1 00:00:06,000 --> 00:00:27,160 Speaker 1: H m hmmmm, Yo, yo, what's up. We're back all 2 00:00:27,200 --> 00:00:29,080 Speaker 1: the smoke. We're back in l A doing it. Had 3 00:00:29,080 --> 00:00:32,880 Speaker 1: a great day, long day. Were finishing up with my Goat. 4 00:00:33,080 --> 00:00:34,680 Speaker 1: You know, I argue with people all the time who 5 00:00:34,720 --> 00:00:37,919 Speaker 1: the best of all time living? And it's not an 6 00:00:38,000 --> 00:00:39,839 Speaker 1: argument at all. But you know what I'm saying, I 7 00:00:39,920 --> 00:00:43,839 Speaker 1: ride for my dog, been my brother for years, and 8 00:00:44,040 --> 00:00:47,560 Speaker 1: uh we got him on the late night the Goat, 9 00:00:47,600 --> 00:00:51,040 Speaker 1: the best wrapper alive. Lee is in the building. Welcome 10 00:00:51,080 --> 00:00:53,559 Speaker 1: to all the smoke, Bro, appreciate you being there. Man, 11 00:00:54,480 --> 00:00:58,680 Speaker 1: it's only right, yes, sir, So we already had you 12 00:00:58,760 --> 00:01:02,280 Speaker 1: on before, you know, April sixth twenty but that was 13 00:01:02,320 --> 00:01:03,760 Speaker 1: you know, to. 14 00:01:03,280 --> 00:01:06,600 Speaker 2: Be a zoom covid. COVID just hit. 15 00:01:06,680 --> 00:01:08,760 Speaker 1: Yep, COVID, that just hit and we were still working 16 00:01:08,800 --> 00:01:12,760 Speaker 1: at the time, and uh we already said, yo, bro 17 00:01:12,760 --> 00:01:13,840 Speaker 1: at the end of the show, we got to get 18 00:01:13,880 --> 00:01:15,760 Speaker 1: you in the studio. Yeah, you know, it's only to 19 00:01:15,800 --> 00:01:19,920 Speaker 1: only do this right, to give your proper love. What's 20 00:01:19,959 --> 00:01:21,960 Speaker 1: going on with what you got going on? And what 21 00:01:21,959 --> 00:01:23,480 Speaker 1: what's the what's the what's the day in the life 22 00:01:23,480 --> 00:01:23,960 Speaker 1: of a little weeks? 23 00:01:24,080 --> 00:01:24,840 Speaker 2: Like every day man? 24 00:01:25,200 --> 00:01:30,920 Speaker 3: Right now, right now, I just finished. I just finished 25 00:01:30,920 --> 00:01:35,680 Speaker 3: the tour. As far as the last date, it's concerned, 26 00:01:35,720 --> 00:01:38,400 Speaker 3: but there was dates I missed, so we about to 27 00:01:38,440 --> 00:01:42,800 Speaker 3: go make them up this weekend. And you already know 28 00:01:42,920 --> 00:01:47,520 Speaker 3: doing a million features a day and working on something 29 00:01:47,560 --> 00:01:50,160 Speaker 3: new that we got, got we got coming out called 30 00:01:50,960 --> 00:01:56,320 Speaker 3: the Bob. Couldn't even say it, you know, Yo money, 31 00:01:56,360 --> 00:01:59,240 Speaker 3: I'm so sorry, get it good. That's killing man. You 32 00:01:59,280 --> 00:02:01,400 Speaker 3: know that's camm. He going to sleep. He gotta get 33 00:02:01,400 --> 00:02:04,760 Speaker 3: his good night for Come on, daddy duty. Don't ever stop. 34 00:02:05,880 --> 00:02:14,959 Speaker 2: That's right, good night boy. I love you so mhm, 35 00:02:15,440 --> 00:02:18,600 Speaker 2: the boss man sleep all right. Every got a picture 36 00:02:18,639 --> 00:02:20,080 Speaker 2: of his daddy? Look just like that? 37 00:02:20,720 --> 00:02:23,320 Speaker 3: Love yeah, love, I say, I take a picture of 38 00:02:23,360 --> 00:02:27,880 Speaker 3: her since, Oh good. 39 00:02:27,680 --> 00:02:32,040 Speaker 2: Appreciate it. Young Money album, Young Money, that's already that's 40 00:02:32,080 --> 00:02:33,000 Speaker 2: in the workings, as. 41 00:02:32,919 --> 00:02:36,160 Speaker 3: Well as far as the uh the art my new 42 00:02:36,240 --> 00:02:39,760 Speaker 3: artist and putting out a Young Money compilation album with them, 43 00:02:39,800 --> 00:02:43,440 Speaker 3: But as far as uh Me and you know, I'm 44 00:02:43,440 --> 00:02:46,200 Speaker 3: gonna be all over that always. But it's about them 45 00:02:46,240 --> 00:02:48,160 Speaker 3: when it comes to that. And you're also working on 46 00:02:48,200 --> 00:02:51,160 Speaker 3: they solo ship. But you asked me about the damn 47 00:02:51,200 --> 00:02:55,200 Speaker 3: life of me Shiit same ship every day, getting to 48 00:02:55,240 --> 00:02:57,280 Speaker 3: the waking up at going to sleep in the studio, 49 00:02:57,320 --> 00:03:00,440 Speaker 3: waking up in the studio and ship, you know and stuff. 50 00:03:00,480 --> 00:03:02,280 Speaker 3: I forgot the line I fell asleep too. 51 00:03:04,960 --> 00:03:10,320 Speaker 1: Lucas still a hole. Huh, Lucas still a hole. Yeah, 52 00:03:10,320 --> 00:03:11,760 Speaker 1: I didn't even see that question on there. 53 00:03:12,600 --> 00:03:17,640 Speaker 3: No man, he said, no, no, no, no, cold cold 54 00:03:17,600 --> 00:03:23,239 Speaker 3: a little beat. And with that said when I when 55 00:03:23,240 --> 00:03:25,720 Speaker 3: I when I tweeted that, I was talking about him 56 00:03:25,720 --> 00:03:27,880 Speaker 3: with all the current, you know, after he stopped that, 57 00:03:27,919 --> 00:03:28,720 Speaker 3: you done worked on that. 58 00:03:28,840 --> 00:03:32,720 Speaker 2: So you really worked on that. Who are some of 59 00:03:32,720 --> 00:03:36,320 Speaker 2: your favorite players to watch right now? Ship? You already know. 60 00:03:38,320 --> 00:03:40,720 Speaker 3: First first first and for I mean we're talking about 61 00:03:40,720 --> 00:03:43,440 Speaker 3: the whole full see yeah first and for that boy 62 00:03:43,520 --> 00:03:45,480 Speaker 3: joab Man Monster, Yeah. 63 00:03:45,400 --> 00:03:47,600 Speaker 2: A lot of watch Joah, A lot to watch. 64 00:03:49,240 --> 00:03:51,840 Speaker 3: The young and the young and from Georgia and uh 65 00:03:52,400 --> 00:03:58,200 Speaker 3: in the Minnesota Edward Edwards, Yeah, you know my squad. 66 00:03:58,240 --> 00:04:01,240 Speaker 3: You know, I love is I think watching Brian now, 67 00:04:01,360 --> 00:04:03,960 Speaker 3: to watch Brin play now And this was I was 68 00:04:04,000 --> 00:04:08,440 Speaker 3: talking about regular season when he was playing it felt 69 00:04:08,880 --> 00:04:12,040 Speaker 3: it felt eccentric to what it felt like I felt like, 70 00:04:12,080 --> 00:04:15,000 Speaker 3: you know, not not on the last dances to what 71 00:04:15,120 --> 00:04:18,200 Speaker 3: you already Okay, you noticed the last because it's not right. 72 00:04:18,400 --> 00:04:21,480 Speaker 3: So it's almost like when you watch like damn, it's 73 00:04:21,520 --> 00:04:24,320 Speaker 3: almost like when you hear them say you ever heard 74 00:04:24,400 --> 00:04:28,560 Speaker 3: somebody say they went through the pilot, Say he went 75 00:04:28,560 --> 00:04:30,800 Speaker 3: through the whole Bermuda triangle. He went through and then 76 00:04:30,800 --> 00:04:32,480 Speaker 3: he landed up ended up on the other side of 77 00:04:32,520 --> 00:04:35,120 Speaker 3: Scott free whenever he went. It's kind of like we 78 00:04:35,160 --> 00:04:37,599 Speaker 3: done went through all that. And I were just Scott 79 00:04:37,880 --> 00:04:40,680 Speaker 3: watching Brian just ad and that just is amazing to me. 80 00:04:41,200 --> 00:04:45,960 Speaker 3: So to watch him play and also to watch you know, 81 00:04:46,000 --> 00:04:48,920 Speaker 3: the sniper, I don't like. I ain't like to see 82 00:04:49,000 --> 00:04:50,719 Speaker 3: him fall off, Like I didn't like to see the 83 00:04:50,800 --> 00:04:52,520 Speaker 3: end of the how they how they fell off from 84 00:04:53,080 --> 00:04:59,200 Speaker 3: you already know with CP, I cried, I text like, 85 00:04:59,200 --> 00:05:02,159 Speaker 3: I know you know what Hi a text? So without crying, brother, 86 00:05:02,320 --> 00:05:04,080 Speaker 3: so you found we call me back. 87 00:05:05,040 --> 00:05:11,280 Speaker 2: The badest luck. Man deserve man, he deserves it. Man. 88 00:05:11,320 --> 00:05:13,440 Speaker 2: Shout out CEP, shout out CP. Man. 89 00:05:13,960 --> 00:05:18,360 Speaker 1: Bro, But sin, since we already are, what's your take 90 00:05:18,400 --> 00:05:19,279 Speaker 1: on Josh situation? 91 00:05:19,560 --> 00:05:19,760 Speaker 2: Man? 92 00:05:21,480 --> 00:05:23,320 Speaker 3: Man, You know, I had a conversation with my homies 93 00:05:23,320 --> 00:05:25,839 Speaker 3: today because I was looking at I was noticing that 94 00:05:25,880 --> 00:05:28,040 Speaker 3: I had a few different generations. When I was talking 95 00:05:28,080 --> 00:05:31,200 Speaker 3: speaking to him as my artist was in there, and 96 00:05:31,240 --> 00:05:32,800 Speaker 3: my artist was in there, and gutter was in there. 97 00:05:32,880 --> 00:05:34,400 Speaker 3: So I mean, what I mean by that is gutter 98 00:05:34,480 --> 00:05:37,840 Speaker 3: from my generation and my artist. I'm sorry, my artist 99 00:05:37,839 --> 00:05:39,760 Speaker 3: is younger. So I was just asking him. I was like, 100 00:05:41,720 --> 00:05:44,279 Speaker 3: what's the necessity of what you know? 101 00:05:44,320 --> 00:05:44,600 Speaker 1: What is? 102 00:05:44,680 --> 00:05:47,440 Speaker 3: Then I was like, what's the necessity part of doing 103 00:05:47,480 --> 00:05:49,880 Speaker 3: you know, doing that? What's that what you know posting 104 00:05:49,920 --> 00:05:52,080 Speaker 3: yourself saying this is what I look at him doing. 105 00:05:52,240 --> 00:05:53,680 Speaker 2: I was like, what I mean by that is. 106 00:05:53,600 --> 00:05:56,359 Speaker 3: Because I'm trying to figure I'm trying to, you know, 107 00:05:57,120 --> 00:06:01,160 Speaker 3: do the cliche put myself in his shoes, understand it? 108 00:06:01,200 --> 00:06:02,479 Speaker 3: And I was like, so, I was like, so the 109 00:06:02,520 --> 00:06:04,880 Speaker 3: best I can do without them answering before they answered 110 00:06:04,880 --> 00:06:05,520 Speaker 3: that question. 111 00:06:05,360 --> 00:06:07,560 Speaker 2: I told them where I was at with it. I say, 112 00:06:07,640 --> 00:06:08,880 Speaker 2: so the best the best time. 113 00:06:08,920 --> 00:06:10,800 Speaker 3: I was like, so, the best I could do is 114 00:06:11,720 --> 00:06:17,440 Speaker 3: remember when I was younger and my home's squad, all 115 00:06:17,600 --> 00:06:20,920 Speaker 3: my niggas around me, when and we were at the 116 00:06:21,000 --> 00:06:23,599 Speaker 3: age where they don't have money. I'm the one with 117 00:06:23,640 --> 00:06:25,760 Speaker 3: the money, you know what I mean? And then I 118 00:06:25,760 --> 00:06:27,719 Speaker 3: don't even know how much money I will end up with. 119 00:06:27,880 --> 00:06:29,520 Speaker 3: But I'm a mom with some money in my pocket. 120 00:06:30,120 --> 00:06:33,360 Speaker 3: I know I got a bright future. My homies I ain't. 121 00:06:33,400 --> 00:06:36,000 Speaker 3: They ain't no payroll, They ain't my homies. 122 00:06:36,279 --> 00:06:37,080 Speaker 2: They live good. 123 00:06:37,000 --> 00:06:39,479 Speaker 3: When they with me, when I go to when I 124 00:06:39,480 --> 00:06:41,279 Speaker 3: gotta go by stunning them and go to work and 125 00:06:41,320 --> 00:06:42,960 Speaker 3: all that, they gotta go back to being who they 126 00:06:42,960 --> 00:06:44,120 Speaker 3: gotta be, you know. 127 00:06:44,120 --> 00:06:44,440 Speaker 2: What I mean. 128 00:06:44,520 --> 00:06:48,560 Speaker 3: So what I'm saying saying that to say them the streets, 129 00:06:50,200 --> 00:06:54,200 Speaker 3: and I was aware of that. So I was I say, 130 00:06:54,240 --> 00:06:56,200 Speaker 3: so if I was going through something at that point 131 00:06:56,240 --> 00:07:00,719 Speaker 3: in time, something public like with Slam going through, I said, 132 00:07:00,720 --> 00:07:04,600 Speaker 3: I could imagine the rebel the rebellious attitude I would 133 00:07:04,640 --> 00:07:08,839 Speaker 3: have if my home is just egging attitude on right, 134 00:07:09,000 --> 00:07:11,080 Speaker 3: you know what I mean? I like to and Alside 135 00:07:11,120 --> 00:07:13,240 Speaker 3: was like, what they also need to understand. What we 136 00:07:13,680 --> 00:07:16,960 Speaker 3: also need to understand is we don't want talking about 137 00:07:16,960 --> 00:07:19,320 Speaker 3: this like that. It's not not I don't know this 138 00:07:19,400 --> 00:07:21,320 Speaker 3: for a fact, but just in a lot of situations 139 00:07:21,360 --> 00:07:24,160 Speaker 3: like this, when we all talking about it, the actual 140 00:07:24,240 --> 00:07:27,440 Speaker 3: person and the people were talking about they actually they 141 00:07:27,880 --> 00:07:30,840 Speaker 3: purposely stay away from this. They stay away from all 142 00:07:30,840 --> 00:07:34,280 Speaker 3: this we're saying. They stay away from hearing this. And they 143 00:07:34,520 --> 00:07:36,920 Speaker 3: got people that are protecting them from that's gonna hear 144 00:07:36,960 --> 00:07:37,440 Speaker 3: it for them. 145 00:07:37,520 --> 00:07:39,240 Speaker 2: They're gonna protect them from hearing it. 146 00:07:39,880 --> 00:07:41,680 Speaker 3: So what I mean by that is, if I had 147 00:07:41,680 --> 00:07:43,440 Speaker 3: something going on in the public that you know is 148 00:07:43,560 --> 00:07:47,360 Speaker 3: negative about me my home, We're gonna they purposely making 149 00:07:47,360 --> 00:07:49,240 Speaker 3: sure we still man, we don't even want them to 150 00:07:49,280 --> 00:07:51,520 Speaker 3: hear it. So it's hard for the message to get through, right, 151 00:07:51,800 --> 00:07:53,320 Speaker 3: you know what I mean. It's hard for the message 152 00:07:53,320 --> 00:07:55,080 Speaker 3: all these you know, you got people looking dead and 153 00:07:55,120 --> 00:07:57,400 Speaker 3: the cameras on TV like then I'm talking to you job. 154 00:07:58,320 --> 00:08:00,000 Speaker 3: You know what I mean, It's hard for the message 155 00:08:00,160 --> 00:08:03,559 Speaker 3: to get through, man, when you because I'm the bread winner, 156 00:08:03,640 --> 00:08:06,200 Speaker 3: I wish your nigga would tell me something, you know 157 00:08:06,240 --> 00:08:06,640 Speaker 3: what I mean. 158 00:08:06,800 --> 00:08:08,960 Speaker 2: I wish your nigga would tell me. It's almost like. 159 00:08:09,760 --> 00:08:13,600 Speaker 3: I look at it like Zion, how you keep it 160 00:08:13,680 --> 00:08:16,400 Speaker 3: begging him to lose weight, getting better shape and this that. 161 00:08:17,320 --> 00:08:20,560 Speaker 3: I wish your nigga would tell me something. Right, not 162 00:08:20,720 --> 00:08:23,640 Speaker 3: much money I got boy, just like this like this, nigga, 163 00:08:24,080 --> 00:08:25,880 Speaker 3: I wish your nigga, nigga, what trade me? 164 00:08:26,040 --> 00:08:29,560 Speaker 2: What? What? And That's what I'm saying. 165 00:08:29,560 --> 00:08:32,320 Speaker 3: I'm like, so, so I had to ask myself, what's 166 00:08:32,320 --> 00:08:33,800 Speaker 3: the necessity of me? 167 00:08:34,000 --> 00:08:35,360 Speaker 2: Because I like, so what that said? 168 00:08:35,520 --> 00:08:37,559 Speaker 3: I was to answer that question if I was asked 169 00:08:37,600 --> 00:08:40,240 Speaker 3: at that time, so, what's the necessity to you being 170 00:08:40,280 --> 00:08:41,560 Speaker 3: so rebellious right now? 171 00:08:42,160 --> 00:08:42,560 Speaker 2: You know what I mean? 172 00:08:42,679 --> 00:08:46,360 Speaker 3: Was like, my only answer would have been is because 173 00:08:46,400 --> 00:08:48,800 Speaker 3: I I don't even hear the truth. I don't want 174 00:08:48,800 --> 00:08:50,880 Speaker 3: to hear what y'all think the truth is and the facts. 175 00:08:51,240 --> 00:08:53,400 Speaker 3: My truth is my truth, and you know this is 176 00:08:53,440 --> 00:08:55,360 Speaker 3: what I come from this, and I come from that 177 00:08:55,440 --> 00:08:59,720 Speaker 3: and I got I got my twelve jurors. That's that's okay, 178 00:09:01,200 --> 00:09:04,000 Speaker 3: you know what I mean. And so so when I 179 00:09:04,040 --> 00:09:06,800 Speaker 3: asked myself, so what's the new sud like, so, what's 180 00:09:06,840 --> 00:09:07,840 Speaker 3: the necessity? 181 00:09:08,160 --> 00:09:09,240 Speaker 2: I say, because I could. 182 00:09:09,080 --> 00:09:10,880 Speaker 3: Imagine if I would have did it at that time, 183 00:09:11,360 --> 00:09:14,440 Speaker 3: my answer would have been to show y'all don't know 184 00:09:14,440 --> 00:09:16,240 Speaker 3: who I'm. Y'all don't know who I got problems with. 185 00:09:16,960 --> 00:09:19,240 Speaker 3: Y'all only know this, y'all only know the me that 186 00:09:19,320 --> 00:09:21,880 Speaker 3: y'all know. You know what I mean, the puppy, y'all know, 187 00:09:21,920 --> 00:09:25,040 Speaker 3: the rapper or whatever, whatever. But should we in these 188 00:09:25,040 --> 00:09:27,400 Speaker 3: streets and I need them? Niggas to know every time 189 00:09:27,440 --> 00:09:28,760 Speaker 3: I need them necks to know when I ain't on 190 00:09:28,800 --> 00:09:30,120 Speaker 3: that quarter, when I ain't on. 191 00:09:30,120 --> 00:09:31,560 Speaker 2: That stage, it's on me. 192 00:09:32,559 --> 00:09:34,560 Speaker 3: And that's why I like, that'll be my answer for 193 00:09:34,559 --> 00:09:36,400 Speaker 3: a while. I like that if my mama probably had 194 00:09:36,440 --> 00:09:38,600 Speaker 3: to ask me in real life at that time, why 195 00:09:38,600 --> 00:09:39,240 Speaker 3: are you doing that? 196 00:09:39,960 --> 00:09:41,520 Speaker 2: And I had to give her a real answer. I 197 00:09:41,640 --> 00:09:41,840 Speaker 2: like that. 198 00:09:42,040 --> 00:09:44,280 Speaker 3: I was like, I'm trying to understand, like maybe that 199 00:09:44,280 --> 00:09:46,559 Speaker 3: would be my only answer that makes sense to me, 200 00:09:47,200 --> 00:09:49,440 Speaker 3: and I would hope she was still damn it, boy, 201 00:09:49,520 --> 00:09:50,360 Speaker 3: you tripping. 202 00:09:50,640 --> 00:09:51,280 Speaker 2: You know what I mean? 203 00:09:51,440 --> 00:09:53,680 Speaker 3: But I I had to, but they didn't have, you know, 204 00:09:53,760 --> 00:09:56,520 Speaker 3: there was like there's like tune, that's the answer for 205 00:09:57,840 --> 00:10:00,079 Speaker 3: niggas who are really in the streets, right, you know 206 00:10:00,120 --> 00:10:03,760 Speaker 3: what I mean? And I was like, before you say that, like, 207 00:10:04,160 --> 00:10:06,320 Speaker 3: don't fall into that trap that these people doing on 208 00:10:06,400 --> 00:10:10,480 Speaker 3: TV saying because he ain't no thug, cause he ain't 209 00:10:10,520 --> 00:10:12,520 Speaker 3: in the street, he ain't about that he you know gang? 210 00:10:12,559 --> 00:10:14,640 Speaker 2: You do? You don't want that? How y'all know you? 211 00:10:14,760 --> 00:10:16,120 Speaker 3: You don't want y'all know that boy? 212 00:10:17,679 --> 00:10:18,720 Speaker 2: Do y'all know that boy? 213 00:10:18,880 --> 00:10:22,160 Speaker 3: Because I don't I know him from dunking and jumping, 214 00:10:22,240 --> 00:10:24,120 Speaker 3: and I only started knowing him and when I started 215 00:10:24,160 --> 00:10:26,800 Speaker 3: paying attention to running last year, last year of college. 216 00:10:27,960 --> 00:10:31,560 Speaker 3: I come from like a town of three thousand people. Like, 217 00:10:31,679 --> 00:10:35,959 Speaker 3: what what y'all y'all what you gave that mean y'all 218 00:10:35,960 --> 00:10:37,880 Speaker 3: gave him two entndyd million dollars. I just sat a 219 00:10:37,960 --> 00:10:41,280 Speaker 3: town with three thousand people. You expect him to be responsible? 220 00:10:43,120 --> 00:10:47,160 Speaker 3: Now we tripping. Then now we tripping, and we expected 221 00:10:47,200 --> 00:10:50,120 Speaker 3: him to be That's magic because I could take You know, 222 00:10:50,200 --> 00:10:54,319 Speaker 3: I come from a real well raised, beautiful mother nice, 223 00:10:54,600 --> 00:10:56,040 Speaker 3: you know what I mean, My mama bus I asked 224 00:10:56,040 --> 00:10:57,839 Speaker 3: to make sure everything around me was nice, and I 225 00:10:57,880 --> 00:10:58,840 Speaker 3: still was a knucklehead. 226 00:10:58,840 --> 00:11:01,440 Speaker 2: I shot myself, you know what I mean. 227 00:11:01,520 --> 00:11:04,720 Speaker 3: So so if you expected and that young man from 228 00:11:04,720 --> 00:11:06,880 Speaker 3: a three I could imagine if I came from fucking 229 00:11:06,960 --> 00:11:09,000 Speaker 3: what to play with three thousand people and yet and 230 00:11:09,040 --> 00:11:10,480 Speaker 3: I became who I am. 231 00:11:10,920 --> 00:11:15,040 Speaker 1: But they had social media when I was twenty three, 232 00:11:15,080 --> 00:11:15,760 Speaker 1: I wouldn't have made it. 233 00:11:15,840 --> 00:11:17,800 Speaker 4: Well, I think, yeah, thank god, I think that was 234 00:11:17,840 --> 00:11:20,120 Speaker 4: a good question you asked your youngest artist, though, because 235 00:11:20,160 --> 00:11:21,760 Speaker 4: we don't know what it's like to grow up with 236 00:11:21,800 --> 00:11:24,120 Speaker 4: the with the phone, and that's what you know. 237 00:11:25,400 --> 00:11:27,280 Speaker 3: It's there on this and so what I said, what 238 00:11:27,480 --> 00:11:29,320 Speaker 3: I said all that to day, I said, I just said, 239 00:11:29,320 --> 00:11:30,960 Speaker 3: they came up with no answer for why he don't 240 00:11:31,520 --> 00:11:32,839 Speaker 3: you know what I mean when I told him, let's 241 00:11:32,880 --> 00:11:34,439 Speaker 3: just not say he is he's not that because we 242 00:11:34,480 --> 00:11:35,000 Speaker 3: don't know that. 243 00:11:35,640 --> 00:11:36,960 Speaker 2: I like, so, so what that says? 244 00:11:37,200 --> 00:11:39,040 Speaker 3: They was like to answer, well, they was like, so 245 00:11:39,120 --> 00:11:42,440 Speaker 3: to answer your question, since we don't know that of him, 246 00:11:43,240 --> 00:11:45,040 Speaker 3: I'll answer. They were like, we'll answer you of what 247 00:11:45,120 --> 00:11:48,440 Speaker 3: we do know. We do know he plays basketball. He 248 00:11:48,480 --> 00:11:51,360 Speaker 3: plays real fucking good, you know what I mean. He 249 00:11:51,440 --> 00:11:54,400 Speaker 3: was like, what we don't know is if he's that 250 00:11:54,559 --> 00:11:57,320 Speaker 3: great of a fucking gangster, you know what I mean, 251 00:11:57,840 --> 00:12:00,720 Speaker 3: he's that great of a damn basketball player, the smart one. 252 00:12:00,800 --> 00:12:01,400 Speaker 2: We know that. 253 00:12:01,640 --> 00:12:04,000 Speaker 3: We don't know he's that great up, you know what 254 00:12:04,000 --> 00:12:07,400 Speaker 3: I mean, or whatever else you being. You know, I 255 00:12:07,440 --> 00:12:09,640 Speaker 3: just like I said, I just finished watching that ship. 256 00:12:10,000 --> 00:12:12,760 Speaker 3: We don't know he that great at being terry, but terry, 257 00:12:12,920 --> 00:12:17,400 Speaker 3: but we know he got. 258 00:12:16,160 --> 00:12:18,800 Speaker 4: About the court said, I wasn't talking about me. 259 00:12:18,920 --> 00:12:20,000 Speaker 2: I was talking about. 260 00:12:19,720 --> 00:12:25,000 Speaker 5: Pol Why you know, I was taking that technic. 261 00:12:25,080 --> 00:12:28,040 Speaker 3: I was like, boy boy, if I end up with 262 00:12:28,080 --> 00:12:29,800 Speaker 3: a wife and she goes boys you're gonna have. 263 00:12:29,840 --> 00:12:32,079 Speaker 4: To deal with that one that was that was a 264 00:12:32,080 --> 00:12:35,040 Speaker 4: little week that was wey that that was not the 265 00:12:35,120 --> 00:12:37,800 Speaker 4: one that was not not the actions doing. 266 00:12:37,800 --> 00:12:39,760 Speaker 3: Hold on, we're gonna have to get this straight now, 267 00:12:40,559 --> 00:12:43,959 Speaker 3: that man said Paul. But that man said, no, I'm serious. 268 00:12:44,080 --> 00:12:50,840 Speaker 3: My my penis is not the prosecutor to say fair enough. 269 00:12:53,520 --> 00:12:57,960 Speaker 2: Too? What the fun man? This ship? 270 00:12:58,120 --> 00:13:02,080 Speaker 3: Crazy man asked the massive dumb ship like that that 271 00:13:02,520 --> 00:13:05,080 Speaker 3: Now I'm serious and catch a straight face too, what 272 00:13:05,360 --> 00:13:08,120 Speaker 3: very I'm very serious thinking my ship ain't ten inches 273 00:13:09,400 --> 00:13:11,240 Speaker 3: And they said fair enough? 274 00:13:14,080 --> 00:13:18,640 Speaker 2: Holding ship? Yeah, he rocking like that. Arry, I'm chilling. 275 00:13:21,520 --> 00:13:23,839 Speaker 3: Take your shirt off, girlhold shut ship out. 276 00:13:23,840 --> 00:13:28,160 Speaker 2: You look at Terry chilling. I'm on, I'm chilling, Terry chilling. 277 00:13:28,200 --> 00:13:32,600 Speaker 2: You take your shirt off. We got hun hold uh man. 278 00:13:32,640 --> 00:13:35,360 Speaker 4: You're on record talking about Jay and Missy with some 279 00:13:35,400 --> 00:13:38,640 Speaker 4: of your influences, anyone else and other genres that influenced 280 00:13:38,640 --> 00:13:40,839 Speaker 4: you on your way up, because I mean it's been 281 00:13:40,880 --> 00:13:45,200 Speaker 4: a long way up. Your your longevity is speaks for herself. 282 00:13:45,280 --> 00:13:47,920 Speaker 4: But any other influences we might not think would inspire 283 00:13:48,000 --> 00:13:48,520 Speaker 4: someone like you. 284 00:13:48,679 --> 00:13:52,480 Speaker 3: I need a baker, I need a bake off top 285 00:13:53,920 --> 00:13:58,320 Speaker 3: timeless She inspired me to stop rapping for the times 286 00:13:58,840 --> 00:14:00,599 Speaker 3: and make sure my lyrics what timeless? 287 00:14:01,400 --> 00:14:01,599 Speaker 2: You know what? 288 00:14:01,600 --> 00:14:03,439 Speaker 3: I because I would always wonder, like why the hell 289 00:14:03,480 --> 00:14:05,679 Speaker 3: I'm niggas? I had to always still to this day, 290 00:14:05,679 --> 00:14:08,080 Speaker 3: I have to listen to it before the show. I 291 00:14:08,120 --> 00:14:11,480 Speaker 3: still get dumb stupid bitch as butterflies. I gotta let 292 00:14:11,600 --> 00:14:14,199 Speaker 3: that shit really hurt. So who would have named it butterflies? 293 00:14:14,880 --> 00:14:16,440 Speaker 3: Like you make a nigga hate because if that's how 294 00:14:16,480 --> 00:14:19,600 Speaker 3: fucking butterfly, beautiful butterflies feel the way that pain feeld, 295 00:14:20,000 --> 00:14:21,320 Speaker 3: I fucking hate butterflies. 296 00:14:21,840 --> 00:14:23,760 Speaker 2: So you know, so you know what that really is? Right? 297 00:14:24,160 --> 00:14:28,640 Speaker 1: What nerves that You're not nerves? You're just anxious about 298 00:14:28,680 --> 00:14:29,160 Speaker 1: being great? 299 00:14:29,280 --> 00:14:31,520 Speaker 3: Oh yeah, I know, I know, And I always tell 300 00:14:31,560 --> 00:14:34,120 Speaker 3: myself what that said. I tell myself. I told my artists. 301 00:14:34,200 --> 00:14:37,360 Speaker 3: I tell him, Uh, you know, comfort is some people 302 00:14:37,360 --> 00:14:39,600 Speaker 3: say the first sign. But comfort is a sign of death, 303 00:14:40,480 --> 00:14:41,720 Speaker 3: you know what I mean saying? I always like, why 304 00:14:41,800 --> 00:14:45,840 Speaker 3: you get so fucking uncomfortable? Like broke getting uncomfortab because relations? 305 00:14:49,240 --> 00:14:52,720 Speaker 2: Uh? Any other artists though you looked up to. 306 00:14:54,080 --> 00:14:57,400 Speaker 4: As far as rappers, any any genre music did inspire 307 00:14:57,640 --> 00:14:58,320 Speaker 4: Miss Anita? 308 00:14:58,960 --> 00:14:59,600 Speaker 2: You got. 309 00:15:01,480 --> 00:15:03,720 Speaker 3: I looked up to and it's like you said, it's 310 00:15:03,720 --> 00:15:05,560 Speaker 3: some interesting you know as unique people. So it would 311 00:15:05,560 --> 00:15:07,240 Speaker 3: be like people like I would listen to a lot 312 00:15:07,280 --> 00:15:10,520 Speaker 3: of Lennie Wilkins and Ms Betty Right, and I would 313 00:15:10,520 --> 00:15:13,640 Speaker 3: listen to them for it's almost like, uh, you know 314 00:15:13,640 --> 00:15:15,720 Speaker 3: how some people some religions. 315 00:15:15,200 --> 00:15:16,680 Speaker 2: Got like thirty guys they pray through. 316 00:15:16,760 --> 00:15:18,760 Speaker 3: I pray for this for when I'm smoking too much, 317 00:15:19,280 --> 00:15:20,800 Speaker 3: for listening to your mine, you know what I mean? 318 00:15:20,840 --> 00:15:24,440 Speaker 3: So like I listened to Ms Betty and Lenny, they 319 00:15:24,480 --> 00:15:26,960 Speaker 3: found in the category of me listening to them knowing 320 00:15:27,000 --> 00:15:31,800 Speaker 3: how to make the transition of talking into going back 321 00:15:31,840 --> 00:15:34,560 Speaker 3: into your song your song. And because they would have 322 00:15:34,600 --> 00:15:37,600 Speaker 3: one song on they only it's like seven minutes, and 323 00:15:37,600 --> 00:15:39,840 Speaker 3: it's because they sung it and then they started in 324 00:15:39,840 --> 00:15:41,760 Speaker 3: the middle of it, they did a whole story that 325 00:15:41,840 --> 00:15:45,000 Speaker 3: you know, you literally not as a word for word, 326 00:15:45,040 --> 00:15:47,480 Speaker 3: the story like you and I want to learn that 327 00:15:47,560 --> 00:15:48,200 Speaker 3: how you do that? 328 00:15:48,240 --> 00:15:48,720 Speaker 2: You know what I mean? 329 00:15:48,720 --> 00:15:51,360 Speaker 3: Like how do you make that transition? I thought juvenile 330 00:15:51,440 --> 00:15:53,640 Speaker 3: did it real well. And I thought he asked, actually 331 00:15:53,680 --> 00:15:57,960 Speaker 3: knew how to master making his regular conversation a song, 332 00:15:58,800 --> 00:16:02,080 Speaker 3: you know what I mean, Like that's you the Yeah 333 00:16:02,160 --> 00:16:04,360 Speaker 3: like that nigga mastered that ship, you know what I mean, 334 00:16:04,400 --> 00:16:05,760 Speaker 3: So that other things like that. 335 00:16:05,800 --> 00:16:08,040 Speaker 2: So as far as rappers, it was all Jay. 336 00:16:09,680 --> 00:16:11,520 Speaker 4: You've been making a lot of money for a long time. 337 00:16:11,600 --> 00:16:13,680 Speaker 4: What does that do to a young man? I mean, 338 00:16:13,880 --> 00:16:16,320 Speaker 4: obviously the world is thrown at you fast, but you've 339 00:16:16,360 --> 00:16:19,040 Speaker 4: been making money since she was a young, young teenager. 340 00:16:19,440 --> 00:16:20,720 Speaker 2: How did that kind of shape you? 341 00:16:20,760 --> 00:16:22,880 Speaker 4: And what habits did you have or have to break 342 00:16:22,920 --> 00:16:24,200 Speaker 4: as you continue to mature. 343 00:16:25,200 --> 00:16:27,840 Speaker 3: First I would have to I would have to give 344 00:16:27,920 --> 00:16:30,800 Speaker 3: all thanks and all that to my mom, watching my 345 00:16:30,880 --> 00:16:32,960 Speaker 3: mom before I had a dime, you know, just watching 346 00:16:33,000 --> 00:16:34,720 Speaker 3: her and how she got money and what she did 347 00:16:34,760 --> 00:16:36,760 Speaker 3: when she got money, how she had to do money 348 00:16:36,800 --> 00:16:39,600 Speaker 3: and treat them and just things like watching her that 349 00:16:40,000 --> 00:16:41,440 Speaker 3: taught me a whole lot, you know what I mean. 350 00:16:41,480 --> 00:16:43,960 Speaker 3: So she kept me reject that made me responsible from 351 00:16:43,960 --> 00:16:47,840 Speaker 3: the first day and also being grateful and being thankful 352 00:16:48,280 --> 00:16:50,800 Speaker 3: for it. So I meaning you give me. I wasn't 353 00:16:51,520 --> 00:16:55,640 Speaker 3: never expected anything. And also you know he can also 354 00:16:55,680 --> 00:16:59,160 Speaker 3: attest you. I love I love to fucking wrap, so 355 00:16:59,640 --> 00:17:01,720 Speaker 3: you by pay me to do this shit, So you 356 00:17:01,720 --> 00:17:03,400 Speaker 3: know what I mean. So when I was so young 357 00:17:03,800 --> 00:17:05,879 Speaker 3: and so my first check came, I brought straight to her. 358 00:17:05,920 --> 00:17:09,120 Speaker 3: I couldn't even catch with it ain't even enough. It's 359 00:17:09,119 --> 00:17:11,280 Speaker 3: not even in my name, and it say it's her name. 360 00:17:11,920 --> 00:17:14,520 Speaker 3: So and her I thought she was gonna use it 361 00:17:14,560 --> 00:17:17,000 Speaker 3: for bills or whatever. And she get right back and like, now, boy, 362 00:17:17,119 --> 00:17:19,280 Speaker 3: keep your money, and she's like, what you want with it? 363 00:17:19,320 --> 00:17:20,640 Speaker 3: And so I went and bought a path funder because 364 00:17:20,640 --> 00:17:23,200 Speaker 3: new Jeorgy Drive had just came out. I thought them 365 00:17:23,240 --> 00:17:24,760 Speaker 3: called the PA. They were still in a bunch of 366 00:17:24,760 --> 00:17:27,800 Speaker 3: path funds and I thought that was dope. So someone 367 00:17:27,920 --> 00:17:31,560 Speaker 3: got a path funder. And that's the way she was 368 00:17:31,680 --> 00:17:34,000 Speaker 3: the moment we got all of the when the big 369 00:17:34,040 --> 00:17:36,560 Speaker 3: money came in, I gave it, you know, everyone, straight 370 00:17:36,600 --> 00:17:38,879 Speaker 3: to her. She would get it right back, like I 371 00:17:38,880 --> 00:17:42,560 Speaker 3: don't need nothing but that right there, just to humble 372 00:17:42,800 --> 00:17:45,080 Speaker 3: her humility in that moment, in those moments when you 373 00:17:45,119 --> 00:17:47,159 Speaker 3: know you need it, you know what I mean, like 374 00:17:47,320 --> 00:17:49,520 Speaker 3: her humility and those moments taught me to be the 375 00:17:49,560 --> 00:17:52,359 Speaker 3: same way. So and it's still to this day, I 376 00:17:52,400 --> 00:17:54,800 Speaker 3: don't you know what I mean so much so to her, 377 00:17:55,320 --> 00:18:00,000 Speaker 3: I have actually never strategically, I've never strategically said up 378 00:18:00,160 --> 00:18:04,280 Speaker 3: to make a dollar yet. And that's about him. Never 379 00:18:04,880 --> 00:18:06,960 Speaker 3: once said, man, listen, I need to do this for it, 380 00:18:07,040 --> 00:18:09,120 Speaker 3: We need to get that. And it's just still to 381 00:18:09,160 --> 00:18:11,600 Speaker 3: this day, I still treat it as all of them. 382 00:18:11,720 --> 00:18:22,840 Speaker 2: It's all a blessing. That's why I be coming in too. Uh. 383 00:18:22,960 --> 00:18:25,960 Speaker 4: You spoke recently on mental health health and the struggles 384 00:18:26,119 --> 00:18:28,479 Speaker 4: and how it impacted you at a young age. What 385 00:18:28,520 --> 00:18:30,520 Speaker 4: would be your message to anyone that is that that 386 00:18:30,600 --> 00:18:32,960 Speaker 4: is struggling with mental illness right now and kind of 387 00:18:33,040 --> 00:18:33,959 Speaker 4: keeping it bottled up. 388 00:18:35,760 --> 00:18:36,359 Speaker 2: That's the last thing. 389 00:18:36,359 --> 00:18:39,160 Speaker 3: You should just keep it bottled up regardless. And these 390 00:18:39,200 --> 00:18:42,040 Speaker 3: days are different. Man, you got so many I say 391 00:18:42,080 --> 00:18:46,480 Speaker 3: that to say, you got so many outlets, you know 392 00:18:46,520 --> 00:18:50,400 Speaker 3: what I mean? Back then, we couldn't just find an 393 00:18:50,400 --> 00:18:52,320 Speaker 3: app or somebody that you know what I mean. We 394 00:18:52,359 --> 00:18:54,240 Speaker 3: couldn't do that. We couldn't text, We couldn't you know. 395 00:18:54,240 --> 00:18:56,320 Speaker 2: What I mean. But so it was and we really 396 00:18:56,359 --> 00:18:58,640 Speaker 2: couldn't even speak on speak on it. It was just crazy. 397 00:18:58,840 --> 00:19:01,160 Speaker 3: It was like speaking I might set you a situation 398 00:19:01,240 --> 00:19:03,600 Speaker 3: that you could speak on now that you wouldn't get 399 00:19:03,680 --> 00:19:07,120 Speaker 3: looked crazier. So with that said, if you are going 400 00:19:07,160 --> 00:19:10,919 Speaker 3: through any type of mental stress. The last thing to 401 00:19:11,000 --> 00:19:13,200 Speaker 3: do is keep it to yourself, you know what I mean. 402 00:19:13,200 --> 00:19:16,440 Speaker 3: And that doesn't mean go speak to someone else, because 403 00:19:16,440 --> 00:19:19,359 Speaker 3: if that if you can't accomplish that, sometimes you literally 404 00:19:19,359 --> 00:19:21,359 Speaker 3: can't do that. But figure out a way to get 405 00:19:21,400 --> 00:19:24,480 Speaker 3: it out and make sure it's not negative. Try your hardest, 406 00:19:24,720 --> 00:19:26,359 Speaker 3: you know what I mean. Would you figure out a 407 00:19:26,359 --> 00:19:28,639 Speaker 3: way to get it out, figure some kind of way, 408 00:19:28,640 --> 00:19:29,720 Speaker 3: And that's I resulted to. 409 00:19:29,680 --> 00:19:32,560 Speaker 2: The pending path, you know what I mean. You gotta 410 00:19:32,600 --> 00:19:33,160 Speaker 2: figure it out. 411 00:19:35,680 --> 00:19:39,280 Speaker 1: Debut album, The Block Is Hot ninety nine. What was 412 00:19:39,280 --> 00:19:41,800 Speaker 1: your mind frame when it was all that was popping off? 413 00:19:42,040 --> 00:19:44,640 Speaker 1: We popped up with the first album. It was work 414 00:19:44,720 --> 00:19:47,600 Speaker 1: then it was just an animal, Yeah, it was. 415 00:19:47,680 --> 00:19:49,440 Speaker 3: You know when I say it worked to I don't 416 00:19:49,480 --> 00:19:51,680 Speaker 3: mean like nine to five work, I mean like school work. 417 00:19:52,520 --> 00:19:53,280 Speaker 2: Yeah, it was you. 418 00:19:53,440 --> 00:19:55,360 Speaker 3: I was still I was in the house, the house 419 00:19:55,480 --> 00:19:58,560 Speaker 3: still the youngest of the Cowboys group. It was it 420 00:19:58,600 --> 00:20:01,520 Speaker 3: was that we already had to proceed, you know, we 421 00:20:01,560 --> 00:20:03,960 Speaker 3: put we put the high boys at them out. Juvie album, 422 00:20:04,000 --> 00:20:06,400 Speaker 3: come out, solo album, come out first, Beatchy solo album, 423 00:20:06,440 --> 00:20:08,760 Speaker 3: come out in second way in the Turk, y'all gotta 424 00:20:08,960 --> 00:20:11,159 Speaker 3: see whatever Buzz's gonna go, We're gonna go with y'alls. 425 00:20:11,440 --> 00:20:12,880 Speaker 3: I hit it up there, so you know what I mean, 426 00:20:13,200 --> 00:20:15,280 Speaker 3: It was a procedure, like it was just okay, mine 427 00:20:15,320 --> 00:20:18,639 Speaker 3: coming out and just I remember, you know, the procedure was, 428 00:20:18,920 --> 00:20:21,679 Speaker 3: thank god, the procedure was everybody who album came out, 429 00:20:21,720 --> 00:20:24,480 Speaker 3: they went platinum and within the first month and all this, 430 00:20:24,680 --> 00:20:26,639 Speaker 3: and so that was a little you know what I mean, 431 00:20:26,680 --> 00:20:28,600 Speaker 3: You like, I don't know I'm gonna do all that 432 00:20:28,680 --> 00:20:31,720 Speaker 3: with in my turn, and when I came out, thank 433 00:20:31,800 --> 00:20:34,120 Speaker 3: God did and so you know. 434 00:20:34,040 --> 00:20:36,040 Speaker 2: I was just happy to keep the procedure going, that's all. 435 00:20:36,480 --> 00:20:38,280 Speaker 4: What kind of stuff do you learn from people like 436 00:20:38,680 --> 00:20:41,320 Speaker 4: Juvian and Beg in that process you're seeing greatness of 437 00:20:41,400 --> 00:20:43,760 Speaker 4: phrase like us playing with a code at a young age, 438 00:20:44,080 --> 00:20:45,520 Speaker 4: like you're seeing greatness in front of you. 439 00:20:45,840 --> 00:20:47,480 Speaker 2: What kind of stuff did you soak up from them? 440 00:20:47,920 --> 00:20:48,760 Speaker 2: From Juvie? 441 00:20:49,440 --> 00:20:54,480 Speaker 3: Straight up, Juvet knew how to separate it, how to 442 00:20:54,520 --> 00:20:57,680 Speaker 3: separate with it because Juliet he would travel with entourage 443 00:20:57,720 --> 00:21:00,919 Speaker 3: like this because ju came from them projects and so 444 00:21:00,960 --> 00:21:03,000 Speaker 3: he wanted to help every down body, you know what 445 00:21:03,000 --> 00:21:05,080 Speaker 3: I mean. So, but he knew how to with all 446 00:21:05,160 --> 00:21:06,840 Speaker 3: that said, you know, he'd still be life for the 447 00:21:06,880 --> 00:21:09,119 Speaker 3: part of his with this, but knew how to okay 448 00:21:09,240 --> 00:21:11,200 Speaker 3: and cut it and get to work. That's what I 449 00:21:11,200 --> 00:21:13,680 Speaker 3: would always learn. I would take from him that he 450 00:21:13,760 --> 00:21:15,720 Speaker 3: knew how to shut it down, shut it off, and 451 00:21:15,760 --> 00:21:19,120 Speaker 3: get straight to work. To so much so that he's 452 00:21:19,119 --> 00:21:20,880 Speaker 3: about to kill a song. He about to kill that bitch, 453 00:21:21,000 --> 00:21:22,080 Speaker 3: you know what I mean. It's not about to be 454 00:21:22,119 --> 00:21:24,159 Speaker 3: some ship where you got to put him away up, 455 00:21:24,240 --> 00:21:25,760 Speaker 3: you know what I mean. He's not about to rap 456 00:21:25,800 --> 00:21:28,040 Speaker 3: about whatever the hell they was just talking about. I 457 00:21:28,040 --> 00:21:31,320 Speaker 3: would notice little things, like all significant things like that, 458 00:21:31,400 --> 00:21:34,000 Speaker 3: like wow, we all was just laughing about this one 459 00:21:34,040 --> 00:21:36,679 Speaker 3: subject and song is similar to the subject, but he 460 00:21:36,680 --> 00:21:39,119 Speaker 3: ain't say one thing about that. Yeah, I would know. 461 00:21:39,160 --> 00:21:42,320 Speaker 3: I would pittention to little things like that with him 462 00:21:42,359 --> 00:21:44,280 Speaker 3: to notice that. That's how broad, that's how wide his 463 00:21:44,400 --> 00:21:48,200 Speaker 3: mind was. And that's also what I meant by separating. 464 00:21:48,200 --> 00:21:50,760 Speaker 3: He was able to say separate, He was able to separate. 465 00:21:50,840 --> 00:21:54,720 Speaker 3: But uh, Doogie. As far as BG, what I got 466 00:21:54,720 --> 00:21:56,840 Speaker 3: from Doogie, Yeah, what I got from Doog, it was 467 00:21:56,920 --> 00:22:03,040 Speaker 3: straight style freak little Doogie is now Yeah, like I 468 00:22:03,440 --> 00:22:06,000 Speaker 3: you know, I literally doverybody it come home in probably 469 00:22:06,040 --> 00:22:06,840 Speaker 3: a few days or something. 470 00:22:07,240 --> 00:22:08,920 Speaker 2: Yeah, man, that's beautiful. 471 00:22:09,040 --> 00:22:12,120 Speaker 3: And what I got from him was, I wrote, with dude, 472 00:22:12,119 --> 00:22:15,240 Speaker 3: you know, we was really a group together, just the BG's. 473 00:22:15,320 --> 00:22:16,440 Speaker 2: Before his name was BG. 474 00:22:16,640 --> 00:22:19,360 Speaker 3: We was the BG's And so that's how he got 475 00:22:19,359 --> 00:22:20,840 Speaker 3: his name b g Z because they had a Z 476 00:22:21,040 --> 00:22:22,520 Speaker 3: at the end of it, and that people thought that 477 00:22:22,680 --> 00:22:25,439 Speaker 3: it should say be gz. It was the BG's and 478 00:22:25,760 --> 00:22:27,600 Speaker 3: I had got pulled away from the group, so all 479 00:22:27,600 --> 00:22:29,159 Speaker 3: they of us saw was doogie. So that's why they 480 00:22:29,200 --> 00:22:33,800 Speaker 3: were like, okay, must be be GZ. And so I 481 00:22:33,840 --> 00:22:35,600 Speaker 3: wrote with him, So I know we wrote. I know 482 00:22:35,800 --> 00:22:37,879 Speaker 3: we had the same writing styles and ship like that. 483 00:22:38,000 --> 00:22:42,320 Speaker 3: How we would approach a verse word place, counting U word, 484 00:22:42,520 --> 00:22:44,879 Speaker 3: the number of words, little things like that. 485 00:22:45,280 --> 00:22:47,280 Speaker 2: So I took a bunch of style. 486 00:22:47,560 --> 00:22:50,200 Speaker 3: He literally taught me a bunch of shit, like physically 487 00:22:50,320 --> 00:22:52,359 Speaker 3: taught me. Looking now, you just started like this that 488 00:22:52,400 --> 00:22:52,880 Speaker 3: type of shit. 489 00:22:54,440 --> 00:23:00,760 Speaker 2: It's you on. How did the light of flick come about? Ship? Man? 490 00:23:00,800 --> 00:23:03,080 Speaker 3: You know how to smoke? Yeah, you know, it's it's 491 00:23:03,160 --> 00:23:04,159 Speaker 3: literally it's on. 492 00:23:04,560 --> 00:23:04,840 Speaker 2: God. 493 00:23:04,920 --> 00:23:09,280 Speaker 3: I would not lie to you, bro. It's not a trade, monk, 494 00:23:09,440 --> 00:23:12,600 Speaker 3: It's not a because if it was we having singed 495 00:23:12,680 --> 00:23:14,360 Speaker 3: up there, and I wouldn't even have to do it. 496 00:23:14,840 --> 00:23:18,000 Speaker 3: You are listening to you can listen to every single 497 00:23:18,040 --> 00:23:21,080 Speaker 3: one is a different and the answer is simple and playing. 498 00:23:21,480 --> 00:23:24,240 Speaker 3: If you're a Wayne fan, you guys already got to 499 00:23:24,280 --> 00:23:26,960 Speaker 3: know that I'm about to smoke during the verse. I'm 500 00:23:27,119 --> 00:23:31,520 Speaker 3: lighting up for the verse, and that's cheating. Yeah, no, cheers, 501 00:23:31,560 --> 00:23:35,800 Speaker 3: let's go. It's not a trade became classic. It's not 502 00:23:35,880 --> 00:23:37,480 Speaker 3: a hold on, let me make sure I get them up. 503 00:23:37,760 --> 00:23:40,720 Speaker 1: No, it's to the point where like when when motherfucker's 504 00:23:40,720 --> 00:23:41,800 Speaker 1: hear for the song, they be. 505 00:23:41,680 --> 00:23:46,520 Speaker 3: Like, oh, I feel like that too when I hear it. 506 00:23:48,200 --> 00:23:48,760 Speaker 2: I heard it. 507 00:23:48,800 --> 00:23:51,080 Speaker 3: I heard a few flicks on some other songs that 508 00:23:51,720 --> 00:23:54,639 Speaker 3: you're not delivering like I live, so stopped doing that. 509 00:23:56,200 --> 00:23:58,840 Speaker 4: I got a question like, obviously you have to listen 510 00:23:58,920 --> 00:24:01,800 Speaker 4: to your music. When when do you want to hear it? 511 00:24:01,880 --> 00:24:03,040 Speaker 4: When don't you want to hear it? 512 00:24:04,840 --> 00:24:09,879 Speaker 3: Uh? I want to hear it all the time, and 513 00:24:09,960 --> 00:24:11,760 Speaker 3: I don't want to hear it never ever, so all 514 00:24:11,800 --> 00:24:15,000 Speaker 3: the time, So I listen to no one else. Oh okay, yeah, 515 00:24:15,040 --> 00:24:17,639 Speaker 3: but it's no, it's I'm always listening to what I 516 00:24:17,720 --> 00:24:18,120 Speaker 3: just did. 517 00:24:18,400 --> 00:24:20,120 Speaker 2: When I'm trying to fix and ship. 518 00:24:20,480 --> 00:24:23,560 Speaker 3: So it's not by choice that I don't hear when 519 00:24:23,560 --> 00:24:25,080 Speaker 3: I say no one else, I mean not even my 520 00:24:25,080 --> 00:24:27,920 Speaker 3: own artist. So that's I always like to let get 521 00:24:27,920 --> 00:24:29,600 Speaker 3: that out there when I say that, I don't listen 522 00:24:29,680 --> 00:24:35,000 Speaker 3: to no one else like gu Gotta little text me, Yo, 523 00:24:35,200 --> 00:24:38,639 Speaker 3: this is such and such a new single and the video. 524 00:24:39,280 --> 00:24:42,320 Speaker 3: Oh ship they got a video due Damn, I ain't 525 00:24:42,320 --> 00:24:45,480 Speaker 3: knowing that motherfucker. It's awesome right there. He killed that ship, 526 00:24:46,600 --> 00:24:48,040 Speaker 3: he killed that shop. I might listen to the first 527 00:24:48,080 --> 00:24:51,680 Speaker 3: four of ours already said on the first one, he 528 00:24:51,880 --> 00:24:55,840 Speaker 3: text like Nigga said, get back to my ship. 529 00:24:58,560 --> 00:24:59,440 Speaker 2: That's that's the only reamon. 530 00:24:59,600 --> 00:25:02,679 Speaker 3: Let's tell you, I gotta I'm a perfectionist, trying to 531 00:25:02,720 --> 00:25:06,840 Speaker 3: make sure that I should have said is you should 532 00:25:06,840 --> 00:25:10,159 Speaker 3: have probably said the you probably shouldn't even sit in 533 00:25:10,200 --> 00:25:10,840 Speaker 3: that type of ship. 534 00:25:11,840 --> 00:25:15,040 Speaker 2: Got you? What do you think two thousand and four 535 00:25:15,040 --> 00:25:17,240 Speaker 2: of the quarter? What do you think the Carter did 536 00:25:17,280 --> 00:25:21,800 Speaker 2: for your career? Uh? 537 00:25:23,160 --> 00:25:25,440 Speaker 3: At the time, I think it gains. I think it's uh. 538 00:25:25,760 --> 00:25:28,520 Speaker 3: It was the start of it was the start of 539 00:25:28,560 --> 00:25:32,000 Speaker 3: a path I was able to create, you know, I 540 00:25:32,040 --> 00:25:39,000 Speaker 3: mean the path of uh the path that deserved continuous, 541 00:25:39,800 --> 00:25:44,000 Speaker 3: deserve to continue, and a continuation, a pat that deserved 542 00:25:44,000 --> 00:25:48,080 Speaker 3: to extend. And that's as hard for some people. Some 543 00:25:48,119 --> 00:25:50,240 Speaker 3: people could drop a hard ass album and I don't 544 00:25:50,320 --> 00:25:52,280 Speaker 3: hit the rest, you know what I mean, I ain't 545 00:25:52,280 --> 00:25:53,280 Speaker 3: looking for your next album. 546 00:25:53,400 --> 00:25:56,960 Speaker 2: But the card allowed me to. Now we want hit 547 00:25:57,000 --> 00:25:58,600 Speaker 2: car to Car three, you know. 548 00:25:59,160 --> 00:26:00,879 Speaker 3: So I always looked at it like it was a 549 00:26:00,880 --> 00:26:03,480 Speaker 3: maturity thing for me, like it was my little. 550 00:26:04,680 --> 00:26:05,399 Speaker 2: For some reason. 551 00:26:05,440 --> 00:26:08,280 Speaker 3: We always approaching just for the carter, Like, you know 552 00:26:08,320 --> 00:26:10,280 Speaker 3: what that one every time we're working on obviously, you 553 00:26:10,280 --> 00:26:12,520 Speaker 3: know I work all damn day every day. So when 554 00:26:12,560 --> 00:26:15,000 Speaker 3: we get one that you know, it's for the cartness, 555 00:26:15,040 --> 00:26:18,000 Speaker 3: So it's nothing about it. Yeah, So it's like, so 556 00:26:18,080 --> 00:26:20,840 Speaker 3: what makes this for the cussop? Obviously it sets a standard. 557 00:26:20,880 --> 00:26:23,840 Speaker 3: I set a standard with that album, Yeah, exactly, a 558 00:26:23,880 --> 00:26:24,520 Speaker 3: big standard. 559 00:26:25,160 --> 00:26:30,679 Speaker 4: Uh mix tape, Wayne, I mean that was unbelievable, you know, 560 00:26:30,720 --> 00:26:34,399 Speaker 4: after the part of one and two? Uh, what was 561 00:26:34,400 --> 00:26:37,399 Speaker 4: the thinking behind them? Just that whole by the way 562 00:26:39,040 --> 00:26:42,560 Speaker 4: he told me to do this, by the way, yeah 563 00:26:44,720 --> 00:26:45,560 Speaker 4: what you said it was? 564 00:26:46,040 --> 00:26:47,840 Speaker 2: Just what was it? What was the whole thought process 565 00:26:47,880 --> 00:26:51,199 Speaker 2: behind the mixtape? Push? The first one is you know, 566 00:26:51,240 --> 00:26:52,800 Speaker 2: the first one I did was just. 567 00:26:54,480 --> 00:26:57,640 Speaker 3: Getting okay from baby that him telling me is okay, 568 00:26:58,280 --> 00:27:00,400 Speaker 3: like I could buy out this music that when he. 569 00:27:00,400 --> 00:27:02,280 Speaker 2: Was okay, it's all good ship. So that was the 570 00:27:02,280 --> 00:27:03,040 Speaker 2: first one I put out. 571 00:27:03,040 --> 00:27:05,520 Speaker 3: I think it was like ten thousand bars and they 572 00:27:05,520 --> 00:27:07,840 Speaker 3: start calling him the mixtapes and whatever. 573 00:27:08,040 --> 00:27:09,480 Speaker 2: We was giving that shit out free. 574 00:27:10,080 --> 00:27:12,560 Speaker 3: So that was actually the thing about Wayne shit, Wayne's 575 00:27:12,600 --> 00:27:15,000 Speaker 3: always free. Wayne's always free. So I don't blame me 576 00:27:15,040 --> 00:27:17,280 Speaker 3: that charge and switch the game up on y'all flipped 577 00:27:17,280 --> 00:27:19,000 Speaker 3: it up to me too much now that I actually 578 00:27:19,000 --> 00:27:21,919 Speaker 3: got charge off of my mixtapes now, so don't blame me, 579 00:27:22,000 --> 00:27:26,919 Speaker 3: blame the game. But yeah, so as far as you know, 580 00:27:27,240 --> 00:27:30,280 Speaker 3: and my approach to mixtapes was always different. I always 581 00:27:30,280 --> 00:27:33,200 Speaker 3: thought a mixtape was supposed to be and I still do. 582 00:27:33,320 --> 00:27:35,040 Speaker 3: I still do my mixtapes that we I thought it 583 00:27:35,080 --> 00:27:37,680 Speaker 3: was supposed to be. You wanting to hear me on 584 00:27:37,760 --> 00:27:40,960 Speaker 3: the songs that's out that I'm not on, you know 585 00:27:41,000 --> 00:27:43,600 Speaker 3: what I mean, Like ten ten hot that songs that 586 00:27:43,640 --> 00:27:46,720 Speaker 3: you're in the club banging Terry Dale or whatever I 587 00:27:46,760 --> 00:27:48,960 Speaker 3: am about killing bitches for you, you know what I mean? 588 00:27:48,960 --> 00:27:51,000 Speaker 3: And I thought that's what and I'm gonna rap it. 589 00:27:51,040 --> 00:27:54,440 Speaker 3: I'm gonna say the same melodies the person used was 590 00:27:54,520 --> 00:27:56,959 Speaker 3: about a good two seconds. But you know what I mean, 591 00:27:56,960 --> 00:28:00,280 Speaker 3: I'm flip some words and shell like make it fun. 592 00:28:00,720 --> 00:28:02,560 Speaker 2: And I always thought that's what it should be and 593 00:28:02,600 --> 00:28:03,080 Speaker 2: so something. 594 00:28:03,080 --> 00:28:05,280 Speaker 3: That's why that that's how I tack my mixtapes, and 595 00:28:05,320 --> 00:28:06,080 Speaker 3: that's how I always have. 596 00:28:06,640 --> 00:28:09,119 Speaker 2: But now mixtapes have changed. How people be looking for 597 00:28:09,160 --> 00:28:09,800 Speaker 2: four albums. 598 00:28:09,920 --> 00:28:13,359 Speaker 3: You driving a mixtape and so gutting to be having 599 00:28:13,359 --> 00:28:15,119 Speaker 3: to make sure you're i mean mag having to make 600 00:28:15,119 --> 00:28:18,560 Speaker 3: sure y'all do at least three or four just originals, 601 00:28:18,680 --> 00:28:21,920 Speaker 3: and I'm like, mac man, this is my album or 602 00:28:21,920 --> 00:28:24,280 Speaker 3: it's for something. But now this is what the guys 603 00:28:24,280 --> 00:28:24,760 Speaker 3: is about. 604 00:28:25,040 --> 00:28:28,880 Speaker 4: Yeah, yeah, take us through the creative process. 605 00:28:28,880 --> 00:28:32,320 Speaker 2: How long does it take for you too? Are you rolling? 606 00:28:32,320 --> 00:28:32,600 Speaker 2: You're not? 607 00:28:32,600 --> 00:28:35,480 Speaker 4: Got a handful of songs in the day, sang the time. 608 00:28:36,119 --> 00:28:38,160 Speaker 4: Take us behind the scenes and people who haven't seen 609 00:28:38,160 --> 00:28:38,760 Speaker 4: you in the studio. 610 00:28:40,120 --> 00:28:42,440 Speaker 3: It depends on what I'm doing it for. Its features. 611 00:28:43,320 --> 00:28:46,280 Speaker 3: Features usually come with a subject, you know what I mean. 612 00:28:46,400 --> 00:28:49,200 Speaker 3: So I mean that person send me a song, this song, 613 00:28:49,200 --> 00:28:50,080 Speaker 3: I already got a subject. 614 00:28:50,080 --> 00:28:52,160 Speaker 2: They got a hook on there. I'm real good with 615 00:28:52,320 --> 00:28:52,440 Speaker 2: you know. 616 00:28:52,440 --> 00:28:54,240 Speaker 3: I mean, when you give me a subject, I'm it's 617 00:28:54,320 --> 00:28:57,280 Speaker 3: like school, I was, I won't finish my work first. 618 00:28:57,280 --> 00:28:59,240 Speaker 3: And I mean, so I want to impress the damn teacher. 619 00:28:59,480 --> 00:29:01,560 Speaker 3: You're the tach, whoever the artist was that sent me 620 00:29:01,600 --> 00:29:03,800 Speaker 3: the song. I want to impress you stick to this 621 00:29:03,920 --> 00:29:06,640 Speaker 3: damn subject and so that those are pretty And I 622 00:29:06,640 --> 00:29:08,600 Speaker 3: dont want to say eating nothing's easy, but those are 623 00:29:09,240 --> 00:29:11,640 Speaker 3: pretty convenient for me. 624 00:29:12,280 --> 00:29:16,560 Speaker 2: As far as my ship. You gotta come, you know, 625 00:29:16,560 --> 00:29:17,840 Speaker 2: you gotta, you gotta come. 626 00:29:18,120 --> 00:29:21,960 Speaker 3: And stop me and tune. We need we need X 627 00:29:22,000 --> 00:29:25,440 Speaker 3: amount of songs by this date. And and I just 628 00:29:25,480 --> 00:29:27,719 Speaker 3: give you like I mean, I let y'all pick them, man, 629 00:29:27,760 --> 00:29:30,560 Speaker 3: because I can't pick and ship like that. And it's 630 00:29:31,480 --> 00:29:33,480 Speaker 3: but I'm always you know, I'm doing so much different 631 00:29:33,560 --> 00:29:36,840 Speaker 3: music now that that process has changed. I mean, my 632 00:29:36,880 --> 00:29:41,720 Speaker 3: studio now, my studio sessions now consist of the musical, 633 00:29:42,480 --> 00:29:42,920 Speaker 3: you know what I mean. 634 00:29:43,040 --> 00:29:44,400 Speaker 2: I'm I'm in bands. 635 00:29:44,680 --> 00:29:48,200 Speaker 3: I have bands, have new artists, you know what I mean, 636 00:29:48,960 --> 00:29:51,800 Speaker 3: have a legend, have legends on the on the label. 637 00:29:51,800 --> 00:29:54,760 Speaker 3: You know, some different artists that gotta go and dump it, 638 00:29:54,840 --> 00:29:57,120 Speaker 3: jump into their world now jump into their zone, which 639 00:29:57,160 --> 00:29:58,000 Speaker 3: is fucking awesome. 640 00:29:59,000 --> 00:30:04,280 Speaker 4: M the Carter three the most successful album h a 641 00:30:04,360 --> 00:30:05,560 Speaker 4: million in the first week. 642 00:30:07,160 --> 00:30:11,920 Speaker 2: What made that project so great? Ship? The fans and 643 00:30:12,040 --> 00:30:14,400 Speaker 2: I just did what I do? 644 00:30:15,120 --> 00:30:15,280 Speaker 1: Man? 645 00:30:15,440 --> 00:30:17,720 Speaker 3: Can they You would really have to probably ask the 646 00:30:17,800 --> 00:30:20,360 Speaker 3: fans that one, because they're the ones who bought it. 647 00:30:20,400 --> 00:30:22,440 Speaker 4: Made it what it was, named their sons after it, 648 00:30:23,200 --> 00:30:24,520 Speaker 4: named their sons after. 649 00:30:24,320 --> 00:30:26,200 Speaker 3: Shout out and shout out Kyle. I just would have 650 00:30:26,240 --> 00:30:28,280 Speaker 3: been sant France and it was in sant France. 651 00:30:28,600 --> 00:30:34,880 Speaker 4: Yeah. No, that was you know, the ability to have that, 652 00:30:34,960 --> 00:30:38,520 Speaker 4: have the success and then the Grammys that came with it. Yeah, 653 00:30:38,760 --> 00:30:40,640 Speaker 4: what is talk to us about that and just what 654 00:30:40,760 --> 00:30:42,440 Speaker 4: kind of you know, blessing that is that? 655 00:30:42,600 --> 00:30:45,120 Speaker 2: Right? That was an amazing blessing. I think that night, this. 656 00:30:45,120 --> 00:30:49,080 Speaker 3: Period, I felt I felt uh it was I felt recognized. 657 00:30:49,520 --> 00:30:49,840 Speaker 2: M hm. 658 00:30:49,960 --> 00:30:52,320 Speaker 3: You know what I mean, because what I mean by 659 00:30:52,400 --> 00:30:55,000 Speaker 3: that is I could run into j and all of 660 00:30:55,040 --> 00:30:57,200 Speaker 3: them and they tell me face to face like, Nigga, 661 00:30:57,320 --> 00:31:00,480 Speaker 3: you the ship nig killed me. Oh that's cool, but 662 00:31:00,680 --> 00:31:02,719 Speaker 3: you can't get it rewarded, you know what I mean? 663 00:31:02,760 --> 00:31:06,200 Speaker 3: Award whatever, when you get awarded and we recognize your greatness. 664 00:31:06,200 --> 00:31:08,480 Speaker 3: It recognize your effort whatever. And they ain't got a 665 00:31:08,560 --> 00:31:10,200 Speaker 3: tendment with the ward. They got to say you're the 666 00:31:10,200 --> 00:31:12,720 Speaker 3: greatest ever, the readiest rapper a lot. It's whatever it says. 667 00:31:12,800 --> 00:31:15,200 Speaker 3: It's the same. We recognized it. Your effort was worth. 668 00:31:15,280 --> 00:31:18,240 Speaker 3: This ain't no better feeling. Because when you do it 669 00:31:18,240 --> 00:31:20,160 Speaker 3: for when you, I don't know what other people do it. 670 00:31:20,080 --> 00:31:20,960 Speaker 2: For the right reason. 671 00:31:21,240 --> 00:31:23,160 Speaker 3: I turned it to you today, I ain't still haven't 672 00:31:23,440 --> 00:31:25,840 Speaker 3: looked for a dollar yet, so when you're doing it 673 00:31:25,880 --> 00:31:27,640 Speaker 3: from I just love to do this shit. 674 00:31:27,800 --> 00:31:29,480 Speaker 2: Oh shit, I've been awarded for it. 675 00:31:30,160 --> 00:31:32,520 Speaker 3: And that right there is when I look at them 676 00:31:32,520 --> 00:31:33,520 Speaker 3: motherfuckers when I wake. 677 00:31:33,440 --> 00:31:34,120 Speaker 2: Up every day. 678 00:31:34,800 --> 00:31:37,720 Speaker 3: I sent two in for repairing for like a month ago. 679 00:31:37,760 --> 00:31:39,479 Speaker 3: They ain't send my ships back and then said they 680 00:31:39,520 --> 00:31:41,320 Speaker 3: send them back real quick. I'm trying to figure out 681 00:31:41,320 --> 00:31:41,800 Speaker 3: what's going on. 682 00:31:42,000 --> 00:31:45,240 Speaker 4: They got going the hostage man, Mister Carter, you got 683 00:31:45,240 --> 00:31:47,080 Speaker 4: to shoot with Jay. What was it like finally getting 684 00:31:47,080 --> 00:31:49,120 Speaker 4: an opportunity to work with someone you you know you 685 00:31:49,200 --> 00:31:50,280 Speaker 4: idolize as a youngster. 686 00:31:51,320 --> 00:31:51,880 Speaker 2: You already know. 687 00:31:51,960 --> 00:31:55,840 Speaker 3: I mean that the nerves are flowing. You know you're 688 00:31:55,880 --> 00:31:57,960 Speaker 3: trying to make sure you make sure you want the 689 00:31:58,000 --> 00:32:00,680 Speaker 3: same error. Do you want to make sure you not 690 00:32:00,760 --> 00:32:03,160 Speaker 3: doing or saying nothing wrong and all that? Also you 691 00:32:03,200 --> 00:32:06,800 Speaker 3: want to make sure you stay cool, and then then 692 00:32:06,840 --> 00:32:10,200 Speaker 3: you also want to keep stay honest and showed show 693 00:32:10,280 --> 00:32:11,400 Speaker 3: him like now I want. 694 00:32:11,280 --> 00:32:14,280 Speaker 2: You to see like big stuff. I really fox with you, 695 00:32:14,280 --> 00:32:14,880 Speaker 2: you know what I mean? 696 00:32:15,000 --> 00:32:18,440 Speaker 3: And also you know here he beyond real and so 697 00:32:18,480 --> 00:32:21,040 Speaker 3: he helped me out in personal matters and shit like 698 00:32:21,080 --> 00:32:22,880 Speaker 3: that too. So just to know just for him to 699 00:32:22,920 --> 00:32:25,360 Speaker 3: do that ship things like that. 700 00:32:25,240 --> 00:32:26,000 Speaker 2: Figure the music. 701 00:32:26,160 --> 00:32:28,960 Speaker 4: Yeah, were you guys in the state studio together by chance? 702 00:32:29,520 --> 00:32:33,880 Speaker 2: For that? For which joint for mister Carter? Uh? 703 00:32:34,520 --> 00:32:36,880 Speaker 3: No, I think when I think during that, if I 704 00:32:36,880 --> 00:32:38,640 Speaker 3: don't be right, I don't be wrong. 705 00:32:38,640 --> 00:32:38,960 Speaker 2: I don't know. 706 00:32:39,000 --> 00:32:41,080 Speaker 3: If I don't know if that was around the time 707 00:32:41,120 --> 00:32:42,040 Speaker 3: I was locked up. 708 00:32:43,960 --> 00:32:46,400 Speaker 1: All right slow and when I passed it said what up? 709 00:32:46,480 --> 00:32:52,920 Speaker 1: Killer man? Stop bringing up my past? Uh Kanye produced 710 00:32:53,320 --> 00:32:56,880 Speaker 1: mister Carter. Can you talk to his his greatness? 711 00:32:57,680 --> 00:33:03,160 Speaker 2: Yeasy? Yeah man? Yes, I mean, if you don't. 712 00:33:03,000 --> 00:33:05,480 Speaker 3: Have if you're not a musician or artist or whatever, 713 00:33:05,640 --> 00:33:09,280 Speaker 3: you haven't you know, you haven't witnessed it or you 714 00:33:09,280 --> 00:33:11,800 Speaker 3: you don't have to hear for that, then you may 715 00:33:11,840 --> 00:33:12,360 Speaker 3: not know that. 716 00:33:12,440 --> 00:33:15,080 Speaker 2: But he's a total genius playing and simple. 717 00:33:15,680 --> 00:33:17,520 Speaker 3: And what I mean by that is, you know, he's 718 00:33:18,080 --> 00:33:21,719 Speaker 3: he can stop being Kanye West at any time and 719 00:33:22,080 --> 00:33:25,720 Speaker 3: start being Kanye East and be the best at that 720 00:33:25,840 --> 00:33:26,240 Speaker 3: as well. 721 00:33:26,240 --> 00:33:28,760 Speaker 2: He's a genius when it comes to music, you know 722 00:33:28,800 --> 00:33:29,080 Speaker 2: what I mean. 723 00:33:29,080 --> 00:33:31,240 Speaker 3: I mean, whatever route he wanted to go, he wanted 724 00:33:31,240 --> 00:33:34,520 Speaker 3: to make it to be gospel, whatever it's gonna be great. 725 00:33:34,680 --> 00:33:36,720 Speaker 3: We still packing the arenas to see it. He might 726 00:33:36,760 --> 00:33:38,320 Speaker 3: be can put on a mask, don't even know if 727 00:33:38,320 --> 00:33:41,320 Speaker 3: it's him there rapping it, but fucking we hears because 728 00:33:41,360 --> 00:33:44,720 Speaker 3: he's a genius playing and simple. Some of us don't 729 00:33:44,720 --> 00:33:49,720 Speaker 3: have it like like that, because you know, it's just 730 00:33:49,720 --> 00:33:50,680 Speaker 3: because I'm a little too. 731 00:33:50,520 --> 00:33:51,760 Speaker 2: Cute, and I know they want to see that. 732 00:33:51,840 --> 00:33:59,280 Speaker 4: Meaning I'm gonna name a few people in a few words, explain, 733 00:33:59,640 --> 00:34:03,560 Speaker 4: explain the eminem fucking. 734 00:34:04,560 --> 00:34:10,320 Speaker 2: A jewel, a jewel, rare air, rare air. Kobe. 735 00:34:10,880 --> 00:34:13,200 Speaker 3: I think one word for me when it comes to 736 00:34:13,320 --> 00:34:20,680 Speaker 3: COVID is just total mentality, not my mentality state. 737 00:34:21,000 --> 00:34:24,280 Speaker 2: Kobe's Aline Ross. 738 00:34:25,160 --> 00:34:30,360 Speaker 3: Ross Ship Ross to me, I don't know what what 739 00:34:30,560 --> 00:34:32,759 Speaker 3: anybody else se but for me, when I first heard 740 00:34:32,840 --> 00:34:35,560 Speaker 3: Ross and it's always been the same for me. Ross 741 00:34:35,640 --> 00:34:38,640 Speaker 3: was to me was a a breath of fresh air 742 00:34:38,719 --> 00:34:43,520 Speaker 3: from the south. Sounded someone reminded me so much of 743 00:34:44,160 --> 00:34:46,560 Speaker 3: not you know, he's not that, but reminded me of 744 00:34:46,600 --> 00:34:50,200 Speaker 3: another notorious big and it being coming from the South. 745 00:34:50,760 --> 00:34:53,320 Speaker 2: What I mean by that is the voice and things 746 00:34:53,360 --> 00:34:53,600 Speaker 2: like that. 747 00:34:53,640 --> 00:34:58,120 Speaker 3: You know what I mean him embracing them, embracing them, 748 00:34:58,160 --> 00:35:01,400 Speaker 3: you know, bigger embrace than New York shit. He embraced 749 00:35:01,400 --> 00:35:06,480 Speaker 3: his character with the versaicy and Ross really embraced embraced 750 00:35:06,480 --> 00:35:09,200 Speaker 3: his rose Ship And you know, I mean, it's like 751 00:35:09,760 --> 00:35:11,960 Speaker 3: he's no character, but it's that shit is amazing to 752 00:35:12,040 --> 00:35:14,360 Speaker 3: me to embrace it, something to look forward. 753 00:35:14,160 --> 00:35:14,759 Speaker 2: To all the time. 754 00:35:15,680 --> 00:35:20,840 Speaker 3: U g K legends mm hmm. Plain and simple Nipsy 755 00:35:22,440 --> 00:35:26,120 Speaker 3: ship Nip. I know Nip. I don't know Nip obviously, 756 00:35:26,160 --> 00:35:27,399 Speaker 3: I don't know him like that, but I would. 757 00:35:27,400 --> 00:35:27,840 Speaker 2: I wouldn't. 758 00:35:28,000 --> 00:35:29,960 Speaker 3: I don't want to start that by saying I know 759 00:35:30,080 --> 00:35:33,400 Speaker 3: Nip a little different than everybody else. I know n 760 00:35:33,680 --> 00:35:35,720 Speaker 3: Nip a little different than everybody else. So my answer, 761 00:35:35,920 --> 00:35:40,600 Speaker 3: my answer for Nip w first would be probably first 762 00:35:41,040 --> 00:35:42,239 Speaker 3: and last is a. 763 00:35:44,040 --> 00:35:45,759 Speaker 2: Father. M m m. 764 00:35:46,200 --> 00:35:49,960 Speaker 4: That's tough. Speaking of fatherhood. Yeah, your little man called 765 00:35:50,000 --> 00:35:52,000 Speaker 4: right when you sat down. I mean, what does fatherhood 766 00:35:52,000 --> 00:35:53,239 Speaker 4: mean to you? We see you all the time with 767 00:35:53,320 --> 00:35:56,680 Speaker 4: your kids courtside of games, doing daddy ship obviously as 768 00:35:56,719 --> 00:35:57,399 Speaker 4: busy as you are. 769 00:35:57,480 --> 00:35:59,960 Speaker 2: How important is making time for the kids? Oh? Man, 770 00:36:00,080 --> 00:36:04,080 Speaker 2: that's why it's important. Ain't even the words, that's that's life. 771 00:36:03,760 --> 00:36:06,040 Speaker 3: It's like, yeah, that's how you know, like you need 772 00:36:06,160 --> 00:36:08,799 Speaker 3: food to live, like just that's just how. That's just 773 00:36:08,840 --> 00:36:10,840 Speaker 3: how it goes. I didn't have one of those. I 774 00:36:10,880 --> 00:36:12,920 Speaker 3: didn't have a father, so you know what I mean. 775 00:36:12,960 --> 00:36:16,320 Speaker 3: So I was like, it's not easy to do something 776 00:36:16,320 --> 00:36:19,000 Speaker 3: you didn't have done for you and try to figure 777 00:36:19,040 --> 00:36:21,960 Speaker 3: it out and trying to figure it out. Also when 778 00:36:22,040 --> 00:36:23,560 Speaker 3: you you, you know what I mean, you're in a 779 00:36:23,560 --> 00:36:26,759 Speaker 3: position like myself. You don't ask no nigga, you know 780 00:36:26,800 --> 00:36:29,279 Speaker 3: what I mean, anybody I don't ask how. 781 00:36:29,200 --> 00:36:32,000 Speaker 2: You just how you do? Know? Figure it out? I 782 00:36:32,040 --> 00:36:32,600 Speaker 2: figure it out? 783 00:36:32,719 --> 00:36:36,480 Speaker 3: So shi like that is. I mean, I'm at the 784 00:36:36,480 --> 00:36:38,600 Speaker 3: age not to it's not a challenge no more. But 785 00:36:38,840 --> 00:36:44,960 Speaker 3: it was a challenge before. They'll love that cancels all 786 00:36:44,960 --> 00:36:49,160 Speaker 3: the challenges out two thousand and nine. How did you 787 00:36:49,160 --> 00:36:50,480 Speaker 3: feel when you landed Drake. 788 00:36:50,320 --> 00:36:53,040 Speaker 2: And NICKI ship. 789 00:36:55,120 --> 00:36:57,560 Speaker 3: I was more excited to see, you know, and I 790 00:36:57,680 --> 00:37:01,560 Speaker 3: also I ain't know. I didn't know they'll be ni. Yeah, 791 00:37:02,840 --> 00:37:06,400 Speaker 3: but I was more excited, just more excited for them to. 792 00:37:07,040 --> 00:37:08,520 Speaker 2: I want them to see what they can be. 793 00:37:09,960 --> 00:37:12,400 Speaker 3: Yeah, and they, you know, they always leaned on that. 794 00:37:12,440 --> 00:37:17,560 Speaker 3: They always leaned on my confidence. I instilled in almost 795 00:37:17,600 --> 00:37:19,640 Speaker 3: like when you see the veterans on the team for 796 00:37:19,680 --> 00:37:21,880 Speaker 3: the young Naby, like he's instilled in his confidence. 797 00:37:21,880 --> 00:37:24,759 Speaker 2: And yeah, they've leaned on that. And I made sure 798 00:37:24,800 --> 00:37:25,600 Speaker 2: I was always there. 799 00:37:25,920 --> 00:37:28,640 Speaker 3: How you met Nikki, we was looking for We was 800 00:37:28,640 --> 00:37:30,840 Speaker 3: looking for artists at the time, and we set out. 801 00:37:30,719 --> 00:37:31,279 Speaker 2: To look for us. 802 00:37:31,400 --> 00:37:34,040 Speaker 3: I wanted to I wanted a New York female, right, 803 00:37:34,560 --> 00:37:36,719 Speaker 3: I want to. I always tell him. I want to 804 00:37:36,800 --> 00:37:39,680 Speaker 3: make sure she was too. I wanted to make sure 805 00:37:39,680 --> 00:37:43,120 Speaker 3: she had two things she was missing lacking two things. 806 00:37:43,920 --> 00:37:46,120 Speaker 3: Do not sound like Foxy, do not sound like him, 807 00:37:46,640 --> 00:37:49,239 Speaker 3: you know what I mean? And when she when I 808 00:37:49,280 --> 00:37:52,239 Speaker 3: heard Nick, Nick was sounding like me, you know what 809 00:37:52,280 --> 00:37:54,480 Speaker 3: I mean, and like she was changing her voice up 810 00:37:54,520 --> 00:37:56,680 Speaker 3: and what I'm saying that you know and that and 811 00:37:56,719 --> 00:37:59,399 Speaker 3: all that. I was like, okay, like I ain't never 812 00:37:59,440 --> 00:38:01,680 Speaker 3: seen this, this this rare era, you know, like a 813 00:38:01,800 --> 00:38:03,040 Speaker 3: New York female artist. 814 00:38:03,120 --> 00:38:03,319 Speaker 2: I was. 815 00:38:03,920 --> 00:38:07,120 Speaker 3: I had to keep telling you don't don't, don't do that, 816 00:38:07,280 --> 00:38:10,880 Speaker 3: don't say that, don't know. Alright, cool and you and 817 00:38:10,880 --> 00:38:12,879 Speaker 3: you're ready to talk this weird ship too, this pret 818 00:38:12,960 --> 00:38:14,640 Speaker 3: ship like me too, that's dumb. 819 00:38:14,960 --> 00:38:18,080 Speaker 2: You're perfect, you perfect? What do you what do you rank? 820 00:38:18,200 --> 00:38:23,120 Speaker 2: What do you rank? Nikki? All time female, all time female? Yeah, 821 00:38:24,440 --> 00:38:25,280 Speaker 2: put you on the spot. 822 00:38:25,600 --> 00:38:28,000 Speaker 3: Yeah, I don't think I don't hear nobody feelings, but boy, 823 00:38:28,000 --> 00:38:33,120 Speaker 3: ain't nobody Nikki? Yeah yeah, they come after dig Yeah right. 824 00:38:33,920 --> 00:38:36,640 Speaker 1: How did how did drake relationship start? How did you 825 00:38:36,640 --> 00:38:37,080 Speaker 1: meet Drake? 826 00:38:38,040 --> 00:38:39,720 Speaker 2: Uh? Through? Uh? 827 00:38:40,040 --> 00:38:47,040 Speaker 3: Drake was first first from my little bro uh jazz Prince. 828 00:38:47,320 --> 00:38:51,319 Speaker 3: Yeah yeah, he was rocking with he had Drizzy part 829 00:38:51,400 --> 00:38:53,360 Speaker 3: ridged too. My man, you gotta hit his nigga and 830 00:38:53,600 --> 00:38:55,520 Speaker 3: it was over from what I heard. I wasn't even 831 00:38:55,520 --> 00:38:59,480 Speaker 3: paying intend to rapping ship like he saying like this 832 00:38:59,600 --> 00:39:00,960 Speaker 3: him on because I thought it was who when I 833 00:39:01,040 --> 00:39:02,680 Speaker 3: was on the hook. So the song just playing ship, 834 00:39:03,040 --> 00:39:04,120 Speaker 3: He's like, by the way, yeah. 835 00:39:04,000 --> 00:39:06,200 Speaker 2: That's him too, like this him too? 836 00:39:06,600 --> 00:39:10,320 Speaker 3: Oh yeah, come on, that's two albums. 837 00:39:23,360 --> 00:39:26,560 Speaker 2: Give me a. 838 00:39:25,239 --> 00:39:28,160 Speaker 1: Favorite song by both of them, Nicky and Drake. 839 00:39:29,280 --> 00:39:31,040 Speaker 2: The can first come to your mind. 840 00:39:31,840 --> 00:39:39,759 Speaker 3: For Drizzy, my favorite song from Drizzy would have to 841 00:39:39,800 --> 00:39:44,319 Speaker 3: be I Really Love, I really really loved started. 842 00:39:44,000 --> 00:39:46,080 Speaker 2: From the bottom. 843 00:39:46,200 --> 00:39:49,560 Speaker 3: But it's a song before all that, you know, it's 844 00:39:49,600 --> 00:39:53,439 Speaker 3: a song before all that, and it's uh, I don't 845 00:39:53,440 --> 00:39:55,359 Speaker 3: know when he put this song out, but it's one 846 00:39:55,400 --> 00:39:57,520 Speaker 3: of my still one of my favorite songs, because this 847 00:39:57,600 --> 00:39:59,839 Speaker 3: is what I've always seen in him and told him 848 00:39:59,840 --> 00:40:00,480 Speaker 3: from day one. 849 00:40:01,000 --> 00:40:03,680 Speaker 2: He got he got an old one. He got an 850 00:40:03,719 --> 00:40:05,880 Speaker 2: old one. That's what always was telling. But you know, 851 00:40:05,920 --> 00:40:06,680 Speaker 2: I do see you. 852 00:40:07,560 --> 00:40:10,840 Speaker 3: It's something totally different than what we're doing, you know 853 00:40:10,880 --> 00:40:13,160 Speaker 3: what I mean? Yeah, we with these chains on and 854 00:40:13,160 --> 00:40:15,319 Speaker 3: when we over here with these you know what I 855 00:40:15,320 --> 00:40:18,000 Speaker 3: mean next and the big ass three four five X 856 00:40:18,000 --> 00:40:19,160 Speaker 3: shirts on the ship we doing. 857 00:40:19,160 --> 00:40:21,919 Speaker 2: I said, you're doing something totally different, and he took 858 00:40:21,960 --> 00:40:22,759 Speaker 2: it and ran with it. 859 00:40:23,040 --> 00:40:24,840 Speaker 1: He got something back in the day on so I 860 00:40:24,880 --> 00:40:27,799 Speaker 1: called closer to my dreams that he drive, bro. 861 00:40:28,000 --> 00:40:32,640 Speaker 2: He was that was all that ship wasn't even fair man. 862 00:40:32,640 --> 00:40:34,799 Speaker 3: We got we got versus that you know, we got 863 00:40:34,880 --> 00:40:39,280 Speaker 3: that never got out and just retarded what you waiting 864 00:40:39,280 --> 00:40:45,480 Speaker 3: on ship is like me. He liked me perfectionist, like 865 00:40:45,520 --> 00:40:47,279 Speaker 3: you gotta ask him that. He probably don't know that. 866 00:40:47,280 --> 00:40:53,600 Speaker 3: That's neither right. But as far as Nick, my favorite 867 00:40:53,680 --> 00:40:57,200 Speaker 3: joint with Nick was UH from Nick is Ah, it's 868 00:40:57,200 --> 00:40:57,560 Speaker 3: a joint. 869 00:40:57,640 --> 00:41:00,759 Speaker 2: I was on the video and I had to be 870 00:41:00,880 --> 00:41:01,239 Speaker 2: the uh. 871 00:41:01,920 --> 00:41:07,080 Speaker 3: I had to be the I had to play her her. 872 00:41:06,360 --> 00:41:07,600 Speaker 2: Love interest to love man. 873 00:41:07,800 --> 00:41:09,799 Speaker 3: Oh my god, No, it wasn't love It was just 874 00:41:10,239 --> 00:41:12,799 Speaker 3: I had to play a sex partner. So I just 875 00:41:12,840 --> 00:41:15,000 Speaker 3: had to you know, that was that. I don't even 876 00:41:15,000 --> 00:41:22,360 Speaker 3: know the name of that song. That's my favorite song, honestly. Honestly, 877 00:41:22,400 --> 00:41:25,959 Speaker 3: my answer for Nick was my favorite song from Nick 878 00:41:26,560 --> 00:41:27,719 Speaker 3: hasn't came out yet. 879 00:41:29,800 --> 00:41:31,480 Speaker 2: M she that cold too. 880 00:41:32,280 --> 00:41:35,879 Speaker 1: You're still faster from food fast food? Are you still 881 00:41:35,880 --> 00:41:36,799 Speaker 1: fast for fast food? 882 00:41:37,320 --> 00:41:37,520 Speaker 3: Oh? 883 00:41:37,760 --> 00:41:40,600 Speaker 2: You mean? I don't just know what that said when 884 00:41:40,600 --> 00:41:43,440 Speaker 2: that came out. I ain't fast years. Yeah, that ship. 885 00:41:43,680 --> 00:41:45,640 Speaker 3: When that came out like that, people like, like I 886 00:41:45,680 --> 00:41:45,960 Speaker 3: do it. 887 00:41:46,360 --> 00:41:46,720 Speaker 2: I didn't. 888 00:41:47,480 --> 00:41:49,960 Speaker 3: I don't even ain't fast food in twenty years. I 889 00:41:49,960 --> 00:41:52,759 Speaker 3: ain't need slow food whatever. I don't eat nothing but 890 00:41:52,840 --> 00:41:55,000 Speaker 3: with my chef make that's slow food. 891 00:41:55,400 --> 00:41:56,920 Speaker 2: That's what I should clear it up. 892 00:41:57,040 --> 00:42:00,360 Speaker 3: Yeah, that's what I meant like you know, and you know, 893 00:42:00,400 --> 00:42:02,360 Speaker 3: niggas like to ask me, like what's your workout regimen 894 00:42:02,440 --> 00:42:04,480 Speaker 3: and all that ship man, like I don't like for 895 00:42:04,560 --> 00:42:06,240 Speaker 3: the best I can tell you, I ain't fast food. 896 00:42:06,800 --> 00:42:08,359 Speaker 3: I don't work out like you really think I got 897 00:42:08,360 --> 00:42:11,839 Speaker 3: the time to work out. I look like I look 898 00:42:12,440 --> 00:42:14,040 Speaker 3: like I know what to do when I walk in 899 00:42:14,080 --> 00:42:15,600 Speaker 3: the gym, really like I know to do. 900 00:42:15,840 --> 00:42:18,960 Speaker 1: I tell people it's to treat man, keep our town man. 901 00:42:19,040 --> 00:42:22,120 Speaker 1: That to you know, skate too. So yeah, that ship 902 00:42:22,280 --> 00:42:24,279 Speaker 1: it's a workout. How did that start? How did you 903 00:42:24,320 --> 00:42:24,880 Speaker 1: start skating? 904 00:42:24,880 --> 00:42:26,160 Speaker 2: Like? How that came about? High? 905 00:42:26,239 --> 00:42:29,920 Speaker 3: Watching TV? Watching TV and watch watch start watching what 906 00:42:30,000 --> 00:42:33,120 Speaker 3: you call it binging and start binging a little reality 907 00:42:33,480 --> 00:42:36,040 Speaker 3: reality show about the camp you know, the campus out 908 00:42:36,040 --> 00:42:37,040 Speaker 3: here called Camp woodwork. 909 00:42:37,640 --> 00:42:37,839 Speaker 2: Dad. 910 00:42:37,880 --> 00:42:40,480 Speaker 3: They don't little reality show at one time, watching the 911 00:42:40,520 --> 00:42:42,359 Speaker 3: same ship at the same time every day. A little 912 00:42:42,440 --> 00:42:45,080 Speaker 3: kid on that on shot money my nigga, not Alex Midler. 913 00:42:45,280 --> 00:42:46,880 Speaker 3: He was a little boy at the time though, you know, 914 00:42:47,239 --> 00:42:50,040 Speaker 3: having fun on them on the board. I'm like, ship man, 915 00:42:50,080 --> 00:42:52,560 Speaker 3: you know what that ship looked fun as hell. I 916 00:42:52,600 --> 00:42:54,759 Speaker 3: called my name, like, man, I want to skate ramp. 917 00:42:55,320 --> 00:42:57,279 Speaker 3: I ain't know what they even. I don't even know 918 00:42:57,320 --> 00:43:00,560 Speaker 3: what that meant. You know, I want a ramp playing 919 00:43:00,560 --> 00:43:00,759 Speaker 3: on my. 920 00:43:00,840 --> 00:43:04,920 Speaker 2: Roof, so we put it on the roof, put on 921 00:43:04,960 --> 00:43:05,680 Speaker 2: the roof. 922 00:43:05,600 --> 00:43:07,960 Speaker 3: And found out that that's not even skating like bright, 923 00:43:08,000 --> 00:43:09,160 Speaker 3: that's one start, that's vert. 924 00:43:09,600 --> 00:43:11,279 Speaker 2: You're really like what vert was? 925 00:43:11,400 --> 00:43:13,520 Speaker 3: I learned how to skate vert without knowing I was learning. 926 00:43:14,040 --> 00:43:16,120 Speaker 3: That's why I knowed to skate all the styles, which 927 00:43:16,160 --> 00:43:16,840 Speaker 3: is perfect. 928 00:43:17,239 --> 00:43:19,439 Speaker 4: You're taking any real hard falls because then I tried 929 00:43:19,440 --> 00:43:24,200 Speaker 4: to around for. 930 00:43:24,440 --> 00:43:28,960 Speaker 2: Surgery from skating. You're gonna follow that. Yeah, I knew, 931 00:43:28,960 --> 00:43:31,280 Speaker 2: I learned earlier. I felt earlier. At one time fucked 932 00:43:31,280 --> 00:43:32,920 Speaker 2: my knee cap up ripped my tone that off and 933 00:43:32,960 --> 00:43:33,479 Speaker 2: it was a right. 934 00:43:35,880 --> 00:43:37,839 Speaker 3: In the park with my homie toy shout out toy 935 00:43:37,920 --> 00:43:40,759 Speaker 3: toy puzz when he ripped this tone and was for 936 00:43:40,800 --> 00:43:43,359 Speaker 3: me take that motheruck off and still like still kick 937 00:43:43,400 --> 00:43:43,799 Speaker 3: flip that. 938 00:43:45,520 --> 00:43:45,759 Speaker 2: Head. 939 00:43:48,640 --> 00:43:50,920 Speaker 1: How was it we got a relationship with Prime too? 940 00:43:51,280 --> 00:43:53,360 Speaker 1: How wasn't going to visit Prim in Colorado? 941 00:43:53,520 --> 00:43:54,600 Speaker 2: You know? It was perfect? 942 00:43:55,200 --> 00:43:57,279 Speaker 3: It was straight perfect, was like I just come't but 943 00:43:57,320 --> 00:44:00,560 Speaker 3: that like, bro, this is like you then made this 944 00:44:00,640 --> 00:44:04,080 Speaker 3: place your house that is totally cry Like when you're 945 00:44:04,120 --> 00:44:06,200 Speaker 3: going where you're going like form when you leave, when 946 00:44:06,200 --> 00:44:08,880 Speaker 3: you're going home, you like, oh home, Oh I'm Steven. 947 00:44:08,880 --> 00:44:10,960 Speaker 3: I'm about to take me a shower right now, nephew, 948 00:44:11,000 --> 00:44:15,279 Speaker 3: I'm sleeping in here, like like you really did make 949 00:44:15,280 --> 00:44:15,760 Speaker 3: this move. 950 00:44:15,800 --> 00:44:18,520 Speaker 2: Your house for real? You know unk something? Man? 951 00:44:18,800 --> 00:44:22,239 Speaker 3: I just allowed to see her happy, right like you're 952 00:44:22,280 --> 00:44:26,120 Speaker 3: showing me a new crib smiling, yeah, shout out the uh, 953 00:44:27,000 --> 00:44:28,279 Speaker 3: so many so many. 954 00:44:28,120 --> 00:44:32,279 Speaker 1: Rappers you see that you see today that we see 955 00:44:32,320 --> 00:44:34,640 Speaker 1: you in you know what I mean, from the from 956 00:44:34,640 --> 00:44:36,719 Speaker 1: the style, from the way you dress, from the half, 957 00:44:36,719 --> 00:44:38,600 Speaker 1: from the tattoos, the prototype. 958 00:44:40,360 --> 00:44:40,920 Speaker 2: What would you. 959 00:44:40,880 --> 00:44:43,520 Speaker 1: Tell some of these artists that that look up to you, 960 00:44:43,520 --> 00:44:45,680 Speaker 1: that want to have the same longevity that you had 961 00:44:45,680 --> 00:44:46,120 Speaker 1: in the game. 962 00:44:46,360 --> 00:44:47,000 Speaker 2: Be grateful. 963 00:44:48,200 --> 00:44:53,840 Speaker 3: Be grateful for every single, every single second, the goods, 964 00:44:53,880 --> 00:44:56,360 Speaker 3: the bads, the upst the downs, and learn from everything, 965 00:44:56,480 --> 00:44:59,640 Speaker 3: not only from your mistakes, learn from everything, learn from 966 00:44:59,680 --> 00:45:05,440 Speaker 3: your high his points, yeah, everything, and again be grateful. 967 00:45:07,000 --> 00:45:10,359 Speaker 3: And yet because if you're doing this for real, because 968 00:45:10,360 --> 00:45:12,520 Speaker 3: I'm only talking to those when you ask me that question, 969 00:45:12,560 --> 00:45:16,360 Speaker 3: I'm not talking to the person that that you know 970 00:45:16,400 --> 00:45:18,600 Speaker 3: you was this before and you're a rapper now. And 971 00:45:18,640 --> 00:45:20,600 Speaker 3: you're trying to wrap, to stay from out of this, 972 00:45:20,760 --> 00:45:22,960 Speaker 3: and you're trying to rap. I respect all of that 973 00:45:23,560 --> 00:45:25,680 Speaker 3: is what do it? But I'm not talking to you, 974 00:45:26,360 --> 00:45:28,480 Speaker 3: talking to the one that was. Don't know why the 975 00:45:28,560 --> 00:45:30,600 Speaker 3: words are in your head when you wake up and 976 00:45:30,600 --> 00:45:34,640 Speaker 3: when you go to sleep, that person, because that's who 977 00:45:34,680 --> 00:45:35,000 Speaker 3: I am. 978 00:45:35,360 --> 00:45:35,879 Speaker 2: You know what I mean? 979 00:45:35,960 --> 00:45:41,320 Speaker 3: So you ask me what I tell that person? Be grateful, 980 00:45:41,719 --> 00:45:44,399 Speaker 3: Be grateful for why you can't figure it out, can't 981 00:45:44,480 --> 00:45:47,680 Speaker 3: understand why you're so fucking awesome, can't figure out why 982 00:45:47,719 --> 00:45:49,880 Speaker 3: you're so great, can't figure out why you're so ahead 983 00:45:49,880 --> 00:45:52,560 Speaker 3: of your time, can't figure out why you while you 984 00:45:53,040 --> 00:45:56,680 Speaker 3: you have answers to things that no one even knows. 985 00:45:56,719 --> 00:46:01,080 Speaker 2: The question to be grateful for that mm hmm. 986 00:46:01,880 --> 00:46:05,719 Speaker 1: When people ask us what does basketball mean to us? 987 00:46:06,120 --> 00:46:08,440 Speaker 1: My answer is kind of like everything because it changed. 988 00:46:08,200 --> 00:46:09,399 Speaker 2: My life, got me out the hood. 989 00:46:10,480 --> 00:46:12,359 Speaker 1: Is that the same? That's the same kind of answer 990 00:46:12,360 --> 00:46:14,239 Speaker 1: you would give. Somebody asks you what hip hop means 991 00:46:14,280 --> 00:46:17,759 Speaker 1: to you? Know, what what would Johnson be? What hip 992 00:46:17,800 --> 00:46:18,680 Speaker 1: hop means to me? 993 00:46:22,480 --> 00:46:26,279 Speaker 3: And my answer would be everything, But it's not, you know, 994 00:46:26,320 --> 00:46:28,520 Speaker 3: It's I look at it as my. 995 00:46:30,719 --> 00:46:32,200 Speaker 2: What God created for me. 996 00:46:32,719 --> 00:46:36,880 Speaker 3: In my time, I believe that we all are just 997 00:46:38,000 --> 00:46:41,320 Speaker 3: we all are we all are just we Everything's happened 998 00:46:41,360 --> 00:46:44,080 Speaker 3: before before, and I mean I mean not a life. 999 00:46:44,080 --> 00:46:46,560 Speaker 3: I'm just meaning like in this world were just in 1000 00:46:46,680 --> 00:46:49,920 Speaker 3: last generation. All the same shit happened generation before that, 1001 00:46:51,040 --> 00:46:52,719 Speaker 3: So you know what I'm saying. So back then it 1002 00:46:52,840 --> 00:46:55,160 Speaker 3: was poets for whatever prolificion. 1003 00:46:55,200 --> 00:46:55,800 Speaker 2: I mean, it was this. 1004 00:46:55,960 --> 00:46:58,520 Speaker 3: She was that you was scripting it on us by 1005 00:46:58,520 --> 00:47:01,920 Speaker 3: the body was holding people's attention, and you was making 1006 00:47:01,960 --> 00:47:05,319 Speaker 3: the most of that attention with figuring out how to 1007 00:47:05,320 --> 00:47:09,120 Speaker 3: put your thoughts towards and figuring out how to make 1008 00:47:09,160 --> 00:47:11,200 Speaker 3: those words translate to the. 1009 00:47:11,120 --> 00:47:12,400 Speaker 2: People that you're trying to talk to. 1010 00:47:12,440 --> 00:47:15,239 Speaker 3: It make it make sense to them so much since 1011 00:47:15,280 --> 00:47:17,440 Speaker 3: that they live not only like it, love it, they 1012 00:47:17,480 --> 00:47:22,520 Speaker 3: live by it. And so I thank God that I 1013 00:47:22,560 --> 00:47:25,040 Speaker 3: have I still have that. This is what my path 1014 00:47:25,280 --> 00:47:27,239 Speaker 3: was as one of those guys. 1015 00:47:27,680 --> 00:47:30,439 Speaker 4: Quick hitters, coming down to the end. Right here, go ahead, 1016 00:47:30,520 --> 00:47:35,080 Speaker 4: light that up and we're gonna get rolling home stretch. 1017 00:47:35,400 --> 00:47:42,680 Speaker 4: It's been a good day, Jack Fucky, you gotta. 1018 00:47:42,480 --> 00:47:51,399 Speaker 2: Roller, Parlem, go ahead, I know how to problem. Here 1019 00:47:51,400 --> 00:47:53,560 Speaker 2: we go. Uh. 1020 00:47:54,440 --> 00:47:57,360 Speaker 4: In your opinion, your top five artists of all time 1021 00:47:58,200 --> 00:48:04,680 Speaker 4: hip hop hip hop stack what you said stack five? 1022 00:48:06,080 --> 00:48:13,840 Speaker 3: Uh? You know no arder right of course, Biggie course 1023 00:48:13,960 --> 00:48:22,279 Speaker 3: j anybody knows me. You already know that. 1024 00:48:22,400 --> 00:48:25,399 Speaker 2: Miss it about to be right up and know that. Uh, 1025 00:48:27,239 --> 00:48:28,440 Speaker 2: after that I got. 1026 00:48:30,840 --> 00:48:33,320 Speaker 3: I got U g K as a group as a whole, 1027 00:48:34,640 --> 00:48:36,480 Speaker 3: and then after that I got Goodie Mob. 1028 00:48:38,200 --> 00:48:39,040 Speaker 2: Was that fire. 1029 00:48:40,600 --> 00:48:43,440 Speaker 1: So for for a lot of people know I'm from Portoltha, 1030 00:48:44,600 --> 00:48:48,480 Speaker 1: can you just give a brief how you how you 1031 00:48:48,520 --> 00:48:50,600 Speaker 1: in U g K became so close? Like how you 1032 00:48:50,640 --> 00:48:55,040 Speaker 1: met them? How y'all became cool? Bun Bun Uh, Bun 1033 00:48:55,160 --> 00:48:56,520 Speaker 1: was with cash money for moment. 1034 00:48:56,640 --> 00:48:58,040 Speaker 2: Yes, a lot of people don't know that. Yeah, a 1035 00:48:58,080 --> 00:48:59,800 Speaker 2: lot of people don't know I was with b was 1036 00:48:59,800 --> 00:49:01,520 Speaker 2: with cash money for a nice time. 1037 00:49:02,120 --> 00:49:05,319 Speaker 3: And uh he attracted to me and my my my relent, 1038 00:49:05,560 --> 00:49:09,320 Speaker 3: you know me wanting to always rap rap. Bunn is 1039 00:49:09,360 --> 00:49:11,640 Speaker 3: a rap head, you know what I mean. Bun tried, 1040 00:49:11,760 --> 00:49:14,960 Speaker 3: Bun tried his hardest. Not Bun tried his hardest to 1041 00:49:15,040 --> 00:49:18,640 Speaker 3: keep that ship southing for y'all. He figured it out. 1042 00:49:18,680 --> 00:49:21,880 Speaker 3: But Bunn is a fucking hip hop here. He really 1043 00:49:21,920 --> 00:49:23,200 Speaker 3: want to be on that mo fuck just like I 1044 00:49:23,280 --> 00:49:25,279 Speaker 3: used to want be on them before your son. All 1045 00:49:25,320 --> 00:49:29,400 Speaker 3: that you all that he you know, just knowing him 1046 00:49:29,440 --> 00:49:31,880 Speaker 3: so on the roll on tour and things like that. 1047 00:49:32,440 --> 00:49:35,719 Speaker 3: I was always his road. I'm his road. We were 1048 00:49:35,719 --> 00:49:38,720 Speaker 3: writing together. When when I have a song, a feature 1049 00:49:38,760 --> 00:49:40,239 Speaker 3: to do or something like that, we got a big 1050 00:49:40,280 --> 00:49:42,600 Speaker 3: song we're doing. I'm making sure my verse something checking 1051 00:49:42,600 --> 00:49:44,960 Speaker 3: with Bun first of all, or recall that ship. That's 1052 00:49:45,000 --> 00:49:47,120 Speaker 3: all and he giving me not young. You should probably 1053 00:49:47,120 --> 00:49:50,000 Speaker 3: say this and I love that. 1054 00:49:52,040 --> 00:49:52,239 Speaker 2: M J. 1055 00:49:52,440 --> 00:50:05,520 Speaker 1: Kobe Bron Rankle, m J Kobe Braun Rankle, Yeah, come 1056 00:50:05,560 --> 00:50:10,640 Speaker 1: on with it. Tone Brian mm one, yeah, m hm 1057 00:50:15,480 --> 00:50:16,440 Speaker 1: Mike and Kobe? 1058 00:50:17,600 --> 00:50:21,760 Speaker 2: What was Simba? Simba was Bron Kobe? Mike right? 1059 00:50:22,000 --> 00:50:28,680 Speaker 4: Oh, A's right, yeah yeah, the AI Bron talk about 1060 00:50:28,719 --> 00:50:30,680 Speaker 4: his greatness. I mean, you're someone who's been in this 1061 00:50:30,719 --> 00:50:32,120 Speaker 4: game twenty five plus years. 1062 00:50:32,160 --> 00:50:34,920 Speaker 2: He's in it twenty years, had a relationship with Kobe 1063 00:50:34,920 --> 00:50:37,160 Speaker 2: and Broun right, what is what? What? What? 1064 00:50:37,160 --> 00:50:40,200 Speaker 4: What? I like that? What makes Bron so special in 1065 00:50:40,520 --> 00:50:42,800 Speaker 4: your opinion? What makes Kobe so special in your opinion? 1066 00:50:43,440 --> 00:50:43,800 Speaker 2: Brian? 1067 00:50:44,400 --> 00:50:47,880 Speaker 3: I don't know Brian like personally, So my answer for 1068 00:50:47,920 --> 00:50:51,360 Speaker 3: Brian to be from you know, from Afar watching from Afar, Brian, 1069 00:50:53,600 --> 00:50:58,000 Speaker 3: and it's on the court. Brian, you gotta remind yourself 1070 00:50:58,040 --> 00:51:00,919 Speaker 3: that I mean. I mean, I know for a fact 1071 00:51:00,960 --> 00:51:05,120 Speaker 3: I love Jordan for the way he fucking always won. 1072 00:51:06,280 --> 00:51:09,399 Speaker 3: And the kid you don't you don't know too much 1073 00:51:09,400 --> 00:51:11,319 Speaker 3: about the ins and outs and all the other ship 1074 00:51:11,360 --> 00:51:13,279 Speaker 3: that we love now in the game that I'm old 1075 00:51:13,360 --> 00:51:14,200 Speaker 3: enough to care about. 1076 00:51:14,520 --> 00:51:17,200 Speaker 2: So I just who won. That's my favorite player. He 1077 00:51:17,239 --> 00:51:17,600 Speaker 2: better win. 1078 00:51:17,680 --> 00:51:20,160 Speaker 3: He always fucking win, That's all I know, you know 1079 00:51:20,200 --> 00:51:23,080 Speaker 3: what I mean? So I know I got old enough 1080 00:51:23,120 --> 00:51:24,680 Speaker 3: to know how hard it is to fucking do it 1081 00:51:24,760 --> 00:51:26,439 Speaker 3: back to back to back, you know what I mean. 1082 00:51:26,840 --> 00:51:29,320 Speaker 3: So that's that's why he got his games. Is respect 1083 00:51:29,360 --> 00:51:30,760 Speaker 3: with me, you know what I mean. Start getting his respect 1084 00:51:30,840 --> 00:51:32,920 Speaker 3: with me to he's the greatest, you know what I mean? 1085 00:51:32,920 --> 00:51:36,280 Speaker 3: Then I would so I would know. I noticed that, Okay, 1086 00:51:36,320 --> 00:51:40,120 Speaker 3: Brian done that ship. It's very hard to do. It's like, 1087 00:51:40,239 --> 00:51:43,359 Speaker 3: damn that nigga, Brian had done that ship with three teams. 1088 00:51:45,160 --> 00:51:48,760 Speaker 3: Mm hmmm, that that's right there. That's when I was like, regardless, 1089 00:51:48,760 --> 00:51:51,400 Speaker 3: he ain't got six. I was like, but damn he 1090 00:51:51,520 --> 00:51:55,799 Speaker 3: done it with three different teams and and not on 1091 00:51:55,800 --> 00:51:58,400 Speaker 3: one of those motherfucking teams. Have he was did he 1092 00:51:58,480 --> 00:52:01,759 Speaker 3: played part two? I mean road too. He still can 1093 00:52:01,840 --> 00:52:07,320 Speaker 3: get six though. That's the scary point. Yeah, definitely, that's crazy. 1094 00:52:07,440 --> 00:52:07,800 Speaker 2: Yeah. 1095 00:52:08,680 --> 00:52:12,000 Speaker 3: And so that right there is with Tip Tim over 1096 00:52:12,080 --> 00:52:14,239 Speaker 3: the Jordan skiff for me, because you already know I 1097 00:52:14,320 --> 00:52:17,040 Speaker 3: was Jordan's. You couldn't have that conversation with me. It 1098 00:52:17,080 --> 00:52:20,080 Speaker 3: wasn't even conversation until I have to really think, like, 1099 00:52:20,120 --> 00:52:23,560 Speaker 3: you know what, Slim is still in this ship twenty 1100 00:52:23,600 --> 00:52:25,640 Speaker 3: years strong, you know what I mean? Like Slim is 1101 00:52:25,840 --> 00:52:29,440 Speaker 3: fucking amazing. He's been amazing every year every since, like 1102 00:52:29,960 --> 00:52:33,160 Speaker 3: he ain't never prime always like when they be saying, 1103 00:52:33,160 --> 00:52:35,319 Speaker 3: you know, like you need to retire you on top. 1104 00:52:35,440 --> 00:52:37,880 Speaker 3: You know what I'm saying that cliche you need to 1105 00:52:37,920 --> 00:52:40,359 Speaker 3: tie you on top to anyone like you need to retire, 1106 00:52:40,880 --> 00:52:42,400 Speaker 3: retire on time. It's the best way to go on 1107 00:52:42,920 --> 00:52:44,960 Speaker 3: like that, nigga, Brian don't even know what the middle 1108 00:52:45,040 --> 00:52:50,239 Speaker 3: feel like about. It's all he's ever been like. So 1109 00:52:50,400 --> 00:52:52,640 Speaker 3: that right there is just amazing, you know what I mean, 1110 00:52:52,719 --> 00:52:55,840 Speaker 3: His longevity and whatever he did doing to his body 1111 00:52:55,920 --> 00:52:58,319 Speaker 3: or what is or whatever if that nigga, he must 1112 00:52:58,320 --> 00:53:02,879 Speaker 3: be praying a maid nigga protected, you know what I mean, 1113 00:53:03,480 --> 00:53:06,239 Speaker 3: and I respect it and Bron we trust, yeah, and 1114 00:53:06,280 --> 00:53:09,239 Speaker 3: I respect. I respect. That's why he tip. That's where 1115 00:53:09,239 --> 00:53:12,320 Speaker 3: he took the meter from me. Because he's doing this 1116 00:53:12,480 --> 00:53:16,200 Speaker 3: and then off the court, you can't even come on, come. 1117 00:53:16,040 --> 00:53:18,560 Speaker 2: On, yeah, that right there. We ain't seen nothing like 1118 00:53:18,560 --> 00:53:19,840 Speaker 2: that from a superstar. 1119 00:53:19,719 --> 00:53:23,040 Speaker 3: Like like you know, Brian and Brian named and snuck 1120 00:53:23,080 --> 00:53:25,920 Speaker 3: into my my my rants and just what I mean 1121 00:53:25,960 --> 00:53:28,400 Speaker 3: by that, Like when I'm having a conversation with my 1122 00:53:28,920 --> 00:53:32,040 Speaker 3: bros and whatever and I'm you know, my artists and whatever, 1123 00:53:32,640 --> 00:53:34,680 Speaker 3: and I'm like, you know, I want to talk about 1124 00:53:34,680 --> 00:53:36,239 Speaker 3: a nigga with money money, you know what I mean, 1125 00:53:36,280 --> 00:53:37,960 Speaker 3: it used to be it still is, you know what 1126 00:53:37,960 --> 00:53:40,239 Speaker 3: I mean, like niggause you know, I'm trying to get to. 1127 00:53:40,280 --> 00:53:42,000 Speaker 2: What you know, not ship Brian. 1128 00:53:42,000 --> 00:53:44,120 Speaker 3: I noticed Brian has snuck into one of them coming 1129 00:53:44,480 --> 00:53:46,880 Speaker 3: call me off, going I'm right, like you know the 1130 00:53:46,960 --> 00:53:51,920 Speaker 3: niggas Brian man, all right, boy, yeah, I mean that's 1131 00:53:52,000 --> 00:53:55,200 Speaker 3: it's amazing. But brought the team with him. Yeah, and 1132 00:53:55,239 --> 00:53:58,279 Speaker 3: then the school ship and that ship. Come on, man, 1133 00:53:58,960 --> 00:54:01,239 Speaker 3: you ain't really camp but into what you still you 1134 00:54:01,320 --> 00:54:04,000 Speaker 3: know what I mean, don't do nothing you ain't because 1135 00:54:04,040 --> 00:54:04,960 Speaker 3: I believe when you get. 1136 00:54:04,840 --> 00:54:09,319 Speaker 2: Money like that, you don't do nothing you ain't genuine about. 1137 00:54:09,320 --> 00:54:10,799 Speaker 3: I'm too rich to give a fuck about some ship 1138 00:54:10,840 --> 00:54:12,439 Speaker 3: that you're asking me to do. 1139 00:54:12,080 --> 00:54:13,040 Speaker 2: Yeah, you know what I mean. 1140 00:54:13,120 --> 00:54:15,720 Speaker 3: So the things that he choose to really care about 1141 00:54:15,800 --> 00:54:16,320 Speaker 3: is amazing. 1142 00:54:16,480 --> 00:54:20,400 Speaker 1: Absolutely give me one bar Lyric you want to be 1143 00:54:20,440 --> 00:54:21,040 Speaker 1: remembered by. 1144 00:54:21,160 --> 00:54:28,359 Speaker 3: Oh shit, I got it exactly. Uh well, he said 1145 00:54:28,320 --> 00:54:29,840 Speaker 3: a baby, Please say the baby. 1146 00:54:30,800 --> 00:54:32,960 Speaker 2: Please say the motherfucker b w. 1147 00:54:35,280 --> 00:54:40,040 Speaker 4: Five dinner guests dead or alive, five dinner guests dead 1148 00:54:40,120 --> 00:54:40,919 Speaker 4: or alive. 1149 00:54:41,239 --> 00:54:56,120 Speaker 3: Biggie, Uh Confucius. First, gotta chop it up with I 1150 00:54:56,160 --> 00:54:59,960 Speaker 3: gotta chop it up m J. Michael Jackson. The other, 1151 00:55:01,400 --> 00:55:03,799 Speaker 3: if you can even say that, gotta jap it over 1152 00:55:04,000 --> 00:55:13,640 Speaker 3: m J. Michael Jackson, Jay Jay just to ask him 1153 00:55:13,640 --> 00:55:21,919 Speaker 3: a million questions and be recorded without him knowing. And last, man, 1154 00:55:22,400 --> 00:55:28,600 Speaker 3: I gotta you know whoever whatever? Oh you know who else? 1155 00:55:28,840 --> 00:55:33,040 Speaker 2: Uh my man? 1156 00:55:33,320 --> 00:55:36,640 Speaker 3: Uh, I don't want to say his name wrong, but 1157 00:55:36,719 --> 00:55:39,719 Speaker 3: my man from from Blink on a two. I don't 1158 00:55:39,719 --> 00:55:42,680 Speaker 3: know if it's time or miked the long time, Tom 1159 00:55:42,880 --> 00:55:48,920 Speaker 3: damn a man time And uh you know and everybody 1160 00:55:48,920 --> 00:55:52,279 Speaker 3: got their own god or whatever you have. So the 1161 00:55:52,400 --> 00:55:54,719 Speaker 3: God I believe in I would love to have bring him, 1162 00:55:54,840 --> 00:55:57,080 Speaker 3: sit the mass down, holler at him or her whatever 1163 00:55:57,120 --> 00:55:58,560 Speaker 3: else sit there, ass talked to. 1164 00:55:58,520 --> 00:55:59,960 Speaker 2: Him smoke one. 1165 00:56:00,239 --> 00:56:05,919 Speaker 3: Yeah, I knew knacks there. 1166 00:56:06,160 --> 00:56:09,239 Speaker 2: That's you. Who would you like to see on all 1167 00:56:09,239 --> 00:56:09,640 Speaker 2: the Smoke? 1168 00:56:10,520 --> 00:56:13,480 Speaker 1: But but before you answer that question, you have to 1169 00:56:13,520 --> 00:56:15,200 Speaker 1: help us get your answer on the show. 1170 00:56:15,920 --> 00:56:23,400 Speaker 2: Okay, I'm killing that question today, I'm killing ship. You 1171 00:56:23,440 --> 00:56:24,640 Speaker 2: know what I'd love to see on here? 1172 00:56:25,360 --> 00:56:28,040 Speaker 3: I would drake done. That's not because I ain't gonna watch. 1173 00:56:28,400 --> 00:56:30,399 Speaker 3: You said who I would love to see? To see 1174 00:56:30,400 --> 00:56:31,680 Speaker 3: that nigga? 1175 00:56:32,719 --> 00:56:36,799 Speaker 2: I know? Ever answer to the question you asked? Who? 1176 00:56:37,880 --> 00:56:39,360 Speaker 2: Who I would love to see you on? Who you 1177 00:56:39,520 --> 00:56:39,960 Speaker 2: love to see you? 1178 00:56:40,120 --> 00:56:41,600 Speaker 1: Just remember you got to help us get him on 1179 00:56:41,640 --> 00:56:45,520 Speaker 1: the show. Yeah, still before I hit this week, because. 1180 00:56:45,320 --> 00:56:46,759 Speaker 3: You know I love to you know, I love to 1181 00:56:46,800 --> 00:56:48,640 Speaker 3: see y'all over here both look at that. 1182 00:56:50,960 --> 00:56:53,680 Speaker 2: Who? But I still gotta help you get this. 1183 00:56:54,160 --> 00:56:57,919 Speaker 1: Yeah yeah, yeah, at least yea. 1184 00:56:58,080 --> 00:57:11,040 Speaker 5: Get Bridgie spears on The Brittany Man Man. 1185 00:57:11,080 --> 00:57:13,840 Speaker 2: Brindan, is you okay? 1186 00:57:14,480 --> 00:57:17,680 Speaker 3: I fused with you from my era, Like every I 1187 00:57:17,720 --> 00:57:19,880 Speaker 3: remember as a kid like looking in the billboard, I 1188 00:57:20,760 --> 00:57:24,000 Speaker 3: booked a cheat on my album at your fucking albums 1189 00:57:24,080 --> 00:57:27,160 Speaker 3: was always at the top. You and Ava Levine and 1190 00:57:27,200 --> 00:57:30,240 Speaker 3: ship like that. So shout out you man, Brittany, we 1191 00:57:30,280 --> 00:57:32,440 Speaker 3: love you, Brittany Brinnan, shout out Brittany man. I like 1192 00:57:32,520 --> 00:57:34,640 Speaker 3: the ball head Brittany to like two to the two 1193 00:57:34,640 --> 00:57:38,880 Speaker 3: three strings still there that I like the moulin ruge Brittany. 1194 00:57:38,920 --> 00:57:45,080 Speaker 2: That's Christina. I like her. I saw her recently too. 1195 00:57:45,120 --> 00:57:45,960 Speaker 2: Now I rocks with her. 1196 00:57:46,000 --> 00:57:49,120 Speaker 3: She could sing her as first of all, she I 1197 00:57:49,160 --> 00:57:52,960 Speaker 3: saw her recently, thought, boy, she she boy, she looked 1198 00:57:52,960 --> 00:57:54,600 Speaker 3: like she had one of them. 1199 00:57:54,680 --> 00:57:57,440 Speaker 2: She had one of them. She was fresh off. She 1200 00:57:57,440 --> 00:57:59,600 Speaker 2: had one of the like just had the baby thick. 1201 00:58:01,600 --> 00:58:06,360 Speaker 2: That's like loudy, It's a different come like. They was like, 1202 00:58:06,360 --> 00:58:10,080 Speaker 2: what's she been at? What's she been eating? 1203 00:58:10,120 --> 00:58:14,160 Speaker 3: Please keep feeding of that ship. Just shout out Chris 1204 00:58:14,280 --> 00:58:17,840 Speaker 3: and I'm single. You said, we uh. 1205 00:58:19,240 --> 00:58:23,240 Speaker 1: Got you that bag all the smoke Drip they need 1206 00:58:23,280 --> 00:58:25,080 Speaker 1: to leave empty handed, and you get that at all 1207 00:58:25,080 --> 00:58:26,240 Speaker 1: the Smoking Dots store. 1208 00:58:26,720 --> 00:58:30,680 Speaker 2: You can be cool and fresh. Black Matt sweat on 1209 00:58:30,840 --> 00:58:31,200 Speaker 2: right there. 1210 00:58:31,280 --> 00:58:34,680 Speaker 3: I was cold already, He's he was cold close it 1211 00:58:34,720 --> 00:58:36,560 Speaker 3: out stat shout out to Christina. 1212 00:58:37,360 --> 00:58:39,720 Speaker 1: Let me say this, bro, you heard him. That's that's 1213 00:58:39,760 --> 00:58:42,360 Speaker 1: your single. If you want to just throw it out there, Yeah. 1214 00:58:42,200 --> 00:58:46,320 Speaker 3: Yeah I did, was putting the audio out. That's in 1215 00:58:46,400 --> 00:58:49,600 Speaker 3: case y'all wanted to either way. Yeah, just keep playing 1216 00:58:49,600 --> 00:58:52,000 Speaker 3: that bitch wanted to have. You know, Scott Van Peal 1217 00:58:52,080 --> 00:58:56,840 Speaker 3: got the button. You just just have it, Christine. I'm single. 1218 00:58:56,920 --> 00:59:03,880 Speaker 3: Yea on a real note, bro, that you know how 1219 00:59:04,160 --> 00:59:05,040 Speaker 3: it was real? 1220 00:59:05,120 --> 00:59:07,280 Speaker 2: Not okay? Okay? On another real note. Yeah. 1221 00:59:07,880 --> 00:59:10,200 Speaker 1: Uh, We've been doing each other for a long time, 1222 00:59:11,920 --> 00:59:14,160 Speaker 1: been in the game for so long. Been somebody who 1223 00:59:14,240 --> 00:59:17,600 Speaker 1: I about to fight niggas over saying the golden niggas 1224 00:59:17,600 --> 00:59:19,360 Speaker 1: coming to the other ship. But I just want to 1225 00:59:19,360 --> 00:59:22,080 Speaker 1: give your flowers. Bro, You've always been the stand up guy. 1226 00:59:23,240 --> 00:59:27,320 Speaker 1: It's hard to meet people that we consider goats and spaces, 1227 00:59:27,400 --> 00:59:30,560 Speaker 1: but still they still are regular people. Man. 1228 00:59:30,560 --> 00:59:31,200 Speaker 2: You know what I'm saying. 1229 00:59:31,280 --> 00:59:34,480 Speaker 1: Still answer the phone, still text back, Still check on us. 1230 00:59:34,520 --> 00:59:36,600 Speaker 2: You know what I'm saying. The messages a little kids, 1231 00:59:36,760 --> 00:59:38,120 Speaker 2: that mean a lot, Bro. You know what I'm saying, 1232 00:59:38,160 --> 00:59:38,720 Speaker 2: I mean a lot. 1233 00:59:38,800 --> 00:59:40,880 Speaker 1: So we just want to give you flowers and appreciate 1234 00:59:40,920 --> 00:59:41,640 Speaker 1: you coming on the show. 1235 00:59:42,320 --> 00:59:46,240 Speaker 2: Straight up, we really appreciate you. Love you, bro, Yeah yeah, yeah, 1236 00:59:46,280 --> 00:59:46,720 Speaker 2: yeah yeah. 1237 00:59:46,760 --> 00:59:50,240 Speaker 3: I am literally Nigga's uncle, man. Yeah yeah, you be 1238 00:59:50,320 --> 00:59:52,360 Speaker 3: my uncle, Matt. You're just going on the show that 1239 00:59:52,400 --> 00:59:53,920 Speaker 3: to him, I was coming. Let me do what you 1240 00:59:53,960 --> 00:59:58,160 Speaker 3: call Yeah right, you knew it was get with some pictures. 1241 01:00:00,160 --> 01:00:00,760 Speaker 2: That's fine. 1242 01:00:01,080 --> 01:00:03,160 Speaker 4: Well, man, We appreciate your time. Best to luck with 1243 01:00:03,200 --> 01:00:05,280 Speaker 4: everything you have going on, man, and continue to. 1244 01:00:05,320 --> 01:00:07,840 Speaker 2: Inspire, continue to be great. I appreciate it. Man. 1245 01:00:07,880 --> 01:00:10,280 Speaker 3: I have a lot of wonderful things ahead of me 1246 01:00:10,400 --> 01:00:13,920 Speaker 3: going on that some things that I platforms I haven't 1247 01:00:13,920 --> 01:00:16,560 Speaker 3: had in my life and my career that they finally 1248 01:00:16,600 --> 01:00:19,160 Speaker 3: given me, and I will not waste their time. 1249 01:00:19,960 --> 01:00:21,959 Speaker 2: Thankful. Hold me just one question. 1250 01:00:22,000 --> 01:00:26,160 Speaker 1: I want to ask you never thought about acting more. 1251 01:00:28,760 --> 01:00:31,360 Speaker 3: When people ask me, when people ask me that, No 1252 01:00:31,400 --> 01:00:34,160 Speaker 3: one has never asked me really like we ain't never no, 1253 01:00:34,360 --> 01:00:36,320 Speaker 3: like mac ain't ever, you know, don't phone, ain't blowing 1254 01:00:36,320 --> 01:00:38,919 Speaker 3: out there to come back on this now only calling 1255 01:00:38,960 --> 01:00:40,280 Speaker 3: from a movie Rose. 1256 01:00:40,560 --> 01:00:43,680 Speaker 2: But you know I got thinking about me. Yeah, of course, 1257 01:00:44,520 --> 01:00:46,080 Speaker 2: my personality through the fucking roof. 1258 01:00:46,560 --> 01:00:50,200 Speaker 3: But also you know, like any player I've ever did, 1259 01:00:50,880 --> 01:00:52,680 Speaker 3: and I was you know what I mean I was. 1260 01:00:53,240 --> 01:00:55,640 Speaker 2: I was in Lame as a rob. You know what, 1261 01:00:55,640 --> 01:00:56,640 Speaker 2: the Lames rob. 1262 01:00:57,280 --> 01:01:00,400 Speaker 3: Yeah, so you like that was on West Side Story 1263 01:01:00,480 --> 01:01:04,680 Speaker 3: Niggas and One Nigga Nigga. I was two seconds to 1264 01:01:04,680 --> 01:01:10,800 Speaker 3: two lines away from being Hamilton, two lines lying by that. 1265 01:01:12,720 --> 01:01:15,160 Speaker 3: I wasn't a ten manu wizard about it. Oh god, 1266 01:01:15,280 --> 01:01:19,120 Speaker 3: oh god, oh God, oh God. 1267 01:01:20,600 --> 01:01:22,240 Speaker 2: No, we don't get asked about that. 1268 01:01:22,440 --> 01:01:24,160 Speaker 3: We don't get hit up about no movies and ship 1269 01:01:24,600 --> 01:01:27,160 Speaker 3: Mostly we all get documented, you know what, we want 1270 01:01:27,160 --> 01:01:30,040 Speaker 3: to do that other than that called me and be like, yo, 1271 01:01:30,080 --> 01:01:32,960 Speaker 3: we got this roll for slam. You love him to 1272 01:01:33,040 --> 01:01:36,360 Speaker 3: kill it? I think they scared. Yeah, you know they're 1273 01:01:36,360 --> 01:01:38,000 Speaker 3: scared that nigga come in here. 1274 01:01:37,960 --> 01:01:39,800 Speaker 2: And kill it. I gonna set that off now. You 1275 01:01:39,840 --> 01:01:44,040 Speaker 2: put it in the atmosphere so someone what, Yes, I 1276 01:01:44,080 --> 01:01:48,920 Speaker 2: would have what boy would have been? Hadley carter Man. 1277 01:01:49,080 --> 01:01:50,400 Speaker 2: That's a wrap. Wayne. 1278 01:01:50,400 --> 01:01:52,760 Speaker 4: You can catch us on Showtime Basketball, YouTube and the 1279 01:01:52,760 --> 01:01:57,360 Speaker 4: iHeart platform. Black Effects Gold episode after Dark, All the 1280 01:01:57,400 --> 01:01:58,720 Speaker 4: Smoke After Dark you did