1 00:00:00,400 --> 00:00:05,200 Speaker 1: Wait that ass up in the morning breakfast club morning. 2 00:00:05,240 --> 00:00:09,240 Speaker 1: Everybody is DJ Envy and Jela Yee, Charlomagne the guy. 3 00:00:09,320 --> 00:00:12,000 Speaker 1: We are the breakfast club. He special guests in the building. 4 00:00:12,080 --> 00:00:16,080 Speaker 1: Off of vacation, I'm stop there every time she vacation. 5 00:00:16,440 --> 00:00:25,600 Speaker 1: I know you're notation giving a vacation non style exactly, 6 00:00:25,680 --> 00:00:31,120 Speaker 1: you two Envy vacation and he's supposed to be here. 7 00:00:31,120 --> 00:00:34,640 Speaker 1: At least you get to move around. That's your job, exactly. See, 8 00:00:34,680 --> 00:00:38,480 Speaker 1: I still be working when I'm on worcation fresh off vacation. 9 00:00:39,600 --> 00:00:47,839 Speaker 1: He's last weekend. Think you're gonna company? Noticed last right now? Yes, 10 00:00:49,479 --> 00:00:54,360 Speaker 1: what's up vacation? Yes, yes, he was working vacation to 11 00:00:54,440 --> 00:01:03,000 Speaker 1: Australian New Zealion exactly. Dubaye I saw Kaima Abu Dhabi, Jamaica. Yes, 12 00:01:03,120 --> 00:01:05,360 Speaker 1: it was workasition. I don't like when people act like 13 00:01:05,440 --> 00:01:08,200 Speaker 1: when somebody's working, they're just chilling on viation. That's a lot. 14 00:01:08,280 --> 00:01:13,160 Speaker 1: It's different time zones. Oh my gosh, performance hydrated. It 15 00:01:13,440 --> 00:01:15,880 Speaker 1: is ridiculous. We saw I don't even know how many 16 00:01:16,480 --> 00:01:20,120 Speaker 1: cities and different countries in a matter of what is 17 00:01:20,160 --> 00:01:22,199 Speaker 1: it three and a half a month now, three weeks 18 00:01:22,200 --> 00:01:24,640 Speaker 1: to a month, We've been literally around the world in 19 00:01:24,760 --> 00:01:27,400 Speaker 1: a ya. How does that feel when you know you 20 00:01:27,480 --> 00:01:29,280 Speaker 1: got the kind of catalog that has had that type 21 00:01:29,319 --> 00:01:32,240 Speaker 1: of global impact. You know what's crazy. I literally posted 22 00:01:32,360 --> 00:01:35,759 Speaker 1: yesterday that I'm so grateful to be all the way 23 00:01:35,840 --> 00:01:39,600 Speaker 1: over in Dubai and having people scream foolish. Twenty years later, 24 00:01:39,720 --> 00:01:42,720 Speaker 1: it's like such a blessing, you know. And after coming 25 00:01:42,800 --> 00:01:46,400 Speaker 1: from Australia, you know, New Zealand, Sydney, Brisbane, whatever, it's 26 00:01:46,440 --> 00:01:49,200 Speaker 1: just like, yo, I can't like, I'm so humbled, I'm 27 00:01:49,240 --> 00:01:52,000 Speaker 1: so grateful, you know. So it's an amazing, amazing feeling. 28 00:01:52,080 --> 00:01:56,520 Speaker 1: The twentieth anniversary of the album. Yeah, Hollywood Walk of Fame. Yeah, 29 00:01:56,640 --> 00:01:58,400 Speaker 1: and I got my ring. I got my little Hollywood 30 00:01:58,480 --> 00:02:01,760 Speaker 1: ring ring ring. Well actually my mom had it made 31 00:02:01,800 --> 00:02:08,639 Speaker 1: for me a custom Can we see it? Oh yeah, 32 00:02:08,800 --> 00:02:11,919 Speaker 1: let me see. It has the day night, you right, 33 00:02:12,080 --> 00:02:14,799 Speaker 1: it has the day to got the music like championship, 34 00:02:14,960 --> 00:02:20,919 Speaker 1: yeah day Okay, So I rerecorded. I want to say 35 00:02:21,040 --> 00:02:26,960 Speaker 1: we are four records in um but obviously with everything happening, 36 00:02:27,160 --> 00:02:29,280 Speaker 1: I kind of had to stop, you know, so I 37 00:02:29,400 --> 00:02:32,079 Speaker 1: have to find another like slot of time where I 38 00:02:32,080 --> 00:02:34,520 Speaker 1: could just sit down and just complete it. How difficult 39 00:02:34,560 --> 00:02:36,440 Speaker 1: is you ain't got to remember anything exactly. You don't 40 00:02:36,480 --> 00:02:39,120 Speaker 1: have to remember, but we are replaying everything to a 41 00:02:39,240 --> 00:02:40,840 Speaker 1: t you know what I mean, So we don't want 42 00:02:40,840 --> 00:02:42,919 Speaker 1: it to sound different. I'm not trying to, you know, 43 00:02:43,120 --> 00:02:45,760 Speaker 1: go and then shuff up anything new. But I wanted 44 00:02:45,800 --> 00:02:49,079 Speaker 1: to sound as authentic as possible, but just bigger sonically, 45 00:02:49,120 --> 00:02:50,519 Speaker 1: you know what I'm saying, Because when we were recording 46 00:02:50,760 --> 00:02:54,680 Speaker 1: twenty years ago, so obviously sonically it was different sounds. 47 00:02:54,720 --> 00:02:56,959 Speaker 1: So I want to rerecord and do the music and 48 00:02:57,080 --> 00:02:59,720 Speaker 1: just make it sound as similar to the original as 49 00:03:00,160 --> 00:03:01,800 Speaker 1: humanly possible. You could do it in texts and Kike 50 00:03:01,800 --> 00:03:04,240 Speaker 1: because they have an amazing student. Yes, I know about 51 00:03:04,280 --> 00:03:11,639 Speaker 1: it exactly. Worcas, thank you. And are you been celebrating 52 00:03:11,639 --> 00:03:18,359 Speaker 1: the twenty anniversary? You know that makes sense? Oh my gosh, 53 00:03:18,560 --> 00:03:22,040 Speaker 1: I mean it's again. We have been on a worcastion, 54 00:03:22,240 --> 00:03:24,560 Speaker 1: but we've been just you know, with the Hollywood Walk 55 00:03:24,600 --> 00:03:28,679 Speaker 1: of Fame, with doing several you know, television shows, just 56 00:03:28,840 --> 00:03:32,160 Speaker 1: talking about it, celebrating on stage. I think when I did, 57 00:03:32,280 --> 00:03:35,680 Speaker 1: we had two shows the day that um the album 58 00:03:35,800 --> 00:03:38,560 Speaker 1: dropped April second, so we had two shows the same day, 59 00:03:38,560 --> 00:03:40,280 Speaker 1: and it was like, Yo, reflecting on this our drama 60 00:03:40,280 --> 00:03:42,119 Speaker 1: album twenty years ago, I got two back to back shows, 61 00:03:42,120 --> 00:03:44,800 Speaker 1: so they celebrating twenty like it's just been a whirlwind, 62 00:03:45,040 --> 00:03:48,560 Speaker 1: you know, So we just we've been celebrating. My Name 63 00:03:48,680 --> 00:03:52,320 Speaker 1: is a Story. Yeah, she talked about it. Then you 64 00:03:52,360 --> 00:03:54,360 Speaker 1: talk about it when you were here before. Yes, yes, 65 00:03:54,480 --> 00:03:57,200 Speaker 1: So finally it's out. The children's book is called My 66 00:03:57,360 --> 00:04:01,240 Speaker 1: Name is a Story, and it's basically just about celebrating 67 00:04:01,320 --> 00:04:03,480 Speaker 1: having a unique name. You know, when I was coming up, 68 00:04:03,560 --> 00:04:07,240 Speaker 1: obviously a shanty was not your everyday name, and sometimes 69 00:04:07,320 --> 00:04:09,040 Speaker 1: I used to feel like, you know, the teacher would 70 00:04:09,080 --> 00:04:12,120 Speaker 1: be hesitant to pronounce it, or wouldn't correct herself pronouncing 71 00:04:12,200 --> 00:04:15,200 Speaker 1: my name wrong. So I just felt like, now I 72 00:04:15,280 --> 00:04:17,440 Speaker 1: think we need to celebrate being unique, and I think 73 00:04:17,520 --> 00:04:19,800 Speaker 1: kids that have unique names don't need to feel ashamed 74 00:04:19,839 --> 00:04:22,920 Speaker 1: of having a Leonard. I'm gonna get you a book 75 00:04:23,440 --> 00:04:29,880 Speaker 1: My name is knie Une because it's not Leonard, and 76 00:04:30,000 --> 00:04:31,680 Speaker 1: my mom had got me this thing that tells me 77 00:04:31,800 --> 00:04:34,840 Speaker 1: exactly what my name is exactly. But look, when you 78 00:04:34,920 --> 00:04:36,839 Speaker 1: were small, you couldn't find a key chains with your 79 00:04:36,920 --> 00:04:39,920 Speaker 1: name is. See what I'm saying, Sean are double a 80 00:04:40,240 --> 00:04:43,720 Speaker 1: capital s? Exactly and my name couldn't even fit on 81 00:04:43,760 --> 00:04:47,520 Speaker 1: the scan tron. Wow for a shoe on the shoe 82 00:04:47,640 --> 00:04:50,200 Speaker 1: you see see what I'm saying. I like that for 83 00:04:50,279 --> 00:04:52,920 Speaker 1: your shoe. I like that. What what story did your 84 00:04:53,000 --> 00:04:56,320 Speaker 1: name tell? Um? My name originates from Ghana and it 85 00:04:56,400 --> 00:04:58,320 Speaker 1: means women of strength, so basically, you know, like in 86 00:04:58,400 --> 00:05:01,440 Speaker 1: foreign countries the women a considered loan a totem pole. 87 00:05:01,600 --> 00:05:04,560 Speaker 1: But in this particular tribe, the Ashanti tribe that originates 88 00:05:04,640 --> 00:05:09,640 Speaker 1: from Ghana, women run things. The woman king. Yes, exactly, exactly. 89 00:05:10,080 --> 00:05:14,880 Speaker 1: You know, Hey, mama just got books and aren't you 90 00:05:14,920 --> 00:05:24,360 Speaker 1: I thought doing a documentary. Yes, they could sign it 91 00:05:24,440 --> 00:05:27,839 Speaker 1: for us. Yes, talk about the documentary. How far along 92 00:05:27,839 --> 00:05:31,400 Speaker 1: are you with that? Um? Super early in stages. I 93 00:05:31,520 --> 00:05:35,400 Speaker 1: have so much content and so much footage of everything 94 00:05:35,480 --> 00:05:37,440 Speaker 1: that we've been doing behind the scenes. It's gonna be 95 00:05:37,600 --> 00:05:40,240 Speaker 1: really hard to like decipher through everything. And like my 96 00:05:40,400 --> 00:05:44,120 Speaker 1: mom has everything like from the beginning, from the first 97 00:05:44,200 --> 00:05:46,600 Speaker 1: time I went to the studio, the first time I 98 00:05:46,680 --> 00:05:49,000 Speaker 1: went to the offices, you know, over a murder ink 99 00:05:49,120 --> 00:05:53,120 Speaker 1: and behind the scenes, behind foolish and like it's ridiculous, 100 00:05:53,240 --> 00:05:59,000 Speaker 1: so it's gonna be a lot um. I want to 101 00:05:59,040 --> 00:06:01,320 Speaker 1: tell everything. I want to tell how it was my third, 102 00:06:02,000 --> 00:06:06,800 Speaker 1: my fourth, my third record deal. I was signed to 103 00:06:07,560 --> 00:06:13,960 Speaker 1: Noontime Epic Records. I was signed to Yes, Jazzy Fade, 104 00:06:14,480 --> 00:06:17,800 Speaker 1: Chris Nooney, all of them. I had lived in Atlanta 105 00:06:17,839 --> 00:06:20,520 Speaker 1: when I was like seventeen um, and then before that, 106 00:06:20,520 --> 00:06:23,000 Speaker 1: I was signed to Jive Records when I was fourteen, 107 00:06:23,600 --> 00:06:26,720 Speaker 1: right after Aliyah had moved from Jive, and I was 108 00:06:26,880 --> 00:06:29,239 Speaker 1: my first story was supposed to be with in Sync 109 00:06:29,279 --> 00:06:33,080 Speaker 1: and Backstreet Boys. Before you tell the story of the documentary, 110 00:06:33,120 --> 00:06:35,039 Speaker 1: did you ever say, you know what, maybe music isn't 111 00:06:35,040 --> 00:06:38,200 Speaker 1: for me. First deal, second deal, They like, you know what, 112 00:06:38,520 --> 00:06:42,120 Speaker 1: maybe it's something I shouldn't be doing. By the time 113 00:06:42,880 --> 00:06:45,560 Speaker 1: I came back home after my second record deal, I 114 00:06:45,600 --> 00:06:49,280 Speaker 1: went back to college and I was like, mmm, I 115 00:06:49,440 --> 00:06:52,080 Speaker 1: wasn't passionate about it, you know what I mean. I 116 00:06:52,240 --> 00:06:54,440 Speaker 1: was like, I got into a car accident. Let me 117 00:06:54,520 --> 00:06:56,880 Speaker 1: focus and have a backup plan and we'll see what happens. 118 00:06:56,960 --> 00:06:59,040 Speaker 1: It was kind of that vibe. It wasn't like, oh 119 00:06:59,120 --> 00:07:01,280 Speaker 1: my god, I have to do this, and it wasn't like, 120 00:07:01,560 --> 00:07:04,640 Speaker 1: you know, fuck it, But it was if it happens, 121 00:07:04,880 --> 00:07:08,960 Speaker 1: we'll see. What was the turning point from there? I 122 00:07:09,040 --> 00:07:11,920 Speaker 1: mean at that at that time, I was just doing 123 00:07:12,000 --> 00:07:17,440 Speaker 1: local talent shows, showcases. Y'all remember Bernard Brown, Bernard Brown showcase. 124 00:07:18,200 --> 00:07:20,160 Speaker 1: Oh my gosh, it was used to be at what's 125 00:07:20,200 --> 00:07:24,320 Speaker 1: the name of that? Um? Oh my god, what is 126 00:07:24,360 --> 00:07:26,480 Speaker 1: the name of that place in the city. Y'all do 127 00:07:26,600 --> 00:07:31,160 Speaker 1: stuff there all the time. No, oh my god. I'm 128 00:07:31,160 --> 00:07:32,400 Speaker 1: gonna think of it at the end of the interview. 129 00:07:32,760 --> 00:07:39,040 Speaker 1: But it's something that everybody is so disrespectful. My phone 130 00:07:39,120 --> 00:07:41,240 Speaker 1: is gonna vibrate for one person, my daughter and my wife. 131 00:07:41,280 --> 00:07:43,000 Speaker 1: There's only two rings and that see my wife and 132 00:07:43,240 --> 00:07:49,240 Speaker 1: mine too right now, like like literally mine at the 133 00:07:49,280 --> 00:07:51,240 Speaker 1: same time. And now you said being at work. He's 134 00:07:51,240 --> 00:07:53,680 Speaker 1: always on vacation. You see what I'm saying. We still 135 00:07:53,720 --> 00:07:55,720 Speaker 1: ain't find the name of the building, wasn't I can't 136 00:07:55,760 --> 00:07:58,960 Speaker 1: remember the name of it. No, it was from back 137 00:07:59,000 --> 00:08:00,720 Speaker 1: and I know all y'all been there and y'all have 138 00:08:00,800 --> 00:08:02,280 Speaker 1: done parties there. I'm gonna think of it at the 139 00:08:02,360 --> 00:08:10,000 Speaker 1: end of the interviews. Yeah, yes, sobs, Okay, that's what 140 00:08:10,120 --> 00:08:12,600 Speaker 1: you started. I started doing like talent shows and stuff 141 00:08:12,640 --> 00:08:18,840 Speaker 1: there and singing in front of people and what was it? Oh, 142 00:08:20,400 --> 00:08:23,680 Speaker 1: that's when I met up with old Boy and we sang. 143 00:08:23,760 --> 00:08:26,400 Speaker 1: I sang in the studio. He gave me the production 144 00:08:26,520 --> 00:08:30,440 Speaker 1: deal and I took it. You know what I'm talking about? 145 00:08:31,120 --> 00:08:39,199 Speaker 1: No after him? Oh boy, yeah boy, he know a 146 00:08:39,360 --> 00:08:43,400 Speaker 1: mutual person and he set up to me in way, way, way, 147 00:08:43,440 --> 00:08:45,280 Speaker 1: way way back then. So that's kind of like how 148 00:08:45,400 --> 00:08:48,679 Speaker 1: everything just it was like a mutual thing. I hope 149 00:08:48,720 --> 00:08:50,520 Speaker 1: that you explored the dynamic between you and your mom 150 00:08:50,559 --> 00:08:53,520 Speaker 1: because I've always found that very interesting, you know, throughout 151 00:08:53,640 --> 00:08:57,400 Speaker 1: throughout the years. Yeah. Absolutely, absolutely, it's gonna tell a lot. 152 00:08:58,000 --> 00:09:00,079 Speaker 1: A lot of people don't understand what goes in to 153 00:09:00,200 --> 00:09:02,679 Speaker 1: it and what happens with your family, you know, with 154 00:09:02,800 --> 00:09:05,559 Speaker 1: my sister kind of being in my shadow, and my 155 00:09:05,760 --> 00:09:07,800 Speaker 1: dad playing it back and me and my mom. You know, 156 00:09:07,880 --> 00:09:13,319 Speaker 1: it's a lot with your mom a singer. No, yes, 157 00:09:13,559 --> 00:09:15,520 Speaker 1: my mom could put so hard. It was almost like 158 00:09:15,600 --> 00:09:18,160 Speaker 1: you know when when a parent is a player, you 159 00:09:18,200 --> 00:09:19,920 Speaker 1: want your son to be a player, right right. She 160 00:09:20,080 --> 00:09:23,120 Speaker 1: really rolled out like she knew, Yes, she knew on 161 00:09:23,200 --> 00:09:28,760 Speaker 1: the birth announcement, My mom's birth announcement. It's crazy, that's 162 00:09:28,800 --> 00:09:32,000 Speaker 1: gonna be in the dock to my dad actually sings though. 163 00:09:32,080 --> 00:09:35,040 Speaker 1: I had on my dad's side is eight eight of them, 164 00:09:35,080 --> 00:09:37,200 Speaker 1: eight brothers and sisters, and they had like the family band. 165 00:09:37,480 --> 00:09:39,720 Speaker 1: So my dad he could really really sing. He's like blue, 166 00:09:39,760 --> 00:09:45,720 Speaker 1: Magic Vibe, heat Wave Vibe. He did all of those. Definitely, 167 00:09:46,559 --> 00:09:48,760 Speaker 1: So we're gonna have like, oh, are we're gonna have 168 00:09:48,760 --> 00:09:51,040 Speaker 1: footage of your dad singing in the dock? I think 169 00:09:51,080 --> 00:09:54,920 Speaker 1: that'd be kind of yeah. Yeah, it means you see 170 00:09:54,960 --> 00:09:56,760 Speaker 1: that and in the dance studio. I know you got 171 00:09:56,840 --> 00:10:01,160 Speaker 1: some good footage. Oh my gosh. Yeah we did everything tap, jazz, ballet, 172 00:10:01,360 --> 00:10:04,480 Speaker 1: African hip hop, point, all of that. But how was 173 00:10:04,520 --> 00:10:06,760 Speaker 1: that for your dad? Because your dad, you know, lost 174 00:10:06,800 --> 00:10:08,640 Speaker 1: his two ladies. He lost his wife on the road 175 00:10:08,760 --> 00:10:10,040 Speaker 1: and then he lost his daughter in the road. So 176 00:10:10,160 --> 00:10:12,599 Speaker 1: how was dad during this time? You say lost? Like, 177 00:10:14,800 --> 00:10:16,520 Speaker 1: but you know, Dad been a part of it. Dad 178 00:10:16,640 --> 00:10:19,080 Speaker 1: be on the road sometimes, you know what I'm saying, Um, 179 00:10:19,160 --> 00:10:23,000 Speaker 1: But it was definitely a different dynamic because he had 180 00:10:23,040 --> 00:10:25,520 Speaker 1: my sister. You know, So my sister's like in junior 181 00:10:25,600 --> 00:10:27,880 Speaker 1: high and my dad is like, all right, she got 182 00:10:27,960 --> 00:10:29,559 Speaker 1: a boyfriend. What is this about? You know what I'm 183 00:10:29,559 --> 00:10:33,040 Speaker 1: saying he called, like, what we're doing with this dude? 184 00:10:33,120 --> 00:10:36,599 Speaker 1: You know? So it was it was everyone sacrifice. I 185 00:10:36,640 --> 00:10:38,319 Speaker 1: would say that, you know what I'm saying, for the 186 00:10:38,400 --> 00:10:41,199 Speaker 1: benefit of me and for me to be able to 187 00:10:41,240 --> 00:10:43,440 Speaker 1: take care of everyone. Do you feel like somehow your 188 00:10:43,480 --> 00:10:46,960 Speaker 1: personal life always seems to overshadow everything else, like the music. 189 00:10:47,120 --> 00:10:53,000 Speaker 1: Sometimes not really because I'm low, you know what I'm saying, 190 00:10:53,000 --> 00:10:55,079 Speaker 1: I'm super low. I mean, obviously people didn't know me, 191 00:10:55,160 --> 00:10:57,280 Speaker 1: and you know, my ex were together for like three 192 00:10:57,320 --> 00:11:00,719 Speaker 1: to four years before it ever hits. I keep it low. 193 00:11:02,800 --> 00:11:05,000 Speaker 1: How do you How are you feeling right now? Because 194 00:11:05,040 --> 00:11:07,040 Speaker 1: I know you've been going through a lot. I'm sure, 195 00:11:07,200 --> 00:11:11,040 Speaker 1: so are you good? Like how I am amazing? Because 196 00:11:11,040 --> 00:11:13,719 Speaker 1: I could be a little stressful, like sometimes to look 197 00:11:13,760 --> 00:11:17,040 Speaker 1: on social media everybody's talking about business and that. But 198 00:11:17,160 --> 00:11:19,040 Speaker 1: I'm glad that you had an opportunity to sit with 199 00:11:19,160 --> 00:11:22,240 Speaker 1: somebody like Angie and be able to talk about your 200 00:11:22,360 --> 00:11:25,400 Speaker 1: side of things, because that's not something normally. You're like, yeah, 201 00:11:25,559 --> 00:11:27,400 Speaker 1: I'm not even going to address that, right, But it 202 00:11:27,559 --> 00:11:29,200 Speaker 1: got to a point where it was just too much. 203 00:11:29,440 --> 00:11:31,720 Speaker 1: You know, when you just when someone is just lying 204 00:11:32,120 --> 00:11:35,319 Speaker 1: that to that extent on that big of a platform 205 00:11:35,600 --> 00:11:38,719 Speaker 1: about things that are just non existent. It's just like, 206 00:11:39,200 --> 00:11:42,640 Speaker 1: come on, especially, No, you're not going to say anything, right, 207 00:11:42,720 --> 00:11:44,839 Speaker 1: That's that's the problems. Like you got used to me 208 00:11:44,920 --> 00:11:47,800 Speaker 1: not saying anything, and you took advantage of my kindness, 209 00:11:47,960 --> 00:11:49,640 Speaker 1: you know what I'm saying and me being professional. But 210 00:11:49,760 --> 00:11:52,360 Speaker 1: at some point you have to just speak up. And 211 00:11:52,400 --> 00:12:03,360 Speaker 1: that's what I did to get this potty mouth always. Yeah, 212 00:12:03,679 --> 00:12:06,760 Speaker 1: I heard a lot of people feel that came from 213 00:12:06,800 --> 00:12:10,839 Speaker 1: the mom. I feel like that's what I feel like. No, 214 00:12:11,080 --> 00:12:14,080 Speaker 1: but you know what's crazy. If you would have heard 215 00:12:14,120 --> 00:12:16,400 Speaker 1: the verse that I did before that, it was way 216 00:12:16,520 --> 00:12:20,559 Speaker 1: more savage. So I just mom wrote that verse a 217 00:12:20,600 --> 00:12:23,559 Speaker 1: little you know, a little tea maybe I play for 218 00:12:23,640 --> 00:12:26,520 Speaker 1: you have them, okay, we're here. It was more because 219 00:12:26,559 --> 00:12:28,600 Speaker 1: you know, guys get really offended by that. Every guy, 220 00:12:29,240 --> 00:12:31,840 Speaker 1: like when you start talking about little penises, they get 221 00:12:31,920 --> 00:12:35,360 Speaker 1: defensive than they But I mean, if God can't help it, 222 00:12:35,440 --> 00:12:37,160 Speaker 1: it's not like and then you can do any surgery. 223 00:12:37,160 --> 00:12:41,120 Speaker 1: We can't get No, but I heard you can't. I 224 00:12:41,200 --> 00:12:43,320 Speaker 1: heard you can do a little enhancement. Yeah you can. 225 00:12:44,559 --> 00:12:46,520 Speaker 1: I mean, I don't know how it's gonna work in 226 00:12:46,679 --> 00:12:48,800 Speaker 1: function you know what I'm saying. But I heard you 227 00:12:48,960 --> 00:12:52,200 Speaker 1: at least I heard it. It's just for girl. It's 228 00:12:52,240 --> 00:12:57,719 Speaker 1: not for so. I heard girl. Not so you do 229 00:12:57,800 --> 00:13:00,480 Speaker 1: like a little pringle snack size cane. Oh you don't 230 00:13:00,480 --> 00:13:07,319 Speaker 1: want that? He did. Look, I want to see and 231 00:13:08,160 --> 00:13:10,360 Speaker 1: you're right because guys will do things like they tie 232 00:13:10,400 --> 00:13:12,000 Speaker 1: a weight to the end of it and they think 233 00:13:12,040 --> 00:13:17,360 Speaker 1: they could like hang the way. No, that sounds painful though, 234 00:13:17,720 --> 00:13:20,440 Speaker 1: that sounds painful. Yeah, sometimes people feel like, what did 235 00:13:20,480 --> 00:13:23,120 Speaker 1: you Charlottagne had the pills that he was taking. I 236 00:13:23,240 --> 00:13:30,600 Speaker 1: wanted magnax out the back of the double la Oh 237 00:13:30,960 --> 00:13:34,240 Speaker 1: no nah. But when you give off that energy sometimes 238 00:13:34,320 --> 00:13:38,480 Speaker 1: you got to be addressed. Correct little dick you can't shake. 239 00:13:39,480 --> 00:13:43,720 Speaker 1: How can you say, I'm just saying about it because 240 00:13:43,760 --> 00:13:48,600 Speaker 1: he didnt right there? Why did he feel a way 241 00:13:48,600 --> 00:13:50,599 Speaker 1: about because I don't know, but like right when you 242 00:13:50,640 --> 00:13:52,760 Speaker 1: said it, he was like take that or whatever. That's 243 00:13:53,320 --> 00:13:57,400 Speaker 1: that's a wild time to say take that. Look at it. 244 00:13:58,679 --> 00:14:00,520 Speaker 1: But you know what the interest in I say, before 245 00:14:00,520 --> 00:14:01,760 Speaker 1: you walked in, I said, I do not want to 246 00:14:01,760 --> 00:14:03,920 Speaker 1: ask her any questions about that, because I feel like 247 00:14:04,000 --> 00:14:05,959 Speaker 1: that's what you get asked about a lot, and I 248 00:14:06,000 --> 00:14:08,559 Speaker 1: don't think that's fair to you, you know what I mean. No, 249 00:14:08,640 --> 00:14:11,080 Speaker 1: I appreciate it. I appreciate it. I mean, I'm cool 250 00:14:11,200 --> 00:14:14,439 Speaker 1: either way. You know, y'all know I've been through a 251 00:14:14,520 --> 00:14:16,680 Speaker 1: lot of interviews. You know what I'm saying, and sometimes 252 00:14:16,760 --> 00:14:18,319 Speaker 1: I speak, but most of the time I don't. And 253 00:14:18,360 --> 00:14:20,640 Speaker 1: I feel like at this point, at twenty years being 254 00:14:20,760 --> 00:14:23,720 Speaker 1: in and where we are just in social media and 255 00:14:23,800 --> 00:14:27,000 Speaker 1: what we're doing to just progressively grow in this industry, 256 00:14:27,480 --> 00:14:29,920 Speaker 1: I feel like, just for a woman, I have to. 257 00:14:30,000 --> 00:14:31,760 Speaker 1: I had to come out and just say my piece, 258 00:14:31,960 --> 00:14:34,120 Speaker 1: you know. And it's crazy. So many people would text 259 00:14:34,160 --> 00:14:36,560 Speaker 1: to me, like all my exes hit me like yo, 260 00:14:37,200 --> 00:14:39,200 Speaker 1: you gotta say something, you know what I'm saying. And 261 00:14:39,760 --> 00:14:41,880 Speaker 1: it was it was a good feeling because I'm not 262 00:14:42,000 --> 00:14:44,120 Speaker 1: the one to ship on people. You know what I'm saying. 263 00:14:44,160 --> 00:14:46,720 Speaker 1: I defend myself, so I'm not gonna say nothing until 264 00:14:46,760 --> 00:14:48,960 Speaker 1: you start throwing these daggers at me, you know. So 265 00:14:49,280 --> 00:14:51,240 Speaker 1: and everyone respected that. I feel like people were like, 266 00:14:51,320 --> 00:14:54,080 Speaker 1: we're glad because you don't bother nobody, you don't tell 267 00:14:54,200 --> 00:14:57,200 Speaker 1: crazy about nobody, you don't be beefing with nobody, nobody. 268 00:14:57,360 --> 00:14:59,640 Speaker 1: I have no, you're gonna address things in your documentary. 269 00:15:00,120 --> 00:15:02,760 Speaker 1: I am. I am, because there's there are a lot 270 00:15:02,880 --> 00:15:05,400 Speaker 1: of things that have been misled. There are a lot 271 00:15:05,440 --> 00:15:07,960 Speaker 1: of things that are missing, you know what I'm saying, Like, 272 00:15:08,120 --> 00:15:10,800 Speaker 1: there's a lot, it's a lot. So yeah, I heard 273 00:15:10,840 --> 00:15:15,360 Speaker 1: other women say that they appreciated you telling that story 274 00:15:15,480 --> 00:15:18,080 Speaker 1: because a lot of them go through those type of 275 00:15:18,160 --> 00:15:21,880 Speaker 1: things in their their work environment. Absolutely. Absolutely, I've been 276 00:15:21,880 --> 00:15:25,280 Speaker 1: in a crazy situation with one producer. Um, I don't 277 00:15:25,320 --> 00:15:27,200 Speaker 1: even I think I might have talked about this once. 278 00:15:27,480 --> 00:15:31,840 Speaker 1: One producer, like we did two records together. He was like, Okay, 279 00:15:31,960 --> 00:15:34,120 Speaker 1: you know I'm not gonna charge you. You know, you're 280 00:15:34,160 --> 00:15:36,360 Speaker 1: my homie, whatever, whatever, And then when it came trying 281 00:15:36,400 --> 00:15:39,360 Speaker 1: to put on the album, he was like, well, let's 282 00:15:39,360 --> 00:15:42,880 Speaker 1: take a shower together. And I thought he was joking, 283 00:15:43,040 --> 00:15:45,360 Speaker 1: Like I thought it was joking. And then he's like, no, 284 00:15:45,480 --> 00:15:47,880 Speaker 1: I'm dead serious, Like, you know, let's go out and 285 00:15:47,960 --> 00:15:49,320 Speaker 1: let's take a shower together, and I give you the 286 00:15:49,360 --> 00:15:54,880 Speaker 1: records if not, I need forty. And I was like, again, 287 00:15:54,960 --> 00:15:56,680 Speaker 1: I thought he was joking, you know, because we have 288 00:15:56,760 --> 00:15:59,360 Speaker 1: been working with each other for like I don't know, 289 00:16:00,080 --> 00:16:02,720 Speaker 1: the weeks he was like, you're so crazy, right exactly, 290 00:16:02,920 --> 00:16:04,840 Speaker 1: you know, you do one of those and then um, 291 00:16:04,960 --> 00:16:06,760 Speaker 1: it turned out that he was serious and I hadn't 292 00:16:06,800 --> 00:16:10,200 Speaker 1: make some phone calls and you know, stuff was handled. Um, 293 00:16:11,000 --> 00:16:17,640 Speaker 1: but it's wild, yeah, mama, Mama, Yeah it was. I'd 294 00:16:17,680 --> 00:16:19,280 Speaker 1: be wondering, Mama. How do you feel when when you 295 00:16:19,440 --> 00:16:21,400 Speaker 1: hear these stories though, Like, do you ever feel like 296 00:16:21,440 --> 00:16:23,800 Speaker 1: you want to get on social media and defend your daughter? 297 00:16:23,960 --> 00:16:30,800 Speaker 1: Oh my god, please do not let me saying please, no, 298 00:16:31,280 --> 00:16:35,680 Speaker 1: please don't show I'm telling my own story. No, please 299 00:16:35,720 --> 00:16:47,280 Speaker 1: don't want that. It'll be the doctor. Sit down, please down, 300 00:16:48,040 --> 00:16:50,360 Speaker 1: talk for the doctor. Yeah, I'm gonna let her talk 301 00:16:51,480 --> 00:16:55,440 Speaker 1: exactly because you guys editing room right then, so for sure, 302 00:16:56,040 --> 00:16:57,800 Speaker 1: and then I show your red table talk that you 303 00:16:57,920 --> 00:17:01,920 Speaker 1: did also, and so you know, I just think even now, 304 00:17:02,040 --> 00:17:04,120 Speaker 1: all the things that you've been addressing are so important 305 00:17:04,200 --> 00:17:06,159 Speaker 1: for women other women to also here, but and for 306 00:17:06,280 --> 00:17:09,000 Speaker 1: men too. Yeah. I'm able to understand that just because 307 00:17:09,040 --> 00:17:11,200 Speaker 1: I know that your sister she or she's gone through 308 00:17:11,320 --> 00:17:14,239 Speaker 1: a lot so much, and I feel like she's been 309 00:17:14,320 --> 00:17:17,080 Speaker 1: trying to like make sure that people can hear her 310 00:17:17,080 --> 00:17:18,720 Speaker 1: because it's hard to even get to that point where 311 00:17:18,720 --> 00:17:20,840 Speaker 1: you feel like you can talk about it absolutely in 312 00:17:20,960 --> 00:17:23,159 Speaker 1: front of so many people, having so many of the 313 00:17:23,280 --> 00:17:26,560 Speaker 1: same mutual I don't even want to say friends, but 314 00:17:26,720 --> 00:17:29,720 Speaker 1: mutual people that you're around, and it's like, Okay, he's 315 00:17:29,760 --> 00:17:31,679 Speaker 1: cool with him. Should I still be cool with him? 316 00:17:31,680 --> 00:17:33,520 Speaker 1: I don't know. But he did this, damn Should I bet? 317 00:17:33,560 --> 00:17:34,800 Speaker 1: But he can't do it to me? But you know 318 00:17:34,800 --> 00:17:36,840 Speaker 1: what I mean, it's like a lot. It's a lot, 319 00:17:37,040 --> 00:17:39,119 Speaker 1: you know, especially when you have a person that is 320 00:17:39,200 --> 00:17:42,159 Speaker 1: so kind of infiltrated in the industry. So I commend 321 00:17:42,200 --> 00:17:45,960 Speaker 1: her so much. You know, it was doing She's doing good. 322 00:17:46,200 --> 00:17:48,480 Speaker 1: She's in a really good space. You know. She has 323 00:17:48,560 --> 00:17:51,560 Speaker 1: her line Wife of Creation, she has her like candles 324 00:17:51,760 --> 00:17:55,720 Speaker 1: and sustainable clothing and stuff that that she's doing. M 325 00:17:55,960 --> 00:17:58,080 Speaker 1: I'm gonna do some yoga where she does. Yes, you 326 00:17:58,160 --> 00:18:01,680 Speaker 1: gotta do the yoga second in that morning, very early. 327 00:18:02,160 --> 00:18:04,639 Speaker 1: But once I get off this show, I have a 328 00:18:04,680 --> 00:18:08,480 Speaker 1: little time. So I totally absolutely it's healing, you know 329 00:18:08,480 --> 00:18:10,919 Speaker 1: what I'm saying. And she's gotten so many dms from 330 00:18:11,000 --> 00:18:13,399 Speaker 1: people that are saying, oh my gosh, you helped me, 331 00:18:13,640 --> 00:18:15,400 Speaker 1: Oh my gosh, I went through something just so brave. 332 00:18:15,480 --> 00:18:17,760 Speaker 1: I could never do that. I commend you, you know. 333 00:18:17,880 --> 00:18:20,200 Speaker 1: So even if it's two three people that are able 334 00:18:20,240 --> 00:18:22,240 Speaker 1: to come out of that and learn from it and 335 00:18:22,359 --> 00:18:25,639 Speaker 1: kind of get strength, I'm I'm grateful for that. Is 336 00:18:25,680 --> 00:18:28,680 Speaker 1: it easier to convey those those those stories through music 337 00:18:28,800 --> 00:18:37,280 Speaker 1: or interviews nowadays? Um? As an artist, see, I've never 338 00:18:37,400 --> 00:18:40,760 Speaker 1: gone through that. You know I've gone through obviously watching 339 00:18:40,840 --> 00:18:46,240 Speaker 1: my sister. So as an artist, I don't want to 340 00:18:46,280 --> 00:18:48,159 Speaker 1: say it's easy to write, but it comes, you know 341 00:18:48,200 --> 00:18:50,200 Speaker 1: what I'm saying. I could write about that whole situation 342 00:18:50,600 --> 00:18:54,359 Speaker 1: and it'll be a heartfelt record talking about it. It 343 00:18:54,560 --> 00:18:57,800 Speaker 1: is a little challenging, you know, because it's like you 344 00:18:57,840 --> 00:18:59,760 Speaker 1: don't want to say too much. You know what I say? 345 00:19:00,240 --> 00:19:02,520 Speaker 1: You know not enough? You know what I mean? And again, 346 00:19:02,560 --> 00:19:05,280 Speaker 1: it's not my story, right, So it's it's her story, 347 00:19:05,280 --> 00:19:07,440 Speaker 1: and she has to talk about what she's comfortable talking 348 00:19:07,480 --> 00:19:09,480 Speaker 1: about and putting out there. Do you feel like you're 349 00:19:09,480 --> 00:19:12,800 Speaker 1: write a song about it? So here's the thing. When 350 00:19:12,840 --> 00:19:15,920 Speaker 1: I wrote Rain on Me, I did not go through that, 351 00:19:16,119 --> 00:19:20,440 Speaker 1: But I've seen and witnessed domestic violence. It hit way 352 00:19:20,560 --> 00:19:23,640 Speaker 1: different now, you know, seeing my sister goes So when 353 00:19:23,640 --> 00:19:26,120 Speaker 1: I see me and Lorenz acting, you know, when he's 354 00:19:26,200 --> 00:19:28,080 Speaker 1: hitting me and I'm hitting him, and it's like, oh 355 00:19:28,200 --> 00:19:31,399 Speaker 1: my god, it almost gets a little like damn, I 356 00:19:31,480 --> 00:19:32,879 Speaker 1: kind I don't want to watch that in front of her, 357 00:19:33,080 --> 00:19:35,560 Speaker 1: you know what I'm saying. And but now you can 358 00:19:35,640 --> 00:19:40,040 Speaker 1: see how that has helped other people because it exposed 359 00:19:40,080 --> 00:19:42,840 Speaker 1: it where it's uncomfortable to talk about. You expose it 360 00:19:42,920 --> 00:19:45,000 Speaker 1: and you allow someone to try and maneuver out of 361 00:19:45,040 --> 00:19:47,680 Speaker 1: that situation. You know. So as far as writing again 362 00:19:47,760 --> 00:19:52,520 Speaker 1: about it, I don't know. If a record speaks to me, 363 00:19:53,160 --> 00:19:56,040 Speaker 1: that track made me want to write that record, you 364 00:19:56,080 --> 00:19:58,120 Speaker 1: know what I'm saying. So if I get another beat 365 00:19:58,440 --> 00:20:00,560 Speaker 1: that makes me feel like that, I know that I 366 00:20:00,800 --> 00:20:02,600 Speaker 1: will attack it. What about for your own stuff? Because 367 00:20:02,600 --> 00:20:05,520 Speaker 1: I mean, you had some lines and got to move on, 368 00:20:05,640 --> 00:20:07,840 Speaker 1: But like for your own personal stuff, is it easy 369 00:20:07,840 --> 00:20:11,040 Speaker 1: for you to convey? Absolutely, that came out almost like 370 00:20:11,080 --> 00:20:16,679 Speaker 1: a freestyle. I'm not gonna yeah. It definitely was very different, 371 00:20:16,760 --> 00:20:20,399 Speaker 1: and you know what's crazy, I liked it. I felt okay. 372 00:20:20,520 --> 00:20:24,399 Speaker 1: So when I sent Puff the voice note, it was 373 00:20:24,560 --> 00:20:26,919 Speaker 1: so easy for me to send it to him. When 374 00:20:27,000 --> 00:20:29,000 Speaker 1: I got in the studio, I was like fuck, am 375 00:20:29,040 --> 00:20:30,760 Speaker 1: I gonna say this? You know what I And I'm 376 00:20:30,760 --> 00:20:33,920 Speaker 1: telling you there's another version that's super way more savage. 377 00:20:34,160 --> 00:20:36,240 Speaker 1: And he was like, no, just say it, just say it, 378 00:20:36,320 --> 00:20:38,440 Speaker 1: and I was like, no, I can't say it. He's like, 379 00:20:38,520 --> 00:20:40,960 Speaker 1: you really don't want to say that? No, I can't. 380 00:20:41,160 --> 00:20:44,920 Speaker 1: Why But um, I ended up we compromised. I want 381 00:20:44,920 --> 00:20:46,360 Speaker 1: to know how that came about the Puff reach out 382 00:20:46,400 --> 00:20:48,680 Speaker 1: to you or did you run into him like because 383 00:20:48,840 --> 00:20:50,920 Speaker 1: you you were perfect for that record at the time. Yeah, 384 00:20:51,000 --> 00:20:56,480 Speaker 1: the timing was crazy, like Puff reached out and again, 385 00:20:57,400 --> 00:20:59,400 Speaker 1: we talk all the time, so it wasn't like over 386 00:20:59,480 --> 00:21:02,600 Speaker 1: the top surprising, you know what I'm saying. He reached out, 387 00:21:02,720 --> 00:21:06,000 Speaker 1: and um, he told me how he felt about how 388 00:21:06,080 --> 00:21:09,080 Speaker 1: Earth handled the situation, and we just started talking and 389 00:21:09,119 --> 00:21:10,960 Speaker 1: he's like, yo, you want to get on you know, 390 00:21:11,040 --> 00:21:13,840 Speaker 1: you want to get on the record. And I'm like, yeah, 391 00:21:14,520 --> 00:21:16,800 Speaker 1: you know. And I heard it and I heard what 392 00:21:16,960 --> 00:21:20,200 Speaker 1: Bryson was saying, and I said, okay, yeah, I know 393 00:21:20,320 --> 00:21:22,000 Speaker 1: how to attack it, you know what I mean. And 394 00:21:23,040 --> 00:21:25,800 Speaker 1: because I hadn't addressed it, this was a chance for 395 00:21:25,960 --> 00:21:28,080 Speaker 1: me to address it in a certain way, you know 396 00:21:28,080 --> 00:21:30,600 Speaker 1: what I mean? Yes, through music. So I can be 397 00:21:30,720 --> 00:21:32,760 Speaker 1: creative and it can be the artistic side of me, 398 00:21:32,800 --> 00:21:34,359 Speaker 1: and I don't have to be up on here cursing, 399 00:21:34,400 --> 00:21:38,000 Speaker 1: and you know how, I really can. But um, I 400 00:21:38,119 --> 00:21:41,000 Speaker 1: feel like that was a catalyst and it allowed people 401 00:21:41,080 --> 00:21:43,800 Speaker 1: to see what I felt, you know, And then I 402 00:21:43,880 --> 00:21:46,520 Speaker 1: did the same thing. I still um did the interviews 403 00:21:46,520 --> 00:21:48,560 Speaker 1: and I still spoke about it. You know, it's crazy. 404 00:21:48,600 --> 00:21:51,119 Speaker 1: I was on a plane literally last night back from Jamaica. 405 00:21:51,200 --> 00:21:53,040 Speaker 1: This lady was sitting next to me. She's like, oh 406 00:21:53,119 --> 00:21:56,280 Speaker 1: my god, your birth don't got to move on. Shut 407 00:21:56,359 --> 00:22:03,960 Speaker 1: up his part. I was on the plane back from 408 00:22:04,040 --> 00:22:08,320 Speaker 1: Jamaica and this lady was like, Yo, your verse don't 409 00:22:08,320 --> 00:22:10,800 Speaker 1: gotta move on. Was crazy. I'm so glad you. I'm 410 00:22:10,840 --> 00:22:12,760 Speaker 1: so happy about the way that you handled it. I've 411 00:22:12,760 --> 00:22:15,680 Speaker 1: been watching you for years, so to me, that kind 412 00:22:15,720 --> 00:22:17,679 Speaker 1: of tells me that I feel like I did something right, 413 00:22:18,040 --> 00:22:19,600 Speaker 1: you know what I mean, the way that I've handled 414 00:22:19,640 --> 00:22:23,000 Speaker 1: it for the past twenty years and the ship that 415 00:22:23,160 --> 00:22:26,000 Speaker 1: fell in my lap in the past couple of months, 416 00:22:26,920 --> 00:22:28,960 Speaker 1: that's what I did. How did did Hea and R 417 00:22:29,080 --> 00:22:31,320 Speaker 1: that situation? Like you said, he told you how he 418 00:22:31,400 --> 00:22:37,000 Speaker 1: felt about whatever saying. What did he say He just 419 00:22:37,200 --> 00:22:40,440 Speaker 1: felt like it wasn't respectful, you know what I'm saying, 420 00:22:40,560 --> 00:22:42,520 Speaker 1: And it wasn't I think the whole world could see 421 00:22:42,640 --> 00:22:45,120 Speaker 1: that it wasn't respectful. You could address something, you could 422 00:22:45,160 --> 00:22:49,399 Speaker 1: not like me, you could whatever, But the amount of disrespect, 423 00:22:49,520 --> 00:22:51,680 Speaker 1: I just feel like it was too much, you know 424 00:22:51,720 --> 00:22:55,640 Speaker 1: what I mean? And I was actually feeling a movie 425 00:22:55,680 --> 00:22:57,440 Speaker 1: in Canada. So we were going back and forth. I 426 00:22:57,560 --> 00:22:59,600 Speaker 1: was sending the verse and changing things here and ad 427 00:22:59,640 --> 00:23:04,280 Speaker 1: libs and Puff changed the beat forty two times. Yea. 428 00:23:05,240 --> 00:23:07,640 Speaker 1: He It's so funny because we're very similar, like being 429 00:23:07,680 --> 00:23:10,440 Speaker 1: a perfectionist and trying ten times before you come to 430 00:23:10,520 --> 00:23:12,399 Speaker 1: that one that you love. So we went back and 431 00:23:12,520 --> 00:23:14,879 Speaker 1: forth so many. I had literally had a studio in 432 00:23:15,000 --> 00:23:18,119 Speaker 1: my trailer recording in between scenes of the movie. So 433 00:23:18,840 --> 00:23:20,800 Speaker 1: we just wanted it to be perfect, and we wanted 434 00:23:20,840 --> 00:23:23,320 Speaker 1: to be right and to feel good and feel natural. 435 00:23:23,440 --> 00:23:25,320 Speaker 1: How did it feel when you have like so many 436 00:23:25,359 --> 00:23:28,280 Speaker 1: big brothers in the industry? Right? Like did he or 437 00:23:28,520 --> 00:23:31,840 Speaker 1: fact that Joe? These people standing up for the job job, 438 00:23:32,000 --> 00:23:33,320 Speaker 1: you know, So how did it feel I have those 439 00:23:33,359 --> 00:23:36,760 Speaker 1: big brothers in the industry? Um, it's a blessing, you know, 440 00:23:37,480 --> 00:23:39,720 Speaker 1: you had to be a little surprising because everybody is 441 00:23:39,760 --> 00:23:43,040 Speaker 1: like co mingled, you know, right right? Um it, It 442 00:23:44,040 --> 00:23:47,000 Speaker 1: feels good to know that I have people that hold 443 00:23:47,080 --> 00:23:50,240 Speaker 1: me down and everyone ain't for the platform, and everyone 444 00:23:50,560 --> 00:23:54,119 Speaker 1: is not going to say everything on the mic. Sometimes 445 00:23:54,240 --> 00:23:57,320 Speaker 1: people are genuinely calling me and texting me and it's 446 00:23:57,359 --> 00:23:59,520 Speaker 1: not for the public, you know. So I feel secure 447 00:23:59,600 --> 00:24:01,440 Speaker 1: in that, you know, because I'm private too. I'm you know, 448 00:24:01,560 --> 00:24:04,440 Speaker 1: I don't do a whole lot um, but I know 449 00:24:04,520 --> 00:24:07,479 Speaker 1: if anything goes down, I'm good. This is way more 450 00:24:07,560 --> 00:24:10,080 Speaker 1: savage remix is that could be an intro to something? 451 00:24:13,040 --> 00:24:17,840 Speaker 1: Oh you know what, maybe maybe we I was gonna say, 452 00:24:17,880 --> 00:24:19,680 Speaker 1: maybe we can talk about intro to the show or 453 00:24:19,760 --> 00:24:22,639 Speaker 1: something like. You know, I like that with the visuals 454 00:24:22,720 --> 00:24:24,520 Speaker 1: and that could be a good idea. I think. So 455 00:24:24,720 --> 00:24:26,399 Speaker 1: I gotta do something with it because if it's more 456 00:24:26,440 --> 00:24:29,199 Speaker 1: savage than that, I feel like it is. What's more 457 00:24:29,240 --> 00:24:31,119 Speaker 1: savage and telling somebody got a little dick know that 458 00:24:31,480 --> 00:24:37,240 Speaker 1: they broke. I'm a play for you and you feel 459 00:24:37,240 --> 00:24:39,560 Speaker 1: like you've gotten it all out of not yet, um, 460 00:24:41,000 --> 00:24:45,960 Speaker 1: I do feel like, um again, I don't poke, I 461 00:24:46,040 --> 00:24:49,840 Speaker 1: don't bother people. I feel like at this point it 462 00:24:50,000 --> 00:24:53,240 Speaker 1: was important for me to make a stance, and I'm good, 463 00:24:53,600 --> 00:24:56,040 Speaker 1: you know what I mean. I'm still like, I want 464 00:24:56,080 --> 00:24:58,479 Speaker 1: to have peace with whoever. You know. I don't want 465 00:24:58,560 --> 00:25:00,359 Speaker 1: no ill will. I don't want your negative energy. I 466 00:25:00,400 --> 00:25:02,240 Speaker 1: don't want you at home wishing death on me, you 467 00:25:02,280 --> 00:25:03,960 Speaker 1: know what I'm saying, Like, I want to be peaceful, 468 00:25:04,400 --> 00:25:07,240 Speaker 1: and I think I'm at a place where I could 469 00:25:07,240 --> 00:25:10,000 Speaker 1: be peaceful and cordial and move on. It's too much 470 00:25:10,240 --> 00:25:14,000 Speaker 1: history together and too many amazing things that we've done 471 00:25:14,040 --> 00:25:16,639 Speaker 1: to be in this space. It's childish, you know what 472 00:25:16,680 --> 00:25:19,880 Speaker 1: I'm saying. Likes it don't make any sense. So I'm 473 00:25:20,119 --> 00:25:21,760 Speaker 1: I'm at a place where I'm just you know, so 474 00:25:22,000 --> 00:25:25,320 Speaker 1: that would be peace between y'all. You think, Um, I 475 00:25:25,440 --> 00:25:32,959 Speaker 1: don't let me ask Mama. I mean right now, if 476 00:25:33,040 --> 00:25:36,600 Speaker 1: he does the right thing and has an apology that's genuine, 477 00:25:37,200 --> 00:25:40,320 Speaker 1: there's a possibility because she's a good person, right, you 478 00:25:40,359 --> 00:25:44,040 Speaker 1: know what I mean, and she's very forgiving. But when 479 00:25:44,119 --> 00:25:47,400 Speaker 1: you do things and keep hammering at it, then that's 480 00:25:47,520 --> 00:25:50,040 Speaker 1: cause for I'm never going to do this. I'm never 481 00:25:50,119 --> 00:25:54,000 Speaker 1: going to do that, and that's who she is. Yeah, 482 00:25:54,080 --> 00:25:58,439 Speaker 1: I mean, I'm not things will never be the same ever. Right, Um, 483 00:25:58,760 --> 00:26:01,600 Speaker 1: but as far as just being at peace and being cordial, 484 00:26:03,680 --> 00:26:07,520 Speaker 1: is it a possibility. I've tried, you know, for years consecutively. 485 00:26:07,880 --> 00:26:10,280 Speaker 1: An hour I was told, Okay, I'm not gonna do this, 486 00:26:10,359 --> 00:26:11,879 Speaker 1: I'm not gonna do that. And a year goes by 487 00:26:11,920 --> 00:26:14,199 Speaker 1: and you do it, say sorry again, year goes by 488 00:26:14,240 --> 00:26:17,240 Speaker 1: to do it again. All right, you know what I'm saying, Like, 489 00:26:18,640 --> 00:26:20,480 Speaker 1: you got to accept what it is. You got the 490 00:26:20,560 --> 00:26:24,520 Speaker 1: text all stop? Oh, he texts you. No, Mama got everything. 491 00:26:24,720 --> 00:26:30,400 Speaker 1: Not in the I'm like, not in the past few years. 492 00:26:30,560 --> 00:26:33,520 Speaker 1: But I think it's your Instagram father shanthing. It's hard people, 493 00:26:33,760 --> 00:26:36,640 Speaker 1: I'm serious. It's hard for people to move on when 494 00:26:36,720 --> 00:26:39,880 Speaker 1: you see you looking fly living a great life on Instagram. 495 00:26:39,920 --> 00:26:42,760 Speaker 1: What I'm serious, It's hard for people to get over. Listen, 496 00:26:44,080 --> 00:26:46,440 Speaker 1: he probably driving crazy. I finished with it. She got 497 00:26:46,480 --> 00:26:54,560 Speaker 1: you know, I'm sure. Holiday movies. Oh yeah, she's up 498 00:26:54,800 --> 00:26:59,119 Speaker 1: a new Diva Christmas Carol, Yes, yea and starring in it. No, 499 00:26:59,560 --> 00:27:05,960 Speaker 1: this is um, it's just Elba's production company. Vibe. UM 500 00:27:06,400 --> 00:27:09,720 Speaker 1: super super super cute movie. Um, it's like The Grin 501 00:27:09,840 --> 00:27:12,320 Speaker 1: Show stole Christmas kind of vibe. I'm the main one. 502 00:27:12,800 --> 00:27:14,920 Speaker 1: I have three spirits that are trying to show me 503 00:27:15,000 --> 00:27:19,000 Speaker 1: the ropes, Eva, Vivica Fox, and Robin Gibbons. Um. It's 504 00:27:19,040 --> 00:27:23,960 Speaker 1: super super cute, super cool, UM, very family oriented and 505 00:27:24,119 --> 00:27:26,280 Speaker 1: I think it's it's a nice twist to it to see, 506 00:27:26,520 --> 00:27:29,120 Speaker 1: you know, black women doing their thing. Did you enjoy 507 00:27:29,200 --> 00:27:33,000 Speaker 1: being evil? I ain't gonna lie. Listen a lot of 508 00:27:33,080 --> 00:27:35,159 Speaker 1: evil things happening. And I wrote the verse I was 509 00:27:35,240 --> 00:27:40,720 Speaker 1: being a grin Sum it was a good It was 510 00:27:40,800 --> 00:27:43,320 Speaker 1: a good month or a few months of expression and 511 00:27:43,440 --> 00:27:46,639 Speaker 1: being artistic different from who I am. You know. Um, 512 00:27:46,720 --> 00:27:51,399 Speaker 1: it's come in December fourteenth on VH one. Yeah, I 513 00:27:51,520 --> 00:27:53,440 Speaker 1: see this year, right. We never seen black women in 514 00:27:53,520 --> 00:27:56,120 Speaker 1: that type of role. Yeah, you know. And I got 515 00:27:56,160 --> 00:28:00,520 Speaker 1: to see myself as a young child, as a college 516 00:28:00,880 --> 00:28:03,200 Speaker 1: and then I see myself in the future like a 517 00:28:03,440 --> 00:28:06,320 Speaker 1: super old lady. And the path that I go down 518 00:28:06,440 --> 00:28:08,800 Speaker 1: determines what's gonna happen. You know, if I'm gonna end 519 00:28:08,880 --> 00:28:13,320 Speaker 1: up singing, being obese and smoking cigarettes and you know, 520 00:28:13,600 --> 00:28:15,280 Speaker 1: laying on the floor in the club, or if I'm 521 00:28:15,320 --> 00:28:19,600 Speaker 1: gonna have a family. So those decisions make, you know, 522 00:28:19,800 --> 00:28:22,240 Speaker 1: make sense to what your future is gonna Be and 523 00:28:22,359 --> 00:28:25,560 Speaker 1: you also have this single with Blue. Yeah. Yeah, I 524 00:28:25,640 --> 00:28:28,880 Speaker 1: guess he's still Young Blue. No, don't call him Young Blue. 525 00:28:29,760 --> 00:28:31,960 Speaker 1: I just call him. I feel like you told me 526 00:28:32,080 --> 00:28:34,919 Speaker 1: he had to change it back or something for legal reasons. 527 00:28:34,960 --> 00:28:37,199 Speaker 1: I don't know. I don't know, all right, So how 528 00:28:37,320 --> 00:28:40,320 Speaker 1: was it working with him? Yo? I was so impressed 529 00:28:40,600 --> 00:28:43,400 Speaker 1: the first time. I was like, Noah, he's really talented, 530 00:28:43,760 --> 00:28:47,640 Speaker 1: Like he's talented. Um. We had so much fun. We 531 00:28:47,720 --> 00:28:49,480 Speaker 1: were in and this this is how you know, I 532 00:28:49,560 --> 00:28:51,840 Speaker 1: got comfortable. We were a little bit after COVID and 533 00:28:51,960 --> 00:28:54,440 Speaker 1: he came in the booth with me, like like by 534 00:28:54,520 --> 00:28:59,760 Speaker 1: the mic, and I was like, hold on, yeah. But 535 00:29:00,480 --> 00:29:04,320 Speaker 1: he's like super passionate and charismatic and he writes off 536 00:29:04,360 --> 00:29:06,920 Speaker 1: the top and it was just really dope being in 537 00:29:07,040 --> 00:29:09,760 Speaker 1: the studio with him, you know, just young energy, new energy, 538 00:29:09,880 --> 00:29:12,560 Speaker 1: new vibe. The first time we recorded was here in 539 00:29:12,640 --> 00:29:14,760 Speaker 1: New York, and then we recorded the single Falling for You. 540 00:29:14,840 --> 00:29:16,880 Speaker 1: We were in Vegas, so were both in Vegas for 541 00:29:16,960 --> 00:29:18,680 Speaker 1: like a week and we were in the studio every 542 00:29:18,720 --> 00:29:21,040 Speaker 1: day and it just came effortlessly, you know. I think 543 00:29:21,120 --> 00:29:24,640 Speaker 1: just being two writers and having producers right at your hands, 544 00:29:24,760 --> 00:29:28,200 Speaker 1: with the you know, the tools making everything. It was 545 00:29:28,240 --> 00:29:35,840 Speaker 1: just a really dope vibe. What inspired those lyrics, I 546 00:29:36,000 --> 00:29:40,040 Speaker 1: mean just life really going through it, you know, just 547 00:29:40,200 --> 00:29:43,320 Speaker 1: feeling like, you know, sometimes at a certain point you 548 00:29:43,400 --> 00:29:45,560 Speaker 1: got to stop falling for the same patterns of of 549 00:29:46,160 --> 00:29:48,400 Speaker 1: bus you know what I'm saying. So and it's crazy. 550 00:29:48,640 --> 00:29:50,600 Speaker 1: It kind of came at a time that was like 551 00:29:50,760 --> 00:29:53,360 Speaker 1: really just going through it. So that's that's a that's 552 00:29:53,400 --> 00:29:55,520 Speaker 1: a hard thing to realize because your therapist will tell 553 00:29:55,520 --> 00:29:57,120 Speaker 1: you that, you know, you got to look inside of 554 00:29:57,240 --> 00:30:00,800 Speaker 1: you because if you keep falling for those same patterns, Yeah, yeah, yeah, 555 00:30:01,080 --> 00:30:04,880 Speaker 1: that's that's deep as deep and it's it's meaningful. And 556 00:30:05,000 --> 00:30:08,000 Speaker 1: I think that I have done that because at some 557 00:30:08,080 --> 00:30:09,560 Speaker 1: point you got to look at yourself like, Okay, do 558 00:30:09,680 --> 00:30:11,920 Speaker 1: I keep picking the same you know what I'm saying? 559 00:30:12,080 --> 00:30:14,840 Speaker 1: Or why am I attracting this certain How come these 560 00:30:14,920 --> 00:30:17,800 Speaker 1: things unfold like this? You know? Because let me say 561 00:30:17,880 --> 00:30:20,479 Speaker 1: you were here, you had a boyfriend and we had 562 00:30:20,520 --> 00:30:24,960 Speaker 1: the wrong person, remember asking a bunch of questions, Yeah 563 00:30:25,440 --> 00:30:28,680 Speaker 1: you have somebody a little situation. Yes, you're still in 564 00:30:28,760 --> 00:30:38,280 Speaker 1: a situation. No, not where it was Okay, nah, they 565 00:30:38,400 --> 00:30:42,720 Speaker 1: just let me stop right now. I'm gonna stop myself. Yeah, 566 00:30:42,760 --> 00:30:48,600 Speaker 1: I had to stop myself. Um. I think sometimes people 567 00:30:48,680 --> 00:30:52,480 Speaker 1: make mistakes, you know, it's just about how you go 568 00:30:52,640 --> 00:30:56,560 Speaker 1: about that mistake after you make that mistake. You got 569 00:30:56,640 --> 00:31:02,840 Speaker 1: to watch the video. I ain't seen the video. I 570 00:31:02,920 --> 00:31:07,040 Speaker 1: think we gotta thought publicly shaming God when it's not 571 00:31:07,160 --> 00:31:10,320 Speaker 1: the guy in the video. He's an actor, right, well, 572 00:31:10,440 --> 00:31:12,840 Speaker 1: God make those kind of mistakes, you know. You know 573 00:31:13,040 --> 00:31:15,440 Speaker 1: certain people. You can't make that kind of mistake, right right, 574 00:31:15,520 --> 00:31:18,000 Speaker 1: And that's anybody. If you're you shouldn't win anybody. Yes, 575 00:31:18,280 --> 00:31:20,120 Speaker 1: you definitely shouldn't win any people. We got to hold 576 00:31:23,320 --> 00:31:26,080 Speaker 1: I'm not I'm not, but you know, depending on how 577 00:31:26,120 --> 00:31:29,960 Speaker 1: older brother is. And but that's the thing. It's weird 578 00:31:30,040 --> 00:31:33,720 Speaker 1: because sometimes situations that come about is not it's not 579 00:31:33,880 --> 00:31:36,320 Speaker 1: really a cheat. It's I don't know how to explain. 580 00:31:36,360 --> 00:31:38,000 Speaker 1: It's like what Va Charlotte may do with each other 581 00:31:38,080 --> 00:31:47,360 Speaker 1: every morning. They're not necessarily physical with each other. Oh okay, yeah, 582 00:31:47,560 --> 00:31:49,720 Speaker 1: but I don't know if anything like has gone beyond that. 583 00:31:49,880 --> 00:31:52,479 Speaker 1: I'm sure, right, but I can see white people don't 584 00:31:52,480 --> 00:31:59,120 Speaker 1: listen to me. How did you catch up? I'm just curious, Um, Mama, 585 00:31:59,160 --> 00:32:02,040 Speaker 1: did no see. That's the thing. It's hard because it's 586 00:32:02,080 --> 00:32:04,880 Speaker 1: not it's not an efficient, it's not a real cheat. 587 00:32:05,560 --> 00:32:07,600 Speaker 1: So it's hard to say. But what I will say 588 00:32:07,760 --> 00:32:09,840 Speaker 1: is I got a lot of good fans and they 589 00:32:09,920 --> 00:32:18,480 Speaker 1: say no because not even it wasn't even that surface. 590 00:32:18,680 --> 00:32:22,640 Speaker 1: It really wasn't. Um, I don't know. It's just I 591 00:32:22,760 --> 00:32:25,320 Speaker 1: knew I found out, but it wasn't. Again, let me 592 00:32:25,400 --> 00:32:28,040 Speaker 1: address it. It's not it wasn't like a cheat sheet. 593 00:32:28,040 --> 00:32:29,520 Speaker 1: Because sometimes you know, when you get to a point 594 00:32:29,600 --> 00:32:32,920 Speaker 1: where you're in different spaces, right, so you over here, 595 00:32:33,000 --> 00:32:34,920 Speaker 1: I'm over here. You know what I'm saying. So it's 596 00:32:34,960 --> 00:32:37,520 Speaker 1: like it was a break, y'all going a little break 597 00:32:37,560 --> 00:32:41,440 Speaker 1: kinda you know, I gotta ask you this. It's a 598 00:32:41,680 --> 00:32:50,640 Speaker 1: little penis a deal breaker. Okay. So here's here's the thing. 599 00:32:51,160 --> 00:32:54,800 Speaker 1: If you know what to do with it, then it's 600 00:32:54,840 --> 00:32:56,760 Speaker 1: not a deal breaker. Okay, you know what I'm saying. 601 00:32:56,760 --> 00:32:58,760 Speaker 1: If you know how to make it, that's what women 602 00:32:58,800 --> 00:33:01,240 Speaker 1: say to make guys feel I'm that serious. How you 603 00:33:01,360 --> 00:33:04,520 Speaker 1: do it? You can well maybe I don't know. I mean, 604 00:33:06,040 --> 00:33:10,360 Speaker 1: if you know how to if I'm happy, Okay, you 605 00:33:10,440 --> 00:33:11,760 Speaker 1: know what I'm saying, And you know how to do 606 00:33:12,000 --> 00:33:14,120 Speaker 1: if you know how to make it do what it's supposed, 607 00:33:14,200 --> 00:33:17,480 Speaker 1: it's still disappointing and you're like, yeah, you don't want 608 00:33:17,520 --> 00:33:25,520 Speaker 1: to have to you know what? What's that? Because you 609 00:33:25,600 --> 00:33:30,880 Speaker 1: can't you know what I mean? Right? Absolutely don't say 610 00:33:30,960 --> 00:33:32,480 Speaker 1: certain things like you know how you want to talk? 611 00:33:32,520 --> 00:33:34,200 Speaker 1: I know it, Shanty Tuck's dirty in the bedroom. I 612 00:33:34,240 --> 00:33:37,120 Speaker 1: can tell, Oh my gosh. But this just makes you 613 00:33:37,280 --> 00:33:40,120 Speaker 1: say that I can tell. But there's certain things you 614 00:33:40,200 --> 00:33:43,960 Speaker 1: can't say because then you're lying. Very true, very true. 615 00:33:43,960 --> 00:33:45,760 Speaker 1: But you know guys do all the time. They be 616 00:33:45,880 --> 00:33:48,360 Speaker 1: lying just to get in and do you know right, 617 00:33:48,640 --> 00:33:50,280 Speaker 1: you know what I'm saying. Guys, we just lie back, 618 00:33:50,400 --> 00:33:52,200 Speaker 1: lie back like it's the best. Yeah, and get it? 619 00:33:55,160 --> 00:34:01,760 Speaker 1: Can we go to the right fast? Oh God, let 620 00:34:01,800 --> 00:34:03,760 Speaker 1: us here? I know that. But I want to say, 621 00:34:03,920 --> 00:34:06,560 Speaker 1: so imagine this is your last day words and you 622 00:34:06,680 --> 00:34:09,400 Speaker 1: gotta and you're leaving, so I want you to to 623 00:34:09,600 --> 00:34:14,239 Speaker 1: to and IRV God is your boss? Oh God? Now 624 00:34:14,960 --> 00:34:18,399 Speaker 1: would you leave? How would you exit? How would help 625 00:34:18,520 --> 00:34:23,000 Speaker 1: ye out? Savage? Exit? And MoMA Tina right by your 626 00:34:23,000 --> 00:34:28,640 Speaker 1: side like she always is, Oh my god, but wait, okay, 627 00:34:28,760 --> 00:34:32,160 Speaker 1: so it's my last day, last day, and I don't 628 00:34:32,200 --> 00:34:35,479 Speaker 1: get stuff and holding stuff, and you know I would 629 00:34:35,480 --> 00:34:39,360 Speaker 1: put I would put on free do you put on 630 00:34:39,440 --> 00:34:44,479 Speaker 1: what FNF? Okay? Then I'd be like, I quit this bitch. 631 00:34:45,680 --> 00:34:47,759 Speaker 1: How would you do? Go? Shout to go last day? 632 00:34:47,960 --> 00:34:53,960 Speaker 1: You go, Oh, I'm probably gonna be savage. I'm ripping 633 00:34:54,080 --> 00:34:58,280 Speaker 1: everything off the walls. I'm breaking all your ship, anything 634 00:34:58,360 --> 00:35:04,160 Speaker 1: that's precious, your name, I'm spitting on it. You want 635 00:35:04,160 --> 00:35:22,480 Speaker 1: to come back now? We can't leave not negative positive, positive, amazing. Yes, 636 00:35:22,560 --> 00:35:24,520 Speaker 1: we got to play the new record Falling for you 637 00:35:24,760 --> 00:35:31,640 Speaker 1: got to play the remix um Yeah, yeah, move on 638 00:35:31,760 --> 00:35:36,080 Speaker 1: if you can play that? And the Bug? May shall 639 00:35:36,120 --> 00:35:38,160 Speaker 1: you pick up the Bug? Yes? My name is the story? 640 00:35:38,840 --> 00:35:42,120 Speaker 1: And now she has the movie on December fourteen. Yes, 641 00:35:42,440 --> 00:35:44,520 Speaker 1: and I'm sure she'll be back up before her next movie, 642 00:35:44,800 --> 00:35:51,040 Speaker 1: the Plus one movie. Yes, absolutely, she put blue one. Yep, 643 00:35:52,200 --> 00:36:02,560 Speaker 1: it's the Breakfast Clubs