1 00:00:01,760 --> 00:00:04,439 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,480 --> 00:00:07,280 Speaker 2: And Kevin An iHeartRadio. 3 00:00:06,600 --> 00:00:11,000 Speaker 1: Podcast Welcome to and that's what you were in this 4 00:00:11,119 --> 00:00:19,040 Speaker 1: podcast season four. We're making our way. We're making our way. 5 00:00:19,200 --> 00:00:20,200 Speaker 1: Welcome everybody. 6 00:00:20,400 --> 00:00:26,000 Speaker 2: We are on episode six, Glease, which originally aired November fifteen, 7 00:00:26,079 --> 00:00:30,840 Speaker 2: twenty twelve. Okay, this is a fun one. I got 8 00:00:30,840 --> 00:00:33,680 Speaker 2: to I'm in Texas visiting. You watch for your family, 9 00:00:33,960 --> 00:00:38,159 Speaker 2: the fam. I watched with my parents. What did they think? Oh, 10 00:00:38,200 --> 00:00:41,760 Speaker 2: they loved it. Several times. They love Yes. My dad 11 00:00:41,800 --> 00:00:43,840 Speaker 2: was like, you know, this was a really good show. 12 00:00:44,280 --> 00:00:49,720 Speaker 2: This was a really good show. I enjoyed this way 13 00:00:49,760 --> 00:00:53,720 Speaker 2: more than I thought I would. Yeah, I really just 14 00:00:53,800 --> 00:00:55,000 Speaker 2: like watching my friends. 15 00:00:55,680 --> 00:00:59,760 Speaker 1: Yeah, yeah, it was great. I thought it was really 16 00:01:02,600 --> 00:01:07,240 Speaker 1: and solidly split between New York or like the Ogs 17 00:01:07,360 --> 00:01:12,560 Speaker 1: and the New Kids, like integrated into one. I was like, okay, 18 00:01:15,280 --> 00:01:18,920 Speaker 1: we here we go. This is how you do it. Yeah, totally, 19 00:01:19,040 --> 00:01:21,760 Speaker 1: there was a nostalgia. It was great. It was great. 20 00:01:22,280 --> 00:01:25,280 Speaker 2: Mm hmm. And I didn't even like, you know, when 21 00:01:25,280 --> 00:01:27,760 Speaker 2: Santana comes in or some of these other characters, Mercedes 22 00:01:27,800 --> 00:01:30,640 Speaker 2: comes in, like it's great, like we're fully buying into 23 00:01:30,959 --> 00:01:33,240 Speaker 2: We're just gonna throw these people in when we can 24 00:01:33,319 --> 00:01:34,800 Speaker 2: because we miss them and we love them and they're 25 00:01:34,880 --> 00:01:35,319 Speaker 2: very tim. 26 00:01:35,959 --> 00:01:38,920 Speaker 1: Literally thinking like Santana graduated, but she can do the 27 00:01:38,959 --> 00:01:39,880 Speaker 1: high school play again? 28 00:01:40,080 --> 00:01:40,679 Speaker 2: Yeah, why not? 29 00:01:41,120 --> 00:01:44,840 Speaker 1: Also forgot she was in this. Well okay, well let's 30 00:01:44,840 --> 00:01:47,880 Speaker 1: talk about it. So, uh, let's get past this news step. 31 00:01:47,920 --> 00:01:50,600 Speaker 1: So what was going on in the world. Number one 32 00:01:50,720 --> 00:01:56,559 Speaker 1: song was One More Night by Moon five shocker, Jenna. 33 00:01:57,040 --> 00:01:59,040 Speaker 2: The number one movie is still Skypall. Have you seen 34 00:01:59,080 --> 00:01:59,920 Speaker 2: it since we talked? 35 00:02:00,440 --> 00:02:00,560 Speaker 3: No? 36 00:02:00,640 --> 00:02:04,240 Speaker 1: But I should have watched it, but I haven't seen it. 37 00:02:04,480 --> 00:02:07,720 Speaker 1: But I will. I'll do my homework this week. Please, 38 00:02:07,720 --> 00:02:10,320 Speaker 1: I'll do it this week. I just forgot. Yeah, okay, 39 00:02:10,360 --> 00:02:12,360 Speaker 1: I'll do it. Okay, you know what, my my husband 40 00:02:12,400 --> 00:02:14,600 Speaker 1: will be thrilled that I want to watch a movie. 41 00:02:14,600 --> 00:02:16,959 Speaker 1: I don't want to watch the same film at night. 42 00:02:17,160 --> 00:02:18,680 Speaker 1: So this is a good one. 43 00:02:18,720 --> 00:02:21,880 Speaker 2: Great again, start early if you can. 44 00:02:22,320 --> 00:02:25,000 Speaker 1: I am asleep at eight thirty these days, so okay, 45 00:02:25,120 --> 00:02:28,360 Speaker 1: started at six thirty. Well I was not asleep by then, 46 00:02:28,480 --> 00:02:29,760 Speaker 1: so there's a small window. 47 00:02:30,520 --> 00:02:33,679 Speaker 2: But you know, the beginning of Bond movies are really exciting. 48 00:02:33,720 --> 00:02:35,040 Speaker 2: So she might write, le. 49 00:02:35,639 --> 00:02:38,200 Speaker 1: Okay, fine, great, We'll just exposure early to all the 50 00:02:38,960 --> 00:02:42,959 Speaker 1: Sensitizer great and glean is this week. On November twelve, Harry, 51 00:02:43,000 --> 00:02:46,560 Speaker 1: Max Egball, Vanessa and Lauren attended the TV Guide magazine 52 00:02:47,360 --> 00:02:50,000 Speaker 1: twenty twelve hot List party in Los Angeles, which we 53 00:02:50,040 --> 00:02:55,680 Speaker 1: have been to before. And then shortly after that, the 54 00:02:55,760 --> 00:02:59,800 Speaker 1: day after, Jenna, Darren Cord, Corey, Harry Matt Mark attended 55 00:02:59,800 --> 00:03:01,600 Speaker 1: the twenty twelve GQ Men of the Year event at 56 00:03:01,600 --> 00:03:03,600 Speaker 1: the Chateau Rmont. Don't remember that at all. 57 00:03:03,800 --> 00:03:05,239 Speaker 2: Look Jenna with the bangs. 58 00:03:05,480 --> 00:03:08,160 Speaker 1: There's so many parties at the Chateau that they all 59 00:03:08,480 --> 00:03:14,120 Speaker 1: won together. Yeah wow what Yeah, Jenna with the bangs 60 00:03:14,919 --> 00:03:16,720 Speaker 1: wearing your glee Rolex water. 61 00:03:16,760 --> 00:03:17,760 Speaker 2: You were great. 62 00:03:18,120 --> 00:03:20,880 Speaker 1: Thanks. I look young. There's a lot of colladron in 63 00:03:20,919 --> 00:03:21,359 Speaker 1: my face. 64 00:03:21,639 --> 00:03:22,920 Speaker 2: Everyone looks really good. 65 00:03:23,280 --> 00:03:26,120 Speaker 1: I don't even see your photo. I was we weren't there. 66 00:03:27,000 --> 00:03:28,359 Speaker 1: I just assume you're always there. 67 00:03:28,480 --> 00:03:30,200 Speaker 2: I don't know why I had must and I gotten 68 00:03:30,200 --> 00:03:33,160 Speaker 2: the invite. 69 00:03:34,160 --> 00:03:37,840 Speaker 1: We have Michael Upendahl again. We love Michael Eppendahl, and 70 00:03:37,920 --> 00:03:40,040 Speaker 1: he's putting his stamp on things and I think he 71 00:03:40,080 --> 00:03:42,040 Speaker 1: did an excellent job with this episode. 72 00:03:42,160 --> 00:03:44,920 Speaker 2: So you were talking earlier about how the balance between 73 00:03:44,960 --> 00:03:48,840 Speaker 2: New York all the end Lima, all the different characters. 74 00:03:48,880 --> 00:03:51,640 Speaker 2: I think he did a really great job of making 75 00:03:51,640 --> 00:03:54,840 Speaker 2: you feel every character greed, and the way he shout 76 00:03:54,960 --> 00:03:56,640 Speaker 2: musical numbers I thought was really great. 77 00:03:57,160 --> 00:04:03,080 Speaker 1: Yes, agreed. I also think in the writing, like including this, 78 00:04:03,160 --> 00:04:05,800 Speaker 1: I thought was a really great balance of the school musical, 79 00:04:05,920 --> 00:04:08,800 Speaker 1: including the songs that were in the show and then 80 00:04:08,920 --> 00:04:11,600 Speaker 1: including them in storylines that were happening behind. 81 00:04:11,840 --> 00:04:15,120 Speaker 2: Yes, really liked that. I think that was really effective. 82 00:04:15,160 --> 00:04:17,400 Speaker 1: Especially looking at me, I'm Sandride the ballad. 83 00:04:17,920 --> 00:04:22,440 Speaker 2: And it also made you feel, you know, when people 84 00:04:22,480 --> 00:04:24,359 Speaker 2: just break into song in the middle of a scene. 85 00:04:24,800 --> 00:04:28,520 Speaker 2: We're leaning into. This is a musical show. It's not 86 00:04:29,120 --> 00:04:31,680 Speaker 2: Glee the musical. It is Grease, the musical that we're 87 00:04:31,680 --> 00:04:33,840 Speaker 2: doing on Glee. So it's fine if we just start 88 00:04:33,880 --> 00:04:36,800 Speaker 2: singing correct But obviously that can't be a problem because 89 00:04:36,839 --> 00:04:39,839 Speaker 2: we've been doing this in season one, so you know whatever. 90 00:04:42,040 --> 00:04:46,000 Speaker 2: And Roberto wrote this episode, Roberto who you know went 91 00:04:46,040 --> 00:04:49,320 Speaker 2: on to create Riverdale and was doing the new PLL. 92 00:04:49,800 --> 00:04:54,159 Speaker 1: All that so good? Yeah, it's the best, are so nice. 93 00:04:54,240 --> 00:04:57,479 Speaker 2: So nice? Happy for him. He is crazy successful and 94 00:04:57,600 --> 00:05:00,680 Speaker 2: very talented and loves it teen drama. 95 00:05:01,120 --> 00:05:07,919 Speaker 1: Clearly very good. There are a lot of Grease songs, 96 00:05:07,960 --> 00:05:12,560 Speaker 1: trying to glease Grease songs, Grease Layton. 97 00:05:14,320 --> 00:05:15,440 Speaker 2: Look at me, I'm Sandra D. 98 00:05:16,400 --> 00:05:18,000 Speaker 1: Beauty scored drop out. 99 00:05:18,360 --> 00:05:19,680 Speaker 2: Look at me, I'm Sandra D. 100 00:05:20,720 --> 00:05:23,160 Speaker 1: There are worse things I can do, and. 101 00:05:23,040 --> 00:05:23,960 Speaker 2: You're the one that I want. 102 00:05:24,760 --> 00:05:29,080 Speaker 1: Okay, Well, Kevin, there's a lot of fun faction of 103 00:05:29,120 --> 00:05:34,599 Speaker 1: this episode. For the last three seasons, the sixth episode 104 00:05:35,240 --> 00:05:41,719 Speaker 1: held a mashup competition with Glease. The tradition is broken, 105 00:05:43,080 --> 00:05:47,760 Speaker 1: so said, so no mashups, no uh sad. 106 00:05:48,040 --> 00:05:49,600 Speaker 2: But it's still I think it's a great episode. 107 00:05:50,000 --> 00:05:51,400 Speaker 1: Whatever, totally whatever. 108 00:05:51,800 --> 00:05:54,359 Speaker 2: So this is the fourth episode containing wordplay with the 109 00:05:54,400 --> 00:05:57,000 Speaker 2: word Glee in the title. Can you guess what they are? 110 00:05:57,040 --> 00:06:01,760 Speaker 2: Real quick? Rocky Hord, Glee show, a very Christmas Saturday 111 00:06:01,839 --> 00:06:05,839 Speaker 2: Night lever and now please, please, please. 112 00:06:05,760 --> 00:06:09,400 Speaker 1: Please, You're the one that I want to heard for 113 00:06:09,440 --> 00:06:12,920 Speaker 1: the third time in this show, So the first time 114 00:06:12,960 --> 00:06:16,919 Speaker 1: in the pilot, secondly in haieriography, and then in this episode. 115 00:06:17,520 --> 00:06:20,000 Speaker 1: And Finn and Rachel are involved in all three of 116 00:06:20,040 --> 00:06:22,560 Speaker 1: those recurring moments. 117 00:06:23,040 --> 00:06:24,880 Speaker 2: I mean, who would have thought you're the one that 118 00:06:24,920 --> 00:06:27,880 Speaker 2: I want would pack such an emotional punch. 119 00:06:27,720 --> 00:06:31,479 Speaker 1: When we were shooting it. In the pilot, like is 120 00:06:31,720 --> 00:06:32,640 Speaker 1: very rough. 121 00:06:33,680 --> 00:06:37,359 Speaker 2: Yeah, it sure was right off the cuff those days 122 00:06:37,760 --> 00:06:40,200 Speaker 2: you've heard from Brooke and Hannah and Brittany how like 123 00:06:40,279 --> 00:06:45,120 Speaker 2: we couldn't do anything choreography wise, and so you're the 124 00:06:45,160 --> 00:06:48,680 Speaker 2: one that I want. Was just so rough for us. 125 00:06:49,000 --> 00:06:52,479 Speaker 2: Do your best. Yeah, it was really insane. How Like 126 00:06:52,520 --> 00:06:53,880 Speaker 2: you look back at it now and you're like, what 127 00:06:54,920 --> 00:06:56,520 Speaker 2: you know? When they cut back to it in this 128 00:06:56,560 --> 00:06:59,279 Speaker 2: episode too, it's one of those reminders of we've become 129 00:06:59,360 --> 00:06:59,880 Speaker 2: up very. 130 00:06:59,760 --> 00:07:02,039 Speaker 1: Long, long way. Yes, you're right, you're. 131 00:07:01,960 --> 00:07:04,200 Speaker 2: Pat on the back to Zach and Brooke for getting 132 00:07:04,240 --> 00:07:04,560 Speaker 2: us there. 133 00:07:05,920 --> 00:07:06,320 Speaker 1: Wow. 134 00:07:07,240 --> 00:07:10,280 Speaker 2: The magazine that Sue is holding when Finn enters the 135 00:07:10,320 --> 00:07:12,400 Speaker 2: teacher's faculty lounge has a photo of Becky on the 136 00:07:12,400 --> 00:07:15,480 Speaker 2: front cover and features an exclusive interview. 137 00:07:16,160 --> 00:07:22,640 Speaker 1: That's funny in Home. April Roads bought the William McKinley 138 00:07:22,720 --> 00:07:27,000 Speaker 1: Auditorium for the glee club's use after Sue booked it 139 00:07:27,000 --> 00:07:32,400 Speaker 1: for the Cheerios and then they can't practice, and since 140 00:07:32,400 --> 00:07:35,480 Speaker 1: the school doesn't own it anymore and the April Glee 141 00:07:35,480 --> 00:07:39,160 Speaker 1: Club does, obviously, Sue shouldn't have been able to book 142 00:07:39,200 --> 00:07:43,480 Speaker 1: it without their permission technically, but somebody. 143 00:07:43,080 --> 00:07:46,160 Speaker 2: Forgot somebody, forgot Lly. 144 00:07:49,040 --> 00:07:49,440 Speaker 1: Somebody. 145 00:07:49,480 --> 00:07:51,880 Speaker 2: Okay, let's mark it down for Kelly, because maybe we'll 146 00:07:51,960 --> 00:07:55,559 Speaker 2: call him out on these things later on. Okay, Grease, 147 00:07:55,680 --> 00:07:58,640 Speaker 2: Lightning is performed by Kinicki instead of Danny in the 148 00:07:58,640 --> 00:08:01,760 Speaker 2: stage version of Greece. There for it would have been 149 00:08:02,520 --> 00:08:06,520 Speaker 2: unnecessary to have ryd Or rehearse for Sam's park. But 150 00:08:06,600 --> 00:08:07,560 Speaker 2: it was fun to see. 151 00:08:08,840 --> 00:08:10,440 Speaker 1: Yeah, it was fun to see. Of course they're going 152 00:08:10,480 --> 00:08:13,120 Speaker 1: to give it to him. You're the one that I want. 153 00:08:13,200 --> 00:08:18,000 Speaker 1: Is not in the stage version of Greece. However, some 154 00:08:18,040 --> 00:08:21,559 Speaker 1: school theaters add it back into their production fair enough, 155 00:08:23,640 --> 00:08:27,240 Speaker 1: and it is not the final song in Grease, even 156 00:08:27,280 --> 00:08:29,480 Speaker 1: though in this episode it's right before the curtain. 157 00:08:31,200 --> 00:08:33,680 Speaker 2: Several future roles in the show are never cast, including 158 00:08:33,760 --> 00:08:37,360 Speaker 2: Greece or Sonny Pink, Lady Marty, miss Lynch, Eugene, and 159 00:08:37,480 --> 00:08:38,560 Speaker 2: Vince Fontayne. 160 00:08:39,480 --> 00:08:41,640 Speaker 1: There's just too many people to hire. 161 00:08:42,080 --> 00:08:44,880 Speaker 2: Yeah, yeah, it's somebody's filling it out. There's a lot 162 00:08:44,880 --> 00:08:48,160 Speaker 2: in the glee club. So the official episode summary, Rachel 163 00:08:48,160 --> 00:08:50,280 Speaker 2: and Kurk pay visit to Lima as a glee club 164 00:08:50,360 --> 00:08:55,200 Speaker 2: launches its production of Greece. Meanwhile, Santana returns still into 165 00:08:55,240 --> 00:09:01,439 Speaker 2: helping hand few. She's pretty much she is back. Think God, 166 00:09:02,080 --> 00:09:03,440 Speaker 2: think you think. 167 00:09:04,080 --> 00:09:05,120 Speaker 1: Where do you want to start? 168 00:09:05,640 --> 00:09:07,440 Speaker 2: Let's start with Will goes to Washington. 169 00:09:07,920 --> 00:09:10,920 Speaker 1: Okay, bye, Will, Yeah. 170 00:09:10,760 --> 00:09:13,960 Speaker 2: Will's gotta go. Matt Moorison's got a tour to go on. 171 00:09:14,360 --> 00:09:14,720 Speaker 1: See yea. 172 00:09:16,040 --> 00:09:18,960 Speaker 2: So Will tells the glee club that he's on the 173 00:09:19,000 --> 00:09:23,200 Speaker 2: Blue Ribbon panel, you know, to affect change in the 174 00:09:23,240 --> 00:09:28,200 Speaker 2: country as the whole. So we're all sad. Tina is 175 00:09:28,240 --> 00:09:29,520 Speaker 2: particularly upset about it. 176 00:09:29,600 --> 00:09:32,840 Speaker 1: This is the beginning of the freakouts of Tina in 177 00:09:32,880 --> 00:09:38,000 Speaker 1: the choir room, where she has a full blown meltdown. 178 00:09:39,400 --> 00:09:42,200 Speaker 1: And I remember you especially liking these. 179 00:09:43,559 --> 00:09:46,640 Speaker 2: It just tickles me, and it still does. I love 180 00:09:46,679 --> 00:09:48,319 Speaker 2: when you just lose. 181 00:09:48,040 --> 00:09:54,920 Speaker 1: It what it is crazy. I think that's why it's 182 00:09:55,000 --> 00:09:58,120 Speaker 1: so crazy. But I think it's funny. I like, I 183 00:09:58,240 --> 00:10:01,000 Speaker 1: like it, and it makes sense. Tina would freak out 184 00:10:01,040 --> 00:10:03,720 Speaker 1: that mister she's leaving. She's very selfish in that way. 185 00:10:04,040 --> 00:10:09,800 Speaker 1: She's like, well, what about us, you selfish be but 186 00:10:09,960 --> 00:10:13,680 Speaker 1: I love that, you know. Finn steps up. I mean 187 00:10:13,760 --> 00:10:15,520 Speaker 1: it's also a double whammy, right, He's like, I'm leaving 188 00:10:15,600 --> 00:10:20,360 Speaker 1: and I'll be back post sectionals. So now it's up 189 00:10:20,440 --> 00:10:23,719 Speaker 1: to Finn to get us through sectionals, but Finn really 190 00:10:23,760 --> 00:10:27,040 Speaker 1: feels like he's up for the challenge. Tina does not think. 191 00:10:28,520 --> 00:10:31,679 Speaker 2: No, Tina's got some doubts, which, to. 192 00:10:31,679 --> 00:10:35,199 Speaker 1: Be fair, he graduated all but a month ago. 193 00:10:36,760 --> 00:10:40,199 Speaker 2: Right, I mean that definitely feels like they're being a bandit. 194 00:10:40,000 --> 00:10:43,240 Speaker 1: A bit, Yeah, a little bit. I liked Unique's line 195 00:10:43,240 --> 00:10:45,839 Speaker 1: also when Unique is like, we don't really even know. 196 00:10:45,840 --> 00:10:54,199 Speaker 2: It fair, but he's coming off of a Nationals win. 197 00:10:54,400 --> 00:10:57,800 Speaker 2: So that gets you something, doesn't it. And I just 198 00:10:57,880 --> 00:11:02,760 Speaker 2: really enjoyed seeing Finn up this episode, like he's a 199 00:11:02,840 --> 00:11:06,360 Speaker 2: natural leader. Yes, really good at it. It's a good 200 00:11:06,400 --> 00:11:10,360 Speaker 2: fit for Corey. Like it just really worked on all levels. 201 00:11:10,600 --> 00:11:12,640 Speaker 2: It was really cute when Corey's like, thanks for getting 202 00:11:12,640 --> 00:11:15,959 Speaker 2: me into this, when he says a tarty yeah, it's right. 203 00:11:16,280 --> 00:11:20,120 Speaker 2: So basically Will's just in the background. He's like, it's 204 00:11:20,160 --> 00:11:24,040 Speaker 2: sort of removed and the musical is going on. But 205 00:11:24,679 --> 00:11:28,680 Speaker 2: something that happens is Finn gets called into Figgin's office 206 00:11:28,760 --> 00:11:34,360 Speaker 2: by Sue and a couple of times, but Sue tries 207 00:11:34,440 --> 00:11:39,160 Speaker 2: to Finn tries to apologize for his about using the 208 00:11:39,320 --> 00:11:42,800 Speaker 2: R word. Also an Ian's recap, they used it again, 209 00:11:43,920 --> 00:11:44,439 Speaker 2: and it's like. 210 00:11:44,720 --> 00:11:46,959 Speaker 1: Stop doing just like, don't let us forget about it. 211 00:11:47,040 --> 00:11:50,280 Speaker 2: Let us just really a sign of the times. Yeah, 212 00:11:50,440 --> 00:11:53,199 Speaker 2: like they're really committing to that, and it does. It's 213 00:11:53,280 --> 00:11:57,880 Speaker 2: not that good. No, But he tries to apologize and 214 00:11:59,160 --> 00:12:03,080 Speaker 2: he's doing the right thing. He messed up, but Sue's 215 00:12:03,120 --> 00:12:04,440 Speaker 2: not having it, and she's like, I know who you 216 00:12:04,440 --> 00:12:09,960 Speaker 2: really are. You showed your true colors, Tina, and he's like, well, 217 00:12:10,080 --> 00:12:12,880 Speaker 2: I've done what I can and sort of just dismisses it. 218 00:12:12,880 --> 00:12:13,960 Speaker 1: It's not going to turn out. 219 00:12:13,800 --> 00:12:18,160 Speaker 2: Well, no, no, because Sue doesn't forgive and forget ever, 220 00:12:18,280 --> 00:12:18,560 Speaker 2: does she? 221 00:12:19,000 --> 00:12:21,559 Speaker 1: No, she doesn't. She's going to call Unique's parents to 222 00:12:21,600 --> 00:12:22,920 Speaker 1: tell him about playing Rizzo. 223 00:12:22,640 --> 00:12:27,360 Speaker 2: And Grease and their supportive parents. They are I loved 224 00:12:27,520 --> 00:12:33,280 Speaker 2: like you know, which is a specific reference. Unique is 225 00:12:33,360 --> 00:12:39,880 Speaker 2: pulled from the play, which again selfishly I hated because 226 00:12:39,920 --> 00:12:44,960 Speaker 2: I wanted to see Unique do that number. But fret 227 00:12:45,080 --> 00:12:45,840 Speaker 2: n I do. 228 00:12:45,880 --> 00:12:51,080 Speaker 1: We do, don't worry. Uh So then that leads us 229 00:12:51,120 --> 00:12:54,640 Speaker 1: to Santana back in town. So Tina thinks she's going 230 00:12:54,720 --> 00:12:55,200 Speaker 1: to take over. 231 00:12:56,280 --> 00:12:57,360 Speaker 2: Oh poor Tina. 232 00:12:58,800 --> 00:13:01,920 Speaker 1: Rizzo. And she comes in and she's ready, she's ready 233 00:13:01,920 --> 00:13:05,400 Speaker 1: for her time in the spotlight and yet again Santana 234 00:13:06,040 --> 00:13:08,440 Speaker 1: comes in and takes it down her, which this is 235 00:13:08,480 --> 00:13:12,800 Speaker 1: Santana's role, So it's fine. 236 00:13:12,160 --> 00:13:14,400 Speaker 2: Go back to making the costumes Tina. I do like 237 00:13:14,480 --> 00:13:15,480 Speaker 2: this whole thing for Tina. 238 00:13:15,920 --> 00:13:20,760 Speaker 1: It's funny. I enjoyed it. It was ridiculous, but I 239 00:13:20,800 --> 00:13:24,840 Speaker 1: was happy to do it. I had fun this episode, 240 00:13:25,440 --> 00:13:29,520 Speaker 1: minus the verbal assault from Kitty, which was racist and crazy. 241 00:13:30,640 --> 00:13:34,760 Speaker 1: But yeah, she's always just inappropriate. 242 00:13:35,280 --> 00:13:37,560 Speaker 2: I mean this episode especially because there was more of her, 243 00:13:37,600 --> 00:13:40,240 Speaker 2: there were just more horrible things coming out of her 244 00:13:40,280 --> 00:13:40,760 Speaker 2: mouth there. 245 00:13:41,160 --> 00:13:44,480 Speaker 1: It's really bad. Okay, So Santana comes in and she's 246 00:13:44,480 --> 00:13:47,280 Speaker 1: going to step in as Rizzo for Unique, and we 247 00:13:47,320 --> 00:13:50,000 Speaker 1: get to see Brittany and Santana back together for just 248 00:13:50,040 --> 00:13:54,120 Speaker 1: like one second, and they like talk about the breakup 249 00:13:54,200 --> 00:14:02,640 Speaker 1: and using her pain in the performance. Yes, I mean, 250 00:14:02,679 --> 00:14:04,400 Speaker 1: she doesn't need to do anything, she just needs to 251 00:14:04,440 --> 00:14:05,040 Speaker 1: sing that song. 252 00:14:05,520 --> 00:14:07,239 Speaker 2: She's like, I'm just gonna do what I did for America, 253 00:14:07,360 --> 00:14:09,840 Speaker 2: like it kills every time. Like, don't worry, I got it. 254 00:14:09,960 --> 00:14:12,640 Speaker 2: She's not wrong. She's not wrong because as she was 255 00:14:12,640 --> 00:14:14,600 Speaker 2: saying it as a fan, I was like, yes, just 256 00:14:14,920 --> 00:14:15,920 Speaker 2: do that again. 257 00:14:16,000 --> 00:14:19,600 Speaker 1: Yes, please, Exactly, she's she's also going to be in 258 00:14:19,640 --> 00:14:21,800 Speaker 1: Beauty School Dropout, which I totally forgot she was in. 259 00:14:22,240 --> 00:14:24,840 Speaker 2: Yes, also killing it. You all were Jenna Jenna with 260 00:14:24,920 --> 00:14:26,000 Speaker 2: the hands I saw you. 261 00:14:26,280 --> 00:14:29,520 Speaker 1: Oh boy. We had a fun time. That was a 262 00:14:29,640 --> 00:14:31,640 Speaker 1: late night, but we had a fun time with those 263 00:14:31,720 --> 00:14:35,160 Speaker 1: rollers and shooting that number. And it was like a 264 00:14:35,160 --> 00:14:38,960 Speaker 1: cross section. We had like dancers, all of our dancer friends, 265 00:14:39,080 --> 00:14:42,320 Speaker 1: like Hayley was there, and then you had Naya who 266 00:14:42,360 --> 00:14:45,400 Speaker 1: was back, who was like Becca who was there. 267 00:14:45,720 --> 00:14:46,320 Speaker 2: Good combo. 268 00:14:46,840 --> 00:14:49,640 Speaker 1: It was a good combo of new fresh blood and 269 00:14:49,680 --> 00:14:51,880 Speaker 1: old blood and everybody was just kind of like the 270 00:14:51,920 --> 00:14:54,000 Speaker 1: meeting of the minds. It was very exciting. And then 271 00:14:54,040 --> 00:14:55,479 Speaker 1: Vanessa and Darren of course. 272 00:14:55,440 --> 00:14:58,480 Speaker 2: It was a very good number. Really liked it. 273 00:14:58,480 --> 00:14:59,800 Speaker 1: It's a very pleasing number. 274 00:14:59,800 --> 00:15:02,880 Speaker 2: Two watch it looked very clean. You guys, really do 275 00:15:02,920 --> 00:15:03,880 Speaker 2: you remember that rehearsal. 276 00:15:06,440 --> 00:15:09,000 Speaker 1: No, like we learned that in a second. It was 277 00:15:09,040 --> 00:15:14,680 Speaker 1: a second. Yeah, it did look really clean. It was slow. 278 00:15:15,000 --> 00:15:17,800 Speaker 1: I think that's the key. If it's a slow thing, 279 00:15:17,880 --> 00:15:19,920 Speaker 1: you you have time to think about what's coming next. 280 00:15:19,960 --> 00:15:25,560 Speaker 1: And it was I know most of those people had 281 00:15:26,160 --> 00:15:28,960 Speaker 1: were dancers or had done this before, so like it was. 282 00:15:29,200 --> 00:15:32,360 Speaker 1: It was a pretty easy one to do, and I 283 00:15:32,400 --> 00:15:34,360 Speaker 1: remember having a lot of downtime on that one. So 284 00:15:34,360 --> 00:15:36,320 Speaker 1: we were just in the curlers, like sitting there like 285 00:15:36,440 --> 00:15:39,440 Speaker 1: chatting to chatting a bunch and Vanessa and her cute 286 00:15:39,480 --> 00:15:42,920 Speaker 1: little pink pink. Vanessa looks so much like the real 287 00:15:43,040 --> 00:15:47,600 Speaker 1: person from Greece. I know, I know, scary, it's freaky, 288 00:15:47,800 --> 00:15:51,200 Speaker 1: and and Darren is a wildly good teenager. 289 00:15:52,640 --> 00:15:57,800 Speaker 2: Just everyone was cast incredibly well. I love how Upndahl 290 00:15:57,840 --> 00:16:01,560 Speaker 2: shot this too. Yeah, it was really beautiful cinematic. 291 00:16:01,640 --> 00:16:02,440 Speaker 1: Yes, totally. 292 00:16:11,240 --> 00:16:13,880 Speaker 2: The other thing that's happening pre show and also I 293 00:16:13,880 --> 00:16:23,800 Speaker 2: guess during show is Marley's storyline. So Kitty is a bitch, 294 00:16:24,360 --> 00:16:29,480 Speaker 2: Kitty's a bad person. I was floored by this storyline. 295 00:16:29,880 --> 00:16:30,960 Speaker 1: Floored it. 296 00:16:32,360 --> 00:16:36,400 Speaker 2: I feel like, you know this Glee has its moments. Obviously, 297 00:16:36,520 --> 00:16:39,200 Speaker 2: that's part of it. It's a snapshot of time. There 298 00:16:39,200 --> 00:16:42,520 Speaker 2: are things that don't age well, but I feel like 299 00:16:42,600 --> 00:16:46,200 Speaker 2: overall it's been better held up, better than I thought 300 00:16:46,240 --> 00:16:52,640 Speaker 2: it would. In some ways, this storyline is not one 301 00:16:52,640 --> 00:16:53,200 Speaker 2: of those things. 302 00:16:53,600 --> 00:16:57,640 Speaker 1: She is low income, her mom is the lunch lady 303 00:16:57,680 --> 00:17:03,240 Speaker 1: that everybody literally she hits on and makes fun of. 304 00:17:03,640 --> 00:17:10,520 Speaker 1: She's the butt of every joke, and now poor Marley 305 00:17:11,160 --> 00:17:15,520 Speaker 1: is literally thinking that she's gonna have to have an 306 00:17:15,520 --> 00:17:21,080 Speaker 1: eating disorder to stay skinny or to stay healthy. What 307 00:17:22,600 --> 00:17:23,000 Speaker 1: is this? 308 00:17:23,560 --> 00:17:24,560 Speaker 2: Kitty is a terror? 309 00:17:25,720 --> 00:17:28,879 Speaker 1: She first, it starts when Kitty decides that she's going 310 00:17:28,880 --> 00:17:31,280 Speaker 1: to do the school musical, and then she invites all 311 00:17:31,280 --> 00:17:35,719 Speaker 1: the girls over her bonding, including Unique, at her house 312 00:17:35,800 --> 00:17:39,400 Speaker 1: for a sleepover, after insulting Unique with some crazy shit. 313 00:17:39,520 --> 00:17:41,479 Speaker 1: By the way, she insulted all of us. Did she 314 00:17:41,560 --> 00:17:44,600 Speaker 1: did she call Tina har juku or something? Yes, it 315 00:17:44,680 --> 00:17:47,080 Speaker 1: was like I was my job was like, oh, I 316 00:17:47,080 --> 00:17:48,080 Speaker 1: don't even remember that. 317 00:17:48,920 --> 00:17:52,960 Speaker 2: I think the only thing she doesn't insult is Vanessa. 318 00:17:54,119 --> 00:17:55,200 Speaker 1: I mean, what's the third insult? 319 00:17:55,320 --> 00:18:03,560 Speaker 2: I mean she's correct, Oh, I'm wrong. She said her 320 00:18:03,600 --> 00:18:05,920 Speaker 2: nose was a beak. Vanessa didn't get away with it either. 321 00:18:06,040 --> 00:18:10,320 Speaker 1: Okay, she didn't get clear. She wasn't clear either. Kitty 322 00:18:11,080 --> 00:18:16,199 Speaker 1: shows Marlee how to throw up her food in the 323 00:18:16,280 --> 00:18:21,000 Speaker 1: bathroom at her house, and because Marlee is saying that 324 00:18:21,080 --> 00:18:25,000 Speaker 1: she's her costumes aren't fitting, which then we go to 325 00:18:25,160 --> 00:18:27,560 Speaker 1: a flushback where she's tightening her. 326 00:18:27,440 --> 00:18:31,320 Speaker 2: Clothes, Tina really not noticing the alterations. 327 00:18:32,560 --> 00:18:34,600 Speaker 1: It's a tiny alteration. Okay, I give her a break. 328 00:18:34,680 --> 00:18:39,359 Speaker 1: She's very busy. Those teens like beautiful dropout. They all 329 00:18:39,359 --> 00:18:41,440 Speaker 1: looked great and thought Tina did such a good job. 330 00:18:41,640 --> 00:18:42,639 Speaker 2: Tina smashed it. 331 00:18:43,920 --> 00:18:48,920 Speaker 1: The costumes right hit I Okay, it's wildly inappropriate. It's 332 00:18:49,040 --> 00:18:52,879 Speaker 1: really really bad. The whole storyline is really bad. But 333 00:18:53,760 --> 00:18:58,520 Speaker 1: then keep continuing to like make her throughout being like 334 00:18:58,840 --> 00:19:03,440 Speaker 1: sticking her fingers in the air. I was like, oh no, no, no, no. 335 00:19:04,080 --> 00:19:08,680 Speaker 4: Becca's very good at playing that part. It's very it's 336 00:19:08,760 --> 00:19:12,359 Speaker 4: very effective. I will say she's very effective at her performance. 337 00:19:14,080 --> 00:19:17,040 Speaker 4: Doesn't make you acceptable, but it's effective. 338 00:19:17,320 --> 00:19:20,320 Speaker 2: No, and real life. For the record, Becca is not 339 00:19:20,440 --> 00:19:23,880 Speaker 2: the mean girl, no at all. He's just a very 340 00:19:23,920 --> 00:19:24,479 Speaker 2: good actor. 341 00:19:24,840 --> 00:19:28,040 Speaker 1: And then Ryder he sees all the kind of this 342 00:19:28,160 --> 00:19:31,080 Speaker 1: going on in the background, and then during the show, 343 00:19:31,400 --> 00:19:35,520 Speaker 1: Marley's trying to throw a before her scene, you know, 344 00:19:35,560 --> 00:19:38,960 Speaker 1: her big number, and Ryder goes in and he he 345 00:19:39,080 --> 00:19:41,360 Speaker 1: kind of like swoops in is like I don't want 346 00:19:41,400 --> 00:19:43,760 Speaker 1: to yeah, I don't want to kiss somebody with throw 347 00:19:43,800 --> 00:19:45,679 Speaker 1: up on the red also was a bad line. I 348 00:19:45,800 --> 00:19:51,160 Speaker 1: was like, that's also weird. But they doe teens. Yeah, 349 00:19:51,160 --> 00:19:56,800 Speaker 1: I guess I don't know, and they kiss and now 350 00:19:56,920 --> 00:20:00,879 Speaker 1: Jake is has trouble. Oh oh he's got Not that 351 00:20:01,720 --> 00:20:04,440 Speaker 1: her and Jake were of any kind of like real thing. 352 00:20:04,640 --> 00:20:06,320 Speaker 1: Jake just broke them, Kitty. 353 00:20:07,040 --> 00:20:09,399 Speaker 2: It just seemed like it was heading that way, right, 354 00:20:09,520 --> 00:20:11,240 Speaker 2: I mean the other thing that happened, Marley has that 355 00:20:11,320 --> 00:20:18,560 Speaker 2: conversation with her mom, and it just felt like, I mean, 356 00:20:18,600 --> 00:20:21,080 Speaker 2: they're both so good. They both feel like, you know, 357 00:20:21,440 --> 00:20:25,040 Speaker 2: they're being sensitive towards the topic and the way they're acting. 358 00:20:25,240 --> 00:20:30,400 Speaker 1: Right, and they're good actors because they're making that work 359 00:20:31,000 --> 00:20:31,720 Speaker 1: scenario work. 360 00:20:32,359 --> 00:20:37,200 Speaker 2: Yeah. I think it's a really tough thing to get 361 00:20:37,680 --> 00:20:41,359 Speaker 2: and yeah, they did it to the best of their ability. 362 00:20:42,119 --> 00:20:44,720 Speaker 2: But I just this whole this whole storyline just makes 363 00:20:44,720 --> 00:20:45,840 Speaker 2: me feel so uncomfortable. 364 00:20:46,119 --> 00:20:49,159 Speaker 1: Yeah. Yeah, I don't love it. I don't like I 365 00:20:49,840 --> 00:20:51,399 Speaker 1: will say the good thing that comes out of it 366 00:20:51,440 --> 00:20:52,280 Speaker 1: is the Sandred Dy. 367 00:20:55,000 --> 00:20:55,160 Speaker 5: Well. 368 00:20:55,200 --> 00:21:01,040 Speaker 2: I think both Sandred's are great. Yes, I absolutely love them. 369 00:21:01,080 --> 00:21:02,600 Speaker 2: And I will say the other thing that the good 370 00:21:02,600 --> 00:21:06,520 Speaker 2: thing that comes out of this Tricia ray Stall, who 371 00:21:06,520 --> 00:21:10,360 Speaker 2: plays Marley's mom. I wish there was more of her. 372 00:21:10,920 --> 00:21:11,880 Speaker 1: I know, she's so good. 373 00:21:12,080 --> 00:21:14,960 Speaker 2: I read it together so wonderful. Yeah, I just love them. 374 00:21:15,119 --> 00:21:19,840 Speaker 1: Also is Melissa anoised, Young Olivia and John? I mean 375 00:21:19,920 --> 00:21:23,439 Speaker 1: it really, I was like, who's singing right now? This 376 00:21:23,520 --> 00:21:26,480 Speaker 1: whole thing is so good. Also, I was always thinking 377 00:21:26,520 --> 00:21:28,719 Speaker 1: about how you were, like why are we doing Greece? 378 00:21:28,840 --> 00:21:32,240 Speaker 1: I was like, I enjoyed this so much. Greece is 379 00:21:32,240 --> 00:21:36,679 Speaker 1: a crowd pleaser. I know, I get it. I get it. 380 00:21:36,720 --> 00:21:37,239 Speaker 1: I get it now. 381 00:21:37,400 --> 00:21:40,719 Speaker 2: And honestly, the writers cast everyone phenomenally. 382 00:21:40,800 --> 00:21:41,040 Speaker 4: Well. 383 00:21:41,280 --> 00:21:43,639 Speaker 1: I agree, Okay, I totally agree. I was wrong. I 384 00:21:43,680 --> 00:21:48,240 Speaker 1: stand corrected. For me. It's not the most interesting musical, 385 00:21:49,160 --> 00:21:53,200 Speaker 1: but I mean I totally get it. All the stars, 386 00:21:53,320 --> 00:21:55,760 Speaker 1: the stars were aligned. Okay, you got to play to 387 00:21:55,800 --> 00:21:58,720 Speaker 1: the pleabs like me, you know whatever, It's fine. It 388 00:21:58,840 --> 00:22:00,200 Speaker 1: was great. I loved it. 389 00:22:00,240 --> 00:22:03,440 Speaker 2: Okay, how much fun was doing? Look at me? I'm 390 00:22:03,480 --> 00:22:03,879 Speaker 2: Sandra d. 391 00:22:05,359 --> 00:22:08,480 Speaker 1: We had the best day. So we were in pajamas, 392 00:22:08,520 --> 00:22:11,280 Speaker 1: which we were all very thrilled about, and we were 393 00:22:11,280 --> 00:22:14,720 Speaker 1: in pajamas all day. We shot that for a good. 394 00:22:14,520 --> 00:22:17,879 Speaker 2: While and I want to cover You're all around that. 395 00:22:17,960 --> 00:22:22,680 Speaker 1: Room a big scene intro scene song, you know. Yeah, 396 00:22:22,680 --> 00:22:25,520 Speaker 1: there was a lot. We went to Chipotle in our 397 00:22:25,560 --> 00:22:28,119 Speaker 1: pajamas at lunch, all of us together and it was 398 00:22:28,119 --> 00:22:31,720 Speaker 1: like one of our first real outings of the new 399 00:22:31,800 --> 00:22:35,680 Speaker 1: kids of the girls to go out to lunch. And 400 00:22:35,720 --> 00:22:37,439 Speaker 1: you know that's like a big deal for us, Like 401 00:22:37,520 --> 00:22:40,359 Speaker 1: we loved going out to lunch, so for everybody to 402 00:22:40,359 --> 00:22:43,399 Speaker 1: start quonding. Yeah, and like we were bonded and we 403 00:22:43,440 --> 00:22:45,879 Speaker 1: went to Chipotle. We walked out in our pajamas, like 404 00:22:45,920 --> 00:22:49,560 Speaker 1: off the lot. We looked ridiculous. Everybody was like, there 405 00:22:49,600 --> 00:22:53,879 Speaker 1: they go again, those weird kids. But it was really 406 00:22:53,960 --> 00:22:55,960 Speaker 1: really fun and I thought that coul did such a 407 00:22:56,000 --> 00:22:59,280 Speaker 1: good job with the song and it was like free 408 00:22:59,320 --> 00:23:02,720 Speaker 1: for a brackout like for the for the number two. 409 00:23:03,880 --> 00:23:06,639 Speaker 1: It was. It was a good one. 410 00:23:06,880 --> 00:23:09,040 Speaker 2: You really cut all those things like you're falling off 411 00:23:09,040 --> 00:23:12,840 Speaker 2: the bed and it was just so good, so much fun. 412 00:23:13,320 --> 00:23:18,480 Speaker 1: So much fun, pajama party, pillow fights girls. I also 413 00:23:18,560 --> 00:23:21,320 Speaker 1: just like love seeing the kids at home. I love 414 00:23:21,359 --> 00:23:22,520 Speaker 1: getting a peek into. 415 00:23:22,320 --> 00:23:25,000 Speaker 2: The characters' lives like that and see how you behave 416 00:23:25,040 --> 00:23:26,679 Speaker 2: out of school like real people. 417 00:23:27,080 --> 00:23:28,480 Speaker 1: Agreed. I agreed. 418 00:23:29,359 --> 00:23:36,520 Speaker 2: And then you have the Marley version, beautifully shot, beautifully performed. 419 00:23:36,720 --> 00:23:41,440 Speaker 1: It was study, but I mean a plus plus for me. Yeah, 420 00:23:41,440 --> 00:23:44,640 Speaker 1: I love that one. I love that yellow on her. 421 00:23:46,560 --> 00:23:49,959 Speaker 1: It looks great. She could play that role in her sleep. 422 00:23:50,880 --> 00:23:54,120 Speaker 2: Yeah, it all, it all, It was just all working man. 423 00:23:55,240 --> 00:23:57,960 Speaker 1: And like the move onto the stage and it was 424 00:23:58,040 --> 00:23:59,800 Speaker 1: just really good. It was really good. 425 00:24:00,680 --> 00:24:02,800 Speaker 2: I wish I could look at the script to see 426 00:24:02,800 --> 00:24:09,399 Speaker 2: how those numbers were scripted, because the naturalness of the 427 00:24:09,560 --> 00:24:12,760 Speaker 2: editing of from behind the scenes to on the stage 428 00:24:12,760 --> 00:24:14,040 Speaker 2: where a lot of these numbers. 429 00:24:13,840 --> 00:24:18,959 Speaker 1: Is just exactly really good storytelling. 430 00:24:19,480 --> 00:24:22,840 Speaker 2: Very good storytelling. And as you know, as anyone who's 431 00:24:22,880 --> 00:24:26,080 Speaker 2: watched the show, you've probably watched it more than we 432 00:24:26,119 --> 00:24:29,760 Speaker 2: have at this point. It's those numbers are hard to 433 00:24:29,800 --> 00:24:32,760 Speaker 2: work into some of these storylines and hard to work 434 00:24:32,760 --> 00:24:35,200 Speaker 2: in like their settings, and to be able to fold 435 00:24:35,280 --> 00:24:37,840 Speaker 2: them in with this many characters and still make them 436 00:24:37,880 --> 00:24:42,560 Speaker 2: impactful emotionally and visually. It's just like a high wire 437 00:24:42,600 --> 00:24:44,680 Speaker 2: balancing act. And I don't know how directors do it. 438 00:24:44,920 --> 00:24:47,159 Speaker 2: I don't know how writers do it, and the editor 439 00:24:47,520 --> 00:24:50,119 Speaker 2: and it's like this magical soup that when they really 440 00:24:50,119 --> 00:24:52,639 Speaker 2: get it right, when you talk to Adam Andnders and 441 00:24:52,680 --> 00:24:54,080 Speaker 2: Bryan would be like, these are the two songs we're 442 00:24:54,080 --> 00:24:56,639 Speaker 2: mashing up. Some would work, some wouldn't. I feel like 443 00:24:56,640 --> 00:24:59,720 Speaker 2: it's the same thing where you have a great song, 444 00:24:59,760 --> 00:25:03,439 Speaker 2: maybe the the setup of the performance isn't great, you know, 445 00:25:03,720 --> 00:25:06,320 Speaker 2: just something that is just off. Like every number in 446 00:25:06,359 --> 00:25:09,840 Speaker 2: this was just done perfectly, agreed. I don't know how 447 00:25:09,880 --> 00:25:13,680 Speaker 2: many times I should say that, but I'm passionate about it. Okay, 448 00:25:14,359 --> 00:25:16,080 Speaker 2: we'll come back to Greece, but I need to talk 449 00:25:16,080 --> 00:25:18,720 Speaker 2: about in New York for a second. Okay, because it's 450 00:25:18,800 --> 00:25:23,239 Speaker 2: like hot sexy. We're not really wearing clothing in New 451 00:25:23,320 --> 00:25:23,800 Speaker 2: York time. 452 00:25:24,240 --> 00:25:26,040 Speaker 1: I forgot this happened. 453 00:25:26,680 --> 00:25:30,159 Speaker 2: And Cassandra, by the way, oh I got look at 454 00:25:30,160 --> 00:25:33,800 Speaker 2: your six pack, thank you or you're kind whatever she said. 455 00:25:34,240 --> 00:25:40,399 Speaker 1: It's it's a lot, it's a lot, but I like it. No, 456 00:25:40,480 --> 00:25:44,080 Speaker 1: I'm here for it. I liked it too. 457 00:25:45,320 --> 00:25:47,040 Speaker 2: But I like her. 458 00:25:47,840 --> 00:25:49,840 Speaker 1: Yeah, you can't eat her. You have to love. 459 00:25:49,720 --> 00:25:54,480 Speaker 2: Her because once now we know her backstory, it's like 460 00:25:54,560 --> 00:25:56,240 Speaker 2: it's all it's like, oh, it's all coming from a 461 00:25:56,240 --> 00:25:57,119 Speaker 2: place of pain. 462 00:25:57,119 --> 00:25:59,880 Speaker 1: And to be fairer Rachel saying the things that she's 463 00:26:00,240 --> 00:26:03,240 Speaker 1: to her, I wouldn't react the same way. This is 464 00:26:03,280 --> 00:26:06,840 Speaker 1: her teacher saying she got an audition and then saying, 465 00:26:07,720 --> 00:26:12,280 Speaker 1: if you want to get back in the game, woo, no, no, 466 00:26:13,880 --> 00:26:18,080 Speaker 1: I mean, she basically did. She basically did. She was 467 00:26:18,119 --> 00:26:22,400 Speaker 1: then motivated to send Kurt and Rachel on her own miles, 468 00:26:24,920 --> 00:26:30,040 Speaker 1: her own miles to Ohio for closure. 469 00:26:30,760 --> 00:26:33,520 Speaker 2: I love that she's on the no fly list because 470 00:26:33,520 --> 00:26:39,040 Speaker 2: she had a panic, bloody Mary induced panic attack. And 471 00:26:39,080 --> 00:26:41,200 Speaker 2: I also love how she just said it like es 472 00:26:41,440 --> 00:26:46,000 Speaker 2: you know, no, yeah, yeah, thats right. It's like, you 473 00:26:46,040 --> 00:26:48,240 Speaker 2: can't have a hot blonde woman on the show who 474 00:26:48,240 --> 00:26:49,520 Speaker 2: doesn't have a drinking problem. 475 00:26:49,840 --> 00:26:53,840 Speaker 1: No, we have roads. 476 00:26:53,920 --> 00:26:56,679 Speaker 2: I don't know she'd like Taco Bell. So maybe you're. 477 00:26:56,640 --> 00:26:57,119 Speaker 1: Right she did. 478 00:26:59,000 --> 00:26:59,840 Speaker 2: It makes no sense. 479 00:27:00,600 --> 00:27:03,840 Speaker 1: Cassandra has it has a motive now. So Brodie supposed 480 00:27:03,840 --> 00:27:07,040 Speaker 1: to help Rachel with her first audition for a play 481 00:27:08,520 --> 00:27:13,359 Speaker 1: The glass Manasherie set in the Zoo. She says all 482 00:27:13,400 --> 00:27:16,639 Speaker 1: these very inappropriate things to Cassandra, her teacher, which in 483 00:27:16,680 --> 00:27:19,480 Speaker 1: turn Cassandra says a lot of inappropriate things to Rachel 484 00:27:20,600 --> 00:27:24,480 Speaker 1: and ships them off back to Wickinley and then we'll 485 00:27:24,520 --> 00:27:27,480 Speaker 1: steal Rachel Swimmer's boyfriend. 486 00:27:28,760 --> 00:27:32,840 Speaker 2: I mean, I was like, you're being too nice. Something 487 00:27:32,920 --> 00:27:35,320 Speaker 2: is wrong. Sharks patrol these waters. 488 00:27:34,960 --> 00:27:38,480 Speaker 1: Everywhere, dirty, dirty. 489 00:27:37,680 --> 00:27:40,200 Speaker 2: She plays a long game. It's also it's like you're 490 00:27:40,240 --> 00:27:45,440 Speaker 2: in her domain. This is her classroom. She's not going 491 00:27:45,480 --> 00:27:50,199 Speaker 2: anywhere like you, Carl, you're new, yes, Like, who do 492 00:27:50,240 --> 00:27:50,880 Speaker 2: you think you are? 493 00:27:51,280 --> 00:27:52,040 Speaker 1: Oh? It was bad. 494 00:27:52,520 --> 00:27:56,479 Speaker 2: Really, you're with the adults. Yeah, And Cassandra gets what 495 00:27:56,480 --> 00:27:57,280 Speaker 2: she wants. 496 00:27:58,320 --> 00:28:01,520 Speaker 1: And and then she's to sleep with a TA I guess, 497 00:28:01,560 --> 00:28:04,920 Speaker 1: which is like I guess, okay, not probably look down upon. 498 00:28:05,400 --> 00:28:12,520 Speaker 1: She's an ad Yeah, it's probably frowned upon. I was thinking, Wow, 499 00:28:12,560 --> 00:28:13,920 Speaker 1: this is wildly inappropriate. 500 00:28:14,400 --> 00:28:17,920 Speaker 2: I have a question because I didn't go to college, 501 00:28:18,440 --> 00:28:20,960 Speaker 2: especially didn't go to anyway. I have friends who went 502 00:28:21,000 --> 00:28:25,320 Speaker 2: to dance conservatories, and you know, dancers have to interact 503 00:28:25,359 --> 00:28:28,120 Speaker 2: with one another's bodies and class and things, so therefore 504 00:28:28,200 --> 00:28:36,480 Speaker 2: sometimes that spills over into personal things. So in getting 505 00:28:36,480 --> 00:28:40,680 Speaker 2: a musical theater degree, yeah, I think it's a different 506 00:28:40,680 --> 00:28:43,880 Speaker 2: crowd than like going to a dance conservatory. 507 00:28:44,200 --> 00:28:44,840 Speaker 1: Yeah, but. 508 00:28:46,320 --> 00:28:49,760 Speaker 2: Is that line a little blurry? Like I feel like 509 00:28:51,120 --> 00:28:55,080 Speaker 2: at maybe a dance conservatory, obviously it's frowned upon that 510 00:28:55,120 --> 00:28:58,600 Speaker 2: you're not teachers and tas shouldn't be doing you know whatever, 511 00:28:59,240 --> 00:29:00,920 Speaker 2: But you're in the heat of the moment. It's like 512 00:29:00,920 --> 00:29:02,400 Speaker 2: when people go and dancing with the stars and like 513 00:29:02,440 --> 00:29:06,520 Speaker 2: cheat on their spouse because they this connection that is 514 00:29:06,560 --> 00:29:09,680 Speaker 2: not necessarily real, but you're just hot and heavy. 515 00:29:10,240 --> 00:29:15,960 Speaker 1: Generally, these teachers are on their professional professional a little 516 00:29:15,960 --> 00:29:19,320 Speaker 1: bit older. Probably not to say that's not going to 517 00:29:19,400 --> 00:29:22,840 Speaker 1: keep them from doing it, but it's a little less common, 518 00:29:22,920 --> 00:29:26,120 Speaker 1: I would say. So, I guess if you had Kate 519 00:29:26,160 --> 00:29:31,600 Speaker 1: Hudson as your teacher, fair I, it might happen. It 520 00:29:31,680 --> 00:29:34,840 Speaker 1: might have happened for me, but like she should be 521 00:29:34,840 --> 00:29:43,920 Speaker 1: being pursued, right. My school was also predominantly gay men 522 00:29:44,320 --> 00:29:49,880 Speaker 1: so and women, so there wasn't really I mean, I 523 00:29:49,880 --> 00:29:52,160 Speaker 1: guess maybe there was a whole thing that was happening 524 00:29:52,160 --> 00:29:54,920 Speaker 1: that I didn't know about, but yeah, yeah, for me personally, 525 00:29:54,960 --> 00:29:57,560 Speaker 1: I wasn't dating in there wasn't a lot. 526 00:29:57,400 --> 00:29:58,320 Speaker 2: Of options for you. 527 00:29:58,800 --> 00:30:05,040 Speaker 1: But I've always people IOUs to say, but yes, it's 528 00:30:05,080 --> 00:30:07,200 Speaker 1: a little less common. And it's also I think in 529 00:30:07,280 --> 00:30:14,320 Speaker 1: any school, adjunct or tenured professor frowned upon probably not acceptable. 530 00:30:14,760 --> 00:30:16,960 Speaker 2: I just you know, because that storyline comes up in 531 00:30:17,040 --> 00:30:21,200 Speaker 2: so many things totally. So it's just like this happening. 532 00:30:21,080 --> 00:30:23,880 Speaker 1: When Ross states his student after they rushed the semester. 533 00:30:32,040 --> 00:30:36,200 Speaker 2: So Kurt and Rachel go to Lima to see the 534 00:30:36,600 --> 00:30:39,560 Speaker 2: school musical. I really love how they brought everyone together, 535 00:30:40,080 --> 00:30:42,480 Speaker 2: and I know it's a little silly, like Kate Hudson 536 00:30:42,600 --> 00:30:46,400 Speaker 2: giving away her air mile whatever. Yeah, them each having 537 00:30:47,720 --> 00:30:51,280 Speaker 2: each of them having their little run ins and Mercedes 538 00:30:51,320 --> 00:30:54,760 Speaker 2: being there like you know, I'm gonna go over here 539 00:30:55,600 --> 00:30:58,920 Speaker 2: was really satisfying as a fan because everything did feel 540 00:30:58,960 --> 00:31:01,680 Speaker 2: so unresolved a lot of ways, and. 541 00:31:01,600 --> 00:31:03,600 Speaker 1: Especially after that last one. 542 00:31:03,920 --> 00:31:09,800 Speaker 2: Yeah, and it was curtain Blaine having their moment. Blaine 543 00:31:09,920 --> 00:31:16,479 Speaker 2: seems so heartbroken, it's so devastating. 544 00:31:17,640 --> 00:31:20,360 Speaker 1: And it's really sad. 545 00:31:20,920 --> 00:31:25,480 Speaker 2: It's something about Darren's performance. It's like every time he's 546 00:31:25,480 --> 00:31:26,760 Speaker 2: in a scene, he's just sad. 547 00:31:28,600 --> 00:31:30,080 Speaker 1: It's like when he un just in for. 548 00:31:33,080 --> 00:31:35,000 Speaker 2: The same thing, like he's really I just I love 549 00:31:35,040 --> 00:31:37,560 Speaker 2: the commitment to like even if you don't have dialogue, 550 00:31:37,600 --> 00:31:39,720 Speaker 2: even if you're just around, or even if you don't 551 00:31:39,720 --> 00:31:42,760 Speaker 2: have dialogue that's directly talking about the thing, it's still 552 00:31:42,800 --> 00:31:46,760 Speaker 2: there total And it was it was like Brittany, you know, 553 00:31:46,840 --> 00:31:49,760 Speaker 2: up until last episode, where it's just always looming there 554 00:31:49,840 --> 00:31:54,800 Speaker 2: under the surface. Yeah, and then the Rachel Infant in 555 00:31:55,200 --> 00:31:58,720 Speaker 2: the first interaction, everyone's just very thrown. 556 00:31:59,240 --> 00:32:01,840 Speaker 1: It's a little awkae. The Blaine and Kurt thing is 557 00:32:01,840 --> 00:32:07,560 Speaker 1: pretty sad to me, and Rachel and Benn also quite sad. 558 00:32:08,400 --> 00:32:10,560 Speaker 1: I think though overarching thing for the two of them 559 00:32:10,600 --> 00:32:12,880 Speaker 1: that made it even sadder was when Kurt and Rachel 560 00:32:12,920 --> 00:32:16,200 Speaker 1: are like, this is not the house is not a home, 561 00:32:16,400 --> 00:32:18,800 Speaker 1: Like this is not home anymore, and that broke my 562 00:32:18,880 --> 00:32:25,360 Speaker 1: heart because they're moving on with their lives. I know 563 00:32:25,360 --> 00:32:26,640 Speaker 1: what that means in some ways. 564 00:32:26,840 --> 00:32:28,720 Speaker 2: Yeah, and you know what that feels like. I think 565 00:32:29,160 --> 00:32:34,200 Speaker 2: we've all been there where life happens beyond the walls 566 00:32:34,200 --> 00:32:36,280 Speaker 2: that you're used to and you come back to and 567 00:32:36,360 --> 00:32:38,240 Speaker 2: things just don't look the same anymore and you're. 568 00:32:38,120 --> 00:32:43,720 Speaker 1: Like, rough. Yeah, it's a very it's a milestone realization 569 00:32:43,800 --> 00:32:46,680 Speaker 1: that happens, I think to most people who leave and 570 00:32:46,800 --> 00:32:48,280 Speaker 1: come back at some point. 571 00:32:48,640 --> 00:32:51,640 Speaker 2: I would also like to say leave it to the 572 00:32:51,680 --> 00:32:59,120 Speaker 2: girls again, who are really having an unproblematic communicative experience 573 00:32:59,480 --> 00:33:06,479 Speaker 2: postprank make up. Brittany and Santana's running was this really lovely? 574 00:33:07,160 --> 00:33:09,200 Speaker 1: Mm hmmm mm hmmm. 575 00:33:10,080 --> 00:33:12,320 Speaker 2: Their friendship and love for one another is just so 576 00:33:12,520 --> 00:33:15,120 Speaker 2: palpable that even through you know, the sadness of what's 577 00:33:15,160 --> 00:33:21,200 Speaker 2: going on, it's just yeah, abundant with their like adoration 578 00:33:21,560 --> 00:33:23,040 Speaker 2: and love and respect for one another. 579 00:33:23,600 --> 00:33:28,280 Speaker 1: Yes, I agreed, and it just is like different places now, 580 00:33:28,560 --> 00:33:30,480 Speaker 1: like all the breakup couples. 581 00:33:30,200 --> 00:33:33,440 Speaker 2: Which leads us into some of these last couple numbers 582 00:33:34,800 --> 00:33:36,400 Speaker 2: or I think up and do all was just as 583 00:33:36,400 --> 00:33:38,920 Speaker 2: the kids say in his bag, because. 584 00:33:40,720 --> 00:33:41,960 Speaker 1: I never heard that before. 585 00:33:42,600 --> 00:33:46,720 Speaker 2: Really, No, we gotta get you on the internet. No 586 00:33:47,080 --> 00:33:49,640 Speaker 2: keep no, we don't know yestay, they say, where you are? 587 00:33:49,880 --> 00:33:51,880 Speaker 1: Heat me off? I'll just be old. 588 00:33:52,160 --> 00:33:54,480 Speaker 2: When Kate Hudson started singing there are worst things I 589 00:33:54,480 --> 00:33:58,160 Speaker 2: could do, I was like, what is this? Because honestly, 590 00:33:59,200 --> 00:34:03,240 Speaker 2: that could not work, I think in a number of ways. 591 00:34:03,520 --> 00:34:09,560 Speaker 1: Yeah, it works in every way. I forgot about this. 592 00:34:10,640 --> 00:34:16,919 Speaker 1: I was shocked by it. I was pleasantly surprised. Ooh, 593 00:34:17,000 --> 00:34:18,120 Speaker 1: it worked great. 594 00:34:18,800 --> 00:34:20,960 Speaker 2: Because you just don't want to stop Naya from singing 595 00:34:22,080 --> 00:34:25,360 Speaker 2: any of them in this can anybody commands like she's 596 00:34:25,480 --> 00:34:28,040 Speaker 2: commanding that stage and Brittany's watching her, And then it 597 00:34:28,040 --> 00:34:30,239 Speaker 2: cuts to Cassandra in New York and it could be 598 00:34:30,320 --> 00:34:33,960 Speaker 2: really jarring. Yes, could be, and it takes a millisecond 599 00:34:34,000 --> 00:34:38,080 Speaker 2: for you to go no, this shit's good. And then 600 00:34:38,200 --> 00:34:40,560 Speaker 2: I was like, I need to see Alex knole h 601 00:34:41,239 --> 00:34:45,040 Speaker 2: and then we got Alex. Were all doing something so different. 602 00:34:45,040 --> 00:34:48,840 Speaker 2: They're all singing from a different place, and it is 603 00:34:48,960 --> 00:34:49,799 Speaker 2: just so. 604 00:34:49,640 --> 00:34:54,560 Speaker 1: Wonderful, very very good, very good. 605 00:34:54,719 --> 00:34:57,200 Speaker 2: When Alex gets up and starts walking down the stairs 606 00:34:58,040 --> 00:34:59,520 Speaker 2: and belting for. 607 00:34:59,560 --> 00:35:04,080 Speaker 1: His life, Alex said, I'm not going to play rizzo, 608 00:35:04,239 --> 00:35:06,400 Speaker 1: but I'm going to show you how I would play. 609 00:35:06,520 --> 00:35:11,000 Speaker 2: Yeah, And then oh, in the very end that three 610 00:35:11,040 --> 00:35:11,800 Speaker 2: part harmony. 611 00:35:12,920 --> 00:35:15,600 Speaker 1: I I had to listen to that again. 612 00:35:16,840 --> 00:35:20,319 Speaker 2: I need to watch it again. They were great, it 613 00:35:20,400 --> 00:35:24,520 Speaker 2: was and it was how that Kate scene was shot 614 00:35:24,600 --> 00:35:29,640 Speaker 2: as well, like you are doing mm mmmmmmmm. It felt 615 00:35:29,800 --> 00:35:34,640 Speaker 2: very grown. I love the lighting this episode as well too. 616 00:35:34,640 --> 00:35:35,440 Speaker 2: I think everything is. 617 00:35:35,560 --> 00:35:41,560 Speaker 1: Just yes cinematic. Speaking of also the couples, Mike is 618 00:35:41,600 --> 00:35:43,600 Speaker 1: back in town and Tina refused to be in scene 619 00:35:43,680 --> 00:35:46,160 Speaker 1: room with him. Now they're like, you know, things are 620 00:35:46,160 --> 00:35:48,360 Speaker 1: going well with the show, and everybody's kind of on 621 00:35:48,400 --> 00:35:53,680 Speaker 1: this high adrenaline rush, and Mike's like, maybe I'm animalistic. 622 00:35:53,880 --> 00:35:57,960 Speaker 1: Should we like maybe think about getting back together? And 623 00:35:58,000 --> 00:35:59,359 Speaker 1: I was like, oh, they want to keep the door 624 00:35:59,360 --> 00:36:01,680 Speaker 1: open because they're not exactly sure how Mike Chang's gonna 625 00:36:01,719 --> 00:36:03,400 Speaker 1: still be with the show, but they'll like keep the 626 00:36:03,400 --> 00:36:06,680 Speaker 1: door open thirteen, because I think that storyline is so stupid, 627 00:36:06,880 --> 00:36:09,640 Speaker 1: Like do we need another couple getting back together after 628 00:36:09,680 --> 00:36:12,000 Speaker 1: call it after graduation? No, we don't. 629 00:36:12,520 --> 00:36:14,759 Speaker 2: I was also, Mike, don't come crawling back now that 630 00:36:14,800 --> 00:36:18,719 Speaker 2: you see how great she is. You should have known that. 631 00:36:19,760 --> 00:36:23,919 Speaker 1: Should have known you should have known. Anyway, She's like, yeah, sure, 632 00:36:24,120 --> 00:36:30,400 Speaker 1: like whatever, maybe okay, fine, you were very cute in 633 00:36:30,480 --> 00:36:32,440 Speaker 1: my pigtails, my jan pigtails. 634 00:36:32,840 --> 00:36:35,720 Speaker 2: I mean, and it is just I don't know. I'm assist. 635 00:36:36,040 --> 00:36:37,480 Speaker 2: It is nice seeing you guys together. 636 00:36:38,200 --> 00:36:40,160 Speaker 1: Yeah, I mean, I love obviously, it was nice to 637 00:36:40,160 --> 00:36:44,120 Speaker 1: see Harry and like work with him again. I will say, 638 00:36:44,200 --> 00:36:47,160 Speaker 1: you're the one that I want. Totally forgot this happened. 639 00:36:47,800 --> 00:36:50,120 Speaker 1: I would I've shot it. I shot it. I was there, 640 00:36:50,719 --> 00:36:51,960 Speaker 1: totally forgot it happened. 641 00:36:52,120 --> 00:36:54,359 Speaker 2: Well, when we were talking about this last week, I 642 00:36:54,640 --> 00:36:56,800 Speaker 2: because I was like, I wasn't in any of these numbers, 643 00:36:56,840 --> 00:37:01,440 Speaker 2: but I do had this weird like part memory of something. 644 00:37:01,480 --> 00:37:02,920 Speaker 2: I was like, oh, this is what it is. 645 00:37:04,239 --> 00:37:08,040 Speaker 1: Wow, the flashbacks again. We're here with the flashbacks again. 646 00:37:08,239 --> 00:37:09,720 Speaker 2: How dare you editors? 647 00:37:10,480 --> 00:37:10,640 Speaker 3: How? 648 00:37:10,719 --> 00:37:18,279 Speaker 2: It was very oh my god, Chris, everybody's here. And 649 00:37:18,320 --> 00:37:21,319 Speaker 2: then cut back to Chris current day on stage, and 650 00:37:21,360 --> 00:37:23,239 Speaker 2: then Leah coming out followed. 651 00:37:25,360 --> 00:37:27,759 Speaker 1: And then the and then the whole camera angle thing 652 00:37:27,800 --> 00:37:32,040 Speaker 1: and then the flashbag. I was like, I'm not well, I've. 653 00:37:31,320 --> 00:37:34,360 Speaker 2: Also missed hearing Leah sing with everyone right. 654 00:37:34,920 --> 00:37:38,840 Speaker 1: That group, that group, and then you add like Santana 655 00:37:38,840 --> 00:37:42,000 Speaker 1: and Brittany back together, we're all on stage together. Then 656 00:37:42,040 --> 00:37:44,759 Speaker 1: they cut to the new kids and the old you know, 657 00:37:44,880 --> 00:37:47,719 Speaker 1: back to the current day and I was like, wow, actually, 658 00:37:48,600 --> 00:37:51,320 Speaker 1: thank god they did that, because otherwise that number shouldn't 659 00:37:51,320 --> 00:37:54,480 Speaker 1: have been there. It's a stupid number. 660 00:37:55,160 --> 00:37:56,120 Speaker 2: You don't like that number. 661 00:37:57,800 --> 00:38:03,080 Speaker 1: It's just like cliche to me. Why do you hate Greece, Jenna, 662 00:38:04,520 --> 00:38:07,239 Speaker 1: I don't. I don't hate Greece. I love the movie. 663 00:38:07,320 --> 00:38:11,920 Speaker 1: I think it's perfect. Yeah, it's not a very musical, 664 00:38:12,120 --> 00:38:12,640 Speaker 1: but there's. 665 00:38:12,520 --> 00:38:18,680 Speaker 5: The one that it want is so good. No, no, 666 00:38:21,000 --> 00:38:22,520 Speaker 5: damn no. 667 00:38:23,000 --> 00:38:26,080 Speaker 1: I hate when we fight like this, especially with all 668 00:38:26,080 --> 00:38:28,840 Speaker 1: the other songs in the show, like it's who on 669 00:38:28,920 --> 00:38:33,160 Speaker 1: my totem pole WHOA. But I will say thank god 670 00:38:33,160 --> 00:38:39,520 Speaker 1: they did that because it brought it way up for me. Yeah. Anyway, look, 671 00:38:39,600 --> 00:38:42,640 Speaker 1: all these songs are important for Greece, and it doesn't pack. 672 00:38:42,480 --> 00:38:46,240 Speaker 2: A huge emotional punish in the movie. It's like hot sexy. 673 00:38:46,520 --> 00:38:47,839 Speaker 2: There's a whole purpose to it. 674 00:38:48,080 --> 00:38:51,240 Speaker 1: Yeah, she says the makeover and you know she's yeah. 675 00:38:50,880 --> 00:38:53,480 Speaker 2: It's awesome. It's like bad, Yes, you're the one that 676 00:38:53,520 --> 00:38:58,759 Speaker 2: I want turned into. This version is like a really heartfelt, 677 00:38:58,800 --> 00:39:05,160 Speaker 2: deeply meaningful experiarience. We back, which yeah, which was really nice. 678 00:39:05,360 --> 00:39:09,879 Speaker 2: It was so good just smash did you have phone mode? 679 00:39:09,880 --> 00:39:12,200 Speaker 2: Not doing a part of a part of this, because 680 00:39:12,239 --> 00:39:17,880 Speaker 2: like everybody was there. No, I think behind the scenes, 681 00:39:17,960 --> 00:39:22,799 Speaker 2: yes I did, Like in theory and concept, I do, 682 00:39:23,600 --> 00:39:27,680 Speaker 2: but in watching it, like there's no reason for me 683 00:39:28,360 --> 00:39:30,359 Speaker 2: to have any part of it, to be in it. 684 00:39:30,680 --> 00:39:32,680 Speaker 2: But it was just so good. Everything was good, Like 685 00:39:32,719 --> 00:39:34,719 Speaker 2: I don't want to touch that. Yeah, it would have 686 00:39:34,719 --> 00:39:37,120 Speaker 2: been great to like, but no, everything. 687 00:39:37,000 --> 00:39:39,080 Speaker 1: Somehow you get out of all the school musicals, which 688 00:39:39,160 --> 00:39:42,440 Speaker 1: actually I love watching them. It was fun, but like 689 00:39:42,760 --> 00:39:45,000 Speaker 1: I would have been so thrilled if I wasn't in 690 00:39:45,040 --> 00:39:45,600 Speaker 1: the school. 691 00:39:45,440 --> 00:39:46,640 Speaker 2: Musical, you know. 692 00:39:46,800 --> 00:39:47,800 Speaker 5: Yeah. 693 00:39:48,160 --> 00:39:50,840 Speaker 2: Also, shout out to my beret. That is so ugly. 694 00:39:52,640 --> 00:39:54,560 Speaker 2: I hope my mom was watching. She's like, your outfits 695 00:39:54,600 --> 00:39:59,839 Speaker 2: are so ugly. Stop love it. I'm making fun of me. Mom. 696 00:40:00,520 --> 00:40:02,400 Speaker 1: We love already off hits come on. 697 00:40:11,320 --> 00:40:16,920 Speaker 2: So I feel like the real heavy thing that happened 698 00:40:16,960 --> 00:40:19,800 Speaker 2: at the end of this was Finn and Rachel really 699 00:40:19,840 --> 00:40:26,520 Speaker 2: breaking up because Rachel calls Brody and lo and behold, messy, 700 00:40:26,680 --> 00:40:31,120 Speaker 2: messy Cassandra picks up. And I also like how this 701 00:40:31,200 --> 00:40:34,160 Speaker 2: works with the Grease storyline, by the way, because this 702 00:40:34,239 --> 00:40:40,440 Speaker 2: feels like Stocker Channing esque and Greece, you know, like 703 00:40:40,560 --> 00:40:48,080 Speaker 2: is she's just being a mess And Rachel obviously finds 704 00:40:48,080 --> 00:40:51,480 Speaker 2: out what happens because Cassandra spells it out for her. 705 00:40:52,360 --> 00:40:56,800 Speaker 2: Brody's in the shower. We did the damn thing, yeah, 706 00:40:56,840 --> 00:40:59,960 Speaker 2: and you left and I did this to make a point. 707 00:41:00,560 --> 00:41:01,040 Speaker 1: Mm hmmm. 708 00:41:01,400 --> 00:41:04,440 Speaker 2: And so she's upset. Finn comes running after her, pulls 709 00:41:04,480 --> 00:41:07,040 Speaker 2: the information out of her, like I'm the guy you 710 00:41:07,120 --> 00:41:09,799 Speaker 2: used to tell everything to and she's been crying and 711 00:41:09,840 --> 00:41:14,120 Speaker 2: then he realizes she's crying about Brody, and very quickly 712 00:41:15,080 --> 00:41:20,600 Speaker 2: we're wrapping that up of this is we're done. And 713 00:41:20,880 --> 00:41:23,680 Speaker 2: it felt very final, and it felt very different from 714 00:41:23,680 --> 00:41:27,560 Speaker 2: the breakup, very different, and. 715 00:41:27,680 --> 00:41:33,520 Speaker 1: This was there closure though Cassandra wasn't wrong. Yeah, the 716 00:41:34,120 --> 00:41:37,920 Speaker 1: lines when they said like you're when Finn's like you're 717 00:41:37,960 --> 00:41:42,120 Speaker 1: not and you're not crying about me anymore. Yes, but 718 00:41:42,160 --> 00:41:44,640 Speaker 1: you're crying about him. And she's like, it doesn't even 719 00:41:44,680 --> 00:41:46,440 Speaker 1: really make me sad anymore. 720 00:41:48,040 --> 00:41:54,720 Speaker 2: Cold, and he was talking about I know you're different 721 00:41:54,960 --> 00:41:58,560 Speaker 2: types of crying, so sad. 722 00:41:59,000 --> 00:42:01,160 Speaker 1: You know, it's sad to see them like that because 723 00:42:01,200 --> 00:42:03,680 Speaker 1: you want them to love each other and they'll always 724 00:42:03,760 --> 00:42:07,080 Speaker 1: have love for each other, but I don't be in love. 725 00:42:07,520 --> 00:42:11,399 Speaker 2: Because it feels like they're the emotional center of the show, right, 726 00:42:11,440 --> 00:42:12,680 Speaker 2: so it's rooted for them. 727 00:42:12,960 --> 00:42:18,440 Speaker 1: He made her feel like she was special, like if. 728 00:42:18,280 --> 00:42:23,360 Speaker 2: They're not together, then like they're the gravity holding everything together. 729 00:42:23,400 --> 00:42:26,200 Speaker 2: So if they're not together, like, what is what's happening 730 00:42:26,200 --> 00:42:26,959 Speaker 2: to everybody else? 731 00:42:27,560 --> 00:42:32,279 Speaker 1: Right? What do we do? Mom and dad? Yeah? Sad? 732 00:42:32,320 --> 00:42:34,600 Speaker 2: Way, I felt very grown and very sad, and I 733 00:42:34,640 --> 00:42:36,359 Speaker 2: was just like, why don't you guys talk to the girls. 734 00:42:36,400 --> 00:42:37,800 Speaker 2: They'll tell you how to handle this properly. 735 00:42:38,200 --> 00:42:43,320 Speaker 1: Yeah, it felt really final, it did. I hated it. 736 00:42:43,320 --> 00:42:44,080 Speaker 1: It made me sad. 737 00:42:44,360 --> 00:42:49,920 Speaker 2: And where we left with Blaine and Kurt, oh, because 738 00:42:49,920 --> 00:42:51,200 Speaker 2: that still feels. 739 00:42:51,960 --> 00:42:55,480 Speaker 1: It's supposed to Okay, it's supposed to. 740 00:42:56,120 --> 00:43:00,919 Speaker 2: Well, yes, I sad. I know we ended on such 741 00:43:00,920 --> 00:43:02,600 Speaker 2: a we thought we ended on such a high note. 742 00:43:03,200 --> 00:43:04,560 Speaker 2: But you're the one that I want, but then you 743 00:43:04,840 --> 00:43:06,960 Speaker 2: just gotta and Rachel. 744 00:43:07,560 --> 00:43:08,400 Speaker 5: Yeah. 745 00:43:08,480 --> 00:43:12,760 Speaker 1: Well, overall though, other than the sadness of these couples 746 00:43:12,840 --> 00:43:15,840 Speaker 1: kind of moving forward and Kurt and Rachel being like 747 00:43:15,880 --> 00:43:21,760 Speaker 1: this isn't home anymore, it's a very uplifting and exciting 748 00:43:21,760 --> 00:43:22,640 Speaker 1: episode to watch. 749 00:43:23,320 --> 00:43:26,959 Speaker 2: And who would have thought the Grease musical episode would 750 00:43:27,000 --> 00:43:30,359 Speaker 2: be where we get sort of the resolutions of the 751 00:43:30,400 --> 00:43:34,440 Speaker 2: fallout of these breakups. But it's Glee. I guess that 752 00:43:34,520 --> 00:43:35,000 Speaker 2: makes sense. 753 00:43:35,239 --> 00:43:38,400 Speaker 1: Gotta have it good, gotta have it. 754 00:43:38,800 --> 00:43:40,320 Speaker 2: Should we rate these numbers? 755 00:43:40,560 --> 00:43:46,160 Speaker 1: We should absolutely rate these numbers Greased Lightning. It was fun. 756 00:43:46,640 --> 00:43:50,759 Speaker 3: I give it an A yeah, same look at me 757 00:43:50,800 --> 00:43:55,880 Speaker 3: on Sandurday A plus A plus, Peter School drabout a 758 00:43:56,000 --> 00:43:58,880 Speaker 3: plus A plus, look at me on sandrad Day A 759 00:43:59,000 --> 00:44:03,160 Speaker 3: plus plus? Whoa a plus plus? Okay, yeah, it has 760 00:44:03,200 --> 00:44:06,480 Speaker 3: an emotional punch. Well get ready, because what are you 761 00:44:06,520 --> 00:44:08,200 Speaker 3: going to do for their worst things? I could do 762 00:44:08,840 --> 00:44:12,879 Speaker 3: A plus plus plus plus plus And you're the one 763 00:44:12,880 --> 00:44:13,560 Speaker 3: that I want. 764 00:44:13,400 --> 00:44:17,760 Speaker 2: A plus A plus plus for sure. Like, I'm really 765 00:44:17,760 --> 00:44:19,360 Speaker 2: happy with this episode. 766 00:44:19,160 --> 00:44:21,799 Speaker 1: Solid solid. I did not think I would feel this way. 767 00:44:22,120 --> 00:44:24,040 Speaker 1: That is one of our best ratings so far. 768 00:44:24,280 --> 00:44:27,080 Speaker 2: It is if it works, it works. 769 00:44:26,880 --> 00:44:31,319 Speaker 1: It works. I'm sorry, Okay, glease, let's let's not out 770 00:44:31,320 --> 00:44:36,640 Speaker 1: some CHARTI takes. Okay, some aw cheese. Kitty Kitty, I 771 00:44:36,640 --> 00:44:40,360 Speaker 1: think enough said Kitty teaching Marley to make herself sick, 772 00:44:40,840 --> 00:44:43,480 Speaker 1: So no one letting unique be unique? 773 00:44:44,160 --> 00:44:47,799 Speaker 2: Like can we just lock her up? 774 00:44:48,520 --> 00:44:54,200 Speaker 1: Lock her up? Best dance move? Oh man, I'm going 775 00:44:54,239 --> 00:45:04,520 Speaker 1: with Beauty School dropout for for our choreo. I'm going 776 00:45:04,560 --> 00:45:11,120 Speaker 1: with look at Me on Standarday for the freeform rockouts 777 00:45:11,120 --> 00:45:15,560 Speaker 1: that were happening extra special shout out to Vanessa's twerking. 778 00:45:18,000 --> 00:45:20,760 Speaker 2: So I was gonna say, I think Beauty schul dropout 779 00:45:20,960 --> 00:45:25,040 Speaker 2: choreo overall is like the best dance, the best number. 780 00:45:25,239 --> 00:45:29,040 Speaker 2: But if we're talking about dance move, Vanessa torking in 781 00:45:29,080 --> 00:45:34,200 Speaker 2: a handstand is unmatched. Come come at me with anything else. 782 00:45:34,719 --> 00:45:37,080 Speaker 2: You will not you will not beat that. At first, 783 00:45:37,080 --> 00:45:39,440 Speaker 2: I was like, that must be Heather, and then Vanessa 784 00:45:39,480 --> 00:45:42,600 Speaker 2: just pops right up and I was like, what, I 785 00:45:42,680 --> 00:45:44,480 Speaker 2: know she's got it like that? 786 00:45:44,840 --> 00:45:45,440 Speaker 1: She does? 787 00:45:45,719 --> 00:45:47,319 Speaker 2: She did, She sure does. I don't know how I. 788 00:45:49,080 --> 00:45:49,560 Speaker 1: Best song. 789 00:45:49,800 --> 00:45:54,480 Speaker 2: Oh my gosh, you know, I think I'm gonna have 790 00:45:54,520 --> 00:45:55,600 Speaker 2: to go with you the ones that I want. 791 00:45:57,680 --> 00:46:09,080 Speaker 1: Wow, I'm torn. Not that's bad, I'm done. I'll go 792 00:46:09,160 --> 00:46:18,480 Speaker 1: with There were things I could do. Oh wait, okay, 793 00:46:18,520 --> 00:46:21,600 Speaker 1: that's fine. You picked that fine, Well call it even 794 00:46:22,560 --> 00:46:26,680 Speaker 1: best performance by up. I think you're right, though, I 795 00:46:26,760 --> 00:46:29,400 Speaker 1: have to go with the curlers on the heads of 796 00:46:33,160 --> 00:46:35,880 Speaker 1: There was a shout out to costumes props. Whoever did that. 797 00:46:36,080 --> 00:46:38,600 Speaker 1: I I don't even know who was that. I don't 798 00:46:38,640 --> 00:46:40,600 Speaker 1: even know who that was, but kudos. 799 00:46:40,960 --> 00:46:42,880 Speaker 2: There was a lot of good headgear you also, what 800 00:46:42,920 --> 00:46:47,520 Speaker 2: you wore during Look at Me I'm Sandrat was incredible. 801 00:46:47,560 --> 00:46:48,399 Speaker 1: My little panda hat. 802 00:46:48,760 --> 00:46:52,880 Speaker 2: Yeah, shout out to Artie's iPad. I would just like 803 00:46:52,920 --> 00:46:56,480 Speaker 2: to apologize to everyone about how horribly I mumble that 804 00:46:56,719 --> 00:47:04,600 Speaker 2: entire thing I was Jenna. My enunciation was absent. I 805 00:47:04,640 --> 00:47:07,960 Speaker 2: don't know what I was doing that day. I would 806 00:47:08,000 --> 00:47:12,520 Speaker 2: just like to apologize on my poor, poor formce. That 807 00:47:12,560 --> 00:47:15,279 Speaker 2: was honestly the first I was like, what is happening? 808 00:47:16,880 --> 00:47:18,680 Speaker 2: I really it's. 809 00:47:18,600 --> 00:47:21,120 Speaker 1: When you had to read something. Probably you're just like whatever, 810 00:47:21,160 --> 00:47:21,759 Speaker 1: I'm reading it. 811 00:47:22,400 --> 00:47:24,920 Speaker 2: Yeah, and I shouldn't have whatever did because. 812 00:47:27,160 --> 00:47:30,480 Speaker 1: I didn't know that did not stick out to me. 813 00:47:30,560 --> 00:47:32,000 Speaker 2: Oh, I was it was real? 814 00:47:33,120 --> 00:47:35,920 Speaker 1: Okay, all right, best line. 815 00:47:36,560 --> 00:47:38,520 Speaker 2: I will not be repeating that. The best line is 816 00:47:38,520 --> 00:47:39,879 Speaker 2: not the review. I will not. 817 00:47:41,480 --> 00:47:43,240 Speaker 1: A comedian. Okay. 818 00:47:43,320 --> 00:47:47,560 Speaker 2: I have to say, you know, I want to shout 819 00:47:47,560 --> 00:47:50,840 Speaker 2: out two Week of the Week podcast because last week 820 00:47:51,200 --> 00:47:54,839 Speaker 2: when I read Rachel's monologue was two weeks ago. Whenever 821 00:47:54,840 --> 00:48:00,160 Speaker 2: it was they put it over Rachel's actual scene of 822 00:48:00,200 --> 00:48:04,440 Speaker 2: breaking up with Finn of me reading it, and it 823 00:48:04,480 --> 00:48:07,640 Speaker 2: said Artie's version, and I was horrified. 824 00:48:07,280 --> 00:48:14,120 Speaker 1: Or Kevin's and it was very good. There's a funny 825 00:48:14,120 --> 00:48:18,200 Speaker 1: team line that I laughed at out loud. It was 826 00:48:18,200 --> 00:48:19,879 Speaker 1: when she was freaking out and I think she says, 827 00:48:19,920 --> 00:48:20,879 Speaker 1: you will all be dead by then. 828 00:48:21,480 --> 00:48:21,920 Speaker 2: Yeah. 829 00:48:22,440 --> 00:48:25,720 Speaker 1: Fin's like, don't I got some good ideas for sexual 830 00:48:25,880 --> 00:48:26,640 Speaker 1: so we'll all be dead. 831 00:48:28,880 --> 00:48:29,640 Speaker 2: That's very good. 832 00:48:31,200 --> 00:48:33,160 Speaker 1: Kitty has some really good lines, but she toes the 833 00:48:33,160 --> 00:48:35,840 Speaker 1: line in this one, so I don't know a kitty. 834 00:48:36,080 --> 00:48:38,279 Speaker 2: I did laugh at, like actually laugh out loud. And 835 00:48:38,360 --> 00:48:40,640 Speaker 2: she said, here's my first place trophy before most tongues 836 00:48:40,680 --> 00:48:45,120 Speaker 2: spoke in a Bible camp and this is mister Jojo. 837 00:48:45,200 --> 00:48:49,800 Speaker 2: I wrote him for six years until he broke my hymen. Also, 838 00:48:50,600 --> 00:48:52,800 Speaker 2: the correct line Cassandra saying I could give you my 839 00:48:52,840 --> 00:48:55,480 Speaker 2: Jet Blue frequent Flyer miles. I can't use them ever 840 00:48:55,520 --> 00:48:57,359 Speaker 2: since I was banned from my bloody mary Field panic 841 00:48:57,400 --> 00:48:59,840 Speaker 2: attack at thirty thousand feet which resulted in the hospitals 842 00:49:00,120 --> 00:49:04,000 Speaker 2: of three flight attentions. And I will say Kurt saying 843 00:49:04,080 --> 00:49:06,000 Speaker 2: I'm not sleeping, I'm living off an ambient in the 844 00:49:06,040 --> 00:49:08,560 Speaker 2: notebook is Chris Colford Codd. 845 00:49:08,960 --> 00:49:14,920 Speaker 1: Yes, totally, that absolutely performance MVP. 846 00:49:17,040 --> 00:49:18,120 Speaker 2: Ah Man. 847 00:49:19,520 --> 00:49:23,840 Speaker 1: I feel like Kate Hudson gave a really good this episode. 848 00:49:24,200 --> 00:49:30,160 Speaker 2: I did too, I don't. I mean, Corey had a 849 00:49:30,160 --> 00:49:33,680 Speaker 2: lot and was really good. Oh wait, and I think 850 00:49:33,719 --> 00:49:37,600 Speaker 2: Melissa was Yeah, that's right, Melissa was great. Melissa was 851 00:49:37,640 --> 00:49:40,279 Speaker 2: really great. And I will say that as whoror was 852 00:49:40,360 --> 00:49:47,560 Speaker 2: the ship she said was? Becca was really good. I 853 00:49:47,520 --> 00:49:52,000 Speaker 2: think with Melissa, okay, that's great. I'll give Kate and 854 00:49:52,040 --> 00:49:54,759 Speaker 2: then we'll go with most as well, because she was, yeah, 855 00:49:55,520 --> 00:49:58,440 Speaker 2: actually excellent. Everyone was really doing. 856 00:49:58,239 --> 00:50:01,480 Speaker 1: It, everybody really, I mean kudos. 857 00:50:01,640 --> 00:50:06,120 Speaker 2: So shit we found on TikTok Sean Tadlock. I've seen this, 858 00:50:06,960 --> 00:50:10,360 Speaker 2: You've seen this one. Yes, I love it. 859 00:50:10,400 --> 00:50:14,319 Speaker 1: The first time I've ever seen one of your shit 860 00:50:14,320 --> 00:50:15,800 Speaker 1: We found on tiktoks. 861 00:50:15,360 --> 00:50:16,920 Speaker 2: Okay, then I think you should tell the people. 862 00:50:17,800 --> 00:50:24,960 Speaker 1: Well, basically, he's telling a story about how he got 863 00:50:25,040 --> 00:50:28,680 Speaker 1: hit in the face with a slushie. Which does that 864 00:50:28,719 --> 00:50:29,360 Speaker 1: actually happen? 865 00:50:29,600 --> 00:50:33,480 Speaker 2: We've always wondered if that really happens, and here is Sean, 866 00:50:33,680 --> 00:50:35,320 Speaker 2: unfortunately proving that it does. 867 00:50:36,400 --> 00:50:38,840 Speaker 1: And then they like tells his friend that, like, he 868 00:50:38,920 --> 00:50:43,719 Speaker 1: got hit with a slushie, and his friend's like, okay, Glee. 869 00:50:44,960 --> 00:50:47,759 Speaker 2: I love that. Like the guy you're seeing is not like, 870 00:50:47,800 --> 00:50:52,520 Speaker 2: oh my god, are you okay? He just says, okay, Glee. 871 00:50:53,640 --> 00:50:54,200 Speaker 1: Very funny. 872 00:50:54,760 --> 00:51:00,360 Speaker 2: It is very good. Someone says okay Glee is actually 873 00:51:00,400 --> 00:51:06,800 Speaker 2: the correct response though, and so my first thought that 874 00:51:06,880 --> 00:51:11,560 Speaker 2: went through my mind, and that's what you missed on. Wow, 875 00:51:11,760 --> 00:51:16,200 Speaker 2: look Sean, really sorry that happened. However, very good TikTok 876 00:51:16,320 --> 00:51:21,839 Speaker 2: and glad you told us about it Selfishly, I loved it. 877 00:51:22,239 --> 00:51:24,560 Speaker 1: Wow, somebody actually got slushy? 878 00:51:25,160 --> 00:51:28,960 Speaker 2: Who knew on the streets? Like out in the streets, 879 00:51:29,000 --> 00:51:31,280 Speaker 2: Why would you waste a perfectly good slushy. 880 00:51:30,960 --> 00:51:36,240 Speaker 1: Like that for a shock value? 881 00:51:36,280 --> 00:51:41,839 Speaker 2: In for really, if you're a really big Glee fan 882 00:51:41,920 --> 00:51:44,719 Speaker 2: and you're not slushing people, are you even a Glee. 883 00:51:44,480 --> 00:51:46,760 Speaker 1: Fan fan, whoa are we going to start a movement? 884 00:51:48,640 --> 00:51:51,840 Speaker 2: I mean, if there's ever a Glee reboot, you'll know 885 00:51:51,960 --> 00:51:54,959 Speaker 2: because the campaign, the marketing campaign should just be people 886 00:51:54,960 --> 00:51:59,960 Speaker 2: getting slusheed on the street. Wow, is that a crime? 887 00:52:00,040 --> 00:52:01,960 Speaker 1: I'm yeah, it might be. 888 00:52:03,239 --> 00:52:10,399 Speaker 2: Gay do crime. Oh well, that. 889 00:52:10,520 --> 00:52:14,319 Speaker 1: Was glease, thanks for joining us. I hope you enjoyed it. 890 00:52:14,920 --> 00:52:20,080 Speaker 2: I enjoyed it. I certainly did, and I'm glad I 891 00:52:20,120 --> 00:52:22,000 Speaker 2: got to watch with my parents. They enjoyed it too. 892 00:52:23,239 --> 00:52:25,799 Speaker 1: I'm also curious if you guys liked this episode as 893 00:52:25,840 --> 00:52:26,800 Speaker 1: much as we did. 894 00:52:27,680 --> 00:52:31,640 Speaker 2: Yes, but yeah, and I know our opinions do not 895 00:52:31,719 --> 00:52:32,399 Speaker 2: match up with. 896 00:52:33,040 --> 00:52:36,520 Speaker 1: Yeah, maybe just let's just look tell us. 897 00:52:36,560 --> 00:52:39,200 Speaker 2: If our opinions do not match up with yours, that 898 00:52:39,200 --> 00:52:42,640 Speaker 2: does not mean we don't like the show. It does 899 00:52:42,680 --> 00:52:45,120 Speaker 2: not mean we don't like the people in the show 900 00:52:45,320 --> 00:52:47,319 Speaker 2: or what's actually happening on the show. We're just being 901 00:52:47,320 --> 00:52:50,040 Speaker 2: like hypercritical to our personal preferences. 902 00:52:51,120 --> 00:52:51,640 Speaker 1: We can. 903 00:52:53,320 --> 00:52:56,319 Speaker 2: Yeah, like whatever, We've got your opinion, and if you 904 00:52:56,360 --> 00:53:01,600 Speaker 2: love something that we don't, that's great. That's media is media. 905 00:53:01,840 --> 00:53:04,759 Speaker 2: Everybody can consume it in their own way. And we 906 00:53:04,800 --> 00:53:06,879 Speaker 2: love that you love it. We love that you love 907 00:53:06,920 --> 00:53:09,000 Speaker 2: it because we love the show and so if you're 908 00:53:09,000 --> 00:53:13,719 Speaker 2: getting something from it that we're not, do you yes boo? 909 00:53:15,280 --> 00:53:15,839 Speaker 1: Do you boo? 910 00:53:16,040 --> 00:53:21,480 Speaker 2: Anyway, that's what you really missed. Thanks for listening, and 911 00:53:21,600 --> 00:53:24,200 Speaker 2: follow us on Instagram at and that's what you really 912 00:53:24,239 --> 00:53:26,400 Speaker 2: miss pod. Make sure to write us a review and 913 00:53:26,520 --> 00:53:28,439 Speaker 2: leave us five stars. See you next time.