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Speaker 1: I got shows coming up, people, and I really want

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Speaker 1: to see you there, So let me give you some

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Speaker 1: specifics so you can get your tickets and make your plans.

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Speaker 1: On September seventeen of doing a very special performance at

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Speaker 1: the new the brand new Atti Had Arena and Abu

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Speaker 1: Dhabi which has very recently sold out. So I just

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Speaker 1: want to tell you that toot my own horn again

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Speaker 1: September and September. You can see me in Phoenix, Arizona

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Speaker 1: at Stand Up Live. More shows are always being at it,

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Speaker 1: so just keep checking Russell Peters dot com for updates

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Speaker 1: now please, and Julie Leish ship all right, we're live

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Speaker 1: here had culturally canceled with me Russell Peters. Um, it's

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Speaker 1: another episode. We don't do these very often where it's

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Speaker 1: just me and one person. Usually it's me and a

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Speaker 1: couple of people. And but this time I feel blessed

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Speaker 1: to have um, this gentleman across me because, uh, we

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Speaker 1: we met a few years ago. Man, many I remember

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Speaker 1: out almost seven eight years ago, I guess now. And

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Speaker 1: we we always texted each other, which was always good.

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Speaker 1: I didn't think when he first gave me his number

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Speaker 1: and I text him, I didn't think he was gonna reply.

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Speaker 1: I thought or he'd be like, man, I don't remember

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Speaker 1: who this is, because that happens in this fucking business

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Speaker 1: all the time. And but I've been a fan of

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Speaker 1: this guy for very very long time. And then the

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Speaker 1: more people I say his name to, the more people go,

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Speaker 1: holy sh it, I love that guy. Fucking awesome. Anyway,

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Speaker 1: Clifton Collins Jr. Is sitting across me right now. What up, Clifton.

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Speaker 1: I know he's the most Mexican looking guy with a

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Speaker 1: black guy's name and an Irish last name, which makes

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Speaker 1: no sense because apparently her dad's German. Yeah, completely, I know.

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Speaker 1: For a long time it was it was it's sloppy.

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Speaker 1: And then, by the way, Piper the dog is here

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Speaker 1: and she's being a fucking brat because she dropped her

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Speaker 1: toy and she's whining because she wants somebody to pick

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Speaker 1: up her toy for her, you lazy bitch, or one

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Speaker 1: could just a commentary. It is the little Pug commentary. Yeah,

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Speaker 1: She's like, how somebody played with me? So here's what

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Speaker 1: I was trying to tell you before we came on

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Speaker 1: the air, Cliff Um, So, when I first met you,

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Speaker 1: and even before I met you, I all, and I

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Speaker 1: would see you in movies. Obviously. I always thought that

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Speaker 1: you were a little puppet from American Yeah, and I

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Speaker 1: even when I look at you now, I still think

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Speaker 1: that's the puppet, right, or a little puppet that's got

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Speaker 1: to be one. He's one of them, you know. No, right,

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Speaker 1: do you guys look alike or is it my imagination?

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Speaker 1: That's your imagination, but you got a vivid imagination, yeah,

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Speaker 1: Or is it little puppet? Then it must have been

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Speaker 1: a little puppet because puppet didn't look like it. But

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Speaker 1: little puppet is brother, the one that they killed. You

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Speaker 1: know now that I think a little puppy, don't look

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Speaker 1: at me when he's kind of you know how you

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Speaker 1: do when you're killing your brother. Yeah, they'll kill your

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Speaker 1: brother scenario. You know, I'll make an eye contact. It's

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Speaker 1: just creepy. You know. I just thought you got thinner,

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Speaker 1: you know what I mean? Yeah, I thought, like when

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Speaker 1: I look at that, I go, I thought, I still like,

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Speaker 1: I thought you got thinner over the years, and that's

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Speaker 1: what you were. Just had a chubby face or something,

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Speaker 1: you know. That's yeah, well that's a throwback. Brother, got that, Yeah,

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Speaker 1: Jacob Bargains was in that too. He was young and

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Speaker 1: that he was probably twenty two or twenty three. And

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Speaker 1: the Japanese guy was in it. What's his name? Oh,

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Speaker 1: I forget his name. Yeah, that's a yeah. There's a

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Speaker 1: lot of heavy issues with that film they did. Yeah, yeah,

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Speaker 1: they well it was a great movie, but yeah, it

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Speaker 1: caused problems for them. Yeah, and a lot of people

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Speaker 1: had to get them out of those problems. Yeah, and

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Speaker 1: some didn't make it. Yeah, well, you know, didn't Danny

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Speaker 1: get them out of some of the problems. I don't know.

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Speaker 1: Danny made a call to like, listen. He didn't to

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Speaker 1: really smooth it over. He didn't like get him out.

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Speaker 1: He was just like, listen, let me just explain on

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Speaker 1: this guy's behalf. He didn't. You know, you get a

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Speaker 1: phone call from the bay, you gotta pay attention. Yeah, yeah, yeah,

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Speaker 1: and that's that. Well, that's true for sure. There's a

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Speaker 1: reason there was no I could collect calls from the bay.

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Speaker 1: But those are my friends. Yeah, that's how that goes.

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Speaker 1: Can you put some money in my commissary? I love

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Speaker 1: doing it for my friends though, some shoes or whatever. Yeah, yeah,

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Speaker 1: because they you know, And then they bragged about it. Friend,

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Speaker 1: he's an actor. He gave me these and then they

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Speaker 1: go put on this movie. He's in it. Put on

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Speaker 1: his movies in it. He's in this deal. Yeah, put

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Speaker 1: on Encino. Man. I did drop to three though, but

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Speaker 1: that's not when you knew me. When you knew me,

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Speaker 1: I was more like one sixty. You're you're not like

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Speaker 1: a big guy to begin with. Like, you have a

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Speaker 1: small face, so no matter what you do, you will

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Speaker 1: always lookin I have. My face is the first thing

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Speaker 1: to get fat on me. Yeah, And like, so I

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Speaker 1: could drop weight on my body, my face will still

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Speaker 1: be like puffy. And I'm like, I'm not even drinking anymore.

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Speaker 1: What are you doing? Why am I still puffy? It sucks.

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Speaker 1: I get it on my belly. Yeah, I mean I'd

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Speaker 1: rather have it there than on my fucking face because

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Speaker 1: then at least you can just do a headshot and

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Speaker 1: still look good. And we're a big jacket. We're a

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Speaker 1: big jacket. We're some baggy clothes. Yeah, baggy clothes. The way.

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Speaker 1: What are you working on right now? Right now, I'm

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Speaker 1: I'm writing my my grandfather's life story, sir, tell us

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Speaker 1: about him. It's a it's an origin story starting is

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Speaker 1: nineteen five, all the way until his discovery on the

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Speaker 1: ground Mark show that You Bet Your Life Show. Yeah, wow, brother,

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Speaker 1: that's dope. Yeah. So, uh it's uh, it's it's it's

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Speaker 1: taking me down some rabbit holes. I've I've traced my

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Speaker 1: family lineage to the corps of the nineteen hundreds. Um my, my,

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Speaker 1: my theater background going back to the eighteen thirty nine Spain.

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Speaker 1: So this is genetic for you. This isn't really a

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Speaker 1: choice apparently. Yeah, it's like literally, it's like, you know,

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Speaker 1: your grandfather was a um you know, I knew his name,

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Speaker 1: contract player for John Wayne. That's crazy, right, I didn't

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Speaker 1: even read. Yeah, Pedro Gonzalo Gonzalez. Yeah, he started starting

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Speaker 1: to perform and he was six years old. Well was he?

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Speaker 1: He was a dancer too, though, the tap dancer hoof

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Speaker 1: for Jitterbug Charleston a comedian, uh you know he he

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Speaker 1: would quickly become the headliners of these corps were like

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Speaker 1: the traveling Vodevillian shows of the day. Um, you do

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Speaker 1: like four or five performances and you move on to

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Speaker 1: the next town. Um. So a lot of the families

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Speaker 1: it would be a family affair because yeah, if you

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Speaker 1: still see them, Yeah, you still see them. I went

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Speaker 1: to one there's it was like the Vargus one, the

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Speaker 1: Vargas family circus, you see, and you know it's like

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Speaker 1: everybody's related. Yeah, and there's no shortage of Mexicans in

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Speaker 1: a family. This is true. This My son is half Mexican.

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Speaker 1: So I mean, I get it. How did that happen? Well,

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Speaker 1: you know, sunked up. But look at him, Yeah there

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Speaker 1: is Yeah, you don't look actually anything like him. Oh

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Speaker 1: there you go, there you go. You get the eyes. Yeah,

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Speaker 1: I get it. I get a lot. I'm rising the

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Speaker 1: nose Eddie. Eddie spoke at my grandpa's funeral and he

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Speaker 1: was like, Clifton, you gotta do play him in a movie.

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Speaker 1: That would be dope. I mean, I mean, I'm writing

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Speaker 1: it now. So it's uh, you know, I got a

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Speaker 1: hundred and fifty page script my next draft. I'm gonna

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Speaker 1: be bringing it down. But a Germa del Toro sent

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Speaker 1: me on my journey when I was doing a nightmare

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Speaker 1: alley in Toronto, and uh, one one night we uh

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Speaker 1: we were having a little wine and cheese with his

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Speaker 1: girlfriend and uh like dinner was finished, like you know,

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Speaker 1: Ron Promin had just left, and Wilhelm Defoe and Toni Collette.

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Speaker 1: It's just the three of us, and they wanted to

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Speaker 1: watch a trailer to jockey, so I showed them the

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Speaker 1: trailer and he's like, it'staro man, He's like our hitgecock.

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Speaker 1: So he's sitting there, he's like, I go out on,

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Speaker 1: and he likes to call me a Clifforton. He was

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Speaker 1: Clifforton me to go out on. He want to tell

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Speaker 1: you something. I'm like like what. He goes, look, you

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Speaker 1: and your grandpa and your great grandmother and all the

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Speaker 1: history of the cut Us and this, and then he goes,

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Speaker 1: you're You're you're the Latino Barrymore's corn. And I was like, no, no, Garon,

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Speaker 1: will come on please? What's that? I thought? I was

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Speaker 1: thinking that it wouldn't make me drew because I'm not

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Speaker 1: lying at I'm not, you know, because I don't know

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Speaker 1: there's even the mother John Mom was in Vaudeville um.

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Speaker 1: So I was like, no, no, no, I just it's

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Speaker 1: hard to accept those kind of praises from somebody revere

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Speaker 1: and look up to so much, like Guiarmo. You know,

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Speaker 1: it's really hard. So I was like I don't feel

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Speaker 1: I said, no, Germo, no, and then he like looked

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Speaker 1: me real serious, and he leaned forward and goes, yes,

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Speaker 1: you are, is it o? Gay I am? Garmotor was

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Speaker 1: Mexican or I thought it was the Spanish Mexican. I

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Speaker 1: always thought he was from Spain for some reason. I

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Speaker 1: don't know why. It's Benicio him related. No, really, but

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Speaker 1: a lot of people want to say Garmo. They think

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Speaker 1: I mean Benetio and vice versa, and that they're not.

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Speaker 1: Benicio is not Mexican though, No, he's Spanish. He's in

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Speaker 1: Puerto Rican. Really, No, I mean you can't have everything.

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Speaker 1: I mean, I never knew Benso Delta was Porto. He

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Speaker 1: didn't look Puerto Rican. He looks He's gotta be a

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Speaker 1: mix of stuff. I haven't spoken to in a while.

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Speaker 1: He's very brown. Really, huh. It's good to have a

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Speaker 1: fact checker. Yeah that we got Eddie and Paulie over there.

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Speaker 1: Eddie's fact checking. Yeah. Yeah. He's only fucking three years

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Speaker 1: older than us, is he really? I texted him when

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Speaker 1: he turned fifty, so three years ago, I mean five

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Speaker 1: years ago. Yeah. I don't think he was happy about it. No,

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Speaker 1: I was like happy birthday, you old fucker. I mean

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Speaker 1: I just turned one. Yeah, I'm turning fifty one in

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Speaker 1: a month, So I get it. We're the same age

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Speaker 1: you were. Somebody, Michael J. White was the one that

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Speaker 1: told me, I said, goes. You know that Clifton cons

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Speaker 1: is a really fucking talented tap dancer. I said, what

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Speaker 1: I said, How do you know that? It goes? It's

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Speaker 1: common knowledge. Ago, I didn't know this. I never even

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Speaker 1: heard that. I wouldn't associate you with tap dancing. How

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Speaker 1: does this even happen? My grandpa got his tapping when

191
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Speaker 1: we were seven years old, Like Arthur Duncan would come over,

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Speaker 1: like from the Lawrence Walk Show and would sit there

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Speaker 1: with me and my cousin and shows routines. My aunt

194
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Speaker 1: was a dancer. Um, obviously my grandfather was a hook

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Speaker 1: and my grandfather got footage of him doing like break

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Speaker 1: damp two moves on Jimmy Duranty Show. Well, yeah, there

197
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Speaker 1: was those. There's a lot of old footage, like because

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Speaker 1: I was a b boy back in the day. Okay, yeah,

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Speaker 1: so there was a lot. There's a lot of footage,

200
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Speaker 1: like the thirties and forties of people doing these moves

201
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Speaker 1: and you're like, what was that they a breakdancing move now,

202
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Speaker 1: but back then it was like part of you know,

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Speaker 1: le jitterbug or whatever it was they were doing at

204
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Speaker 1: the moment, you know, and there was just a hard

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Speaker 1: move to do. When I actually got my hands on

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Speaker 1: the Jimmy Durranty show that he did with Robert Mitchum, wow, yeah.

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Speaker 1: And see, these are all like fucking insanely legendary names.

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Speaker 1: It's not like, you know, my dad, my grandfather, you

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Speaker 1: know when he meant um, you know, there was a

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Speaker 1: day player in a spaghetti western. You know, these are like,

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Speaker 1: these are big, big names, you know. And as a

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Speaker 1: kid growing up, I you know, you hear Robert Mitchum.

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Speaker 1: But I was more impressed with the fact that he

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Speaker 1: knew Daffy Duck and that he knew Speedy Gonzalez, and

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Speaker 1: that because he didn't he did three cartoons. He knew

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Speaker 1: Mel Blank well blank, mel blank loved him. Here's the

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Speaker 1: funny thing. The last podcast I did before this was

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Speaker 1: with this guy named Eric bo was a It was

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Speaker 1: a Filipino kid from Toronto who is now the voice

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Speaker 1: of all the characters and Looney Tunes. Oh wow. Okay,

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Speaker 1: because his son did him for a little while. Yeah,

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Speaker 1: Mel blank. And then it was his son's name, Mel Jr. No,

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Speaker 1: I don't like it wasn't remember like Harvey blank or

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Speaker 1: Henry blank or something. I'm drawing a blank right now.

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Speaker 1: I'm drawing a big blank. Noel, Oh, no, Noel. Then,

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Speaker 1: so Grand's used to tell me the story that, uh,

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Speaker 1: Mitchell would be pretty wasted it rehearsals, you know, so

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Speaker 1: um so they'll be rehearsing and stuff, and he was

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Speaker 1: supposed to learn this Spanish song is saying while he's

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Speaker 1: on a hammock because it was very Mexican themed, and

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Speaker 1: my grandfather got to do a lot of his routine

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Speaker 1: playing the frying pans and stuff, and uh Bobby was

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Speaker 1: so missed up he couldn't didn't know the words or anything.

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Speaker 1: So my Grandpa taught me the story when I was

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Speaker 1: a kid that he was a big old flower pot.

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Speaker 1: So I just went behind it and I hid right

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Speaker 1: behind it, and I'd sing the song to him and

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Speaker 1: then and then Bobby would just repeat the lyrics and

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Speaker 1: he'd singly sing it the way he'd seeing it. And

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Speaker 1: I was like, so I heard this story forever. And

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Speaker 1: then when Grandpa got sick with cancer. Um, I think

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Speaker 1: the performance I believe was February eleventh, nineteen fifties six.

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Speaker 1: So I went to the Beverly Hills Museum Radio and

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Speaker 1: Science Television, and they knew my grandfather was sick, so

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Speaker 1: they said, we would really love it if your grandpa

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Speaker 1: was able to see this. Could he could? He come

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Speaker 1: in and said, I would love it if he saw

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Speaker 1: it too. He's got his chemo pack and all this time,

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Speaker 1: I don't think I could get them here. So well,

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Speaker 1: you know, we're gonna do a special thing. And they

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Speaker 1: they went, They went out of their way, got in

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Speaker 1: touch with the people in New York, sent me a

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Speaker 1: copy within four days, and I got to watch it

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Speaker 1: with them for the very first time. He never actually

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Speaker 1: seen the footage. He's like, meanwhile, you've showing this to me,

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Speaker 1: was like you never having seen Cabodi and then seeing

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Speaker 1: fifty years later, because almost fifty years later to the day,

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Speaker 1: because he died shortly thereafter he passed. God, God, I

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Speaker 1: couldn't even tell you how long ago was it? Oh six, Okay,

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Speaker 1: so he was he was eighty one. He was eighty

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Speaker 1: because my dad passed to No. Four and he was

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Speaker 1: seventy eight, and they were the same age, so it

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Speaker 1: would have been so so. So we're watching it and

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Speaker 1: then sure enough, there it goes the hammock scene. He

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Speaker 1: was me, right there, there's a flower, but I'm mighty

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Speaker 1: right behind that put that together as a kid, and

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Speaker 1: then being my late late thirties, you know, and finally

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Speaker 1: it was just such a a beautiful, magical book. I

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Speaker 1: tend to, uh, when I go on YouTube, I watch

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Speaker 1: a lot of the stuff that I saw when I

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Speaker 1: was a kid in the seventies to try and re

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Speaker 1: understand it, you know what I mean, to really appreciate

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Speaker 1: what I was looking at. So I watched a lot

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Speaker 1: of old Carson interviews and stuff, and I realized what

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Speaker 1: a fucking dope time that was Carson. I watched a

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Speaker 1: Grouchow interview not that long ago, when he was older,

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Speaker 1: and and the reporter asked him if he thought the

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Speaker 1: world was funny, and graut had told him, no, I

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Speaker 1: don't think the world is funny. In fact, the world

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Speaker 1: is filled with pain. And it made me think, because,

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Speaker 1: as you know, a tragedy plus passage of time equals comedy.

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Speaker 1: And it made me realize that he was coming to

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Speaker 1: terms with his own mortality and realizing that he didn't

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Speaker 1: have enough time to process all this stuff. He's really

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Speaker 1: hyper aware with. And I love Groucho Gratch, I mean

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Speaker 1: I like I love the March Brothers. Have you seen

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Speaker 1: the episode of My Grandfather and Grouchow that you bet

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Speaker 1: your Eddie pulling that up? Actually bet your life with

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Speaker 1: Pedro Benzalice this, Uh, they would remain friends to the

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Speaker 1: very end. Let me tell you something. Feeling safe and

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Speaker 1: That's simply Safe dot com slash peters. Yeah, like Groucho,

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Speaker 1: I would watch um like duck soup and all that stuff. Recently,

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Speaker 1: what was the feathers One was that there was a

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Speaker 1: feather is movie called Moving Out Some with feathers in it. Yeah.

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Speaker 1: Their their uncle helped them because their mom um, you know,

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Speaker 1: because Grouch was fairly you know, he lived, he was

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Speaker 1: out of school by the age of fourteen. Yeah, it's

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Speaker 1: like the kind of normal back then. It kind of

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Speaker 1: especially people in the entertainment business. Yeah, but they would

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Speaker 1: do not so great. Uh. Like watching this now even

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Speaker 1: you're like fucking dope just to see it's it's so

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Speaker 1: it's so retro. It seems retro, but still seems like

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Speaker 1: when you really think about it, like we're all part

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Speaker 1: of the same wave of the same thing because it

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Speaker 1: didn't exist when they were kids. What did he say?

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Speaker 1: Nine years? My fright asks next question. You gotta see

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Speaker 1: the dancing dance. He just does a quick little dance form.

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Speaker 1: Your wife named Gonzala before you married up? No, oh,

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Speaker 1: how did you meet mrs Gonzalez Gonzalez? Well, she was

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Speaker 1: working in San Antonio in a nold theater. She was

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Speaker 1: a dancer, and I have a friend and then she

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Speaker 1: took me to her and backstage, and then she gave

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Speaker 1: me a good look, and I give her another good look.

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Speaker 1: That's his real voice. Yeah, yeah, what kind of a

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Speaker 1: look did you give this guy when you met her backstage?

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Speaker 1: Could you give us a sample? Love Pedro? Well, I

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Speaker 1: just can I look at her? Did you guys have

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Speaker 1: the same eyes, nose, and mouth. That's crazy. Did this

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Speaker 1: have any effect on you at all? Sally? I looked back. Well,

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Speaker 1: I'm curious he's talking about that because her daughter was

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Speaker 1: so young. That's another that's just another contestant. I remember

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Speaker 1: the time I went to to see my girlfriend. I

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Speaker 1: to her a serenade. You took her a serenade? Yeah,

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Speaker 1: like I saw in the movie, they take serenate. So

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Speaker 1: I took a Serain eight to her. And then I

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Speaker 1: heard my guitar and I started singing as a song.

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Speaker 1: When I was singing the song, I saw the window open,

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Speaker 1: and I thought it was my girlfriend, who want to

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Speaker 1: give me a nice good, nice piece upstairs? And you're yes,

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Speaker 1: how could she kiss you if she was upstairs and

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Speaker 1: you were done? Well, I think I can climb up.

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Speaker 1: And they was younger, thank you, she could have climbed down.

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Speaker 1: Who year was this, Oh? Your grandfather was twenty eight

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Speaker 1: years older. Yeah, that's crazy right. Yeah, they got married.

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Speaker 1: He was seventeen, she was fifteen. Wow, you throw up?

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Speaker 1: I have a water iron? Yeah what are you saying?

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Speaker 1: And cass a fire? What are you saying? Do you

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Speaker 1: remember I was seeing the ranch of Grandi? That's oh

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Speaker 1: yeah yeah ye to Grande? You wanted in English? Word?

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Speaker 1: Was he meaning to be this funny? He's just naturally

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Speaker 1: off the cuff, right yeah, because he is playing it

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Speaker 1: so deadpan? What would you call that? But you're just there,

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Speaker 1: rancho Grandi? I mean all that English or Spanish? Well,

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Speaker 1: I think i'd call it the English. I are you

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Speaker 1: doing in English? And in English? Or weather in the

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Speaker 1: big range? I have a beautiful no wonder you got

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Speaker 1: the water? And I danced too? You do what you

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Speaker 1: could you do a little dance for when check this out?

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Speaker 1: What kind of dances do you do? You come over here, Sally, Yeah,

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00:21:05,400 --> 00:21:09,080
Speaker 1: and you go over there? And so you want me

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Speaker 1: to dance? Yeah? What do you want me to dance? Dance?

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00:21:14,560 --> 00:21:17,479
Speaker 1: La bamba, that little mambo and not? Then you know,

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Speaker 1: well do something that you would do very well? Okay

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Speaker 1: with a night dance. I just how's a breakdancing move?

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00:21:32,000 --> 00:21:41,560
Speaker 1: That so became a breakdancing move. Yeah, they added that

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Speaker 1: into the top rocking. When you would top rock, you

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Speaker 1: would add that little stamp with the leg poll. Okay, okay,

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Speaker 1: So so radio between n your predominant form of entertainment

390
00:21:52,480 --> 00:21:55,040
Speaker 1: at home. Right, you can buy for seven dollars all

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00:21:55,080 --> 00:21:58,080
Speaker 1: the way to play five thousand radios back then. So

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Speaker 1: they had a radio version of this, which I also have.

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Speaker 1: And he actually sings a longer version of the song,

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Speaker 1: and he really gets into the Spanish version of it,

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00:22:06,720 --> 00:22:09,560
Speaker 1: and then he's like and he knows he's totally playing it,

396
00:22:09,720 --> 00:22:13,000
Speaker 1: like like he's playing it deadpans what's the matter? Don't

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00:22:13,000 --> 00:22:15,480
Speaker 1: we have a band here? And then and then Croucher

398
00:22:15,560 --> 00:22:17,600
Speaker 1: laughs like ha ha. He goes hit it boys, and

399
00:22:17,600 --> 00:22:19,639
Speaker 1: then the band just like don't, don't, don't, and then

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00:22:19,640 --> 00:22:26,000
Speaker 1: he no, he just starts wailing. And that was the

401
00:22:26,119 --> 00:22:29,680
Speaker 1: radio version, but they cut it for television. Groucha went

402
00:22:29,760 --> 00:22:31,960
Speaker 1: over on this show like that there was a time

403
00:22:32,000 --> 00:22:34,040
Speaker 1: limit where they're supposed to stop. He just letting go

404
00:22:34,160 --> 00:22:36,119
Speaker 1: because he was laughing so hard and he didn't care.

405
00:22:36,119 --> 00:22:38,520
Speaker 1: He told MDC just let him go and it was

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Speaker 1: live then, right, Yeah, Yeah, that's the crazy part like

407
00:22:41,840 --> 00:22:44,760
Speaker 1: they weren't. Nobody was a slave to anything back then,

408
00:22:45,080 --> 00:22:47,679
Speaker 1: yet they were all still slaves to it, yes, like

409
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Speaker 1: nobody like they all they all had the ability to

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Speaker 1: do like they were. They were kind of more in

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Speaker 1: control than the studios we're back then. But then the

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Speaker 1: studios would lock him into these crazy fucking deals and stuff,

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Speaker 1: you know for sure, which would happen later, but for

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Speaker 1: this particularly, he was really he almost didn't go to

415
00:23:02,080 --> 00:23:05,960
Speaker 1: this because when Walter o'keith called Groucho to let him

416
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Speaker 1: know that he found this guy that could help him

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00:23:07,760 --> 00:23:09,879
Speaker 1: with his ratings, he was like, okay, cool, we'll can

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Speaker 1: I bring my act? You want me to do my

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00:23:11,119 --> 00:23:13,240
Speaker 1: frying pants, my dancing, my routines? What do you want

420
00:23:13,240 --> 00:23:14,840
Speaker 1: to do? Because no, no no, you' just gonna answer some questions,

421
00:23:14,840 --> 00:23:16,879
Speaker 1: answer questions. I'm badly speak English. You just heard all

422
00:23:16,920 --> 00:23:18,840
Speaker 1: the words I know. And he's like, no, it'll be

423
00:23:18,920 --> 00:23:21,200
Speaker 1: it'll be easy. You can answer questions. So he tells

424
00:23:21,320 --> 00:23:23,199
Speaker 1: my ground because I don't think I'm gonta go. I

425
00:23:23,320 --> 00:23:25,680
Speaker 1: just this is embarrassinging, like I can't bring my act.

426
00:23:25,800 --> 00:23:28,680
Speaker 1: I'm like, I'm handcuffed. I can't be funny. I want

427
00:23:28,720 --> 00:23:31,080
Speaker 1: to look like an ass and everybody knows how good

428
00:23:31,080 --> 00:23:34,080
Speaker 1: of a performer I am. I can't read, you know,

429
00:23:34,119 --> 00:23:36,399
Speaker 1: I can't do these things. So he's like, well, we

430
00:23:36,440 --> 00:23:38,080
Speaker 1: need money, we need this, we need that. Why don't

431
00:23:38,119 --> 00:23:40,000
Speaker 1: you just go? He was like, So he takes his

432
00:23:40,040 --> 00:23:44,560
Speaker 1: plane ticket, he's never flown before. He San Antonio and

433
00:23:44,560 --> 00:23:47,000
Speaker 1: then he so he catches it in for a bus ticket,

434
00:23:47,520 --> 00:23:50,000
Speaker 1: leaves or at he takes the RTD. He lands at

435
00:23:50,000 --> 00:23:53,960
Speaker 1: the at the the RTD in Hollywood, which is in

436
00:23:54,000 --> 00:23:57,560
Speaker 1: the original A Star is Born when that actress comes off,

437
00:23:57,560 --> 00:24:00,720
Speaker 1: that's the same bus station. And then he walks the NBC,

438
00:24:00,840 --> 00:24:02,200
Speaker 1: which used to be on the corner there where that

439
00:24:02,240 --> 00:24:06,119
Speaker 1: bank is on Sunset and Cooina, which is where actually

440
00:24:06,200 --> 00:24:08,280
Speaker 1: he he would have had to have walked past where

441
00:24:08,280 --> 00:24:12,639
Speaker 1: his star is now me and Santa. It's really surreal.

442
00:24:12,680 --> 00:24:15,200
Speaker 1: I told Sam, and we got his star. I was like, Sam,

443
00:24:15,200 --> 00:24:17,560
Speaker 1: my grandpa landed at that bus station, had to walk

444
00:24:17,680 --> 00:24:20,720
Speaker 1: past us to get to that's where NBC used to be,

445
00:24:21,080 --> 00:24:24,520
Speaker 1: and it was just a trippy moment. Uh So when

446
00:24:24,600 --> 00:24:27,600
Speaker 1: when he gets to NBC, the guy at the gates like, oh,

447
00:24:27,640 --> 00:24:30,359
Speaker 1: you're here from the janitorial position. When Grandpa was like,

448
00:24:30,560 --> 00:24:32,280
Speaker 1: oh no, but I can help you. I'm here to

449
00:24:32,280 --> 00:24:35,600
Speaker 1: see Mr. White. Here's the letter. And then he shows

450
00:24:35,640 --> 00:24:37,240
Speaker 1: him the letter goes, oh my god, and he realized

451
00:24:37,280 --> 00:24:39,040
Speaker 1: he's meeting Mr Wait like the bank. But he's like,

452
00:24:39,040 --> 00:24:41,600
Speaker 1: oh yes. Mr Gonzale is like, oh, no, big deal.

453
00:24:42,000 --> 00:24:43,840
Speaker 1: So he goes, He's just going there and go to

454
00:24:43,960 --> 00:24:45,840
Speaker 1: left and da da da da, and he's like so

455
00:24:45,880 --> 00:24:48,679
Speaker 1: he goes. He's completely blown away. He's so he's really

456
00:24:48,720 --> 00:24:54,159
Speaker 1: scared of being looking and being unfunny, untalented. Um the

457
00:24:54,960 --> 00:24:57,920
Speaker 1: uh he's he's going down these hallways and there's people

458
00:24:57,960 --> 00:25:01,720
Speaker 1: rehearsing in different studios, and this one studio is open.

459
00:25:01,800 --> 00:25:04,720
Speaker 1: These two doors are open, and there's these whole people dancing.

460
00:25:04,760 --> 00:25:07,600
Speaker 1: It stops and my grandpa walks and he's, oh, excuse me,

461
00:25:07,880 --> 00:25:09,400
Speaker 1: uh could can I get a little hop? And this

462
00:25:09,560 --> 00:25:11,920
Speaker 1: sweaty woman turns around like, oh wow, look at the

463
00:25:12,160 --> 00:25:13,720
Speaker 1: look at this guy. He must be a big shot

464
00:25:13,760 --> 00:25:16,080
Speaker 1: coming in here. Oh yeah, what's so big? What do

465
00:25:16,160 --> 00:25:18,800
Speaker 1: you need? What's what's the big story here? So I'm

466
00:25:18,800 --> 00:25:22,280
Speaker 1: trying to get to the studio three here because he

467
00:25:22,280 --> 00:25:24,680
Speaker 1: couldn't read, so he shows it to her. He goes.

468
00:25:24,680 --> 00:25:28,040
Speaker 1: Why he goes, it says, and he grabs her. She

469
00:25:28,160 --> 00:25:30,040
Speaker 1: grabs him, and he wore, you know, he's like a

470
00:25:30,560 --> 00:25:34,920
Speaker 1: buck forty wet, you know, and throws him. Uh. And

471
00:25:34,920 --> 00:25:40,400
Speaker 1: that was Judy Garland. And then and then and then

472
00:25:40,440 --> 00:25:43,359
Speaker 1: a year later, a year later, and I can and

473
00:25:43,400 --> 00:25:46,000
Speaker 1: I've got I've got the uh the Western Union letter

474
00:25:46,040 --> 00:25:48,320
Speaker 1: from Jack Warner. I've got about like eight Western Union

475
00:25:48,440 --> 00:25:51,840
Speaker 1: letters from Jack Warner, and it's inviting him to The

476
00:25:52,760 --> 00:25:55,760
Speaker 1: Star Is Born for Judy Garland. And my grandfather and

477
00:25:55,880 --> 00:26:00,159
Speaker 1: Natalie Wood introduced the film at the Pendangious Theater. So

478
00:26:00,440 --> 00:26:03,960
Speaker 1: did your grandfather smashed Natalie Wood too? I would have

479
00:26:04,080 --> 00:26:07,240
Speaker 1: loved he would have never told me who was I?

480
00:26:07,520 --> 00:26:11,679
Speaker 1: What was that? Yeah? I was friends with um what

481
00:26:11,800 --> 00:26:13,760
Speaker 1: was his name? When I moved to Malibu. He I

482
00:26:13,800 --> 00:26:17,680
Speaker 1: became friends with the old guy. He passed away last year. No,

483
00:26:18,040 --> 00:26:20,560
Speaker 1: I looked for not Robert Ford knocked the battery off

484
00:26:20,640 --> 00:26:24,080
Speaker 1: my shoulder. Guy. Oh Conrad, Yeah, Conrad, Robert Conrad. Yeah,

485
00:26:24,119 --> 00:26:26,760
Speaker 1: I love Conrad. I would have lunch with Bobby Conrad

486
00:26:26,880 --> 00:26:31,320
Speaker 1: at this restaurantut there when I lived in Malibu, and uh,

487
00:26:31,400 --> 00:26:36,160
Speaker 1: he was like, yeah, fuck. Natalie would like, what whoa

488
00:26:36,560 --> 00:26:38,800
Speaker 1: you tell me about it? I was like, yeah, I

489
00:26:38,840 --> 00:26:41,600
Speaker 1: got some good pussy back in the day. I was like,

490
00:26:41,720 --> 00:26:44,760
Speaker 1: all right, well he already went up my entire life

491
00:26:44,800 --> 00:26:47,359
Speaker 1: with Natalie would I mean, you know, man? And then

492
00:26:47,400 --> 00:26:49,880
Speaker 1: he was like everybody fucked Natalie Wood. I was like,

493
00:26:49,920 --> 00:26:54,760
Speaker 1: holy ship. My grandpa shared some stories. Yeah, because he

494
00:26:54,800 --> 00:26:58,040
Speaker 1: was a contract player with with Dennis Hopper, Um James

495
00:26:58,080 --> 00:27:05,679
Speaker 1: Dean Nick ADAMSLFF and that was a nickname that he

496
00:27:05,720 --> 00:27:09,320
Speaker 1: carried even though he was from the Little Rascals. Yeah. Um,

497
00:27:10,000 --> 00:27:12,840
Speaker 1: well that was the Little Rascals off. Yeah, huh. Didn't

498
00:27:12,840 --> 00:27:16,000
Speaker 1: he kill himself? No, he got killed over gambling. Dad.

499
00:27:16,080 --> 00:27:18,520
Speaker 1: He like it was like he went to the guy's

500
00:27:18,560 --> 00:27:21,520
Speaker 1: house to either collect or pay or something and the

501
00:27:21,880 --> 00:27:24,840
Speaker 1: guy shot him. Yes, I did hear this story. Yeah,

502
00:27:24,920 --> 00:27:27,960
Speaker 1: but they were all friends. Um. So I heard a

503
00:27:28,000 --> 00:27:30,160
Speaker 1: lot of stories and I was friends with Dennis Hopper

504
00:27:30,200 --> 00:27:33,880
Speaker 1: since that's crazy, right. I got pictures of Grandpa and him,

505
00:27:34,080 --> 00:27:36,120
Speaker 1: and he was friends. He was with the Dean when

506
00:27:36,160 --> 00:27:40,280
Speaker 1: when Dean Um was at the Pure d Angie wedding

507
00:27:40,480 --> 00:27:43,840
Speaker 1: crying gas, morricycon took off and my grandpa was trying

508
00:27:43,880 --> 00:27:46,440
Speaker 1: to console him. All kinds of the stories I grew

509
00:27:46,480 --> 00:27:49,399
Speaker 1: up with. These are like, these are like, you know,

510
00:27:49,440 --> 00:27:50,879
Speaker 1: I have a friend, you know, he would have been

511
00:27:50,880 --> 00:27:54,360
Speaker 1: great on this with us, My buddy, Clay Clay Roberts.

512
00:27:54,359 --> 00:27:58,159
Speaker 1: His dad was Ben Roberts. Um. Ben Roberts wrote all

513
00:27:58,160 --> 00:28:02,680
Speaker 1: the Jimmy Cagney movies, then he created Charlie's Angels Ironside Mannix.

514
00:28:04,760 --> 00:28:08,280
Speaker 1: So my buddy Clay, he you know, he's he's only

515
00:28:08,280 --> 00:28:09,720
Speaker 1: a couple of years old, these same age as. That's

516
00:28:09,760 --> 00:28:13,159
Speaker 1: basically and uh so he always tells me these wild

517
00:28:13,240 --> 00:28:16,840
Speaker 1: stories and I'm like like to hear, like, you know,

518
00:28:16,880 --> 00:28:19,400
Speaker 1: like because you know they're real and nobody's just doing

519
00:28:19,480 --> 00:28:21,920
Speaker 1: it to drop names. They're just these just happened to

520
00:28:21,960 --> 00:28:24,560
Speaker 1: be the fucking names. Later, I'll show you a photo.

521
00:28:24,600 --> 00:28:27,960
Speaker 1: I got a photo of a Dennis Hopper, my grandpa

522
00:28:28,200 --> 00:28:30,959
Speaker 1: and Pat Wayne in a bar and Tijuana when they

523
00:28:30,960 --> 00:28:36,360
Speaker 1: were filming Um Pat Wayne, John Wayne's brother, uh son son, right, Yeah,

524
00:28:36,520 --> 00:28:39,600
Speaker 1: Mike Wayne was the eldest and then Pat Wayne Um

525
00:28:39,720 --> 00:28:41,800
Speaker 1: who at the time was was it loyal to Merrymouth

526
00:28:41,840 --> 00:28:44,360
Speaker 1: study to become a priest but he didn't. Yeah it

527
00:28:44,480 --> 00:28:48,120
Speaker 1: never works out. Yeah yeah, So but Bob Comrad, though

528
00:28:48,240 --> 00:28:51,200
Speaker 1: I did a picture with him back in um I

529
00:28:51,240 --> 00:28:55,640
Speaker 1: did to talking with him, see back in nine. Those

530
00:28:55,680 --> 00:29:00,040
Speaker 1: were the movies that my buddy Clay's dad wrote on

531
00:29:00,120 --> 00:29:02,400
Speaker 1: those films, and he was like he would write those

532
00:29:02,440 --> 00:29:04,240
Speaker 1: and he would be like, what's a good line here?

533
00:29:04,320 --> 00:29:06,400
Speaker 1: You never get away with a kappa, you know, like

534
00:29:06,440 --> 00:29:15,600
Speaker 1: that kind of stuff. Yeah. Yeah. Look, like I've said

535
00:29:15,640 --> 00:29:18,280
Speaker 1: before on the show, I don't know a lot about football,

536
00:29:18,360 --> 00:29:21,240
Speaker 1: but getting my fantasy football fixed from DraftKings makes me

537
00:29:21,280 --> 00:29:23,440
Speaker 1: feel like I know a lot more. So let me

538
00:29:23,440 --> 00:29:26,520
Speaker 1: toss some football lingo at you. We got the team's

539
00:29:26,560 --> 00:29:29,720
Speaker 1: back out on the gridiron and that was just week one.

540
00:29:31,000 --> 00:29:34,680
Speaker 1: But get ready because DraftKings, the official daily fantasy partner

541
00:29:34,720 --> 00:29:37,400
Speaker 1: of the NFL, is putting you in the center of

542
00:29:37,440 --> 00:29:41,040
Speaker 1: the action for week two. New customers can get a

543
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544
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545
00:29:48,320 --> 00:29:52,880
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546
00:29:52,920 --> 00:29:55,760
Speaker 1: your lineup, stay under the salary cap, and see how

547
00:29:55,800 --> 00:29:59,240
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548
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549
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550
00:30:06,640 --> 00:30:11,160
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551
00:30:11,160 --> 00:30:13,280
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552
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553
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554
00:30:21,120 --> 00:30:25,000
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555
00:30:25,040 --> 00:30:29,400
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556
00:30:29,480 --> 00:30:39,320
Speaker 1: restriction supply. See Draft Kings dot com for details. Uh,

557
00:30:39,400 --> 00:30:41,719
Speaker 1: the Caden to the Era is pretty awesome. I love

558
00:30:41,800 --> 00:30:45,120
Speaker 1: that whole lingo. But I did ah so right before

559
00:30:45,160 --> 00:30:47,080
Speaker 1: I wrapped this thing that I was doing with Conrad,

560
00:30:47,400 --> 00:30:49,120
Speaker 1: I got one of the prop master to give me

561
00:30:49,760 --> 00:30:53,280
Speaker 1: a d sized dur cell battery, so I took a picture.

562
00:30:53,320 --> 00:30:55,680
Speaker 1: I must take a pig. It's like, all right, you

563
00:30:55,760 --> 00:30:58,120
Speaker 1: need to use a petite guy. Yeah, it was. I

564
00:30:58,200 --> 00:31:00,440
Speaker 1: put it on his shoulder like that and he never

565
00:31:00,520 --> 00:31:02,400
Speaker 1: knew about it. I've got the pick at home. Oh

566
00:31:02,480 --> 00:31:04,400
Speaker 1: that's awesome. I might have it on my phone. Actually,

567
00:31:04,440 --> 00:31:07,200
Speaker 1: i'll pull it up later. These are these, These are

568
00:31:07,200 --> 00:31:10,040
Speaker 1: the great moments that you get in your life. And

569
00:31:10,080 --> 00:31:11,640
Speaker 1: when I did the research, when I went back to

570
00:31:11,680 --> 00:31:13,840
Speaker 1: look the commercial. It wasn't a Durristall battery. It was

571
00:31:13,840 --> 00:31:17,000
Speaker 1: a different battery. But what was it? What was the battery?

572
00:31:17,000 --> 00:31:23,760
Speaker 1: POULI with the cats? They remember the No, it wasn't everybody.

573
00:31:23,760 --> 00:31:25,320
Speaker 1: I remember the ones with the cats on it. What

574
00:31:25,320 --> 00:31:29,840
Speaker 1: were they called? Was everybody? The cats were dating ourselves?

575
00:31:31,400 --> 00:31:36,560
Speaker 1: There was every ready? Yeah remember those? Yeah did always

576
00:31:37,040 --> 00:31:41,520
Speaker 1: to find Robert Conrad battery commercial pick or or commercially.

577
00:31:41,520 --> 00:31:44,000
Speaker 1: And you see that blooper because I know he was

578
00:31:44,040 --> 00:31:47,760
Speaker 1: kind of difficult with from with crews when he was younger,

579
00:31:48,200 --> 00:31:50,520
Speaker 1: but they threw a pie in his face on one

580
00:31:50,520 --> 00:31:52,840
Speaker 1: of those commercials. I don't know if you ever saw

581
00:31:52,880 --> 00:31:55,160
Speaker 1: that he was still that guy, even when in his

582
00:31:55,280 --> 00:31:58,000
Speaker 1: twilight he was he was still telling me, I'll fight

583
00:31:58,080 --> 00:32:12,560
Speaker 1: you boy. There is like a bobow Alkaline. He looked

584
00:32:12,640 --> 00:32:14,640
Speaker 1: nothing like that when we were when I know him

585
00:32:15,600 --> 00:32:18,840
Speaker 1: look like a ghost. Eyes were sunken in. It was

586
00:32:18,880 --> 00:32:21,640
Speaker 1: after he had that car accident too, so he wasn't

587
00:32:21,720 --> 00:32:25,800
Speaker 1: walking properly. And he came to my house one time

588
00:32:25,960 --> 00:32:28,840
Speaker 1: and I don't know if we got him drunk or not,

589
00:32:29,840 --> 00:32:31,200
Speaker 1: and then I dropped him home and then he made

590
00:32:31,240 --> 00:32:36,160
Speaker 1: me come and hang out at his house with him. Well, no,

591
00:32:36,240 --> 00:32:37,479
Speaker 1: you know what it is, You don't you feel bad

592
00:32:37,520 --> 00:32:39,680
Speaker 1: because you actually find out that the guys kind of lonely.

593
00:32:40,520 --> 00:32:42,560
Speaker 1: You want to come in and you're like, yeah, I'll

594
00:32:42,560 --> 00:32:44,840
Speaker 1: come in, Bobby, I'll come in, and you you feel

595
00:32:44,880 --> 00:32:47,360
Speaker 1: bad because the house is really nice. And he was like, yeah,

596
00:32:47,640 --> 00:32:50,200
Speaker 1: I just trying to get my wife back and I

597
00:32:50,280 --> 00:32:52,680
Speaker 1: bought this house hoping, you know. And I'm like Jesus,

598
00:32:52,680 --> 00:32:56,800
Speaker 1: this sucks, man, because you know, underneath all the ROUGHIX theory,

599
00:32:56,800 --> 00:32:59,120
Speaker 1: he was just a regular sweet guy, which is most

600
00:32:59,200 --> 00:33:02,479
Speaker 1: of the tough guys you ever meet was the sweet

601
00:33:02,480 --> 00:33:05,680
Speaker 1: guys underneath. Yeah, I'm learning that. I'm learning that life

602
00:33:05,760 --> 00:33:07,640
Speaker 1: is a funny thing. When you get older, your your

603
00:33:07,720 --> 00:33:11,560
Speaker 1: values change, your filters change, you grow, you evolved, you know,

604
00:33:11,600 --> 00:33:14,400
Speaker 1: you get more empathetic and your capacity for empathy grows.

605
00:33:14,880 --> 00:33:18,800
Speaker 1: Hopefully for a good person. Yeah, I mean, I mean, see, like,

606
00:33:18,960 --> 00:33:20,640
Speaker 1: let's see when I see guys like you and movies

607
00:33:20,640 --> 00:33:24,160
Speaker 1: because you're so fucking good at it, Um, I always

608
00:33:24,160 --> 00:33:25,560
Speaker 1: will sit there and I go, could I have ever

609
00:33:25,600 --> 00:33:28,440
Speaker 1: done that? Role? Though I don't have the fucking I

610
00:33:28,440 --> 00:33:31,240
Speaker 1: don't have the ability to control my face the way

611
00:33:31,280 --> 00:33:33,520
Speaker 1: you do like And what I'm saying is when I

612
00:33:33,560 --> 00:33:37,280
Speaker 1: see you in a role, your entire being is that role.

613
00:33:38,160 --> 00:33:40,520
Speaker 1: So when I see myself doing something, I can always

614
00:33:40,560 --> 00:33:43,800
Speaker 1: see I'm like, I fucking drifted off. I look at

615
00:33:43,800 --> 00:33:46,560
Speaker 1: it and I not even paying attention, you know what

616
00:33:46,560 --> 00:33:48,440
Speaker 1: I mean. I'm like, I'm not I'm not present. It's

617
00:33:48,440 --> 00:33:50,240
Speaker 1: just I could see it. I could see all the

618
00:33:50,240 --> 00:33:52,880
Speaker 1: things I'm doing wrong when I watch myself. Man, when

619
00:33:52,920 --> 00:33:54,959
Speaker 1: it comes to acting, especially like stand up, I know

620
00:33:54,960 --> 00:33:56,240
Speaker 1: how to do like the back of my hand. I

621
00:33:56,280 --> 00:33:58,280
Speaker 1: would love to. Uh. I got a lot of friends

622
00:33:58,280 --> 00:34:00,880
Speaker 1: that call me for coaching. Oh yeah, I mean I

623
00:34:00,920 --> 00:34:03,560
Speaker 1: never have a role good enough to get coached for. Okay,

624
00:34:03,680 --> 00:34:05,040
Speaker 1: you know what I mean. It's like if I had

625
00:34:05,080 --> 00:34:06,360
Speaker 1: a role that would be good enough to get coach

626
00:34:06,400 --> 00:34:07,880
Speaker 1: or would be like Clifton, can you help me with this?

627
00:34:08,440 --> 00:34:11,560
Speaker 1: You call me? I look, I don't the and and

628
00:34:11,600 --> 00:34:13,520
Speaker 1: some of the youngsters that I mentor like some of

629
00:34:13,520 --> 00:34:15,759
Speaker 1: the people that I worked with were kids are now

630
00:34:15,840 --> 00:34:19,279
Speaker 1: like grown as men. Call me. Um, they know, don't

631
00:34:19,320 --> 00:34:21,279
Speaker 1: call me for a guest spot, yeah, because I don't

632
00:34:21,280 --> 00:34:23,280
Speaker 1: want to spend four hours with you on a guest spot.

633
00:34:23,640 --> 00:34:26,560
Speaker 1: But if you got a role that will move the

634
00:34:26,600 --> 00:34:28,920
Speaker 1: needle on the record, call me. I'll be there for you.

635
00:34:29,200 --> 00:34:31,320
Speaker 1: I don't charge him nothing, and we're gonna grind this

636
00:34:31,400 --> 00:34:37,120
Speaker 1: bitch out because actually, will you? You tell you so much.

637
00:34:37,120 --> 00:34:39,200
Speaker 1: You get past the tricks, you can start with trip.

638
00:34:39,280 --> 00:34:40,600
Speaker 1: You have a lot of time to prep you. You

639
00:34:40,840 --> 00:34:42,799
Speaker 1: you fall back on some of the tricks that don't

640
00:34:42,840 --> 00:34:45,160
Speaker 1: look like tricks, but you get the right proper time

641
00:34:45,200 --> 00:34:47,560
Speaker 1: to prepare, you get in. You get past the tricks,

642
00:34:47,560 --> 00:34:49,319
Speaker 1: and you make this ship real and that's when you

643
00:34:49,680 --> 00:34:51,880
Speaker 1: that's when the phase changes and those things happen. But

644
00:34:51,920 --> 00:34:54,200
Speaker 1: that originally started with me as a as a result

645
00:34:54,239 --> 00:34:58,440
Speaker 1: of not feeling worthy of a role as Clifton, like,

646
00:34:58,600 --> 00:35:00,520
Speaker 1: I'm not right for this role. I'm glad I got

647
00:35:00,520 --> 00:35:02,600
Speaker 1: this digenion, but I can I can bring somebody for

648
00:35:02,640 --> 00:35:04,680
Speaker 1: you that is right, and that would be the character

649
00:35:04,719 --> 00:35:07,759
Speaker 1: I created. So hide behind this mask. I said that

650
00:35:07,800 --> 00:35:10,319
Speaker 1: guy is better for this role than I am. Well,

651
00:35:10,320 --> 00:35:13,080
Speaker 1: that's the thing. That's where I can't get to um

652
00:35:13,120 --> 00:35:15,920
Speaker 1: because you love yourself. Yeah, I don't know what it is.

653
00:35:15,960 --> 00:35:17,360
Speaker 1: I just you know what it is. I trust my

654
00:35:17,400 --> 00:35:21,000
Speaker 1: own self and I don't know. If I trust the commitment,

655
00:35:21,000 --> 00:35:24,640
Speaker 1: I can get to be that interesting and that that

656
00:35:24,800 --> 00:35:28,120
Speaker 1: comes with prep. Yeah. And I also don't prepare well.

657
00:35:28,520 --> 00:35:31,480
Speaker 1: I would love to help you prep. Yeah, I don't

658
00:35:31,520 --> 00:35:35,400
Speaker 1: prepare well. So that's my manager talking. That was a

659
00:35:35,480 --> 00:35:39,759
Speaker 1: voice in the God speaking. He's not lying. I mean,

660
00:35:39,800 --> 00:35:42,280
Speaker 1: I would dispute it if I thought he was wrong,

661
00:35:42,320 --> 00:35:45,000
Speaker 1: but he's definitely not wrong. I would love to help

662
00:35:45,040 --> 00:35:48,080
Speaker 1: you on that because it'll it'll, it'll. I will give

663
00:35:48,120 --> 00:35:49,600
Speaker 1: you a filter that you will carry with you for

664
00:35:49,600 --> 00:35:51,319
Speaker 1: the rest of your life. You won't even you might

665
00:35:51,360 --> 00:35:53,040
Speaker 1: not even have to call unless it's just to hang

666
00:35:53,520 --> 00:35:57,400
Speaker 1: Thank you. You're not married, are you? Thank me? No? Yeah?

667
00:35:57,480 --> 00:36:00,759
Speaker 1: No kids, No, not not yet. I'm chill Comno, it's

668
00:36:00,800 --> 00:36:06,560
Speaker 1: not Academy Award. How many people like you kind of

669
00:36:06,600 --> 00:36:09,040
Speaker 1: look like me? You can. Yeah, they're all going to

670
00:36:09,120 --> 00:36:13,839
Speaker 1: be in mixed races. We spread a nag part Mexican purporter. Yeah, yeah,

671
00:36:13,840 --> 00:36:16,480
Speaker 1: I got those. I got an equal opportunity. Yeah. My

672
00:36:16,520 --> 00:36:19,840
Speaker 1: son's Mexican and Honduran, and my daughter's Ecuadorian and Honduran.

673
00:36:20,920 --> 00:36:25,920
Speaker 1: And then my my lady, she's Filipina and her daughters

674
00:36:25,920 --> 00:36:28,319
Speaker 1: are black and Filipino. Okay, so I got I'm kind

675
00:36:28,320 --> 00:36:33,000
Speaker 1: of covering my basis. I have a part Filipino child. No, no,

676
00:36:33,080 --> 00:36:34,840
Speaker 1: we're both too old for that. Now. That's that's the

677
00:36:34,840 --> 00:36:37,680
Speaker 1: good news. And that could go sour, that that goes

678
00:36:37,680 --> 00:36:41,280
Speaker 1: south bad. I mean, you're you're gambling with those two looks.

679
00:36:41,320 --> 00:36:43,520
Speaker 1: I mean, what if they look kind of Filipino but

680
00:36:43,560 --> 00:36:45,760
Speaker 1: they get my nose, you know what I mean. That's awful.

681
00:36:45,880 --> 00:36:49,720
Speaker 1: That's an awful deal for any word. For Dranny, Yeah,

682
00:36:49,960 --> 00:36:52,480
Speaker 1: in the thirties and forties, and he was he had

683
00:36:52,480 --> 00:36:59,240
Speaker 1: a fat nose, noted Julie nos did. Grandpa was fond

684
00:36:59,400 --> 00:37:01,080
Speaker 1: of as you know, there's a it could be a

685
00:37:01,080 --> 00:37:05,360
Speaker 1: lot of uh professional jealousy with these comedians. And that

686
00:37:05,480 --> 00:37:08,200
Speaker 1: was one of the warnings that Grandpa always would tell

687
00:37:08,239 --> 00:37:10,680
Speaker 1: me because he had Groucho was one of the few

688
00:37:10,760 --> 00:37:13,480
Speaker 1: that really pushed him to be great, as did Dranny.

689
00:37:14,360 --> 00:37:17,680
Speaker 1: Let me tell you, I fucking love Groucho, Like I

690
00:37:17,719 --> 00:37:21,440
Speaker 1: watched those movies just for Groucho scenes. I didn't like

691
00:37:21,560 --> 00:37:26,439
Speaker 1: Harpo and I didn't like um Chico. Chico just wanted

692
00:37:26,400 --> 00:37:29,640
Speaker 1: to be a piano bar bar player. That's he aspired

693
00:37:30,000 --> 00:37:32,279
Speaker 1: harpo was the quiet one, right, he was the quiet one,

694
00:37:32,280 --> 00:37:34,200
Speaker 1: and he took up the harp because he just wanted

695
00:37:34,239 --> 00:37:37,040
Speaker 1: to have something to do. Yeah, they don't always have

696
00:37:37,080 --> 00:37:40,120
Speaker 1: the horn. Yeah, he came up with that stuff because

697
00:37:40,239 --> 00:37:42,560
Speaker 1: they you know, when they would come up in vaudeville,

698
00:37:42,920 --> 00:37:45,600
Speaker 1: they would get fired from every show they got hired.

699
00:37:45,600 --> 00:37:48,000
Speaker 1: So the mom as the manager, had to rename the

700
00:37:48,040 --> 00:37:50,520
Speaker 1: group every time. Oh, here's the new group I have.

701
00:37:50,600 --> 00:37:53,000
Speaker 1: And it was the same brothers. And then one of

702
00:37:53,000 --> 00:37:56,800
Speaker 1: their uncles was like, who's kind of a semi successful playwright? Marks?

703
00:37:56,800 --> 00:38:02,040
Speaker 1: Their real last name? Um? No, what's Oh he's got

704
00:38:02,080 --> 00:38:03,880
Speaker 1: a cool last name. He's got a cool first name.

705
00:38:04,520 --> 00:38:07,520
Speaker 1: Mark's real name Eddie to blanking right now. It's a

706
00:38:07,640 --> 00:38:12,640
Speaker 1: really dope name. Julius Henry Marks. Mark was last name.

707
00:38:12,800 --> 00:38:16,279
Speaker 1: Julius and his parents were immigrants, and his parents married

708
00:38:16,280 --> 00:38:19,480
Speaker 1: when they were young. What was his friends? I think

709
00:38:19,640 --> 00:38:22,000
Speaker 1: I think his mom came when she was fourteen, she

710
00:38:22,120 --> 00:38:26,600
Speaker 1: came over to Uh was he Jewish? Um? I can't

711
00:38:26,640 --> 00:38:38,040
Speaker 1: remember because Julius henryson sixteen and pops. Well, yeah, see

712
00:38:38,400 --> 00:38:40,880
Speaker 1: that Dick Cavitt interview I just happened to watch recently

713
00:38:41,640 --> 00:38:44,359
Speaker 1: on YouTube. That's is that the one one? He's that's

714
00:38:44,360 --> 00:38:47,640
Speaker 1: the world. He says, it's not funny, um it it? Yeah,

715
00:38:47,760 --> 00:38:49,719
Speaker 1: I think that is the one because Dick Cavitts got

716
00:38:49,760 --> 00:38:51,399
Speaker 1: some good ones. I got. I watched, so I watched

717
00:38:51,440 --> 00:38:54,480
Speaker 1: Carson and I watched Dick Cavin and those are my favorite.

718
00:38:54,800 --> 00:38:58,600
Speaker 1: Jimmy Hendrix, Jannis Joplin, Cavit was. I didn't even know

719
00:38:58,600 --> 00:39:01,840
Speaker 1: how Cavin just cut in with everybody like that because

720
00:39:01,840 --> 00:39:04,680
Speaker 1: he was trying any he was, wasn't he He was

721
00:39:04,760 --> 00:39:07,279
Speaker 1: no letterman, no, but he and he would try to

722
00:39:07,320 --> 00:39:10,359
Speaker 1: be funny, funnier than the guests. You're like, don't let

723
00:39:10,440 --> 00:39:12,720
Speaker 1: them do their thing. And she would always fall flat

724
00:39:12,719 --> 00:39:17,760
Speaker 1: in his face, you know, and it's sometimes slightly condescending.

725
00:39:17,920 --> 00:39:23,560
Speaker 1: Just why I heard him and Eddie Murphy became really

726
00:39:23,600 --> 00:39:29,000
Speaker 1: good friends. Really, yeah, Eddie Murphy. Yeah, Dick Cabots still alife.

727
00:39:29,000 --> 00:39:34,239
Speaker 1: How old you know? D five four? It's not too bad,

728
00:39:34,600 --> 00:39:37,399
Speaker 1: It's not that bad. He looked young for his age

729
00:39:37,440 --> 00:39:40,440
Speaker 1: even back then. How old was he back then? I

730
00:39:40,440 --> 00:39:42,359
Speaker 1: mean he was around in the eighties too. I mean

731
00:39:42,600 --> 00:39:45,239
Speaker 1: it must have been, as he said, it couldn't have

732
00:39:45,280 --> 00:39:47,160
Speaker 1: been that old. You're right he was young. Then, Yeah,

733
00:39:47,200 --> 00:39:49,319
Speaker 1: I love watching them old shows and lately I've been

734
00:39:49,360 --> 00:39:53,120
Speaker 1: doing that. I mean, starting with Guillermo's Nightmare. Ally to

735
00:39:53,200 --> 00:39:55,600
Speaker 1: do the research, I got into the new Our films, right,

736
00:39:55,840 --> 00:39:58,480
Speaker 1: so that was fun, and then getting into writing Grandpa's story.

737
00:39:58,840 --> 00:40:02,200
Speaker 1: It just helped to uh around the world. But you know,

738
00:40:02,239 --> 00:40:04,640
Speaker 1: as you noticed in the ground show show, when he

739
00:40:04,680 --> 00:40:06,560
Speaker 1: says what kind of look did you give her? He

740
00:40:06,640 --> 00:40:10,680
Speaker 1: asks permission? Can I look at her? Yeah? Yeah, Jim Crow,

741
00:40:10,920 --> 00:40:13,920
Speaker 1: the Jim Crow. YEA Grandpa and grandma went through the

742
00:40:14,000 --> 00:40:16,480
Speaker 1: stuff that I've learned, the dark stuff from Lynchens to

743
00:40:16,680 --> 00:40:19,200
Speaker 1: my grandpa AMA's got lynched. Yeah, no, I mean it's

744
00:40:19,280 --> 00:40:22,120
Speaker 1: very similar to what happened to Indian people. My parents

745
00:40:22,160 --> 00:40:24,640
Speaker 1: are from India. But when I was in South Africa

746
00:40:24,719 --> 00:40:27,520
Speaker 1: doing shows and I was spending a lot of time there,

747
00:40:27,960 --> 00:40:31,000
Speaker 1: at one point it was there wait for that helicopter

748
00:40:31,040 --> 00:40:33,279
Speaker 1: to go by the planning whateveryone was Harrison Ford taking

749
00:40:33,280 --> 00:40:36,480
Speaker 1: his ship out again. Um, it was an older Indian man.

750
00:40:36,520 --> 00:40:38,000
Speaker 1: Because there's a lot of Indians in South Africa. They

751
00:40:38,000 --> 00:40:42,000
Speaker 1: were brought through his indentured labor. And uh, he was

752
00:40:42,040 --> 00:40:44,839
Speaker 1: telling me that during apartheid he got the ship beat

753
00:40:44,880 --> 00:40:47,160
Speaker 1: out of him by the police because he used to

754
00:40:47,160 --> 00:40:51,000
Speaker 1: sell ice cream on the beach, and uh, they would

755
00:40:51,040 --> 00:40:52,960
Speaker 1: call him Coolie. They like, Coolie man, come here and

756
00:40:53,000 --> 00:40:55,480
Speaker 1: bring the ice cream. The white people would call him coolie.

757
00:40:55,520 --> 00:40:58,239
Speaker 1: Is just like saying, Mexican a beaner, come here, I

758
00:40:58,239 --> 00:40:59,880
Speaker 1: want to talk to you. And so it's basically in

759
00:41:00,080 --> 00:41:02,920
Speaker 1: they're being very derogatory to you. So he's like, he

760
00:41:02,960 --> 00:41:06,640
Speaker 1: warn't you weren't allowed to look at white women. So

761
00:41:06,719 --> 00:41:10,360
Speaker 1: he would keep his sunglasses on so that they couldn't

762
00:41:10,360 --> 00:41:13,839
Speaker 1: see his eyes, and uh, they'd be like, yes, ma'am,

763
00:41:14,120 --> 00:41:16,200
Speaker 1: and she was like, give me blah blah blah, and

764
00:41:16,239 --> 00:41:19,839
Speaker 1: he would reach in and hand it down to them

765
00:41:19,960 --> 00:41:23,520
Speaker 1: and said this. One lady handed him the money and

766
00:41:23,680 --> 00:41:27,080
Speaker 1: he dropped it and so he looked down to see

767
00:41:27,080 --> 00:41:29,520
Speaker 1: where it fell, and she's like, are you looking at me?

768
00:41:30,120 --> 00:41:32,040
Speaker 1: And she called the cops, and the cops beat him

769
00:41:32,160 --> 00:41:34,279
Speaker 1: within an inch of his life. He said, he said,

770
00:41:34,320 --> 00:41:36,520
Speaker 1: it was really fucking bad back then. So I fully

771
00:41:36,600 --> 00:41:39,399
Speaker 1: understand that whole Jim Crow era stuff. And so when yeah,

772
00:41:39,440 --> 00:41:41,560
Speaker 1: when you say your grandfather asked, I get it, it

773
00:41:41,600 --> 00:41:44,160
Speaker 1: makes complete sense to me. Yeah, it's a. It's a

774
00:41:44,800 --> 00:41:48,000
Speaker 1: I think people forget what the tone was because there's

775
00:41:48,040 --> 00:41:51,040
Speaker 1: a lot of things that were at that time socially

776
00:41:51,160 --> 00:41:54,200
Speaker 1: accepted and not considered racist because it was just the time.

777
00:41:54,480 --> 00:41:56,879
Speaker 1: But today, if you were to actually know what people

778
00:41:56,880 --> 00:41:59,360
Speaker 1: were actually saying to me, you'd be like, oh my god,

779
00:42:00,160 --> 00:42:03,520
Speaker 1: it's so racist and insensitive. Oh yeah, I mean, you know,

780
00:42:03,520 --> 00:42:05,920
Speaker 1: there's there's we've gone too far the other way. Now,

781
00:42:06,960 --> 00:42:09,840
Speaker 1: we've gone too far the other way where now everything

782
00:42:09,920 --> 00:42:12,279
Speaker 1: is racist and I'm talking about it in my act

783
00:42:12,320 --> 00:42:15,840
Speaker 1: because I'm like, you know, you can't negate color and

784
00:42:16,040 --> 00:42:19,920
Speaker 1: size and gender when you're describing something. Otherwise you're you're

785
00:42:19,960 --> 00:42:21,640
Speaker 1: not going to get the colors to the picture I'm

786
00:42:21,640 --> 00:42:24,359
Speaker 1: painting right now. You know, I'm gonna be like I

787
00:42:24,360 --> 00:42:26,680
Speaker 1: I say, I'm like, if I tell you, here's my

788
00:42:26,760 --> 00:42:29,840
Speaker 1: impression of a of a really woke person telling a story.

789
00:42:29,880 --> 00:42:31,759
Speaker 1: So I saw a human today and they did this thing.

790
00:42:32,760 --> 00:42:35,400
Speaker 1: Isn't that funny? You're like, no, because I don't know

791
00:42:35,440 --> 00:42:43,040
Speaker 1: what you're talking about. Look, in my line of work,

792
00:42:43,080 --> 00:42:45,680
Speaker 1: paying attention to details makes a big difference. If I'm

793
00:42:45,680 --> 00:42:47,960
Speaker 1: gonna roast somebody in the crowd, I really have to

794
00:42:47,960 --> 00:42:50,239
Speaker 1: pay attention to the way they look, the expression on

795
00:42:50,280 --> 00:42:53,400
Speaker 1: their face, who they're with. All that stuff. It seems

796
00:42:53,440 --> 00:42:57,080
Speaker 1: like little stuff, but it really does add up because

797
00:42:57,800 --> 00:43:03,080
Speaker 1: specificity and details matter to me. Details are what separate

798
00:43:03,160 --> 00:43:06,360
Speaker 1: good from great. That's why I'm a big fan of

799
00:43:06,360 --> 00:43:09,520
Speaker 1: Bowling Branch sheets. Bowling Branch was started by a husband

800
00:43:09,520 --> 00:43:12,800
Speaker 1: and wife team who wanted to create a textile company

801
00:43:12,840 --> 00:43:15,840
Speaker 1: that cared about the details that would make their products last.

802
00:43:16,480 --> 00:43:19,319
Speaker 1: And seriously, you will feel the difference in their best

803
00:43:19,320 --> 00:43:22,719
Speaker 1: selling beautifully crafted signature sheets. Let me tell you something,

804
00:43:22,719 --> 00:43:25,560
Speaker 1: these sheets are a class act. I love staying in

805
00:43:25,600 --> 00:43:29,040
Speaker 1: Prima hotels, and now that I have Bowling Branch sheets,

806
00:43:29,040 --> 00:43:32,000
Speaker 1: I feel like my bed is now five star hotel

807
00:43:32,080 --> 00:43:36,520
Speaker 1: quality at all times, which really this should feel better

808
00:43:36,560 --> 00:43:39,759
Speaker 1: than that. Plus, they just seem to get softer and

809
00:43:39,800 --> 00:43:42,760
Speaker 1: softer as time goes on, even after they've been washed

810
00:43:42,760 --> 00:43:45,279
Speaker 1: a bunch of times. And for somebody who sleeps hot

811
00:43:45,360 --> 00:43:48,560
Speaker 1: like me, the breathable lightness of Bowling Branch sheets makes

812
00:43:48,600 --> 00:43:51,960
Speaker 1: a world of difference. Trust me, these sheets are a must.

813
00:43:52,480 --> 00:43:56,080
Speaker 1: To experience an entirely new standard of comfort. Visit Bowling

814
00:43:56,160 --> 00:43:59,680
Speaker 1: Branch dot com get off your first set of sheets

815
00:43:59,680 --> 00:44:03,640
Speaker 1: with Almo code Peters. That's b O L L and

816
00:44:03,800 --> 00:44:14,200
Speaker 1: Branch dot com promo code Peters. I think if there wasn't,

817
00:44:14,360 --> 00:44:17,320
Speaker 1: if there wasn't, that's Kango Kid. By the way, remember

818
00:44:17,360 --> 00:44:24,359
Speaker 1: U t Fo Roxanne Roxon? Oh yeah, yeah, that's that's

819
00:44:24,400 --> 00:44:27,880
Speaker 1: that's a that's our that's our that's our generation, that's

820
00:44:27,920 --> 00:44:31,399
Speaker 1: our soundtrack. Hi baby, how are you? Can? I arg you?

821
00:44:32,680 --> 00:44:37,799
Speaker 1: Happy birthday, Happy birthday, Happy birthday, chater Bertha. What you're not?

822
00:44:42,000 --> 00:44:45,360
Speaker 1: You're not You're turning into not because your sister Daisy's pregnant,

823
00:44:48,560 --> 00:44:52,080
Speaker 1: turning into kangle heads Clifton going to meet your brother.

824
00:44:52,280 --> 00:44:55,880
Speaker 1: You know is you've you've never watched a movie in

825
00:44:55,880 --> 00:45:00,520
Speaker 1: your life, you know exactly. It was a you see,

826
00:45:01,000 --> 00:45:03,880
Speaker 1: oh my god, Yes, every movie you're gonna be like,

827
00:45:03,920 --> 00:45:05,200
Speaker 1: oh my god. I can't believe I was siting with

828
00:45:05,280 --> 00:45:08,800
Speaker 1: that guy. Yeah, I mean, I mean, if you remember

829
00:45:08,800 --> 00:45:13,440
Speaker 1: the titles to the gay Porn I mean, yeah, the

830
00:45:14,440 --> 00:45:17,600
Speaker 1: hustling days when you when you make money, we gotta

831
00:45:17,640 --> 00:45:22,359
Speaker 1: make money, make money. You gotta you know, you want

832
00:45:22,360 --> 00:45:25,360
Speaker 1: to act, so you gotta take whatever work. He went alone,

833
00:45:25,360 --> 00:45:27,480
Speaker 1: fell into that trapped me. Yes he did. He did

834
00:45:27,880 --> 00:45:30,160
Speaker 1: I think that's why I do so many indies. But

835
00:45:30,680 --> 00:45:33,200
Speaker 1: at least with the indies, you get that a creative fulfillment.

836
00:45:33,960 --> 00:45:38,160
Speaker 1: You got to do both Boondocks both both Part two.

837
00:45:38,280 --> 00:45:42,239
Speaker 1: I did um one. I was not I was. I

838
00:45:42,280 --> 00:45:44,359
Speaker 1: was around for Part one. I was friends with Troy

839
00:45:44,440 --> 00:45:47,760
Speaker 1: from the beginning. Because you're listed on IMDb as Boondock

840
00:45:47,800 --> 00:45:51,520
Speaker 1: Saints one, really that's really interesting. Yeah, No, I wasn't it.

841
00:45:51,600 --> 00:45:54,359
Speaker 1: I was home when they took off. I remember uh

842
00:45:54,480 --> 00:45:56,200
Speaker 1: doing a send off. We had a big party at

843
00:45:56,200 --> 00:45:58,160
Speaker 1: my house. They got ship cloud that was you know,

844
00:45:58,160 --> 00:46:01,799
Speaker 1: when you're younger, you can drink. It's funny because I'm

845
00:46:01,840 --> 00:46:03,640
Speaker 1: literally I'm like, I try to have a drink and

846
00:46:03,719 --> 00:46:07,240
Speaker 1: I'm like, I don't like it anymore. Same. I've literally

847
00:46:07,280 --> 00:46:08,920
Speaker 1: I'm like, I want to have a drink. I'm like,

848
00:46:09,200 --> 00:46:11,120
Speaker 1: tonight seems like the right night to have a drink.

849
00:46:11,160 --> 00:46:14,560
Speaker 1: And I'm like, I haven't I go na my bar

850
00:46:14,640 --> 00:46:18,360
Speaker 1: stays full. It's just fall. Somebody wants to go ahead,

851
00:46:18,440 --> 00:46:21,680
Speaker 1: drink whatever you want. I don't even care. Some special bottles,

852
00:46:21,719 --> 00:46:24,960
Speaker 1: some old bottles, and I'm not gonna tasted. I'll taste it,

853
00:46:25,000 --> 00:46:28,359
Speaker 1: but I'm like, I'm afraid of my reflux. Acting number one,

854
00:46:29,080 --> 00:46:31,200
Speaker 1: then number two, I'm afraid it's I'm gonna need a

855
00:46:31,200 --> 00:46:33,879
Speaker 1: lot of it to get me buzzed. I don't think

856
00:46:33,880 --> 00:46:35,680
Speaker 1: he would, No, I would. I would need a lot

857
00:46:35,800 --> 00:46:37,759
Speaker 1: to get me buzzed. And then and then I'm not

858
00:46:37,800 --> 00:46:39,640
Speaker 1: sure if I'm if I'm buzzed or if I'm just

859
00:46:39,680 --> 00:46:42,160
Speaker 1: feeling sick from it or dizzy, you know what I mean. Wow,

860
00:46:42,280 --> 00:46:44,160
Speaker 1: I got really, I got smart early. I would do

861
00:46:44,200 --> 00:46:46,719
Speaker 1: one drinking and one water. I started that when I

862
00:46:46,719 --> 00:46:49,600
Speaker 1: was young. That was an alcoholic. So I I've only

863
00:46:49,640 --> 00:46:51,560
Speaker 1: had like, I've had less than ten hangovers in my

864
00:46:51,680 --> 00:46:55,719
Speaker 1: entire life, less than ten. I didn't start drinking till

865
00:46:55,760 --> 00:46:59,000
Speaker 1: I was thirty one. Yeah, I didn't. I was never

866
00:46:59,080 --> 00:47:04,560
Speaker 1: really a big drinker. Yeah, Mexican guy, that's quite well. Actually,

867
00:47:04,640 --> 00:47:07,400
Speaker 1: what my uh my entertainment side of my family, the

868
00:47:07,480 --> 00:47:11,760
Speaker 1: Mexican side, doesn't drink. My grandfather never drank. He rarely drank. Actually,

869
00:47:11,800 --> 00:47:14,480
Speaker 1: my uncle told me, uh not that long ago. The

870
00:47:14,520 --> 00:47:19,919
Speaker 1: only time he saw my grandfather drunk was um when

871
00:47:19,920 --> 00:47:21,840
Speaker 1: he had to pick him up for the airport and

872
00:47:21,880 --> 00:47:24,200
Speaker 1: he was flying back from doing a charity event for

873
00:47:24,280 --> 00:47:27,920
Speaker 1: a cerebral palsy, and um, he found out they graduated

874
00:47:27,960 --> 00:47:31,320
Speaker 1: past and that was like his mentor. So that was

875
00:47:31,360 --> 00:47:33,239
Speaker 1: the only time he saw him drunk. That's actually only

876
00:47:33,280 --> 00:47:35,160
Speaker 1: time I won't drink is when I'm not when I'm upset.

877
00:47:35,960 --> 00:47:37,680
Speaker 1: I will only drink when I'm in a good mood,

878
00:47:38,560 --> 00:47:41,319
Speaker 1: just because it it amplifies whatever mood you're in. I

879
00:47:41,360 --> 00:47:43,680
Speaker 1: did drink once when I was depressed. I was like,

880
00:47:43,719 --> 00:47:46,080
Speaker 1: this is what I see in the movies, and we

881
00:47:46,200 --> 00:47:48,799
Speaker 1: just try it one time, always the wrong move it was.

882
00:47:48,880 --> 00:47:51,920
Speaker 1: It was good to do it once, literally out of

883
00:47:51,920 --> 00:47:54,520
Speaker 1: the way, and I did never did it again because

884
00:47:54,520 --> 00:47:58,239
Speaker 1: it's just like you said, it didn't really work. So

885
00:47:58,320 --> 00:48:04,000
Speaker 1: the indies, I got jockey now all jockeys. Uh. It's uh,

886
00:48:04,280 --> 00:48:09,680
Speaker 1: it's like the wrestler meets Sea Biscuit. And I'm saying

887
00:48:09,680 --> 00:48:13,280
Speaker 1: that mostly for the directing producer, because anytime that some

888
00:48:13,280 --> 00:48:15,120
Speaker 1: some corny stuff would come up, I'd be like, are

889
00:48:15,120 --> 00:48:17,080
Speaker 1: we making see this? Get? Are we making something better?

890
00:48:17,080 --> 00:48:19,240
Speaker 1: I hope it's naturally. I hope it's not natural. Librey

891
00:48:19,280 --> 00:48:25,239
Speaker 1: meets gus So so it's a one best actor at

892
00:48:25,239 --> 00:48:29,440
Speaker 1: Sundance and then um, I'm getting ready to start my

893
00:48:29,640 --> 00:48:33,279
Speaker 1: uh my film festival tour for for Jockey. So I

894
00:48:33,360 --> 00:48:36,000
Speaker 1: was supposed to be in Toronto for Tiff. I'm going,

895
00:48:36,960 --> 00:48:40,200
Speaker 1: is it happening? Oh? You know what? Okay, so it's happening.

896
00:48:40,239 --> 00:48:42,600
Speaker 1: But the movie I was doing they pulled because they

897
00:48:42,600 --> 00:48:45,200
Speaker 1: were like Paramount was like, no, we wanted because of

898
00:48:45,280 --> 00:48:47,160
Speaker 1: COVID blah blah blah, we're gonna release it next year.

899
00:48:47,160 --> 00:48:49,279
Speaker 1: And I'm like, damn it. Oh wow, that would have

900
00:48:49,280 --> 00:48:51,319
Speaker 1: been fun to day out. Yeah. I was excited because

901
00:48:51,360 --> 00:48:53,319
Speaker 1: I was like, I'm sure it'll be toned down quite

902
00:48:53,360 --> 00:48:57,080
Speaker 1: a bit. You there, there we go that you yeah? Really, yeah,

903
00:48:57,239 --> 00:48:58,920
Speaker 1: that looks well. And see that's what I mean. You

904
00:48:59,000 --> 00:49:02,120
Speaker 1: can literally transform into somebody who looks nothing like you.

905
00:49:02,280 --> 00:49:04,040
Speaker 1: This one's gonna but this wasn't gonna trip you out

906
00:49:04,680 --> 00:49:07,440
Speaker 1: this one. I I spent all my days with the jockeys,

907
00:49:07,719 --> 00:49:10,160
Speaker 1: Like I literally, are you too tall to be a jockey? Ten?

908
00:49:10,480 --> 00:49:13,200
Speaker 1: Did you wait? Easy to movie? But when you when

909
00:49:13,200 --> 00:49:16,440
Speaker 1: you know a force perspective of those kind of things. Um,

910
00:49:16,840 --> 00:49:18,720
Speaker 1: And it was cool to be shot on a live track,

911
00:49:19,520 --> 00:49:21,480
Speaker 1: and I was always in my jockey uniform, so I

912
00:49:22,200 --> 00:49:25,279
Speaker 1: wanted I wanted the jockeys to kinda forget that I

913
00:49:25,320 --> 00:49:28,839
Speaker 1: was an actor. So after three or four days, um,

914
00:49:28,840 --> 00:49:31,560
Speaker 1: because there was a couple that that slowly started to realize.

915
00:49:31,560 --> 00:49:34,120
Speaker 1: Because we had wed with a crew of ten. We

916
00:49:34,160 --> 00:49:35,680
Speaker 1: had we didn't have a first d D, we had

917
00:49:35,680 --> 00:49:37,799
Speaker 1: no trailers, we didn't have a script E, we didn't

918
00:49:37,840 --> 00:49:41,400
Speaker 1: have we had a crew ten, so it was easy

919
00:49:41,480 --> 00:49:44,400
Speaker 1: for me to maneuver. I like I told the jocks,

920
00:49:44,440 --> 00:49:46,840
Speaker 1: wherever you need to pick up horse, ship, help with

921
00:49:46,880 --> 00:49:50,960
Speaker 1: the horses, hold your reins, do all this stuff. I

922
00:49:51,000 --> 00:49:54,160
Speaker 1: just wanted to be in the world and get soaked

923
00:49:54,200 --> 00:49:57,680
Speaker 1: up into it so I could become that character. I

924
00:49:57,760 --> 00:49:59,840
Speaker 1: have a friend who is not a jockey. He's the

925
00:49:59,840 --> 00:50:03,160
Speaker 1: guy that gets the horses to the gate and gets

926
00:50:03,160 --> 00:50:07,759
Speaker 1: them ready for the jockeys to mount a O and uh.

927
00:50:07,840 --> 00:50:09,680
Speaker 1: And he was telling me about this one guy who

928
00:50:09,960 --> 00:50:11,640
Speaker 1: was first day on the job and he just got

929
00:50:11,680 --> 00:50:13,879
Speaker 1: pulled by the horse because he didn't he didn't open

930
00:50:13,880 --> 00:50:16,560
Speaker 1: the gate right and this horses plowed him. That's the

931
00:50:16,600 --> 00:50:19,600
Speaker 1: most dangerous spot, Yeah, is the gate. I sat in

932
00:50:19,640 --> 00:50:22,200
Speaker 1: the gate. You get you've got some things that you

933
00:50:22,200 --> 00:50:24,000
Speaker 1: can stand on if if you can, if you can

934
00:50:24,040 --> 00:50:27,240
Speaker 1: get off that horse fast enough because it's very different

935
00:50:27,239 --> 00:50:31,520
Speaker 1: than rodeo horses like on on West World the yeah

936
00:50:31,800 --> 00:50:36,439
Speaker 1: season season two and three. Yeah not nineteen seventy three.

937
00:50:36,840 --> 00:50:38,759
Speaker 1: What you Brenner was three years old. I look a

938
00:50:38,800 --> 00:50:42,560
Speaker 1: little different. I was shorter, Yeah, shorter, I was way shorter.

939
00:50:43,160 --> 00:50:46,959
Speaker 1: Um so the so the horses on on West World,

940
00:50:46,960 --> 00:50:50,160
Speaker 1: they're really well trained rodeo horses, so you can they're

941
00:50:50,200 --> 00:50:53,040
Speaker 1: like like driving a horch. These horses are so memorable.

942
00:50:53,080 --> 00:50:54,399
Speaker 1: And they tried to buck me a couple of times,

943
00:50:54,400 --> 00:50:58,640
Speaker 1: but I was good. Those those those those quarter horses, man,

944
00:50:58,719 --> 00:51:01,759
Speaker 1: I mean, you don't you don't you don't you kind

945
00:51:01,760 --> 00:51:03,880
Speaker 1: of hope to nudge them. They're like dragsters that the

946
00:51:03,920 --> 00:51:06,640
Speaker 1: drgsters of the animal world. You kind of just nudge

947
00:51:06,640 --> 00:51:08,279
Speaker 1: them to the left and right. Was rodeo horses, you

948
00:51:08,440 --> 00:51:12,000
Speaker 1: like this backwards like that? Not what? These These boys

949
00:51:12,040 --> 00:51:14,160
Speaker 1: just want to run. They're waiting for that bell at

950
00:51:14,160 --> 00:51:16,040
Speaker 1: that gate doesn't open and that bow goes. All of

951
00:51:16,040 --> 00:51:18,239
Speaker 1: them are crashing to that. You know. They're the Talladega

952
00:51:18,320 --> 00:51:25,240
Speaker 1: Nights horses. Yeah, their fastest sin like yeah, oh yeah,

953
00:51:26,080 --> 00:51:28,239
Speaker 1: I don't like riding horses. I did it once and

954
00:51:28,800 --> 00:51:32,359
Speaker 1: I have balls and they've really got whacked on those things.

955
00:51:32,840 --> 00:51:36,200
Speaker 1: You gotta kind of kind of position them, and you

956
00:51:36,280 --> 00:51:38,640
Speaker 1: gotta know how to lift them. You gotta we also,

957
00:51:38,640 --> 00:51:40,080
Speaker 1: you gotta know how to ride, because when you get

958
00:51:40,080 --> 00:51:41,640
Speaker 1: into that lope and you kind of lift off that

959
00:51:41,680 --> 00:51:44,160
Speaker 1: saddle a little bit and well, these you don't even

960
00:51:44,160 --> 00:51:46,000
Speaker 1: have a set. It's like a little phone. So you

961
00:51:46,000 --> 00:51:49,319
Speaker 1: didn't have a stunt We didn't have no money for

962
00:51:49,360 --> 00:51:52,400
Speaker 1: stunt man. So it was you. Yeah, it's all you.

963
00:51:52,440 --> 00:51:56,120
Speaker 1: It's it's absolutely me. Yeah, that's crazy. You know, there's uh,

964
00:51:56,280 --> 00:51:58,200
Speaker 1: did you get hurt at all? I did not know,

965
00:51:58,320 --> 00:52:02,880
Speaker 1: not once that's impressed. Yeah, emotionally hurt. It's fine, but

966
00:52:02,920 --> 00:52:04,320
Speaker 1: it's a painful movie. So I had to go to

967
00:52:04,440 --> 00:52:08,560
Speaker 1: those things. Your bank account got hurt. They were good too,

968
00:52:08,800 --> 00:52:10,880
Speaker 1: they were good to what we had. You know, we

969
00:52:10,920 --> 00:52:15,520
Speaker 1: shot the movie for like you know, like grand No, yes,

970
00:52:15,880 --> 00:52:19,160
Speaker 1: really yeah, your bank account. Yeah, we we stated like

971
00:52:19,200 --> 00:52:21,800
Speaker 1: the Courtyard Marriott. You know that sounds like me on

972
00:52:21,840 --> 00:52:24,160
Speaker 1: the road right now. I drove myself, but it just

973
00:52:24,160 --> 00:52:26,960
Speaker 1: created fulfillment. Yeah, it's one of the most It's one

974
00:52:26,960 --> 00:52:29,239
Speaker 1: of those things you gotta do it if you really

975
00:52:29,239 --> 00:52:31,279
Speaker 1: want to do this like the project that I really

976
00:52:31,280 --> 00:52:33,880
Speaker 1: love the project. Okay, I'm willing to do whatever it

977
00:52:33,880 --> 00:52:35,880
Speaker 1: takes to make this project happen. I had an agent

978
00:52:36,000 --> 00:52:37,720
Speaker 1: called me, was like, clearly, I got a great script

979
00:52:37,719 --> 00:52:39,840
Speaker 1: for you. You got to read it. Like I'm working

980
00:52:39,880 --> 00:52:41,640
Speaker 1: on an indie where we got no money. Oh we

981
00:52:41,680 --> 00:52:43,560
Speaker 1: got is what we put into our hearts and soul

982
00:52:43,680 --> 00:52:46,160
Speaker 1: in the time that I commit and dedicate. Like I

983
00:52:46,200 --> 00:52:48,200
Speaker 1: can't read a script right now. I told you that

984
00:52:48,280 --> 00:52:50,279
Speaker 1: when I started this. But just please, this is a

985
00:52:50,280 --> 00:52:52,040
Speaker 1: great director and I'm like, I love this person, I

986
00:52:52,040 --> 00:52:55,399
Speaker 1: know her well. As this isn't the time, like you're

987
00:52:55,400 --> 00:52:58,600
Speaker 1: literally stealing from our budget when we do this, said, look,

988
00:52:58,640 --> 00:53:00,719
Speaker 1: do you call me one more time? I'm gonna call

989
00:53:00,760 --> 00:53:03,640
Speaker 1: block you. Sure enough, you called me again, like LIVI

990
00:53:03,840 --> 00:53:06,399
Speaker 1: that are like, okay, go ahead, talk wants to Maybe

991
00:53:06,400 --> 00:53:09,160
Speaker 1: it's some important, maybe somebody huge. I don't know. And

992
00:53:09,239 --> 00:53:11,799
Speaker 1: he does, okay, col your block click hung up on him,

993
00:53:11,960 --> 00:53:15,080
Speaker 1: blocked his ass, blocked the agency. I called my producer.

994
00:53:15,120 --> 00:53:17,600
Speaker 1: I said, hey, you're gonna have a crazed agent calling you.

995
00:53:17,680 --> 00:53:20,120
Speaker 1: I don't don't relay nothing to me. I don't care

996
00:53:20,239 --> 00:53:21,960
Speaker 1: what message it is. And I don't care if my

997
00:53:22,000 --> 00:53:24,560
Speaker 1: house burnt down. If it did, tell me when we wrap,

998
00:53:24,960 --> 00:53:27,680
Speaker 1: because I need the time to stay focused. And so

999
00:53:27,800 --> 00:53:30,840
Speaker 1: those guys are stays right in character the entire time. Well,

1000
00:53:31,000 --> 00:53:33,680
Speaker 1: I was living and hanging with the jockeys a bunch,

1001
00:53:33,680 --> 00:53:35,359
Speaker 1: so it was easier. And I only spoke to three

1002
00:53:35,400 --> 00:53:38,040
Speaker 1: people while I was there. And all my homies know

1003
00:53:38,040 --> 00:53:41,040
Speaker 1: when I'm going deep deep. They know it's like being

1004
00:53:41,040 --> 00:53:43,839
Speaker 1: on an undercover cop almost. Yeah, and a lot of ways.

1005
00:53:43,840 --> 00:53:47,040
Speaker 1: I spoke to my my grandmother, sam Jackson, and Slash.

1006
00:53:47,719 --> 00:53:49,600
Speaker 1: Those are the three people, and that was Those are

1007
00:53:49,600 --> 00:53:53,240
Speaker 1: pretty good names to have the people you're talking to. Yeah, yeah,

1008
00:53:53,440 --> 00:53:56,279
Speaker 1: it was. Samuel's very much a mentor, and I've got

1009
00:53:56,320 --> 00:53:58,440
Speaker 1: a mentor that I've never met, Samuel Jackson. Obviously, I

1010
00:53:58,480 --> 00:54:02,920
Speaker 1: love Samuel Jackson. I never met Alita, Um, but she's

1011
00:54:03,000 --> 00:54:04,759
Speaker 1: you know, I would love to meet Alita. A lot

1012
00:54:04,760 --> 00:54:08,360
Speaker 1: of people. Knew a lot of people. Yeah, and uh

1013
00:54:08,400 --> 00:54:11,080
Speaker 1: and Slash I met once and it was really cool

1014
00:54:11,960 --> 00:54:14,680
Speaker 1: because you know, I'm you know, it's sucking Slash. And

1015
00:54:15,040 --> 00:54:17,839
Speaker 1: we were doing George Lopez Show together and I think

1016
00:54:17,880 --> 00:54:22,440
Speaker 1: I was promoting my new special, his solo album. This

1017
00:54:22,520 --> 00:54:25,239
Speaker 1: was like a ten years ago, ten of eleven years.

1018
00:54:25,560 --> 00:54:28,839
Speaker 1: He was probably promoting his solo album Kennedy. Yeah, so

1019
00:54:28,880 --> 00:54:30,239
Speaker 1: I was. I was in the grain room and he

1020
00:54:30,239 --> 00:54:32,520
Speaker 1: was in the green room and go, oh hey, Slash,

1021
00:54:32,719 --> 00:54:34,560
Speaker 1: my name's Russell Peters. I'm a comedian. I'm on the

1022
00:54:34,600 --> 00:54:36,359
Speaker 1: show with you to night. He goes, I guess, yeah, man,

1023
00:54:36,400 --> 00:54:38,840
Speaker 1: I know who you are, And I go, you do,

1024
00:54:39,239 --> 00:54:41,759
Speaker 1: because yeah, we were just watching you on on the

1025
00:54:41,800 --> 00:54:45,640
Speaker 1: tour bus and Europe. Really funny, you know. He's just

1026
00:54:45,640 --> 00:54:47,960
Speaker 1: really like a matter of fact about it. And I'm like,

1027
00:54:49,200 --> 00:54:53,680
Speaker 1: you were you do? I go, I got my new DVD.

1028
00:54:53,760 --> 00:54:56,279
Speaker 1: Do you want it? Yeah? Man, sure, I came with

1029
00:54:56,360 --> 00:55:01,799
Speaker 1: David Eagles. Thanks man, I'm like Slash those I am.

1030
00:55:01,920 --> 00:55:04,640
Speaker 1: But what wasn't that? Wasn't that when also when Justin

1031
00:55:04,680 --> 00:55:09,239
Speaker 1: Bieber was on it, it was me Slash Sheila E.

1032
00:55:10,680 --> 00:55:12,480
Speaker 1: And I was d jaying with the band that night

1033
00:55:13,560 --> 00:55:15,440
Speaker 1: it was Paul Stanley. Paul Stanley wasn't on that one.

1034
00:55:15,480 --> 00:55:20,840
Speaker 1: Paul Stanley was a different one. Yeah, but this was

1035
00:55:20,880 --> 00:55:23,839
Speaker 1: the This day was me Slash Sheila E. And we

1036
00:55:23,840 --> 00:55:26,520
Speaker 1: were playing with the band. So Sheila's playing um percussion

1037
00:55:26,520 --> 00:55:28,920
Speaker 1: and Slash playing guitar, and I was cutting and scratching

1038
00:55:28,920 --> 00:55:34,279
Speaker 1: because I've been djaying since Yeah, I started DJing. That's

1039
00:55:34,280 --> 00:55:38,839
Speaker 1: why I'm friends with all these rappity man. I missed

1040
00:55:38,840 --> 00:55:43,600
Speaker 1: those days real records. Yeah, I mean I still go

1041
00:55:43,680 --> 00:55:46,399
Speaker 1: digital now. It's because it's easier. But you're still doing

1042
00:55:46,440 --> 00:55:49,520
Speaker 1: the exact same work. You're not. There's no faking, and

1043
00:55:49,520 --> 00:55:51,239
Speaker 1: you still have to know what you're doing. You still

1044
00:55:51,280 --> 00:55:53,840
Speaker 1: have to not to scratch, but it's not going to

1045
00:55:53,920 --> 00:55:58,800
Speaker 1: scratch for you, right, But yeah, you're not physically digging anyway.

1046
00:55:58,920 --> 00:56:01,279
Speaker 1: You're still digging, just not a physical dig, but also

1047
00:56:01,360 --> 00:56:03,360
Speaker 1: dropping the needle on the right part of the record

1048
00:56:03,400 --> 00:56:04,759
Speaker 1: to you don't forget. You don't do that with the

1049
00:56:04,800 --> 00:56:07,880
Speaker 1: c D. Well, no, it's it's still vinyl. But you

1050
00:56:07,920 --> 00:56:10,400
Speaker 1: have que points now so you can mark it like

1051
00:56:10,440 --> 00:56:12,920
Speaker 1: it'll be like you know you want you want to

1052
00:56:12,920 --> 00:56:15,520
Speaker 1: get Like say, if I play a Utfo playing rock

1053
00:56:15,520 --> 00:56:17,839
Speaker 1: San Roxan and I just want to get to his verse,

1054
00:56:18,440 --> 00:56:20,319
Speaker 1: I would have to queue it myself, but I would

1055
00:56:20,320 --> 00:56:21,960
Speaker 1: listen to it and then put a que point right there,

1056
00:56:22,080 --> 00:56:23,640
Speaker 1: and then I hit a trigger and it'll hit right

1057
00:56:23,680 --> 00:56:26,200
Speaker 1: at that point, so I could be like, ba, you know,

1058
00:56:26,360 --> 00:56:29,000
Speaker 1: just great to converse or whatever it is, the techniques

1059
00:56:29,080 --> 00:56:32,239
Speaker 1: and the new mark. No, no, no, no, Well I

1060
00:56:32,320 --> 00:56:35,080
Speaker 1: was on twelve on the turntables right up until a

1061
00:56:35,120 --> 00:56:38,959
Speaker 1: few months ago. Uh. And I got these new turntables

1062
00:56:39,000 --> 00:56:42,880
Speaker 1: that are needless, but there's still a vinyl record on it,

1063
00:56:42,920 --> 00:56:46,040
Speaker 1: and it plays exactly the same as a turntable, all

1064
00:56:46,040 --> 00:56:48,200
Speaker 1: the same things. You have to do it, just you

1065
00:56:48,239 --> 00:56:49,960
Speaker 1: don't have to worry about your needle running out on you.

1066
00:56:50,080 --> 00:56:54,200
Speaker 1: Does it? Does it? Does it play? You can hit

1067
00:56:54,239 --> 00:56:56,800
Speaker 1: seventy eight, you'll hit thirty three and forty five together.

1068
00:56:57,160 --> 00:56:59,399
Speaker 1: I wonder how seventy eight sounds on it. It sounds

1069
00:56:59,440 --> 00:57:02,640
Speaker 1: like you're playing some thing at seventy eight. Well, well,

1070
00:57:02,719 --> 00:57:05,560
Speaker 1: no real seventy eight record though, Oh no, you can't

1071
00:57:05,560 --> 00:57:08,520
Speaker 1: actually put a record on these, gotcha. Yeah, because there's

1072
00:57:08,520 --> 00:57:10,759
Speaker 1: no needle. Okay, I was gonna sales, but I still

1073
00:57:10,800 --> 00:57:14,319
Speaker 1: have my turn tables just in case. Okay, I thought

1074
00:57:14,760 --> 00:57:17,800
Speaker 1: I got one of my old grandpa's seventy eight. I

1075
00:57:17,800 --> 00:57:20,280
Speaker 1: think he was twenty two. Yeah, those are big, heavy,

1076
00:57:20,320 --> 00:57:24,040
Speaker 1: thick records. Yeah, they break because they're not they're they're

1077
00:57:24,120 --> 00:57:26,440
Speaker 1: made out of like claire or acetate. Is that what

1078
00:57:26,480 --> 00:57:30,360
Speaker 1: it is. Yeah, they'll break Um. You know, they're very

1079
00:57:30,360 --> 00:57:34,720
Speaker 1: thick and brittle. Yeah, uh yeah, Sam, Sam Free and

1080
00:57:34,800 --> 00:57:38,320
Speaker 1: made Dead Happen, Man, Sammy Dead Happen. Sam's good friends

1081
00:57:38,320 --> 00:57:41,320
Speaker 1: with Said and d l And and Um and George

1082
00:57:41,360 --> 00:57:43,720
Speaker 1: and all them. So, you know, I know I know

1083
00:57:44,040 --> 00:57:46,080
Speaker 1: a lot of people around Sam, but I've never actually

1084
00:57:46,120 --> 00:57:49,640
Speaker 1: met Sam. Oh man, He's uh, he's got a photographic memory.

1085
00:57:49,720 --> 00:57:51,680
Speaker 1: He says he doesn't, but he remembers every lamp from

1086
00:57:51,680 --> 00:57:54,240
Speaker 1: every movie. Yeah, I see, I forget anything out so

1087
00:57:54,320 --> 00:57:57,680
Speaker 1: I shot at I'm like, that's gone. Yeah. Yeah. Now

1088
00:57:58,000 --> 00:58:02,000
Speaker 1: with the credits I have, I can't remember some monologues,

1089
00:58:03,240 --> 00:58:05,280
Speaker 1: but I can't remember not all of them. Like sometime

1090
00:58:05,320 --> 00:58:07,360
Speaker 1: some people come up and start like yelling at me, yeah,

1091
00:58:07,520 --> 00:58:10,880
Speaker 1: like what the funk? Yeah, man character that I'm like,

1092
00:58:10,960 --> 00:58:13,680
Speaker 1: oh sorry. I have people quote my old act and

1093
00:58:13,720 --> 00:58:16,240
Speaker 1: I don't remember, and they'll say that that's pretty funny.

1094
00:58:16,240 --> 00:58:19,760
Speaker 1: Who said that? They go, you motherfucker you. I'm like, oh, ship, okay,

1095
00:58:19,840 --> 00:58:23,240
Speaker 1: my fault. What's your favorite movie that you did? My

1096
00:58:23,280 --> 00:58:29,880
Speaker 1: favorite one Hold On Kangari Rides Here for It all over?

1097
00:58:30,480 --> 00:58:35,960
Speaker 1: Wish no one would let that pass. That's the beauty

1098
00:58:35,960 --> 00:58:40,040
Speaker 1: of shooting in your own backyard. You helicopters, airplanes and sirens.

1099
00:58:40,560 --> 00:58:50,200
Speaker 1: It's life life, Yeah, like the hood that's could adjacent. No,

1100
00:58:51,440 --> 00:58:54,920
Speaker 1: I'm centrally south, but I'm not south central, central south,

1101
00:58:55,280 --> 00:58:57,680
Speaker 1: the good older man. I remember getting shot at and

1102
00:58:57,720 --> 00:59:01,520
Speaker 1: Watts aren't getting shot at and was central. I've been

1103
00:59:01,560 --> 00:59:06,520
Speaker 1: shot at three times, I have avoid Um, they weren't

1104
00:59:06,560 --> 00:59:11,120
Speaker 1: aiming for me. I think there aiming for my homies. Um.

1105
00:59:11,200 --> 00:59:13,600
Speaker 1: And then they tried to carjack me three different times,

1106
00:59:13,960 --> 00:59:15,800
Speaker 1: twice the same dude. I was going to say it

1107
00:59:15,800 --> 00:59:18,040
Speaker 1: was the same guy once. Once was in Culver City

1108
00:59:18,160 --> 00:59:20,120
Speaker 1: off a high gear and cover boulevard, and the other

1109
00:59:20,160 --> 00:59:23,320
Speaker 1: one was off of Western and Venice. Those of the

1110
00:59:23,320 --> 00:59:25,880
Speaker 1: weather may started going a little east, you know, but

1111
00:59:25,920 --> 00:59:27,560
Speaker 1: that was like that was a big gal. How would

1112
00:59:27,600 --> 00:59:29,360
Speaker 1: you get that? That's a big difference. You were after

1113
00:59:29,400 --> 00:59:32,040
Speaker 1: mid City. I don't know it was they were trying

1114
00:59:32,080 --> 00:59:36,040
Speaker 1: to get my ride and they didn't, thankfully. That's when

1115
00:59:36,040 --> 00:59:40,000
Speaker 1: I was rolling a five point oh convertible, the old

1116
00:59:40,000 --> 00:59:46,200
Speaker 1: five point centerlock Epsilon's diamond cut with gold bolts, and

1117
00:59:46,240 --> 00:59:49,080
Speaker 1: I got the gas cap gold plated, the cover gold

1118
00:59:49,080 --> 00:59:52,640
Speaker 1: played a cloth top. I got the we ordered, Uh

1119
00:59:52,960 --> 00:59:56,000
Speaker 1: what year was the car? It was a ninety ninety

1120
00:59:56,400 --> 01:00:00,320
Speaker 1: two and ninety one, and we got the eight seven

1121
01:00:00,400 --> 01:00:02,760
Speaker 1: Mustang g T five point. I was the one everybody wanted.

1122
01:00:03,240 --> 01:00:06,880
Speaker 1: This is this is the one member minister society. Okay,

1123
01:00:06,920 --> 01:00:10,280
Speaker 1: So that forest green I got it from the BMW.

1124
01:00:10,360 --> 01:00:12,840
Speaker 1: So we got we ordered the paint from Germany. I

1125
01:00:12,880 --> 01:00:14,400
Speaker 1: bought this car. I paid for it in cash. We

1126
01:00:14,480 --> 01:00:17,200
Speaker 1: stripped in my buddy's backyard and we painted it that

1127
01:00:17,240 --> 01:00:19,240
Speaker 1: forest green. So I was rocking the forest green like

1128
01:00:19,280 --> 01:00:26,520
Speaker 1: two years before menace to society. I no I knew. Look,

1129
01:00:26,600 --> 01:00:29,440
Speaker 1: look look I was lookok, a girl with a titsuging?

1130
01:00:29,480 --> 01:00:32,240
Speaker 1: What are you staring at? Will you put them out? Hey?

1131
01:00:32,280 --> 01:00:34,240
Speaker 1: I look, I have my heat or two. But when

1132
01:00:34,320 --> 01:00:37,480
Speaker 1: they tried to jack me in the um the playboy's hood,

1133
01:00:37,800 --> 01:00:41,320
Speaker 1: U the constant taking my ninety two fs like two

1134
01:00:41,320 --> 01:00:45,720
Speaker 1: weeks before. So when you uh, and that's just the

1135
01:00:45,760 --> 01:00:49,480
Speaker 1: one time you're slipping right, the one time, that's what.

1136
01:00:50,880 --> 01:00:53,240
Speaker 1: And I wasn't I wasn't even paid. I wasn't even

1137
01:00:53,320 --> 01:00:56,720
Speaker 1: driving properly. And these fools rolled up, I mean bam

1138
01:00:57,320 --> 01:01:01,600
Speaker 1: blocked me in and this who and having a pistol

1139
01:01:01,640 --> 01:01:05,760
Speaker 1: pulled on you. Offset. It's very different than on set

1140
01:01:06,720 --> 01:01:08,400
Speaker 1: on this one might have real bullets and this one

1141
01:01:08,440 --> 01:01:10,920
Speaker 1: does have real bullets. Yeah, it was I might want

1142
01:01:10,960 --> 01:01:14,680
Speaker 1: to do the other it is. I they well, uh,

1143
01:01:14,920 --> 01:01:19,760
Speaker 1: they accused me of tapping some lady in the hood there,

1144
01:01:20,840 --> 01:01:23,720
Speaker 1: which I I just denied up and down. But I

1145
01:01:23,760 --> 01:01:29,120
Speaker 1: was and uh and he was like, I'm with Jackie

1146
01:01:29,160 --> 01:01:30,760
Speaker 1: flu and this And now I thought, man, is this

1147
01:01:30,840 --> 01:01:32,439
Speaker 1: is this where my mom was gonna find my fucking

1148
01:01:32,440 --> 01:01:34,520
Speaker 1: body right here in the hood and his dirty street

1149
01:01:34,600 --> 01:01:37,920
Speaker 1: on the floor, you know, right here bleeding now, like damn.

1150
01:01:38,240 --> 01:01:40,520
Speaker 1: And they kept they kept singing and singing, and I

1151
01:01:40,560 --> 01:01:42,520
Speaker 1: was like, I said, look, mass y'all are singing, so

1152
01:01:42,640 --> 01:01:44,080
Speaker 1: you gotta do what you gotta do. And I gotta

1153
01:01:44,080 --> 01:01:45,920
Speaker 1: do what I gotta do. I'm out. I put this

1154
01:01:46,000 --> 01:01:48,560
Speaker 1: ship in reverse, flipped it around. I called my homeis

1155
01:01:48,600 --> 01:01:51,720
Speaker 1: and wants I said, yo, I need a little something.

1156
01:01:52,280 --> 01:01:54,880
Speaker 1: That's this. I had an issue and I just rolled

1157
01:01:54,880 --> 01:01:56,560
Speaker 1: out and this fool chase me for a little bit,

1158
01:01:56,560 --> 01:01:59,360
Speaker 1: and I guess we can stop there. Did they shoot

1159
01:01:59,360 --> 01:02:02,479
Speaker 1: at not at all? Not once? Well you got away

1160
01:02:02,480 --> 01:02:04,560
Speaker 1: that yeah, that wasn't one of the times that they

1161
01:02:04,560 --> 01:02:06,640
Speaker 1: shot at me. I got away, so I don't. I've

1162
01:02:06,680 --> 01:02:09,560
Speaker 1: lost at least six lives of my nine. Yeah, but

1163
01:02:09,600 --> 01:02:12,320
Speaker 1: I'm blessed. So now you know, I don't even try

1164
01:02:12,320 --> 01:02:15,959
Speaker 1: to get attention at all. I'm like glasses hat, I

1165
01:02:16,040 --> 01:02:20,200
Speaker 1: love masks. What's creep creepy is when you call Postmates

1166
01:02:20,200 --> 01:02:22,400
Speaker 1: and you get the hat and the mask, like dude,

1167
01:02:22,440 --> 01:02:27,560
Speaker 1: I love your work, like how and the fuck? Yeah? Yeah,

1168
01:02:27,600 --> 01:02:29,880
Speaker 1: because they see her, they see your name on the bill.

1169
01:02:29,960 --> 01:02:33,640
Speaker 1: I got an alias Bills always Bill. Yeah. So if

1170
01:02:33,680 --> 01:02:35,720
Speaker 1: like if we're all over out or like you got

1171
01:02:35,840 --> 01:02:38,480
Speaker 1: talking to some honey dipper or some ship, like and

1172
01:02:38,520 --> 01:02:40,880
Speaker 1: she got and she got a grenade there, and I'm

1173
01:02:40,920 --> 01:02:43,800
Speaker 1: your wingman. If if they don't recognize me, like, oh,

1174
01:02:43,880 --> 01:02:46,160
Speaker 1: this is my buddy. If she's a grenade, I'll just

1175
01:02:46,200 --> 01:02:49,160
Speaker 1: be like Bill before they say Cliff, and then they

1176
01:02:49,200 --> 01:02:51,000
Speaker 1: know you've got five minutes to get a number. We

1177
01:02:51,000 --> 01:02:52,880
Speaker 1: got a bounce. Don't tell him it's Cliff because I

1178
01:02:52,880 --> 01:02:54,840
Speaker 1: don't want the tom know who I am. It's Bill,

1179
01:02:54,920 --> 01:02:57,000
Speaker 1: And that's what my all my my deliveries are Bill.

1180
01:02:58,600 --> 01:03:03,960
Speaker 1: I got a hotel, I got huge Jordan tyrone shoe lace.

1181
01:03:05,360 --> 01:03:09,080
Speaker 1: Um I uh, what was some of the other ones

1182
01:03:09,120 --> 01:03:12,120
Speaker 1: that Mike Hunt. Um, I just want them to say

1183
01:03:12,120 --> 01:03:15,040
Speaker 1: it when they call my room. That's why Jen Nelson

1184
01:03:15,040 --> 01:03:16,840
Speaker 1: gave me that one. Jenson gave me a list of

1185
01:03:16,880 --> 01:03:19,320
Speaker 1: aliasis and that was one of them. Yeah. I remember

1186
01:03:19,320 --> 01:03:22,280
Speaker 1: when Chappelle was shooting that movie. Um, I think it

1187
01:03:22,320 --> 01:03:26,960
Speaker 1: was Screwed, screwed with Norman McDonald shooting in a Vancouver

1188
01:03:27,840 --> 01:03:35,919
Speaker 1: Norm McDonald Dave Chappelle movie or ninety eight or something. Yeah, screwed. Yeah,

1189
01:03:35,920 --> 01:03:38,720
Speaker 1: when he was shooting that movie, Screwed, he was like, Yo,

1190
01:03:38,760 --> 01:03:41,520
Speaker 1: come to Vancouver and hang out. Okay, and I'll go,

1191
01:03:41,520 --> 01:03:43,600
Speaker 1: all right, how do I go to call me at

1192
01:03:43,600 --> 01:03:46,760
Speaker 1: the hotel? But ask for Mr Bigglesworth And he was

1193
01:03:46,840 --> 01:03:49,480
Speaker 1: Mr Bigglesworth in the hotel there. So I love it.

1194
01:03:49,840 --> 01:03:52,320
Speaker 1: I usually don't need aliasis, but when they deliver stuff

1195
01:03:52,320 --> 01:03:55,400
Speaker 1: at the house, I gotta have aliases And usually somebody

1196
01:03:55,400 --> 01:04:00,200
Speaker 1: else collects my food. Fancy, not just because I don't

1197
01:04:00,200 --> 01:04:03,320
Speaker 1: want to. You know, it's like I'm on the I'm

1198
01:04:03,400 --> 01:04:06,240
Speaker 1: got a gate and stuff. But you know, Mexican, I

1199
01:04:06,240 --> 01:04:08,120
Speaker 1: know how to get over in gate. You speak Spanish

1200
01:04:08,440 --> 01:04:11,720
Speaker 1: speak Spanish, look at you. Yeah, I understand it because

1201
01:04:11,720 --> 01:04:15,479
Speaker 1: of all the because you live in l A. Because

1202
01:04:15,680 --> 01:04:18,800
Speaker 1: it's like an eddie. And then they have the names

1203
01:04:19,040 --> 01:04:22,439
Speaker 1: in this state, all of them, almost all of them. Yeah, yeah,

1204
01:04:22,520 --> 01:04:24,200
Speaker 1: there's not one except for sherman O because that's the

1205
01:04:24,200 --> 01:04:27,400
Speaker 1: only one that they didn't name. Yeah, you're right, I

1206
01:04:27,440 --> 01:04:29,640
Speaker 1: can't even spend that one studio city they didn't name

1207
01:04:29,960 --> 01:04:34,800
Speaker 1: eld studio. Let's see what that is studio. Yeah. Yeah,

1208
01:04:34,800 --> 01:04:37,040
Speaker 1: you can tell when they went whether whether whether we're like,

1209
01:04:37,160 --> 01:04:39,000
Speaker 1: I'll let you have these ones. They yeah, you can

1210
01:04:39,040 --> 01:04:43,680
Speaker 1: have that, Yes, studio sits sewing Woodland Hills, No Hills, Calabasas.

1211
01:04:43,720 --> 01:04:47,520
Speaker 1: I didn't know that Calabasas. You see it like that

1212
01:04:49,560 --> 01:04:54,240
Speaker 1: Santa Monica le. Yeah. I used to call it spul

1213
01:04:54,280 --> 01:04:56,680
Speaker 1: Vita when I first moved. I didn't know how to

1214
01:04:56,720 --> 01:04:59,400
Speaker 1: say it. There's like spulvida go. That's a stupid fa

1215
01:05:00,480 --> 01:05:03,400
Speaker 1: which is named after a general, General Coenga. There was

1216
01:05:03,440 --> 01:05:08,200
Speaker 1: a big battle. There's a giant fight with General Coenga.

1217
01:05:08,720 --> 01:05:13,520
Speaker 1: Look up and say sar Chavas boulevard. I thought it

1218
01:05:13,600 --> 01:05:15,520
Speaker 1: was I when I first moved, I thought it was

1219
01:05:15,560 --> 01:05:19,760
Speaker 1: named after Julio Sussar Shavas the boxer. I didn't know

1220
01:05:19,760 --> 01:05:22,600
Speaker 1: who says as was. We gotta grew up in Canada.

1221
01:05:23,400 --> 01:05:26,440
Speaker 1: We don't. First of all, we don't have Mexicans. That's

1222
01:05:26,480 --> 01:05:29,400
Speaker 1: that's right. There's some Mexicans. There's a lot of Asians, yeah,

1223
01:05:29,480 --> 01:05:32,680
Speaker 1: a lot of Indians, Asians, black people, but there's no um,

1224
01:05:32,840 --> 01:05:35,240
Speaker 1: there's no Mexicans. What the fund is the dog doing

1225
01:05:35,320 --> 01:05:38,760
Speaker 1: right now? She is out of control? So we gotta

1226
01:05:38,840 --> 01:05:45,680
Speaker 1: check the volume on this. I'm getting over your coke. Yeah, yeah,

1227
01:05:45,720 --> 01:05:49,920
Speaker 1: watch the watch the kilos. Yeah, dogs getting into the kings.

1228
01:05:51,000 --> 01:05:55,320
Speaker 1: We gotta we got a rogue pug out here. Piper,

1229
01:05:55,360 --> 01:05:59,200
Speaker 1: you're lunatic, you know what is? She's tired and so

1230
01:05:59,200 --> 01:06:02,040
Speaker 1: when she's tired, she it's crazy and she just wants

1231
01:06:02,040 --> 01:06:03,600
Speaker 1: somebody to funk with her so she could go to sleep.

1232
01:06:06,240 --> 01:06:18,320
Speaker 1: I mean, if whatever, wherever you see yourself. Hey, thanks

1233
01:06:18,320 --> 01:06:21,440
Speaker 1: for listening. I hope you enjoyed this conversation. If you

1234
01:06:21,520 --> 01:06:24,000
Speaker 1: like the podcast, please be sure to rate and review

1235
01:06:24,040 --> 01:06:26,480
Speaker 1: it on Apple Podcasts so more people can find out

1236
01:06:26,480 --> 01:06:28,160
Speaker 1: about it. And if you didn't like it, go fuck

1237
01:06:28,200 --> 01:06:31,760
Speaker 1: yourself and follow us on Instagram and culturally RP on Twitter.

1238
01:06:32,160 --> 01:06:33,680
Speaker 1: We're also on YouTube if you want to see what

1239
01:06:33,760 --> 01:06:35,360
Speaker 1: the backyard kind of looks like. If you don't really

1240
01:06:35,360 --> 01:06:37,320
Speaker 1: see the backyard looks like, you just see where my

1241
01:06:37,320 --> 01:06:39,440
Speaker 1: smoking section looks like, and you can probably sneak a

1242
01:06:39,440 --> 01:06:41,640
Speaker 1: peek in the house, you know, weirdo. Also, we have

1243
01:06:41,680 --> 01:06:44,120
Speaker 1: a phone line now, so call and leave a message.

1244
01:06:44,360 --> 01:06:46,160
Speaker 1: You can ask me about whatever you want to ask

1245
01:06:46,160 --> 01:06:50,040
Speaker 1: me about, hip hop, parenting, food boxing, mm A, relationships, comedy, sex,

1246
01:06:50,080 --> 01:06:51,560
Speaker 1: so I don't give a ship. Ask me whatever you

1247
01:06:51,600 --> 01:06:54,320
Speaker 1: want and I'll do my best to answer your question.

1248
01:06:54,440 --> 01:06:56,200
Speaker 1: If you want to leave a message, the phone number

1249
01:06:56,320 --> 01:07:00,880
Speaker 1: is four to four six six six eighteen eighty three.

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Speaker 1: That's four to four six six six three until next week.

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Speaker 1: I'm murder resident petis Um