1 00:00:00,680 --> 00:00:03,480 Speaker 1: You are listening to the Dan Patrick Show on Fox 2 00:00:03,560 --> 00:00:06,920 Speaker 1: Sports Radio Final Hour and this Tuesday Dan and the 3 00:00:07,000 --> 00:00:09,799 Speaker 1: Danet's Stan Patrick Show, Nick Wright will join us on 4 00:00:09,920 --> 00:00:12,880 Speaker 1: loan from Fox Sports. First Things First coming up more 5 00:00:12,880 --> 00:00:17,119 Speaker 1: phone calls as well. We ended last hour with the 6 00:00:17,239 --> 00:00:21,000 Speaker 1: saddest song That's in our life Now. There was a 7 00:00:21,120 --> 00:00:23,920 Speaker 1: survey done in England two thousand adults and they had 8 00:00:23,960 --> 00:00:27,120 Speaker 1: some of their saddest songs of all time. People want 9 00:00:27,120 --> 00:00:30,280 Speaker 1: to give us their saddest songs of all time, like 10 00:00:30,440 --> 00:00:34,720 Speaker 1: Barry in Long Island. Barry, who is I think sixty 11 00:00:34,760 --> 00:00:38,239 Speaker 1: five and single? And I don't know what could be 12 00:00:38,280 --> 00:00:45,639 Speaker 1: sad in your life? Barry? First of all, it's sixty one, okay. Secondly, 13 00:00:46,320 --> 00:00:50,040 Speaker 1: I will soon be barried from Santa Fe, so everything 14 00:00:50,120 --> 00:00:56,640 Speaker 1: is beautiful. However, ironically, ironically, the most sad song ever 15 00:00:57,600 --> 00:01:03,600 Speaker 1: is Alone Again naturally by Gilbert O'Sullivan. The guy's father dies, 16 00:01:04,160 --> 00:01:08,120 Speaker 1: the guy's mother dies. He climbs up a nearby tower, 17 00:01:08,319 --> 00:01:11,880 Speaker 1: only to almost threw himself off as a bummer man. 18 00:01:13,440 --> 00:01:17,120 Speaker 1: Thank you, Barry, and good luck in Santa Fe. Uh? 19 00:01:17,800 --> 00:01:22,000 Speaker 1: What was Barry's philosophy on life? Seaton? I do what 20 00:01:22,200 --> 00:01:28,480 Speaker 1: I want when I want if I want something like 21 00:01:28,480 --> 00:01:32,000 Speaker 1: that with whoever I want I want, Yeah something everything 22 00:01:32,080 --> 00:01:33,880 Speaker 1: is whenever I want, If I want, I do what 23 00:01:34,000 --> 00:01:35,560 Speaker 1: I want when I want to do what I want 24 00:01:35,560 --> 00:01:38,080 Speaker 1: to do. Yeah, Don in Vegas, Hey Don, what's on 25 00:01:38,120 --> 00:01:42,319 Speaker 1: your mind today? And first time caller six foot one 26 00:01:42,520 --> 00:01:48,480 Speaker 1: seventy five. And then I was saddest song ever is 27 00:01:48,600 --> 00:01:53,480 Speaker 1: eighth in November by Big and Rich. Okay, no, I'm 28 00:01:53,520 --> 00:01:57,680 Speaker 1: not not familiar with that. Paula, you you familiar. I 29 00:01:57,720 --> 00:01:59,640 Speaker 1: know Big and Rantril, well, they're popular, but I don't 30 00:01:59,680 --> 00:02:03,240 Speaker 1: know that's specifical Lunka, Craig and Washington High Craig, what's 31 00:02:03,240 --> 00:02:08,679 Speaker 1: on your mind? Heydbe got a sad song? I think 32 00:02:09,120 --> 00:02:13,000 Speaker 1: Kansas dust in the Wind. And the second com comment 33 00:02:13,040 --> 00:02:15,200 Speaker 1: I had was when you guys were off on vacation, 34 00:02:15,240 --> 00:02:19,640 Speaker 1: I listened to Jim Gray talking to goats. I thought 35 00:02:19,639 --> 00:02:23,040 Speaker 1: it was phenomenal. Didn't know much about Jim Gray. And 36 00:02:23,200 --> 00:02:25,560 Speaker 1: if anybody gets a chance, I think that's just an 37 00:02:25,560 --> 00:02:29,040 Speaker 1: excellent I didn't read it, I'd listen to it on audible. Yeah. Perfect. 38 00:02:29,360 --> 00:02:31,760 Speaker 1: And one last thing is stuck up front row. Thanks Dan, 39 00:02:31,840 --> 00:02:35,320 Speaker 1: all right, well, thank you, Craig, Yes, well, Dust in 40 00:02:35,360 --> 00:02:37,560 Speaker 1: the wind is no longer a sad song after Will 41 00:02:37,600 --> 00:02:40,840 Speaker 1: Farrell covered it in Old School during Blues funeral. See. Yeah, 42 00:02:40,960 --> 00:02:43,880 Speaker 1: every time I hear it, I can't help it laugh. Yeah, 43 00:02:43,919 --> 00:02:46,000 Speaker 1: somebody just tweeted in this is a pretty good one too. 44 00:02:46,880 --> 00:02:51,320 Speaker 1: That Somewhere over the Rainbow. That's a sad song. I 45 00:02:51,360 --> 00:02:53,320 Speaker 1: don't know if it's intentionally sad, but that is a 46 00:02:53,360 --> 00:02:59,200 Speaker 1: sad song. I don't remember feeling any way about it. 47 00:02:59,200 --> 00:03:02,040 Speaker 1: It's a sad song. Listen to it while you're driving 48 00:03:02,040 --> 00:03:03,919 Speaker 1: for a long time alone in your car for a while. 49 00:03:03,960 --> 00:03:09,480 Speaker 1: I bet you start crying. Is that Judy Garland? Yeah, okay, yes, 50 00:03:09,760 --> 00:03:11,720 Speaker 1: it's birds fly with a Rainbow while well then, ah, 51 00:03:11,720 --> 00:03:13,440 Speaker 1: why can't she if she wants to know, like why 52 00:03:13,440 --> 00:03:16,079 Speaker 1: everyone's able to accomplish these things and do things that 53 00:03:16,120 --> 00:03:18,280 Speaker 1: they probably take for granted and Nish is just sitting 54 00:03:18,280 --> 00:03:23,400 Speaker 1: there on the ground American pie. Uh day the music done, 55 00:03:23,760 --> 00:03:27,760 Speaker 1: Don McClean. It's too happy, too upbeat. Yeah, it's way 56 00:03:27,800 --> 00:03:30,600 Speaker 1: too upbeat to be a sad song. Huh did you 57 00:03:30,720 --> 00:03:33,160 Speaker 1: write the Book of Love? And did you have a 58 00:03:33,280 --> 00:03:36,680 Speaker 1: faith thing out? That's a very crappy plane crash song, 59 00:03:36,960 --> 00:03:39,360 Speaker 1: very peppy for a play crash, so super upbeat plane 60 00:03:39,360 --> 00:03:43,240 Speaker 1: crash song should be morose. So of all of the 61 00:03:43,640 --> 00:03:48,160 Speaker 1: buddy Holly dying songs, that's a little too cheery. It's 62 00:03:48,200 --> 00:03:54,080 Speaker 1: the saddest, most upbeat one. They didn't have a category 63 00:03:54,120 --> 00:03:57,080 Speaker 1: for that with the survey. Here, what's the what's the 64 00:03:57,120 --> 00:04:01,119 Speaker 1: most upbeat sad song ever? Songs about death? That rock 65 00:04:01,440 --> 00:04:05,360 Speaker 1: ye go volume two? Oh, that'd be great. We should 66 00:04:05,400 --> 00:04:08,520 Speaker 1: do that well. Stairway to Heaven, Yes, that kicks. That's 67 00:04:08,640 --> 00:04:11,880 Speaker 1: stairway it does. It starts off where you're slow dancing, 68 00:04:11,920 --> 00:04:14,040 Speaker 1: and then all of a sudden it kicks up, and 69 00:04:14,080 --> 00:04:16,799 Speaker 1: then you know you're you're buying the Stairway to Heaven. 70 00:04:18,240 --> 00:04:20,600 Speaker 1: I don't know if anybody gets emotional listening to that, 71 00:04:20,720 --> 00:04:25,479 Speaker 1: but that is free bird. It's that a sad song too. Yeah, 72 00:04:25,839 --> 00:04:27,840 Speaker 1: Fade to Black by Metallica is about death, but that 73 00:04:27,920 --> 00:04:33,120 Speaker 1: songs awesome. Everyone likes that? Okay? Uh, Reggie and Mississippi, 74 00:04:33,160 --> 00:04:38,080 Speaker 1: Hey reg what's on your mind? Hey? Six one two 75 00:04:38,200 --> 00:04:44,440 Speaker 1: hund Yeah? Um McK Marvin's song by Stevie Wanted. That's 76 00:04:44,440 --> 00:04:48,320 Speaker 1: an extremely sad song. I remember hearing that song going 77 00:04:48,360 --> 00:04:53,640 Speaker 1: from tupackin Janet Jackson's uh poetics Justice back in ninety three. So, yeah, 78 00:04:53,640 --> 00:04:56,719 Speaker 1: that's a sad song, but mine would be Eminem Stand. 79 00:04:57,120 --> 00:05:05,560 Speaker 1: That's extremely disturbing, and said, well, thank you, Reggie, Reggie 80 00:05:05,839 --> 00:05:13,240 Speaker 1: getting a little deep there, and McK marvin song Satan. 81 00:05:13,320 --> 00:05:17,280 Speaker 1: You're a you're a big Eminem fan, right. Uh No, 82 00:05:17,640 --> 00:05:21,360 Speaker 1: I wouldn't put myself in the fandom. Oh no, no, no, 83 00:05:21,480 --> 00:05:23,839 Speaker 1: slim Shady, that's not that's not my guy. But I 84 00:05:23,880 --> 00:05:25,920 Speaker 1: have tons of respect for what he's done. But I'm 85 00:05:25,960 --> 00:05:29,120 Speaker 1: not necessarily a fan. Okay, I've heard stand, but I 86 00:05:29,200 --> 00:05:31,919 Speaker 1: don't know. I don't remember Stand. Well, that's how like 87 00:05:32,000 --> 00:05:34,320 Speaker 1: now when people are like standing you you know what 88 00:05:34,360 --> 00:05:36,240 Speaker 1: I mean? Like, oh, that guy's a stand for whoever 89 00:05:36,279 --> 00:05:38,800 Speaker 1: it's based off of that song? What's that mean? Like 90 00:05:38,880 --> 00:05:44,400 Speaker 1: Internet lingo? Like what stand stand for? Uh? Like like 91 00:05:44,480 --> 00:05:46,920 Speaker 1: say you like obsessed with somebody else? Or like just 92 00:05:46,960 --> 00:05:52,400 Speaker 1: like a unrelenting in a creepy way supporter. Oh Sean 93 00:05:52,480 --> 00:05:56,400 Speaker 1: and Oregon, Hey Sean, what's on your mind? I got 94 00:05:56,480 --> 00:05:58,559 Speaker 1: a sad song for you, and it's a good song. 95 00:05:59,160 --> 00:06:02,320 Speaker 1: It's by the King's called in the Ghetto. Oh and 96 00:06:02,440 --> 00:06:07,760 Speaker 1: it's Mamma cried Yes, that's a good one. That used 97 00:06:07,760 --> 00:06:12,080 Speaker 1: to be. I'm my karaoke go to. When we went 98 00:06:12,120 --> 00:06:15,560 Speaker 1: to Dimples in Burbank, he brought the house down. Well, 99 00:06:15,880 --> 00:06:18,960 Speaker 1: I don't know about that, I remember, but uh yeah, 100 00:06:19,120 --> 00:06:21,880 Speaker 1: got up there and uh we had to get there 101 00:06:21,920 --> 00:06:24,560 Speaker 1: early because we had to be up early the next morning. 102 00:06:25,000 --> 00:06:29,279 Speaker 1: And I think Dimples. We got there around seven o'clock 103 00:06:29,360 --> 00:06:33,719 Speaker 1: or something and did a little little Elvis and there's 104 00:06:33,800 --> 00:06:37,680 Speaker 1: Mama cried, Yeah, I have the cassette of you singing it. 105 00:06:37,960 --> 00:06:39,960 Speaker 1: Someday I'll do a deep dive in my office, yes 106 00:06:40,080 --> 00:06:42,799 Speaker 1: and find the cassette of you singing, because the owner 107 00:06:42,880 --> 00:06:44,880 Speaker 1: Sal gave me the cassette years ago, and I have 108 00:06:44,960 --> 00:06:48,760 Speaker 1: in a box. Okay, But who was there that night? Famous? Yes, 109 00:06:49,920 --> 00:06:53,960 Speaker 1: I thought there was Paris Hilton. We were there once 110 00:06:54,000 --> 00:06:57,480 Speaker 1: when Keifer Sutherland sang. I remember that he was there. 111 00:06:58,279 --> 00:06:59,760 Speaker 1: He was in his cups and he got up and 112 00:06:59,760 --> 00:07:04,279 Speaker 1: say a little bit. Yeah, um, Kato Kaylyn, our buddy. 113 00:07:04,600 --> 00:07:07,400 Speaker 1: He was there, wasn't yeah our Buddykato Kaylyn. Yeah. I 114 00:07:07,440 --> 00:07:11,560 Speaker 1: don't remember he was there. Um. Dennis Haskins, Oh, Dennis Haskins, 115 00:07:11,720 --> 00:07:14,680 Speaker 1: mister Belding, Yes, yeah, he's he's he was always there. Yeah, 116 00:07:14,720 --> 00:07:16,480 Speaker 1: he was fun to hang with. Yeah, Alma's there. Those 117 00:07:16,480 --> 00:07:18,520 Speaker 1: are the three that I remember. Yeah, yes, Ton saved 118 00:07:18,520 --> 00:07:21,360 Speaker 1: by the bell principle just hangs up. Yes, that's pretty much. Yes, 119 00:07:21,440 --> 00:07:24,200 Speaker 1: he loved just carry Okay. How about Knock Knock Knocking 120 00:07:24,240 --> 00:07:32,320 Speaker 1: on Heaven's door? Well, Bob Dylan, anybody right? Jason in Florida? 121 00:07:32,400 --> 00:07:35,480 Speaker 1: Hi Jason, what's on your mind? Hey? Dpe, I got 122 00:07:35,520 --> 00:07:37,120 Speaker 1: a great one for you, guys. Man out of the 123 00:07:37,160 --> 00:07:40,200 Speaker 1: box Metallica one about a guy who comes home from 124 00:07:40,240 --> 00:07:43,080 Speaker 1: war has lost all his limbs, just laying in a bed, 125 00:07:43,240 --> 00:07:46,720 Speaker 1: can't move. That's a great song, but also depressing if 126 00:07:46,720 --> 00:07:48,920 Speaker 1: you hear the lyrics. But Metallica one, that's got to 127 00:07:48,960 --> 00:07:51,640 Speaker 1: be up there. H Okay, I'm not familiar with that. 128 00:07:52,360 --> 00:07:55,440 Speaker 1: Yes a banger, Oh it is? Yeah? Yeah, yeah yes. 129 00:07:55,520 --> 00:07:57,680 Speaker 1: Tohn Garth Brooks has a song just the title alone, 130 00:07:57,720 --> 00:08:01,440 Speaker 1: if Tomorrow Never comes, very upsetting, and he's kind of 131 00:08:01,440 --> 00:08:03,720 Speaker 1: looking at his wife while she's sleeping, and he's wondering if, 132 00:08:03,880 --> 00:08:05,680 Speaker 1: as he told her enough how much he loves her 133 00:08:05,720 --> 00:08:07,200 Speaker 1: and feels about it, what if for some reason she 134 00:08:07,280 --> 00:08:09,840 Speaker 1: doesn't wake up or he dies whatever? As he made 135 00:08:09,840 --> 00:08:12,400 Speaker 1: sure she knew how much he felt about her. I 136 00:08:12,480 --> 00:08:17,720 Speaker 1: still I think Rim won that contest the survey. Everybody hurts, 137 00:08:18,280 --> 00:08:22,480 Speaker 1: and I think, and I could be completely wrong about it, 138 00:08:22,560 --> 00:08:26,680 Speaker 1: but it had to do with you know, teenagers feeling 139 00:08:26,680 --> 00:08:30,000 Speaker 1: bad and you know that everybody hurts. You know that 140 00:08:31,280 --> 00:08:36,559 Speaker 1: maybe talking about suicide or you know, trying to explain that, hey, 141 00:08:36,600 --> 00:08:42,040 Speaker 1: everybody hurts. So I saw them performant in Atlanta, and 142 00:08:42,440 --> 00:08:46,439 Speaker 1: it was really moving when I saw them because it 143 00:08:46,720 --> 00:08:49,439 Speaker 1: Michael Stipe really when he starts to sing it, you know, 144 00:08:49,480 --> 00:08:51,320 Speaker 1: I mean, there's no other voice like that, and it 145 00:08:51,400 --> 00:08:54,640 Speaker 1: just it has that I've been in your shoes before 146 00:08:54,800 --> 00:08:59,240 Speaker 1: feeling with Michael Stipe lead singer. Yeah. Point, but that's 147 00:08:59,240 --> 00:09:01,440 Speaker 1: one of the songs it kind of ends up, it 148 00:09:01,679 --> 00:09:06,840 Speaker 1: ramps up that that Rim sung. Yeah. Yeah. See well 149 00:09:06,840 --> 00:09:09,000 Speaker 1: because I ultimately the message of it Right is to 150 00:09:09,080 --> 00:09:12,000 Speaker 1: challenge everybody to hold on right and that you're not alone. 151 00:09:12,080 --> 00:09:14,640 Speaker 1: If you remember too, the video for that was really 152 00:09:14,679 --> 00:09:18,080 Speaker 1: powerful because it was like it started out. I remember 153 00:09:18,240 --> 00:09:20,320 Speaker 1: there was all of these people sitting in their cars 154 00:09:20,320 --> 00:09:23,720 Speaker 1: in traffic. Yeah, and like just the symbolism of while 155 00:09:23,720 --> 00:09:25,840 Speaker 1: you think you're alone in your car, we're actually all 156 00:09:25,880 --> 00:09:30,000 Speaker 1: in this together kind of thing was just really powerful. Okay, 157 00:09:30,800 --> 00:09:35,440 Speaker 1: Joe in California, Hi, Joe, what's on your mind? He done? 158 00:09:35,600 --> 00:09:41,120 Speaker 1: Hey Joe? Hey, Um, when Mickey Mell was dying of cancer, 159 00:09:42,960 --> 00:09:45,000 Speaker 1: you do was gonna die and he was friends with 160 00:09:45,160 --> 00:09:47,720 Speaker 1: Roy Clark and he asked Roy Clark to play at 161 00:09:47,760 --> 00:09:53,120 Speaker 1: his funeral yesterday when I was young. M Okay, thank you, Joe. 162 00:09:53,200 --> 00:09:57,640 Speaker 1: I don't remember that. Uh. Actor Josh Dumel's on the phone. 163 00:09:58,160 --> 00:10:02,360 Speaker 1: Do you do you have a sad song? Uh? I do? 164 00:10:02,520 --> 00:10:07,800 Speaker 1: I do? Dan Tim McGraw, don't take the Girl Johnny's 165 00:10:07,920 --> 00:10:13,839 Speaker 1: daddy was taking in vision where he was eight years old. 166 00:10:15,880 --> 00:10:20,720 Speaker 1: Do you remember that one? Uh? I think I I 167 00:10:20,760 --> 00:10:23,040 Speaker 1: think I remember it. I'm trying to figure it out 168 00:10:23,120 --> 00:10:26,560 Speaker 1: by listening to you sing it. But that's don't take 169 00:10:26,720 --> 00:10:31,679 Speaker 1: the girl. It's really sad. I mean I literally listened 170 00:10:31,679 --> 00:10:32,760 Speaker 1: to a couple of weeks ago, and I got a 171 00:10:32,800 --> 00:10:35,160 Speaker 1: little tear in my eye. I'm gonna guess that's what 172 00:10:35,200 --> 00:10:36,920 Speaker 1: a lot of guys said to you. Don't take the 173 00:10:36,960 --> 00:10:43,120 Speaker 1: girl away from them, and you did. Right. Yeah, let's go, 174 00:10:43,240 --> 00:10:45,400 Speaker 1: let's go out that story. Um. Are you so you're 175 00:10:45,400 --> 00:10:49,720 Speaker 1: engaged now? Right, So you took the girl. I took 176 00:10:49,720 --> 00:10:52,400 Speaker 1: the girl. That's awesome. And uh, and when are you 177 00:10:52,400 --> 00:10:57,320 Speaker 1: getting married? I'm not telling you that you're invited, though, Well, 178 00:10:57,360 --> 00:11:01,520 Speaker 1: you gotta tell me when when you're getting married. I 179 00:11:01,559 --> 00:11:07,520 Speaker 1: gotta make plans. You'll get a special invite. Oh, okay, 180 00:11:07,800 --> 00:11:15,080 Speaker 1: a group effort. Okay, are we getting married in North Dakota? 181 00:11:17,480 --> 00:11:19,719 Speaker 1: I can't tell you that, Dan, You're gonna have to 182 00:11:19,800 --> 00:11:22,520 Speaker 1: wait to get the invite. A will I need a 183 00:11:22,600 --> 00:11:27,000 Speaker 1: passport to go? No? Okay, no you won't. All you 184 00:11:27,080 --> 00:11:31,560 Speaker 1: might need some repellent though. Oh it's North Dakota. Here 185 00:11:31,640 --> 00:11:35,680 Speaker 1: we come. I love it. You got a new show out, 186 00:11:35,760 --> 00:11:38,920 Speaker 1: don't you coming up? I do you know? I didn't. 187 00:11:39,040 --> 00:11:41,679 Speaker 1: I wasn't gonna calling for that reason, but Fritzie said, hey, 188 00:11:41,679 --> 00:11:43,520 Speaker 1: congratulations of the new show. I was like, oh, yeah, 189 00:11:43,559 --> 00:11:48,079 Speaker 1: that comes out tonight. Oh. I think it's perfect. Oh. 190 00:11:48,440 --> 00:11:50,400 Speaker 1: I'm also I'm also going to be part of the 191 00:11:50,559 --> 00:11:56,160 Speaker 1: uh the March Madness Tournament brackets. I hear the celebrity 192 00:11:56,160 --> 00:11:59,400 Speaker 1: bracket challenge. Yeah, who you got this year? Who's your 193 00:11:59,400 --> 00:12:04,080 Speaker 1: final four? I don't know. Yeah, I gotta do. I 194 00:12:04,120 --> 00:12:06,920 Speaker 1: gotta do some research. I gotta do some homework. I 195 00:12:07,640 --> 00:12:12,760 Speaker 1: like Gonzaga a lot. I think Gonzaga is the best team. 196 00:12:12,840 --> 00:12:16,320 Speaker 1: They might be better than last year. But um, yeah, 197 00:12:16,320 --> 00:12:18,480 Speaker 1: I gotta figure I gotta figure this out here soon. 198 00:12:19,240 --> 00:12:22,480 Speaker 1: Do you watch so much college basketball? I held this 199 00:12:22,520 --> 00:12:24,680 Speaker 1: time of the year, this time of the year, Yes, yes, 200 00:12:24,720 --> 00:12:28,640 Speaker 1: I do. I start. I love Championship week, but last 201 00:12:28,679 --> 00:12:30,720 Speaker 1: week is when it felt like I did a little 202 00:12:30,720 --> 00:12:35,199 Speaker 1: bit deeper dive into this um. And you know, watching 203 00:12:35,280 --> 00:12:37,800 Speaker 1: North Carolina beat Duke? How good is Duke? Are they 204 00:12:37,800 --> 00:12:39,600 Speaker 1: going to be a three seed? Now? You know? So 205 00:12:39,720 --> 00:12:42,840 Speaker 1: I gotta I think I think she chef is going 206 00:12:42,920 --> 00:12:44,800 Speaker 1: to use that. I think they're gonna go deep. They 207 00:12:44,880 --> 00:12:46,760 Speaker 1: might make the final four, might have been winning. I 208 00:12:46,760 --> 00:12:49,599 Speaker 1: think they were really really pissed off with themselves for 209 00:12:49,679 --> 00:12:52,160 Speaker 1: not winning at basketball. Well they should be. They nearly 210 00:12:52,160 --> 00:12:55,000 Speaker 1: gave up one hundred points at home. I mean, it's 211 00:12:55,000 --> 00:12:57,320 Speaker 1: about as embarrassing as it gets. By the way, it's 212 00:12:57,400 --> 00:13:00,440 Speaker 1: Josh Dumel. The new show is the thing about Pam 213 00:13:00,840 --> 00:13:03,040 Speaker 1: and you didn't even ask for a plug. It's on Peacock. 214 00:13:03,120 --> 00:13:07,040 Speaker 1: Who is Pam? By the way, Pam hop is a 215 00:13:07,120 --> 00:13:11,599 Speaker 1: woman from Troy, Missouri. The whole thing came from a 216 00:13:13,280 --> 00:13:17,280 Speaker 1: Dateline special that went on to have this really popular 217 00:13:17,320 --> 00:13:20,160 Speaker 1: podcast afterwards. The story itself is one of those that 218 00:13:20,160 --> 00:13:22,280 Speaker 1: you wouldn't even believe if it weren't true. It's just 219 00:13:22,480 --> 00:13:27,960 Speaker 1: crazy what happened. And Renee Zellweger plays Pam Hop and 220 00:13:28,320 --> 00:13:31,640 Speaker 1: does some amazing job. It's you know, it's very dark 221 00:13:31,679 --> 00:13:35,280 Speaker 1: subject matter, but the show is actually kind of darkly funny. 222 00:13:35,600 --> 00:13:38,880 Speaker 1: It's got that quirky, sort of fargoli feel. I think, oh, come, 223 00:13:39,480 --> 00:13:47,360 Speaker 1: and she kills it. Wait, literally literally kills it. Well, 224 00:13:47,400 --> 00:13:54,520 Speaker 1: you said dateline and always somebody ends up dying in dateline. Yep. Yes, 225 00:13:56,600 --> 00:13:58,840 Speaker 1: I got to meet I got to meet Keith Morrison 226 00:13:58,880 --> 00:14:01,120 Speaker 1: by the way the other night. And what'd you think? 227 00:14:01,480 --> 00:14:08,760 Speaker 1: What do you think? He's just like hellow Josh Fritzie 228 00:14:08,800 --> 00:14:12,640 Speaker 1: does a pretty good impersonation of Keith Morrison. Remember the 229 00:14:12,640 --> 00:14:14,680 Speaker 1: al lady living on the park band He was just 230 00:14:14,720 --> 00:14:17,840 Speaker 1: sitting there money her business? Or was she? He certainly 231 00:14:17,880 --> 00:14:20,360 Speaker 1: had a lot of information for the Dade County Police Department. 232 00:14:21,640 --> 00:14:24,160 Speaker 1: You gotta slow it way down, Fritzie. Yeah, Todd can't 233 00:14:24,200 --> 00:14:30,320 Speaker 1: slow it down all right. Way. I just wanted to 234 00:14:30,320 --> 00:14:33,160 Speaker 1: call and say hello to my boys, and congrats on 235 00:14:33,240 --> 00:14:35,840 Speaker 1: everything and uh and then we look forward to the 236 00:14:35,840 --> 00:14:41,840 Speaker 1: wedding invitation. Right, I think I got perdue Kentucky and 237 00:14:42,120 --> 00:14:46,720 Speaker 1: you still in my final four. I think, okay, all right, 238 00:14:46,760 --> 00:14:50,680 Speaker 1: I gotta go alight, okay, all right, that's Josh you 239 00:14:50,800 --> 00:14:54,000 Speaker 1: mill got engaged. I think he he got engaged to 240 00:14:54,360 --> 00:14:58,960 Speaker 1: like Miss America or somebody. You know. That guy needed 241 00:14:58,960 --> 00:15:01,720 Speaker 1: a break in life. Yeah, yeah, glad he finally got it. 242 00:15:01,800 --> 00:15:03,920 Speaker 1: I think when you win Miss America, it's automatic. You 243 00:15:03,920 --> 00:15:05,880 Speaker 1: have to get engaged. Josh Bell, It's part of the 244 00:15:05,880 --> 00:15:11,000 Speaker 1: prize package and your corvette and here's Josh Bell. Yeah, 245 00:15:11,000 --> 00:15:13,040 Speaker 1: a date with joshu Mell. Although I brought it up 246 00:15:13,080 --> 00:15:15,720 Speaker 1: to my wife. I said, I saw a picture Josh 247 00:15:15,760 --> 00:15:17,440 Speaker 1: du Melle. He's starting to look a little older. And 248 00:15:17,520 --> 00:15:23,720 Speaker 1: she goes, m I don't know. I went what she goes, 249 00:15:23,800 --> 00:15:27,600 Speaker 1: I know, I I don't, you know, maybe he's getting older, 250 00:15:27,680 --> 00:15:32,720 Speaker 1: but he still looks good. I go, I was seriously, seriously, 251 00:15:33,880 --> 00:15:36,200 Speaker 1: that's what I had to deal with sometimes. That and 252 00:15:36,320 --> 00:15:39,440 Speaker 1: Clive Owens like, you know, I don't get that. Oh 253 00:15:39,480 --> 00:15:42,600 Speaker 1: that's one of her favorites. Yeah, my wife, Yeah, and 254 00:15:42,960 --> 00:15:45,800 Speaker 1: I go Clive Owens. Well he's ruggedly handsome, which is 255 00:15:45,800 --> 00:15:50,360 Speaker 1: even worse to being pretty boy. Well, she got neither 256 00:15:50,400 --> 00:15:53,640 Speaker 1: with me. Nick Wright, the popular Nick Right, always great 257 00:15:53,640 --> 00:15:55,360 Speaker 1: to talk to him. He'll join us coming up next, 258 00:15:55,400 --> 00:15:58,960 Speaker 1: and more phone calls as well. It's seventeen after the 259 00:15:58,960 --> 00:16:02,600 Speaker 1: hour here on the Dan Pat Show. Callaway has done 260 00:16:02,600 --> 00:16:05,440 Speaker 1: it again. Love their products, their partner, but I was 261 00:16:05,480 --> 00:16:09,160 Speaker 1: playing their products before they became one of our sponsors. 262 00:16:09,520 --> 00:16:13,880 Speaker 1: The Trihut five K from Odyssey. 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Be sure to catch 279 00:17:12,240 --> 00:17:15,120 Speaker 1: us live every weekday morning nine until noon eastern six 280 00:17:15,200 --> 00:17:17,920 Speaker 1: to nine Pacific on Fox Sports Radio, and you can 281 00:17:17,920 --> 00:17:22,040 Speaker 1: find us on the iHeartRadio app at FSR or stream 282 00:17:22,119 --> 00:17:25,000 Speaker 1: us live on the Peacock app. The strongest field of 283 00:17:25,080 --> 00:17:28,440 Speaker 1: the PGA Tour teas off one of the purest golf 284 00:17:28,480 --> 00:17:31,800 Speaker 1: courses in the world, TPC saw Grass, who will have 285 00:17:31,880 --> 00:17:35,440 Speaker 1: the defining moment the players Saturday at one eastern on 286 00:17:35,600 --> 00:17:40,080 Speaker 1: NBC and Peaconco to Peacock tv dot com to sign up. Yes. 287 00:17:40,160 --> 00:17:42,760 Speaker 1: Point is that the course is the little Part three 288 00:17:42,840 --> 00:17:46,280 Speaker 1: seventeen Island. Yeah. Have you ever played that one? Yeah? 289 00:17:46,520 --> 00:17:50,359 Speaker 1: Is it mental? Yes? How are you physical? It's it's 290 00:17:50,440 --> 00:17:54,160 Speaker 1: less than one hundred and fifty yards, right, ma'am. These 291 00:17:54,200 --> 00:17:59,320 Speaker 1: guys hit wedges. It's just you. You. You can't help. 292 00:17:59,359 --> 00:18:02,399 Speaker 1: But notice you're coming up to sixteen and it's a 293 00:18:02,440 --> 00:18:04,879 Speaker 1: par five, and you just look over. You're on the 294 00:18:04,880 --> 00:18:06,919 Speaker 1: green on sixteen and you just see that green, the 295 00:18:06,960 --> 00:18:09,000 Speaker 1: island green there, and it's in your head as you 296 00:18:09,040 --> 00:18:13,399 Speaker 1: walk over to seventeen. And I hit a nine iron 297 00:18:13,400 --> 00:18:16,200 Speaker 1: into the water. Yes, I did, And then I said, 298 00:18:16,200 --> 00:18:18,800 Speaker 1: I look, I'm not gonna play this course again anytime soon, 299 00:18:19,280 --> 00:18:22,280 Speaker 1: and reteed and then put it on the green, but 300 00:18:22,520 --> 00:18:24,680 Speaker 1: enacted as if the first ball going into the water 301 00:18:24,800 --> 00:18:28,000 Speaker 1: didn't didn't happen. But yeah, mentally, because these guys give 302 00:18:28,040 --> 00:18:30,520 Speaker 1: him a wedge, they can make magic. But on that 303 00:18:30,560 --> 00:18:34,040 Speaker 1: whole you start to think too much. Nick right, first 304 00:18:34,080 --> 00:18:37,800 Speaker 1: Thing's first co host on Fox Sports One, joining us 305 00:18:37,880 --> 00:18:39,520 Speaker 1: on the program, Good to see you, Nick. How are 306 00:18:39,560 --> 00:18:42,760 Speaker 1: you you played Augusta Dan? Yes? I did. Why don't 307 00:18:42,760 --> 00:18:46,159 Speaker 1: you just is it faster to just figure out the 308 00:18:46,280 --> 00:18:49,560 Speaker 1: courses you haven't played. There's a lot of courses I 309 00:18:49,600 --> 00:18:53,920 Speaker 1: haven't played. I've been fa Andrews. Yeah, I played that, okay, Um, 310 00:18:54,400 --> 00:18:58,000 Speaker 1: Pebble Beach, yes, okay. Yeah, So maybe it is faster 311 00:18:58,080 --> 00:18:59,880 Speaker 1: to go with the ones you haven't played. Maybe someone 312 00:19:00,119 --> 00:19:04,720 Speaker 1: buy or something. Cypress. Cypress is a really difficult golf 313 00:19:04,760 --> 00:19:07,280 Speaker 1: course to get on. Did you play at the one 314 00:19:07,320 --> 00:19:10,080 Speaker 1: in Detroit that just burnt down? I did? Mont I 315 00:19:10,080 --> 00:19:14,560 Speaker 1: think it is h Oakmont is in Pennsylvania. I think, okay. Well, 316 00:19:14,560 --> 00:19:18,680 Speaker 1: then there's a famous one in Detroit, burn Down, I think, 317 00:19:18,720 --> 00:19:21,160 Speaker 1: oh Kills. I think that's it. Okay, do you play golf? 318 00:19:23,640 --> 00:19:27,679 Speaker 1: You know? No, I want to, and I said that 319 00:19:27,760 --> 00:19:30,600 Speaker 1: this summer I was going to dedicate like that was 320 00:19:30,640 --> 00:19:32,320 Speaker 1: gonna be My leisure thing is to be able to 321 00:19:32,359 --> 00:19:34,800 Speaker 1: be I just want to break ninety so I can win. 322 00:19:34,920 --> 00:19:37,280 Speaker 1: People such as yourself invite me out, not that you 323 00:19:37,280 --> 00:19:39,400 Speaker 1: ever would. I can say yes right now. I can't 324 00:19:39,440 --> 00:19:42,479 Speaker 1: say yes because I'm not good enough. But I just 325 00:19:42,520 --> 00:19:45,320 Speaker 1: found out last week that I'm basically a professional fisherman 326 00:19:45,440 --> 00:19:47,480 Speaker 1: deep sea variety. So I think that's what I'm going 327 00:19:47,520 --> 00:19:50,920 Speaker 1: to do this summer instead, deep sea fisher. I would 328 00:19:50,960 --> 00:19:53,760 Speaker 1: like to invite you to play golf with me. See 329 00:19:53,880 --> 00:19:56,800 Speaker 1: you see you did that because you knew. I just 330 00:19:56,840 --> 00:19:59,200 Speaker 1: said I'm not good enough. All right, Once I get 331 00:19:59,240 --> 00:20:02,800 Speaker 1: good enough, I'm playing. Okay, you break you break ninety. 332 00:20:02,960 --> 00:20:06,800 Speaker 1: How's that deal? That's a golf Thank you, Dan. How 333 00:20:06,800 --> 00:20:11,920 Speaker 1: about we do surf and turf golf and fishing. Oh deal, 334 00:20:12,080 --> 00:20:13,920 Speaker 1: I'll teach you how to fish because you don't look 335 00:20:13,920 --> 00:20:16,760 Speaker 1: like a fisherman. Well your hands are too soft. I'm 336 00:20:16,960 --> 00:20:20,680 Speaker 1: too much life of luxury. I'm an angler and I 337 00:20:20,760 --> 00:20:24,600 Speaker 1: am actually a fly fisherman. That doesn't seem fun. That 338 00:20:24,680 --> 00:20:28,520 Speaker 1: just seems like an excuse to drink. No, no, no, no. 339 00:20:28,560 --> 00:20:31,320 Speaker 1: If you go deep sea fishing, that's when you drink. 340 00:20:31,600 --> 00:20:34,520 Speaker 1: When you go fly fishing, you have to work every 341 00:20:34,520 --> 00:20:38,800 Speaker 1: single cast. You gotta work, you gotta work. No, it's competition. 342 00:20:40,280 --> 00:20:43,400 Speaker 1: But how big of a fish? It's like this big 343 00:20:44,240 --> 00:20:49,840 Speaker 1: for radio listeners. I'm no, you can catch some pretty 344 00:20:49,840 --> 00:20:53,240 Speaker 1: good fish and on a fly rod it feels bigger, 345 00:20:55,200 --> 00:20:59,440 Speaker 1: Yes it does. Okay, just just letting you know here. 346 00:21:00,800 --> 00:21:05,200 Speaker 1: First reaction to the Calvin Ridley story was well, listen, 347 00:21:05,240 --> 00:21:08,480 Speaker 1: obviously he has to be in trouble, and a wide 348 00:21:08,560 --> 00:21:11,560 Speaker 1: number of reactions as a gambler. I'd like to see 349 00:21:11,560 --> 00:21:14,679 Speaker 1: the Vinn diagram of people that have uttered these words 350 00:21:14,760 --> 00:21:17,399 Speaker 1: I don't have a gambling problem and people that actually 351 00:21:17,440 --> 00:21:21,480 Speaker 1: have a gambling problem, because that that did concern me. 352 00:21:21,520 --> 00:21:24,800 Speaker 1: But when I saw what the bets were, a three, 353 00:21:25,040 --> 00:21:28,879 Speaker 1: five and eighteen parlay, I'm like, okay, so this guy's 354 00:21:28,920 --> 00:21:31,000 Speaker 1: not like a gambler. He was just can you hold 355 00:21:31,040 --> 00:21:36,879 Speaker 1: on for saying? Yeah, I got breaking news. We have 356 00:21:37,000 --> 00:21:42,440 Speaker 1: the results of the Aaron Rodgers story. Oh okay, so 357 00:21:43,040 --> 00:21:47,840 Speaker 1: Paulie knows. We don't know. Now does he stay in 358 00:21:47,880 --> 00:21:50,160 Speaker 1: Green Bay or does he go? And if he goes, 359 00:21:50,200 --> 00:21:53,840 Speaker 1: where does he go? He's staying. Okay. If I'm wrong 360 00:21:53,840 --> 00:21:59,600 Speaker 1: and he's going, it's Pittsburgh. Okay. I've said all along, 361 00:22:00,000 --> 00:22:02,199 Speaker 1: if he left, it was going to be Denver, and 362 00:22:02,240 --> 00:22:04,080 Speaker 1: I thought the longer this went on, he was going 363 00:22:04,119 --> 00:22:07,640 Speaker 1: to leave. Paulie give us the information here. Aaron Rodgers 364 00:22:07,880 --> 00:22:11,880 Speaker 1: is according to Ian Rappaport of NFL Network, the Packers 365 00:22:11,880 --> 00:22:14,639 Speaker 1: an MVP, Aaron Rodgers, have agreed in terms on a 366 00:22:14,760 --> 00:22:17,000 Speaker 1: four year, two hundred million dollars deal that makes him 367 00:22:17,000 --> 00:22:19,320 Speaker 1: the highest paid player in NFL history. Stories to say, wow, 368 00:22:19,400 --> 00:22:21,600 Speaker 1: he gets a whopping one hundred and fifty three million 369 00:22:21,640 --> 00:22:25,560 Speaker 1: guaranteed and his cap number actually goes down four years 370 00:22:25,680 --> 00:22:36,359 Speaker 1: two Such a joke. The whole thing, because it was 371 00:22:36,640 --> 00:22:39,720 Speaker 1: it really was always the whole thing was about money, 372 00:22:40,440 --> 00:22:44,679 Speaker 1: this whole dance and I'm gonna go host Jeopardy and 373 00:22:44,720 --> 00:22:47,840 Speaker 1: I'm gonna and I'm gonna I'm on a self actualization 374 00:22:48,359 --> 00:22:51,560 Speaker 1: and the pen and they got rid of Coomeroo and 375 00:22:51,600 --> 00:22:54,240 Speaker 1: they don't respect me that and I, you know, and 376 00:22:54,280 --> 00:22:56,320 Speaker 1: I miss Alan Lazard over the middle, so I lose 377 00:22:56,359 --> 00:22:59,160 Speaker 1: to Jimmy Garoppolo at home, scoring seven points. The whole 378 00:22:59,200 --> 00:23:03,600 Speaker 1: thing was so he can make fifty million. That's the 379 00:23:03,680 --> 00:23:06,480 Speaker 1: whole thing. We've gone through, all this nonsense. Oh, I 380 00:23:06,520 --> 00:23:08,119 Speaker 1: want to live in Denver, I want to go to 381 00:23:08,160 --> 00:23:11,280 Speaker 1: the Titans. It's so all so he can make fifty million. 382 00:23:12,400 --> 00:23:15,800 Speaker 1: Give me a break like that. If and by the way, 383 00:23:16,760 --> 00:23:19,640 Speaker 1: this is what I don't understand. And I'm all four 384 00:23:19,680 --> 00:23:22,040 Speaker 1: athletes making a ton of money. I don't think athletes 385 00:23:22,040 --> 00:23:25,000 Speaker 1: are overpaid, but I do think in a hardcap sport 386 00:23:25,440 --> 00:23:28,159 Speaker 1: that this is you have to do this math. I 387 00:23:28,200 --> 00:23:31,120 Speaker 1: would have thought that if a genie went to Aaron 388 00:23:31,200 --> 00:23:35,400 Speaker 1: Rodgers eighteen months ago and said, will you will you 389 00:23:35,480 --> 00:23:38,919 Speaker 1: take ten million dollars out of your bank account and 390 00:23:39,200 --> 00:23:43,760 Speaker 1: I will change the result of that Seattle NFC championship 391 00:23:43,760 --> 00:23:46,000 Speaker 1: game where you guys botch the on sidekick, you go 392 00:23:46,080 --> 00:23:47,879 Speaker 1: to that Super Bowl, you beat Tom Brady, you have 393 00:23:47,880 --> 00:23:50,760 Speaker 1: two rings ten million for that, I think he would 394 00:23:50,760 --> 00:23:53,600 Speaker 1: have said yes, he's now telling me no. In fact, 395 00:23:53,640 --> 00:23:55,480 Speaker 1: I will make it harder to win the next one 396 00:23:56,000 --> 00:23:58,600 Speaker 1: because the team's gonna be worse. And then when they're 397 00:23:58,680 --> 00:24:00,679 Speaker 1: not as good and he's not as good in the 398 00:24:00,680 --> 00:24:03,639 Speaker 1: playoffs as he is in the regular season. Again, what 399 00:24:03,760 --> 00:24:05,520 Speaker 1: we're gonna hear his eye. I don't have enough talent 400 00:24:05,520 --> 00:24:09,320 Speaker 1: around me. I need more help. But you fifty million, 401 00:24:10,280 --> 00:24:14,080 Speaker 1: fifty million? Okay, what else do you have? Paulie? A 402 00:24:14,119 --> 00:24:17,479 Speaker 1: little more from Ian Rappaport. According to his sources, Rogers 403 00:24:17,880 --> 00:24:21,160 Speaker 1: was down to retirement the Packers or the Broncos before 404 00:24:21,200 --> 00:24:25,440 Speaker 1: the decision was made. Okay, no offense, broncofe. I feel 405 00:24:25,440 --> 00:24:27,359 Speaker 1: bad for the Broncos because they geared up for this. 406 00:24:28,440 --> 00:24:31,800 Speaker 1: And well, he'll have some things to say, I'm sure 407 00:24:31,800 --> 00:24:35,119 Speaker 1: on Pat McAfee's show later today. But I know when 408 00:24:35,280 --> 00:24:37,360 Speaker 1: von Miller left they wanted to make sure they got 409 00:24:37,359 --> 00:24:39,800 Speaker 1: a second round pick. They were gonna load up those 410 00:24:39,840 --> 00:24:42,159 Speaker 1: picks to go to Green Bay. Yeah, Seaton, he doesn't. 411 00:24:42,720 --> 00:24:45,359 Speaker 1: Sorry to interrupt, but according to Pat McAfee, news of 412 00:24:45,359 --> 00:24:48,320 Speaker 1: the four year According to Pat McAfee's sources, who knows 413 00:24:48,320 --> 00:24:51,680 Speaker 1: what they could be, news of a four year, two 414 00:24:51,760 --> 00:24:54,840 Speaker 1: hundred million dollar deal is not accurate. Oh okay, so 415 00:24:54,960 --> 00:24:57,760 Speaker 1: I guess this story is not over. Is he staying? 416 00:24:57,880 --> 00:25:00,159 Speaker 1: Is that accurate? That's all I care about. Yes, is 417 00:25:00,160 --> 00:25:02,160 Speaker 1: staying with the pack. I don't care about the money 418 00:25:02,320 --> 00:25:05,360 Speaker 1: cat friendly deal. Yeah, And I'm gonna guess his sources Rogers. 419 00:25:05,400 --> 00:25:09,359 Speaker 1: So first of all, how does mais Macvie's done a 420 00:25:09,400 --> 00:25:11,879 Speaker 1: great job, there's no shade, But how does MacFee not 421 00:25:11,960 --> 00:25:15,120 Speaker 1: break this? I thought, if you were signing a new 422 00:25:15,240 --> 00:25:19,679 Speaker 1: deal and Paulli doesn't break it, bad job, Paully, Like 423 00:25:19,800 --> 00:25:23,600 Speaker 1: that is like what in the world? Or Okay, this 424 00:25:23,680 --> 00:25:28,280 Speaker 1: is is just so maddening. The whole thing. And listen, 425 00:25:29,400 --> 00:25:31,760 Speaker 1: you and I are both in the money and attention business. 426 00:25:32,160 --> 00:25:35,520 Speaker 1: I get it. I like attention. I like money. I'm 427 00:25:35,520 --> 00:25:37,960 Speaker 1: not so I feel like it's a little glasshouse this 428 00:25:38,040 --> 00:25:42,800 Speaker 1: thing I'm doing here. But the whole thing feels fraudulent. 429 00:25:43,280 --> 00:25:46,280 Speaker 1: The whole thing feels like he was squeezing them for 430 00:25:46,480 --> 00:25:49,800 Speaker 1: dollars that he wasn't going to Denver. He doesn't want 431 00:25:49,800 --> 00:25:53,600 Speaker 1: to face Mahomes twice a year. The guy best I 432 00:25:53,640 --> 00:25:57,040 Speaker 1: can tell that he skipped this last Chief's game and 433 00:25:57,119 --> 00:26:00,560 Speaker 1: get out of fear of the Homes. People said, heyvid reasons. 434 00:26:00,600 --> 00:26:04,959 Speaker 1: I don't think he didn't want Molls across him. You 435 00:26:04,960 --> 00:26:09,080 Speaker 1: know what, we're in the rooting business. We root for change, 436 00:26:09,200 --> 00:26:12,200 Speaker 1: We root for stories that we can talk about. And 437 00:26:12,359 --> 00:26:15,680 Speaker 1: I think the media rooted for stories. They rooted for Tennessee. 438 00:26:16,000 --> 00:26:18,320 Speaker 1: Oh my god, Pittsburgh. Did you hear Mike Tomlin what 439 00:26:18,359 --> 00:26:22,359 Speaker 1: he said about Roger Denver? It felt like that, whereas 440 00:26:22,400 --> 00:26:25,719 Speaker 1: staying in Green Bay, that doesn't you know, that doesn't 441 00:26:25,800 --> 00:26:30,040 Speaker 1: change much. It's like, Okay, Aaron Rodger stays there. Yes, correct, 442 00:26:30,080 --> 00:26:32,640 Speaker 1: And I think the Timlin thing would have been super interesting. 443 00:26:32,680 --> 00:26:34,399 Speaker 1: And I think seeing him in the same division as 444 00:26:34,480 --> 00:26:37,000 Speaker 1: Mahomes and Herbert would have been super interesting. I agree 445 00:26:37,000 --> 00:26:39,560 Speaker 1: with that. We root for interesting and to be right, like, 446 00:26:39,600 --> 00:26:44,439 Speaker 1: that's what we're we root for ye. But the other 447 00:26:44,560 --> 00:26:46,800 Speaker 1: part of it is this wasn't out of whole cloth. 448 00:26:47,720 --> 00:26:51,920 Speaker 1: He started this whole thing on draft day last year. 449 00:26:53,000 --> 00:26:56,520 Speaker 1: Well that was Schefter. Schefter started this on draft day 450 00:26:56,520 --> 00:26:59,240 Speaker 1: because that wasn't a story on draft day because it 451 00:26:59,359 --> 00:27:01,359 Speaker 1: felt like that was imminent that he was going to 452 00:27:01,440 --> 00:27:04,679 Speaker 1: be traded. And then asking Schefter about that on my show, 453 00:27:04,720 --> 00:27:07,240 Speaker 1: I said that you didn't have any breaking news that day, 454 00:27:07,280 --> 00:27:09,359 Speaker 1: and he said it was just a compilation of things, 455 00:27:10,480 --> 00:27:13,320 Speaker 1: But it wasn't. My point is this wasn't a media creation. 456 00:27:13,440 --> 00:27:16,480 Speaker 1: The frustration was real. The flirting with retirement, that the 457 00:27:16,800 --> 00:27:19,760 Speaker 1: thinking you can go host Jeopardy, all that was real. 458 00:27:20,040 --> 00:27:22,480 Speaker 1: And then all of I'm the most interesting man in 459 00:27:22,520 --> 00:27:25,400 Speaker 1: the world because I read one and ran book. All 460 00:27:25,440 --> 00:27:30,200 Speaker 1: that happened. And then and then the bizarre Instagram post 461 00:27:30,320 --> 00:27:35,440 Speaker 1: that's because he was on a bee pollen cleans. That happened. 462 00:27:35,680 --> 00:27:38,880 Speaker 1: All of it happened, and the end result is, oh, 463 00:27:38,920 --> 00:27:41,080 Speaker 1: I was never leaving, but I got the most money 464 00:27:41,200 --> 00:27:44,040 Speaker 1: any player's ever gotten. Good for you, He's nick right, 465 00:27:44,160 --> 00:27:46,600 Speaker 1: first thing's first co host on Fox Sports one. The 466 00:27:46,600 --> 00:27:47,919 Speaker 1: reason why I was going to have you on. The 467 00:27:47,920 --> 00:27:52,120 Speaker 1: main reason was Lebron on the shop coming out saying, hey, 468 00:27:52,160 --> 00:27:54,479 Speaker 1: I get pissed off. Nobody ever talks about me as 469 00:27:54,520 --> 00:27:56,359 Speaker 1: being a great score, one of the great scores of 470 00:27:56,359 --> 00:28:00,760 Speaker 1: all time. I knew that as a compliment because you know, 471 00:28:00,840 --> 00:28:04,479 Speaker 1: Alex English and Adrian Danley and Carmelo Anthony, those are 472 00:28:04,520 --> 00:28:08,119 Speaker 1: great scores. Lebron could be the greatest player of all time. 473 00:28:08,800 --> 00:28:12,160 Speaker 1: So I didn't know if he was manufacturing something to say, Well, 474 00:28:12,240 --> 00:28:14,280 Speaker 1: let me ask you this, who do you think a 475 00:28:14,320 --> 00:28:19,879 Speaker 1: better considered a better score Lebron or Durant Durant, but 476 00:28:20,000 --> 00:28:23,119 Speaker 1: they average to the tenth of a point the exact 477 00:28:23,200 --> 00:28:25,399 Speaker 1: same amount of points per game for their career, and 478 00:28:25,600 --> 00:28:28,439 Speaker 1: Lebron doesn't on a higher efficiency. Who do you think 479 00:28:28,480 --> 00:28:32,160 Speaker 1: is a better scorer, Lebron or Kobe. Kobe is viewed 480 00:28:32,200 --> 00:28:35,840 Speaker 1: as a better score, but Lebron averages more points on 481 00:28:35,920 --> 00:28:38,600 Speaker 1: a better percentage and a better three point percentage. So 482 00:28:38,640 --> 00:28:41,360 Speaker 1: I think that's the frustration. Yeah, but his game is 483 00:28:41,400 --> 00:28:45,480 Speaker 1: so much more balanced than Duran's or Kobe's. But I 484 00:28:45,520 --> 00:28:48,440 Speaker 1: don't look at Lebron and say he's his score. I mean, 485 00:28:48,680 --> 00:28:51,440 Speaker 1: he is a score. He's not a shooter. He's his score, 486 00:28:51,640 --> 00:28:54,080 Speaker 1: but he's he's the best all around player who's ever 487 00:28:54,120 --> 00:28:57,360 Speaker 1: played the game. That's the better compliment that call you 488 00:28:57,400 --> 00:29:01,920 Speaker 1: a scorer. Well, yes, and Kobe was a purer shooter. 489 00:29:02,360 --> 00:29:06,360 Speaker 1: Durants a far purer shooter. Lebron knows how to score. 490 00:29:07,000 --> 00:29:09,880 Speaker 1: It's not always pretty, but he, Kobe and Durant got 491 00:29:09,920 --> 00:29:13,040 Speaker 1: style points. It's the pretty and it's the style. It's 492 00:29:13,120 --> 00:29:19,480 Speaker 1: that because so much of NBA analysis is not who's 493 00:29:19,520 --> 00:29:22,920 Speaker 1: the most effective, it's who reminds me the most of 494 00:29:22,960 --> 00:29:26,840 Speaker 1: Michael Jordan, and Jordan, while early in his career was 495 00:29:26,880 --> 00:29:30,480 Speaker 1: a high flyer, when he was winning championships, it was 496 00:29:30,560 --> 00:29:32,840 Speaker 1: mid range, it was jump shots, it was that kind 497 00:29:32,880 --> 00:29:37,000 Speaker 1: of balletic scoring. And Lebron it's one of the reasons 498 00:29:37,000 --> 00:29:40,200 Speaker 1: why people almost like have discounted some of his buzzer 499 00:29:40,200 --> 00:29:42,440 Speaker 1: beaters because they can't remember the one in the playoffs 500 00:29:42,480 --> 00:29:44,680 Speaker 1: against the Pacers came on a layup. He had a 501 00:29:44,720 --> 00:29:47,280 Speaker 1: buzzer beating layup, and so like like, well, that doesn't 502 00:29:47,320 --> 00:29:51,200 Speaker 1: really count. Well it does literally counts, and it's the 503 00:29:51,800 --> 00:29:55,960 Speaker 1: because it is not scoring the way people are used 504 00:29:56,000 --> 00:29:59,000 Speaker 1: to seeing people score. But I think you could argue 505 00:29:59,400 --> 00:30:01,360 Speaker 1: like this, It's what's interesting when we talk about the 506 00:30:01,400 --> 00:30:06,440 Speaker 1: greatest scores in NBA history, people aren't. They'll list five 507 00:30:06,600 --> 00:30:11,880 Speaker 1: names before mentioning one, two and three in all time scoring, 508 00:30:13,080 --> 00:30:15,600 Speaker 1: Malone and Lebron, and so like, Now, I think you 509 00:30:15,640 --> 00:30:18,960 Speaker 1: can argue obviously Jordan was the best score ever because 510 00:30:19,040 --> 00:30:20,840 Speaker 1: he just didn't play along enough, but he was thirty 511 00:30:20,840 --> 00:30:22,600 Speaker 1: three a game in the playoffs, thirty a game for 512 00:30:22,640 --> 00:30:25,520 Speaker 1: his career. But other than Jordan, I think Lebron's got 513 00:30:25,560 --> 00:30:27,440 Speaker 1: his case for anyone, But Lebron's got to create these 514 00:30:27,480 --> 00:30:31,600 Speaker 1: little you know, yes, a ghost to punch at. Yeah, 515 00:30:31,640 --> 00:30:34,600 Speaker 1: and that's what I thought he was doing that. Okay, 516 00:30:34,640 --> 00:30:38,040 Speaker 1: this season is lost. Now I'm going to focus on 517 00:30:38,080 --> 00:30:41,240 Speaker 1: passing Carl Malone. Maybe I can be h you know, 518 00:30:41,360 --> 00:30:45,880 Speaker 1: Herculean and I can we can do surprise somebody in 519 00:30:45,920 --> 00:30:49,760 Speaker 1: the playoffs. Maybe, But this just felt like it was 520 00:30:49,800 --> 00:30:52,920 Speaker 1: another motivational tool. That's fair. Can I do I know 521 00:30:53,000 --> 00:30:54,600 Speaker 1: I'm only on with you like once a month, but 522 00:30:54,680 --> 00:30:57,080 Speaker 1: can I can I start every time I'm on with you? 523 00:30:57,120 --> 00:30:58,880 Speaker 1: Can we do one thing at the end. I don't 524 00:30:58,880 --> 00:31:00,760 Speaker 1: know if we're near the end, but I'm like, do it? Okay, 525 00:31:00,800 --> 00:31:04,200 Speaker 1: where I predict the future take that's coming that's getting ready, 526 00:31:04,240 --> 00:31:06,640 Speaker 1: it's in the hop or not for me, not from 527 00:31:06,680 --> 00:31:08,840 Speaker 1: you in this show, but a take that is going 528 00:31:08,880 --> 00:31:12,080 Speaker 1: to be in the sports media, you know ether. Okay, 529 00:31:13,960 --> 00:31:19,120 Speaker 1: Lebron James is selfish for winning the scoring title. Lebron 530 00:31:19,240 --> 00:31:22,959 Speaker 1: James winning the scoring title is actually not good, Lebron 531 00:31:23,080 --> 00:31:25,840 Speaker 1: j Lebron James was not as focused on winning the 532 00:31:25,920 --> 00:31:30,040 Speaker 1: scoring title. Maybe he would, you know, shut it down 533 00:31:30,080 --> 00:31:32,560 Speaker 1: for the year. Maybe the Lakers would be better off 534 00:31:32,720 --> 00:31:35,240 Speaker 1: it is going to be a cudgel used against him, 535 00:31:35,760 --> 00:31:38,960 Speaker 1: mark my words. Yeah, I could see it. Look, but 536 00:31:39,120 --> 00:31:41,960 Speaker 1: you work on a network where you have somebody who 537 00:31:42,000 --> 00:31:45,880 Speaker 1: looks at what is the negative Lebron James story, and 538 00:31:45,920 --> 00:31:48,960 Speaker 1: if there isn't one, Skip Bayliss creates it. Oh, I 539 00:31:49,000 --> 00:31:51,920 Speaker 1: thought you're talking about Kevin Wilds. It works on my show. 540 00:31:51,640 --> 00:31:56,960 Speaker 1: Wow that's the kind Uh yeah, listen there there needs 541 00:31:56,960 --> 00:31:59,760 Speaker 1: to be balanced in the universe, Dan, And so there's 542 00:31:59,800 --> 00:32:04,920 Speaker 1: me the skit. Have you ever called out Skip Baylor's 543 00:32:05,000 --> 00:32:07,719 Speaker 1: for one of his takes? I was on. I was 544 00:32:07,800 --> 00:32:11,560 Speaker 1: sitting across the table from him right before my hour 545 00:32:11,680 --> 00:32:17,360 Speaker 1: show launched the day Game three of the Finals in Cleveland, 546 00:32:17,480 --> 00:32:20,480 Speaker 1: the first year the Warriors had Durant. When Durant hit 547 00:32:20,520 --> 00:32:24,440 Speaker 1: the shot on Lebron to go up three ozh, Yeah, 548 00:32:24,480 --> 00:32:28,640 Speaker 1: we had a nice fifteen minutes back and forth. I 549 00:32:29,320 --> 00:32:32,600 Speaker 1: landed a nice I will say I was proud I 550 00:32:32,680 --> 00:32:35,320 Speaker 1: landed a pretty nice, nice one because we that. That 551 00:32:35,440 --> 00:32:38,960 Speaker 1: then turned into a discussion about the championship with Cleveland 552 00:32:39,000 --> 00:32:42,239 Speaker 1: the year before, and I was told Kyrie Irving hit 553 00:32:42,280 --> 00:32:45,880 Speaker 1: the game winning shot, and I said, no, Kyrie Irving 554 00:32:45,920 --> 00:32:49,600 Speaker 1: didn't win the game. Going up by three in the 555 00:32:49,640 --> 00:32:51,920 Speaker 1: finals doesn't win you the game. You know, I would 556 00:32:51,920 --> 00:32:54,320 Speaker 1: have thought ray Allen taught everybody that going up by three, 557 00:32:54,360 --> 00:32:57,560 Speaker 1: because there's when people forget Game seven against the Warriors. 558 00:32:57,800 --> 00:33:01,400 Speaker 1: The clinching points were made by one lebron Raymond James, 559 00:33:01,600 --> 00:33:04,840 Speaker 1: right after Draymond Green brutalize him. I thought he broke 560 00:33:04,920 --> 00:33:07,640 Speaker 1: his wrist, he will brained it back, and he heroically 561 00:33:07,640 --> 00:33:10,200 Speaker 1: made a free throw. That's what won the game. Going 562 00:33:10,320 --> 00:33:12,600 Speaker 1: up four wins you the game. Going up three is nice. 563 00:33:12,880 --> 00:33:15,360 Speaker 1: Four wins you the game. History will reap, all right. 564 00:33:15,400 --> 00:33:18,640 Speaker 1: So we're predicting hot takes. I like it. Now. I 565 00:33:18,640 --> 00:33:21,040 Speaker 1: didn't say hot takes. It's just gonna be in the ether. 566 00:33:21,400 --> 00:33:23,400 Speaker 1: It's gonna be out there. Who said it's a hot take? 567 00:33:23,560 --> 00:33:25,400 Speaker 1: But I think, you know what, I think, just like 568 00:33:25,480 --> 00:33:29,280 Speaker 1: Russell Westbrook thinks west Brick has turned into not a 569 00:33:29,360 --> 00:33:34,280 Speaker 1: slur but something very pejorative. I think hot take is pejorative. 570 00:33:34,440 --> 00:33:37,080 Speaker 1: People are like, oh, I always have these writers. They 571 00:33:37,320 --> 00:33:39,680 Speaker 1: send these little tweets. They're like, oh, these hot take 572 00:33:39,800 --> 00:33:42,760 Speaker 1: artists on television, Like first of all artists correct, second 573 00:33:42,800 --> 00:33:46,720 Speaker 1: of all take correct, third of all What has anyone 574 00:33:46,720 --> 00:33:50,040 Speaker 1: ever been like, hey, give me some lukewarm soup. No, 575 00:33:50,360 --> 00:33:52,680 Speaker 1: you want some hot soup. Things that are hot are 576 00:33:52,720 --> 00:33:56,880 Speaker 1: supposed to be good. They're more delicious, they're more attractive. Yeah, 577 00:33:57,080 --> 00:33:59,680 Speaker 1: so you know what, That's what I'm doing. I'm reclaiming 578 00:33:59,680 --> 00:34:03,600 Speaker 1: the world. Hot take is a positive. Thank you, Nick, 579 00:34:04,440 --> 00:34:07,600 Speaker 1: no problem, will talk. Okay, that's Nick Ryan. First things first, 580 00:34:07,600 --> 00:34:10,239 Speaker 1: co host Fox Sports one Fretzee book Nick in a 581 00:34:10,280 --> 00:34:12,040 Speaker 1: month from now. I got it, Okay, I just want 582 00:34:12,040 --> 00:34:15,799 Speaker 1: to make sure I haven't back. Maybe Nick co host 583 00:34:16,120 --> 00:34:19,080 Speaker 1: maybe hosting this show one day, but then he would 584 00:34:19,160 --> 00:34:21,440 Speaker 1: have to not do his show on First things first, 585 00:34:23,360 --> 00:34:26,040 Speaker 1: you know, put that invitation out. We're gonna go fishing, 586 00:34:26,080 --> 00:34:28,239 Speaker 1: We're gonna go golfing. And then maybe when I'm not 587 00:34:28,360 --> 00:34:32,040 Speaker 1: here a couple of days, Nick will call in sick 588 00:34:32,080 --> 00:34:34,200 Speaker 1: and Fox nobody will ever know, and then he could 589 00:34:34,200 --> 00:34:37,359 Speaker 1: do this show. Yes, fishing seems I mean, I've done ball, 590 00:34:37,400 --> 00:34:39,719 Speaker 1: but fishing is so much more relaxing than golfing. It's 591 00:34:39,719 --> 00:34:43,480 Speaker 1: not even close, right, No one gets tense when they're fishing. Well, fishing, 592 00:34:43,520 --> 00:34:46,799 Speaker 1: you just it's an excuse to drink. Yeah, golfing you 593 00:34:46,840 --> 00:34:49,920 Speaker 1: still have to actually golf fishing, you just kind of 594 00:34:50,480 --> 00:34:53,080 Speaker 1: you go deep sea fishing, you just sit there. Fly 595 00:34:53,160 --> 00:34:55,440 Speaker 1: fishing is work, but that deep sea fishing could be 596 00:34:55,440 --> 00:34:57,040 Speaker 1: work if you get one of those big ones on 597 00:34:57,040 --> 00:34:58,880 Speaker 1: the reel, now man, you can. I mean, they have 598 00:34:58,880 --> 00:35:02,440 Speaker 1: guys who will do that for I just love fish 599 00:35:02,560 --> 00:35:05,160 Speaker 1: on And then you know everybody has to pull their 600 00:35:05,280 --> 00:35:07,320 Speaker 1: rod and reel out of the water. There fish on. 601 00:35:08,480 --> 00:35:10,200 Speaker 1: All right, We'll take a break. Last call for phone. 602 00:35:10,440 --> 00:35:12,919 Speaker 1: Got more people want to tell me their saddest song 603 00:35:13,040 --> 00:35:16,400 Speaker 1: of all time? Back after this. Thanks for listening to 604 00:35:16,400 --> 00:35:18,920 Speaker 1: The Dan Patrick Show podcast. Be sure to catch us 605 00:35:19,000 --> 00:35:21,799 Speaker 1: live every weekday morning nine until noon eastern six to 606 00:35:21,920 --> 00:35:24,719 Speaker 1: nine Pacific on Fox Sports Radio, and you can find 607 00:35:24,800 --> 00:35:28,839 Speaker 1: us on the iHeartRadio app at FSR or stream us 608 00:35:28,880 --> 00:35:34,560 Speaker 1: live on the Peacock app Mike ches. If you want 609 00:35:34,600 --> 00:35:37,239 Speaker 1: exclusive insight from the biggest names in the sports game, 610 00:35:37,760 --> 00:35:40,279 Speaker 1: what's good? This is national champion and former pro baller 611 00:35:40,400 --> 00:35:42,879 Speaker 1: Chris Johnson. Let me tell you a little bit about 612 00:35:42,920 --> 00:35:45,239 Speaker 1: my new series kJ Live. kJ Live is the only 613 00:35:45,239 --> 00:35:47,880 Speaker 1: show featuring me going one on one with the brightest 614 00:35:47,880 --> 00:35:50,800 Speaker 1: basketball minds on the planet to get the real And 615 00:35:50,920 --> 00:35:54,160 Speaker 1: when I say real, I mean that real. I got 616 00:35:54,280 --> 00:35:57,920 Speaker 1: legendary Hall of famers, elite coaches, and the top basketball 617 00:35:57,960 --> 00:36:02,120 Speaker 1: inside is bringing you a perspective on all things hoops 618 00:36:02,160 --> 00:36:06,440 Speaker 1: culture that you will not find anywhere to make your 619 00:36:06,480 --> 00:36:08,960 Speaker 1: next move your best move and tap in with me 620 00:36:09,280 --> 00:36:15,640 Speaker 1: from kJ Live wherever you get your podcast from and 621 00:36:16,040 --> 00:36:19,839 Speaker 1: case you're just joining us. All that drama, all that speculation, 622 00:36:20,040 --> 00:36:24,640 Speaker 1: all that talk, Aaron Rodgers staying in Green Bay, reportedly 623 00:36:24,880 --> 00:36:28,520 Speaker 1: signing a four year deal worth over two hundred million dollars. 624 00:36:29,120 --> 00:36:30,640 Speaker 1: You know, the first person I thought of when I 625 00:36:30,640 --> 00:36:35,120 Speaker 1: heard the story, Jordan Love, the quarterback, the backup quarterback 626 00:36:35,160 --> 00:36:38,759 Speaker 1: in Green Bay, the backup quarterback for the next couple 627 00:36:38,800 --> 00:36:43,239 Speaker 1: of years, three years is a backup quarterback, and I 628 00:36:43,280 --> 00:36:46,080 Speaker 1: guess he'll continue to be the backup quarterback. If you're 629 00:36:46,160 --> 00:36:49,120 Speaker 1: Jordan Love, do you say to the Packers? Can you 630 00:36:49,160 --> 00:36:52,440 Speaker 1: release me? Can you trade me? Could I get a 631 00:36:52,480 --> 00:36:55,879 Speaker 1: shot at playing somewhere? But find the Packers? I'm like, no, 632 00:36:55,920 --> 00:36:57,640 Speaker 1: we want to keep you. You've been in the system 633 00:36:57,880 --> 00:37:01,120 Speaker 1: and we're gonna keep you. Insurance for Aaron Rodgers, there 634 00:37:01,640 --> 00:37:04,279 Speaker 1: got this day in sports history. More phone calls coming up. 635 00:37:04,719 --> 00:37:07,360 Speaker 1: The saddest song. There was a survey done in England. 636 00:37:07,400 --> 00:37:09,640 Speaker 1: That's how we stumbled upon this. The satdast song. Ever, 637 00:37:09,760 --> 00:37:13,160 Speaker 1: I think it was Rims Everybody Hurts was the winner there. 638 00:37:14,080 --> 00:37:17,359 Speaker 1: I have a friend who is a big USC fan. 639 00:37:17,440 --> 00:37:20,879 Speaker 1: He says, the saddest song is the UCLA fight song. Wow, 640 00:37:22,360 --> 00:37:25,160 Speaker 1: that's pretty good, pretty good, and that's pretty good. Dirk 641 00:37:25,280 --> 00:37:30,080 Speaker 1: Nvitski will join us circuses in Thong. Derk is going 642 00:37:30,160 --> 00:37:33,480 Speaker 1: to join us tomorrow in the program. One great Shooter 643 00:37:33,520 --> 00:37:36,399 Speaker 1: to Another. I'll still never forget when we were there 644 00:37:36,400 --> 00:37:41,120 Speaker 1: in Dallas and I'm in a shooting contest and Dirk 645 00:37:41,200 --> 00:37:44,279 Speaker 1: came in at their practice facility. It was he was 646 00:37:44,320 --> 00:37:47,040 Speaker 1: in no mood to joke around, and all of a 647 00:37:47,080 --> 00:37:50,040 Speaker 1: sudden he saw me there and who am I shooting 648 00:37:50,080 --> 00:37:55,640 Speaker 1: against Abrey Johnson? We got a game a horse and uh, Dirk, 649 00:37:56,000 --> 00:37:58,640 Speaker 1: you know, the practice facility is down below, and there's 650 00:37:58,640 --> 00:38:02,200 Speaker 1: his long stare case and Dirt comes in and he 651 00:38:02,239 --> 00:38:06,919 Speaker 1: looks and then he says the following, the circus isn't town. 652 00:38:07,840 --> 00:38:10,080 Speaker 1: And then every time you guys kept going another round 653 00:38:10,120 --> 00:38:13,360 Speaker 1: of shooting you go, you just hear it on the corner, 654 00:38:13,400 --> 00:38:16,560 Speaker 1: like because you're delaying practice. I know, I kept making shots. 655 00:38:16,560 --> 00:38:19,360 Speaker 1: So you know, I was holding off Avery Johnson in 656 00:38:19,400 --> 00:38:23,360 Speaker 1: this game, and uh then I would hear the bus 657 00:38:23,440 --> 00:38:31,480 Speaker 1: is backing up. He was great though, John in South Carolina? 658 00:38:31,560 --> 00:38:36,000 Speaker 1: Hi John, what's on your mind today? Hey Dan? Five 659 00:38:36,040 --> 00:38:41,960 Speaker 1: foot seven? A soft dead bod two ten soft listen, 660 00:38:42,040 --> 00:38:44,560 Speaker 1: sense of dates, back with the Nasty Boy and collecting 661 00:38:44,600 --> 00:38:47,840 Speaker 1: all those bottle heads, hoping you make it down for 662 00:38:47,880 --> 00:38:50,480 Speaker 1: a Monday after the Mattress this year. But the Far 663 00:38:50,600 --> 00:38:53,640 Speaker 1: and Away the Sabbat song is Terry Jack's Seasons in 664 00:38:53,680 --> 00:38:57,479 Speaker 1: the Sun. Okay, yeah, we had joy. We had fun. 665 00:38:57,560 --> 00:39:00,520 Speaker 1: We had Seasons in the Sun. Thank you, John, Mike 666 00:39:00,600 --> 00:39:03,399 Speaker 1: and Texas I Mike, what's on your mind? Hey Dan? 667 00:39:03,520 --> 00:39:07,120 Speaker 1: Hey boys? Uh yeah, before I mentioned Renee Zelberger from 668 00:39:07,400 --> 00:39:10,319 Speaker 1: Beautiful Katie Texas thirty Miles outside of Houston with Josh 669 00:39:10,360 --> 00:39:14,839 Speaker 1: Dea Meluh the saddest song, I thought, Uh, well, one 670 00:39:14,880 --> 00:39:19,279 Speaker 1: of them is Vincent by Don McClean. Pretty pretty rough, 671 00:39:19,600 --> 00:39:21,640 Speaker 1: pretty rough about you know, Vincent van go in the 672 00:39:21,719 --> 00:39:26,080 Speaker 1: cornfield or wheatfield. But uh love the show and thanks again, Yeah, 673 00:39:26,080 --> 00:39:28,839 Speaker 1: thank you Mike. Yeah, I think he wrote that. Don 674 00:39:28,920 --> 00:39:31,799 Speaker 1: McLean's other song was Vincent, and I think that was 675 00:39:31,880 --> 00:39:36,960 Speaker 1: about Vincent van Go. Thank you wouldn't think that, like, 676 00:39:37,120 --> 00:39:39,160 Speaker 1: you know you're gonna write about Vincent van Go, But 677 00:39:39,440 --> 00:39:41,759 Speaker 1: I think that's what the song was about. Yes, that's 678 00:39:41,760 --> 00:39:44,160 Speaker 1: a guy whose second best song of all time is 679 00:39:44,600 --> 00:39:52,160 Speaker 1: not even close. Doug in Syracuse, Hi, Doug, Daniel Swish Patrick, 680 00:39:52,320 --> 00:39:56,399 Speaker 1: thank you. Um. Kenny Rogers came out with the song 681 00:39:56,520 --> 00:40:00,640 Speaker 1: right after he died, called Goodbye, written by Lionel Richie 682 00:40:00,880 --> 00:40:04,719 Speaker 1: is a very sad song. I'll give that a spin. 683 00:40:05,160 --> 00:40:06,919 Speaker 1: See you kind of kind of gear up for these 684 00:40:06,920 --> 00:40:10,440 Speaker 1: sad songs. You just yeah, I don't know if I'm 685 00:40:10,440 --> 00:40:13,400 Speaker 1: gonna go to Spotify and go give me saddest songs 686 00:40:13,400 --> 00:40:16,160 Speaker 1: of all time here? You could, though, I could, but 687 00:40:16,320 --> 00:40:19,960 Speaker 1: I I don't know. It seems like a downer of 688 00:40:20,000 --> 00:40:24,520 Speaker 1: an afternoon. I'd rather hang out with Todd. I'm not 689 00:40:24,680 --> 00:40:30,040 Speaker 1: saying something. I'm just kidding. Todd Yeah, no offense, no offense, Yeah, 690 00:40:30,080 --> 00:40:33,759 Speaker 1: you know, or or todd sings the saddest songs of 691 00:40:33,800 --> 00:40:39,359 Speaker 1: all time? Getting that songs? This is so much so 692 00:40:39,760 --> 00:40:42,080 Speaker 1: ton om on, that's kind of a happy song about 693 00:40:42,160 --> 00:40:45,800 Speaker 1: sad songs. Don't you think that's Elton John? Yeah, Okay, 694 00:40:46,760 --> 00:40:51,000 Speaker 1: so much Paulie. This dang sports history. Oh, I've got 695 00:40:51,040 --> 00:40:53,640 Speaker 1: a few whole please. It's a New York Yankee signed 696 00:40:53,640 --> 00:40:55,560 Speaker 1: Babe Ruth in nineteen thirty to a two year deal 697 00:40:55,920 --> 00:40:58,840 Speaker 1: for one hundred and sixty thousand total and Joe Frazier 698 00:40:58,880 --> 00:41:01,120 Speaker 1: in nineteen seventy one. Team is Heavy Way Championship by 699 00:41:01,080 --> 00:41:03,799 Speaker 1: defeating Muhammadai in a fifteen round decision. It was all 700 00:41:03,880 --> 00:41:06,600 Speaker 1: these first loss in thirty two fights. And this is 701 00:41:06,600 --> 00:41:08,279 Speaker 1: an old school one. We were on the airback then. 702 00:41:08,320 --> 00:41:11,880 Speaker 1: Todd Bertusi the Canucks hit Steve more than Avalanche from behind. 703 00:41:12,560 --> 00:41:17,160 Speaker 1: Bertusi had broken that concussion for more. Yeah, suspended for 704 00:41:17,160 --> 00:41:19,360 Speaker 1: the remainder of the regular season, the playoffs, and his 705 00:41:19,440 --> 00:41:21,359 Speaker 1: eligibility would be reassessed. It was a big deal at 706 00:41:21,360 --> 00:41:23,360 Speaker 1: the time. Yeah, I think they were looking at criminal 707 00:41:23,440 --> 00:41:26,600 Speaker 1: charges with him. By the way, there's a report Kyler 708 00:41:26,640 --> 00:41:30,600 Speaker 1: Murray wants a new deal done by the draft. I 709 00:41:30,760 --> 00:41:36,200 Speaker 1: wonder if Aaron Rodgers contract changes anything for anybody, Lamar Jackson, 710 00:41:36,280 --> 00:41:39,600 Speaker 1: I want that one, Ler. Yeah. I'm waiting for Kyler 711 00:41:39,680 --> 00:41:42,719 Speaker 1: Murray to say, can I have a contract like Aaron 712 00:41:42,800 --> 00:41:45,000 Speaker 1: rod Can I get that one? That's the one that 713 00:41:45,120 --> 00:41:49,600 Speaker 1: I want I find a result of the poll question Seaton, Well, Dan, 714 00:41:49,719 --> 00:41:52,480 Speaker 1: we had to go and we had seventy three percent 715 00:41:52,640 --> 00:41:55,000 Speaker 1: of our audience knew Aaron Rodgers was going back to 716 00:41:55,040 --> 00:41:57,560 Speaker 1: the packers. But then, when we haven't touched since the 717 00:41:57,880 --> 00:42:00,640 Speaker 1: beginning of the second hour, chest hair, believe it or not, 718 00:42:00,760 --> 00:42:04,480 Speaker 1: fifty six percent of the audience not hot, not hot. 719 00:42:06,120 --> 00:42:09,759 Speaker 1: I'd like to know who voted on that, Like, you know, 720 00:42:09,840 --> 00:42:12,960 Speaker 1: a guy, he's probably never voted on a poll question. 721 00:42:12,960 --> 00:42:14,640 Speaker 1: He's voting on that. Well, there are a lot of 722 00:42:14,719 --> 00:42:17,880 Speaker 1: chest harrists who were like, whoa, whoa, Well, hold on, 723 00:42:17,960 --> 00:42:20,279 Speaker 1: you can't just lump us all together. Okay, some of 724 00:42:20,360 --> 00:42:22,239 Speaker 1: us have great chest hair, some of us don't. You 725 00:42:22,239 --> 00:42:25,160 Speaker 1: can't just say chess hair. Blanket statement Todd, what'd you 726 00:42:25,200 --> 00:42:27,919 Speaker 1: learn today? Compared to his huge head and Torso Russ 727 00:42:27,960 --> 00:42:31,320 Speaker 1: Tucker and Mitzi has freakishly small arms and hands setan 728 00:42:31,360 --> 00:42:35,279 Speaker 1: would you learn Nick Wright? Hardcore fisherman margin. We're going 729 00:42:35,280 --> 00:42:39,120 Speaker 1: to jast Mail's wedding. Yes we are, Paulie. It's chess Harrians, 730 00:42:39,200 --> 00:42:41,840 Speaker 1: Chess Harrians. What we learned? 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