22:49.920 --> 0:22:55.000
<v Speaker 1>were the light well piece you off. You hide in

0:22:55.080 --> 0:22:57.200
<v Speaker 1>the center of it all, where no one is going

0:22:57.240 --> 0:22:59.720
<v Speaker 1>to look for you, and where the shadow is the darkness.

0:23:00.040 --> 0:23:02.760
<v Speaker 1>So the darkest shadow, if there's beneath the candles, the

0:23:02.880 --> 0:23:06.080
<v Speaker 1>center of it all, whether shadow is the darkness is Britain.

0:23:06.960 --> 0:23:12.240
<v Speaker 1>So it's completely crazy and probably quite brilliant, but completely insane.

0:23:12.680 --> 0:23:14.440
<v Speaker 1>And I think it's the kind of thing that that

0:23:14.600 --> 0:23:16.919
<v Speaker 1>you wouldn't do. I I certainly wouldn't do if you

0:23:16.960 --> 0:23:19.159
<v Speaker 1>wouldn't do if you had a family, because you know,

0:23:19.200 --> 0:23:22.280
<v Speaker 1>if you're twenty two and you know, the alternative is death,

0:23:22.400 --> 0:23:25.080
<v Speaker 1>and you just figure what do I have to lose?

0:23:26.080 --> 0:23:29.720
<v Speaker 1>They create the spake identity and they get him as

0:23:29.800 --> 0:23:32.520
<v Speaker 1>fake I d um, the doctor is a fake ID.

0:23:33.359 --> 0:23:37.280
<v Speaker 1>And then Extend, incredibly bravely manages and he goes back

0:23:37.320 --> 0:23:40.560
<v Speaker 1>to Berlin, gets permission to come back to Prague and

0:23:40.920 --> 0:23:44.920
<v Speaker 1>my father with Dennis passport and the full s I

0:23:45.000 --> 0:23:47.480
<v Speaker 1>d in then sebast thing, which is the saying that

0:23:47.520 --> 0:23:51.359
<v Speaker 1>they exchanged then Sibster didn't exist. Um it's as you

0:23:51.400 --> 0:23:53.760
<v Speaker 1>get on the midnight train from Pargue to Berlin in

0:23:53.840 --> 0:24:01.000
<v Speaker 1>May and manages two against all olds across the border

0:24:01.520 --> 0:24:06.520
<v Speaker 1>to get into Berlin, and without any proper termits managed

0:24:06.560 --> 0:24:09.280
<v Speaker 1>to find a job at the paint factory that Stenic

0:24:09.400 --> 0:24:13.080
<v Speaker 1>was working in and to live for two years pretending

0:24:13.119 --> 0:24:18.480
<v Speaker 1>to be John Sebastia, just a normal check guy, not Jewish,

0:24:19.080 --> 0:24:21.960
<v Speaker 1>who is a chemist and who's interested in paint, and

0:24:22.119 --> 0:24:26.240
<v Speaker 1>he works for the factory that is developing laquers and

0:24:26.359 --> 0:24:30.199
<v Speaker 1>he does that until That's how he survived the war,

0:24:32.400 --> 0:24:36.440
<v Speaker 1>within the horrors of the Holocaust, the perishing of almost

0:24:36.480 --> 0:24:41.720
<v Speaker 1>an entire family, the decimation of millions. Here is luck.

0:24:42.640 --> 0:24:48.359
<v Speaker 1>Hans is lucky, he cheats, capture and certain deaths. Not once,

0:24:48.720 --> 0:24:53.960
<v Speaker 1>not twice, but multiple times. I find myself thinking of Ariana,

0:24:54.440 --> 0:24:57.560
<v Speaker 1>who would never have been born if Hans's story hadn't

0:24:57.600 --> 0:25:02.359
<v Speaker 1>played out exactly as it did. Everything that never would

0:25:02.359 --> 0:25:07.280
<v Speaker 1>have happened, her father's extraordinary success, and her parents love story,

0:25:08.040 --> 0:25:12.000
<v Speaker 1>and her three children now growing up in London. Her

0:25:12.080 --> 0:25:16.520
<v Speaker 1>children never met her father, the watch repairer, until recently.

0:25:16.840 --> 0:25:19.520
<v Speaker 1>She had never told them of his watches or his

0:25:19.600 --> 0:25:25.159
<v Speaker 1>obsessive timekeeping. And yet what do we inherit? What has

0:25:25.200 --> 0:25:29.600
<v Speaker 1>passed down and how does it shape us? Hans tried

0:25:29.760 --> 0:25:33.560
<v Speaker 1>all his life to box up his traumatic experiences, and

0:25:33.600 --> 0:25:37.320
<v Speaker 1>in certain ways he succeeded, I suppose. But trauma will

0:25:37.359 --> 0:25:40.800
<v Speaker 1>have its way with us eventually. It's like an invisible,

0:25:40.880 --> 0:25:45.960
<v Speaker 1>multi headed mystical hydra, and those heads will appear, perhaps

0:25:46.000 --> 0:25:49.160
<v Speaker 1>not in the secret Keeper's life, but in the generations

0:25:49.200 --> 0:25:54.280
<v Speaker 1>to follow. Ariana's children don't believe this, by the way,

0:25:54.440 --> 0:25:57.520
<v Speaker 1>she and they have heated debates on the subject. They

0:25:57.600 --> 0:26:00.240
<v Speaker 1>believe that we each decide and shape who we are,

0:26:00.480 --> 0:26:03.680
<v Speaker 1>that unspoken trauma and lessons do not leave their trace.

0:26:05.480 --> 0:26:09.200
<v Speaker 1>Marianna does not entirely agree with them. As she writes

0:26:09.240 --> 0:26:13.159
<v Speaker 1>in her memoir, of course we have control over our identity,

0:26:13.640 --> 0:26:18.359
<v Speaker 1>but it is not absolute. What is it's sort is

0:26:18.440 --> 0:26:22.080
<v Speaker 1>remarkable to me. Pretty is that my son in particular,

0:26:22.760 --> 0:26:26.159
<v Speaker 1>reminds me a lot, a lot of my fathers. He

0:26:26.320 --> 0:26:29.439
<v Speaker 1>stands the same way. She's very black and white and

0:26:29.560 --> 0:26:34.320
<v Speaker 1>very absolute. And it might might be because teen and um,

0:26:34.400 --> 0:26:37.480
<v Speaker 1>and he's an opinionated teenager. But the other thing that

0:26:37.560 --> 0:26:42.520
<v Speaker 1>he charged that he's obsessed with time, which is interesting

0:26:42.560 --> 0:26:45.200
<v Speaker 1>to me because my father's obsession the plan was obviously

0:26:45.280 --> 0:26:48.679
<v Speaker 1>something that he wasn't born with. What my children have

0:26:48.800 --> 0:26:52.159
<v Speaker 1>inherited from them, in addition to many other things, is

0:26:52.200 --> 0:26:57.159
<v Speaker 1>this obsession with time with has to have this a

0:26:57.280 --> 0:27:02.080
<v Speaker 1>product to the trauma, so that I passed onto them,

0:27:02.240 --> 0:27:04.960
<v Speaker 1>whether that he has passed on through me to them.

0:27:05.680 --> 0:27:09.680
<v Speaker 1>Are our genes that are warphed or changed by the

0:27:09.760 --> 0:27:12.800
<v Speaker 1>trauma that he lived through, because he certainly wasn't like

0:27:12.880 --> 0:27:17.720
<v Speaker 1>that he was sixteen seventeen eighteen, and yet my son,

0:27:17.960 --> 0:27:21.359
<v Speaker 1>who is my father, was before the war. It is

0:27:21.480 --> 0:27:28.560
<v Speaker 1>very much how my father was afterwards. Ariana's meticulously researched

0:27:28.600 --> 0:27:32.080
<v Speaker 1>family history strikes me as the deepest kind of devotion,

0:27:32.920 --> 0:27:36.439
<v Speaker 1>not religious devotion, the devotion to all that was lost.

0:27:37.119 --> 0:27:40.480
<v Speaker 1>The father, she never knew, the grandparents, She never knew

0:27:41.000 --> 0:27:44.919
<v Speaker 1>the grandparents. Her children have never known the extended family

0:27:45.000 --> 0:27:48.320
<v Speaker 1>that perished in the Nazi death camps. She can't bring

0:27:48.359 --> 0:27:52.320
<v Speaker 1>them back, not exactly, but she can offer us an

0:27:52.440 --> 0:27:56.959
<v Speaker 1>enduring glimpse of their vanished world. As I started peeping

0:27:57.000 --> 0:28:00.879
<v Speaker 1>it together and doing family tree, letter had lot of

0:28:00.880 --> 0:28:06.119
<v Speaker 1>them doing, describing this man who cold hands, who I

0:28:06.160 --> 0:28:09.320
<v Speaker 1>couldn't recognize as my father, who the young man who

0:28:10.119 --> 0:28:12.920
<v Speaker 1>wanted to be a poet for a really bad poetry,

0:28:12.960 --> 0:28:16.200
<v Speaker 1>and he was a complete shambles. He arrived late for dinner,

0:28:16.400 --> 0:28:19.560
<v Speaker 1>he was always bowing off fins, He was not punctual,

0:28:19.760 --> 0:28:22.359
<v Speaker 1>he was chaostic, he didn't want to study. He was

0:28:22.400 --> 0:28:26.399
<v Speaker 1>doing stink bombs of native in nineteen nine. You know,

0:28:26.600 --> 0:28:28.720
<v Speaker 1>it was not at all that sort of very controlled

0:28:29.960 --> 0:28:33.160
<v Speaker 1>um that I had met. So it was wonderful really

0:28:33.200 --> 0:28:37.040
<v Speaker 1>that I got to meet my father as a young man,

0:28:37.480 --> 0:28:40.080
<v Speaker 1>and a young man that obviously has you know, pretty

0:28:40.120 --> 0:28:44.480
<v Speaker 1>much disappeared after the war and pretty much disappeared by

0:28:44.520 --> 0:28:48.600
<v Speaker 1>the time I came around. In a way, you really

0:28:48.720 --> 0:28:51.840
<v Speaker 1>end up with two different relationships with your father, you know,

0:28:51.920 --> 0:28:54.280
<v Speaker 1>over the course of your life. Thus far, you have

0:28:54.360 --> 0:28:57.400
<v Speaker 1>the relationship with your father when he was living in

0:28:57.440 --> 0:29:02.360
<v Speaker 1>which his secret was mostly held and not on the

0:29:02.400 --> 0:29:06.400
<v Speaker 1>table for any kind of conversation. And then you have

0:29:06.560 --> 0:29:10.440
<v Speaker 1>the relationship with your father and his history and your

0:29:10.440 --> 0:29:14.960
<v Speaker 1>whole family's history after he passes away. Because that is

0:29:15.000 --> 0:29:18.440
<v Speaker 1>possibly the biggest joy of having done this research. I

0:29:18.520 --> 0:29:20.520
<v Speaker 1>think when you lose a parent, you never really fully

0:29:20.600 --> 0:29:23.200
<v Speaker 1>lose a parent, because they're with you, the women in

0:29:23.240 --> 0:29:26.360
<v Speaker 1>your heart that remain genetically with you. But the search

0:29:26.480 --> 0:29:28.840
<v Speaker 1>has been a way of keeping him with me still,

0:29:29.280 --> 0:29:35.360
<v Speaker 1>and it's been marvels. Here's Ariana reading one last brief

0:29:35.440 --> 0:29:43.760
<v Speaker 1>passage from when time stopped. Sometimes I lose my bearings,

0:29:44.720 --> 0:29:48.640
<v Speaker 1>I forget that time has passed, and for that briefest moment,

0:29:48.840 --> 0:29:51.960
<v Speaker 1>I want to rush again to my father. I want

0:29:52.000 --> 0:29:54.160
<v Speaker 1>to tear along the checkered floor of the hole to

0:29:54.280 --> 0:29:57.959
<v Speaker 1>the long windowless room. And as he raises his visor

0:29:58.080 --> 0:30:01.640
<v Speaker 1>and looks up from his watches, explained that I finally

0:30:01.720 --> 0:30:05.120
<v Speaker 1>solved the puzzle. I have to let him know that

0:30:05.160 --> 0:30:08.360
<v Speaker 1>I found the boy, he was the unfortunate boy, and

0:30:08.440 --> 0:30:11.640
<v Speaker 1>that I love him. I love that boy just as

0:30:11.720 --> 0:30:15.960
<v Speaker 1>much as I respect the man he became. I longed

0:30:15.960 --> 0:30:18.120
<v Speaker 1>to tell my father that I strolled around the garden

0:30:18.160 --> 0:30:22.040
<v Speaker 1>of his house in Lepche and wrote our book on

0:30:22.200 --> 0:30:25.160
<v Speaker 1>a desk crafted by the person who now lived there.

0:30:26.400 --> 0:30:29.160
<v Speaker 1>I need to reassure him that there are no more questions.

0:30:30.120 --> 0:30:33.160
<v Speaker 1>I want to wrap my arms around him, place my

0:30:33.240 --> 0:30:36.000
<v Speaker 1>head on his heart, and as the sounds of the

0:30:36.040 --> 0:30:53.080
<v Speaker 1>mechanisms fade in the stillness, whisper that I understand. I

0:30:53.160 --> 0:30:55.920
<v Speaker 1>want to thank Arianna Noyman for taking the time to

0:30:55.960 --> 0:31:00.280
<v Speaker 1>share her story with us. For more on Ariana's debut book,

0:31:00.800 --> 0:31:04.280
<v Speaker 1>When Time Stopped, A Memoir of My Father's War and

0:31:04.320 --> 0:31:10.000
<v Speaker 1>What Remains, visit Arianna Neuman dot com. That's a r

0:31:10.120 --> 0:31:13.320
<v Speaker 1>I A N A N e U M A n

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<v Speaker 1>N dot com. Family Secrets is an I heeart media production.

0:31:18.840 --> 0:31:22.200
<v Speaker 1>Dylan Fagan is a supervising producer, and Julie Douglas and

0:31:22.240 --> 0:31:26.160
<v Speaker 1>beth Anne Macaluso are the executive producers. If you have

0:31:26.160 --> 0:31:28.520
<v Speaker 1>a family secret you'd like to share, you can get

0:31:28.520 --> 0:31:31.480
<v Speaker 1>in touch with us at listener mail at Family Secrets

0:31:31.520 --> 0:31:35.400
<v Speaker 1>podcast dot com. You can also find us on Instagram

0:31:35.440 --> 0:31:39.719
<v Speaker 1>at Danny writer and Facebook at Family Secrets Pod and

0:31:39.760 --> 0:31:43.640
<v Speaker 1>Twitter at Family Secrets Pod. For more about my book, Inheritance,

0:31:43.920 --> 0:31:57.600
<v Speaker 1>visit Danny Shapiro dot com. For more podcasts from My

0:31:57.640 --> 0:32:00.800
<v Speaker 1>Heart Radio, visit the I Heart Radio app podcasts, or

0:32:00.840 --> 0:32:02.800
<v Speaker 1>wherever you listen to your favorite shows,