1 00:00:19,480 --> 00:00:23,880 Speaker 1: Podcast starts now. Hello everyone across the world. You are 2 00:00:23,960 --> 00:00:28,800 Speaker 1: listening to Stradio lab Um. I'm joined today by my 3 00:00:29,240 --> 00:00:36,000 Speaker 1: gorgeous intellectual clost George Severis. Hi George, how's it going? Wow? Sam? 4 00:00:36,200 --> 00:00:38,720 Speaker 1: So professional? Thank you. I thought it would be like 5 00:00:38,880 --> 00:00:41,360 Speaker 1: I started talking, and normally I feel like I have 6 00:00:41,400 --> 00:00:43,240 Speaker 1: more energy when I started, and this one, I feel 7 00:00:43,280 --> 00:00:44,879 Speaker 1: like I started actually low energy, and I had to 8 00:00:44,920 --> 00:00:47,839 Speaker 1: like find myself, and so then I started to be like, oh, 9 00:00:47,880 --> 00:00:50,760 Speaker 1: it would be funny to like pretend to be uh, 10 00:00:50,960 --> 00:00:55,320 Speaker 1: introducing a show, right, to pretend that you take what 11 00:00:55,360 --> 00:00:58,280 Speaker 1: we do seriously. Yeah, and I'd like to give it 12 00:00:58,320 --> 00:01:00,480 Speaker 1: a little weight. I felt like was kind of fun. 13 00:01:00,520 --> 00:01:02,360 Speaker 1: I feel like I would actually be great at introducing 14 00:01:02,440 --> 00:01:06,280 Speaker 1: people as a career, but I completely I think we 15 00:01:06,319 --> 00:01:08,400 Speaker 1: would both be very good at that. Actually, well, I 16 00:01:08,400 --> 00:01:11,119 Speaker 1: don't know. Maybe I would sound like I'm mocking them. 17 00:01:11,280 --> 00:01:13,479 Speaker 1: I don't know, Like if I when I imagine if 18 00:01:13,480 --> 00:01:17,360 Speaker 1: I ever have the great honor of presenting an Academy award, 19 00:01:17,400 --> 00:01:19,800 Speaker 1: for instance, I would have to when I read the 20 00:01:19,920 --> 00:01:23,319 Speaker 1: like you know how everyone has to like define acting 21 00:01:23,400 --> 00:01:26,800 Speaker 1: before presenting the award. They're like a great actress embodies 22 00:01:27,880 --> 00:01:32,720 Speaker 1: embody as a woman but also has hair. Yeah, I 23 00:01:32,760 --> 00:01:35,320 Speaker 1: would yeah, I would say that, like and it would 24 00:01:35,319 --> 00:01:39,160 Speaker 1: sound like I was mocking Amy Adams or whatever. M No, 25 00:01:39,480 --> 00:01:42,759 Speaker 1: I think coming from you, it would kind of sound 26 00:01:42,840 --> 00:01:45,440 Speaker 1: like I don't say this about a lot of girls, 27 00:01:45,959 --> 00:01:49,400 Speaker 1: Like I think it could sound like really special and 28 00:01:49,840 --> 00:01:52,360 Speaker 1: it would actually be maybe the most special intro of 29 00:01:52,400 --> 00:01:55,520 Speaker 1: the night, thank you. I do prefer I prefer the 30 00:01:55,520 --> 00:01:59,720 Speaker 1: intros for like the categories people quote unquote, like the 31 00:02:00,120 --> 00:02:03,040 Speaker 1: you know, a mainstream non film audience quote unquote doesn't 32 00:02:03,040 --> 00:02:05,200 Speaker 1: care about like when you're introducing like film edit or 33 00:02:05,240 --> 00:02:07,520 Speaker 1: like sound editing, and you have to be like a 34 00:02:07,640 --> 00:02:11,679 Speaker 1: great sound can go from ear to ear, more from 35 00:02:11,720 --> 00:02:16,400 Speaker 1: country to country, transcending language. I know that people are like, 36 00:02:16,639 --> 00:02:19,640 Speaker 1: keep the film editing category. Don't do this. You're gonna 37 00:02:19,639 --> 00:02:25,079 Speaker 1: get hate mail for what good? I say, cut it all, 38 00:02:25,080 --> 00:02:27,440 Speaker 1: I say, got the boring ship. I don't want to 39 00:02:27,480 --> 00:02:30,640 Speaker 1: see it. If I'm watching the Academy Awards, I want 40 00:02:30,880 --> 00:02:35,600 Speaker 1: Best Actress fourteen times. I want I want best actress 41 00:02:35,639 --> 00:02:38,440 Speaker 1: in a blah blah blah, best actress in a superhero movie. 42 00:02:38,480 --> 00:02:41,040 Speaker 1: I want best actress in a in a Prestigi I 43 00:02:41,040 --> 00:02:43,960 Speaker 1: want best actress in a girly movie for the girls. 44 00:02:44,160 --> 00:02:48,640 Speaker 1: I do kind of like adding more genres, specifically girly 45 00:02:48,680 --> 00:02:52,760 Speaker 1: movie and superhero movie to the officers I do I 46 00:02:52,840 --> 00:02:57,400 Speaker 1: disagree with I think all the technical categories need to 47 00:02:57,400 --> 00:02:59,480 Speaker 1: be celebrated. This is a one night they get. Not 48 00:02:59,560 --> 00:03:03,160 Speaker 1: everyone is Jennifer Lawrence. Look if we're celebrating the people 49 00:03:03,160 --> 00:03:06,360 Speaker 1: that are technical, it's like, look, we need a masonry 50 00:03:06,480 --> 00:03:10,160 Speaker 1: night too, Like we should like this. You want to 51 00:03:10,200 --> 00:03:12,680 Speaker 1: celebrate only the humanity is not not the people that 52 00:03:12,720 --> 00:03:15,959 Speaker 1: are STEM. It is actually the oscars are the one 53 00:03:16,160 --> 00:03:19,519 Speaker 1: area in our society where STEM, where people in STEM 54 00:03:19,520 --> 00:03:24,000 Speaker 1: are marginalized. I think that, you know, I'm not a psychopath. 55 00:03:24,000 --> 00:03:26,520 Speaker 1: I understand they deserve to be recognized for their work. 56 00:03:26,720 --> 00:03:29,400 Speaker 1: But I'm just like, I'm not gonna watching this broadcast. 57 00:03:29,400 --> 00:03:31,000 Speaker 1: I'm not gonna be like, you know, who's a great 58 00:03:31,040 --> 00:03:39,760 Speaker 1: film editor? Actually it's stand Borgenstein is actually not very good. No, 59 00:03:39,920 --> 00:03:43,120 Speaker 1: you have to he's overrated. No, it's it's tight editing. 60 00:03:43,120 --> 00:03:47,520 Speaker 1: And I know that maybe that's not everyone style. Flabby editing. 61 00:03:49,120 --> 00:03:52,480 Speaker 1: Well it is. It is an interesting question how to 62 00:03:52,680 --> 00:03:55,960 Speaker 1: make the like the Oscars. It's almost like part of 63 00:03:55,960 --> 00:03:57,760 Speaker 1: it is just the fact that they keep failing over 64 00:03:57,800 --> 00:03:59,760 Speaker 1: and over again. They keep making all the wrong decisions. 65 00:04:00,080 --> 00:04:03,280 Speaker 1: No one is also like, cinema has never been less 66 00:04:03,320 --> 00:04:07,520 Speaker 1: important to mainstream culture, which is kind of sad. I'm 67 00:04:07,520 --> 00:04:10,880 Speaker 1: not kind of sad it is. Let's not it's sad. 68 00:04:11,160 --> 00:04:14,280 Speaker 1: It's sad. Yeah, movies are books now and since that, 69 00:04:14,400 --> 00:04:17,520 Speaker 1: people don't want to watch them. It really it makes 70 00:04:17,520 --> 00:04:20,760 Speaker 1: me feel reactionary because I'm like, no, like we need 71 00:04:20,800 --> 00:04:23,600 Speaker 1: to bring it back, Like how do we do it? Well, 72 00:04:23,720 --> 00:04:28,200 Speaker 1: there's just no way we got to change the like, 73 00:04:28,240 --> 00:04:30,800 Speaker 1: there's no like. It is literally a niche interest to 74 00:04:30,920 --> 00:04:33,600 Speaker 1: be interested in Oscar movies. That used to be the 75 00:04:33,600 --> 00:04:36,560 Speaker 1: most mainstream possible thing was like if you watch like 76 00:04:36,720 --> 00:04:39,239 Speaker 1: old truly, like you know, watch like an old sketch 77 00:04:39,240 --> 00:04:41,440 Speaker 1: show like es How or Chappelle or whatever, they would 78 00:04:41,480 --> 00:04:44,880 Speaker 1: reference movies that now would be considered too niche, Like 79 00:04:45,160 --> 00:04:46,880 Speaker 1: the Oscar movies were. Do you know what I mean? 80 00:04:47,040 --> 00:04:50,880 Speaker 1: It's like yeah, yeah, yeah, like something like uh The Hours. 81 00:04:51,080 --> 00:04:53,520 Speaker 1: It's like that was mainstream culture, whereas if something like 82 00:04:53,560 --> 00:04:54,800 Speaker 1: that came out and now it would be like what 83 00:04:54,839 --> 00:05:02,480 Speaker 1: are you gay? Yeah? I mean, isn't the whole thing, 84 00:05:02,560 --> 00:05:07,040 Speaker 1: like the mid budget movies or whatever. Blah blah blah 85 00:05:07,080 --> 00:05:10,000 Speaker 1: blah blah. But the mid budget movie can be dead, 86 00:05:10,480 --> 00:05:13,800 Speaker 1: but at the very least, like the Oscar movie can 87 00:05:13,839 --> 00:05:16,040 Speaker 1: be like a prestigious thing, but even that no one 88 00:05:16,080 --> 00:05:18,839 Speaker 1: cares about, like basically like it literally doesn't even matter 89 00:05:18,880 --> 00:05:21,839 Speaker 1: if a movie went the best picture. Well, it's also 90 00:05:21,880 --> 00:05:25,960 Speaker 1: because like Oscar movies have like I don't know, sometimes 91 00:05:26,000 --> 00:05:27,599 Speaker 1: I feel like they've eaten their own tail in a 92 00:05:27,640 --> 00:05:30,480 Speaker 1: way where it's like so many Oscar movies feel like 93 00:05:30,680 --> 00:05:35,920 Speaker 1: parodies of Oscar movies. Yes, and I'm like the worst 94 00:05:35,960 --> 00:05:37,800 Speaker 1: time for that was like there was one year where 95 00:05:37,800 --> 00:05:43,239 Speaker 1: there was both The Imitation Game and Theory of Everything, Remember, 96 00:05:44,279 --> 00:05:47,359 Speaker 1: and I was like those are the same. Let's grow 97 00:05:47,440 --> 00:05:50,840 Speaker 1: up and accept that those two movies are the same. Yeah, 98 00:05:50,880 --> 00:05:53,240 Speaker 1: and actually we didn't need either of them. We didn't 99 00:05:53,240 --> 00:05:55,680 Speaker 1: need either of them. I think it started really going 100 00:05:55,720 --> 00:05:58,479 Speaker 1: south with the King's Speech. Like King Speech was a 101 00:05:58,720 --> 00:06:04,400 Speaker 1: huge year for culture as a whole. Flopping. King Speech 102 00:06:04,520 --> 00:06:06,280 Speaker 1: is one of those things that's like it was a 103 00:06:06,320 --> 00:06:09,440 Speaker 1: punchline in the moment, like yeah, like for it to 104 00:06:09,480 --> 00:06:12,000 Speaker 1: win an Oscar is like okay, so nothing means anything. 105 00:06:12,520 --> 00:06:15,960 Speaker 1: Something that people don't realize is that Obama era oscars 106 00:06:16,520 --> 00:06:19,680 Speaker 1: some of the worst years in it. Like, honestly, no 107 00:06:19,800 --> 00:06:24,960 Speaker 1: oscars were better under Trump. I'll say it. No, so 108 00:06:25,160 --> 00:06:30,200 Speaker 1: you're you're arguing, actually, are aren't really thrived under Trump. 109 00:06:30,240 --> 00:06:35,440 Speaker 1: I'll say that specifically, like mid budget Oscar movies, because 110 00:06:35,480 --> 00:06:41,720 Speaker 1: when was hold on, shut up unbelieva? Yeah, Moonlight? Would 111 00:06:41,720 --> 00:06:43,440 Speaker 1: we have gotten that a Hillary one? I don't think so. 112 00:06:44,240 --> 00:06:48,039 Speaker 1: Was Was that was that pre Trump? Because he was? 113 00:06:49,600 --> 00:06:53,320 Speaker 1: It certainly was filmed pre Trump. Yeah, so actually moon 114 00:06:53,400 --> 00:06:57,360 Speaker 1: like is why that was. Trump was a reaction to Moonlight. 115 00:06:57,720 --> 00:07:00,800 Speaker 1: It was a right wing reaction. Trump was a right 116 00:07:00,800 --> 00:07:03,360 Speaker 1: wing reaction to the I can't believe it. I mean yeah, 117 00:07:03,839 --> 00:07:07,719 Speaker 1: specifically to Naomi Harris's performance, am I right? Wow? I 118 00:07:07,720 --> 00:07:13,440 Speaker 1: don't know if that's a drag or phrase it? Okay, 119 00:07:13,880 --> 00:07:15,640 Speaker 1: she plays the mom and a lot of people said 120 00:07:15,680 --> 00:07:21,880 Speaker 1: she her performance was ah made some provocative choices. Well 121 00:07:21,920 --> 00:07:25,440 Speaker 1: maybe I'll have to go back and celebrate that film 122 00:07:25,440 --> 00:07:32,400 Speaker 1: with a closer to mock the actress who plays the mom. Yeah, 123 00:07:32,440 --> 00:07:34,680 Speaker 1: I will say something that's wrong with me is that 124 00:07:34,720 --> 00:07:36,360 Speaker 1: I will be more likely to watch a movie if 125 00:07:36,400 --> 00:07:38,560 Speaker 1: someone's like, no, there's a really bad performance in it. 126 00:07:38,800 --> 00:07:41,080 Speaker 1: Then if they're like, it's actually like a beautiful, quiet 127 00:07:41,120 --> 00:07:43,600 Speaker 1: reflection on you know, grief, I'll be like, no, I 128 00:07:43,640 --> 00:07:46,000 Speaker 1: can probably skip that one. But if they're like this 129 00:07:46,120 --> 00:07:48,120 Speaker 1: actress is like kind of crazy, I'll be like, oh, 130 00:07:48,200 --> 00:07:50,840 Speaker 1: I have to see it. And yet you still haven't 131 00:07:50,840 --> 00:07:54,760 Speaker 1: seen Vox Lux. I know it's that as a movie 132 00:07:54,840 --> 00:07:57,120 Speaker 1: I do want to see and I feel like when 133 00:07:57,160 --> 00:07:59,400 Speaker 1: it comes into my life, I will be happy. But 134 00:07:59,440 --> 00:08:01,520 Speaker 1: I have not seen it yet. You have seen Mother 135 00:08:01,760 --> 00:08:04,240 Speaker 1: we talked about. I mean, Mother is probably one of 136 00:08:04,240 --> 00:08:08,360 Speaker 1: the best movies of all time that the art pop 137 00:08:08,400 --> 00:08:13,600 Speaker 1: up movies for. I mean, listen, I'm just stating the facts. 138 00:08:14,240 --> 00:08:17,040 Speaker 1: Was that Trump era I think so. No, I definitely 139 00:08:17,160 --> 00:08:18,800 Speaker 1: was because I was living in New York. I've never 140 00:08:18,840 --> 00:08:22,760 Speaker 1: lived in New York under Obama, believe it. Or you 141 00:08:23,200 --> 00:08:25,360 Speaker 1: would have loved New York in the Obama you know, 142 00:08:25,440 --> 00:08:27,480 Speaker 1: I really do think I would have. Like that was 143 00:08:27,760 --> 00:08:31,600 Speaker 1: kind of a heyday of the Pitchfork dirty Projectors. So lunge, 144 00:08:32,080 --> 00:08:36,520 Speaker 1: Oh my god, young wild and free, my young wild, 145 00:08:36,600 --> 00:08:41,679 Speaker 1: and you know, at least free on the surface. Second 146 00:08:41,760 --> 00:08:44,400 Speaker 1: second Obama election, I'll out my no, I'm not gonna 147 00:08:44,440 --> 00:08:48,080 Speaker 1: do it. I forgot to vote. I forgot to vote, 148 00:08:48,440 --> 00:08:50,679 Speaker 1: like Obama, like because you were just so happy for 149 00:08:50,760 --> 00:08:54,040 Speaker 1: being out out wild and free, young, wild and free. 150 00:08:54,080 --> 00:08:56,160 Speaker 1: And I was like and I was like, yeah, I 151 00:08:56,200 --> 00:08:58,320 Speaker 1: forgot to vote, but I'm still gonna go to a 152 00:08:58,320 --> 00:09:00,719 Speaker 1: bar and like watch the election result and just like 153 00:09:03,280 --> 00:09:07,240 Speaker 1: and guess what he won and everything. It was no 154 00:09:07,240 --> 00:09:09,640 Speaker 1: no harm done, and you didn't forget to vote in 155 00:09:11,559 --> 00:09:14,000 Speaker 1: I've remembered ever since, but it's something I think about 156 00:09:14,240 --> 00:09:17,160 Speaker 1: my extreme ignorance in the Obama era was truly like 157 00:09:17,240 --> 00:09:19,280 Speaker 1: I forgot to vote, and I was like, well, who cares? 158 00:09:19,400 --> 00:09:21,760 Speaker 1: Like no one and like everything is good in the world. 159 00:09:22,000 --> 00:09:23,760 Speaker 1: Well I also, I mean, listen, we don't have to 160 00:09:23,760 --> 00:09:27,120 Speaker 1: get into it. But like, ultimately I would never not vote. However, 161 00:09:27,280 --> 00:09:29,480 Speaker 1: we do live in New York. New York is not 162 00:09:29,480 --> 00:09:32,520 Speaker 1: going to go to um what's his? Who was running 163 00:09:32,520 --> 00:09:39,920 Speaker 1: at the time? Who wasn't Mitt Romney? I you know, 164 00:09:40,000 --> 00:09:41,920 Speaker 1: isn't that nuts that it was Mitt Romney and Paul Ryan? 165 00:09:42,320 --> 00:09:44,040 Speaker 1: That is nuts? I have had a t VT. Have 166 00:09:44,120 --> 00:09:46,320 Speaker 1: I told you about how my old boss used to 167 00:09:46,360 --> 00:09:49,080 Speaker 1: be Mitt Romney's chief of staff? No, this was like 168 00:09:49,120 --> 00:09:52,360 Speaker 1: many many jobs ago. But I remember finding out and 169 00:09:52,400 --> 00:09:56,400 Speaker 1: being like, well, I guess that's part of my life now. Weird. 170 00:09:57,400 --> 00:10:01,360 Speaker 1: Do they have any juicy Romney gossip? Um, mostly that 171 00:10:01,440 --> 00:10:04,880 Speaker 1: he was an upstanding family man and that she wanted 172 00:10:04,920 --> 00:10:10,000 Speaker 1: him to be president or Yeah. I actually did forget 173 00:10:10,040 --> 00:10:13,280 Speaker 1: completely about that election, and I'm happy for that. I 174 00:10:13,320 --> 00:10:15,200 Speaker 1: hope to forget about all elections. I do think that 175 00:10:15,240 --> 00:10:23,200 Speaker 1: election was very King's speech. Yeah, I would say the 176 00:10:23,240 --> 00:10:26,360 Speaker 1: re election of Obama is the King's speech of elections. 177 00:10:27,480 --> 00:10:29,920 Speaker 1: It was like, Okay, well, congrats, I guess I'm not 178 00:10:30,280 --> 00:10:35,319 Speaker 1: I guess that's good. Um, oh my god. I mean, 179 00:10:36,080 --> 00:10:38,040 Speaker 1: first of all, I feel bad. No one attacked me. 180 00:10:38,080 --> 00:10:43,400 Speaker 1: I vote Sam votes actually illegally multiple times. I voted 181 00:10:43,520 --> 00:10:47,679 Speaker 1: three times for um Biden because I stand by him 182 00:10:47,720 --> 00:10:50,360 Speaker 1: so much. Um in the primaries. You didn't vote in 183 00:10:50,400 --> 00:10:52,160 Speaker 1: the general, but you voted three times for him when 184 00:10:52,160 --> 00:10:55,080 Speaker 1: he was up against Bernie right, Yeah, yeah, I just 185 00:10:55,120 --> 00:11:00,600 Speaker 1: thought Burnie was too loud. Yeah, too loud, too loud, 186 00:11:00,640 --> 00:11:03,520 Speaker 1: and all the Bernie bros. And don't even get me 187 00:11:03,520 --> 00:11:07,280 Speaker 1: stone right right, don't get me started, Bernie brows. Do 188 00:11:07,320 --> 00:11:10,640 Speaker 1: you think it's crazy it's crazy that when when the 189 00:11:10,720 --> 00:11:14,240 Speaker 1: next election comes, inherently life will be like miserable again. 190 00:11:14,400 --> 00:11:18,520 Speaker 1: Like I think I forgot how bad they discourse. It's 191 00:11:18,960 --> 00:11:21,920 Speaker 1: think about it about around Bernie, like on Twitter, it 192 00:11:22,000 --> 00:11:24,319 Speaker 1: was like, oh no, it's going to do that again, 193 00:11:24,360 --> 00:11:29,440 Speaker 1: but about other people. That's why. Which was the King's 194 00:11:29,400 --> 00:11:32,280 Speaker 1: Speech of Elections was the last election that was just chill. 195 00:11:34,559 --> 00:11:37,280 Speaker 1: It's like an everyone chill for one second. I missed 196 00:11:37,280 --> 00:11:39,240 Speaker 1: the election because it was like the only it was 197 00:11:39,240 --> 00:11:43,840 Speaker 1: like the last election that was like vibes. Yeah, people 198 00:11:43,840 --> 00:11:46,240 Speaker 1: were like, let's ignore the issues for four more years. 199 00:11:46,280 --> 00:11:49,240 Speaker 1: We don't have to get into all of it now. Yeah, 200 00:11:49,360 --> 00:11:51,360 Speaker 1: like right now we're just sort of focusing on like 201 00:11:51,600 --> 00:11:55,679 Speaker 1: us and like us. You know, my my official stance 202 00:11:55,720 --> 00:12:00,880 Speaker 1: on the election was I'm focusing on me. That's literally 203 00:12:00,920 --> 00:12:04,280 Speaker 1: why I didn't. It was self care. Yes, it's truly 204 00:12:04,320 --> 00:12:07,120 Speaker 1: at the time. God, at the time, I mean you 205 00:12:07,160 --> 00:12:10,040 Speaker 1: could people could literally be like not voting a self 206 00:12:10,080 --> 00:12:12,319 Speaker 1: care and you would have to just snap, snap snap. 207 00:12:12,440 --> 00:12:14,320 Speaker 1: It was before we got it was before we had 208 00:12:14,400 --> 00:12:18,200 Speaker 1: the kind of the critical thinking two point oh, which 209 00:12:18,240 --> 00:12:21,640 Speaker 1: is the performance of critical thinking without using your brain, 210 00:12:21,679 --> 00:12:24,199 Speaker 1: which is kind of era we're in now. Oh my god, 211 00:12:24,559 --> 00:12:28,320 Speaker 1: I can't keep track. Well, I mean I was like, 212 00:12:28,679 --> 00:12:31,079 Speaker 1: you just forget that, even even though it's only been 213 00:12:31,120 --> 00:12:33,800 Speaker 1: a year, you forget how brain dead trump brow was. 214 00:12:34,040 --> 00:12:37,920 Speaker 1: I recently someone um like I was looking for something 215 00:12:37,920 --> 00:12:39,480 Speaker 1: and then rather than clicking on what I wanted to click, 216 00:12:39,480 --> 00:12:41,440 Speaker 1: I clicked on an article from It was just like 217 00:12:41,480 --> 00:12:43,640 Speaker 1: a culture. It was like about an actor or something. 218 00:12:44,080 --> 00:12:46,480 Speaker 1: But the way it was written, it was like, you 219 00:12:46,480 --> 00:12:48,079 Speaker 1: know how now you would make fun of like this 220 00:12:48,240 --> 00:12:51,720 Speaker 1: course around let's say, toxic masculinity or something. It was 221 00:12:51,760 --> 00:12:56,520 Speaker 1: literally like ever since so and so turned, he realized 222 00:12:56,800 --> 00:12:58,960 Speaker 1: how he had been raised in the culture of toxic 223 00:12:59,000 --> 00:13:02,320 Speaker 1: masculinity and he was able to escape it through wearing 224 00:13:02,559 --> 00:13:08,840 Speaker 1: ankle socks. Like, oh, that was a tough time that 225 00:13:08,840 --> 00:13:11,760 Speaker 1: that article was a paper magazine profile of the actor 226 00:13:11,760 --> 00:13:16,760 Speaker 1: who played Phill of the Future. Yes, well, huge shout 227 00:13:16,760 --> 00:13:18,839 Speaker 1: out to them, huge shout out to him. And and 228 00:13:18,840 --> 00:13:22,160 Speaker 1: I'm like to say something still hot. We'll say that 229 00:13:22,480 --> 00:13:24,880 Speaker 1: today I was looking up his Fill of the Future 230 00:13:24,960 --> 00:13:27,200 Speaker 1: is still hot. That's the last thing that came up 231 00:13:27,760 --> 00:13:31,000 Speaker 1: that was today. It was today, But the last thing 232 00:13:31,000 --> 00:13:36,440 Speaker 1: that that I could find was from Wow, I um, 233 00:13:36,480 --> 00:13:38,080 Speaker 1: I was not a fill of the future. Stand I 234 00:13:38,120 --> 00:13:39,760 Speaker 1: wasn't either. I mean it was after my time, but 235 00:13:39,880 --> 00:13:42,679 Speaker 1: I do remember, like my sisters, like, I remember being 236 00:13:42,720 --> 00:13:46,920 Speaker 1: on TV and I remember being like, huh, who's the 237 00:13:46,960 --> 00:13:49,480 Speaker 1: idea RAI all the conversation. No, no, no, you actually 238 00:13:49,520 --> 00:13:52,320 Speaker 1: put it on the rails. Thank you. Finally we have 239 00:13:52,440 --> 00:13:56,920 Speaker 1: high speed high speed train systems. We were like, you know, 240 00:13:57,520 --> 00:14:00,920 Speaker 1: merely wandering around sort of the Trump era Obama era, 241 00:14:01,200 --> 00:14:02,560 Speaker 1: and then as soon as you said is to fill 242 00:14:02,600 --> 00:14:04,920 Speaker 1: the future still hot, it was actually like and now 243 00:14:05,040 --> 00:14:07,960 Speaker 1: work again. Well, it's like the Trump earra was the 244 00:14:07,960 --> 00:14:10,880 Speaker 1: time during which you could just like write a profile 245 00:14:10,880 --> 00:14:14,120 Speaker 1: about Phil of the future discovering toxic masculinity, and people 246 00:14:14,160 --> 00:14:18,360 Speaker 1: would be like, well this is part this is it. Yeah. 247 00:14:18,640 --> 00:14:20,480 Speaker 1: It sucks that everyone had to sort of nod and 248 00:14:20,520 --> 00:14:22,560 Speaker 1: be like like everyone had to be like, I'm a 249 00:14:22,560 --> 00:14:24,800 Speaker 1: good person still, and it was like, you don't need 250 00:14:24,840 --> 00:14:28,760 Speaker 1: to It's okay, be bad, I would say. The pretty 251 00:14:28,840 --> 00:14:34,640 Speaker 1: much the Trump years were just everyone walking around kind 252 00:14:34,640 --> 00:14:37,520 Speaker 1: of clutching a book and then just saying to one another, 253 00:14:37,560 --> 00:14:42,560 Speaker 1: I'm a good person still. Yeah. It was sort of 254 00:14:42,600 --> 00:14:46,320 Speaker 1: the like the global equivalent of like that Grimes photo 255 00:14:46,360 --> 00:14:52,720 Speaker 1: shoot where she's like holding the Communist manifesto in l A. 256 00:14:53,600 --> 00:14:56,720 Speaker 1: Should we bring our guests? Absolutely, yeah, I think I'm ready. 257 00:14:56,840 --> 00:14:58,760 Speaker 1: I think I'm ready for one of the most important 258 00:14:58,800 --> 00:15:01,480 Speaker 1: voices of our time to entered the convo. Have you 259 00:15:01,520 --> 00:15:04,240 Speaker 1: seen the video of Grime saying a profound silence has 260 00:15:04,400 --> 00:15:11,480 Speaker 1: entered the chat? No, you have it, Pound Silence. There's 261 00:15:11,520 --> 00:15:13,520 Speaker 1: like a famous video that people use as like a 262 00:15:13,560 --> 00:15:16,840 Speaker 1: reaction on Twitter, and it's Grimes saying a profound silence 263 00:15:16,920 --> 00:15:22,720 Speaker 1: has entered the chat. Oh well, I can't think of 264 00:15:22,760 --> 00:15:26,600 Speaker 1: anything more opposite than it sounds silence than what our 265 00:15:26,640 --> 00:15:29,960 Speaker 1: guest is about to bring to the table. So please 266 00:15:30,200 --> 00:15:32,640 Speaker 1: give a glamoury al HOODI who for the one and 267 00:15:32,680 --> 00:15:38,359 Speaker 1: only Dave Mazzoni. Hi boys, Hello Dave. How are you hey? 268 00:15:38,400 --> 00:15:40,600 Speaker 1: I'm good. I'm feeling like I need to rewatch The 269 00:15:40,680 --> 00:15:44,200 Speaker 1: King's speech. You Gotta Got The King is one of 270 00:15:44,200 --> 00:15:46,160 Speaker 1: those movies where, actually, to this day, could not tell 271 00:15:46,160 --> 00:15:49,920 Speaker 1: you if I've watched it. Surely I have. I've seen 272 00:15:49,960 --> 00:15:52,280 Speaker 1: it once, but it's just it's making me feel like 273 00:15:52,320 --> 00:15:54,960 Speaker 1: I need to revisit. Yeah, no, you you have to. 274 00:15:55,280 --> 00:15:56,600 Speaker 1: I'd like to bring. I'd like to bring up The 275 00:15:56,640 --> 00:15:59,240 Speaker 1: king Speech every ten minutes on this episode if we could. 276 00:16:00,200 --> 00:16:02,360 Speaker 1: It really is. It's interesting because now there's some kind 277 00:16:02,360 --> 00:16:04,240 Speaker 1: of movie called The King's Man, and I'm pretty sure 278 00:16:04,320 --> 00:16:07,480 Speaker 1: Colin Firth is in it. It's like the How I 279 00:16:07,520 --> 00:16:14,360 Speaker 1: Met Your Father of the Speech? Like wait, what, Yeah, 280 00:16:15,080 --> 00:16:17,480 Speaker 1: isn't that a franchise that it is? It's like and 281 00:16:17,520 --> 00:16:20,120 Speaker 1: there's like multiple Yeah, it's like I've never seen one. 282 00:16:20,160 --> 00:16:23,120 Speaker 1: And if I'm wrong, please at me on all social 283 00:16:23,120 --> 00:16:25,080 Speaker 1: media platforms. I'm pretty sure the first one is called 284 00:16:25,320 --> 00:16:27,640 Speaker 1: The Kingsman, and now this one is called The King's Man, 285 00:16:30,560 --> 00:16:33,960 Speaker 1: The King's Speech, The King's Man, What about the what 286 00:16:34,040 --> 00:16:38,720 Speaker 1: about the Queens? What could you have? Wow? You know, George, 287 00:16:39,240 --> 00:16:42,400 Speaker 1: that is coming from someone who clearly realized they grew 288 00:16:42,480 --> 00:16:51,200 Speaker 1: up in toxic masculinity. I finally realized that break free. Um, Dave, 289 00:16:51,360 --> 00:16:55,600 Speaker 1: are you? Um? How's like, how's like your weekend or whatever? 290 00:16:55,920 --> 00:17:00,640 Speaker 1: Is that? It's just like, I want to break this 291 00:17:00,760 --> 00:17:03,920 Speaker 1: sort of political King's Speech. I know we have two 292 00:17:03,920 --> 00:17:08,520 Speaker 1: people when we get political. Um. I was out on 293 00:17:08,560 --> 00:17:10,359 Speaker 1: the Lower Eastide last night for the first time in 294 00:17:10,359 --> 00:17:13,840 Speaker 1: a very long time. Wait, Dave, I was too. I 295 00:17:13,840 --> 00:17:16,640 Speaker 1: haven't been out in such a long time. It's so straight. 296 00:17:17,880 --> 00:17:20,800 Speaker 1: It was like, well, I ended up at Boiler Room, 297 00:17:20,800 --> 00:17:24,560 Speaker 1: which is like a classic, a classic finale to an Easterly. Yes. Sure, 298 00:17:24,680 --> 00:17:29,199 Speaker 1: did it stink like stewage like pistons? Yeah it was. 299 00:17:29,400 --> 00:17:33,080 Speaker 1: The building was rotting and the drinks were wretched, but 300 00:17:33,119 --> 00:17:39,600 Speaker 1: the jukebox was working. Yeah. That Plaze really has such 301 00:17:39,640 --> 00:17:41,359 Speaker 1: a soft spot in my heart, and which is kind 302 00:17:41,400 --> 00:17:46,000 Speaker 1: of crazy because it always stinks horribly well, it is 303 00:17:46,080 --> 00:17:47,720 Speaker 1: like what are those things where you enter and you're 304 00:17:47,760 --> 00:17:50,840 Speaker 1: like is this is this place still open? Or are 305 00:17:50,840 --> 00:17:56,000 Speaker 1: we squatting here? Like this does not look like this. Fully, 306 00:17:56,040 --> 00:17:57,960 Speaker 1: every time I go there, I'm always like, either we 307 00:17:58,000 --> 00:18:00,359 Speaker 1: can go there or it is closed. I don't know. 308 00:18:00,600 --> 00:18:03,120 Speaker 1: It's like it's gotta it's either like been foreclosed upon 309 00:18:03,320 --> 00:18:05,760 Speaker 1: or it's smells like ship like. I wouldn't be surprised 310 00:18:05,760 --> 00:18:07,480 Speaker 1: if someone entered and was there was like the police 311 00:18:07,480 --> 00:18:10,320 Speaker 1: and they were like, you guys, this place is not open. 312 00:18:13,640 --> 00:18:15,880 Speaker 1: I'm just like some random people have occupied the bar 313 00:18:16,000 --> 00:18:20,359 Speaker 1: and are playing bartender. Yeah. I've been like conspiratorial about 314 00:18:20,400 --> 00:18:22,320 Speaker 1: the Boiling Room before, where I'm like, are they trying 315 00:18:22,359 --> 00:18:23,840 Speaker 1: to get it to, like, are they trying to get 316 00:18:23,840 --> 00:18:27,160 Speaker 1: people to go away so they can justify shutting down? 317 00:18:27,240 --> 00:18:29,520 Speaker 1: Like I'm like, what is the narrative going on here? 318 00:18:29,720 --> 00:18:34,479 Speaker 1: They're gonna collect insurance money. Yeah, it's probably the smartest 319 00:18:34,480 --> 00:18:36,080 Speaker 1: thing they do. But I was very like, get out. 320 00:18:36,080 --> 00:18:37,920 Speaker 1: But also we were there late, and the clocks went 321 00:18:38,000 --> 00:18:41,040 Speaker 1: forward last night, so it became like four fifteen, like 322 00:18:41,160 --> 00:18:44,440 Speaker 1: very quickly, and we were all like, all right, it's time. Yeah. 323 00:18:45,200 --> 00:18:48,960 Speaker 1: I went out last to be out during daylight savings. 324 00:18:49,000 --> 00:18:57,359 Speaker 1: I've never found myself. And we were like three. It 325 00:18:57,480 --> 00:18:59,719 Speaker 1: was dumb. I mean, we went because we were supposed 326 00:18:59,720 --> 00:19:02,159 Speaker 1: to go to a friend of ours birthday at this 327 00:19:02,280 --> 00:19:04,840 Speaker 1: straight club and we went and we were on this list. 328 00:19:04,880 --> 00:19:07,080 Speaker 1: She had a capacity and I guess it was met 329 00:19:07,119 --> 00:19:10,159 Speaker 1: and to let us in, they wanted two hundred dollars 330 00:19:10,359 --> 00:19:14,600 Speaker 1: per person at this this club called Escondido in the 331 00:19:14,640 --> 00:19:17,480 Speaker 1: Lower East Side for anyone listening, don't go there. It 332 00:19:17,600 --> 00:19:19,520 Speaker 1: is not worth it. I mean, we did not go in. 333 00:19:19,600 --> 00:19:21,399 Speaker 1: We went to boiler Room instead, and we went from 334 00:19:21,440 --> 00:19:24,560 Speaker 1: two hundred dollars ahead to enter to like five dollars 335 00:19:24,600 --> 00:19:29,719 Speaker 1: cash for a Vodkasota. That will kill you. Yeah, like 336 00:19:29,840 --> 00:19:32,760 Speaker 1: paying a cover in this day and age, it's like, 337 00:19:33,119 --> 00:19:35,399 Speaker 1: have you not gotten the memo We're not doing toxic 338 00:19:35,440 --> 00:19:39,040 Speaker 1: masculinity anymore and also need to be this profile like 339 00:19:39,119 --> 00:19:41,879 Speaker 1: and another element of straight cultures, like the for girls 340 00:19:41,920 --> 00:19:43,919 Speaker 1: it was like twenty bucks and for a minute was 341 00:19:44,040 --> 00:19:46,920 Speaker 1: two hundred. Basically they wanted you to buy bottles, like 342 00:19:46,920 --> 00:19:48,000 Speaker 1: in order to come in, you had to buy a 343 00:19:48,000 --> 00:19:51,960 Speaker 1: bottle of alcohol. I'll say to that, why not how 344 00:19:51,960 --> 00:19:55,840 Speaker 1: about you how about how about we give women equal 345 00:19:55,960 --> 00:20:00,920 Speaker 1: pay instead? I agree, I agree. That's what I should 346 00:20:00,920 --> 00:20:02,680 Speaker 1: have said to that bouncer. I don't know, I don't 347 00:20:02,680 --> 00:20:04,200 Speaker 1: know why I did it. You should have said, I 348 00:20:04,240 --> 00:20:06,440 Speaker 1: will not pay three hundred dollars until women have equal 349 00:20:07,640 --> 00:20:13,160 Speaker 1: and I will wait, just like tapping my little gate 350 00:20:13,200 --> 00:20:18,160 Speaker 1: foot just okay, so wait, does that mean people were 351 00:20:18,200 --> 00:20:20,960 Speaker 1: paying that kind of girl? I do not know, but 352 00:20:21,240 --> 00:20:24,040 Speaker 1: there was people waiting online that we're like waiting to 353 00:20:24,119 --> 00:20:27,000 Speaker 1: be allowed to be to be given the chance to 354 00:20:27,040 --> 00:20:30,919 Speaker 1: pay that cover. It's like, yeah, like nightclub culture of 355 00:20:30,960 --> 00:20:35,160 Speaker 1: the type that you imagine, you know, kind of Lindsay 356 00:20:35,160 --> 00:20:37,640 Speaker 1: Lohan and Paris Hilton doing in like two thousand five. 357 00:20:37,800 --> 00:20:39,679 Speaker 1: You kind of think that's over, but it's not like 358 00:20:39,760 --> 00:20:43,240 Speaker 1: that is that still exists and people celebrated every day 359 00:20:43,240 --> 00:20:47,359 Speaker 1: by paying two hundred dollars. And this place I know 360 00:20:47,520 --> 00:20:49,879 Speaker 1: is like very instagram me. It's like lots of like 361 00:20:50,240 --> 00:20:53,680 Speaker 1: really cool wallpapers and like bathrooms that are like perfect 362 00:20:53,720 --> 00:20:55,800 Speaker 1: to like I don't know, it's just like people will 363 00:20:55,840 --> 00:20:58,000 Speaker 1: pay whatever to go in and like just give the 364 00:20:58,040 --> 00:21:00,879 Speaker 1: illusion of the night out that they want the Lohan 365 00:21:01,080 --> 00:21:04,240 Speaker 1: of now. I meanwhile, you know, go to boiler Room. 366 00:21:04,359 --> 00:21:06,880 Speaker 1: Just take one breath and you get food points. Yeah, 367 00:21:06,960 --> 00:21:09,040 Speaker 1: you can also be the Lindsay Lohan of now if 368 00:21:09,040 --> 00:21:16,159 Speaker 1: you just go to boiler Room. It is scary to 369 00:21:16,240 --> 00:21:19,200 Speaker 1: me thinking about straight people going to a club, like 370 00:21:19,440 --> 00:21:23,600 Speaker 1: that's like I forgot that they could enjoy such a thing. Well, 371 00:21:23,600 --> 00:21:25,600 Speaker 1: you kind have you ever been forced to go to 372 00:21:25,640 --> 00:21:27,399 Speaker 1: a straight club for like some birthday or something and 373 00:21:27,440 --> 00:21:29,600 Speaker 1: just like have to exist? Not since I was like 374 00:21:29,920 --> 00:21:33,560 Speaker 1: twenty four, I feel like, well I'm now yeah, yeah, 375 00:21:33,640 --> 00:21:35,719 Speaker 1: I guess so. I mean it's like because I've been 376 00:21:35,760 --> 00:21:37,840 Speaker 1: I've definitely been forced to go to like, you know, 377 00:21:37,920 --> 00:21:40,280 Speaker 1: just like a dive bar for like a casual birthday. 378 00:21:40,320 --> 00:21:43,159 Speaker 1: But in terms of like a nightclub, it's like, have 379 00:21:43,280 --> 00:21:48,399 Speaker 1: you ever been dragged to Tao? Oh my god, I 380 00:21:48,480 --> 00:21:51,480 Speaker 1: am gone like um, like one okuy went one time 381 00:21:51,520 --> 00:21:54,040 Speaker 1: for like this girl at at in my n y 382 00:21:54,160 --> 00:21:56,720 Speaker 1: US like class, which yes, absolutely a plug. I'm an 383 00:21:56,840 --> 00:22:00,560 Speaker 1: n y U girl. U shout out to n y 384 00:22:00,640 --> 00:22:06,280 Speaker 1: U where my tissue girls at makes some noise, you know. 385 00:22:06,359 --> 00:22:10,080 Speaker 1: I know I've always I always was a tishe ally 386 00:22:10,240 --> 00:22:12,879 Speaker 1: and and later in life I've now so many Gallatin 387 00:22:13,160 --> 00:22:16,680 Speaker 1: girls have have now become part of my life. Absolutely, 388 00:22:19,720 --> 00:22:21,399 Speaker 1: It's so funny living in New York and you just 389 00:22:21,440 --> 00:22:23,800 Speaker 1: have to know, like the different schools within n y U. 390 00:22:24,760 --> 00:22:27,359 Speaker 1: Oh my god, this happened the other day. Someone didn't 391 00:22:27,359 --> 00:22:29,639 Speaker 1: know what Gallatin was. Literally, I know nothing about n 392 00:22:29,720 --> 00:22:31,399 Speaker 1: y U, but you just have to. I mean, you 393 00:22:32,040 --> 00:22:34,840 Speaker 1: just learned the independent study. It's like you sort of 394 00:22:34,880 --> 00:22:36,920 Speaker 1: choose your own major. And I was like, someone didn't 395 00:22:36,960 --> 00:22:38,880 Speaker 1: know what Gallatin was, and I was like, you must 396 00:22:38,880 --> 00:22:44,280 Speaker 1: mean you did you just moved to New York. Yeah, 397 00:22:44,320 --> 00:22:46,600 Speaker 1: it is so you were dragged to tow by a 398 00:22:46,680 --> 00:22:49,200 Speaker 1: tish Gurly what um No, I was dragged to one 399 00:22:49,200 --> 00:22:52,440 Speaker 1: oh by a girl. It's just a nightmare. It's like 400 00:22:52,440 --> 00:22:55,240 Speaker 1: a bunch of girls you know, like on leather Bank cats, 401 00:22:55,320 --> 00:22:57,760 Speaker 1: like guarding of v I P section and like people 402 00:22:57,800 --> 00:23:01,000 Speaker 1: doing coke everywhere and wait online for a really long time. 403 00:23:01,040 --> 00:23:02,720 Speaker 1: I was like probably twenty two at the time, so 404 00:23:02,760 --> 00:23:04,960 Speaker 1: I definitely guarantee I was waiting online for like an hour. 405 00:23:05,800 --> 00:23:09,119 Speaker 1: To me, a straight night club is basically either a 406 00:23:09,240 --> 00:23:12,040 Speaker 1: front for the mafia or a front from some kind 407 00:23:12,040 --> 00:23:15,000 Speaker 1: of other organized crime. There's a there's a darkness to 408 00:23:15,040 --> 00:23:17,200 Speaker 1: it that is way different than because the darkness at 409 00:23:17,200 --> 00:23:20,440 Speaker 1: a gay club is just that there's a secret room 410 00:23:20,440 --> 00:23:23,760 Speaker 1: where everyone is having an orgy. Yes, and once you 411 00:23:23,760 --> 00:23:25,440 Speaker 1: get used to that then you can celebrate it. But 412 00:23:25,440 --> 00:23:27,880 Speaker 1: the darkness is a straight club is like someone has 413 00:23:27,880 --> 00:23:32,560 Speaker 1: been murdered. Yeah, that has That's like a part of 414 00:23:32,600 --> 00:23:35,520 Speaker 1: it for sure. I definitely think that there's like a 415 00:23:35,600 --> 00:23:38,080 Speaker 1: darkness and straight clubs that just like always makes me 416 00:23:38,160 --> 00:23:40,640 Speaker 1: uncomfortable because it just feels like, I don't know, like 417 00:23:41,080 --> 00:23:42,760 Speaker 1: I guess gay people are sort of the same, where 418 00:23:42,760 --> 00:23:44,840 Speaker 1: all they're all like getting drunk and like seedy looking 419 00:23:44,880 --> 00:23:46,399 Speaker 1: at each other to like hook up and funk. But 420 00:23:46,440 --> 00:23:47,840 Speaker 1: for some reason, in a straight club, I just like 421 00:23:47,880 --> 00:23:50,040 Speaker 1: get defensive over all the women and I just worry 422 00:23:50,119 --> 00:23:53,960 Speaker 1: the whole time. Yes, I literally you walk around and 423 00:23:53,960 --> 00:23:56,680 Speaker 1: you're like you don't want to pull everyone aside and 424 00:23:56,760 --> 00:23:58,879 Speaker 1: be like it doesn't have to be like this. You 425 00:23:58,920 --> 00:24:01,199 Speaker 1: don't have to do this. Men are not safe. I 426 00:24:01,240 --> 00:24:04,919 Speaker 1: am one. I'm telling you they're not safe. I It 427 00:24:05,040 --> 00:24:07,240 Speaker 1: also like in a gay club, you have the facade 428 00:24:07,240 --> 00:24:10,359 Speaker 1: of like like we're being silly and dancing to pop 429 00:24:10,400 --> 00:24:13,280 Speaker 1: songs or whatever. And I feel like in a straight club, 430 00:24:13,320 --> 00:24:16,719 Speaker 1: you don't like if you're a man, if why are 431 00:24:16,760 --> 00:24:22,080 Speaker 1: you as a man dancing to a pop song? It's 432 00:24:22,119 --> 00:24:26,119 Speaker 1: like there's anything about it. But also like its god, 433 00:24:26,160 --> 00:24:30,480 Speaker 1: it if the gender like okay, what about this? The 434 00:24:30,520 --> 00:24:33,640 Speaker 1: fact that like men, it's like the performance of men 435 00:24:33,720 --> 00:24:35,720 Speaker 1: being like, well, I don't dance because dancing is gay, 436 00:24:35,760 --> 00:24:38,080 Speaker 1: but then women like dragging them to the dance floor 437 00:24:38,160 --> 00:24:40,399 Speaker 1: and like they the men look miserable and they're like, 438 00:24:40,440 --> 00:24:42,760 Speaker 1: I'm just here because I gotta put in my hour 439 00:24:42,920 --> 00:24:45,160 Speaker 1: so I can so I can get some sex later. 440 00:24:46,600 --> 00:24:50,560 Speaker 1: That's really good Stan, But it is like, god, I 441 00:24:50,600 --> 00:24:52,159 Speaker 1: was thinking about this what I was at a wedding 442 00:24:52,200 --> 00:24:56,240 Speaker 1: the other week. Just like the the fact that when 443 00:24:56,280 --> 00:24:58,800 Speaker 1: you are a straight couple, at every turn you have 444 00:24:58,960 --> 00:25:04,000 Speaker 1: to kind of like negotiate gender differences, you know what 445 00:25:04,040 --> 00:25:06,760 Speaker 1: I mean. It seems exhausting. It seems just like, oh 446 00:25:06,840 --> 00:25:10,120 Speaker 1: my god, there's a tiresome must be another way. Yeah. 447 00:25:10,840 --> 00:25:13,840 Speaker 1: I think I remember like listening to when I was younger, 448 00:25:13,920 --> 00:25:17,960 Speaker 1: hearing like Cascana that song every time we touch, and 449 00:25:18,000 --> 00:25:20,320 Speaker 1: I remember like dancing to it really hard and really 450 00:25:20,359 --> 00:25:22,360 Speaker 1: fucking loving it, and I was like, Wow, this song 451 00:25:22,480 --> 00:25:25,200 Speaker 1: is fucking amazing, and I was like, something's wrong about this. 452 00:25:25,440 --> 00:25:31,720 Speaker 1: I don't think I'm like the other girls. So yeah, 453 00:25:32,040 --> 00:25:34,120 Speaker 1: I guess I would bump up against a street guy 454 00:25:34,119 --> 00:25:36,560 Speaker 1: who was just ethic club to purely enjoy, sort of 455 00:25:36,600 --> 00:25:40,800 Speaker 1: like a Kesha like Timber remix. It's like, I don't 456 00:25:40,800 --> 00:25:42,560 Speaker 1: know what do we want them to do. It's like 457 00:25:42,600 --> 00:25:44,679 Speaker 1: I don't want them to be seedy annoying, but I 458 00:25:44,720 --> 00:25:47,199 Speaker 1: also am nervous if they are actually enjoying themselves and 459 00:25:47,240 --> 00:25:49,639 Speaker 1: just dancing for fun. No, You're absolutely right, which is why, like, 460 00:25:49,760 --> 00:25:54,280 Speaker 1: ultimately it is the most difficult being a straight guy culturally, 461 00:25:54,440 --> 00:25:56,639 Speaker 1: not not in terms of actual power, but just in 462 00:25:56,720 --> 00:26:01,560 Speaker 1: terms of like every day, everyday culture is an impossible position. 463 00:26:01,920 --> 00:26:06,119 Speaker 1: You can't get this post is about right. It's true truly. 464 00:26:06,240 --> 00:26:08,440 Speaker 1: It's like if I was a strike I what how 465 00:26:08,480 --> 00:26:11,760 Speaker 1: would I act in order to make a good impression. 466 00:26:11,960 --> 00:26:14,680 Speaker 1: I would probably just lock myself in a room and 467 00:26:14,760 --> 00:26:18,879 Speaker 1: never leie. Honestly, yeah, more I think more stra I 468 00:26:18,920 --> 00:26:21,400 Speaker 1: should try that, too bad, it would be the wrong 469 00:26:21,440 --> 00:26:24,639 Speaker 1: ones that would actually have that self awareness. That's always 470 00:26:24,640 --> 00:26:27,800 Speaker 1: the issue. The nice ones would be the ones locking 471 00:26:27,840 --> 00:26:31,360 Speaker 1: themselves up. But but truly, like what would either if 472 00:26:31,359 --> 00:26:35,520 Speaker 1: you were a straight man, how would you continue? You 473 00:26:35,520 --> 00:26:37,560 Speaker 1: know what I mean? Like if you're trying to like 474 00:26:37,600 --> 00:26:39,280 Speaker 1: go to a club and enjoy yourself and have like 475 00:26:39,320 --> 00:26:41,160 Speaker 1: a I'm having a straight into the club and I'm 476 00:26:41,240 --> 00:26:45,120 Speaker 1: not making any waves and I'm being a good, straight, ethical, 477 00:26:45,480 --> 00:26:49,520 Speaker 1: non toxic straight man. I think you like have a 478 00:26:49,640 --> 00:26:54,400 Speaker 1: nice wine. It basically goes back to wine. Well, that's 479 00:26:54,400 --> 00:26:57,600 Speaker 1: also you get into like like you go to like 480 00:26:57,720 --> 00:27:00,879 Speaker 1: music shows, like that's sort of it you like because 481 00:27:00,880 --> 00:27:03,840 Speaker 1: that's like a non hook up ee but still like 482 00:27:04,200 --> 00:27:09,640 Speaker 1: loud dancing space totally yeah, either to support are you're 483 00:27:09,640 --> 00:27:11,960 Speaker 1: there to like connect with one of your interests that 484 00:27:12,280 --> 00:27:15,440 Speaker 1: like I guess it's like yeah that makes sense. Okay, Yeah, 485 00:27:15,440 --> 00:27:18,560 Speaker 1: so we don't do clubs. You go to concerts with 486 00:27:18,600 --> 00:27:21,520 Speaker 1: your girlfriend and with another couple that you know from work. 487 00:27:23,000 --> 00:27:25,520 Speaker 1: That is the most way, That is the most ethical 488 00:27:25,520 --> 00:27:28,159 Speaker 1: way to be a straight man. You Also, I do 489 00:27:28,200 --> 00:27:31,080 Speaker 1: think clubs like Capital C clubs are are off the 490 00:27:31,080 --> 00:27:34,719 Speaker 1: table unfortunately. But I think like you can find like 491 00:27:34,760 --> 00:27:37,959 Speaker 1: a small bar with dancing that like is kind of 492 00:27:38,000 --> 00:27:41,280 Speaker 1: like playful and isn't like I'm here to like hook 493 00:27:41,400 --> 00:27:43,880 Speaker 1: up with chicks, but it's like I'm here to dance 494 00:27:43,920 --> 00:27:47,680 Speaker 1: a little and like be fun with like three friends. Okay, great. 495 00:27:47,840 --> 00:27:49,879 Speaker 1: I feel like the club could also be a transition, 496 00:27:50,080 --> 00:27:52,040 Speaker 1: Like it could be like you, I would go to 497 00:27:52,280 --> 00:27:54,439 Speaker 1: that fun, divy bar that has like dancing, or to 498 00:27:54,520 --> 00:27:56,639 Speaker 1: the concert and then be like, hey, you want to 499 00:27:56,640 --> 00:28:00,359 Speaker 1: get out of here right there? And then maybe they 500 00:28:00,359 --> 00:28:02,080 Speaker 1: would want to go dance? Was that good? How did 501 00:28:02,080 --> 00:28:05,439 Speaker 1: that turn on? Like? Every woman listening to this is 502 00:28:05,480 --> 00:28:08,920 Speaker 1: like stopping wet. Now. I hope to make all the 503 00:28:08,960 --> 00:28:13,480 Speaker 1: stradio lab but listeners sopping wet. That's the goal every episode. 504 00:28:14,600 --> 00:28:18,200 Speaker 1: Not all our guests have achieved. No, no, no, I'm 505 00:28:18,240 --> 00:28:20,000 Speaker 1: working hard to do it. And another way I can 506 00:28:20,040 --> 00:28:23,719 Speaker 1: do it is by mentioning the King's speech is one 507 00:28:23,720 --> 00:28:28,280 Speaker 1: of the hottest movies. Do you like that? Um, Dave, 508 00:28:28,359 --> 00:28:30,040 Speaker 1: I think it might be time for our first segment. 509 00:28:30,280 --> 00:28:33,800 Speaker 1: Sam Georgia is completely right. So our first segment is 510 00:28:33,840 --> 00:28:36,240 Speaker 1: called straight Shooters. And in this segment we ask you 511 00:28:36,280 --> 00:28:40,040 Speaker 1: a series of completely nonsensical questions where you have to 512 00:28:40,120 --> 00:28:45,120 Speaker 1: choose one thing or another thing. And these are with 513 00:28:45,200 --> 00:28:48,960 Speaker 1: the intention of us gauging your familiarity with and complicity 514 00:28:49,000 --> 00:28:52,040 Speaker 1: and straight culture. And the one rule is you can't 515 00:28:52,040 --> 00:28:54,680 Speaker 1: ask any follow up questions or anything about how the 516 00:28:54,680 --> 00:29:00,440 Speaker 1: game works. Okay, I'm in Okay, Sam, take it away? Okay, 517 00:29:00,560 --> 00:29:07,440 Speaker 1: Dave um being the Valedictorian or being a mandalorian being 518 00:29:07,440 --> 00:29:11,480 Speaker 1: the Valedictorian. Okay, Dave. Saturdays are for the boys, or 519 00:29:11,720 --> 00:29:17,040 Speaker 1: on Wednesdays we wear pink Um Saturdays for the boys. Okay, 520 00:29:17,280 --> 00:29:21,400 Speaker 1: Jesse J or Juicy Juice Jesse J. Justice for Jesse J. 521 00:29:21,720 --> 00:29:24,600 Speaker 1: All day. You are the only gay on earth that 522 00:29:24,640 --> 00:29:27,080 Speaker 1: believes that I love that. No one cares. She's the 523 00:29:27,120 --> 00:29:32,320 Speaker 1: best singer alive. No, not one person cares at all, Okay, Dave. 524 00:29:32,800 --> 00:29:36,200 Speaker 1: Cracking your iPhone screen or cracking the da Vinci code. 525 00:29:37,880 --> 00:29:43,840 Speaker 1: Cracking the da Vinci code okay, okay, love me or 526 00:29:43,840 --> 00:29:46,240 Speaker 1: hate me? It's still an obsession. Or to be or 527 00:29:46,280 --> 00:29:49,600 Speaker 1: not to be? That is the question. I love that. 528 00:29:50,600 --> 00:29:53,160 Speaker 1: Wait who is this artist? Love me or hate me? 529 00:29:53,160 --> 00:29:57,400 Speaker 1: It's still an obsession. Wait, it's Sam's favorite song all 530 00:29:57,440 --> 00:30:02,040 Speaker 1: the time. Wait, who is it? Lady Sovereign, Lady Starburn, Okay, 531 00:30:02,080 --> 00:30:04,040 Speaker 1: Lady Salving. I have to I'm listening to that as 532 00:30:04,040 --> 00:30:07,120 Speaker 1: soon as we are over. Okay, Dave, making it rain 533 00:30:07,480 --> 00:30:13,360 Speaker 1: or voting for John McCain, um making it rain? This 534 00:30:13,400 --> 00:30:17,000 Speaker 1: one's not good. I was. I ran Okay, Yeah, okay, 535 00:30:17,040 --> 00:30:21,200 Speaker 1: this one's just pretty straightforward and actually really obvious. Um filthy, 536 00:30:21,280 --> 00:30:27,080 Speaker 1: rich or poor? I don't know. I don't know money 537 00:30:27,160 --> 00:30:31,280 Speaker 1: with with money comes a lot of problems. I guess 538 00:30:31,280 --> 00:30:33,000 Speaker 1: I'll stay here from the thirty sixth floor of this 539 00:30:33,080 --> 00:30:39,240 Speaker 1: luxury high rise in Midtome, Manhattan. Rich. Um, okay, Dave, 540 00:30:40,080 --> 00:30:49,600 Speaker 1: go fund me or go fuck yourself, Go fund yourself? Perfect? Wow, Dave. 541 00:30:50,040 --> 00:30:52,920 Speaker 1: You know, we rank everyone's performance on the skill of 542 00:30:53,360 --> 00:30:56,280 Speaker 1: zero to one doves, and to me, that was a 543 00:30:56,360 --> 00:31:04,160 Speaker 1: near perfect score. Yeah, a thousand thousand h I love 544 00:31:04,200 --> 00:31:06,680 Speaker 1: that song. I think it's one of my favorites off 545 00:31:06,680 --> 00:31:08,239 Speaker 1: the album I don't know one feels that way, but 546 00:31:08,520 --> 00:31:11,600 Speaker 1: I'm excited for we need to know we have not 547 00:31:11,720 --> 00:31:15,120 Speaker 1: I have tickets, tickets, you have tickets? Yeah, I have 548 00:31:15,240 --> 00:31:19,600 Speaker 1: two tickets. Well wow, I wouldn't mind. They were already 549 00:31:19,640 --> 00:31:21,560 Speaker 1: sold out, like immediately bow And said maybe he could 550 00:31:21,600 --> 00:31:24,480 Speaker 1: make it happen. That's kind of what I mean. I 551 00:31:24,520 --> 00:31:26,160 Speaker 1: was like when he said that, I was like, Okay, great, 552 00:31:26,200 --> 00:31:28,480 Speaker 1: I don't have to do anything. He's gonna get a ticket. Yeah. 553 00:31:28,880 --> 00:31:31,400 Speaker 1: I sort of backed off as well. I'll follow up 554 00:31:31,400 --> 00:31:34,720 Speaker 1: with whatever I do. I do need to go because 555 00:31:34,720 --> 00:31:36,360 Speaker 1: I've I mean, we can't get into this. The other 556 00:31:36,400 --> 00:31:38,960 Speaker 1: thing is right now. It is my job and I 557 00:31:39,000 --> 00:31:41,600 Speaker 1: have I need to get back to Sam on this, 558 00:31:41,680 --> 00:31:43,320 Speaker 1: but it is my job to get tickets for Sam 559 00:31:43,520 --> 00:31:46,360 Speaker 1: to see Hi. I am in Madison Square Garden and 560 00:31:47,400 --> 00:31:49,960 Speaker 1: it'll be fun. Yeah, it's gonna be fun. George is 561 00:31:49,960 --> 00:31:54,600 Speaker 1: our official recreations event planner, and I did find tickets 562 00:31:55,000 --> 00:31:59,680 Speaker 1: text about them. But yeah, I weirdly, Oh, I actually haven't. 563 00:32:00,120 --> 00:32:01,800 Speaker 1: I don't know if I've told you this, Sam, But 564 00:32:01,880 --> 00:32:04,560 Speaker 1: like so, I have always liked time like unlike you, 565 00:32:05,000 --> 00:32:08,840 Speaker 1: I never had to forgive them. He did last year. Yeah, 566 00:32:08,840 --> 00:32:13,480 Speaker 1: I famously had to forgive them what happened. Sam first 567 00:32:13,560 --> 00:32:15,680 Speaker 1: didn't like them, and they went to see them at 568 00:32:15,680 --> 00:32:19,800 Speaker 1: a very early show at Le Poisson Rouge in New York. 569 00:32:19,960 --> 00:32:25,720 Speaker 1: It was like France in Paris um and they were 570 00:32:25,760 --> 00:32:28,960 Speaker 1: like really annoying and it was like a really annoying show. 571 00:32:29,240 --> 00:32:32,240 Speaker 1: And so I forever after that was like fuck them. 572 00:32:32,600 --> 00:32:34,560 Speaker 1: And I truly was like every song that came out, 573 00:32:34,600 --> 00:32:37,720 Speaker 1: I was like angry about it. And then they stuck around, 574 00:32:37,760 --> 00:32:40,360 Speaker 1: stuck around, and then Women in Music Part three came out, 575 00:32:40,400 --> 00:32:42,840 Speaker 1: and I said, you know what, I actually love this 576 00:32:43,040 --> 00:32:46,080 Speaker 1: and I forgive them. Whereas I always liked them, but 577 00:32:46,160 --> 00:32:50,440 Speaker 1: recently I would say I have I literally listened to 578 00:32:50,480 --> 00:32:52,000 Speaker 1: them all day long in a way that I have. 579 00:32:52,080 --> 00:32:54,440 Speaker 1: I don't know why. I think there's they're just the 580 00:32:54,520 --> 00:32:56,720 Speaker 1: right level of easy listening, no offense to them. They're 581 00:32:56,800 --> 00:32:59,560 Speaker 1: very talented, but it's not challenging music, like you really 582 00:32:59,640 --> 00:33:02,280 Speaker 1: can kind of put it on totally and to me, 583 00:33:02,440 --> 00:33:04,800 Speaker 1: but it's not brain dead, it's not it's not like 584 00:33:05,080 --> 00:33:08,080 Speaker 1: it's just down the middle enough. And I have truly 585 00:33:08,120 --> 00:33:11,240 Speaker 1: become their number one fan. I listened to them all 586 00:33:11,320 --> 00:33:13,440 Speaker 1: day well. They say there are two kinds of people 587 00:33:13,440 --> 00:33:15,640 Speaker 1: in this world. There's people who have always loved Hime 588 00:33:15,720 --> 00:33:18,680 Speaker 1: and people who were mad at them but like them again, 589 00:33:19,840 --> 00:33:23,760 Speaker 1: and every good couple. It's true. And I also, like 590 00:33:23,800 --> 00:33:25,800 Speaker 1: I think we talked about like, Dave, did you see 591 00:33:25,840 --> 00:33:28,560 Speaker 1: like Rish Pizza? Um No, I haven't yet. It's I've 592 00:33:28,600 --> 00:33:31,680 Speaker 1: literally gotten the screener and I have seven DVDs of it. Yeah, 593 00:33:32,640 --> 00:33:34,160 Speaker 1: I just haven't sat down and watched it yet, but 594 00:33:34,160 --> 00:33:35,920 Speaker 1: I would like to do. Was it good? It's it's 595 00:33:36,080 --> 00:33:38,520 Speaker 1: it's it's not like my favorite pal Times interest movie, 596 00:33:38,520 --> 00:33:41,520 Speaker 1: but it's definitely good. But more importantly, the Hymes are 597 00:33:41,680 --> 00:33:45,240 Speaker 1: so charming in it, all of them. Yeah, it's amazing. 598 00:33:45,600 --> 00:33:48,280 Speaker 1: I'm excited to see it. It feels like like casting 599 00:33:48,320 --> 00:33:50,800 Speaker 1: that makes sense. Yeah, and it feels like they wouldn't 600 00:33:50,800 --> 00:33:52,719 Speaker 1: have cast her for like the stunt of it all, 601 00:33:52,760 --> 00:33:54,720 Speaker 1: like she must have really fit the role. And yeah, 602 00:33:54,960 --> 00:33:58,800 Speaker 1: yeah she really, I really, I was really impressed and 603 00:33:58,840 --> 00:34:02,600 Speaker 1: honestly very suppriseding good nomination. But anyway, um wait, I 604 00:34:02,640 --> 00:34:05,120 Speaker 1: have something I want to bring up. Yes, bring it up. Okay, 605 00:34:05,160 --> 00:34:07,280 Speaker 1: so we're all gay guys, we can agree on that 606 00:34:07,320 --> 00:34:12,200 Speaker 1: at least. Um Okay, but Dave, I actually feel like 607 00:34:12,360 --> 00:34:14,799 Speaker 1: me talking about hating him. I feel like you're not 608 00:34:14,880 --> 00:34:19,400 Speaker 1: much of a hater, Like do you have like any 609 00:34:19,800 --> 00:34:22,719 Speaker 1: do do pop girls ever make you mad? Or are 610 00:34:22,760 --> 00:34:26,600 Speaker 1: you like a lover of all? Um? I believe I 611 00:34:26,600 --> 00:34:29,520 Speaker 1: am an EmPATH in that I can find a way 612 00:34:29,560 --> 00:34:34,239 Speaker 1: to understand the story and of any female artist, even 613 00:34:34,239 --> 00:34:37,520 Speaker 1: if they're like truly tragic. I'm just can find a 614 00:34:37,560 --> 00:34:40,520 Speaker 1: way into understanding how they got there. I mean, from 615 00:34:40,600 --> 00:34:45,560 Speaker 1: Iggy Azalea to Rita Hora to Babe Rex. I just 616 00:34:45,719 --> 00:34:48,960 Speaker 1: I know who these girls are. I think, and um, 617 00:34:49,000 --> 00:34:51,200 Speaker 1: I don't like to leave anyone alone at the lunch table. 618 00:34:52,640 --> 00:34:56,839 Speaker 1: I really do think you're EmPATH. Colon Pop Diva Edition, 619 00:34:57,120 --> 00:35:00,040 Speaker 1: I think you're an EmPATH only for Pop Diva, I 620 00:35:00,040 --> 00:35:01,800 Speaker 1: think I still I'll just I mean, Britney is a 621 00:35:01,880 --> 00:35:03,480 Speaker 1: huge part of my story. Like when I was a kid, 622 00:35:03,520 --> 00:35:07,680 Speaker 1: I was truly blocking my homosexuality with what I thought 623 00:35:07,719 --> 00:35:11,920 Speaker 1: was sexual attraction and to Britney spears like she was 624 00:35:12,280 --> 00:35:15,640 Speaker 1: the my only um And then the fall from Grace, 625 00:35:15,760 --> 00:35:19,120 Speaker 1: I really felt responsible for it in so many ways that, um, 626 00:35:19,160 --> 00:35:21,160 Speaker 1: I just don't want that to happen to anybody else. 627 00:35:21,200 --> 00:35:24,400 Speaker 1: By my hand. So I just sort of I just 628 00:35:24,440 --> 00:35:26,480 Speaker 1: sort of feel like I just want the best for everybody. 629 00:35:26,520 --> 00:35:29,120 Speaker 1: If Kesha likes what she's doing right now and she's happy, 630 00:35:29,239 --> 00:35:32,160 Speaker 1: I'm living. I don't care if she looks like a 631 00:35:32,280 --> 00:35:36,640 Speaker 1: dumpster or like like she's actually she looks great now, 632 00:35:36,640 --> 00:35:39,520 Speaker 1: but like the like I don't know, like DEMI, like, 633 00:35:39,560 --> 00:35:41,759 Speaker 1: I'm so happy that DEMI like that they are going 634 00:35:41,800 --> 00:35:44,680 Speaker 1: through like this change and that they're happy, and that 635 00:35:44,719 --> 00:35:47,239 Speaker 1: they're like on social media being happy. Like I don't 636 00:35:47,239 --> 00:35:50,480 Speaker 1: want anything for them other than happiness, Like that's I 637 00:35:50,520 --> 00:35:52,759 Speaker 1: don't need any to make anything more music if she 638 00:35:52,760 --> 00:35:56,960 Speaker 1: doesn't want to just like live your life, be happy. Yeah, 639 00:35:57,000 --> 00:35:59,839 Speaker 1: it's it is very impressive, even when you reference like 640 00:36:00,040 --> 00:36:03,440 Speaker 1: bb Rex and all these people play Jesse j all 641 00:36:03,480 --> 00:36:05,880 Speaker 1: these people that I feel like are the butts of 642 00:36:06,000 --> 00:36:09,320 Speaker 1: jokes around here. Yeah yeah, I mean I'm definitely singing 643 00:36:09,320 --> 00:36:11,840 Speaker 1: those jokes. Can you sing a bb rexa song right now? No? 644 00:36:12,200 --> 00:36:15,920 Speaker 1: Because if there was a gunway ahead is good? I'm like, no, 645 00:36:16,000 --> 00:36:20,839 Speaker 1: I guess I can sing one lyric of she has 646 00:36:20,920 --> 00:36:24,279 Speaker 1: one right already now called sacrifice. It's like, so would 647 00:36:24,280 --> 00:36:29,160 Speaker 1: you sacrifice? You know? What's so funny. She's like one 648 00:36:29,200 --> 00:36:33,120 Speaker 1: of the people being considered for the Madonna biopic. How 649 00:36:33,120 --> 00:36:36,759 Speaker 1: funny would it be? Yeah, have you guys talked about 650 00:36:36,800 --> 00:36:38,879 Speaker 1: this camp that they're all in. No, but let's let's 651 00:36:38,920 --> 00:36:43,040 Speaker 1: get into it. They're they're in a camp. They're in 652 00:36:43,280 --> 00:36:46,200 Speaker 1: a boot camp to like get this role. I don't 653 00:36:46,440 --> 00:36:51,080 Speaker 1: who who is in it. It is Julia Gardner, Florence Pew, 654 00:36:52,280 --> 00:36:57,279 Speaker 1: Alexa de mei uh, and various other girls that I 655 00:36:57,320 --> 00:37:00,960 Speaker 1: don't know. There's one called Odessa something who I've ever 656 00:37:01,000 --> 00:37:03,359 Speaker 1: heard of, But I think those are the main ones, 657 00:37:03,360 --> 00:37:07,000 Speaker 1: and I think maybe Julia Garner is like the front runner. Wow, 658 00:37:07,080 --> 00:37:08,960 Speaker 1: that should be a show like I want the like 659 00:37:09,000 --> 00:37:13,120 Speaker 1: Search for El Blonde, sort of like behind the scenes 660 00:37:13,200 --> 00:37:16,520 Speaker 1: of this boot camp. I can't. I like love it 661 00:37:16,680 --> 00:37:19,160 Speaker 1: so much. It makes me feel like there's still magic 662 00:37:19,160 --> 00:37:21,120 Speaker 1: in the world, like I know. But then on the 663 00:37:21,160 --> 00:37:24,160 Speaker 1: other hand, it is all of them are being like 664 00:37:24,200 --> 00:37:27,360 Speaker 1: it's an abusive environment. Oh, I know what should have 665 00:37:28,840 --> 00:37:32,759 Speaker 1: known you has gone too far? No, I feel never 666 00:37:33,160 --> 00:37:35,840 Speaker 1: truly like I don't even want to know what it 667 00:37:35,880 --> 00:37:39,000 Speaker 1: would be like for Madonna herself to be running the 668 00:37:39,000 --> 00:37:42,400 Speaker 1: Madonna biopic boot camp with these poor girls who have 669 00:37:42,560 --> 00:37:45,920 Speaker 1: already been exploited in various ways in their short lives. 670 00:37:46,000 --> 00:37:47,680 Speaker 1: I want to like Todemi to get it just because 671 00:37:48,239 --> 00:37:52,560 Speaker 1: just because it for her, she deserves it. I've seen 672 00:37:53,200 --> 00:37:54,640 Speaker 1: I don't watch you for it, but I have seen 673 00:37:54,680 --> 00:37:56,960 Speaker 1: that clip where she goes, I know no one wants 674 00:37:57,040 --> 00:38:01,880 Speaker 1: me here because I'm ahore. Yes, wait, you don't want 675 00:38:01,960 --> 00:38:04,319 Speaker 1: you for you? Are you actively resisting mainstream culture again? 676 00:38:04,760 --> 00:38:07,440 Speaker 1: I mean I do. I mean Sam and I've talked 677 00:38:07,480 --> 00:38:10,319 Speaker 1: about this, but I've watched. I watched like the first 678 00:38:10,320 --> 00:38:15,799 Speaker 1: three or four episodes. I couldn't it was two. Here's 679 00:38:15,800 --> 00:38:17,640 Speaker 1: what I think it is. I think it's like each 680 00:38:17,680 --> 00:38:20,040 Speaker 1: episode is such an experience that you can't really binge 681 00:38:20,040 --> 00:38:25,640 Speaker 1: watch it. I couldn't really, I've only watched. There was 682 00:38:25,719 --> 00:38:27,680 Speaker 1: one day when I was stuck in Chilia, I watched 683 00:38:27,719 --> 00:38:30,680 Speaker 1: eight hours of Before My God, and I was happy 684 00:38:30,719 --> 00:38:33,319 Speaker 1: about it, and I wish I could have done more. Well, 685 00:38:33,360 --> 00:38:35,680 Speaker 1: all I'll say is, and I stand by. I really 686 00:38:35,680 --> 00:38:39,480 Speaker 1: think all the actors are great. I think everyone is 687 00:38:39,520 --> 00:38:41,040 Speaker 1: doing such a good job. I think the day it 688 00:38:41,120 --> 00:38:44,520 Speaker 1: is great. I think, but I just somehow it's like 689 00:38:44,600 --> 00:38:47,719 Speaker 1: it's one too many things. It feels like sensory overload, 690 00:38:47,760 --> 00:38:51,479 Speaker 1: and I the drug stuff stresses me out. I would 691 00:38:51,480 --> 00:38:54,399 Speaker 1: almost like it more if it was just a high 692 00:38:54,440 --> 00:39:00,399 Speaker 1: school drama without drug cartels. The uh, I agree with that. Yeah, 693 00:39:00,440 --> 00:39:02,919 Speaker 1: I mean it is a lot, but I think it's 694 00:39:02,920 --> 00:39:05,240 Speaker 1: just so beautifully done. And also I'm obsessed with the girls, 695 00:39:05,320 --> 00:39:08,839 Speaker 1: all the girls, and all the girls all love all 696 00:39:08,880 --> 00:39:11,480 Speaker 1: the dolls like they're fucking great, and they bounced the 697 00:39:11,520 --> 00:39:13,760 Speaker 1: ball back and forth. So it's so great. Sydney Sweenie 698 00:39:13,800 --> 00:39:16,799 Speaker 1: is so Sydney's great. Hunter Shaffer is great. Yeah, yeah, 699 00:39:16,880 --> 00:39:19,680 Speaker 1: Hunter is amazing. Yeah. Everyone everyone listening to the pot 700 00:39:19,760 --> 00:39:21,600 Speaker 1: You should listen to this. You should watch the show. 701 00:39:21,719 --> 00:39:26,719 Speaker 1: You for it. You know. Sydney Sweeney was also in 702 00:39:26,719 --> 00:39:31,040 Speaker 1: the running, but I think got eliminated from I would 703 00:39:31,040 --> 00:39:36,440 Speaker 1: have loved to have seen that lip sync euphoria triggering 704 00:39:36,480 --> 00:39:37,759 Speaker 1: for me because of the high school at all. That 705 00:39:37,840 --> 00:39:41,080 Speaker 1: that's kind of like what the what my topic is about? Like, yeah, 706 00:39:41,160 --> 00:39:43,440 Speaker 1: let's get into the topic. Let's let it. Okay, So 707 00:39:44,120 --> 00:39:46,800 Speaker 1: so your topic, well, why don't you introduce it and 708 00:39:46,840 --> 00:39:49,280 Speaker 1: then say kind of why you think it is straight 709 00:39:49,480 --> 00:39:54,640 Speaker 1: or emblematic of straight culture. Okay, my topic is handshakes. Um, 710 00:39:54,840 --> 00:39:58,280 Speaker 1: and I think it is representable. When I think of handshakes, 711 00:39:58,320 --> 00:40:00,279 Speaker 1: I think of a very specific thing. I think of 712 00:40:00,320 --> 00:40:04,000 Speaker 1: middle school, when everyone started to in the hallways, uh, 713 00:40:04,280 --> 00:40:07,600 Speaker 1: like greet each other and do performative displays of friendship. 714 00:40:08,120 --> 00:40:10,520 Speaker 1: It just started to become like, oh, we hug when 715 00:40:10,560 --> 00:40:13,120 Speaker 1: we see each other, we do like a little like 716 00:40:13,360 --> 00:40:16,680 Speaker 1: handshakes sort of like dat moment, like all the boys 717 00:40:16,760 --> 00:40:18,680 Speaker 1: on football or like all the guys here, and like 718 00:40:19,239 --> 00:40:23,560 Speaker 1: I used to have massive anxiety about how to engage 719 00:40:23,640 --> 00:40:26,640 Speaker 1: in the handshake. I just never really knew like what 720 00:40:26,920 --> 00:40:30,840 Speaker 1: the combination was, like what the pattern was. Um, no 721 00:40:30,920 --> 00:40:32,719 Speaker 1: one ever rehearsed it with me. I didn't know if 722 00:40:32,760 --> 00:40:35,279 Speaker 1: there was like a memo that went out. Uh. And 723 00:40:35,440 --> 00:40:38,080 Speaker 1: so that was like where the trauma behind handshakes really 724 00:40:38,160 --> 00:40:40,840 Speaker 1: started for me. And then as I grew older, I 725 00:40:40,960 --> 00:40:44,640 Speaker 1: just realized that like a firm handshake was so specific 726 00:40:44,760 --> 00:40:47,200 Speaker 1: to a certain kind of straight dude, like a really 727 00:40:47,360 --> 00:40:52,560 Speaker 1: hard sort of like meat grab. Yeah, just like and 728 00:40:52,880 --> 00:40:56,000 Speaker 1: I also started to notice weaker handshakes in certain in 729 00:40:56,120 --> 00:40:58,759 Speaker 1: certain personality types. It was like, this is a this 730 00:40:59,040 --> 00:41:03,040 Speaker 1: is a form of body language that like involves touching 731 00:41:03,080 --> 00:41:05,719 Speaker 1: it's more than just seeing and men use it to 732 00:41:06,080 --> 00:41:09,920 Speaker 1: assert dominance and display like confidence in a way that 733 00:41:09,920 --> 00:41:14,719 Speaker 1: makes me uncomfortable. Yeah. I the firm handshake thing really 734 00:41:14,800 --> 00:41:18,120 Speaker 1: weirds me out, Like it feels so old school, like 735 00:41:18,480 --> 00:41:20,879 Speaker 1: truly you want to like almost hurt the person's hand 736 00:41:20,960 --> 00:41:23,520 Speaker 1: to like show that you are strong. It's like this 737 00:41:23,800 --> 00:41:26,080 Speaker 1: is like so weird. When I was a little kid, 738 00:41:26,400 --> 00:41:30,000 Speaker 1: like my parents were like, you're not shaking your hand, 739 00:41:30,400 --> 00:41:32,560 Speaker 1: like you're not doing it right, like they had like 740 00:41:32,640 --> 00:41:35,360 Speaker 1: they were like like I remember them being like firm 741 00:41:35,520 --> 00:41:37,920 Speaker 1: and look at the man in the eyes and I 742 00:41:38,080 --> 00:41:41,360 Speaker 1: was like okay, okay, and like like it was so 743 00:41:41,560 --> 00:41:44,360 Speaker 1: like this is such a weird thing. I guess it's important. 744 00:41:44,480 --> 00:41:47,640 Speaker 1: Like didn't like my uncle's are I'm Italian and my 745 00:41:47,719 --> 00:41:51,239 Speaker 1: whole family is very like touchy and like it's so 746 00:41:51,400 --> 00:41:53,640 Speaker 1: interesting to see like my uncle I give a handshake 747 00:41:53,680 --> 00:41:55,439 Speaker 1: to somebody and then when he sees me just coming 748 00:41:55,480 --> 00:41:59,279 Speaker 1: and give me a kiss square on the lips, like yeah, 749 00:41:59,440 --> 00:42:02,279 Speaker 1: like little it's a little sort of like peck of 750 00:42:02,440 --> 00:42:06,239 Speaker 1: like hi, yeah, like like and it's like so it 751 00:42:06,560 --> 00:42:11,640 Speaker 1: is feels like not gay at all. It feels extremely heteroic. Yeah, um, 752 00:42:11,960 --> 00:42:14,520 Speaker 1: and I just feel like the greetings amongst men sort 753 00:42:14,520 --> 00:42:17,160 Speaker 1: of like the way that they differ. It's totally but 754 00:42:17,239 --> 00:42:20,960 Speaker 1: I think what you're saying I have, So I like 755 00:42:21,239 --> 00:42:22,800 Speaker 1: kind of during this time, I would say, what like 756 00:42:22,880 --> 00:42:26,320 Speaker 1: early middle school, let's say, when everyone started doing these handshakes. 757 00:42:26,440 --> 00:42:28,520 Speaker 1: I was this is before we moved back, so I 758 00:42:28,600 --> 00:42:30,440 Speaker 1: was living in New Jersey at the time, kind of 759 00:42:30,560 --> 00:42:35,160 Speaker 1: a straight mecca in in many ways, and I remember 760 00:42:35,200 --> 00:42:38,200 Speaker 1: it so well where somehow overnight you were supposed to 761 00:42:38,320 --> 00:42:41,320 Speaker 1: know these these like handshakes that everyone was doing, or 762 00:42:41,360 --> 00:42:44,400 Speaker 1: someone would like, I mean this is you know, if 763 00:42:44,400 --> 00:42:45,840 Speaker 1: you're listening, you can't see what I'm doing, but like 764 00:42:45,920 --> 00:42:49,040 Speaker 1: someone would like put their hand up and like go 765 00:42:49,200 --> 00:42:51,520 Speaker 1: like like this, and you were supposed to know that 766 00:42:51,640 --> 00:42:54,200 Speaker 1: then you were to you should put your palm down 767 00:42:54,680 --> 00:42:57,400 Speaker 1: so that you could do like a high five or something. 768 00:42:58,080 --> 00:43:00,439 Speaker 1: Did you ever like go up with like I feel 769 00:43:00,440 --> 00:43:01,680 Speaker 1: like there were so many times where I would be 770 00:43:01,760 --> 00:43:03,400 Speaker 1: I would give a high five and like there was 771 00:43:03,440 --> 00:43:07,040 Speaker 1: supposed to be some sort of interlock exact change, and 772 00:43:07,120 --> 00:43:09,000 Speaker 1: I didn't know, and I was always like quietly like, oh, 773 00:43:09,040 --> 00:43:11,280 Speaker 1: I would have totally done more of the hand stuff 774 00:43:11,520 --> 00:43:16,359 Speaker 1: I kind of note of we had talked. God. Yeah, 775 00:43:16,440 --> 00:43:20,800 Speaker 1: it's like it is an early memory of being like, 776 00:43:21,000 --> 00:43:25,600 Speaker 1: oh I don't have the instinct. Yeah, and like also 777 00:43:25,719 --> 00:43:27,239 Speaker 1: girls to like I don't know, I just feel like 778 00:43:27,239 --> 00:43:29,000 Speaker 1: I remember all the girls like giving these sort of 779 00:43:29,080 --> 00:43:31,719 Speaker 1: like weird one armed hugs with like a little like 780 00:43:32,080 --> 00:43:35,399 Speaker 1: von Dutch like like like bag or like a little 781 00:43:35,480 --> 00:43:39,560 Speaker 1: duny in Burke like shoulder bag, and like giving the 782 00:43:39,640 --> 00:43:41,680 Speaker 1: sort of like like holding a binder in one hand, 783 00:43:41,800 --> 00:43:43,880 Speaker 1: like sort of like a one arm hug, and like 784 00:43:44,719 --> 00:43:49,600 Speaker 1: I was good at those. Yes, the handshakes felt like 785 00:43:49,680 --> 00:43:52,399 Speaker 1: you were set up to fail. Like sometimes I didn't 786 00:43:52,480 --> 00:43:54,920 Speaker 1: feel like everyone knew. I just felt like the people 787 00:43:55,000 --> 00:43:57,440 Speaker 1: that really embraced them were like kind of being mean. 788 00:43:58,080 --> 00:44:00,200 Speaker 1: There were the alpha is that defined the hands shake, 789 00:44:00,320 --> 00:44:02,600 Speaker 1: and then the vetas that had to like catch up 790 00:44:03,040 --> 00:44:06,000 Speaker 1: and the handshake. The handshake could change overnight and you 791 00:44:06,040 --> 00:44:08,160 Speaker 1: would have to like keep up otherwise the alpha would 792 00:44:08,239 --> 00:44:13,560 Speaker 1: humiliate you. Absolutely. It was absolutely like sort of like um, 793 00:44:13,880 --> 00:44:20,880 Speaker 1: just distribution of information that's selective and like malicious, And 794 00:44:20,960 --> 00:44:23,520 Speaker 1: I remember thinking, well, this go on forever. I'm so 795 00:44:23,640 --> 00:44:26,960 Speaker 1: happy that it reduced down to just just a normal handshake, Like, 796 00:44:27,000 --> 00:44:29,120 Speaker 1: I'm so happy in adulthood that we've we've sort of 797 00:44:29,239 --> 00:44:31,400 Speaker 1: like just brought it down to like how hard is 798 00:44:31,480 --> 00:44:35,680 Speaker 1: the grip? Yeah, there's real. I still sometimes you'll meet 799 00:44:35,719 --> 00:44:38,000 Speaker 1: a strake and they'll still do the middle school handshake. 800 00:44:38,400 --> 00:44:42,000 Speaker 1: Do you not experience this experience like sort of like 801 00:44:42,160 --> 00:44:45,480 Speaker 1: the grab in the pool exactly exactly, ye, yeah, the 802 00:44:45,560 --> 00:44:48,920 Speaker 1: grab in the chest and then you're like whoa. And 803 00:44:49,000 --> 00:44:51,040 Speaker 1: then like also the like pat on the back sometimes. 804 00:44:51,040 --> 00:44:52,359 Speaker 1: Do you ever see the episode of Will and Grace 805 00:44:52,440 --> 00:44:54,960 Speaker 1: where they do like the the three pats on the back. 806 00:44:55,040 --> 00:44:59,920 Speaker 1: It's like, I'm not gay, the interlock pinding something back in, 807 00:45:00,239 --> 00:45:05,960 Speaker 1: I'm not getting three. Yeah. Sometimes I find myself when 808 00:45:06,000 --> 00:45:09,000 Speaker 1: I hug someone doing the batpack and I'm like, oh, 809 00:45:09,160 --> 00:45:12,520 Speaker 1: don't do that. The backpack is is internalized homophobia. It 810 00:45:12,640 --> 00:45:18,080 Speaker 1: really is, and stilled within me. It could be actual too, 811 00:45:18,200 --> 00:45:19,800 Speaker 1: if we just been a little further with it, it 812 00:45:19,840 --> 00:45:22,000 Speaker 1: could be so nice. But the moments where, yeah, the 813 00:45:22,040 --> 00:45:25,799 Speaker 1: moments where you instinctively suddenly the part of you from 814 00:45:25,840 --> 00:45:28,040 Speaker 1: when you were thirteen comes out that wants to be 815 00:45:28,680 --> 00:45:31,520 Speaker 1: straight or what you like, and you suddenly find yourself 816 00:45:31,640 --> 00:45:34,440 Speaker 1: like deepening your voice on the phone, or something that 817 00:45:34,520 --> 00:45:36,960 Speaker 1: you haven't done in years, like wanting to buy a 818 00:45:37,040 --> 00:45:40,319 Speaker 1: Sewan John shirt exactly. Yeah, there's something about that where 819 00:45:40,360 --> 00:45:42,320 Speaker 1: it's like it happens with that you're realizing getting like 820 00:45:42,440 --> 00:45:47,440 Speaker 1: the body remembers that trauma is still there. Yeah. I 821 00:45:47,560 --> 00:45:50,400 Speaker 1: feel like physical trauma is also an element of straight culture, 822 00:45:50,440 --> 00:45:53,520 Speaker 1: just like uh, sort of like being bound up in 823 00:45:53,600 --> 00:45:57,520 Speaker 1: like physical having physical responses that are just like that. Also, 824 00:45:57,680 --> 00:45:59,560 Speaker 1: another another topic that I was going to bring up 825 00:45:59,600 --> 00:46:02,120 Speaker 1: was acts body spray because I'm thinking about high school. 826 00:46:02,120 --> 00:46:06,000 Speaker 1: Do you guys ever? Did you guys? I mean briefly, 827 00:46:06,120 --> 00:46:08,920 Speaker 1: but yeah, it was like I kind of thought that 828 00:46:09,360 --> 00:46:13,560 Speaker 1: was I mean, then it became a yeah, yeah, Like 829 00:46:13,640 --> 00:46:16,400 Speaker 1: it was like, I don't know, it just felt somehow adult. 830 00:46:17,280 --> 00:46:20,680 Speaker 1: It did. Yeah, it was. It was the only playing 831 00:46:21,040 --> 00:46:25,040 Speaker 1: up like the sleek black branding. I love man branding. 832 00:46:25,160 --> 00:46:29,320 Speaker 1: When it's like sandal wood, it is better, I mean ultimately, 833 00:46:29,400 --> 00:46:33,480 Speaker 1: like it is just simply more empowering than than anything 834 00:46:33,760 --> 00:46:37,000 Speaker 1: they've done for women. Like all male branding is like, well, 835 00:46:37,040 --> 00:46:42,520 Speaker 1: you're the king of the forest, whereas women branding, it's 836 00:46:42,560 --> 00:46:47,200 Speaker 1: like you might think you're disgusting, but actually you're fine, Yeah, 837 00:46:47,719 --> 00:46:51,479 Speaker 1: life is really hard, but take a delight exactly. Yeah, 838 00:46:51,960 --> 00:46:56,960 Speaker 1: it's just gaslighting. It's like you might every everywhere you 839 00:46:57,120 --> 00:46:59,839 Speaker 1: look people think you're disgusting, But when you're at home, 840 00:47:00,120 --> 00:47:03,160 Speaker 1: that's your time to shine, your time to think you're disgusting. 841 00:47:05,520 --> 00:47:09,839 Speaker 1: Um wait, I have in the handshake conversation, I want 842 00:47:09,880 --> 00:47:13,279 Speaker 1: to know what your guys preferred like physical greeting is. 843 00:47:13,800 --> 00:47:16,759 Speaker 1: That's a great question. I'm a hugger. I go right in. 844 00:47:17,640 --> 00:47:20,840 Speaker 1: Um Like, it also depends on on Like in post COVID, 845 00:47:20,960 --> 00:47:24,840 Speaker 1: it's a little bit more like I think there's I 846 00:47:24,920 --> 00:47:27,600 Speaker 1: feel like in post COVID like it's a very subtle 847 00:47:27,920 --> 00:47:29,800 Speaker 1: leaning in where both people do it. Then you go 848 00:47:29,880 --> 00:47:31,600 Speaker 1: in for the hug, but you're actually waiting. It's not 849 00:47:31,680 --> 00:47:34,400 Speaker 1: even about like vibe anymore. It's literally about like are 850 00:47:34,440 --> 00:47:37,279 Speaker 1: you with this? Sort of like are you? But I 851 00:47:37,440 --> 00:47:40,480 Speaker 1: prefer hug. I go right in my default as a hug, 852 00:47:40,600 --> 00:47:44,160 Speaker 1: I would say. And then of course in Greece everyone 853 00:47:44,239 --> 00:47:46,880 Speaker 1: does the two kisses, and I would say, my favorite 854 00:47:46,960 --> 00:47:49,759 Speaker 1: kind of greeting is meeting kind of like a glamorous 855 00:47:49,880 --> 00:47:53,760 Speaker 1: middle aged Greek woman who gives you the two kisses 856 00:47:53,760 --> 00:47:58,640 Speaker 1: and you can smell her like expensive perfume, and you're like, wow, wow, 857 00:47:58,800 --> 00:48:01,600 Speaker 1: that does sound fun. I like, I like the two kisses. 858 00:48:01,680 --> 00:48:04,480 Speaker 1: It's very very cute. And um, I went to Greece 859 00:48:04,960 --> 00:48:06,680 Speaker 1: this plast summer. I was talking to George about it. 860 00:48:07,120 --> 00:48:10,160 Speaker 1: It gives like two kisses makes sense. There you're in 861 00:48:10,200 --> 00:48:13,600 Speaker 1: a beautiful voice. It's just nice. It's also like, then, 862 00:48:13,640 --> 00:48:15,239 Speaker 1: I think what ends up happening in Greece is like 863 00:48:15,280 --> 00:48:17,759 Speaker 1: you do two kisses with women and then you do 864 00:48:18,040 --> 00:48:21,000 Speaker 1: a normal handshake with men, and then sometimes men will 865 00:48:21,000 --> 00:48:22,840 Speaker 1: go in for two kisses and you just have to 866 00:48:22,960 --> 00:48:27,120 Speaker 1: kind of adapt. But it's like, you know, it's so funny, 867 00:48:27,200 --> 00:48:29,399 Speaker 1: so much happens in one second and then it's just over. 868 00:48:29,600 --> 00:48:32,319 Speaker 1: But there is such thing as a good a good 869 00:48:32,400 --> 00:48:34,360 Speaker 1: greeting and a bad greeting, and it just always it 870 00:48:34,600 --> 00:48:36,520 Speaker 1: happens with every single person. Like and then I went 871 00:48:36,600 --> 00:48:38,239 Speaker 1: to this girl's birthday pray last night. I didn't know 872 00:48:38,280 --> 00:48:40,839 Speaker 1: anybody and was meeting every single person. It's so funny 873 00:48:40,880 --> 00:48:44,880 Speaker 1: how you adjust. Yeah, I one time you Sam, I 874 00:48:45,000 --> 00:48:47,360 Speaker 1: love a hug. I find it tears down the walls 875 00:48:47,440 --> 00:48:49,920 Speaker 1: very quickly in a way that I appreciate. But then 876 00:48:50,440 --> 00:48:54,239 Speaker 1: I have had hugs fully backfire, where like like be like, 877 00:48:54,560 --> 00:48:56,640 Speaker 1: I've made the decision, I'm going to hug you, and 878 00:48:56,719 --> 00:48:59,080 Speaker 1: then it's like oh and they like, you know, just 879 00:48:59,239 --> 00:49:02,680 Speaker 1: kind of stand there. And I did it with one 880 00:49:02,920 --> 00:49:05,439 Speaker 1: um comedian we all know, and I will not say 881 00:49:05,800 --> 00:49:08,680 Speaker 1: her name on this podcast, but I like it was 882 00:49:08,840 --> 00:49:10,879 Speaker 1: mid hug and I was like, what what am I doing? 883 00:49:11,200 --> 00:49:13,680 Speaker 1: And she was not reciprocating, She was not re forgetting 884 00:49:13,960 --> 00:49:16,080 Speaker 1: at all. And I was like, oh no, no, no, no, no, 885 00:49:16,160 --> 00:49:18,040 Speaker 1: no no, I don't want to I just made a choice, 886 00:49:18,040 --> 00:49:19,680 Speaker 1: and I thought this was normal at a birthday party 887 00:49:20,640 --> 00:49:24,359 Speaker 1: and are aboard, aboard, aboard, and it like I think 888 00:49:24,400 --> 00:49:26,919 Speaker 1: about that hug and how bad it was all the time, 889 00:49:27,360 --> 00:49:30,120 Speaker 1: And so honestly, I think sometimes, especially post COVID, I'm 890 00:49:30,160 --> 00:49:32,160 Speaker 1: now like a little standoffish when I meet people in 891 00:49:32,239 --> 00:49:34,960 Speaker 1: a way I don't like like I'll kind of stand 892 00:49:35,239 --> 00:49:37,239 Speaker 1: and like look at them too much to see what 893 00:49:37,320 --> 00:49:39,000 Speaker 1: they're going for, but in a way that makes it 894 00:49:39,080 --> 00:49:42,239 Speaker 1: look like I'm just not trying to interact with them. 895 00:49:42,520 --> 00:49:45,440 Speaker 1: You know. What's one of the most fraught like Okay, 896 00:49:45,680 --> 00:49:48,560 Speaker 1: what am I trying to say? Basically, the greeting between 897 00:49:48,600 --> 00:49:51,000 Speaker 1: a gay man and a straight man will never not 898 00:49:51,200 --> 00:49:56,240 Speaker 1: be fraught. Suddenly, the entire history of the entire history 899 00:49:56,480 --> 00:50:00,719 Speaker 1: of UM, like l g B t Q play equality 900 00:50:01,040 --> 00:50:05,839 Speaker 1: plays out in one second, like yeah, it's like how 901 00:50:05,920 --> 00:50:08,320 Speaker 1: do you how do you how do you make it 902 00:50:08,520 --> 00:50:12,440 Speaker 1: not weird? Because it's if you do anything to make 903 00:50:12,480 --> 00:50:15,320 Speaker 1: it casual, you're being homophobic. Like if you try to 904 00:50:15,400 --> 00:50:17,239 Speaker 1: be like this isn't sexual, then it's like, well, no 905 00:50:17,320 --> 00:50:19,960 Speaker 1: one said it is. You're being weird. And if you 906 00:50:20,160 --> 00:50:22,160 Speaker 1: like don't do anything to do that, it's like, Okay, 907 00:50:22,200 --> 00:50:24,080 Speaker 1: he's obsessed with me and wants to have sex with 908 00:50:24,200 --> 00:50:28,720 Speaker 1: me right now. And then basically what ends up happening 909 00:50:28,880 --> 00:50:31,000 Speaker 1: and this is you know, we've talked before about how 910 00:50:31,040 --> 00:50:32,880 Speaker 1: we love hanging out with straight men and and and 911 00:50:33,000 --> 00:50:35,640 Speaker 1: it's one of the great joys of our lives and ironically, 912 00:50:36,200 --> 00:50:39,320 Speaker 1: but but it's like, basically, what has to happen is 913 00:50:39,560 --> 00:50:43,120 Speaker 1: one of the either the gay man is going to 914 00:50:43,200 --> 00:50:45,640 Speaker 1: bend condescending to the straight man or the straight man 915 00:50:45,719 --> 00:50:47,759 Speaker 1: is going to be condescending to the game. Someone has 916 00:50:47,800 --> 00:50:52,400 Speaker 1: to call someone else buddy, and then finally we feel safe. 917 00:50:54,680 --> 00:50:57,200 Speaker 1: It's like more gracious to let the gay person be condescending. 918 00:50:57,280 --> 00:51:01,080 Speaker 1: I'm just gonna say, I feel like it's my right 919 00:51:01,160 --> 00:51:03,920 Speaker 1: to condescend to you, and I think that straight man 920 00:51:03,960 --> 00:51:07,520 Speaker 1: who's interacting with me should know that immediately, exactly know. 921 00:51:07,640 --> 00:51:09,879 Speaker 1: It's like then the gay man can kind of half 922 00:51:09,960 --> 00:51:13,240 Speaker 1: jokingly called the straight man like girl. And then it's like, Okay, 923 00:51:13,400 --> 00:51:17,360 Speaker 1: this is we're getting to a place of equality. We 924 00:51:17,440 --> 00:51:19,640 Speaker 1: are getting to a place of equality. You can call me, 925 00:51:19,800 --> 00:51:21,479 Speaker 1: he can call me a little bit if you want, 926 00:51:21,760 --> 00:51:23,759 Speaker 1: but only after he lets me warm him up a 927 00:51:23,800 --> 00:51:27,000 Speaker 1: little bit. Yeah, yeah, let me warm you up a 928 00:51:27,040 --> 00:51:29,120 Speaker 1: little bit. I want to rip apart sort of like 929 00:51:29,520 --> 00:51:34,640 Speaker 1: his eyebrows and um, mock mock him once or twice, 930 00:51:35,120 --> 00:51:40,120 Speaker 1: and then he can call me fagett. Yeah. The all 931 00:51:40,200 --> 00:51:44,280 Speaker 1: that empathy you uh have for pop stars goes completely 932 00:51:44,280 --> 00:51:45,880 Speaker 1: out the window when you meet a straight man and 933 00:51:45,960 --> 00:51:49,560 Speaker 1: you're just reading them for filth. You're tearing them to shreds. 934 00:51:50,719 --> 00:51:52,759 Speaker 1: It's just not the same. Did they right till the 935 00:51:52,840 --> 00:51:57,360 Speaker 1: World ends? Until each straight man writes a till the 936 00:51:57,440 --> 00:51:59,320 Speaker 1: world their version of till the World ends, I'm just 937 00:51:59,440 --> 00:52:02,320 Speaker 1: not okay. You actually raise a great point. I do 938 00:52:02,440 --> 00:52:06,440 Speaker 1: think potentially something we could instill as a form of 939 00:52:06,520 --> 00:52:09,719 Speaker 1: public service and to fight against toxic masculinity. Is that 940 00:52:09,920 --> 00:52:12,000 Speaker 1: every man when they turn eighteen has to write a 941 00:52:12,120 --> 00:52:17,600 Speaker 1: pop bop. Yeah, it's like the army or whatever. Like 942 00:52:17,719 --> 00:52:20,239 Speaker 1: they are assigned up. They are assigned up an up 943 00:52:20,280 --> 00:52:22,800 Speaker 1: and coming pop star. Let's say Baby Rexa and and 944 00:52:23,160 --> 00:52:26,800 Speaker 1: they have to they have to write an empowerment anthem 945 00:52:26,920 --> 00:52:30,880 Speaker 1: for bb REXA. Oh gosh, yeah that would be I 946 00:52:30,920 --> 00:52:33,840 Speaker 1: would absolutely love to hear a straight man's idea of 947 00:52:33,960 --> 00:52:39,560 Speaker 1: what A and bb REXA like female and them would 948 00:52:39,640 --> 00:52:43,919 Speaker 1: sound like. Yeah, that is actually so funny to think about. Wait, 949 00:52:44,080 --> 00:52:46,239 Speaker 1: I've never thought about do straight men know who Baby 950 00:52:46,320 --> 00:52:49,319 Speaker 1: Rexa is? I mean, do gay men? That's the thing. 951 00:52:49,640 --> 00:52:51,560 Speaker 1: If gay men feel like they don't even know a 952 00:52:51,600 --> 00:52:54,880 Speaker 1: song by her? No do straight men? No? Baby Rexa 953 00:52:56,080 --> 00:52:58,640 Speaker 1: Yeah no, she's kind of face list the poor girl. 954 00:52:58,840 --> 00:53:06,000 Speaker 1: But no, she's blonde. She's like very symmetrical. Um, she 955 00:53:06,480 --> 00:53:10,520 Speaker 1: likes jewel tones and tattoos. I don't know. That's all 956 00:53:10,560 --> 00:53:12,560 Speaker 1: I know about her. She doesn't really have Like somebody 957 00:53:12,640 --> 00:53:15,719 Speaker 1: once told me that a pop star uh like really 958 00:53:15,760 --> 00:53:17,440 Speaker 1: takes on. It doesn't matter with it, like, as long 959 00:53:17,480 --> 00:53:20,319 Speaker 1: as their voice is singular like even if it's bad 960 00:53:20,520 --> 00:53:23,440 Speaker 1: like Selena Gomez or like whatever, like when you if 961 00:53:23,480 --> 00:53:26,120 Speaker 1: when you hear it you know who it is, it 962 00:53:26,160 --> 00:53:30,399 Speaker 1: will sell totally and and I can't tell if something is. Yeah, 963 00:53:30,560 --> 00:53:32,800 Speaker 1: That's what I'm saying is like there is she sounds 964 00:53:32,880 --> 00:53:35,920 Speaker 1: like so many people where it's like somebody like Halls Halsey, 965 00:53:35,960 --> 00:53:37,840 Speaker 1: who like maybe doesn't have like the same sort of 966 00:53:37,920 --> 00:53:40,279 Speaker 1: vocal chops that Babie may or may not have, Like 967 00:53:40,960 --> 00:53:43,160 Speaker 1: she can sell records and have an identity because we 968 00:53:43,239 --> 00:53:46,719 Speaker 1: can hear her like throaty, sort of like husk like 969 00:53:47,360 --> 00:53:58,920 Speaker 1: like right away incredible, incredible. Makes you think these Halls 970 00:53:58,920 --> 00:54:01,040 Speaker 1: these one where I'm like people do that's just a 971 00:54:01,120 --> 00:54:04,439 Speaker 1: me blind spot. I think I really don't know her deal. Yeah, 972 00:54:04,560 --> 00:54:07,359 Speaker 1: I do think Halsey though, is And I've been known 973 00:54:07,480 --> 00:54:11,000 Speaker 1: to occasionally listen to this song bad at Love by Halsey. 974 00:54:11,440 --> 00:54:17,800 Speaker 1: Don't get me wrong. Yea honestly great, great track. It 975 00:54:18,040 --> 00:54:20,040 Speaker 1: is good. It was a great good But I do 976 00:54:20,280 --> 00:54:22,920 Speaker 1: put these little white girls on hip hoppy and like 977 00:54:23,200 --> 00:54:26,399 Speaker 1: just it's it's good. Halsey is definitely like the song 978 00:54:26,960 --> 00:54:29,480 Speaker 1: playing at the Halsey, I'm sorry to say, is a 979 00:54:29,600 --> 00:54:32,279 Speaker 1: straight is a straight culture. She can be a whole 980 00:54:32,320 --> 00:54:35,160 Speaker 1: topic for sure. She's from New Jersey, but like I 981 00:54:35,239 --> 00:54:38,120 Speaker 1: thought she's European. I thought she was like I thought 982 00:54:38,280 --> 00:54:41,359 Speaker 1: dead as she was from like the Middle East. Also 983 00:54:41,440 --> 00:54:45,640 Speaker 1: her name is Ashley, which is an anagra. Yeah, my god, 984 00:54:46,200 --> 00:54:48,800 Speaker 1: uh huh. And she's from like New Jersey. She's like 985 00:54:48,920 --> 00:54:51,120 Speaker 1: from around the corner from where the Jonas brothers are from. 986 00:54:52,719 --> 00:54:56,160 Speaker 1: So much culture from New Jersey. I know New Jersey 987 00:54:56,239 --> 00:55:01,360 Speaker 1: that that would never be another great topic. Wow, do 988 00:55:01,600 --> 00:55:03,960 Speaker 1: do we feel we got to the bottom of handshakes? 989 00:55:04,200 --> 00:55:07,880 Speaker 1: I'm like I feel for for me, Like when when 990 00:55:07,920 --> 00:55:09,640 Speaker 1: you mentioned straight culture, the first thing I thought of 991 00:55:09,719 --> 00:55:11,839 Speaker 1: was this one kid in middle school and he used 992 00:55:11,840 --> 00:55:13,239 Speaker 1: to wear I used to want to do everything that 993 00:55:13,320 --> 00:55:15,760 Speaker 1: he did, and handshake was always the thing I wanted 994 00:55:15,800 --> 00:55:18,440 Speaker 1: the most. It was like sort of like do you 995 00:55:18,480 --> 00:55:20,600 Speaker 1: ever touch knees with somebody under the table, Like do 996 00:55:20,719 --> 00:55:24,759 Speaker 1: you remember that physical contact with men when I was 997 00:55:24,840 --> 00:55:28,920 Speaker 1: younger was so important to me? No, you're absolutely right, 998 00:55:29,120 --> 00:55:32,279 Speaker 1: you know you are right. I was like pining for 999 00:55:32,440 --> 00:55:35,640 Speaker 1: it at all times, yet somehow thinking that I was 1000 00:55:35,680 --> 00:55:37,719 Speaker 1: in love with Britney Spears too. It's so gay. My 1001 00:55:37,800 --> 00:55:43,600 Speaker 1: existence is so gay. It is crazy, Like it's something 1002 00:55:43,680 --> 00:55:46,080 Speaker 1: that you kind of have to just like block out. 1003 00:55:46,320 --> 00:55:49,880 Speaker 1: But it is crazy to like, puberty is already traumatic 1004 00:55:49,960 --> 00:55:52,840 Speaker 1: if you are literally like have all the privilege in 1005 00:55:52,880 --> 00:55:54,560 Speaker 1: the world, you know what I mean. Like it's it's 1006 00:55:54,600 --> 00:55:58,759 Speaker 1: like to be going through an experience of realizing you're 1007 00:55:58,840 --> 00:56:03,120 Speaker 1: different while all so just objectively going through puberty is insane. 1008 00:56:03,360 --> 00:56:05,839 Speaker 1: I haven't heard the word puberty in a long time, 1009 00:56:05,960 --> 00:56:08,600 Speaker 1: and I hated hearing it just I know it is 1010 00:56:08,680 --> 00:56:10,879 Speaker 1: one of the bad words. Yeah, it's a really really 1011 00:56:11,040 --> 00:56:14,760 Speaker 1: nasty word. Yeah, I just remember, like it's just like digres, 1012 00:56:14,880 --> 00:56:16,640 Speaker 1: like where did you guys go through puberty? Like early, 1013 00:56:18,000 --> 00:56:20,880 Speaker 1: I went at the exact right time. I think I 1014 00:56:21,000 --> 00:56:22,200 Speaker 1: was a little late, I would say I was a 1015 00:56:22,200 --> 00:56:23,759 Speaker 1: little late. I also I think I was young for 1016 00:56:23,880 --> 00:56:27,080 Speaker 1: my grade, so not too young, but like on the younger. 1017 00:56:27,239 --> 00:56:30,319 Speaker 1: And so I think I felt like many people are 1018 00:56:30,320 --> 00:56:33,560 Speaker 1: going through it before I was, Oh my god, puberty, 1019 00:56:33,760 --> 00:56:36,399 Speaker 1: it's such an ugly word. It's terrible. I also feel 1020 00:56:36,400 --> 00:56:38,759 Speaker 1: like that even looked like I went through puberty until 1021 00:56:38,800 --> 00:56:43,520 Speaker 1: like after college. Yeah, it also did feel like something 1022 00:56:43,680 --> 00:56:46,160 Speaker 1: some people are going through more puberty than others, you know, 1023 00:56:46,320 --> 00:56:48,680 Speaker 1: Like I was like, yeah, I'm like growing in the 1024 00:56:48,960 --> 00:56:51,040 Speaker 1: proper way. But it's like I'm not that guy who 1025 00:56:51,080 --> 00:56:54,200 Speaker 1: if suddenly has like a full chest of hair. Oh 1026 00:56:54,280 --> 00:56:57,400 Speaker 1: my god, the hair, and I feel like Georgia Greek. 1027 00:56:57,400 --> 00:57:00,320 Speaker 1: I feel like you would well avenged write yeah, like 1028 00:57:00,480 --> 00:57:03,000 Speaker 1: right now I'm covered in hair. But but that took 1029 00:57:03,000 --> 00:57:04,440 Speaker 1: a while. It took a while with a com let 1030 00:57:04,480 --> 00:57:09,239 Speaker 1: me tell you. Yeah, that's nice. I love the hair, 1031 00:57:09,760 --> 00:57:12,960 Speaker 1: thank you very much. I've grown to I've grown to 1032 00:57:13,200 --> 00:57:16,880 Speaker 1: appreciate it. But you know, it's a process. Yeah, I 1033 00:57:16,920 --> 00:57:18,840 Speaker 1: mean it takes me like six months to grow beird. 1034 00:57:18,920 --> 00:57:21,680 Speaker 1: So it's like I envy the options. You have so 1035 00:57:21,800 --> 00:57:26,360 Speaker 1: many options. Yeah, I do have options, but I also 1036 00:57:26,960 --> 00:57:33,640 Speaker 1: have spent so much money on electrolysis as a hairy chest, 1037 00:57:33,840 --> 00:57:36,520 Speaker 1: but keep going. Sorry, I don't have one either. I 1038 00:57:36,760 --> 00:57:39,680 Speaker 1: don't have one either. It's so scragging and silly. It 1039 00:57:39,720 --> 00:57:45,040 Speaker 1: would like it would so complete the look for me, 1040 00:57:45,240 --> 00:57:48,200 Speaker 1: like like me on the beach with a big hairy 1041 00:57:48,320 --> 00:57:52,000 Speaker 1: chest is like it would be so perfect. I am, 1042 00:57:52,120 --> 00:57:55,440 Speaker 1: I am. It is not like I do wonder sometimes 1043 00:57:55,680 --> 00:57:58,960 Speaker 1: if not I would. I don't feel in any way 1044 00:57:59,040 --> 00:58:02,919 Speaker 1: like masculine because of being Harry. But I do wonder 1045 00:58:03,000 --> 00:58:05,760 Speaker 1: if I wasn't, if I would somehow have a complex 1046 00:58:05,800 --> 00:58:07,960 Speaker 1: about like you know what I mean, like because you 1047 00:58:08,040 --> 00:58:11,600 Speaker 1: associate hair with like masculinity. Sure, sure, sure don't know. 1048 00:58:11,960 --> 00:58:16,200 Speaker 1: I associate not giving a funk about it with masculine. Yeah, yeah, 1049 00:58:16,800 --> 00:58:19,600 Speaker 1: Well should we do our final segments? Oh my god, 1050 00:58:19,680 --> 00:58:23,920 Speaker 1: that is crazy, I guess is insane to think, insane 1051 00:58:23,960 --> 00:58:27,200 Speaker 1: to think we arrived here. It actually is crazy. Well, 1052 00:58:27,520 --> 00:58:30,760 Speaker 1: our final segment is called shoutouts, and in a homage 1053 00:58:30,800 --> 00:58:33,400 Speaker 1: to the Grand tradition, we give a shout out to 1054 00:58:33,440 --> 00:58:35,800 Speaker 1: anything that we enjoy, sort of in the style of 1055 00:58:35,880 --> 00:58:38,440 Speaker 1: its You know, two thousand one, you're at TRL and 1056 00:58:38,480 --> 00:58:40,680 Speaker 1: Times Square shouting out to your squad back home. So 1057 00:58:41,400 --> 00:58:43,040 Speaker 1: I'm trying to think if I have one. I do 1058 00:58:43,240 --> 00:58:45,320 Speaker 1: have one? Okay, you should go first, and I need 1059 00:58:45,400 --> 00:58:50,680 Speaker 1: to think of one. Um, okay, that's up. Freaks and 1060 00:58:50,960 --> 00:58:55,360 Speaker 1: losers and perverts and nobody's had nothing. What's happening. It's 1061 00:58:55,440 --> 00:58:58,040 Speaker 1: sam uh And I just want to give a huge 1062 00:58:58,560 --> 00:59:03,800 Speaker 1: since your shout out to the Kanye Netflix documentary. I 1063 00:59:04,240 --> 00:59:07,040 Speaker 1: started watching this last night, and let me tell you, 1064 00:59:07,280 --> 00:59:10,880 Speaker 1: it is touching. Yeah, I am so moved. I forgot 1065 00:59:10,920 --> 00:59:14,880 Speaker 1: how much. I mean, I you know, everyone will want 1066 00:59:14,920 --> 00:59:16,880 Speaker 1: to murder me after this episode because I've admitted that 1067 00:59:16,960 --> 00:59:19,400 Speaker 1: I do not vote, and now I have an admitting 1068 00:59:19,480 --> 00:59:22,800 Speaker 1: that I love Kanye West, and it's really hard for 1069 00:59:22,960 --> 00:59:25,720 Speaker 1: me to let go of that love. And seeing this 1070 00:59:25,920 --> 00:59:29,440 Speaker 1: early documentary about like the early career, it's really like 1071 00:59:29,520 --> 00:59:31,360 Speaker 1: bringing me back and being like, oh wow, this is 1072 00:59:31,400 --> 00:59:34,600 Speaker 1: why I care so much about him, and it's he's 1073 00:59:34,760 --> 00:59:37,880 Speaker 1: he's incredible or was and I wish he were mentally sound, 1074 00:59:38,080 --> 00:59:41,560 Speaker 1: and um my heart goes out to him. And I 1075 00:59:41,960 --> 00:59:45,920 Speaker 1: love this documentary. Watch it and learn some freaking context, 1076 00:59:46,040 --> 00:59:55,040 Speaker 1: you dumb pieces of ship. Um incredible, I mean, you know, okay, 1077 00:59:55,120 --> 00:59:57,280 Speaker 1: hold on, I'm going to think of something and and 1078 00:59:57,440 --> 01:00:00,760 Speaker 1: just I want to do is great. It's so good. 1079 01:00:01,160 --> 01:00:04,320 Speaker 1: I really well, you know I heard At first, I 1080 01:00:04,400 --> 01:00:07,280 Speaker 1: was like, oh Netflix, it's Netflix, right. Yeah. At first, 1081 01:00:07,320 --> 01:00:09,960 Speaker 1: I was like, oh, Netflix, they haven't released anything good since, 1082 01:00:10,920 --> 01:00:14,920 Speaker 1: you know, literally House of Guards. But I heard that 1083 01:00:15,000 --> 01:00:16,960 Speaker 1: this was a documentary that they bought, so it was 1084 01:00:17,040 --> 01:00:19,000 Speaker 1: made with it like, it was not made by Netflix. 1085 01:00:19,520 --> 01:00:21,240 Speaker 1: And so now I am trigued and I want to 1086 01:00:21,320 --> 01:00:23,760 Speaker 1: and I want to watch it? Okay, Well I can 1087 01:00:23,800 --> 01:00:30,280 Speaker 1: attempt something. Okay, Um, what's up? Ye a little? The 1088 01:00:30,360 --> 01:00:34,240 Speaker 1: Little Georgina's my fan army stand by me every time 1089 01:00:34,320 --> 01:00:36,840 Speaker 1: I say something prerogative. How would I give a quick 1090 01:00:36,840 --> 01:00:43,360 Speaker 1: shout out to the actress Patricia Arqutt. I recently started, actually, 1091 01:00:43,480 --> 01:00:46,200 Speaker 1: on the recommendation of one of our discordistas, I started 1092 01:00:46,240 --> 01:00:50,160 Speaker 1: watching Severance, the series on Apple TV, directed by Ben Stiller, 1093 01:00:50,680 --> 01:00:54,560 Speaker 1: and first of all, I'm loving it. But second of all, 1094 01:00:54,840 --> 01:00:57,360 Speaker 1: everyone is very good in it. And Patricia Arkett, you know, 1095 01:00:57,800 --> 01:01:02,440 Speaker 1: she looks incredible. Say it. She looks so good. She 1096 01:01:02,560 --> 01:01:05,600 Speaker 1: looks great with gray hair. She always turns it out. 1097 01:01:05,680 --> 01:01:09,400 Speaker 1: Despite never being at a level of you know, certain 1098 01:01:09,440 --> 01:01:12,960 Speaker 1: of her other peers who have, um, these giant followings, 1099 01:01:13,040 --> 01:01:15,919 Speaker 1: I feel like she's underrated. Um. I kind of love 1100 01:01:16,080 --> 01:01:18,840 Speaker 1: that she is. I feel like the type of person 1101 01:01:18,920 --> 01:01:21,520 Speaker 1: who would you know, kind of have a T shirt 1102 01:01:21,600 --> 01:01:24,600 Speaker 1: that said still with her. But I celebrate that to 1103 01:01:24,680 --> 01:01:26,200 Speaker 1: the end of the world and back. And I wouldn't 1104 01:01:26,240 --> 01:01:28,720 Speaker 1: have it any other way. So here's what I'll say. 1105 01:01:29,040 --> 01:01:31,720 Speaker 1: Let's put that bitch in the Marvel Cinematic universe. And also, 1106 01:01:31,840 --> 01:01:33,760 Speaker 1: I'm sorry I said the b Award. It actually felt 1107 01:01:33,800 --> 01:01:36,440 Speaker 1: really disrespectful, and I apologize to an art head and 1108 01:01:36,480 --> 01:01:39,720 Speaker 1: I really actually I actually go bad for saying and 1109 01:01:39,800 --> 01:01:45,600 Speaker 1: I'm sorry. Incredible an apology, we may shout out and 1110 01:01:45,600 --> 01:01:48,600 Speaker 1: an apology, and you've got her in the Superhero movie 1111 01:01:48,680 --> 01:01:50,440 Speaker 1: so that she can be nominated for Best Actress in 1112 01:01:50,480 --> 01:01:53,280 Speaker 1: the Superhero Movie in the exactly I mean, she'd be great. 1113 01:01:54,160 --> 01:01:55,880 Speaker 1: I want to see her as the best nominee for 1114 01:01:56,080 --> 01:02:01,480 Speaker 1: girly films. Yeah, I agree, I agree. She has such 1115 01:02:01,520 --> 01:02:04,160 Speaker 1: a presence on screen you forget and because she's playing 1116 01:02:04,200 --> 01:02:06,880 Speaker 1: basically a villain, she's like in the position of power 1117 01:02:06,920 --> 01:02:12,040 Speaker 1: at the Shadowy Company, and and she's so good at that. Anyway, Well, Dave, 1118 01:02:12,160 --> 01:02:14,440 Speaker 1: whenever you're ready, feel free to hit us with a 1119 01:02:14,600 --> 01:02:17,360 Speaker 1: shout out. Okay, I want to give First of all, 1120 01:02:17,400 --> 01:02:19,440 Speaker 1: I want to say a big hello to all of 1121 01:02:19,520 --> 01:02:23,880 Speaker 1: the Georgina's that I'm now learning our George's fan base. 1122 01:02:23,920 --> 01:02:26,280 Speaker 1: I want to say high specifically to the Georgina's wherever 1123 01:02:26,400 --> 01:02:29,040 Speaker 1: they are. Um, and I want to give a huge 1124 01:02:29,080 --> 01:02:32,040 Speaker 1: shout out to I guess I'll follow the suit here 1125 01:02:32,080 --> 01:02:34,160 Speaker 1: and I'll say what I've been watching, which is the 1126 01:02:34,240 --> 01:02:39,120 Speaker 1: Gilded Age, specifically carry con Yes, carry Coon in the 1127 01:02:39,160 --> 01:02:43,800 Speaker 1: Gilded Age. Girl, you are crushing it. I have never 1128 01:02:43,920 --> 01:02:47,000 Speaker 1: had so much fun from the seat of my couch. 1129 01:02:47,360 --> 01:02:49,040 Speaker 1: I live for the feathers in your hat and the 1130 01:02:49,160 --> 01:02:53,040 Speaker 1: money in your pocket. You are beautiful, Solui and icon. 1131 01:02:54,560 --> 01:02:56,960 Speaker 1: I think Christine Baranski is also giving I want to 1132 01:02:57,000 --> 01:02:59,120 Speaker 1: give the Guilded Age just a big uplause. I want 1133 01:02:59,120 --> 01:03:03,280 Speaker 1: to give Telsey cast thing just standing ovation for giving 1134 01:03:03,400 --> 01:03:06,959 Speaker 1: all these Broadway actors a job. And also, of course 1135 01:03:07,160 --> 01:03:10,720 Speaker 1: Christine Baranski giving her the opportunity to be slightly racist, 1136 01:03:10,840 --> 01:03:13,160 Speaker 1: but then not because she has a heart and is 1137 01:03:13,200 --> 01:03:14,680 Speaker 1: warm and we get to grow with her on that 1138 01:03:15,360 --> 01:03:19,840 Speaker 1: that well, Don Blessed noticeably absent from that, shout out 1139 01:03:19,960 --> 01:03:22,840 Speaker 1: something on next time. Um, I forgot all about the 1140 01:03:22,840 --> 01:03:26,360 Speaker 1: Georgina Stan Army there come for me so hard. Um, 1141 01:03:27,440 --> 01:03:31,280 Speaker 1: you have to acknowledge them. They're very vicious, grew, They're vicious, 1142 01:03:31,320 --> 01:03:33,520 Speaker 1: and they're toxic and I and at every point, much 1143 01:03:33,560 --> 01:03:36,040 Speaker 1: like Nicki Minaje, I encourage them to be as toxic 1144 01:03:36,080 --> 01:03:39,520 Speaker 1: as possible. Yeah, they're all they're all also barbs. That's 1145 01:03:39,560 --> 01:03:47,080 Speaker 1: like they are. It's like barbs. Georgina it's a circle. Well, Dave, 1146 01:03:47,280 --> 01:03:50,600 Speaker 1: this has been such a delight's thanks for having me, 1147 01:03:51,120 --> 01:03:53,440 Speaker 1: thanks for doing and doing it. Yeah, it's been a blast. 1148 01:03:53,480 --> 01:03:56,480 Speaker 1: I'm gonna go and I'm off to go have some 1149 01:03:56,640 --> 01:04:01,880 Speaker 1: runch now. Although it's what they so I guess I'm 1150 01:04:01,880 --> 01:04:04,720 Speaker 1: gonna go have some just proper dinner. But I can 1151 01:04:06,160 --> 01:04:08,200 Speaker 1: to think about how I'm going to touch everyone before 1152 01:04:08,240 --> 01:04:11,400 Speaker 1: I do it. Yeah, I'm sure you'll find a classy way, 1153 01:04:11,720 --> 01:04:15,000 Speaker 1: the classy but manly but still feminista way to do 1154 01:04:15,160 --> 01:04:18,960 Speaker 1: it for the girlies. We do. We do it all 1155 01:04:19,040 --> 01:04:20,880 Speaker 1: for them. Can I sell you something? The other day? 1156 01:04:21,320 --> 01:04:22,760 Speaker 1: You know how I had been on the podcast, I've 1157 01:04:22,760 --> 01:04:25,400 Speaker 1: been saying Girlina's and then I was like, I was, 1158 01:04:25,520 --> 01:04:28,040 Speaker 1: I truly in my mind convinced myself I invented it. 1159 01:04:28,120 --> 01:04:31,560 Speaker 1: And then I remember no, I heard Catherine say it. 1160 01:04:33,240 --> 01:04:35,080 Speaker 1: Like in my mind, I was like, Wow, it's crazy 1161 01:04:35,120 --> 01:04:41,400 Speaker 1: that I invented Girlina. It's like, no, I really didn't. Well, yeah, 1162 01:04:41,680 --> 01:04:46,160 Speaker 1: everything everything is borrowed, not everything. Nothing's original. You think 1163 01:04:46,200 --> 01:04:49,320 Speaker 1: your original? But no, I apologize to the little Georgina's. 1164 01:04:49,640 --> 01:04:56,680 Speaker 1: Uh anyway, Yeah, well then I guess goodbye guy. Happy 1165 01:04:56,760 --> 01:05:04,160 Speaker 1: Lord's Day, Happy Lord's Day, I guess goodbye the beat 1166 01:05:04,320 --> 01:05:05,960 Speaker 1: and the d