WEBVTT - Snoop Dogg

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<v Speaker 1>R and BE Money.

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<v Speaker 2>We are.

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<v Speaker 3>Take about.

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<v Speaker 2>We are the authority on ladies and gentleman.

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<v Speaker 3>My name is Tank Valentine and this is the R

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<v Speaker 3>and B Money Podcast, the authority speaking. Oh no thing

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<v Speaker 3>for a week out it already be Yeah, I second boy, Yeah.

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<v Speaker 2>You don't know.

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<v Speaker 3>I'm talking in the building him legendary, iconic.

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<v Speaker 2>And still.

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<v Speaker 1>Still you see what I got on you? And oh no,

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<v Speaker 1>you see what?

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<v Speaker 4>Yeah?

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<v Speaker 1>You see what type of time I'm on. I don't

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<v Speaker 1>need your clothes, yeah, God, come old close.

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<v Speaker 2>Yeah, don't need your liquors.

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<v Speaker 1>I own everything I got on.

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<v Speaker 2>I got my own liquor.

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<v Speaker 1>Yeah, yeah, I don't need your cologe.

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<v Speaker 3>I got my own cologe. I don't need your weed,

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<v Speaker 3>got my own mother fucking weed. Yes, sir, I don't

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<v Speaker 3>need your label. I got my own mother fucking label.

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<v Speaker 3>I don't need your studio. I don't need your cameras.

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<v Speaker 5>I got my own compound.

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<v Speaker 2>Ship and still steal. Uh see this ship in the building.

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<v Speaker 5>You don't fo himself, he's still cough.

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<v Speaker 2>I ship no matter done? Yeah, R B Money, what it, dude? Man?

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<v Speaker 5>I don't I don't think you understand.

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<v Speaker 2>I don't think you understand I'm such a fan of

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<v Speaker 2>this show. I wanted to be on this show. Like

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<v Speaker 2>it's a lot of people that have been calling me for

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<v Speaker 2>podcasts and want me to do that ship. I'm like,

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<v Speaker 2>I ain't got time out lie and make excuses and ship,

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<v Speaker 2>but this one I wanted to be here. I drove

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<v Speaker 2>here personally to come give you all, y'all flowers and

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<v Speaker 2>let y'all know y'all doing an amazing job. I love

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<v Speaker 2>the outlet. I love how y'all treat the artists that

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<v Speaker 2>come on here. I love how y'all speak to the

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<v Speaker 2>realization of R and B music and R and B money.

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<v Speaker 2>It all makes sense, sir is.

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<v Speaker 3>We are brothers and family and friends and loved ones.

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<v Speaker 3>I am never used to the fact that you're sitting

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<v Speaker 3>right there. Went to a concert one day, jay Z concert,

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<v Speaker 3>Me and my guy little Steve, and that's my attitude.

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<v Speaker 3>And we're sitting in the audience watching jay Z bring

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<v Speaker 3>out his friends M and ther bus door opens up

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<v Speaker 3>and a barrage of smoke comes out, and all.

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<v Speaker 5>Year is doom, doom, doom, doom.

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<v Speaker 2>I screamed, We screamed like Jesus had came back. That

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<v Speaker 2>entire arena.

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<v Speaker 5>It lost their minds.

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<v Speaker 3>I remember it like it was yesterday, and I was like,

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<v Speaker 3>that's Snoop, motherfucking dog, nigga.

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<v Speaker 2>Do you feel that that was beautiful? Jayson did that.

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<v Speaker 2>That was a fucking great idea that he had to

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<v Speaker 2>take that tour bus on the roll every stop bringing

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<v Speaker 2>his friends up for being creative and innovative.

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<v Speaker 3>No, listen, jameson creative and innovative. But today today is

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<v Speaker 3>Snoop pop your ship. You are who you are a day,

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<v Speaker 3>this is this is this is that day. You You're

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<v Speaker 3>a You're a very humble, you're a very giving, a

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<v Speaker 3>very accommodating human being.

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<v Speaker 2>You do that.

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<v Speaker 3>I've watched you do it over the years. I've watched

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<v Speaker 3>you do it for me. Yeah, we've experienced it. We've

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<v Speaker 3>experienced it. Today it's flowers Day. That's not that that's right,

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<v Speaker 3>and what you're doing in the R and B space,

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<v Speaker 3>Yeah yeah.

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<v Speaker 2>Yeah, talk about it.

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<v Speaker 5>Come on, man.

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<v Speaker 2>That's my first love, though, Tank, that's my first love.

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<v Speaker 2>My mother raised me on R and B music. I

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<v Speaker 2>was a seventies baby that could come in the living

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<v Speaker 2>room and dance with her and her friends when all

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<v Speaker 2>the other kids would have to be in the back Snoopy,

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<v Speaker 2>come on out of here, do that day as you do,

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<v Speaker 2>be dancing it from that dance. I'm sitting down with

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<v Speaker 2>her friends, sitting on her lap, and they just playing music.

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<v Speaker 2>Teddy Pendergrass, Isley Brothers, Curtis Mayfield, just everything that's good

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<v Speaker 2>that you're mad. The stylistics, anything with with with tone

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<v Speaker 2>and harmony and instrumentation. They plan it. Not only are

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<v Speaker 2>they planning, but they singing it. Like everybody in the

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<v Speaker 2>living room singing this shit. So it's like naturally, as

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<v Speaker 2>a kid, your brain moves faster, so you can learn

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<v Speaker 2>the song faster than an adult. I learned all of

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<v Speaker 2>these songs, and I would be singing this ship. My

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<v Speaker 2>mama would always bring me in the living room to

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<v Speaker 2>either dance or sing than in church. I hated this ship.

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<v Speaker 2>It used to make me lead songs, but it grown

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<v Speaker 2>me to who I am now. I had to sing leads.

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<v Speaker 2>Nigga Me and Ricky Harris sa. Yes, his father was

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<v Speaker 2>the preacher, so nigga, you know you can't run from

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<v Speaker 2>it if your daddy didn't. And then he point me

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<v Speaker 2>out he could sing too, like fuck brother Snooper, get

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<v Speaker 2>up here and singing.

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<v Speaker 3>Hold up let's stalt back too, because you said, mom said, snoopy.

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<v Speaker 2>Come on in here. It went for me and mama party.

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<v Speaker 2>And since she was a baby baby, Yeah, me and

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<v Speaker 2>Mama used to party right in the seventies. Then she

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<v Speaker 2>found the Lord. When she found the Lord, you have

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<v Speaker 2>to find them. We in church Tuesday, Thursday, Saturday and sunny.

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<v Speaker 2>Because she found the Lord. Everybody in the house, you

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<v Speaker 2>gonna find him. I found the Lord. I'm delivered.

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<v Speaker 5>I got it, no way.

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<v Speaker 2>Yes. My mother raised me in the church, and dad's

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<v Speaker 2>mother taught me how to sing. She worked with me

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<v Speaker 2>with the piano, and and and and just she seen

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<v Speaker 2>something in me. You know what I'm saying. It's like church,

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<v Speaker 2>you see all of the talent, you see what it is.

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<v Speaker 2>That's the first place you see the talent. My auntie

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<v Speaker 2>is seen it in me, and she made my grandmother

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<v Speaker 2>pay for me to go get piano lessons. So that

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<v Speaker 2>was my first love, was piano singing. And I was like,

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<v Speaker 2>I ain't no singer. I don't like that pressure of singing.

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<v Speaker 2>It was just I was stressed. It was pressure. It's

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<v Speaker 2>his notes and its harmonies, and it's like that's too much.

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<v Speaker 2>Then when rap came out. I'm like, that's what I

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<v Speaker 2>like because it's a little bit of singing but a

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<v Speaker 2>lot of rapping. And then I could take the singing

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<v Speaker 2>in the church things that I learned and instilling in here.

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<v Speaker 2>Then I meet Nate Dogg and Nate Dogg doing the

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<v Speaker 2>same thing I'm doing, taking church songs but flipping them

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<v Speaker 2>in the hood song. If you listen to Nate, all

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<v Speaker 2>his songs are church songs. A deacon.

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<v Speaker 3>Yes, Nate sings like every yes, every man in the

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<v Speaker 3>in the men's Choir, Men's Choir Anniversary, that's how he sings.

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<v Speaker 2>Yes.

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<v Speaker 5>And I'm listening to Nate Dogg like this nigga.

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<v Speaker 2>Yes, that's Uncle Norman. Yes, this is going crazy, my

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<v Speaker 2>environmental tank. This is what we raised with. So when

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<v Speaker 2>we was creating our sound, the church is everything. That's

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<v Speaker 2>why we used to always say church because we take

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<v Speaker 2>God everywhere we go, especially in our music. Leave behind

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<v Speaker 2>you take God in the war. He's gonna help you out.

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<v Speaker 2>Why are you gonna call him after the fact when

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<v Speaker 2>you could take him in there with you? Oh God,

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<v Speaker 2>I'll never do it again. How about Oh God, I'm

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<v Speaker 2>going to go do something. I need you to ride

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<v Speaker 2>with me on this one. Absolutely, let's get that call

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<v Speaker 2>in early. Absolutely, because he's there, He's always there.

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<v Speaker 3>Had you sang on any any of your records, any

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<v Speaker 3>of your demos once you started finding rap? Did you

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<v Speaker 3>expose that part yet?

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<v Speaker 1>Before?

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<v Speaker 5>What Sexual seduction?

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<v Speaker 2>Which completely called me way off? God shout out red

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<v Speaker 2>for right, I can go R and B that's I

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<v Speaker 2>just don't want to get in y'all lang. I'm gonna

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<v Speaker 2>leave y'all alone. You know what I'm saying. Y'all got

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<v Speaker 2>too many damn kings. Y'all got it's R and B

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<v Speaker 2>k every every week in this I'm can't. God damn it,

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<v Speaker 2>I'm the general. Thank you, I stay out of that.

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<v Speaker 2>Thank you.

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<v Speaker 3>But cutting cutting from you singing an acchoir, cutting to

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<v Speaker 3>sexual seduction. Now it makes sense because I was like,

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<v Speaker 3>why is this nigga snoop jamming?

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<v Speaker 2>Like this? How's this nigga on key in key in hocket?

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<v Speaker 3>Because people don't realize autotune can't make you sing. No

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<v Speaker 3>autotune is is is an afterthought. Is is a preset

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<v Speaker 3>that gives you a certain sonic If you can sing

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<v Speaker 3>which which which dials you into a certain algorithm you

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<v Speaker 3>understand what I'm saying. But if you can't sing, auto

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<v Speaker 3>tune can't help you do that. And people who can

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<v Speaker 3>sing can hear a motherfucker that can sing even when

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<v Speaker 3>that autotune is on. I said that motherfucker Snoop can sing.

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<v Speaker 2>You know it's crazy. I had another song that I

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<v Speaker 2>have wrote for Bobby Womack to sing the hook, and

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<v Speaker 2>Bobby Womack was working with the Gorillas at the time

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<v Speaker 2>and he couldn't get to me, so he was like,

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<v Speaker 2>just lay the reference down, and when you lay the reference,

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<v Speaker 2>I do it. So I laid the reference. It was

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<v Speaker 2>a song called ups and Downs that Warren Campbell did

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<v Speaker 2>for me. Yeah there will be ups and down smile.

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<v Speaker 2>But I had wrote it for Bobby Womack in the

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<v Speaker 2>beginning when I'm talking as I think back and I'm

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<v Speaker 2>thinking about the years I'm talking just like Bobby Womac.

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<v Speaker 2>He never got the record in his hands, so I

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<v Speaker 2>ended up putting it out and then I seen him.

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<v Speaker 2>He was like, man, you did that shit way better

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<v Speaker 2>than I could have did it. I'm like, but Bobby,

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<v Speaker 2>I wrote it for you. He's like, man, I heard

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<v Speaker 2>the record. I just didn't want to touch it because

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<v Speaker 2>you sound me so good, and that fucked me up

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<v Speaker 2>that he didn't want to do the reference because he

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<v Speaker 2>felt like I did such a good job.

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<v Speaker 5>But you probably had a take on it that was

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<v Speaker 5>different from Yeah, from him.

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<v Speaker 2>Yeah, but it was his reference.

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<v Speaker 3>It was it was like, I'm doing this you like,

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<v Speaker 3>there's a certain thing that especially with you as the creator.

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<v Speaker 3>It's textures. It's textures, it's a styling, it's a did

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<v Speaker 3>you put into it?

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<v Speaker 2>This? Sometimes be like this that's actually better than what

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<v Speaker 2>I'm gonna do.

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<v Speaker 6>That's why me and you though we never for us

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<v Speaker 6>knop like we never listened to the hip hop records

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<v Speaker 6>where the rapper is singing their own hooks and feel away.

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<v Speaker 1>Right, We're like, oh, Nigga, that ship makes sense.

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<v Speaker 2>Singing Nigga gonna over sing that he gonna do too

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<v Speaker 2>much like come on, bro, relax, we're gonna get in

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<v Speaker 2>and out. Yeah, chipping on. Why I've seen you on

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<v Speaker 2>some gangster ship for the home Boys show Dog Rest

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<v Speaker 2>in Peace. It was it was on too we old

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<v Speaker 2>movie we Did You was in and I was in

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<v Speaker 2>it too, singing like a motherfucker the thing song at

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<v Speaker 2>the end, and we were singing your ass. It was

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<v Speaker 2>a straight gangster ship. But using that sing it ain't easy.

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<v Speaker 1>It's probably it wasn't mac to.

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<v Speaker 2>Movie Shorty from the Lynch Mob. It's his movie He

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<v Speaker 2>Got out, He rest in Peace. But it's like you

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<v Speaker 2>was the theme song. You walked in the studio and

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<v Speaker 2>you was singing hard as a motherfucker. You was singing

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<v Speaker 2>R and B ship. Everybody in there was gang banging

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<v Speaker 2>and you was singing R and B. Sh It was

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<v Speaker 2>beautiful what you were saying. I'm like this nigga. Take

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<v Speaker 2>me singing like this forever.

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<v Speaker 5>This nigga sing hard, nigga fast, get to a nigga, nigga,

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<v Speaker 5>you know what?

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<v Speaker 2>You know what I do? Right? Yes, I sang nigga.

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<v Speaker 3>But that was but when I touched down in l

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<v Speaker 3>A I got I was telling you earlier. I was

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<v Speaker 3>introduced to the I guess what would be the foundation

0:12:49.640 --> 0:12:54.880
<v Speaker 3>of West Coast West coast music, and it was all music.

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<v Speaker 5>It was all musicians. It was horns, guitar, like as

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<v Speaker 5>we talk about a Warren Campbell.

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<v Speaker 6>It was that Like nobody wouldn't know that Snoop Dogg

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<v Speaker 6>grew up playing the piano, singing lead in church.

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<v Speaker 5>But It makes sense because if you listen to the

0:13:14.960 --> 0:13:18.440
<v Speaker 5>music it's all musical.

0:13:18.040 --> 0:13:19.880
<v Speaker 2>It'll guide you to take you where it came from,

0:13:20.120 --> 0:13:21.560
<v Speaker 2>to show you where the foundation.

0:13:21.960 --> 0:13:24.720
<v Speaker 6>When y'all kicked in the door the way y'all kicked

0:13:24.760 --> 0:13:29.040
<v Speaker 6>in the door from the chronic right, it's musical music.

0:13:29.160 --> 0:13:29.480
<v Speaker 2>It was.

0:13:29.600 --> 0:13:34.200
<v Speaker 6>It's a reason why that album stands out from anything else.

0:13:35.720 --> 0:13:37.880
<v Speaker 6>It's the reason why Doggy Style stands out the way

0:13:37.920 --> 0:13:40.360
<v Speaker 6>it does with the dramatics and you know what I'm saying,

0:13:40.360 --> 0:13:42.839
<v Speaker 6>And then it reminds you of Blue Magic And you

0:13:42.920 --> 0:13:45.160
<v Speaker 6>know what I'm saying, Like, like you said, the stylistics,

0:13:45.200 --> 0:13:47.040
<v Speaker 6>like I grew up on all of that. I learned

0:13:47.040 --> 0:13:48.640
<v Speaker 6>how to sing off all that I learned how that's

0:13:48.640 --> 0:13:50.000
<v Speaker 6>where my falsetto comes from.

0:13:50.040 --> 0:13:51.960
<v Speaker 2>You know what I'm sayings like I need to find

0:13:52.000 --> 0:13:54.960
<v Speaker 2>that note, yeah, I hit that note. Yeah.

0:13:55.080 --> 0:13:58.000
<v Speaker 6>So it's like when y'all came in the in the game,

0:13:58.840 --> 0:14:00.960
<v Speaker 6>y'all brought a different type of musicality.

0:14:01.640 --> 0:14:05.440
<v Speaker 2>But we but we was fans of that particular genre

0:14:05.480 --> 0:14:07.839
<v Speaker 2>of music, and Doctor Dre was able to produce that

0:14:08.800 --> 0:14:11.760
<v Speaker 2>for us and to keep that in our music. He

0:14:11.920 --> 0:14:14.640
<v Speaker 2>never strayed away from that. He always kept something that

0:14:14.720 --> 0:14:18.439
<v Speaker 2>you could, oh, that's hell, that's ain't that, But then

0:14:18.480 --> 0:14:20.240
<v Speaker 2>we would have a different hook on it, but it's

0:14:20.240 --> 0:14:22.880
<v Speaker 2>still that sound was like something that you can, man,

0:14:22.960 --> 0:14:26.440
<v Speaker 2>that shit remind me of? Is that that is okay?

0:14:27.000 --> 0:14:28.640
<v Speaker 2>Because this is the ship that we was raised on.

0:14:28.760 --> 0:14:33.320
<v Speaker 2>We was raised on good ship, good musicianship, good harmonies,

0:14:33.400 --> 0:14:37.640
<v Speaker 2>and great vocalists, not good vocalists, but great vocalists. So

0:14:37.640 --> 0:14:39.560
<v Speaker 2>whenever we would have somebody in the studio, they would

0:14:39.560 --> 0:14:42.880
<v Speaker 2>have to really have have that vocal chops that. It's

0:14:42.960 --> 0:14:46.040
<v Speaker 2>just like no matter if there was a no name.

0:14:46.960 --> 0:14:50.760
<v Speaker 2>Everybody that started with us had no name. They became

0:14:50.960 --> 0:14:54.720
<v Speaker 2>household names because of what they did. Never had a

0:14:54.760 --> 0:14:58.440
<v Speaker 2>household name. On the Chronic album, all that was us

0:14:59.080 --> 0:15:02.119
<v Speaker 2>and then Doggy Steff, it was all us, just the dramatics.

0:15:02.480 --> 0:15:06.400
<v Speaker 2>Everything else was just us, no household names, Juel's, Nate

0:15:06.480 --> 0:15:10.240
<v Speaker 2>Dog They were the singers, but they could out sing

0:15:10.440 --> 0:15:13.840
<v Speaker 2>anybody in the motherfucking industry, especially Juel's, and motherfuckers knew

0:15:13.880 --> 0:15:18.080
<v Speaker 2>that she was a dog, you know what I'm saying.

0:15:18.120 --> 0:15:22.600
<v Speaker 2>But we wanted that. We wanted great musicianship and great

0:15:22.680 --> 0:15:25.360
<v Speaker 2>vocalists on our music and not just dope ass raps.

0:15:25.960 --> 0:15:27.440
<v Speaker 2>When did you know you were different?

0:15:28.840 --> 0:15:29.000
<v Speaker 5>Uh?

0:15:31.440 --> 0:15:35.840
<v Speaker 3>And to add to that, you recognize that you needed

0:15:35.880 --> 0:15:38.800
<v Speaker 3>to maintain and preserve your difference.

0:15:39.480 --> 0:15:43.160
<v Speaker 2>On the dope spot, gang banging and selling dope and

0:15:44.000 --> 0:15:45.600
<v Speaker 2>just not having the spirit that the rest of the

0:15:45.680 --> 0:15:48.160
<v Speaker 2>homies had. Like it was easy for them to just

0:15:48.880 --> 0:15:50.880
<v Speaker 2>do wrong. It was easy for them to shoot, it

0:15:51.000 --> 0:15:53.800
<v Speaker 2>was easy for them to just do all of the

0:15:53.840 --> 0:15:55.800
<v Speaker 2>shit to come with the lifestyle. Some of that shit

0:15:55.880 --> 0:15:58.680
<v Speaker 2>was difficult for me, but the rapping and the funny

0:15:58.680 --> 0:16:00.440
<v Speaker 2>shit and the talking to the girls, that ship was

0:16:00.480 --> 0:16:02.880
<v Speaker 2>always easy for me, But the other ship was difficult.

0:16:03.360 --> 0:16:04.800
<v Speaker 2>So I had to make a decision on what I

0:16:04.840 --> 0:16:08.240
<v Speaker 2>wanted to do as far as like to differentiate myself

0:16:08.240 --> 0:16:11.000
<v Speaker 2>from everybody else. And I noticed that my rapping was

0:16:11.080 --> 0:16:15.440
<v Speaker 2>always it was cool. Other neighborhoods would like it. When

0:16:15.480 --> 0:16:19.320
<v Speaker 2>I get locked up, other gangs would like it. The

0:16:19.440 --> 0:16:22.680
<v Speaker 2>girls liked it, and that's something that nobody else could

0:16:22.720 --> 0:16:24.200
<v Speaker 2>do when it made me different. So I was like,

0:16:25.120 --> 0:16:27.880
<v Speaker 2>I'm gonna do this. I'm gonna step into this world

0:16:27.960 --> 0:16:31.760
<v Speaker 2>and it really become Snoop rock Ski. That was my

0:16:31.880 --> 0:16:32.640
<v Speaker 2>first rap name.

0:16:33.280 --> 0:16:34.840
<v Speaker 1>You gotta have a rock Ski back then.

0:16:34.680 --> 0:16:38.480
<v Speaker 2>You got But that's when you know you're real. Yeah,

0:16:38.600 --> 0:16:39.960
<v Speaker 2>when you got a whole rap name.

0:16:42.040 --> 0:16:42.680
<v Speaker 1>That's really.

0:16:44.240 --> 0:16:49.240
<v Speaker 2>Came from Yeah, cool rock Ski from the Fat Boys.

0:16:49.920 --> 0:16:52.200
<v Speaker 2>He was my favorite rapper. This nigga was hard at

0:16:52.240 --> 0:16:54.040
<v Speaker 2>fuck the Fat Boys listen to me. I'm a skinny

0:16:54.080 --> 0:16:58.600
<v Speaker 2>niggas probably went about. But the Fat Boys made some

0:16:58.680 --> 0:17:01.480
<v Speaker 2>of the dopest music in the early eighties.

0:17:01.280 --> 0:17:02.760
<v Speaker 1>And shout out to the movie Disorderly.

0:17:03.680 --> 0:17:08.040
<v Speaker 2>That was my shit, that was my shit. Yeah, I'm

0:17:08.480 --> 0:17:11.760
<v Speaker 2>so Naturally we were gonna want to be like who

0:17:11.920 --> 0:17:14.159
<v Speaker 2>our favorite person is, so I couldn't be him. So

0:17:14.880 --> 0:17:17.760
<v Speaker 2>my name is Snoopy. I'm Snoop. I just take the

0:17:17.880 --> 0:17:20.560
<v Speaker 2>rock Ski and just be Snoop rock Ski. And all

0:17:20.640 --> 0:17:23.320
<v Speaker 2>through junior high school, that's all my niggas called me

0:17:23.480 --> 0:17:25.840
<v Speaker 2>was Snoop. So my homies still to this day, what's up,

0:17:25.920 --> 0:17:28.400
<v Speaker 2>Snoop Rock? They still call me that to this day,

0:17:28.480 --> 0:17:31.480
<v Speaker 2>and I smiled because it's like I can't run from it.

0:17:32.280 --> 0:17:34.520
<v Speaker 2>It's an identity that I created, and it's a memory

0:17:34.600 --> 0:17:37.159
<v Speaker 2>for them when I was a young dope rapper and

0:17:37.280 --> 0:17:39.280
<v Speaker 2>they hold on to that memory because it's like you

0:17:39.440 --> 0:17:41.200
<v Speaker 2>a star now, but we remember when you was that

0:17:41.400 --> 0:17:44.960
<v Speaker 2>young dope rapper. You was battling this person and this person,

0:17:45.000 --> 0:17:46.960
<v Speaker 2>and you was Snoop rock Ski and you was hard

0:17:47.040 --> 0:17:49.200
<v Speaker 2>and you was so it's like it's a memory. Like

0:17:49.240 --> 0:17:53.080
<v Speaker 2>when I see Magic Johnson play. If I see Magic today,

0:17:53.119 --> 0:17:55.720
<v Speaker 2>I think about him in eighty five eighty four. I

0:17:55.720 --> 0:17:58.439
<v Speaker 2>don't think about him right now. Nigga, it's my friend, niggas.

0:17:58.520 --> 0:18:02.119
<v Speaker 2>Nigga won a championship. Nigga only see that, you know

0:18:02.119 --> 0:18:04.000
<v Speaker 2>what I'm saying. So my friends only see that. They

0:18:04.080 --> 0:18:07.000
<v Speaker 2>only see Snoop rock Ski. They don't see Snoop Dogg

0:18:07.119 --> 0:18:09.879
<v Speaker 2>or Snoop Doggie Dog. If I can explain it to

0:18:09.920 --> 0:18:10.359
<v Speaker 2>you like that.

0:18:10.520 --> 0:18:12.800
<v Speaker 3>Yeah, now it makes perfect sense. That's right now, that

0:18:12.880 --> 0:18:15.760
<v Speaker 3>makes perfect sen because you found your rhythm that way.

0:18:16.119 --> 0:18:18.000
<v Speaker 2>That way. Yeah, you know what I mean with them?

0:18:18.080 --> 0:18:19.480
<v Speaker 2>They were my first fans.

0:18:20.240 --> 0:18:21.720
<v Speaker 1>At what age did you start rapping?

0:18:22.320 --> 0:18:22.679
<v Speaker 2>Twelve?

0:18:24.480 --> 0:18:27.360
<v Speaker 1>So you start rapping at twelve, you get your deal without.

0:18:28.760 --> 0:18:29.200
<v Speaker 2>Nineteen?

0:18:30.160 --> 0:18:34.919
<v Speaker 6>So seven years ye did you have the I mean

0:18:34.920 --> 0:18:38.240
<v Speaker 6>because you from southern California, right, I know how to

0:18:38.320 --> 0:18:40.280
<v Speaker 6>separate it. I know you from Long Bea, so I

0:18:40.320 --> 0:18:42.000
<v Speaker 6>ain't gonna see you from La. You know what I'm saying,

0:18:42.000 --> 0:18:48.560
<v Speaker 6>like La County, Lake County, right, but it's still adjacent

0:18:48.640 --> 0:18:51.760
<v Speaker 6>to the industry. You're still close, right. So in those

0:18:51.800 --> 0:18:55.280
<v Speaker 6>seven years, did you ever have like the starting stops

0:18:55.359 --> 0:18:57.560
<v Speaker 6>of Oh, I think such and such gonna sign me

0:18:57.760 --> 0:18:58.760
<v Speaker 6>before you get to drake?

0:18:59.440 --> 0:19:08.280
<v Speaker 2>Yeah, more nose than yesters though, of course, Like fuck,

0:19:10.480 --> 0:19:13.440
<v Speaker 2>we had a demo tape that we made and we

0:19:13.560 --> 0:19:15.920
<v Speaker 2>took it to this white dude in Hollywood and he

0:19:16.040 --> 0:19:18.240
<v Speaker 2>played this ship. Then the nigga looked at me and said,

0:19:19.000 --> 0:19:23.359
<v Speaker 2>it's cool, but you're no DJ Quick m hmm. I

0:19:23.480 --> 0:19:26.960
<v Speaker 2>was that broke my heart and I always I told

0:19:27.040 --> 0:19:28.560
<v Speaker 2>Quick that too. I was like that nigga told me

0:19:28.600 --> 0:19:31.880
<v Speaker 2>that shit. I wanted to just just come come after.

0:19:31.760 --> 0:19:34.600
<v Speaker 1>You after that, like, not even knowing he was, he

0:19:34.720 --> 0:19:35.399
<v Speaker 1>was creating that.

0:19:35.880 --> 0:19:38.480
<v Speaker 2>Yes, like it made me want to make records dope

0:19:38.680 --> 0:19:41.560
<v Speaker 2>like Quick records because I understood what he meant. I

0:19:41.560 --> 0:19:43.560
<v Speaker 2>didn't take it the wrong way. I was like, damn man,

0:19:43.880 --> 0:19:45.439
<v Speaker 2>Quick Quick was the top of he was the top

0:19:45.480 --> 0:19:47.399
<v Speaker 2>of the When I'm listening to Quick shit, I'm like,

0:19:47.520 --> 0:19:49.880
<v Speaker 2>my shit, don't sound nothing like this. He's fucking right.

0:19:50.440 --> 0:19:52.480
<v Speaker 2>So that was a note that really hurt my heart.

0:19:52.600 --> 0:19:57.840
<v Speaker 2>And then we went to uh Torrents to Easy in

0:19:57.920 --> 0:20:01.480
<v Speaker 2>them studio when they was working on the Niggas for

0:20:01.560 --> 0:20:06.280
<v Speaker 2>Life album and Warren G has supposedly got us a meeting,

0:20:07.320 --> 0:20:09.800
<v Speaker 2>but the meeting didn't happen because we get up there

0:20:09.840 --> 0:20:12.800
<v Speaker 2>and Easy come to the gate to the bard gate,

0:20:13.320 --> 0:20:16.520
<v Speaker 2>don't let us in. He tell waring G to leave,

0:20:16.840 --> 0:20:19.760
<v Speaker 2>waring G don't want to leave, and Easy flash his

0:20:19.840 --> 0:20:22.760
<v Speaker 2>little thing. Then we leave and waring G called him

0:20:22.800 --> 0:20:26.199
<v Speaker 2>all kind of names and shit, and we don't get

0:20:26.240 --> 0:20:29.240
<v Speaker 2>the meeting, and I'm like my heart was beating fast anywhere.

0:20:29.240 --> 0:20:30.640
<v Speaker 2>I was like I wasn't ready for that, no way,

0:20:30.680 --> 0:20:32.480
<v Speaker 2>Like I was real nervous, like I would have probably

0:20:32.560 --> 0:20:35.800
<v Speaker 2>choked that off. So I was like, nah, it's cool.

0:20:36.119 --> 0:20:39.440
<v Speaker 2>So we drove all the way back home after thinking

0:20:39.520 --> 0:20:41.680
<v Speaker 2>that we had a meeting with Easy and NWN we

0:20:41.680 --> 0:20:46.119
<v Speaker 2>ain't have shit. Yeah, So it's been heartbreaking like that

0:20:46.720 --> 0:20:51.520
<v Speaker 2>to where it's like you think you almost And then

0:20:51.560 --> 0:20:55.000
<v Speaker 2>I was with above the law, above the law. They

0:20:55.119 --> 0:20:59.359
<v Speaker 2>believed in us, like Warren G would take us, we

0:20:59.400 --> 0:21:02.879
<v Speaker 2>would go to this studio in Inglewood and just post up.

0:21:03.680 --> 0:21:06.399
<v Speaker 2>But they they was like we got cocaine and Kelo

0:21:06.600 --> 0:21:10.000
<v Speaker 2>g after them too. You know we'll line you up, Snoop.

0:21:10.080 --> 0:21:12.800
<v Speaker 2>I'm like, all right, cool. So I'm here chilling doing

0:21:12.880 --> 0:21:19.680
<v Speaker 2>our thing, waiting, waiting, waiting. So one particular Saturday, Warren

0:21:19.760 --> 0:21:24.320
<v Speaker 2>g go to the bachelor party with drewing him and

0:21:24.440 --> 0:21:29.680
<v Speaker 2>he slid in ar cassette. So now Sunday, Dre like,

0:21:31.480 --> 0:21:34.800
<v Speaker 2>I want you to come to the studio. But before

0:21:34.920 --> 0:21:39.480
<v Speaker 2>that one Eddy seven said, Hey, Snoop, Monday, I'm gonna

0:21:39.480 --> 0:21:44.440
<v Speaker 2>record your first song. So now I gotta make a decision.

0:21:45.000 --> 0:21:48.720
<v Speaker 2>Do I go do my first song with a buffalo

0:21:48.840 --> 0:21:50.760
<v Speaker 2>who been, you know, saying they gonna put me on

0:21:50.920 --> 0:21:53.840
<v Speaker 2>they been rocking with me, they hear, Or do I

0:21:54.000 --> 0:21:56.000
<v Speaker 2>take a chance and go to the studio with doctor

0:21:56.080 --> 0:21:59.080
<v Speaker 2>Dre on Monday after he just heard my demo text

0:21:59.119 --> 0:21:59.920
<v Speaker 2>to see what he thinks.

0:22:11.640 --> 0:22:14.119
<v Speaker 6>All of us have either discovered the artists or been

0:22:14.200 --> 0:22:18.000
<v Speaker 6>around the artists at the beginning, and sometimes they got

0:22:18.119 --> 0:22:21.520
<v Speaker 6>to make a decision for themselves, and we're not always

0:22:21.640 --> 0:22:23.200
<v Speaker 6>the people to take them there.

0:22:23.280 --> 0:22:26.320
<v Speaker 2>We may not be the choice, and we may not

0:22:26.440 --> 0:22:28.800
<v Speaker 2>have been able to actually take them where they needed

0:22:28.880 --> 0:22:31.800
<v Speaker 2>to go. That's a fact I've had to become comfortable

0:22:31.840 --> 0:22:32.640
<v Speaker 2>with that. That's a fact.

0:22:32.720 --> 0:22:34.119
<v Speaker 6>I've had the artists that have been mad at me

0:22:34.600 --> 0:22:36.800
<v Speaker 6>with me just being like, you know what, somebody else

0:22:36.840 --> 0:22:39.119
<v Speaker 6>should do this for you. Well, I just want you

0:22:39.200 --> 0:22:43.680
<v Speaker 6>to man, Well, I'm telling you you need something different.

0:22:43.480 --> 0:22:46.040
<v Speaker 2>Wry, something different that can take you places I can't

0:22:46.080 --> 0:22:51.720
<v Speaker 2>go right now. And that's how that went. And just

0:22:51.800 --> 0:22:54.000
<v Speaker 2>about maybe about three weeks ago, Mi dre In one

0:22:54.080 --> 0:22:58.080
<v Speaker 2>eighty seven was together and it's our relationship is like

0:22:58.200 --> 0:23:01.480
<v Speaker 2>this because it's like they both seen something in me.

0:23:01.880 --> 0:23:03.600
<v Speaker 2>He was just the one that was able to crack

0:23:03.680 --> 0:23:04.000
<v Speaker 2>the cold.

0:23:04.119 --> 0:23:06.399
<v Speaker 3>Yeah, I want to ask you a question about And

0:23:06.520 --> 0:23:08.400
<v Speaker 3>this is something that maybe you know, it'd be great

0:23:08.480 --> 0:23:11.520
<v Speaker 3>for the young guys who are coming up in the game,

0:23:13.280 --> 0:23:17.040
<v Speaker 3>who are tapped into their street side and you know,

0:23:17.880 --> 0:23:22.120
<v Speaker 3>have to figure out how to navigate between Now you're

0:23:23.359 --> 0:23:28.200
<v Speaker 3>now you're a professional rapper, you're a professional entity, a

0:23:28.280 --> 0:23:34.720
<v Speaker 3>professional entertainer, but you are still deeply connected and rooted

0:23:35.480 --> 0:23:39.120
<v Speaker 3>in the streets. What is that navigation like because you've

0:23:39.160 --> 0:23:42.440
<v Speaker 3>had to navigate those roads and that that that thing

0:23:42.600 --> 0:23:45.159
<v Speaker 3>right there for a long time to where on the

0:23:45.240 --> 0:23:49.600
<v Speaker 3>outside looking in you you figured that shit out in

0:23:49.680 --> 0:23:53.440
<v Speaker 3>a way to where we've seen nothing like you. You

0:23:53.640 --> 0:24:02.720
<v Speaker 3>are a household name like Middle America, Russia, Australia. You

0:24:02.800 --> 0:24:06.680
<v Speaker 3>could sell betting, Nigga. You the most famous rapper whoever lives.

0:24:07.400 --> 0:24:10.200
<v Speaker 3>And I argue with whoever want to they they.

0:24:10.080 --> 0:24:13.440
<v Speaker 2>Call you that you can sell betting. I do have

0:24:13.560 --> 0:24:20.920
<v Speaker 2>hint Bedsel I do. I yeah, sleep on the flowers.

0:24:20.600 --> 0:24:20.840
<v Speaker 1>Yea.

0:24:27.040 --> 0:24:30.240
<v Speaker 3>For those, for those, for those, for those guys, and

0:24:30.280 --> 0:24:32.680
<v Speaker 3>even though those those girls who are trying to navigate

0:24:32.760 --> 0:24:34.880
<v Speaker 3>that and figure what is what is the science.

0:24:34.640 --> 0:24:37.320
<v Speaker 2>Or what is you know what? It's an individual situation

0:24:37.480 --> 0:24:39.240
<v Speaker 2>that we all got to go through. It's a collision

0:24:39.320 --> 0:24:40.840
<v Speaker 2>course with life that you have to learn how to

0:24:40.920 --> 0:24:43.800
<v Speaker 2>master yourself. And what I've learned to do is master

0:24:43.960 --> 0:24:46.000
<v Speaker 2>myself with love. Like that's the only thing that I

0:24:46.080 --> 0:24:48.879
<v Speaker 2>can answer everything. What is love? Like all of the

0:24:48.960 --> 0:24:51.720
<v Speaker 2>situations that I've been in when it comes to streets

0:24:52.480 --> 0:24:56.360
<v Speaker 2>and it comes to negativity or bad energy, the only

0:24:56.440 --> 0:24:58.520
<v Speaker 2>way that I've been able to win is through love.

0:24:58.720 --> 0:25:01.359
<v Speaker 2>Like I've never been able to match your energy with

0:25:01.520 --> 0:25:04.160
<v Speaker 2>your energy. I've always been able to have a plan

0:25:04.280 --> 0:25:08.480
<v Speaker 2>of love to turn down your energy. And that is

0:25:08.640 --> 0:25:13.720
<v Speaker 2>like my guidelines to maneuvering and navigating through the hood

0:25:13.840 --> 0:25:17.600
<v Speaker 2>and the business. Because it's the same shit. You're gonna

0:25:17.600 --> 0:25:19.879
<v Speaker 2>deal with hate when you get to the top, no

0:25:20.000 --> 0:25:22.160
<v Speaker 2>matter who you are. How do you deal with that hate?

0:25:22.200 --> 0:25:24.200
<v Speaker 2>Do you answer it with hate or do you answer

0:25:24.320 --> 0:25:26.800
<v Speaker 2>with love and success? Me personally, I asked for it

0:25:26.920 --> 0:25:29.520
<v Speaker 2>with success and love. That's my answer to any hate

0:25:29.880 --> 0:25:31.879
<v Speaker 2>and any negativity that comes my way, because it's the

0:25:31.920 --> 0:25:40.080
<v Speaker 2>strongest force that can beat it. That makes sense. Yeah, Yeah,

0:25:40.880 --> 0:25:43.000
<v Speaker 2>because I've been. I've been, I've been in war, I've been,

0:25:43.200 --> 0:25:47.840
<v Speaker 2>I've been in active activities, and that shit ain't fun.

0:25:47.920 --> 0:25:50.960
<v Speaker 2>It ain't cool looking over your shoulder and you know,

0:25:51.480 --> 0:25:54.360
<v Speaker 2>making sure everything is cool and super secured and all

0:25:54.400 --> 0:25:57.000
<v Speaker 2>of that, even though you have to be secure anyway.

0:25:57.040 --> 0:25:59.240
<v Speaker 2>But I'm just saying all of that extra shit where

0:26:00.200 --> 0:26:03.520
<v Speaker 2>niggas is looking for you. It's different. I got grandkids,

0:26:03.560 --> 0:26:04.960
<v Speaker 2>I may be a Disneyland. I don't want to have

0:26:05.040 --> 0:26:08.080
<v Speaker 2>no problems with nobody. Well, I'm holding my granddaughter's on

0:26:08.119 --> 0:26:10.280
<v Speaker 2>and be like that nigga is right there, right like

0:26:10.800 --> 0:26:12.520
<v Speaker 2>I wanted to be like that. That nigga is right there.

0:26:12.560 --> 0:26:14.679
<v Speaker 2>Let's get a picture with it. Yeah, it's a big

0:26:14.720 --> 0:26:17.359
<v Speaker 2>difference between that that nigga is right there, I won't

0:26:17.480 --> 0:26:19.639
<v Speaker 2>that that nigga is right there, let's get a picture

0:26:19.680 --> 0:26:19.959
<v Speaker 2>with him.

0:26:20.040 --> 0:26:22.760
<v Speaker 6>Yeah, I mean, but the other part too, that I

0:26:22.840 --> 0:26:26.240
<v Speaker 6>think that you've brought to the world is showing that

0:26:27.280 --> 0:26:32.000
<v Speaker 6>you don't gotta be a mad dog and nigga and

0:26:32.160 --> 0:26:32.439
<v Speaker 6>all of.

0:26:32.480 --> 0:26:36.199
<v Speaker 1>That other shit to be againster, no, no, bro.

0:26:36.800 --> 0:26:40.000
<v Speaker 6>Every situation I've ever been in where you were there,

0:26:40.480 --> 0:26:41.480
<v Speaker 6>I always felt welcome.

0:26:42.160 --> 0:26:46.399
<v Speaker 1>Yeah, I always felt like this is like Snoop is

0:26:46.440 --> 0:26:48.399
<v Speaker 1>like one of the most accommodating people I've ever met

0:26:48.440 --> 0:26:48.920
<v Speaker 1>in my life.

0:26:49.080 --> 0:26:50.920
<v Speaker 2>Blame it on my mama. That's how she was. She

0:26:51.760 --> 0:26:53.960
<v Speaker 2>taught me how to be who I am. Like. She

0:26:54.160 --> 0:26:57.119
<v Speaker 2>was always a giver. Her door was always open, and

0:26:57.280 --> 0:27:03.840
<v Speaker 2>she was more into peace and confrontation. Yeah. She loved

0:27:03.880 --> 0:27:06.600
<v Speaker 2>to find a resolution. Even when I was young and

0:27:06.680 --> 0:27:08.639
<v Speaker 2>I had fights with my friends, she'd be like, go

0:27:08.760 --> 0:27:12.600
<v Speaker 2>get him and bring him and like, y'all not finna

0:27:12.600 --> 0:27:14.919
<v Speaker 2>be fighting y'all friends, and not like some people. Other

0:27:15.000 --> 0:27:17.640
<v Speaker 2>mother be like, go fuck him upright, go beat his ass.

0:27:17.920 --> 0:27:21.080
<v Speaker 2>We better go. She wasn't like that. She's a little

0:27:21.080 --> 0:27:26.320
<v Speaker 2>bit different. Like I know his mama, come here, you

0:27:26.359 --> 0:27:28.840
<v Speaker 2>know what I'm saying. Like some of my friends to

0:27:28.920 --> 0:27:32.399
<v Speaker 2>this day, it's because of what I just said, Because

0:27:32.520 --> 0:27:35.000
<v Speaker 2>my mama and they mamas were friends and we became friends.

0:27:35.240 --> 0:27:38.320
<v Speaker 2>The twins are the perfect example of that. They've been

0:27:38.359 --> 0:27:42.000
<v Speaker 2>my homeboys for them there fifty years, and it's because

0:27:42.040 --> 0:27:43.880
<v Speaker 2>of their mother and my mother went to school together

0:27:43.920 --> 0:27:47.400
<v Speaker 2>and we grew up together. And I love those relationships

0:27:47.480 --> 0:27:49.200
<v Speaker 2>like that, those real ones.

0:27:49.400 --> 0:27:51.800
<v Speaker 6>No, I mean you can still see it within the

0:27:51.920 --> 0:27:55.560
<v Speaker 6>guys that came in the game together, not even just

0:27:55.960 --> 0:28:00.720
<v Speaker 6>the friendships from your neighborhood, but also so the friendships

0:28:00.760 --> 0:28:04.840
<v Speaker 6>within the industry because we all know that shit be

0:28:04.960 --> 0:28:06.119
<v Speaker 6>going all kind of way.

0:28:06.480 --> 0:28:10.840
<v Speaker 2>To do and it's hard to maneuver because before you

0:28:11.000 --> 0:28:13.320
<v Speaker 2>know it, you and Tank is into it. But I

0:28:13.400 --> 0:28:16.680
<v Speaker 2>love both of y'all. Now I can't hang out with

0:28:16.760 --> 0:28:19.560
<v Speaker 2>Valentine because Tank gonna be mad at me. Now, me

0:28:19.600 --> 0:28:21.840
<v Speaker 2>and Jay we can't go get none to eat because

0:28:21.920 --> 0:28:23.760
<v Speaker 2>Tank gonna feel some kind of way. Now I want

0:28:23.800 --> 0:28:27.240
<v Speaker 2>to go see Tank, not Tank mad, Like what the fuck? Man,

0:28:27.280 --> 0:28:29.920
<v Speaker 2>I'm too grown for that ship. Time for that ship man,

0:28:30.680 --> 0:28:34.479
<v Speaker 2>grown ass man for real shit, I got grandkids. I'm

0:28:34.520 --> 0:28:38.720
<v Speaker 2>trying to separate the motherfuckers right now from fighting. Yeah. Yeah,

0:28:39.440 --> 0:28:42.120
<v Speaker 2>that's that's a that's a task at hand that I

0:28:42.240 --> 0:28:46.760
<v Speaker 2>love doing, Like making my grandkids love each other. Now.

0:28:46.800 --> 0:28:49.440
<v Speaker 2>To try to make two grown ups do that, it's

0:28:49.600 --> 0:28:52.400
<v Speaker 2>crazy and then try to have them get mad at

0:28:52.480 --> 0:28:55.240
<v Speaker 2>you or make a choice on which side you're picking.

0:28:55.640 --> 0:28:56.680
<v Speaker 2>I don't pick size.

0:28:58.000 --> 0:29:01.560
<v Speaker 5>I don't know how to give me one of your

0:29:01.600 --> 0:29:03.240
<v Speaker 5>proudest moments as a rapper.

0:29:04.040 --> 0:29:06.280
<v Speaker 2>As a rapper, one of my proudest moments probably was

0:29:06.360 --> 0:29:12.120
<v Speaker 2>a Soul Train Awards nineteen ninety three. Me and Doctor

0:29:12.200 --> 0:29:15.000
<v Speaker 2>Drake came out and a lowrider, first time it ever

0:29:15.120 --> 0:29:17.680
<v Speaker 2>been done. And I looked in the crowd and it

0:29:17.840 --> 0:29:22.120
<v Speaker 2>was fucking Anita Baker, Jeffrey Osborn, Quincy Jones. It was

0:29:22.200 --> 0:29:26.200
<v Speaker 2>the all of the nigga, the one nigga, do you

0:29:26.280 --> 0:29:31.560
<v Speaker 2>hear me? New Edition, Johnny Gill. They stood up, Whitney Houston,

0:29:31.600 --> 0:29:33.200
<v Speaker 2>all of them stood up when we came in. I

0:29:33.360 --> 0:29:37.520
<v Speaker 2>just shit went into my shit and I was like, oh,

0:29:37.680 --> 0:29:45.480
<v Speaker 2>everybody in this morning, fuckers, I love you know what

0:29:45.480 --> 0:29:49.040
<v Speaker 2>I'm saying. That That was young Snoop Dogg Snoop Doggie Dog. Yeah,

0:29:49.520 --> 0:29:50.840
<v Speaker 2>that was a high light. I got a picture with

0:29:50.840 --> 0:29:53.720
<v Speaker 2>Anita Baker that night, and I had it at my

0:29:53.800 --> 0:29:57.320
<v Speaker 2>house for like ten years. Then I couldn't find the motherfucker.

0:29:58.520 --> 0:30:07.760
<v Speaker 2>Go to my auntie houses and her it's me. You've

0:30:07.800 --> 0:30:16.040
<v Speaker 2>been yea, yeah, that's how I go. Man, it was cold.

0:30:17.400 --> 0:30:21.080
<v Speaker 6>Because you also realized and this is something that it

0:30:21.160 --> 0:30:23.480
<v Speaker 6>took me a minute two.

0:30:25.240 --> 0:30:29.080
<v Speaker 1>To understand a little bit of what we mean to

0:30:29.240 --> 0:30:29.680
<v Speaker 1>our people.

0:30:31.800 --> 0:30:33.360
<v Speaker 2>Yeah. Right, you know.

0:30:34.960 --> 0:30:36.840
<v Speaker 1>Because I used to. I used to you know, I

0:30:36.920 --> 0:30:39.280
<v Speaker 1>would hear my father talk on the phone or I

0:30:39.320 --> 0:30:39.840
<v Speaker 1>would hear.

0:30:39.840 --> 0:30:41.960
<v Speaker 6>You know, what I'm saying, like and not know that

0:30:42.080 --> 0:30:45.880
<v Speaker 6>I'm even at the house and what he's saying about me.

0:30:47.480 --> 0:30:49.120
<v Speaker 2>Like I remember.

0:30:51.480 --> 0:30:54.280
<v Speaker 1>When I first got my first like solo deal.

0:30:54.600 --> 0:30:57.200
<v Speaker 6>I was signed to a lecture and I end up

0:30:57.240 --> 0:31:01.120
<v Speaker 6>meeting my guy asked Chambers, who was the entertainment connection

0:31:01.280 --> 0:31:01.680
<v Speaker 6>for Nike.

0:31:02.800 --> 0:31:06.200
<v Speaker 2>So he started sending me the boxes. I'm listening to

0:31:06.320 --> 0:31:09.600
<v Speaker 2>my daddy. I'm back at his house. I'm listening to

0:31:09.680 --> 0:31:11.680
<v Speaker 2>him in the whole nother room. Yeah, you know, my

0:31:11.800 --> 0:31:13.040
<v Speaker 2>son just signed Nike.

0:31:13.520 --> 0:31:14.800
<v Speaker 5>He got the Nike deal.

0:31:18.760 --> 0:31:21.520
<v Speaker 2>You know in the box, you know, you know Jordan's

0:31:26.640 --> 0:31:27.440
<v Speaker 2>he's popping it.

0:31:28.120 --> 0:31:29.280
<v Speaker 1>He ain't even in the sport.

0:31:29.880 --> 0:31:31.840
<v Speaker 2>You know what I mean. He didn't make no NBA,

0:31:31.960 --> 0:31:33.440
<v Speaker 2>but he got a Nike.

0:31:33.400 --> 0:31:35.280
<v Speaker 1>Deal, And I'm like, I'm thinking myself, no I don't.

0:31:36.320 --> 0:31:40.000
<v Speaker 1>But that's what we what we mean to We mean

0:31:40.120 --> 0:31:40.680
<v Speaker 1>to our people.

0:31:40.760 --> 0:31:43.560
<v Speaker 2>We mean everything to our people, and that's why it's

0:31:44.280 --> 0:31:47.120
<v Speaker 2>good for us to be on our best behavior because

0:31:47.160 --> 0:31:48.120
<v Speaker 2>we mean the world.

0:31:47.920 --> 0:31:49.880
<v Speaker 1>To represent ourselves.

0:31:49.960 --> 0:31:52.800
<v Speaker 2>Yeah, we mean the world to them. So that's that

0:31:52.920 --> 0:31:54.960
<v Speaker 2>feels good When people tell me they proud of me

0:31:55.040 --> 0:31:57.880
<v Speaker 2>and they happy for me, and they see who I

0:31:57.960 --> 0:31:59.800
<v Speaker 2>am and who are becoming. The things that I do.

0:32:00.440 --> 0:32:01.840
<v Speaker 2>I don't do it for that. I don't want no

0:32:02.080 --> 0:32:04.880
<v Speaker 2>no highlight reel, but it feels good to hear that,

0:32:05.040 --> 0:32:08.600
<v Speaker 2>to know that because my mother works with me from

0:32:08.680 --> 0:32:11.160
<v Speaker 2>up top. You know, her spirit is in me now,

0:32:11.360 --> 0:32:14.000
<v Speaker 2>so the blessings are hers, you know what I'm saying.

0:32:14.000 --> 0:32:15.440
<v Speaker 2>I look at it like, this is the angel that

0:32:15.520 --> 0:32:17.080
<v Speaker 2>she wanted me to be. This is the preacher that

0:32:17.200 --> 0:32:19.440
<v Speaker 2>she wanted me to be. So it's me just doing

0:32:19.520 --> 0:32:22.480
<v Speaker 2>God's work, but from the angle that I choose to

0:32:22.560 --> 0:32:25.000
<v Speaker 2>do it from. Yeah.

0:32:25.640 --> 0:32:28.160
<v Speaker 1>So when you get your first hit record, mm hmm,

0:32:29.360 --> 0:32:35.200
<v Speaker 1>it's cracking. I know it's cracking. Who do you buy?

0:32:36.600 --> 0:32:38.000
<v Speaker 1>What's the first thing where you felt like you have

0:32:38.120 --> 0:32:39.480
<v Speaker 1>financial freedom enough to.

0:32:39.680 --> 0:32:43.160
<v Speaker 2>I bought a twenty dollars back a week my first

0:32:43.280 --> 0:32:46.400
<v Speaker 2>my first hit record was deep Cover. It starts it's

0:32:46.400 --> 0:32:48.280
<v Speaker 2>you gotta start somewhere, Jay, Come on, I stopped trying

0:32:48.280 --> 0:32:52.320
<v Speaker 2>to all the way up to a car. Nigga, stant

0:32:52.920 --> 0:33:00.920
<v Speaker 2>money here, give me. I remember, it's a twenty bag

0:33:00.960 --> 0:33:03.000
<v Speaker 2>and we're gonna work the shit out this motherfucker. Nigga,

0:33:03.960 --> 0:33:05.920
<v Speaker 2>that's all. We don't even have nowhere to live right now?

0:33:05.960 --> 0:33:08.600
<v Speaker 2>You know what I'm talking about. We're finna get an apartment.

0:33:08.680 --> 0:33:08.800
<v Speaker 1>Now.

0:33:09.200 --> 0:33:13.280
<v Speaker 2>That's the next thing they hit record de cover Boom,

0:33:13.320 --> 0:33:16.040
<v Speaker 2>it's a hit, right, sugaring and give a nigga a

0:33:16.040 --> 0:33:19.080
<v Speaker 2>few dollars, probably like five hundred to one thousand, understand me.

0:33:19.200 --> 0:33:22.760
<v Speaker 2>So I gonna get some bud Boom now the next movie, sugar, Like, Nigga,

0:33:22.760 --> 0:33:25.520
<v Speaker 2>you need an apartment? I sure do they find me one?

0:33:25.600 --> 0:33:29.640
<v Speaker 2>Right on Franklin. Five hundred dollars a month, five hundred

0:33:29.680 --> 0:33:32.520
<v Speaker 2>dollars a month, Franklin on Franklin, Nigga, I could drive

0:33:32.560 --> 0:33:34.080
<v Speaker 2>you past that mother. You're gonna be like nigga, you

0:33:34.160 --> 0:33:38.080
<v Speaker 2>lived in there. Yes, I did. Nigga Franklin and Whitley

0:33:38.160 --> 0:33:40.720
<v Speaker 2>nigga right on the corner, and I called it the

0:33:40.800 --> 0:33:43.120
<v Speaker 2>dog Pound. That's how I created the dog pound because

0:33:43.160 --> 0:33:45.680
<v Speaker 2>my house was the dog pan was in it. Five

0:33:45.840 --> 0:33:49.560
<v Speaker 2>hundred dollars a month, no furniture, no nothing. So I'm

0:33:49.560 --> 0:33:51.480
<v Speaker 2>gonna give you the whole breakdown. The shit funny as fuck.

0:33:52.160 --> 0:33:55.880
<v Speaker 2>So now I got my own apartment, but we're working

0:33:55.960 --> 0:34:00.240
<v Speaker 2>on the Chronic album at Dre House in Calabasas. But

0:34:00.640 --> 0:34:04.320
<v Speaker 2>Dre ain't got no furniture, So now we're going to

0:34:04.440 --> 0:34:06.880
<v Speaker 2>DC House, who live about ten minutes away in another

0:34:06.920 --> 0:34:10.520
<v Speaker 2>gated community. He got furniture, but he ain't got no food.

0:34:11.160 --> 0:34:16.520
<v Speaker 2>So so we at this nigga house drinking Miller Genuine Draft,

0:34:17.040 --> 0:34:19.399
<v Speaker 2>not eating. He got a gang of Miller Genuine Draft.

0:34:19.480 --> 0:34:22.640
<v Speaker 2>Though this nigga got enough Milla guin Draft to feed

0:34:22.680 --> 0:34:25.360
<v Speaker 2>the football team. We drinking every day, were writing and

0:34:25.440 --> 0:34:28.760
<v Speaker 2>coming up with shit boom. We're getting close to finishing

0:34:28.840 --> 0:34:33.400
<v Speaker 2>up the Carnic. We're not done yet. So now DC

0:34:33.719 --> 0:34:38.440
<v Speaker 2>asks me, do you want something of the furniture in

0:34:38.600 --> 0:34:41.360
<v Speaker 2>my house for your apartment. I'm like, oh, this is

0:34:41.440 --> 0:34:45.319
<v Speaker 2>my nigga, Man, man, man, God is good. Hell yeah,

0:34:45.960 --> 0:34:48.879
<v Speaker 2>let me get that bed that woot wop boop because

0:34:48.880 --> 0:34:50.560
<v Speaker 2>it's only a one bedroom, so don't even need all

0:34:50.600 --> 0:34:54.520
<v Speaker 2>this shit. So he gave me this ship. Two weeks later,

0:34:54.640 --> 0:35:00.600
<v Speaker 2>come find out this nigga getting evicted, so he basically

0:35:00.680 --> 0:35:08.120
<v Speaker 2>need So now I'm the stores unit for this nigga shit.

0:35:08.400 --> 0:35:12.600
<v Speaker 2>So I'm taking it from the heart and this nigga

0:35:12.640 --> 0:35:15.360
<v Speaker 2>really loved me. So now take let's get in the

0:35:15.400 --> 0:35:17.239
<v Speaker 2>month too. Now we're still working on the chronic the

0:35:17.239 --> 0:35:18.839
<v Speaker 2>rent five hundred. All I remember, I told you red

0:35:18.880 --> 0:35:22.520
<v Speaker 2>only five hundred every twenty seventh of the month to

0:35:22.640 --> 0:35:27.879
<v Speaker 2>the thirty first. Nobody comes over because it's rent time

0:35:29.280 --> 0:35:31.120
<v Speaker 2>and I don't have it rent money. So now I

0:35:31.200 --> 0:35:33.239
<v Speaker 2>got a sneak in the house through the back door.

0:35:33.320 --> 0:35:35.239
<v Speaker 2>I got it. The lady that wants the rent money,

0:35:35.320 --> 0:35:38.120
<v Speaker 2>she says right at the front. Now I gotta find

0:35:38.120 --> 0:35:40.560
<v Speaker 2>a way to get in. Then when I get into

0:35:40.600 --> 0:35:43.960
<v Speaker 2>the apartment, she at the front door. Then she leaves

0:35:44.000 --> 0:35:46.080
<v Speaker 2>that thing on the front door, that little notice.

0:35:46.400 --> 0:35:48.120
<v Speaker 1>We all know that notice.

0:35:48.360 --> 0:35:51.240
<v Speaker 2>Well, boy, I seen that notice about five or six times.

0:35:51.640 --> 0:35:53.560
<v Speaker 2>Then we finally get to the point to where it's

0:35:53.640 --> 0:35:56.040
<v Speaker 2>like the chronic is done, and I think they give

0:35:56.120 --> 0:36:00.080
<v Speaker 2>us like seventy five hundred to sign. And then and

0:36:00.560 --> 0:36:06.040
<v Speaker 2>the riots happened fucking four the day the niggas took over.

0:36:06.840 --> 0:36:09.040
<v Speaker 2>That was the jackpot. We went out and I stole

0:36:09.120 --> 0:36:09.799
<v Speaker 2>the TV.

0:36:09.840 --> 0:36:19.280
<v Speaker 4>Radio, every everything, nigga. We didn't miss a beat after that. Blankets, pillows,

0:36:19.440 --> 0:36:24.360
<v Speaker 4>everything ever I'm talking about, had pictures and we stole everything.

0:36:24.880 --> 0:36:29.200
<v Speaker 4>The house was amazing after that, just all stolen goods.

0:36:33.120 --> 0:36:34.839
<v Speaker 4>So that's how I came up with my first piece

0:36:34.880 --> 0:36:35.200
<v Speaker 4>of money.

0:36:35.200 --> 0:36:35.719
<v Speaker 2>You know what I'm saying.

0:36:35.719 --> 0:36:38.439
<v Speaker 1>It's the best woodd you buy a story ever? Right,

0:36:38.920 --> 0:36:40.359
<v Speaker 1>but right's fucking great.

0:36:40.520 --> 0:36:43.160
<v Speaker 2>Yes, And then DLC came and lived with me for

0:36:43.480 --> 0:36:47.239
<v Speaker 2>two weeks and whenever my my wife at the time,

0:36:47.360 --> 0:36:49.080
<v Speaker 2>she was my girlfriend, whenever she would come over and

0:36:49.160 --> 0:36:51.759
<v Speaker 2>everybody would leave so we can have private time. Yeah,

0:36:53.719 --> 0:36:59.120
<v Speaker 2>Franklin five hundred, nigga, Franklin, Yes, yes, you niggas didnt

0:36:59.160 --> 0:37:02.520
<v Speaker 2>drove past it a hundred and didn't even know. When

0:37:02.560 --> 0:37:04.200
<v Speaker 2>you go down the hill, it's the one right and

0:37:04.400 --> 0:37:06.080
<v Speaker 2>boom when you turn on Woody, it's the one right

0:37:06.120 --> 0:37:10.640
<v Speaker 2>on the corner right there, got bars on the window.

0:37:10.880 --> 0:37:15.800
<v Speaker 2>You stayed there, nigga for a whole year, for the year. Yes, Cindy,

0:37:15.800 --> 0:37:20.480
<v Speaker 2>I'm sorry to pay your rent money. I will give

0:37:20.520 --> 0:37:21.759
<v Speaker 2>you tickets to a Snoop dog.

0:37:24.760 --> 0:37:25.480
<v Speaker 1>Was it my fault?

0:37:27.600 --> 0:37:30.440
<v Speaker 2>It was different than five money Hit. Different back then

0:37:30.480 --> 0:37:34.120
<v Speaker 2>with y'all touring off of touring, no on a seven

0:37:34.239 --> 0:37:38.839
<v Speaker 2>day chronic tour? What seven days? It lasted for seven

0:37:38.920 --> 0:37:42.040
<v Speaker 2>days because the niggas took every nigga that they knew

0:37:42.040 --> 0:37:44.200
<v Speaker 2>with them on the road. And you can't take no

0:37:44.440 --> 0:37:46.799
<v Speaker 2>niggas from California on the road. And don't think, ain't

0:37:46.800 --> 0:37:49.520
<v Speaker 2>nothing gonna happen. And we was on the road with Onyx,

0:37:49.640 --> 0:37:52.279
<v Speaker 2>run DMC and the Ghetto Boys. God dang lasted for

0:37:52.360 --> 0:37:55.359
<v Speaker 2>seven days. It'll be on the death row documentary. Ill

0:37:55.360 --> 0:37:57.040
<v Speaker 2>fee in on that letter. But that's where you can

0:37:57.080 --> 0:38:01.680
<v Speaker 2>see that they get out. That's coming out incredible. Seven days,

0:38:02.760 --> 0:38:06.160
<v Speaker 2>seven days, just like the group Saiven Day.

0:38:08.400 --> 0:38:11.960
<v Speaker 1>And what is the what is the timeline between the

0:38:12.080 --> 0:38:14.640
<v Speaker 1>chronic in Doggy Staff.

0:38:14.440 --> 0:38:18.359
<v Speaker 2>The timeline between Chronic and Doggie Style. Chronic came out

0:38:19.239 --> 0:38:24.080
<v Speaker 2>I think December nineteen ninety two. Doggy Style came out

0:38:24.480 --> 0:38:27.680
<v Speaker 2>November twenty third, nineteen ninety three. Oh that was right on.

0:38:27.840 --> 0:38:29.560
<v Speaker 1>Oh yeah, yeah, it's back to back.

0:38:29.520 --> 0:38:33.319
<v Speaker 2>And some of the singles from the Chronic rolled off

0:38:33.360 --> 0:38:37.560
<v Speaker 2>into Doggy Staff. So Little Ghetto Boys single was out

0:38:38.160 --> 0:38:42.759
<v Speaker 2>the same time What's My Name single was out. This

0:38:42.880 --> 0:38:44.759
<v Speaker 2>little getto Boy was one of the last singles off

0:38:44.800 --> 0:38:46.239
<v Speaker 2>of the Ghetto off of the Chronic album.

0:38:46.440 --> 0:38:49.080
<v Speaker 1>So now you're touring though at Snoop Dogg.

0:38:49.520 --> 0:38:51.640
<v Speaker 2>Are still not know how about I called a murder case.

0:38:51.640 --> 0:38:54.439
<v Speaker 2>That's when the case had August twenty third, nineteen ninety three,

0:38:56.760 --> 0:38:59.799
<v Speaker 2>So before the album came out, I called a murder case,

0:39:01.360 --> 0:39:04.960
<v Speaker 2>and they thought I wrote the song murder. But I

0:39:05.080 --> 0:39:08.040
<v Speaker 2>wrote the song in July and caught the case in August.

0:39:08.520 --> 0:39:10.279
<v Speaker 2>That's why when I got to the dog Father album,

0:39:10.320 --> 0:39:12.840
<v Speaker 2>I started writing about life because I felt like my

0:39:13.040 --> 0:39:16.120
<v Speaker 2>generation was writing about death and we was cool with it, right,

0:39:16.280 --> 0:39:18.600
<v Speaker 2>you know, all of us. We just we just wrote

0:39:18.600 --> 0:39:21.040
<v Speaker 2>about death because that's what we expected to die. So

0:39:21.880 --> 0:39:24.800
<v Speaker 2>we wrote death in our lyrics. We didn't write happy endings,

0:39:24.840 --> 0:39:27.359
<v Speaker 2>we didn't write living to see another day. We wrote

0:39:27.440 --> 0:39:31.160
<v Speaker 2>the worst outcome you could imagine, you know, getting shot

0:39:31.200 --> 0:39:33.440
<v Speaker 2>in the blaze of bullets, going out like a gangster.

0:39:33.520 --> 0:39:35.040
<v Speaker 2>You know what I'm saying. That's what we was. We

0:39:35.200 --> 0:39:37.080
<v Speaker 2>was on that ship because that's what we Scarface and

0:39:37.160 --> 0:39:39.759
<v Speaker 2>all these movies that we watched. That was the ship.

0:39:40.120 --> 0:39:44.600
<v Speaker 2>So we was influenced by until we understood that. Man,

0:39:44.719 --> 0:39:48.320
<v Speaker 2>my pen is really right in reality life. It's powerful.

0:39:48.640 --> 0:39:50.600
<v Speaker 2>Not what I used to do. But this ship is

0:39:50.640 --> 0:39:53.279
<v Speaker 2>starting to write future shit that's happening to me. Man.

0:39:53.640 --> 0:39:55.440
<v Speaker 6>I see it every day. I'm like, man, why did

0:39:55.480 --> 0:39:58.160
<v Speaker 6>I write that such and such? Man, I be living

0:39:58.239 --> 0:39:59.160
<v Speaker 6>some of that ship.

0:39:59.040 --> 0:40:01.520
<v Speaker 2>And it's the truth. It's the truth. It is. I mean,

0:40:01.880 --> 0:40:03.840
<v Speaker 2>the pen is mighty in the sward. So you gotta

0:40:03.920 --> 0:40:07.880
<v Speaker 2>know when you write, you gotta write reality. So sometimes

0:40:07.920 --> 0:40:12.080
<v Speaker 2>you can manifest what you want. And I manifested this.

0:40:12.160 --> 0:40:14.920
<v Speaker 2>So my album dog Father, had a song called Doggieland.

0:40:15.480 --> 0:40:18.640
<v Speaker 2>While I was just talking about being a grandfather living

0:40:18.719 --> 0:40:22.080
<v Speaker 2>to see all these different things happening, doggie Land was

0:40:22.160 --> 0:40:24.520
<v Speaker 2>the song title. Now, I have a kids program called

0:40:24.600 --> 0:40:28.880
<v Speaker 2>Doggieland that's one of the most successful kids programs on YouTube,

0:40:28.960 --> 0:40:31.239
<v Speaker 2>and they listened to it around the whole world, and

0:40:31.360 --> 0:40:34.680
<v Speaker 2>kids go to school every day to it. And that's

0:40:34.760 --> 0:40:38.200
<v Speaker 2>because I manifested it. I didn't say it won't die.

0:40:38.239 --> 0:40:41.359
<v Speaker 2>I'm gonna get shot. Catch me in the pin doing

0:40:41.440 --> 0:40:44.279
<v Speaker 2>twenty five nigga banging for the hood. Nah fuck that,

0:40:44.360 --> 0:40:47.040
<v Speaker 2>I'm writing some other shit because when I wrote that,

0:40:47.160 --> 0:40:47.640
<v Speaker 2>it happened.

0:40:47.960 --> 0:40:49.800
<v Speaker 1>Yeah, now you understood it earlier.

0:40:50.239 --> 0:40:55.040
<v Speaker 2>Come on, man, mastering thyself. Have so many questions, but

0:40:55.120 --> 0:40:58.879
<v Speaker 2>I know you. Ain't you second hand high nigga? Yeah,

0:40:59.000 --> 0:40:59.720
<v Speaker 2>but that's special.

0:41:00.440 --> 0:41:04.600
<v Speaker 6>Why why you while you gathering your thoughts, why did

0:41:04.680 --> 0:41:07.680
<v Speaker 6>you kick over the little niggas fort man on a.

0:41:11.560 --> 0:41:12.000
<v Speaker 2>Boy? Yeah?

0:41:12.120 --> 0:41:14.640
<v Speaker 1>Why did you kick over the little niggas fort man?

0:41:15.239 --> 0:41:18.879
<v Speaker 2>Well, because I was jealous that that nigga daddy had

0:41:19.000 --> 0:41:21.880
<v Speaker 2>motherfucking event. The fuck was I supposed to do that?

0:41:22.000 --> 0:41:25.160
<v Speaker 2>Nigga wasn't there. He was the closest thing to that nigga.

0:41:25.160 --> 0:41:26.759
<v Speaker 2>I couldn't hit him. I don't want to go back

0:41:26.840 --> 0:41:28.959
<v Speaker 2>to the pen I'm saying. So I was like, fuck

0:41:29.040 --> 0:41:30.080
<v Speaker 2>your little fort nigga.

0:41:32.920 --> 0:41:37.439
<v Speaker 5>Anybody can get it many time, anybody nigga.

0:41:41.960 --> 0:41:44.040
<v Speaker 2>And stepped over it on the way out. Nigga, ain't

0:41:44.080 --> 0:41:47.600
<v Speaker 2>your motherfucking daddy? No what you was mean? And that

0:41:47.800 --> 0:41:51.920
<v Speaker 2>motherfucker shout out to John secretary. He directed me like

0:41:52.880 --> 0:41:55.320
<v Speaker 2>one thing about John when he did his movies, he

0:41:55.520 --> 0:42:00.399
<v Speaker 2>worked with the actors personally seen for seeing line for line.

0:42:00.560 --> 0:42:03.920
<v Speaker 2>He wanted to make sure that you were bringing what

0:42:04.040 --> 0:42:07.600
<v Speaker 2>he had on paper. And with my character Rotney, he

0:42:07.760 --> 0:42:12.800
<v Speaker 2>really wanted like this menacing, you know, gang related nigga

0:42:12.840 --> 0:42:15.840
<v Speaker 2>that just didn't give a fuck, that had no patience,

0:42:15.920 --> 0:42:19.960
<v Speaker 2>conscious or nothing. So it was not easy to get

0:42:20.000 --> 0:42:23.000
<v Speaker 2>into that character because that's not who I am. But

0:42:23.160 --> 0:42:26.080
<v Speaker 2>I've drawn inspiration from so many people that I've seen

0:42:27.400 --> 0:42:30.120
<v Speaker 2>that was that way you delivered and him directed me,

0:42:30.719 --> 0:42:33.359
<v Speaker 2>direct me, direct me, give me direction on the set.

0:42:33.920 --> 0:42:37.560
<v Speaker 2>What you'll learn from me is I love to be directed.

0:42:38.120 --> 0:42:40.239
<v Speaker 2>I tell the director, especially when they be scared and

0:42:40.320 --> 0:42:42.600
<v Speaker 2>because I'm Snoop Dogg and they be like, oh my god,

0:42:42.719 --> 0:42:44.640
<v Speaker 2>working with Snoop dog I'm like, look, nigga, fuck all that.

0:42:45.080 --> 0:42:48.040
<v Speaker 2>Direct me, throw that Snoop Dogg. Shut out the window, nigga,

0:42:48.120 --> 0:42:50.799
<v Speaker 2>direct me, get me right, tell me what I need

0:42:50.880 --> 0:42:52.520
<v Speaker 2>to be doing, so that way I'm doing the best

0:42:52.640 --> 0:42:56.040
<v Speaker 2>version of it. And then you end up in training

0:42:56.120 --> 0:43:01.240
<v Speaker 2>day and Denzel came to my trailer before the scene

0:43:02.400 --> 0:43:06.279
<v Speaker 2>that was so gangster like. I had knew him, but

0:43:06.400 --> 0:43:09.279
<v Speaker 2>he wasn't like a personal friend of mine. He was

0:43:09.320 --> 0:43:11.359
<v Speaker 2>just somebody that I admired and I had seen him

0:43:11.360 --> 0:43:14.000
<v Speaker 2>a couple of times. But once I got this roll,

0:43:14.760 --> 0:43:16.960
<v Speaker 2>the nigga came to my trailer man and it was

0:43:17.040 --> 0:43:19.200
<v Speaker 2>so all my homies was in there. We was in

0:43:19.280 --> 0:43:21.680
<v Speaker 2>the Jungles too. It was a blood neighborhood, the Jungles.

0:43:22.239 --> 0:43:24.120
<v Speaker 2>And the first thing I did when I got there,

0:43:24.120 --> 0:43:26.680
<v Speaker 2>I went, I was like, who got the bud? They

0:43:26.760 --> 0:43:28.520
<v Speaker 2>was like blood in the back guy. I walked through

0:43:28.560 --> 0:43:31.680
<v Speaker 2>the Jungles, gave that nigga five hundred and nigga take

0:43:31.719 --> 0:43:33.200
<v Speaker 2>care of us. Were gonna be here all day? Oh,

0:43:33.280 --> 0:43:35.640
<v Speaker 2>I snooped all blood you good? Or we straight with

0:43:35.719 --> 0:43:38.680
<v Speaker 2>them boom cause I'm wearing a blue sweatsuit. And now

0:43:38.680 --> 0:43:39.920
<v Speaker 2>I let y'all know they I'm gonna be over and

0:43:39.960 --> 0:43:45.040
<v Speaker 2>shooting this movie with Dennzel, nigga politicking, get that straight.

0:43:45.280 --> 0:43:48.560
<v Speaker 2>Getting the trailer. Now we're in that chilling and a

0:43:48.680 --> 0:43:52.680
<v Speaker 2>nigga named Rodney from sixties who I kind of like

0:43:52.800 --> 0:43:56.200
<v Speaker 2>drew my inspiration from my nigga Pete Whack. He was

0:43:56.239 --> 0:43:59.200
<v Speaker 2>there that day with me and Denzel. Come in the trailer.

0:43:59.200 --> 0:44:01.120
<v Speaker 2>He pulled me in the back. He said a few

0:44:01.200 --> 0:44:04.160
<v Speaker 2>things to me, and I swear that ship he said

0:44:04.200 --> 0:44:07.719
<v Speaker 2>to me just made me just like mm hmm, I

0:44:07.760 --> 0:44:11.960
<v Speaker 2>ain't start struck no more. This is a regular nigga. Okay,

0:44:12.120 --> 0:44:13.759
<v Speaker 2>I know what he just did. He just put me

0:44:13.840 --> 0:44:16.520
<v Speaker 2>on regular. Yeah. He don't want me to be an actor.

0:44:16.600 --> 0:44:20.319
<v Speaker 2>He wanted me to be a regular nigga. We got

0:44:20.400 --> 0:44:22.880
<v Speaker 2>on the set Nigga answin food. While I was like action.

0:44:23.680 --> 0:44:27.800
<v Speaker 2>I did that ship one time. I didn't do it twice.

0:44:28.680 --> 0:44:31.920
<v Speaker 1>You're seeing one take one night.

0:44:47.520 --> 0:44:49.759
<v Speaker 2>And this motherfucker take. I was gone and I was

0:44:49.840 --> 0:44:53.200
<v Speaker 2>hauling ass trying to get up out of the Nigga

0:44:54.760 --> 0:44:58.000
<v Speaker 2>Great Ship. Yeah. That's what we do. When we get

0:44:58.040 --> 0:45:00.400
<v Speaker 2>the opportunity, we make the most of it. We're not

0:45:00.520 --> 0:45:02.720
<v Speaker 2>finna play with this because I don't know who watching.

0:45:03.200 --> 0:45:05.200
<v Speaker 2>I don't know who may want to give me another opportunity.

0:45:05.280 --> 0:45:08.400
<v Speaker 2>I don't know if this may be my last opportunity.

0:45:08.560 --> 0:45:10.480
<v Speaker 2>This may be the last time you see me on screen.

0:45:11.160 --> 0:45:13.759
<v Speaker 2>You know what I'm saying. So it's like, I man,

0:45:13.960 --> 0:45:16.520
<v Speaker 2>I go all out when I'm in the movie. The

0:45:16.560 --> 0:45:19.719
<v Speaker 2>ship that Hollywood. I'm gonna share this with y'all. The

0:45:19.800 --> 0:45:25.160
<v Speaker 2>ship that Hollywood say about Snoop Dog. This nigga know

0:45:25.800 --> 0:45:31.799
<v Speaker 2>all his lines and everybody else's lines. That's the that's

0:45:31.880 --> 0:45:34.640
<v Speaker 2>my main thing. When I get a roll, I learned

0:45:34.680 --> 0:45:37.800
<v Speaker 2>everybody lines. So in case you change your ship on

0:45:37.880 --> 0:45:40.840
<v Speaker 2>the script with you, Yeah you can change a nigga.

0:45:40.840 --> 0:45:43.160
<v Speaker 2>I know the premise. But if I don't know your

0:45:43.200 --> 0:45:45.480
<v Speaker 2>motherfucking lines, I'm just stuck. If you if you decide

0:45:45.480 --> 0:45:49.680
<v Speaker 2>to go off script. Now I'm up there like yeah, yeah, now, nigga,

0:45:49.719 --> 0:45:51.399
<v Speaker 2>when you go off script on right with you? Yeah,

0:45:51.520 --> 0:45:54.160
<v Speaker 2>let's go off script that. Yeah, I know all your

0:45:54.239 --> 0:45:57.080
<v Speaker 2>ship or you'd be like a line supposed to say that.

0:45:57.520 --> 0:46:02.520
<v Speaker 2>Damn how you know, nigga, just say it. You know

0:46:02.520 --> 0:46:05.799
<v Speaker 2>what I'm saying. That's how I get these opportunities. They're

0:46:05.800 --> 0:46:08.920
<v Speaker 2>not giving me these opportunities because I'm late. I'm not

0:46:09.000 --> 0:46:12.640
<v Speaker 2>professional about it, talk about it. I'm not great at

0:46:12.680 --> 0:46:15.279
<v Speaker 2>what I do. Like, they don't give that opportunity. If

0:46:15.360 --> 0:46:18.240
<v Speaker 2>you drop the ball. I put points on the board

0:46:18.880 --> 0:46:22.680
<v Speaker 2>and I show up on time. Actually, I show up

0:46:22.719 --> 0:46:26.960
<v Speaker 2>early so I can be on time. I was here

0:46:27.000 --> 0:46:30.840
<v Speaker 2>early enough to eat nigga teaching, you know.

0:46:31.000 --> 0:46:34.719
<v Speaker 1>And these are and these are what everyone needs to hear.

0:46:34.920 --> 0:46:40.040
<v Speaker 6>Yes, but especially because we feel like we're a big

0:46:40.120 --> 0:46:43.239
<v Speaker 6>part of why we started the Army Money podcast was

0:46:43.320 --> 0:46:45.560
<v Speaker 6>to give the information that we wish we would have had.

0:46:48.480 --> 0:46:54.200
<v Speaker 6>And you coming on here and as an entertainer who's

0:46:54.320 --> 0:47:00.520
<v Speaker 6>literally done everything we can imagine to do, you're giving

0:47:00.640 --> 0:47:05.200
<v Speaker 6>them in us the game on how it can be

0:47:05.320 --> 0:47:07.000
<v Speaker 6>done because.

0:47:06.719 --> 0:47:10.920
<v Speaker 1>You you are approving person.

0:47:11.120 --> 0:47:15.040
<v Speaker 6>You've proved everything you've said, Like this is why I

0:47:15.160 --> 0:47:17.319
<v Speaker 6>get that because most people think, oh, I'm gonna get

0:47:17.320 --> 0:47:19.120
<v Speaker 6>a hear record, They're gonna put me in a movie.

0:47:19.360 --> 0:47:24.480
<v Speaker 1>Well, you might get put in one, but not fifteen.

0:47:24.400 --> 0:47:27.080
<v Speaker 2>Right, and what director is watching you that probably not

0:47:27.120 --> 0:47:28.960
<v Speaker 2>even from the hip hop world that's see something in you.

0:47:30.280 --> 0:47:32.399
<v Speaker 2>I got a movie I'm doing with a director named

0:47:32.440 --> 0:47:37.080
<v Speaker 2>Luke Basan. He did a movie called The Professional. Yes

0:47:37.560 --> 0:47:41.920
<v Speaker 2>that's my only name that because I so Me and

0:47:42.080 --> 0:47:43.839
<v Speaker 2>him med years ago when I was in his movie

0:47:43.880 --> 0:47:46.399
<v Speaker 2>called Arthur, which is an animated movie because he loves

0:47:46.480 --> 0:47:50.279
<v Speaker 2>my voice. But now we're creating some g shit now

0:47:51.440 --> 0:47:55.160
<v Speaker 2>based off of him seeing me still active, still doing

0:47:55.239 --> 0:47:59.040
<v Speaker 2>my ship and him still acting. So it's like inspiration

0:47:59.120 --> 0:48:01.560
<v Speaker 2>as a motherfucker. You ever know who watching and the

0:48:01.640 --> 0:48:04.759
<v Speaker 2>professionalism when he sees me do the Voice or do

0:48:04.880 --> 0:48:07.560
<v Speaker 2>the Olympics, and I'm such a professional on them, buttoned

0:48:07.640 --> 0:48:11.239
<v Speaker 2>up and not cussing on TV. That's the first thing

0:48:11.480 --> 0:48:13.400
<v Speaker 2>like they put me on TV. I know how to

0:48:13.520 --> 0:48:16.040
<v Speaker 2>not cuss right, and I'm still entertaining and I'm still

0:48:17.080 --> 0:48:18.960
<v Speaker 2>able to reach the whole house. I know when I'm

0:48:19.040 --> 0:48:21.800
<v Speaker 2>in front of the house, and I know when I'm outside,

0:48:23.160 --> 0:48:24.120
<v Speaker 2>two different conversations.

0:48:24.160 --> 0:48:27.120
<v Speaker 1>You were doing your show where you were an analyst

0:48:27.160 --> 0:48:27.960
<v Speaker 1>on your show years ago.

0:48:28.000 --> 0:48:31.280
<v Speaker 6>People don't gg Most people don't know that just before

0:48:31.400 --> 0:48:34.240
<v Speaker 6>podcast before podcasts, before the Olympics.

0:48:34.920 --> 0:48:36.600
<v Speaker 1>Was it just something you were doing or were you

0:48:36.680 --> 0:48:37.560
<v Speaker 1>preparing yourself?

0:48:37.760 --> 0:48:41.200
<v Speaker 2>Jay, I did three hundred and seventy five consecutive episodes

0:48:41.360 --> 0:48:44.680
<v Speaker 2>I passed. I beat the Jeffersons What's Happening Good Times.

0:48:45.320 --> 0:48:47.879
<v Speaker 2>I specifically came for them like I wanted. I said,

0:48:47.960 --> 0:48:51.160
<v Speaker 2>how many episode consecutive did the Good Times and Jefferson's

0:48:51.160 --> 0:48:52.880
<v Speaker 2>and all the shit that I grew up on What's Happening?

0:48:53.080 --> 0:48:55.959
<v Speaker 2>It was like one seventy five, we was at two hundred.

0:48:56.000 --> 0:48:58.480
<v Speaker 2>Some of them like keep Going, Keep Going, interview with

0:48:58.600 --> 0:49:02.000
<v Speaker 2>Larry King, this person that person like the biggest of

0:49:02.080 --> 0:49:05.520
<v Speaker 2>the biggest, the artists before they became big, the Nipsey Hustle,

0:49:05.600 --> 0:49:08.600
<v Speaker 2>personal interviews like the people that you would expect Jay Rock,

0:49:08.719 --> 0:49:12.360
<v Speaker 2>this person, this person, and it wasn't called a podcast.

0:49:13.520 --> 0:49:18.400
<v Speaker 2>I created the GGN News Network Gangster Good News Network,

0:49:18.800 --> 0:49:21.400
<v Speaker 2>because one night I was watching the news and at

0:49:21.440 --> 0:49:24.600
<v Speaker 2>eleven o'clock it started with a murder, and I changed

0:49:24.600 --> 0:49:27.600
<v Speaker 2>it to the other station. It was another murder. Every

0:49:27.680 --> 0:49:31.680
<v Speaker 2>station was murdered, murdered, just negative, bad news, the crisis.

0:49:32.280 --> 0:49:35.080
<v Speaker 2>I said, I need a news network that's all good news,

0:49:35.200 --> 0:49:38.080
<v Speaker 2>and it's happy and it's fun, and it's smoking. And

0:49:38.200 --> 0:49:40.799
<v Speaker 2>the weather girls come on here, have dressed and they

0:49:40.800 --> 0:49:43.040
<v Speaker 2>ain't even talking about weather niggas just looking at them.

0:49:43.080 --> 0:49:46.600
<v Speaker 2>Balance it's slippery, sloping, and you know what I'm saying,

0:49:46.680 --> 0:49:50.680
<v Speaker 2>like cause I wanted I wanted to a different perspective.

0:49:50.719 --> 0:49:53.160
<v Speaker 2>I like feeling an avoid I'm like, we shouldn't only

0:49:53.280 --> 0:49:55.400
<v Speaker 2>have this, this shouldn't be the only thing that we

0:49:55.560 --> 0:49:59.480
<v Speaker 2>have for news. It's bad news. So I created the

0:49:59.520 --> 0:50:03.120
<v Speaker 2>Gangster Good News Network and then got to deal with Maker.

0:50:04.080 --> 0:50:05.680
<v Speaker 2>Made a lot of money with them, and then Maker's

0:50:05.719 --> 0:50:08.759
<v Speaker 2>got to deal with Disney and signed about it from

0:50:09.200 --> 0:50:12.400
<v Speaker 2>you earlier that big They gave me a piece, but

0:50:12.520 --> 0:50:14.960
<v Speaker 2>they got the wool wop. So then that's why I

0:50:15.040 --> 0:50:16.919
<v Speaker 2>was like, Okay, I did all of that, man, fuck

0:50:17.000 --> 0:50:20.040
<v Speaker 2>that I'm done. And then podcasts, the word podcast came

0:50:20.080 --> 0:50:23.000
<v Speaker 2>to life and I stepped away. But if I ever

0:50:23.080 --> 0:50:25.600
<v Speaker 2>wanted to the gg and, I could turn it on

0:50:25.920 --> 0:50:29.640
<v Speaker 2>just like that, but I'd rather come support y'all's because

0:50:29.640 --> 0:50:32.040
<v Speaker 2>it's podcast now and I like to support my homies

0:50:32.440 --> 0:50:34.680
<v Speaker 2>and let people win because it is y'all industry now.

0:50:35.120 --> 0:50:36.560
<v Speaker 2>You know. I'll play with it when I can, but

0:50:36.640 --> 0:50:38.879
<v Speaker 2>I love what y'all doing, so I'll come support y'all

0:50:39.280 --> 0:50:41.320
<v Speaker 2>to bring my peoples over here, to make sure that

0:50:41.360 --> 0:50:43.440
<v Speaker 2>they understand that this is where you need to be

0:50:43.560 --> 0:50:45.640
<v Speaker 2>at week to week. Man, we appreciate it.

0:50:46.040 --> 0:50:52.120
<v Speaker 3>Listen, I want to ask you. I know you've answered

0:50:52.160 --> 0:50:56.480
<v Speaker 3>this question a few times, but I need this answer.

0:50:57.239 --> 0:51:02.040
<v Speaker 3>On the R and B Money podcast, my brother, you

0:51:02.160 --> 0:51:10.920
<v Speaker 3>bought death Row, you bought Death Role Records, and you

0:51:11.239 --> 0:51:14.600
<v Speaker 3>started doing R music.

0:51:16.160 --> 0:51:20.400
<v Speaker 2>I speechless. That's what I'm built on. No tank like

0:51:21.239 --> 0:51:25.719
<v Speaker 2>buying death Row Records was for me to clean it

0:51:25.800 --> 0:51:28.520
<v Speaker 2>up and give it a new image, and the image

0:51:29.040 --> 0:51:31.640
<v Speaker 2>gonna always be hip hop. That's the foundation. It built

0:51:31.680 --> 0:51:34.279
<v Speaker 2>this shit. It's what people look at as far as

0:51:34.400 --> 0:51:37.239
<v Speaker 2>the greatest West Coast hip hop lab whatever created. Yeah,

0:51:37.880 --> 0:51:40.040
<v Speaker 2>but how can you write a new script and give

0:51:40.080 --> 0:51:42.680
<v Speaker 2>it a brand new page but still keep the same cover.

0:51:44.080 --> 0:51:46.840
<v Speaker 2>And that's what we did. We started off by me

0:51:46.960 --> 0:51:48.640
<v Speaker 2>buying it and saying I want to do a record

0:51:48.680 --> 0:51:51.759
<v Speaker 2>called back on death Row because people wouldn't believe it.

0:51:51.880 --> 0:51:54.160
<v Speaker 2>And it was so crazy because when I was working

0:51:54.200 --> 0:51:57.040
<v Speaker 2>for death Jam, I was manifestingess. I had a song

0:51:57.120 --> 0:51:59.239
<v Speaker 2>called CEO while I was like, I'm the CEO of

0:51:59.320 --> 0:52:02.560
<v Speaker 2>death Row record and it didn't happen. But God know

0:52:02.680 --> 0:52:05.279
<v Speaker 2>how to make things move, yeah, and he put it

0:52:05.360 --> 0:52:07.880
<v Speaker 2>in my hands. So I dropped that record, and I

0:52:08.040 --> 0:52:11.240
<v Speaker 2>was like, I want to drop a death Row summer album,

0:52:11.320 --> 0:52:13.600
<v Speaker 2>but I wanted to be R and B. So I

0:52:13.719 --> 0:52:18.360
<v Speaker 2>called Raphael sa Dig, Miguel October, London, Uncle Chuck, rest

0:52:18.400 --> 0:52:20.879
<v Speaker 2>in Peace, all of my homies from fifteen hundred people

0:52:20.920 --> 0:52:23.640
<v Speaker 2>that just play great music, and we put together a

0:52:23.719 --> 0:52:26.680
<v Speaker 2>record that was R and B and I'm like, you

0:52:26.800 --> 0:52:29.880
<v Speaker 2>know what I think death Row should be this sound.

0:52:30.080 --> 0:52:32.680
<v Speaker 2>So when I told October, London. I'm taking you off

0:52:32.719 --> 0:52:35.200
<v Speaker 2>death Cham and bring you to death Row. Well you

0:52:35.480 --> 0:52:38.319
<v Speaker 2>so he was signed to death Jam. I took him

0:52:38.360 --> 0:52:41.120
<v Speaker 2>and I had him and Jane over there. H but

0:52:41.239 --> 0:52:44.759
<v Speaker 2>I was able to untangle the knot to get them

0:52:44.840 --> 0:52:46.399
<v Speaker 2>to come with the d O dub when I got

0:52:46.480 --> 0:52:49.040
<v Speaker 2>death Row, like they come up with me, and they

0:52:49.120 --> 0:52:53.400
<v Speaker 2>came with me. So we started working on his Rebirth

0:52:53.440 --> 0:52:56.160
<v Speaker 2>of Marvin album and he didn't want to call it that,

0:52:56.320 --> 0:52:59.000
<v Speaker 2>but I'm like, fuck that. I know what I'm doing.

0:53:00.000 --> 0:53:02.040
<v Speaker 2>I'm not gonna say something, but when they hear your

0:53:02.120 --> 0:53:04.719
<v Speaker 2>motherfucking voice, it's gonna shad them all the funk up.

0:53:05.480 --> 0:53:11.839
<v Speaker 2>Let me work this, Let me fuck this chicken. Let

0:53:11.960 --> 0:53:14.120
<v Speaker 2>you do what. Let me fuck this chicken. You hold

0:53:14.120 --> 0:53:34.080
<v Speaker 2>the wings? Come on, man, you don't play no games.

0:53:34.160 --> 0:53:41.120
<v Speaker 2>He come on cook. Yeah, he's gonna be cooked for

0:53:41.200 --> 0:53:54.200
<v Speaker 2>a minute. Are here? He cooked? Cooks cooked? Yes, that's great, Yes,

0:53:54.360 --> 0:53:54.839
<v Speaker 2>that's great.

0:53:55.800 --> 0:53:55.960
<v Speaker 7>Yes.

0:53:57.200 --> 0:54:01.920
<v Speaker 6>Now the market the marketing behind the Rebirth of Marvin though,

0:54:03.560 --> 0:54:06.840
<v Speaker 6>in my in my opinion, it truly showed your genius

0:54:06.920 --> 0:54:12.080
<v Speaker 6>and how much you understood how to really set this

0:54:12.160 --> 0:54:16.799
<v Speaker 6>ship off, because that created a conversation. Yes, that would

0:54:16.840 --> 0:54:20.799
<v Speaker 6>have never happened. Yes, well yes, and it's really hard

0:54:20.840 --> 0:54:22.440
<v Speaker 6>to break new R and B artists it is.

0:54:22.680 --> 0:54:24.840
<v Speaker 2>Trust me, let me add y'all know better than I do.

0:54:25.080 --> 0:54:31.839
<v Speaker 3>Let me add to that genius. Because comparison is a killer. Yes,

0:54:32.120 --> 0:54:39.000
<v Speaker 3>comparison can my comparison can? It can be a killer,

0:54:40.160 --> 0:54:47.280
<v Speaker 3>especially when you're comparing it to something so so monumental

0:54:47.400 --> 0:54:52.040
<v Speaker 3>and so iconic and so it has so much reference

0:54:52.080 --> 0:54:56.120
<v Speaker 3>attached to it and and you go right at it.

0:54:56.760 --> 0:55:01.640
<v Speaker 3>But you have a young man in the name of

0:55:01.800 --> 0:55:07.120
<v Speaker 3>October London who can fucking delivery right mm hmm.

0:55:07.680 --> 0:55:11.640
<v Speaker 1>He's a monster. He delivered monster his work ethic.

0:55:12.480 --> 0:55:18.480
<v Speaker 2>Shout out to Jazzy fay Manel Fenzel, Fenzel me and

0:55:18.600 --> 0:55:22.719
<v Speaker 2>Fenzel was you know that's my brother, and Fenzel he

0:55:22.840 --> 0:55:25.759
<v Speaker 2>fucked around and played he played a song for I'm like,

0:55:25.880 --> 0:55:28.080
<v Speaker 2>what the fuck is that. He's like, oh, that's this kid.

0:55:28.200 --> 0:55:31.799
<v Speaker 2>I said, Oh my god, that some new shit. Oh shit,

0:55:32.760 --> 0:55:34.840
<v Speaker 2>heard one song from him. And then Jazzy was like,

0:55:34.920 --> 0:55:36.360
<v Speaker 2>you want to you want to fuck with him? I'm like,

0:55:36.440 --> 0:55:39.520
<v Speaker 2>hell yeah, And that's when the development began. So it

0:55:39.640 --> 0:55:43.360
<v Speaker 2>began like eight years ago. It wasn't just like he

0:55:43.560 --> 0:55:46.240
<v Speaker 2>just came out right now. Development began where I started

0:55:46.760 --> 0:55:49.760
<v Speaker 2>working with him, producing with him, putting him on songs,

0:55:49.840 --> 0:55:52.879
<v Speaker 2>put him on the Madden soundtrack, put him in this song,

0:55:53.000 --> 0:55:55.759
<v Speaker 2>had him perform over here, do this to be on

0:55:55.880 --> 0:55:58.279
<v Speaker 2>this album, make this kind of song. Then I put

0:55:58.360 --> 0:56:01.040
<v Speaker 2>him in Doggieland and had become one of the voices

0:56:01.080 --> 0:56:03.680
<v Speaker 2>of the kids, to give him another lane of you know,

0:56:03.880 --> 0:56:05.920
<v Speaker 2>using your voice, because you're so dope, you shouldn't just

0:56:05.960 --> 0:56:08.719
<v Speaker 2>be restricted to one lane. So I showed him that,

0:56:09.760 --> 0:56:13.160
<v Speaker 2>and then there's just like his spirit to work is.

0:56:13.520 --> 0:56:17.320
<v Speaker 2>It's crazy he got like the spirit Tupac had, Like

0:56:17.640 --> 0:56:19.920
<v Speaker 2>just I don't want to listen to the music. I

0:56:20.040 --> 0:56:22.759
<v Speaker 2>just want to make it, Like I make music, not

0:56:22.880 --> 0:56:25.239
<v Speaker 2>to listen to, but to make music, you know what

0:56:25.280 --> 0:56:26.960
<v Speaker 2>I'm saying, Like I'm not a fan of my music.

0:56:27.560 --> 0:56:30.239
<v Speaker 2>Trying to get to the next song. I ain't like that.

0:56:30.320 --> 0:56:31.919
<v Speaker 2>I like listening to my ship. I like my ship.

0:56:31.920 --> 0:56:34.640
<v Speaker 2>I don't like listening to mine, you know. I like

0:56:34.719 --> 0:56:42.160
<v Speaker 2>hearing me nigga wants I'm done with it, Snoop that

0:56:42.600 --> 0:56:43.319
<v Speaker 2>nigga sound good.

0:56:43.360 --> 0:56:45.759
<v Speaker 1>Thank you for Doggy laying to you as men who

0:56:45.840 --> 0:56:46.680
<v Speaker 1>have children.

0:56:46.480 --> 0:56:49.600
<v Speaker 2>Yes, like my daughter she's a fan of it.

0:56:49.760 --> 0:56:52.680
<v Speaker 1>Yes, she told October that. He told him.

0:56:52.760 --> 0:56:56.399
<v Speaker 6>She told him she because he she he was when

0:56:56.560 --> 0:56:58.359
<v Speaker 6>he did his episode with us. My daughter was here

0:56:59.480 --> 0:57:01.440
<v Speaker 6>and he was like, I'm the voice.

0:57:02.320 --> 0:57:05.480
<v Speaker 2>She was like, wait what Yeah, my daughter was fully

0:57:05.680 --> 0:57:10.080
<v Speaker 2>and he goes into it too. Yeah. Yeah, that's really

0:57:10.160 --> 0:57:17.760
<v Speaker 2>that's so dope. You'll want characters in that. Yeah, yeah, yes, sir, let.

0:57:18.600 --> 0:57:20.000
<v Speaker 1>Us teach some kids from R and B on there

0:57:20.080 --> 0:57:21.240
<v Speaker 1>or something that something.

0:57:22.360 --> 0:57:24.320
<v Speaker 2>We don't play no games. We lined up. We got

0:57:24.360 --> 0:57:28.320
<v Speaker 2>about three hundred songs, like original songs, like we got

0:57:28.360 --> 0:57:30.080
<v Speaker 2>a couple of the wheels go round and around all

0:57:30.120 --> 0:57:31.919
<v Speaker 2>that kind of ship. But we got like original songs

0:57:32.000 --> 0:57:35.960
<v Speaker 2>like affirmations and like the affirmation song is a big record.

0:57:36.000 --> 0:57:40.040
<v Speaker 2>It's so big. I'll be DJing and I'm in the

0:57:40.800 --> 0:57:43.880
<v Speaker 2>behind both DJ and motherfucker holding up a phone. I

0:57:43.960 --> 0:57:46.040
<v Speaker 2>can't I'm old as the motherfucker. I can't read that.

0:57:47.880 --> 0:57:49.480
<v Speaker 2>What the phone say? They hand me the form of

0:57:49.600 --> 0:57:52.200
<v Speaker 2>us play affirmations from your dogg and Land. I'm in

0:57:52.280 --> 0:58:04.240
<v Speaker 2>the club, motherfucker right now, that's play affirmations. I'm like,

0:58:04.400 --> 0:58:05.000
<v Speaker 2>it ain't gonna go.

0:58:05.040 --> 0:58:05.479
<v Speaker 1>I just played.

0:58:05.480 --> 0:58:09.320
<v Speaker 2>Ain't no fun It ain't gonna work. It don't work.

0:58:10.160 --> 0:58:11.480
<v Speaker 2>It can't come on for that with that?

0:58:12.920 --> 0:58:17.440
<v Speaker 1>Is it anything that you've ever looked at it and said, now,

0:58:17.480 --> 0:58:17.920
<v Speaker 1>I can't do that?

0:58:19.760 --> 0:58:19.880
<v Speaker 3>Uh?

0:58:20.800 --> 0:58:23.280
<v Speaker 2>What red Man be doing? This? Nigga be jumping out

0:58:23.280 --> 0:58:24.880
<v Speaker 2>of motherfucking oh like.

0:58:24.960 --> 0:58:27.000
<v Speaker 1>The extreme sports type ship jumping out of planes?

0:58:27.360 --> 0:58:30.880
<v Speaker 2>Yes, and in the air nigga sky diving? Yeah, I

0:58:31.000 --> 0:58:33.200
<v Speaker 2>want to with that. I'm not doing that. I can't

0:58:33.200 --> 0:58:35.920
<v Speaker 2>fuck with roller coasters. Is I'm like you go to

0:58:35.920 --> 0:58:37.800
<v Speaker 2>the disney Land, nigga, I'm holding all the jackets. Give

0:58:37.800 --> 0:58:39.600
<v Speaker 2>me your jacket, give me your hat, give me your phone,

0:58:39.640 --> 0:58:41.120
<v Speaker 2>give me your part, give me all. I'm standing out

0:58:41.160 --> 0:58:44.280
<v Speaker 2>here like this. I ain't none of that because you

0:58:44.320 --> 0:58:45.760
<v Speaker 2>know why. I'm gonna tell you why when I used

0:58:45.800 --> 0:58:48.080
<v Speaker 2>to do it. See my kids as assholes and my

0:58:48.160 --> 0:58:50.680
<v Speaker 2>family members just fucking assholes. Let me tell you why.

0:58:50.720 --> 0:58:53.880
<v Speaker 2>There's some fucking assholes. I'm Snoop Doggs, So naturally, what's

0:58:53.880 --> 0:58:56.840
<v Speaker 2>gonna happen This nigga get to the front of the line, right,

0:58:56.960 --> 0:58:59.160
<v Speaker 2>so we didn't cut everybody there up the year nigga

0:58:59.280 --> 0:59:01.760
<v Speaker 2>were up here in the Nigga my cousin got me

0:59:01.880 --> 0:59:04.040
<v Speaker 2>up here then we get on the motherfucker were doing

0:59:04.120 --> 0:59:06.440
<v Speaker 2>loops and loops as soon as we get you to stop.

0:59:07.040 --> 0:59:09.000
<v Speaker 2>That's what people say, you guys want to go again.

0:59:09.040 --> 0:59:11.160
<v Speaker 2>I'm like no, everybody say yeah. You can't even hear

0:59:11.200 --> 0:59:17.200
<v Speaker 2>me say no, damn not again. All no, like back them,

0:59:17.400 --> 0:59:21.240
<v Speaker 2>back them, back them back, and I can't be heard

0:59:21.320 --> 0:59:23.960
<v Speaker 2>because there's so many motherfuckers saying yeah. So I'd rather

0:59:24.080 --> 0:59:26.600
<v Speaker 2>not be on there so I can watch them spin

0:59:26.640 --> 0:59:27.280
<v Speaker 2>around in the row.

0:59:27.360 --> 0:59:29.800
<v Speaker 1>Always Snoop Dogg was my cousin, get.

0:59:29.720 --> 0:59:34.280
<v Speaker 2>Your niggas in. I'm gonna get your niggas in it

0:59:34.400 --> 0:59:36.200
<v Speaker 2>to the front of the line. I love all that,

0:59:36.560 --> 0:59:38.720
<v Speaker 2>but don't expect me to get on the motherfucker ride

0:59:38.760 --> 0:59:39.040
<v Speaker 2>with you.

0:59:39.400 --> 0:59:42.000
<v Speaker 3>I want to jump out of the planes all that

0:59:42.120 --> 0:59:44.160
<v Speaker 3>shit because I feel like you've done everything.

0:59:44.560 --> 0:59:44.920
<v Speaker 2>That's why.

0:59:45.040 --> 0:59:46.840
<v Speaker 6>That's why I asked that there ever been anything that

0:59:46.920 --> 0:59:49.000
<v Speaker 6>you just was like, nah, I'm cool because I feel

0:59:49.080 --> 0:59:49.840
<v Speaker 6>like you.

0:59:50.240 --> 0:59:50.360
<v Speaker 2>Bro.

0:59:51.040 --> 0:59:52.840
<v Speaker 1>You had a cooking show.

0:59:53.000 --> 0:59:55.800
<v Speaker 3>You gotta explain with Martha Stupid. I came on there

0:59:55.840 --> 0:59:56.720
<v Speaker 3>and I cooked with y'all.

0:59:56.840 --> 0:59:58.720
<v Speaker 2>You did tank. I'm like, hold on, nigga, you came

0:59:58.760 --> 1:00:00.440
<v Speaker 2>on the show and you tasted it off. Oh, it

1:00:00.520 --> 1:00:01.360
<v Speaker 2>was quite cuisine.

1:00:01.440 --> 1:00:03.760
<v Speaker 5>You gotta explain that to me.

1:00:04.000 --> 1:00:08.320
<v Speaker 2>How do you get there? Okay? Here Justin Bieber had

1:00:08.320 --> 1:00:12.560
<v Speaker 2>a roast. Martha said, where you sitting there, I'm doing

1:00:12.600 --> 1:00:15.760
<v Speaker 2>the same thing I'm doing. She getting that second hand smoke.

1:00:17.280 --> 1:00:21.000
<v Speaker 2>When it came time to tell jokes, she stole the show.

1:00:21.800 --> 1:00:24.360
<v Speaker 2>She was the funniest motherfucker that night. And at the

1:00:24.480 --> 1:00:26.439
<v Speaker 2>end of the night, me and her, when the back

1:00:26.800 --> 1:00:30.480
<v Speaker 2>chopped it up, I said, I'm a fan. Can I

1:00:30.560 --> 1:00:32.960
<v Speaker 2>come on your show? She was like, hell, yeah, what

1:00:33.080 --> 1:00:34.160
<v Speaker 2>you want to do? I said, I want to cook

1:00:34.200 --> 1:00:37.520
<v Speaker 2>some brownies? Boom, go to her show. Cook the brownies.

1:00:38.000 --> 1:00:41.280
<v Speaker 2>From after that, she hit me one day and say,

1:00:42.320 --> 1:00:44.840
<v Speaker 2>somebody said that we have a TV show. Is that

1:00:44.960 --> 1:00:47.800
<v Speaker 2>your team? I'm like, nah, my teammate said that. She said, well,

1:00:48.440 --> 1:00:50.360
<v Speaker 2>we need to put together a TV show because somebody

1:00:50.440 --> 1:00:52.560
<v Speaker 2>thinking for us that shit ain't gonna work with fly

1:00:52.640 --> 1:00:55.320
<v Speaker 2>you to Connecticut to my shit, Nigga, I want her shit.

1:00:55.360 --> 1:00:58.600
<v Speaker 2>It was all white, just everything just looked like we

1:00:58.720 --> 1:01:02.040
<v Speaker 2>was in the fucking museum. Nigga walked about nine hundred

1:01:02.040 --> 1:01:04.520
<v Speaker 2>steps and then she was sitting in the corner told

1:01:04.560 --> 1:01:08.160
<v Speaker 2>everybody to get out She was like, I got an idea.

1:01:09.360 --> 1:01:11.520
<v Speaker 2>We should do our own thing. You know, I got

1:01:11.600 --> 1:01:14.680
<v Speaker 2>this TV show shit on lock. We should do something together.

1:01:14.800 --> 1:01:16.440
<v Speaker 2>What you think? I'm like, yeah, she said, you got

1:01:16.480 --> 1:01:18.600
<v Speaker 2>a name. I said, yeah, let's call that motherfucker Martha

1:01:18.600 --> 1:01:23.840
<v Speaker 2>and Snoop pot Luck, pot Luck, dinner show or dinner party.

1:01:24.560 --> 1:01:27.640
<v Speaker 2>She's like, all right, cool. Both our teams came together

1:01:28.680 --> 1:01:31.959
<v Speaker 2>and started working together, and we built that show sold

1:01:32.000 --> 1:01:35.080
<v Speaker 2>at the VH one, they bought a second season, and

1:01:35.160 --> 1:01:39.240
<v Speaker 2>then after that, she and me both think alike. So

1:01:40.400 --> 1:01:43.000
<v Speaker 2>if she had a deal, she would be like, hey, Snoop,

1:01:43.040 --> 1:01:45.840
<v Speaker 2>I got a deal with Big Lighter. You want to

1:01:45.920 --> 1:01:49.200
<v Speaker 2>do it with me? Yeah, let's get out. Ain't Martha

1:01:49.320 --> 1:01:51.440
<v Speaker 2>Tostitos just hit me for some super Bowl shit? You

1:01:51.480 --> 1:01:54.040
<v Speaker 2>want to get down with me? Yeah? Wow? All right, whoop,

1:01:54.040 --> 1:01:57.400
<v Speaker 2>whoop woop, Hey, Snoop, you should do a mo fucking cookbook, nigga,

1:01:57.440 --> 1:02:01.200
<v Speaker 2>you can cook? You serious for show. One point seven

1:02:01.280 --> 1:02:04.440
<v Speaker 2>million books sold to this day, been on the New

1:02:04.560 --> 1:02:13.600
<v Speaker 2>York best Seller five times number one. Then two years ago, Snoop,

1:02:15.400 --> 1:02:19.000
<v Speaker 2>my people's from this company been trying to get at you,

1:02:19.080 --> 1:02:23.200
<v Speaker 2>but your your guys been blocking. They've been blocking. Yeah,

1:02:23.200 --> 1:02:25.440
<v Speaker 2>they've been. They're a good company to work with too,

1:02:25.480 --> 1:02:29.760
<v Speaker 2>they've been blocking. Give me the number. What's happening, Yeah,

1:02:29.800 --> 1:02:31.840
<v Speaker 2>we want to fuck with you with your people. Okay,

1:02:31.880 --> 1:02:42.120
<v Speaker 2>what's happening? Shoes? She plugged me with sketches. She was

1:02:42.200 --> 1:02:42.840
<v Speaker 2>there before me.

1:02:43.840 --> 1:02:45.480
<v Speaker 1>Man shout out to Martha's Stewart.

1:02:45.960 --> 1:02:48.680
<v Speaker 2>See what I'm saying. But see how we moving stealth,

1:02:50.400 --> 1:02:54.240
<v Speaker 2>no hating, no arguments. Then I do the voice. She

1:02:54.360 --> 1:02:57.680
<v Speaker 2>shows up for me. She do her hundredth book. I

1:02:57.760 --> 1:03:00.360
<v Speaker 2>fly to New York, show up for her. This is

1:03:00.400 --> 1:03:04.520
<v Speaker 2>what friends do. Like we committed to being friends. You

1:03:04.560 --> 1:03:08.280
<v Speaker 2>get what I'm saying. No strings attached, no nothing, just

1:03:08.440 --> 1:03:11.840
<v Speaker 2>for each other. She dropped her documentary on Netflix. I

1:03:11.920 --> 1:03:14.640
<v Speaker 2>didn't realize how important we were to each other till

1:03:14.640 --> 1:03:17.680
<v Speaker 2>I seen it, because they tried to blackball her and

1:03:17.760 --> 1:03:20.600
<v Speaker 2>took everything away from her. And then when the dog

1:03:20.720 --> 1:03:24.600
<v Speaker 2>came on her life back up. Yeah but me too,

1:03:24.960 --> 1:03:30.160
<v Speaker 2>Yeah yeah right, just think about it. I was always up,

1:03:30.240 --> 1:03:36.240
<v Speaker 2>but when I got with her up, he seeing.

1:03:36.480 --> 1:03:39.160
<v Speaker 1>Yes, because y'all brought y'all brought two worlds together.

1:03:39.600 --> 1:03:42.720
<v Speaker 6>Yes, that deserved each other, Like we didn't even know

1:03:42.800 --> 1:03:44.440
<v Speaker 6>how much we loved Martha Stewart.

1:03:45.160 --> 1:03:49.240
<v Speaker 2>They loved me the same feeling. I started looking at Mark.

1:03:49.320 --> 1:03:54.760
<v Speaker 2>I'm like marther Stu, I see what you're doing. Okay,

1:03:56.120 --> 1:03:57.080
<v Speaker 2>I have some of the power.

1:03:59.000 --> 1:04:02.320
<v Speaker 1>But for real though, like it just we never knew,

1:04:02.480 --> 1:04:02.919
<v Speaker 1>never knew.

1:04:03.360 --> 1:04:06.080
<v Speaker 2>Most people don't understand that they're the same until they

1:04:06.120 --> 1:04:08.960
<v Speaker 2>get in the same wrong. Yeah, that's the separation division

1:04:08.960 --> 1:04:11.800
<v Speaker 2>shit that I hate, because we all are like, we're

1:04:11.800 --> 1:04:14.120
<v Speaker 2>all the same. And I found that with the people

1:04:14.200 --> 1:04:16.760
<v Speaker 2>that work with me, not for me, but the people

1:04:16.840 --> 1:04:19.480
<v Speaker 2>that are my employees that work with me. No two

1:04:19.560 --> 1:04:22.440
<v Speaker 2>people are the same. Like I got people from different backgrounds,

1:04:22.480 --> 1:04:25.960
<v Speaker 2>people from Asian parts of the world, India parts of

1:04:26.040 --> 1:04:33.200
<v Speaker 2>the world, African, American, Caucasian, Hispanic. Like it's because I

1:04:33.280 --> 1:04:36.080
<v Speaker 2>fuck with people. Yes, I don't just hire you because

1:04:36.120 --> 1:04:38.200
<v Speaker 2>you look like this, so you act like this. You're

1:04:38.240 --> 1:04:41.240
<v Speaker 2>the best qualified for the job. And if your nationality

1:04:41.280 --> 1:04:44.400
<v Speaker 2>happens to be that, that's third in line. What's first

1:04:44.440 --> 1:04:47.040
<v Speaker 2>in line? Are you qualified? And are you gonna sit

1:04:47.160 --> 1:04:49.280
<v Speaker 2>with the spirit that's around this team that I built?

1:04:50.240 --> 1:04:52.520
<v Speaker 1>How many people do you employ right now?

1:04:52.560 --> 1:04:55.960
<v Speaker 2>I probably got about seventy people employed. Did you ever

1:04:56.160 --> 1:04:58.680
<v Speaker 2>think never I did never think I could have two

1:04:58.800 --> 1:05:02.400
<v Speaker 2>niggas to work for me, because I would be like,

1:05:02.720 --> 1:05:05.400
<v Speaker 2>you know you're not gonna get paid right as long

1:05:05.440 --> 1:05:07.680
<v Speaker 2>as all you think, you'll never be broke, bro I

1:05:07.760 --> 1:05:11.400
<v Speaker 2>get you checked to you next next time I see I.

1:05:11.360 --> 1:05:13.720
<v Speaker 1>Gotta pay this five hundred for the spot on five hundred.

1:05:14.440 --> 1:05:17.840
<v Speaker 2>Next time I see him having it, I called him.

1:05:18.520 --> 1:05:23.800
<v Speaker 6>I called him. When I came to the compound. I

1:05:23.880 --> 1:05:27.479
<v Speaker 6>didn't know what I was coming to. I just knew

1:05:27.600 --> 1:05:30.560
<v Speaker 6>it's snoop, my god, fuzzy hit me. I'm pulling up.

1:05:31.360 --> 1:05:33.880
<v Speaker 6>Ain't no like you said when we're friends. We're friends,

1:05:33.960 --> 1:05:34.919
<v Speaker 6>straight up, no question.

1:05:35.240 --> 1:05:35.520
<v Speaker 2>I don't.

1:05:35.560 --> 1:05:37.000
<v Speaker 1>I don't know what I'm driving to.

1:05:37.200 --> 1:05:38.320
<v Speaker 2>Don't you didn't ask no quest.

1:05:38.320 --> 1:05:40.720
<v Speaker 6>I don't even know the area, so what I'm pulling up?

1:05:41.520 --> 1:05:45.080
<v Speaker 6>When I left, I called this man because he couldn't

1:05:45.080 --> 1:05:46.840
<v Speaker 6>make it. That night, I called this man.

1:05:46.920 --> 1:05:47.480
<v Speaker 2>I said.

1:05:48.920 --> 1:05:52.080
<v Speaker 1>He's done it. He was like, what are you talking?

1:05:52.400 --> 1:05:54.840
<v Speaker 1>He did it, He's done it.

1:05:56.080 --> 1:05:58.520
<v Speaker 6>And I wanted to say this to you now because

1:05:58.560 --> 1:06:00.080
<v Speaker 6>obviously it was. It was a lot going on, and

1:06:01.160 --> 1:06:14.600
<v Speaker 6>you the inspiration man me coming and seeing the compound

1:06:14.800 --> 1:06:17.400
<v Speaker 6>and seeing that it's everything we need.

1:06:18.800 --> 1:06:24.640
<v Speaker 1>As creatives to be creative at the highest level in

1:06:24.800 --> 1:06:29.040
<v Speaker 1>one place. I said, I said, Tank, He's I said.

1:06:28.880 --> 1:06:31.960
<v Speaker 6>Everything that we're talking about, doing, everything that we want

1:06:32.000 --> 1:06:37.360
<v Speaker 6>to do, everything that we're working towards. Snoop has the

1:06:37.520 --> 1:06:42.440
<v Speaker 6>facility and the place and all of these things that

1:06:42.640 --> 1:06:44.480
<v Speaker 6>we can now be inspired by.

1:06:44.680 --> 1:06:47.560
<v Speaker 1>Go see and say oh yeah, yeah, and we need that, and.

1:06:47.600 --> 1:06:49.800
<v Speaker 6>We're gonna need this, and yeah we need that big

1:06:49.880 --> 1:06:53.400
<v Speaker 6>ass room that's all green. Yes, and then we need

1:06:53.480 --> 1:06:54.680
<v Speaker 6>all basketball court.

1:06:55.840 --> 1:06:56.919
<v Speaker 5>You need your weight rooms.

1:07:00.080 --> 1:07:04.480
<v Speaker 2>I shot, you can always depend on me. You get

1:07:04.520 --> 1:07:04.680
<v Speaker 2>to that.

1:07:06.560 --> 1:07:09.040
<v Speaker 1>But I just I just wanted to really celebrate you

1:07:09.160 --> 1:07:09.320
<v Speaker 1>for that.

1:07:09.480 --> 1:07:11.640
<v Speaker 5>Yeah, because he called me immediately.

1:07:11.760 --> 1:07:14.200
<v Speaker 6>We all start with the home studio, all of us,

1:07:14.240 --> 1:07:17.560
<v Speaker 6>me too. In this game, we all start with this side.

1:07:17.680 --> 1:07:20.560
<v Speaker 2>I made the East Side of album in my living

1:07:20.640 --> 1:07:23.439
<v Speaker 2>room and Clare Mount Nigga, I love it. The Gang

1:07:23.560 --> 1:07:29.240
<v Speaker 2>Bang anthem, I love it the anthem niggas that was made.

1:07:29.280 --> 1:07:31.680
<v Speaker 2>And once we finished in the studio, we went right

1:07:31.720 --> 1:07:33.200
<v Speaker 2>to the living room and had a house party and

1:07:33.280 --> 1:07:35.280
<v Speaker 2>it was this all you've seen in the air. It

1:07:35.440 --> 1:07:39.840
<v Speaker 2>was everything just like the house studio sometimes is better

1:07:40.920 --> 1:07:43.360
<v Speaker 2>than the big studio because the fucking feeling that you

1:07:43.480 --> 1:07:46.600
<v Speaker 2>get from the house studio. Like even at the compound,

1:07:46.680 --> 1:07:49.000
<v Speaker 2>I got a baby studio that you didn't see. That

1:07:49.120 --> 1:07:51.880
<v Speaker 2>feel like I'm at the house, got little cheap couches

1:07:51.920 --> 1:07:54.560
<v Speaker 2>in that, but well my wife put some expensive couch

1:07:54.600 --> 1:07:56.240
<v Speaker 2>and get this cheap ass ship out. I'm like, I

1:07:56.480 --> 1:07:58.640
<v Speaker 2>like cheap ship. So when niggas come over here, they

1:07:58.680 --> 1:08:02.520
<v Speaker 2>feel like they can waste beer. Yeah, you know this

1:08:02.680 --> 1:08:06.400
<v Speaker 2>kind of nice. I'm doing this ship like, you know

1:08:06.400 --> 1:08:07.920
<v Speaker 2>what I'm saying, trying to make sure it's clean. I

1:08:08.040 --> 1:08:09.880
<v Speaker 2>want some hood ship in there. But it just feels

1:08:09.960 --> 1:08:13.240
<v Speaker 2>like that studio that we built there. The studio, see

1:08:13.360 --> 1:08:15.680
<v Speaker 2>is the starship. So we got the starship, battleship and

1:08:15.760 --> 1:08:20.680
<v Speaker 2>the mothership. The starship feels more like the beginning, you

1:08:20.720 --> 1:08:22.720
<v Speaker 2>know what I'm saying, Whereas like you don't get all

1:08:22.800 --> 1:08:25.120
<v Speaker 2>the glitz and glamour. He's just like you and that motherfucker.

1:08:25.120 --> 1:08:29.920
<v Speaker 2>It's just you in the room. Yeah. Yeah. See the

1:08:29.960 --> 1:08:31.920
<v Speaker 2>other room is inspiration. You see gold chains.

1:08:33.360 --> 1:08:35.960
<v Speaker 6>I was telling him, I'm like, so he has a

1:08:36.040 --> 1:08:39.920
<v Speaker 6>cologne corner in case the nigga wanna smell good.

1:08:41.320 --> 1:08:43.519
<v Speaker 2>That's what we're gonna do. He got all the weed, yes, sir,

1:08:44.439 --> 1:08:46.519
<v Speaker 2>all the wraps, eyeglasses.

1:08:46.920 --> 1:08:49.800
<v Speaker 5>Nigga glass everything, he got everything in their tech.

1:08:50.960 --> 1:08:53.479
<v Speaker 2>Y'all could have took some ship to go performing. If

1:08:53.520 --> 1:08:55.360
<v Speaker 2>some of the ship ain't even my style, I would

1:08:55.360 --> 1:08:56.880
<v Speaker 2>have wished the nigga to been like, dog, let me

1:08:56.920 --> 1:08:59.360
<v Speaker 2>get those. Go ahead, my nigga. I swear it's some

1:09:00.080 --> 1:09:01.960
<v Speaker 2>cold on what you got here. That's some cool R

1:09:02.000 --> 1:09:02.920
<v Speaker 2>and B glasses in there.

1:09:03.640 --> 1:09:07.200
<v Speaker 3>I said, nigga, do you call a nigga and tell

1:09:07.280 --> 1:09:10.160
<v Speaker 3>him just st said no, take the nigga makes it

1:09:10.240 --> 1:09:11.280
<v Speaker 3>before I asked him to make it?

1:09:11.880 --> 1:09:14.760
<v Speaker 2>He do. I don't even ask this nigga. Like that's

1:09:14.800 --> 1:09:16.679
<v Speaker 2>the cold part about it. When I did the drink Champs,

1:09:16.680 --> 1:09:18.479
<v Speaker 2>the nigga just had a suit with the drink Champs

1:09:18.520 --> 1:09:20.519
<v Speaker 2>on it. So I walked out looking like I was

1:09:20.560 --> 1:09:23.040
<v Speaker 2>promoting that ship. They was like this nigga, I did

1:09:23.120 --> 1:09:25.960
<v Speaker 2>the voice, same thing. He gonna make y'all some ship

1:09:26.040 --> 1:09:28.200
<v Speaker 2>with he gonna put this on there. I told him

1:09:28.200 --> 1:09:30.240
<v Speaker 2>to put your logo on there. Hey, y'all, some fly

1:09:30.400 --> 1:09:31.720
<v Speaker 2>ship lined up, you know what I'm saying. So that

1:09:31.720 --> 1:09:33.840
<v Speaker 2>way y'all can have some cool ship like this and

1:09:33.920 --> 1:09:35.880
<v Speaker 2>then some R and b ship too with maybe like

1:09:36.240 --> 1:09:38.800
<v Speaker 2>cool little sweater, cool little v neig. You know, I

1:09:38.840 --> 1:09:40.080
<v Speaker 2>know how you get out on Nigga. You got your

1:09:40.080 --> 1:09:42.000
<v Speaker 2>wool wips out. You know what I'm saying. You know

1:09:42.040 --> 1:09:42.439
<v Speaker 2>what I'm saying.

1:09:44.240 --> 1:09:45.960
<v Speaker 1>Hey, I can't wait till the next show.

1:09:46.120 --> 1:09:48.000
<v Speaker 2>I'm gonna go back there and say, hey, so so

1:09:48.120 --> 1:09:54.720
<v Speaker 2>take so you got your out of woo baby, Yeah,

1:09:55.120 --> 1:09:56.120
<v Speaker 2>get him right, bro.

1:09:56.360 --> 1:09:58.720
<v Speaker 3>I think, I think, and I hope you realize as

1:09:58.880 --> 1:10:01.960
<v Speaker 3>as as you went back to the beginning and gave

1:10:02.080 --> 1:10:05.160
<v Speaker 3>us this when Mom say we at the church, we

1:10:05.240 --> 1:10:09.759
<v Speaker 3>all at the church. The thing that I can truly

1:10:09.800 --> 1:10:13.400
<v Speaker 3>accredit all of it too, man, is of course we

1:10:13.520 --> 1:10:16.320
<v Speaker 3>get into the hard work and the gifts of a man.

1:10:16.560 --> 1:10:20.040
<v Speaker 3>But you truly have favor over your life, brother, Yes, sir,

1:10:20.600 --> 1:10:21.320
<v Speaker 3>you truly have.

1:10:22.200 --> 1:10:23.080
<v Speaker 2>You truly have the.

1:10:23.120 --> 1:10:25.639
<v Speaker 3>God keeping his hand on you, man, and keeping angels

1:10:25.680 --> 1:10:29.840
<v Speaker 3>around you to protect you and keep you because guys

1:10:29.920 --> 1:10:30.680
<v Speaker 3>like us need you.

1:10:31.240 --> 1:10:36.200
<v Speaker 2>Man understood. It's crazy that you said that because I've

1:10:36.240 --> 1:10:38.960
<v Speaker 2>been like very spiritual since I've been in this game,

1:10:39.600 --> 1:10:42.880
<v Speaker 2>Like even when the tragedy happened with the murder case,

1:10:43.680 --> 1:10:47.639
<v Speaker 2>first person I called was dazz Mama and she prayed

1:10:47.720 --> 1:10:52.000
<v Speaker 2>with me. I mean she prayed with me strong, real strong,

1:10:52.720 --> 1:10:54.920
<v Speaker 2>to keep me strong through the whole situation, because it

1:10:55.000 --> 1:10:58.080
<v Speaker 2>lasted for a couple of years. It wasn't just overnight,

1:10:59.040 --> 1:11:02.040
<v Speaker 2>catchy cases old tomorrow. And she had affected me for

1:11:02.200 --> 1:11:05.160
<v Speaker 2>like two years and never dwelled on her and talked

1:11:05.160 --> 1:11:08.240
<v Speaker 2>about it because I had so much respect for the

1:11:08.360 --> 1:11:12.160
<v Speaker 2>deceased family, you know, so I don't really speak on that,

1:11:12.360 --> 1:11:16.320
<v Speaker 2>but that prayer is what really helped me through that.

1:11:16.520 --> 1:11:20.120
<v Speaker 2>And then once I got through that, to remain in prayer,

1:11:20.520 --> 1:11:24.240
<v Speaker 2>to remain in other people's prayers, to remain praying. And

1:11:24.479 --> 1:11:28.240
<v Speaker 2>my mother was always she had became an evangelist, so

1:11:28.360 --> 1:11:32.840
<v Speaker 2>she was like she would always bang for me, bang

1:11:33.080 --> 1:11:36.360
<v Speaker 2>bang bang. My son was raising the church. I don't

1:11:36.400 --> 1:11:38.280
<v Speaker 2>care what y'all say about him and his music and

1:11:38.320 --> 1:11:41.360
<v Speaker 2>blah blah this and that. Then I made that gospel album.

1:11:42.120 --> 1:11:44.680
<v Speaker 2>And when I made that gospel album, I had all

1:11:44.720 --> 1:11:47.000
<v Speaker 2>the musicians at the studio and I had my mother

1:11:47.120 --> 1:11:49.800
<v Speaker 2>come and we played it from top to bottom and

1:11:49.960 --> 1:11:54.240
<v Speaker 2>she clapped and it was so beautiful. Man. It was

1:11:54.360 --> 1:11:57.320
<v Speaker 2>like probably the greatest moment in music for me because

1:11:57.360 --> 1:11:59.880
<v Speaker 2>I could finally give my mother something that she could

1:11:59.880 --> 1:12:05.080
<v Speaker 2>be proud of, that she could say, now, what you

1:12:05.200 --> 1:12:07.360
<v Speaker 2>said all that about my son, But he took time

1:12:07.439 --> 1:12:16.960
<v Speaker 2>to give God a whole album none stop speaking the truth, preaching, teaching, listening, learning,

1:12:17.560 --> 1:12:20.479
<v Speaker 2>and it's called Bible of Love because that's what I

1:12:20.600 --> 1:12:23.720
<v Speaker 2>told him, and she was able to hear that, and

1:12:24.640 --> 1:12:28.479
<v Speaker 2>that just no matter what I do on hip hop,

1:12:29.640 --> 1:12:33.000
<v Speaker 2>it just don't feel like that because my mama could

1:12:33.080 --> 1:12:36.479
<v Speaker 2>never play my hip hop records and be like, that's

1:12:36.600 --> 1:12:41.360
<v Speaker 2>my boy. Yeah, but that one, that's what I told him.

1:12:42.200 --> 1:12:46.240
<v Speaker 2>She could see the fruits of her labor through me

1:12:46.360 --> 1:12:48.760
<v Speaker 2>taking the magical moment that I had to give it

1:12:48.880 --> 1:12:52.519
<v Speaker 2>up to God a whole record, Bible of Love. Make

1:12:52.520 --> 1:12:54.960
<v Speaker 2>sure y'all get that this is a beautiful record. It

1:12:55.120 --> 1:12:57.800
<v Speaker 2>is such a beautiful record. I mean, I listened to

1:12:57.840 --> 1:12:59.320
<v Speaker 2>it from time to time, but it makes me cry

1:12:59.400 --> 1:13:01.920
<v Speaker 2>when I listened to it. And ain't nothing wrong with crying,

1:13:02.000 --> 1:13:04.760
<v Speaker 2>but it just it makes me cry because it's a

1:13:04.840 --> 1:13:08.479
<v Speaker 2>spirit checker. It checks your spirit, and great music is

1:13:08.479 --> 1:13:10.760
<v Speaker 2>supposed to do that for you. So whenever I do

1:13:10.880 --> 1:13:13.479
<v Speaker 2>want to shed a tear, I play that. I play

1:13:13.680 --> 1:13:19.360
<v Speaker 2>these three words. Stevie Wonder that record right there, sweet

1:13:19.400 --> 1:13:23.760
<v Speaker 2>and come on, man, am I wrong? You can't be,

1:13:25.600 --> 1:13:28.120
<v Speaker 2>You can't be. And then when you ain't heard your

1:13:28.120 --> 1:13:29.960
<v Speaker 2>mama's voice a long time, and you say, when was

1:13:30.000 --> 1:13:33.519
<v Speaker 2>the last time they heard them, say, oh my god, Stevie,

1:13:33.560 --> 1:13:37.880
<v Speaker 2>why you do it to me? Yeah?

1:13:38.080 --> 1:13:39.920
<v Speaker 6>Yeah, let's talk this R and B thing. Man, Come on,

1:13:40.240 --> 1:13:44.200
<v Speaker 6>let's because the R and B roster. I also had

1:13:44.240 --> 1:13:51.080
<v Speaker 6>an opportunity to be an event that you obviously, you

1:13:51.160 --> 1:13:53.000
<v Speaker 6>know when you know you snoop when you show up,

1:13:53.040 --> 1:13:55.080
<v Speaker 6>you show out, but you know you held the event

1:13:55.200 --> 1:13:58.200
<v Speaker 6>down and you actually, you know, you closed the event

1:13:59.200 --> 1:14:03.400
<v Speaker 6>the Cardier Okay, Gamma event, Yes, sir, you know what

1:14:03.479 --> 1:14:07.840
<v Speaker 6>I mean that you also grace yourself. But brought your

1:14:08.000 --> 1:14:12.840
<v Speaker 6>artists October London there and there was a moment and

1:14:13.520 --> 1:14:15.840
<v Speaker 6>you know my relationship with Larry, we come up together

1:14:15.880 --> 1:14:17.920
<v Speaker 6>in San Francisco. You know, that's been my nigga for

1:14:18.280 --> 1:14:21.439
<v Speaker 6>you know, many moons that I pulled him to the side.

1:14:22.520 --> 1:14:24.280
<v Speaker 6>And I didn't even tell you this, but I pulled

1:14:24.320 --> 1:14:28.920
<v Speaker 6>him to the side. I said, I don't know if

1:14:28.960 --> 1:14:32.960
<v Speaker 6>I've ever seen an artist, it's you're a artist. First

1:14:35.080 --> 1:14:41.320
<v Speaker 6>ever introduce someone signed to them? This way and support

1:14:41.400 --> 1:14:44.280
<v Speaker 6>someone in this manner because we.

1:14:44.360 --> 1:14:45.040
<v Speaker 1>All know everybody.

1:14:45.080 --> 1:14:47.840
<v Speaker 6>You know, you signed artists, people got even just and

1:14:47.960 --> 1:14:50.400
<v Speaker 6>even from us, even from the CEO standpoint.

1:14:51.240 --> 1:14:58.240
<v Speaker 1>Yeah, the way you showed up for him, which listen,

1:14:58.280 --> 1:14:59.920
<v Speaker 1>you told the Cardia people. You know you listen.

1:15:00.280 --> 1:15:02.040
<v Speaker 6>You know y'all couldn't pay me enough to come to

1:15:02.120 --> 1:15:06.679
<v Speaker 6>this motherfucker. I'm here because and I know you kept

1:15:06.720 --> 1:15:07.599
<v Speaker 6>that watch too, nigga.

1:15:09.040 --> 1:15:11.320
<v Speaker 2>I'll start the word today to show you what what

1:15:11.560 --> 1:15:14.080
<v Speaker 2>chime it was? He told him in there.

1:15:14.120 --> 1:15:15.960
<v Speaker 1>He said, yeah, yeah, yeah, I know y'all think y'all

1:15:16.000 --> 1:15:18.080
<v Speaker 1>getting this back. It's not gonna happen.

1:15:18.479 --> 1:15:21.439
<v Speaker 2>It's me. She came back on can we get to bitch?

1:15:21.479 --> 1:15:25.280
<v Speaker 2>If you don't get out of here, then they're talking about,

1:15:25.400 --> 1:15:27.040
<v Speaker 2>well can you at least take a picture with it?

1:15:27.200 --> 1:15:29.599
<v Speaker 2>Then I take a picture, Well put the blunt down, said, bitch,

1:15:29.640 --> 1:15:31.960
<v Speaker 2>you got a better chance of taking this motherfucker watching

1:15:32.040 --> 1:15:37.760
<v Speaker 2>this motherfucking blunt. It's just a picture just like this. Yeah,

1:15:38.120 --> 1:15:41.360
<v Speaker 2>just because you said that, bitch, he's still.

1:15:42.920 --> 1:15:43.240
<v Speaker 3>Coming.

1:15:46.640 --> 1:15:47.320
<v Speaker 7>He comes and.

1:15:47.360 --> 1:15:50.160
<v Speaker 2>Goes that niggas. He's a crazy, crazy individual.

1:15:50.160 --> 1:15:52.800
<v Speaker 6>I can't control it, no, but but seeing not though

1:15:52.840 --> 1:15:55.599
<v Speaker 6>snoop for real, man, I was like it was once again,

1:15:55.640 --> 1:15:59.320
<v Speaker 6>it was inspiring because this is how you're supposed to

1:15:59.400 --> 1:16:00.720
<v Speaker 6>be there for your right.

1:16:01.680 --> 1:16:03.519
<v Speaker 2>We leave by example. We leave by example.

1:16:04.040 --> 1:16:06.920
<v Speaker 6>Everybody can write the check once you in a position,

1:16:07.720 --> 1:16:11.000
<v Speaker 6>but really really get show up.

1:16:12.320 --> 1:16:15.640
<v Speaker 2>It's development. It's artist development. Like I've really worked with

1:16:15.800 --> 1:16:18.280
<v Speaker 2>developing him and I'm so proud of him, and I

1:16:18.360 --> 1:16:20.240
<v Speaker 2>want people to know how much I love him and

1:16:20.360 --> 1:16:22.640
<v Speaker 2>how great he means to how great he is to

1:16:22.680 --> 1:16:25.160
<v Speaker 2>the music industry. Like when you're introducing a new voice

1:16:25.200 --> 1:16:27.680
<v Speaker 2>in the new sound, you should protect that. And I

1:16:27.800 --> 1:16:30.240
<v Speaker 2>protect him like he want a mine because he is

1:16:30.320 --> 1:16:31.920
<v Speaker 2>one of mine, you know what I'm saying. So it's

1:16:32.000 --> 1:16:34.840
<v Speaker 2>like for me to stand with him shows you that

1:16:35.000 --> 1:16:37.800
<v Speaker 2>you can't play with him, you know what I'm saying, Like,

1:16:37.920 --> 1:16:40.559
<v Speaker 2>that's what that means with Okay, dog is really with him?

1:16:40.800 --> 1:16:43.000
<v Speaker 2>I can't play with him. Don't try to slide, no

1:16:43.120 --> 1:16:46.160
<v Speaker 2>back door offers or no see we can get him

1:16:46.200 --> 1:16:48.880
<v Speaker 2>away if we can try to sway, and he'll tell

1:16:48.920 --> 1:16:53.439
<v Speaker 2>you any kind of deal that he get. I never

1:16:53.560 --> 1:16:55.960
<v Speaker 2>try to sway my way. For example, if it's a

1:16:56.000 --> 1:16:59.760
<v Speaker 2>publishing situation, right, he been with me long you would

1:16:59.800 --> 1:17:03.840
<v Speaker 2>think that he's with my publishing company or publish mm hmm.

1:17:04.360 --> 1:17:07.320
<v Speaker 2>Go get you the best publishing deal for you. What's

1:17:07.400 --> 1:17:10.200
<v Speaker 2>best for you. Me taking your ship ain't best for

1:17:10.320 --> 1:17:14.200
<v Speaker 2>you because you a fucking writer, You a creator. You nigga,

1:17:14.360 --> 1:17:16.120
<v Speaker 2>I own the master's I mean, I ain't trying to

1:17:16.160 --> 1:17:18.360
<v Speaker 2>be greedy, man. You show on your publisher. So that way,

1:17:18.400 --> 1:17:20.920
<v Speaker 2>when we start selling this ship or moving this ship

1:17:20.960 --> 1:17:24.960
<v Speaker 2>into different places of the media world, we're a partner still,

1:17:25.640 --> 1:17:27.679
<v Speaker 2>you know what I'm saying. It's not like one's bigger

1:17:27.720 --> 1:17:29.439
<v Speaker 2>than the others. Like we need each other. I can't

1:17:29.560 --> 1:17:31.840
<v Speaker 2>push it without your permission. You can't push it without

1:17:31.840 --> 1:17:34.840
<v Speaker 2>It's like, and we love each other like it's real love.

1:17:34.960 --> 1:17:38.360
<v Speaker 2>It's not gonna ever be like well, fuck Snooper, fuck October,

1:17:38.479 --> 1:17:41.080
<v Speaker 2>no nigga, because you was introduced to me and I

1:17:41.240 --> 1:17:43.040
<v Speaker 2>love what you had and I already had it, and

1:17:43.080 --> 1:17:45.639
<v Speaker 2>I just want to see you have it. How about

1:17:45.720 --> 1:17:51.120
<v Speaker 2>that you got Jane over there, Oh Jane Jane Hancock

1:17:52.280 --> 1:17:55.560
<v Speaker 2>Raphael sad Yes, when I'm over over there doing my

1:17:55.640 --> 1:17:57.840
<v Speaker 2>death jam saying Raphael, like, nigga, I'm from the play

1:17:57.840 --> 1:18:00.920
<v Speaker 2>you something he played that like my weed. I'm like,

1:18:01.000 --> 1:18:03.920
<v Speaker 2>who the fuck is that? Like that Jane Hancott's special,

1:18:04.040 --> 1:18:07.559
<v Speaker 2>I said, I want her, I want her, Yeah, brought her,

1:18:07.640 --> 1:18:10.400
<v Speaker 2>moved her down to La developed started developing her about

1:18:10.960 --> 1:18:15.240
<v Speaker 2>three years ago, putting her on certain projects, but developing like, yes,

1:18:15.320 --> 1:18:17.160
<v Speaker 2>getting the whole get down together. We ain't gonna just

1:18:17.240 --> 1:18:19.040
<v Speaker 2>grab you and throw you out. We're gonna develop you.

1:18:19.400 --> 1:18:21.200
<v Speaker 2>We're gonna make sure you understand that we're gonna make

1:18:21.280 --> 1:18:24.080
<v Speaker 2>real records, that you're gonna do shit with substance and

1:18:24.160 --> 1:18:27.400
<v Speaker 2>car and consciousness because you gotta live with these records.

1:18:27.960 --> 1:18:30.160
<v Speaker 2>You have to go perform these records. So I don't

1:18:30.160 --> 1:18:31.720
<v Speaker 2>want you to be saying shit you ain't gonna be

1:18:31.760 --> 1:18:34.080
<v Speaker 2>able to live with ten years from now. We're a

1:18:34.160 --> 1:18:36.519
<v Speaker 2>real record company. We want to make shit that's solid.

1:18:37.400 --> 1:18:39.639
<v Speaker 2>And she she fit the bill. She's the first lady

1:18:39.680 --> 1:18:43.720
<v Speaker 2>on death Row Fire. Yeah, yeah, Yeah.

1:18:43.760 --> 1:18:47.720
<v Speaker 3>My nephew, Charlie over there, Charlie b Rare, Charlie be Rare,

1:18:48.120 --> 1:18:49.800
<v Speaker 3>my guy, my little brother over there.

1:18:49.880 --> 1:18:51.960
<v Speaker 2>Now, Charlie been in the family for a long time.

1:18:52.040 --> 1:18:53.840
<v Speaker 2>He tell me a story about him coming to my

1:18:54.000 --> 1:18:58.639
<v Speaker 2>house as a teenager with his dad. I'm like, I'm

1:18:58.720 --> 1:19:03.240
<v Speaker 2>that old, Like, yeah, when I came to your house,

1:19:03.280 --> 1:19:05.400
<v Speaker 2>we use I said, come on to me that story

1:19:05.400 --> 1:19:06.880
<v Speaker 2>because I don't want to hear that. It's like me

1:19:07.000 --> 1:19:09.720
<v Speaker 2>telling Quincy Jones and Booty Collins and shit like then

1:19:09.760 --> 1:19:12.240
<v Speaker 2>when I was thirteen. I can't in y'all house. But

1:19:12.439 --> 1:19:14.519
<v Speaker 2>that's how much love we have for each other. It's

1:19:14.600 --> 1:19:19.240
<v Speaker 2>like he remembers how I treated him then and how

1:19:19.320 --> 1:19:21.960
<v Speaker 2>I treat him now, and how I developed him and

1:19:22.040 --> 1:19:24.360
<v Speaker 2>how I'm working with developing him. His album has been

1:19:24.400 --> 1:19:27.640
<v Speaker 2>done for over a year, but we have to develop.

1:19:27.960 --> 1:19:30.720
<v Speaker 2>We have to make sure it's introduced the right way.

1:19:30.800 --> 1:19:33.120
<v Speaker 2>It's right pieces to the puzzle. Like today, we just

1:19:33.240 --> 1:19:37.519
<v Speaker 2>dropped his song and Hope, which feels like Martin the

1:19:37.640 --> 1:19:40.840
<v Speaker 2>King's birthday. It feels just just like that. When you

1:19:40.920 --> 1:19:42.559
<v Speaker 2>see it, you're gonna see what I'm saying. It looks

1:19:42.640 --> 1:19:47.800
<v Speaker 2>and feels just like MLK. It's called Hope. His style

1:19:47.880 --> 1:19:52.200
<v Speaker 2>of music is perfect. It's not nothing but his. He's

1:19:52.320 --> 1:19:56.040
<v Speaker 2>loved in the industry. Musicians love him, artists love him,

1:19:56.720 --> 1:19:59.599
<v Speaker 2>and God put him with me so I can put

1:19:59.640 --> 1:20:02.080
<v Speaker 2>a little light on him so he could shine. Come on,

1:20:02.720 --> 1:20:08.760
<v Speaker 2>that's my music. Praise God yeah.

1:20:09.080 --> 1:20:12.760
<v Speaker 1>That record is called Hope Yeah. And then you brought

1:20:12.880 --> 1:20:18.559
<v Speaker 1>back Oh Yeah, Chicago, who is one of my favorite singers.

1:20:18.680 --> 1:20:20.559
<v Speaker 2>I loved me some Danny Boy, and what's so crazy

1:20:20.560 --> 1:20:21.800
<v Speaker 2>he was? I didn't get a chance to work with

1:20:21.920 --> 1:20:24.160
<v Speaker 2>him when we was on death Row. Really didn't know

1:20:24.240 --> 1:20:26.679
<v Speaker 2>that they kept us over there. He was on that side.

1:20:26.920 --> 1:20:29.920
<v Speaker 2>We don't have no music together before. Never thought about

1:20:29.960 --> 1:20:35.040
<v Speaker 2>that name one. There is nothing, That's what I'm saying.

1:20:35.160 --> 1:20:39.639
<v Speaker 2>So when I got death Row back, he was hearing

1:20:39.720 --> 1:20:42.400
<v Speaker 2>mysterious things that I didn't like him and this and that.

1:20:44.080 --> 1:20:47.360
<v Speaker 2>But what he didn't know was I loved him. And

1:20:47.520 --> 1:20:50.320
<v Speaker 2>what I started to do was I followed him on Instagram.

1:20:50.880 --> 1:20:54.120
<v Speaker 2>I started hearing his music on Serious Exam, Hard and Soul,

1:20:54.920 --> 1:20:57.879
<v Speaker 2>and I downloaded his music and then I started posting

1:20:58.000 --> 1:21:01.519
<v Speaker 2>me playing his music on Instagram. Then I hit him

1:21:01.560 --> 1:21:05.360
<v Speaker 2>on DM and said, I love you, nephew, what's happening?

1:21:06.479 --> 1:21:10.599
<v Speaker 2>Come on man, And then brought him out here, put

1:21:10.720 --> 1:21:13.920
<v Speaker 2>him on a couple of projects, did remake a special

1:21:14.000 --> 1:21:16.240
<v Speaker 2>kind of fool with him, and just trying to get

1:21:16.320 --> 1:21:19.160
<v Speaker 2>him back in slowly but surely, but definitely love what

1:21:19.280 --> 1:21:21.200
<v Speaker 2>he brings to the table. He's a part of Death Row,

1:21:21.880 --> 1:21:23.960
<v Speaker 2>and I just want to just keep putting love in

1:21:24.000 --> 1:21:26.400
<v Speaker 2>the air, Like I feel like his voice is connected

1:21:26.439 --> 1:21:29.000
<v Speaker 2>to death Row, So I want him to be a

1:21:29.040 --> 1:21:29.880
<v Speaker 2>part of what we're doing.

1:21:30.040 --> 1:21:35.240
<v Speaker 3>Yeah, now you're being a vessel for sure. One more moment.

1:21:35.280 --> 1:21:38.479
<v Speaker 3>I gotta thank you for Uncle Charlie.

1:21:38.640 --> 1:21:42.360
<v Speaker 2>Come on, yeah, yeah, come on, man, Uncle Charlie saved

1:21:42.400 --> 1:21:46.920
<v Speaker 2>my relationship with my wife. Well, I met Charlie. He

1:21:47.120 --> 1:21:51.120
<v Speaker 2>was at a gas station, wasn't doing too well, and

1:21:51.240 --> 1:21:54.080
<v Speaker 2>I was like, man, I'm gonna hook you up if

1:21:54.120 --> 1:21:58.040
<v Speaker 2>I can when I can. And then val young lady

1:21:58.160 --> 1:22:01.840
<v Speaker 2>v the legend, Yeah, can you can you get him?

1:22:02.600 --> 1:22:04.479
<v Speaker 2>She brought him in the studio with us. And when

1:22:04.520 --> 1:22:07.120
<v Speaker 2>she brought him, he was recovering and he had his

1:22:07.240 --> 1:22:09.240
<v Speaker 2>wife with him. Well, she wasn't his wife. She was

1:22:09.320 --> 1:22:12.160
<v Speaker 2>his counselor at the time, or his person that you

1:22:12.240 --> 1:22:16.080
<v Speaker 2>deal with from the rehabilitation place. And you know, naturally

1:22:16.200 --> 1:22:18.639
<v Speaker 2>we smoking and shit. She pulled me to the side,

1:22:18.720 --> 1:22:21.200
<v Speaker 2>she like, did you guys please not smoke? Like man,

1:22:21.280 --> 1:22:24.599
<v Speaker 2>shut up, but listening to you. Second day she said

1:22:24.640 --> 1:22:27.360
<v Speaker 2>the same thing. Third day, she pulled me to the side.

1:22:27.439 --> 1:22:31.680
<v Speaker 2>She said, if you smoke again, I'm not bringing Charlie back.

1:22:32.920 --> 1:22:36.880
<v Speaker 2>So I was like, AKA, we gotta stop smoking. Wow.

1:22:37.120 --> 1:22:42.559
<v Speaker 2>So but she ended up becoming his wife, He rehabilitated hisself.

1:22:42.600 --> 1:22:44.760
<v Speaker 2>She ended up becoming one of the most special people

1:22:44.880 --> 1:22:47.360
<v Speaker 2>in my life because when me and my wife was

1:22:47.400 --> 1:22:51.080
<v Speaker 2>having rocky you know times, Charlie Wilson checked the shit

1:22:51.120 --> 1:22:54.000
<v Speaker 2>out of me, called me, put me on point, got

1:22:54.080 --> 1:22:58.080
<v Speaker 2>me on deck, and I renewed my vows with my

1:22:58.200 --> 1:23:01.599
<v Speaker 2>wife because of man taught me how to be a man,

1:23:01.640 --> 1:23:04.880
<v Speaker 2>and his wife showed me how to treat a wife.

1:23:05.560 --> 1:23:09.880
<v Speaker 2>So that's what he did for me. So musically, what

1:23:10.000 --> 1:23:12.080
<v Speaker 2>I did for him don't mean ship compared to what

1:23:12.160 --> 1:23:16.880
<v Speaker 2>he did for me personally. Charlie Wilton's heroes and you

1:23:16.960 --> 1:23:19.760
<v Speaker 2>know he a real nigga, so so imagine how he

1:23:19.880 --> 1:23:26.479
<v Speaker 2>was talking to me. If you don't get your bitch

1:23:26.560 --> 1:23:29.800
<v Speaker 2>ass off the streets and get the funk back home,

1:23:30.040 --> 1:23:33.759
<v Speaker 2>for you lose everything chasing him nothing ass. Get home, nigga.

1:23:34.280 --> 1:23:41.880
<v Speaker 2>I'm not gonna tell you again in that order. Get home, nigga, sir, Yes, sir, yes, sir. Yeah.

1:23:42.400 --> 1:23:43.080
<v Speaker 2>I received it.

1:23:45.080 --> 1:23:49.640
<v Speaker 5>Playing from You're not from the play game streets.

1:23:49.400 --> 1:23:52.160
<v Speaker 2>And then and then you see the video, Uh that

1:23:52.320 --> 1:23:54.639
<v Speaker 2>goes my Baby's starring me and my wife.

1:23:56.000 --> 1:23:59.880
<v Speaker 1>Did y'all know that it's from y'all, it's from the

1:24:00.080 --> 1:24:00.960
<v Speaker 1>it's from the Uh.

1:24:01.120 --> 1:24:04.280
<v Speaker 2>It's from the read net renewing over we're staring in

1:24:04.360 --> 1:24:08.200
<v Speaker 2>the video because like, wow, it's And the crazy part

1:24:08.439 --> 1:24:11.200
<v Speaker 2>was after he checked me and got me writing all

1:24:11.240 --> 1:24:12.519
<v Speaker 2>that shit, he said, come on in the back of

1:24:12.560 --> 1:24:14.840
<v Speaker 2>the studio, Nigga, He said, I got someone want to

1:24:14.840 --> 1:24:16.120
<v Speaker 2>play for you. He said, I don't know if it's

1:24:16.120 --> 1:24:17.600
<v Speaker 2>good or not. I need you to tell me, and

1:24:17.680 --> 1:24:20.479
<v Speaker 2>he played that motherfucking dagg oes my baby. I'm like, Nigga,

1:24:20.520 --> 1:24:23.600
<v Speaker 2>that ship is great, man, that shit ain't good. That

1:24:23.760 --> 1:24:28.200
<v Speaker 2>ship is fucking great. You need to drop up that pronto.

1:24:29.320 --> 1:24:32.560
<v Speaker 2>And it number one. Me and my wife in the

1:24:32.640 --> 1:24:37.320
<v Speaker 2>video Happily ever After, like sometimes you need that that

1:24:37.560 --> 1:24:40.920
<v Speaker 2>real tough love and not to just let shit break up.

1:24:41.000 --> 1:24:43.760
<v Speaker 2>And just see, I told you I knew they wasn't

1:24:43.760 --> 1:24:48.040
<v Speaker 2>gonna na you know. Betty Right had a song she said,

1:24:48.080 --> 1:24:50.639
<v Speaker 2>don't you remember when people used to try to keep

1:24:50.720 --> 1:24:53.280
<v Speaker 2>you together and they used to come over and party

1:24:53.400 --> 1:24:55.880
<v Speaker 2>and cook for you, and they say, don't blame mister Charlie,

1:24:55.880 --> 1:24:58.840
<v Speaker 2>because mister Charlie is only man and he's doing the

1:24:58.920 --> 1:25:03.880
<v Speaker 2>best that he can. But it was about relationships not

1:25:05.000 --> 1:25:08.240
<v Speaker 2>being allowed to break up because family and friends wouldn't

1:25:08.240 --> 1:25:12.080
<v Speaker 2>have it. They would come in and tell the wife,

1:25:12.520 --> 1:25:15.559
<v Speaker 2>don't blame mister Charlie, He's only a man, and then

1:25:15.560 --> 1:25:17.320
<v Speaker 2>they would go to Charlie, you know you got the

1:25:17.360 --> 1:25:20.040
<v Speaker 2>best woman. You better get your shit together like it

1:25:20.200 --> 1:25:22.800
<v Speaker 2>was that and it's all of this around you. If

1:25:22.880 --> 1:25:27.280
<v Speaker 2>you can't not break up, it's too much. It's like,

1:25:29.080 --> 1:25:31.120
<v Speaker 2>I do need to be with you. I do love you.

1:25:31.720 --> 1:25:36.280
<v Speaker 2>You're right, you realize what y'all mean to what you

1:25:36.439 --> 1:25:40.640
<v Speaker 2>just said. We don't realize what we mean to our people.

1:25:41.680 --> 1:25:42.160
<v Speaker 1>Young people.

1:25:42.240 --> 1:25:45.719
<v Speaker 6>I also witnessed that night threw me off at first,

1:25:47.240 --> 1:25:52.120
<v Speaker 6>threw me off. As I was leaving the mail review

1:25:52.280 --> 1:25:52.840
<v Speaker 6>was walking in.

1:25:53.080 --> 1:25:59.160
<v Speaker 1>Yes, so I'm like, and Fuzzy could tell that.

1:26:03.400 --> 1:26:07.160
<v Speaker 6>He said, he said, yeah, on certain nights, boss lady,

1:26:07.320 --> 1:26:09.240
<v Speaker 6>Yeah that's her thing, got a male review.

1:26:09.439 --> 1:26:11.360
<v Speaker 2>Yeah, that she do. On the other side, it's called

1:26:11.479 --> 1:26:14.760
<v Speaker 2>men of Boss and the ladies love it.

1:26:15.000 --> 1:26:17.479
<v Speaker 3>No, no, no, no, no, no, I ain't gonna say

1:26:17.560 --> 1:26:19.559
<v Speaker 3>who I saw the women that was coming in there,

1:26:19.600 --> 1:26:22.519
<v Speaker 3>but there was some known woen they was coming out.

1:26:24.400 --> 1:26:28.320
<v Speaker 2>Listen, I ain't gonna blow up. It's the strip club

1:26:28.640 --> 1:26:32.080
<v Speaker 2>for ladies. Like how we have our strip club where

1:26:32.120 --> 1:26:34.640
<v Speaker 2>we can go and enjoy the finer things of a

1:26:34.720 --> 1:26:39.040
<v Speaker 2>woman's you know, hey man, praise God. That's the same

1:26:39.160 --> 1:26:41.759
<v Speaker 2>thing that they get to do, you know, via courtesy

1:26:41.880 --> 1:26:44.880
<v Speaker 2>of Boss, lady men of Boss. That's the presentation that

1:26:45.000 --> 1:26:48.400
<v Speaker 2>she presents to the to the scene and they love it.

1:26:48.479 --> 1:26:50.120
<v Speaker 2>And you know, I had nothing to do with it.

1:26:50.600 --> 1:26:52.240
<v Speaker 2>I mean, I have nothing to do with it. But

1:26:52.400 --> 1:26:55.799
<v Speaker 2>I mean I promote and cheer and you know, applaud

1:26:55.840 --> 1:26:58.559
<v Speaker 2>my wife, just like she do everything for me. Whatever

1:26:58.720 --> 1:27:01.240
<v Speaker 2>I do, she applause no matter what it was, she

1:27:01.439 --> 1:27:04.040
<v Speaker 2>was always so I do the same.

1:27:05.560 --> 1:27:08.360
<v Speaker 6>That's that's I see it with my own eyes. I'm like,

1:27:09.040 --> 1:27:12.280
<v Speaker 6>I love that, like snoop. Really it's a whole nother

1:27:12.400 --> 1:27:13.120
<v Speaker 6>event going on.

1:27:13.280 --> 1:27:14.080
<v Speaker 2>I love that.

1:27:14.439 --> 1:27:14.920
<v Speaker 1>It's popping.

1:27:15.439 --> 1:27:18.160
<v Speaker 2>It's popping. If if you have any single women that

1:27:18.280 --> 1:27:21.160
<v Speaker 2>want to slide through rs VP on Wednesday, is pop

1:27:21.560 --> 1:27:24.880
<v Speaker 2>been like the reviews out of here, like women want

1:27:24.880 --> 1:27:29.519
<v Speaker 2>to come to Yeah, it's more Volgan. Listen, they say

1:27:29.600 --> 1:27:36.519
<v Speaker 2>this is ladies lad have a good time because you

1:27:37.479 --> 1:27:41.240
<v Speaker 2>see we playing a good time. That's what we got

1:27:41.360 --> 1:27:43.439
<v Speaker 2>to understand that they're human too. I don't even sometimes

1:27:43.479 --> 1:27:45.240
<v Speaker 2>I don't even go out there. Sometimes I'm out there

1:27:45.280 --> 1:27:48.080
<v Speaker 2>for like five ten minutes and then I'm like, okay,

1:27:48.120 --> 1:27:50.439
<v Speaker 2>it's my time to leave. It's been real y'all. Haven't

1:27:50.439 --> 1:27:55.000
<v Speaker 2>seen the deal double it's your night out? Let them operate. Yes,

1:27:55.920 --> 1:27:59.439
<v Speaker 2>I don't know the way they want to have fun.

1:27:59.640 --> 1:28:02.400
<v Speaker 1>Yes, I see, I said, I said, the niggas pulling

1:28:02.479 --> 1:28:04.120
<v Speaker 1>up what they rolling back? So you know how the

1:28:04.200 --> 1:28:07.880
<v Speaker 1>women be coming for We all know you mean that

1:28:08.320 --> 1:28:09.960
<v Speaker 1>rolling back, I said.

1:28:10.000 --> 1:28:11.480
<v Speaker 2>All these niggas is okay.

1:28:12.000 --> 1:28:12.080
<v Speaker 3>Do.

1:28:15.000 --> 1:28:15.559
<v Speaker 1>Have a good time.

1:28:15.640 --> 1:28:18.800
<v Speaker 2>And the compound. But that's the the beauty of having

1:28:18.840 --> 1:28:21.360
<v Speaker 2>a compound is we could do what we want when

1:28:21.400 --> 1:28:33.800
<v Speaker 2>we want. You see what I'm saying, Like to be

1:28:33.840 --> 1:28:35.560
<v Speaker 2>able to have your own facility, to be able to

1:28:36.240 --> 1:28:38.719
<v Speaker 2>to to just have a party, to have a function,

1:28:38.880 --> 1:28:41.160
<v Speaker 2>to have an awards show, to do something for the kids,

1:28:41.320 --> 1:28:45.120
<v Speaker 2>to just ever get together longer they have since two

1:28:45.160 --> 1:28:52.519
<v Speaker 2>thousand and eleven. Oh wow, wow, poteen and counting. And

1:28:52.880 --> 1:28:56.600
<v Speaker 2>the crazy part was in the beginning when I got it,

1:28:56.680 --> 1:28:58.519
<v Speaker 2>I just needed a space, right, So it was just

1:28:58.560 --> 1:29:01.120
<v Speaker 2>an empty box. So it was like, I'm gonna lease

1:29:01.200 --> 1:29:02.880
<v Speaker 2>this thing for a couple of years just because I

1:29:03.000 --> 1:29:06.800
<v Speaker 2>want to be in LA. So leasing it for three years,

1:29:07.720 --> 1:29:10.560
<v Speaker 2>another three years and didn't mind you this. This is

1:29:10.600 --> 1:29:13.800
<v Speaker 2>how bad my business hand was. I could have bought

1:29:13.840 --> 1:29:18.000
<v Speaker 2>it when I first got it, but I didn't have

1:29:18.520 --> 1:29:21.519
<v Speaker 2>the real estate mind state or the business hand. So

1:29:22.160 --> 1:29:25.280
<v Speaker 2>we were leasing. So by the time we get to

1:29:25.880 --> 1:29:28.519
<v Speaker 2>let's say, year ten, I mean my lease is up

1:29:28.560 --> 1:29:31.439
<v Speaker 2>and I don't even know it. And everything in there

1:29:31.439 --> 1:29:35.000
<v Speaker 2>that you see is in there, right, So imagine this

1:29:37.680 --> 1:29:42.400
<v Speaker 2>were selling this building. Huh when your lease is up? Wait,

1:29:42.439 --> 1:29:45.760
<v Speaker 2>wait a minute, do y'all know what I got in here? Right?

1:29:46.400 --> 1:29:49.120
<v Speaker 2>Give a fuck it? I sell buildings. I don't buy

1:29:50.640 --> 1:29:53.559
<v Speaker 2>say man. I had my manager at the time, Ted

1:29:54.640 --> 1:29:58.000
<v Speaker 2>steal my nigga. To this day, Ted chung geist. Ted,

1:29:58.040 --> 1:29:59.640
<v Speaker 2>we need to find out who that motherfucker is that

1:29:59.760 --> 1:30:02.720
<v Speaker 2>that we need to bypass. We need to find out

1:30:02.760 --> 1:30:04.120
<v Speaker 2>who he is. We find out who he was. But

1:30:04.640 --> 1:30:09.240
<v Speaker 2>my people put us together. He was way up there older.

1:30:09.280 --> 1:30:13.800
<v Speaker 2>God get on the line wood. He first thing he says,

1:30:16.080 --> 1:30:20.760
<v Speaker 2>on buy buildings, I sell them I'm like, damn, well,

1:30:20.880 --> 1:30:23.160
<v Speaker 2>can I chop it up with you? All right, boy,

1:30:23.200 --> 1:30:26.840
<v Speaker 2>we gonna pull up on you. We go sing. I'm

1:30:26.920 --> 1:30:30.080
<v Speaker 2>telling him about what I invested in the building, the

1:30:30.200 --> 1:30:32.599
<v Speaker 2>things that I've done there, how the city of Inglewood

1:30:33.040 --> 1:30:38.400
<v Speaker 2>and the mayor and all the like, all right, whatever.

1:30:40.040 --> 1:30:45.639
<v Speaker 2>So the next day he say come back. He said,

1:30:47.600 --> 1:30:54.479
<v Speaker 2>normally only sell buildings, but my daughter told me if

1:30:54.560 --> 1:30:58.760
<v Speaker 2>I don't sell snoop dogg this building, she'd hate me.

1:31:00.040 --> 1:31:03.280
<v Speaker 2>M the dynamics.

1:31:03.520 --> 1:31:07.840
<v Speaker 1>Wow, Michael Jackson got the Beatles publishing, so.

1:31:08.280 --> 1:31:15.200
<v Speaker 2>So imagine it costs this much. But he said, I

1:31:15.320 --> 1:31:19.439
<v Speaker 2>need this much, so I gotta go scramble to go

1:31:19.560 --> 1:31:24.600
<v Speaker 2>get it because he like, you got this window.

1:31:24.760 --> 1:31:26.520
<v Speaker 1>Right, I'll give you the opportunity.

1:31:27.400 --> 1:31:30.760
<v Speaker 2>Can I let me? He ain't no regular loans either,

1:31:31.640 --> 1:31:37.840
<v Speaker 2>This ain't no two dollars loans. Get too many? Texted

1:31:37.960 --> 1:31:40.559
<v Speaker 2>me call you back? Take take you're gonna pick up

1:31:41.120 --> 1:31:42.800
<v Speaker 2>jabout to let me call you back. Both of you

1:31:42.880 --> 1:31:45.280
<v Speaker 2>niggas can't tell me to call you back. Yeah. I

1:31:45.360 --> 1:31:48.040
<v Speaker 2>only got this amount of time, and I can't go

1:31:48.400 --> 1:31:51.080
<v Speaker 2>perform to get this kind of money because that ain't

1:31:51.560 --> 1:31:56.720
<v Speaker 2>straight money. I need straight here. Yeah, yeah, yeah, yeah, yeah, yeah,

1:31:57.040 --> 1:32:01.800
<v Speaker 2>So I have a meeting. Hey teen, what sidening? Nigga

1:32:01.880 --> 1:32:03.639
<v Speaker 2>need to come up with woo woo who right now?

1:32:03.840 --> 1:32:06.360
<v Speaker 2>What you got? What you got? What you got? Nigga?

1:32:06.400 --> 1:32:08.280
<v Speaker 2>You eat what you kill? Everybody go kill something, get

1:32:08.320 --> 1:32:11.680
<v Speaker 2>ten percent. I put to eat what you kill on

1:32:11.840 --> 1:32:18.679
<v Speaker 2>your head. Hunt out. Got up to about that one

1:32:18.760 --> 1:32:28.559
<v Speaker 2>phone call poop here, we're good now. Oh and then

1:32:28.640 --> 1:32:34.160
<v Speaker 2>next door dude that own that My god, we've been

1:32:34.280 --> 1:32:37.040
<v Speaker 2>using this lot parking over there? He getting up in age.

1:32:38.320 --> 1:32:39.760
<v Speaker 2>I didn't have been over there. Fucking whin he threw

1:32:39.760 --> 1:32:41.960
<v Speaker 2>at four times he said, I want to meet with

1:32:42.040 --> 1:32:46.000
<v Speaker 2>snow dog. What's happening, snoop? I want to save you

1:32:46.080 --> 1:32:52.559
<v Speaker 2>my building. I'm getting old. Make me off. It's yours now.

1:32:52.640 --> 1:32:58.040
<v Speaker 2>I got them both. Wow, Look at God. Won't he

1:32:58.120 --> 1:33:00.680
<v Speaker 2>do it? Won't he do it?

1:33:01.880 --> 1:33:02.120
<v Speaker 1>Wow?

1:33:02.760 --> 1:33:05.240
<v Speaker 2>But in the beginning, if I would have known better,

1:33:05.520 --> 1:33:08.599
<v Speaker 2>I could have bought it for already, right right, come

1:33:08.640 --> 1:33:10.760
<v Speaker 2>on the step for you.

1:33:11.320 --> 1:33:13.840
<v Speaker 5>You helped the appreciation of the building, and.

1:33:13.880 --> 1:33:17.760
<v Speaker 2>Then Inglewood to pay for it. Watch this, I'm there

1:33:17.840 --> 1:33:22.200
<v Speaker 2>before the sofi was built. How about the mayor brings

1:33:22.280 --> 1:33:24.560
<v Speaker 2>me in to show me the blueprints and we go

1:33:24.720 --> 1:33:27.400
<v Speaker 2>to the stadium with the helmets on and all this

1:33:27.560 --> 1:33:30.240
<v Speaker 2>ship and taking pictures before it's building or it's gonna

1:33:30.240 --> 1:33:33.559
<v Speaker 2>look like this, it's gonna look like this, knowing it's

1:33:33.600 --> 1:33:38.920
<v Speaker 2>getting raised make my projets price. But shout out to

1:33:39.000 --> 1:33:40.760
<v Speaker 2>the mayor because he did all the things he was

1:33:40.760 --> 1:33:42.960
<v Speaker 2>supposed to do to make sure that I was able

1:33:42.960 --> 1:33:44.360
<v Speaker 2>to do the things I was supposed to do. So

1:33:44.479 --> 1:33:46.680
<v Speaker 2>we did a lot of charitable events, a lot of

1:33:46.760 --> 1:33:49.479
<v Speaker 2>things when we gave back to the community. And you

1:33:49.520 --> 1:33:50.960
<v Speaker 2>know what I'm saying. He was there for me when

1:33:50.960 --> 1:33:52.519
<v Speaker 2>it was time for me to build and do things

1:33:52.560 --> 1:33:54.479
<v Speaker 2>in the community. He was always by my side and

1:33:54.840 --> 1:34:02.720
<v Speaker 2>making sure that things could happen. That's incredible, bro. Yes sir, congratulations, Yeah, yes, sir,

1:34:02.960 --> 1:34:03.240
<v Speaker 2>thank you.

1:34:04.080 --> 1:34:07.320
<v Speaker 3>You're gonna be remembered for so many, so many things,

1:34:07.880 --> 1:34:13.439
<v Speaker 3>so many different things. What's the one thing that that's

1:34:13.560 --> 1:34:15.800
<v Speaker 3>most important to you to be remembered for?

1:34:16.160 --> 1:34:19.640
<v Speaker 2>My Snoop Youth Special Stars. I got the Snoop You

1:34:19.800 --> 1:34:22.639
<v Speaker 2>Football League, which everybody knows about, but the Snoop Youth

1:34:22.680 --> 1:34:25.840
<v Speaker 2>Special Stars. It's a program that we build for kids

1:34:25.880 --> 1:34:30.400
<v Speaker 2>with disabilities and handicaps, and it's been going very successful

1:34:30.439 --> 1:34:33.679
<v Speaker 2>for the past like six seven years. We throw them banquets,

1:34:33.760 --> 1:34:35.800
<v Speaker 2>we take them out of town, we let them play

1:34:35.880 --> 1:34:40.120
<v Speaker 2>different games. I mean they become so to speak, regular,

1:34:40.400 --> 1:34:43.479
<v Speaker 2>because for many years, people wouldn't treat them regular. They

1:34:43.520 --> 1:34:46.360
<v Speaker 2>would always hide them or put them away. Or my

1:34:46.840 --> 1:34:48.880
<v Speaker 2>kid has disabilities and I don't really know how to

1:34:49.800 --> 1:34:51.960
<v Speaker 2>you know, I don't know how you guys are gonna

1:34:51.960 --> 1:34:54.200
<v Speaker 2>act if he shows out or he starts screaming, or

1:34:54.240 --> 1:34:57.160
<v Speaker 2>he starts doing whatever he does. We got him in

1:34:57.200 --> 1:35:01.439
<v Speaker 2>an environment now to where it's beauty because no one's

1:35:01.479 --> 1:35:04.240
<v Speaker 2>ashamed anymore. And the kids get to have a great time.

1:35:04.320 --> 1:35:06.719
<v Speaker 2>They get to play flag football, they get to have banquets,

1:35:06.760 --> 1:35:09.000
<v Speaker 2>they get to dance, they get to paint, they get

1:35:09.040 --> 1:35:11.240
<v Speaker 2>the party, they get to learn, they get to be regular,

1:35:12.160 --> 1:35:15.479
<v Speaker 2>like there's no disabilities. They're regular, just like a regular

1:35:15.600 --> 1:35:18.200
<v Speaker 2>kid has a regular good time. We're giving them a

1:35:18.240 --> 1:35:20.240
<v Speaker 2>regular good time and that's my pride. And enjoy it

1:35:20.320 --> 1:35:24.400
<v Speaker 2>because to see so many kids have a good time

1:35:24.520 --> 1:35:27.360
<v Speaker 2>and smile like I cry when I go to those

1:35:27.439 --> 1:35:30.280
<v Speaker 2>events because that ain't what I do it for it,

1:35:30.400 --> 1:35:33.560
<v Speaker 2>but damn it feel good. It feel good to know

1:35:33.640 --> 1:35:35.920
<v Speaker 2>that you can do something for some people and they

1:35:36.000 --> 1:35:38.320
<v Speaker 2>really appreciate it. The thing that really hit me the

1:35:38.439 --> 1:35:43.000
<v Speaker 2>artist was he was having a banquet, and so the

1:35:43.040 --> 1:35:46.839
<v Speaker 2>Snoopy Special stories it is not just kids, it's people,

1:35:47.600 --> 1:35:48.080
<v Speaker 2>but it's.

1:35:48.000 --> 1:35:48.920
<v Speaker 1>The adults everybody.

1:35:49.080 --> 1:35:52.120
<v Speaker 2>It's built for kids though, right. So we having the banquet,

1:35:53.320 --> 1:35:56.280
<v Speaker 2>everybody dancing, kids dancing time of the clown out there

1:35:56.360 --> 1:35:59.040
<v Speaker 2>getting it in. Yeah, yeah, having a good time. Yeah.

1:35:59.080 --> 1:36:00.960
<v Speaker 2>They out there just in the boop of it, getting

1:36:01.000 --> 1:36:07.240
<v Speaker 2>it in. So it's this one man, probably like seventy

1:36:07.320 --> 1:36:11.320
<v Speaker 2>five years old. He grove it. He's dancing with the kids.

1:36:11.800 --> 1:36:15.240
<v Speaker 2>So the music they like, Okay, okay, y'all, it's time

1:36:15.280 --> 1:36:17.160
<v Speaker 2>to stop the music. We got to give out the awards,

1:36:17.200 --> 1:36:20.360
<v Speaker 2>so they stop the music. Seventy five year old man

1:36:20.479 --> 1:36:25.000
<v Speaker 2>still grow, still growing. Why did his wife come over

1:36:25.080 --> 1:36:29.280
<v Speaker 2>to me and say, my husband ain't moved in ten

1:36:29.400 --> 1:36:37.200
<v Speaker 2>years and you making him dance. M damn. That just

1:36:37.280 --> 1:36:43.719
<v Speaker 2>hit my heart. Wow to see that old man being

1:36:43.800 --> 1:36:50.759
<v Speaker 2>young again based off of something that I created for kids,

1:36:51.960 --> 1:36:55.080
<v Speaker 2>and that was beautiful. That's what means the world to

1:36:55.160 --> 1:36:59.599
<v Speaker 2>me is that the Snoopy Special stars because I'm giving

1:36:59.680 --> 1:37:03.559
<v Speaker 2>some real hope to people, not only kids. But people,

1:37:05.000 --> 1:37:09.280
<v Speaker 2>sorry for getting emotional, but that's that's just real. Don't

1:37:09.320 --> 1:37:13.439
<v Speaker 2>get no. Rather than that, I really don't know. These

1:37:13.479 --> 1:37:16.160
<v Speaker 2>glasses can't protect these tears, but it is what it is.

1:37:17.800 --> 1:37:18.320
<v Speaker 2>Love for you.

1:37:21.960 --> 1:37:26.120
<v Speaker 3>I love that, brother, I love that, and I just

1:37:26.200 --> 1:37:31.200
<v Speaker 3>want to say, man, whatever you need from us, man, yeah,

1:37:32.960 --> 1:37:36.160
<v Speaker 3>all away, we like to We like the guy making

1:37:36.240 --> 1:37:38.920
<v Speaker 3>your clothes. We'll get there before you.

1:37:43.840 --> 1:37:45.560
<v Speaker 5>Didn't know if you needed something, didn't know if you

1:37:45.640 --> 1:37:47.680
<v Speaker 5>need something, your hands on that.

1:37:48.240 --> 1:37:51.240
<v Speaker 1>Yeah, you know, you know, take out his football dreams. Man,

1:37:51.280 --> 1:37:54.200
<v Speaker 1>So you might want to join the listen to football league.

1:37:54.280 --> 1:37:57.080
<v Speaker 2>Man, Come on, man, ever you need. Man, I just

1:37:57.160 --> 1:37:59.240
<v Speaker 2>need y'all to keep doing what y'all doing over here.

1:37:59.320 --> 1:38:02.200
<v Speaker 2>Y'all inspire me to come drive out here and see

1:38:02.280 --> 1:38:03.840
<v Speaker 2>y'all today because I wanted to be a part of

1:38:03.920 --> 1:38:06.200
<v Speaker 2>something special and I think what y'all doing is special,

1:38:07.040 --> 1:38:08.640
<v Speaker 2>you know what I'm saying. And we just we need

1:38:08.680 --> 1:38:11.360
<v Speaker 2>to stay connected like this, like like this, like more

1:38:11.360 --> 1:38:13.640
<v Speaker 2>people need to start doing this when they have a

1:38:13.760 --> 1:38:15.920
<v Speaker 2>mutual love and respect for each other, to get together

1:38:15.960 --> 1:38:17.559
<v Speaker 2>and talk about it and don't let it be about

1:38:17.640 --> 1:38:23.519
<v Speaker 2>no negative all about love and appreciation and inspiration mea

1:38:23.560 --> 1:38:26.720
<v Speaker 2>on them tissues. Thank all their crying, Y only got

1:38:26.800 --> 1:38:27.439
<v Speaker 2>me crying.

1:38:27.240 --> 1:38:40.160
<v Speaker 3>On Chi's a Joy a joy, Yes, Uh, that is

1:38:40.240 --> 1:38:43.479
<v Speaker 3>truly the rn B side of Still We got that.

1:38:45.280 --> 1:38:47.040
<v Speaker 2>Well. If you was watching the Voice, I cried a

1:38:47.080 --> 1:38:50.479
<v Speaker 2>whole lot on that ship. I cried damn every week

1:38:50.560 --> 1:38:54.679
<v Speaker 2>on the border sing this should always make me cry.

1:38:57.280 --> 1:39:01.719
<v Speaker 3>My brother, we come to the part of the show

1:39:01.840 --> 1:39:06.200
<v Speaker 3>where people they want to know your mind, they want

1:39:06.200 --> 1:39:11.000
<v Speaker 3>to understand the music that is shaped and molded the

1:39:11.160 --> 1:39:12.439
<v Speaker 3>snoop deal doublet you.

1:39:14.439 --> 1:39:17.880
<v Speaker 2>My brother, will I'd like to say that this journey

1:39:17.960 --> 1:39:23.000
<v Speaker 2>of music begins with me at fourteen or one East

1:39:23.080 --> 1:39:27.280
<v Speaker 2>Gaviota Street. That would be the address for God Gotha

1:39:27.360 --> 1:39:34.680
<v Speaker 2>Trinity Baptist Church, home of revenue, Handy T. Vining or

1:39:34.880 --> 1:39:42.240
<v Speaker 2>Richard George Harris. The Flood music by Danny Preston, Angel Guy.

1:39:44.120 --> 1:39:47.560
<v Speaker 2>We'll be doing an AB selection later this evening, but

1:39:48.000 --> 1:39:51.040
<v Speaker 2>just to give you a dibble and dabble into my

1:39:51.320 --> 1:39:56.840
<v Speaker 2>musical journey. Introduced to music at an early age, the

1:39:57.000 --> 1:40:02.439
<v Speaker 2>sounds of gospel music, the sounds of R and B music,

1:40:03.280 --> 1:40:10.479
<v Speaker 2>disco funk all penetrated my ears and eventually rested in

1:40:10.560 --> 1:40:17.040
<v Speaker 2>my heart. To where I graduated to learning music, playing music,

1:40:18.240 --> 1:40:24.120
<v Speaker 2>reciting my favorite songs, enjoying a new style of music

1:40:24.880 --> 1:40:28.280
<v Speaker 2>presented in my teens by the name of hip hop.

1:40:29.320 --> 1:40:31.200
<v Speaker 2>And literally I know that hip hop will take over

1:40:31.320 --> 1:40:34.720
<v Speaker 2>my block NonStop and one day I would be at

1:40:34.760 --> 1:40:40.600
<v Speaker 2>the top. Look how we rock. So from that to this,

1:40:42.120 --> 1:40:45.320
<v Speaker 2>just in case you missed, I took all of my

1:40:45.439 --> 1:40:48.640
<v Speaker 2>musical elements and I put them in a twist and

1:40:48.800 --> 1:40:53.120
<v Speaker 2>I dug deep. I mean deep like the abyss so

1:40:53.760 --> 1:40:58.439
<v Speaker 2>to keep it clean, to cleep it crisp, because I

1:40:58.560 --> 1:41:00.439
<v Speaker 2>know this is something that you want to pay attention to,

1:41:00.520 --> 1:41:06.080
<v Speaker 2>because you just don't want to miss the education, the elevation,

1:41:06.479 --> 1:41:13.000
<v Speaker 2>the determination, the way I took my moves, created my

1:41:13.120 --> 1:41:18.800
<v Speaker 2>own groove, made my own sound, made my own game.

1:41:20.000 --> 1:41:24.840
<v Speaker 2>Dog pound World. We now how you like me? Now?

1:41:27.640 --> 1:41:33.880
<v Speaker 2>Did that? Done that? Run that? Yeah? This is music

1:41:34.479 --> 1:41:39.320
<v Speaker 2>from the mind, the body, the soul, and the spirit.

1:41:39.920 --> 1:41:47.559
<v Speaker 2>Your top of the Deal, Double Jesse My Top five,

1:41:47.680 --> 1:41:50.479
<v Speaker 2>R and B Top five, Top.

1:41:55.360 --> 1:42:05.360
<v Speaker 7>Tops We got to know before you go small people?

1:42:06.720 --> 1:42:19.479
<v Speaker 2>You know? Yeah yeah? Top five Yes two plus three,

1:42:22.400 --> 1:42:34.599
<v Speaker 2>yes eleven minus six Be sure to put some delay

1:42:34.640 --> 1:42:41.840
<v Speaker 2>on my voice. Top five, Top five Top five.

1:42:41.800 --> 1:42:43.720
<v Speaker 5>Rm B, Top five R and B singers, Come on,

1:42:44.800 --> 1:42:45.160
<v Speaker 5>do they have.

1:42:45.200 --> 1:42:45.760
<v Speaker 2>To be in order?

1:42:45.840 --> 1:42:46.200
<v Speaker 1>Nope?

1:42:47.680 --> 1:42:50.759
<v Speaker 2>Okay, we're gonna go with top five R and B singers.

1:42:50.760 --> 1:42:55.200
<v Speaker 2>We're gonna go with all right, We're gonna start with L. J.

1:42:55.320 --> 1:42:59.479
<v Speaker 2>Reynolds from the Dramatics. Yeah, we're gonna slide him in

1:42:59.560 --> 1:43:05.160
<v Speaker 2>there just because we're not playing no games. No, no,

1:43:05.360 --> 1:43:07.400
<v Speaker 2>we're gonna slide in Donnie Hathaway.

1:43:07.479 --> 1:43:08.400
<v Speaker 5>You might as well.

1:43:08.560 --> 1:43:10.160
<v Speaker 2>Come on, man, I'm talking about what it feels like,

1:43:11.040 --> 1:43:13.560
<v Speaker 2>not what it looked like, what it feels like. I

1:43:14.000 --> 1:43:17.040
<v Speaker 2>come on now, I can't leave Stevie help me. I

1:43:17.200 --> 1:43:19.240
<v Speaker 2>just told you what these three words do to me. Man,

1:43:19.360 --> 1:43:23.680
<v Speaker 2>When was the last time? Emotional? Very emotional? And then

1:43:23.760 --> 1:43:26.080
<v Speaker 2>I'm gonna go deep on this one right here, right,

1:43:26.720 --> 1:43:30.840
<v Speaker 2>I'm gonna go real deep on this one. Now, stay

1:43:30.840 --> 1:43:34.360
<v Speaker 2>with me, now, stay with me. I'm gonna go with

1:43:34.439 --> 1:43:38.760
<v Speaker 2>a reef. Yeah, go with a reef. Still with me now,

1:43:39.080 --> 1:43:42.880
<v Speaker 2>that's the queen. Still with me now, and not a

1:43:42.960 --> 1:43:49.080
<v Speaker 2>fifth voice. It's gonna hurt your feelings. Glad, it's night.

1:43:50.960 --> 1:43:52.640
<v Speaker 2>I know it's unexpected. I know you thought I was

1:43:52.680 --> 1:43:57.080
<v Speaker 2>gonna say him him here. Oh no, you on par Yeah, yeah,

1:43:57.320 --> 1:44:05.560
<v Speaker 2>you yeah, come on, you see, Okay, we're playing with me.

1:44:05.680 --> 1:44:06.679
<v Speaker 2>That's where I come from.

1:44:07.240 --> 1:44:10.320
<v Speaker 3>Yeah, we've got the history from me. Now it all

1:44:10.400 --> 1:44:14.360
<v Speaker 3>makes sense. You're build a vultun you're super R and

1:44:14.479 --> 1:44:17.759
<v Speaker 3>B artists, And what we're gonna need for that artist

1:44:17.960 --> 1:44:22.640
<v Speaker 3>is vocals, performance style, styling of the artists, and the

1:44:22.840 --> 1:44:26.200
<v Speaker 3>passion of the artists. Right, So if you got to

1:44:26.200 --> 1:44:30.120
<v Speaker 3>get one vocal from the vocals of all time, what

1:44:30.360 --> 1:44:33.120
<v Speaker 3>vocal are you going to grab to make your super

1:44:33.280 --> 1:44:33.479
<v Speaker 3>R and.

1:44:33.520 --> 1:44:39.360
<v Speaker 2>B artists mini mm hmmm, oh.

1:44:40.880 --> 1:44:41.519
<v Speaker 1>Yeah, yep.

1:44:42.200 --> 1:44:43.720
<v Speaker 2>I want to be able to go way up there,

1:44:43.880 --> 1:44:50.479
<v Speaker 2>way up the performance style on stage. James Brown, God damn,

1:44:51.120 --> 1:44:51.840
<v Speaker 2>we're playing with me.

1:44:52.200 --> 1:44:54.880
<v Speaker 3>Yeah, because he do R and B fast love, He

1:44:55.000 --> 1:45:00.160
<v Speaker 3>do everything, perform got performance styling, the drip of the artist.

1:45:00.320 --> 1:45:05.880
<v Speaker 2>Select Rick. Huh that nigga drip dripping. You see how

1:45:05.920 --> 1:45:10.080
<v Speaker 2>slick be dripped up what from the wallabes to even

1:45:10.160 --> 1:45:12.200
<v Speaker 2>the patch imagine everything?

1:45:12.479 --> 1:45:13.880
<v Speaker 1>Yeah, yeah, niggas wasn't doing.

1:45:14.400 --> 1:45:16.880
<v Speaker 2>He don't look outdated, he don't look old, he don't

1:45:16.920 --> 1:45:19.360
<v Speaker 2>he look right now. No matter when you see him,

1:45:19.360 --> 1:45:20.559
<v Speaker 2>he always look right now.

1:45:21.560 --> 1:45:22.800
<v Speaker 1>He's relevant at all times.

1:45:22.840 --> 1:45:24.439
<v Speaker 2>That's what that artist would have to be. He would

1:45:24.560 --> 1:45:28.040
<v Speaker 2>he can't, he can't look nostalgia. He gotta look now.

1:45:28.200 --> 1:45:31.120
<v Speaker 2>But he can sound or her, He or her can

1:45:31.240 --> 1:45:35.320
<v Speaker 2>sound as we're building this super bowls. The passion of

1:45:35.360 --> 1:45:37.040
<v Speaker 2>the artist heard of?

1:45:37.400 --> 1:45:37.920
<v Speaker 5>Who mean it?

1:45:38.560 --> 1:45:48.559
<v Speaker 2>Tupac? Mm hmm, yeah, that might be.

1:45:50.720 --> 1:45:51.920
<v Speaker 1>The passion of Tupac.

1:45:52.080 --> 1:45:55.920
<v Speaker 2>That might be the coldest passionate because he wrote Brenda

1:45:56.000 --> 1:46:00.080
<v Speaker 2>got a baby, Keep your head up, dear mama, a

1:46:00.200 --> 1:46:03.080
<v Speaker 2>R and B song. Those are R and B songs.

1:46:03.960 --> 1:46:06.200
<v Speaker 2>Those aren't rap songs. Those are R and B songs.

1:46:07.000 --> 1:46:10.040
<v Speaker 2>And he meant every word of it. Keep your head

1:46:10.160 --> 1:46:12.000
<v Speaker 2>up to the black woman.

1:46:12.320 --> 1:46:16.439
<v Speaker 1>From my understanding, that's Dave Holland, that's a ball things.

1:46:16.560 --> 1:46:18.240
<v Speaker 1>Keep your head up and and.

1:46:18.439 --> 1:46:22.880
<v Speaker 2>And dear mama, Come on, man, we're playing with me.

1:46:25.800 --> 1:46:27.840
<v Speaker 2>You good at what you do? Yeah?

1:46:28.360 --> 1:46:30.120
<v Speaker 6>And no, no no, And who gonna and who's gonna

1:46:30.120 --> 1:46:32.120
<v Speaker 6>be the who's gonna be the one rap feature on

1:46:32.200 --> 1:46:32.679
<v Speaker 6>this album?

1:46:34.080 --> 1:46:35.559
<v Speaker 2>Hm hmmm mm hmmm.

1:46:36.520 --> 1:46:39.360
<v Speaker 1>Who's gonna spit that ship for that artist?

1:46:40.000 --> 1:46:43.519
<v Speaker 2>Mm hmmm. I'm gonna put him out of retirement. Andre

1:46:43.720 --> 1:47:03.160
<v Speaker 2>three foul h Yeah, I gotta stop playing with stupid,

1:47:03.600 --> 1:47:03.720
<v Speaker 2>you know.

1:47:03.920 --> 1:47:07.479
<v Speaker 3>Listen dray Bipe comes through with his flute on first

1:47:08.080 --> 1:47:13.120
<v Speaker 3>way with many rippletons that way, you never know.

1:47:13.840 --> 1:47:15.919
<v Speaker 2>He got an option, got options?

1:47:16.080 --> 1:47:22.000
<v Speaker 1>Yes, yeah, we got another. Yeah, come on take him

1:47:22.000 --> 1:47:22.599
<v Speaker 1>to church sheep.

1:47:24.040 --> 1:47:27.639
<v Speaker 5>Ain't saying no nicks, ain't saying no names. I ain't

1:47:27.640 --> 1:47:30.400
<v Speaker 5>saying no names, ain't saying no name for you?

1:47:30.760 --> 1:47:39.280
<v Speaker 2>Was we was weird? What you need do sh' saying

1:47:39.360 --> 1:47:45.240
<v Speaker 2>no names? Louja?

1:47:46.720 --> 1:47:49.280
<v Speaker 6>Yeah, so we got the special segment of the show

1:47:49.960 --> 1:47:53.000
<v Speaker 6>will you tell us a story? Funny and fucked up?

1:47:53.720 --> 1:47:57.160
<v Speaker 6>Are funny and fucked up? The only rule to the

1:47:57.320 --> 1:48:00.720
<v Speaker 6>game snoop dog. Can't say no name.

1:48:03.560 --> 1:48:09.200
<v Speaker 2>Can't say no name, no names. Okay. Oh, So, once

1:48:09.320 --> 1:48:13.000
<v Speaker 2>upon a time, these particular individuals was on the tour

1:48:13.120 --> 1:48:20.479
<v Speaker 2>bus and they did a concert in Minnesota. And after

1:48:20.600 --> 1:48:24.519
<v Speaker 2>the concert, they had some shooby doobies come to the

1:48:24.640 --> 1:48:30.519
<v Speaker 2>dressing room. So they've fallen in looking good, smelling good.

1:48:31.760 --> 1:48:36.720
<v Speaker 2>One particular shoeby Doobie has a small disability, not big,

1:48:36.920 --> 1:48:41.639
<v Speaker 2>just small like she has this part of her arm

1:48:41.760 --> 1:48:44.200
<v Speaker 2>is missing, but she ain't tripping. She in'tre having a

1:48:44.240 --> 1:48:50.720
<v Speaker 2>good time. So now it goes from backstage to the

1:48:50.800 --> 1:48:54.439
<v Speaker 2>tour bus. So now we're on the tour bus and

1:48:54.560 --> 1:49:00.600
<v Speaker 2>we smeeze oak and baby with the one and a half, like,

1:49:01.920 --> 1:49:06.680
<v Speaker 2>let me roll up something. So we're like, how you

1:49:06.760 --> 1:49:12.400
<v Speaker 2>gonna do that? So she grabbed that motherfucker with the

1:49:12.600 --> 1:49:17.080
<v Speaker 2>other half and go ahead and put the old one

1:49:17.160 --> 1:49:21.120
<v Speaker 2>hand down and roll him on up and get it together.

1:49:22.040 --> 1:49:25.600
<v Speaker 2>So now we're blowing me. I was oking. So a

1:49:25.760 --> 1:49:30.719
<v Speaker 2>particular celebrity is sitting next to her, so he enjoyed

1:49:30.920 --> 1:49:34.680
<v Speaker 2>the moments with her. It's like thirty minutes then went by.

1:49:35.160 --> 1:49:38.759
<v Speaker 2>So now he wants to get fresh with her because

1:49:38.760 --> 1:49:41.920
<v Speaker 2>she's pretty. She's pretty, she's a pretty girl. He puts

1:49:41.960 --> 1:49:44.120
<v Speaker 2>his hand on her leg and she hits him with

1:49:44.240 --> 1:49:50.000
<v Speaker 2>that good arm, and he says, bitch, you've been in

1:49:50.040 --> 1:49:52.240
<v Speaker 2>here smoking up all my homeboy weed and you don't

1:49:52.280 --> 1:49:54.320
<v Speaker 2>want to give me nothing. Get your one arm ass

1:49:54.360 --> 1:50:10.320
<v Speaker 2>out of here. Proceeded to take her on and walked out, Yes, yes, yes,

1:50:10.520 --> 1:50:13.639
<v Speaker 2>and walk her out casually escorted her out.

1:50:14.800 --> 1:50:21.760
<v Speaker 3>Yes, I think I'm so impressed, she wrote. We there

1:50:21.920 --> 1:50:26.080
<v Speaker 3>was no stoppage in production. She kept the roll flowing,

1:50:28.320 --> 1:50:29.680
<v Speaker 3>said how are you going to do.

1:50:29.760 --> 1:50:37.960
<v Speaker 2>That if you don't put that in cartoon? And they

1:50:38.160 --> 1:50:48.519
<v Speaker 2>just look like something do this all the time, brother Snoop.

1:50:48.720 --> 1:50:51.680
<v Speaker 1>So you're saying this has been my favorite interview, but

1:50:52.200 --> 1:50:53.759
<v Speaker 1>I'll tell you why. I'll give you context.

1:50:56.800 --> 1:51:02.880
<v Speaker 6>My favorite rapper growing up that you for real, Snoop Like,

1:51:03.360 --> 1:51:09.080
<v Speaker 6>I'm from the bab Man, I'm from California. Yeah, Snoop Dog,

1:51:09.600 --> 1:51:12.439
<v Speaker 6>Snoop Doggie Dog my favorite rapper.

1:51:13.840 --> 1:51:15.040
<v Speaker 2>How old was you in ninety three?

1:51:16.160 --> 1:51:19.720
<v Speaker 6>Fourteen? Okay, I was fourteen, but I was already off

1:51:19.760 --> 1:51:21.439
<v Speaker 6>the porch. No, but you know, I mean, I'm on

1:51:21.560 --> 1:51:22.320
<v Speaker 6>for a bullshit too.

1:51:22.360 --> 1:51:25.439
<v Speaker 2>I mean, I'm but fourteen and Snoop Doggy Dog at

1:51:25.560 --> 1:51:29.240
<v Speaker 2>nineteen were close. Yes, I'm who you could be. Yeah,

1:51:29.280 --> 1:51:32.879
<v Speaker 2>I could actually be who you could be. Yeah, it's touchable,

1:51:32.920 --> 1:51:34.880
<v Speaker 2>it's believable. I get that.

1:51:35.040 --> 1:51:38.439
<v Speaker 1>And you was a flying nigga. Yeah that's the other part, bro.

1:51:38.800 --> 1:51:41.480
<v Speaker 1>So for me this interview, But the Bays.

1:51:41.240 --> 1:51:43.920
<v Speaker 2>Influenced a lot of that thing. You know that, right? Yeah?

1:51:44.600 --> 1:51:46.920
<v Speaker 2>I didn't tell you all this, right. So when Tupac

1:51:47.040 --> 1:51:51.559
<v Speaker 2>come to death Row, he like, nigga, you gotta step

1:51:51.640 --> 1:51:53.920
<v Speaker 2>your fly up, nigga, you gotta get your hair done,

1:51:53.960 --> 1:51:58.960
<v Speaker 2>your nails dead nigga. Like the players in the bay. Nigga, Wow,

1:52:00.040 --> 1:52:03.040
<v Speaker 2>oh that's when you see me start flipping it. And

1:52:03.880 --> 1:52:05.799
<v Speaker 2>when we walked when we did the two of America's

1:52:05.840 --> 1:52:13.400
<v Speaker 2>Most Warning video, he specifically said, nigga like, Nigga, I

1:52:13.400 --> 1:52:16.320
<v Speaker 2>ain't got no hair, Nigga, lay your ship down. Nigga

1:52:17.720 --> 1:52:20.160
<v Speaker 2>like you know what I'm saying. Kicking off with that, yeah,

1:52:20.160 --> 1:52:24.640
<v Speaker 2>because he had a vision of knowing like he was

1:52:24.680 --> 1:52:28.360
<v Speaker 2>way ahead of us. We was just artists. He was

1:52:28.439 --> 1:52:32.000
<v Speaker 2>a superstar. You see what I'm saying. That's just the truth.

1:52:32.479 --> 1:52:35.840
<v Speaker 2>You know, he probably wasn't a big ass superstar, but

1:52:36.000 --> 1:52:39.520
<v Speaker 2>he was a superstar as far as knowing and understanding

1:52:40.120 --> 1:52:41.880
<v Speaker 2>what it takes to be a star. He had been

1:52:41.960 --> 1:52:44.320
<v Speaker 2>in movies, he had been on setting and he knew

1:52:44.360 --> 1:52:46.679
<v Speaker 2>that death Rod was big. But it was certain things

1:52:46.720 --> 1:52:50.599
<v Speaker 2>that we was doing that he helped us get great at,

1:52:51.320 --> 1:52:54.360
<v Speaker 2>like spontaneous making music and putting shit out and just

1:52:55.560 --> 1:52:57.479
<v Speaker 2>he taught us that he got. He gave us a

1:52:57.479 --> 1:53:01.599
<v Speaker 2>different spirit on working and like studio time became valuable

1:53:01.640 --> 1:53:03.840
<v Speaker 2>when he was there before, it was just like niggas

1:53:03.840 --> 1:53:05.599
<v Speaker 2>in there nine hours. Now it's like a nigga pob

1:53:05.680 --> 1:53:07.840
<v Speaker 2>coming up here looking to work whoever in their bulls

1:53:07.840 --> 1:53:10.200
<v Speaker 2>shoodn't got to get out or either he got a

1:53:10.240 --> 1:53:12.760
<v Speaker 2>studio locked up for twelve hours, and Snoop got up

1:53:12.840 --> 1:53:15.680
<v Speaker 2>one locked up for twelve hours. So it's got to

1:53:15.720 --> 1:53:19.160
<v Speaker 2>be what y'all making while y'all in here, right, And

1:53:19.360 --> 1:53:23.479
<v Speaker 2>as I move with death row now his spirit is

1:53:23.520 --> 1:53:26.360
<v Speaker 2>all in me, like that's how I move. I don't wait.

1:53:26.560 --> 1:53:28.200
<v Speaker 2>I used to wait. I used to just wait til

1:53:29.040 --> 1:53:30.760
<v Speaker 2>we make a record with me and me, and you

1:53:30.880 --> 1:53:32.680
<v Speaker 2>make a record, me and Tank gonna listen to it

1:53:32.960 --> 1:53:35.000
<v Speaker 2>three weeks in a row before we can get to

1:53:35.040 --> 1:53:37.800
<v Speaker 2>another song, because it's so good. This shit is so dope. Well,

1:53:37.840 --> 1:53:42.720
<v Speaker 2>Tupac Nigga, we on song sixteen right now, we're real Yeah,

1:53:43.240 --> 1:53:48.120
<v Speaker 2>Well you niggas is listening to songs they making, He said.

1:53:48.160 --> 1:53:50.080
<v Speaker 2>The engineer's job is to listen to it. That ain't

1:53:50.080 --> 1:53:53.439
<v Speaker 2>my job, makes sense.

1:53:53.320 --> 1:53:56.479
<v Speaker 1>Right, everybody got everybody, everybody has a function.

1:53:57.240 --> 1:53:59.479
<v Speaker 2>Engineer job is just straighten all this shit out, Like

1:54:00.200 --> 1:54:01.920
<v Speaker 2>we've fallen in love with the record. What we're doing,

1:54:02.840 --> 1:54:05.000
<v Speaker 2>get to the next one. The next one may be

1:54:05.080 --> 1:54:05.760
<v Speaker 2>better than that one.

1:54:06.520 --> 1:54:09.080
<v Speaker 1>So many legendary moments, and.

1:54:09.120 --> 1:54:13.960
<v Speaker 2>We got more to make. We're not done. We thank you,

1:54:14.040 --> 1:54:23.519
<v Speaker 2>appreciate you, and let everybody know missionaries and missionary Yeah, yeah, yeah.

1:54:23.520 --> 1:54:25.439
<v Speaker 2>We got a couple of visual pieces that's coming out

1:54:25.479 --> 1:54:28.400
<v Speaker 2>real soon to accompany the record. But the mini movie

1:54:28.479 --> 1:54:30.000
<v Speaker 2>is out right now on YouTube if you want to

1:54:30.040 --> 1:54:32.280
<v Speaker 2>check that out. Nice little mini movie to set up

1:54:32.320 --> 1:54:35.040
<v Speaker 2>the project. But this is one of those long running

1:54:35.120 --> 1:54:36.680
<v Speaker 2>things where it's not a come and go, it's a

1:54:37.200 --> 1:54:39.080
<v Speaker 2>stay forever and we're gonna take our time like we

1:54:39.160 --> 1:54:41.920
<v Speaker 2>always do when we drop projects. What people don't understand

1:54:42.040 --> 1:54:45.560
<v Speaker 2>is that they never just come out. They always lay

1:54:45.760 --> 1:54:49.640
<v Speaker 2>out it's a layout for this particular single, and then

1:54:49.720 --> 1:54:52.080
<v Speaker 2>that one rides for months, and then another one comes

1:54:52.160 --> 1:54:54.160
<v Speaker 2>and rides for months, and then by the time you

1:54:54.240 --> 1:54:55.840
<v Speaker 2>get to the end of the year, you're like, damn,

1:54:55.920 --> 1:54:59.320
<v Speaker 2>that albums banging like a motherfucker. That's my ship. That's

1:54:59.440 --> 1:55:01.960
<v Speaker 2>my ship. This is my ship. So that's what we're

1:55:02.000 --> 1:55:03.560
<v Speaker 2>on right now. We're trying to feed you this full

1:55:03.680 --> 1:55:06.960
<v Speaker 2>course meal because we realize the industry spends so used

1:55:07.000 --> 1:55:11.160
<v Speaker 2>to eating microwave meals. Yeah yeah, quick meals with.

1:55:11.200 --> 1:55:14.080
<v Speaker 1>The man with the cookbook himself the yeah yeah, what's

1:55:14.080 --> 1:55:15.360
<v Speaker 1>the name of the cookbook.

1:55:15.240 --> 1:55:19.520
<v Speaker 2>From crook to cook. Yeah, believe you do know that.

1:55:19.680 --> 1:55:24.120
<v Speaker 2>Number one. You ain't got no spread recipe in that. Yeah,

1:55:24.320 --> 1:55:27.520
<v Speaker 2>a baloney. I got a baloney sandwich with barbecue tator chips.

1:55:27.560 --> 1:55:28.680
<v Speaker 2>And and what are you talking about?

1:55:31.320 --> 1:55:32.560
<v Speaker 1>When does the documentary come out?

1:55:32.560 --> 1:55:35.120
<v Speaker 2>Because you showed me a trailer the Death Row documentary.

1:55:35.520 --> 1:55:36.160
<v Speaker 1>When does that coming?

1:55:36.200 --> 1:55:38.360
<v Speaker 2>It's a fourth part series. It should be coming out

1:55:38.400 --> 1:55:42.080
<v Speaker 2>in the next I say, ninety days. Trying to get

1:55:42.160 --> 1:55:44.680
<v Speaker 2>one more and we get to see it. I'm gonna

1:55:44.680 --> 1:55:46.080
<v Speaker 2>have a you know, I'm gonna have a screen of y'all.

1:55:46.240 --> 1:55:48.400
<v Speaker 2>You know, y'all get it earlier than that. Just trying

1:55:48.440 --> 1:55:52.120
<v Speaker 2>to get this last interview and then I'm done. But

1:55:52.320 --> 1:55:54.960
<v Speaker 2>everything else is in place. It feels good, it looks good.

1:55:55.760 --> 1:55:58.360
<v Speaker 2>It's the truth, and it's from a perspective that hasn't

1:55:58.400 --> 1:56:02.640
<v Speaker 2>been told yet. Yeh, from the Death Row artists and

1:56:02.840 --> 1:56:07.840
<v Speaker 2>the creators and the originators of the label. You know,

1:56:08.040 --> 1:56:11.840
<v Speaker 2>speaking and positivity, not bashing and pulling nobody down. This

1:56:12.000 --> 1:56:17.000
<v Speaker 2>is not one of those attack or kicking Moley down documentaries.

1:56:17.760 --> 1:56:23.240
<v Speaker 2>This is all about what we went through those first

1:56:23.360 --> 1:56:27.880
<v Speaker 2>five years on Death Row. I'm excited on deathro film

1:56:27.960 --> 1:56:30.879
<v Speaker 2>and It's directed by Antoine Food Quad the Death Row Pictures.

1:56:31.080 --> 1:56:32.680
<v Speaker 1>Yeah, shout out to Antoine.

1:56:34.040 --> 1:56:38.839
<v Speaker 2>Heavyweight. It's deep if when I watch it, certain moments

1:56:39.600 --> 1:56:41.160
<v Speaker 2>fuck me up because I'm like, how the fuck you

1:56:41.240 --> 1:56:43.600
<v Speaker 2>get that footage? Like I'm seeing myself and like I

1:56:43.640 --> 1:56:47.720
<v Speaker 2>don't remember that, Like it's it's shipped in there, like

1:56:47.920 --> 1:56:50.520
<v Speaker 2>real ship in there, Like how the fun did you

1:56:50.640 --> 1:56:55.000
<v Speaker 2>get this footage? Man of who was filming? Because we

1:56:55.200 --> 1:56:56.800
<v Speaker 2>wasn't friendly with cameras back.

1:56:56.680 --> 1:56:59.920
<v Speaker 1>Then, like so you didn't even remember them being around exactly.

1:56:59.600 --> 1:57:01.320
<v Speaker 2>Some of the foot that you see this nigga fel

1:57:01.360 --> 1:57:03.760
<v Speaker 2>when it's like, I don't even you could tell I don't.

1:57:03.880 --> 1:57:07.120
<v Speaker 2>I'm not I'm not a camera friendly at all at all.

1:57:07.480 --> 1:57:10.160
<v Speaker 2>Like I'm either camera shy or not camera friendly either

1:57:10.200 --> 1:57:16.360
<v Speaker 2>one of the too. The shit is deep, I can't. Yeah,

1:57:16.520 --> 1:57:19.480
<v Speaker 2>coming soon to a hood near you, Yeah yeah, oh yeah.

1:57:19.480 --> 1:57:22.480
<v Speaker 2>I got an animated movie too, called a Doghouse that's

1:57:22.520 --> 1:57:23.960
<v Speaker 2>coming out. I'm gonna show you aall the trailer to that,

1:57:24.040 --> 1:57:25.840
<v Speaker 2>so y'all can see that. So it's based off of

1:57:25.960 --> 1:57:28.200
<v Speaker 2>Doggy Style the album. You know what I'm saying. It's

1:57:28.240 --> 1:57:32.240
<v Speaker 2>like the thirtieth anniversary remake, like what I didn't do

1:57:32.800 --> 1:57:34.920
<v Speaker 2>when I had the album, what I would have done

1:57:35.960 --> 1:57:38.600
<v Speaker 2>if I had the album. I'm like, it's so animated

1:57:38.640 --> 1:57:41.320
<v Speaker 2>with the cover and all of this shit, Like this

1:57:42.360 --> 1:57:44.760
<v Speaker 2>is the way we reintroduce Doggy Style to the young

1:57:44.840 --> 1:57:48.160
<v Speaker 2>generation who don't know about it, right, you know what

1:57:48.200 --> 1:57:51.240
<v Speaker 2>I'm saying. Those who do know gonna fucking love everyone

1:57:51.840 --> 1:57:53.400
<v Speaker 2>when they hear the genn and Juice and hear this

1:57:53.560 --> 1:57:55.640
<v Speaker 2>song and see rage and see all the homies in

1:57:55.720 --> 1:57:58.160
<v Speaker 2>there doing that shit. But the people that don't know,

1:57:58.200 --> 1:58:01.800
<v Speaker 2>it's gonna be like a brand new, fucking animated Snoop

1:58:01.840 --> 1:58:05.760
<v Speaker 2>Dogg movie with new music. And I own the music,

1:58:06.400 --> 1:58:06.960
<v Speaker 2>of course.

1:58:07.200 --> 1:58:11.200
<v Speaker 1>Because you own all the original masters from Death Row.

1:58:11.120 --> 1:58:16.480
<v Speaker 2>To Doggy Style. Dog Father Murder was the case dog

1:58:16.640 --> 1:58:23.800
<v Speaker 2>Food above the rim h, a couple of other compilation albums,

1:58:23.880 --> 1:58:27.480
<v Speaker 2>Christmas on Death Row. That's all the classic album and

1:58:27.600 --> 1:58:29.920
<v Speaker 2>all of the new ship that I got. But I

1:58:30.120 --> 1:58:34.240
<v Speaker 2>just feel like the new Ship is accompanying the foundation

1:58:34.400 --> 1:58:37.160
<v Speaker 2>by adding more floors and adding more layers to the

1:58:37.960 --> 1:58:42.560
<v Speaker 2>level of execution that we created. Yeah, yep, my is

1:58:42.600 --> 1:58:46.880
<v Speaker 2>a motherfucker right now. Yeah, we're getting drunk. We are

1:58:46.960 --> 1:58:53.760
<v Speaker 2>there shall I do a drop, I'm gonna close out

1:58:55.560 --> 1:58:58.000
<v Speaker 2>because I am closed, all right. This is Snoop Dogg

1:58:58.080 --> 1:58:59.640
<v Speaker 2>and you're on R and B Money.

1:59:02.920 --> 1:59:05.120
<v Speaker 3>And this has been the R and B Money podcast,

1:59:05.240 --> 1:59:08.800
<v Speaker 3>the authority on all things R and B and we

1:59:09.000 --> 1:59:13.240
<v Speaker 3>have been blessed and honored the man, the man himself,

1:59:13.960 --> 1:59:19.480
<v Speaker 3>a man with favor, man called to do special things.

1:59:20.640 --> 1:59:23.240
<v Speaker 2>It is exactly what he's doing. What we're gonna call

1:59:23.360 --> 1:59:28.320
<v Speaker 2>tonight's edition of the show the rang because remember I

1:59:28.400 --> 1:59:37.040
<v Speaker 2>had an album called It's the Orange Gentlemen. It's Snoop.

1:59:44.880 --> 1:59:46.640
<v Speaker 6>R and B Money is a production of the Black

1:59:46.680 --> 1:59:51.280
<v Speaker 6>Effect Podcast Network. For more podcasts from iHeart Radio, visit

1:59:51.400 --> 1:59:55.200
<v Speaker 6>the iHeartRadio app, Apple Podcasts, or wherever you listen to

1:59:55.240 --> 1:59:58.800
<v Speaker 6>your favorite shows. Don't forget to subscribe to and rate

1:59:58.880 --> 2:00:00.880
<v Speaker 6>our show and you you can connect with us on

2:00:01.000 --> 2:00:04.520
<v Speaker 6>social media at Jay Valentine and at the Real Tank.

2:00:04.920 --> 2:00:10.240
<v Speaker 6>For the extended episode, subscribe to YouTube dot com, forward Slash,

2:00:10.600 --> 2:00:11.240
<v Speaker 6>R and B Money