WEBVTT - Bryan Cranston on Retirement + That Time he was Wanted for Murder

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<v Speaker 1>Now really, really.

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<v Speaker 2>Now really hello, and welcome to really know really with

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<v Speaker 2>Jason Alexander and Peter Tilden, who want you to know

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<v Speaker 2>that subscribing to our show is easier than cooking crystal

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<v Speaker 2>method of trailer in the desert. Plus it's totally illegal,

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<v Speaker 2>Which brings me to today's episode with actor, producer, director,

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<v Speaker 2>and star of Breaking Bad Brian Kranston. What's the truth

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<v Speaker 2>about his imminent retirement? Why has he written his memoir

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<v Speaker 2>and Jason has it? What's the secret to crying on cue?

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<v Speaker 2>And why did he allow himself to be covered in

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<v Speaker 2>ten thousand bees. Jason and Peter also explore the dramatic

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<v Speaker 2>ways in which retirement is changing, what the dark side

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<v Speaker 2>of retirement can be, and you might even get to

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<v Speaker 2>hear what it would sound like if George Costanza and

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<v Speaker 2>Walter White hung out together, really, really really.

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<v Speaker 3>I don't like to start off cranky. Excuse me, all right,

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<v Speaker 3>but this whole thing I am so off. First of all,

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<v Speaker 3>the set is different. We're not wearing the shirts, and

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<v Speaker 3>you're on the wrong side, and we're doing this.

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<v Speaker 4>You know why we're doing this? Do you know why

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<v Speaker 4>we've changed it all? Up? I do?

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<v Speaker 3>Why tell the people. Camera angles, camera angles for social media.

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<v Speaker 3>Social media. Apparently, if I look straight at you, ladies

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<v Speaker 3>and gentlemen, you'll watch me on social media if I

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<v Speaker 3>do this.

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<v Speaker 4>Uh no, good lost you.

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<v Speaker 5>I make an observation from a good place.

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<v Speaker 4>You're going with change. I'm not good with change. You're

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<v Speaker 4>absolutely You're absolutely right. You got to let it go

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<v Speaker 4>and move on. And I will tell you something.

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<v Speaker 3>It is it is appropriate that I say I gotta

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<v Speaker 3>get out, because today's episode is about getting the hell out.

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<v Speaker 4>Because this was the really that started us off. It

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<v Speaker 4>was what I heard. Go ahead.

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<v Speaker 3>Michael Caine Venerated film actor Michael Caine announced he's retiring,

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<v Speaker 3>and I went, really, really, but he's so if they

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<v Speaker 3>offer him twenty million dollars to be que in the

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<v Speaker 3>next Bond movie, He's gone.

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<v Speaker 4>No, I'm retired. I'm retired. I can't do it Anymore's

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<v Speaker 4>calm down, you can't remember the lines.

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<v Speaker 5>I think you need to be drug tested if there's

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<v Speaker 5>something going wrong with you that I'm not aware of. Also,

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<v Speaker 5>Brian Cranston announces his retirement and then I see he's

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<v Speaker 5>got stippy. I'm retiring, but not totally. I may show

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<v Speaker 5>up for day how much are you off?

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<v Speaker 4>Yes, so went again. I know Brian Krantzon and I'm

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<v Speaker 4>telling you.

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<v Speaker 3>You know Brian krant Yeah, Brian, Brian is here because

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<v Speaker 3>we have to get to the because my understanding is

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<v Speaker 3>there's nothing about you where the word retiring comes in. So,

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<v Speaker 3>ladies and one second, sixth time Emmy Award winner, two

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<v Speaker 3>Tony's an Olivia Award, a Golden Globe winner, at Oscar nominee, actor, producer, director, activist, skyl.

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<v Speaker 4>Master, Mister Brian Cranston is. She was great till he

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<v Speaker 4>has to bring up your Emmy. Yeah, well yeah, I

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<v Speaker 4>could bring one for you. I have Brian, let it go, No,

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<v Speaker 4>and Emmy, you know what f all of you? I

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<v Speaker 4>have an Emmy.

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<v Speaker 1>Uh.

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<v Speaker 4>It is the weirdest.

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<v Speaker 3>It's a daytime yea, yeah, it's it's a balance, you know,

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<v Speaker 3>two wings, two wings, and it holds the ball that.

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<v Speaker 4>Time. But it's you know, it's important. Yes, it's good

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<v Speaker 4>to see you. By the way, the retirement was it

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<v Speaker 4>this I'm retiring? Was it a wink? No?

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<v Speaker 3>So it said here's where wait this comes it said

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<v Speaker 3>in a profile the brother of Breaking Bed actor published

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<v Speaker 3>in British GQ magazine, says he plans to take a

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<v Speaker 3>break from acting in two in twenty twenty six. Among

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<v Speaker 3>his plans going to France to spend more time with

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<v Speaker 3>his wife, who's not in France, by the way, live

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<v Speaker 3>in a small village and dabble in gardening. And I went,

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<v Speaker 3>now we're talking about Michael Kaine.

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<v Speaker 5>But I love I love also that, honey. I want

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<v Speaker 5>to spend more time with you, but it has to

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<v Speaker 5>be geographic different advantageous to me and one growing well.

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<v Speaker 5>I wanted to spend more time with the wife. I

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<v Speaker 5>just didn't stipulate that was my wife that way we

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<v Speaker 5>wanted to know. I'm doing this interview some for British GQ.

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<v Speaker 5>She said, Wow, for the past twenty four or five years,

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<v Speaker 5>you've been working NonStop and how does that.

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<v Speaker 1>I go, Well, it's been wonderful. I mean, great opportunities.

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<v Speaker 1>I'm living a great life and it's terrific. Although I

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<v Speaker 1>will admit that at times it feels like I could

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<v Speaker 1>be derivative of my own work because I think I'm

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<v Speaker 1>kind of running out. I'm being depleted of life experience.

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<v Speaker 1>So for the last years, you guys know this, if

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<v Speaker 1>you go from show to show to movie, to theater

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<v Speaker 1>to doing that's not real life, that's living in a

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<v Speaker 1>little bit of a bubble. And so I felt like

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<v Speaker 1>everything is going out, but I'm not being replenished, and

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<v Speaker 1>so it felt like I need to hit the pause button.

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<v Speaker 1>These were my exact words. I feel like I need

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<v Speaker 1>to hit the pause button, a reset, to just touch

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<v Speaker 1>ground again and take a little bit of a break

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<v Speaker 1>and then you know, see what happens.

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<v Speaker 4>But does that mean sell?

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<v Speaker 5>It also said selling the Mescal company admits selling the

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<v Speaker 5>production companies.

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<v Speaker 4>Yeah.

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<v Speaker 1>I think what's going to happen is is that we

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<v Speaker 1>were talking before the show started about the simplicity of life,

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<v Speaker 1>and Peter, you were saying I could live in a

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<v Speaker 1>one bedroom.

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<v Speaker 4>I don't.

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<v Speaker 1>And there is something to that about when we age,

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<v Speaker 1>we sense that we need less than we really have,

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<v Speaker 1>and we want to lighten the load because it does

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<v Speaker 1>feel like an anchor.

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<v Speaker 4>Sometimes you want to get rid of the ballast.

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<v Speaker 1>And I would rather have more experiences than more things,

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<v Speaker 1>and so that's what I'm looking for.

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<v Speaker 3>And did you but did did you say twenty twenty

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<v Speaker 3>they quote you is twenty twenty six?

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<v Speaker 4>Did you put like a I think at this moment,

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<v Speaker 4>I'll know, I.

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<v Speaker 1>Said, I'm going to be seventy and twenty twenty six,

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<v Speaker 1>and as a marker, sometime after that, I said sometime

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<v Speaker 1>after that.

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<v Speaker 4>And so they.

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<v Speaker 1>Truncate everything and put it out there and in the

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<v Speaker 1>headline it said Brian Cranson's retiring. I never use you know, Jason,

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<v Speaker 1>I never use the word retiring. We're so lucky to

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<v Speaker 1>do what we do.

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<v Speaker 4>I am, oh man.

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<v Speaker 1>But I will tell you my daughter Taylor said, Dad,

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<v Speaker 1>you're never going to retire. And I said, there are

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<v Speaker 1>circumstances that would would make me retire. And that is

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<v Speaker 1>if acting becomes arduous, if it becomes a task that

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<v Speaker 1>I no longer love, then I'll retire. If I get

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<v Speaker 1>stressed out and worried and not able to retain and

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<v Speaker 1>I'm not having fun, I'm done.

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<v Speaker 3>Yeah, I'll walk away. Will ask you something about that?

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<v Speaker 3>I've never asked you because I know Robin. I mean,

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<v Speaker 3>we've had many lovely occasions of being together. Robin was

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<v Speaker 3>a you know, just like you, a good solid journey

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<v Speaker 3>journey woman, working actor. And then I guess when when

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<v Speaker 3>Taylor was born did she start to pull back on that?

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<v Speaker 4>Yeah? What do you have any take on how she

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<v Speaker 4>has felt about sort of.

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<v Speaker 3>I don't mean to suggest that she's relinquished her career,

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<v Speaker 3>but she's working less than she probably thought she might

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<v Speaker 3>have thirty years ago.

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<v Speaker 5>What was that.

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<v Speaker 3>Experience for her, because that's a kind of a retirement

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<v Speaker 3>as well.

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<v Speaker 1>It was, No, it was definitely a retirement She did relinquish. Yeah,

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<v Speaker 1>she was thirty nine when she had our daughter, and

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<v Speaker 1>the roles that were coming to her in her twenties.

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<v Speaker 1>She started working when she was still going to UCLA

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<v Speaker 1>and working like crazy. If you're if you have some talent,

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<v Speaker 1>and in those days, if you were attractive, you're working.

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<v Speaker 1>You better be working in her twenties because that old

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<v Speaker 1>adage of they chew young actresses up in their twenties

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<v Speaker 1>and spit them out in their thirties, there's some merit

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<v Speaker 1>to that. And so by her thirties and mid thirties,

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<v Speaker 1>the jobs that were she was up for and being

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<v Speaker 1>offered were fewer and fewer and smaller and smaller. And

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<v Speaker 1>she said, I just don't want to get to the

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<v Speaker 1>point where all I say is doctor your charts, you know,

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<v Speaker 1>and then walk away. It's like I still want to

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<v Speaker 1>do that, and so she fell out of love with

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<v Speaker 1>acting because it was leading her and it kind of

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<v Speaker 1>broke up with her, and so she said okay, and

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<v Speaker 1>the timing was perfect. She was in this new chapter

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<v Speaker 1>with our young baby and embrace that and is a

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<v Speaker 1>terrific move, lovely woman. The big thing with us or

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<v Speaker 1>with retirement is about purpose. It's fascinating. It's a new trends.

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<v Speaker 1>I didn't tell Jason age, but nineteen hundred, you're nineteen hundred.

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<v Speaker 1>Do you know what the average global life span was?

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<v Speaker 4>The age.

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<v Speaker 1>In nineteen hunders global average lifespan probably and.

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<v Speaker 4>I fifteen thirty one, thirty one, and now it's seventy

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<v Speaker 4>seventy six today it's seventy six. And what they're doing

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<v Speaker 4>they found out the communities that have trees and grass

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<v Speaker 4>and stuff. When you're a patient in hospital, if you

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<v Speaker 4>can see trees and grass, you're out two times quicker

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<v Speaker 4>then you see trees and smokes fast.

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<v Speaker 6>In my head.

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<v Speaker 4>You said it, I was here twice as quick. But

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<v Speaker 4>you don't want to get up. This is what today?

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<v Speaker 3>Why does he have his career and I have mine.

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<v Speaker 3>We're the same person because he's just look because look

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<v Speaker 3>at it, because us you know, wait, wait, wait what

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<v Speaker 3>you look at what? Why start looking at no?

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<v Speaker 1>No?

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<v Speaker 4>I mean what is that all about? He's as a

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<v Speaker 4>personal plaid shirt. Plaid shirt by the way, may I

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<v Speaker 4>bring this up bit of a beard. Do you have

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<v Speaker 4>clothes that you wear still from any of your shows? Oh, godcast?

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<v Speaker 4>True or false?

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<v Speaker 5>Because when you do tru or Fox later Cranson or

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<v Speaker 5>No Cranson, is this a George Costanzer shirt?

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<v Speaker 4>It should very well be. How far did your clothing go?

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<v Speaker 4>But what show? Malcolm further back?

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<v Speaker 1>I had? I actually I did as soap opera forty

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<v Speaker 1>years ago in New York. I first moved to New

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<v Speaker 1>York forty years ago, and up until just recently, I

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<v Speaker 1>actually still had a coat from this show. And it

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<v Speaker 1>was like, and my wife's going, what are you doing?

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<v Speaker 1>And I said, what do you mean? She goes, you

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<v Speaker 1>still have this? It's got shoulder pads.

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<v Speaker 4>I gotta tell you, I.

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<v Speaker 3>Have so much George clothing that I think it was

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<v Speaker 3>either US or People Magazine did a side by side

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<v Speaker 3>of me and as George and me as me on

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<v Speaker 3>the street in the same outfit, and then did Warred.

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<v Speaker 4>Well, he has baby feet in.

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<v Speaker 5>Baby hands, so he has George show Underworld. Do you

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<v Speaker 5>have undercars they didn't supply.

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<v Speaker 1>There's a there's a documentary out now called Blue Zones.

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<v Speaker 1>Have you heard of the Blue Zones? And it's talking

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<v Speaker 1>about living well past one hundred into one hundred and

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<v Speaker 1>this guy traveled the world to find out, well, what's

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<v Speaker 1>the common denominator here? And basically it's keep moving it,

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<v Speaker 1>do not do not, do not sit down on that couch,

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<v Speaker 1>Get up and get out and keep moving, keep challenging yourself.

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<v Speaker 1>Stairs hills. So they were going to Okinawa and in

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<v Speaker 1>parts of Italy and things and and there's hills there.

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<v Speaker 1>They're walking every single day. No preservatives, mostly vegetables, lagoons

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<v Speaker 1>and things like that, and some meat.

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<v Speaker 4>We do it the opposite in America.

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<v Speaker 1>We look at meat and potatoes as the main Do

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<v Speaker 1>you want to They even diminish it a side dish?

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<v Speaker 4>Do you want to?

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<v Speaker 1>You wanta side dish of a little curage of ad,

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<v Speaker 1>a little side of corn or something. No, it's so

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<v Speaker 1>it's it's keep moving, eat a well balanced meal. And

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<v Speaker 1>can I just say something though, that's not a life

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<v Speaker 1>moving in vegetables. You know, I have to check out

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<v Speaker 1>at ninety five.

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<v Speaker 4>With a burger. You're being you're progressive there.

0:12:21.720 --> 0:12:25.160
<v Speaker 3>My father passed away at the age of ninety one,

0:12:25.440 --> 0:12:29.640
<v Speaker 3>my mother at ninety eight. Wow, so genetically and they

0:12:29.720 --> 0:12:33.200
<v Speaker 3>were worse than me. They smoked, they did all kinds.

0:12:33.200 --> 0:12:35.839
<v Speaker 3>They never exercised the day, and I should I should

0:12:35.880 --> 0:12:38.199
<v Speaker 3>make a hundred right the differences.

0:12:38.240 --> 0:12:39.920
<v Speaker 4>They don't just feel like it.

0:12:40.080 --> 0:12:42.280
<v Speaker 5>Also, L Palmerance, a writer on a lot of the

0:12:42.320 --> 0:12:44.040
<v Speaker 5>show works that used to say, the doctor told me

0:12:44.240 --> 0:12:46.600
<v Speaker 5>I've got to start doing ten treadmill you live ten

0:12:46.640 --> 0:12:47.079
<v Speaker 5>extra years.

0:12:47.080 --> 0:12:49.319
<v Speaker 3>You said, it's ten years of treadmill. Yeah, or so

0:12:50.040 --> 0:12:55.640
<v Speaker 3>I know, yeah, so you so you said, look, I'll

0:12:55.720 --> 0:12:59.400
<v Speaker 3>act until it's not funny. So thinking along the lines

0:12:59.440 --> 0:13:01.959
<v Speaker 3>of what lies ahead. If I said, okay, acting is

0:13:02.080 --> 0:13:03.839
<v Speaker 3>now off the table, Now, what do you do?

0:13:05.440 --> 0:13:08.480
<v Speaker 1>I would be an adventurer. I'd go travel the world.

0:13:08.559 --> 0:13:11.320
<v Speaker 1>I'd go see things that I've never seen before. Would

0:13:11.320 --> 0:13:16.679
<v Speaker 1>you do you in your mind, would you cease to

0:13:17.280 --> 0:13:21.360
<v Speaker 1>live a life in which you express your artistry? I

0:13:21.440 --> 0:13:23.839
<v Speaker 1>don't think I could. I think I could take a

0:13:23.960 --> 0:13:26.920
<v Speaker 1>break from that, yeah, so that I can replenish. But

0:13:27.040 --> 0:13:29.800
<v Speaker 1>then at some point you have to then let the But.

0:13:29.880 --> 0:13:33.360
<v Speaker 3>If I value cannot be as an actor, how would

0:13:33.400 --> 0:13:35.199
<v Speaker 3>you what would you do how would you do it?

0:13:35.480 --> 0:13:39.480
<v Speaker 1>I'd start writing in the start, I continue writing.

0:13:39.600 --> 0:13:39.760
<v Speaker 4>Yeah.

0:13:39.800 --> 0:13:41.480
<v Speaker 3>Actually he's a good by the way, he wrote an

0:13:41.520 --> 0:13:43.800
<v Speaker 3>autobiography that was one of the best ones.

0:13:44.760 --> 0:13:46.800
<v Speaker 4>Why are you whispering that? Because I don't want to

0:13:47.840 --> 0:13:51.720
<v Speaker 4>want some of my information about I'm aware, I'm aware.

0:13:52.040 --> 0:13:58.480
<v Speaker 4>Did you read and I read Warren Peace? I think

0:13:58.520 --> 0:14:02.880
<v Speaker 4>it's about Russia. I didn't have a time. It's just

0:14:03.000 --> 0:14:05.839
<v Speaker 4>coming in as soon as we booked started reading. Yeah, no,

0:14:05.880 --> 0:14:08.400
<v Speaker 4>I understand. It was fun. It was fun to do

0:14:08.880 --> 0:14:12.160
<v Speaker 4>and very cathartic. Really, when's your book coming out? Not

0:14:12.679 --> 0:14:14.640
<v Speaker 4>why you and I have talked about this? I know

0:14:14.760 --> 0:14:17.360
<v Speaker 4>we have, but I'm going to keep pestering you until

0:14:17.400 --> 0:14:19.440
<v Speaker 4>you write the damn I have.

0:14:19.800 --> 0:14:23.760
<v Speaker 3>I have some interesting stories, uh that I do tell.

0:14:24.880 --> 0:14:28.440
<v Speaker 3>I have life lessons stories that I tell in a

0:14:29.160 --> 0:14:29.800
<v Speaker 3>show that I do.

0:14:33.240 --> 0:14:34.960
<v Speaker 4>It comes from a number of things. One is.

0:14:38.320 --> 0:14:41.200
<v Speaker 3>I'm not saying this in a way that it should

0:14:41.200 --> 0:14:45.800
<v Speaker 3>be demeaning to anybody. My personal ego is not up

0:14:45.880 --> 0:14:50.640
<v Speaker 3>to saying I merit this. I don't feel like my

0:14:50.880 --> 0:14:55.520
<v Speaker 3>life is that unique or special or important that it

0:14:55.560 --> 0:14:57.920
<v Speaker 3>should be chronicled in a book and people should read

0:14:58.000 --> 0:15:01.160
<v Speaker 3>this That's one of the things. Another thing is is

0:15:01.280 --> 0:15:06.720
<v Speaker 3>that I think I'm different from most people in the

0:15:06.840 --> 0:15:10.080
<v Speaker 3>public eye in that I find myself as I get older.

0:15:10.200 --> 0:15:14.280
<v Speaker 3>Maybe we can talk about this. Wanting not to engage

0:15:14.320 --> 0:15:18.120
<v Speaker 3>with the world less, but I don't want to stand out.

0:15:18.120 --> 0:15:21.560
<v Speaker 3>I would like to travel with a little anonymity again

0:15:21.880 --> 0:15:26.520
<v Speaker 3>and observe and participate, not as elevated in any way,

0:15:27.080 --> 0:15:32.840
<v Speaker 3>but acquieter journey. And I feel like putting a putting

0:15:32.960 --> 0:15:35.760
<v Speaker 3>here's my story, here's my stuff out into the world

0:15:36.600 --> 0:15:38.280
<v Speaker 3>would be the opposite, would.

0:15:38.040 --> 0:15:40.440
<v Speaker 4>Get me the opposite effect of that. So that's kind

0:15:40.480 --> 0:15:42.640
<v Speaker 4>of why I don't do it. Are you saying that

0:15:43.600 --> 0:15:46.800
<v Speaker 4>my ego was so huge? I'm not saying.

0:15:49.640 --> 0:15:49.680
<v Speaker 1>No.

0:15:50.720 --> 0:15:54.840
<v Speaker 3>One of the things like I seriously, your book, Marty

0:15:54.920 --> 0:15:58.320
<v Speaker 3>Schort's book, Kevin Pollock's book was really good.

0:15:58.360 --> 0:15:59.800
<v Speaker 4>I haven't read Kevin's, Oh it's really good.

0:15:59.840 --> 0:16:04.320
<v Speaker 3>But what I loved about your book was it, and

0:16:04.440 --> 0:16:06.800
<v Speaker 3>you even sort of set it up this way, was

0:16:06.840 --> 0:16:11.360
<v Speaker 3>about the kind of different life roles that you've played

0:16:11.760 --> 0:16:14.200
<v Speaker 3>and how you navigated each of them. And some of

0:16:14.240 --> 0:16:16.360
<v Speaker 3>them were very difficult, and some of them were very joyous,

0:16:16.400 --> 0:16:19.240
<v Speaker 3>and some of them were rather extraordinary. I thought that

0:16:19.520 --> 0:16:22.960
<v Speaker 3>was wonderful because I thought it it is inspiring people

0:16:23.720 --> 0:16:26.320
<v Speaker 3>to a look for those journeys and dare those journeys,

0:16:26.400 --> 0:16:29.240
<v Speaker 3>but also to navigate the ones that are harder.

0:16:29.560 --> 0:16:30.880
<v Speaker 4>I thought Marty's book was.

0:16:30.880 --> 0:16:33.600
<v Speaker 3>Spectacular because he's had a fair amount of tragedy in

0:16:33.720 --> 0:16:37.480
<v Speaker 3>his life and yet he always finds a way to happiness.

0:16:37.600 --> 0:16:40.160
<v Speaker 3>And I thought that was an important story to tell.

0:16:40.480 --> 0:16:43.480
<v Speaker 3>I don't personally feel I necessarily have that stuff. Maybe

0:16:43.520 --> 0:16:46.000
<v Speaker 3>I do, maybe if someone was looking at my life

0:16:46.040 --> 0:16:47.560
<v Speaker 3>and said, no, you've got this in this, But I

0:16:47.680 --> 0:16:50.160
<v Speaker 3>don't feel that. You know you and I've talked about this.

0:16:50.200 --> 0:16:52.680
<v Speaker 3>I always feel and I'm working on this in my

0:16:52.760 --> 0:16:55.560
<v Speaker 3>own therapy. When I walk into a room of known people,

0:16:55.640 --> 0:16:59.080
<v Speaker 3>I go, I shouldn't be here. They don't want me here,

0:16:59.240 --> 0:17:00.640
<v Speaker 3>and I shouldn't you ever feel that.

0:17:00.680 --> 0:17:09.960
<v Speaker 7>Bryan, when I walk into a room of known people

0:17:10.080 --> 0:17:13.520
<v Speaker 7>like I shouldn't be here, they don't want me here,

0:17:13.640 --> 0:17:15.480
<v Speaker 7>and I shouldn't Do you ever feel that, Brian, No,

0:17:15.920 --> 0:17:16.399
<v Speaker 7>he doesn't.

0:17:16.520 --> 0:17:17.119
<v Speaker 4>I can tell you.

0:17:17.359 --> 0:17:17.480
<v Speaker 1>You know.

0:17:18.760 --> 0:17:22.040
<v Speaker 4>It's very funny. There's a certainty about you.

0:17:22.359 --> 0:17:24.520
<v Speaker 5>You have kind of that presence where you come in

0:17:25.000 --> 0:17:27.240
<v Speaker 5>and you command attention even before you've said it, and

0:17:27.240 --> 0:17:28.680
<v Speaker 5>you got a big presence when you walk in.

0:17:29.800 --> 0:17:34.040
<v Speaker 4>I don't, well, thank you. I don't feel that I

0:17:35.359 --> 0:17:39.199
<v Speaker 4>do it in a boastful way. I want to.

0:17:40.720 --> 0:17:44.080
<v Speaker 1>When i'm fan facing, when I'm out, and I feel

0:17:44.240 --> 0:17:46.719
<v Speaker 1>like the more assertive I am, the more I can

0:17:46.800 --> 0:17:49.560
<v Speaker 1>control that a little bit and handle it and then

0:17:49.680 --> 0:17:54.200
<v Speaker 1>move on. Because, like you, Jason, I want a quieter

0:17:54.359 --> 0:17:57.320
<v Speaker 1>life too in my personal life when I'm not working,

0:17:57.400 --> 0:18:00.920
<v Speaker 1>when I'm not promoting, I really want to sit back

0:18:01.000 --> 0:18:06.000
<v Speaker 1>and not have anything going on. I like that solitude

0:18:06.040 --> 0:18:11.040
<v Speaker 1>and quietness and reading and doing things like that. But yeah,

0:18:11.320 --> 0:18:16.000
<v Speaker 1>I was challenged to do that book because my agent

0:18:16.200 --> 0:18:18.879
<v Speaker 1>came to me and said there was there's a publisher

0:18:19.040 --> 0:18:21.840
<v Speaker 1>who would like to meet with you about writing a book.

0:18:21.960 --> 0:18:23.000
<v Speaker 4>And I go what book?

0:18:23.840 --> 0:18:27.879
<v Speaker 1>They go, whatever book you want to write? And I went, really, wow,

0:18:28.760 --> 0:18:31.080
<v Speaker 1>could I write a book? I don't know if I can.

0:18:31.760 --> 0:18:34.400
<v Speaker 1>And that was the It was like, man, that would

0:18:34.520 --> 0:18:36.800
<v Speaker 1>really I'd really find out if I could do this

0:18:37.000 --> 0:18:42.520
<v Speaker 1>or not. And I enjoyed it. I enjoyed that solitude

0:18:43.040 --> 0:18:46.879
<v Speaker 1>of writing and just retelling stories and then putting it

0:18:47.080 --> 0:18:51.680
<v Speaker 1>in an order that had some connectivity to it what

0:18:51.840 --> 0:18:55.359
<v Speaker 1>I like, but you like challenge I do, but I

0:18:55.760 --> 0:18:58.600
<v Speaker 1>try to learn from them. For example, I did a

0:18:59.000 --> 0:19:03.119
<v Speaker 1>book on tape, you know, the audible book. It was

0:19:03.240 --> 0:19:06.680
<v Speaker 1>called The Things They Carried by Tim O'Brien and it

0:19:06.760 --> 0:19:09.960
<v Speaker 1>was a beautiful book. And two things I learned from that.

0:19:10.119 --> 0:19:12.720
<v Speaker 1>One was I wanted to read this book. It was

0:19:12.720 --> 0:19:18.600
<v Speaker 1>about a reluctant soldier in Vietnam and a ton of characters,

0:19:19.200 --> 0:19:22.439
<v Speaker 1>and I wanted to read the book, but I never did.

0:19:23.200 --> 0:19:27.080
<v Speaker 1>And then Playtown, Tom Hanks's company called and said, we're

0:19:27.160 --> 0:19:30.480
<v Speaker 1>doing for a Veteran's Day. We're doing a bunch of

0:19:30.600 --> 0:19:35.879
<v Speaker 1>books related to military service, and we'd like to have

0:19:36.080 --> 0:19:36.640
<v Speaker 1>you read one.

0:19:37.040 --> 0:19:40.160
<v Speaker 4>And I go, hey, yeah, which which ones? You? Well?

0:19:40.240 --> 0:19:42.760
<v Speaker 4>We had this, this, we have The Things They Carried?

0:19:43.160 --> 0:19:46.760
<v Speaker 4>Let me do that? One say perfect. So I read

0:19:46.840 --> 0:19:51.480
<v Speaker 4>the book and then I recorded. And two things.

0:19:52.240 --> 0:19:55.080
<v Speaker 1>I read the book because it was connected to a job,

0:19:55.200 --> 0:19:58.600
<v Speaker 1>and that triggered a little something in me like, oh

0:19:58.880 --> 0:20:02.120
<v Speaker 1>so I don't do anything for my own personal pleasure,

0:20:02.200 --> 0:20:05.280
<v Speaker 1>but it's okay to do if it's connected to work.

0:20:05.880 --> 0:20:07.200
<v Speaker 4>What does that say about me?

0:20:07.720 --> 0:20:10.080
<v Speaker 1>And I really have a lot of reflection on that.

0:20:10.560 --> 0:20:13.480
<v Speaker 1>The second thing was, I'm not very good at doing

0:20:14.119 --> 0:20:18.920
<v Speaker 1>those narrations. I took much longer than anyone else apparently,

0:20:19.400 --> 0:20:22.160
<v Speaker 1>and I discovered that I have a little bit of dyslexia.

0:20:22.720 --> 0:20:25.760
<v Speaker 1>And I would do a line or two or three

0:20:25.920 --> 0:20:29.160
<v Speaker 1>or four a paragraph, and the engineer would say, Okay,

0:20:29.200 --> 0:20:31.720
<v Speaker 1>let's go back and let's do this. You said this,

0:20:31.880 --> 0:20:33.359
<v Speaker 1>and you said that, and you said this, and I

0:20:34.000 --> 0:20:37.240
<v Speaker 1>had no idea that I was inverting words and things

0:20:37.320 --> 0:20:40.720
<v Speaker 1>like that, and I went wow. So it was a

0:20:40.760 --> 0:20:44.520
<v Speaker 1>little trepidacious for me to step in, and I didn't

0:20:44.600 --> 0:20:45.399
<v Speaker 1>really enjoy it.

0:20:46.800 --> 0:20:49.159
<v Speaker 3>I've done a few of them, and I have enjoyed it,

0:20:49.280 --> 0:20:51.920
<v Speaker 3>but for me, it's I'm just trying to emulate Jim

0:20:52.040 --> 0:20:53.840
<v Speaker 3>Dale reading all the Harry Bottabys.

0:20:53.920 --> 0:20:55.480
<v Speaker 4>It was so miraculous.

0:20:55.880 --> 0:20:58.560
<v Speaker 3>But going back to what you asked him about, what

0:20:58.680 --> 0:21:03.040
<v Speaker 3>I've always noticed and admired about you, Brian, even before

0:21:03.840 --> 0:21:11.000
<v Speaker 3>Malcolm when we first met you, you you show up

0:21:11.240 --> 0:21:14.400
<v Speaker 3>fully for things, whatever that may mean at the time.

0:21:15.800 --> 0:21:19.119
<v Speaker 3>It always felt to me like you were quite comfortable

0:21:19.160 --> 0:21:23.600
<v Speaker 3>in your skin, and that because of that, you could say, well,

0:21:23.680 --> 0:21:27.520
<v Speaker 3>here I am, I'm here, I'm available, uh, and I'm present,

0:21:28.080 --> 0:21:33.000
<v Speaker 3>and most people myself included. That's part of the work

0:21:33.040 --> 0:21:35.960
<v Speaker 3>in my therapy is to just allow myself to go, hey,

0:21:36.040 --> 0:21:38.399
<v Speaker 3>I'm okay, this is as full as I can be,

0:21:38.880 --> 0:21:41.080
<v Speaker 3>and I'm here and I'm happy to be here, and

0:21:41.560 --> 0:21:45.800
<v Speaker 3>let me participate without you know, prejudicing myself that I

0:21:45.840 --> 0:21:48.800
<v Speaker 3>shouldn't be in the room. But you, to my eye,

0:21:48.920 --> 0:21:51.159
<v Speaker 3>have always shown up fully present.

0:21:51.840 --> 0:21:54.320
<v Speaker 1>But I think I think that came with taking on

0:21:54.520 --> 0:21:58.920
<v Speaker 1>that character of I took on if ever I was

0:21:59.040 --> 0:22:01.920
<v Speaker 1>in a place where I was not comfortable, I took

0:22:01.960 --> 0:22:06.119
<v Speaker 1>on the character of a guy who is comfortable. I

0:22:06.240 --> 0:22:10.040
<v Speaker 1>got a call from James Corden a few years ago,

0:22:11.080 --> 0:22:16.159
<v Speaker 1>whose wife was pregnant and going to deliver in a

0:22:16.200 --> 0:22:18.680
<v Speaker 1>few weeks and he was going to take the time

0:22:18.760 --> 0:22:22.520
<v Speaker 1>off and called and said and said, oh my god,

0:22:22.800 --> 0:22:27.080
<v Speaker 1>my wife is delivering now and I have to be

0:22:27.240 --> 0:22:30.520
<v Speaker 1>with her. Could you come in and guest host my show?

0:22:30.680 --> 0:22:33.639
<v Speaker 1>And I went yes, And I've never done this before.

0:22:34.040 --> 0:22:36.720
<v Speaker 1>So I go to the studio. I had two hours

0:22:36.800 --> 0:22:39.320
<v Speaker 1>before We're dressing and getting out there in front of

0:22:39.359 --> 0:22:42.119
<v Speaker 1>the audience, and I'm in there with the writers and

0:22:42.200 --> 0:22:45.520
<v Speaker 1>we're putting thoughts and ideas together. It was like doing

0:22:45.560 --> 0:22:49.320
<v Speaker 1>Saturday Night Live too, and it was like and then

0:22:50.040 --> 0:22:53.000
<v Speaker 1>out we go. And before I walked out there, I went,

0:22:53.280 --> 0:22:57.040
<v Speaker 1>how do I do this? Oh, I've watched Carson all

0:22:57.119 --> 0:23:00.840
<v Speaker 1>my life. I'm just going to play the character of

0:23:00.960 --> 0:23:04.119
<v Speaker 1>a guy who is a talk show host. And so

0:23:04.359 --> 0:23:06.920
<v Speaker 1>that's what I put. I put on the veneer right

0:23:07.240 --> 0:23:10.920
<v Speaker 1>and the wardrobe of that guy and stepped out. And

0:23:11.080 --> 0:23:14.840
<v Speaker 1>that that's what made it happen. If I thought for

0:23:14.920 --> 0:23:19.080
<v Speaker 1>a second, Brian, you what are you doing here? Then

0:23:19.359 --> 0:23:20.119
<v Speaker 1>I couldn't do it.

0:23:20.680 --> 0:23:22.119
<v Speaker 4>Do you know what I mean? So sometimes I do.

0:23:22.320 --> 0:23:25.000
<v Speaker 4>It's just putting that forward, the fact that you said, yes,

0:23:25.400 --> 0:23:27.879
<v Speaker 4>there's no question about what I'm doing and I know

0:23:28.000 --> 0:23:30.560
<v Speaker 4>I'm there. Is that accurate? You like to control that situation?

0:23:30.720 --> 0:23:33.440
<v Speaker 1>Well? Yeah, it's just like when we go on talk

0:23:33.520 --> 0:23:36.040
<v Speaker 1>shows to do something. The worst thing you can do

0:23:36.200 --> 0:23:38.960
<v Speaker 1>is not prepare if you go on and you're just

0:23:39.160 --> 0:23:43.720
<v Speaker 1>completely blank. So all these talk shows have you know,

0:23:43.840 --> 0:23:48.960
<v Speaker 1>producers who were producing that particular segment, and they talked

0:23:48.960 --> 0:23:51.399
<v Speaker 1>to you ahead of time, and I'm thinking, what story,

0:23:51.480 --> 0:23:53.200
<v Speaker 1>what just happened, where's it going?

0:23:53.280 --> 0:23:53.760
<v Speaker 4>What can I do?

0:23:53.960 --> 0:23:56.760
<v Speaker 1>And so I have these things in my back pocket,

0:23:57.119 --> 0:23:59.760
<v Speaker 1>and then when you're teed up and outcomes the story

0:24:00.200 --> 0:24:04.320
<v Speaker 1>and everybody has a good time and you've done your job.

0:24:04.600 --> 0:24:07.560
<v Speaker 1>I don't want to go out there blank, but you

0:24:08.080 --> 0:24:11.720
<v Speaker 1>never get through everything you discussed when you're talking about

0:24:11.760 --> 0:24:14.360
<v Speaker 1>going on a talk show, and so I just want

0:24:14.400 --> 0:24:16.560
<v Speaker 1>to be prepared to do that. So you do.

0:24:16.680 --> 0:24:18.920
<v Speaker 3>Ferguson when he was on there, Yeah, that was the

0:24:19.000 --> 0:24:22.760
<v Speaker 3>most fascinating experience because nothing we discussed in the pre interviews,

0:24:22.960 --> 0:24:23.960
<v Speaker 3>that's right, happened.

0:24:23.720 --> 0:24:24.080
<v Speaker 4>On the air.

0:24:24.240 --> 0:24:26.480
<v Speaker 1>In fact, it got to the point where early on

0:24:26.760 --> 0:24:30.080
<v Speaker 1>where Craig Ferguson would take his cards and rip them

0:24:30.200 --> 0:24:33.160
<v Speaker 1>up and throw them out because he didn't he would

0:24:33.240 --> 0:24:33.960
<v Speaker 1>just and I.

0:24:34.080 --> 0:24:36.480
<v Speaker 3>Just loved doing a show because he'd people to do that.

0:24:36.680 --> 0:24:39.120
<v Speaker 3>Most people think a talk show is a talk show.

0:24:39.200 --> 0:24:40.680
<v Speaker 4>It's not. It's an entertainment show.

0:24:42.800 --> 0:24:45.800
<v Speaker 3>But Craig managed to get both by having a real

0:24:45.880 --> 0:24:49.440
<v Speaker 3>conversation and still somehow managing to draw out some stuff

0:24:49.480 --> 0:24:50.439
<v Speaker 3>that was really entertaining.

0:24:50.520 --> 0:24:53.040
<v Speaker 1>Yeah, it really was. But you said something to me

0:24:53.160 --> 0:24:56.200
<v Speaker 1>the other night, Jason, and I'm hoping I can share

0:24:56.240 --> 0:25:00.359
<v Speaker 1>and if not, we can edit. We were back stage

0:25:00.600 --> 0:25:04.040
<v Speaker 1>at the charity event and you said to me and

0:25:04.160 --> 0:25:07.000
<v Speaker 1>I and I embraced this because I think it's a

0:25:07.119 --> 0:25:13.400
<v Speaker 1>wonderful discovery and everyone's felt this. You said five years ago.

0:25:14.240 --> 0:25:17.400
<v Speaker 1>Five years ago, I would have been backstage going crazy,

0:25:18.240 --> 0:25:21.119
<v Speaker 1>just clawing, trying to figure out, oh my god, oh

0:25:21.160 --> 0:25:22.800
<v Speaker 1>my god, oh my god, I'm about to perform. Oh

0:25:22.840 --> 0:25:24.879
<v Speaker 1>my god, oh my god, how am I going to

0:25:24.920 --> 0:25:28.400
<v Speaker 1>do this? I would have gone. But you said, I'm

0:25:28.480 --> 0:25:32.320
<v Speaker 1>not I'm not that guy anymore, and you started wondering,

0:25:32.480 --> 0:25:36.600
<v Speaker 1>and these words were ringing to me. You said, I'm

0:25:36.680 --> 0:25:40.840
<v Speaker 1>really looking for and finding my authentic self. Who was

0:25:41.080 --> 0:25:45.159
<v Speaker 1>I in those days? And who am I really? And

0:25:45.560 --> 0:25:48.840
<v Speaker 1>what am I presenting as performer? You sing, you dance,

0:25:48.920 --> 0:25:52.159
<v Speaker 1>you act, and as a performer, that that kind of

0:25:52.320 --> 0:25:56.120
<v Speaker 1>clouds the Jason Alexander, right, It kind of. It's it's

0:25:56.200 --> 0:26:00.560
<v Speaker 1>on the vanguard of what you present, and sometimes you

0:26:01.040 --> 0:26:04.879
<v Speaker 1>need to strip that away and be well confident that

0:26:05.040 --> 0:26:05.520
<v Speaker 1>is just you.

0:26:06.240 --> 0:26:06.440
<v Speaker 4>You know.

0:26:07.040 --> 0:26:11.320
<v Speaker 3>What I was also mentioning in that conversation is all

0:26:11.400 --> 0:26:15.480
<v Speaker 3>of us, everybody, but certainly performers have avatars that we become.

0:26:16.160 --> 0:26:20.120
<v Speaker 3>And I remember in college, my college girlfriend, after being

0:26:20.160 --> 0:26:21.440
<v Speaker 3>with me for a month or so, said, do you

0:26:21.520 --> 0:26:23.720
<v Speaker 3>know everybody at this school thinks you are the cockiest

0:26:23.760 --> 0:26:25.800
<v Speaker 3>son of a bitch in the world, and I went,

0:26:26.240 --> 0:26:29.320
<v Speaker 3>are you kidding me? I'm scared to death. I don't

0:26:29.359 --> 0:26:31.600
<v Speaker 3>think I should be here. I think anybody's going to

0:26:31.680 --> 0:26:33.400
<v Speaker 3>know that anymore. I keep thinking they're going to ask

0:26:33.480 --> 0:26:35.720
<v Speaker 3>me to leave. And she goes, oh, I know that

0:26:35.960 --> 0:26:39.960
<v Speaker 3>now because I've been with you. But you have an avatar.

0:26:40.119 --> 0:26:43.000
<v Speaker 3>She didn't say avatar, but you have a persona that

0:26:43.400 --> 0:26:46.040
<v Speaker 3>covers and protects that to the point of almost an

0:26:46.240 --> 0:26:47.560
<v Speaker 3>arrogance or a cockiness.

0:26:47.600 --> 0:26:49.879
<v Speaker 4>And I went, I am not aware of that.

0:26:50.520 --> 0:26:53.840
<v Speaker 3>And so early on, even in my late teens early twenties,

0:26:53.880 --> 0:26:57.960
<v Speaker 3>I was aware that there were personality trades happening in

0:26:58.080 --> 0:27:01.040
<v Speaker 3>me that I couldn't account for. I'm sure they were

0:27:01.080 --> 0:27:04.640
<v Speaker 3>a part of my insecurities. And when I went back

0:27:04.680 --> 0:27:07.640
<v Speaker 3>into therapy about seven years ago, and my therapist said, okay,

0:27:07.840 --> 0:27:09.119
<v Speaker 3>you know because we had been through it, Dana and

0:27:09.160 --> 0:27:09.879
<v Speaker 3>I went to therapy.

0:27:09.960 --> 0:27:12.399
<v Speaker 4>I stayed in therapy for years. She said, what do

0:27:12.440 --> 0:27:12.840
<v Speaker 4>you want to do?

0:27:12.960 --> 0:27:16.000
<v Speaker 3>I said, I would I'm starting my third act talking

0:27:16.000 --> 0:27:18.800
<v Speaker 3>about retirement. Yeah, I'm not sure I know who I

0:27:18.920 --> 0:27:22.200
<v Speaker 3>authentically am, and I sure would like to before I

0:27:22.280 --> 0:27:22.919
<v Speaker 3>get out of here.

0:27:23.440 --> 0:27:23.640
<v Speaker 4>Wow.

0:27:24.000 --> 0:27:27.240
<v Speaker 3>And that's what we've been working on, and that has

0:27:27.359 --> 0:27:29.600
<v Speaker 3>pushed me closer to what I feel you in body,

0:27:29.640 --> 0:27:33.240
<v Speaker 3>which is being able to walk into a space and

0:27:33.359 --> 0:27:37.560
<v Speaker 3>go I'm good. I'm here because I should be here,

0:27:37.680 --> 0:27:39.480
<v Speaker 3>I want to be here, or somebody else needs me

0:27:39.560 --> 0:27:42.720
<v Speaker 3>to be here. I can fill this space. I don't

0:27:42.760 --> 0:27:44.960
<v Speaker 3>have to blow it away. I don't have to blow

0:27:45.000 --> 0:27:47.320
<v Speaker 3>the walls out. I don't have to be something I'm not.

0:27:48.119 --> 0:27:50.960
<v Speaker 3>I am allowed to be here and appreciate the moment

0:27:51.040 --> 0:27:54.040
<v Speaker 3>and the people around me. That is a relatively new

0:27:54.119 --> 0:27:54.560
<v Speaker 3>thing for me.

0:27:54.760 --> 0:27:59.000
<v Speaker 1>Well, this is something that I learned about twenty five

0:27:59.160 --> 0:28:04.680
<v Speaker 1>thirty years ago. Is to present yourself to go in prepared,

0:28:05.760 --> 0:28:09.800
<v Speaker 1>excited and and giving the person or if you're an

0:28:09.800 --> 0:28:14.320
<v Speaker 1>audition's sequence, you you give it everything you've got without

0:28:14.520 --> 0:28:18.320
<v Speaker 1>an attachment to an outcome. If you go in there

0:28:18.680 --> 0:28:22.760
<v Speaker 1>wanting something in return, you're dead. But if you go

0:28:22.880 --> 0:28:26.440
<v Speaker 1>in there going here's the idea, how about this, this, this,

0:28:26.600 --> 0:28:29.600
<v Speaker 1>and this, no expectation and no expectation, then walk away.

0:28:29.680 --> 0:28:32.640
<v Speaker 4>Sure, it's like the wait wait wait wait wait.

0:28:33.320 --> 0:28:36.600
<v Speaker 1>Everything changed once I took that attitude that from an

0:28:36.600 --> 0:28:39.840
<v Speaker 1>actor's standpoint, I need to go into that room to

0:28:40.080 --> 0:28:42.400
<v Speaker 1>do my job, not to get a job.

0:28:42.360 --> 0:28:42.880
<v Speaker 4>To get the job.

0:28:42.880 --> 0:28:45.520
<v Speaker 5>I remember saying that we can we can we because

0:28:45.680 --> 0:28:47.920
<v Speaker 5>we're running out of time. Can we do find out

0:28:47.920 --> 0:28:49.720
<v Speaker 5>how well you guys are pretty close kind for a

0:28:50.200 --> 0:28:52.120
<v Speaker 5>long time, but not as well a Jason does Cranson

0:28:52.200 --> 0:28:54.080
<v Speaker 5>or not Cranson? I can ask these questions and see

0:28:54.080 --> 0:28:56.720
<v Speaker 5>if he's right or not. And it's some interesting You.

0:28:56.760 --> 0:28:58.880
<v Speaker 4>See these, You see these three hundred pages. This is

0:28:58.920 --> 0:28:59.640
<v Speaker 4>what the man does.

0:29:00.000 --> 0:29:01.960
<v Speaker 3>I want to saying, also gets to know you. It

0:29:02.040 --> 0:29:04.280
<v Speaker 3>sends them to me and says, read these. Don't read these,

0:29:04.520 --> 0:29:07.560
<v Speaker 3>But he says, don't read them, and you don't read anything, dude,

0:29:07.760 --> 0:29:10.200
<v Speaker 3>I do. I actually have to do, because otherwise this

0:29:11.760 --> 0:29:13.959
<v Speaker 3>slow will go on about stuff. I have to keep

0:29:14.000 --> 0:29:15.240
<v Speaker 3>pulling him back to the thing.

0:29:16.520 --> 0:29:22.920
<v Speaker 4>I will the podcast I did if it makes me millions,

0:29:23.800 --> 0:29:27.760
<v Speaker 4>if I've wasted my time, spent two years traveling us

0:29:27.800 --> 0:29:29.760
<v Speaker 4>my motorcycle with his brother, I know that's a fact.

0:29:29.800 --> 0:29:33.720
<v Speaker 4>I read this book. Okay, was suspected in a murder case?

0:29:33.800 --> 0:29:39.880
<v Speaker 4>Yes or no? Strangely familiar I think so.

0:29:40.200 --> 0:29:44.320
<v Speaker 3>Yes, I was, by the way, it's true, Yeah, I

0:29:44.600 --> 0:29:48.200
<v Speaker 3>was for I was for five minutes five minutes. I

0:29:48.240 --> 0:29:50.479
<v Speaker 3>discovered a dead body on route to the subway one

0:29:50.560 --> 0:29:52.720
<v Speaker 3>day and I called it in and it was a

0:29:52.840 --> 0:29:55.200
<v Speaker 3>very strange situation. The person was in a locked car,

0:29:55.400 --> 0:29:57.920
<v Speaker 3>no signs of struggle, no signs of anything.

0:29:58.080 --> 0:30:00.360
<v Speaker 4>It looks like a healthy young person. Set sat in

0:30:00.400 --> 0:30:01.160
<v Speaker 4>the car and died.

0:30:01.880 --> 0:30:05.080
<v Speaker 3>And the police started going, why'd you walk this route

0:30:06.080 --> 0:30:07.280
<v Speaker 3>while I live there in the subway?

0:30:07.320 --> 0:30:09.560
<v Speaker 4>Say you come this way every time? And I went, yeah,

0:30:09.680 --> 0:30:13.680
<v Speaker 4>am I excuse me right now? But there was a

0:30:13.960 --> 0:30:17.000
<v Speaker 4>there was a tinge of kind of titillation at that moment.

0:30:17.520 --> 0:30:20.120
<v Speaker 4>I kind of know, this is kind of cool. I'm

0:30:20.200 --> 0:30:23.280
<v Speaker 4>kind of badass, so in your case. In my case,

0:30:23.360 --> 0:30:23.800
<v Speaker 4>it was a.

0:30:26.000 --> 0:30:30.600
<v Speaker 1>Chinese cook at at a restaurant in Daytona Beach, Florida,

0:30:30.720 --> 0:30:33.440
<v Speaker 1>when I was twenty one years old, and he was

0:30:33.520 --> 0:30:36.800
<v Speaker 1>a miserable human being. So I and many other people

0:30:36.960 --> 0:30:40.040
<v Speaker 1>talked about how we'd kill him. I would chop him

0:30:40.120 --> 0:30:42.320
<v Speaker 1>up and I would stir him up. He was just

0:30:42.400 --> 0:30:46.240
<v Speaker 1>a horrible human being. Well, that horrible human being met

0:30:46.280 --> 0:30:50.480
<v Speaker 1>his demise just as the same time. I was back

0:30:50.560 --> 0:30:53.640
<v Speaker 1>on my motorcycle taking off and the cops came in

0:30:53.720 --> 0:30:56.520
<v Speaker 1>and said, is anybody not here anymore who talked about

0:30:56.880 --> 0:31:00.280
<v Speaker 1>hurting or killing Peter Wong And they and they said,

0:31:01.480 --> 0:31:04.760
<v Speaker 1>Brian crash No. Yeah, so like an APB went out. Yeah,

0:31:04.800 --> 0:31:06.600
<v Speaker 1>they put it on app.

0:31:08.600 --> 0:31:12.000
<v Speaker 4>But I had no idea. Yeah I did, you knowing

0:31:12.040 --> 0:31:17.560
<v Speaker 4>alone all right? Was once covered in ten thousand real bees?

0:31:18.560 --> 0:31:21.560
<v Speaker 4>Oh on, Malcolm, I believe I think you had a

0:31:21.920 --> 0:31:23.480
<v Speaker 4>b beer? Is that real? Was it? C?

0:31:23.640 --> 0:31:25.800
<v Speaker 1>G I? Or you look at his face? Here's Brian's

0:31:25.800 --> 0:31:29.960
<v Speaker 1>angry face. I got stung twice. Yeah, I got stung twice,

0:31:30.040 --> 0:31:31.560
<v Speaker 1>one on the shoulder and one on the next.

0:31:34.120 --> 0:31:34.959
<v Speaker 4>Yeah. Here's the thing.

0:31:35.200 --> 0:31:38.040
<v Speaker 1>When you're covered with bees from your head to your

0:31:38.120 --> 0:31:41.520
<v Speaker 1>waist and completely covered and the only thing that's visible

0:31:41.640 --> 0:31:46.440
<v Speaker 1>is your little circle around your face, the idea of

0:31:46.520 --> 0:31:49.240
<v Speaker 1>being stung should not come as a surprise to you.

0:31:50.480 --> 0:31:51.120
<v Speaker 4>And it did not.

0:31:51.640 --> 0:31:54.000
<v Speaker 1>And it was like, so I got stung and I

0:31:54.080 --> 0:31:56.480
<v Speaker 1>had to kind of move a little bit, and I go, oh,

0:31:57.080 --> 0:32:00.800
<v Speaker 1>I think I was stung. And the keeper goes where

0:32:00.880 --> 0:32:03.600
<v Speaker 1>and he's ready to prepare. I go in my scrot

0:32:03.680 --> 0:32:04.760
<v Speaker 1>him and he goes, you're on.

0:32:04.840 --> 0:32:08.280
<v Speaker 4>Your did they have a brock? Why do you say?

0:32:08.720 --> 0:32:10.960
<v Speaker 4>This is a man who says yes to everything obvious.

0:32:11.280 --> 0:32:13.760
<v Speaker 1>Yeah, I liked I liked taking I like taking chances

0:32:13.800 --> 0:32:18.120
<v Speaker 1>and and trying things that I'm unfamiliar with. In fact,

0:32:18.600 --> 0:32:21.640
<v Speaker 1>there's a you know, the Alexander Technique. Sure, this is

0:32:21.680 --> 0:32:26.280
<v Speaker 1>the Jason Alexander Technique. Now there's there's another organization called

0:32:26.280 --> 0:32:29.440
<v Speaker 1>the Alexander Technique. And the one one of the phrases

0:32:29.520 --> 0:32:33.280
<v Speaker 1>that the founder uses in that is is this is

0:32:33.400 --> 0:32:37.640
<v Speaker 1>that if you only do what you know, you will

0:32:37.800 --> 0:32:42.080
<v Speaker 1>never do what you don't know. And that that just

0:32:42.240 --> 0:32:45.080
<v Speaker 1>really stuck with me. And it's like it's it helps

0:32:45.160 --> 0:32:48.320
<v Speaker 1>me get out. If I ever get complacent, it kits

0:32:48.440 --> 0:32:52.160
<v Speaker 1>me out. And keep trying something nude, keep seeing when

0:32:52.200 --> 0:32:52.920
<v Speaker 1>you're gonna fail.

0:32:53.200 --> 0:32:55.680
<v Speaker 5>I'm laughing because it takes me back to the picture

0:32:55.760 --> 0:32:59.600
<v Speaker 5>of you the beast. It's the funniest visual I've ever seen.

0:32:59.680 --> 0:33:02.240
<v Speaker 4>How I went. He's out of his spreaking mind.

0:33:02.320 --> 0:33:04.520
<v Speaker 3>I mean, I can't believe they got just by comparison,

0:33:06.160 --> 0:33:10.360
<v Speaker 3>Renee Russo and I, well, Rocky and Bullwinkle had to

0:33:10.520 --> 0:33:13.240
<v Speaker 3>run through a field of tall grass out in the.

0:33:14.720 --> 0:33:17.920
<v Speaker 4>Ranch up in northern California that could be very dangerous.

0:33:18.000 --> 0:33:22.040
<v Speaker 3>Essentially before thank you, before we did it, they sent

0:33:22.160 --> 0:33:26.880
<v Speaker 3>the snake ranger through several rattlesnakes out of our path.

0:33:27.960 --> 0:33:29.880
<v Speaker 3>Forty minutes later, they go, okay, we're good to go.

0:33:30.520 --> 0:33:34.560
<v Speaker 3>I go, you don't want to send the snake the

0:33:34.640 --> 0:33:38.000
<v Speaker 3>snake guy through it. Well, he cleared the path and

0:33:38.120 --> 0:33:40.400
<v Speaker 3>the memo went out to the other snakes that this

0:33:40.600 --> 0:33:43.680
<v Speaker 3>path is no good. So it's They wanted to film

0:33:43.760 --> 0:33:45.600
<v Speaker 3>it in fast motion show would look like we really

0:33:45.640 --> 0:33:46.800
<v Speaker 3>ran and went you won't need.

0:33:46.760 --> 0:33:47.480
<v Speaker 4>To just run.

0:33:48.640 --> 0:33:51.320
<v Speaker 3>You won't believe how fast these fat little legs can go.

0:33:52.960 --> 0:33:55.560
<v Speaker 4>All right, let's do new thing. How about this. You

0:33:55.920 --> 0:33:59.640
<v Speaker 4>once spent six weeks learning to roller skate, Well it

0:33:59.720 --> 0:34:04.920
<v Speaker 4>wasn't six weeks. Oh you're supposed to guess he did.

0:34:05.120 --> 0:34:07.440
<v Speaker 4>For a reason. It led me on it. It wasn't

0:34:07.480 --> 0:34:08.480
<v Speaker 4>next week we had.

0:34:08.560 --> 0:34:11.320
<v Speaker 1>I had about two and a half three weeks maybe

0:34:11.440 --> 0:34:15.719
<v Speaker 1>two before that episode on Malcolm was happening, so I

0:34:15.840 --> 0:34:17.120
<v Speaker 1>had to quickly get on I.

0:34:17.160 --> 0:34:17.960
<v Speaker 4>Had to learn in a week.

0:34:18.360 --> 0:34:21.080
<v Speaker 3>We went to an audition for a musical I eventually did,

0:34:21.200 --> 0:34:24.000
<v Speaker 3>called The Rink. Yeah, And in the first audition they

0:34:24.040 --> 0:34:26.319
<v Speaker 3>go you roller scale right, and I go, absolutely, never

0:34:26.400 --> 0:34:29.240
<v Speaker 3>been on them in my life. So I rented skates

0:34:29.560 --> 0:34:31.480
<v Speaker 3>at a store where we had to give them your shoes.

0:34:31.560 --> 0:34:34.279
<v Speaker 4>Yeah. So now I'm in a pair of skates and

0:34:34.360 --> 0:34:35.000
<v Speaker 4>I don't know what to do.

0:34:35.320 --> 0:34:37.520
<v Speaker 3>And the only place I could think of where they're

0:34:37.600 --> 0:34:39.600
<v Speaker 3>skating at the time, because this was nineteen eighty.

0:34:39.360 --> 0:34:41.640
<v Speaker 4>Four, was Central Park, Central Park.

0:34:41.920 --> 0:34:45.440
<v Speaker 3>So I crawled up to get to Central Park to

0:34:45.520 --> 0:34:47.400
<v Speaker 3>where the guys with the boombox you were and I

0:34:47.440 --> 0:34:50.239
<v Speaker 3>saw two guys and I went, Guys, I have to

0:34:50.360 --> 0:34:51.399
<v Speaker 3>learn how to do this in a week.

0:34:51.400 --> 0:34:51.840
<v Speaker 4>Can you help me?

0:34:51.920 --> 0:34:53.120
<v Speaker 3>They said, well, the first thing you're going to do

0:34:53.200 --> 0:34:55.440
<v Speaker 3>is get those stoppers off your skates. Those are the

0:34:55.920 --> 0:34:58.239
<v Speaker 3>thanks keeping me a lot. They pulled, they pushed me

0:34:58.320 --> 0:35:00.960
<v Speaker 3>on my ass, took the stoppers now. Oh, and then

0:35:01.040 --> 0:35:04.080
<v Speaker 3>legitimately tried to teach me to skate, and I it

0:35:04.200 --> 0:35:06.360
<v Speaker 3>was good enough that I could get the job. And

0:35:06.400 --> 0:35:08.719
<v Speaker 3>then then we went into skate school for several months.

0:35:08.800 --> 0:35:11.480
<v Speaker 3>But but yeah, in a week, I hit the school. Yeah,

0:35:11.520 --> 0:35:14.040
<v Speaker 3>they put the six of us in the show. We

0:35:14.160 --> 0:35:16.520
<v Speaker 3>went to the Roxy roller rink in New York. And

0:35:16.760 --> 0:35:18.600
<v Speaker 3>I will never forget this woman's name. Her first name

0:35:18.640 --> 0:35:20.319
<v Speaker 3>was April, and I believe her last name was Allen.

0:35:20.360 --> 0:35:22.200
<v Speaker 4>But I know. That's also the character on the teenage

0:35:22.400 --> 0:35:23.280
<v Speaker 4>newtont Ninja Turtles.

0:35:23.719 --> 0:35:27.560
<v Speaker 3>But April was a champion roller skater, beautiful young woman

0:35:27.880 --> 0:35:32.000
<v Speaker 3>and she got us in two in six weeks prior

0:35:32.120 --> 0:35:34.560
<v Speaker 3>to rehearsal, she got six guys who had never been

0:35:34.600 --> 0:35:36.200
<v Speaker 3>on skates, skating line champs.

0:35:36.239 --> 0:35:37.960
<v Speaker 4>We were playing soccer un rollers.

0:35:37.960 --> 0:35:38.280
<v Speaker 2>Wow.

0:35:38.480 --> 0:35:38.640
<v Speaker 4>Yeah.

0:35:39.040 --> 0:35:42.360
<v Speaker 1>My guy was Fred Tallikson, who was a choreographer for

0:35:42.680 --> 0:35:46.640
<v Speaker 1>that that show on Broadway that you oh, Starlight Starlight Express.

0:35:47.040 --> 0:35:49.120
<v Speaker 1>And he was terrific and he got me going. And

0:35:49.239 --> 0:35:52.160
<v Speaker 1>I guess you shoot the doctor.

0:35:53.960 --> 0:35:57.560
<v Speaker 4>Remember shooting? Now I feel left out? He is who

0:35:57.680 --> 0:36:02.160
<v Speaker 4>is not a military code break? A military car breaker?

0:36:02.200 --> 0:36:05.200
<v Speaker 4>You can break the military cards. Oh see, here's the

0:36:05.239 --> 0:36:08.239
<v Speaker 4>thing with your question. Why would you even put that

0:36:08.360 --> 0:36:14.000
<v Speaker 4>on the table? Yes or no? Yes? No horse craft?

0:36:15.320 --> 0:36:16.160
<v Speaker 4>You know what was cash?

0:36:16.320 --> 0:36:16.360
<v Speaker 1>This?

0:36:16.440 --> 0:36:20.800
<v Speaker 5>This is Johnny Cash. Johnny Cash was a military code breaker.

0:36:20.840 --> 0:36:23.279
<v Speaker 5>In fact, it's reported he was the first American here

0:36:23.360 --> 0:36:24.880
<v Speaker 5>news of the death of Joseph Stalin.

0:36:26.080 --> 0:36:33.040
<v Speaker 4>Johnny ca right, like whoa can cry on cue? Can

0:36:33.120 --> 0:36:36.640
<v Speaker 4>cry on Q? Yes or no? Brian Christ who else

0:36:36.719 --> 0:36:40.759
<v Speaker 4>he's sitting here? Who else? What I do? I would

0:36:40.840 --> 0:36:43.400
<v Speaker 4>imagine you can Yeah? If you're carrying it right now,

0:36:44.880 --> 0:36:47.560
<v Speaker 4>you know he's thinking about driving here. We used to

0:36:47.719 --> 0:36:50.239
<v Speaker 4>on the soap operas. Uh, the look at that.

0:36:50.880 --> 0:36:51.080
<v Speaker 1>Yeah?

0:36:51.400 --> 0:36:53.160
<v Speaker 4>The women do it physically or do you do it

0:36:53.239 --> 0:36:56.400
<v Speaker 4>by memory? Both? It's a both physical thing man and

0:36:56.560 --> 0:36:58.959
<v Speaker 4>the physical part of it. The women on the soap

0:36:59.000 --> 0:37:01.799
<v Speaker 4>opera who you know, they would call it a cry day.

0:37:01.920 --> 0:37:04.080
<v Speaker 1>I have a cry day on Thursday, and so they

0:37:04.120 --> 0:37:07.800
<v Speaker 1>would start hydrating, hydrating, and you just get really hydrated,

0:37:07.880 --> 0:37:10.400
<v Speaker 1>and then you put your mind to it, focus and

0:37:10.520 --> 0:37:12.319
<v Speaker 1>then bang, bang it starts coming.

0:37:12.480 --> 0:37:15.320
<v Speaker 3>Margarabi, I saw an interview where they said can you

0:37:15.400 --> 0:37:16.000
<v Speaker 3>cry on cue?

0:37:16.000 --> 0:37:17.400
<v Speaker 4>And she went sure, and they said can you do

0:37:17.440 --> 0:37:20.880
<v Speaker 4>it now? She said, which I did he? Did he

0:37:21.000 --> 0:37:22.280
<v Speaker 4>or did he not? Meet Charles Manson?

0:37:22.920 --> 0:37:24.719
<v Speaker 3>Yeah, I did read that that you were on the

0:37:24.760 --> 0:37:26.759
<v Speaker 3>spawn ranch taking a horse riding Lesson.

0:37:28.239 --> 0:37:33.080
<v Speaker 5>Yeah, it was exactly right, Charley, And you found out

0:37:33.120 --> 0:37:34.600
<v Speaker 5>afterwards he was Charles Manson.

0:37:35.280 --> 0:37:37.360
<v Speaker 4>It was creepy enough. It was creepy enough at the moment.

0:37:37.440 --> 0:37:39.800
<v Speaker 1>At that moment, it was very creepy because he was

0:37:40.000 --> 0:37:42.640
<v Speaker 1>high as a kite on horseback and he was being

0:37:44.000 --> 0:37:46.520
<v Speaker 1>his reins of his horse were being held by someone else.

0:37:46.560 --> 0:37:49.800
<v Speaker 1>And he was just undulating on this horse but he

0:37:49.880 --> 0:37:52.960
<v Speaker 1>had no control and he was just flopping around. It

0:37:53.080 --> 0:37:53.839
<v Speaker 1>was the weirdest thing.

0:37:53.880 --> 0:37:56.400
<v Speaker 4>And he had the blackest, blackest eyes.

0:37:56.719 --> 0:38:00.640
<v Speaker 1>Yeah, everything was black about it, and his hair down

0:38:00.840 --> 0:38:04.200
<v Speaker 1>below his shoulders and he was just Wow.

0:38:04.760 --> 0:38:10.000
<v Speaker 5>Kids, let's go for writing lessons to spawn. Okay, as

0:38:10.040 --> 0:38:12.080
<v Speaker 5>we said, a lot of written about you, it's not accurate.

0:38:12.480 --> 0:38:16.480
<v Speaker 5>Does does this man actually have a project assessment scale

0:38:16.520 --> 0:38:19.360
<v Speaker 5>where he has a numerical system for deciding on roles

0:38:19.400 --> 0:38:21.480
<v Speaker 5>he takes things he's going to do well.

0:38:21.520 --> 0:38:23.400
<v Speaker 3>That brings us back to Michael Kin with which we

0:38:23.560 --> 0:38:26.239
<v Speaker 3>began this thing. The Michael Caine once said, how does

0:38:26.280 --> 0:38:28.160
<v Speaker 3>he decide on a roll? He said, if only.

0:38:28.000 --> 0:38:32.760
<v Speaker 6>Opened a script and he sets the tandra a frozen waistland,

0:38:33.560 --> 0:38:40.520
<v Speaker 6>I'll put that script down, says niece, a gorgeous sun

0:38:40.719 --> 0:38:45.280
<v Speaker 6>filled beach, bikini clad women splashing through the waves.

0:38:46.120 --> 0:38:50.480
<v Speaker 4>I'll make that you have a whatever.

0:38:50.640 --> 0:38:53.000
<v Speaker 5>The equivalent would be the Ben Franklin Ledger sheet, where

0:38:53.000 --> 0:38:55.640
<v Speaker 5>you have the pluses and minuses and it's certain, callie,

0:38:55.680 --> 0:38:56.520
<v Speaker 5>you go do it.

0:38:57.680 --> 0:39:01.680
<v Speaker 1>It's it's it's called the capsist because the crants and

0:39:01.719 --> 0:39:03.000
<v Speaker 1>assessment projects.

0:39:04.000 --> 0:39:04.640
<v Speaker 4>Yeah, and I do.

0:39:05.160 --> 0:39:09.319
<v Speaker 1>I had to during the great good fortune of things

0:39:09.400 --> 0:39:13.919
<v Speaker 1>happening for me. The energy that an actor puts out

0:39:14.120 --> 0:39:18.640
<v Speaker 1>in trying to find work is matched with the energy

0:39:19.040 --> 0:39:22.000
<v Speaker 1>if you get lucky of the energy coming at you

0:39:22.440 --> 0:39:26.520
<v Speaker 1>for work. And it's the better place to be, of course,

0:39:26.600 --> 0:39:29.400
<v Speaker 1>but you're still trying to figure out what you should do.

0:39:29.640 --> 0:39:31.239
<v Speaker 1>And I had to come up with a system that

0:39:32.640 --> 0:39:36.719
<v Speaker 1>valued these things and not be taken in. So the

0:39:36.800 --> 0:39:40.360
<v Speaker 1>amount of money that was being offered is never on

0:39:40.520 --> 0:39:45.040
<v Speaker 1>the system. Money is relative to me. I'm not money motivated,

0:39:45.680 --> 0:39:48.960
<v Speaker 1>don't I don't want to be poor, but it's not

0:39:49.320 --> 0:39:52.239
<v Speaker 1>something that motivates me. So if I'm retired and I've

0:39:52.280 --> 0:39:54.320
<v Speaker 1>got plenty of dough and someone says you want twenty

0:39:54.360 --> 0:39:57.840
<v Speaker 1>million to go do that? I go, nah, I'm okay,

0:39:58.320 --> 0:40:00.719
<v Speaker 1>I don't need to do that if i'm But what's

0:40:00.800 --> 0:40:05.040
<v Speaker 1>on there is first and foremost is the quality of

0:40:05.080 --> 0:40:09.480
<v Speaker 1>the writing, because to me, that's the foundation of all

0:40:09.600 --> 0:40:13.640
<v Speaker 1>performance art is how well is this structured?

0:40:14.080 --> 0:40:15.800
<v Speaker 4>What is the story? Did it move me?

0:40:16.640 --> 0:40:20.000
<v Speaker 1>Did it resonate? Is it important? And those it went?

0:40:20.120 --> 0:40:25.799
<v Speaker 1>If I react to it strongly, I'm in I did

0:40:26.040 --> 0:40:28.600
<v Speaker 1>Little Miss Sunshine, I had one day on Little Miss

0:40:28.640 --> 0:40:32.720
<v Speaker 1>Sunshine because I reacted so strongly to reading the script,

0:40:32.880 --> 0:40:35.480
<v Speaker 1>and I went to the directors and I said, I

0:40:35.520 --> 0:40:37.759
<v Speaker 1>would love to be in your movie. And they said,

0:40:37.840 --> 0:40:41.000
<v Speaker 1>we already have Greg Canear, we already have Steve Carell.

0:40:41.520 --> 0:40:44.240
<v Speaker 1>There's no part for you. And I said, what about

0:40:44.280 --> 0:40:48.000
<v Speaker 1>this character who is the book agent for a great

0:40:48.040 --> 0:40:52.359
<v Speaker 1>canear Stan Grossman, And they go, that guy works one

0:40:52.480 --> 0:40:56.120
<v Speaker 1>day and I said perfect. And so I did that movie.

0:40:57.239 --> 0:41:01.200
<v Speaker 1>Everyone I've talked to loved that movie. And so what

0:41:01.560 --> 0:41:06.400
<v Speaker 1>I realized from that is they were giving me praise, like,

0:41:06.480 --> 0:41:09.920
<v Speaker 1>oh my god, you were so good. You were great

0:41:10.040 --> 0:41:15.040
<v Speaker 1>in that movie. And I was like, huh, the part

0:41:15.280 --> 0:41:20.160
<v Speaker 1>didn't warrant that at all. And I realized, oh, I'm

0:41:20.239 --> 0:41:24.240
<v Speaker 1>in the high tide. You you attach yourself to really

0:41:24.400 --> 0:41:28.120
<v Speaker 1>well written material and it lifts you up.

0:41:28.719 --> 0:41:31.000
<v Speaker 4>But you use it like I used it to decide

0:41:31.000 --> 0:41:33.400
<v Speaker 4>on what apartment to rent as far as distance, and

0:41:33.480 --> 0:41:36.719
<v Speaker 4>not that you use it for other things. Well, I do,

0:41:36.920 --> 0:41:41.120
<v Speaker 4>take yeah, there you go, Yeah I do.

0:41:41.400 --> 0:41:44.400
<v Speaker 1>I didn't realize that until recently that I have a

0:41:44.800 --> 0:41:47.680
<v Speaker 1>numerical kind of system for things and.

0:41:47.920 --> 0:41:50.359
<v Speaker 4>You still came here, which is really amazing. I guess

0:41:50.400 --> 0:41:52.600
<v Speaker 4>we Well it was. It was on the low end,

0:41:53.000 --> 0:41:55.640
<v Speaker 4>but I had nothing else going on. And that's the

0:41:55.719 --> 0:41:57.880
<v Speaker 4>other thing that was the last one on this that

0:41:58.000 --> 0:42:00.120
<v Speaker 4>was Robinson. Get out of that. I just maintained a

0:42:00.160 --> 0:42:03.319
<v Speaker 4>lion tame a lion? Does he ever tame the lion?

0:42:04.000 --> 0:42:07.040
<v Speaker 4>All right? Let me think he was not in born free?

0:42:08.280 --> 0:42:08.560
<v Speaker 4>He's not.

0:42:09.080 --> 0:42:15.640
<v Speaker 3>He hasn't done the gunther Gable Williams story. Tamed the

0:42:15.760 --> 0:42:17.719
<v Speaker 3>lion is not the same as being in a thing

0:42:17.800 --> 0:42:21.440
<v Speaker 3>with a lion tamed it trained, it took it from

0:42:21.520 --> 0:42:23.359
<v Speaker 3>wild beast to domesticated.

0:42:24.000 --> 0:42:29.480
<v Speaker 4>Expanding this one. No, he did not. It was Christopher Walker.

0:42:31.080 --> 0:42:36.799
<v Speaker 4>That makes sense that the Christopher Walker there was a lion. See,

0:42:36.800 --> 0:42:40.040
<v Speaker 4>you can do it too. Trying to teach me how

0:42:40.040 --> 0:42:40.880
<v Speaker 4>to do a lion.

0:42:41.400 --> 0:42:45.279
<v Speaker 1>You know what, when you're doing walking, what you have

0:42:45.520 --> 0:42:49.759
<v Speaker 1>to do is listen to Kevin Pollack, do it right, that's.

0:42:49.680 --> 0:42:51.239
<v Speaker 4>The way, and then just mimic him.

0:42:51.680 --> 0:42:55.200
<v Speaker 3>He said that the secret to doing uh Christopher walkan

0:42:55.320 --> 0:42:57.400
<v Speaker 3>was to take one syllable and make it too.

0:42:57.719 --> 0:42:57.759
<v Speaker 1>No.

0:43:00.520 --> 0:43:03.960
<v Speaker 4>No, have you reacted with him? No, I would like

0:43:04.000 --> 0:43:06.120
<v Speaker 4>a trip. Would you not be a trip? Yeah?

0:43:06.360 --> 0:43:08.000
<v Speaker 5>I really would, Because you have to be on your

0:43:08.040 --> 0:43:12.080
<v Speaker 5>toes because toes, because you don't know what he's.

0:43:11.920 --> 0:43:16.120
<v Speaker 4>Going to stop a sentence. Yeah, that's a terrible Christopher walking,

0:43:16.640 --> 0:43:16.880
<v Speaker 4>thank you.

0:43:16.960 --> 0:43:19.680
<v Speaker 5>Very much, worse than mine. I feel better about my

0:43:20.560 --> 0:43:21.759
<v Speaker 5>and that's why I do it. I'm here to make

0:43:21.800 --> 0:43:24.320
<v Speaker 5>people feel better about themselves. Screw you, Brian Krant a

0:43:24.400 --> 0:43:27.719
<v Speaker 5>nice guy or so resting mean face. Don't forget so

0:43:27.840 --> 0:43:31.000
<v Speaker 5>before you go, I realized something about the two iconic characters.

0:43:31.840 --> 0:43:35.320
<v Speaker 5>Even though George Constanza was in a comedy and you

0:43:35.480 --> 0:43:39.080
<v Speaker 5>was Walter White were in a drama, your characters had

0:43:39.360 --> 0:43:41.400
<v Speaker 5>a lots of things in common.

0:43:41.440 --> 0:43:42.839
<v Speaker 4>Would you like to hear comment?

0:43:42.880 --> 0:43:45.479
<v Speaker 5>Okay, so, first of all, both steal Walter White stall

0:43:45.520 --> 0:43:50.279
<v Speaker 5>evolvo avolvo to get home, right, George stall a hat

0:43:50.320 --> 0:43:52.880
<v Speaker 5>from somebody's apartment and a clock so he could get

0:43:52.960 --> 0:43:54.000
<v Speaker 5>back into the apartment.

0:43:54.800 --> 0:43:58.840
<v Speaker 4>Have no memory, no memory. You're both poisoned people. I

0:43:58.920 --> 0:43:59.959
<v Speaker 4>did slip a guy at Mickey.

0:44:00.200 --> 0:44:03.120
<v Speaker 5>No, you're also son of Jesse Pinkman, and your wife

0:44:03.200 --> 0:44:05.400
<v Speaker 5>died on the show with the with the envelope.

0:44:05.480 --> 0:44:09.040
<v Speaker 4>She was poisoned. His susan your wife to be right,

0:44:09.120 --> 0:44:10.719
<v Speaker 4>but his wife didn't die. Walter was no.

0:44:10.800 --> 0:44:13.120
<v Speaker 5>I mean he's poisoned someone. I said, you poisoned someone,

0:44:13.239 --> 0:44:18.839
<v Speaker 5>poisoned someone. You both have aliases? Yes, right, Heisenberg art

0:44:18.920 --> 0:44:22.520
<v Speaker 5>Vandale right right, you both faked being disabled.

0:44:23.080 --> 0:44:28.960
<v Speaker 4>You you fake fu state. Yes, George had.

0:44:28.840 --> 0:44:31.560
<v Speaker 5>A cane and realized he could access to the private bathrooms,

0:44:31.560 --> 0:44:34.239
<v Speaker 5>et cetera if he used it, so he played this disabled. Yes,

0:44:34.440 --> 0:44:38.320
<v Speaker 5>all right, you're both impatient. You lashed out at Skylar.

0:44:38.400 --> 0:44:40.040
<v Speaker 5>You said, right right now, what I need is for

0:44:40.080 --> 0:44:41.239
<v Speaker 5>you to climb down out of my ass?

0:44:41.280 --> 0:44:42.840
<v Speaker 4>Can you do that? Will you do that for me? Honey?

0:44:43.440 --> 0:44:45.520
<v Speaker 5>And George said to Gwen, who's trying to break up

0:44:45.560 --> 0:44:47.440
<v Speaker 5>with him, you're giving me this, not me, it's you.

0:44:47.800 --> 0:44:50.000
<v Speaker 5>I invented the not you with me. I mean it's

0:44:50.160 --> 0:44:52.359
<v Speaker 5>very similar. And both of you were robbed. You were

0:44:52.400 --> 0:44:54.719
<v Speaker 5>robbed and managed to keep nine million. He was robbed

0:44:54.719 --> 0:44:56.640
<v Speaker 5>of eight million dollars in a wallet by a woman

0:44:56.680 --> 0:44:58.920
<v Speaker 5>who tied him to a bed because that's all he

0:44:59.000 --> 0:45:00.680
<v Speaker 5>had on Pretty amazing, right.

0:45:01.040 --> 0:45:04.600
<v Speaker 4>I wonder if there's sometimes the same character the same character.

0:45:04.800 --> 0:45:06.840
<v Speaker 5>So what I'd like to do is an exercise. This

0:45:07.080 --> 0:45:09.960
<v Speaker 5>would be really interesting, you know, in a way. I

0:45:10.000 --> 0:45:13.200
<v Speaker 5>should have had six seas. And by the way, is

0:45:13.239 --> 0:45:15.440
<v Speaker 5>it true, is it true that they were looking at

0:45:15.480 --> 0:45:17.719
<v Speaker 5>possibly Matthew Broderick for Walter White.

0:45:17.800 --> 0:45:21.480
<v Speaker 1>They were looking at everyone. Steve's on Matthew Broderick. There

0:45:21.480 --> 0:45:24.200
<v Speaker 1>were several different people that they were looking at. And

0:45:24.400 --> 0:45:30.040
<v Speaker 1>it was only because Vince Gilligan was my champion to

0:45:30.120 --> 0:45:32.600
<v Speaker 1>get this, because I happened to do an episode of

0:45:32.640 --> 0:45:36.719
<v Speaker 1>The X Files where he wrote that episode, and the

0:45:36.880 --> 0:45:41.799
<v Speaker 1>character he wrote that I played was a despicable human being,

0:45:42.719 --> 0:45:47.440
<v Speaker 1>but despite that, you still had some sympathy for him

0:45:47.760 --> 0:45:51.120
<v Speaker 1>and you didn't want him to suffer. And he felt

0:45:51.400 --> 0:45:54.160
<v Speaker 1>that that was the foundation of where he wanted to

0:45:54.239 --> 0:45:58.759
<v Speaker 1>take Walter White, that despite the wickedness of where he

0:45:58.800 --> 0:46:03.439
<v Speaker 1>would go, would still ascribe to being in his camp,

0:46:03.960 --> 0:46:04.120
<v Speaker 1>you know.

0:46:04.280 --> 0:46:07.759
<v Speaker 3>Just as a great tribute if I may to how

0:46:08.840 --> 0:46:12.600
<v Speaker 3>I really know how the business works and what things

0:46:12.640 --> 0:46:14.839
<v Speaker 3>are going to go and what or not. I don't

0:46:14.840 --> 0:46:16.520
<v Speaker 3>think I've ever told you this. Brian and I were

0:46:16.600 --> 0:46:19.160
<v Speaker 3>doing a play together around the time he was doing

0:46:19.200 --> 0:46:23.759
<v Speaker 3>the pilot for Breaking Bad, and he very casually said

0:46:23.760 --> 0:46:26.040
<v Speaker 3>to me, yeah, I've done this pilot. If it goes,

0:46:26.120 --> 0:46:28.800
<v Speaker 3>it shoots in New Mexico, and you know I'm probably

0:46:28.840 --> 0:46:30.320
<v Speaker 3>be spending a lot of time in New Mexico.

0:46:30.680 --> 0:46:31.560
<v Speaker 4>I said, what it's about.

0:46:31.920 --> 0:46:34.399
<v Speaker 3>He said, well, I play a chemistry teacher who's dying

0:46:34.440 --> 0:46:37.560
<v Speaker 3>of cancer. So to provide for his family, I start

0:46:37.880 --> 0:46:43.040
<v Speaker 3>cooking crystal meth. And I said, yeah, hey, don't buy

0:46:43.080 --> 0:46:43.880
<v Speaker 3>any property.

0:46:44.800 --> 0:46:47.399
<v Speaker 4>Yeah you don't. You don't want to. He's not the guide.

0:46:48.800 --> 0:46:51.240
<v Speaker 3>I would not be the guy to or to oversee

0:46:51.280 --> 0:46:53.440
<v Speaker 3>your your cap system. I would not be that guy.

0:46:53.440 --> 0:46:55.600
<v Speaker 3>But if you read that script, I would have been

0:46:55.840 --> 0:46:57.160
<v Speaker 3>away by it. Of course I would.

0:46:57.320 --> 0:47:00.319
<v Speaker 4>And that's the thing. I got two iconic character here.

0:47:00.360 --> 0:47:01.719
<v Speaker 4>I just want to say, because you can cry on

0:47:02.000 --> 0:47:05.680
<v Speaker 4>on cue, how quickly you can both get into that car,

0:47:05.840 --> 0:47:07.839
<v Speaker 4>how quickly you can get into Walter White and Jason

0:47:07.880 --> 0:47:10.920
<v Speaker 4>can get into George three to one go? Well, I

0:47:11.080 --> 0:47:11.879
<v Speaker 4>just had my name.

0:47:12.000 --> 0:47:14.040
<v Speaker 3>I just have to put on glasses. He has to

0:47:14.080 --> 0:47:18.880
<v Speaker 3>shave his head. That's not Walter White, that's not Heisenberg.

0:47:18.960 --> 0:47:25.480
<v Speaker 3>And first of all, why Heisenberg? Why and what and

0:47:25.640 --> 0:47:26.399
<v Speaker 3>what's what the hat?

0:47:26.920 --> 0:47:30.319
<v Speaker 4>Yeah? What was what the hat? You talk a lot,

0:47:30.480 --> 0:47:34.719
<v Speaker 4>little man. I'm scared. I'm supposed to be scared now right.

0:47:35.120 --> 0:47:37.319
<v Speaker 4>I don't live in his world. Blue myth?

0:47:38.080 --> 0:47:41.120
<v Speaker 3>Was the blue mistake or did you plan that? Did

0:47:41.160 --> 0:47:42.920
<v Speaker 3>it come out blue and you went, let's leave it

0:47:43.120 --> 0:47:43.799
<v Speaker 3>came out blue?

0:47:45.040 --> 0:47:51.000
<v Speaker 4>Why not? Probably? I would watch the George Constanzo Walter

0:47:51.080 --> 0:47:55.440
<v Speaker 4>White interview show. Can you imagine those if Jesse had

0:47:55.480 --> 0:47:56.520
<v Speaker 4>been George Constanzi.

0:47:58.760 --> 0:48:00.440
<v Speaker 5>And by the way, the other thing you that going

0:48:00.520 --> 0:48:03.640
<v Speaker 5>for you increased hair loss. Anyway, thank you for coming with.

0:48:03.719 --> 0:48:08.240
<v Speaker 5>God's amazing about you. I look at your hair and even.

0:48:08.200 --> 0:48:10.640
<v Speaker 3>That's what you want out on. That's what you decided

0:48:11.120 --> 0:48:13.040
<v Speaker 3>was the little filigree you needed to put on.

0:48:13.120 --> 0:48:15.840
<v Speaker 5>The interview the hair ill agree, Yeah, it has to

0:48:15.920 --> 0:48:18.920
<v Speaker 5>do with retirement. Yeah, thank you for coming in. The

0:48:19.000 --> 0:48:20.879
<v Speaker 5>amazing thing about you is I always see you as

0:48:20.880 --> 0:48:23.600
<v Speaker 5>a nice, warm guy, loving guy, and it's nice. You'll

0:48:23.680 --> 0:48:25.920
<v Speaker 5>never link to you. It's it's so hard even when

0:48:25.960 --> 0:48:28.600
<v Speaker 5>I when I saw you with the head shape, it's

0:48:28.680 --> 0:48:30.879
<v Speaker 5>so hard. And then you watch that character. It's such

0:48:30.880 --> 0:48:33.240
<v Speaker 5>a disengagement. You did such a job with that character.

0:48:33.360 --> 0:48:36.839
<v Speaker 5>It was so truthful and so thank honestly, that guy.

0:48:37.200 --> 0:48:39.279
<v Speaker 5>It's hard to connect you to That's I'm telling you.

0:48:39.480 --> 0:48:40.799
<v Speaker 5>The writing is the key.

0:48:41.520 --> 0:48:44.440
<v Speaker 4>It leads you. And sometimes you look at a script

0:48:44.600 --> 0:48:47.080
<v Speaker 4>like that, and you go, don't mess it up.

0:48:47.480 --> 0:48:49.719
<v Speaker 5>Just coming back again because Malcolm's coming back again, right,

0:48:49.760 --> 0:48:50.760
<v Speaker 5>You're doing a Malcolm reunion.

0:48:50.920 --> 0:48:55.400
<v Speaker 1>We're talking about the possibility of doing some something twenty

0:48:55.520 --> 0:48:58.000
<v Speaker 1>years later to see what this family is up to,

0:48:58.239 --> 0:49:01.640
<v Speaker 1>because the boys now and Malcolm are all grown and

0:49:01.840 --> 0:49:03.640
<v Speaker 1>so they have their own lives and things like that.

0:49:03.800 --> 0:49:05.239
<v Speaker 4>So it's kind of curious, very cool.

0:49:07.160 --> 0:49:08.799
<v Speaker 3>I'm going to end it with one other thing too.

0:49:10.360 --> 0:49:16.400
<v Speaker 3>I hope in my own way that you find the

0:49:16.480 --> 0:49:19.360
<v Speaker 3>time that you want for you and I pray to

0:49:19.440 --> 0:49:22.640
<v Speaker 3>God that you never stop being a storyteller, because you

0:49:22.760 --> 0:49:24.960
<v Speaker 3>are one of the best I've ever seen.

0:49:25.480 --> 0:49:28.520
<v Speaker 4>There is nothing you can't do, and you are one

0:49:28.560 --> 0:49:30.160
<v Speaker 4>of the guys. And I'm lucky to know a few

0:49:30.200 --> 0:49:30.399
<v Speaker 4>of them.

0:49:30.400 --> 0:49:32.440
<v Speaker 3>We're lucky enough to know a few of them who

0:49:32.719 --> 0:49:39.640
<v Speaker 3>reach a level of extraordinary success and everyone around them goes, yeah, yeah, good.

0:49:39.600 --> 0:49:40.600
<v Speaker 4>I appreciate that, man.

0:49:41.160 --> 0:49:41.360
<v Speaker 6>Thank you.

0:49:41.480 --> 0:49:55.239
<v Speaker 4>You're a great pal man. Thank you man. We brought

0:49:55.280 --> 0:49:57.640
<v Speaker 4>them in because Michael Kank's retiring. We want to talk

0:49:57.640 --> 0:50:02.719
<v Speaker 4>about how artists retire. An artist he's not retiring. Yeah,

0:50:02.719 --> 0:50:04.720
<v Speaker 4>it was a bit of a BS thing. I'm retiring.

0:50:04.760 --> 0:50:08.040
<v Speaker 4>And then he said. However, I'm not Brook, he did say,

0:50:08.080 --> 0:50:08.560
<v Speaker 4>which is big.

0:50:08.600 --> 0:50:11.600
<v Speaker 5>He's selling the liquor company, selling the production stuff, the

0:50:11.600 --> 0:50:12.320
<v Speaker 5>American company.

0:50:12.360 --> 0:50:14.920
<v Speaker 4>He's gonna I see where he's going. I totally get it.

0:50:15.000 --> 0:50:15.080
<v Speaker 1>Now.

0:50:15.840 --> 0:50:17.239
<v Speaker 3>First of all, let me ask you a question. Would

0:50:17.280 --> 0:50:21.960
<v Speaker 3>you I know you can't because you need to work constantly.

0:50:22.080 --> 0:50:24.480
<v Speaker 4>Yes, I could retire. I could retire us so far

0:50:24.640 --> 0:50:27.759
<v Speaker 4>financially underwater. I could retire, But then you would be

0:50:27.840 --> 0:50:31.080
<v Speaker 4>fitting many many people. But would you ever retire?

0:50:31.360 --> 0:50:33.919
<v Speaker 5>I'll tell you honestly, And you know this. I could

0:50:33.960 --> 0:50:36.840
<v Speaker 5>have cut back and done a lot less and been fine.

0:50:37.360 --> 0:50:40.880
<v Speaker 5>This is did this a you know? I create always

0:50:41.400 --> 0:50:43.680
<v Speaker 5>a vehicle that we can see each other, because if not,

0:50:43.800 --> 0:50:45.000
<v Speaker 5>you'd be off doing whatever you're doing.

0:50:45.040 --> 0:50:46.560
<v Speaker 4>I'd be off. We'd best friends who don't see each

0:50:46.560 --> 0:50:49.239
<v Speaker 4>other because we're busy. So this was true, by the way.

0:50:49.600 --> 0:50:55.000
<v Speaker 4>The downside of that is okay, you know, maybe the comedy,

0:50:55.239 --> 0:51:00.960
<v Speaker 4>but then when adlerkly to the comment, comedy, but but

0:51:01.120 --> 0:51:01.880
<v Speaker 4>why would I do that?

0:51:01.920 --> 0:51:04.760
<v Speaker 5>We get to meet Cranston, and we get to meet scientists,

0:51:04.800 --> 0:51:06.279
<v Speaker 5>we get to meet the top people. This is this

0:51:06.440 --> 0:51:09.120
<v Speaker 5>is as good as I'm always saying. I was always

0:51:09.120 --> 0:51:13.080
<v Speaker 5>been for let me yet is there? Could you ever

0:51:13.440 --> 0:51:16.239
<v Speaker 5>imagine a scenario?

0:51:16.520 --> 0:51:16.680
<v Speaker 4>Right?

0:51:16.760 --> 0:51:20.360
<v Speaker 3>So, now you get to be anywhere, have anything, and

0:51:20.600 --> 0:51:24.080
<v Speaker 3>and participate in anything where you would go, I no

0:51:24.239 --> 0:51:26.160
<v Speaker 3>longer if I can have all that, so I no

0:51:26.239 --> 0:51:28.160
<v Speaker 3>longer need to What would that look like if you

0:51:28.280 --> 0:51:30.800
<v Speaker 3>if you could devise the place where you go?

0:51:31.360 --> 0:51:33.640
<v Speaker 4>I am content here just being I don't need to

0:51:33.719 --> 0:51:34.839
<v Speaker 4>do anything. What would it look?

0:51:35.000 --> 0:51:37.440
<v Speaker 5>What's funny is I could you know? I honestly if

0:51:37.440 --> 0:51:39.719
<v Speaker 5>I hit the lottery today, yeah, I would retire to

0:51:39.800 --> 0:51:41.800
<v Speaker 5>a beach, like on the beach somewhere. But I know

0:51:41.880 --> 0:51:43.919
<v Speaker 5>what I'd be doing by the end of the first week.

0:51:44.040 --> 0:51:45.919
<v Speaker 5>I'd be looking to open a bag go shop. I'd

0:51:45.960 --> 0:51:48.399
<v Speaker 5>be looking to do something I couldn't see just being

0:51:48.480 --> 0:51:50.600
<v Speaker 5>in reading and sitting by myself.

0:51:50.760 --> 0:51:51.320
<v Speaker 4>I understand.

0:51:51.400 --> 0:51:55.200
<v Speaker 3>I I often think about five or six years ago,

0:51:55.760 --> 0:51:59.279
<v Speaker 3>during COVID particularly, and about a year before that, I

0:51:59.440 --> 0:52:02.800
<v Speaker 3>felt like things were slowing down significantly, and the calls

0:52:02.840 --> 0:52:06.560
<v Speaker 3>weren't coming, the interesting stuff wasn't coming. And I looked

0:52:06.600 --> 0:52:09.120
<v Speaker 3>in the mirror and I went, you know what, I

0:52:09.360 --> 0:52:13.960
<v Speaker 3>really enjoy making my pottery, and I really enjoy almost

0:52:14.000 --> 0:52:16.839
<v Speaker 3>more than anything else. I enjoy teaching, and I thought,

0:52:16.920 --> 0:52:19.239
<v Speaker 3>you know what, I had a great run. Thank you

0:52:19.320 --> 0:52:21.880
<v Speaker 3>for a wonderful career. I don't need to work anymore.

0:52:22.480 --> 0:52:24.720
<v Speaker 3>I'm going to teach, I'm going to make my pots,

0:52:24.760 --> 0:52:26.960
<v Speaker 3>I'm going to be with my family, and my life

0:52:27.040 --> 0:52:27.279
<v Speaker 3>is good.

0:52:27.320 --> 0:52:31.440
<v Speaker 4>So I understand a scenario in I couldn't do nothing,

0:52:31.520 --> 0:52:32.400
<v Speaker 4>but that gives you purpose.

0:52:32.480 --> 0:52:34.080
<v Speaker 3>But I would get up every day to go let

0:52:34.160 --> 0:52:36.040
<v Speaker 3>me talk to some students who want to try and

0:52:36.200 --> 0:52:39.400
<v Speaker 3>understand crash and so a different kind of purpose. But

0:52:39.480 --> 0:52:42.120
<v Speaker 3>I think the only people I've ever met who are

0:52:42.560 --> 0:52:45.520
<v Speaker 3>miserable in retirement are the ones that go I play

0:52:45.600 --> 0:52:47.600
<v Speaker 3>golf every day, and they do and they enjoy that,

0:52:48.000 --> 0:52:51.360
<v Speaker 3>but it it isn't quite the next channel.

0:52:51.080 --> 0:52:53.120
<v Speaker 5>Because they have schedules, but they don't have stuff. But

0:52:53.920 --> 0:52:58.680
<v Speaker 5>all these new communities are cross generational and they give

0:52:58.719 --> 0:53:02.040
<v Speaker 5>you things to do, to be communities that are developed

0:53:02.239 --> 0:53:04.000
<v Speaker 5>because it used to be we locked older people and

0:53:04.080 --> 0:53:06.120
<v Speaker 5>you just waited for them to die. Now they want

0:53:06.160 --> 0:53:08.520
<v Speaker 5>to be out, they want to do more, and they're

0:53:08.560 --> 0:53:10.640
<v Speaker 5>creating communities with that in mind.

0:53:10.920 --> 0:53:13.640
<v Speaker 4>Let's go before we wrap to Google Hunt. We see

0:53:13.680 --> 0:53:18.520
<v Speaker 4>what he has to say about our See.

0:53:18.600 --> 0:53:19.560
<v Speaker 8>Yeah, he's not retiring.

0:53:19.680 --> 0:53:23.600
<v Speaker 9>He's taken a pause, right, But listen, you never know

0:53:23.719 --> 0:53:25.680
<v Speaker 9>what's going to happen when you do those things.

0:53:25.719 --> 0:53:27.080
<v Speaker 8>You might have some sort of epiphany.

0:53:27.120 --> 0:53:29.239
<v Speaker 9>And and I think what you guys have actually been

0:53:29.280 --> 0:53:34.360
<v Speaker 9>talking about is what the modern definition of retirement is.

0:53:34.480 --> 0:53:37.480
<v Speaker 8>It's not just being in a room and watching television anymore.

0:53:37.520 --> 0:53:40.839
<v Speaker 9>And so I put together a list of a few

0:53:40.880 --> 0:53:45.279
<v Speaker 9>things that people do do and basically go into retirement

0:53:45.520 --> 0:53:50.520
<v Speaker 9>with intention versus stopping whatever the work was, Yeah, adopting

0:53:50.600 --> 0:53:54.760
<v Speaker 9>a pet, something to care for, establishing a routine, working

0:53:54.840 --> 0:53:57.759
<v Speaker 9>part time, teaching as as Jason said.

0:53:58.239 --> 0:53:59.279
<v Speaker 8>One of the things that.

0:53:59.480 --> 0:54:02.120
<v Speaker 9>Actually and this is service strange one, especially when you're

0:54:02.120 --> 0:54:05.560
<v Speaker 9>talking about older people who are retiring, becoming an online

0:54:05.719 --> 0:54:09.960
<v Speaker 9>gamer has been shown in research that that can improve

0:54:10.239 --> 0:54:12.360
<v Speaker 9>brain function and memory.

0:54:12.040 --> 0:54:14.520
<v Speaker 8>And older adults. So you know, maybe you want to

0:54:14.560 --> 0:54:15.480
<v Speaker 8>do a little twitch thing.

0:54:16.200 --> 0:54:21.359
<v Speaker 4>But I almost my friend's grandmother her on grand Theft Auto.

0:54:21.520 --> 0:54:24.400
<v Speaker 4>She can blow people away, kill, kill them, kill them.

0:54:24.400 --> 0:54:27.800
<v Speaker 4>If Froger is still the thing, mys was a master Frogger,

0:54:29.239 --> 0:54:31.120
<v Speaker 4>we should do you still have that box?

0:54:31.160 --> 0:54:33.000
<v Speaker 8>Do you still have the arcade thing in the house?

0:54:33.760 --> 0:54:35.560
<v Speaker 3>If you saw the episode A truck took it out

0:54:35.600 --> 0:54:37.000
<v Speaker 3>as I was willing across the right.

0:54:37.040 --> 0:54:42.200
<v Speaker 8>Well, well as long as the batteries exactly. But here

0:54:42.239 --> 0:54:44.880
<v Speaker 8>are some some hobbies I know, uh Jason, I know

0:54:44.960 --> 0:54:47.880
<v Speaker 8>you have the pottery and and Peter, I I know you.

0:54:47.960 --> 0:54:49.880
<v Speaker 4>Have well you.

0:54:53.560 --> 0:54:54.359
<v Speaker 8>So here here's the few.

0:54:54.400 --> 0:54:56.160
<v Speaker 9>I'm just gonna throw out some ones that maybe hadn't

0:54:56.160 --> 0:54:59.520
<v Speaker 9>thought about. You could learn to play chess, geocachhing. Geo

0:54:59.600 --> 0:55:02.799
<v Speaker 9>cashing is a thing for a lot of hell Na. Geocashing.

0:55:03.320 --> 0:55:06.799
<v Speaker 9>It's like a worldwide treasure hunt. You like go into

0:55:06.840 --> 0:55:09.359
<v Speaker 9>the woods and you find something that's buried.

0:55:09.080 --> 0:55:13.239
<v Speaker 4>Like, how am I? It's not? Then it's not a

0:55:13.320 --> 0:55:16.200
<v Speaker 4>mad is there? Is it virtual? Or is there real stuff?

0:55:16.400 --> 0:55:16.799
<v Speaker 8>It's real.

0:55:16.880 --> 0:55:19.560
<v Speaker 9>It's like you use virtual technology, but it leads to

0:55:19.760 --> 0:55:20.640
<v Speaker 9>an actual thing.

0:55:22.080 --> 0:55:24.120
<v Speaker 3>Everybody knows there's a thing buried in the woods, they

0:55:24.200 --> 0:55:26.360
<v Speaker 3>go and get By the time I get onto the

0:55:26.440 --> 0:55:27.399
<v Speaker 3>jail side, it's gone.

0:55:27.960 --> 0:55:29.880
<v Speaker 4>You know what I discover it's gone. You should have

0:55:29.920 --> 0:55:36.680
<v Speaker 4>been here yesterday, miss, that's our game yesterday if we

0:55:36.840 --> 0:55:37.200
<v Speaker 4>watched it.

0:55:37.320 --> 0:55:37.719
<v Speaker 1>I was, So.

0:55:40.200 --> 0:55:42.040
<v Speaker 4>It's the cheapest have to do because we don't actually

0:55:42.080 --> 0:55:43.760
<v Speaker 4>have to do it. Shuldar. It just comes up should

0:55:43.760 --> 0:55:44.480
<v Speaker 4>have been here yesterday.

0:55:46.040 --> 0:55:48.920
<v Speaker 8>Letter writing, podcasting, podcasting.

0:55:56.360 --> 0:55:59.960
<v Speaker 4>You know it's global warming. The ice cups are melt

0:56:00.040 --> 0:56:03.440
<v Speaker 4>because there's so many podcasts. The iceberg went, you know what,

0:56:03.600 --> 0:56:05.680
<v Speaker 4>another podcast and.

0:56:05.719 --> 0:56:08.440
<v Speaker 8>The last one, and this would actually help us puppeteering.

0:56:09.040 --> 0:56:11.400
<v Speaker 4>Love that. I'm sure you know what.

0:56:11.640 --> 0:56:15.000
<v Speaker 5>And if you're retiring today, if your single puppeteering is

0:56:15.040 --> 0:56:16.839
<v Speaker 5>gonna make it's going to change your lives.

0:56:16.960 --> 0:56:20.000
<v Speaker 3>Jim Henson do when he retires, and Brian had died,

0:56:20.080 --> 0:56:22.440
<v Speaker 3>his son, Brian Henson runs this company.

0:56:22.560 --> 0:56:25.000
<v Speaker 4>They took over the Frank Oz. What is he gonna do?

0:56:27.280 --> 0:56:31.680
<v Speaker 3>Thank you, Thank you, Brian wo Yeah, he's my buddy

0:56:31.719 --> 0:56:34.360
<v Speaker 3>and I he's one of the great people, great actor,

0:56:34.880 --> 0:56:38.439
<v Speaker 3>great director. And when he goes into the resting scary face,

0:56:38.520 --> 0:56:42.880
<v Speaker 3>the face, I know that's why he can't retire.

0:56:42.920 --> 0:56:46.560
<v Speaker 4>We don't want him at rest. Thank you, Thank you,

0:56:47.520 --> 0:56:59.600
<v Speaker 4>Thanks everybody. Announcer, Noah, now really now, really, there's.

0:56:59.440 --> 0:57:02.400
<v Speaker 2>Another episode of really, no really comes to a close.

0:57:02.480 --> 0:57:07.520
<v Speaker 2>I know you're wondering, does every celebrity own an alcohol brand? Well, yeah,

0:57:07.719 --> 0:57:09.800
<v Speaker 2>pretty much, and I'll tell you who owns what in

0:57:09.840 --> 0:57:13.040
<v Speaker 2>a moment. But first let's thank our guests. Brian Cranston.

0:57:13.400 --> 0:57:16.760
<v Speaker 2>You can follow Brian on Instagram at Exit Brian Cranston

0:57:17.080 --> 0:57:20.600
<v Speaker 2>on Facebook where he is simply Brian Kranston. Find all

0:57:20.720 --> 0:57:24.440
<v Speaker 2>pertinent links in our show notes, our little show hangs

0:57:24.480 --> 0:57:27.640
<v Speaker 2>out on Instagram, TikTok, YouTube, and threads at Really No

0:57:27.800 --> 0:57:30.760
<v Speaker 2>Really podcast, And of course you can share your thoughts

0:57:30.800 --> 0:57:34.240
<v Speaker 2>and feedback with us online at reallynoreally dot com. If

0:57:34.280 --> 0:57:38.040
<v Speaker 2>you have a really some amazing factor story that boggles

0:57:38.120 --> 0:57:40.520
<v Speaker 2>your mind, share it with us and if we use it,

0:57:40.800 --> 0:57:44.400
<v Speaker 2>we will send you a little gift. Nothing life changing, obviously,

0:57:44.480 --> 0:57:47.160
<v Speaker 2>but it's the thought that counts. Check out our full

0:57:47.200 --> 0:57:49.840
<v Speaker 2>episodes on YouTube, hit that subscribe button and take that

0:57:50.000 --> 0:57:52.920
<v Speaker 2>bell so you're updated when we release new videos and episodes,

0:57:53.120 --> 0:57:56.120
<v Speaker 2>which we do each Tuesday. So listen and follow us

0:57:56.160 --> 0:58:00.400
<v Speaker 2>on the iHeartRadio app, Apple Podcasts or wherever you get yours.

0:58:00.920 --> 0:58:03.520
<v Speaker 2>And now the answer to the question why are celebrities

0:58:03.600 --> 0:58:06.840
<v Speaker 2>investing in alcohol and who owns why? Well, the why

0:58:07.240 --> 0:58:10.320
<v Speaker 2>is the same why as always, it's money. The global

0:58:10.400 --> 0:58:13.160
<v Speaker 2>market for branded alcohols is on target to reach two

0:58:13.200 --> 0:58:17.280
<v Speaker 2>point two trillion dollars by twenty twenty five. That's trillion

0:58:17.600 --> 0:58:20.880
<v Speaker 2>with a T so who owns what Well, here's just

0:58:20.960 --> 0:58:25.520
<v Speaker 2>a tasting menu. Wines, John Legend, Lvee, Brad Pitt and Angelina,

0:58:25.600 --> 0:58:31.080
<v Speaker 2>Joelie Chateau, Miravol, Cameron Diaz, Aveline Sarah, Jessica Parker in Vivo,

0:58:31.360 --> 0:58:36.720
<v Speaker 2>Drew Barrymore, Barrymore Wines, Tequilaz, George Clooney, Casa Amigos, Rita,

0:58:36.800 --> 0:58:42.680
<v Speaker 2>Ara Pross Grow, Dwayne Johnson, Tremana, Michael Jordan, Sincorro, Kendall Jenner,

0:58:42.800 --> 0:58:46.640
<v Speaker 2>eight one eight Whiskeys, David Beckham Hague Club club Man,

0:58:46.920 --> 0:58:52.400
<v Speaker 2>Nick Offerman, Lagavulin, Chardoak Cask, Matthew McConaughey, Wild Turkey, Long Branch,

0:58:52.720 --> 0:58:59.200
<v Speaker 2>Bob Dylan, Heaven's Door, Drake Virginia Black, Jamie Fox, BSB Vodkas,

0:58:59.360 --> 0:59:03.400
<v Speaker 2>Kate Hudson and King Street, Dan Ackroyd, Crystal Head, Jints,

0:59:03.560 --> 0:59:08.800
<v Speaker 2>Ryan Reynolds, Aviation, Snoop Dogg, Indigo, Rum Bruno, Mars Silva,

0:59:08.920 --> 0:59:13.800
<v Speaker 2>Ray Lil, Wayne Bumboo and of course Mescal, Brian Cranston

0:59:13.840 --> 0:59:15.760
<v Speaker 2>and Aaron Paul Dose Ambres.

0:59:16.240 --> 0:59:17.560
<v Speaker 4>And that's just a sampling.

0:59:18.040 --> 0:59:21.160
<v Speaker 2>By the way, everyone, I just named ozus an advertising

0:59:21.240 --> 0:59:24.840
<v Speaker 2>fee which can be paid to the Alexander Untilden alcohol

0:59:25.000 --> 0:59:29.120
<v Speaker 2>rehab Center, which will be opening in about thirty.

0:59:28.880 --> 0:59:29.480
<v Speaker 4>Minutes from now.

0:59:29.960 --> 0:59:36.280
<v Speaker 2>Cheers, Everybody. Really No, Really is a production of iHeartRadio

0:59:36.360 --> 0:59:37.560
<v Speaker 2>and Blase Entertainment.