1 00:00:00,040 --> 00:00:03,360 Speaker 1: Hey, listeners, it's James Parker. Can you keep a secret? 2 00:00:03,520 --> 00:00:06,080 Speaker 1: The next episode of Daughters of d C is up next, 3 00:00:06,480 --> 00:00:12,880 Speaker 1: But first a quick word from our sponsor, Iron Horns 4 00:00:12,920 --> 00:00:16,360 Speaker 1: Epic Productions. And I heard Radio present Daughters of DC. 5 00:00:20,239 --> 00:00:24,440 Speaker 1: What's wrong with me? Why am I such a coward? 6 00:00:25,440 --> 00:00:29,040 Speaker 1: When Locksmith implied that my own mother was entangled with 7 00:00:29,120 --> 00:00:32,920 Speaker 1: Judge Red and some awful plan. Did I confront or 8 00:00:32,920 --> 00:00:36,360 Speaker 1: about it? Did I ask her face to face what 9 00:00:36,520 --> 00:00:41,200 Speaker 1: she gets out of their relationship? No, because running away 10 00:00:41,240 --> 00:00:48,520 Speaker 1: from confrontation is kind of my thing. Sure, and here 11 00:00:48,880 --> 00:00:53,000 Speaker 1: I'm brave. Here, I'm Storm Alloy, last survivor of the 12 00:00:53,040 --> 00:00:57,680 Speaker 1: Malbot Wars, defender of the freedom of information. Here I'm 13 00:00:57,720 --> 00:01:00,280 Speaker 1: a hero. I guess it's easy to be a hero 14 00:01:00,600 --> 00:01:03,560 Speaker 1: when you're just an avatar wearing digital skin. But in 15 00:01:03,600 --> 00:01:09,959 Speaker 1: the real world, in the real world, all I wanna 16 00:01:10,040 --> 00:01:14,600 Speaker 1: do is blend in and disappear. I'm just a black 17 00:01:14,760 --> 00:01:18,399 Speaker 1: female coding nerd lost in a sea of rich white 18 00:01:18,400 --> 00:01:23,200 Speaker 1: Machiavelli's I never say what I mean, I never stand 19 00:01:23,280 --> 00:01:27,760 Speaker 1: up for myself. I am a coward. So when I 20 00:01:27,800 --> 00:01:31,120 Speaker 1: have the chance to see real bravery and action, I 21 00:01:31,200 --> 00:01:35,800 Speaker 1: take note of it. I appreciate just how special it 22 00:01:35,880 --> 00:01:44,200 Speaker 1: really is. All Right, I'm ready, me too, How are 23 00:01:44,240 --> 00:01:46,880 Speaker 1: you guys feeling? I've never been more scared in my life, 24 00:01:48,360 --> 00:01:57,840 Speaker 1: So let's do this. It's no secret that in Washington, 25 00:01:57,960 --> 00:02:01,560 Speaker 1: d C. Corruption is ever aware. You could say it's 26 00:02:01,560 --> 00:02:04,560 Speaker 1: gone viral. That's why my friends and I decided to 27 00:02:04,560 --> 00:02:09,640 Speaker 1: take on the system from the inside. I'm James, I'm Peyton, 28 00:02:09,720 --> 00:02:21,720 Speaker 1: I'm Celia, I'm Natalie, and we're the daughters. Ac See, 29 00:02:22,080 --> 00:02:24,840 Speaker 1: just like I said, no one's ever in the chapel. 30 00:02:25,080 --> 00:02:30,160 Speaker 1: Come on, I'm thinking we'll frame you both right here 31 00:02:30,200 --> 00:02:33,680 Speaker 1: by the stained glass gets some natural sidelight to make 32 00:02:33,680 --> 00:02:38,160 Speaker 1: you pop. Whatever you think it's based. Sure, you guys 33 00:02:38,160 --> 00:02:43,240 Speaker 1: are so brave. For the hundredth time. Thank you, James. Now, 34 00:02:43,280 --> 00:02:47,040 Speaker 1: please stop saying it. It makes me feel weird. I 35 00:02:47,120 --> 00:02:53,080 Speaker 1: wish I didn't have to be brave. Sorry. Sorry, do 36 00:02:53,120 --> 00:02:54,760 Speaker 1: you have the live stream set up yet? It'll be 37 00:02:54,840 --> 00:03:00,960 Speaker 1: ready in just a second, now, are you okay? I yeah, 38 00:03:01,120 --> 00:03:05,000 Speaker 1: I'm just thinking. My family is pretty well connected, but 39 00:03:06,000 --> 00:03:09,520 Speaker 1: we're nothing like the reads. Are you having a second thought? 40 00:03:11,000 --> 00:03:18,639 Speaker 1: It's just that I'm worried I won't sound as credible 41 00:03:18,720 --> 00:03:24,920 Speaker 1: to the general public as you, she means as white. Yeah, basically, 42 00:03:25,919 --> 00:03:28,320 Speaker 1: white people tend to think that non white people are 43 00:03:28,360 --> 00:03:34,800 Speaker 1: just making trouble, not worth listening to. I know, I'm sorry. 44 00:03:35,920 --> 00:03:37,160 Speaker 1: You don't have to do this with me. If you 45 00:03:37,200 --> 00:03:40,920 Speaker 1: don't want to, I'd understand. I'm in it. If you are, 46 00:03:41,840 --> 00:03:46,720 Speaker 1: I'm in it. Okay, then live stream is ready? All right, 47 00:03:46,800 --> 00:03:52,000 Speaker 1: you two, it's showtime. Let's tell the world about this 48 00:03:52,160 --> 00:03:59,720 Speaker 1: a whole. Okay, we're recording. My name is Peyton Blackburn 49 00:04:00,080 --> 00:04:03,000 Speaker 1: and I'm Valentina Saldana, and we want to talk to 50 00:04:03,040 --> 00:04:10,640 Speaker 1: you about our experiences with our experiences with sexual assault, 51 00:04:12,920 --> 00:04:19,480 Speaker 1: hift love. What's going on with you? Get your head 52 00:04:19,480 --> 00:04:26,040 Speaker 1: in the game, thirty love. Come on, let's at least volley. 53 00:04:26,880 --> 00:04:28,760 Speaker 1: We've got to get ready for a doubles tournament at 54 00:04:28,760 --> 00:04:32,520 Speaker 1: the club next month. Celia, Are you seeing this? What 55 00:04:32,880 --> 00:04:37,040 Speaker 1: my killer served? It's Peyton Blackburn and Valentina Saldana. They're 56 00:04:37,080 --> 00:04:44,040 Speaker 1: like doing a me too there? What look? Turn up 57 00:04:44,040 --> 00:04:48,680 Speaker 1: the volume. When I said I just wanted a kiss, 58 00:04:50,240 --> 00:04:54,600 Speaker 1: he didn't listen. In spite of my please, he just 59 00:04:54,680 --> 00:05:02,120 Speaker 1: kept going. Tanner red assaulted me. Tanner assaulted me too. 60 00:05:03,279 --> 00:05:06,080 Speaker 1: And afterwards he didn't even seem to understand that he 61 00:05:06,160 --> 00:05:11,159 Speaker 1: did anything wrong, because Tanner lives in a world where 62 00:05:11,680 --> 00:05:15,040 Speaker 1: everyone tells him over and over again that he isn't 63 00:05:15,320 --> 00:05:19,040 Speaker 1: doing anything wrong, that he's a winner, and so he's 64 00:05:19,200 --> 00:05:23,400 Speaker 1: entitled to special privileges. These are the same people who 65 00:05:23,400 --> 00:05:26,919 Speaker 1: are quick to portray girls like Peyton and me as sluts. 66 00:05:28,040 --> 00:05:31,240 Speaker 1: And you know what, I'm ashamed to admit I've been 67 00:05:31,240 --> 00:05:34,560 Speaker 1: one of those people myself. Tanner broke up with me 68 00:05:34,600 --> 00:05:36,880 Speaker 1: because I called him out on what he'd done, and 69 00:05:36,960 --> 00:05:40,400 Speaker 1: without knowing the full story, without even asking me anything 70 00:05:40,440 --> 00:05:45,080 Speaker 1: at all, our whole school took his side. We're not 71 00:05:45,160 --> 00:05:49,440 Speaker 1: looking for attention. We just want people to know the truth, 72 00:05:50,279 --> 00:05:52,800 Speaker 1: because as long as we're made to feel afraid of 73 00:05:52,839 --> 00:05:56,719 Speaker 1: the truth, people like Tanner will be able to thrive. 74 00:05:57,400 --> 00:06:02,920 Speaker 1: My name is Peyton Blackburn and I'm Valentina Selda, and 75 00:06:03,040 --> 00:06:10,960 Speaker 1: we won't be afraid anymore. WHOA What kind of numbers? 76 00:06:11,000 --> 00:06:13,680 Speaker 1: Is the video getting? Nothing noteworthy? I only thought it 77 00:06:13,680 --> 00:06:17,720 Speaker 1: because Tanna's trying to flame war it out of existence. Really, well, 78 00:06:17,800 --> 00:06:20,880 Speaker 1: we'll see about that. I know that. Look, you're going 79 00:06:20,920 --> 00:06:23,880 Speaker 1: to blow it up, aren't you. Misha One does not 80 00:06:24,040 --> 00:06:27,880 Speaker 1: simply blow it up. One must choose when to use 81 00:06:27,920 --> 00:06:31,520 Speaker 1: one's powers of influence for benevolent reasons. You do, you, Sue, 82 00:06:31,960 --> 00:06:34,680 Speaker 1: But I'd be careful. I know my parents wouldn't want 83 00:06:34,680 --> 00:06:45,720 Speaker 1: me getting caught up in all of this. Neither would mine. Um, okay, Peyton, Yeah, 84 00:06:45,760 --> 00:06:47,680 Speaker 1: I just wanted to say that what you both did 85 00:06:48,760 --> 00:06:56,200 Speaker 1: is amazing. Thank you. Yeah you know, um something similar 86 00:06:56,360 --> 00:07:01,600 Speaker 1: happened to me freshman year. I'm so sorry. Yeah, anyway, Um, 87 00:07:01,800 --> 00:07:08,440 Speaker 1: way to go. Wow, I guess we made a little impact. Payton. 88 00:07:08,560 --> 00:07:12,120 Speaker 1: Don't look now, but Sander's coming. Hold my hand if 89 00:07:12,160 --> 00:07:16,360 Speaker 1: you hold mine. Hey, what the hell? We're on our 90 00:07:16,360 --> 00:07:19,000 Speaker 1: way to class. We've already said everything we needed to 91 00:07:19,040 --> 00:07:20,840 Speaker 1: say to you, So when do I get to share 92 00:07:20,920 --> 00:07:25,720 Speaker 1: my son? Remember last year, my report, your army of lawyers, 93 00:07:25,920 --> 00:07:28,760 Speaker 1: remember everything you said about me to the whole school, 94 00:07:29,160 --> 00:07:31,920 Speaker 1: so your girls could just say whatever you want and 95 00:07:31,960 --> 00:07:36,480 Speaker 1: everyone believes you. Is that it's not fair? Did you 96 00:07:36,520 --> 00:07:39,040 Speaker 1: even watch the video? I just got bench from the 97 00:07:39,080 --> 00:07:42,880 Speaker 1: team for the rest of the season. They're opening an investigation. 98 00:07:43,440 --> 00:07:47,400 Speaker 1: Recruiters were coming. How will Dartmouth see me? Now? It's 99 00:07:47,480 --> 00:07:52,800 Speaker 1: almost like your actions have consequences. What a concept. This 100 00:07:53,200 --> 00:07:55,680 Speaker 1: is a witch hunt. I am not going to let 101 00:07:55,680 --> 00:07:58,000 Speaker 1: you get away with this. We've said what we had 102 00:07:58,040 --> 00:08:03,960 Speaker 1: to say. Please leave now to inner, I said, please 103 00:08:04,520 --> 00:08:16,120 Speaker 1: leave now, gentleman. Way, okay, thank so you guys. Have 104 00:08:16,240 --> 00:08:19,280 Speaker 1: you seen this? Celia shared your video all over and 105 00:08:19,320 --> 00:08:23,320 Speaker 1: so did all her followers. I've been avoiding the internet today. 106 00:08:23,520 --> 00:08:26,720 Speaker 1: Oh my gosh, our video is everywhere vel people are 107 00:08:26,920 --> 00:08:31,080 Speaker 1: actually watching us. Hey have you seen the news? We 108 00:08:31,200 --> 00:08:37,840 Speaker 1: heard Seelie's been sharing the video? No, the news news. Look, well, 109 00:08:37,880 --> 00:08:41,880 Speaker 1: it looks like the war on boys strikes again. I'd 110 00:08:41,920 --> 00:08:45,720 Speaker 1: say Tanner Reid is innocent until proven guilty, except he 111 00:08:45,800 --> 00:08:49,000 Speaker 1: hasn't even been charged with a cry, and with his 112 00:08:49,160 --> 00:08:52,320 Speaker 1: father being vetted for the Supreme Court, it's only a 113 00:08:52,320 --> 00:08:55,920 Speaker 1: matter of time before the President himself is forced to 114 00:08:55,920 --> 00:09:00,199 Speaker 1: weigh in. What's happened to this country when a teenage 115 00:09:00,240 --> 00:09:03,920 Speaker 1: girl armed only with a phone can hold the Supreme 116 00:09:03,960 --> 00:09:08,559 Speaker 1: Court itself? Houstine, I lay the blame on cancel culture 117 00:09:08,800 --> 00:09:13,800 Speaker 1: and liberal media vodience. More from me, Patricia Withers and 118 00:09:14,320 --> 00:09:21,080 Speaker 1: the blame game after the break, Oh my lord, Hey, 119 00:09:21,160 --> 00:09:24,320 Speaker 1: d O DC fans stay tuned More Daughters of d 120 00:09:24,400 --> 00:09:27,040 Speaker 1: C is up next, But first a quick word from 121 00:09:27,040 --> 00:09:34,199 Speaker 1: our sponsor, What's up? Daughters of DC fans head to 122 00:09:34,360 --> 00:09:36,839 Speaker 1: Daughters of DC dot com to get exclusive d o 123 00:09:36,920 --> 00:09:42,880 Speaker 1: DC news updates and content before everybody else. The story 124 00:09:42,920 --> 00:09:46,320 Speaker 1: of two brave teenage girls is resonating with thousands across 125 00:09:46,320 --> 00:09:49,880 Speaker 1: the country Today. Teens everywhere are posting their own experiences 126 00:09:49,920 --> 00:09:53,720 Speaker 1: in solidarity with the hashtag I'm with Peyton and Valentina. 127 00:09:54,880 --> 00:09:58,320 Speaker 1: So Peyton and Valentina's video, combined with Celia sharing it 128 00:09:58,360 --> 00:10:01,120 Speaker 1: far and wide across the Internet kind of caused a 129 00:10:01,160 --> 00:10:04,360 Speaker 1: whole thing. For the first time, the Daughters of d 130 00:10:04,480 --> 00:10:08,960 Speaker 1: C made the news in a good way, although not 131 00:10:09,120 --> 00:10:16,680 Speaker 1: everyone saw it like that. There is no greater supporter 132 00:10:16,880 --> 00:10:23,240 Speaker 1: of women than me, and women should be believed when 133 00:10:23,640 --> 00:10:27,160 Speaker 1: there is tangible proof. So I ask, where is the proof? 134 00:10:27,760 --> 00:10:31,480 Speaker 1: All we have is the hearsay of two teenage girls. Clearly, 135 00:10:31,520 --> 00:10:35,720 Speaker 1: Miss Blackburn and Miss Aldonna are confused, they're hurt, and 136 00:10:35,760 --> 00:10:39,120 Speaker 1: they have an ax to grind against. My boy Tanner 137 00:10:39,840 --> 00:10:43,560 Speaker 1: is a good boy and a star athlete, and his 138 00:10:43,720 --> 00:10:48,320 Speaker 1: future should not be held hostage by unsubstantiated claims that 139 00:10:48,360 --> 00:10:53,600 Speaker 1: only service suspiciously close to his father's confirmation. Hearing to 140 00:10:53,679 --> 00:11:00,839 Speaker 1: say I'm outraged is an understatement. That was the scene 141 00:11:00,880 --> 00:11:04,240 Speaker 1: earlier today as Crawford read was seen entering the White 142 00:11:04,280 --> 00:11:09,120 Speaker 1: House first as emails. Now this the question on everyone's 143 00:11:09,160 --> 00:11:14,160 Speaker 1: mind now is will the President pull his nomination? Did 144 00:11:14,160 --> 00:11:17,960 Speaker 1: you hear that, Celia, the President might pull Judge Reid's nomination? 145 00:11:18,720 --> 00:11:22,080 Speaker 1: And all because you shared those girls video. My influence 146 00:11:22,160 --> 00:11:24,680 Speaker 1: may have tipped the scales, but it's a powerful story. 147 00:11:25,040 --> 00:11:27,960 Speaker 1: I was going to get out somehow. You don't understand. 148 00:11:28,120 --> 00:11:33,360 Speaker 1: Now you're a target. What William change of plans? Cancel 149 00:11:33,400 --> 00:11:36,559 Speaker 1: a reservation at Pineapple and Pearls until Mr Leu, we're 150 00:11:36,600 --> 00:11:40,800 Speaker 1: going home? Why is this a punishment because you love 151 00:11:40,840 --> 00:11:43,600 Speaker 1: their white asparagus oconnumiaki as much as I do. Quit. 152 00:11:43,880 --> 00:11:47,880 Speaker 1: I'm thinking let me know if Peyton contacts you again, 153 00:11:48,320 --> 00:11:52,640 Speaker 1: if any of those girls do record their conversations, but 154 00:11:52,800 --> 00:11:56,320 Speaker 1: better still invite them over and let our security cameras 155 00:11:56,320 --> 00:11:59,920 Speaker 1: do the job. Yes, that would work. Mom, What is 156 00:12:00,200 --> 00:12:03,120 Speaker 1: up with you? Stop questioning me? You have no idea 157 00:12:03,200 --> 00:12:06,280 Speaker 1: what your father and I do for you? No idea? 158 00:12:07,600 --> 00:12:16,760 Speaker 1: Hurry up? William? Hey, hey, I saw paint and Valentina's video. 159 00:12:17,160 --> 00:12:20,640 Speaker 1: I guess that's why you were scoping out Hannah. Be mad. 160 00:12:20,640 --> 00:12:25,880 Speaker 1: I didn't tell you no, No, thanks Sonics. I know 161 00:12:25,960 --> 00:12:28,880 Speaker 1: your real name is Adrian, but can I still call 162 00:12:28,920 --> 00:12:33,160 Speaker 1: you on X in here? You got it? Storm? That's 163 00:12:33,200 --> 00:12:37,240 Speaker 1: so weird. I can actually picture your face now. Who 164 00:12:37,280 --> 00:12:41,920 Speaker 1: did you see me as before? No? One like a 165 00:12:42,040 --> 00:12:51,600 Speaker 1: blank blankness always knew you were gorgeous. Well, all right, 166 00:12:51,880 --> 00:12:54,800 Speaker 1: so what's the mission today? Storm? What news making adventures 167 00:12:54,800 --> 00:12:57,200 Speaker 1: do you have planned out for us? Now? Our biggest, 168 00:12:57,240 --> 00:13:00,320 Speaker 1: most challenging yet, ONYX, We're going to find out who's 169 00:13:00,360 --> 00:13:04,320 Speaker 1: watching the Watchman? Oh? Yes, Regina and King is my queen. 170 00:13:04,559 --> 00:13:10,800 Speaker 1: Let's do this? Why did you pick this place? Not 171 00:13:11,040 --> 00:13:14,240 Speaker 1: exactly on the beaten path though? I am loving this 172 00:13:14,320 --> 00:13:17,760 Speaker 1: chocolate chip skull? You want another bite? I'm good, Cole. 173 00:13:19,720 --> 00:13:25,000 Speaker 1: I needed space to breathe after releasing the video. Yeah, 174 00:13:25,840 --> 00:13:30,600 Speaker 1: I'm so sorry. Sorry you went through it. Sorry, I 175 00:13:30,600 --> 00:13:34,040 Speaker 1: I probably said some dumb stuff. I'm probably saying some 176 00:13:34,120 --> 00:13:37,040 Speaker 1: dumb stuff right now. No, I'm okay. I was just 177 00:13:37,080 --> 00:13:40,679 Speaker 1: getting overwhelmed and my parents aren't exactly happy with what 178 00:13:40,720 --> 00:13:44,320 Speaker 1: I did. Do they not believe you? They want to 179 00:13:44,360 --> 00:13:50,720 Speaker 1: control the narrative at this time. I won't let him. 180 00:13:50,760 --> 00:13:55,680 Speaker 1: I actually want to ask you, m how you're doing, 181 00:13:56,480 --> 00:14:00,600 Speaker 1: how I'm doing. I've got coffee, a skull own and 182 00:14:00,760 --> 00:14:05,080 Speaker 1: be Peyton Blackburn with me. What else could I need? Look, 183 00:14:05,200 --> 00:14:09,560 Speaker 1: I know we've gotten close, and this kind of thing 184 00:14:11,960 --> 00:14:17,960 Speaker 1: sometimes it changes the person's opinion of another person. Yeah, 185 00:14:18,160 --> 00:14:21,480 Speaker 1: of Tanner, I want to grab that live streaming a 186 00:14:21,600 --> 00:14:26,960 Speaker 1: hole's phone and shove it up. Nothing about this changes 187 00:14:27,160 --> 00:14:30,960 Speaker 1: anything for me. I mean, I hope it's going well. 188 00:14:32,360 --> 00:14:37,120 Speaker 1: Please tell me it's going well. Yeah, I think so 189 00:14:38,240 --> 00:14:41,720 Speaker 1: good because I've already started game planning Winter Formal and 190 00:14:41,760 --> 00:14:44,720 Speaker 1: we're going to wipe the floor with everyone. Winter fourmal 191 00:14:45,160 --> 00:14:51,040 Speaker 1: is a month away. It's gonna be epic And as 192 00:14:51,080 --> 00:14:55,520 Speaker 1: far as you know, getting intimate or what have you, 193 00:14:56,520 --> 00:15:00,680 Speaker 1: we'll always decide what we want, what we're ready for together. 194 00:15:02,120 --> 00:15:05,840 Speaker 1: Thanks cool, I'm thinking tango. No, you want to do 195 00:15:05,840 --> 00:15:18,040 Speaker 1: the Savage Challenge? Perfect? What are we doing in the library? Mom? 196 00:15:18,120 --> 00:15:21,000 Speaker 1: You want me to brush up on my Machiavelli more 197 00:15:21,080 --> 00:15:27,280 Speaker 1: like Sun sus Art of War. I wasn't joking here, 198 00:15:27,320 --> 00:15:37,240 Speaker 1: it is this is the book what initiate argos protocol. 199 00:15:38,600 --> 00:15:43,160 Speaker 1: We have a doomsday bunker. It is well fortified, reinforced 200 00:15:43,160 --> 00:15:47,360 Speaker 1: titanium security. Feed for coffee, Mall, I need you here 201 00:15:47,400 --> 00:15:49,280 Speaker 1: in the safe room while your father and I handle 202 00:15:49,320 --> 00:15:52,320 Speaker 1: a few things. William stay with her, Yes, Mrs Lew. 203 00:15:52,520 --> 00:15:54,400 Speaker 1: What's my driver going to do for me in a 204 00:15:54,440 --> 00:15:59,520 Speaker 1: safe room? Williams? Your bodyguard? My what? Oh? Yes, Celia 205 00:16:00,120 --> 00:16:03,560 Speaker 1: One's drivers are all ex Navy seals. That's actually the 206 00:16:03,640 --> 00:16:08,400 Speaker 1: preferred career trajectory. What did you think? I don't leave. 207 00:16:08,720 --> 00:16:13,240 Speaker 1: I'll be back when I can. William, you have a 208 00:16:13,280 --> 00:16:17,040 Speaker 1: lot of explaining to do, and sadly a lot of 209 00:16:17,080 --> 00:16:23,360 Speaker 1: time to do it, it seems. Oh, next, have the 210 00:16:23,400 --> 00:16:33,360 Speaker 1: trojan's five boats on my mark Mark again. They've tried 211 00:16:33,400 --> 00:16:38,400 Speaker 1: trojans cloaking everything from the last ten depth con activists panels. 212 00:16:39,560 --> 00:16:42,760 Speaker 1: I don't get it. Everyone on the forums jokes about 213 00:16:42,760 --> 00:16:45,920 Speaker 1: how terrible the government cybersecurity is. What else? Can we 214 00:16:45,920 --> 00:16:50,320 Speaker 1: even try break into the National Archives and do a 215 00:16:50,400 --> 00:16:54,160 Speaker 1: chip off attack? The stormline though never gives up. No, 216 00:16:54,320 --> 00:16:57,960 Speaker 1: I know, it's just who am I trying to break 217 00:16:58,000 --> 00:17:01,600 Speaker 1: into my mom's government files? Why don't we call it 218 00:17:01,680 --> 00:17:05,840 Speaker 1: quits for the night. Whateverything these files. Someone put a 219 00:17:05,880 --> 00:17:08,760 Speaker 1: lot of effort into making sure they stay in it 220 00:17:08,800 --> 00:17:11,920 Speaker 1: as bad as a storming Onyx, So I we're never 221 00:17:11,960 --> 00:17:17,320 Speaker 1: going to get them in one day. Thanks. Yeah, I 222 00:17:17,359 --> 00:17:20,480 Speaker 1: wish I was there with you right now. You know, 223 00:17:22,080 --> 00:17:30,159 Speaker 1: actually next year, same Onyx reps this extremely beefy arms 224 00:17:30,200 --> 00:17:36,200 Speaker 1: around storm Storm, rests her head on his chest and 225 00:17:36,359 --> 00:17:43,680 Speaker 1: maybe he strokes her hair. Oh yeah, definitely, thanks Adrian. 226 00:17:46,840 --> 00:17:49,560 Speaker 1: This is Mackenzielee calling is a new texting leave me 227 00:17:49,560 --> 00:17:53,120 Speaker 1: a message. Hello, Mackenzie, This is your very good friend 228 00:17:53,200 --> 00:17:56,639 Speaker 1: Celia Lou calling you from a gilded dungeon. Will you 229 00:17:56,720 --> 00:18:01,760 Speaker 1: please sits no, William, I will not anyway, babes. I 230 00:18:01,880 --> 00:18:03,440 Speaker 1: just wanted to let you know I'm going to miss 231 00:18:03,480 --> 00:18:06,200 Speaker 1: our rendezvous tonight because I'm being held prisoner against my well. 232 00:18:06,800 --> 00:18:10,840 Speaker 1: Text me. We can leave here in a few hours 233 00:18:11,320 --> 00:18:15,240 Speaker 1: once your parents know it's safe. Mom and Dad aren't 234 00:18:15,280 --> 00:18:20,359 Speaker 1: above it all, are they, William. They're just as deeply invested, 235 00:18:21,080 --> 00:18:24,520 Speaker 1: deeper even than the other girl's parents. You don't have 236 00:18:24,560 --> 00:18:27,240 Speaker 1: this much protection unless you're afraid someone's going to come 237 00:18:27,280 --> 00:18:34,280 Speaker 1: after you. But who perceptive as always, Miss Lou. I 238 00:18:34,320 --> 00:18:37,679 Speaker 1: can't believe I yelled at James like that, pardon have 239 00:18:37,840 --> 00:18:41,520 Speaker 1: you ever been forgiven without having to apologize? First? I 240 00:18:41,600 --> 00:18:45,280 Speaker 1: don't understand your question. Have you ever been so ashamed 241 00:18:45,359 --> 00:18:48,239 Speaker 1: that you can't say you're sorry? Because that would make 242 00:18:48,240 --> 00:18:51,480 Speaker 1: it too real? That would mean you've become the person 243 00:18:51,560 --> 00:18:57,040 Speaker 1: you never thought you'd be? That I understand. Sometimes, miss 244 00:18:57,119 --> 00:19:02,080 Speaker 1: lu your reactions to a mistake are more important than 245 00:19:02,080 --> 00:19:08,520 Speaker 1: the mistake itself. Does that help? It does? William? Thank you? 246 00:19:09,840 --> 00:19:13,920 Speaker 1: Now you're a driver and a bodyguard. Any chance you're 247 00:19:13,920 --> 00:19:19,719 Speaker 1: a chef? Too hardly? But there is some boxed macaroni 248 00:19:19,800 --> 00:19:24,800 Speaker 1: and cheese in here. Shall we give it a goal? Okay? 249 00:19:25,280 --> 00:19:32,159 Speaker 1: Now I'm truly terrified. Are you at the law? I 250 00:19:32,200 --> 00:19:35,800 Speaker 1: don't see you? That's right, I can't see you, and 251 00:19:35,840 --> 00:19:40,560 Speaker 1: now you can't see me. This is childishly unproductive, Judge. 252 00:19:40,960 --> 00:19:45,240 Speaker 1: You know who isn't productive? You locksmith, whoever the damn 253 00:19:45,240 --> 00:19:47,960 Speaker 1: hell you are. You were supposed to keep this Tanna 254 00:19:48,000 --> 00:19:52,560 Speaker 1: business quiet. What a thorne in my ass? It's being handled. No, 255 00:19:53,680 --> 00:19:56,760 Speaker 1: I'm calling the shots now, and if you don't give 256 00:19:56,760 --> 00:19:59,960 Speaker 1: me my lifetime appointment, I swear I'll seek the stag 257 00:20:00,119 --> 00:20:10,480 Speaker 1: told us on you, Oh judge, Oh do you think 258 00:20:10,520 --> 00:20:15,000 Speaker 1: I've been working for this entire time? Wait? What? Finish 259 00:20:15,040 --> 00:20:19,480 Speaker 1: your drink? Your on her, get some sleep, You'll get 260 00:20:19,480 --> 00:20:29,040 Speaker 1: exactly what your own. Iron Horn's Epic Productions and I 261 00:20:29,160 --> 00:20:34,040 Speaker 1: Heard Radio present Daughters of d C. Created and executive 262 00:20:34,080 --> 00:20:39,160 Speaker 1: produced by Heather Ironhorn and Adam Staferoni. Head writer Sasha Stewart, 263 00:20:39,760 --> 00:20:45,880 Speaker 1: Senior writer Louis Cornfelt, writers Tyler english beckwith cha Rus 264 00:20:45,920 --> 00:20:51,879 Speaker 1: Senna and Adam Staferoni, Directed by J. B. Block. Executive 265 00:20:51,920 --> 00:20:56,159 Speaker 1: produced by I Heart Radio. Produced by A Rufe Senna, Kayla, 266 00:20:56,760 --> 00:21:01,840 Speaker 1: Kimberly Woods as James Parker, Melissa vander Escape as Peyton Blackburn, 267 00:21:02,359 --> 00:21:07,280 Speaker 1: Talia Romana as Natalie Rosenberg, Suzie Young as Celia lou 268 00:21:07,840 --> 00:21:12,560 Speaker 1: With performances by O. G. Banks, k Bass, Vick Chow, 269 00:21:13,240 --> 00:21:19,400 Speaker 1: phyador Chen Darren De Paul, Dave Fanoi, Paul Gayette, Juri Lowenthal, 270 00:21:19,880 --> 00:21:26,000 Speaker 1: Brandon Middleton, Stephanie she Shelley Shenoy, Richard Tatum, Genie Toronto, 271 00:21:26,320 --> 00:21:31,200 Speaker 1: Andia Winslow Marshall York, with Francesca Ramsey and J. B. Blanc. 272 00:21:31,920 --> 00:21:38,280 Speaker 1: Development executive Greg Locker, production manager, Gail Artino, production coordinator 273 00:21:38,320 --> 00:21:42,920 Speaker 1: and script supervisor, Laura Martin. Creative direction and design by 274 00:21:43,040 --> 00:21:47,800 Speaker 1: Ryan McCann. He Aren't Illustrated by Heather dan Forth. Casting 275 00:21:47,880 --> 00:21:53,120 Speaker 1: by don Neowen, record A Edit, Home and sound recording 276 00:21:53,119 --> 00:21:59,879 Speaker 1: Engineer Diana David. Additional recordings Claudio Santos additional recordings My 277 00:22:00,040 --> 00:22:07,439 Speaker 1: Buschneider Sound supervision Christian Wiggins, Sound designers R. D. White 278 00:22:07,440 --> 00:22:12,520 Speaker 1: and Josh Melody. Original music Josh Melody. Additional music from 279 00:22:12,600 --> 00:22:19,680 Speaker 1: Jingle Punks. Consultant Kelsey Frasier, ms W Culture Consultants, Logan Davis, 280 00:22:19,960 --> 00:22:23,679 Speaker 1: Casey Davis and Davis Family. Special thank you to the 281 00:22:23,720 --> 00:22:27,720 Speaker 1: Shadow Unicorn, iin Horn's Epic Productions and I Heart Radio 282 00:22:27,800 --> 00:22:34,360 Speaker 1: Present Daughters of D City. Hey y'all, it's Peyton Blackburn. 283 00:22:35,160 --> 00:22:37,399 Speaker 1: Have you or anyone you know been a victim of 284 00:22:37,440 --> 00:22:41,040 Speaker 1: sexual violence or assault? You can find resources from RAIN, 285 00:22:41,280 --> 00:22:45,240 Speaker 1: the nation's largest sexual violence organization, on our website Daughters 286 00:22:45,280 --> 00:22:48,640 Speaker 1: of DC dot com. There is hope and you are 287 00:22:48,680 --> 00:22:49,280 Speaker 1: not alone.