1
00:00:01,720 --> 00:00:04,760
Speaker 1: R and BE Money.

2
00:00:05,320 --> 00:00:05,880
Speaker 2: We are.

3
00:00:07,440 --> 00:00:09,639
Speaker 3: Take about.

4
00:00:10,800 --> 00:00:16,880
Speaker 2: We are the authority on ladies and gentleman.

5
00:00:16,960 --> 00:00:20,720
Speaker 3: My name is Tank Valentine and this is the R

6
00:00:20,800 --> 00:00:26,680
Speaker 3: and B Money Podcast, the authority speaking. Oh no thing

7
00:00:27,080 --> 00:00:35,080
Speaker 3: for a week out it already be Yeah, I second boy, Yeah.

8
00:00:34,920 --> 00:00:35,879
Speaker 2: You don't know.

9
00:00:37,920 --> 00:00:44,720
Speaker 3: I'm talking in the building him legendary, iconic.

10
00:00:45,800 --> 00:00:47,080
Speaker 2: And still.

11
00:00:49,400 --> 00:00:52,920
Speaker 1: Still you see what I got on you? And oh no,

12
00:00:53,120 --> 00:00:53,599
Speaker 1: you see what?

13
00:00:53,840 --> 00:00:54,040
Speaker 4: Yeah?

14
00:00:54,040 --> 00:00:55,760
Speaker 1: You see what type of time I'm on. I don't

15
00:00:55,800 --> 00:00:58,720
Speaker 1: need your clothes, yeah, God, come old close.

16
00:00:58,880 --> 00:01:01,160
Speaker 2: Yeah, don't need your liquors.

17
00:01:01,560 --> 00:01:02,880
Speaker 1: I own everything I got on.

18
00:01:03,040 --> 00:01:04,280
Speaker 2: I got my own liquor.

19
00:01:04,600 --> 00:01:07,280
Speaker 1: Yeah, yeah, I don't need your cologe.

20
00:01:08,040 --> 00:01:12,280
Speaker 3: I got my own cologe. I don't need your weed,

21
00:01:13,680 --> 00:01:17,360
Speaker 3: got my own mother fucking weed. Yes, sir, I don't

22
00:01:17,440 --> 00:01:21,840
Speaker 3: need your label. I got my own mother fucking label.

23
00:01:22,200 --> 00:01:25,440
Speaker 3: I don't need your studio. I don't need your cameras.

24
00:01:25,640 --> 00:01:31,480
Speaker 5: I got my own compound.

25
00:01:32,200 --> 00:01:38,840
Speaker 2: Ship and still steal. Uh see this ship in the building.

26
00:01:38,959 --> 00:01:41,119
Speaker 5: You don't fo himself, he's still cough.

27
00:01:44,640 --> 00:01:52,800
Speaker 2: I ship no matter done? Yeah, R B Money, what it, dude? Man?

28
00:01:53,000 --> 00:01:54,840
Speaker 5: I don't I don't think you understand.

29
00:01:54,880 --> 00:01:56,640
Speaker 2: I don't think you understand I'm such a fan of

30
00:01:56,640 --> 00:01:58,600
Speaker 2: this show. I wanted to be on this show. Like

31
00:01:59,480 --> 00:02:01,080
Speaker 2: it's a lot of people that have been calling me for

32
00:02:01,200 --> 00:02:03,160
Speaker 2: podcasts and want me to do that ship. I'm like,

33
00:02:03,240 --> 00:02:05,880
Speaker 2: I ain't got time out lie and make excuses and ship,

34
00:02:06,320 --> 00:02:09,440
Speaker 2: but this one I wanted to be here. I drove

35
00:02:09,520 --> 00:02:12,400
Speaker 2: here personally to come give you all, y'all flowers and

36
00:02:12,480 --> 00:02:14,960
Speaker 2: let y'all know y'all doing an amazing job. I love

37
00:02:15,000 --> 00:02:17,120
Speaker 2: the outlet. I love how y'all treat the artists that

38
00:02:17,160 --> 00:02:19,520
Speaker 2: come on here. I love how y'all speak to the

39
00:02:19,520 --> 00:02:22,440
Speaker 2: realization of R and B music and R and B money.

40
00:02:22,639 --> 00:02:24,560
Speaker 2: It all makes sense, sir is.

41
00:02:24,600 --> 00:02:28,000
Speaker 3: We are brothers and family and friends and loved ones.

42
00:02:28,080 --> 00:02:34,200
Speaker 3: I am never used to the fact that you're sitting

43
00:02:34,280 --> 00:02:39,560
Speaker 3: right there. Went to a concert one day, jay Z concert,

44
00:02:40,080 --> 00:02:50,320
Speaker 3: Me and my guy little Steve, and that's my attitude.

45
00:02:52,160 --> 00:02:56,760
Speaker 3: And we're sitting in the audience watching jay Z bring

46
00:02:56,800 --> 00:03:01,480
Speaker 3: out his friends M and ther bus door opens up

47
00:03:02,919 --> 00:03:06,560
Speaker 3: and a barrage of smoke comes out, and all.

48
00:03:06,520 --> 00:03:09,120
Speaker 5: Year is doom, doom, doom, doom.

49
00:03:11,600 --> 00:03:22,919
Speaker 2: I screamed, We screamed like Jesus had came back. That

50
00:03:23,360 --> 00:03:24,280
Speaker 2: entire arena.

51
00:03:25,200 --> 00:03:27,680
Speaker 5: It lost their minds.

52
00:03:28,720 --> 00:03:31,799
Speaker 3: I remember it like it was yesterday, and I was like,

53
00:03:31,919 --> 00:03:34,519
Speaker 3: that's Snoop, motherfucking dog, nigga.

54
00:03:35,400 --> 00:03:38,520
Speaker 2: Do you feel that that was beautiful? Jayson did that.

55
00:03:38,760 --> 00:03:40,920
Speaker 2: That was a fucking great idea that he had to

56
00:03:41,000 --> 00:03:44,240
Speaker 2: take that tour bus on the roll every stop bringing

57
00:03:44,280 --> 00:03:48,080
Speaker 2: his friends up for being creative and innovative.

58
00:03:48,760 --> 00:03:54,800
Speaker 3: No, listen, jameson creative and innovative. But today today is

59
00:03:54,920 --> 00:04:01,480
Speaker 3: Snoop pop your ship. You are who you are a day,

60
00:04:02,920 --> 00:04:06,440
Speaker 3: this is this is this is that day. You You're

61
00:04:06,480 --> 00:04:10,360
Speaker 3: a You're a very humble, you're a very giving, a

62
00:04:10,560 --> 00:04:13,160
Speaker 3: very accommodating human being.

63
00:04:14,080 --> 00:04:14,640
Speaker 2: You do that.

64
00:04:14,760 --> 00:04:17,120
Speaker 3: I've watched you do it over the years. I've watched

65
00:04:17,120 --> 00:04:19,160
Speaker 3: you do it for me. Yeah, we've experienced it. We've

66
00:04:19,240 --> 00:04:24,320
Speaker 3: experienced it. Today it's flowers Day. That's not that that's right,

67
00:04:24,880 --> 00:04:26,920
Speaker 3: and what you're doing in the R and B space,

68
00:04:28,640 --> 00:04:29,600
Speaker 3: Yeah yeah.

69
00:04:29,600 --> 00:04:30,400
Speaker 2: Yeah, talk about it.

70
00:04:30,800 --> 00:04:31,480
Speaker 5: Come on, man.

71
00:04:31,640 --> 00:04:34,120
Speaker 2: That's my first love, though, Tank, that's my first love.

72
00:04:34,240 --> 00:04:37,080
Speaker 2: My mother raised me on R and B music. I

73
00:04:37,240 --> 00:04:39,840
Speaker 2: was a seventies baby that could come in the living

74
00:04:39,920 --> 00:04:41,520
Speaker 2: room and dance with her and her friends when all

75
00:04:41,520 --> 00:04:43,839
Speaker 2: the other kids would have to be in the back Snoopy,

76
00:04:43,880 --> 00:04:45,400
Speaker 2: come on out of here, do that day as you do,

77
00:04:46,200 --> 00:04:48,440
Speaker 2: be dancing it from that dance. I'm sitting down with

78
00:04:48,560 --> 00:04:51,599
Speaker 2: her friends, sitting on her lap, and they just playing music.

79
00:04:52,279 --> 00:04:59,440
Speaker 2: Teddy Pendergrass, Isley Brothers, Curtis Mayfield, just everything that's good

80
00:04:59,480 --> 00:05:03,320
Speaker 2: that you're mad. The stylistics, anything with with with tone

81
00:05:03,440 --> 00:05:06,880
Speaker 2: and harmony and instrumentation. They plan it. Not only are

82
00:05:06,920 --> 00:05:09,960
Speaker 2: they planning, but they singing it. Like everybody in the

83
00:05:10,000 --> 00:05:12,440
Speaker 2: living room singing this shit. So it's like naturally, as

84
00:05:12,480 --> 00:05:15,080
Speaker 2: a kid, your brain moves faster, so you can learn

85
00:05:15,120 --> 00:05:17,880
Speaker 2: the song faster than an adult. I learned all of

86
00:05:17,920 --> 00:05:20,520
Speaker 2: these songs, and I would be singing this ship. My

87
00:05:20,560 --> 00:05:22,280
Speaker 2: mama would always bring me in the living room to

88
00:05:22,320 --> 00:05:26,560
Speaker 2: either dance or sing than in church. I hated this ship.

89
00:05:26,640 --> 00:05:29,840
Speaker 2: It used to make me lead songs, but it grown

90
00:05:29,880 --> 00:05:33,239
Speaker 2: me to who I am now. I had to sing leads.

91
00:05:33,360 --> 00:05:38,800
Speaker 2: Nigga Me and Ricky Harris sa. Yes, his father was

92
00:05:38,880 --> 00:05:41,760
Speaker 2: the preacher, so nigga, you know you can't run from

93
00:05:41,800 --> 00:05:44,080
Speaker 2: it if your daddy didn't. And then he point me

94
00:05:44,160 --> 00:05:48,720
Speaker 2: out he could sing too, like fuck brother Snooper, get

95
00:05:48,800 --> 00:05:49,560
Speaker 2: up here and singing.

96
00:05:51,279 --> 00:05:57,360
Speaker 3: Hold up let's stalt back too, because you said, mom said, snoopy.

97
00:05:57,000 --> 00:05:59,559
Speaker 2: Come on in here. It went for me and mama party.

98
00:05:59,600 --> 00:06:02,120
Speaker 2: And since she was a baby baby, Yeah, me and

99
00:06:02,200 --> 00:06:04,200
Speaker 2: Mama used to party right in the seventies. Then she

100
00:06:04,320 --> 00:06:07,920
Speaker 2: found the Lord. When she found the Lord, you have

101
00:06:08,000 --> 00:06:12,239
Speaker 2: to find them. We in church Tuesday, Thursday, Saturday and sunny.

102
00:06:13,160 --> 00:06:15,880
Speaker 2: Because she found the Lord. Everybody in the house, you

103
00:06:16,000 --> 00:06:22,920
Speaker 2: gonna find him. I found the Lord. I'm delivered.

104
00:06:23,000 --> 00:06:26,159
Speaker 5: I got it, no way.

105
00:06:26,440 --> 00:06:29,440
Speaker 2: Yes. My mother raised me in the church, and dad's

106
00:06:29,560 --> 00:06:32,800
Speaker 2: mother taught me how to sing. She worked with me

107
00:06:32,880 --> 00:06:35,719
Speaker 2: with the piano, and and and and just she seen

108
00:06:35,839 --> 00:06:39,000
Speaker 2: something in me. You know what I'm saying. It's like church,

109
00:06:39,320 --> 00:06:42,080
Speaker 2: you see all of the talent, you see what it is.

110
00:06:42,240 --> 00:06:44,479
Speaker 2: That's the first place you see the talent. My auntie

111
00:06:44,480 --> 00:06:46,839
Speaker 2: is seen it in me, and she made my grandmother

112
00:06:46,880 --> 00:06:49,400
Speaker 2: pay for me to go get piano lessons. So that

113
00:06:49,560 --> 00:06:53,760
Speaker 2: was my first love, was piano singing. And I was like,

114
00:06:53,839 --> 00:06:56,800
Speaker 2: I ain't no singer. I don't like that pressure of singing.

115
00:06:57,120 --> 00:07:00,280
Speaker 2: It was just I was stressed. It was pressure. It's

116
00:07:00,320 --> 00:07:02,760
Speaker 2: his notes and its harmonies, and it's like that's too much.

117
00:07:03,520 --> 00:07:05,880
Speaker 2: Then when rap came out. I'm like, that's what I

118
00:07:06,120 --> 00:07:09,240
Speaker 2: like because it's a little bit of singing but a

119
00:07:09,320 --> 00:07:12,040
Speaker 2: lot of rapping. And then I could take the singing

120
00:07:12,120 --> 00:07:15,200
Speaker 2: in the church things that I learned and instilling in here.

121
00:07:16,080 --> 00:07:18,240
Speaker 2: Then I meet Nate Dogg and Nate Dogg doing the

122
00:07:18,320 --> 00:07:21,080
Speaker 2: same thing I'm doing, taking church songs but flipping them

123
00:07:21,120 --> 00:07:23,680
Speaker 2: in the hood song. If you listen to Nate, all

124
00:07:23,760 --> 00:07:26,400
Speaker 2: his songs are church songs. A deacon.

125
00:07:26,760 --> 00:07:30,800
Speaker 3: Yes, Nate sings like every yes, every man in the

126
00:07:31,560 --> 00:07:35,840
Speaker 3: in the men's Choir, Men's Choir Anniversary, that's how he sings.

127
00:07:36,000 --> 00:07:36,160
Speaker 2: Yes.

128
00:07:36,840 --> 00:07:39,560
Speaker 5: And I'm listening to Nate Dogg like this nigga.

129
00:07:39,920 --> 00:07:45,280
Speaker 2: Yes, that's Uncle Norman. Yes, this is going crazy, my

130
00:07:45,440 --> 00:07:47,840
Speaker 2: environmental tank. This is what we raised with. So when

131
00:07:47,880 --> 00:07:53,960
Speaker 2: we was creating our sound, the church is everything. That's

132
00:07:53,960 --> 00:07:56,680
Speaker 2: why we used to always say church because we take

133
00:07:56,760 --> 00:08:02,280
Speaker 2: God everywhere we go, especially in our music. Leave behind

134
00:08:02,320 --> 00:08:04,640
Speaker 2: you take God in the war. He's gonna help you out.

135
00:08:04,640 --> 00:08:06,600
Speaker 2: Why are you gonna call him after the fact when

136
00:08:06,600 --> 00:08:08,840
Speaker 2: you could take him in there with you? Oh God,

137
00:08:08,880 --> 00:08:10,520
Speaker 2: I'll never do it again. How about Oh God, I'm

138
00:08:10,520 --> 00:08:11,840
Speaker 2: going to go do something. I need you to ride

139
00:08:11,880 --> 00:08:14,800
Speaker 2: with me on this one. Absolutely, let's get that call

140
00:08:14,880 --> 00:08:18,240
Speaker 2: in early. Absolutely, because he's there, He's always there.

141
00:08:19,120 --> 00:08:23,120
Speaker 3: Had you sang on any any of your records, any

142
00:08:23,200 --> 00:08:25,920
Speaker 3: of your demos once you started finding rap? Did you

143
00:08:26,520 --> 00:08:27,960
Speaker 3: expose that part yet?

144
00:08:28,040 --> 00:08:28,320
Speaker 1: Before?

145
00:08:28,480 --> 00:08:29,679
Speaker 5: What Sexual seduction?

146
00:08:29,760 --> 00:08:34,079
Speaker 2: Which completely called me way off? God shout out red

147
00:08:34,120 --> 00:08:40,679
Speaker 2: for right, I can go R and B that's I

148
00:08:40,880 --> 00:08:43,360
Speaker 2: just don't want to get in y'all lang. I'm gonna

149
00:08:43,400 --> 00:08:45,760
Speaker 2: leave y'all alone. You know what I'm saying. Y'all got

150
00:08:45,800 --> 00:08:54,040
Speaker 2: too many damn kings. Y'all got it's R and B

151
00:08:54,200 --> 00:09:00,839
Speaker 2: k every every week in this I'm can't. God damn it,

152
00:09:02,280 --> 00:09:05,319
Speaker 2: I'm the general. Thank you, I stay out of that.

153
00:09:05,760 --> 00:09:06,079
Speaker 2: Thank you.

154
00:09:07,559 --> 00:09:11,640
Speaker 3: But cutting cutting from you singing an acchoir, cutting to

155
00:09:12,320 --> 00:09:15,719
Speaker 3: sexual seduction. Now it makes sense because I was like,

156
00:09:15,800 --> 00:09:17,120
Speaker 3: why is this nigga snoop jamming?

157
00:09:17,240 --> 00:09:23,079
Speaker 2: Like this? How's this nigga on key in key in hocket?

158
00:09:23,800 --> 00:09:28,400
Speaker 3: Because people don't realize autotune can't make you sing. No

159
00:09:29,840 --> 00:09:35,600
Speaker 3: autotune is is is an afterthought. Is is a preset

160
00:09:35,679 --> 00:09:39,720
Speaker 3: that gives you a certain sonic If you can sing

161
00:09:40,000 --> 00:09:43,240
Speaker 3: which which which dials you into a certain algorithm you

162
00:09:43,320 --> 00:09:45,880
Speaker 3: understand what I'm saying. But if you can't sing, auto

163
00:09:45,960 --> 00:09:48,880
Speaker 3: tune can't help you do that. And people who can

164
00:09:49,000 --> 00:09:52,240
Speaker 3: sing can hear a motherfucker that can sing even when

165
00:09:52,280 --> 00:09:55,319
Speaker 3: that autotune is on. I said that motherfucker Snoop can sing.

166
00:09:56,800 --> 00:09:59,400
Speaker 2: You know it's crazy. I had another song that I

167
00:09:59,480 --> 00:10:02,920
Speaker 2: have wrote for Bobby Womack to sing the hook, and

168
00:10:03,040 --> 00:10:05,360
Speaker 2: Bobby Womack was working with the Gorillas at the time

169
00:10:05,400 --> 00:10:06,839
Speaker 2: and he couldn't get to me, so he was like,

170
00:10:07,000 --> 00:10:10,040
Speaker 2: just lay the reference down, and when you lay the reference,

171
00:10:10,080 --> 00:10:12,000
Speaker 2: I do it. So I laid the reference. It was

172
00:10:12,000 --> 00:10:14,320
Speaker 2: a song called ups and Downs that Warren Campbell did

173
00:10:14,400 --> 00:10:18,640
Speaker 2: for me. Yeah there will be ups and down smile.

174
00:10:18,920 --> 00:10:20,439
Speaker 2: But I had wrote it for Bobby Womack in the

175
00:10:20,480 --> 00:10:23,160
Speaker 2: beginning when I'm talking as I think back and I'm

176
00:10:23,200 --> 00:10:25,800
Speaker 2: thinking about the years I'm talking just like Bobby Womac.

177
00:10:26,640 --> 00:10:28,959
Speaker 2: He never got the record in his hands, so I

178
00:10:29,080 --> 00:10:31,280
Speaker 2: ended up putting it out and then I seen him.

179
00:10:31,320 --> 00:10:33,160
Speaker 2: He was like, man, you did that shit way better

180
00:10:33,160 --> 00:10:35,160
Speaker 2: than I could have did it. I'm like, but Bobby,

181
00:10:35,200 --> 00:10:37,319
Speaker 2: I wrote it for you. He's like, man, I heard

182
00:10:37,360 --> 00:10:38,760
Speaker 2: the record. I just didn't want to touch it because

183
00:10:38,760 --> 00:10:41,520
Speaker 2: you sound me so good, and that fucked me up

184
00:10:41,600 --> 00:10:45,400
Speaker 2: that he didn't want to do the reference because he

185
00:10:45,440 --> 00:10:47,120
Speaker 2: felt like I did such a good job.

186
00:10:47,720 --> 00:10:50,800
Speaker 5: But you probably had a take on it that was

187
00:10:50,920 --> 00:10:53,079
Speaker 5: different from Yeah, from him.

188
00:10:53,080 --> 00:10:54,400
Speaker 2: Yeah, but it was his reference.

189
00:10:54,520 --> 00:10:57,599
Speaker 3: It was it was like, I'm doing this you like,

190
00:10:58,160 --> 00:11:02,480
Speaker 3: there's a certain thing that especially with you as the creator.

191
00:11:02,720 --> 00:11:07,280
Speaker 3: It's textures. It's textures, it's a styling, it's a did

192
00:11:07,320 --> 00:11:08,040
Speaker 3: you put into it?

193
00:11:08,160 --> 00:11:11,959
Speaker 2: This? Sometimes be like this that's actually better than what

194
00:11:12,000 --> 00:11:12,400
Speaker 2: I'm gonna do.

195
00:11:12,480 --> 00:11:14,800
Speaker 6: That's why me and you though we never for us

196
00:11:14,880 --> 00:11:18,000
Speaker 6: knop like we never listened to the hip hop records

197
00:11:18,040 --> 00:11:21,800
Speaker 6: where the rapper is singing their own hooks and feel away.

198
00:11:22,000 --> 00:11:24,760
Speaker 1: Right, We're like, oh, Nigga, that ship makes sense.

199
00:11:25,920 --> 00:11:28,920
Speaker 2: Singing Nigga gonna over sing that he gonna do too

200
00:11:29,040 --> 00:11:32,480
Speaker 2: much like come on, bro, relax, we're gonna get in

201
00:11:32,559 --> 00:11:50,079
Speaker 2: and out. Yeah, chipping on. Why I've seen you on

202
00:11:50,200 --> 00:11:52,400
Speaker 2: some gangster ship for the home Boys show Dog Rest

203
00:11:52,480 --> 00:11:55,520
Speaker 2: in Peace. It was it was on too we old

204
00:11:55,600 --> 00:11:57,079
Speaker 2: movie we Did You was in and I was in

205
00:11:57,200 --> 00:12:00,520
Speaker 2: it too, singing like a motherfucker the thing song at

206
00:12:00,559 --> 00:12:02,880
Speaker 2: the end, and we were singing your ass. It was

207
00:12:02,960 --> 00:12:06,080
Speaker 2: a straight gangster ship. But using that sing it ain't easy.

208
00:12:06,600 --> 00:12:07,840
Speaker 1: It's probably it wasn't mac to.

209
00:12:08,000 --> 00:12:12,800
Speaker 2: Movie Shorty from the Lynch Mob. It's his movie He

210
00:12:12,840 --> 00:12:14,880
Speaker 2: Got out, He rest in Peace. But it's like you

211
00:12:15,080 --> 00:12:17,880
Speaker 2: was the theme song. You walked in the studio and

212
00:12:17,920 --> 00:12:19,960
Speaker 2: you was singing hard as a motherfucker. You was singing

213
00:12:20,080 --> 00:12:21,840
Speaker 2: R and B ship. Everybody in there was gang banging

214
00:12:21,840 --> 00:12:25,000
Speaker 2: and you was singing R and B. Sh It was

215
00:12:25,080 --> 00:12:27,120
Speaker 2: beautiful what you were saying. I'm like this nigga. Take

216
00:12:27,200 --> 00:12:28,320
Speaker 2: me singing like this forever.

217
00:12:28,480 --> 00:12:33,600
Speaker 5: This nigga sing hard, nigga fast, get to a nigga, nigga,

218
00:12:34,440 --> 00:12:34,719
Speaker 5: you know what?

219
00:12:34,920 --> 00:12:37,520
Speaker 2: You know what I do? Right? Yes, I sang nigga.

220
00:12:37,600 --> 00:12:40,319
Speaker 3: But that was but when I touched down in l

221
00:12:40,400 --> 00:12:43,760
Speaker 3: A I got I was telling you earlier. I was

222
00:12:43,920 --> 00:12:48,360
Speaker 3: introduced to the I guess what would be the foundation

223
00:12:49,640 --> 00:12:54,880
Speaker 3: of West Coast West coast music, and it was all music.

224
00:12:55,440 --> 00:13:02,280
Speaker 5: It was all musicians. It was horns, guitar, like as

225
00:13:02,320 --> 00:13:03,920
Speaker 5: we talk about a Warren Campbell.

226
00:13:04,800 --> 00:13:07,840
Speaker 6: It was that Like nobody wouldn't know that Snoop Dogg

227
00:13:08,360 --> 00:13:10,320
Speaker 6: grew up playing the piano, singing lead in church.

228
00:13:11,040 --> 00:13:14,760
Speaker 5: But It makes sense because if you listen to the

229
00:13:14,960 --> 00:13:18,440
Speaker 5: music it's all musical.

230
00:13:18,040 --> 00:13:19,880
Speaker 2: It'll guide you to take you where it came from,

231
00:13:20,120 --> 00:13:21,560
Speaker 2: to show you where the foundation.

232
00:13:21,960 --> 00:13:24,720
Speaker 6: When y'all kicked in the door the way y'all kicked

233
00:13:24,760 --> 00:13:29,040
Speaker 6: in the door from the chronic right, it's musical music.

234
00:13:29,160 --> 00:13:29,480
Speaker 2: It was.

235
00:13:29,600 --> 00:13:34,200
Speaker 6: It's a reason why that album stands out from anything else.

236
00:13:35,720 --> 00:13:37,880
Speaker 6: It's the reason why Doggy Style stands out the way

237
00:13:37,920 --> 00:13:40,360
Speaker 6: it does with the dramatics and you know what I'm saying,

238
00:13:40,360 --> 00:13:42,839
Speaker 6: And then it reminds you of Blue Magic And you

239
00:13:42,920 --> 00:13:45,160
Speaker 6: know what I'm saying, Like, like you said, the stylistics,

240
00:13:45,200 --> 00:13:47,040
Speaker 6: like I grew up on all of that. I learned

241
00:13:47,040 --> 00:13:48,640
Speaker 6: how to sing off all that I learned how that's

242
00:13:48,640 --> 00:13:50,000
Speaker 6: where my falsetto comes from.

243
00:13:50,040 --> 00:13:51,960
Speaker 2: You know what I'm sayings like I need to find

244
00:13:52,000 --> 00:13:54,960
Speaker 2: that note, yeah, I hit that note. Yeah.

245
00:13:55,080 --> 00:13:58,000
Speaker 6: So it's like when y'all came in the in the game,

246
00:13:58,840 --> 00:14:00,960
Speaker 6: y'all brought a different type of musicality.

247
00:14:01,640 --> 00:14:05,440
Speaker 2: But we but we was fans of that particular genre

248
00:14:05,480 --> 00:14:07,839
Speaker 2: of music, and Doctor Dre was able to produce that

249
00:14:08,800 --> 00:14:11,760
Speaker 2: for us and to keep that in our music. He

250
00:14:11,920 --> 00:14:14,640
Speaker 2: never strayed away from that. He always kept something that

251
00:14:14,720 --> 00:14:18,439
Speaker 2: you could, oh, that's hell, that's ain't that, But then

252
00:14:18,480 --> 00:14:20,240
Speaker 2: we would have a different hook on it, but it's

253
00:14:20,240 --> 00:14:22,880
Speaker 2: still that sound was like something that you can, man,

254
00:14:22,960 --> 00:14:26,440
Speaker 2: that shit remind me of? Is that that is okay?

255
00:14:27,000 --> 00:14:28,640
Speaker 2: Because this is the ship that we was raised on.

256
00:14:28,760 --> 00:14:33,320
Speaker 2: We was raised on good ship, good musicianship, good harmonies,

257
00:14:33,400 --> 00:14:37,640
Speaker 2: and great vocalists, not good vocalists, but great vocalists. So

258
00:14:37,640 --> 00:14:39,560
Speaker 2: whenever we would have somebody in the studio, they would

259
00:14:39,560 --> 00:14:42,880
Speaker 2: have to really have have that vocal chops that. It's

260
00:14:42,960 --> 00:14:46,040
Speaker 2: just like no matter if there was a no name.

261
00:14:46,960 --> 00:14:50,760
Speaker 2: Everybody that started with us had no name. They became

262
00:14:50,960 --> 00:14:54,720
Speaker 2: household names because of what they did. Never had a

263
00:14:54,760 --> 00:14:58,440
Speaker 2: household name. On the Chronic album, all that was us

264
00:14:59,080 --> 00:15:02,119
Speaker 2: and then Doggy Steff, it was all us, just the dramatics.

265
00:15:02,480 --> 00:15:06,400
Speaker 2: Everything else was just us, no household names, Juel's, Nate

266
00:15:06,480 --> 00:15:10,240
Speaker 2: Dog They were the singers, but they could out sing

267
00:15:10,440 --> 00:15:13,840
Speaker 2: anybody in the motherfucking industry, especially Juel's, and motherfuckers knew

268
00:15:13,880 --> 00:15:18,080
Speaker 2: that she was a dog, you know what I'm saying.

269
00:15:18,120 --> 00:15:22,600
Speaker 2: But we wanted that. We wanted great musicianship and great

270
00:15:22,680 --> 00:15:25,360
Speaker 2: vocalists on our music and not just dope ass raps.

271
00:15:25,960 --> 00:15:27,440
Speaker 2: When did you know you were different?

272
00:15:28,840 --> 00:15:29,000
Speaker 5: Uh?

273
00:15:31,440 --> 00:15:35,840
Speaker 3: And to add to that, you recognize that you needed

274
00:15:35,880 --> 00:15:38,800
Speaker 3: to maintain and preserve your difference.

275
00:15:39,480 --> 00:15:43,160
Speaker 2: On the dope spot, gang banging and selling dope and

276
00:15:44,000 --> 00:15:45,600
Speaker 2: just not having the spirit that the rest of the

277
00:15:45,680 --> 00:15:48,160
Speaker 2: homies had. Like it was easy for them to just

278
00:15:48,880 --> 00:15:50,880
Speaker 2: do wrong. It was easy for them to shoot, it

279
00:15:51,000 --> 00:15:53,800
Speaker 2: was easy for them to just do all of the

280
00:15:53,840 --> 00:15:55,800
Speaker 2: shit to come with the lifestyle. Some of that shit

281
00:15:55,880 --> 00:15:58,680
Speaker 2: was difficult for me, but the rapping and the funny

282
00:15:58,680 --> 00:16:00,440
Speaker 2: shit and the talking to the girls, that ship was

283
00:16:00,480 --> 00:16:02,880
Speaker 2: always easy for me, But the other ship was difficult.

284
00:16:03,360 --> 00:16:04,800
Speaker 2: So I had to make a decision on what I

285
00:16:04,840 --> 00:16:08,240
Speaker 2: wanted to do as far as like to differentiate myself

286
00:16:08,240 --> 00:16:11,000
Speaker 2: from everybody else. And I noticed that my rapping was

287
00:16:11,080 --> 00:16:15,440
Speaker 2: always it was cool. Other neighborhoods would like it. When

288
00:16:15,480 --> 00:16:19,320
Speaker 2: I get locked up, other gangs would like it. The

289
00:16:19,440 --> 00:16:22,680
Speaker 2: girls liked it, and that's something that nobody else could

290
00:16:22,720 --> 00:16:24,200
Speaker 2: do when it made me different. So I was like,

291
00:16:25,120 --> 00:16:27,880
Speaker 2: I'm gonna do this. I'm gonna step into this world

292
00:16:27,960 --> 00:16:31,760
Speaker 2: and it really become Snoop rock Ski. That was my

293
00:16:31,880 --> 00:16:32,640
Speaker 2: first rap name.

294
00:16:33,280 --> 00:16:34,840
Speaker 1: You gotta have a rock Ski back then.

295
00:16:34,680 --> 00:16:38,480
Speaker 2: You got But that's when you know you're real. Yeah,

296
00:16:38,600 --> 00:16:39,960
Speaker 2: when you got a whole rap name.

297
00:16:42,040 --> 00:16:42,680
Speaker 1: That's really.

298
00:16:44,240 --> 00:16:49,240
Speaker 2: Came from Yeah, cool rock Ski from the Fat Boys.

299
00:16:49,920 --> 00:16:52,200
Speaker 2: He was my favorite rapper. This nigga was hard at

300
00:16:52,240 --> 00:16:54,040
Speaker 2: fuck the Fat Boys listen to me. I'm a skinny

301
00:16:54,080 --> 00:16:58,600
Speaker 2: niggas probably went about. But the Fat Boys made some

302
00:16:58,680 --> 00:17:01,480
Speaker 2: of the dopest music in the early eighties.

303
00:17:01,280 --> 00:17:02,760
Speaker 1: And shout out to the movie Disorderly.

304
00:17:03,680 --> 00:17:08,040
Speaker 2: That was my shit, that was my shit. Yeah, I'm

305
00:17:08,480 --> 00:17:11,760
Speaker 2: so Naturally we were gonna want to be like who

306
00:17:11,920 --> 00:17:14,159
Speaker 2: our favorite person is, so I couldn't be him. So

307
00:17:14,880 --> 00:17:17,760
Speaker 2: my name is Snoopy. I'm Snoop. I just take the

308
00:17:17,880 --> 00:17:20,560
Speaker 2: rock Ski and just be Snoop rock Ski. And all

309
00:17:20,640 --> 00:17:23,320
Speaker 2: through junior high school, that's all my niggas called me

310
00:17:23,480 --> 00:17:25,840
Speaker 2: was Snoop. So my homies still to this day, what's up,

311
00:17:25,920 --> 00:17:28,400
Speaker 2: Snoop Rock? They still call me that to this day,

312
00:17:28,480 --> 00:17:31,480
Speaker 2: and I smiled because it's like I can't run from it.

313
00:17:32,280 --> 00:17:34,520
Speaker 2: It's an identity that I created, and it's a memory

314
00:17:34,600 --> 00:17:37,159
Speaker 2: for them when I was a young dope rapper and

315
00:17:37,280 --> 00:17:39,280
Speaker 2: they hold on to that memory because it's like you

316
00:17:39,440 --> 00:17:41,200
Speaker 2: a star now, but we remember when you was that

317
00:17:41,400 --> 00:17:44,960
Speaker 2: young dope rapper. You was battling this person and this person,

318
00:17:45,000 --> 00:17:46,960
Speaker 2: and you was Snoop rock Ski and you was hard

319
00:17:47,040 --> 00:17:49,200
Speaker 2: and you was so it's like it's a memory. Like

320
00:17:49,240 --> 00:17:53,080
Speaker 2: when I see Magic Johnson play. If I see Magic today,

321
00:17:53,119 --> 00:17:55,720
Speaker 2: I think about him in eighty five eighty four. I

322
00:17:55,720 --> 00:17:58,439
Speaker 2: don't think about him right now. Nigga, it's my friend, niggas.

323
00:17:58,520 --> 00:18:02,119
Speaker 2: Nigga won a championship. Nigga only see that, you know

324
00:18:02,119 --> 00:18:04,000
Speaker 2: what I'm saying. So my friends only see that. They

325
00:18:04,080 --> 00:18:07,000
Speaker 2: only see Snoop rock Ski. They don't see Snoop Dogg

326
00:18:07,119 --> 00:18:09,879
Speaker 2: or Snoop Doggie Dog. If I can explain it to

327
00:18:09,920 --> 00:18:10,359
Speaker 2: you like that.

328
00:18:10,520 --> 00:18:12,800
Speaker 3: Yeah, now it makes perfect sense. That's right now, that

329
00:18:12,880 --> 00:18:15,760
Speaker 3: makes perfect sen because you found your rhythm that way.

330
00:18:16,119 --> 00:18:18,000
Speaker 2: That way. Yeah, you know what I mean with them?

331
00:18:18,080 --> 00:18:19,480
Speaker 2: They were my first fans.

332
00:18:20,240 --> 00:18:21,720
Speaker 1: At what age did you start rapping?

333
00:18:22,320 --> 00:18:22,679
Speaker 2: Twelve?

334
00:18:24,480 --> 00:18:27,360
Speaker 1: So you start rapping at twelve, you get your deal without.

335
00:18:28,760 --> 00:18:29,200
Speaker 2: Nineteen?

336
00:18:30,160 --> 00:18:34,919
Speaker 6: So seven years ye did you have the I mean

337
00:18:34,920 --> 00:18:38,240
Speaker 6: because you from southern California, right, I know how to

338
00:18:38,320 --> 00:18:40,280
Speaker 6: separate it. I know you from Long Bea, so I

339
00:18:40,320 --> 00:18:42,000
Speaker 6: ain't gonna see you from La. You know what I'm saying,

340
00:18:42,000 --> 00:18:48,560
Speaker 6: like La County, Lake County, right, but it's still adjacent

341
00:18:48,640 --> 00:18:51,760
Speaker 6: to the industry. You're still close, right. So in those

342
00:18:51,800 --> 00:18:55,280
Speaker 6: seven years, did you ever have like the starting stops

343
00:18:55,359 --> 00:18:57,560
Speaker 6: of Oh, I think such and such gonna sign me

344
00:18:57,760 --> 00:18:58,760
Speaker 6: before you get to drake?

345
00:18:59,440 --> 00:19:08,280
Speaker 2: Yeah, more nose than yesters though, of course, Like fuck,

346
00:19:10,480 --> 00:19:13,440
Speaker 2: we had a demo tape that we made and we

347
00:19:13,560 --> 00:19:15,920
Speaker 2: took it to this white dude in Hollywood and he

348
00:19:16,040 --> 00:19:18,240
Speaker 2: played this ship. Then the nigga looked at me and said,

349
00:19:19,000 --> 00:19:23,359
Speaker 2: it's cool, but you're no DJ Quick m hmm. I

350
00:19:23,480 --> 00:19:26,960
Speaker 2: was that broke my heart and I always I told

351
00:19:27,040 --> 00:19:28,560
Speaker 2: Quick that too. I was like that nigga told me

352
00:19:28,600 --> 00:19:31,880
Speaker 2: that shit. I wanted to just just come come after.

353
00:19:31,760 --> 00:19:34,600
Speaker 1: You after that, like, not even knowing he was, he

354
00:19:34,720 --> 00:19:35,399
Speaker 1: was creating that.

355
00:19:35,880 --> 00:19:38,480
Speaker 2: Yes, like it made me want to make records dope

356
00:19:38,680 --> 00:19:41,560
Speaker 2: like Quick records because I understood what he meant. I

357
00:19:41,560 --> 00:19:43,560
Speaker 2: didn't take it the wrong way. I was like, damn man,

358
00:19:43,880 --> 00:19:45,439
Speaker 2: Quick Quick was the top of he was the top

359
00:19:45,480 --> 00:19:47,399
Speaker 2: of the When I'm listening to Quick shit, I'm like,

360
00:19:47,520 --> 00:19:49,880
Speaker 2: my shit, don't sound nothing like this. He's fucking right.

361
00:19:50,440 --> 00:19:52,480
Speaker 2: So that was a note that really hurt my heart.

362
00:19:52,600 --> 00:19:57,840
Speaker 2: And then we went to uh Torrents to Easy in

363
00:19:57,920 --> 00:20:01,480
Speaker 2: them studio when they was working on the Niggas for

364
00:20:01,560 --> 00:20:06,280
Speaker 2: Life album and Warren G has supposedly got us a meeting,

365
00:20:07,320 --> 00:20:09,800
Speaker 2: but the meeting didn't happen because we get up there

366
00:20:09,840 --> 00:20:12,800
Speaker 2: and Easy come to the gate to the bard gate,

367
00:20:13,320 --> 00:20:16,520
Speaker 2: don't let us in. He tell waring G to leave,

368
00:20:16,840 --> 00:20:19,760
Speaker 2: waring G don't want to leave, and Easy flash his

369
00:20:19,840 --> 00:20:22,760
Speaker 2: little thing. Then we leave and waring G called him

370
00:20:22,800 --> 00:20:26,199
Speaker 2: all kind of names and shit, and we don't get

371
00:20:26,240 --> 00:20:29,240
Speaker 2: the meeting, and I'm like my heart was beating fast anywhere.

372
00:20:29,240 --> 00:20:30,640
Speaker 2: I was like I wasn't ready for that, no way,

373
00:20:30,680 --> 00:20:32,480
Speaker 2: Like I was real nervous, like I would have probably

374
00:20:32,560 --> 00:20:35,800
Speaker 2: choked that off. So I was like, nah, it's cool.

375
00:20:36,119 --> 00:20:39,440
Speaker 2: So we drove all the way back home after thinking

376
00:20:39,520 --> 00:20:41,680
Speaker 2: that we had a meeting with Easy and NWN we

377
00:20:41,680 --> 00:20:46,119
Speaker 2: ain't have shit. Yeah, So it's been heartbreaking like that

378
00:20:46,720 --> 00:20:51,520
Speaker 2: to where it's like you think you almost And then

379
00:20:51,560 --> 00:20:55,000
Speaker 2: I was with above the law, above the law. They

380
00:20:55,119 --> 00:20:59,359
Speaker 2: believed in us, like Warren G would take us, we

381
00:20:59,400 --> 00:21:02,879
Speaker 2: would go to this studio in Inglewood and just post up.

382
00:21:03,680 --> 00:21:06,399
Speaker 2: But they they was like we got cocaine and Kelo

383
00:21:06,600 --> 00:21:10,000
Speaker 2: g after them too. You know we'll line you up, Snoop.

384
00:21:10,080 --> 00:21:12,800
Speaker 2: I'm like, all right, cool. So I'm here chilling doing

385
00:21:12,880 --> 00:21:19,680
Speaker 2: our thing, waiting, waiting, waiting. So one particular Saturday, Warren

386
00:21:19,760 --> 00:21:24,320
Speaker 2: g go to the bachelor party with drewing him and

387
00:21:24,440 --> 00:21:29,680
Speaker 2: he slid in ar cassette. So now Sunday, Dre like,

388
00:21:31,480 --> 00:21:34,800
Speaker 2: I want you to come to the studio. But before

389
00:21:34,920 --> 00:21:39,480
Speaker 2: that one Eddy seven said, Hey, Snoop, Monday, I'm gonna

390
00:21:39,480 --> 00:21:44,440
Speaker 2: record your first song. So now I gotta make a decision.

391
00:21:45,000 --> 00:21:48,720
Speaker 2: Do I go do my first song with a buffalo

392
00:21:48,840 --> 00:21:50,760
Speaker 2: who been, you know, saying they gonna put me on

393
00:21:50,920 --> 00:21:53,840
Speaker 2: they been rocking with me, they hear, Or do I

394
00:21:54,000 --> 00:21:56,000
Speaker 2: take a chance and go to the studio with doctor

395
00:21:56,080 --> 00:21:59,080
Speaker 2: Dre on Monday after he just heard my demo text

396
00:21:59,119 --> 00:21:59,920
Speaker 2: to see what he thinks.

397
00:22:11,640 --> 00:22:14,119
Speaker 6: All of us have either discovered the artists or been

398
00:22:14,200 --> 00:22:18,000
Speaker 6: around the artists at the beginning, and sometimes they got

399
00:22:18,119 --> 00:22:21,520
Speaker 6: to make a decision for themselves, and we're not always

400
00:22:21,640 --> 00:22:23,200
Speaker 6: the people to take them there.

401
00:22:23,280 --> 00:22:26,320
Speaker 2: We may not be the choice, and we may not

402
00:22:26,440 --> 00:22:28,800
Speaker 2: have been able to actually take them where they needed

403
00:22:28,880 --> 00:22:31,800
Speaker 2: to go. That's a fact I've had to become comfortable

404
00:22:31,840 --> 00:22:32,640
Speaker 2: with that. That's a fact.

405
00:22:32,720 --> 00:22:34,119
Speaker 6: I've had the artists that have been mad at me

406
00:22:34,600 --> 00:22:36,800
Speaker 6: with me just being like, you know what, somebody else

407
00:22:36,840 --> 00:22:39,119
Speaker 6: should do this for you. Well, I just want you

408
00:22:39,200 --> 00:22:43,680
Speaker 6: to man, Well, I'm telling you you need something different.

409
00:22:43,480 --> 00:22:46,040
Speaker 2: Wry, something different that can take you places I can't

410
00:22:46,080 --> 00:22:51,720
Speaker 2: go right now. And that's how that went. And just

411
00:22:51,800 --> 00:22:54,000
Speaker 2: about maybe about three weeks ago, Mi dre In one

412
00:22:54,080 --> 00:22:58,080
Speaker 2: eighty seven was together and it's our relationship is like

413
00:22:58,200 --> 00:23:01,480
Speaker 2: this because it's like they both seen something in me.

414
00:23:01,880 --> 00:23:03,600
Speaker 2: He was just the one that was able to crack

415
00:23:03,680 --> 00:23:04,000
Speaker 2: the cold.

416
00:23:04,119 --> 00:23:06,399
Speaker 3: Yeah, I want to ask you a question about And

417
00:23:06,520 --> 00:23:08,400
Speaker 3: this is something that maybe you know, it'd be great

418
00:23:08,480 --> 00:23:11,520
Speaker 3: for the young guys who are coming up in the game,

419
00:23:13,280 --> 00:23:17,040
Speaker 3: who are tapped into their street side and you know,

420
00:23:17,880 --> 00:23:22,120
Speaker 3: have to figure out how to navigate between Now you're

421
00:23:23,359 --> 00:23:28,200
Speaker 3: now you're a professional rapper, you're a professional entity, a

422
00:23:28,280 --> 00:23:34,720
Speaker 3: professional entertainer, but you are still deeply connected and rooted

423
00:23:35,480 --> 00:23:39,120
Speaker 3: in the streets. What is that navigation like because you've

424
00:23:39,160 --> 00:23:42,440
Speaker 3: had to navigate those roads and that that that thing

425
00:23:42,600 --> 00:23:45,159
Speaker 3: right there for a long time to where on the

426
00:23:45,240 --> 00:23:49,600
Speaker 3: outside looking in you you figured that shit out in

427
00:23:49,680 --> 00:23:53,440
Speaker 3: a way to where we've seen nothing like you. You

428
00:23:53,640 --> 00:24:02,720
Speaker 3: are a household name like Middle America, Russia, Australia. You

429
00:24:02,800 --> 00:24:06,680
Speaker 3: could sell betting, Nigga. You the most famous rapper whoever lives.

430
00:24:07,400 --> 00:24:10,200
Speaker 3: And I argue with whoever want to they they.

431
00:24:10,080 --> 00:24:13,440
Speaker 2: Call you that you can sell betting. I do have

432
00:24:13,560 --> 00:24:20,920
Speaker 2: hint Bedsel I do. I yeah, sleep on the flowers.

433
00:24:20,600 --> 00:24:20,840
Speaker 1: Yea.

434
00:24:27,040 --> 00:24:30,240
Speaker 3: For those, for those, for those, for those guys, and

435
00:24:30,280 --> 00:24:32,680
Speaker 3: even though those those girls who are trying to navigate

436
00:24:32,760 --> 00:24:34,880
Speaker 3: that and figure what is what is the science.

437
00:24:34,640 --> 00:24:37,320
Speaker 2: Or what is you know what? It's an individual situation

438
00:24:37,480 --> 00:24:39,240
Speaker 2: that we all got to go through. It's a collision

439
00:24:39,320 --> 00:24:40,840
Speaker 2: course with life that you have to learn how to

440
00:24:40,920 --> 00:24:43,800
Speaker 2: master yourself. And what I've learned to do is master

441
00:24:43,960 --> 00:24:46,000
Speaker 2: myself with love. Like that's the only thing that I

442
00:24:46,080 --> 00:24:48,879
Speaker 2: can answer everything. What is love? Like all of the

443
00:24:48,960 --> 00:24:51,720
Speaker 2: situations that I've been in when it comes to streets

444
00:24:52,480 --> 00:24:56,360
Speaker 2: and it comes to negativity or bad energy, the only

445
00:24:56,440 --> 00:24:58,520
Speaker 2: way that I've been able to win is through love.

446
00:24:58,720 --> 00:25:01,359
Speaker 2: Like I've never been able to match your energy with

447
00:25:01,520 --> 00:25:04,160
Speaker 2: your energy. I've always been able to have a plan

448
00:25:04,280 --> 00:25:08,480
Speaker 2: of love to turn down your energy. And that is

449
00:25:08,640 --> 00:25:13,720
Speaker 2: like my guidelines to maneuvering and navigating through the hood

450
00:25:13,840 --> 00:25:17,600
Speaker 2: and the business. Because it's the same shit. You're gonna

451
00:25:17,600 --> 00:25:19,879
Speaker 2: deal with hate when you get to the top, no

452
00:25:20,000 --> 00:25:22,160
Speaker 2: matter who you are. How do you deal with that hate?

453
00:25:22,200 --> 00:25:24,200
Speaker 2: Do you answer it with hate or do you answer

454
00:25:24,320 --> 00:25:26,800
Speaker 2: with love and success? Me personally, I asked for it

455
00:25:26,920 --> 00:25:29,520
Speaker 2: with success and love. That's my answer to any hate

456
00:25:29,880 --> 00:25:31,879
Speaker 2: and any negativity that comes my way, because it's the

457
00:25:31,920 --> 00:25:40,080
Speaker 2: strongest force that can beat it. That makes sense. Yeah, Yeah,

458
00:25:40,880 --> 00:25:43,000
Speaker 2: because I've been. I've been, I've been in war, I've been,

459
00:25:43,200 --> 00:25:47,840
Speaker 2: I've been in active activities, and that shit ain't fun.

460
00:25:47,920 --> 00:25:50,960
Speaker 2: It ain't cool looking over your shoulder and you know,

461
00:25:51,480 --> 00:25:54,360
Speaker 2: making sure everything is cool and super secured and all

462
00:25:54,400 --> 00:25:57,000
Speaker 2: of that, even though you have to be secure anyway.

463
00:25:57,040 --> 00:25:59,240
Speaker 2: But I'm just saying all of that extra shit where

464
00:26:00,200 --> 00:26:03,520
Speaker 2: niggas is looking for you. It's different. I got grandkids,

465
00:26:03,560 --> 00:26:04,960
Speaker 2: I may be a Disneyland. I don't want to have

466
00:26:05,040 --> 00:26:08,080
Speaker 2: no problems with nobody. Well, I'm holding my granddaughter's on

467
00:26:08,119 --> 00:26:10,280
Speaker 2: and be like that nigga is right there, right like

468
00:26:10,800 --> 00:26:12,520
Speaker 2: I wanted to be like that. That nigga is right there.

469
00:26:12,560 --> 00:26:14,679
Speaker 2: Let's get a picture with it. Yeah, it's a big

470
00:26:14,720 --> 00:26:17,359
Speaker 2: difference between that that nigga is right there, I won't

471
00:26:17,480 --> 00:26:19,639
Speaker 2: that that nigga is right there, let's get a picture

472
00:26:19,680 --> 00:26:19,959
Speaker 2: with him.

473
00:26:20,040 --> 00:26:22,760
Speaker 6: Yeah, I mean, but the other part too, that I

474
00:26:22,840 --> 00:26:26,240
Speaker 6: think that you've brought to the world is showing that

475
00:26:27,280 --> 00:26:32,000
Speaker 6: you don't gotta be a mad dog and nigga and

476
00:26:32,160 --> 00:26:32,439
Speaker 6: all of.

477
00:26:32,480 --> 00:26:36,199
Speaker 1: That other shit to be againster, no, no, bro.

478
00:26:36,800 --> 00:26:40,000
Speaker 6: Every situation I've ever been in where you were there,

479
00:26:40,480 --> 00:26:41,480
Speaker 6: I always felt welcome.

480
00:26:42,160 --> 00:26:46,399
Speaker 1: Yeah, I always felt like this is like Snoop is

481
00:26:46,440 --> 00:26:48,399
Speaker 1: like one of the most accommodating people I've ever met

482
00:26:48,440 --> 00:26:48,920
Speaker 1: in my life.

483
00:26:49,080 --> 00:26:50,920
Speaker 2: Blame it on my mama. That's how she was. She

484
00:26:51,760 --> 00:26:53,960
Speaker 2: taught me how to be who I am. Like. She

485
00:26:54,160 --> 00:26:57,119
Speaker 2: was always a giver. Her door was always open, and

486
00:26:57,280 --> 00:27:03,840
Speaker 2: she was more into peace and confrontation. Yeah. She loved

487
00:27:03,880 --> 00:27:06,600
Speaker 2: to find a resolution. Even when I was young and

488
00:27:06,680 --> 00:27:08,639
Speaker 2: I had fights with my friends, she'd be like, go

489
00:27:08,760 --> 00:27:12,600
Speaker 2: get him and bring him and like, y'all not finna

490
00:27:12,600 --> 00:27:14,919
Speaker 2: be fighting y'all friends, and not like some people. Other

491
00:27:15,000 --> 00:27:17,640
Speaker 2: mother be like, go fuck him upright, go beat his ass.

492
00:27:17,920 --> 00:27:21,080
Speaker 2: We better go. She wasn't like that. She's a little

493
00:27:21,080 --> 00:27:26,320
Speaker 2: bit different. Like I know his mama, come here, you

494
00:27:26,359 --> 00:27:28,840
Speaker 2: know what I'm saying. Like some of my friends to

495
00:27:28,920 --> 00:27:32,399
Speaker 2: this day, it's because of what I just said, Because

496
00:27:32,520 --> 00:27:35,000
Speaker 2: my mama and they mamas were friends and we became friends.

497
00:27:35,240 --> 00:27:38,320
Speaker 2: The twins are the perfect example of that. They've been

498
00:27:38,359 --> 00:27:42,000
Speaker 2: my homeboys for them there fifty years, and it's because

499
00:27:42,040 --> 00:27:43,880
Speaker 2: of their mother and my mother went to school together

500
00:27:43,920 --> 00:27:47,400
Speaker 2: and we grew up together. And I love those relationships

501
00:27:47,480 --> 00:27:49,200
Speaker 2: like that, those real ones.

502
00:27:49,400 --> 00:27:51,800
Speaker 6: No, I mean you can still see it within the

503
00:27:51,920 --> 00:27:55,560
Speaker 6: guys that came in the game together, not even just

504
00:27:55,960 --> 00:28:00,720
Speaker 6: the friendships from your neighborhood, but also so the friendships

505
00:28:00,760 --> 00:28:04,840
Speaker 6: within the industry because we all know that shit be

506
00:28:04,960 --> 00:28:06,119
Speaker 6: going all kind of way.

507
00:28:06,480 --> 00:28:10,840
Speaker 2: To do and it's hard to maneuver because before you

508
00:28:11,000 --> 00:28:13,320
Speaker 2: know it, you and Tank is into it. But I

509
00:28:13,400 --> 00:28:16,680
Speaker 2: love both of y'all. Now I can't hang out with

510
00:28:16,760 --> 00:28:19,560
Speaker 2: Valentine because Tank gonna be mad at me. Now, me

511
00:28:19,600 --> 00:28:21,840
Speaker 2: and Jay we can't go get none to eat because

512
00:28:21,920 --> 00:28:23,760
Speaker 2: Tank gonna feel some kind of way. Now I want

513
00:28:23,800 --> 00:28:27,240
Speaker 2: to go see Tank, not Tank mad, Like what the fuck? Man,

514
00:28:27,280 --> 00:28:29,920
Speaker 2: I'm too grown for that ship. Time for that ship man,

515
00:28:30,680 --> 00:28:34,479
Speaker 2: grown ass man for real shit, I got grandkids. I'm

516
00:28:34,520 --> 00:28:38,720
Speaker 2: trying to separate the motherfuckers right now from fighting. Yeah. Yeah,

517
00:28:39,440 --> 00:28:42,120
Speaker 2: that's that's a that's a task at hand that I

518
00:28:42,240 --> 00:28:46,760
Speaker 2: love doing, Like making my grandkids love each other. Now.

519
00:28:46,800 --> 00:28:49,440
Speaker 2: To try to make two grown ups do that, it's

520
00:28:49,600 --> 00:28:52,400
Speaker 2: crazy and then try to have them get mad at

521
00:28:52,480 --> 00:28:55,240
Speaker 2: you or make a choice on which side you're picking.

522
00:28:55,640 --> 00:28:56,680
Speaker 2: I don't pick size.

523
00:28:58,000 --> 00:29:01,560
Speaker 5: I don't know how to give me one of your

524
00:29:01,600 --> 00:29:03,240
Speaker 5: proudest moments as a rapper.

525
00:29:04,040 --> 00:29:06,280
Speaker 2: As a rapper, one of my proudest moments probably was

526
00:29:06,360 --> 00:29:12,120
Speaker 2: a Soul Train Awards nineteen ninety three. Me and Doctor

527
00:29:12,200 --> 00:29:15,000
Speaker 2: Drake came out and a lowrider, first time it ever

528
00:29:15,120 --> 00:29:17,680
Speaker 2: been done. And I looked in the crowd and it

529
00:29:17,840 --> 00:29:22,120
Speaker 2: was fucking Anita Baker, Jeffrey Osborn, Quincy Jones. It was

530
00:29:22,200 --> 00:29:26,200
Speaker 2: the all of the nigga, the one nigga, do you

531
00:29:26,280 --> 00:29:31,560
Speaker 2: hear me? New Edition, Johnny Gill. They stood up, Whitney Houston,

532
00:29:31,600 --> 00:29:33,200
Speaker 2: all of them stood up when we came in. I

533
00:29:33,360 --> 00:29:37,520
Speaker 2: just shit went into my shit and I was like, oh,

534
00:29:37,680 --> 00:29:45,480
Speaker 2: everybody in this morning, fuckers, I love you know what

535
00:29:45,480 --> 00:29:49,040
Speaker 2: I'm saying. That That was young Snoop Dogg Snoop Doggie Dog. Yeah,

536
00:29:49,520 --> 00:29:50,840
Speaker 2: that was a high light. I got a picture with

537
00:29:50,840 --> 00:29:53,720
Speaker 2: Anita Baker that night, and I had it at my

538
00:29:53,800 --> 00:29:57,320
Speaker 2: house for like ten years. Then I couldn't find the motherfucker.

539
00:29:58,520 --> 00:30:07,760
Speaker 2: Go to my auntie houses and her it's me. You've

540
00:30:07,800 --> 00:30:16,040
Speaker 2: been yea, yeah, that's how I go. Man, it was cold.

541
00:30:17,400 --> 00:30:21,080
Speaker 6: Because you also realized and this is something that it

542
00:30:21,160 --> 00:30:23,480
Speaker 6: took me a minute two.

543
00:30:25,240 --> 00:30:29,080
Speaker 1: To understand a little bit of what we mean to

544
00:30:29,240 --> 00:30:29,680
Speaker 1: our people.

545
00:30:31,800 --> 00:30:33,360
Speaker 2: Yeah. Right, you know.

546
00:30:34,960 --> 00:30:36,840
Speaker 1: Because I used to. I used to you know, I

547
00:30:36,920 --> 00:30:39,280
Speaker 1: would hear my father talk on the phone or I

548
00:30:39,320 --> 00:30:39,840
Speaker 1: would hear.

549
00:30:39,840 --> 00:30:41,960
Speaker 6: You know, what I'm saying, like and not know that

550
00:30:42,080 --> 00:30:45,880
Speaker 6: I'm even at the house and what he's saying about me.

551
00:30:47,480 --> 00:30:49,120
Speaker 2: Like I remember.

552
00:30:51,480 --> 00:30:54,280
Speaker 1: When I first got my first like solo deal.

553
00:30:54,600 --> 00:30:57,200
Speaker 6: I was signed to a lecture and I end up

554
00:30:57,240 --> 00:31:01,120
Speaker 6: meeting my guy asked Chambers, who was the entertainment connection

555
00:31:01,280 --> 00:31:01,680
Speaker 6: for Nike.

556
00:31:02,800 --> 00:31:06,200
Speaker 2: So he started sending me the boxes. I'm listening to

557
00:31:06,320 --> 00:31:09,600
Speaker 2: my daddy. I'm back at his house. I'm listening to

558
00:31:09,680 --> 00:31:11,680
Speaker 2: him in the whole nother room. Yeah, you know, my

559
00:31:11,800 --> 00:31:13,040
Speaker 2: son just signed Nike.

560
00:31:13,520 --> 00:31:14,800
Speaker 5: He got the Nike deal.

561
00:31:18,760 --> 00:31:21,520
Speaker 2: You know in the box, you know, you know Jordan's

562
00:31:26,640 --> 00:31:27,440
Speaker 2: he's popping it.

563
00:31:28,120 --> 00:31:29,280
Speaker 1: He ain't even in the sport.

564
00:31:29,880 --> 00:31:31,840
Speaker 2: You know what I mean. He didn't make no NBA,

565
00:31:31,960 --> 00:31:33,440
Speaker 2: but he got a Nike.

566
00:31:33,400 --> 00:31:35,280
Speaker 1: Deal, And I'm like, I'm thinking myself, no I don't.

567
00:31:36,320 --> 00:31:40,000
Speaker 1: But that's what we what we mean to We mean

568
00:31:40,120 --> 00:31:40,680
Speaker 1: to our people.

569
00:31:40,760 --> 00:31:43,560
Speaker 2: We mean everything to our people, and that's why it's

570
00:31:44,280 --> 00:31:47,120
Speaker 2: good for us to be on our best behavior because

571
00:31:47,160 --> 00:31:48,120
Speaker 2: we mean the world.

572
00:31:47,920 --> 00:31:49,880
Speaker 1: To represent ourselves.

573
00:31:49,960 --> 00:31:52,800
Speaker 2: Yeah, we mean the world to them. So that's that

574
00:31:52,920 --> 00:31:54,960
Speaker 2: feels good When people tell me they proud of me

575
00:31:55,040 --> 00:31:57,880
Speaker 2: and they happy for me, and they see who I

576
00:31:57,960 --> 00:31:59,800
Speaker 2: am and who are becoming. The things that I do.

577
00:32:00,440 --> 00:32:01,840
Speaker 2: I don't do it for that. I don't want no

578
00:32:02,080 --> 00:32:04,880
Speaker 2: no highlight reel, but it feels good to hear that,

579
00:32:05,040 --> 00:32:08,600
Speaker 2: to know that because my mother works with me from

580
00:32:08,680 --> 00:32:11,160
Speaker 2: up top. You know, her spirit is in me now,

581
00:32:11,360 --> 00:32:14,000
Speaker 2: so the blessings are hers, you know what I'm saying.

582
00:32:14,000 --> 00:32:15,440
Speaker 2: I look at it like, this is the angel that

583
00:32:15,520 --> 00:32:17,080
Speaker 2: she wanted me to be. This is the preacher that

584
00:32:17,200 --> 00:32:19,440
Speaker 2: she wanted me to be. So it's me just doing

585
00:32:19,520 --> 00:32:22,480
Speaker 2: God's work, but from the angle that I choose to

586
00:32:22,560 --> 00:32:25,000
Speaker 2: do it from. Yeah.

587
00:32:25,640 --> 00:32:28,160
Speaker 1: So when you get your first hit record, mm hmm,

588
00:32:29,360 --> 00:32:35,200
Speaker 1: it's cracking. I know it's cracking. Who do you buy?

589
00:32:36,600 --> 00:32:38,000
Speaker 1: What's the first thing where you felt like you have

590
00:32:38,120 --> 00:32:39,480
Speaker 1: financial freedom enough to.

591
00:32:39,680 --> 00:32:43,160
Speaker 2: I bought a twenty dollars back a week my first

592
00:32:43,280 --> 00:32:46,400
Speaker 2: my first hit record was deep Cover. It starts it's

593
00:32:46,400 --> 00:32:48,280
Speaker 2: you gotta start somewhere, Jay, Come on, I stopped trying

594
00:32:48,280 --> 00:32:52,320
Speaker 2: to all the way up to a car. Nigga, stant

595
00:32:52,920 --> 00:33:00,920
Speaker 2: money here, give me. I remember, it's a twenty bag

596
00:33:00,960 --> 00:33:03,000
Speaker 2: and we're gonna work the shit out this motherfucker. Nigga,

597
00:33:03,960 --> 00:33:05,920
Speaker 2: that's all. We don't even have nowhere to live right now?

598
00:33:05,960 --> 00:33:08,600
Speaker 2: You know what I'm talking about. We're finna get an apartment.

599
00:33:08,680 --> 00:33:08,800
Speaker 1: Now.

600
00:33:09,200 --> 00:33:13,280
Speaker 2: That's the next thing they hit record de cover Boom,

601
00:33:13,320 --> 00:33:16,040
Speaker 2: it's a hit, right, sugaring and give a nigga a

602
00:33:16,040 --> 00:33:19,080
Speaker 2: few dollars, probably like five hundred to one thousand, understand me.

603
00:33:19,200 --> 00:33:22,760
Speaker 2: So I gonna get some bud Boom now the next movie, sugar, Like, Nigga,

604
00:33:22,760 --> 00:33:25,520
Speaker 2: you need an apartment? I sure do they find me one?

605
00:33:25,600 --> 00:33:29,640
Speaker 2: Right on Franklin. Five hundred dollars a month, five hundred

606
00:33:29,680 --> 00:33:32,520
Speaker 2: dollars a month, Franklin on Franklin, Nigga, I could drive

607
00:33:32,560 --> 00:33:34,080
Speaker 2: you past that mother. You're gonna be like nigga, you

608
00:33:34,160 --> 00:33:38,080
Speaker 2: lived in there. Yes, I did. Nigga Franklin and Whitley

609
00:33:38,160 --> 00:33:40,720
Speaker 2: nigga right on the corner, and I called it the

610
00:33:40,800 --> 00:33:43,120
Speaker 2: dog Pound. That's how I created the dog pound because

611
00:33:43,160 --> 00:33:45,680
Speaker 2: my house was the dog pan was in it. Five

612
00:33:45,840 --> 00:33:49,560
Speaker 2: hundred dollars a month, no furniture, no nothing. So I'm

613
00:33:49,560 --> 00:33:51,480
Speaker 2: gonna give you the whole breakdown. The shit funny as fuck.

614
00:33:52,160 --> 00:33:55,880
Speaker 2: So now I got my own apartment, but we're working

615
00:33:55,960 --> 00:34:00,240
Speaker 2: on the Chronic album at Dre House in Calabasas. But

616
00:34:00,640 --> 00:34:04,320
Speaker 2: Dre ain't got no furniture, So now we're going to

617
00:34:04,440 --> 00:34:06,880
Speaker 2: DC House, who live about ten minutes away in another

618
00:34:06,920 --> 00:34:10,520
Speaker 2: gated community. He got furniture, but he ain't got no food.

619
00:34:11,160 --> 00:34:16,520
Speaker 2: So so we at this nigga house drinking Miller Genuine Draft,

620
00:34:17,040 --> 00:34:19,399
Speaker 2: not eating. He got a gang of Miller Genuine Draft.

621
00:34:19,480 --> 00:34:22,640
Speaker 2: Though this nigga got enough Milla guin Draft to feed

622
00:34:22,680 --> 00:34:25,360
Speaker 2: the football team. We drinking every day, were writing and

623
00:34:25,440 --> 00:34:28,760
Speaker 2: coming up with shit boom. We're getting close to finishing

624
00:34:28,840 --> 00:34:33,400
Speaker 2: up the Carnic. We're not done yet. So now DC

625
00:34:33,719 --> 00:34:38,440
Speaker 2: asks me, do you want something of the furniture in

626
00:34:38,600 --> 00:34:41,360
Speaker 2: my house for your apartment. I'm like, oh, this is

627
00:34:41,440 --> 00:34:45,319
Speaker 2: my nigga, Man, man, man, God is good. Hell yeah,

628
00:34:45,960 --> 00:34:48,879
Speaker 2: let me get that bed that woot wop boop because

629
00:34:48,880 --> 00:34:50,560
Speaker 2: it's only a one bedroom, so don't even need all

630
00:34:50,600 --> 00:34:54,520
Speaker 2: this shit. So he gave me this ship. Two weeks later,

631
00:34:54,640 --> 00:35:00,600
Speaker 2: come find out this nigga getting evicted, so he basically

632
00:35:00,680 --> 00:35:08,120
Speaker 2: need So now I'm the stores unit for this nigga shit.

633
00:35:08,400 --> 00:35:12,600
Speaker 2: So I'm taking it from the heart and this nigga

634
00:35:12,640 --> 00:35:15,360
Speaker 2: really loved me. So now take let's get in the

635
00:35:15,400 --> 00:35:17,239
Speaker 2: month too. Now we're still working on the chronic the

636
00:35:17,239 --> 00:35:18,839
Speaker 2: rent five hundred. All I remember, I told you red

637
00:35:18,880 --> 00:35:22,520
Speaker 2: only five hundred every twenty seventh of the month to

638
00:35:22,640 --> 00:35:27,879
Speaker 2: the thirty first. Nobody comes over because it's rent time

639
00:35:29,280 --> 00:35:31,120
Speaker 2: and I don't have it rent money. So now I

640
00:35:31,200 --> 00:35:33,239
Speaker 2: got a sneak in the house through the back door.

641
00:35:33,320 --> 00:35:35,239
Speaker 2: I got it. The lady that wants the rent money,

642
00:35:35,320 --> 00:35:38,120
Speaker 2: she says right at the front. Now I gotta find

643
00:35:38,120 --> 00:35:40,560
Speaker 2: a way to get in. Then when I get into

644
00:35:40,600 --> 00:35:43,960
Speaker 2: the apartment, she at the front door. Then she leaves

645
00:35:44,000 --> 00:35:46,080
Speaker 2: that thing on the front door, that little notice.

646
00:35:46,400 --> 00:35:48,120
Speaker 1: We all know that notice.

647
00:35:48,360 --> 00:35:51,240
Speaker 2: Well, boy, I seen that notice about five or six times.

648
00:35:51,640 --> 00:35:53,560
Speaker 2: Then we finally get to the point to where it's

649
00:35:53,640 --> 00:35:56,040
Speaker 2: like the chronic is done, and I think they give

650
00:35:56,120 --> 00:36:00,080
Speaker 2: us like seventy five hundred to sign. And then and

651
00:36:00,560 --> 00:36:06,040
Speaker 2: the riots happened fucking four the day the niggas took over.

652
00:36:06,840 --> 00:36:09,040
Speaker 2: That was the jackpot. We went out and I stole

653
00:36:09,120 --> 00:36:09,799
Speaker 2: the TV.

654
00:36:09,840 --> 00:36:19,280
Speaker 4: Radio, every everything, nigga. We didn't miss a beat after that. Blankets, pillows,

655
00:36:19,440 --> 00:36:24,360
Speaker 4: everything ever I'm talking about, had pictures and we stole everything.

656
00:36:24,880 --> 00:36:29,200
Speaker 4: The house was amazing after that, just all stolen goods.

657
00:36:33,120 --> 00:36:34,839
Speaker 4: So that's how I came up with my first piece

658
00:36:34,880 --> 00:36:35,200
Speaker 4: of money.

659
00:36:35,200 --> 00:36:35,719
Speaker 2: You know what I'm saying.

660
00:36:35,719 --> 00:36:38,439
Speaker 1: It's the best woodd you buy a story ever? Right,

661
00:36:38,920 --> 00:36:40,359
Speaker 1: but right's fucking great.

662
00:36:40,520 --> 00:36:43,160
Speaker 2: Yes, And then DLC came and lived with me for

663
00:36:43,480 --> 00:36:47,239
Speaker 2: two weeks and whenever my my wife at the time,

664
00:36:47,360 --> 00:36:49,080
Speaker 2: she was my girlfriend, whenever she would come over and

665
00:36:49,160 --> 00:36:51,759
Speaker 2: everybody would leave so we can have private time. Yeah,

666
00:36:53,719 --> 00:36:59,120
Speaker 2: Franklin five hundred, nigga, Franklin, Yes, yes, you niggas didnt

667
00:36:59,160 --> 00:37:02,520
Speaker 2: drove past it a hundred and didn't even know. When

668
00:37:02,560 --> 00:37:04,200
Speaker 2: you go down the hill, it's the one right and

669
00:37:04,400 --> 00:37:06,080
Speaker 2: boom when you turn on Woody, it's the one right

670
00:37:06,120 --> 00:37:10,640
Speaker 2: on the corner right there, got bars on the window.

671
00:37:10,880 --> 00:37:15,800
Speaker 2: You stayed there, nigga for a whole year, for the year. Yes, Cindy,

672
00:37:15,800 --> 00:37:20,480
Speaker 2: I'm sorry to pay your rent money. I will give

673
00:37:20,520 --> 00:37:21,759
Speaker 2: you tickets to a Snoop dog.

674
00:37:24,760 --> 00:37:25,480
Speaker 1: Was it my fault?

675
00:37:27,600 --> 00:37:30,440
Speaker 2: It was different than five money Hit. Different back then

676
00:37:30,480 --> 00:37:34,120
Speaker 2: with y'all touring off of touring, no on a seven

677
00:37:34,239 --> 00:37:38,839
Speaker 2: day chronic tour? What seven days? It lasted for seven

678
00:37:38,920 --> 00:37:42,040
Speaker 2: days because the niggas took every nigga that they knew

679
00:37:42,040 --> 00:37:44,200
Speaker 2: with them on the road. And you can't take no

680
00:37:44,440 --> 00:37:46,799
Speaker 2: niggas from California on the road. And don't think, ain't

681
00:37:46,800 --> 00:37:49,520
Speaker 2: nothing gonna happen. And we was on the road with Onyx,

682
00:37:49,640 --> 00:37:52,279
Speaker 2: run DMC and the Ghetto Boys. God dang lasted for

683
00:37:52,360 --> 00:37:55,359
Speaker 2: seven days. It'll be on the death row documentary. Ill

684
00:37:55,360 --> 00:37:57,040
Speaker 2: fee in on that letter. But that's where you can

685
00:37:57,080 --> 00:38:01,680
Speaker 2: see that they get out. That's coming out incredible. Seven days,

686
00:38:02,760 --> 00:38:06,160
Speaker 2: seven days, just like the group Saiven Day.

687
00:38:08,400 --> 00:38:11,960
Speaker 1: And what is the what is the timeline between the

688
00:38:12,080 --> 00:38:14,640
Speaker 1: chronic in Doggy Staff.

689
00:38:14,440 --> 00:38:18,359
Speaker 2: The timeline between Chronic and Doggie Style. Chronic came out

690
00:38:19,239 --> 00:38:24,080
Speaker 2: I think December nineteen ninety two. Doggy Style came out

691
00:38:24,480 --> 00:38:27,680
Speaker 2: November twenty third, nineteen ninety three. Oh that was right on.

692
00:38:27,840 --> 00:38:29,560
Speaker 1: Oh yeah, yeah, it's back to back.

693
00:38:29,520 --> 00:38:33,319
Speaker 2: And some of the singles from the Chronic rolled off

694
00:38:33,360 --> 00:38:37,560
Speaker 2: into Doggy Staff. So Little Ghetto Boys single was out

695
00:38:38,160 --> 00:38:42,759
Speaker 2: the same time What's My Name single was out. This

696
00:38:42,880 --> 00:38:44,759
Speaker 2: little getto Boy was one of the last singles off

697
00:38:44,800 --> 00:38:46,239
Speaker 2: of the Ghetto off of the Chronic album.

698
00:38:46,440 --> 00:38:49,080
Speaker 1: So now you're touring though at Snoop Dogg.

699
00:38:49,520 --> 00:38:51,640
Speaker 2: Are still not know how about I called a murder case.

700
00:38:51,640 --> 00:38:54,439
Speaker 2: That's when the case had August twenty third, nineteen ninety three,

701
00:38:56,760 --> 00:38:59,799
Speaker 2: So before the album came out, I called a murder case,

702
00:39:01,360 --> 00:39:04,960
Speaker 2: and they thought I wrote the song murder. But I

703
00:39:05,080 --> 00:39:08,040
Speaker 2: wrote the song in July and caught the case in August.

704
00:39:08,520 --> 00:39:10,279
Speaker 2: That's why when I got to the dog Father album,

705
00:39:10,320 --> 00:39:12,840
Speaker 2: I started writing about life because I felt like my

706
00:39:13,040 --> 00:39:16,120
Speaker 2: generation was writing about death and we was cool with it, right,

707
00:39:16,280 --> 00:39:18,600
Speaker 2: you know, all of us. We just we just wrote

708
00:39:18,600 --> 00:39:21,040
Speaker 2: about death because that's what we expected to die. So

709
00:39:21,880 --> 00:39:24,800
Speaker 2: we wrote death in our lyrics. We didn't write happy endings,

710
00:39:24,840 --> 00:39:27,359
Speaker 2: we didn't write living to see another day. We wrote

711
00:39:27,440 --> 00:39:31,160
Speaker 2: the worst outcome you could imagine, you know, getting shot

712
00:39:31,200 --> 00:39:33,440
Speaker 2: in the blaze of bullets, going out like a gangster.

713
00:39:33,520 --> 00:39:35,040
Speaker 2: You know what I'm saying. That's what we was. We

714
00:39:35,200 --> 00:39:37,080
Speaker 2: was on that ship because that's what we Scarface and

715
00:39:37,160 --> 00:39:39,759
Speaker 2: all these movies that we watched. That was the ship.

716
00:39:40,120 --> 00:39:44,600
Speaker 2: So we was influenced by until we understood that. Man,

717
00:39:44,719 --> 00:39:48,320
Speaker 2: my pen is really right in reality life. It's powerful.

718
00:39:48,640 --> 00:39:50,600
Speaker 2: Not what I used to do. But this ship is

719
00:39:50,640 --> 00:39:53,279
Speaker 2: starting to write future shit that's happening to me. Man.

720
00:39:53,640 --> 00:39:55,440
Speaker 6: I see it every day. I'm like, man, why did

721
00:39:55,480 --> 00:39:58,160
Speaker 6: I write that such and such? Man, I be living

722
00:39:58,239 --> 00:39:59,160
Speaker 6: some of that ship.

723
00:39:59,040 --> 00:40:01,520
Speaker 2: And it's the truth. It's the truth. It is. I mean,

724
00:40:01,880 --> 00:40:03,840
Speaker 2: the pen is mighty in the sward. So you gotta

725
00:40:03,920 --> 00:40:07,880
Speaker 2: know when you write, you gotta write reality. So sometimes

726
00:40:07,920 --> 00:40:12,080
Speaker 2: you can manifest what you want. And I manifested this.

727
00:40:12,160 --> 00:40:14,920
Speaker 2: So my album dog Father, had a song called Doggieland.

728
00:40:15,480 --> 00:40:18,640
Speaker 2: While I was just talking about being a grandfather living

729
00:40:18,719 --> 00:40:22,080
Speaker 2: to see all these different things happening, doggie Land was

730
00:40:22,160 --> 00:40:24,520
Speaker 2: the song title. Now, I have a kids program called

731
00:40:24,600 --> 00:40:28,880
Speaker 2: Doggieland that's one of the most successful kids programs on YouTube,

732
00:40:28,960 --> 00:40:31,239
Speaker 2: and they listened to it around the whole world, and

733
00:40:31,360 --> 00:40:34,680
Speaker 2: kids go to school every day to it. And that's

734
00:40:34,760 --> 00:40:38,200
Speaker 2: because I manifested it. I didn't say it won't die.

735
00:40:38,239 --> 00:40:41,359
Speaker 2: I'm gonna get shot. Catch me in the pin doing

736
00:40:41,440 --> 00:40:44,279
Speaker 2: twenty five nigga banging for the hood. Nah fuck that,

737
00:40:44,360 --> 00:40:47,040
Speaker 2: I'm writing some other shit because when I wrote that,

738
00:40:47,160 --> 00:40:47,640
Speaker 2: it happened.

739
00:40:47,960 --> 00:40:49,800
Speaker 1: Yeah, now you understood it earlier.

740
00:40:50,239 --> 00:40:55,040
Speaker 2: Come on, man, mastering thyself. Have so many questions, but

741
00:40:55,120 --> 00:40:58,879
Speaker 2: I know you. Ain't you second hand high nigga? Yeah,

742
00:40:59,000 --> 00:40:59,720
Speaker 2: but that's special.

743
00:41:00,440 --> 00:41:04,600
Speaker 6: Why why you while you gathering your thoughts, why did

744
00:41:04,680 --> 00:41:07,680
Speaker 6: you kick over the little niggas fort man on a.

745
00:41:11,560 --> 00:41:12,000
Speaker 2: Boy? Yeah?

746
00:41:12,120 --> 00:41:14,640
Speaker 1: Why did you kick over the little niggas fort man?

747
00:41:15,239 --> 00:41:18,879
Speaker 2: Well, because I was jealous that that nigga daddy had

748
00:41:19,000 --> 00:41:21,880
Speaker 2: motherfucking event. The fuck was I supposed to do that?

749
00:41:22,000 --> 00:41:25,160
Speaker 2: Nigga wasn't there. He was the closest thing to that nigga.

750
00:41:25,160 --> 00:41:26,759
Speaker 2: I couldn't hit him. I don't want to go back

751
00:41:26,840 --> 00:41:28,959
Speaker 2: to the pen I'm saying. So I was like, fuck

752
00:41:29,040 --> 00:41:30,080
Speaker 2: your little fort nigga.

753
00:41:32,920 --> 00:41:37,439
Speaker 5: Anybody can get it many time, anybody nigga.

754
00:41:41,960 --> 00:41:44,040
Speaker 2: And stepped over it on the way out. Nigga, ain't

755
00:41:44,080 --> 00:41:47,600
Speaker 2: your motherfucking daddy? No what you was mean? And that

756
00:41:47,800 --> 00:41:51,920
Speaker 2: motherfucker shout out to John secretary. He directed me like

757
00:41:52,880 --> 00:41:55,320
Speaker 2: one thing about John when he did his movies, he

758
00:41:55,520 --> 00:42:00,399
Speaker 2: worked with the actors personally seen for seeing line for line.

759
00:42:00,560 --> 00:42:03,920
Speaker 2: He wanted to make sure that you were bringing what

760
00:42:04,040 --> 00:42:07,600
Speaker 2: he had on paper. And with my character Rotney, he

761
00:42:07,760 --> 00:42:12,800
Speaker 2: really wanted like this menacing, you know, gang related nigga

762
00:42:12,840 --> 00:42:15,840
Speaker 2: that just didn't give a fuck, that had no patience,

763
00:42:15,920 --> 00:42:19,960
Speaker 2: conscious or nothing. So it was not easy to get

764
00:42:20,000 --> 00:42:23,000
Speaker 2: into that character because that's not who I am. But

765
00:42:23,160 --> 00:42:26,080
Speaker 2: I've drawn inspiration from so many people that I've seen

766
00:42:27,400 --> 00:42:30,120
Speaker 2: that was that way you delivered and him directed me,

767
00:42:30,719 --> 00:42:33,359
Speaker 2: direct me, direct me, give me direction on the set.

768
00:42:33,920 --> 00:42:37,560
Speaker 2: What you'll learn from me is I love to be directed.

769
00:42:38,120 --> 00:42:40,239
Speaker 2: I tell the director, especially when they be scared and

770
00:42:40,320 --> 00:42:42,600
Speaker 2: because I'm Snoop Dogg and they be like, oh my god,

771
00:42:42,719 --> 00:42:44,640
Speaker 2: working with Snoop dog I'm like, look, nigga, fuck all that.

772
00:42:45,080 --> 00:42:48,040
Speaker 2: Direct me, throw that Snoop Dogg. Shut out the window, nigga,

773
00:42:48,120 --> 00:42:50,799
Speaker 2: direct me, get me right, tell me what I need

774
00:42:50,880 --> 00:42:52,520
Speaker 2: to be doing, so that way I'm doing the best

775
00:42:52,640 --> 00:42:56,040
Speaker 2: version of it. And then you end up in training

776
00:42:56,120 --> 00:43:01,240
Speaker 2: day and Denzel came to my trailer before the scene

777
00:43:02,400 --> 00:43:06,279
Speaker 2: that was so gangster like. I had knew him, but

778
00:43:06,400 --> 00:43:09,279
Speaker 2: he wasn't like a personal friend of mine. He was

779
00:43:09,320 --> 00:43:11,359
Speaker 2: just somebody that I admired and I had seen him

780
00:43:11,360 --> 00:43:14,000
Speaker 2: a couple of times. But once I got this roll,

781
00:43:14,760 --> 00:43:16,960
Speaker 2: the nigga came to my trailer man and it was

782
00:43:17,040 --> 00:43:19,200
Speaker 2: so all my homies was in there. We was in

783
00:43:19,280 --> 00:43:21,680
Speaker 2: the Jungles too. It was a blood neighborhood, the Jungles.

784
00:43:22,239 --> 00:43:24,120
Speaker 2: And the first thing I did when I got there,

785
00:43:24,120 --> 00:43:26,680
Speaker 2: I went, I was like, who got the bud? They

786
00:43:26,760 --> 00:43:28,520
Speaker 2: was like blood in the back guy. I walked through

787
00:43:28,560 --> 00:43:31,680
Speaker 2: the Jungles, gave that nigga five hundred and nigga take

788
00:43:31,719 --> 00:43:33,200
Speaker 2: care of us. Were gonna be here all day? Oh,

789
00:43:33,280 --> 00:43:35,640
Speaker 2: I snooped all blood you good? Or we straight with

790
00:43:35,719 --> 00:43:38,680
Speaker 2: them boom cause I'm wearing a blue sweatsuit. And now

791
00:43:38,680 --> 00:43:39,920
Speaker 2: I let y'all know they I'm gonna be over and

792
00:43:39,960 --> 00:43:45,040
Speaker 2: shooting this movie with Dennzel, nigga politicking, get that straight.

793
00:43:45,280 --> 00:43:48,560
Speaker 2: Getting the trailer. Now we're in that chilling and a

794
00:43:48,680 --> 00:43:52,680
Speaker 2: nigga named Rodney from sixties who I kind of like

795
00:43:52,800 --> 00:43:56,200
Speaker 2: drew my inspiration from my nigga Pete Whack. He was

796
00:43:56,239 --> 00:43:59,200
Speaker 2: there that day with me and Denzel. Come in the trailer.

797
00:43:59,200 --> 00:44:01,120
Speaker 2: He pulled me in the back. He said a few

798
00:44:01,200 --> 00:44:04,160
Speaker 2: things to me, and I swear that ship he said

799
00:44:04,200 --> 00:44:07,719
Speaker 2: to me just made me just like mm hmm, I

800
00:44:07,760 --> 00:44:11,960
Speaker 2: ain't start struck no more. This is a regular nigga. Okay,

801
00:44:12,120 --> 00:44:13,759
Speaker 2: I know what he just did. He just put me

802
00:44:13,840 --> 00:44:16,520
Speaker 2: on regular. Yeah. He don't want me to be an actor.

803
00:44:16,600 --> 00:44:20,319
Speaker 2: He wanted me to be a regular nigga. We got

804
00:44:20,400 --> 00:44:22,880
Speaker 2: on the set Nigga answin food. While I was like action.

805
00:44:23,680 --> 00:44:27,800
Speaker 2: I did that ship one time. I didn't do it twice.

806
00:44:28,680 --> 00:44:31,920
Speaker 1: You're seeing one take one night.

807
00:44:47,520 --> 00:44:49,759
Speaker 2: And this motherfucker take. I was gone and I was

808
00:44:49,840 --> 00:44:53,200
Speaker 2: hauling ass trying to get up out of the Nigga

809
00:44:54,760 --> 00:44:58,000
Speaker 2: Great Ship. Yeah. That's what we do. When we get

810
00:44:58,040 --> 00:45:00,400
Speaker 2: the opportunity, we make the most of it. We're not

811
00:45:00,520 --> 00:45:02,720
Speaker 2: finna play with this because I don't know who watching.

812
00:45:03,200 --> 00:45:05,200
Speaker 2: I don't know who may want to give me another opportunity.

813
00:45:05,280 --> 00:45:08,400
Speaker 2: I don't know if this may be my last opportunity.

814
00:45:08,560 --> 00:45:10,480
Speaker 2: This may be the last time you see me on screen.

815
00:45:11,160 --> 00:45:13,759
Speaker 2: You know what I'm saying. So it's like, I man,

816
00:45:13,960 --> 00:45:16,520
Speaker 2: I go all out when I'm in the movie. The

817
00:45:16,560 --> 00:45:19,719
Speaker 2: ship that Hollywood. I'm gonna share this with y'all. The

818
00:45:19,800 --> 00:45:25,160
Speaker 2: ship that Hollywood say about Snoop Dog. This nigga know

819
00:45:25,800 --> 00:45:31,799
Speaker 2: all his lines and everybody else's lines. That's the that's

820
00:45:31,880 --> 00:45:34,640
Speaker 2: my main thing. When I get a roll, I learned

821
00:45:34,680 --> 00:45:37,800
Speaker 2: everybody lines. So in case you change your ship on

822
00:45:37,880 --> 00:45:40,840
Speaker 2: the script with you, Yeah you can change a nigga.

823
00:45:40,840 --> 00:45:43,160
Speaker 2: I know the premise. But if I don't know your

824
00:45:43,200 --> 00:45:45,480
Speaker 2: motherfucking lines, I'm just stuck. If you if you decide

825
00:45:45,480 --> 00:45:49,680
Speaker 2: to go off script. Now I'm up there like yeah, yeah, now, nigga,

826
00:45:49,719 --> 00:45:51,399
Speaker 2: when you go off script on right with you? Yeah,

827
00:45:51,520 --> 00:45:54,160
Speaker 2: let's go off script that. Yeah, I know all your

828
00:45:54,239 --> 00:45:57,080
Speaker 2: ship or you'd be like a line supposed to say that.

829
00:45:57,520 --> 00:46:02,520
Speaker 2: Damn how you know, nigga, just say it. You know

830
00:46:02,520 --> 00:46:05,799
Speaker 2: what I'm saying. That's how I get these opportunities. They're

831
00:46:05,800 --> 00:46:08,920
Speaker 2: not giving me these opportunities because I'm late. I'm not

832
00:46:09,000 --> 00:46:12,640
Speaker 2: professional about it, talk about it. I'm not great at

833
00:46:12,680 --> 00:46:15,279
Speaker 2: what I do. Like, they don't give that opportunity. If

834
00:46:15,360 --> 00:46:18,240
Speaker 2: you drop the ball. I put points on the board

835
00:46:18,880 --> 00:46:22,680
Speaker 2: and I show up on time. Actually, I show up

836
00:46:22,719 --> 00:46:26,960
Speaker 2: early so I can be on time. I was here

837
00:46:27,000 --> 00:46:30,840
Speaker 2: early enough to eat nigga teaching, you know.

838
00:46:31,000 --> 00:46:34,719
Speaker 1: And these are and these are what everyone needs to hear.

839
00:46:34,920 --> 00:46:40,040
Speaker 6: Yes, but especially because we feel like we're a big

840
00:46:40,120 --> 00:46:43,239
Speaker 6: part of why we started the Army Money podcast was

841
00:46:43,320 --> 00:46:45,560
Speaker 6: to give the information that we wish we would have had.

842
00:46:48,480 --> 00:46:54,200
Speaker 6: And you coming on here and as an entertainer who's

843
00:46:54,320 --> 00:47:00,520
Speaker 6: literally done everything we can imagine to do, you're giving

844
00:47:00,640 --> 00:47:05,200
Speaker 6: them in us the game on how it can be

845
00:47:05,320 --> 00:47:07,000
Speaker 6: done because.

846
00:47:06,719 --> 00:47:10,920
Speaker 1: You you are approving person.

847
00:47:11,120 --> 00:47:15,040
Speaker 6: You've proved everything you've said, Like this is why I

848
00:47:15,160 --> 00:47:17,319
Speaker 6: get that because most people think, oh, I'm gonna get

849
00:47:17,320 --> 00:47:19,120
Speaker 6: a hear record, They're gonna put me in a movie.

850
00:47:19,360 --> 00:47:24,480
Speaker 1: Well, you might get put in one, but not fifteen.

851
00:47:24,400 --> 00:47:27,080
Speaker 2: Right, and what director is watching you that probably not

852
00:47:27,120 --> 00:47:28,960
Speaker 2: even from the hip hop world that's see something in you.

853
00:47:30,280 --> 00:47:32,399
Speaker 2: I got a movie I'm doing with a director named

854
00:47:32,440 --> 00:47:37,080
Speaker 2: Luke Basan. He did a movie called The Professional. Yes

855
00:47:37,560 --> 00:47:41,920
Speaker 2: that's my only name that because I so Me and

856
00:47:42,080 --> 00:47:43,839
Speaker 2: him med years ago when I was in his movie

857
00:47:43,880 --> 00:47:46,399
Speaker 2: called Arthur, which is an animated movie because he loves

858
00:47:46,480 --> 00:47:50,279
Speaker 2: my voice. But now we're creating some g shit now

859
00:47:51,440 --> 00:47:55,160
Speaker 2: based off of him seeing me still active, still doing

860
00:47:55,239 --> 00:47:59,040
Speaker 2: my ship and him still acting. So it's like inspiration

861
00:47:59,120 --> 00:48:01,560
Speaker 2: as a motherfucker. You ever know who watching and the

862
00:48:01,640 --> 00:48:04,759
Speaker 2: professionalism when he sees me do the Voice or do

863
00:48:04,880 --> 00:48:07,560
Speaker 2: the Olympics, and I'm such a professional on them, buttoned

864
00:48:07,640 --> 00:48:11,239
Speaker 2: up and not cussing on TV. That's the first thing

865
00:48:11,480 --> 00:48:13,400
Speaker 2: like they put me on TV. I know how to

866
00:48:13,520 --> 00:48:16,040
Speaker 2: not cuss right, and I'm still entertaining and I'm still

867
00:48:17,080 --> 00:48:18,960
Speaker 2: able to reach the whole house. I know when I'm

868
00:48:19,040 --> 00:48:21,800
Speaker 2: in front of the house, and I know when I'm outside,

869
00:48:23,160 --> 00:48:24,120
Speaker 2: two different conversations.

870
00:48:24,160 --> 00:48:27,120
Speaker 1: You were doing your show where you were an analyst

871
00:48:27,160 --> 00:48:27,960
Speaker 1: on your show years ago.

872
00:48:28,000 --> 00:48:31,280
Speaker 6: People don't gg Most people don't know that just before

873
00:48:31,400 --> 00:48:34,240
Speaker 6: podcast before podcasts, before the Olympics.

874
00:48:34,920 --> 00:48:36,600
Speaker 1: Was it just something you were doing or were you

875
00:48:36,680 --> 00:48:37,560
Speaker 1: preparing yourself?

876
00:48:37,760 --> 00:48:41,200
Speaker 2: Jay, I did three hundred and seventy five consecutive episodes

877
00:48:41,360 --> 00:48:44,680
Speaker 2: I passed. I beat the Jeffersons What's Happening Good Times.

878
00:48:45,320 --> 00:48:47,879
Speaker 2: I specifically came for them like I wanted. I said,

879
00:48:47,960 --> 00:48:51,160
Speaker 2: how many episode consecutive did the Good Times and Jefferson's

880
00:48:51,160 --> 00:48:52,880
Speaker 2: and all the shit that I grew up on What's Happening?

881
00:48:53,080 --> 00:48:55,959
Speaker 2: It was like one seventy five, we was at two hundred.

882
00:48:56,000 --> 00:48:58,480
Speaker 2: Some of them like keep Going, Keep Going, interview with

883
00:48:58,600 --> 00:49:02,000
Speaker 2: Larry King, this person that person like the biggest of

884
00:49:02,080 --> 00:49:05,520
Speaker 2: the biggest, the artists before they became big, the Nipsey Hustle,

885
00:49:05,600 --> 00:49:08,600
Speaker 2: personal interviews like the people that you would expect Jay Rock,

886
00:49:08,719 --> 00:49:12,360
Speaker 2: this person, this person, and it wasn't called a podcast.

887
00:49:13,520 --> 00:49:18,400
Speaker 2: I created the GGN News Network Gangster Good News Network,

888
00:49:18,800 --> 00:49:21,400
Speaker 2: because one night I was watching the news and at

889
00:49:21,440 --> 00:49:24,600
Speaker 2: eleven o'clock it started with a murder, and I changed

890
00:49:24,600 --> 00:49:27,600
Speaker 2: it to the other station. It was another murder. Every

891
00:49:27,680 --> 00:49:31,680
Speaker 2: station was murdered, murdered, just negative, bad news, the crisis.

892
00:49:32,280 --> 00:49:35,080
Speaker 2: I said, I need a news network that's all good news,

893
00:49:35,200 --> 00:49:38,080
Speaker 2: and it's happy and it's fun, and it's smoking. And

894
00:49:38,200 --> 00:49:40,799
Speaker 2: the weather girls come on here, have dressed and they

895
00:49:40,800 --> 00:49:43,040
Speaker 2: ain't even talking about weather niggas just looking at them.

896
00:49:43,080 --> 00:49:46,600
Speaker 2: Balance it's slippery, sloping, and you know what I'm saying,

897
00:49:46,680 --> 00:49:50,680
Speaker 2: like cause I wanted I wanted to a different perspective.

898
00:49:50,719 --> 00:49:53,160
Speaker 2: I like feeling an avoid I'm like, we shouldn't only

899
00:49:53,280 --> 00:49:55,400
Speaker 2: have this, this shouldn't be the only thing that we

900
00:49:55,560 --> 00:49:59,480
Speaker 2: have for news. It's bad news. So I created the

901
00:49:59,520 --> 00:50:03,120
Speaker 2: Gangster Good News Network and then got to deal with Maker.

902
00:50:04,080 --> 00:50:05,680
Speaker 2: Made a lot of money with them, and then Maker's

903
00:50:05,719 --> 00:50:08,759
Speaker 2: got to deal with Disney and signed about it from

904
00:50:09,200 --> 00:50:12,400
Speaker 2: you earlier that big They gave me a piece, but

905
00:50:12,520 --> 00:50:14,960
Speaker 2: they got the wool wop. So then that's why I

906
00:50:15,040 --> 00:50:16,919
Speaker 2: was like, Okay, I did all of that, man, fuck

907
00:50:17,000 --> 00:50:20,040
Speaker 2: that I'm done. And then podcasts, the word podcast came

908
00:50:20,080 --> 00:50:23,000
Speaker 2: to life and I stepped away. But if I ever

909
00:50:23,080 --> 00:50:25,600
Speaker 2: wanted to the gg and, I could turn it on

910
00:50:25,920 --> 00:50:29,640
Speaker 2: just like that, but I'd rather come support y'all's because

911
00:50:29,640 --> 00:50:32,040
Speaker 2: it's podcast now and I like to support my homies

912
00:50:32,440 --> 00:50:34,680
Speaker 2: and let people win because it is y'all industry now.

913
00:50:35,120 --> 00:50:36,560
Speaker 2: You know. I'll play with it when I can, but

914
00:50:36,640 --> 00:50:38,879
Speaker 2: I love what y'all doing, so I'll come support y'all

915
00:50:39,280 --> 00:50:41,320
Speaker 2: to bring my peoples over here, to make sure that

916
00:50:41,360 --> 00:50:43,440
Speaker 2: they understand that this is where you need to be

917
00:50:43,560 --> 00:50:45,640
Speaker 2: at week to week. Man, we appreciate it.

918
00:50:46,040 --> 00:50:52,120
Speaker 3: Listen, I want to ask you. I know you've answered

919
00:50:52,160 --> 00:50:56,480
Speaker 3: this question a few times, but I need this answer.

920
00:50:57,239 --> 00:51:02,040
Speaker 3: On the R and B Money podcast, my brother, you

921
00:51:02,160 --> 00:51:10,920
Speaker 3: bought death Row, you bought Death Role Records, and you

922
00:51:11,239 --> 00:51:14,600
Speaker 3: started doing R music.

923
00:51:16,160 --> 00:51:20,400
Speaker 2: I speechless. That's what I'm built on. No tank like

924
00:51:21,239 --> 00:51:25,719
Speaker 2: buying death Row Records was for me to clean it

925
00:51:25,800 --> 00:51:28,520
Speaker 2: up and give it a new image, and the image

926
00:51:29,040 --> 00:51:31,640
Speaker 2: gonna always be hip hop. That's the foundation. It built

927
00:51:31,680 --> 00:51:34,279
Speaker 2: this shit. It's what people look at as far as

928
00:51:34,400 --> 00:51:37,239
Speaker 2: the greatest West Coast hip hop lab whatever created. Yeah,

929
00:51:37,880 --> 00:51:40,040
Speaker 2: but how can you write a new script and give

930
00:51:40,080 --> 00:51:42,680
Speaker 2: it a brand new page but still keep the same cover.

931
00:51:44,080 --> 00:51:46,840
Speaker 2: And that's what we did. We started off by me

932
00:51:46,960 --> 00:51:48,640
Speaker 2: buying it and saying I want to do a record

933
00:51:48,680 --> 00:51:51,759
Speaker 2: called back on death Row because people wouldn't believe it.

934
00:51:51,880 --> 00:51:54,160
Speaker 2: And it was so crazy because when I was working

935
00:51:54,200 --> 00:51:57,040
Speaker 2: for death Jam, I was manifestingess. I had a song

936
00:51:57,120 --> 00:51:59,239
Speaker 2: called CEO while I was like, I'm the CEO of

937
00:51:59,320 --> 00:52:02,560
Speaker 2: death Row record and it didn't happen. But God know

938
00:52:02,680 --> 00:52:05,279
Speaker 2: how to make things move, yeah, and he put it

939
00:52:05,360 --> 00:52:07,880
Speaker 2: in my hands. So I dropped that record, and I

940
00:52:08,040 --> 00:52:11,240
Speaker 2: was like, I want to drop a death Row summer album,

941
00:52:11,320 --> 00:52:13,600
Speaker 2: but I wanted to be R and B. So I

942
00:52:13,719 --> 00:52:18,360
Speaker 2: called Raphael sa Dig, Miguel October, London, Uncle Chuck, rest

943
00:52:18,400 --> 00:52:20,879
Speaker 2: in Peace, all of my homies from fifteen hundred people

944
00:52:20,920 --> 00:52:23,640
Speaker 2: that just play great music, and we put together a

945
00:52:23,719 --> 00:52:26,680
Speaker 2: record that was R and B and I'm like, you

946
00:52:26,800 --> 00:52:29,880
Speaker 2: know what I think death Row should be this sound.

947
00:52:30,080 --> 00:52:32,680
Speaker 2: So when I told October, London. I'm taking you off

948
00:52:32,719 --> 00:52:35,200
Speaker 2: death Cham and bring you to death Row. Well you

949
00:52:35,480 --> 00:52:38,319
Speaker 2: so he was signed to death Jam. I took him

950
00:52:38,360 --> 00:52:41,120
Speaker 2: and I had him and Jane over there. H but

951
00:52:41,239 --> 00:52:44,759
Speaker 2: I was able to untangle the knot to get them

952
00:52:44,840 --> 00:52:46,399
Speaker 2: to come with the d O dub when I got

953
00:52:46,480 --> 00:52:49,040
Speaker 2: death Row, like they come up with me, and they

954
00:52:49,120 --> 00:52:53,400
Speaker 2: came with me. So we started working on his Rebirth

955
00:52:53,440 --> 00:52:56,160
Speaker 2: of Marvin album and he didn't want to call it that,

956
00:52:56,320 --> 00:52:59,000
Speaker 2: but I'm like, fuck that. I know what I'm doing.

957
00:53:00,000 --> 00:53:02,040
Speaker 2: I'm not gonna say something, but when they hear your

958
00:53:02,120 --> 00:53:04,719
Speaker 2: motherfucking voice, it's gonna shad them all the funk up.

959
00:53:05,480 --> 00:53:11,839
Speaker 2: Let me work this, Let me fuck this chicken. Let

960
00:53:11,960 --> 00:53:14,120
Speaker 2: you do what. Let me fuck this chicken. You hold

961
00:53:14,120 --> 00:53:34,080
Speaker 2: the wings? Come on, man, you don't play no games.

962
00:53:34,160 --> 00:53:41,120
Speaker 2: He come on cook. Yeah, he's gonna be cooked for

963
00:53:41,200 --> 00:53:54,200
Speaker 2: a minute. Are here? He cooked? Cooks cooked? Yes, that's great, Yes,

964
00:53:54,360 --> 00:53:54,839
Speaker 2: that's great.

965
00:53:55,800 --> 00:53:55,960
Speaker 7: Yes.

966
00:53:57,200 --> 00:54:01,920
Speaker 6: Now the market the marketing behind the Rebirth of Marvin though,

967
00:54:03,560 --> 00:54:06,840
Speaker 6: in my in my opinion, it truly showed your genius

968
00:54:06,920 --> 00:54:12,080
Speaker 6: and how much you understood how to really set this

969
00:54:12,160 --> 00:54:16,799
Speaker 6: ship off, because that created a conversation. Yes, that would

970
00:54:16,840 --> 00:54:20,799
Speaker 6: have never happened. Yes, well yes, and it's really hard

971
00:54:20,840 --> 00:54:22,440
Speaker 6: to break new R and B artists it is.

972
00:54:22,680 --> 00:54:24,840
Speaker 2: Trust me, let me add y'all know better than I do.

973
00:54:25,080 --> 00:54:31,839
Speaker 3: Let me add to that genius. Because comparison is a killer. Yes,

974
00:54:32,120 --> 00:54:39,000
Speaker 3: comparison can my comparison can? It can be a killer,

975
00:54:40,160 --> 00:54:47,280
Speaker 3: especially when you're comparing it to something so so monumental

976
00:54:47,400 --> 00:54:52,040
Speaker 3: and so iconic and so it has so much reference

977
00:54:52,080 --> 00:54:56,120
Speaker 3: attached to it and and you go right at it.

978
00:54:56,760 --> 00:55:01,640
Speaker 3: But you have a young man in the name of

979
00:55:01,800 --> 00:55:07,120
Speaker 3: October London who can fucking delivery right mm hmm.

980
00:55:07,680 --> 00:55:11,640
Speaker 1: He's a monster. He delivered monster his work ethic.

981
00:55:12,480 --> 00:55:18,480
Speaker 2: Shout out to Jazzy fay Manel Fenzel, Fenzel me and

982
00:55:18,600 --> 00:55:22,719
Speaker 2: Fenzel was you know that's my brother, and Fenzel he

983
00:55:22,840 --> 00:55:25,759
Speaker 2: fucked around and played he played a song for I'm like,

984
00:55:25,880 --> 00:55:28,080
Speaker 2: what the fuck is that. He's like, oh, that's this kid.

985
00:55:28,200 --> 00:55:31,799
Speaker 2: I said, Oh my god, that some new shit. Oh shit,

986
00:55:32,760 --> 00:55:34,840
Speaker 2: heard one song from him. And then Jazzy was like,

987
00:55:34,920 --> 00:55:36,360
Speaker 2: you want to you want to fuck with him? I'm like,

988
00:55:36,440 --> 00:55:39,520
Speaker 2: hell yeah, And that's when the development began. So it

989
00:55:39,640 --> 00:55:43,360
Speaker 2: began like eight years ago. It wasn't just like he

990
00:55:43,560 --> 00:55:46,240
Speaker 2: just came out right now. Development began where I started

991
00:55:46,760 --> 00:55:49,760
Speaker 2: working with him, producing with him, putting him on songs,

992
00:55:49,840 --> 00:55:52,879
Speaker 2: put him on the Madden soundtrack, put him in this song,

993
00:55:53,000 --> 00:55:55,759
Speaker 2: had him perform over here, do this to be on

994
00:55:55,880 --> 00:55:58,279
Speaker 2: this album, make this kind of song. Then I put

995
00:55:58,360 --> 00:56:01,040
Speaker 2: him in Doggieland and had become one of the voices

996
00:56:01,080 --> 00:56:03,680
Speaker 2: of the kids, to give him another lane of you know,

997
00:56:03,880 --> 00:56:05,920
Speaker 2: using your voice, because you're so dope, you shouldn't just

998
00:56:05,960 --> 00:56:08,719
Speaker 2: be restricted to one lane. So I showed him that,

999
00:56:09,760 --> 00:56:13,160
Speaker 2: and then there's just like his spirit to work is.

1000
00:56:13,520 --> 00:56:17,320
Speaker 2: It's crazy he got like the spirit Tupac had, Like

1001
00:56:17,640 --> 00:56:19,920
Speaker 2: just I don't want to listen to the music. I

1002
00:56:20,040 --> 00:56:22,759
Speaker 2: just want to make it, Like I make music, not

1003
00:56:22,880 --> 00:56:25,239
Speaker 2: to listen to, but to make music, you know what

1004
00:56:25,280 --> 00:56:26,960
Speaker 2: I'm saying, Like I'm not a fan of my music.

1005
00:56:27,560 --> 00:56:30,239
Speaker 2: Trying to get to the next song. I ain't like that.

1006
00:56:30,320 --> 00:56:31,919
Speaker 2: I like listening to my ship. I like my ship.

1007
00:56:31,920 --> 00:56:34,640
Speaker 2: I don't like listening to mine, you know. I like

1008
00:56:34,719 --> 00:56:42,160
Speaker 2: hearing me nigga wants I'm done with it, Snoop that

1009
00:56:42,600 --> 00:56:43,319
Speaker 2: nigga sound good.

1010
00:56:43,360 --> 00:56:45,759
Speaker 1: Thank you for Doggy laying to you as men who

1011
00:56:45,840 --> 00:56:46,680
Speaker 1: have children.

1012
00:56:46,480 --> 00:56:49,600
Speaker 2: Yes, like my daughter she's a fan of it.

1013
00:56:49,760 --> 00:56:52,680
Speaker 1: Yes, she told October that. He told him.

1014
00:56:52,760 --> 00:56:56,399
Speaker 6: She told him she because he she he was when

1015
00:56:56,560 --> 00:56:58,359
Speaker 6: he did his episode with us. My daughter was here

1016
00:56:59,480 --> 00:57:01,440
Speaker 6: and he was like, I'm the voice.

1017
00:57:02,320 --> 00:57:05,480
Speaker 2: She was like, wait what Yeah, my daughter was fully

1018
00:57:05,680 --> 00:57:10,080
Speaker 2: and he goes into it too. Yeah. Yeah, that's really

1019
00:57:10,160 --> 00:57:17,760
Speaker 2: that's so dope. You'll want characters in that. Yeah, yeah, yes, sir, let.

1020
00:57:18,600 --> 00:57:20,000
Speaker 1: Us teach some kids from R and B on there

1021
00:57:20,080 --> 00:57:21,240
Speaker 1: or something that something.

1022
00:57:22,360 --> 00:57:24,320
Speaker 2: We don't play no games. We lined up. We got

1023
00:57:24,360 --> 00:57:28,320
Speaker 2: about three hundred songs, like original songs, like we got

1024
00:57:28,360 --> 00:57:30,080
Speaker 2: a couple of the wheels go round and around all

1025
00:57:30,120 --> 00:57:31,919
Speaker 2: that kind of ship. But we got like original songs

1026
00:57:32,000 --> 00:57:35,960
Speaker 2: like affirmations and like the affirmation song is a big record.

1027
00:57:36,000 --> 00:57:40,040
Speaker 2: It's so big. I'll be DJing and I'm in the

1028
00:57:40,800 --> 00:57:43,880
Speaker 2: behind both DJ and motherfucker holding up a phone. I

1029
00:57:43,960 --> 00:57:46,040
Speaker 2: can't I'm old as the motherfucker. I can't read that.

1030
00:57:47,880 --> 00:57:49,480
Speaker 2: What the phone say? They hand me the form of

1031
00:57:49,600 --> 00:57:52,200
Speaker 2: us play affirmations from your dogg and Land. I'm in

1032
00:57:52,280 --> 00:58:04,240
Speaker 2: the club, motherfucker right now, that's play affirmations. I'm like,

1033
00:58:04,400 --> 00:58:05,000
Speaker 2: it ain't gonna go.

1034
00:58:05,040 --> 00:58:05,479
Speaker 1: I just played.

1035
00:58:05,480 --> 00:58:09,320
Speaker 2: Ain't no fun It ain't gonna work. It don't work.

1036
00:58:10,160 --> 00:58:11,480
Speaker 2: It can't come on for that with that?

1037
00:58:12,920 --> 00:58:17,440
Speaker 1: Is it anything that you've ever looked at it and said, now,

1038
00:58:17,480 --> 00:58:17,920
Speaker 1: I can't do that?

1039
00:58:19,760 --> 00:58:19,880
Speaker 3: Uh?

1040
00:58:20,800 --> 00:58:23,280
Speaker 2: What red Man be doing? This? Nigga be jumping out

1041
00:58:23,280 --> 00:58:24,880
Speaker 2: of motherfucking oh like.

1042
00:58:24,960 --> 00:58:27,000
Speaker 1: The extreme sports type ship jumping out of planes?

1043
00:58:27,360 --> 00:58:30,880
Speaker 2: Yes, and in the air nigga sky diving? Yeah, I

1044
00:58:31,000 --> 00:58:33,200
Speaker 2: want to with that. I'm not doing that. I can't

1045
00:58:33,200 --> 00:58:35,920
Speaker 2: fuck with roller coasters. Is I'm like you go to

1046
00:58:35,920 --> 00:58:37,800
Speaker 2: the disney Land, nigga, I'm holding all the jackets. Give

1047
00:58:37,800 --> 00:58:39,600
Speaker 2: me your jacket, give me your hat, give me your phone,

1048
00:58:39,640 --> 00:58:41,120
Speaker 2: give me your part, give me all. I'm standing out

1049
00:58:41,160 --> 00:58:44,280
Speaker 2: here like this. I ain't none of that because you

1050
00:58:44,320 --> 00:58:45,760
Speaker 2: know why. I'm gonna tell you why when I used

1051
00:58:45,800 --> 00:58:48,080
Speaker 2: to do it. See my kids as assholes and my

1052
00:58:48,160 --> 00:58:50,680
Speaker 2: family members just fucking assholes. Let me tell you why.

1053
00:58:50,720 --> 00:58:53,880
Speaker 2: There's some fucking assholes. I'm Snoop Doggs, So naturally, what's

1054
00:58:53,880 --> 00:58:56,840
Speaker 2: gonna happen This nigga get to the front of the line, right,

1055
00:58:56,960 --> 00:58:59,160
Speaker 2: so we didn't cut everybody there up the year nigga

1056
00:58:59,280 --> 00:59:01,760
Speaker 2: were up here in the Nigga my cousin got me

1057
00:59:01,880 --> 00:59:04,040
Speaker 2: up here then we get on the motherfucker were doing

1058
00:59:04,120 --> 00:59:06,440
Speaker 2: loops and loops as soon as we get you to stop.

1059
00:59:07,040 --> 00:59:09,000
Speaker 2: That's what people say, you guys want to go again.

1060
00:59:09,040 --> 00:59:11,160
Speaker 2: I'm like no, everybody say yeah. You can't even hear

1061
00:59:11,200 --> 00:59:17,200
Speaker 2: me say no, damn not again. All no, like back them,

1062
00:59:17,400 --> 00:59:21,240
Speaker 2: back them, back them back, and I can't be heard

1063
00:59:21,320 --> 00:59:23,960
Speaker 2: because there's so many motherfuckers saying yeah. So I'd rather

1064
00:59:24,080 --> 00:59:26,600
Speaker 2: not be on there so I can watch them spin

1065
00:59:26,640 --> 00:59:27,280
Speaker 2: around in the row.

1066
00:59:27,360 --> 00:59:29,800
Speaker 1: Always Snoop Dogg was my cousin, get.

1067
00:59:29,720 --> 00:59:34,280
Speaker 2: Your niggas in. I'm gonna get your niggas in it

1068
00:59:34,400 --> 00:59:36,200
Speaker 2: to the front of the line. I love all that,

1069
00:59:36,560 --> 00:59:38,720
Speaker 2: but don't expect me to get on the motherfucker ride

1070
00:59:38,760 --> 00:59:39,040
Speaker 2: with you.

1071
00:59:39,400 --> 00:59:42,000
Speaker 3: I want to jump out of the planes all that

1072
00:59:42,120 --> 00:59:44,160
Speaker 3: shit because I feel like you've done everything.

1073
00:59:44,560 --> 00:59:44,920
Speaker 2: That's why.

1074
00:59:45,040 --> 00:59:46,840
Speaker 6: That's why I asked that there ever been anything that

1075
00:59:46,920 --> 00:59:49,000
Speaker 6: you just was like, nah, I'm cool because I feel

1076
00:59:49,080 --> 00:59:49,840
Speaker 6: like you.

1077
00:59:50,240 --> 00:59:50,360
Speaker 2: Bro.

1078
00:59:51,040 --> 00:59:52,840
Speaker 1: You had a cooking show.

1079
00:59:53,000 --> 00:59:55,800
Speaker 3: You gotta explain with Martha Stupid. I came on there

1080
00:59:55,840 --> 00:59:56,720
Speaker 3: and I cooked with y'all.

1081
00:59:56,840 --> 00:59:58,720
Speaker 2: You did tank. I'm like, hold on, nigga, you came

1082
00:59:58,760 --> 01:00:00,440
Speaker 2: on the show and you tasted it off. Oh, it

1083
01:00:00,520 --> 01:00:01,360
Speaker 2: was quite cuisine.

1084
01:00:01,440 --> 01:00:03,760
Speaker 5: You gotta explain that to me.

1085
01:00:04,000 --> 01:00:08,320
Speaker 2: How do you get there? Okay? Here Justin Bieber had

1086
01:00:08,320 --> 01:00:12,560
Speaker 2: a roast. Martha said, where you sitting there, I'm doing

1087
01:00:12,600 --> 01:00:15,760
Speaker 2: the same thing I'm doing. She getting that second hand smoke.

1088
01:00:17,280 --> 01:00:21,000
Speaker 2: When it came time to tell jokes, she stole the show.

1089
01:00:21,800 --> 01:00:24,360
Speaker 2: She was the funniest motherfucker that night. And at the

1090
01:00:24,480 --> 01:00:26,439
Speaker 2: end of the night, me and her, when the back

1091
01:00:26,800 --> 01:00:30,480
Speaker 2: chopped it up, I said, I'm a fan. Can I

1092
01:00:30,560 --> 01:00:32,960
Speaker 2: come on your show? She was like, hell, yeah, what

1093
01:00:33,080 --> 01:00:34,160
Speaker 2: you want to do? I said, I want to cook

1094
01:00:34,200 --> 01:00:37,520
Speaker 2: some brownies? Boom, go to her show. Cook the brownies.

1095
01:00:38,000 --> 01:00:41,280
Speaker 2: From after that, she hit me one day and say,

1096
01:00:42,320 --> 01:00:44,840
Speaker 2: somebody said that we have a TV show. Is that

1097
01:00:44,960 --> 01:00:47,800
Speaker 2: your team? I'm like, nah, my teammate said that. She said, well,

1098
01:00:48,440 --> 01:00:50,360
Speaker 2: we need to put together a TV show because somebody

1099
01:00:50,440 --> 01:00:52,560
Speaker 2: thinking for us that shit ain't gonna work with fly

1100
01:00:52,640 --> 01:00:55,320
Speaker 2: you to Connecticut to my shit, Nigga, I want her shit.

1101
01:00:55,360 --> 01:00:58,600
Speaker 2: It was all white, just everything just looked like we

1102
01:00:58,720 --> 01:01:02,040
Speaker 2: was in the fucking museum. Nigga walked about nine hundred

1103
01:01:02,040 --> 01:01:04,520
Speaker 2: steps and then she was sitting in the corner told

1104
01:01:04,560 --> 01:01:08,160
Speaker 2: everybody to get out She was like, I got an idea.

1105
01:01:09,360 --> 01:01:11,520
Speaker 2: We should do our own thing. You know, I got

1106
01:01:11,600 --> 01:01:14,680
Speaker 2: this TV show shit on lock. We should do something together.

1107
01:01:14,800 --> 01:01:16,440
Speaker 2: What you think? I'm like, yeah, she said, you got

1108
01:01:16,480 --> 01:01:18,600
Speaker 2: a name. I said, yeah, let's call that motherfucker Martha

1109
01:01:18,600 --> 01:01:23,840
Speaker 2: and Snoop pot Luck, pot Luck, dinner show or dinner party.

1110
01:01:24,560 --> 01:01:27,640
Speaker 2: She's like, all right, cool. Both our teams came together

1111
01:01:28,680 --> 01:01:31,959
Speaker 2: and started working together, and we built that show sold

1112
01:01:32,000 --> 01:01:35,080
Speaker 2: at the VH one, they bought a second season, and

1113
01:01:35,160 --> 01:01:39,240
Speaker 2: then after that, she and me both think alike. So

1114
01:01:40,400 --> 01:01:43,000
Speaker 2: if she had a deal, she would be like, hey, Snoop,

1115
01:01:43,040 --> 01:01:45,840
Speaker 2: I got a deal with Big Lighter. You want to

1116
01:01:45,920 --> 01:01:49,200
Speaker 2: do it with me? Yeah, let's get out. Ain't Martha

1117
01:01:49,320 --> 01:01:51,440
Speaker 2: Tostitos just hit me for some super Bowl shit? You

1118
01:01:51,480 --> 01:01:54,040
Speaker 2: want to get down with me? Yeah? Wow? All right, whoop,

1119
01:01:54,040 --> 01:01:57,400
Speaker 2: whoop woop, Hey, Snoop, you should do a mo fucking cookbook, nigga,

1120
01:01:57,440 --> 01:02:01,200
Speaker 2: you can cook? You serious for show. One point seven

1121
01:02:01,280 --> 01:02:04,440
Speaker 2: million books sold to this day, been on the New

1122
01:02:04,560 --> 01:02:13,600
Speaker 2: York best Seller five times number one. Then two years ago, Snoop,

1123
01:02:15,400 --> 01:02:19,000
Speaker 2: my people's from this company been trying to get at you,

1124
01:02:19,080 --> 01:02:23,200
Speaker 2: but your your guys been blocking. They've been blocking. Yeah,

1125
01:02:23,200 --> 01:02:25,440
Speaker 2: they've been. They're a good company to work with too,

1126
01:02:25,480 --> 01:02:29,760
Speaker 2: they've been blocking. Give me the number. What's happening, Yeah,

1127
01:02:29,800 --> 01:02:31,840
Speaker 2: we want to fuck with you with your people. Okay,

1128
01:02:31,880 --> 01:02:42,120
Speaker 2: what's happening? Shoes? She plugged me with sketches. She was

1129
01:02:42,200 --> 01:02:42,840
Speaker 2: there before me.

1130
01:02:43,840 --> 01:02:45,480
Speaker 1: Man shout out to Martha's Stewart.

1131
01:02:45,960 --> 01:02:48,680
Speaker 2: See what I'm saying. But see how we moving stealth,

1132
01:02:50,400 --> 01:02:54,240
Speaker 2: no hating, no arguments. Then I do the voice. She

1133
01:02:54,360 --> 01:02:57,680
Speaker 2: shows up for me. She do her hundredth book. I

1134
01:02:57,760 --> 01:03:00,360
Speaker 2: fly to New York, show up for her. This is

1135
01:03:00,400 --> 01:03:04,520
Speaker 2: what friends do. Like we committed to being friends. You

1136
01:03:04,560 --> 01:03:08,280
Speaker 2: get what I'm saying. No strings attached, no nothing, just

1137
01:03:08,440 --> 01:03:11,840
Speaker 2: for each other. She dropped her documentary on Netflix. I

1138
01:03:11,920 --> 01:03:14,640
Speaker 2: didn't realize how important we were to each other till

1139
01:03:14,640 --> 01:03:17,680
Speaker 2: I seen it, because they tried to blackball her and

1140
01:03:17,760 --> 01:03:20,600
Speaker 2: took everything away from her. And then when the dog

1141
01:03:20,720 --> 01:03:24,600
Speaker 2: came on her life back up. Yeah but me too,

1142
01:03:24,960 --> 01:03:30,160
Speaker 2: Yeah yeah right, just think about it. I was always up,

1143
01:03:30,240 --> 01:03:36,240
Speaker 2: but when I got with her up, he seeing.

1144
01:03:36,480 --> 01:03:39,160
Speaker 1: Yes, because y'all brought y'all brought two worlds together.

1145
01:03:39,600 --> 01:03:42,720
Speaker 6: Yes, that deserved each other, Like we didn't even know

1146
01:03:42,800 --> 01:03:44,440
Speaker 6: how much we loved Martha Stewart.

1147
01:03:45,160 --> 01:03:49,240
Speaker 2: They loved me the same feeling. I started looking at Mark.

1148
01:03:49,320 --> 01:03:54,760
Speaker 2: I'm like marther Stu, I see what you're doing. Okay,

1149
01:03:56,120 --> 01:03:57,080
Speaker 2: I have some of the power.

1150
01:03:59,000 --> 01:04:02,320
Speaker 1: But for real though, like it just we never knew,

1151
01:04:02,480 --> 01:04:02,919
Speaker 1: never knew.

1152
01:04:03,360 --> 01:04:06,080
Speaker 2: Most people don't understand that they're the same until they

1153
01:04:06,120 --> 01:04:08,960
Speaker 2: get in the same wrong. Yeah, that's the separation division

1154
01:04:08,960 --> 01:04:11,800
Speaker 2: shit that I hate, because we all are like, we're

1155
01:04:11,800 --> 01:04:14,120
Speaker 2: all the same. And I found that with the people

1156
01:04:14,200 --> 01:04:16,760
Speaker 2: that work with me, not for me, but the people

1157
01:04:16,840 --> 01:04:19,480
Speaker 2: that are my employees that work with me. No two

1158
01:04:19,560 --> 01:04:22,440
Speaker 2: people are the same. Like I got people from different backgrounds,

1159
01:04:22,480 --> 01:04:25,960
Speaker 2: people from Asian parts of the world, India parts of

1160
01:04:26,040 --> 01:04:33,200
Speaker 2: the world, African, American, Caucasian, Hispanic. Like it's because I

1161
01:04:33,280 --> 01:04:36,080
Speaker 2: fuck with people. Yes, I don't just hire you because

1162
01:04:36,120 --> 01:04:38,200
Speaker 2: you look like this, so you act like this. You're

1163
01:04:38,240 --> 01:04:41,240
Speaker 2: the best qualified for the job. And if your nationality

1164
01:04:41,280 --> 01:04:44,400
Speaker 2: happens to be that, that's third in line. What's first

1165
01:04:44,440 --> 01:04:47,040
Speaker 2: in line? Are you qualified? And are you gonna sit

1166
01:04:47,160 --> 01:04:49,280
Speaker 2: with the spirit that's around this team that I built?

1167
01:04:50,240 --> 01:04:52,520
Speaker 1: How many people do you employ right now?

1168
01:04:52,560 --> 01:04:55,960
Speaker 2: I probably got about seventy people employed. Did you ever

1169
01:04:56,160 --> 01:04:58,680
Speaker 2: think never I did never think I could have two

1170
01:04:58,800 --> 01:05:02,400
Speaker 2: niggas to work for me, because I would be like,

1171
01:05:02,720 --> 01:05:05,400
Speaker 2: you know you're not gonna get paid right as long

1172
01:05:05,440 --> 01:05:07,680
Speaker 2: as all you think, you'll never be broke, bro I

1173
01:05:07,760 --> 01:05:11,400
Speaker 2: get you checked to you next next time I see I.

1174
01:05:11,360 --> 01:05:13,720
Speaker 1: Gotta pay this five hundred for the spot on five hundred.

1175
01:05:14,440 --> 01:05:17,840
Speaker 2: Next time I see him having it, I called him.

1176
01:05:18,520 --> 01:05:23,800
Speaker 6: I called him. When I came to the compound. I

1177
01:05:23,880 --> 01:05:27,479
Speaker 6: didn't know what I was coming to. I just knew

1178
01:05:27,600 --> 01:05:30,560
Speaker 6: it's snoop, my god, fuzzy hit me. I'm pulling up.

1179
01:05:31,360 --> 01:05:33,880
Speaker 6: Ain't no like you said when we're friends. We're friends,

1180
01:05:33,960 --> 01:05:34,919
Speaker 6: straight up, no question.

1181
01:05:35,240 --> 01:05:35,520
Speaker 2: I don't.

1182
01:05:35,560 --> 01:05:37,000
Speaker 1: I don't know what I'm driving to.

1183
01:05:37,200 --> 01:05:38,320
Speaker 2: Don't you didn't ask no quest.

1184
01:05:38,320 --> 01:05:40,720
Speaker 6: I don't even know the area, so what I'm pulling up?

1185
01:05:41,520 --> 01:05:45,080
Speaker 6: When I left, I called this man because he couldn't

1186
01:05:45,080 --> 01:05:46,840
Speaker 6: make it. That night, I called this man.

1187
01:05:46,920 --> 01:05:47,480
Speaker 2: I said.

1188
01:05:48,920 --> 01:05:52,080
Speaker 1: He's done it. He was like, what are you talking?

1189
01:05:52,400 --> 01:05:54,840
Speaker 1: He did it, He's done it.

1190
01:05:56,080 --> 01:05:58,520
Speaker 6: And I wanted to say this to you now because

1191
01:05:58,560 --> 01:06:00,080
Speaker 6: obviously it was. It was a lot going on, and

1192
01:06:01,160 --> 01:06:14,600
Speaker 6: you the inspiration man me coming and seeing the compound

1193
01:06:14,800 --> 01:06:17,400
Speaker 6: and seeing that it's everything we need.

1194
01:06:18,800 --> 01:06:24,640
Speaker 1: As creatives to be creative at the highest level in

1195
01:06:24,800 --> 01:06:29,040
Speaker 1: one place. I said, I said, Tank, He's I said.

1196
01:06:28,880 --> 01:06:31,960
Speaker 6: Everything that we're talking about, doing, everything that we want

1197
01:06:32,000 --> 01:06:37,360
Speaker 6: to do, everything that we're working towards. Snoop has the

1198
01:06:37,520 --> 01:06:42,440
Speaker 6: facility and the place and all of these things that

1199
01:06:42,640 --> 01:06:44,480
Speaker 6: we can now be inspired by.

1200
01:06:44,680 --> 01:06:47,560
Speaker 1: Go see and say oh yeah, yeah, and we need that, and.

1201
01:06:47,600 --> 01:06:49,800
Speaker 6: We're gonna need this, and yeah we need that big

1202
01:06:49,880 --> 01:06:53,400
Speaker 6: ass room that's all green. Yes, and then we need

1203
01:06:53,480 --> 01:06:54,680
Speaker 6: all basketball court.

1204
01:06:55,840 --> 01:06:56,919
Speaker 5: You need your weight rooms.

1205
01:07:00,080 --> 01:07:04,480
Speaker 2: I shot, you can always depend on me. You get

1206
01:07:04,520 --> 01:07:04,680
Speaker 2: to that.

1207
01:07:06,560 --> 01:07:09,040
Speaker 1: But I just I just wanted to really celebrate you

1208
01:07:09,160 --> 01:07:09,320
Speaker 1: for that.

1209
01:07:09,480 --> 01:07:11,640
Speaker 5: Yeah, because he called me immediately.

1210
01:07:11,760 --> 01:07:14,200
Speaker 6: We all start with the home studio, all of us,

1211
01:07:14,240 --> 01:07:17,560
Speaker 6: me too. In this game, we all start with this side.

1212
01:07:17,680 --> 01:07:20,560
Speaker 2: I made the East Side of album in my living

1213
01:07:20,640 --> 01:07:23,439
Speaker 2: room and Clare Mount Nigga, I love it. The Gang

1214
01:07:23,560 --> 01:07:29,240
Speaker 2: Bang anthem, I love it the anthem niggas that was made.

1215
01:07:29,280 --> 01:07:31,680
Speaker 2: And once we finished in the studio, we went right

1216
01:07:31,720 --> 01:07:33,200
Speaker 2: to the living room and had a house party and

1217
01:07:33,280 --> 01:07:35,280
Speaker 2: it was this all you've seen in the air. It

1218
01:07:35,440 --> 01:07:39,840
Speaker 2: was everything just like the house studio sometimes is better

1219
01:07:40,920 --> 01:07:43,360
Speaker 2: than the big studio because the fucking feeling that you

1220
01:07:43,480 --> 01:07:46,600
Speaker 2: get from the house studio. Like even at the compound,

1221
01:07:46,680 --> 01:07:49,000
Speaker 2: I got a baby studio that you didn't see. That

1222
01:07:49,120 --> 01:07:51,880
Speaker 2: feel like I'm at the house, got little cheap couches

1223
01:07:51,920 --> 01:07:54,560
Speaker 2: in that, but well my wife put some expensive couch

1224
01:07:54,600 --> 01:07:56,240
Speaker 2: and get this cheap ass ship out. I'm like, I

1225
01:07:56,480 --> 01:07:58,640
Speaker 2: like cheap ship. So when niggas come over here, they

1226
01:07:58,680 --> 01:08:02,520
Speaker 2: feel like they can waste beer. Yeah, you know this

1227
01:08:02,680 --> 01:08:06,400
Speaker 2: kind of nice. I'm doing this ship like, you know

1228
01:08:06,400 --> 01:08:07,920
Speaker 2: what I'm saying, trying to make sure it's clean. I

1229
01:08:08,040 --> 01:08:09,880
Speaker 2: want some hood ship in there. But it just feels

1230
01:08:09,960 --> 01:08:13,240
Speaker 2: like that studio that we built there. The studio, see

1231
01:08:13,360 --> 01:08:15,680
Speaker 2: is the starship. So we got the starship, battleship and

1232
01:08:15,760 --> 01:08:20,680
Speaker 2: the mothership. The starship feels more like the beginning, you

1233
01:08:20,720 --> 01:08:22,720
Speaker 2: know what I'm saying, Whereas like you don't get all

1234
01:08:22,800 --> 01:08:25,120
Speaker 2: the glitz and glamour. He's just like you and that motherfucker.

1235
01:08:25,120 --> 01:08:29,920
Speaker 2: It's just you in the room. Yeah. Yeah. See the

1236
01:08:29,960 --> 01:08:31,920
Speaker 2: other room is inspiration. You see gold chains.

1237
01:08:33,360 --> 01:08:35,960
Speaker 6: I was telling him, I'm like, so he has a

1238
01:08:36,040 --> 01:08:39,920
Speaker 6: cologne corner in case the nigga wanna smell good.

1239
01:08:41,320 --> 01:08:43,519
Speaker 2: That's what we're gonna do. He got all the weed, yes, sir,

1240
01:08:44,439 --> 01:08:46,519
Speaker 2: all the wraps, eyeglasses.

1241
01:08:46,920 --> 01:08:49,800
Speaker 5: Nigga glass everything, he got everything in their tech.

1242
01:08:50,960 --> 01:08:53,479
Speaker 2: Y'all could have took some ship to go performing. If

1243
01:08:53,520 --> 01:08:55,360
Speaker 2: some of the ship ain't even my style, I would

1244
01:08:55,360 --> 01:08:56,880
Speaker 2: have wished the nigga to been like, dog, let me

1245
01:08:56,920 --> 01:08:59,360
Speaker 2: get those. Go ahead, my nigga. I swear it's some

1246
01:09:00,080 --> 01:09:01,960
Speaker 2: cold on what you got here. That's some cool R

1247
01:09:02,000 --> 01:09:02,920
Speaker 2: and B glasses in there.

1248
01:09:03,640 --> 01:09:07,200
Speaker 3: I said, nigga, do you call a nigga and tell

1249
01:09:07,280 --> 01:09:10,160
Speaker 3: him just st said no, take the nigga makes it

1250
01:09:10,240 --> 01:09:11,280
Speaker 3: before I asked him to make it?

1251
01:09:11,880 --> 01:09:14,760
Speaker 2: He do. I don't even ask this nigga. Like that's

1252
01:09:14,800 --> 01:09:16,679
Speaker 2: the cold part about it. When I did the drink Champs,

1253
01:09:16,680 --> 01:09:18,479
Speaker 2: the nigga just had a suit with the drink Champs

1254
01:09:18,520 --> 01:09:20,519
Speaker 2: on it. So I walked out looking like I was

1255
01:09:20,560 --> 01:09:23,040
Speaker 2: promoting that ship. They was like this nigga, I did

1256
01:09:23,120 --> 01:09:25,960
Speaker 2: the voice, same thing. He gonna make y'all some ship

1257
01:09:26,040 --> 01:09:28,200
Speaker 2: with he gonna put this on there. I told him

1258
01:09:28,200 --> 01:09:30,240
Speaker 2: to put your logo on there. Hey, y'all, some fly

1259
01:09:30,400 --> 01:09:31,720
Speaker 2: ship lined up, you know what I'm saying. So that

1260
01:09:31,720 --> 01:09:33,840
Speaker 2: way y'all can have some cool ship like this and

1261
01:09:33,920 --> 01:09:35,880
Speaker 2: then some R and b ship too with maybe like

1262
01:09:36,240 --> 01:09:38,800
Speaker 2: cool little sweater, cool little v neig. You know, I

1263
01:09:38,840 --> 01:09:40,080
Speaker 2: know how you get out on Nigga. You got your

1264
01:09:40,080 --> 01:09:42,000
Speaker 2: wool wips out. You know what I'm saying. You know

1265
01:09:42,040 --> 01:09:42,439
Speaker 2: what I'm saying.

1266
01:09:44,240 --> 01:09:45,960
Speaker 1: Hey, I can't wait till the next show.

1267
01:09:46,120 --> 01:09:48,000
Speaker 2: I'm gonna go back there and say, hey, so so

1268
01:09:48,120 --> 01:09:54,720
Speaker 2: take so you got your out of woo baby, Yeah,

1269
01:09:55,120 --> 01:09:56,120
Speaker 2: get him right, bro.

1270
01:09:56,360 --> 01:09:58,720
Speaker 3: I think, I think, and I hope you realize as

1271
01:09:58,880 --> 01:10:01,960
Speaker 3: as as you went back to the beginning and gave

1272
01:10:02,080 --> 01:10:05,160
Speaker 3: us this when Mom say we at the church, we

1273
01:10:05,240 --> 01:10:09,759
Speaker 3: all at the church. The thing that I can truly

1274
01:10:09,800 --> 01:10:13,400
Speaker 3: accredit all of it too, man, is of course we

1275
01:10:13,520 --> 01:10:16,320
Speaker 3: get into the hard work and the gifts of a man.

1276
01:10:16,560 --> 01:10:20,040
Speaker 3: But you truly have favor over your life, brother, Yes, sir,

1277
01:10:20,600 --> 01:10:21,320
Speaker 3: you truly have.

1278
01:10:22,200 --> 01:10:23,080
Speaker 2: You truly have the.

1279
01:10:23,120 --> 01:10:25,639
Speaker 3: God keeping his hand on you, man, and keeping angels

1280
01:10:25,680 --> 01:10:29,840
Speaker 3: around you to protect you and keep you because guys

1281
01:10:29,920 --> 01:10:30,680
Speaker 3: like us need you.

1282
01:10:31,240 --> 01:10:36,200
Speaker 2: Man understood. It's crazy that you said that because I've

1283
01:10:36,240 --> 01:10:38,960
Speaker 2: been like very spiritual since I've been in this game,

1284
01:10:39,600 --> 01:10:42,880
Speaker 2: Like even when the tragedy happened with the murder case,

1285
01:10:43,680 --> 01:10:47,639
Speaker 2: first person I called was dazz Mama and she prayed

1286
01:10:47,720 --> 01:10:52,000
Speaker 2: with me. I mean she prayed with me strong, real strong,

1287
01:10:52,720 --> 01:10:54,920
Speaker 2: to keep me strong through the whole situation, because it

1288
01:10:55,000 --> 01:10:58,080
Speaker 2: lasted for a couple of years. It wasn't just overnight,

1289
01:10:59,040 --> 01:11:02,040
Speaker 2: catchy cases old tomorrow. And she had affected me for

1290
01:11:02,200 --> 01:11:05,160
Speaker 2: like two years and never dwelled on her and talked

1291
01:11:05,160 --> 01:11:08,240
Speaker 2: about it because I had so much respect for the

1292
01:11:08,360 --> 01:11:12,160
Speaker 2: deceased family, you know, so I don't really speak on that,

1293
01:11:12,360 --> 01:11:16,320
Speaker 2: but that prayer is what really helped me through that.

1294
01:11:16,520 --> 01:11:20,120
Speaker 2: And then once I got through that, to remain in prayer,

1295
01:11:20,520 --> 01:11:24,240
Speaker 2: to remain in other people's prayers, to remain praying. And

1296
01:11:24,479 --> 01:11:28,240
Speaker 2: my mother was always she had became an evangelist, so

1297
01:11:28,360 --> 01:11:32,840
Speaker 2: she was like she would always bang for me, bang

1298
01:11:33,080 --> 01:11:36,360
Speaker 2: bang bang. My son was raising the church. I don't

1299
01:11:36,400 --> 01:11:38,280
Speaker 2: care what y'all say about him and his music and

1300
01:11:38,320 --> 01:11:41,360
Speaker 2: blah blah this and that. Then I made that gospel album.

1301
01:11:42,120 --> 01:11:44,680
Speaker 2: And when I made that gospel album, I had all

1302
01:11:44,720 --> 01:11:47,000
Speaker 2: the musicians at the studio and I had my mother

1303
01:11:47,120 --> 01:11:49,800
Speaker 2: come and we played it from top to bottom and

1304
01:11:49,960 --> 01:11:54,240
Speaker 2: she clapped and it was so beautiful. Man. It was

1305
01:11:54,360 --> 01:11:57,320
Speaker 2: like probably the greatest moment in music for me because

1306
01:11:57,360 --> 01:11:59,880
Speaker 2: I could finally give my mother something that she could

1307
01:11:59,880 --> 01:12:05,080
Speaker 2: be proud of, that she could say, now, what you

1308
01:12:05,200 --> 01:12:07,360
Speaker 2: said all that about my son, But he took time

1309
01:12:07,439 --> 01:12:16,960
Speaker 2: to give God a whole album none stop speaking the truth, preaching, teaching, listening, learning,

1310
01:12:17,560 --> 01:12:20,479
Speaker 2: and it's called Bible of Love because that's what I

1311
01:12:20,600 --> 01:12:23,720
Speaker 2: told him, and she was able to hear that, and

1312
01:12:24,640 --> 01:12:28,479
Speaker 2: that just no matter what I do on hip hop,

1313
01:12:29,640 --> 01:12:33,000
Speaker 2: it just don't feel like that because my mama could

1314
01:12:33,080 --> 01:12:36,479
Speaker 2: never play my hip hop records and be like, that's

1315
01:12:36,600 --> 01:12:41,360
Speaker 2: my boy. Yeah, but that one, that's what I told him.

1316
01:12:42,200 --> 01:12:46,240
Speaker 2: She could see the fruits of her labor through me

1317
01:12:46,360 --> 01:12:48,760
Speaker 2: taking the magical moment that I had to give it

1318
01:12:48,880 --> 01:12:52,519
Speaker 2: up to God a whole record, Bible of Love. Make

1319
01:12:52,520 --> 01:12:54,960
Speaker 2: sure y'all get that this is a beautiful record. It

1320
01:12:55,120 --> 01:12:57,800
Speaker 2: is such a beautiful record. I mean, I listened to

1321
01:12:57,840 --> 01:12:59,320
Speaker 2: it from time to time, but it makes me cry

1322
01:12:59,400 --> 01:13:01,920
Speaker 2: when I listened to it. And ain't nothing wrong with crying,

1323
01:13:02,000 --> 01:13:04,760
Speaker 2: but it just it makes me cry because it's a

1324
01:13:04,840 --> 01:13:08,479
Speaker 2: spirit checker. It checks your spirit, and great music is

1325
01:13:08,479 --> 01:13:10,760
Speaker 2: supposed to do that for you. So whenever I do

1326
01:13:10,880 --> 01:13:13,479
Speaker 2: want to shed a tear, I play that. I play

1327
01:13:13,680 --> 01:13:19,360
Speaker 2: these three words. Stevie Wonder that record right there, sweet

1328
01:13:19,400 --> 01:13:23,760
Speaker 2: and come on, man, am I wrong? You can't be,

1329
01:13:25,600 --> 01:13:28,120
Speaker 2: You can't be. And then when you ain't heard your

1330
01:13:28,120 --> 01:13:29,960
Speaker 2: mama's voice a long time, and you say, when was

1331
01:13:30,000 --> 01:13:33,519
Speaker 2: the last time they heard them, say, oh my god, Stevie,

1332
01:13:33,560 --> 01:13:37,880
Speaker 2: why you do it to me? Yeah?

1333
01:13:38,080 --> 01:13:39,920
Speaker 6: Yeah, let's talk this R and B thing. Man, Come on,

1334
01:13:40,240 --> 01:13:44,200
Speaker 6: let's because the R and B roster. I also had

1335
01:13:44,240 --> 01:13:51,080
Speaker 6: an opportunity to be an event that you obviously, you

1336
01:13:51,160 --> 01:13:53,000
Speaker 6: know when you know you snoop when you show up,

1337
01:13:53,040 --> 01:13:55,080
Speaker 6: you show out, but you know you held the event

1338
01:13:55,200 --> 01:13:58,200
Speaker 6: down and you actually, you know, you closed the event

1339
01:13:59,200 --> 01:14:03,400
Speaker 6: the Cardier Okay, Gamma event, Yes, sir, you know what

1340
01:14:03,479 --> 01:14:07,840
Speaker 6: I mean that you also grace yourself. But brought your

1341
01:14:08,000 --> 01:14:12,840
Speaker 6: artists October London there and there was a moment and

1342
01:14:13,520 --> 01:14:15,840
Speaker 6: you know my relationship with Larry, we come up together

1343
01:14:15,880 --> 01:14:17,920
Speaker 6: in San Francisco. You know, that's been my nigga for

1344
01:14:18,280 --> 01:14:21,439
Speaker 6: you know, many moons that I pulled him to the side.

1345
01:14:22,520 --> 01:14:24,280
Speaker 6: And I didn't even tell you this, but I pulled

1346
01:14:24,320 --> 01:14:28,920
Speaker 6: him to the side. I said, I don't know if

1347
01:14:28,960 --> 01:14:32,960
Speaker 6: I've ever seen an artist, it's you're a artist. First

1348
01:14:35,080 --> 01:14:41,320
Speaker 6: ever introduce someone signed to them? This way and support

1349
01:14:41,400 --> 01:14:44,280
Speaker 6: someone in this manner because we.

1350
01:14:44,360 --> 01:14:45,040
Speaker 1: All know everybody.

1351
01:14:45,080 --> 01:14:47,840
Speaker 6: You know, you signed artists, people got even just and

1352
01:14:47,960 --> 01:14:50,400
Speaker 6: even from us, even from the CEO standpoint.

1353
01:14:51,240 --> 01:14:58,240
Speaker 1: Yeah, the way you showed up for him, which listen,

1354
01:14:58,280 --> 01:14:59,920
Speaker 1: you told the Cardia people. You know you listen.

1355
01:15:00,280 --> 01:15:02,040
Speaker 6: You know y'all couldn't pay me enough to come to

1356
01:15:02,120 --> 01:15:06,679
Speaker 6: this motherfucker. I'm here because and I know you kept

1357
01:15:06,720 --> 01:15:07,599
Speaker 6: that watch too, nigga.

1358
01:15:09,040 --> 01:15:11,320
Speaker 2: I'll start the word today to show you what what

1359
01:15:11,560 --> 01:15:14,080
Speaker 2: chime it was? He told him in there.

1360
01:15:14,120 --> 01:15:15,960
Speaker 1: He said, yeah, yeah, yeah, I know y'all think y'all

1361
01:15:16,000 --> 01:15:18,080
Speaker 1: getting this back. It's not gonna happen.

1362
01:15:18,479 --> 01:15:21,439
Speaker 2: It's me. She came back on can we get to bitch?

1363
01:15:21,479 --> 01:15:25,280
Speaker 2: If you don't get out of here, then they're talking about,

1364
01:15:25,400 --> 01:15:27,040
Speaker 2: well can you at least take a picture with it?

1365
01:15:27,200 --> 01:15:29,599
Speaker 2: Then I take a picture, Well put the blunt down, said, bitch,

1366
01:15:29,640 --> 01:15:31,960
Speaker 2: you got a better chance of taking this motherfucker watching

1367
01:15:32,040 --> 01:15:37,760
Speaker 2: this motherfucking blunt. It's just a picture just like this. Yeah,

1368
01:15:38,120 --> 01:15:41,360
Speaker 2: just because you said that, bitch, he's still.

1369
01:15:42,920 --> 01:15:43,240
Speaker 3: Coming.

1370
01:15:46,640 --> 01:15:47,320
Speaker 7: He comes and.

1371
01:15:47,360 --> 01:15:50,160
Speaker 2: Goes that niggas. He's a crazy, crazy individual.

1372
01:15:50,160 --> 01:15:52,800
Speaker 6: I can't control it, no, but but seeing not though

1373
01:15:52,840 --> 01:15:55,599
Speaker 6: snoop for real, man, I was like it was once again,

1374
01:15:55,640 --> 01:15:59,320
Speaker 6: it was inspiring because this is how you're supposed to

1375
01:15:59,400 --> 01:16:00,720
Speaker 6: be there for your right.

1376
01:16:01,680 --> 01:16:03,519
Speaker 2: We leave by example. We leave by example.

1377
01:16:04,040 --> 01:16:06,920
Speaker 6: Everybody can write the check once you in a position,

1378
01:16:07,720 --> 01:16:11,000
Speaker 6: but really really get show up.

1379
01:16:12,320 --> 01:16:15,640
Speaker 2: It's development. It's artist development. Like I've really worked with

1380
01:16:15,800 --> 01:16:18,280
Speaker 2: developing him and I'm so proud of him, and I

1381
01:16:18,360 --> 01:16:20,240
Speaker 2: want people to know how much I love him and

1382
01:16:20,360 --> 01:16:22,640
Speaker 2: how great he means to how great he is to

1383
01:16:22,680 --> 01:16:25,160
Speaker 2: the music industry. Like when you're introducing a new voice

1384
01:16:25,200 --> 01:16:27,680
Speaker 2: in the new sound, you should protect that. And I

1385
01:16:27,800 --> 01:16:30,240
Speaker 2: protect him like he want a mine because he is

1386
01:16:30,320 --> 01:16:31,920
Speaker 2: one of mine, you know what I'm saying. So it's

1387
01:16:32,000 --> 01:16:34,840
Speaker 2: like for me to stand with him shows you that

1388
01:16:35,000 --> 01:16:37,800
Speaker 2: you can't play with him, you know what I'm saying, Like,

1389
01:16:37,920 --> 01:16:40,559
Speaker 2: that's what that means with Okay, dog is really with him?

1390
01:16:40,800 --> 01:16:43,000
Speaker 2: I can't play with him. Don't try to slide, no

1391
01:16:43,120 --> 01:16:46,160
Speaker 2: back door offers or no see we can get him

1392
01:16:46,200 --> 01:16:48,880
Speaker 2: away if we can try to sway, and he'll tell

1393
01:16:48,920 --> 01:16:53,439
Speaker 2: you any kind of deal that he get. I never

1394
01:16:53,560 --> 01:16:55,960
Speaker 2: try to sway my way. For example, if it's a

1395
01:16:56,000 --> 01:16:59,760
Speaker 2: publishing situation, right, he been with me long you would

1396
01:16:59,800 --> 01:17:03,840
Speaker 2: think that he's with my publishing company or publish mm hmm.

1397
01:17:04,360 --> 01:17:07,320
Speaker 2: Go get you the best publishing deal for you. What's

1398
01:17:07,400 --> 01:17:10,200
Speaker 2: best for you. Me taking your ship ain't best for

1399
01:17:10,320 --> 01:17:14,200
Speaker 2: you because you a fucking writer, You a creator. You nigga,

1400
01:17:14,360 --> 01:17:16,120
Speaker 2: I own the master's I mean, I ain't trying to

1401
01:17:16,160 --> 01:17:18,360
Speaker 2: be greedy, man. You show on your publisher. So that way,

1402
01:17:18,400 --> 01:17:20,920
Speaker 2: when we start selling this ship or moving this ship

1403
01:17:20,960 --> 01:17:24,960
Speaker 2: into different places of the media world, we're a partner still,

1404
01:17:25,640 --> 01:17:27,679
Speaker 2: you know what I'm saying. It's not like one's bigger

1405
01:17:27,720 --> 01:17:29,439
Speaker 2: than the others. Like we need each other. I can't

1406
01:17:29,560 --> 01:17:31,840
Speaker 2: push it without your permission. You can't push it without

1407
01:17:31,840 --> 01:17:34,840
Speaker 2: It's like, and we love each other like it's real love.

1408
01:17:34,960 --> 01:17:38,360
Speaker 2: It's not gonna ever be like well, fuck Snooper, fuck October,

1409
01:17:38,479 --> 01:17:41,080
Speaker 2: no nigga, because you was introduced to me and I

1410
01:17:41,240 --> 01:17:43,040
Speaker 2: love what you had and I already had it, and

1411
01:17:43,080 --> 01:17:45,639
Speaker 2: I just want to see you have it. How about

1412
01:17:45,720 --> 01:17:51,120
Speaker 2: that you got Jane over there, Oh Jane Jane Hancock

1413
01:17:52,280 --> 01:17:55,560
Speaker 2: Raphael sad Yes, when I'm over over there doing my

1414
01:17:55,640 --> 01:17:57,840
Speaker 2: death jam saying Raphael, like, nigga, I'm from the play

1415
01:17:57,840 --> 01:18:00,920
Speaker 2: you something he played that like my weed. I'm like,

1416
01:18:01,000 --> 01:18:03,920
Speaker 2: who the fuck is that? Like that Jane Hancott's special,

1417
01:18:04,040 --> 01:18:07,559
Speaker 2: I said, I want her, I want her, Yeah, brought her,

1418
01:18:07,640 --> 01:18:10,400
Speaker 2: moved her down to La developed started developing her about

1419
01:18:10,960 --> 01:18:15,240
Speaker 2: three years ago, putting her on certain projects, but developing like, yes,

1420
01:18:15,320 --> 01:18:17,160
Speaker 2: getting the whole get down together. We ain't gonna just

1421
01:18:17,240 --> 01:18:19,040
Speaker 2: grab you and throw you out. We're gonna develop you.

1422
01:18:19,400 --> 01:18:21,200
Speaker 2: We're gonna make sure you understand that we're gonna make

1423
01:18:21,280 --> 01:18:24,080
Speaker 2: real records, that you're gonna do shit with substance and

1424
01:18:24,160 --> 01:18:27,400
Speaker 2: car and consciousness because you gotta live with these records.

1425
01:18:27,960 --> 01:18:30,160
Speaker 2: You have to go perform these records. So I don't

1426
01:18:30,160 --> 01:18:31,720
Speaker 2: want you to be saying shit you ain't gonna be

1427
01:18:31,760 --> 01:18:34,080
Speaker 2: able to live with ten years from now. We're a

1428
01:18:34,160 --> 01:18:36,519
Speaker 2: real record company. We want to make shit that's solid.

1429
01:18:37,400 --> 01:18:39,639
Speaker 2: And she she fit the bill. She's the first lady

1430
01:18:39,680 --> 01:18:43,720
Speaker 2: on death Row Fire. Yeah, yeah, Yeah.

1431
01:18:43,760 --> 01:18:47,720
Speaker 3: My nephew, Charlie over there, Charlie b Rare, Charlie be Rare,

1432
01:18:48,120 --> 01:18:49,800
Speaker 3: my guy, my little brother over there.

1433
01:18:49,880 --> 01:18:51,960
Speaker 2: Now, Charlie been in the family for a long time.

1434
01:18:52,040 --> 01:18:53,840
Speaker 2: He tell me a story about him coming to my

1435
01:18:54,000 --> 01:18:58,639
Speaker 2: house as a teenager with his dad. I'm like, I'm

1436
01:18:58,720 --> 01:19:03,240
Speaker 2: that old, Like, yeah, when I came to your house,

1437
01:19:03,280 --> 01:19:05,400
Speaker 2: we use I said, come on to me that story

1438
01:19:05,400 --> 01:19:06,880
Speaker 2: because I don't want to hear that. It's like me

1439
01:19:07,000 --> 01:19:09,720
Speaker 2: telling Quincy Jones and Booty Collins and shit like then

1440
01:19:09,760 --> 01:19:12,240
Speaker 2: when I was thirteen. I can't in y'all house. But

1441
01:19:12,439 --> 01:19:14,519
Speaker 2: that's how much love we have for each other. It's

1442
01:19:14,600 --> 01:19:19,240
Speaker 2: like he remembers how I treated him then and how

1443
01:19:19,320 --> 01:19:21,960
Speaker 2: I treat him now, and how I developed him and

1444
01:19:22,040 --> 01:19:24,360
Speaker 2: how I'm working with developing him. His album has been

1445
01:19:24,400 --> 01:19:27,640
Speaker 2: done for over a year, but we have to develop.

1446
01:19:27,960 --> 01:19:30,720
Speaker 2: We have to make sure it's introduced the right way.

1447
01:19:30,800 --> 01:19:33,120
Speaker 2: It's right pieces to the puzzle. Like today, we just

1448
01:19:33,240 --> 01:19:37,519
Speaker 2: dropped his song and Hope, which feels like Martin the

1449
01:19:37,640 --> 01:19:40,840
Speaker 2: King's birthday. It feels just just like that. When you

1450
01:19:40,920 --> 01:19:42,559
Speaker 2: see it, you're gonna see what I'm saying. It looks

1451
01:19:42,640 --> 01:19:47,800
Speaker 2: and feels just like MLK. It's called Hope. His style

1452
01:19:47,880 --> 01:19:52,200
Speaker 2: of music is perfect. It's not nothing but his. He's

1453
01:19:52,320 --> 01:19:56,040
Speaker 2: loved in the industry. Musicians love him, artists love him,

1454
01:19:56,720 --> 01:19:59,599
Speaker 2: and God put him with me so I can put

1455
01:19:59,640 --> 01:20:02,080
Speaker 2: a little light on him so he could shine. Come on,

1456
01:20:02,720 --> 01:20:08,760
Speaker 2: that's my music. Praise God yeah.

1457
01:20:09,080 --> 01:20:12,760
Speaker 1: That record is called Hope Yeah. And then you brought

1458
01:20:12,880 --> 01:20:18,559
Speaker 1: back Oh Yeah, Chicago, who is one of my favorite singers.

1459
01:20:18,680 --> 01:20:20,559
Speaker 2: I loved me some Danny Boy, and what's so crazy

1460
01:20:20,560 --> 01:20:21,800
Speaker 2: he was? I didn't get a chance to work with

1461
01:20:21,920 --> 01:20:24,160
Speaker 2: him when we was on death Row. Really didn't know

1462
01:20:24,240 --> 01:20:26,679
Speaker 2: that they kept us over there. He was on that side.

1463
01:20:26,920 --> 01:20:29,920
Speaker 2: We don't have no music together before. Never thought about

1464
01:20:29,960 --> 01:20:35,040
Speaker 2: that name one. There is nothing, That's what I'm saying.

1465
01:20:35,160 --> 01:20:39,639
Speaker 2: So when I got death Row back, he was hearing

1466
01:20:39,720 --> 01:20:42,400
Speaker 2: mysterious things that I didn't like him and this and that.

1467
01:20:44,080 --> 01:20:47,360
Speaker 2: But what he didn't know was I loved him. And

1468
01:20:47,520 --> 01:20:50,320
Speaker 2: what I started to do was I followed him on Instagram.

1469
01:20:50,880 --> 01:20:54,120
Speaker 2: I started hearing his music on Serious Exam, Hard and Soul,

1470
01:20:54,920 --> 01:20:57,879
Speaker 2: and I downloaded his music and then I started posting

1471
01:20:58,000 --> 01:21:01,519
Speaker 2: me playing his music on Instagram. Then I hit him

1472
01:21:01,560 --> 01:21:05,360
Speaker 2: on DM and said, I love you, nephew, what's happening?

1473
01:21:06,479 --> 01:21:10,599
Speaker 2: Come on man, And then brought him out here, put

1474
01:21:10,720 --> 01:21:13,920
Speaker 2: him on a couple of projects, did remake a special

1475
01:21:14,000 --> 01:21:16,240
Speaker 2: kind of fool with him, and just trying to get

1476
01:21:16,320 --> 01:21:19,160
Speaker 2: him back in slowly but surely, but definitely love what

1477
01:21:19,280 --> 01:21:21,200
Speaker 2: he brings to the table. He's a part of Death Row,

1478
01:21:21,880 --> 01:21:23,960
Speaker 2: and I just want to just keep putting love in

1479
01:21:24,000 --> 01:21:26,400
Speaker 2: the air, Like I feel like his voice is connected

1480
01:21:26,439 --> 01:21:29,000
Speaker 2: to death Row, So I want him to be a

1481
01:21:29,040 --> 01:21:29,880
Speaker 2: part of what we're doing.

1482
01:21:30,040 --> 01:21:35,240
Speaker 3: Yeah, now you're being a vessel for sure. One more moment.

1483
01:21:35,280 --> 01:21:38,479
Speaker 3: I gotta thank you for Uncle Charlie.

1484
01:21:38,640 --> 01:21:42,360
Speaker 2: Come on, yeah, yeah, come on, man, Uncle Charlie saved

1485
01:21:42,400 --> 01:21:46,920
Speaker 2: my relationship with my wife. Well, I met Charlie. He

1486
01:21:47,120 --> 01:21:51,120
Speaker 2: was at a gas station, wasn't doing too well, and

1487
01:21:51,240 --> 01:21:54,080
Speaker 2: I was like, man, I'm gonna hook you up if

1488
01:21:54,120 --> 01:21:58,040
Speaker 2: I can when I can. And then val young lady

1489
01:21:58,160 --> 01:22:01,840
Speaker 2: v the legend, Yeah, can you can you get him?

1490
01:22:02,600 --> 01:22:04,479
Speaker 2: She brought him in the studio with us. And when

1491
01:22:04,520 --> 01:22:07,120
Speaker 2: she brought him, he was recovering and he had his

1492
01:22:07,240 --> 01:22:09,240
Speaker 2: wife with him. Well, she wasn't his wife. She was

1493
01:22:09,320 --> 01:22:12,160
Speaker 2: his counselor at the time, or his person that you

1494
01:22:12,240 --> 01:22:16,080
Speaker 2: deal with from the rehabilitation place. And you know, naturally

1495
01:22:16,200 --> 01:22:18,639
Speaker 2: we smoking and shit. She pulled me to the side,

1496
01:22:18,720 --> 01:22:21,200
Speaker 2: she like, did you guys please not smoke? Like man,

1497
01:22:21,280 --> 01:22:24,599
Speaker 2: shut up, but listening to you. Second day she said

1498
01:22:24,640 --> 01:22:27,360
Speaker 2: the same thing. Third day, she pulled me to the side.

1499
01:22:27,439 --> 01:22:31,680
Speaker 2: She said, if you smoke again, I'm not bringing Charlie back.

1500
01:22:32,920 --> 01:22:36,880
Speaker 2: So I was like, AKA, we gotta stop smoking. Wow.

1501
01:22:37,120 --> 01:22:42,559
Speaker 2: So but she ended up becoming his wife, He rehabilitated hisself.

1502
01:22:42,600 --> 01:22:44,760
Speaker 2: She ended up becoming one of the most special people

1503
01:22:44,880 --> 01:22:47,360
Speaker 2: in my life because when me and my wife was

1504
01:22:47,400 --> 01:22:51,080
Speaker 2: having rocky you know times, Charlie Wilson checked the shit

1505
01:22:51,120 --> 01:22:54,000
Speaker 2: out of me, called me, put me on point, got

1506
01:22:54,080 --> 01:22:58,080
Speaker 2: me on deck, and I renewed my vows with my

1507
01:22:58,200 --> 01:23:01,599
Speaker 2: wife because of man taught me how to be a man,

1508
01:23:01,640 --> 01:23:04,880
Speaker 2: and his wife showed me how to treat a wife.

1509
01:23:05,560 --> 01:23:09,880
Speaker 2: So that's what he did for me. So musically, what

1510
01:23:10,000 --> 01:23:12,080
Speaker 2: I did for him don't mean ship compared to what

1511
01:23:12,160 --> 01:23:16,880
Speaker 2: he did for me personally. Charlie Wilton's heroes and you

1512
01:23:16,960 --> 01:23:19,760
Speaker 2: know he a real nigga, so so imagine how he

1513
01:23:19,880 --> 01:23:26,479
Speaker 2: was talking to me. If you don't get your bitch

1514
01:23:26,560 --> 01:23:29,800
Speaker 2: ass off the streets and get the funk back home,

1515
01:23:30,040 --> 01:23:33,759
Speaker 2: for you lose everything chasing him nothing ass. Get home, nigga.

1516
01:23:34,280 --> 01:23:41,880
Speaker 2: I'm not gonna tell you again in that order. Get home, nigga, sir, Yes, sir, yes, sir. Yeah.

1517
01:23:42,400 --> 01:23:43,080
Speaker 2: I received it.

1518
01:23:45,080 --> 01:23:49,640
Speaker 5: Playing from You're not from the play game streets.

1519
01:23:49,400 --> 01:23:52,160
Speaker 2: And then and then you see the video, Uh that

1520
01:23:52,320 --> 01:23:54,639
Speaker 2: goes my Baby's starring me and my wife.

1521
01:23:56,000 --> 01:23:59,880
Speaker 1: Did y'all know that it's from y'all, it's from the

1522
01:24:00,080 --> 01:24:00,960
Speaker 1: it's from the Uh.

1523
01:24:01,120 --> 01:24:04,280
Speaker 2: It's from the read net renewing over we're staring in

1524
01:24:04,360 --> 01:24:08,200
Speaker 2: the video because like, wow, it's And the crazy part

1525
01:24:08,439 --> 01:24:11,200
Speaker 2: was after he checked me and got me writing all

1526
01:24:11,240 --> 01:24:12,519
Speaker 2: that shit, he said, come on in the back of

1527
01:24:12,560 --> 01:24:14,840
Speaker 2: the studio, Nigga, He said, I got someone want to

1528
01:24:14,840 --> 01:24:16,120
Speaker 2: play for you. He said, I don't know if it's

1529
01:24:16,120 --> 01:24:17,600
Speaker 2: good or not. I need you to tell me, and

1530
01:24:17,680 --> 01:24:20,479
Speaker 2: he played that motherfucking dagg oes my baby. I'm like, Nigga,

1531
01:24:20,520 --> 01:24:23,600
Speaker 2: that ship is great, man, that shit ain't good. That

1532
01:24:23,760 --> 01:24:28,200
Speaker 2: ship is fucking great. You need to drop up that pronto.

1533
01:24:29,320 --> 01:24:32,560
Speaker 2: And it number one. Me and my wife in the

1534
01:24:32,640 --> 01:24:37,320
Speaker 2: video Happily ever After, like sometimes you need that that

1535
01:24:37,560 --> 01:24:40,920
Speaker 2: real tough love and not to just let shit break up.

1536
01:24:41,000 --> 01:24:43,760
Speaker 2: And just see, I told you I knew they wasn't

1537
01:24:43,760 --> 01:24:48,040
Speaker 2: gonna na you know. Betty Right had a song she said,

1538
01:24:48,080 --> 01:24:50,639
Speaker 2: don't you remember when people used to try to keep

1539
01:24:50,720 --> 01:24:53,280
Speaker 2: you together and they used to come over and party

1540
01:24:53,400 --> 01:24:55,880
Speaker 2: and cook for you, and they say, don't blame mister Charlie,

1541
01:24:55,880 --> 01:24:58,840
Speaker 2: because mister Charlie is only man and he's doing the

1542
01:24:58,920 --> 01:25:03,880
Speaker 2: best that he can. But it was about relationships not

1543
01:25:05,000 --> 01:25:08,240
Speaker 2: being allowed to break up because family and friends wouldn't

1544
01:25:08,240 --> 01:25:12,080
Speaker 2: have it. They would come in and tell the wife,

1545
01:25:12,520 --> 01:25:15,559
Speaker 2: don't blame mister Charlie, He's only a man, and then

1546
01:25:15,560 --> 01:25:17,320
Speaker 2: they would go to Charlie, you know you got the

1547
01:25:17,360 --> 01:25:20,040
Speaker 2: best woman. You better get your shit together like it

1548
01:25:20,200 --> 01:25:22,800
Speaker 2: was that and it's all of this around you. If

1549
01:25:22,880 --> 01:25:27,280
Speaker 2: you can't not break up, it's too much. It's like,

1550
01:25:29,080 --> 01:25:31,120
Speaker 2: I do need to be with you. I do love you.

1551
01:25:31,720 --> 01:25:36,280
Speaker 2: You're right, you realize what y'all mean to what you

1552
01:25:36,439 --> 01:25:40,640
Speaker 2: just said. We don't realize what we mean to our people.

1553
01:25:41,680 --> 01:25:42,160
Speaker 1: Young people.

1554
01:25:42,240 --> 01:25:45,719
Speaker 6: I also witnessed that night threw me off at first,

1555
01:25:47,240 --> 01:25:52,120
Speaker 6: threw me off. As I was leaving the mail review

1556
01:25:52,280 --> 01:25:52,840
Speaker 6: was walking in.

1557
01:25:53,080 --> 01:25:59,160
Speaker 1: Yes, so I'm like, and Fuzzy could tell that.

1558
01:26:03,400 --> 01:26:07,160
Speaker 6: He said, he said, yeah, on certain nights, boss lady,

1559
01:26:07,320 --> 01:26:09,240
Speaker 6: Yeah that's her thing, got a male review.

1560
01:26:09,439 --> 01:26:11,360
Speaker 2: Yeah, that she do. On the other side, it's called

1561
01:26:11,479 --> 01:26:14,760
Speaker 2: men of Boss and the ladies love it.

1562
01:26:15,000 --> 01:26:17,479
Speaker 3: No, no, no, no, no, no, I ain't gonna say

1563
01:26:17,560 --> 01:26:19,559
Speaker 3: who I saw the women that was coming in there,

1564
01:26:19,600 --> 01:26:22,519
Speaker 3: but there was some known woen they was coming out.

1565
01:26:24,400 --> 01:26:28,320
Speaker 2: Listen, I ain't gonna blow up. It's the strip club

1566
01:26:28,640 --> 01:26:32,080
Speaker 2: for ladies. Like how we have our strip club where

1567
01:26:32,120 --> 01:26:34,640
Speaker 2: we can go and enjoy the finer things of a

1568
01:26:34,720 --> 01:26:39,040
Speaker 2: woman's you know, hey man, praise God. That's the same

1569
01:26:39,160 --> 01:26:41,759
Speaker 2: thing that they get to do, you know, via courtesy

1570
01:26:41,880 --> 01:26:44,880
Speaker 2: of Boss, lady men of Boss. That's the presentation that

1571
01:26:45,000 --> 01:26:48,400
Speaker 2: she presents to the to the scene and they love it.

1572
01:26:48,479 --> 01:26:50,120
Speaker 2: And you know, I had nothing to do with it.

1573
01:26:50,600 --> 01:26:52,240
Speaker 2: I mean, I have nothing to do with it. But

1574
01:26:52,400 --> 01:26:55,799
Speaker 2: I mean I promote and cheer and you know, applaud

1575
01:26:55,840 --> 01:26:58,559
Speaker 2: my wife, just like she do everything for me. Whatever

1576
01:26:58,720 --> 01:27:01,240
Speaker 2: I do, she applause no matter what it was, she

1577
01:27:01,439 --> 01:27:04,040
Speaker 2: was always so I do the same.

1578
01:27:05,560 --> 01:27:08,360
Speaker 6: That's that's I see it with my own eyes. I'm like,

1579
01:27:09,040 --> 01:27:12,280
Speaker 6: I love that, like snoop. Really it's a whole nother

1580
01:27:12,400 --> 01:27:13,120
Speaker 6: event going on.

1581
01:27:13,280 --> 01:27:14,080
Speaker 2: I love that.

1582
01:27:14,439 --> 01:27:14,920
Speaker 1: It's popping.

1583
01:27:15,439 --> 01:27:18,160
Speaker 2: It's popping. If if you have any single women that

1584
01:27:18,280 --> 01:27:21,160
Speaker 2: want to slide through rs VP on Wednesday, is pop

1585
01:27:21,560 --> 01:27:24,880
Speaker 2: been like the reviews out of here, like women want

1586
01:27:24,880 --> 01:27:29,519
Speaker 2: to come to Yeah, it's more Volgan. Listen, they say

1587
01:27:29,600 --> 01:27:36,519
Speaker 2: this is ladies lad have a good time because you

1588
01:27:37,479 --> 01:27:41,240
Speaker 2: see we playing a good time. That's what we got

1589
01:27:41,360 --> 01:27:43,439
Speaker 2: to understand that they're human too. I don't even sometimes

1590
01:27:43,479 --> 01:27:45,240
Speaker 2: I don't even go out there. Sometimes I'm out there

1591
01:27:45,280 --> 01:27:48,080
Speaker 2: for like five ten minutes and then I'm like, okay,

1592
01:27:48,120 --> 01:27:50,439
Speaker 2: it's my time to leave. It's been real y'all. Haven't

1593
01:27:50,439 --> 01:27:55,000
Speaker 2: seen the deal double it's your night out? Let them operate. Yes,

1594
01:27:55,920 --> 01:27:59,439
Speaker 2: I don't know the way they want to have fun.

1595
01:27:59,640 --> 01:28:02,400
Speaker 1: Yes, I see, I said, I said, the niggas pulling

1596
01:28:02,479 --> 01:28:04,120
Speaker 1: up what they rolling back? So you know how the

1597
01:28:04,200 --> 01:28:07,880
Speaker 1: women be coming for We all know you mean that

1598
01:28:08,320 --> 01:28:09,960
Speaker 1: rolling back, I said.

1599
01:28:10,000 --> 01:28:11,480
Speaker 2: All these niggas is okay.

1600
01:28:12,000 --> 01:28:12,080
Speaker 3: Do.

1601
01:28:15,000 --> 01:28:15,559
Speaker 1: Have a good time.

1602
01:28:15,640 --> 01:28:18,800
Speaker 2: And the compound. But that's the the beauty of having

1603
01:28:18,840 --> 01:28:21,360
Speaker 2: a compound is we could do what we want when

1604
01:28:21,400 --> 01:28:33,800
Speaker 2: we want. You see what I'm saying, Like to be

1605
01:28:33,840 --> 01:28:35,560
Speaker 2: able to have your own facility, to be able to

1606
01:28:36,240 --> 01:28:38,719
Speaker 2: to to just have a party, to have a function,

1607
01:28:38,880 --> 01:28:41,160
Speaker 2: to have an awards show, to do something for the kids,

1608
01:28:41,320 --> 01:28:45,120
Speaker 2: to just ever get together longer they have since two

1609
01:28:45,160 --> 01:28:52,519
Speaker 2: thousand and eleven. Oh wow, wow, poteen and counting. And

1610
01:28:52,880 --> 01:28:56,600
Speaker 2: the crazy part was in the beginning when I got it,

1611
01:28:56,680 --> 01:28:58,519
Speaker 2: I just needed a space, right, So it was just

1612
01:28:58,560 --> 01:29:01,120
Speaker 2: an empty box. So it was like, I'm gonna lease

1613
01:29:01,200 --> 01:29:02,880
Speaker 2: this thing for a couple of years just because I

1614
01:29:03,000 --> 01:29:06,800
Speaker 2: want to be in LA. So leasing it for three years,

1615
01:29:07,720 --> 01:29:10,560
Speaker 2: another three years and didn't mind you this. This is

1616
01:29:10,600 --> 01:29:13,800
Speaker 2: how bad my business hand was. I could have bought

1617
01:29:13,840 --> 01:29:18,000
Speaker 2: it when I first got it, but I didn't have

1618
01:29:18,520 --> 01:29:21,519
Speaker 2: the real estate mind state or the business hand. So

1619
01:29:22,160 --> 01:29:25,280
Speaker 2: we were leasing. So by the time we get to

1620
01:29:25,880 --> 01:29:28,519
Speaker 2: let's say, year ten, I mean my lease is up

1621
01:29:28,560 --> 01:29:31,439
Speaker 2: and I don't even know it. And everything in there

1622
01:29:31,439 --> 01:29:35,000
Speaker 2: that you see is in there, right, So imagine this

1623
01:29:37,680 --> 01:29:42,400
Speaker 2: were selling this building. Huh when your lease is up? Wait,

1624
01:29:42,439 --> 01:29:45,760
Speaker 2: wait a minute, do y'all know what I got in here? Right?

1625
01:29:46,400 --> 01:29:49,120
Speaker 2: Give a fuck it? I sell buildings. I don't buy

1626
01:29:50,640 --> 01:29:53,559
Speaker 2: say man. I had my manager at the time, Ted

1627
01:29:54,640 --> 01:29:58,000
Speaker 2: steal my nigga. To this day, Ted chung geist. Ted,

1628
01:29:58,040 --> 01:29:59,640
Speaker 2: we need to find out who that motherfucker is that

1629
01:29:59,760 --> 01:30:02,720
Speaker 2: that we need to bypass. We need to find out

1630
01:30:02,760 --> 01:30:04,120
Speaker 2: who he is. We find out who he was. But

1631
01:30:04,640 --> 01:30:09,240
Speaker 2: my people put us together. He was way up there older.

1632
01:30:09,280 --> 01:30:13,800
Speaker 2: God get on the line wood. He first thing he says,

1633
01:30:16,080 --> 01:30:20,760
Speaker 2: on buy buildings, I sell them I'm like, damn, well,

1634
01:30:20,880 --> 01:30:23,160
Speaker 2: can I chop it up with you? All right, boy,

1635
01:30:23,200 --> 01:30:26,840
Speaker 2: we gonna pull up on you. We go sing. I'm

1636
01:30:26,920 --> 01:30:30,080
Speaker 2: telling him about what I invested in the building, the

1637
01:30:30,200 --> 01:30:32,599
Speaker 2: things that I've done there, how the city of Inglewood

1638
01:30:33,040 --> 01:30:38,400
Speaker 2: and the mayor and all the like, all right, whatever.

1639
01:30:40,040 --> 01:30:45,639
Speaker 2: So the next day he say come back. He said,

1640
01:30:47,600 --> 01:30:54,479
Speaker 2: normally only sell buildings, but my daughter told me if

1641
01:30:54,560 --> 01:30:58,760
Speaker 2: I don't sell snoop dogg this building, she'd hate me.

1642
01:31:00,040 --> 01:31:03,280
Speaker 2: M the dynamics.

1643
01:31:03,520 --> 01:31:07,840
Speaker 1: Wow, Michael Jackson got the Beatles publishing, so.

1644
01:31:08,280 --> 01:31:15,200
Speaker 2: So imagine it costs this much. But he said, I

1645
01:31:15,320 --> 01:31:19,439
Speaker 2: need this much, so I gotta go scramble to go

1646
01:31:19,560 --> 01:31:24,600
Speaker 2: get it because he like, you got this window.

1647
01:31:24,760 --> 01:31:26,520
Speaker 1: Right, I'll give you the opportunity.

1648
01:31:27,400 --> 01:31:30,760
Speaker 2: Can I let me? He ain't no regular loans either,

1649
01:31:31,640 --> 01:31:37,840
Speaker 2: This ain't no two dollars loans. Get too many? Texted

1650
01:31:37,960 --> 01:31:40,559
Speaker 2: me call you back? Take take you're gonna pick up

1651
01:31:41,120 --> 01:31:42,800
Speaker 2: jabout to let me call you back. Both of you

1652
01:31:42,880 --> 01:31:45,280
Speaker 2: niggas can't tell me to call you back. Yeah. I

1653
01:31:45,360 --> 01:31:48,040
Speaker 2: only got this amount of time, and I can't go

1654
01:31:48,400 --> 01:31:51,080
Speaker 2: perform to get this kind of money because that ain't

1655
01:31:51,560 --> 01:31:56,720
Speaker 2: straight money. I need straight here. Yeah, yeah, yeah, yeah, yeah, yeah,

1656
01:31:57,040 --> 01:32:01,800
Speaker 2: So I have a meeting. Hey teen, what sidening? Nigga

1657
01:32:01,880 --> 01:32:03,639
Speaker 2: need to come up with woo woo who right now?

1658
01:32:03,840 --> 01:32:06,360
Speaker 2: What you got? What you got? What you got? Nigga?

1659
01:32:06,400 --> 01:32:08,280
Speaker 2: You eat what you kill? Everybody go kill something, get

1660
01:32:08,320 --> 01:32:11,680
Speaker 2: ten percent. I put to eat what you kill on

1661
01:32:11,840 --> 01:32:18,679
Speaker 2: your head. Hunt out. Got up to about that one

1662
01:32:18,760 --> 01:32:28,559
Speaker 2: phone call poop here, we're good now. Oh and then

1663
01:32:28,640 --> 01:32:34,160
Speaker 2: next door dude that own that My god, we've been

1664
01:32:34,280 --> 01:32:37,040
Speaker 2: using this lot parking over there? He getting up in age.

1665
01:32:38,320 --> 01:32:39,760
Speaker 2: I didn't have been over there. Fucking whin he threw

1666
01:32:39,760 --> 01:32:41,960
Speaker 2: at four times he said, I want to meet with

1667
01:32:42,040 --> 01:32:46,000
Speaker 2: snow dog. What's happening, snoop? I want to save you

1668
01:32:46,080 --> 01:32:52,559
Speaker 2: my building. I'm getting old. Make me off. It's yours now.

1669
01:32:52,640 --> 01:32:58,040
Speaker 2: I got them both. Wow, Look at God. Won't he

1670
01:32:58,120 --> 01:33:00,680
Speaker 2: do it? Won't he do it?

1671
01:33:01,880 --> 01:33:02,120
Speaker 1: Wow?

1672
01:33:02,760 --> 01:33:05,240
Speaker 2: But in the beginning, if I would have known better,

1673
01:33:05,520 --> 01:33:08,599
Speaker 2: I could have bought it for already, right right, come

1674
01:33:08,640 --> 01:33:10,760
Speaker 2: on the step for you.

1675
01:33:11,320 --> 01:33:13,840
Speaker 5: You helped the appreciation of the building, and.

1676
01:33:13,880 --> 01:33:17,760
Speaker 2: Then Inglewood to pay for it. Watch this, I'm there

1677
01:33:17,840 --> 01:33:22,200
Speaker 2: before the sofi was built. How about the mayor brings

1678
01:33:22,280 --> 01:33:24,560
Speaker 2: me in to show me the blueprints and we go

1679
01:33:24,720 --> 01:33:27,400
Speaker 2: to the stadium with the helmets on and all this

1680
01:33:27,560 --> 01:33:30,240
Speaker 2: ship and taking pictures before it's building or it's gonna

1681
01:33:30,240 --> 01:33:33,559
Speaker 2: look like this, it's gonna look like this, knowing it's

1682
01:33:33,600 --> 01:33:38,920
Speaker 2: getting raised make my projets price. But shout out to

1683
01:33:39,000 --> 01:33:40,760
Speaker 2: the mayor because he did all the things he was

1684
01:33:40,760 --> 01:33:42,960
Speaker 2: supposed to do to make sure that I was able

1685
01:33:42,960 --> 01:33:44,360
Speaker 2: to do the things I was supposed to do. So

1686
01:33:44,479 --> 01:33:46,680
Speaker 2: we did a lot of charitable events, a lot of

1687
01:33:46,760 --> 01:33:49,479
Speaker 2: things when we gave back to the community. And you

1688
01:33:49,520 --> 01:33:50,960
Speaker 2: know what I'm saying. He was there for me when

1689
01:33:50,960 --> 01:33:52,519
Speaker 2: it was time for me to build and do things

1690
01:33:52,560 --> 01:33:54,479
Speaker 2: in the community. He was always by my side and

1691
01:33:54,840 --> 01:34:02,720
Speaker 2: making sure that things could happen. That's incredible, bro. Yes sir, congratulations, Yeah, yes, sir,

1692
01:34:02,960 --> 01:34:03,240
Speaker 2: thank you.

1693
01:34:04,080 --> 01:34:07,320
Speaker 3: You're gonna be remembered for so many, so many things,

1694
01:34:07,880 --> 01:34:13,439
Speaker 3: so many different things. What's the one thing that that's

1695
01:34:13,560 --> 01:34:15,800
Speaker 3: most important to you to be remembered for?

1696
01:34:16,160 --> 01:34:19,640
Speaker 2: My Snoop Youth Special Stars. I got the Snoop You

1697
01:34:19,800 --> 01:34:22,639
Speaker 2: Football League, which everybody knows about, but the Snoop Youth

1698
01:34:22,680 --> 01:34:25,840
Speaker 2: Special Stars. It's a program that we build for kids

1699
01:34:25,880 --> 01:34:30,400
Speaker 2: with disabilities and handicaps, and it's been going very successful

1700
01:34:30,439 --> 01:34:33,679
Speaker 2: for the past like six seven years. We throw them banquets,

1701
01:34:33,760 --> 01:34:35,800
Speaker 2: we take them out of town, we let them play

1702
01:34:35,880 --> 01:34:40,120
Speaker 2: different games. I mean they become so to speak, regular,

1703
01:34:40,400 --> 01:34:43,479
Speaker 2: because for many years, people wouldn't treat them regular. They

1704
01:34:43,520 --> 01:34:46,360
Speaker 2: would always hide them or put them away. Or my

1705
01:34:46,840 --> 01:34:48,880
Speaker 2: kid has disabilities and I don't really know how to

1706
01:34:49,800 --> 01:34:51,960
Speaker 2: you know, I don't know how you guys are gonna

1707
01:34:51,960 --> 01:34:54,200
Speaker 2: act if he shows out or he starts screaming, or

1708
01:34:54,240 --> 01:34:57,160
Speaker 2: he starts doing whatever he does. We got him in

1709
01:34:57,200 --> 01:35:01,439
Speaker 2: an environment now to where it's beauty because no one's

1710
01:35:01,479 --> 01:35:04,240
Speaker 2: ashamed anymore. And the kids get to have a great time.

1711
01:35:04,320 --> 01:35:06,719
Speaker 2: They get to play flag football, they get to have banquets,

1712
01:35:06,760 --> 01:35:09,000
Speaker 2: they get to dance, they get to paint, they get

1713
01:35:09,040 --> 01:35:11,240
Speaker 2: the party, they get to learn, they get to be regular,

1714
01:35:12,160 --> 01:35:15,479
Speaker 2: like there's no disabilities. They're regular, just like a regular

1715
01:35:15,600 --> 01:35:18,200
Speaker 2: kid has a regular good time. We're giving them a

1716
01:35:18,240 --> 01:35:20,240
Speaker 2: regular good time and that's my pride. And enjoy it

1717
01:35:20,320 --> 01:35:24,400
Speaker 2: because to see so many kids have a good time

1718
01:35:24,520 --> 01:35:27,360
Speaker 2: and smile like I cry when I go to those

1719
01:35:27,439 --> 01:35:30,280
Speaker 2: events because that ain't what I do it for it,

1720
01:35:30,400 --> 01:35:33,560
Speaker 2: but damn it feel good. It feel good to know

1721
01:35:33,640 --> 01:35:35,920
Speaker 2: that you can do something for some people and they

1722
01:35:36,000 --> 01:35:38,320
Speaker 2: really appreciate it. The thing that really hit me the

1723
01:35:38,439 --> 01:35:43,000
Speaker 2: artist was he was having a banquet, and so the

1724
01:35:43,040 --> 01:35:46,839
Speaker 2: Snoopy Special stories it is not just kids, it's people,

1725
01:35:47,600 --> 01:35:48,080
Speaker 2: but it's.

1726
01:35:48,000 --> 01:35:48,920
Speaker 1: The adults everybody.

1727
01:35:49,080 --> 01:35:52,120
Speaker 2: It's built for kids though, right. So we having the banquet,

1728
01:35:53,320 --> 01:35:56,280
Speaker 2: everybody dancing, kids dancing time of the clown out there

1729
01:35:56,360 --> 01:35:59,040
Speaker 2: getting it in. Yeah, yeah, having a good time. Yeah.

1730
01:35:59,080 --> 01:36:00,960
Speaker 2: They out there just in the boop of it, getting

1731
01:36:01,000 --> 01:36:07,240
Speaker 2: it in. So it's this one man, probably like seventy

1732
01:36:07,320 --> 01:36:11,320
Speaker 2: five years old. He grove it. He's dancing with the kids.

1733
01:36:11,800 --> 01:36:15,240
Speaker 2: So the music they like, Okay, okay, y'all, it's time

1734
01:36:15,280 --> 01:36:17,160
Speaker 2: to stop the music. We got to give out the awards,

1735
01:36:17,200 --> 01:36:20,360
Speaker 2: so they stop the music. Seventy five year old man

1736
01:36:20,479 --> 01:36:25,000
Speaker 2: still grow, still growing. Why did his wife come over

1737
01:36:25,080 --> 01:36:29,280
Speaker 2: to me and say, my husband ain't moved in ten

1738
01:36:29,400 --> 01:36:37,200
Speaker 2: years and you making him dance. M damn. That just

1739
01:36:37,280 --> 01:36:43,719
Speaker 2: hit my heart. Wow to see that old man being

1740
01:36:43,800 --> 01:36:50,759
Speaker 2: young again based off of something that I created for kids,

1741
01:36:51,960 --> 01:36:55,080
Speaker 2: and that was beautiful. That's what means the world to

1742
01:36:55,160 --> 01:36:59,599
Speaker 2: me is that the Snoopy Special stars because I'm giving

1743
01:36:59,680 --> 01:37:03,559
Speaker 2: some real hope to people, not only kids. But people,

1744
01:37:05,000 --> 01:37:09,280
Speaker 2: sorry for getting emotional, but that's that's just real. Don't

1745
01:37:09,320 --> 01:37:13,439
Speaker 2: get no. Rather than that, I really don't know. These

1746
01:37:13,479 --> 01:37:16,160
Speaker 2: glasses can't protect these tears, but it is what it is.

1747
01:37:17,800 --> 01:37:18,320
Speaker 2: Love for you.

1748
01:37:21,960 --> 01:37:26,120
Speaker 3: I love that, brother, I love that, and I just

1749
01:37:26,200 --> 01:37:31,200
Speaker 3: want to say, man, whatever you need from us, man, yeah,

1750
01:37:32,960 --> 01:37:36,160
Speaker 3: all away, we like to We like the guy making

1751
01:37:36,240 --> 01:37:38,920
Speaker 3: your clothes. We'll get there before you.

1752
01:37:43,840 --> 01:37:45,560
Speaker 5: Didn't know if you needed something, didn't know if you

1753
01:37:45,640 --> 01:37:47,680
Speaker 5: need something, your hands on that.

1754
01:37:48,240 --> 01:37:51,240
Speaker 1: Yeah, you know, you know, take out his football dreams. Man,

1755
01:37:51,280 --> 01:37:54,200
Speaker 1: So you might want to join the listen to football league.

1756
01:37:54,280 --> 01:37:57,080
Speaker 2: Man, Come on, man, ever you need. Man, I just

1757
01:37:57,160 --> 01:37:59,240
Speaker 2: need y'all to keep doing what y'all doing over here.

1758
01:37:59,320 --> 01:38:02,200
Speaker 2: Y'all inspire me to come drive out here and see

1759
01:38:02,280 --> 01:38:03,840
Speaker 2: y'all today because I wanted to be a part of

1760
01:38:03,920 --> 01:38:06,200
Speaker 2: something special and I think what y'all doing is special,

1761
01:38:07,040 --> 01:38:08,640
Speaker 2: you know what I'm saying. And we just we need

1762
01:38:08,680 --> 01:38:11,360
Speaker 2: to stay connected like this, like like this, like more

1763
01:38:11,360 --> 01:38:13,640
Speaker 2: people need to start doing this when they have a

1764
01:38:13,760 --> 01:38:15,920
Speaker 2: mutual love and respect for each other, to get together

1765
01:38:15,960 --> 01:38:17,559
Speaker 2: and talk about it and don't let it be about

1766
01:38:17,640 --> 01:38:23,519
Speaker 2: no negative all about love and appreciation and inspiration mea

1767
01:38:23,560 --> 01:38:26,720
Speaker 2: on them tissues. Thank all their crying, Y only got

1768
01:38:26,800 --> 01:38:27,439
Speaker 2: me crying.

1769
01:38:27,240 --> 01:38:40,160
Speaker 3: On Chi's a Joy a joy, Yes, Uh, that is

1770
01:38:40,240 --> 01:38:43,479
Speaker 3: truly the rn B side of Still We got that.

1771
01:38:45,280 --> 01:38:47,040
Speaker 2: Well. If you was watching the Voice, I cried a

1772
01:38:47,080 --> 01:38:50,479
Speaker 2: whole lot on that ship. I cried damn every week

1773
01:38:50,560 --> 01:38:54,679
Speaker 2: on the border sing this should always make me cry.

1774
01:38:57,280 --> 01:39:01,719
Speaker 3: My brother, we come to the part of the show

1775
01:39:01,840 --> 01:39:06,200
Speaker 3: where people they want to know your mind, they want

1776
01:39:06,200 --> 01:39:11,000
Speaker 3: to understand the music that is shaped and molded the

1777
01:39:11,160 --> 01:39:12,439
Speaker 3: snoop deal doublet you.

1778
01:39:14,439 --> 01:39:17,880
Speaker 2: My brother, will I'd like to say that this journey

1779
01:39:17,960 --> 01:39:23,000
Speaker 2: of music begins with me at fourteen or one East

1780
01:39:23,080 --> 01:39:27,280
Speaker 2: Gaviota Street. That would be the address for God Gotha

1781
01:39:27,360 --> 01:39:34,680
Speaker 2: Trinity Baptist Church, home of revenue, Handy T. Vining or

1782
01:39:34,880 --> 01:39:42,240
Speaker 2: Richard George Harris. The Flood music by Danny Preston, Angel Guy.

1783
01:39:44,120 --> 01:39:47,560
Speaker 2: We'll be doing an AB selection later this evening, but

1784
01:39:48,000 --> 01:39:51,040
Speaker 2: just to give you a dibble and dabble into my

1785
01:39:51,320 --> 01:39:56,840
Speaker 2: musical journey. Introduced to music at an early age, the

1786
01:39:57,000 --> 01:40:02,439
Speaker 2: sounds of gospel music, the sounds of R and B music,

1787
01:40:03,280 --> 01:40:10,479
Speaker 2: disco funk all penetrated my ears and eventually rested in

1788
01:40:10,560 --> 01:40:17,040
Speaker 2: my heart. To where I graduated to learning music, playing music,

1789
01:40:18,240 --> 01:40:24,120
Speaker 2: reciting my favorite songs, enjoying a new style of music

1790
01:40:24,880 --> 01:40:28,280
Speaker 2: presented in my teens by the name of hip hop.

1791
01:40:29,320 --> 01:40:31,200
Speaker 2: And literally I know that hip hop will take over

1792
01:40:31,320 --> 01:40:34,720
Speaker 2: my block NonStop and one day I would be at

1793
01:40:34,760 --> 01:40:40,600
Speaker 2: the top. Look how we rock. So from that to this,

1794
01:40:42,120 --> 01:40:45,320
Speaker 2: just in case you missed, I took all of my

1795
01:40:45,439 --> 01:40:48,640
Speaker 2: musical elements and I put them in a twist and

1796
01:40:48,800 --> 01:40:53,120
Speaker 2: I dug deep. I mean deep like the abyss so

1797
01:40:53,760 --> 01:40:58,439
Speaker 2: to keep it clean, to cleep it crisp, because I

1798
01:40:58,560 --> 01:41:00,439
Speaker 2: know this is something that you want to pay attention to,

1799
01:41:00,520 --> 01:41:06,080
Speaker 2: because you just don't want to miss the education, the elevation,

1800
01:41:06,479 --> 01:41:13,000
Speaker 2: the determination, the way I took my moves, created my

1801
01:41:13,120 --> 01:41:18,800
Speaker 2: own groove, made my own sound, made my own game.

1802
01:41:20,000 --> 01:41:24,840
Speaker 2: Dog pound World. We now how you like me? Now?

1803
01:41:27,640 --> 01:41:33,880
Speaker 2: Did that? Done that? Run that? Yeah? This is music

1804
01:41:34,479 --> 01:41:39,320
Speaker 2: from the mind, the body, the soul, and the spirit.

1805
01:41:39,920 --> 01:41:47,559
Speaker 2: Your top of the Deal, Double Jesse My Top five,

1806
01:41:47,680 --> 01:41:50,479
Speaker 2: R and B Top five, Top.

1807
01:41:55,360 --> 01:42:05,360
Speaker 7: Tops We got to know before you go small people?

1808
01:42:06,720 --> 01:42:19,479
Speaker 2: You know? Yeah yeah? Top five Yes two plus three,

1809
01:42:22,400 --> 01:42:34,599
Speaker 2: yes eleven minus six Be sure to put some delay

1810
01:42:34,640 --> 01:42:41,840
Speaker 2: on my voice. Top five, Top five Top five.

1811
01:42:41,800 --> 01:42:43,720
Speaker 5: Rm B, Top five R and B singers, Come on,

1812
01:42:44,800 --> 01:42:45,160
Speaker 5: do they have.

1813
01:42:45,200 --> 01:42:45,760
Speaker 2: To be in order?

1814
01:42:45,840 --> 01:42:46,200
Speaker 1: Nope?

1815
01:42:47,680 --> 01:42:50,759
Speaker 2: Okay, we're gonna go with top five R and B singers.

1816
01:42:50,760 --> 01:42:55,200
Speaker 2: We're gonna go with all right, We're gonna start with L. J.

1817
01:42:55,320 --> 01:42:59,479
Speaker 2: Reynolds from the Dramatics. Yeah, we're gonna slide him in

1818
01:42:59,560 --> 01:43:05,160
Speaker 2: there just because we're not playing no games. No, no,

1819
01:43:05,360 --> 01:43:07,400
Speaker 2: we're gonna slide in Donnie Hathaway.

1820
01:43:07,479 --> 01:43:08,400
Speaker 5: You might as well.

1821
01:43:08,560 --> 01:43:10,160
Speaker 2: Come on, man, I'm talking about what it feels like,

1822
01:43:11,040 --> 01:43:13,560
Speaker 2: not what it looked like, what it feels like. I

1823
01:43:14,000 --> 01:43:17,040
Speaker 2: come on now, I can't leave Stevie help me. I

1824
01:43:17,200 --> 01:43:19,240
Speaker 2: just told you what these three words do to me. Man,

1825
01:43:19,360 --> 01:43:23,680
Speaker 2: When was the last time? Emotional? Very emotional? And then

1826
01:43:23,760 --> 01:43:26,080
Speaker 2: I'm gonna go deep on this one right here, right,

1827
01:43:26,720 --> 01:43:30,840
Speaker 2: I'm gonna go real deep on this one. Now, stay

1828
01:43:30,840 --> 01:43:34,360
Speaker 2: with me, now, stay with me. I'm gonna go with

1829
01:43:34,439 --> 01:43:38,760
Speaker 2: a reef. Yeah, go with a reef. Still with me now,

1830
01:43:39,080 --> 01:43:42,880
Speaker 2: that's the queen. Still with me now, and not a

1831
01:43:42,960 --> 01:43:49,080
Speaker 2: fifth voice. It's gonna hurt your feelings. Glad, it's night.

1832
01:43:50,960 --> 01:43:52,640
Speaker 2: I know it's unexpected. I know you thought I was

1833
01:43:52,680 --> 01:43:57,080
Speaker 2: gonna say him him here. Oh no, you on par Yeah, yeah,

1834
01:43:57,320 --> 01:44:05,560
Speaker 2: you yeah, come on, you see, Okay, we're playing with me.

1835
01:44:05,680 --> 01:44:06,679
Speaker 2: That's where I come from.

1836
01:44:07,240 --> 01:44:10,320
Speaker 3: Yeah, we've got the history from me. Now it all

1837
01:44:10,400 --> 01:44:14,360
Speaker 3: makes sense. You're build a vultun you're super R and

1838
01:44:14,479 --> 01:44:17,759
Speaker 3: B artists, And what we're gonna need for that artist

1839
01:44:17,960 --> 01:44:22,640
Speaker 3: is vocals, performance style, styling of the artists, and the

1840
01:44:22,840 --> 01:44:26,200
Speaker 3: passion of the artists. Right, So if you got to

1841
01:44:26,200 --> 01:44:30,120
Speaker 3: get one vocal from the vocals of all time, what

1842
01:44:30,360 --> 01:44:33,120
Speaker 3: vocal are you going to grab to make your super

1843
01:44:33,280 --> 01:44:33,479
Speaker 3: R and.

1844
01:44:33,520 --> 01:44:39,360
Speaker 2: B artists mini mm hmmm, oh.

1845
01:44:40,880 --> 01:44:41,519
Speaker 1: Yeah, yep.

1846
01:44:42,200 --> 01:44:43,720
Speaker 2: I want to be able to go way up there,

1847
01:44:43,880 --> 01:44:50,479
Speaker 2: way up the performance style on stage. James Brown, God damn,

1848
01:44:51,120 --> 01:44:51,840
Speaker 2: we're playing with me.

1849
01:44:52,200 --> 01:44:54,880
Speaker 3: Yeah, because he do R and B fast love, He

1850
01:44:55,000 --> 01:45:00,160
Speaker 3: do everything, perform got performance styling, the drip of the artist.

1851
01:45:00,320 --> 01:45:05,880
Speaker 2: Select Rick. Huh that nigga drip dripping. You see how

1852
01:45:05,920 --> 01:45:10,080
Speaker 2: slick be dripped up what from the wallabes to even

1853
01:45:10,160 --> 01:45:12,200
Speaker 2: the patch imagine everything?

1854
01:45:12,479 --> 01:45:13,880
Speaker 1: Yeah, yeah, niggas wasn't doing.

1855
01:45:14,400 --> 01:45:16,880
Speaker 2: He don't look outdated, he don't look old, he don't

1856
01:45:16,920 --> 01:45:19,360
Speaker 2: he look right now. No matter when you see him,

1857
01:45:19,360 --> 01:45:20,559
Speaker 2: he always look right now.

1858
01:45:21,560 --> 01:45:22,800
Speaker 1: He's relevant at all times.

1859
01:45:22,840 --> 01:45:24,439
Speaker 2: That's what that artist would have to be. He would

1860
01:45:24,560 --> 01:45:28,040
Speaker 2: he can't, he can't look nostalgia. He gotta look now.

1861
01:45:28,200 --> 01:45:31,120
Speaker 2: But he can sound or her, He or her can

1862
01:45:31,240 --> 01:45:35,320
Speaker 2: sound as we're building this super bowls. The passion of

1863
01:45:35,360 --> 01:45:37,040
Speaker 2: the artist heard of?

1864
01:45:37,400 --> 01:45:37,920
Speaker 5: Who mean it?

1865
01:45:38,560 --> 01:45:48,559
Speaker 2: Tupac? Mm hmm, yeah, that might be.

1866
01:45:50,720 --> 01:45:51,920
Speaker 1: The passion of Tupac.

1867
01:45:52,080 --> 01:45:55,920
Speaker 2: That might be the coldest passionate because he wrote Brenda

1868
01:45:56,000 --> 01:46:00,080
Speaker 2: got a baby, Keep your head up, dear mama, a

1869
01:46:00,200 --> 01:46:03,080
Speaker 2: R and B song. Those are R and B songs.

1870
01:46:03,960 --> 01:46:06,200
Speaker 2: Those aren't rap songs. Those are R and B songs.

1871
01:46:07,000 --> 01:46:10,040
Speaker 2: And he meant every word of it. Keep your head

1872
01:46:10,160 --> 01:46:12,000
Speaker 2: up to the black woman.

1873
01:46:12,320 --> 01:46:16,439
Speaker 1: From my understanding, that's Dave Holland, that's a ball things.

1874
01:46:16,560 --> 01:46:18,240
Speaker 1: Keep your head up and and.

1875
01:46:18,439 --> 01:46:22,880
Speaker 2: And dear mama, Come on, man, we're playing with me.

1876
01:46:25,800 --> 01:46:27,840
Speaker 2: You good at what you do? Yeah?

1877
01:46:28,360 --> 01:46:30,120
Speaker 6: And no, no no, And who gonna and who's gonna

1878
01:46:30,120 --> 01:46:32,120
Speaker 6: be the who's gonna be the one rap feature on

1879
01:46:32,200 --> 01:46:32,679
Speaker 6: this album?

1880
01:46:34,080 --> 01:46:35,559
Speaker 2: Hm hmmm mm hmmm.

1881
01:46:36,520 --> 01:46:39,360
Speaker 1: Who's gonna spit that ship for that artist?

1882
01:46:40,000 --> 01:46:43,519
Speaker 2: Mm hmmm. I'm gonna put him out of retirement. Andre

1883
01:46:43,720 --> 01:47:03,160
Speaker 2: three foul h Yeah, I gotta stop playing with stupid,

1884
01:47:03,600 --> 01:47:03,720
Speaker 2: you know.

1885
01:47:03,920 --> 01:47:07,479
Speaker 3: Listen dray Bipe comes through with his flute on first

1886
01:47:08,080 --> 01:47:13,120
Speaker 3: way with many rippletons that way, you never know.

1887
01:47:13,840 --> 01:47:15,919
Speaker 2: He got an option, got options?

1888
01:47:16,080 --> 01:47:22,000
Speaker 1: Yes, yeah, we got another. Yeah, come on take him

1889
01:47:22,000 --> 01:47:22,599
Speaker 1: to church sheep.

1890
01:47:24,040 --> 01:47:27,639
Speaker 5: Ain't saying no nicks, ain't saying no names. I ain't

1891
01:47:27,640 --> 01:47:30,400
Speaker 5: saying no names, ain't saying no name for you?

1892
01:47:30,760 --> 01:47:39,280
Speaker 2: Was we was weird? What you need do sh' saying

1893
01:47:39,360 --> 01:47:45,240
Speaker 2: no names? Louja?

1894
01:47:46,720 --> 01:47:49,280
Speaker 6: Yeah, so we got the special segment of the show

1895
01:47:49,960 --> 01:47:53,000
Speaker 6: will you tell us a story? Funny and fucked up?

1896
01:47:53,720 --> 01:47:57,160
Speaker 6: Are funny and fucked up? The only rule to the

1897
01:47:57,320 --> 01:48:00,720
Speaker 6: game snoop dog. Can't say no name.

1898
01:48:03,560 --> 01:48:09,200
Speaker 2: Can't say no name, no names. Okay. Oh, So, once

1899
01:48:09,320 --> 01:48:13,000
Speaker 2: upon a time, these particular individuals was on the tour

1900
01:48:13,120 --> 01:48:20,479
Speaker 2: bus and they did a concert in Minnesota. And after

1901
01:48:20,600 --> 01:48:24,519
Speaker 2: the concert, they had some shooby doobies come to the

1902
01:48:24,640 --> 01:48:30,519
Speaker 2: dressing room. So they've fallen in looking good, smelling good.

1903
01:48:31,760 --> 01:48:36,720
Speaker 2: One particular shoeby Doobie has a small disability, not big,

1904
01:48:36,920 --> 01:48:41,639
Speaker 2: just small like she has this part of her arm

1905
01:48:41,760 --> 01:48:44,200
Speaker 2: is missing, but she ain't tripping. She in'tre having a

1906
01:48:44,240 --> 01:48:50,720
Speaker 2: good time. So now it goes from backstage to the

1907
01:48:50,800 --> 01:48:54,439
Speaker 2: tour bus. So now we're on the tour bus and

1908
01:48:54,560 --> 01:49:00,600
Speaker 2: we smeeze oak and baby with the one and a half, like,

1909
01:49:01,920 --> 01:49:06,680
Speaker 2: let me roll up something. So we're like, how you

1910
01:49:06,760 --> 01:49:12,400
Speaker 2: gonna do that? So she grabbed that motherfucker with the

1911
01:49:12,600 --> 01:49:17,080
Speaker 2: other half and go ahead and put the old one

1912
01:49:17,160 --> 01:49:21,120
Speaker 2: hand down and roll him on up and get it together.

1913
01:49:22,040 --> 01:49:25,600
Speaker 2: So now we're blowing me. I was oking. So a

1914
01:49:25,760 --> 01:49:30,719
Speaker 2: particular celebrity is sitting next to her, so he enjoyed

1915
01:49:30,920 --> 01:49:34,680
Speaker 2: the moments with her. It's like thirty minutes then went by.

1916
01:49:35,160 --> 01:49:38,759
Speaker 2: So now he wants to get fresh with her because

1917
01:49:38,760 --> 01:49:41,920
Speaker 2: she's pretty. She's pretty, she's a pretty girl. He puts

1918
01:49:41,960 --> 01:49:44,120
Speaker 2: his hand on her leg and she hits him with

1919
01:49:44,240 --> 01:49:50,000
Speaker 2: that good arm, and he says, bitch, you've been in

1920
01:49:50,040 --> 01:49:52,240
Speaker 2: here smoking up all my homeboy weed and you don't

1921
01:49:52,280 --> 01:49:54,320
Speaker 2: want to give me nothing. Get your one arm ass

1922
01:49:54,360 --> 01:50:10,320
Speaker 2: out of here. Proceeded to take her on and walked out, Yes, yes, yes,

1923
01:50:10,520 --> 01:50:13,639
Speaker 2: and walk her out casually escorted her out.

1924
01:50:14,800 --> 01:50:21,760
Speaker 3: Yes, I think I'm so impressed, she wrote. We there

1925
01:50:21,920 --> 01:50:26,080
Speaker 3: was no stoppage in production. She kept the roll flowing,

1926
01:50:28,320 --> 01:50:29,680
Speaker 3: said how are you going to do.

1927
01:50:29,760 --> 01:50:37,960
Speaker 2: That if you don't put that in cartoon? And they

1928
01:50:38,160 --> 01:50:48,519
Speaker 2: just look like something do this all the time, brother Snoop.

1929
01:50:48,720 --> 01:50:51,680
Speaker 1: So you're saying this has been my favorite interview, but

1930
01:50:52,200 --> 01:50:53,759
Speaker 1: I'll tell you why. I'll give you context.

1931
01:50:56,800 --> 01:51:02,880
Speaker 6: My favorite rapper growing up that you for real, Snoop Like,

1932
01:51:03,360 --> 01:51:09,080
Speaker 6: I'm from the bab Man, I'm from California. Yeah, Snoop Dog,

1933
01:51:09,600 --> 01:51:12,439
Speaker 6: Snoop Doggie Dog my favorite rapper.

1934
01:51:13,840 --> 01:51:15,040
Speaker 2: How old was you in ninety three?

1935
01:51:16,160 --> 01:51:19,720
Speaker 6: Fourteen? Okay, I was fourteen, but I was already off

1936
01:51:19,760 --> 01:51:21,439
Speaker 6: the porch. No, but you know, I mean, I'm on

1937
01:51:21,560 --> 01:51:22,320
Speaker 6: for a bullshit too.

1938
01:51:22,360 --> 01:51:25,439
Speaker 2: I mean, I'm but fourteen and Snoop Doggy Dog at

1939
01:51:25,560 --> 01:51:29,240
Speaker 2: nineteen were close. Yes, I'm who you could be. Yeah,

1940
01:51:29,280 --> 01:51:32,879
Speaker 2: I could actually be who you could be. Yeah, it's touchable,

1941
01:51:32,920 --> 01:51:34,880
Speaker 2: it's believable. I get that.

1942
01:51:35,040 --> 01:51:38,439
Speaker 1: And you was a flying nigga. Yeah that's the other part, bro.

1943
01:51:38,800 --> 01:51:41,480
Speaker 1: So for me this interview, But the Bays.

1944
01:51:41,240 --> 01:51:43,920
Speaker 2: Influenced a lot of that thing. You know that, right? Yeah?

1945
01:51:44,600 --> 01:51:46,920
Speaker 2: I didn't tell you all this, right. So when Tupac

1946
01:51:47,040 --> 01:51:51,559
Speaker 2: come to death Row, he like, nigga, you gotta step

1947
01:51:51,640 --> 01:51:53,920
Speaker 2: your fly up, nigga, you gotta get your hair done,

1948
01:51:53,960 --> 01:51:58,960
Speaker 2: your nails dead nigga. Like the players in the bay. Nigga, Wow,

1949
01:52:00,040 --> 01:52:03,040
Speaker 2: oh that's when you see me start flipping it. And

1950
01:52:03,880 --> 01:52:05,799
Speaker 2: when we walked when we did the two of America's

1951
01:52:05,840 --> 01:52:13,400
Speaker 2: Most Warning video, he specifically said, nigga like, Nigga, I

1952
01:52:13,400 --> 01:52:16,320
Speaker 2: ain't got no hair, Nigga, lay your ship down. Nigga

1953
01:52:17,720 --> 01:52:20,160
Speaker 2: like you know what I'm saying. Kicking off with that, yeah,

1954
01:52:20,160 --> 01:52:24,640
Speaker 2: because he had a vision of knowing like he was

1955
01:52:24,680 --> 01:52:28,360
Speaker 2: way ahead of us. We was just artists. He was

1956
01:52:28,439 --> 01:52:32,000
Speaker 2: a superstar. You see what I'm saying. That's just the truth.

1957
01:52:32,479 --> 01:52:35,840
Speaker 2: You know, he probably wasn't a big ass superstar, but

1958
01:52:36,000 --> 01:52:39,520
Speaker 2: he was a superstar as far as knowing and understanding

1959
01:52:40,120 --> 01:52:41,880
Speaker 2: what it takes to be a star. He had been

1960
01:52:41,960 --> 01:52:44,320
Speaker 2: in movies, he had been on setting and he knew

1961
01:52:44,360 --> 01:52:46,679
Speaker 2: that death Rod was big. But it was certain things

1962
01:52:46,720 --> 01:52:50,599
Speaker 2: that we was doing that he helped us get great at,

1963
01:52:51,320 --> 01:52:54,360
Speaker 2: like spontaneous making music and putting shit out and just

1964
01:52:55,560 --> 01:52:57,479
Speaker 2: he taught us that he got. He gave us a

1965
01:52:57,479 --> 01:53:01,599
Speaker 2: different spirit on working and like studio time became valuable

1966
01:53:01,640 --> 01:53:03,840
Speaker 2: when he was there before, it was just like niggas

1967
01:53:03,840 --> 01:53:05,599
Speaker 2: in there nine hours. Now it's like a nigga pob

1968
01:53:05,680 --> 01:53:07,840
Speaker 2: coming up here looking to work whoever in their bulls

1969
01:53:07,840 --> 01:53:10,200
Speaker 2: shoodn't got to get out or either he got a

1970
01:53:10,240 --> 01:53:12,760
Speaker 2: studio locked up for twelve hours, and Snoop got up

1971
01:53:12,840 --> 01:53:15,680
Speaker 2: one locked up for twelve hours. So it's got to

1972
01:53:15,720 --> 01:53:19,160
Speaker 2: be what y'all making while y'all in here, right, And

1973
01:53:19,360 --> 01:53:23,479
Speaker 2: as I move with death row now his spirit is

1974
01:53:23,520 --> 01:53:26,360
Speaker 2: all in me, like that's how I move. I don't wait.

1975
01:53:26,560 --> 01:53:28,200
Speaker 2: I used to wait. I used to just wait til

1976
01:53:29,040 --> 01:53:30,760
Speaker 2: we make a record with me and me, and you

1977
01:53:30,880 --> 01:53:32,680
Speaker 2: make a record, me and Tank gonna listen to it

1978
01:53:32,960 --> 01:53:35,000
Speaker 2: three weeks in a row before we can get to

1979
01:53:35,040 --> 01:53:37,800
Speaker 2: another song, because it's so good. This shit is so dope. Well,

1980
01:53:37,840 --> 01:53:42,720
Speaker 2: Tupac Nigga, we on song sixteen right now, we're real Yeah,

1981
01:53:43,240 --> 01:53:48,120
Speaker 2: Well you niggas is listening to songs they making, He said.

1982
01:53:48,160 --> 01:53:50,080
Speaker 2: The engineer's job is to listen to it. That ain't

1983
01:53:50,080 --> 01:53:53,439
Speaker 2: my job, makes sense.

1984
01:53:53,320 --> 01:53:56,479
Speaker 1: Right, everybody got everybody, everybody has a function.

1985
01:53:57,240 --> 01:53:59,479
Speaker 2: Engineer job is just straighten all this shit out, Like

1986
01:54:00,200 --> 01:54:01,920
Speaker 2: we've fallen in love with the record. What we're doing,

1987
01:54:02,840 --> 01:54:05,000
Speaker 2: get to the next one. The next one may be

1988
01:54:05,080 --> 01:54:05,760
Speaker 2: better than that one.

1989
01:54:06,520 --> 01:54:09,080
Speaker 1: So many legendary moments, and.

1990
01:54:09,120 --> 01:54:13,960
Speaker 2: We got more to make. We're not done. We thank you,

1991
01:54:14,040 --> 01:54:23,519
Speaker 2: appreciate you, and let everybody know missionaries and missionary Yeah, yeah, yeah.

1992
01:54:23,520 --> 01:54:25,439
Speaker 2: We got a couple of visual pieces that's coming out

1993
01:54:25,479 --> 01:54:28,400
Speaker 2: real soon to accompany the record. But the mini movie

1994
01:54:28,479 --> 01:54:30,000
Speaker 2: is out right now on YouTube if you want to

1995
01:54:30,040 --> 01:54:32,280
Speaker 2: check that out. Nice little mini movie to set up

1996
01:54:32,320 --> 01:54:35,040
Speaker 2: the project. But this is one of those long running

1997
01:54:35,120 --> 01:54:36,680
Speaker 2: things where it's not a come and go, it's a

1998
01:54:37,200 --> 01:54:39,080
Speaker 2: stay forever and we're gonna take our time like we

1999
01:54:39,160 --> 01:54:41,920
Speaker 2: always do when we drop projects. What people don't understand

2000
01:54:42,040 --> 01:54:45,560
Speaker 2: is that they never just come out. They always lay

2001
01:54:45,760 --> 01:54:49,640
Speaker 2: out it's a layout for this particular single, and then

2002
01:54:49,720 --> 01:54:52,080
Speaker 2: that one rides for months, and then another one comes

2003
01:54:52,160 --> 01:54:54,160
Speaker 2: and rides for months, and then by the time you

2004
01:54:54,240 --> 01:54:55,840
Speaker 2: get to the end of the year, you're like, damn,

2005
01:54:55,920 --> 01:54:59,320
Speaker 2: that albums banging like a motherfucker. That's my ship. That's

2006
01:54:59,440 --> 01:55:01,960
Speaker 2: my ship. This is my ship. So that's what we're

2007
01:55:02,000 --> 01:55:03,560
Speaker 2: on right now. We're trying to feed you this full

2008
01:55:03,680 --> 01:55:06,960
Speaker 2: course meal because we realize the industry spends so used

2009
01:55:07,000 --> 01:55:11,160
Speaker 2: to eating microwave meals. Yeah yeah, quick meals with.

2010
01:55:11,200 --> 01:55:14,080
Speaker 1: The man with the cookbook himself the yeah yeah, what's

2011
01:55:14,080 --> 01:55:15,360
Speaker 1: the name of the cookbook.

2012
01:55:15,240 --> 01:55:19,520
Speaker 2: From crook to cook. Yeah, believe you do know that.

2013
01:55:19,680 --> 01:55:24,120
Speaker 2: Number one. You ain't got no spread recipe in that. Yeah,

2014
01:55:24,320 --> 01:55:27,520
Speaker 2: a baloney. I got a baloney sandwich with barbecue tator chips.

2015
01:55:27,560 --> 01:55:28,680
Speaker 2: And and what are you talking about?

2016
01:55:31,320 --> 01:55:32,560
Speaker 1: When does the documentary come out?

2017
01:55:32,560 --> 01:55:35,120
Speaker 2: Because you showed me a trailer the Death Row documentary.

2018
01:55:35,520 --> 01:55:36,160
Speaker 1: When does that coming?

2019
01:55:36,200 --> 01:55:38,360
Speaker 2: It's a fourth part series. It should be coming out

2020
01:55:38,400 --> 01:55:42,080
Speaker 2: in the next I say, ninety days. Trying to get

2021
01:55:42,160 --> 01:55:44,680
Speaker 2: one more and we get to see it. I'm gonna

2022
01:55:44,680 --> 01:55:46,080
Speaker 2: have a you know, I'm gonna have a screen of y'all.

2023
01:55:46,240 --> 01:55:48,400
Speaker 2: You know, y'all get it earlier than that. Just trying

2024
01:55:48,440 --> 01:55:52,120
Speaker 2: to get this last interview and then I'm done. But

2025
01:55:52,320 --> 01:55:54,960
Speaker 2: everything else is in place. It feels good, it looks good.

2026
01:55:55,760 --> 01:55:58,360
Speaker 2: It's the truth, and it's from a perspective that hasn't

2027
01:55:58,400 --> 01:56:02,640
Speaker 2: been told yet. Yeh, from the Death Row artists and

2028
01:56:02,840 --> 01:56:07,840
Speaker 2: the creators and the originators of the label. You know,

2029
01:56:08,040 --> 01:56:11,840
Speaker 2: speaking and positivity, not bashing and pulling nobody down. This

2030
01:56:12,000 --> 01:56:17,000
Speaker 2: is not one of those attack or kicking Moley down documentaries.

2031
01:56:17,760 --> 01:56:23,240
Speaker 2: This is all about what we went through those first

2032
01:56:23,360 --> 01:56:27,880
Speaker 2: five years on Death Row. I'm excited on deathro film

2033
01:56:27,960 --> 01:56:30,879
Speaker 2: and It's directed by Antoine Food Quad the Death Row Pictures.

2034
01:56:31,080 --> 01:56:32,680
Speaker 1: Yeah, shout out to Antoine.

2035
01:56:34,040 --> 01:56:38,839
Speaker 2: Heavyweight. It's deep if when I watch it, certain moments

2036
01:56:39,600 --> 01:56:41,160
Speaker 2: fuck me up because I'm like, how the fuck you

2037
01:56:41,240 --> 01:56:43,600
Speaker 2: get that footage? Like I'm seeing myself and like I

2038
01:56:43,640 --> 01:56:47,720
Speaker 2: don't remember that, Like it's it's shipped in there, like

2039
01:56:47,920 --> 01:56:50,520
Speaker 2: real ship in there, Like how the fun did you

2040
01:56:50,640 --> 01:56:55,000
Speaker 2: get this footage? Man of who was filming? Because we

2041
01:56:55,200 --> 01:56:56,800
Speaker 2: wasn't friendly with cameras back.

2042
01:56:56,680 --> 01:56:59,920
Speaker 1: Then, like so you didn't even remember them being around exactly.

2043
01:56:59,600 --> 01:57:01,320
Speaker 2: Some of the foot that you see this nigga fel

2044
01:57:01,360 --> 01:57:03,760
Speaker 2: when it's like, I don't even you could tell I don't.

2045
01:57:03,880 --> 01:57:07,120
Speaker 2: I'm not I'm not a camera friendly at all at all.

2046
01:57:07,480 --> 01:57:10,160
Speaker 2: Like I'm either camera shy or not camera friendly either

2047
01:57:10,200 --> 01:57:16,360
Speaker 2: one of the too. The shit is deep, I can't. Yeah,

2048
01:57:16,520 --> 01:57:19,480
Speaker 2: coming soon to a hood near you, Yeah yeah, oh yeah.

2049
01:57:19,480 --> 01:57:22,480
Speaker 2: I got an animated movie too, called a Doghouse that's

2050
01:57:22,520 --> 01:57:23,960
Speaker 2: coming out. I'm gonna show you aall the trailer to that,

2051
01:57:24,040 --> 01:57:25,840
Speaker 2: so y'all can see that. So it's based off of

2052
01:57:25,960 --> 01:57:28,200
Speaker 2: Doggy Style the album. You know what I'm saying. It's

2053
01:57:28,240 --> 01:57:32,240
Speaker 2: like the thirtieth anniversary remake, like what I didn't do

2054
01:57:32,800 --> 01:57:34,920
Speaker 2: when I had the album, what I would have done

2055
01:57:35,960 --> 01:57:38,600
Speaker 2: if I had the album. I'm like, it's so animated

2056
01:57:38,640 --> 01:57:41,320
Speaker 2: with the cover and all of this shit, Like this

2057
01:57:42,360 --> 01:57:44,760
Speaker 2: is the way we reintroduce Doggy Style to the young

2058
01:57:44,840 --> 01:57:48,160
Speaker 2: generation who don't know about it, right, you know what

2059
01:57:48,200 --> 01:57:51,240
Speaker 2: I'm saying. Those who do know gonna fucking love everyone

2060
01:57:51,840 --> 01:57:53,400
Speaker 2: when they hear the genn and Juice and hear this

2061
01:57:53,560 --> 01:57:55,640
Speaker 2: song and see rage and see all the homies in

2062
01:57:55,720 --> 01:57:58,160
Speaker 2: there doing that shit. But the people that don't know,

2063
01:57:58,200 --> 01:58:01,800
Speaker 2: it's gonna be like a brand new, fucking animated Snoop

2064
01:58:01,840 --> 01:58:05,760
Speaker 2: Dogg movie with new music. And I own the music,

2065
01:58:06,400 --> 01:58:06,960
Speaker 2: of course.

2066
01:58:07,200 --> 01:58:11,200
Speaker 1: Because you own all the original masters from Death Row.

2067
01:58:11,120 --> 01:58:16,480
Speaker 2: To Doggy Style. Dog Father Murder was the case dog

2068
01:58:16,640 --> 01:58:23,800
Speaker 2: Food above the rim h, a couple of other compilation albums,

2069
01:58:23,880 --> 01:58:27,480
Speaker 2: Christmas on Death Row. That's all the classic album and

2070
01:58:27,600 --> 01:58:29,920
Speaker 2: all of the new ship that I got. But I

2071
01:58:30,120 --> 01:58:34,240
Speaker 2: just feel like the new Ship is accompanying the foundation

2072
01:58:34,400 --> 01:58:37,160
Speaker 2: by adding more floors and adding more layers to the

2073
01:58:37,960 --> 01:58:42,560
Speaker 2: level of execution that we created. Yeah, yep, my is

2074
01:58:42,600 --> 01:58:46,880
Speaker 2: a motherfucker right now. Yeah, we're getting drunk. We are

2075
01:58:46,960 --> 01:58:53,760
Speaker 2: there shall I do a drop, I'm gonna close out

2076
01:58:55,560 --> 01:58:58,000
Speaker 2: because I am closed, all right. This is Snoop Dogg

2077
01:58:58,080 --> 01:58:59,640
Speaker 2: and you're on R and B Money.

2078
01:59:02,920 --> 01:59:05,120
Speaker 3: And this has been the R and B Money podcast,

2079
01:59:05,240 --> 01:59:08,800
Speaker 3: the authority on all things R and B and we

2080
01:59:09,000 --> 01:59:13,240
Speaker 3: have been blessed and honored the man, the man himself,

2081
01:59:13,960 --> 01:59:19,480
Speaker 3: a man with favor, man called to do special things.

2082
01:59:20,640 --> 01:59:23,240
Speaker 2: It is exactly what he's doing. What we're gonna call

2083
01:59:23,360 --> 01:59:28,320
Speaker 2: tonight's edition of the show the rang because remember I

2084
01:59:28,400 --> 01:59:37,040
Speaker 2: had an album called It's the Orange Gentlemen. It's Snoop.

2085
01:59:44,880 --> 01:59:46,640
Speaker 6: R and B Money is a production of the Black

2086
01:59:46,680 --> 01:59:51,280
Speaker 6: Effect Podcast Network. For more podcasts from iHeart Radio, visit

2087
01:59:51,400 --> 01:59:55,200
Speaker 6: the iHeartRadio app, Apple Podcasts, or wherever you listen to

2088
01:59:55,240 --> 01:59:58,800
Speaker 6: your favorite shows. Don't forget to subscribe to and rate

2089
01:59:58,880 --> 02:00:00,880
Speaker 6: our show and you you can connect with us on

2090
02:00:01,000 --> 02:00:04,520
Speaker 6: social media at Jay Valentine and at the Real Tank.

2091
02:00:04,920 --> 02:00:10,240
Speaker 6: For the extended episode, subscribe to YouTube dot com, forward Slash,

2092
02:00:10,600 --> 02:00:11,240
Speaker 6: R and B Money