WEBVTT - O Time Thy Pyramids: The Library of Babel

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hello, Hello, this is Stuff to Blow

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<v Speaker 1>your Mind audiologue. This is Robert Lamb and this is

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<v Speaker 1>Joe McCormick. This is day thirteen of our descent into

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<v Speaker 1>the famed Library of Babble. We've been exploring this infinite

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<v Speaker 1>sprawl of interconnected hexagonal rooms and the twenty bookshelves contained

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<v Speaker 1>within each one. Joe, how many rooms have we explored

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<v Speaker 1>since last log entry? Oh, let me find it here.

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<v Speaker 1>Let's see. Well, we're up to a hundred and twelve,

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<v Speaker 1>and that brings the grand total of rooms we have

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<v Speaker 1>explored to date up to one thousand, five hundred and

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<v Speaker 1>sixty one. And of course that is not counting the

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<v Speaker 1>rooms to the library that we could tell had already

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<v Speaker 1>been explored. So we just skipped over with books pulled

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<v Speaker 1>out all over the place, or some just said empty shelves,

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<v Speaker 1>smoke lines on the ceiling, and these ancient piles of

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<v Speaker 1>cold black coal in the middle of the floor we

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<v Speaker 1>can presume from some long ago book burnings. Yeah, that's right.

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<v Speaker 1>That I mean that the library is at least indefinite,

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<v Speaker 1>if not infinite, So it falls to inquisitors such as

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<v Speaker 1>ourselves to steadily work our way out from charted portions

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<v Speaker 1>of the library and into uncharted regions. And it really

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<v Speaker 1>is a room by room, book by book procedures. Now, fortunately,

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<v Speaker 1>most of the books are nonsense, and you can spot

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<v Speaker 1>that right away, because I mean real nonsense, total typographical gibberish.

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<v Speaker 1>And that's not even counting the ones that have been

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<v Speaker 1>totally or partially burned by the purifiers. I hear footsteps

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<v Speaker 1>sometimes in the rooms directly above us, and I keep

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<v Speaker 1>wondering if it's them. It could be, but you know,

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<v Speaker 1>it could be the bookman, I know that's superstition joke.

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<v Speaker 1>We I mean, we might as well hope to find

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<v Speaker 1>that with the Crimson hexagon. Now, come on, Robert, wouldn't

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<v Speaker 1>you love to find the one hexagonal room in this

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<v Speaker 1>entire place that contains something truly precious apart from all

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<v Speaker 1>this gibberish, maybe even real functional books of magic spells well,

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<v Speaker 1>of course, but that doesn't mean it actually exists, even

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<v Speaker 1>in the Library of Babel. Now, remember, Robert, these rooms

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<v Speaker 1>contain not only all books, but all possible books. Those

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<v Speaker 1>books have got to be out there, but that doesn't

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<v Speaker 1>mean they're actually magical. Yeah, I guess you're right, But

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<v Speaker 1>sometimes I like to think that Crimson Hexagon is out there.

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<v Speaker 1>You know, maybe the purifiers haven't found it yet because

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<v Speaker 1>it moves. Have you thought about that? Like in the

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<v Speaker 1>movie Cube rooms move around while we're asleep? Who are

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<v Speaker 1>like the the the Castle and Krawl. You know. I'm

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<v Speaker 1>glad you mentioned Krull because I found a copy of

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<v Speaker 1>Alan Dean Foresters three novelization of the screenplay of Krall.

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<v Speaker 1>That's a real book. Yeah, but I also found a

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<v Speaker 1>Krull novel by Stanford Sherman, the guy who wrote the screenplay,

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<v Speaker 1>and he never actually wrote a novel version, right, Oh no,

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<v Speaker 1>not in our reality, but of course it could exist,

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<v Speaker 1>which means the library has it. And that's why I

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<v Speaker 1>was also able to find a copy of a Christmas Carol.

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<v Speaker 1>You might want to see this where instead of saying

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<v Speaker 1>God bless us everyone, tiny Tim gives an invocation of

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<v Speaker 1>Mala Collored of destruction. What about you check this out

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<v Speaker 1>Frank Herbert's complete seven book done series. Yeah, not not

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<v Speaker 1>just the six he actually wrote in our reality, all

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<v Speaker 1>seven as well as look at this, an alternate Herbert

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<v Speaker 1>Dune trilogy that's only three books. Long, but a lot

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<v Speaker 1>more irotic. Yeah, yeah, you've got to read this. Yeah,

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<v Speaker 1>it's on my list. But hey, guess what I've got

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<v Speaker 1>the final two books of the Game of Thrones series,

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<v Speaker 1>the Song of Ice and Fire spoiler they were on

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<v Speaker 1>Earth all along, and West Ros is actually in rural

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<v Speaker 1>North Florida. But also, Robert, I have your complete biography,

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<v Speaker 1>including the end, and as per our agreement, I didn't

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<v Speaker 1>read it. Well good, well, cool, here's yours, then just

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<v Speaker 1>swap thank you. Uh, there we go. We're good. Wait,

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<v Speaker 1>wait a minute, did you hear that? It's probably just

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<v Speaker 1>other inquisitors or you know, our pilgrims looking for deposits

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<v Speaker 1>of alternate Gospels or book worshippers or the Purifiers or

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<v Speaker 1>the Book miss none of that. Let's let's keep moving

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<v Speaker 1>this Hexa gone up ahead, looks pretty promised me. Hey,

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<v Speaker 1>welcome to stuff to blow your mind. My name is

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<v Speaker 1>Robert Land, and I'm Joe McCormick, and today we're going

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<v Speaker 1>to be talking about the Library of Babel. So the

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<v Speaker 1>Library of Babel is both uh it's a short story,

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<v Speaker 1>but it's also the concept at the core of the

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<v Speaker 1>short story. And we're really going to be focusing on

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<v Speaker 1>the concept uh and it's broader implications today. Not just

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<v Speaker 1>the story itself, but the concept of the Library of

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<v Speaker 1>Babel comes from a short story of the same name

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<v Speaker 1>by Jorge Louis Borges, first published in the collection The

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<v Speaker 1>Garden of Forking Paths in nineteen forty one. So. Borges

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<v Speaker 1>was a twentieth century Argentine author. He lived from eighteen

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<v Speaker 1>to nineteen eighty six, and in his lifetime, especially later

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<v Speaker 1>in his life, he became famous for poetry essays, but

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<v Speaker 1>especially short stories and short stories. A lot of them

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<v Speaker 1>are kind of like this story. Yeah, I mean, like

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<v Speaker 1>like a lot of his tales. Uh. The Library of

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<v Speaker 1>Babble was not really a narrative experience. It's not very

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<v Speaker 1>plot heavy, right. It's kind of a sort of scholarly

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<v Speaker 1>missive about a fantastic idea. So he he choose on

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<v Speaker 1>this fantastic idea, gets all of these philosophic juices going,

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<v Speaker 1>and we're just we're fortunate enough to experience it with him.

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<v Speaker 1>Uh and his his stories. There there are a number

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<v Speaker 1>of different themes that often pop up, such as knives, mirrors, dreams, oh, dreams.

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<v Speaker 1>There's some fabulous dream stories, um and and they're all

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<v Speaker 1>pretty short. Like That's one of the wonderful things about

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<v Speaker 1>a collection of Borhe's short fiction is you can just

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<v Speaker 1>pick it up. You can pretty pretty much pick any

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<v Speaker 1>story and just in a few pages and just mind

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<v Speaker 1>blowing concept is presented to you. That just expands the

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<v Speaker 1>limits of your imagination. Yeah. You ever know those like

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<v Speaker 1>fantasy writers who are better at world building than they

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<v Speaker 1>are at character and plot. Yeah, I'd say Bores is

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<v Speaker 1>like that, except he writes what would probably be considered

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<v Speaker 1>now literary fiction. It's you know, respectable intellectual fiction. Uh

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<v Speaker 1>that that's treated without any hint of a sneer by

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<v Speaker 1>the Academy as far as I can tell. But but

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<v Speaker 1>it's fascinating stuff through and through. Yeah, it reminds me

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<v Speaker 1>a lot of some of the short fiction that Philip K.

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<v Speaker 1>Dick would later do. And now, certainly Philip K. Dick

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<v Speaker 1>was was capable of producing novel after novel after novel

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<v Speaker 1>as well. Uh you know, he was pretty adapted it

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<v Speaker 1>longer works, But some of his short stories remind me

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<v Speaker 1>of Boes in their ability to without getting too bogged

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<v Speaker 1>down in story or character, just presenting in a nugget

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<v Speaker 1>like a really easy mind warping idea. Yeah, so we

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<v Speaker 1>should probably start with a quote from the beginning of

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<v Speaker 1>the Library of Babel the story to give you a

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<v Speaker 1>sense of what is being talked about here. So this

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<v Speaker 1>is a quote from the beginning of the story, with

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<v Speaker 1>some editorial illusions for brevity. Quote. The universe, which others

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<v Speaker 1>call the library, is composed of an indefinite, perhaps infinite

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<v Speaker 1>number of hexagonal galleries. The arrangement of the galleries is

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<v Speaker 1>always the same, twenty bookshelves, five to each side, line

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<v Speaker 1>four of the hexagon's six sides. One of the hexagon's

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<v Speaker 1>free sides opens onto a narrow sort of vestibule, which

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<v Speaker 1>in turn opens onto another gallery identical to the first,

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<v Speaker 1>identical in fact, to all to the right and left

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<v Speaker 1>of the vestibule, or two tiny compartments. One is for

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<v Speaker 1>sleeping upright, the other for satisfying one's physical necessities. Through

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<v Speaker 1>this space to there passes a spiral staircase which winds

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<v Speaker 1>upward and downward into the remote distance. In the vestibule,

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<v Speaker 1>there is a mirror which faithfully duplicates appearances. Uh. And

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<v Speaker 1>he goes on to explain how the implications of having

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<v Speaker 1>a mirror in a library that may or may not

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<v Speaker 1>be infinite, as far as the characters disclosed that they

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<v Speaker 1>know at first at least. Yeah, so this is the

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<v Speaker 1>basic setup. This is the basic hexagon, and then that

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<v Speaker 1>hexagon is cloned out. Yeah, it's a six sided room.

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<v Speaker 1>There are shelves of books in each room, and the

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<v Speaker 1>rooms seem to go on forever, and in a honeycomb

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<v Speaker 1>where no one has ever discovered the forest boundary. That

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<v Speaker 1>there are places, as we mentioned, for wanderers, librarians, et cetera,

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<v Speaker 1>to use the bathroom and to sleep. Upright, it does

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<v Speaker 1>make me wonder if like Barnes and Noble, there is

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<v Speaker 1>a policy against bringing books into the bathroom, or if

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<v Speaker 1>I mean maybe that you have to maybe you just

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<v Speaker 1>have to pick a gibberish book. You know. The question

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<v Speaker 1>is who enforces the policy. Well, that's that's one of

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<v Speaker 1>the things that, as we'll discussed, there seems to be

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<v Speaker 1>a lack of a lack of laws and policy in

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<v Speaker 1>place in the Library of Babble. Yeah, so in the

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<v Speaker 1>Library of Babble. We're going to talk about the philosophical

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<v Speaker 1>and scientific implications of this thought experiment and later on

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<v Speaker 1>in the episode, but first we just want to kind

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<v Speaker 1>of explore what this this concept entails. And there are

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<v Speaker 1>definitely a lot of ironies and absurdities in Borge's story.

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<v Speaker 1>So I don't think he was trying to create something

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<v Speaker 1>that was I mean, I feel kind of absurd saying this,

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<v Speaker 1>but I don't think he was trying to create something realistic. No,

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<v Speaker 1>I mean, I mean, and really you run into a

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<v Speaker 1>lot of problems trying to even fathom it as a

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<v Speaker 1>real place because it is so vast. Because, as we

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<v Speaker 1>we discussed in our you know, hopefully entertaining intro here,

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<v Speaker 1>it contains not only all books, but all possible books. Right,

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<v Speaker 1>So let's get into the actual numbers of what this

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<v Speaker 1>library would entail as described in the story. So, as

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<v Speaker 1>sport Hase writes, each book in this library contains four

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<v Speaker 1>hundred and ten pages. Each page has forty lines, and

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<v Speaker 1>each line has approximately eighty black letters, just printed letters.

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<v Speaker 1>And you can actually work out the math from this.

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<v Speaker 1>So all the books consists of the same twenty five

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<v Speaker 1>elements for characters. They've got a space, a period, a comma,

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<v Speaker 1>and twenty two letters of the alphabet. The only variation

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<v Speaker 1>is in the arrangement of these twenty five characters Now

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<v Speaker 1>you might be saying, wait a minute, that there you

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<v Speaker 1>know less than the total number of letters in our alphabet. Well,

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<v Speaker 1>you know some letters are kind of redundant, aren't they.

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<v Speaker 1>Why do we need to see why? Not just a

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<v Speaker 1>K in an S. But no, two books in the

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<v Speaker 1>library are exactly the same. So if the books don't

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<v Speaker 1>duplicate one another, and we know the starting conditions, we

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<v Speaker 1>can actually calculate the number of books that would be

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<v Speaker 1>in the library. So if there's a d characters per line,

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<v Speaker 1>forty lines per page times four hundred and ten pages

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<v Speaker 1>per book, that's one million, three hundred and twelve thousand

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<v Speaker 1>characters per book. And with twenty five possible characters and

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<v Speaker 1>and one million, three hundred and twelve thousand characters per book,

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<v Speaker 1>we know that there have to be twenty five to

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<v Speaker 1>the one million, three hundred and twelve power books. That

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<v Speaker 1>is a number that is so big that if you

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<v Speaker 1>can count to it, you automatically become the god of

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<v Speaker 1>your local galaxy cluster. So so the basic idea here,

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<v Speaker 1>and I'm sure there's another metaphor a little nonsensical story

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<v Speaker 1>that often comes to mind, and that is the idea

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<v Speaker 1>of the monkeys banging on type. Right. I'm going to

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<v Speaker 1>get into that in a bit, creating gibberish and eventually

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<v Speaker 1>recreating the works of Shakespeare. Right now, it's sort of analogous.

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<v Speaker 1>If the monkeys could only pound out one book length

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<v Speaker 1>work of gibberish at a time and avoid complete repetition, right,

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<v Speaker 1>and never do the same thing twice, eventually they'd get

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<v Speaker 1>to ShakespeRe. But so the library contains all books there

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<v Speaker 1>could possibly be, so, in addition to just trying to

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<v Speaker 1>imagine what this is like, in addition to the indefinite

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<v Speaker 1>numbers of books full of random gibberish, which would be

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<v Speaker 1>almost all the books, there are also perfect copies of

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<v Speaker 1>all books that already exist in reality. So there's a

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<v Speaker 1>perfect copy of all the books in the Twilight series. Now,

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<v Speaker 1>if you're worrying, wait a minute, I know of some

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<v Speaker 1>books that are more than four ten pages too long

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<v Speaker 1>to be reproduced. Not so, actually, because there's a book

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<v Speaker 1>that contains its exact first four ten pages, and then

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<v Speaker 1>another book that contains whatever happens after that, stretching into

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<v Speaker 1>as many volumes as you need. Plus all books that

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<v Speaker 1>exist in reality would be there, with every possible combination

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<v Speaker 1>of typographical errors that there could be. So there's a

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<v Speaker 1>book that's a perfect copy of Jane Eyre, except every

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<v Speaker 1>instance of Mr Rochester's aim is replaced with the words

0:13:01.559 --> 0:13:05.840
<v Speaker 1>a crocodile of immense girth. There is also a copy

0:13:05.880 --> 0:13:09.400
<v Speaker 1>of Hamlet that reads normally except for the one line

0:13:09.720 --> 0:13:12.560
<v Speaker 1>one change. There are more things in heaven and Earth

0:13:12.760 --> 0:13:16.480
<v Speaker 1>ratio than are dreamt of in your vaping newsletter. It

0:13:16.600 --> 0:13:20.719
<v Speaker 1>also contains a perfectly accurate autobiography of your life, as

0:13:20.720 --> 0:13:23.839
<v Speaker 1>we mentioned, including all the events that haven't happened yet.

0:13:24.120 --> 0:13:28.520
<v Speaker 1>It contains lots of almost perfect autobiographies of your life,

0:13:28.520 --> 0:13:32.320
<v Speaker 1>but containing a few lies. It contains all books explaining

0:13:32.360 --> 0:13:36.000
<v Speaker 1>the perfect solutions to all the world's most vexing problems.

0:13:36.360 --> 0:13:38.600
<v Speaker 1>If we can only find those books and know them

0:13:38.600 --> 0:13:40.920
<v Speaker 1>when we see them, then we'd have the solutions to

0:13:40.960 --> 0:13:44.400
<v Speaker 1>all those problems in the story. All these books exist

0:13:44.440 --> 0:13:48.040
<v Speaker 1>in the library, but they represent such a tiny fraction

0:13:48.120 --> 0:13:51.800
<v Speaker 1>of the total possible combinations of symbols that you could

0:13:51.800 --> 0:13:54.480
<v Speaker 1>wander your whole life through the library and probably not

0:13:54.559 --> 0:13:58.480
<v Speaker 1>expect to find any lengthy combination of words that made

0:13:58.520 --> 0:14:02.240
<v Speaker 1>any grammatical sense. Yeah, I mean it, I mean it's

0:14:02.280 --> 0:14:04.280
<v Speaker 1>easy for all of us to to just really go

0:14:04.360 --> 0:14:06.800
<v Speaker 1>wild imagining this. I mean, just think of think of

0:14:06.840 --> 0:14:10.120
<v Speaker 1>your favorite book in the world, and just imagine then

0:14:10.400 --> 0:14:12.960
<v Speaker 1>that there are so many different versions of it that

0:14:13.040 --> 0:14:15.560
<v Speaker 1>are a little bit less good, that maybe have a

0:14:15.559 --> 0:14:18.760
<v Speaker 1>few different typos in the in it, a few different

0:14:18.840 --> 0:14:21.240
<v Speaker 1>character changes. Then there are versions of it that are

0:14:21.280 --> 0:14:25.800
<v Speaker 1>even better. There's even like an ideal version of it,

0:14:25.840 --> 0:14:27.960
<v Speaker 1>a perfect version. There is a version of your favorite

0:14:27.960 --> 0:14:32.240
<v Speaker 1>book that you yourself would perhaps love even more because

0:14:32.280 --> 0:14:36.080
<v Speaker 1>it's a little more in tune with your expectations. Right,

0:14:36.160 --> 0:14:38.440
<v Speaker 1>And all that fan fiction you write that's already in

0:14:38.480 --> 0:14:41.920
<v Speaker 1>the library, it's there, plus all the changes you could

0:14:41.920 --> 0:14:44.520
<v Speaker 1>have made to make it you know, less of a travesty.

0:14:44.560 --> 0:14:46.720
<v Speaker 1>But is it all on the same shelf? No, it's

0:14:46.840 --> 0:14:50.320
<v Speaker 1>all on the same hexagon. Probably not, because it's arranged

0:14:50.360 --> 0:14:53.240
<v Speaker 1>in random or to making it even more frustrating to

0:14:53.280 --> 0:14:56.240
<v Speaker 1>try to find anything, though not necessarily even more frustrating,

0:14:56.240 --> 0:14:59.240
<v Speaker 1>because if you try to imagine what navigating the library

0:14:59.240 --> 0:15:01.480
<v Speaker 1>of Babel would be if it were organized in some

0:15:01.640 --> 0:15:06.600
<v Speaker 1>alphabetical fashion, you might be trapped in the A A

0:15:06.600 --> 0:15:10.040
<v Speaker 1>A A A A A section of the library. Your

0:15:10.280 --> 0:15:13.200
<v Speaker 1>entire life yeah, and you would just be physically unable

0:15:13.400 --> 0:15:17.160
<v Speaker 1>to traverse that area and get to the sensible books. Right.

0:15:17.320 --> 0:15:21.160
<v Speaker 1>So I'd actually prefer a randomized library to being stuck

0:15:21.560 --> 0:15:24.040
<v Speaker 1>in a sea of a's that I could never escape

0:15:24.080 --> 0:15:27.520
<v Speaker 1>from no matter how long I walked, you know. Um,

0:15:27.840 --> 0:15:29.960
<v Speaker 1>of course this has been such a highly influential book.

0:15:30.000 --> 0:15:32.920
<v Speaker 1>It's referenced in a number of different works, umming the

0:15:32.960 --> 0:15:35.080
<v Speaker 1>Library of the Library Battle, so like a lot of

0:15:35.080 --> 0:15:38.120
<v Speaker 1>people probably recognize it from umberto Eco's masterful Name of

0:15:38.160 --> 0:15:42.200
<v Speaker 1>the Rose, where an actual library and an Italian monastery

0:15:42.480 --> 0:15:46.120
<v Speaker 1>is is modeled on this. There are aspects of it

0:15:46.240 --> 0:15:49.640
<v Speaker 1>that I believe are utilized in the House of Leaves.

0:15:50.800 --> 0:15:53.000
<v Speaker 1>But then there's also a Stephen King short story. I

0:15:53.000 --> 0:15:55.080
<v Speaker 1>don't know if you've read this one titled Er that

0:15:55.200 --> 0:15:57.720
<v Speaker 1>came out It was only for Kindle, I don't think. So.

0:15:58.360 --> 0:16:01.440
<v Speaker 1>It's about a man who obtains a pink kindle and

0:16:01.480 --> 0:16:03.280
<v Speaker 1>it turns out to be a kindle from another no

0:16:03.440 --> 0:16:06.840
<v Speaker 1>I haven't, and it gives him access not only to

0:16:07.600 --> 0:16:11.200
<v Speaker 1>the kindle store in our universe, but also to kindle

0:16:11.280 --> 0:16:15.600
<v Speaker 1>stores in alternate universe, so he's able to access books

0:16:15.640 --> 0:16:18.400
<v Speaker 1>by authors he loves. That have not yet been written,

0:16:19.000 --> 0:16:21.720
<v Speaker 1>or that that just were not written in our world.

0:16:22.400 --> 0:16:24.720
<v Speaker 1>So in a sense, it's a it's an interesting play

0:16:24.760 --> 0:16:26.560
<v Speaker 1>on the Library of Babble. You know, if you want

0:16:26.600 --> 0:16:28.680
<v Speaker 1>to get a sense of what it would be like

0:16:28.840 --> 0:16:32.040
<v Speaker 1>to actually inhabit this universe, the Library of Babbel and

0:16:32.080 --> 0:16:34.640
<v Speaker 1>just start pulling books off the shelf, there is a

0:16:34.680 --> 0:16:38.360
<v Speaker 1>tool you can use. A Brooklyn author named Jonathan Vassil

0:16:38.480 --> 0:16:41.080
<v Speaker 1>has created a virtual version. You can go to it

0:16:41.200 --> 0:16:44.520
<v Speaker 1>Library of Babbel dot info. You can go explore this

0:16:44.640 --> 0:16:47.480
<v Speaker 1>at any time, and it's great fun for a few

0:16:47.520 --> 0:16:51.880
<v Speaker 1>minutes until you get just buried under the noise of

0:16:51.960 --> 0:16:55.680
<v Speaker 1>nonsense hiding all potential information. So you're you're able to

0:16:55.680 --> 0:16:58.640
<v Speaker 1>pull up titles of books hypothetical, Yeah, you can. You

0:16:58.680 --> 0:17:01.160
<v Speaker 1>can go pull up a shelf healf of the library

0:17:01.160 --> 0:17:05.600
<v Speaker 1>by name which I guess it generates the text that

0:17:05.640 --> 0:17:09.320
<v Speaker 1>would be under that randomized section of the library, and

0:17:09.400 --> 0:17:11.480
<v Speaker 1>you can pull out some books and look at what's

0:17:11.520 --> 0:17:16.439
<v Speaker 1>inside them. Huh. And are there any MPCs here? No,

0:17:16.600 --> 0:17:18.000
<v Speaker 1>not that I know of. I don't know I have.

0:17:18.160 --> 0:17:19.960
<v Speaker 1>I haven't played with it long enough. It wouldn't it

0:17:19.960 --> 0:17:22.600
<v Speaker 1>be great if some purifiers come by and start trying

0:17:22.640 --> 0:17:24.679
<v Speaker 1>to burn the books you're reading. Now, now that reminds

0:17:24.680 --> 0:17:26.760
<v Speaker 1>me we should say a little bit more about the story.

0:17:27.280 --> 0:17:30.320
<v Speaker 1>Who were the characters who occupied this library? Oh? Yeah,

0:17:30.359 --> 0:17:33.080
<v Speaker 1>and and this is this is tremendous fun um. So

0:17:33.160 --> 0:17:36.800
<v Speaker 1>a first and foremost, Uh, there are the librarians and

0:17:36.840 --> 0:17:40.680
<v Speaker 1>the the narrator. The main character, if you can even

0:17:40.720 --> 0:17:44.320
<v Speaker 1>call them that in the story, is a librarian. So

0:17:44.359 --> 0:17:48.080
<v Speaker 1>they're given the impossible task of caring for the library

0:17:48.119 --> 0:17:52.040
<v Speaker 1>exploring it, and they're generally an overworked and just suicidal lot.

0:17:52.680 --> 0:17:54.639
<v Speaker 1>Plus they have to contend with all the other weird

0:17:54.720 --> 0:17:57.560
<v Speaker 1>wanderers that are out there and ned the hexagons, such

0:17:57.600 --> 0:18:01.440
<v Speaker 1>as Oh well, there are the inquisitors, and these are

0:18:01.880 --> 0:18:05.920
<v Speaker 1>official searchers, but they don't really seem to make much progress.

0:18:06.280 --> 0:18:08.880
<v Speaker 1>It's kind of vague in the story exactly what they're doing.

0:18:08.920 --> 0:18:11.640
<v Speaker 1>I assume they are somehow searching for books that make

0:18:11.760 --> 0:18:15.400
<v Speaker 1>sense or books of some kind of value which are

0:18:15.520 --> 0:18:18.080
<v Speaker 1>just impossible to come by. And I believe there's a

0:18:18.080 --> 0:18:21.040
<v Speaker 1>sense to that they're they're separate from the librarians. It's

0:18:21.080 --> 0:18:25.639
<v Speaker 1>almost like an academic versus a governmental body. So the

0:18:25.720 --> 0:18:28.600
<v Speaker 1>libraries and inquisitors are kind of They seems like their

0:18:28.680 --> 0:18:32.320
<v Speaker 1>jobs should be similar, but they have different philosophical aims.

0:18:33.200 --> 0:18:35.560
<v Speaker 1>What else, then we have the Purifiers, who we alluded

0:18:35.600 --> 0:18:38.320
<v Speaker 1>to already, and these is a sect that traversed the

0:18:38.400 --> 0:18:42.399
<v Speaker 1>library and they destroy any book that they deem nonsensical.

0:18:42.480 --> 0:18:45.200
<v Speaker 1>So that would be pretty much all books, yes, but

0:18:45.440 --> 0:18:49.040
<v Speaker 1>it could also mean I mean, I wondered if it's

0:18:49.080 --> 0:18:51.400
<v Speaker 1>it's alluded to as well that then maybe they're not

0:18:51.480 --> 0:18:53.960
<v Speaker 1>the ones to judge. How are Maybe a book that

0:18:54.000 --> 0:18:56.800
<v Speaker 1>seems like nonsense is not nonsense. Maybe they're burning a

0:18:56.840 --> 0:19:00.320
<v Speaker 1>bunch of sous any comings and they don't even realize.

0:19:00.920 --> 0:19:03.600
<v Speaker 1>But mainly they are in search of something known as

0:19:03.680 --> 0:19:06.399
<v Speaker 1>the Crimson Hexagon. Yea, And now we alluded to this

0:19:06.440 --> 0:19:09.120
<v Speaker 1>to the beginning. But Robert, what is the Crimson hexagon

0:19:09.160 --> 0:19:13.440
<v Speaker 1>because it sounds alluring. Oh, yes, it is a Crimson room,

0:19:13.560 --> 0:19:19.600
<v Speaker 1>the Crimson Hexagon within the library, rumored to exist to exist. Yes, no,

0:19:19.600 --> 0:19:22.680
<v Speaker 1>nobody has actually seen it that we know of, uh.

0:19:22.720 --> 0:19:28.760
<v Speaker 1>And it contains quote books smaller than natural books, books omnipotent, illustrated,

0:19:29.040 --> 0:19:32.120
<v Speaker 1>and magical. So in other words, this is where you'd

0:19:32.119 --> 0:19:37.439
<v Speaker 1>find the real functional copies of various grimoires, including the

0:19:37.520 --> 0:19:41.639
<v Speaker 1>real Necronomicon. Uh, the real Book of Sand, which is

0:19:41.760 --> 0:19:44.480
<v Speaker 1>by the way, is it is an infinite book of

0:19:44.520 --> 0:19:49.119
<v Speaker 1>the factors into another Borhees story. Uh, you would find

0:19:49.200 --> 0:19:51.760
<v Speaker 1>just all these books of power and meaning, books that

0:19:51.920 --> 0:19:55.679
<v Speaker 1>answer our big questions like this is this is like

0:19:55.720 --> 0:20:00.440
<v Speaker 1>a mythological center for the library, a place of order

0:20:01.040 --> 0:20:03.800
<v Speaker 1>and answer, and it gives many people in the library

0:20:03.840 --> 0:20:07.800
<v Speaker 1>hope when they're traversing an otherwise unbroken sea of nonsense

0:20:07.840 --> 0:20:10.520
<v Speaker 1>and gibberish. And I'll tell you one book that might

0:20:10.560 --> 0:20:13.640
<v Speaker 1>be in the Crimson hexagon if it exists or might

0:20:13.680 --> 0:20:17.000
<v Speaker 1>be elsewhere. Is this okay? So since the Library of

0:20:17.000 --> 0:20:20.119
<v Speaker 1>b Apple contains all possible books, that means it must

0:20:20.119 --> 0:20:23.919
<v Speaker 1>contain a book or books about the library itself. It

0:20:24.000 --> 0:20:27.439
<v Speaker 1>must contain a book that tells the reader how to

0:20:27.480 --> 0:20:30.880
<v Speaker 1>find what you want. It lays it autologue or guide

0:20:30.960 --> 0:20:35.680
<v Speaker 1>for the library itself, like a tourist guide. So even

0:20:35.680 --> 0:20:38.480
<v Speaker 1>though that book has not been found, it is rumored

0:20:39.200 --> 0:20:42.440
<v Speaker 1>that there must exist someone known as the Bookman, that

0:20:42.560 --> 0:20:46.919
<v Speaker 1>the Bookman has actually found that book. That is quote,

0:20:46.960 --> 0:20:51.480
<v Speaker 1>the cipher and perfect compendium of all possible books, the

0:20:51.520 --> 0:20:55.600
<v Speaker 1>Bookman has read this book and wanders the library as

0:20:55.640 --> 0:21:00.480
<v Speaker 1>a godlike librarian, worshiped, quested after, and perhaps even prayed to.

0:21:01.119 --> 0:21:04.080
<v Speaker 1>So this is a god figure, a really kind of

0:21:04.119 --> 0:21:08.040
<v Speaker 1>a Christ figure that wanders the Library of Babble, and

0:21:08.320 --> 0:21:11.239
<v Speaker 1>everyone wants to find this gentleman and meet him so

0:21:11.320 --> 0:21:15.120
<v Speaker 1>that they might too know where they can find their answers.

0:21:15.240 --> 0:21:18.000
<v Speaker 1>In a way, it in a way, it's like the

0:21:18.040 --> 0:21:20.719
<v Speaker 1>perfect holy Man, right, like the the the order of

0:21:20.760 --> 0:21:24.480
<v Speaker 1>the Library of Babbel is beyond us. We cannot relate

0:21:24.520 --> 0:21:26.520
<v Speaker 1>to it, but we can relate to an individual. So

0:21:26.560 --> 0:21:30.000
<v Speaker 1>if there's an individual who can grasp this vastness, then

0:21:30.119 --> 0:21:33.520
<v Speaker 1>let us speak to him right now. It probably won't

0:21:33.560 --> 0:21:36.320
<v Speaker 1>be lost on all the parallels to religious figures and

0:21:36.320 --> 0:21:39.080
<v Speaker 1>profits like like you were mentioning that you know this

0:21:39.200 --> 0:21:41.680
<v Speaker 1>Christ figure. But I would say also that the bookman

0:21:41.840 --> 0:21:44.600
<v Speaker 1>not need not necessarily be a man. I would suspect

0:21:44.680 --> 0:21:47.040
<v Speaker 1>that it's more likely a book woman because the men

0:21:47.160 --> 0:21:50.440
<v Speaker 1>of this library are way too caught up in suicides

0:21:50.480 --> 0:21:53.639
<v Speaker 1>and murders, and uh, man, it just seems like it

0:21:53.760 --> 0:21:56.040
<v Speaker 1>is not a nice thing to be. Uh, to be

0:21:57.040 --> 0:22:00.879
<v Speaker 1>a soul male wandering this library. Yeah, it makes me

0:22:00.960 --> 0:22:03.439
<v Speaker 1>think of the the back in the days when you

0:22:03.480 --> 0:22:06.320
<v Speaker 1>had the big bookstores everywhere, you would have like the

0:22:06.320 --> 0:22:08.800
<v Speaker 1>the kind of sketchy dudes who would hang out in

0:22:08.840 --> 0:22:12.240
<v Speaker 1>the photography books section. Um. That is not a sect

0:22:12.320 --> 0:22:14.840
<v Speaker 1>that is mentioned by Borges, but I can only imagine

0:22:14.840 --> 0:22:17.840
<v Speaker 1>that they're out there picking up various books and trying

0:22:17.880 --> 0:22:19.880
<v Speaker 1>to sneak off to the bathroom with them. Though. There

0:22:19.960 --> 0:22:23.560
<v Speaker 1>is a sense of pervasive, suicidal melancholy that's the library,

0:22:23.640 --> 0:22:26.199
<v Speaker 1>because after a while it just seems to grind on

0:22:26.280 --> 0:22:28.320
<v Speaker 1>you that you can't find the answers you're looking for,

0:22:28.359 --> 0:22:30.320
<v Speaker 1>you can't find the books you're looking for, and then

0:22:30.320 --> 0:22:33.359
<v Speaker 1>you have to contend with young people who wander into

0:22:33.400 --> 0:22:37.800
<v Speaker 1>worship and kiss the books, various heretics, pilgrims again, like

0:22:37.840 --> 0:22:42.040
<v Speaker 1>people looking for alternate gospels, brigands, suicides. All of this

0:22:42.359 --> 0:22:45.159
<v Speaker 1>going on and you're just a simple librarian trying to

0:22:45.520 --> 0:22:48.240
<v Speaker 1>do your job is just too much. Now. The fact

0:22:48.440 --> 0:22:50.840
<v Speaker 1>that I found interesting when I was reading about borges

0:22:50.960 --> 0:22:54.680
<v Speaker 1>life was that Bores was himself a librarian at multiple

0:22:54.680 --> 0:22:57.520
<v Speaker 1>different times in his life for almost a decade, beginning

0:22:57.520 --> 0:23:01.000
<v Speaker 1>in around nineteen seven or nineteen thirty eight, Borhes worked

0:23:01.040 --> 0:23:04.400
<v Speaker 1>in a small library in Buenos Aires, and this time

0:23:04.440 --> 0:23:07.119
<v Speaker 1>in the library would include the time of publication for

0:23:07.200 --> 0:23:09.800
<v Speaker 1>the Library of Babble, which he first published in nineteen

0:23:09.840 --> 0:23:12.600
<v Speaker 1>forty one. I figured out which library it was, by

0:23:12.600 --> 0:23:14.159
<v Speaker 1>the way, and I looked it up, and and the

0:23:14.440 --> 0:23:16.560
<v Speaker 1>scale is not what you would expect. I think I

0:23:16.640 --> 0:23:19.200
<v Speaker 1>might have mentioned that earlier, but given the story, it's

0:23:19.200 --> 0:23:22.800
<v Speaker 1>a very small, quaint, little library with a modest collection

0:23:22.800 --> 0:23:27.520
<v Speaker 1>of books. But also in nineteen thirty eight Borhes read

0:23:27.600 --> 0:23:31.200
<v Speaker 1>experienced to head wound which led to blood poisoning, which

0:23:31.200 --> 0:23:34.879
<v Speaker 1>in turn made him very feeble, and he feared losing

0:23:34.960 --> 0:23:38.600
<v Speaker 1>his sanity, and so Borees was eventually dismissed from his

0:23:38.720 --> 0:23:42.320
<v Speaker 1>library position. When Juan Perone came to power in Argentina

0:23:42.400 --> 0:23:45.400
<v Speaker 1>and I think nineteen forty five or forty six, and

0:23:45.640 --> 0:23:48.800
<v Speaker 1>he Borrees had supported the Allies during World War Two.

0:23:48.800 --> 0:23:51.800
<v Speaker 1>He opposed Nazi Germany, and he was also at the

0:23:51.800 --> 0:23:56.800
<v Speaker 1>time opposed to Peron's authoritarian sympathies. So in retaliation, Perrone

0:23:56.960 --> 0:24:01.119
<v Speaker 1>demoted Borhees to the job title of pult re Inspector.

0:24:01.920 --> 0:24:04.080
<v Speaker 1>Borre His was not a fan of this move, but

0:24:04.359 --> 0:24:07.600
<v Speaker 1>later he was again given a library position as director

0:24:07.640 --> 0:24:11.480
<v Speaker 1>of the Argentine National Library in nineteen fifty five. But

0:24:12.480 --> 0:24:16.560
<v Speaker 1>I do wonder to what extent his experiences among the books,

0:24:16.600 --> 0:24:19.439
<v Speaker 1>even if it was truly a modest collection of books,

0:24:19.920 --> 0:24:24.480
<v Speaker 1>led to his his dreaming of the Library of Babel. Yeah,

0:24:24.600 --> 0:24:27.280
<v Speaker 1>perhaps a lot of it too came from him, not

0:24:27.400 --> 0:24:30.240
<v Speaker 1>only you know, not only encountering books in this bookstore,

0:24:30.480 --> 0:24:33.320
<v Speaker 1>in the libraries and his personal collection, but also reading

0:24:33.400 --> 0:24:37.320
<v Speaker 1>about other books, seeing the names of these other books.

0:24:37.359 --> 0:24:40.000
<v Speaker 1>It's it's it's hard, you know, just looking through a

0:24:40.000 --> 0:24:44.000
<v Speaker 1>card catalog. Um. Yeah, I guess today we get a

0:24:44.160 --> 0:24:48.119
<v Speaker 1>sense of such a vassal library just when we're going

0:24:48.160 --> 0:24:51.520
<v Speaker 1>through an online database of books via a library system

0:24:51.640 --> 0:24:55.000
<v Speaker 1>or Amazon. Uh and uh and I can I can

0:24:55.040 --> 0:24:57.719
<v Speaker 1>see even with it with older catalog systems, where one

0:24:57.800 --> 0:25:00.000
<v Speaker 1>might have that experience, especially if one is a true

0:25:00.000 --> 0:25:03.679
<v Speaker 1>of roth books as as Borges you know, definitely was.

0:25:04.760 --> 0:25:07.080
<v Speaker 1>But of course the Library of Babbel is more than

0:25:07.119 --> 0:25:10.120
<v Speaker 1>just an interesting short story, right, It's become this door

0:25:10.359 --> 0:25:13.439
<v Speaker 1>that we can walk through to think about the nature

0:25:13.440 --> 0:25:18.359
<v Speaker 1>of information and scale, numerical scale and the universe infinity,

0:25:18.480 --> 0:25:23.000
<v Speaker 1>the relationship between information and physicality, and a very useful

0:25:23.040 --> 0:25:26.480
<v Speaker 1>model for philosophers, scientists, and thinkers of all kinds. So

0:25:26.880 --> 0:25:28.439
<v Speaker 1>we're going to take a quick break, and when we

0:25:28.520 --> 0:25:30.800
<v Speaker 1>come back from the break, we are going to learn

0:25:30.800 --> 0:25:33.800
<v Speaker 1>more about the implications of the Library of Babel as

0:25:33.800 --> 0:25:43.240
<v Speaker 1>a thought experiment. So the characters in the Library of Babbel,

0:25:43.280 --> 0:25:45.800
<v Speaker 1>they all seem to be searching for meaning, right They're

0:25:45.840 --> 0:25:49.920
<v Speaker 1>living in this vast library of nonsense, is full of

0:25:49.960 --> 0:25:53.280
<v Speaker 1>gibberish everywhere, and they want to find books that have

0:25:53.560 --> 0:25:57.879
<v Speaker 1>some kind of significance. So I think it's quite clear

0:25:57.920 --> 0:26:00.159
<v Speaker 1>that in many ways this story is an analogy for

0:26:00.200 --> 0:26:03.320
<v Speaker 1>the search of meaning, the search for meanings. Sorry, imagine

0:26:03.520 --> 0:26:08.320
<v Speaker 1>that feeling of knowing that there were already in existence

0:26:08.480 --> 0:26:12.560
<v Speaker 1>books that explained the true origin and purpose of the universe,

0:26:13.359 --> 0:26:15.239
<v Speaker 1>if there is such a thing, of course, and the

0:26:15.280 --> 0:26:19.239
<v Speaker 1>origin and purpose of everything in the universe, including your

0:26:19.280 --> 0:26:21.840
<v Speaker 1>own existence. And I want to read another quote from

0:26:21.840 --> 0:26:27.480
<v Speaker 1>the story, quote that unbridled hopefulness was succeeded naturally enough

0:26:27.600 --> 0:26:33.439
<v Speaker 1>by a similarly disproportionate depression, the certainty that some bookshelf

0:26:33.480 --> 0:26:37.520
<v Speaker 1>in some hexagon contained precious books, yet that those precious

0:26:37.560 --> 0:26:41.760
<v Speaker 1>books were forever out of reach was almost unbearable. One

0:26:41.800 --> 0:26:45.520
<v Speaker 1>blasphemous sect proposed that the searches be discontinued, and that

0:26:45.600 --> 0:26:49.720
<v Speaker 1>all men shuffle letters and symbols until those canonical books,

0:26:49.920 --> 0:26:54.919
<v Speaker 1>through some improbable stroke of chance, had been constructed. The

0:26:54.960 --> 0:26:59.040
<v Speaker 1>authorities were forced to issue strict orders. The sect disappeared.

0:26:59.160 --> 0:27:01.800
<v Speaker 1>But in my child too, I have seen old men who,

0:27:01.840 --> 0:27:05.240
<v Speaker 1>for long periods would hide in the latrines with metal

0:27:05.320 --> 0:27:09.879
<v Speaker 1>discs and a forbidden dice cup, feebly mimicking the divine order.

0:27:10.920 --> 0:27:13.440
<v Speaker 1>I love something about this little section of the story

0:27:13.480 --> 0:27:16.800
<v Speaker 1>because notice here the similarity with something you already brought

0:27:16.880 --> 0:27:20.320
<v Speaker 1>up Robert the infinite monkey theorem, right, the idea that

0:27:20.359 --> 0:27:22.320
<v Speaker 1>you've got a gang of monkeys and you put them

0:27:22.320 --> 0:27:24.679
<v Speaker 1>in front of typewriters, and they just hit keys on

0:27:24.720 --> 0:27:28.239
<v Speaker 1>the typewriters at random. Now, given infinite time, it's all

0:27:28.480 --> 0:27:32.600
<v Speaker 1>often said that these monkeys will produce specified works of literature,

0:27:32.680 --> 0:27:35.520
<v Speaker 1>such as the complete works of Shakespeare, or of course

0:27:35.560 --> 0:27:38.480
<v Speaker 1>they would need vast periods of time. One of the

0:27:39.040 --> 0:27:42.080
<v Speaker 1>key factors here, and that that's not depending on what

0:27:42.119 --> 0:27:44.119
<v Speaker 1>the work is, like Shakespeare or whatever. They could be

0:27:44.160 --> 0:27:47.320
<v Speaker 1>trying to create the complete works of Anne Rice, and

0:27:47.480 --> 0:27:50.640
<v Speaker 1>that the infinite time parameter is crucial because in reality,

0:27:50.760 --> 0:27:54.439
<v Speaker 1>such a scenario would probably not produce a single page

0:27:54.440 --> 0:27:58.000
<v Speaker 1>of grammatically meaningful English within the total age of the universe.

0:27:58.560 --> 0:28:03.040
<v Speaker 1>It's just, you know, random combinatrix are not very forgiving.

0:28:03.400 --> 0:28:06.520
<v Speaker 1>But in the Borhey story, there's this blasphemous sect he

0:28:06.560 --> 0:28:09.919
<v Speaker 1>talks about who wants to try to create precious and

0:28:10.000 --> 0:28:14.760
<v Speaker 1>meaningful books by randomly generating volumes with something kind of

0:28:14.800 --> 0:28:18.000
<v Speaker 1>like a Wegia board and a pair of dice, almost

0:28:18.000 --> 0:28:21.080
<v Speaker 1>like a like a code cracking program, right, But it

0:28:21.160 --> 0:28:25.399
<v Speaker 1>doesn't fundamentally alter our predicament in search for meaning, only

0:28:25.480 --> 0:28:29.280
<v Speaker 1>the observer's level of personal activity within it. So the

0:28:29.320 --> 0:28:32.720
<v Speaker 1>librarians in the library of Babbel are like the observer

0:28:33.359 --> 0:28:36.840
<v Speaker 1>watching the monkeys type, waiting for them to produce Shakespeare.

0:28:37.000 --> 0:28:41.000
<v Speaker 1>They're passively receiving all of this random information, waiting for

0:28:41.040 --> 0:28:44.200
<v Speaker 1>something of significance to come out. The blasphemous sect, the

0:28:44.200 --> 0:28:47.160
<v Speaker 1>people rolling the dice with the Wegi board, they're just

0:28:47.280 --> 0:28:51.280
<v Speaker 1>more like being the monkey sitting at the typewriter randomly

0:28:51.360 --> 0:28:54.480
<v Speaker 1>typing text. It doesn't change the odds that you'll come

0:28:54.520 --> 0:28:57.280
<v Speaker 1>across something of significance. But maybe it does make a

0:28:57.280 --> 0:29:01.880
<v Speaker 1>psychological difference if you yourself are the creator versus passively

0:29:02.000 --> 0:29:06.120
<v Speaker 1>receiving what already exists around you. Yeah, I mean it's

0:29:06.160 --> 0:29:08.480
<v Speaker 1>it's really like the members of the Blastmouths sect are

0:29:08.480 --> 0:29:12.240
<v Speaker 1>playing God. They're doing the work of God. Uh, of

0:29:12.400 --> 0:29:17.120
<v Speaker 1>of of a creator entity in this scenario. But um,

0:29:17.480 --> 0:29:22.080
<v Speaker 1>they're bound by mortal or semi mortal experience. So uh

0:29:22.240 --> 0:29:24.280
<v Speaker 1>it really amounts to the same thing. They're just as

0:29:24.320 --> 0:29:26.840
<v Speaker 1>lost in the in the library, except to say, a

0:29:27.000 --> 0:29:31.720
<v Speaker 1>library of their their own creation. Well, in the cosmological sense,

0:29:32.320 --> 0:29:36.520
<v Speaker 1>how similar is the library of Babel to the universe

0:29:36.600 --> 0:29:40.960
<v Speaker 1>we actually inhabit? And what what what similarities and differences

0:29:41.000 --> 0:29:44.320
<v Speaker 1>could we observe? Well, if we look at the library

0:29:44.360 --> 0:29:47.440
<v Speaker 1>as a metaphor for cosmos, and and it seems one

0:29:47.480 --> 0:29:49.560
<v Speaker 1>of one of borhe is intense. I mean, he says

0:29:49.600 --> 0:29:53.720
<v Speaker 1>in the first line that universes the library. Yeah, so

0:29:53.760 --> 0:29:57.560
<v Speaker 1>you could argue that it is his central intent. Uh, certainly. Uh.

0:29:57.600 --> 0:30:00.720
<v Speaker 1>In this case, it lines up rather nicely with the

0:30:00.760 --> 0:30:04.560
<v Speaker 1>cosmological principle, the idea that matter in the universe is

0:30:04.600 --> 0:30:09.000
<v Speaker 1>homogeneous and isotropic when averaged out over very large scales

0:30:09.640 --> 0:30:12.760
<v Speaker 1>as a major principle that speaks to the composition of

0:30:12.800 --> 0:30:15.400
<v Speaker 1>the universe, and it helps us serve as the basis

0:30:15.440 --> 0:30:18.520
<v Speaker 1>for the Big Bang theory. Here, it's kind of hard

0:30:18.520 --> 0:30:21.400
<v Speaker 1>to imagine living on Earth as we do and not

0:30:21.480 --> 0:30:25.200
<v Speaker 1>seeing really anywhere else in the universe that's as hospitable

0:30:25.240 --> 0:30:29.280
<v Speaker 1>as Earth, that the universe is homogeneous, you know. But

0:30:29.280 --> 0:30:32.520
<v Speaker 1>but yeah, it's talking about scale there. Over scale, you

0:30:32.560 --> 0:30:35.120
<v Speaker 1>could say it is homogeneous even if we're sort of

0:30:35.160 --> 0:30:38.800
<v Speaker 1>living in the book that makes sense, right, like we

0:30:39.640 --> 0:30:43.760
<v Speaker 1>you could almost say that like we are living. It's

0:30:43.760 --> 0:30:45.880
<v Speaker 1>it's difficult, right, because it's like we are we are

0:30:45.920 --> 0:30:48.440
<v Speaker 1>the book that makes sense. We are the book that

0:30:48.480 --> 0:30:51.480
<v Speaker 1>we can understand, and we just according to us, according

0:30:51.520 --> 0:30:55.760
<v Speaker 1>to us, and and by by amazing fortune, we are

0:30:55.800 --> 0:30:58.240
<v Speaker 1>in the hexagon that contains of that book. And then

0:30:58.360 --> 0:31:01.120
<v Speaker 1>so it's easy to think it's a certainly we've from

0:31:01.120 --> 0:31:04.040
<v Speaker 1>a cosmological perspective, we've fallen into this trap many times

0:31:04.040 --> 0:31:06.320
<v Speaker 1>where we think, well, this is the center, this is

0:31:06.400 --> 0:31:10.080
<v Speaker 1>we are living in the Crimson hexagon, and there's a

0:31:10.160 --> 0:31:13.560
<v Speaker 1>you know, there's a whole discipline and cosmologies is about

0:31:13.960 --> 0:31:16.800
<v Speaker 1>just reminding everyone and we do not live in the

0:31:16.800 --> 0:31:20.960
<v Speaker 1>hexagonal in the Crimson hexagon. Not every hexagon that contains

0:31:20.960 --> 0:31:25.280
<v Speaker 1>a basically sensical operation manual for a VCR is the

0:31:25.280 --> 0:31:28.760
<v Speaker 1>Crimson hexagon. Yeah, there's not. There's nothing privileged about the

0:31:28.840 --> 0:31:32.960
<v Speaker 1>human condition, about and about the conditions of Earth, um

0:31:33.320 --> 0:31:37.160
<v Speaker 1>like the universe. To all the characters that in this

0:31:37.240 --> 0:31:41.080
<v Speaker 1>story that are considering the Library of Babble are within

0:31:41.160 --> 0:31:43.719
<v Speaker 1>the Library of Babble. They don't step outside of it.

0:31:43.760 --> 0:31:46.080
<v Speaker 1>They don't. They don't wander back to the surface of

0:31:46.160 --> 0:31:49.280
<v Speaker 1>some you know, Dungeon and Dragons type realm and then

0:31:49.400 --> 0:31:51.080
<v Speaker 1>think about it again and then go back in. It's

0:31:51.120 --> 0:31:54.160
<v Speaker 1>not like in say the novel House of Leaves, where

0:31:54.440 --> 0:31:57.680
<v Speaker 1>they're they're venturing from this house into this realm of

0:31:57.760 --> 0:32:01.440
<v Speaker 1>infinite corridors. There is no house to return to. So

0:32:01.720 --> 0:32:04.200
<v Speaker 1>quest is they might to understand the shape and nature

0:32:04.240 --> 0:32:07.360
<v Speaker 1>of the library. They cannot step beyond the library for

0:32:07.440 --> 0:32:10.959
<v Speaker 1>an outside outside understanding of what they're in. They cannot

0:32:11.040 --> 0:32:14.000
<v Speaker 1>step beyond the borders of cosmos. I mean, we can

0:32:14.080 --> 0:32:17.000
<v Speaker 1>barely step beyond the borders of the human experience. We

0:32:17.080 --> 0:32:21.080
<v Speaker 1>have this huge problem just trying to to comprehend consciousness

0:32:21.080 --> 0:32:23.560
<v Speaker 1>and the and and the functionality of the human mind.

0:32:24.000 --> 0:32:27.760
<v Speaker 1>It's you're trapped within the form you're trying to understand. Yeah,

0:32:27.800 --> 0:32:30.400
<v Speaker 1>but the Library of Babel also seems like it has

0:32:30.440 --> 0:32:35.120
<v Speaker 1>some metaphorical significance in our quest for knowledge. Yeah, I

0:32:35.160 --> 0:32:38.640
<v Speaker 1>mean the idea here the complete knowledge seems impossible. You

0:32:38.640 --> 0:32:41.080
<v Speaker 1>can believe in the Bookman and the Crimson Hexagon all

0:32:41.120 --> 0:32:44.600
<v Speaker 1>you want, but they remain ever outside your grasp. There's

0:32:44.680 --> 0:32:49.400
<v Speaker 1>no center, there's no privileged area or privileged knowledge. The

0:32:49.480 --> 0:32:56.080
<v Speaker 1>story also, according to writer Marcello glycer Uh, seems a

0:32:56.120 --> 0:33:00.520
<v Speaker 1>commentary on reductionism. So we can know all the characters

0:33:00.560 --> 0:33:04.240
<v Speaker 1>that comprise the works and the books, like identifying the

0:33:04.280 --> 0:33:07.000
<v Speaker 1>building blocks of nature. Right, but does that bring us

0:33:07.040 --> 0:33:10.560
<v Speaker 1>any closer to understanding the fundamental nature of the universe

0:33:10.880 --> 0:33:17.160
<v Speaker 1>or the library? No? No, not really. Um. And of course,

0:33:17.520 --> 0:33:19.120
<v Speaker 1>in all of this, I can't help but think of

0:33:19.440 --> 0:33:21.960
<v Speaker 1>a subject we've discussed in the past here on the show,

0:33:22.440 --> 0:33:26.680
<v Speaker 1>Plato's theory of forms, Right, the idea that that there's

0:33:26.680 --> 0:33:30.080
<v Speaker 1>an ideal version of everything that exists beyond our grasp,

0:33:30.480 --> 0:33:34.560
<v Speaker 1>according to Plato, like essentially in another realm. So there

0:33:34.600 --> 0:33:37.960
<v Speaker 1>would be in theory an ideal form of every book

0:33:38.000 --> 0:33:40.400
<v Speaker 1>that's ever been written in the Library of Babble. Right,

0:33:40.840 --> 0:33:44.360
<v Speaker 1>But we can spend an eternity, encounter an eternity of

0:33:44.400 --> 0:33:48.280
<v Speaker 1>alternate versions, and never happen upon the perfect form. It

0:33:48.280 --> 0:33:51.960
<v Speaker 1>doesn't quite exist outside the Library of Babble, however, though,

0:33:52.000 --> 0:33:54.880
<v Speaker 1>I wonder if you could sort of cobble that idea

0:33:54.920 --> 0:33:57.720
<v Speaker 1>together with the Crimson hexicon. Maybe that's what the Crimson

0:33:57.760 --> 0:34:00.640
<v Speaker 1>Hexicon also encompasses, the idea that there's a place where

0:34:00.880 --> 0:34:04.200
<v Speaker 1>all the ideals are represented. Well, this brings up something

0:34:04.360 --> 0:34:07.720
<v Speaker 1>that I wanted to talk about, which is the difference

0:34:07.760 --> 0:34:11.759
<v Speaker 1>between being able to generate a precious or significant book

0:34:11.760 --> 0:34:14.319
<v Speaker 1>and the ability to recognize it when you see. Uh.

0:34:14.440 --> 0:34:17.600
<v Speaker 1>This sort of goes back to our P versus NP discussion,

0:34:17.719 --> 0:34:21.160
<v Speaker 1>you know, the search for algorithms, like there are certain

0:34:21.840 --> 0:34:27.000
<v Speaker 1>problem solving techniques that you can check to see if

0:34:27.040 --> 0:34:30.240
<v Speaker 1>you got the right answer, but you can't as quickly

0:34:30.400 --> 0:34:33.840
<v Speaker 1>generate the right answer. And I, you know, I wonder

0:34:33.880 --> 0:34:37.000
<v Speaker 1>if our books the same way, Like, what is the

0:34:37.040 --> 0:34:43.960
<v Speaker 1>relationship between insight and time? Given infinite time, could any

0:34:44.000 --> 0:34:48.200
<v Speaker 1>person who could recognize a precious book also generate that

0:34:48.360 --> 0:34:53.040
<v Speaker 1>same precious book? I don't know, but it kind of

0:34:53.080 --> 0:34:55.160
<v Speaker 1>makes me wonder. Like the Library of Babble brings up

0:34:55.160 --> 0:34:58.680
<v Speaker 1>these quite So you're searching through all the shelves and

0:34:58.920 --> 0:35:01.399
<v Speaker 1>you you eventually come across a book that you know

0:35:01.640 --> 0:35:05.000
<v Speaker 1>is a meaningful and significant book that's full of true things,

0:35:05.120 --> 0:35:08.680
<v Speaker 1>full of great creativity, full of beauty and insight. It's

0:35:08.680 --> 0:35:11.400
<v Speaker 1>a good thing that you found it. If you know

0:35:11.560 --> 0:35:13.879
<v Speaker 1>that thing when you see it, would you be able

0:35:13.960 --> 0:35:16.839
<v Speaker 1>to create that thing if there were no constraints on

0:35:16.880 --> 0:35:19.959
<v Speaker 1>you whatsoever? It's like it to come back to say

0:35:20.000 --> 0:35:22.960
<v Speaker 1>something like done right, Like how would would I be

0:35:23.000 --> 0:35:25.000
<v Speaker 1>able to tell if I found a copy of doone

0:35:25.000 --> 0:35:28.000
<v Speaker 1>in the library? That is that that exceeds the original?

0:35:28.280 --> 0:35:30.480
<v Speaker 1>All I have is the version that we have in

0:35:30.480 --> 0:35:33.719
<v Speaker 1>our reality. And uh, and I'm a big fan of that.

0:35:34.680 --> 0:35:36.839
<v Speaker 1>But who's to say that that's anywhere close to the

0:35:37.000 --> 0:35:39.600
<v Speaker 1>ideal version of it? You know what? Who who can

0:35:39.760 --> 0:35:42.839
<v Speaker 1>make that judgment? And and then it also gets into

0:35:42.880 --> 0:35:45.000
<v Speaker 1>sort of the privilege, like we we're gonna have a

0:35:45.000 --> 0:35:48.239
<v Speaker 1>bias towards what we already know, what we already have,

0:35:48.719 --> 0:35:52.080
<v Speaker 1>which is which gets involved in in cosmology again, because

0:35:52.080 --> 0:35:55.800
<v Speaker 1>we're basing everything on this one model of of life.

0:35:55.880 --> 0:35:58.640
<v Speaker 1>This one model of that. We have an earth and

0:35:58.680 --> 0:36:01.799
<v Speaker 1>all the life that is ofvolved here. Uh, we have

0:36:01.920 --> 0:36:03.920
<v Speaker 1>nothing else to base it on. We only have this

0:36:04.040 --> 0:36:09.359
<v Speaker 1>copy of doone alas alas that we have but one

0:36:09.440 --> 0:36:12.720
<v Speaker 1>reality of doone to draw from. Shay alude be praise.

0:36:14.760 --> 0:36:16.680
<v Speaker 1>All right, we need to take another really quick break.

0:36:16.680 --> 0:36:18.160
<v Speaker 1>But when we come back, we're going to talk about

0:36:18.200 --> 0:36:28.200
<v Speaker 1>the Library of Babel as applied to biology and genetics. Alright,

0:36:28.200 --> 0:36:32.000
<v Speaker 1>we're back, alright. So, as the Library of Babel is

0:36:32.239 --> 0:36:35.640
<v Speaker 1>essentially all about vast quantities of randomized information and the

0:36:35.680 --> 0:36:39.719
<v Speaker 1>occasional emergence of books from that data. See, it should

0:36:39.760 --> 0:36:43.080
<v Speaker 1>come as no surprise that borhees fantastic library is of

0:36:43.239 --> 0:36:47.480
<v Speaker 1>use in fathoming the complexity of biology and genetics. Yeah. Now,

0:36:47.520 --> 0:36:50.400
<v Speaker 1>I've read about this idea in a couple of different

0:36:50.400 --> 0:36:55.080
<v Speaker 1>books by the the American philosopher and cognitive scientist Daniel Dennett.

0:36:55.160 --> 0:36:58.480
<v Speaker 1>He wrote about this in Darwin's Dangerous Idea, which came

0:36:58.520 --> 0:37:01.200
<v Speaker 1>out in the nineties, and he also wrote a chapter

0:37:01.280 --> 0:37:04.120
<v Speaker 1>about it in his book Intuition, Pumps and Other Tools

0:37:04.160 --> 0:37:08.360
<v Speaker 1>for Thinking. And I always found this comparison very interesting,

0:37:08.400 --> 0:37:13.480
<v Speaker 1>but maybe maybe you can illuminate us or what application

0:37:13.520 --> 0:37:16.480
<v Speaker 1>does the Library of Babbel have to the genes that

0:37:16.560 --> 0:37:19.840
<v Speaker 1>build our bodies? Well, let me read a quick quote

0:37:19.840 --> 0:37:22.320
<v Speaker 1>here from from Dinnet that I think helps to eliminate

0:37:22.400 --> 0:37:26.680
<v Speaker 1>this quote. The actual genomes that have ever existed are

0:37:26.719 --> 0:37:32.880
<v Speaker 1>a vanished, only small subset of the combinatorially possible genomes,

0:37:32.920 --> 0:37:35.920
<v Speaker 1>just as the actual books in the world's libraries are

0:37:35.960 --> 0:37:39.920
<v Speaker 1>a vanishingly small subset of the books in the imaginary

0:37:40.160 --> 0:37:44.080
<v Speaker 1>Library of Babbel. Yeah, so din It actually puts together

0:37:44.239 --> 0:37:47.680
<v Speaker 1>an alternate version of the library. He just substitutes in

0:37:47.800 --> 0:37:51.680
<v Speaker 1>some alternate numbers and does some number crunching. But I

0:37:51.719 --> 0:37:55.120
<v Speaker 1>think it's actually interesting what he comes up with. Yeah,

0:37:55.480 --> 0:37:58.040
<v Speaker 1>look for starters. He he does some some fun number

0:37:58.040 --> 0:38:02.239
<v Speaker 1>crunching on the Library of Babbel itself. Um here, here's

0:38:02.239 --> 0:38:04.080
<v Speaker 1>just a quick quote from this. Uh, and again we're

0:38:04.080 --> 0:38:05.839
<v Speaker 1>gonna throw some numbers that you here, but I think

0:38:05.880 --> 0:38:08.000
<v Speaker 1>it's worth it. So suppose that each book is five

0:38:08.040 --> 0:38:10.879
<v Speaker 1>hundred pages long, and each page consists of forty lines

0:38:10.880 --> 0:38:13.720
<v Speaker 1>of fifty spaces, so there are two thousand characters spaces

0:38:13.719 --> 0:38:16.680
<v Speaker 1>per page. Each space is either is blank or has

0:38:16.680 --> 0:38:19.000
<v Speaker 1>a character printed on it chosen from a set of

0:38:19.040 --> 0:38:21.239
<v Speaker 1>one hundred somewhere in the Library of Babble as a

0:38:21.280 --> 0:38:24.440
<v Speaker 1>volume consisting entirely of blank pages, and another volume is

0:38:24.480 --> 0:38:27.640
<v Speaker 1>all question marks, but the vast majority consists of type

0:38:27.640 --> 0:38:30.960
<v Speaker 1>of graphical gibberish. No rules of spelling or grammar, to

0:38:31.000 --> 0:38:34.120
<v Speaker 1>say nothing of sense prohibit the inclusion of a volume.

0:38:34.680 --> 0:38:37.960
<v Speaker 1>Five hundred pages times two thousand characters per page gives

0:38:38.560 --> 0:38:41.439
<v Speaker 1>one million character spaces per book. So there are one

0:38:41.520 --> 0:38:44.560
<v Speaker 1>hundred to the one million power books in the Library

0:38:44.600 --> 0:38:47.480
<v Speaker 1>of Babbel. Since it's just estimated that there are only

0:38:47.560 --> 0:38:53.400
<v Speaker 1>one d to give or take a few particles, protons, neutrons,

0:38:53.480 --> 0:38:56.000
<v Speaker 1>and electrons in the region of the universe, we can

0:38:56.040 --> 0:38:59.960
<v Speaker 1>observe the Library of Babbel is not remotely a physically

0:39:00.200 --> 0:39:03.799
<v Speaker 1>possible object. But thanks to the strict rules with which

0:39:03.840 --> 0:39:07.560
<v Speaker 1>Borhe has constructed in his imagination, we can think about

0:39:07.560 --> 0:39:11.759
<v Speaker 1>it clearly. So I I like, I like how he

0:39:12.000 --> 0:39:14.160
<v Speaker 1>sort of reins it, why he doesn't rein it in,

0:39:14.480 --> 0:39:16.720
<v Speaker 1>but how well he crunches the numbers of it and

0:39:16.719 --> 0:39:19.000
<v Speaker 1>and just lays out the fact that this could not

0:39:19.080 --> 0:39:21.759
<v Speaker 1>exist in the physical universe. Yeah, yeah, I mean, there

0:39:21.960 --> 0:39:25.799
<v Speaker 1>is not space in the universe for it, and yet

0:39:25.840 --> 0:39:30.120
<v Speaker 1>it is still arguably a finite object. Oh, not arguably,

0:39:30.160 --> 0:39:33.000
<v Speaker 1>it's definitely finite. But well, but that's the thing. It's

0:39:33.120 --> 0:39:37.040
<v Speaker 1>finite in a way like there and certainly this is

0:39:37.120 --> 0:39:40.000
<v Speaker 1>a subject we've covered in other episodes on the nature

0:39:40.000 --> 0:39:43.040
<v Speaker 1>of infinity. But there of course different types of infinity.

0:39:43.320 --> 0:39:46.880
<v Speaker 1>And so it's physically fine, it's physically finite, but it

0:39:47.040 --> 0:39:50.560
<v Speaker 1>is from a human perspective it might as well be infinite. Well,

0:39:50.640 --> 0:39:53.680
<v Speaker 1>you can make the case that while it is physically finite,

0:39:53.719 --> 0:39:56.640
<v Speaker 1>and that there are a limited number of books, however vast,

0:39:56.840 --> 0:39:59.440
<v Speaker 1>you know, impossibly vast to contain in the real universe.

0:39:59.480 --> 0:40:02.719
<v Speaker 1>There there are a actually limited number of books, but

0:40:02.800 --> 0:40:06.800
<v Speaker 1>there might not be a limited amount of information because

0:40:06.840 --> 0:40:09.640
<v Speaker 1>if you follow this, uh, the same strategy we mentioned

0:40:09.640 --> 0:40:13.000
<v Speaker 1>earlier of allowing one book's contents to spill over into

0:40:13.040 --> 0:40:16.920
<v Speaker 1>another volume, and given the fact that all volumes possible

0:40:16.960 --> 0:40:21.840
<v Speaker 1>to represent our present, meaning all unfinished ideas will be

0:40:22.000 --> 0:40:27.560
<v Speaker 1>continued into other ideas, there is potentially limitless information in

0:40:27.640 --> 0:40:32.080
<v Speaker 1>the limited library of babble. Well, yeah, I mean, I

0:40:32.120 --> 0:40:34.840
<v Speaker 1>can't help but think of the infinity hotel analogy like

0:40:35.000 --> 0:40:37.120
<v Speaker 1>I did it, like an infinite number of people show

0:40:37.200 --> 0:40:39.080
<v Speaker 1>up to a hotel and then another infinite number shop

0:40:39.080 --> 0:40:41.680
<v Speaker 1>on another bus. Um what I mean, what what do

0:40:41.719 --> 0:40:44.360
<v Speaker 1>you do about books that themselves are infinite? What do

0:40:44.360 --> 0:40:46.759
<v Speaker 1>you do about Borhees the Book of Sands, which is

0:40:46.760 --> 0:40:50.640
<v Speaker 1>a book that is that that is endless? How many

0:40:50.680 --> 0:40:52.960
<v Speaker 1>books then does that contain? Like trying to shelve the

0:40:52.960 --> 0:40:56.400
<v Speaker 1>Book of sand uh In. The Library of Babble is

0:40:56.480 --> 0:41:00.000
<v Speaker 1>kind of like a busload of infinite hotel guests show

0:41:00.000 --> 0:41:01.919
<v Speaker 1>going up to the infinity hotel. Well, I would say

0:41:01.920 --> 0:41:04.560
<v Speaker 1>that the Library of Babel itself is sort of an

0:41:04.719 --> 0:41:07.080
<v Speaker 1>argument that there could not be such a thing as

0:41:07.120 --> 0:41:11.080
<v Speaker 1>an infinite book. That there there there are books that

0:41:11.160 --> 0:41:15.600
<v Speaker 1>are so vast as to, you know, stifle our comprehension.

0:41:16.000 --> 0:41:18.320
<v Speaker 1>But if you think of the Library of Babel itself

0:41:18.400 --> 0:41:22.040
<v Speaker 1>as one book that you can just move the pages

0:41:22.080 --> 0:41:26.000
<v Speaker 1>around as much as you want, all possible representations of

0:41:26.160 --> 0:41:29.800
<v Speaker 1>all possible characters are there, but the book is finite.

0:41:30.080 --> 0:41:32.399
<v Speaker 1>That's true. That's a good point. But let's let's bring

0:41:32.400 --> 0:41:35.400
<v Speaker 1>it back to Dinnett. So Dinnett proposes a variation on

0:41:35.440 --> 0:41:38.680
<v Speaker 1>the Library of Babel that he calls the Library of

0:41:38.800 --> 0:41:42.960
<v Speaker 1>Mendel named after Men, the Mendel, famous of men Dalian genetics,

0:41:43.239 --> 0:41:49.000
<v Speaker 1>and it's a library that contains all possible genomes. So

0:41:49.040 --> 0:41:52.120
<v Speaker 1>if we assume that the Library of Mendel is composed

0:41:52.160 --> 0:41:57.000
<v Speaker 1>of descriptions of genomes, then write not not the molecules themselves,

0:41:57.080 --> 0:42:00.480
<v Speaker 1>but it the the coding that would represent what is

0:42:00.520 --> 0:42:04.279
<v Speaker 1>contained in your recipes. Um. If that's the case, then

0:42:04.320 --> 0:42:06.560
<v Speaker 1>you could you could argue that well, they're actually already

0:42:06.640 --> 0:42:09.640
<v Speaker 1>part of the Library of Babel, as the standard code

0:42:09.640 --> 0:42:12.400
<v Speaker 1>for DNA descriptions consists of the characters A, C, G

0:42:12.640 --> 0:42:19.359
<v Speaker 1>and T for adanine, setosin squanine, and thymine uh. These

0:42:19.360 --> 0:42:22.040
<v Speaker 1>are the four nucleotides that compose the letters of the

0:42:22.120 --> 0:42:24.319
<v Speaker 1>DNA alphabet, right, so if you're going to spell out

0:42:24.320 --> 0:42:27.520
<v Speaker 1>a representation of your genome, you'd use those four letters.

0:42:27.560 --> 0:42:30.239
<v Speaker 1>So since those are letters that are already part of

0:42:30.280 --> 0:42:33.800
<v Speaker 1>the alphabet, that makes the Library of Babel the Library

0:42:33.800 --> 0:42:37.120
<v Speaker 1>of Mendel is a subset of the Library of Babel. Yeah,

0:42:37.239 --> 0:42:40.080
<v Speaker 1>and according to Dinnet, you needed to vote three thousand

0:42:40.239 --> 0:42:42.880
<v Speaker 1>of the five page volumes in the Library of Babbel

0:42:43.080 --> 0:42:46.680
<v Speaker 1>just to cover the human genome, which really library of Babble.

0:42:46.680 --> 0:42:51.960
<v Speaker 1>That's not really a problem. They're right, as we've discussed UM. However,

0:42:52.000 --> 0:42:54.440
<v Speaker 1>I hope that the purifiers in this case haven't been

0:42:54.440 --> 0:42:57.759
<v Speaker 1>destroying these copies. You just think they would, like they

0:42:57.840 --> 0:43:00.120
<v Speaker 1>come across a book that's just a bunch of A C, E,

0:43:00.200 --> 0:43:03.160
<v Speaker 1>T and G. What what what use is this? It

0:43:03.160 --> 0:43:06.280
<v Speaker 1>looks like more gibberish, but really just burning the Library

0:43:06.280 --> 0:43:09.560
<v Speaker 1>of Mendel volume after volume, and who knows we might

0:43:09.600 --> 0:43:11.920
<v Speaker 1>need those someday. Well, that sort of highlights another thing

0:43:11.920 --> 0:43:15.200
<v Speaker 1>about the Library of Babel, which is, uh, how do

0:43:15.280 --> 0:43:18.839
<v Speaker 1>you necessarily know when you've come across something of significance,

0:43:18.840 --> 0:43:21.040
<v Speaker 1>Like we've been assuming that you would know a book

0:43:21.040 --> 0:43:23.960
<v Speaker 1>of significance or preciousness when you found it, but it

0:43:24.080 --> 0:43:27.600
<v Speaker 1>might be encoding something for the code for which you

0:43:27.680 --> 0:43:33.080
<v Speaker 1>cannot read. So if if we're we're lining up the

0:43:33.080 --> 0:43:36.280
<v Speaker 1>Library of Mendel with the Library of Babbel or within it, UM,

0:43:36.320 --> 0:43:39.680
<v Speaker 1>this means that not only would the Library of Mendel

0:43:39.719 --> 0:43:43.280
<v Speaker 1>have all genomes, and it would also have all possible

0:43:43.320 --> 0:43:46.719
<v Speaker 1>genomes within its frame of reference. UM says, then it

0:43:46.760 --> 0:43:49.200
<v Speaker 1>puts it we're forced to quote start in the middle,

0:43:49.520 --> 0:43:52.000
<v Speaker 1>and we have only the current state of evolved biology

0:43:52.000 --> 0:43:54.640
<v Speaker 1>to consider as well as the terrestrial model. But then

0:43:54.640 --> 0:43:57.280
<v Speaker 1>they're gonna be all these other possibilities as well. Yeah,

0:43:57.320 --> 0:44:01.879
<v Speaker 1>so what what happens on Earth is not that you

0:44:02.120 --> 0:44:05.520
<v Speaker 1>look around and you find all possible variations on all

0:44:05.600 --> 0:44:10.040
<v Speaker 1>possible genes in uh or actually with the library of

0:44:10.040 --> 0:44:13.400
<v Speaker 1>mental would be all possible sequences of nucleotides and even

0:44:13.480 --> 0:44:17.520
<v Speaker 1>more minute than genes. Um, you don't see that in nature.

0:44:17.560 --> 0:44:21.000
<v Speaker 1>In fact, the nature that exists as a very tiny

0:44:21.080 --> 0:44:24.520
<v Speaker 1>subset of the library of mental. That's right. And then

0:44:24.560 --> 0:44:27.120
<v Speaker 1>there there's so much in the Library of Mental that,

0:44:27.239 --> 0:44:30.319
<v Speaker 1>like the Library of babble, would just be nonsense. Um,

0:44:30.520 --> 0:44:34.440
<v Speaker 1>the vast majority of it is gonna be just blueprint

0:44:34.600 --> 0:44:38.960
<v Speaker 1>blueprints for lifelessness. In quoting Richard Dawkins, he says, quote,

0:44:39.040 --> 0:44:42.440
<v Speaker 1>there are many more ways of being dead or not

0:44:42.560 --> 0:44:45.360
<v Speaker 1>alive than ways of being alive. I think that's a

0:44:45.400 --> 0:44:48.160
<v Speaker 1>good quote, and that makes sense. I mean, most recipes

0:44:48.200 --> 0:44:52.080
<v Speaker 1>you could come up with for building a building are

0:44:52.120 --> 0:44:55.920
<v Speaker 1>not actually going to be structurally viable. Most recipes you

0:44:55.960 --> 0:44:57.880
<v Speaker 1>could come up with for you know, if you're just

0:44:57.960 --> 0:45:02.200
<v Speaker 1>combining random chemicals to make food. Most of it would

0:45:02.200 --> 0:45:05.080
<v Speaker 1>not be edible. Oh my goodness. Yet imagine like we

0:45:05.080 --> 0:45:07.120
<v Speaker 1>haven't even talked about this, and I hadn't really thought

0:45:07.160 --> 0:45:10.120
<v Speaker 1>about it to now, But imagine cookbooks in the Library

0:45:10.120 --> 0:45:14.160
<v Speaker 1>of Babel, the baking cookbooks specifically, So many of these recipes,

0:45:14.320 --> 0:45:16.880
<v Speaker 1>the vast majority of the recipes are just gonna be

0:45:16.880 --> 0:45:20.320
<v Speaker 1>garbage creating, like creating not even like the bread doesn't rise,

0:45:20.440 --> 0:45:23.120
<v Speaker 1>the dough just just goops there at the bottom of

0:45:23.160 --> 0:45:26.040
<v Speaker 1>the pan. But what about the ones that are perfectly

0:45:26.200 --> 0:45:29.359
<v Speaker 1>excellent cookbooks except they all tell you to add one

0:45:29.400 --> 0:45:33.279
<v Speaker 1>bucket of cigarette butts to your recipe every time. Yeah,

0:45:33.640 --> 0:45:37.520
<v Speaker 1>or everything is delicious but also poisoned. But like many

0:45:37.560 --> 0:45:40.439
<v Speaker 1>of the books in the Library of Babel, I digress. Yeah, well,

0:45:40.520 --> 0:45:45.520
<v Speaker 1>so the library of Mendel as then it understands it

0:45:45.560 --> 0:45:49.120
<v Speaker 1>is sort of what he would call universal design space,

0:45:49.800 --> 0:45:53.640
<v Speaker 1>which is this multidimensional space that is how would you

0:45:53.680 --> 0:45:57.040
<v Speaker 1>describe it? Um? And this is my understanding, So I

0:45:57.320 --> 0:45:59.160
<v Speaker 1>might have it wrong, but the way I keep thinking

0:45:59.200 --> 0:46:03.400
<v Speaker 1>of it as that black bed on the light bright, okay,

0:46:03.520 --> 0:46:06.000
<v Speaker 1>in which you put the pegs and stuff against the

0:46:06.080 --> 0:46:07.880
<v Speaker 1>light up and and essentially if you took a light

0:46:07.960 --> 0:46:11.320
<v Speaker 1>bright and you made the tree of life on it. Um,

0:46:11.360 --> 0:46:14.719
<v Speaker 1>that's what the universal design space is, well, right, it's

0:46:14.760 --> 0:46:18.840
<v Speaker 1>the possible design space for things made out of DNA

0:46:19.040 --> 0:46:22.279
<v Speaker 1>in the way we understand DNA, and like we said,

0:46:22.320 --> 0:46:26.320
<v Speaker 1>that contains tons and tons of possible combinations that don't

0:46:26.400 --> 0:46:29.320
<v Speaker 1>lead to anything like what we would call life for

0:46:29.520 --> 0:46:33.520
<v Speaker 1>successful life. Right. And also this universal design space would

0:46:33.520 --> 0:46:39.040
<v Speaker 1>contain all actual complex phenomena, both biological designs and cultural designs,

0:46:39.080 --> 0:46:43.520
<v Speaker 1>so it would contain bacteria, apes, humans, books about eights,

0:46:43.880 --> 0:46:49.680
<v Speaker 1>jokes about eights, great eight movies, bad eight movies, etcetera. Yeah,

0:46:49.719 --> 0:46:53.839
<v Speaker 1>I love the way that this connects information at all levels.

0:46:53.880 --> 0:46:56.680
<v Speaker 1>So within the Library of Babel, you have both the

0:46:56.760 --> 0:47:00.759
<v Speaker 1>recipe for making my genome, so you could say, uh,

0:47:00.920 --> 0:47:05.120
<v Speaker 1>physical information in a way, the information contained in the molecules,

0:47:05.160 --> 0:47:08.719
<v Speaker 1>but also every story I've ever written, which you could

0:47:08.800 --> 0:47:12.839
<v Speaker 1>consider part of my genetic phenotype. Right, it's the molecules

0:47:12.840 --> 0:47:17.160
<v Speaker 1>in my DNA have, in combination with external circumstances, ultimately

0:47:17.239 --> 0:47:21.160
<v Speaker 1>led to the creation of every bit of intellectual work

0:47:21.200 --> 0:47:23.120
<v Speaker 1>I've ever done. And this is the same for all

0:47:23.160 --> 0:47:28.040
<v Speaker 1>of us. And both are subsets of the Library of Babel. Yeah,

0:47:28.360 --> 0:47:30.640
<v Speaker 1>I'm going to read another quick quote from Adnit here.

0:47:30.960 --> 0:47:35.640
<v Speaker 1>According to Darwin's dangerous idea, all possible explorations of design

0:47:35.680 --> 0:47:38.880
<v Speaker 1>space are connected not only all your children and your

0:47:38.960 --> 0:47:42.320
<v Speaker 1>children's children, but all your brain children and your brain

0:47:42.400 --> 0:47:45.759
<v Speaker 1>children's brain children must grow from the common stock of

0:47:45.840 --> 0:47:49.400
<v Speaker 1>design elements, genes and memes that have so far been

0:47:49.440 --> 0:47:54.000
<v Speaker 1>accumulated and conserved by the inexorable lifting algorithms, the ramps

0:47:54.040 --> 0:47:57.920
<v Speaker 1>and cranes and cranes the top cranes of natural selection

0:47:58.320 --> 0:48:01.560
<v Speaker 1>and its products. And just to explain really quick there,

0:48:01.760 --> 0:48:05.040
<v Speaker 1>dinn't when he talks about cranes. He has this idea

0:48:05.160 --> 0:48:11.120
<v Speaker 1>of design being the difference between the metaphors of cranes

0:48:11.160 --> 0:48:14.439
<v Speaker 1>and the metaphors of sky hooks. Sky Hooks are these

0:48:14.480 --> 0:48:17.920
<v Speaker 1>ideas that he thinks about design coming from the top down,

0:48:18.120 --> 0:48:23.360
<v Speaker 1>reaching in and and uh making something without any previous precedent,

0:48:23.680 --> 0:48:26.759
<v Speaker 1>whereas cranes are things that build from the ground up,

0:48:26.840 --> 0:48:30.360
<v Speaker 1>and they can become higher and higher based on bases

0:48:30.440 --> 0:48:33.040
<v Speaker 1>that have already been built standing on the backbone on

0:48:33.120 --> 0:48:36.480
<v Speaker 1>the backs of giants. Yeah, exactly so. So natural selection

0:48:36.680 --> 0:48:39.319
<v Speaker 1>is a crane algorithm, as he would describe it as

0:48:39.360 --> 0:48:43.040
<v Speaker 1>something that builds from the ground up. So thinking of

0:48:43.080 --> 0:48:46.000
<v Speaker 1>the Library of Babbel or the Library of Mental as

0:48:46.200 --> 0:48:49.480
<v Speaker 1>spaces of possibility that are different than the spaces of

0:48:49.520 --> 0:48:52.640
<v Speaker 1>what can actually be achieved in terms of living organisms.

0:48:53.160 --> 0:48:55.080
<v Speaker 1>I think it's interesting that dinn It goes on to

0:48:55.680 --> 0:48:59.520
<v Speaker 1>he puts together this diagram that's concentric circles of different

0:48:59.560 --> 0:49:03.080
<v Speaker 1>types of possibility that the Library of Babel and the

0:49:03.120 --> 0:49:06.080
<v Speaker 1>Library of Mental help us think about. And I like

0:49:06.200 --> 0:49:09.040
<v Speaker 1>this because I think possibility is a word that very

0:49:09.080 --> 0:49:13.680
<v Speaker 1>often gets equivocated on in our conversation. So think about

0:49:13.680 --> 0:49:16.840
<v Speaker 1>these concentric circles of possibilities like a Venn diagram, but

0:49:16.920 --> 0:49:19.960
<v Speaker 1>each circles inside the bigger one. So the smallest circle

0:49:20.000 --> 0:49:25.240
<v Speaker 1>in the middle is what's actually true. So the example

0:49:25.239 --> 0:49:28.000
<v Speaker 1>he gives his President Clinton, there has been a real

0:49:28.040 --> 0:49:31.359
<v Speaker 1>President Clinton that actually happened. It's true. We might even

0:49:31.360 --> 0:49:35.879
<v Speaker 1>get another one maybe. So but then there is historical possibility,

0:49:36.120 --> 0:49:41.960
<v Speaker 1>right President Goldwater could have happened, but given historical circumstances,

0:49:42.000 --> 0:49:45.080
<v Speaker 1>it didn't. All of the all of the pieces were

0:49:45.080 --> 0:49:47.439
<v Speaker 1>there that it seemed like it could have happened. It's

0:49:47.480 --> 0:49:51.120
<v Speaker 1>just not how the universe went, Uh, then there is

0:49:51.239 --> 0:49:55.200
<v Speaker 1>biological possibility. That's a bigger circle which the example he

0:49:55.239 --> 0:49:58.920
<v Speaker 1>gives his striped giraffe could have happened, given what's possible

0:49:58.960 --> 0:50:01.960
<v Speaker 1>with life on Earth. It didn't. Now, technically we do

0:50:02.040 --> 0:50:07.160
<v Speaker 1>have copies which which are not striped giraffes, but they

0:50:07.160 --> 0:50:09.880
<v Speaker 1>are kind of that they're related to giraffes and are

0:50:09.920 --> 0:50:15.000
<v Speaker 1>kind of like a forest giraffe with some zebra esque stripes. Well,

0:50:15.880 --> 0:50:18.799
<v Speaker 1>you know that that's a danger we always play with

0:50:18.800 --> 0:50:20.880
<v Speaker 1>when we entered the realm of talking about what's possible,

0:50:20.960 --> 0:50:24.239
<v Speaker 1>we don't even always know what's really happened. But then

0:50:24.280 --> 0:50:28.960
<v Speaker 1>bigger than biological possibility is physical possibility. With the example

0:50:29.000 --> 0:50:31.960
<v Speaker 1>he gives is a flying horse so doesn't violate the

0:50:32.040 --> 0:50:35.359
<v Speaker 1>laws of physics, is just you know, it's not something

0:50:35.640 --> 0:50:37.520
<v Speaker 1>that you're going to see in the biological world. It's

0:50:37.560 --> 0:50:40.120
<v Speaker 1>kind of like getting into our flying fish episode where

0:50:40.120 --> 0:50:43.040
<v Speaker 1>we talked about, you know, the problem with first of

0:50:43.080 --> 0:50:46.360
<v Speaker 1>all recognizing the fact that there could be a fish

0:50:46.440 --> 0:50:50.720
<v Speaker 1>biologically with wings that could fly and not just glide

0:50:50.719 --> 0:50:54.080
<v Speaker 1>across the water, and yet it does not exist. And

0:50:54.120 --> 0:50:58.719
<v Speaker 1>then finally, the biggest circle of possibility is logical possibility,

0:50:59.080 --> 0:51:03.280
<v Speaker 1>which is Superman. So Superman is also not physically possible.

0:51:03.360 --> 0:51:06.000
<v Speaker 1>It violates the laws of physics, but it's not logically

0:51:06.040 --> 0:51:10.240
<v Speaker 1>impossible because it doesn't entail a logical contradiction. It doesn't

0:51:10.360 --> 0:51:14.000
<v Speaker 1>entail both A and not A. So you could say

0:51:14.040 --> 0:51:18.239
<v Speaker 1>it's possible. And I think that it's interesting because everything

0:51:18.320 --> 0:51:21.719
<v Speaker 1>that is logically possible is in the Library of Babel, right,

0:51:22.360 --> 0:51:25.400
<v Speaker 1>All descriptions that are logically possible are in the Library

0:51:25.400 --> 0:51:31.720
<v Speaker 1>of Babel. And and as a subset, every description that's

0:51:31.800 --> 0:51:36.520
<v Speaker 1>physically possible in terms of the the nucleotides listed is

0:51:36.760 --> 0:51:39.920
<v Speaker 1>in the Library of Mendel. But then the subset of that,

0:51:40.000 --> 0:51:44.960
<v Speaker 1>everything that's biologically possible, is the biology that we actually

0:51:45.000 --> 0:51:47.480
<v Speaker 1>see or that could actually evolve from the tree of

0:51:47.520 --> 0:51:50.839
<v Speaker 1>life as it exists today. But I want to move

0:51:50.880 --> 0:51:54.279
<v Speaker 1>on to another application of the Library of Babel, and

0:51:54.440 --> 0:51:56.520
<v Speaker 1>because I think we were about about to get lost

0:51:56.600 --> 0:52:01.360
<v Speaker 1>with the mean uh and that's uh the work of

0:52:01.400 --> 0:52:05.560
<v Speaker 1>the American philosopher and logician W. V. O. Quine. So

0:52:05.760 --> 0:52:08.440
<v Speaker 1>Quine wrote a very short piece on the Library of

0:52:08.440 --> 0:52:12.279
<v Speaker 1>Babel called the Universal Library Essay, and I recommend you

0:52:12.280 --> 0:52:16.040
<v Speaker 1>can check this out yourself because it's incredibly short, very concise,

0:52:16.120 --> 0:52:17.640
<v Speaker 1>so I want to read a quote from it. Where

0:52:17.719 --> 0:52:21.440
<v Speaker 1>Quine also he sort of reformulates the library in the

0:52:21.440 --> 0:52:23.920
<v Speaker 1>same way Dennett did, just playing around with some numbers

0:52:23.960 --> 0:52:27.680
<v Speaker 1>to get different numbers, but the same principle. Quin says,

0:52:27.719 --> 0:52:30.399
<v Speaker 1>at two thousand characters to the page, we get five

0:52:30.480 --> 0:52:33.360
<v Speaker 1>hundred thousand to the two hundred and fifty page volume.

0:52:33.760 --> 0:52:37.400
<v Speaker 1>So with say eight capitals and smalls and other marks

0:52:37.440 --> 0:52:39.719
<v Speaker 1>to choose from, I wonder what those other marks are,

0:52:39.840 --> 0:52:43.200
<v Speaker 1>maybe a lot of hashtags. We arrive at the five

0:52:43.280 --> 0:52:46.640
<v Speaker 1>hundred thousand power of eighty as the total number of

0:52:46.680 --> 0:52:49.440
<v Speaker 1>books in the library. I gather that there is not

0:52:49.800 --> 0:52:52.400
<v Speaker 1>room in the present phase of our expanding universe on

0:52:52.520 --> 0:52:56.240
<v Speaker 1>present estimates for more than a negligible fraction of the collection.

0:52:56.760 --> 0:52:59.520
<v Speaker 1>Numbers are cheap, so he's arrived at the same conclusion

0:52:59.560 --> 0:53:02.279
<v Speaker 1>as other before. This wouldn't fit in the universe, and

0:53:02.320 --> 0:53:04.960
<v Speaker 1>I like the expression numbers are cheap, especially when you

0:53:05.000 --> 0:53:08.719
<v Speaker 1>have notation like exponential notation. You can write out a

0:53:08.840 --> 0:53:12.080
<v Speaker 1>number like twenty five to the one million, three hundred

0:53:12.120 --> 0:53:16.040
<v Speaker 1>and twelve power, but just writing that on the page,

0:53:16.040 --> 0:53:19.520
<v Speaker 1>it's a kind of small marking notation. But it denotes

0:53:19.600 --> 0:53:23.360
<v Speaker 1>something that could not possibly be contained in the universe.

0:53:23.880 --> 0:53:26.360
<v Speaker 1>But Quine draws this back to something we've mentioned before.

0:53:26.440 --> 0:53:29.480
<v Speaker 1>The number of books in the library, while bigger than

0:53:29.520 --> 0:53:34.480
<v Speaker 1>could be contained, is not infinite. It's definitely finite. At

0:53:34.480 --> 0:53:38.560
<v Speaker 1>a certain point, you could catalog every possible book in

0:53:38.600 --> 0:53:42.120
<v Speaker 1>the Library of Babel, just not in this universe, and

0:53:42.239 --> 0:53:46.279
<v Speaker 1>yet quote the entire and ultimate truth about everything is

0:53:46.280 --> 0:53:50.279
<v Speaker 1>printed in full in that library. After all, insofar as

0:53:50.320 --> 0:53:53.600
<v Speaker 1>it can be put into words at all, every true

0:53:53.640 --> 0:53:58.359
<v Speaker 1>statement and every false statement you could possibly make are

0:53:58.440 --> 0:54:03.000
<v Speaker 1>in the library. And yet the library is finite. So,

0:54:03.120 --> 0:54:07.280
<v Speaker 1>for instance, there there is that mythical or not mythical,

0:54:07.280 --> 0:54:10.560
<v Speaker 1>but at least an elusive book or series of books

0:54:10.600 --> 0:54:13.080
<v Speaker 1>that that outline the location of all the books in

0:54:13.120 --> 0:54:17.160
<v Speaker 1>the Library of Battle. But then there are all possible

0:54:17.560 --> 0:54:23.439
<v Speaker 1>inferior copies and misleading copies of that same series, long, long, long,

0:54:23.480 --> 0:54:27.160
<v Speaker 1>long series of books. Uh that that that offered to

0:54:27.200 --> 0:54:29.720
<v Speaker 1>show you where everything is, and don't there's the catalog

0:54:29.760 --> 0:54:32.760
<v Speaker 1>that tells you to dive over the spiral staircase railing

0:54:32.800 --> 0:54:35.600
<v Speaker 1>and and just fall until you come to the Crimson hexagon.

0:54:35.719 --> 0:54:37.759
<v Speaker 1>And it's lying to you because the problem is you'll

0:54:37.760 --> 0:54:40.799
<v Speaker 1>pretty much keep falling forever. Oh wow, and we haven't

0:54:40.800 --> 0:54:43.200
<v Speaker 1>even gotten to how the toilets work here, Like, that's

0:54:43.239 --> 0:54:46.520
<v Speaker 1>not covered in Borg's book at all. How what's the

0:54:46.520 --> 0:54:49.040
<v Speaker 1>plumbing life? But it is covered in some book in

0:54:49.040 --> 0:54:52.000
<v Speaker 1>the library. Yeah, there is a book in the library

0:54:52.000 --> 0:54:55.680
<v Speaker 1>that just deals exhaustively explains where the plumbing goes, does it?

0:54:55.840 --> 0:54:58.920
<v Speaker 1>I wonder where it goes. If there's an end to

0:54:59.080 --> 0:55:01.920
<v Speaker 1>the Library of Apple, then there is an end to

0:55:02.040 --> 0:55:06.120
<v Speaker 1>those interconnected pipes that carry all the the fecal matter

0:55:06.239 --> 0:55:08.720
<v Speaker 1>and urine A way right, and of course the watered

0:55:08.800 --> 0:55:13.000
<v Speaker 1>up pieces of of nonsense books that are being used

0:55:13.000 --> 0:55:16.160
<v Speaker 1>for to all of the sewage plumbing goes directly to

0:55:16.200 --> 0:55:21.720
<v Speaker 1>the hexagon housing unauthorized biographies of celebrities who recently passed away.

0:55:22.760 --> 0:55:26.120
<v Speaker 1>While you say that, Joe, but remember in the Library

0:55:26.120 --> 0:55:30.919
<v Speaker 1>of Babel there is an unauthorized autobiography of say Heath

0:55:31.040 --> 0:55:34.040
<v Speaker 1>Ledger that is not that is not only good, but

0:55:34.120 --> 0:55:41.000
<v Speaker 1>it is great. An unauthorized autobiography would be the biography.

0:55:41.040 --> 0:55:44.279
<v Speaker 1>But but that's the thing. Any mistake I make in

0:55:44.360 --> 0:55:47.320
<v Speaker 1>speaking the Library of Babbel has me covered. It exists,

0:55:48.120 --> 0:55:50.640
<v Speaker 1>is it factful. Is it is there truth in it?

0:55:50.960 --> 0:55:55.680
<v Speaker 1>I don't know, but it could still be entertaining. Maybe

0:55:55.680 --> 0:56:00.279
<v Speaker 1>it's unauthorized by the heath Ledger of our universe, that

0:56:00.400 --> 0:56:02.880
<v Speaker 1>it was, but it is authorized by the heath Ledger

0:56:02.920 --> 0:56:05.520
<v Speaker 1>of an alternate universe. Yeah, well that would be there,

0:56:05.520 --> 0:56:07.839
<v Speaker 1>wouldn't it. Okay, So I got to bring it back

0:56:07.880 --> 0:56:10.120
<v Speaker 1>to Quine. So back to Quine. We we've mentioned a

0:56:10.120 --> 0:56:14.200
<v Speaker 1>couple of times now that there's this principle that, well,

0:56:14.239 --> 0:56:17.360
<v Speaker 1>what if a book takes more than pages to express,

0:56:17.480 --> 0:56:19.640
<v Speaker 1>you know, that can't be in the library. But it

0:56:19.680 --> 0:56:23.279
<v Speaker 1>can be because it gets picked up right where it

0:56:23.400 --> 0:56:26.200
<v Speaker 1>left off in a second volume, and a third if necessary,

0:56:26.200 --> 0:56:29.160
<v Speaker 1>and so on, and all those volumes are in the library.

0:56:29.320 --> 0:56:32.600
<v Speaker 1>You have like Showgun volume one, Shogun volume two. Yeah,

0:56:32.960 --> 0:56:37.040
<v Speaker 1>it never ends. But given this principle that messages can

0:56:37.080 --> 0:56:40.839
<v Speaker 1>be spread across multiple volumes, Quine realizes that you can

0:56:40.960 --> 0:56:45.120
<v Speaker 1>use a form of Morse code to massively downsize the

0:56:45.160 --> 0:56:50.359
<v Speaker 1>library to exactly two books with one page each. One

0:56:50.400 --> 0:56:53.040
<v Speaker 1>book is a single page with a dash, and the

0:56:53.120 --> 0:56:55.680
<v Speaker 1>other is a single page with a dot. And by

0:56:55.719 --> 0:56:58.600
<v Speaker 1>reading these books back and forth in various orders, you

0:56:58.640 --> 0:57:02.640
<v Speaker 1>can code any alphabetic sequence in a simplified form of

0:57:02.640 --> 0:57:06.279
<v Speaker 1>Morse code. Now the library has massively shrunken size, but

0:57:06.360 --> 0:57:10.600
<v Speaker 1>it has the exact same encoding power if you were to,

0:57:11.040 --> 0:57:14.480
<v Speaker 1>you know, if you're to actually map out the combinations

0:57:14.520 --> 0:57:19.200
<v Speaker 1>and do all of the same possible combinations. Huh. But

0:57:19.320 --> 0:57:22.040
<v Speaker 1>let's think about it in another way. You can replace

0:57:22.120 --> 0:57:24.680
<v Speaker 1>the dot and the dash with a zero and a one,

0:57:25.480 --> 0:57:28.360
<v Speaker 1>or of course, and on an off switch. In other words,

0:57:28.520 --> 0:57:32.560
<v Speaker 1>binary code and your universal library has become the same

0:57:32.600 --> 0:57:36.600
<v Speaker 1>type of information storage system that exists inside your computer.

0:57:37.360 --> 0:57:40.080
<v Speaker 1>And this illuminates a principle that Alan Turing and others

0:57:40.080 --> 0:57:45.200
<v Speaker 1>observed about the binary computer. It's universal, like any information

0:57:45.280 --> 0:57:48.760
<v Speaker 1>or operation that can be represented in code, which potentially

0:57:48.880 --> 0:57:52.360
<v Speaker 1>is all information or operations depending on you know, your

0:57:52.360 --> 0:57:57.840
<v Speaker 1>philosophical orientation to that question, it can be represented by

0:57:58.040 --> 0:58:02.440
<v Speaker 1>universal binary machine. So, on one hand, this seems to

0:58:02.440 --> 0:58:04.880
<v Speaker 1>sort of violate the allure of the library. Right in

0:58:04.920 --> 0:58:08.080
<v Speaker 1>the library of Babel, there are already in existence, the

0:58:08.120 --> 0:58:11.760
<v Speaker 1>precious books. They're already out there, the books of ultimate potential,

0:58:11.800 --> 0:58:16.600
<v Speaker 1>beauty and truth physically exist. We just have to find them.

0:58:16.640 --> 0:58:20.000
<v Speaker 1>But in the binary universal library, we'd have to encode

0:58:20.080 --> 0:58:24.400
<v Speaker 1>those books ourselves. But maybe this disconnects sort of highlights

0:58:24.400 --> 0:58:27.680
<v Speaker 1>and inherent irony in the mathematics of the Library of Babel.

0:58:28.440 --> 0:58:31.440
<v Speaker 1>Those books exist in the Library of Babel, but for

0:58:31.520 --> 0:58:35.600
<v Speaker 1>any individual librarian, they will never ever be found. We

0:58:35.640 --> 0:58:38.960
<v Speaker 1>would be, as we said, extremely lucky to discover a

0:58:38.960 --> 0:58:42.200
<v Speaker 1>book with one tin word long sentence that makes sense.

0:58:43.680 --> 0:58:45.200
<v Speaker 1>And so we're sort of back to the monkeys with

0:58:45.240 --> 0:58:49.080
<v Speaker 1>typewriters in the library of Babel. You're watching the monkeys

0:58:49.120 --> 0:58:51.960
<v Speaker 1>type at random and hoping they give you the complete

0:58:51.960 --> 0:58:54.800
<v Speaker 1>works of Shakespeare, but they're never gonna do it. In

0:58:55.000 --> 0:58:58.640
<v Speaker 1>quines to volume library, you yourself are the monkey typing

0:58:58.680 --> 0:59:01.680
<v Speaker 1>at random. It makes no difference in terms of the

0:59:01.720 --> 0:59:05.320
<v Speaker 1>knowledge discovered, just how it feels to be a part

0:59:05.400 --> 0:59:08.840
<v Speaker 1>of the discovery system. So what you need is an

0:59:08.880 --> 0:59:12.080
<v Speaker 1>interface on top of client system, such such as say

0:59:12.120 --> 0:59:17.000
<v Speaker 1>a pink Kindle, instantly search out the books you want

0:59:17.520 --> 0:59:21.080
<v Speaker 1>um from all the possible books out there in the

0:59:21.160 --> 0:59:24.160
<v Speaker 1>library right now. This is of course, a very different

0:59:24.160 --> 0:59:26.760
<v Speaker 1>way than the way we actually generate books in reality,

0:59:26.800 --> 0:59:31.000
<v Speaker 1>which is, in reality we use heuristic shortcuts of intelligence,

0:59:31.080 --> 0:59:34.720
<v Speaker 1>human brain power, creativity to try to limit the size

0:59:34.720 --> 0:59:37.440
<v Speaker 1>of the total number of possible books and only generate

0:59:37.520 --> 0:59:40.400
<v Speaker 1>books that more or less makes sense, at least hopefully

0:59:40.440 --> 0:59:43.840
<v Speaker 1>in the author's mind. Yeah, generally you're you're the author's

0:59:43.960 --> 0:59:48.520
<v Speaker 1>only writing, you know, six to eight versions of that book, right,

0:59:48.760 --> 0:59:52.080
<v Speaker 1>But when when limiting the noise like that, we are

0:59:52.120 --> 0:59:56.200
<v Speaker 1>also limiting the signal, So there's a given take. So

0:59:56.760 --> 0:59:59.040
<v Speaker 1>by by cutting out all of the nonsense books, we

0:59:59.120 --> 1:00:03.360
<v Speaker 1>massively reduce start searching for significance project, but we also

1:00:03.480 --> 1:00:07.520
<v Speaker 1>eliminate possibly the most precious books out there because we

1:00:07.600 --> 1:00:11.280
<v Speaker 1>just didn't think to create them. Yeah, we thought to

1:00:11.320 --> 1:00:15.920
<v Speaker 1>create them, and then that's time right, right. Isn't that

1:00:15.960 --> 1:00:18.880
<v Speaker 1>funny that the Library of Babbel makes me feel even

1:00:19.000 --> 1:00:22.120
<v Speaker 1>worse about about all of the books I want to

1:00:22.160 --> 1:00:24.360
<v Speaker 1>read and don't get around to reading because we don't

1:00:24.360 --> 1:00:27.480
<v Speaker 1>live in the Library of Babel. We live in Uh well,

1:00:27.520 --> 1:00:29.040
<v Speaker 1>you could say we live in a version of the

1:00:29.080 --> 1:00:31.760
<v Speaker 1>Library of Babel that is the universe. But in terms

1:00:31.760 --> 1:00:35.000
<v Speaker 1>of the readable library of books available to us, it's

1:00:35.040 --> 1:00:37.200
<v Speaker 1>not the Library of Babel. It's mostly books that just

1:00:37.280 --> 1:00:39.560
<v Speaker 1>makes sense, and I still don't get to all the

1:00:39.560 --> 1:00:42.160
<v Speaker 1>books that I should be reading. Not only does it

1:00:42.160 --> 1:00:45.280
<v Speaker 1>contain all the books you should be reading, all the

1:00:45.280 --> 1:00:48.120
<v Speaker 1>books you want to read. It contains all the books

1:00:48.120 --> 1:00:50.880
<v Speaker 1>you could have written, all the books you could write

1:00:50.920 --> 1:00:53.439
<v Speaker 1>in your life, which is it's kind of a very

1:00:53.440 --> 1:00:56.680
<v Speaker 1>heartbreaking thing to think of as a writer, Like when

1:00:56.680 --> 1:00:59.840
<v Speaker 1>you didn't have time to write last week, Well, that

1:01:00.040 --> 1:01:03.000
<v Speaker 1>story that you would have written, it's in that collection, somewhere,

1:01:03.040 --> 1:01:07.760
<v Speaker 1>somewhere loft in the the the the seemingly infinite but

1:01:07.880 --> 1:01:12.960
<v Speaker 1>ultimately finite honeycomb of books set ablaze by a purifier.

1:01:14.320 --> 1:01:17.560
<v Speaker 1>Another idea that this made me think about is if

1:01:17.560 --> 1:01:22.800
<v Speaker 1>a world contains all possible combinations of code of information

1:01:22.880 --> 1:01:26.520
<v Speaker 1>signaling code, so all possible information, is it in fact

1:01:26.720 --> 1:01:33.439
<v Speaker 1>no different than something that contains no information whatsoever? Yeah? Yeah,

1:01:33.480 --> 1:01:37.360
<v Speaker 1>it really does, doesn't it. It's um it's like saying that, however,

1:01:37.360 --> 1:01:40.919
<v Speaker 1>I put all possible colors into this paint, can look

1:01:40.920 --> 1:01:43.040
<v Speaker 1>at this wonderful color I have, No, you just have

1:01:43.200 --> 1:01:46.880
<v Speaker 1>black at this point, you just have or some weird brown. Um.

1:01:46.920 --> 1:01:49.600
<v Speaker 1>It's not the same as saying that it actually encompasses

1:01:49.680 --> 1:01:52.920
<v Speaker 1>all of these uh, these these pure elements. On a

1:01:53.000 --> 1:01:55.880
<v Speaker 1>much smaller scale. This makes me think back on you know,

1:01:55.920 --> 1:01:58.960
<v Speaker 1>not too long ago. I was watching Oh it is

1:01:59.040 --> 1:02:01.640
<v Speaker 1>something on YouTube. Is a c SPAN event from the

1:02:01.720 --> 1:02:03.960
<v Speaker 1>early two thousands or late nineties, I think, And it

1:02:04.040 --> 1:02:08.200
<v Speaker 1>was some journalists talking. I wish I could remember who, uh,

1:02:08.520 --> 1:02:11.040
<v Speaker 1>but some journalists talking about the impact of the Internet

1:02:11.400 --> 1:02:13.960
<v Speaker 1>on the spread of information. And I remember hearing the

1:02:14.000 --> 1:02:16.160
<v Speaker 1>sentiment that, you know, they were saying, well, the Internet

1:02:16.240 --> 1:02:19.040
<v Speaker 1>is great because it opens up all these uh you know,

1:02:19.120 --> 1:02:21.760
<v Speaker 1>new channel. Anybody can start a blog and share their

1:02:21.800 --> 1:02:25.120
<v Speaker 1>perspective and stuff like that. And I think about the

1:02:25.200 --> 1:02:30.240
<v Speaker 1>cacaphony of of information or should we call it information,

1:02:30.280 --> 1:02:33.600
<v Speaker 1>the cacophony of voices that we live in now. You know,

1:02:33.640 --> 1:02:36.040
<v Speaker 1>I can't say that I would prefer to live in

1:02:36.080 --> 1:02:40.680
<v Speaker 1>a world where where there were fewer people talking about things.

1:02:40.720 --> 1:02:43.920
<v Speaker 1>But at the same time, I can't say that I

1:02:43.920 --> 1:02:50.080
<v Speaker 1>feel really enriched by the quantity of perspective and opinion

1:02:50.200 --> 1:02:55.280
<v Speaker 1>being shared on the internet. You know, yeah, yeah, I agree.

1:02:56.080 --> 1:02:59.640
<v Speaker 1>Now here's a question for you, Uh, As long as

1:02:59.680 --> 1:03:03.640
<v Speaker 1>we're playing with the ideas that spiral out endlessly from

1:03:03.680 --> 1:03:07.480
<v Speaker 1>the library of babble, here, imagine a future in which

1:03:08.160 --> 1:03:10.240
<v Speaker 1>you know, we have we all have virtual worlds that

1:03:10.280 --> 1:03:14.800
<v Speaker 1>we've built, and someone creates not only not something far

1:03:14.880 --> 1:03:17.640
<v Speaker 1>beyond our current online version of the Library of Babble.

1:03:17.880 --> 1:03:22.560
<v Speaker 1>Imagine a functional virtual library of babbel world. You put

1:03:22.560 --> 1:03:25.160
<v Speaker 1>on your headset, you climb into your tank, turn on

1:03:25.200 --> 1:03:27.640
<v Speaker 1>your you know, your drip, and then you're in there,

1:03:28.120 --> 1:03:32.920
<v Speaker 1>and the computer is actually creating each room as you go.

1:03:33.520 --> 1:03:36.480
<v Speaker 1>The nonsense books. It would have to be procedurally generated

1:03:36.480 --> 1:03:40.080
<v Speaker 1>because a computer storage system could not store the entire library.

1:03:40.320 --> 1:03:42.560
<v Speaker 1>Have to create as as you go, and and so.

1:03:42.600 --> 1:03:46.920
<v Speaker 1>But as you go, it is actually writing non existent books,

1:03:47.200 --> 1:03:51.640
<v Speaker 1>is writing um different versions of books that already exist.

1:03:53.320 --> 1:03:56.560
<v Speaker 1>It seems feasible, and certainly when we start to start

1:03:56.600 --> 1:03:59.960
<v Speaker 1>considering the end of the possibility of of of AI

1:04:00.320 --> 1:04:04.680
<v Speaker 1>writers AI artists, could we reach a point where the

1:04:04.720 --> 1:04:07.600
<v Speaker 1>Library of Babble exists in in in in in actually

1:04:07.640 --> 1:04:11.520
<v Speaker 1>trying to come up with new ideas for non existent books.

1:04:12.000 --> 1:04:15.120
<v Speaker 1>Instead of dreaming them up ourselves, we are actually questioning

1:04:15.160 --> 1:04:19.880
<v Speaker 1>through the library and forcing this randomized artificial intelligence to

1:04:20.000 --> 1:04:23.080
<v Speaker 1>create them. No, I think that would never work. Yeah, well,

1:04:23.120 --> 1:04:25.400
<v Speaker 1>because the library is too vast. Like we've said, you

1:04:25.400 --> 1:04:28.240
<v Speaker 1>would come across just pure nonsense. You could wander through

1:04:28.240 --> 1:04:31.560
<v Speaker 1>this virtual library, your whole life and find almost nothing

1:04:31.600 --> 1:04:35.480
<v Speaker 1>but complete nonsense. Maybe one day you'd find three words

1:04:35.480 --> 1:04:38.160
<v Speaker 1>in a row that made some kind of grammatical sense.

1:04:38.960 --> 1:04:42.200
<v Speaker 1>Would that be worth it? I feel like it might

1:04:42.200 --> 1:04:45.560
<v Speaker 1>be worth it to wander this library if the library

1:04:45.640 --> 1:04:49.560
<v Speaker 1>was made real in a virtual setting. Can you imagine,

1:04:49.600 --> 1:04:51.720
<v Speaker 1>like the the excitement you would feel when you actually

1:04:51.760 --> 1:04:57.440
<v Speaker 1>found something readable? Uh? I can imagine actual plans of

1:04:57.560 --> 1:05:00.520
<v Speaker 1>purifiers and other sex that would be wandering ring. I

1:05:00.520 --> 1:05:03.320
<v Speaker 1>don't know. I Well, so here's one thing. Maybe we

1:05:03.360 --> 1:05:06.439
<v Speaker 1>could uh massively narrow the size of the library still

1:05:06.440 --> 1:05:10.400
<v Speaker 1>be astronomical and impossible, but impossible to find something all

1:05:10.520 --> 1:05:13.160
<v Speaker 1>that valuable. But what if you limited it to words

1:05:13.160 --> 1:05:16.720
<v Speaker 1>in a dictionary, So a procedurally generated library of babble that,

1:05:16.800 --> 1:05:20.280
<v Speaker 1>instead of all possible combinations of characters, was all possible

1:05:20.320 --> 1:05:25.720
<v Speaker 1>combinations of words that exist in a dictionary in your language. Yeah,

1:05:25.880 --> 1:05:28.720
<v Speaker 1>I guess that would narrow it somewhat, but it's still

1:05:28.760 --> 1:05:32.760
<v Speaker 1>mostly be gibberish, wouldn't it Huh? I guess I can't

1:05:32.760 --> 1:05:35.080
<v Speaker 1>help but think of it, because I um I recently

1:05:35.120 --> 1:05:38.040
<v Speaker 1>read Ready Player one. Are familiar with this book? I've

1:05:38.040 --> 1:05:40.080
<v Speaker 1>heard of it, but I haven't read it. It's pretty fun,

1:05:40.160 --> 1:05:43.040
<v Speaker 1>fun book about virtual worlds and recreations of things that

1:05:43.120 --> 1:05:46.240
<v Speaker 1>exist in pop culture. Library of Babble does not come up,

1:05:47.320 --> 1:05:50.320
<v Speaker 1>But I can't help but think about that, especially since

1:05:50.360 --> 1:05:52.479
<v Speaker 1>that book deals with the virtual world that contains easter

1:05:52.560 --> 1:05:54.960
<v Speaker 1>eggs that people are searching for, you know, these little

1:05:55.040 --> 1:05:58.120
<v Speaker 1>nuggets of meaning, and essentially they're trying to find a U,

1:05:59.400 --> 1:06:03.160
<v Speaker 1>a Crimson exagon of a sort in that book. So

1:06:03.840 --> 1:06:07.000
<v Speaker 1>you know, I can't help but think about the Library

1:06:07.000 --> 1:06:11.520
<v Speaker 1>of Babel as an analogy to the search for extraterrestrial intelligence.

1:06:12.160 --> 1:06:15.800
<v Speaker 1>You know the vast scale of the universe and are

1:06:16.480 --> 1:06:19.360
<v Speaker 1>the only difference is that the Library of Babel you

1:06:19.400 --> 1:06:22.760
<v Speaker 1>can know how much there is and you can sort

1:06:22.800 --> 1:06:24.720
<v Speaker 1>of say, well, here are the types of things we'd

1:06:24.720 --> 1:06:28.520
<v Speaker 1>be looking for for books that makes sense. But we're

1:06:28.520 --> 1:06:31.280
<v Speaker 1>still looking for books that makes sense from our perspective, right,

1:06:31.560 --> 1:06:34.600
<v Speaker 1>based on our model of sensical books. And maybe in

1:06:34.680 --> 1:06:39.160
<v Speaker 1>reality we're no better than the purifiers running around setting

1:06:39.200 --> 1:06:42.480
<v Speaker 1>things a light because they don't just dismissing things because

1:06:42.480 --> 1:06:46.920
<v Speaker 1>they don't line up with our expectations of order and sense. Robert,

1:06:46.960 --> 1:06:50.000
<v Speaker 1>it is your kind of lawlessness and anarchy that has

1:06:50.080 --> 1:06:52.000
<v Speaker 1>led to the library being the kind of place it

1:06:52.080 --> 1:06:54.840
<v Speaker 1>is today. We need someone with a strong hand to

1:06:54.920 --> 1:07:01.080
<v Speaker 1>set the library right, a new head librarian. Yes, all right,

1:07:01.200 --> 1:07:03.720
<v Speaker 1>well we could obviously we could go on and on

1:07:03.920 --> 1:07:08.160
<v Speaker 1>here doing a various thought experiments about the Library of Babel.

1:07:08.600 --> 1:07:11.600
<v Speaker 1>And I'm sure you guys and gals can as well.

1:07:11.720 --> 1:07:13.760
<v Speaker 1>Maybe there's some spin on it that's come to your mind.

1:07:13.760 --> 1:07:16.040
<v Speaker 1>Maybe there's a cool spin on it that you've encountered

1:07:16.040 --> 1:07:19.200
<v Speaker 1>in other works. Uh. If so, we would love to

1:07:19.240 --> 1:07:21.720
<v Speaker 1>hear about it. We would love to have any number

1:07:21.760 --> 1:07:25.360
<v Speaker 1>of discussions, um dare I say almost infinite number of

1:07:25.400 --> 1:07:28.640
<v Speaker 1>discussions about the Library of Babble. You can get in

1:07:28.680 --> 1:07:32.640
<v Speaker 1>touch with this the usual places sucal media where stuff

1:07:32.640 --> 1:07:34.320
<v Speaker 1>to blow your mind or blow the mind at a

1:07:34.400 --> 1:07:36.440
<v Speaker 1>number of those stuff to blow your mind dot Com

1:07:36.560 --> 1:07:39.120
<v Speaker 1>is the mothership. And then of course there is always

1:07:39.200 --> 1:07:43.320
<v Speaker 1>email where you can email your favorite selection from the

1:07:43.400 --> 1:07:45.840
<v Speaker 1>Library of Babel to us at Blow the Mind? Is

1:07:45.920 --> 1:07:57.480
<v Speaker 1>how stuff works dot Com? Well more on this and

1:07:57.600 --> 1:08:06.560
<v Speaker 1>basons of other pathics. Is it how stuff works? Upcombe

1:08:08.080 --> 1:08:16.560
<v Speaker 1>starts f