1 00:00:00,440 --> 00:00:03,360 Speaker 1: I'm Tom Dopka, and as much as I want to 2 00:00:03,360 --> 00:00:06,520 Speaker 1: give Phil Henry advice on a kind of a radio show, 3 00:00:06,840 --> 00:00:09,799 Speaker 1: in a podcast what he should do, he doesn't take 4 00:00:09,840 --> 00:00:12,920 Speaker 1: my advice anymore. He's all, you know, thinks he's big time, 5 00:00:13,640 --> 00:00:15,560 Speaker 1: and so he just tells me to go pound it. 6 00:00:16,000 --> 00:00:19,400 Speaker 1: Sitting in the car, have a sandwich. You know, it's 7 00:00:19,400 --> 00:00:21,119 Speaker 1: about one hundred and ten degrees. He tells you to 8 00:00:21,160 --> 00:00:23,280 Speaker 1: sit in the backseat and spank it. Can you imagine 9 00:00:23,320 --> 00:00:25,400 Speaker 1: that there was a time when I could get him fired. 10 00:00:25,840 --> 00:00:28,120 Speaker 1: I could just say, hey, Henry, you did you do 11 00:00:28,200 --> 00:00:31,520 Speaker 1: the weather? No, mister Dopka, you're fired. I could do that. 12 00:00:31,720 --> 00:00:34,800 Speaker 1: But anyway, as a way of paying him back, I 13 00:00:34,840 --> 00:00:38,760 Speaker 1: will promote his website and hopefully he'll give me a 14 00:00:38,800 --> 00:00:40,639 Speaker 1: piece of that, because I'm trying to angle my way 15 00:00:40,640 --> 00:00:43,520 Speaker 1: anywhere I can to this business. Get a backstage pass 16 00:00:43,600 --> 00:00:46,680 Speaker 1: to the Phil Henry Show at Phil hendryshow dot com 17 00:00:46,720 --> 00:00:48,800 Speaker 1: for one month less than ten bucks for one year, 18 00:00:48,880 --> 00:00:50,800 Speaker 1: less than seven dollars a month if you average it 19 00:00:50,840 --> 00:00:52,159 Speaker 1: out over the course of the year. Because I don't 20 00:00:52,159 --> 00:00:54,200 Speaker 1: think you can buy like, you know, six months or 21 00:00:54,280 --> 00:00:56,080 Speaker 1: you got to buy a year. You got to buy 22 00:00:56,080 --> 00:00:59,320 Speaker 1: a year, and when you do, you'll get all kinds 23 00:00:59,320 --> 00:01:02,160 Speaker 1: of award winning radio Hall of Fame. I can't believe 24 00:01:02,160 --> 00:01:05,559 Speaker 1: this guy's in a Radio Hall of Fame guy. Oh boy, 25 00:01:06,600 --> 00:01:10,360 Speaker 1: oh boy. Anyway, get a Radio Hall of Fame backstage 26 00:01:10,400 --> 00:01:13,000 Speaker 1: pass from mister Radio Hall of Fame guy, Phil Henry 27 00:01:13,319 --> 00:01:16,399 Speaker 1: at Phil Henryshow dot com. A backstage pass subscription to 28 00:01:16,440 --> 00:01:19,839 Speaker 1: his website, Phil Henryshow dot com, the greatest value online 29 00:01:21,400 --> 00:01:23,800 Speaker 1: other than porn. I don't want to read that anymore. 30 00:01:23,840 --> 00:01:28,680 Speaker 1: I got a business to run. Okay, it's okay, Hell, 31 00:01:28,800 --> 00:01:32,039 Speaker 1: This is Don Burman on The Burman and Tonight by 32 00:01:32,200 --> 00:01:35,600 Speaker 1: very special guest will be Tom Dokk radio consultants. As 33 00:01:35,600 --> 00:01:39,000 Speaker 1: we talk about Brandon in the twenty first century, and 34 00:01:39,040 --> 00:01:41,479 Speaker 1: then I were going to be talking specifically about one 35 00:01:41,520 --> 00:01:45,560 Speaker 1: particular brand which has been messed with and was changed 36 00:01:45,640 --> 00:01:48,880 Speaker 1: up and everything. Don gives it far better. I'm not 37 00:01:49,160 --> 00:01:52,320 Speaker 1: a professional announcer. I'm a radio consultant. I've consulted some 38 00:01:52,360 --> 00:01:54,880 Speaker 1: of the greatest radio shows that would have ever been. 39 00:01:55,440 --> 00:01:58,680 Speaker 1: I consulted mister Henry Show until we did not have 40 00:01:58,720 --> 00:02:02,720 Speaker 1: no business dealings no more. I'm sorry. Any business it's 41 00:02:02,760 --> 00:02:05,520 Speaker 1: something Oh you know if any business dealings, no more, 42 00:02:05,840 --> 00:02:09,760 Speaker 1: and you stopped consulting Field show at his request. It 43 00:02:09,880 --> 00:02:12,360 Speaker 1: was a mutual, you know. I told him, I said 44 00:02:12,400 --> 00:02:14,680 Speaker 1: to him, you got to do what I tell you 45 00:02:14,720 --> 00:02:16,200 Speaker 1: to do. And he said, I'm not going to do 46 00:02:16,240 --> 00:02:18,600 Speaker 1: what you tell me to do no more. And I said, well, 47 00:02:18,600 --> 00:02:20,880 Speaker 1: I'm gonna get you fired. And you were not able 48 00:02:20,880 --> 00:02:22,639 Speaker 1: to get him fired? No, I was not. That was 49 00:02:22,680 --> 00:02:24,680 Speaker 1: the first time. I was not. Every other time I 50 00:02:24,720 --> 00:02:26,680 Speaker 1: was able to get him fired because he would say 51 00:02:26,680 --> 00:02:29,960 Speaker 1: I would say to him, you know, you you should 52 00:02:29,960 --> 00:02:31,880 Speaker 1: have given the weather there, and then you should have said, 53 00:02:31,919 --> 00:02:35,720 Speaker 1: and now here's Glenn Campbell with the Sunny Side Up. 54 00:02:35,720 --> 00:02:37,000 Speaker 1: I don't know what the name of the song was, 55 00:02:37,720 --> 00:02:40,560 Speaker 1: Sunny Side Look, I don't know. But and every time 56 00:02:40,639 --> 00:02:42,040 Speaker 1: I told him to do that, he would do it. 57 00:02:42,840 --> 00:02:45,040 Speaker 1: And you know, you're talking about give the name of 58 00:02:45,080 --> 00:02:48,240 Speaker 1: the record, not just a Glenn Campbell record, No, no, yeah, 59 00:02:48,280 --> 00:02:50,519 Speaker 1: anything it could be, you know, And I'd say I 60 00:02:50,560 --> 00:02:52,760 Speaker 1: could do the weather and now saying now here's Hamilton 61 00:02:52,840 --> 00:02:58,800 Speaker 1: Joe Franken Reynolds. Uh huh. Well, so anyway, he stopped 62 00:02:58,800 --> 00:03:00,960 Speaker 1: doing it. Yeah, he stopped doing what I told him 63 00:03:01,000 --> 00:03:03,800 Speaker 1: to do. When he started making funny voices and stuff, 64 00:03:03,840 --> 00:03:07,200 Speaker 1: and so, I you know, I said, well, I'm going 65 00:03:07,280 --> 00:03:08,720 Speaker 1: to get you fired. But I wasn't able to get 66 00:03:08,800 --> 00:03:11,040 Speaker 1: him fired. Okay, but since then, you've worked with a 67 00:03:11,080 --> 00:03:13,400 Speaker 1: lot of shows and you're still sort of in business 68 00:03:13,440 --> 00:03:18,040 Speaker 1: with Don David G Hall. And yeah, I'm in David G. Hall. 69 00:03:18,120 --> 00:03:21,600 Speaker 1: He's a consultant. I'm a consultant. So we consult each other. 70 00:03:22,200 --> 00:03:24,560 Speaker 1: I don't know, what do you mean you consult each other. Well, 71 00:03:25,040 --> 00:03:27,359 Speaker 1: he's a consultant and I'm a consultant. So what do 72 00:03:27,400 --> 00:03:30,480 Speaker 1: you think we do? Well, you consult. Yeah, So I 73 00:03:30,600 --> 00:03:32,079 Speaker 1: call him up and I tell him, hey, here's what 74 00:03:32,160 --> 00:03:33,359 Speaker 1: I think you and he says, well, here's what I 75 00:03:33,400 --> 00:03:35,520 Speaker 1: think you should do. It's kind of stupid. I mean, 76 00:03:35,560 --> 00:03:39,720 Speaker 1: it doesn't doesn't work, it doesn't really work. But we 77 00:03:39,840 --> 00:03:42,880 Speaker 1: are good friends, and to that end I was able to. 78 00:03:43,680 --> 00:03:45,480 Speaker 1: I says, you know, you're going to be on here 79 00:03:45,520 --> 00:03:47,880 Speaker 1: tonight talking to my branding. I said, that's my thing. Tonight, 80 00:03:47,920 --> 00:03:50,320 Speaker 1: we are going to talk about branding because we're going 81 00:03:50,400 --> 00:03:53,960 Speaker 1: to talk about a very important brand that was changed 82 00:03:54,000 --> 00:03:57,080 Speaker 1: over the last four or five days and then changed 83 00:03:57,160 --> 00:04:00,080 Speaker 1: back again. And I have some feelings. I know you 84 00:04:00,160 --> 00:04:03,080 Speaker 1: do too, Tom. And we're talking about cracker barrel. Do 85 00:04:03,120 --> 00:04:06,360 Speaker 1: you are you familiar with cracker barrel. I'm very vaguely 86 00:04:06,480 --> 00:04:10,400 Speaker 1: familiar with that. Come from Chicago. I think there's a 87 00:04:10,480 --> 00:04:14,200 Speaker 1: cracker barrel around there, But now there's no cracker barrel 88 00:04:14,800 --> 00:04:19,320 Speaker 1: out west. No, we don't have cracker barrel in California. Nonetheless, 89 00:04:19,560 --> 00:04:22,080 Speaker 1: it's a very well known brand, and mister Henry encountered 90 00:04:22,120 --> 00:04:24,800 Speaker 1: it because he told me he'd seen cracker barrels here 91 00:04:24,880 --> 00:04:27,520 Speaker 1: and there. Yeah, it's it's it's there dotted. They sparkled 92 00:04:27,560 --> 00:04:29,880 Speaker 1: that I shouldn't say sparkle. They sprinkled it, you know, 93 00:04:30,520 --> 00:04:31,239 Speaker 1: and they're everywhere. 94 00:04:31,360 --> 00:04:31,440 Speaker 2: Now. 95 00:04:31,520 --> 00:04:34,320 Speaker 1: There was a story told by they went to a 96 00:04:34,400 --> 00:04:36,400 Speaker 1: cracker barrel I think was filling his friends after a 97 00:04:36,480 --> 00:04:41,280 Speaker 1: golf tournament in Alabama. What's wrong? Nothing? Nothing? Well, I 98 00:04:41,360 --> 00:04:42,839 Speaker 1: mean that's what they did. They went to a cracker 99 00:04:42,920 --> 00:04:46,440 Speaker 1: barrel after a golf tournament in Alabama. Let me guess 100 00:04:46,520 --> 00:04:49,920 Speaker 1: on a Sunday. Yes, it wasn't a Sunday. So they 101 00:04:50,600 --> 00:04:52,559 Speaker 1: well know, first thing, you I can't get served any booze. 102 00:04:52,960 --> 00:04:56,560 Speaker 1: They have blue laws in Alabama, right, and so they went. 103 00:04:56,640 --> 00:04:58,480 Speaker 1: Well then they said, well, all right. They tried to 104 00:04:58,600 --> 00:05:01,400 Speaker 1: order drinks. They couldn't order aready drinks because of the blueballs, 105 00:05:01,680 --> 00:05:04,640 Speaker 1: so then they ordered food and that's when things turned 106 00:05:04,839 --> 00:05:08,440 Speaker 1: kind of weird. Well what wrong? They just they didn't 107 00:05:08,480 --> 00:05:11,240 Speaker 1: dig the prove, that's all. But I said, but at 108 00:05:11,320 --> 00:05:13,240 Speaker 1: least you've been to a cracker barrel and he said, 109 00:05:13,279 --> 00:05:15,239 Speaker 1: yes I have. So he said, tonight, when you're filling 110 00:05:15,279 --> 00:05:17,520 Speaker 1: in for me, Now what is he doing? And he 111 00:05:17,600 --> 00:05:20,240 Speaker 1: asked me also not to say if Dopka asks what 112 00:05:20,360 --> 00:05:23,280 Speaker 1: I'm doing, tell him it's none of your business. I don't. Oh, 113 00:05:23,960 --> 00:05:26,800 Speaker 1: well what is he doing? But I don't know. He's 114 00:05:27,480 --> 00:05:30,280 Speaker 1: getting ready for his show in New York. Hey, this guy, 115 00:05:30,839 --> 00:05:33,640 Speaker 1: now he's an actor. Oh my god, well he is. 116 00:05:34,120 --> 00:05:35,640 Speaker 1: He's got the show in the Fields, doing a play 117 00:05:35,680 --> 00:05:37,840 Speaker 1: in New York. It begins in early October. It's called 118 00:05:37,880 --> 00:05:40,560 Speaker 1: The Pitch, written by Tom Alper. It's fantastic at the 119 00:05:41,080 --> 00:05:45,560 Speaker 1: Actors Teble Theater on forty seventh Street. And it's off Broadway, 120 00:05:45,839 --> 00:05:50,040 Speaker 1: you know, yeah, yeah, yeah, so I mean i'd like 121 00:05:50,080 --> 00:05:52,400 Speaker 1: to be off Broadway. You don't be off Broadway? What 122 00:05:52,920 --> 00:05:54,480 Speaker 1: standing up? Isn't that funny? 123 00:05:54,640 --> 00:05:54,839 Speaker 3: Yeah? 124 00:05:55,000 --> 00:05:58,040 Speaker 1: Yeah, that's great. Here's Bud Dickman. Yeah. I was waiting here, 125 00:05:58,120 --> 00:06:01,200 Speaker 1: so he says something funny. Yeah, I said, hey, wouldn't 126 00:06:01,200 --> 00:06:03,240 Speaker 1: you like to be off Broadway? We heard you would 127 00:06:03,279 --> 00:06:07,920 Speaker 1: not be off Broadway? Standing up? You like that? Yeah? Yeah, 128 00:06:09,080 --> 00:06:13,160 Speaker 1: your mind today? Can we get back to what it 129 00:06:13,240 --> 00:06:16,120 Speaker 1: is we're talking about? Said today we're going to talk 130 00:06:16,120 --> 00:06:18,800 Speaker 1: about branding. And this is the cracker barrel. And the 131 00:06:18,920 --> 00:06:23,080 Speaker 1: cracker barrel is a it's a it's a barrel of fun. Huh. Well, 132 00:06:23,560 --> 00:06:26,120 Speaker 1: I don't know. They have food. People seem to like 133 00:06:26,160 --> 00:06:29,320 Speaker 1: the food. But the logo is what we're talking about now, 134 00:06:29,360 --> 00:06:31,839 Speaker 1: a brand. Now here's what it was. It was a cracker. 135 00:06:32,000 --> 00:06:34,720 Speaker 1: It was a barrel that I don't know. Do you 136 00:06:34,839 --> 00:06:38,000 Speaker 1: keep crackers in it? Okay? Did Phil say that you 137 00:06:38,160 --> 00:06:40,520 Speaker 1: get to day I can ask an occasional question. Yeah, 138 00:06:42,400 --> 00:06:44,320 Speaker 1: what was your question? Do they keep crackers in it? 139 00:06:44,800 --> 00:06:46,560 Speaker 1: I don't think they keep crackers in it. I don't know. 140 00:06:46,880 --> 00:06:49,200 Speaker 1: Do you keep crackers in a barrel? I don't know. 141 00:06:49,680 --> 00:06:51,400 Speaker 1: So there's a barrel. Never mind, there's a barrel. I 142 00:06:51,440 --> 00:06:54,039 Speaker 1: don't really care. I don't care what they keep at it. Okay, 143 00:06:54,480 --> 00:06:58,600 Speaker 1: there could be dead bodies in it. God, yeah, don't 144 00:06:58,640 --> 00:07:01,400 Speaker 1: applaud that for that sake. I'm just trying to get 145 00:07:01,440 --> 00:07:03,839 Speaker 1: this to move it along. Okay. So there's a barrel 146 00:07:04,160 --> 00:07:06,240 Speaker 1: and I guess it means cracker barrel. And next to 147 00:07:06,320 --> 00:07:09,920 Speaker 1: the barrel sits this man. Now, for years and years 148 00:07:09,960 --> 00:07:12,520 Speaker 1: and years and years and years and years and year 149 00:07:12,600 --> 00:07:15,720 Speaker 1: and years, yet again this man sat next to this 150 00:07:15,840 --> 00:07:19,720 Speaker 1: barrel and this was the cracker barrel brand, the logo. 151 00:07:19,920 --> 00:07:22,240 Speaker 1: It was the man and he's leaning against it and 152 00:07:22,400 --> 00:07:26,160 Speaker 1: he's like, yeah, I'm an old man. You know what 153 00:07:26,720 --> 00:07:27,360 Speaker 1: does represent? 154 00:07:27,880 --> 00:07:28,040 Speaker 2: Well? 155 00:07:28,320 --> 00:07:32,240 Speaker 1: No, what did it represent? Well? I mean it, but again, 156 00:07:32,320 --> 00:07:35,080 Speaker 1: we're out west, we don't have cracker barrel. Okay. What 157 00:07:35,240 --> 00:07:37,960 Speaker 1: it represented was this is a guy saying, hey, how 158 00:07:38,000 --> 00:07:39,960 Speaker 1: you doing come on into the cracker barrel. Is he 159 00:07:40,040 --> 00:07:41,920 Speaker 1: the owner? I don't think so. I think he's more 160 00:07:41,960 --> 00:07:45,240 Speaker 1: like a neighborhood guy who's sitting there and he knows 161 00:07:45,320 --> 00:07:47,400 Speaker 1: the people that own the place, and he's hanging around, 162 00:07:47,960 --> 00:07:49,760 Speaker 1: you know. And some people might think it looks kind 163 00:07:49,760 --> 00:07:53,160 Speaker 1: of creepy. I don't know, but well see that's what 164 00:07:53,640 --> 00:07:56,680 Speaker 1: that's my understanding of why this brand went away when 165 00:07:56,760 --> 00:08:00,440 Speaker 1: it did. Because you're having a difficult time blaming this 166 00:08:00,600 --> 00:08:03,240 Speaker 1: man at the barrel? Bud, do you haven't I get well? 167 00:08:03,320 --> 00:08:03,480 Speaker 2: Yeah? 168 00:08:03,520 --> 00:08:06,400 Speaker 1: I think the hold on for a minute, is buddy? 169 00:08:06,640 --> 00:08:10,080 Speaker 1: Is you is? I? I'm sorry? Are you gonna be well? 170 00:08:10,160 --> 00:08:12,520 Speaker 1: As long as Phil said that Bud could comment because 171 00:08:12,520 --> 00:08:16,560 Speaker 1: he's also engineering tonight? Oh man, what's the problems through? 172 00:08:16,600 --> 00:08:19,640 Speaker 1: Mister Dadka? You know the name's Dadka. You don't mind? 173 00:08:19,800 --> 00:08:23,120 Speaker 1: What is my last Name's Dadka? Not Dapka. Oh oh? 174 00:08:23,200 --> 00:08:26,640 Speaker 1: I understanding? Was it was Dan Davka. No, I'm Don Berman. 175 00:08:26,800 --> 00:08:29,360 Speaker 1: He is Tom Dovka. Oh oh, I thought it was 176 00:08:29,440 --> 00:08:32,000 Speaker 1: Dan Davka. I'm not Dan Davka. You you got that? 177 00:08:32,280 --> 00:08:35,520 Speaker 1: What's your name? Bill Dickman? Didn't they call you ed? Yeah? 178 00:08:35,600 --> 00:08:37,880 Speaker 1: Well they could. But the name is Bud Dickman. Oh 179 00:08:37,960 --> 00:08:40,360 Speaker 1: I thought it was like Bob Dickman. All right, can 180 00:08:40,400 --> 00:08:41,839 Speaker 1: we pull our hands out of our pants now? And 181 00:08:41,960 --> 00:08:45,960 Speaker 1: let's get him? Sorry? All right? So anyway, Dan Da 182 00:08:46,280 --> 00:08:50,079 Speaker 1: not Dan Davka. But I mean the cracker barrel. What 183 00:08:50,200 --> 00:08:52,679 Speaker 1: were you talking about? Let me do this? Okay, So 184 00:08:52,840 --> 00:08:55,960 Speaker 1: the cracker barrel, it's a brand. And as the brand 185 00:08:56,120 --> 00:08:57,839 Speaker 1: is the old man or some kind of a guy 186 00:08:57,920 --> 00:09:00,440 Speaker 1: sitting in a chair next to the barrel, leaning against 187 00:09:00,440 --> 00:09:03,160 Speaker 1: the barrel, and was he's probably saying like, welcome, Welcome 188 00:09:03,200 --> 00:09:05,160 Speaker 1: to the Cracker Barrel. Yeah, something like that, Welcome to 189 00:09:05,240 --> 00:09:07,760 Speaker 1: the Cracker Barrel. Now, this has been there for many, 190 00:09:07,800 --> 00:09:11,120 Speaker 1: many years, and the people that own Cracker Barrel, the 191 00:09:11,160 --> 00:09:13,960 Speaker 1: people that owned the brand, the people that own the restaurant, 192 00:09:15,080 --> 00:09:17,360 Speaker 1: decided to change it. And Bud, you have some of 193 00:09:17,360 --> 00:09:19,880 Speaker 1: the background on that. Yeah, apparently according to the reason 194 00:09:19,920 --> 00:09:21,319 Speaker 1: why they wanted to change it. And I know you 195 00:09:21,840 --> 00:09:24,439 Speaker 1: referenced it, mister Burman and mister Davk. I don't know 196 00:09:24,440 --> 00:09:26,240 Speaker 1: if or I mean, I don't know if you did 197 00:09:26,360 --> 00:09:30,600 Speaker 1: or not, but they changed it because the guy sitting 198 00:09:30,840 --> 00:09:34,319 Speaker 1: leaning on the barrel started to give people kind of 199 00:09:34,400 --> 00:09:37,800 Speaker 1: the creeps. You know, what are you talking about? The creeps? Well, 200 00:09:37,920 --> 00:09:40,080 Speaker 1: I mean people would walk by. It'd be like if 201 00:09:40,120 --> 00:09:42,520 Speaker 1: you walk by a barrel and there's an old guy 202 00:09:42,679 --> 00:09:45,240 Speaker 1: just kind of leaning on it every day with his 203 00:09:45,360 --> 00:09:49,160 Speaker 1: legs crossed and just looking at you like, yeah, man, yeah, 204 00:09:50,360 --> 00:09:52,400 Speaker 1: what are you talking about? Man? I think I know 205 00:09:52,480 --> 00:09:55,680 Speaker 1: what he's talking about, saying. It's a guy who looks 206 00:09:55,760 --> 00:09:59,360 Speaker 1: he's not he looks suspicious. He does he looks suspicious 207 00:09:59,520 --> 00:10:02,880 Speaker 1: like he does belonging the area, you know, And uh, 208 00:10:03,480 --> 00:10:05,719 Speaker 1: let's talk about that for a minute. So you have 209 00:10:05,880 --> 00:10:09,120 Speaker 1: this brand that meant many benevolent things, and now all 210 00:10:09,160 --> 00:10:11,160 Speaker 1: of a sudden, here a out of the twenty first century. Oh, 211 00:10:11,160 --> 00:10:12,319 Speaker 1: I see where you go in this now in the 212 00:10:12,360 --> 00:10:13,920 Speaker 1: twenty first century. Then and we see a guy that's 213 00:10:13,960 --> 00:10:16,640 Speaker 1: hanging around a barrel, hanging around the front door of 214 00:10:16,679 --> 00:10:19,760 Speaker 1: a beloved restaurant, and you're like, what what do you want? 215 00:10:20,160 --> 00:10:23,679 Speaker 1: Exactly exactly what are you doing here again? And what 216 00:10:23,720 --> 00:10:26,280 Speaker 1: do you think the guy would say? Bud, he'd probably 217 00:10:26,320 --> 00:10:29,320 Speaker 1: say sounding like you know, I'm waiting for I'm waiting 218 00:10:29,360 --> 00:10:31,720 Speaker 1: for Timmy or whoever you know, or I'm just I'm 219 00:10:31,760 --> 00:10:33,959 Speaker 1: sitting here. I could you know I was going to 220 00:10:34,000 --> 00:10:36,240 Speaker 1: take a nap. In other words, he's got no good 221 00:10:36,360 --> 00:10:39,600 Speaker 1: he's got doing no good. He he it's sold out. 222 00:10:40,000 --> 00:10:43,439 Speaker 1: He's got no good reason. That's exactly right. He has 223 00:10:43,600 --> 00:10:47,599 Speaker 1: no real good reason. So what Cracker Barrel had was 224 00:10:47,679 --> 00:10:51,679 Speaker 1: a logo showing a guy leaning against the cracker barrel 225 00:10:52,080 --> 00:10:55,760 Speaker 1: for no good reason, just hanging around looking like a creep. 226 00:10:56,080 --> 00:10:57,760 Speaker 1: Yeah he did. I mean, it's a tough way to 227 00:10:57,800 --> 00:10:59,920 Speaker 1: put it. It is a tough but he kind of did. 228 00:11:00,120 --> 00:11:02,040 Speaker 1: He did he you know, it gives people the creeps. 229 00:11:02,040 --> 00:11:04,199 Speaker 1: As he's sitting there, he looks like a creep and 230 00:11:04,240 --> 00:11:06,199 Speaker 1: he give it. He gives them the creeps. He looks 231 00:11:06,240 --> 00:11:08,920 Speaker 1: like a creep and he gives them the creeps. Look, 232 00:11:08,960 --> 00:11:11,840 Speaker 1: that's what you said. Not quite but yes, you're right. 233 00:11:12,360 --> 00:11:16,280 Speaker 1: Uh so that's what my read is. That's why they 234 00:11:16,440 --> 00:11:19,560 Speaker 1: took the change the logo. Now, how do you feel 235 00:11:19,559 --> 00:11:21,160 Speaker 1: about that? I'd like to ask your opinion on that. 236 00:11:21,720 --> 00:11:24,160 Speaker 1: Tom will start with you. Tom My opinion is they 237 00:11:24,480 --> 00:11:27,480 Speaker 1: changed the logo because this guy, they say, the guy 238 00:11:27,520 --> 00:11:30,040 Speaker 1: looks like a creep. To me, he looked like a 239 00:11:30,160 --> 00:11:33,640 Speaker 1: guy that might want to have a sandwich, And he 240 00:11:33,720 --> 00:11:35,480 Speaker 1: looks like a guy that maybe you might want to 241 00:11:35,520 --> 00:11:38,199 Speaker 1: help out by giving him a sandwich or maybe a 242 00:11:38,280 --> 00:11:41,199 Speaker 1: warm cup of noodle soup or something. You know, but 243 00:11:41,320 --> 00:11:44,520 Speaker 1: you're not necessarily going to say, you know something, served partner, 244 00:11:44,720 --> 00:11:47,640 Speaker 1: you forgive me, but you look like the biggest creep. 245 00:11:48,800 --> 00:11:51,080 Speaker 1: What is ever? He said, could you please clear? Could 246 00:11:51,120 --> 00:11:52,920 Speaker 1: you get off my pocket at least stand on the 247 00:11:52,960 --> 00:11:55,880 Speaker 1: other side of the parking lot, you know, so you 248 00:11:55,960 --> 00:11:59,200 Speaker 1: would agree with that. I agree with what you would 249 00:11:59,200 --> 00:12:00,600 Speaker 1: agree with the fact that it looks like a creep 250 00:12:00,600 --> 00:12:03,800 Speaker 1: and they should have changed the logo. Yes, But then 251 00:12:03,880 --> 00:12:06,679 Speaker 1: I also realized that they changed it back, and so 252 00:12:06,800 --> 00:12:09,600 Speaker 1: I also agree with that, because yeah, because you're ating 253 00:12:09,640 --> 00:12:12,040 Speaker 1: to get business as a radio consultant or anything if 254 00:12:12,080 --> 00:12:13,839 Speaker 1: you disagree with your points of views of the of 255 00:12:13,920 --> 00:12:17,319 Speaker 1: the people's what what are you talking about? I look, 256 00:12:17,400 --> 00:12:20,440 Speaker 1: what he's saying is you're being a bit mercenary there 257 00:12:20,520 --> 00:12:23,400 Speaker 1: are you? Are you pandering? No, I'm not pandering. I'm 258 00:12:23,440 --> 00:12:26,520 Speaker 1: saying that. Yes, that logo had an old guy. He 259 00:12:26,600 --> 00:12:28,800 Speaker 1: looked like some kind of a He looked like he 260 00:12:28,880 --> 00:12:30,400 Speaker 1: might as well be sitting there with his hand in 261 00:12:30,440 --> 00:12:32,240 Speaker 1: his pants. That's what he looked like to me. He 262 00:12:32,360 --> 00:12:36,920 Speaker 1: looked like some busted down old weird ass. And Hi, 263 00:12:37,080 --> 00:12:39,400 Speaker 1: welcome to Cracker Barrel. And oh yeah, here's a broken 264 00:12:39,480 --> 00:12:43,880 Speaker 1: down weird ass and God forbid your children, all right, 265 00:12:43,920 --> 00:12:45,640 Speaker 1: so we don't have to get trafficked. Well that's what 266 00:12:45,720 --> 00:12:47,920 Speaker 1: it looked like. Well was there ever any you know, 267 00:12:48,280 --> 00:12:50,480 Speaker 1: I'm the reporter. Why am I asking you questions? That's 268 00:12:50,559 --> 00:12:53,280 Speaker 1: that's exactly right. Why are you You're the reporter. You're 269 00:12:53,280 --> 00:12:55,400 Speaker 1: supposed to have this story, and yet you're asking me, 270 00:12:56,040 --> 00:12:59,000 Speaker 1: Tom Davka the questions. All right, well, here's what I 271 00:12:59,160 --> 00:13:03,800 Speaker 1: found out that, Uh, it's difficult to attract families to 272 00:13:03,920 --> 00:13:07,240 Speaker 1: a cracker barrel when you have a logo featuring some 273 00:13:07,400 --> 00:13:11,959 Speaker 1: guy sitting at a barrel, leering and and sort of 274 00:13:12,080 --> 00:13:15,760 Speaker 1: staring with that kind of weird LIU like you know, high. 275 00:13:16,640 --> 00:13:17,240 Speaker 2: Yeah he did. 276 00:13:17,360 --> 00:13:19,679 Speaker 1: He's like staring at the people. Liked the women are 277 00:13:19,679 --> 00:13:22,760 Speaker 1: coming in. He's trying to he's trying to get a peek. Yeah, exactly, 278 00:13:22,880 --> 00:13:24,600 Speaker 1: like he's trying to look up their dress or something. 279 00:13:25,080 --> 00:13:27,439 Speaker 1: I don't see that at all, you guys, nuts of something. 280 00:13:27,600 --> 00:13:29,280 Speaker 1: Where do you see that? Look at the guy man, 281 00:13:29,720 --> 00:13:33,480 Speaker 1: he sits there at the barrel and he's all, hai, yeah, yeah, 282 00:13:33,800 --> 00:13:35,800 Speaker 1: well it is it's a smile. It's the smile that 283 00:13:35,880 --> 00:13:39,480 Speaker 1: gives them away. It's he has half lidded eyes with 284 00:13:39,600 --> 00:13:43,439 Speaker 1: a half smile. He's wearing some old overalls that look 285 00:13:43,520 --> 00:13:47,080 Speaker 1: like they probably stink of you said, I didn't say semen, 286 00:13:47,520 --> 00:13:49,240 Speaker 1: you know you got to cut this out. But okay, 287 00:13:49,920 --> 00:13:53,320 Speaker 1: what are you guys talking about? Take two? He's wearing 288 00:13:53,640 --> 00:13:57,719 Speaker 1: overalls that stink of fecal matter for all I know, 289 00:13:58,280 --> 00:14:01,280 Speaker 1: and and and he's got and you know it. Just 290 00:14:01,440 --> 00:14:04,560 Speaker 1: the guy looks suspicious. So the people at Cracker Barrel, 291 00:14:04,600 --> 00:14:07,480 Speaker 1: in my opinion, took took another look at this logo 292 00:14:08,600 --> 00:14:11,079 Speaker 1: and said, we can't have this out in front of 293 00:14:11,160 --> 00:14:13,800 Speaker 1: our stores, the beloved Cracker Barrel where people go to 294 00:14:13,840 --> 00:14:17,000 Speaker 1: have their dinner, out in front of some bum who's 295 00:14:17,040 --> 00:14:19,920 Speaker 1: probably the last thing about half the kids in town 296 00:14:20,000 --> 00:14:24,560 Speaker 1: saw before they went missing. Yeah, yeah, what are you 297 00:14:24,560 --> 00:14:27,160 Speaker 1: applauding that for? It's a good point. What do you think, Tom, 298 00:14:27,560 --> 00:14:29,840 Speaker 1: I don't think it, did it? If you guy? Look 299 00:14:29,840 --> 00:14:32,920 Speaker 1: at the guy maybe your lasting kids out before. Maybe 300 00:14:33,000 --> 00:14:35,880 Speaker 1: he's just a guy who cheats at pool. Maybe he's 301 00:14:35,880 --> 00:14:38,200 Speaker 1: a guy that everybody don't want to play cards with 302 00:14:38,280 --> 00:14:42,040 Speaker 1: because he is he cheats. Maybe he's a guy who 303 00:14:42,160 --> 00:14:44,480 Speaker 1: lets air out of people's tires. Why do you take 304 00:14:44,520 --> 00:14:47,600 Speaker 1: it to the extreme, you know, because that's what people 305 00:14:47,640 --> 00:14:50,040 Speaker 1: are thinking, all right. And when you're bringing your family 306 00:14:50,080 --> 00:14:52,920 Speaker 1: into a restaurant these days, you know, a so called 307 00:14:53,040 --> 00:14:56,840 Speaker 1: family restaurant, and you bring your kids in and outside 308 00:14:57,000 --> 00:14:59,000 Speaker 1: is this guy leaning again? There's the guy leaning against 309 00:14:59,000 --> 00:15:01,280 Speaker 1: the barrel again, Jesus, I can't bring my family into 310 00:15:01,320 --> 00:15:06,280 Speaker 1: this restaurant with some guy that probably smells like he 311 00:15:06,360 --> 00:15:10,280 Speaker 1: slept outdoors six nights out of seven, you know, Jesus. Yeah, 312 00:15:10,440 --> 00:15:12,920 Speaker 1: there he is leaning against the barrel. Oh Hi, yeah, 313 00:15:12,920 --> 00:15:15,080 Speaker 1: I'm still homeless. Well, you man, you're not not going 314 00:15:15,120 --> 00:15:15,920 Speaker 1: to homeless people, are you. 315 00:15:16,040 --> 00:15:16,080 Speaker 2: No? 316 00:15:16,200 --> 00:15:18,320 Speaker 1: But I'm saying, here's this guy as you walk into 317 00:15:18,360 --> 00:15:21,280 Speaker 1: Cracker Barrel leaning against the barrel. How you doing? Hi, 318 00:15:21,560 --> 00:15:23,840 Speaker 1: I'm waiting. If nobody's around, maybe I'll just go ahead 319 00:15:23,840 --> 00:15:26,200 Speaker 1: and start rifling through the till. I don't know. You know, 320 00:15:26,320 --> 00:15:28,840 Speaker 1: you got a really really bad view of humanity. No, 321 00:15:29,680 --> 00:15:33,600 Speaker 1: I'm telling you what happened. I know what happened. Cracker 322 00:15:33,680 --> 00:15:36,560 Speaker 1: Barrel said, we don't want to have this logo no more. 323 00:15:36,680 --> 00:15:38,440 Speaker 1: In my opinion, they didn't want to have the logo 324 00:15:38,560 --> 00:15:41,880 Speaker 1: no more because it looked like some bum. Like you 325 00:15:41,960 --> 00:15:43,640 Speaker 1: were saying, he looked like some bum. Yeah, it looked 326 00:15:43,680 --> 00:15:45,680 Speaker 1: like a bum, and they don't want to have no bum. 327 00:15:45,760 --> 00:15:48,760 Speaker 1: Even if he's not breaking the law, he's some bum man. 328 00:15:49,200 --> 00:15:51,880 Speaker 1: He needs to go get his he needs to get vaccinated. 329 00:15:52,200 --> 00:15:54,680 Speaker 1: He needs to get vaccinated. Yes, exactly, he looked like 330 00:15:54,760 --> 00:15:58,440 Speaker 1: some unvaccinated bum and so Cracker Barrel said, we're not 331 00:15:58,600 --> 00:16:04,160 Speaker 1: using it anymore. Goodbye. Now comes this uproar of people. 332 00:16:04,320 --> 00:16:06,320 Speaker 1: Of course, these are people that have been the Cracker 333 00:16:06,360 --> 00:16:09,240 Speaker 1: Barrel oh so many years, and they want to have 334 00:16:09,360 --> 00:16:11,360 Speaker 1: the fine foods to Cracker Barrel. They want to go in, 335 00:16:11,640 --> 00:16:13,520 Speaker 1: and when they go in, they want to look and see, 336 00:16:13,520 --> 00:16:15,800 Speaker 1: here it is the guy. How you doing? How you doing? Champ? 337 00:16:16,440 --> 00:16:18,520 Speaker 1: As the guy is sitting there, and what if what 338 00:16:18,640 --> 00:16:20,440 Speaker 1: if the guy is sitting upright but he's been dead 339 00:16:20,520 --> 00:16:23,800 Speaker 1: for three weeks? Yeah? Yeah, don't think about that, do 340 00:16:23,920 --> 00:16:26,920 Speaker 1: you you talking about? I'm talking about if the guy 341 00:16:27,040 --> 00:16:29,480 Speaker 1: is sitting upright with a half smile on his face 342 00:16:29,520 --> 00:16:31,600 Speaker 1: and his eyes are kind of glassy, and you walk 343 00:16:31,640 --> 00:16:33,680 Speaker 1: over to say hello to him, and it stinks like 344 00:16:33,720 --> 00:16:36,720 Speaker 1: an open grave. Yeah, so you're trying to tell me 345 00:16:36,760 --> 00:16:40,760 Speaker 1: that the guy's been dead. Yes, yes, I'm saying that 346 00:16:40,920 --> 00:16:43,320 Speaker 1: that guy is so well known, people are so used 347 00:16:43,320 --> 00:16:46,240 Speaker 1: to him that they may be walking by him and 348 00:16:46,400 --> 00:16:49,800 Speaker 1: rigamortis is set in over the last month and a half. Yeah, 349 00:16:50,680 --> 00:16:52,600 Speaker 1: that's the way you do it, all right? Okay, dick man, 350 00:16:52,640 --> 00:16:54,720 Speaker 1: knock it up, will you got? But that's what we're 351 00:16:54,720 --> 00:16:58,680 Speaker 1: talking about. Well, if you guys are talking about that, man, man, 352 00:16:58,760 --> 00:17:01,680 Speaker 1: you are nowhere. Well that's what we're talking about here 353 00:17:01,760 --> 00:17:06,879 Speaker 1: on the Don Burman Burman Beat Show. The Don Burman 354 00:17:06,960 --> 00:17:08,840 Speaker 1: Burman Beat Show will be right back here on the 355 00:17:08,840 --> 00:17:14,600 Speaker 1: world famous Phil Henry Show. Yeah, the Berman Beat. Ay, 356 00:17:15,000 --> 00:17:17,240 Speaker 1: he just did the jerk off motioning. Hey, it's Phil 357 00:17:17,280 --> 00:17:20,040 Speaker 1: Henry coming up. We will be in New York for 358 00:17:20,359 --> 00:17:23,000 Speaker 1: two months, one month of rehearsal, one month of performance 359 00:17:23,400 --> 00:17:25,560 Speaker 1: in New York at the Actors Temple Theater on forty 360 00:17:25,600 --> 00:17:29,440 Speaker 1: seventh Street off Broadway for Tom Alpers the Pitch. I 361 00:17:29,520 --> 00:17:31,200 Speaker 1: hope you guys can make it up to see the show. 362 00:17:31,800 --> 00:17:34,080 Speaker 1: If not, I certainly hope you'll be around here at 363 00:17:34,200 --> 00:17:37,840 Speaker 1: Phil Henryshow dot com as we make our report returning 364 00:17:37,920 --> 00:17:40,560 Speaker 1: in November. And of course we will be doing shows 365 00:17:40,800 --> 00:17:43,960 Speaker 1: from New York City all through our stay there, so 366 00:17:44,000 --> 00:17:45,440 Speaker 1: don't worry about it. Man, We won't be doing any 367 00:17:45,480 --> 00:17:47,960 Speaker 1: reruns or any well, I don't know, you know, maybe yeah, 368 00:17:48,000 --> 00:17:49,680 Speaker 1: you might do two, might do one or two? What 369 00:17:49,680 --> 00:17:51,720 Speaker 1: are you gonna just cheap? Keep on working through? Yes, 370 00:17:51,800 --> 00:17:54,080 Speaker 1: I am. Nonetheless, we're gonna be doing shows from New 371 00:17:54,160 --> 00:17:56,560 Speaker 1: York all through that. So if you're a subscriber to 372 00:17:56,600 --> 00:17:59,399 Speaker 1: the world Famous Phil Henry Show, I suggest that you, 373 00:17:59,720 --> 00:18:01,639 Speaker 1: you know, take note of that, and if you're not, 374 00:18:01,760 --> 00:18:04,280 Speaker 1: get a backstage pass right now at Phil Henryshow dot com. 375 00:18:04,359 --> 00:18:06,919 Speaker 1: That's what we call our subscription. The backstage pass man 376 00:18:07,040 --> 00:18:09,240 Speaker 1: is only less than ten bucks for the month, less 377 00:18:09,240 --> 00:18:10,840 Speaker 1: than seven dollars a month for the year, and you 378 00:18:10,920 --> 00:18:13,440 Speaker 1: have thousands of hours of our radio Hall of Fame 379 00:18:13,480 --> 00:18:17,160 Speaker 1: show as well as our netcasts, video casts up the wazoo, 380 00:18:17,480 --> 00:18:20,800 Speaker 1: and we have our home movies too. Plus we have 381 00:18:20,880 --> 00:18:22,920 Speaker 1: some TV pilots that we shot down to the ears 382 00:18:23,160 --> 00:18:25,399 Speaker 1: on our website as well. So put it all together 383 00:18:25,440 --> 00:18:28,240 Speaker 1: and what have you got. It's bitching. Well, it's good. Yeah, yeah, 384 00:18:28,240 --> 00:18:30,679 Speaker 1: it's very good. Get a backstage pass the world Famous 385 00:18:30,720 --> 00:18:34,159 Speaker 1: Phil Henry Show at Phil Henryshow dot com. The greatest 386 00:18:34,240 --> 00:18:39,399 Speaker 1: value online other than porn. And Welcome back, ladies and gentlemen, 387 00:18:39,480 --> 00:18:42,160 Speaker 1: here too, the Burman Beat from the world Famous Phil 388 00:18:42,200 --> 00:18:45,240 Speaker 1: Henry Show platform here on the Space Coast in the 389 00:18:45,320 --> 00:18:48,680 Speaker 1: state of Florida. Tom Berman here, the channelinteen news anchor 390 00:18:49,280 --> 00:18:51,960 Speaker 1: in Los Angeles on vacation time. But I'm happy to 391 00:18:52,000 --> 00:18:55,280 Speaker 1: be here. I'm with Tom Dopcot radio consultant Bud Dickman, 392 00:18:55,720 --> 00:18:58,680 Speaker 1: who is an engineer and sometime associate. 393 00:18:58,760 --> 00:18:59,560 Speaker 3: What do you call? 394 00:18:59,760 --> 00:19:02,440 Speaker 1: What do Bud? Yeah? I associate producer and engineer and 395 00:19:02,480 --> 00:19:04,000 Speaker 1: everything and everything. 396 00:19:03,800 --> 00:19:04,320 Speaker 2: Like that, you know. 397 00:19:05,440 --> 00:19:09,000 Speaker 1: Yeah? Well all right, no, I mean no, no, I understand. 398 00:19:09,440 --> 00:19:11,400 Speaker 1: Uh So we're gonna take some phone calls, right, Yeah, 399 00:19:11,440 --> 00:19:15,640 Speaker 1: we got a couple off. We got Cladman and Perceval Cladman. Yeah, 400 00:19:15,680 --> 00:19:18,240 Speaker 1: it's a guy's name. I know. This guy's Cladman is 401 00:19:18,280 --> 00:19:21,560 Speaker 1: a guy he calls himself Cladman because he's usually clad 402 00:19:22,359 --> 00:19:26,440 Speaker 1: in nice in a nice seersucker suit. You know this guy. Yes, 403 00:19:26,480 --> 00:19:29,520 Speaker 1: his name's Cladman. Let's talk to Cladman. How are you hello? 404 00:19:30,000 --> 00:19:32,040 Speaker 2: This is Tlad. They're very grateful to talk to you. 405 00:19:32,240 --> 00:19:33,680 Speaker 2: Nice to talk to you, mister Burman. Am I speak 406 00:19:33,720 --> 00:19:34,480 Speaker 2: with mister Berman? 407 00:19:34,800 --> 00:19:36,439 Speaker 1: Yes, it's Don Berman, okay, And I. 408 00:19:36,520 --> 00:19:39,719 Speaker 2: Know Tom Duck. I know you and Tommy. You're absolutely right. 409 00:19:39,880 --> 00:19:42,560 Speaker 2: I am plaid today in a seersucker suit. It feels 410 00:19:42,680 --> 00:19:44,359 Speaker 2: light airy. It's the kind of thing that I really 411 00:19:44,400 --> 00:19:46,760 Speaker 2: want to wear. I'd wear this thing to bed because 412 00:19:46,960 --> 00:19:49,320 Speaker 2: if I could, if I would, why don't you? I 413 00:19:49,359 --> 00:19:51,600 Speaker 2: don't know i'd look like. Speaking of looking like a creep, 414 00:19:51,640 --> 00:19:53,920 Speaker 2: I don't don't lay in bed in a seersucker suit. 415 00:19:54,160 --> 00:19:55,640 Speaker 2: Somebody walks by, it looks at me, and they think 416 00:19:55,640 --> 00:19:57,760 Speaker 2: I look like one hundred yards of a creep in 417 00:19:57,880 --> 00:19:58,760 Speaker 2: a serious sucker suit. 418 00:19:59,160 --> 00:20:02,359 Speaker 1: So what about the what's your opinion on the guy the. 419 00:20:02,600 --> 00:20:04,520 Speaker 2: Cracker Barrel think what you was talking about is the 420 00:20:04,520 --> 00:20:06,440 Speaker 2: guy dead. I don't think he's dead, but I think 421 00:20:06,480 --> 00:20:08,320 Speaker 2: he's close to it. I think he's close to death. 422 00:20:08,800 --> 00:20:10,720 Speaker 2: I think that it's a very, very spart that the 423 00:20:10,760 --> 00:20:12,959 Speaker 2: people at Cracker Barrel got rid of. That's got rid 424 00:20:12,960 --> 00:20:15,080 Speaker 2: of the trademark, throw the logo, They got rid of 425 00:20:15,119 --> 00:20:16,680 Speaker 2: the spokes bottle or whatever you want to call it, 426 00:20:16,840 --> 00:20:18,920 Speaker 2: and are back to doing what Cracker Barrel does best, 427 00:20:19,200 --> 00:20:20,840 Speaker 2: which is, in my opinion, what they do best is 428 00:20:20,920 --> 00:20:23,800 Speaker 2: serving food that you can barely get down. And I 429 00:20:24,080 --> 00:20:26,000 Speaker 2: mean that with all due respect. I've tried, God how 430 00:20:26,040 --> 00:20:27,720 Speaker 2: I've tried to like their food. I've tried and tried 431 00:20:27,760 --> 00:20:29,119 Speaker 2: and tried to like their food. But I can't like 432 00:20:29,200 --> 00:20:31,080 Speaker 2: their food because this food you can barely get done. 433 00:20:31,119 --> 00:20:33,040 Speaker 2: You can barely get done. Once you get it done, 434 00:20:33,080 --> 00:20:34,159 Speaker 2: then you have to sit there and go. 435 00:20:34,480 --> 00:20:38,280 Speaker 1: Ye all right, thank you very much for your call. 436 00:20:38,960 --> 00:20:42,479 Speaker 1: What what is that? That was cladmin? Yeah, that was clad, Ben, 437 00:20:42,560 --> 00:20:45,720 Speaker 1: He was clad. He was clad in a sear sucker suit. 438 00:20:45,760 --> 00:20:48,440 Speaker 1: That's why they called him. Yeah, they that's what they do. 439 00:20:49,040 --> 00:20:52,200 Speaker 1: That's why they do. Yeah. Okay, here's another phone call. 440 00:20:52,320 --> 00:20:54,720 Speaker 1: This is Bobby Dooley and mis Duley is a well 441 00:20:54,800 --> 00:20:57,960 Speaker 1: known caller on the field Henry Show. Mssduley. How are 442 00:20:58,000 --> 00:20:58,800 Speaker 1: you well? 443 00:20:58,880 --> 00:21:02,040 Speaker 2: Like good evening time? Hello? Do Tom Dipka? Is it? 444 00:21:02,400 --> 00:21:03,399 Speaker 1: It's Tom Dobka. Man. 445 00:21:03,960 --> 00:21:05,320 Speaker 2: I've told you I'm not a man. 446 00:21:05,880 --> 00:21:08,800 Speaker 1: No, I was gonna. I said I was Tom Dobka, ma'am. 447 00:21:09,080 --> 00:21:12,439 Speaker 2: Okay, it's I thought it was Dipka. It's dodka. 448 00:21:13,119 --> 00:21:17,600 Speaker 1: No, ma'am, it's not dodka. It's dovka, not divka, not dicka. 449 00:21:18,359 --> 00:21:20,600 Speaker 2: I didn't say dicka. My wife didn't say dick. 450 00:21:20,800 --> 00:21:23,080 Speaker 1: That's you mean. I didn't. I didn't think she said dick, 451 00:21:23,720 --> 00:21:25,359 Speaker 1: Miss Duli. How are you? This is Don Burma. What 452 00:21:25,440 --> 00:21:26,040 Speaker 1: can we do for you? 453 00:21:26,520 --> 00:21:26,800 Speaker 2: Thank you? 454 00:21:26,920 --> 00:21:27,160 Speaker 4: John? 455 00:21:27,320 --> 00:21:30,159 Speaker 2: Yeah, my husband and I were talking about this. We 456 00:21:30,280 --> 00:21:34,600 Speaker 2: do not have cracker barrow in California, uh cracker bearre 457 00:21:34,840 --> 00:21:39,040 Speaker 2: but we've enjoyed cracker barrel. Down here in California. We 458 00:21:39,160 --> 00:21:42,480 Speaker 2: have something in in in something called Clamtown, USA. 459 00:21:43,520 --> 00:21:46,120 Speaker 1: And this is what it's called clam I've never heard 460 00:21:46,119 --> 00:21:47,359 Speaker 1: of it. I live in California. 461 00:21:47,760 --> 00:21:49,119 Speaker 2: You never heard of Clampdown, USA? 462 00:21:49,480 --> 00:21:52,399 Speaker 1: No, I am not. But have you no, ma'am, I 463 00:21:52,480 --> 00:21:55,920 Speaker 1: haven't heard of that, mister di I it's still Tom Dobka. No, 464 00:21:56,000 --> 00:21:56,240 Speaker 1: I have not. 465 00:21:56,600 --> 00:22:01,359 Speaker 2: Okay, you guys are missing out. Clamtown you it is 466 00:22:01,440 --> 00:22:04,360 Speaker 2: the capital of the clam High. I'm mister Clam. That's 467 00:22:04,400 --> 00:22:07,360 Speaker 2: their entire ad. And it's a clam with a smiling 468 00:22:07,440 --> 00:22:11,159 Speaker 2: face and a crown on his head. Clamtown, USA. You 469 00:22:11,280 --> 00:22:13,960 Speaker 2: never had it so good High, I'm mister clam. It's 470 00:22:14,040 --> 00:22:14,960 Speaker 2: right there on the billboard. 471 00:22:15,440 --> 00:22:18,040 Speaker 1: But you're trying to compare this to a cracker. 472 00:22:17,800 --> 00:22:21,840 Speaker 2: Barrel, Yes, because the branding is very benevolent. You see 473 00:22:21,880 --> 00:22:25,520 Speaker 2: mister Clam with a smile, with a crown on his head, 474 00:22:25,960 --> 00:22:29,480 Speaker 2: and he has these two fake arms and he's holding 475 00:22:29,520 --> 00:22:31,720 Speaker 2: them out and he wants to hug the world. Then 476 00:22:31,760 --> 00:22:34,199 Speaker 2: you have this cracker barrel where they have a man 477 00:22:34,359 --> 00:22:38,560 Speaker 2: half dead, possibly a serial murderer, someone who no one 478 00:22:38,640 --> 00:22:40,920 Speaker 2: knows where he's from. No one knows where he's from, 479 00:22:41,240 --> 00:22:43,400 Speaker 2: No one knows where he's going. You got to follow 480 00:22:43,480 --> 00:22:46,160 Speaker 2: him around the minute you lose track of if you're 481 00:22:46,240 --> 00:22:49,560 Speaker 2: scared to death. My wife's scared. But any kind of 482 00:22:49,560 --> 00:22:50,480 Speaker 2: a creep that's hanging. 483 00:22:50,320 --> 00:22:53,720 Speaker 1: Around so here, you think that this guy, a cracker 484 00:22:53,760 --> 00:22:56,080 Speaker 1: barrel guy, is indeed a creep that looks to be 485 00:22:56,440 --> 00:22:58,200 Speaker 1: someone they have to watch him for it. 486 00:22:58,480 --> 00:23:01,080 Speaker 2: Yes, I do, okay. Any guy that hangs around a 487 00:23:01,160 --> 00:23:03,879 Speaker 2: barrel and just hugs the barrel and spiling it and 488 00:23:03,960 --> 00:23:06,520 Speaker 2: he's patting the top of the barrel. Someone said there's 489 00:23:06,560 --> 00:23:08,280 Speaker 2: probably body parts in there, and I agree with. 490 00:23:08,320 --> 00:23:15,399 Speaker 1: It, all right, thank you very much. That's Bobby Dooley. Yeah, Dooley, Okay, 491 00:23:16,040 --> 00:23:19,160 Speaker 1: And uh, what what is it? Well, I you say, 492 00:23:19,200 --> 00:23:21,400 Speaker 1: there's Bobby Dooley, Like she's God's gift to the earth. 493 00:23:21,440 --> 00:23:23,960 Speaker 1: What is she? She's a very regular caller on the 494 00:23:24,040 --> 00:23:27,399 Speaker 1: Ftal Henry Show. She's not. She's not God's gifts of 495 00:23:27,440 --> 00:23:30,480 Speaker 1: the Earth. But you know, I don't know. She's a 496 00:23:30,560 --> 00:23:32,520 Speaker 1: very important member of the of the show, of the 497 00:23:32,560 --> 00:23:35,919 Speaker 1: show audience. Well, I don't know, okay. See, and here 498 00:23:36,000 --> 00:23:38,760 Speaker 1: we are talking about people, you know, a guy. That's 499 00:23:39,200 --> 00:23:41,920 Speaker 1: some guy that looks like some creep and he's hanging 500 00:23:41,960 --> 00:23:44,560 Speaker 1: around the Cracker Barrel and they had him at the 501 00:23:44,640 --> 00:23:48,280 Speaker 1: logo was this creep? And what Cracker Barrel ot to 502 00:23:48,320 --> 00:23:50,720 Speaker 1: say is we got tired of having some guy that 503 00:23:50,840 --> 00:23:53,480 Speaker 1: looks like he We got tired of having some guy 504 00:23:53,520 --> 00:23:57,360 Speaker 1: that looks like he's in the Epstein list. Yeah, yeah, yeah, 505 00:23:58,160 --> 00:24:00,760 Speaker 1: it's finally got ha said, didn't you know? He does? 506 00:24:00,840 --> 00:24:02,840 Speaker 1: He looks like you got a guy hanging around a 507 00:24:02,880 --> 00:24:05,440 Speaker 1: barrel of Cracker Barrel that looks like he's on the 508 00:24:05,640 --> 00:24:09,760 Speaker 1: Epstein List. Yeah, that's all I'm saying. So, yeah, they 509 00:24:09,800 --> 00:24:11,399 Speaker 1: wanted to get rid of that guy. Well he didn't 510 00:24:11,400 --> 00:24:13,239 Speaker 1: get rid of him. They brought him back. So now 511 00:24:13,280 --> 00:24:17,120 Speaker 1: how do you feel. I don't give a shit. Yeah 512 00:24:17,440 --> 00:24:20,399 Speaker 1: that's what I thought. So I'm just saying, you understand 513 00:24:20,400 --> 00:24:23,320 Speaker 1: I'm saying, No, I understand what you're saying. He looks 514 00:24:23,359 --> 00:24:26,359 Speaker 1: like a pervert. Yes he does. That's why Cracker Barrel 515 00:24:26,560 --> 00:24:29,320 Speaker 1: has made a very big mistake in bringing back the 516 00:24:29,440 --> 00:24:33,200 Speaker 1: Cracker Barrel guy. Because he looks like he's a freek, 517 00:24:33,280 --> 00:24:36,000 Speaker 1: because he looks like a stinking perv. Because he looks 518 00:24:36,040 --> 00:24:39,000 Speaker 1: like a pervert as he's sitting there smiling pat in 519 00:24:39,080 --> 00:24:41,840 Speaker 1: a barrel. Like in the barrel here, I've got a 520 00:24:41,960 --> 00:24:45,200 Speaker 1: hundred and maybe a two hundred asses from young boys 521 00:24:45,320 --> 00:24:48,840 Speaker 1: or something. Oh my god, what are you talking about? God, 522 00:24:49,000 --> 00:24:51,160 Speaker 1: I don't know. You know, that's thank you very much, 523 00:24:51,200 --> 00:24:54,840 Speaker 1: Tom Well, I'm just saying, well, thank you very much. Oh. 524 00:24:55,119 --> 00:24:57,159 Speaker 1: I'm just saying, if the guy like carved up bodies, 525 00:24:57,640 --> 00:25:03,600 Speaker 1: I understand. Oh let me, let me, let me sit down. 526 00:25:04,800 --> 00:25:08,800 Speaker 1: Didn't move over here, mister Dodkin. Yeah. See he's all 527 00:25:08,960 --> 00:25:11,560 Speaker 1: sick and he's all worried about our kays. I'm just saying, 528 00:25:11,960 --> 00:25:15,520 Speaker 1: the cracker barrel guy looks like some guy's probably got 529 00:25:15,640 --> 00:25:17,560 Speaker 1: dead eyes when you look at him. I mister cracker 530 00:25:17,600 --> 00:25:18,920 Speaker 1: barrel guy in there, he has his eyes are just 531 00:25:19,040 --> 00:25:22,120 Speaker 1: dead lit it over and staring at you and looking 532 00:25:22,160 --> 00:25:24,640 Speaker 1: at you like you're nothing more than a prize turkey's 533 00:25:24,640 --> 00:25:26,560 Speaker 1: gonna carve up later on. And I want to think 534 00:25:26,560 --> 00:25:29,520 Speaker 1: about that. Yeah, that's yeah, that's the way you say it. Yeah, 535 00:25:30,000 --> 00:25:33,040 Speaker 1: And I don't think anybody like that should be getting 536 00:25:33,200 --> 00:25:37,040 Speaker 1: given no accolades. I'm not you're being a guy. Accolades. 537 00:25:37,440 --> 00:25:39,240 Speaker 1: Laid back down, you gotta lay back down, mister Berman. 538 00:25:39,520 --> 00:25:43,440 Speaker 1: Don't look caught. Lay down. Yeah, you gotta lay down. 539 00:25:43,480 --> 00:25:46,720 Speaker 1: You look terrible. My name is Tom Dovka, and you're 540 00:25:46,760 --> 00:25:50,760 Speaker 1: listening to the Phil Henry Show. Tom Doveka, real you consultant. 541 00:25:51,240 --> 00:25:54,760 Speaker 1: Contact Tom at the Kevco Building in Chicago, Illinois, and 542 00:25:54,920 --> 00:25:58,159 Speaker 1: have your show consulted to death. We're just kidding. And 543 00:25:58,280 --> 00:26:01,320 Speaker 1: have your show consulted by Tom. He'll consult it and 544 00:26:01,440 --> 00:26:04,760 Speaker 1: consult it and consult it yet again until it's it's 545 00:26:04,840 --> 00:26:08,520 Speaker 1: fully consultant. You don't worry about that. I'm Tom Dovka. 546 00:26:09,080 --> 00:26:11,680 Speaker 1: Look me up there at the Cabco building. Okay, give 547 00:26:11,720 --> 00:26:13,640 Speaker 1: me a call, all right, I'll work a deal out. Okay. 548 00:26:13,920 --> 00:26:15,840 Speaker 1: If I'm not there, I'm in my car. Call my 549 00:26:15,920 --> 00:26:19,360 Speaker 1: car phone and that's probably the same number Tom Doveka 550 00:26:19,760 --> 00:26:25,040 Speaker 1: radio consultant, and welcome back here. This is Don Bartman. 551 00:26:25,200 --> 00:26:29,880 Speaker 1: And one more phone call. We have Sugy here, Sugary High. 552 00:26:30,040 --> 00:26:30,480 Speaker 1: How do you doing? 553 00:26:31,160 --> 00:26:33,040 Speaker 2: I'm newly really gonna want to ask you guys, why 554 00:26:33,240 --> 00:26:35,880 Speaker 2: is it that they just can't just keep the guy 555 00:26:36,000 --> 00:26:38,960 Speaker 2: that they had the logo, even if he looked like 556 00:26:39,040 --> 00:26:41,359 Speaker 2: he was a child molester. I don't know a pedterest. 557 00:26:41,760 --> 00:26:43,520 Speaker 2: Just keep it because you look friendly enough. He was 558 00:26:43,600 --> 00:26:46,360 Speaker 2: leaning against the barrel, saying, come on and hassan to eat, 559 00:26:46,840 --> 00:26:48,760 Speaker 2: because even if you know, you could see even if 560 00:26:48,800 --> 00:26:51,879 Speaker 2: I'm a pervert, even if I'm some kind of a pervert, 561 00:26:51,920 --> 00:26:54,080 Speaker 2: if I like do it to do it with dogs 562 00:26:54,119 --> 00:26:56,600 Speaker 2: and horses. I don't know, he said, But even a 563 00:26:56,640 --> 00:26:58,600 Speaker 2: guy like me got to eat. And the food that 564 00:26:58,640 --> 00:27:00,399 Speaker 2: I eat is just the same food you eat, and 565 00:27:00,440 --> 00:27:01,000 Speaker 2: I gotta eat. 566 00:27:01,720 --> 00:27:04,080 Speaker 1: You know, are you saying that the guy still is 567 00:27:04,200 --> 00:27:07,000 Speaker 1: viable as a spokesman for a restaurant. 568 00:27:08,080 --> 00:27:09,320 Speaker 2: I don't know. I don't know what that meant. 569 00:27:09,560 --> 00:27:11,159 Speaker 1: I'm you're saying that the guy still works as a 570 00:27:11,160 --> 00:27:12,200 Speaker 1: spokesman for a restaurant. 571 00:27:12,400 --> 00:27:13,920 Speaker 2: Yeah, I think so. I think he works real good 572 00:27:14,320 --> 00:27:17,119 Speaker 2: because you look at it. You already know what the 573 00:27:17,160 --> 00:27:18,920 Speaker 2: show sound like. And you want to have a guy 574 00:27:19,040 --> 00:27:21,880 Speaker 2: who says, you know, I know I look like I'm 575 00:27:21,920 --> 00:27:25,720 Speaker 2: a pervert. I know I look like I'm a sexual predator. 576 00:27:26,160 --> 00:27:28,720 Speaker 2: I know I look like I'm just something that ought 577 00:27:28,760 --> 00:27:30,720 Speaker 2: to be in a cage. I know I look like 578 00:27:30,880 --> 00:27:35,960 Speaker 2: some real sick Yeah, you know, all right? 579 00:27:36,080 --> 00:27:38,840 Speaker 1: That is whatever he is, that's the guy I didn't 580 00:27:38,840 --> 00:27:40,520 Speaker 1: give his name, didn't he didn't give his name, and 581 00:27:40,600 --> 00:27:47,120 Speaker 1: yet you knew what his name was. Yeah, I'm Don 582 00:27:47,160 --> 00:27:50,000 Speaker 1: Berman and this has been the Berman beat tonight. Looking 583 00:27:50,080 --> 00:27:53,080 Speaker 1: at the Cracker Barrel logo, and I think we've come 584 00:27:53,119 --> 00:27:56,320 Speaker 1: to the conclusion that the Cracker Barrel logo the guy's back. 585 00:27:56,840 --> 00:27:58,840 Speaker 1: Though he may be some sort of a creep that 586 00:27:58,920 --> 00:28:02,480 Speaker 1: follows kids home. Yeah, that's the thing. You don't know. 587 00:28:02,840 --> 00:28:05,160 Speaker 1: He looks like the kind of guy that would follow 588 00:28:05,200 --> 00:28:07,160 Speaker 1: a woman into a parking lot. You know what I'm saying, 589 00:28:07,240 --> 00:28:09,640 Speaker 1: Like late at night, Hey, welcome to Cracker Barrel. I'm 590 00:28:09,680 --> 00:28:11,720 Speaker 1: the guy, And the lady says, oh great, you're gonna 591 00:28:11,960 --> 00:28:13,879 Speaker 1: sit next to the barrel. He says, yeah, but guess what, 592 00:28:13,960 --> 00:28:16,080 Speaker 1: I'm gonna follow you into a parking lot tonight and 593 00:28:16,160 --> 00:28:20,760 Speaker 1: there's nobody and then nobody around. Well all I all, 594 00:28:20,840 --> 00:28:22,960 Speaker 1: I say, that's our read. Okay, I don't go to 595 00:28:23,040 --> 00:28:25,000 Speaker 1: Cracker Barrel. I wouldn't know Cracker Barrel if it was 596 00:28:25,160 --> 00:28:26,840 Speaker 1: it was across the street and it was on fire. 597 00:28:27,640 --> 00:28:30,280 Speaker 1: I didn't stay. It's very I didn't say it's very tasty. Yeah, 598 00:28:30,359 --> 00:28:32,479 Speaker 1: just don't buy booze there. Well, you can't buy booze 599 00:28:32,880 --> 00:28:37,000 Speaker 1: on a blue Sunday cracker barrel. It's a great place 600 00:28:37,119 --> 00:28:39,440 Speaker 1: to eat, But the guy that sits next to the 601 00:28:39,520 --> 00:28:42,120 Speaker 1: barrel looks like, I don't know, he may be one 602 00:28:42,160 --> 00:28:48,160 Speaker 1: of the undead. Don Berman is produced by Phil Henry. 603 00:28:48,240 --> 00:28:50,720 Speaker 1: Executive produced by Phil Henry, fort See Emprey Incorporated. All 604 00:28:50,800 --> 00:28:52,200 Speaker 1: rights reserved on podcast one. 605 00:28:59,360 --> 00:29:02,400 Speaker 4: Just when you thought summer couldn't get any hotter, Pludo 606 00:29:02,520 --> 00:29:05,720 Speaker 4: TV is turning up the heat with thousands of free movies, 607 00:29:06,400 --> 00:29:11,720 Speaker 4: presenting Summer of Cinema. 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