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Speaker 1: Right before Happened to Me end of twenty four, I

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Speaker 1: was like, I might be done.

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Speaker 2: Today's guest is one of the most positive people I know,

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Speaker 2: Russell Dickerson. He's had number one songs like Yours and

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Speaker 2: Blue Tacoma, Love You like I used to God Gave

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Speaker 2: Me a Girl, and then Happens to Me, which was massive.

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Speaker 2: Recently he's racked up nearly four billion streams. Big energy,

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Speaker 2: big heart, a whole lot of fun, like one of

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Speaker 2: my favorite people. He's back now with new music, including

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Speaker 2: the song Boots with Fettiwop, which we talk about, and

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Speaker 2: he's got a new EP and he's going out on

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Speaker 2: the Russell Mania tour. Here he is Russell Dickerson, Russell,

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Speaker 2: good to see you, buddy, Hey baby, your arms like huge,

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Speaker 2: thank you's I saw you come in. It's like, dang,

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Speaker 2: what do you do?

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Speaker 3: Dang I do?

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Speaker 1: It's like my there's a podcast called mind Pump and

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Speaker 1: they got programs, all kinds of programs, and I just

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Speaker 1: picked one.

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Speaker 3: It's called Aesthetic.

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Speaker 1: I was like, yeah, like I'm on stage, I would

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Speaker 1: like to look jacked. And it's just three days a week,

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Speaker 1: probably forty five minutes.

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Speaker 2: It's a podcast. Yeah, so you listen to it what

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Speaker 2: they tell you.

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Speaker 1: No, no, no. They have programs like PDFs, so you

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Speaker 1: just like buy the PDF. And I'm just I've just

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Speaker 1: been doing that for like three years.

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Speaker 3: Just slow and steady.

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Speaker 2: Was that a conscious effort to get yourself in better shait?

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Speaker 3: Absolutely?

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Speaker 2: Why?

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Speaker 3: Just to be in better shape, just to be thicker.

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Speaker 1: I feel like I look back and like three years ago,

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Speaker 1: I thought I was like fairly pretty jacked. I was like, no,

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Speaker 1: I was, I was. I was scrawny, and I just

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Speaker 1: have always had that frame.

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Speaker 2: I had a kid recently, and so when we had

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Speaker 2: the baby, I don't work out forever. I understand how

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Speaker 2: people get dad bods, because it's just like you work

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Speaker 2: all day, then you get home and you complain about

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Speaker 2: working all day. But then also you gotta constantly watch

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Speaker 2: a baby. And so I've just now got back into it.

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Speaker 2: But like having a baby, like, I have new respect

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Speaker 2: for all the people that weren't working out that I

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Speaker 2: was like, come on, you got it, there's no time, right, Yeah,

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Speaker 2: there's things are constant, have you you know those those things?

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Speaker 2: Babies got two of them, they're constant.

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Speaker 1: Yeah, and you get you got to beat them you

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Speaker 1: got to beat them. To the Punch in the morning.

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Speaker 2: I'm glad you said to the Punch in the morning,

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Speaker 2: there's a weird, weird pause after you gotta beat them.

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Speaker 2: I didn't know where you have to beat them? Yeah,

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Speaker 2: to the Punch in the morning. Yes, you have to

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Speaker 2: beat them. I saw a fun video that said I

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Speaker 2: think your wife had posted it where it was when

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Speaker 2: you know your kid is like a tour kid. You

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Speaker 2: see your oldest Does he go on the road with

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Speaker 2: you a lot?

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Speaker 1: Yeah?

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Speaker 3: They both probably.

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Speaker 1: When like when the bus picks us up at the

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Speaker 1: house and drops us off at the house, we'll bring

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Speaker 1: them out. But if we got to like fly, you

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Speaker 1: know and everything, we'll just leave them.

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Speaker 2: How do they do on the bus?

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Speaker 3: So good? They love it.

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Speaker 1: They got their little bunks, zip them in, we got

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Speaker 1: we got the bounce house under the bus. We got

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Speaker 1: their little bikes, you know, so they just do you.

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Speaker 2: Have a family bus now that's just you guys when

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Speaker 2: you go off man.

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Speaker 1: Yeah, we had one for a couple of years and

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Speaker 1: then it expanded into we need more people, but can't

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Speaker 1: afford another bus yet, you know. So it was like

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Speaker 1: there was a year where we didn't have that and

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Speaker 1: now it's finally back to we got another one, No One.

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Speaker 2: You're making good money though now too, right, I mean

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Speaker 2: I mean as I know what, I know what. You're

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Speaker 2: selling a lot of tickets. Yeah that's cool. Yeah, like

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Speaker 2: you're making good money now right, I mean.

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Speaker 1: That's what's good. What is good money. It's all going

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Speaker 1: into our house, I'll tell you that. So it's it's

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Speaker 1: just it's as soon as it's it's gone, that's what

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Speaker 1: it feels like.

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Speaker 2: But you're making good money, meaning after you pay for

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Speaker 2: all the overhead, they're still a comfortable amount left. Yeah,

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Speaker 2: that's the best place to be.

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Speaker 3: We're making comfortable.

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Speaker 2: I saw your show, the one you did, I think

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Speaker 2: it was in Michigan.

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Speaker 3: Grand Rapids thing was huge, huge.

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Speaker 2: He said it was the biggest show you'd ever sold.

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Speaker 3: Yeah, yeah, that was crazy.

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Speaker 2: How many tickets?

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Speaker 3: About eleven thousand?

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Speaker 2: That's wild, Yeah, in an awesome way. I don't mean

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Speaker 2: that as an insult, like that's that's really why that's

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Speaker 2: really awesome it is, but.

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Speaker 3: Also it is it's awesome and it is wild, like

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Speaker 3: it feels.

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Speaker 1: Like it's not me. I'm like, are you sure you

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Speaker 1: got the right concert? Because like, for fifteen years, it's

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Speaker 1: been just twenty five people, fifty people, one hundred, one thousand,

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Speaker 1: you know. And the one of the posts we did

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Speaker 1: was like, hey, we kept coming back to the same

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Speaker 1: venue for five years, you know what I mean, the

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Speaker 1: same venue twenty Monroe came back the next year, came

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Speaker 1: back two.

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Speaker 3: Years later, you know what I mean.

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Speaker 1: It's always that venue. And then for some reason, boom

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Speaker 1: eleven thousand.

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Speaker 2: What if there were like three thousand people that thought

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Speaker 2: they were coming to WrestleMania and they're.

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Speaker 1: Like, where's Cody Rhodes? Is an empty block? The heck,

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Speaker 1: where's the ring?

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Speaker 2: Yeah, it's really cool to see. I've told you this

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Speaker 2: privately too, but it's rare to see people do it

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Speaker 2: at their trajectory. You're doing it because my version of

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Speaker 2: your career is, here's a guy he did what people

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Speaker 2: didn't think. He got a song and it popped, Great job,

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Speaker 2: got a second song. Okay, well that's pretty much that's

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Speaker 2: where it's gonna last. He's right, there's like then you

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Speaker 2: hit a new level and then usually you're like, okay,

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Speaker 2: everybody just kind of classifies you as that mid mid

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Speaker 2: kind of artist, and you're doing your own shows. For sure,

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Speaker 2: and you're headlining, and but rarely does it pop to

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Speaker 2: that next level after that long because like you said,

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Speaker 2: you've been grinding for fifteen years. It's like there is

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Speaker 2: a new new version of you that's even bigger that

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Speaker 2: usually you don't see people grow out of after your

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Speaker 2: five or six When I say that, is that the

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Speaker 2: version in your mind?

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Speaker 1: Yeah?

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Speaker 3: Totally.

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Speaker 1: I mean up right before happened to me end of

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Speaker 1: twenty four, I was like, you know, without getting overly spiritual,

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Speaker 1: I was just like, God, I think I'm I might

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Speaker 1: be done. Like what am I doing? I feel like

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Speaker 1: I'm just like spinning. I feel like I'm on a

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Speaker 1: treadmill and I'm like sprinting, but like I'm not co

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Speaker 1: one anywhere. I'm working so hard, nothing like Where's because

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Speaker 1: I feel like he gave me this dream of kind

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Speaker 1: of where it is now?

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Speaker 3: Like when is it enough?

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Speaker 1: Like that is eleven thousand packed into an amphitheater. I'll

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Speaker 1: be happy for the rest of my career. That's great,

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Speaker 1: But you know what I mean, Like I was where

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Speaker 1: I was like, where is this? I feel like I'm

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Speaker 1: stuck same thing, same club, same venues, over and over

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Speaker 1: year after year.

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Speaker 3: What it like you know what I mean.

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Speaker 2: Well, it's not just you. I've just seen that plateau

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Speaker 2: happen at a By the way, if it happened to

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Speaker 2: me never happens to you, that's funny. But if it

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Speaker 2: never happens to you, you had a freaking awesome career. Yeah,

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Speaker 2: like one that ninety nine point eight percent of every

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Speaker 2: artist would dream of having. And I've just seen so

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Speaker 2: many times when people get to that great spot and

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Speaker 2: they've got a few number ones, they can torn at

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Speaker 2: the rest of their life be comfortable and that's it,

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Speaker 2: that's their plateau. Yeah, but something's happened to you that

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Speaker 2: I haven't seen happen here in my fifteen years in

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Speaker 2: ten on where it's like boom stealing popped you again yea,

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Speaker 2: and again I've told you. I'm not just telling you

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Speaker 2: that here. I've told you that even privately. But it's

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Speaker 2: been really cool to see. And I think now you

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Speaker 2: should be in consideration for that mailed Artist of the Year,

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Speaker 2: even the Entertainer of the Year type conversation. And those

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Speaker 2: are the conversations people have to talk about you in

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Speaker 2: before you actually get in them. True, but it's so

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Speaker 2: hard to have people recognize you for that whenever they

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Speaker 2: know you. It's kind of intern syndrome, meaning if you

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Speaker 2: intern into business and you raise up to the ranks,

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Speaker 2: even if you're freaking second in command, the CEO still

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Speaker 2: knows you as an intern.

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Speaker 3: Yep.

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Speaker 1: That's so on the button, dude, because I mean I

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Speaker 1: grew up here and like I feel like Nashville's little brother.

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Speaker 1: That's exactly what it feels, you know. It's like, oh, yeah,

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Speaker 1: little Russell. I remember when he brought me his first song.

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Speaker 1: You know, I remember he was like he was hopping

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Speaker 1: around town, you.

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Speaker 3: Know, trying to get a deal, trying to do this,

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Speaker 3: trying to do that.

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Speaker 1: It's like little Russell, little Russell syndrome.

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Speaker 2: Little Russell who paid five bucks first starts video that

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Speaker 2: went big? How crazy good for him? Yeah, he really

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Speaker 2: made it. Yeah, and yeah, that's a hard, hard thing

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Speaker 2: to shake. I mean I've had that issue with just

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Speaker 2: like the radio guy. Dude. I've had like four TV

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Speaker 2: shows I got to Netflix day. It's like, but then

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Speaker 2: the people that knew me when I just came to town,

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Speaker 2: they're like, Oh, there's the trouble maker radio guy. He

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Speaker 2: just it's really cool to see and I hope people

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Speaker 2: start to recognize like your body of work, because it's

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Speaker 2: hard to rerecognize somebody like again when you know him

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Speaker 2: for Little Russell. Yeah, it's hard to see, like dude

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Speaker 2: selling out nine ten, eleven thousand seat venues like Happened

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Speaker 2: to Me was massive, But I was already feeling like

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Speaker 2: it was doing a little bit of that before that song,

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Speaker 2: Like I was really feeling like yeah, and again I'm

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Speaker 2: not just saying this in front of you here, but

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Speaker 2: like I've always believed in your kid. Yeah that song?

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Speaker 2: What was the deal with the song?

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Speaker 3: Was that?

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Speaker 2: Dude? Why'd you cut it? Did you know that it

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Speaker 2: was gonna be? Was it all viral? That launched? Like

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Speaker 2: for people to see it because you did some really

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Speaker 2: funny videos?

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Speaker 3: Yeah, I mean happened to me honestly?

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Speaker 1: Was we sat on it for We wrote it in

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Speaker 1: twenty twenty three and it didn't come out till twenty five.

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Speaker 1: Did you not think it was special? I thought it

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Speaker 1: was a No, Honestly, I thought it was like a

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Speaker 1: fun song. We'll do it live definitely going on. The

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Speaker 1: album could be a single maybe you know, one single,

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Speaker 1: two or something, but uh, it honestly just so happened

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Speaker 1: to be like, okay, we all kind of agreed that

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Speaker 1: that was going to be the first instant grat track

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Speaker 1: off the album. How they do target exclusive back in

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Speaker 1: the day. Yeah, and so I was like, all right, cool,

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Speaker 1: and then we're gonna do the freaking come up with

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Speaker 1: something to post TikTok, do the teasers. And I was like,

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Speaker 1: it was honestly like poking fun at the dance culture,

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Speaker 1: like the you gotta have a dance to have a

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Speaker 1: hit song type thing. And I was like, Okay, I'm

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Speaker 1: just gonna do every stupid dance that I can think of,

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Speaker 1: and my guy's going to cut it all together.

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Speaker 3: The first one was in a hotel.

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Speaker 1: Gym and just you know, Napoleon dynamite and whatever, and

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Speaker 1: my guy cut it all together. We put it out

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Speaker 1: and that was just like boom, like a million, two million,

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Speaker 1: I don't know whatever it is.

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Speaker 2: First video popped Yeah yeah wow, I.

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Speaker 1: Mean popped in a in like not crazy but like

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Speaker 1: like triple whatever I had had before.

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Speaker 2: Yeah, anything seven figures is popping.

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Speaker 1: Yeah.

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Speaker 3: Yeah.

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Speaker 1: So that was like we're like, oh, snap more instantly Yeah,

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Speaker 1: it was instantly like okay, cool, we found something that's

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Speaker 1: that's like catching with the algorithm or whatever it is.

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Speaker 3: And then we.

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Speaker 1: Just like doubled down and kept which is great being

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Speaker 1: a dad. I'm like, I don't have the energy capacity,

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Speaker 1: time brain space to you know, set up a whole

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Speaker 1: shoot and do this perfect like whatever, and just like

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Speaker 1: set up the camera, be stupid, send it to my

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Speaker 1: guy to cut it together and just ship it.

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Speaker 2: Was there a point where you had done so many

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Speaker 2: that you're thinking, man, we've done too many. It's played out,

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Speaker 2: but in reality that's not that world. Let's do as

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Speaker 2: many as you possibly can. Yeah, did you start to

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Speaker 2: feel like, okay, guys, we've done six of these, we

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Speaker 2: were probably done.

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Speaker 1: I mean I feel like we could keep going. Okay,

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Speaker 1: you know, it's like why not. It's more so like

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Speaker 1: people asking to do them with me, and it's like

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Speaker 1: we were like on the streets of Ireland or something,

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Speaker 1: and they were like, because they were obviously coming to

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Speaker 1: the show, we were doing whatever, and it was like

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Speaker 1: can we do can we do the dance? And then

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Speaker 1: it's like everybody it's but you know what it was

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Speaker 1: a it was a moment in time. It was a

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Speaker 1: cultural moment in time.

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Speaker 2: Would you see whenever the videos were streaming high TikToker,

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Speaker 2: Instagram whatever. Would you see a direct correlation with this

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Speaker 2: song streaming?

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Speaker 1: Yeah, I mean that it was all in I guess

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Speaker 1: like the middle of twenty twenty five, last year of

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Speaker 1: when it was just like, I don't know, however many

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Speaker 1: millions a week and it was all just like swirling,

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Speaker 1: and then it started going to pop radio, you know,

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Speaker 1: and it's just it was.

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Speaker 3: All just swirling at the same time.

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Speaker 2: At what point did you get the Jonas brothers on.

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Speaker 1: They When they asked me to be the special guest

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Speaker 1: for their tour one night in Detroit, we were like,

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Speaker 1: maybe this is our moment to shoot the shot of

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Speaker 1: getting the feature because it's like, do we get who

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Speaker 1: is it? Is it a female artist that we get

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Speaker 1: on it? Because the girls just want to have fun whatever.

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Speaker 1: And we tried a few things and did nothing landed,

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Speaker 1: And so my creative director Daniella, who is overseeing of

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Speaker 1: all the visual everything, grew up with the bros. So

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Speaker 1: I was like, you're flying with us. You're gonna be

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Speaker 1: our my wing gal. We're gonna fly. We're gonna go

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Speaker 1: to Detroit just to I mean, honestly, just to hang

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Speaker 1: and catch up and do it. But if there is

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Speaker 1: a moment where we, you know, I feel like this

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Speaker 1: is the right thing to do, I think we should

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Speaker 1: just like shoot our shot. And so we're just pre

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Speaker 1: I think it was pre show. We were shooting the

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Speaker 1: Dead Dance with the with the Jonas brothers and everything.

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Speaker 1: They were like, should we like, you guys should hop

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Speaker 1: on this. It's like, it's crazy.

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Speaker 2: It just came to me right now, do you guys

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Speaker 2: want to get on?

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Speaker 1: Yeah? I mean it was already at pop Radio and

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Speaker 1: it's like why and easy lay.

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Speaker 3: Up for them.

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Speaker 1: They were headed in the studio anyway. They're like, yeah,

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Speaker 1: we're head in the studio next week.

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Speaker 2: Whoa crazy dude?

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Speaker 3: And so there was that's cool.

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Speaker 2: Yeah, yeah, that's cool how that all happened like that.

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Speaker 4: Let's take a quick pause for a message from our sponsor,

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Speaker 4: and we're back on the Bobby Cast.

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Speaker 2: I was backstage at the iHeart Country Festival last time

311
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Speaker 2: you and I spoke, and i'd left my dressing room

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Speaker 2: and there's like a holding room for everybody before they

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Speaker 2: go on, just a general room, and I walk in

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Speaker 2: to that room. I didn't know anybody in that room,

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Speaker 2: and I'd sit down for a second because people were

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Speaker 2: talking and it's a lady here, dude here, and the

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Speaker 2: lady says, hey, how are And we just were just

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Speaker 2: having a small talk and I'd mentioned something about my

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Speaker 2: wife being sick and she says, do you care if

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Speaker 2: I like pray for you? And I'm like, care, that'd

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Speaker 2: be awesome, Like I don't even know you. Pray away like,

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Speaker 2: so she says a prayer and we stop. The prayer ended,

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Speaker 2: and we just continue to talk and ray Lynn walks

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Speaker 2: in the artist ray Lan and it was her grandma

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Speaker 2: And I didn't know Raylan's grandma because she was there

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Speaker 2: and that's she was doing the prayer. So Raylan sits

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Speaker 2: down and she's like ah, and so you know Raylan's

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Speaker 2: big personality. And so we're all talking about something musically,

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Speaker 2: and there's the guy Cross is like, yeah, my son's

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Speaker 2: are in a band and I'm like, oh, I wonder

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Speaker 2: who they played guitar for, Like they're one of the

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Speaker 2: bands that are at the festival. And I'm like, oh,

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Speaker 2: your son's they they they play and goes yeah, and

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Speaker 2: he said do you have been playing a long time?

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Speaker 3: And I love that he didn't say it there.

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Speaker 2: You knew who it is. Yeah, and so eventually I'm

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Speaker 2: just curious. He wasn't trying to flex it at all.

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Speaker 2: I went back to it. I said, who's yours? Who

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Speaker 2: are your son's playing with? And he goes, oh, they're

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Speaker 2: not here. Uh, they're the Jonas brothers. And his name

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Speaker 2: was his name was Kevin Jonas. It was the dad

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Speaker 2: of the Jonas brothers. He never flexed the Jonas brothers.

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Speaker 2: One time we literally were just talking about music, and

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Speaker 2: his thing was, yeah, my son's also playing a band.

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Speaker 5: So dude, you're so freaking Jonah's brothers like lead with that.

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Speaker 5: But I mean, I don't know, but I love that

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Speaker 5: he didn't never that's so good and never even set

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Speaker 5: it up for me to ask. It wasn't like my

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Speaker 5: son's playing a band. You'll never guess what band. It

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Speaker 5: was never anything like that. And so they're quintuple platinum vie.

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Speaker 5: You maybe heard a lot of them. Here's my name

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Speaker 5: tag and so the oh their dad was cool. Yeah,

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Speaker 5: So I don't know those guys. If they seem like

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Speaker 5: they're nice guys.

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Speaker 1: They're so great. We were in Vegas for I played.

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Speaker 3: I had a show at.

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Speaker 1: Playing at Hollywood and then they were there the next

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Speaker 1: night and then at like nine am, Nick texts me,

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Speaker 1: He's like, hey, I think you're in Vegas? Are you?

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Speaker 1: He's like, you want to come out tonight? And sing

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Speaker 1: I was like, no, I'm good, thank you though, but yeah,

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Speaker 1: I was just like, did their podcast hung out you

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Speaker 1: know after played Roulette till one in the morning, Just

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Speaker 1: just homies.

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Speaker 2: With those guys. Yeah, people bother.

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Speaker 1: Them, No that, I mean they have their own got

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Speaker 1: him section of the hotel, you know, not just a room.

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Speaker 3: Like a whole piano hall. No, I mean, it was

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Speaker 3: just it was just their squad.

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Speaker 2: On the casino floor though.

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Speaker 3: Oh no, yeah, private room.

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Speaker 2: Yeah really, Yeah, that's pretty cool.

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Speaker 1: Blackjack, Roulette, maybe something.

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Speaker 2: Else, craps. What were they bett in the hand? Dude?

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Speaker 1: Okay, I put five hundred down just for Roulette dig total,

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Speaker 1: not a bet, not every single bet.

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Speaker 3: I don't know.

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Speaker 2: Were you betting five hundred every time they spun the wheel?

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Speaker 1: No?

380
00:18:51,320 --> 00:18:54,920
Speaker 3: No, okay, two two fifty.

381
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Speaker 1: But yeah no, Nick came down and put I mean

382
00:18:59,680 --> 00:19:03,040
Speaker 1: three drop put three grand, not per hand, but just

383
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Speaker 1: in and then it was like it wasn't crazy money,

384
00:19:06,320 --> 00:19:10,440
Speaker 1: so it's not like Dana White Taylor one million one. Yeah,

385
00:19:10,600 --> 00:19:14,479
Speaker 1: like it's nothing like that. It was conservative, conservative gambling.

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Speaker 2: It could really go viral if they were doing fifty

387
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Speaker 2: bucks a hand fifty thousand either way, tough time for

388
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Speaker 2: the Joe bro, and they wouldn't tip. They refuse to tip.

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Speaker 2: You go super viral with that time, bro. The fettiwap

390
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Speaker 2: thing's been interesting with the first time that you did

391
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Speaker 2: that just was it just to be funny?

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Speaker 3: Yes?

393
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Speaker 2: That was it? Correct, Like you can do a pretty

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Speaker 2: good fetty wap impression, so you're just going to do it.

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Speaker 1: I've been a fetti wop stand since the beginning since

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Speaker 1: Trap Queen, you know, just I used to sing it

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Speaker 1: at my shows, cover it during my set.

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Speaker 2: I didn't know that. Yeah, And so you did it

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Speaker 2: on TikTok did it bop?

400
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Speaker 3: Yeah? That's the most viral thing I've ever had ever really.

401
00:20:00,240 --> 00:20:01,560
Speaker 2: So what was the video exactly?

402
00:20:02,200 --> 00:20:03,560
Speaker 3: It was Kaylee filming.

403
00:20:04,680 --> 00:20:09,080
Speaker 1: We're just in in the kitchen and she's like started filming.

404
00:20:09,119 --> 00:20:11,000
Speaker 1: She was like, Yo, did you hear who just got out?

405
00:20:11,880 --> 00:20:14,840
Speaker 1: Like fetti wap just got out? And I was just like, yeah,

406
00:20:15,080 --> 00:20:21,520
Speaker 1: bab just singing like fetty wap And that was just

407
00:20:22,480 --> 00:20:24,400
Speaker 1: and it's all on her account too, by the way,

408
00:20:24,920 --> 00:20:26,199
Speaker 1: it's not even all my account.

409
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Speaker 2: Yeah, I didn't know that OUTI the fact, that's funny. Yeah,

410
00:20:30,040 --> 00:20:31,840
Speaker 2: when you're doing it, are you like behind.

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Speaker 1: A big like like island.

412
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Speaker 2: Yeah, yeah, I can picture now, I get pictures that video. Yeah,

413
00:20:36,160 --> 00:20:39,040
Speaker 2: And that went so viral that it was weird to

414
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Speaker 2: see the next day one of those where you wake

415
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Speaker 2: up and you're like, oh my god, oh yeah yeah.

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Speaker 1: And it's just like the whole day every year just

417
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Speaker 1: like refresh it and it's like another four hundred thousand,

418
00:20:47,840 --> 00:20:51,440
Speaker 1: you know, just like swipe and like. And the cool

419
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Speaker 1: thing is is like all the comments were positive and

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Speaker 1: it was like a multi cultural audience that it reached.

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Speaker 1: So I'm invited to the cookout. Nice I am. I'm

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Speaker 1: proud to say.

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Speaker 2: How long until you heard from his camp at all? We?

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Speaker 1: I mean probably a month or so because you let

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Speaker 1: us sit in and like it was like, okay, what

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00:21:18,359 --> 00:21:19,840
Speaker 1: are we just going to let this be a thing?

427
00:21:19,880 --> 00:21:23,080
Speaker 1: Are we going to act upon it? And I had

428
00:21:23,119 --> 00:21:25,800
Speaker 1: the song Boots for a long time, wrote it with

429
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Speaker 1: Dylan Marlowe by the way, fun fact, and we have

430
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Speaker 1: the song and I try, you know, throw it to

431
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Speaker 1: Tea Paine Pass, throw it to Shaboozi Pass, you know.

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Speaker 1: And I was like, okay, whatever, it's somebody will somebody

433
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Speaker 1: will land on it. And I'm so glad it did

434
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Speaker 1: because I am such a massive fetti wa fan and

435
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Speaker 1: have been since the beginning. And our teams start talking,

436
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Speaker 1: I think they're like, who is this, who's this white

437
00:21:58,080 --> 00:22:02,080
Speaker 1: boy that you know whatever is taking immretating our guy.

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00:22:03,119 --> 00:22:05,640
Speaker 1: And then it like it kept going and kept building

439
00:22:05,680 --> 00:22:10,160
Speaker 1: and kept going, and I think we sent him a song.

440
00:22:10,760 --> 00:22:12,680
Speaker 1: Then like got to the point like, okay, we'll listen

441
00:22:12,680 --> 00:22:16,840
Speaker 1: to the song. Send them the song. And then they

442
00:22:16,960 --> 00:22:19,879
Speaker 1: was like, hey, send them a song, send him an

443
00:22:19,880 --> 00:22:23,280
Speaker 1: open verse to where he can like fetti wop over

444
00:22:23,320 --> 00:22:26,400
Speaker 1: all over the place. And fetti wop he did all

445
00:22:26,440 --> 00:22:27,040
Speaker 1: over that thing.

446
00:22:27,240 --> 00:22:31,160
Speaker 2: When you got it back the next day the next.

447
00:22:30,920 --> 00:22:35,600
Speaker 1: Morning, Hey, I mean my man was like, hey, I'm

448
00:22:35,640 --> 00:22:37,480
Speaker 1: about to send it.

449
00:22:37,720 --> 00:22:38,840
Speaker 3: I think he nailed it.

450
00:22:39,359 --> 00:22:41,200
Speaker 1: Like we need some ad libs, we need some more

451
00:22:41,200 --> 00:22:45,680
Speaker 1: fetti wop ness, but like, yeah, the verse nothing changed

452
00:22:45,800 --> 00:22:49,880
Speaker 1: from the verse of his. And then we're just like, yo,

453
00:22:50,000 --> 00:22:52,880
Speaker 1: give us like some some give me some yeah babies

454
00:22:52,920 --> 00:22:54,800
Speaker 1: and some ooh.

455
00:22:56,440 --> 00:22:58,879
Speaker 3: And they did, and it was I mean, it was

456
00:22:58,920 --> 00:22:59,480
Speaker 3: super easy.

457
00:22:59,480 --> 00:23:02,560
Speaker 1: There was like two back and forth, which sometimes I

458
00:23:02,560 --> 00:23:05,360
Speaker 1: feel like you can get in the weeds, and.

459
00:23:06,520 --> 00:23:07,440
Speaker 3: Yeah, I just.

460
00:23:09,520 --> 00:23:12,679
Speaker 1: The and then so then there's the reaction video of

461
00:23:12,760 --> 00:23:15,720
Speaker 1: hearing fetti for the first time. I'd heard the verse,

462
00:23:15,920 --> 00:23:19,520
Speaker 1: but I hadn't heard that like intro part which is

463
00:23:19,560 --> 00:23:23,120
Speaker 1: like so signature fetti wop yeah baby and all that,

464
00:23:23,800 --> 00:23:27,560
Speaker 1: and it just was it just happened to be back

465
00:23:27,600 --> 00:23:30,960
Speaker 1: in the same it's our beach house, be back in

466
00:23:31,000 --> 00:23:34,320
Speaker 1: the same setting as the video, you know what I mean.

467
00:23:34,480 --> 00:23:37,439
Speaker 2: That's crazy that all happened because of a video of

468
00:23:37,480 --> 00:23:39,040
Speaker 2: you in the kitchen that your wife shot.

469
00:23:39,240 --> 00:23:40,520
Speaker 3: Yeah, that's great.

470
00:23:40,560 --> 00:23:43,080
Speaker 1: That's where I can get behind social media, you know

471
00:23:43,720 --> 00:23:47,320
Speaker 1: of that type that type stuff. But like I don't know,

472
00:23:47,400 --> 00:23:51,560
Speaker 1: with all the over overthought and overproduced and everything.

473
00:23:51,880 --> 00:23:54,280
Speaker 2: What I like about social media now is there are

474
00:23:54,400 --> 00:24:01,480
Speaker 2: just so many fewer gatekeepers. I think that is amazing. Yeah,

475
00:24:01,800 --> 00:24:07,480
Speaker 2: but just like every other iteration of media now, social

476
00:24:07,520 --> 00:24:10,520
Speaker 2: media kind of knows that and they're creating their own

477
00:24:10,600 --> 00:24:14,280
Speaker 2: rules now. They're almost like a gatekeeper as well. And

478
00:24:14,359 --> 00:24:19,960
Speaker 2: so you're always predicting algorithms and certain people are given

479
00:24:20,000 --> 00:24:21,919
Speaker 2: the information of the algorithm. They're kind of the new

480
00:24:21,920 --> 00:24:23,639
Speaker 2: gatekeepers because they actually know how to beat it. Or

481
00:24:23,680 --> 00:24:26,120
Speaker 2: you have to pay the clip. You know, you're paying

482
00:24:26,119 --> 00:24:27,720
Speaker 2: ten grand a month to get people to clip, to

483
00:24:27,760 --> 00:24:30,000
Speaker 2: do your clips and feed them everywhere, so you have

484
00:24:30,040 --> 00:24:32,320
Speaker 2: to have them. I love that you don't that there

485
00:24:32,320 --> 00:24:34,679
Speaker 2: aren't near as many gatekeepers. I think that is tremendous

486
00:24:34,680 --> 00:24:39,400
Speaker 2: for art itself, because anybody that's good anywhere, if you're

487
00:24:39,440 --> 00:24:43,960
Speaker 2: good enough consistently, because sometimes you can be awesome twice

488
00:24:44,000 --> 00:24:46,840
Speaker 2: and it won't hit. Sometimes you gotta be awesome seventeen

489
00:24:46,880 --> 00:24:49,399
Speaker 2: times in a row the same day for one of

490
00:24:49,400 --> 00:24:51,960
Speaker 2: them to hit. Yeah, But if you just keep on

491
00:24:52,320 --> 00:24:54,679
Speaker 2: and you're good, like I really think you can make it.

492
00:24:54,720 --> 00:24:57,600
Speaker 2: I didn't think that seven years ago. I think I

493
00:24:57,600 --> 00:24:59,879
Speaker 2: thought if you were good and you got to have

494
00:25:01,080 --> 00:25:05,560
Speaker 2: and you had the right person support you with their resources. Yeah,

495
00:25:05,640 --> 00:25:09,959
Speaker 2: and those resources get to the right people at radio,

496
00:25:10,280 --> 00:25:14,560
Speaker 2: satellite stream up uh playlisting on the stream like it

497
00:25:14,600 --> 00:25:17,119
Speaker 2: all had to be people. Now you can bully the

498
00:25:17,119 --> 00:25:20,840
Speaker 2: people with data. Yeah, if you just have enough data,

499
00:25:20,920 --> 00:25:23,840
Speaker 2: you can bully all those people into having to play you.

500
00:25:23,840 --> 00:25:26,240
Speaker 2: You see it all the time, and so I like

501
00:25:26,280 --> 00:25:28,800
Speaker 2: that about social media now. But you're right, A lot

502
00:25:28,800 --> 00:25:33,000
Speaker 2: of it feels so contrived that I don't go into

503
00:25:33,040 --> 00:25:36,720
Speaker 2: it thinking anything is real until I learned to trust it.

504
00:25:37,800 --> 00:25:41,720
Speaker 2: M m yeah, because every I feel like everything is fake.

505
00:25:41,960 --> 00:25:43,400
Speaker 2: If you can fake it so well that it makes

506
00:25:43,440 --> 00:25:47,000
Speaker 2: me feel like it's real, you win, You win, You

507
00:25:47,000 --> 00:25:48,520
Speaker 2: got me. It's like AI, if you can do AI.

508
00:25:50,520 --> 00:25:51,760
Speaker 3: Yeah.

509
00:25:51,760 --> 00:25:54,120
Speaker 1: But like, for example, though, that did you hear about

510
00:25:54,160 --> 00:25:56,200
Speaker 1: the new movie that just came out, the horror movie

511
00:25:56,240 --> 00:25:58,280
Speaker 1: that's like a YouTuber director.

512
00:25:58,000 --> 00:26:01,560
Speaker 2: And it's the number one seven thousand bucks or whatever. Make yeah, right, Mike,

513
00:26:01,600 --> 00:26:03,040
Speaker 2: that's the one obsession.

514
00:26:03,119 --> 00:26:06,120
Speaker 1: Yeah, yeah, like eighty one million in the first week

515
00:26:06,240 --> 00:26:09,800
Speaker 1: or weekend or something. It's like, that's awesome, And I

516
00:26:09,840 --> 00:26:13,480
Speaker 1: think that's out there. For one, it's hard to get

517
00:26:13,480 --> 00:26:15,119
Speaker 1: seven hundred thousand dollars. I'm not going to say that

518
00:26:15,119 --> 00:26:16,360
Speaker 1: anybody can make a movie.

519
00:26:16,560 --> 00:26:21,640
Speaker 2: But you can crowdfund a wonderful idea now, and if

520
00:26:21,640 --> 00:26:26,680
Speaker 2: it's good consistently, like I think you you can win.

521
00:26:27,200 --> 00:26:29,000
Speaker 2: I think you can win now by being good, better,

522
00:26:29,320 --> 00:26:30,919
Speaker 2: better than you ever could in the history of art.

523
00:26:31,080 --> 00:26:31,359
Speaker 1: Yep.

524
00:26:32,240 --> 00:26:36,119
Speaker 2: And so I like that. Yeah, I think this recent

525
00:26:36,240 --> 00:26:39,040
Speaker 2: version of your success probably doesn't happen if all the

526
00:26:39,040 --> 00:26:44,240
Speaker 2: gatekeepers are like little Russell. Honestly, yeah, like you had

527
00:26:44,280 --> 00:26:49,480
Speaker 2: you had to bully people with your success totally to go, oh, well,

528
00:26:49,480 --> 00:26:51,080
Speaker 2: we can't really hold him down because then we look

529
00:26:51,119 --> 00:26:53,880
Speaker 2: like fools because he's crushing it on all these platforms. Yeah,

530
00:26:54,600 --> 00:26:55,320
Speaker 2: I do like that about it.

531
00:26:55,320 --> 00:26:58,400
Speaker 1: That was even the case in the very beginning too.

532
00:26:59,000 --> 00:27:02,040
Speaker 1: It was still a little rough syndrome of like I

533
00:27:02,080 --> 00:27:07,080
Speaker 1: had yours every little thing in Blue Tacoma on my

534
00:27:07,240 --> 00:27:12,320
Speaker 1: like very first EP that we took around town, two labels,

535
00:27:12,440 --> 00:27:17,240
Speaker 1: Yours was already going on XM, going on you know whatever,

536
00:27:18,960 --> 00:27:22,439
Speaker 1: and still like I still couldn't get a deal, went.

537
00:27:22,320 --> 00:27:27,000
Speaker 3: To everybody, all the big dogs, and.

538
00:27:26,920 --> 00:27:29,400
Speaker 1: It was just still they were like, eh, yours kind

539
00:27:29,400 --> 00:27:32,440
Speaker 1: of sounds like a worship song, Like it's too CCM,

540
00:27:32,520 --> 00:27:33,840
Speaker 1: it's to this, it's too whatever.

541
00:27:33,960 --> 00:27:35,600
Speaker 3: I'm like, okay, cool.

542
00:27:36,600 --> 00:27:41,800
Speaker 1: So, like, literally my first little EP with three number

543
00:27:41,800 --> 00:27:45,879
Speaker 1: one songs, multi platinum age want them, you know.

544
00:27:46,359 --> 00:27:49,719
Speaker 2: So what was it then? That was that you bullied

545
00:27:49,760 --> 00:27:50,399
Speaker 2: them with data?

546
00:27:50,440 --> 00:27:50,879
Speaker 3: What was it?

547
00:27:50,920 --> 00:27:52,359
Speaker 2: How did you get sid it?

548
00:27:53,680 --> 00:27:55,640
Speaker 1: By the time I had gone around and gone around

549
00:27:55,680 --> 00:27:59,600
Speaker 1: and gone around, thankfully, there was a new label being.

550
00:27:59,400 --> 00:28:01,400
Speaker 3: Created called Triple Tigers.

551
00:28:01,400 --> 00:28:03,840
Speaker 1: That's my label now, and I was I was the

552
00:28:03,840 --> 00:28:09,800
Speaker 1: first artist on there, and like, don't I don't know

553
00:28:11,320 --> 00:28:14,199
Speaker 1: if they had their eye. It wasn't like, hey, we

554
00:28:14,240 --> 00:28:16,520
Speaker 1: want to build a label for Russell. It was just like,

555
00:28:16,560 --> 00:28:20,760
Speaker 1: I think, just the right timing of it. But that

556
00:28:20,840 --> 00:28:24,480
Speaker 1: was the only offer I ever had for a record deal.

557
00:28:24,840 --> 00:28:28,440
Speaker 2: Yeah, that's crazy. What do you think about those guys

558
00:28:28,680 --> 00:28:30,359
Speaker 2: at Triple Tigers. Yeah, that's great.

559
00:28:30,880 --> 00:28:33,879
Speaker 3: They let me do whatever I want. It's awesome.

560
00:28:34,040 --> 00:28:35,520
Speaker 2: You know why they let you do whatever you want.

561
00:28:36,720 --> 00:28:38,800
Speaker 2: But I know why they let you.

562
00:28:38,840 --> 00:28:41,240
Speaker 3: Do whatever crew. I don't screw it up that much.

563
00:28:41,120 --> 00:28:43,760
Speaker 2: Because you don't make them look bad. You make the money.

564
00:28:44,920 --> 00:28:47,280
Speaker 2: They As long as you are successful at what you do,

565
00:28:47,360 --> 00:28:48,920
Speaker 2: no one is going to stop you from doing what

566
00:28:48,960 --> 00:28:53,080
Speaker 2: you do. And you have consistently been successful. I know. George,

567
00:28:53,560 --> 00:28:56,320
Speaker 2: Yeah really well, Yeah, it's like one of the only

568
00:28:56,360 --> 00:28:58,760
Speaker 2: guys in this whole town that's like an executive that

569
00:28:58,800 --> 00:29:01,880
Speaker 2: I'm like, that's my right. He texted me the other

570
00:29:02,000 --> 00:29:03,400
Speaker 2: day and like, I don't I don't like to be

571
00:29:03,440 --> 00:29:05,480
Speaker 2: friends with people because I don't want to feel like

572
00:29:05,480 --> 00:29:08,000
Speaker 2: I can't I don't want to say criticized, but critique

573
00:29:08,040 --> 00:29:11,200
Speaker 2: there's a difference. But George is like from Austin. We

574
00:29:11,200 --> 00:29:13,720
Speaker 2: were there for like a decade at the same time,

575
00:29:13,760 --> 00:29:16,479
Speaker 2: so that's like I love that dude. Yeah you like him?

576
00:29:16,600 --> 00:29:18,280
Speaker 3: Oh yeah, yeah.

577
00:29:18,440 --> 00:29:19,240
Speaker 2: We like twice.

578
00:29:19,240 --> 00:29:27,400
Speaker 1: If you're lying, we're cool, dude, I swear he uh no,

579
00:29:27,440 --> 00:29:30,520
Speaker 1: it's it's we just but we don't. We don't like

580
00:29:30,720 --> 00:29:32,520
Speaker 1: hang out that much. I don't hang out with my

581
00:29:32,760 --> 00:29:33,120
Speaker 1: catch up.

582
00:29:33,200 --> 00:29:33,520
Speaker 3: Yeah.

583
00:29:34,000 --> 00:29:38,200
Speaker 2: Yeah, what did he see in you? I didn't see

584
00:29:38,200 --> 00:29:38,800
Speaker 2: anything in you.

585
00:29:39,840 --> 00:29:43,800
Speaker 1: I think it was Norbert Nick's first it's awesome too. Yeah,

586
00:29:44,400 --> 00:29:47,440
Speaker 1: was the one who was so passed like he I

587
00:29:47,440 --> 00:29:49,080
Speaker 1: mean to this day if he was sitting right here,

588
00:29:49,280 --> 00:29:51,400
Speaker 1: like I knew it when I saw the video for

589
00:29:51,480 --> 00:29:54,320
Speaker 1: yours his wife shot it. There was nothing. There was

590
00:29:54,360 --> 00:29:56,080
Speaker 1: no butt, you know, he'd just go on and on

591
00:29:56,120 --> 00:29:58,960
Speaker 1: and but that was that was like the magical thing

592
00:29:59,040 --> 00:30:03,120
Speaker 1: that kicked started my career. But yeah, Norbert was is

593
00:30:03,160 --> 00:30:05,320
Speaker 1: like as soon as he saw the video, he was like, yeah,

594
00:30:05,440 --> 00:30:06,080
Speaker 1: but this is our guy.

595
00:30:07,480 --> 00:30:19,920
Speaker 6: The Bobby Cast will be right back. This is the

596
00:30:19,960 --> 00:30:20,680
Speaker 6: Bobby Cast.

597
00:30:21,440 --> 00:30:25,040
Speaker 2: How many breaking points did you almost have? Meaning you're

598
00:30:25,080 --> 00:30:26,480
Speaker 2: hustling you're just trying to get a deal. You're like,

599
00:30:26,520 --> 00:30:27,840
Speaker 2: I don't know if I can do this. You got

600
00:30:27,840 --> 00:30:31,400
Speaker 2: something you mentioned another one whenever you're not breaking but

601
00:30:31,440 --> 00:30:34,680
Speaker 2: you're going, Lord, is this it? Like my plateau? Like

602
00:30:34,680 --> 00:30:37,040
Speaker 2: there's two. How many of those do you think you've had?

603
00:30:41,200 --> 00:30:50,960
Speaker 1: Probably probably five, maybe three to five, three to five

604
00:30:52,000 --> 00:30:57,480
Speaker 1: major like what is what do I do from here?

605
00:30:58,640 --> 00:31:02,320
Speaker 1: The first one I think would be when I got

606
00:31:02,960 --> 00:31:06,360
Speaker 1: me and Kaylee just got married, and like within a month,

607
00:31:06,400 --> 00:31:09,240
Speaker 1: I got dropped from my publishing deal.

608
00:31:10,840 --> 00:31:13,280
Speaker 3: After two years, and so I was like.

609
00:31:13,560 --> 00:31:19,959
Speaker 1: Uh, fresh freshly married income completely stopped. I mean I

610
00:31:20,000 --> 00:31:24,880
Speaker 1: was making thirty four grand a year, but that was

611
00:31:25,480 --> 00:31:27,160
Speaker 1: cheddar back in the day.

612
00:31:28,040 --> 00:31:32,200
Speaker 2: It's also consistent income in regard, especially in an inconsistent

613
00:31:32,880 --> 00:31:33,560
Speaker 2: world like this.

614
00:31:34,320 --> 00:31:35,120
Speaker 3: Yeah, so like.

615
00:31:36,040 --> 00:31:42,800
Speaker 1: As a new provider for my wife and just it was.

616
00:31:42,880 --> 00:31:48,160
Speaker 1: It was a weird spot to be of because it's

617
00:31:48,200 --> 00:31:52,520
Speaker 1: like do I go get a job, do I drive uber?

618
00:31:52,800 --> 00:31:53,200
Speaker 3: Do I?

619
00:31:54,720 --> 00:31:54,959
Speaker 1: You know?

620
00:31:55,080 --> 00:31:55,400
Speaker 3: Do I?

621
00:31:55,440 --> 00:31:58,400
Speaker 1: And Kaylee she was like no, she was like you

622
00:31:58,560 --> 00:32:03,800
Speaker 1: focus on this, keep writing, keep going, like she was babysitting,

623
00:32:04,640 --> 00:32:07,840
Speaker 1: she was doing photography on the side, you know, like

624
00:32:07,880 --> 00:32:09,920
Speaker 1: she was the one. She was my sugar mama for

625
00:32:10,040 --> 00:32:10,600
Speaker 1: a little bit.

626
00:32:11,560 --> 00:32:16,440
Speaker 2: Did you land another publishing deal? How long that had

627
00:32:16,480 --> 00:32:16,680
Speaker 2: to be?

628
00:32:19,840 --> 00:32:23,200
Speaker 3: It probably was over a year? Really, yeah, it was

629
00:32:23,200 --> 00:32:23,840
Speaker 3: probably a year.

630
00:32:23,920 --> 00:32:25,600
Speaker 2: When you lose a publishing deal, Is it hard to

631
00:32:25,640 --> 00:32:30,400
Speaker 2: get rights or is it all relationship based anyway?

632
00:32:31,640 --> 00:32:33,600
Speaker 1: I mean kind of back in the day I was.

633
00:32:33,920 --> 00:32:37,200
Speaker 1: I was about to say, as an artist, no, but like,

634
00:32:37,720 --> 00:32:43,120
Speaker 1: who was I in twenty thirteen, you know? So yeah,

635
00:32:43,240 --> 00:32:45,440
Speaker 1: I mean I was just kind of call up buddies

636
00:32:45,480 --> 00:32:49,000
Speaker 1: and see And now I was like, but that's when

637
00:32:49,040 --> 00:32:53,200
Speaker 1: I really like dove into producing and dove into like

638
00:32:53,480 --> 00:32:55,760
Speaker 1: all the technical side of it and learning how to

639
00:32:56,880 --> 00:33:00,320
Speaker 1: record with logic and what an interface was, what a

640
00:33:00,360 --> 00:33:04,680
Speaker 1: compressor is, what a vocal chain is, and uh I

641
00:33:04,720 --> 00:33:06,720
Speaker 1: look back on that and I'm like, I'm actually really

642
00:33:06,720 --> 00:33:11,920
Speaker 1: glad that I had that time to hone that aspect

643
00:33:11,960 --> 00:33:15,720
Speaker 1: of it so I can walk into a studio now like, yo, dude,

644
00:33:15,720 --> 00:33:18,320
Speaker 1: the eleven seventy six is off, bro, you need you

645
00:33:18,320 --> 00:33:19,320
Speaker 1: need to hit the ratio.

646
00:33:20,080 --> 00:33:22,680
Speaker 2: I don't know that forced education paid off for you

647
00:33:22,760 --> 00:33:25,920
Speaker 2: big time later, big time. It was like for me,

648
00:33:26,080 --> 00:33:28,040
Speaker 2: like when I first started just in radio in general,

649
00:33:28,080 --> 00:33:30,160
Speaker 2: I had to learn how to do everything. It was miserable,

650
00:33:30,160 --> 00:33:35,680
Speaker 2: all production tower, all this crap tower you to tower, what

651
00:33:35,800 --> 00:33:38,920
Speaker 2: is exactly? It was like old school. You had to

652
00:33:38,920 --> 00:33:39,200
Speaker 2: go and.

653
00:33:39,160 --> 00:33:40,480
Speaker 3: Read there to climb the tower.

654
00:33:40,600 --> 00:33:42,840
Speaker 2: No, not climb it, but I did go to it before,

655
00:33:43,880 --> 00:33:45,120
Speaker 2: and so I had to do all that. But then

656
00:33:45,120 --> 00:33:48,120
Speaker 2: once I started to like have a crew, and then

657
00:33:48,360 --> 00:33:50,000
Speaker 2: they got bigger and bigger, like I knew all the

658
00:33:50,120 --> 00:33:53,560
Speaker 2: jobs and it was so valuable that I had done

659
00:33:53,560 --> 00:33:56,360
Speaker 2: all the jobs. Yeah, because then I knew if they

660
00:33:56,360 --> 00:34:01,200
Speaker 2: were doing the job for real or not that's a word. Yeah, yeah,

661
00:34:01,240 --> 00:34:03,120
Speaker 2: So I was pretty grateful for that, but I can

662
00:34:03,120 --> 00:34:06,719
Speaker 2: see where it would be in the moment, scary, frustrating.

663
00:34:06,880 --> 00:34:07,240
Speaker 3: Yeah.

664
00:34:08,040 --> 00:34:09,760
Speaker 2: Do you have you writ any songs with other people

665
00:34:09,760 --> 00:34:11,880
Speaker 2: for other people? Do you have any other songs? Not

666
00:34:11,960 --> 00:34:14,640
Speaker 2: a lot, like any like cuts I.

667
00:34:15,000 --> 00:34:18,239
Speaker 1: Whiskey on my breath. I'd remember you. I remember you

668
00:34:18,280 --> 00:34:19,880
Speaker 1: played that love and theft.

669
00:34:20,000 --> 00:34:20,719
Speaker 2: Oh that's a good one.

670
00:34:20,760 --> 00:34:24,520
Speaker 1: Whiskey on my breath because I remember him calling me Steven.

671
00:34:24,719 --> 00:34:26,719
Speaker 1: He was like, dude, Bobby's about to play whiskey on

672
00:34:26,760 --> 00:34:29,600
Speaker 1: my breath, dude, And at the time I was like,

673
00:34:29,680 --> 00:34:31,399
Speaker 1: holy schnikes, let's go.

674
00:34:31,760 --> 00:34:32,439
Speaker 2: That's a good song.

675
00:34:32,600 --> 00:34:33,160
Speaker 3: Yeah.

676
00:34:35,280 --> 00:34:36,560
Speaker 2: Were you always writing for yourself?

677
00:34:36,760 --> 00:34:38,239
Speaker 3: Yeah? I think that's why.

678
00:34:38,239 --> 00:34:39,759
Speaker 2: I think that's why I asked the question, like, were

679
00:34:39,760 --> 00:34:43,880
Speaker 2: you ever just out even after you're going I'm an artist?

680
00:34:44,160 --> 00:34:46,200
Speaker 2: Were you ever just writing to write and see if

681
00:34:46,239 --> 00:34:47,440
Speaker 2: songs just landed places?

682
00:34:49,600 --> 00:34:50,000
Speaker 3: I don't know.

683
00:34:50,040 --> 00:34:53,399
Speaker 1: I feel like I'm always just like that's what I'm

684
00:34:53,440 --> 00:34:55,360
Speaker 1: here for, you know, when I show up to a

685
00:34:55,400 --> 00:34:58,840
Speaker 1: writing room as the artist, especially now that pressure grows

686
00:34:59,680 --> 00:35:05,160
Speaker 1: more more as an artist, so like, I'm thankful you

687
00:35:05,160 --> 00:35:06,680
Speaker 1: guys are here. I want us to walk out of

688
00:35:06,719 --> 00:35:09,800
Speaker 1: here with a hit. But that's just Yeah, There's always

689
00:35:09,840 --> 00:35:12,360
Speaker 1: been even even back in the day when I was

690
00:35:12,360 --> 00:35:19,160
Speaker 1: writing with FGL, like they they were writing songs to

691
00:35:19,200 --> 00:35:22,400
Speaker 1: write songs as songwriters, and I was like, I'm the

692
00:35:22,480 --> 00:35:24,800
Speaker 1: artist who is going to sing these songs?

693
00:35:25,440 --> 00:35:25,680
Speaker 3: You know?

694
00:35:25,960 --> 00:35:27,479
Speaker 2: Did they ever write any songs that you cut?

695
00:35:28,000 --> 00:35:32,040
Speaker 1: Yeah? On my my little I had I recorded an EP.

696
00:35:32,239 --> 00:35:35,040
Speaker 1: Like when I was at Belmont there was like all

697
00:35:35,080 --> 00:35:38,440
Speaker 1: of them, like six songs. Were you guys in class together?

698
00:35:39,600 --> 00:35:43,520
Speaker 1: They had like just graduated. We overlapped for a year.

699
00:35:43,560 --> 00:35:47,000
Speaker 1: We hadn't met yet, so like they had graduated and

700
00:35:47,040 --> 00:35:50,160
Speaker 1: I had like another year year and a half and

701
00:35:50,200 --> 00:35:54,400
Speaker 1: they came to one of my twelfth Importer shows and

702
00:35:54,680 --> 00:35:56,359
Speaker 1: a friend of a friend was like, Hey, you got

703
00:35:56,400 --> 00:35:58,920
Speaker 1: to meet these two dudes. They're, you know, writing a

704
00:35:58,960 --> 00:36:02,080
Speaker 1: bunch of songs. You can get a little whatever going. And

705
00:36:02,520 --> 00:36:03,520
Speaker 1: were they they yet?

706
00:36:03,760 --> 00:36:04,080
Speaker 2: I don't.

707
00:36:04,160 --> 00:36:08,279
Speaker 1: I don't think they were Florida George Line yet. So

708
00:36:09,400 --> 00:36:11,359
Speaker 1: I was like, dude, yeah, hung out with them. I

709
00:36:11,360 --> 00:36:14,640
Speaker 1: was like, let's write, let's do whatever. So went over

710
00:36:14,719 --> 00:36:19,279
Speaker 1: to their apartment, little house, two level thing. It was

711
00:36:19,360 --> 00:36:22,120
Speaker 1: they they lived on the top, Chase Rice lived in

712
00:36:22,120 --> 00:36:25,279
Speaker 1: the basement, and so it was like Me, Tyler and

713
00:36:25,320 --> 00:36:27,120
Speaker 1: Bka writing all the time.

714
00:36:27,280 --> 00:36:29,200
Speaker 3: Like that was like after class.

715
00:36:29,200 --> 00:36:31,759
Speaker 1: I was like, I couldn't wait to get back to

716
00:36:31,800 --> 00:36:36,040
Speaker 1: the funhouse to write terrible country songs.

717
00:36:36,640 --> 00:36:41,200
Speaker 2: Was it weird or was there any jealousy whenever they

718
00:36:41,200 --> 00:36:43,360
Speaker 2: blew up? But they were your boys before any of

719
00:36:43,440 --> 00:36:46,680
Speaker 2: you blew up and you're you're hustling, but you're not

720
00:36:46,719 --> 00:36:53,279
Speaker 2: hitting like they are. Any jealousy there? Maybe I have

721
00:36:53,440 --> 00:36:56,360
Speaker 2: learned that I can have positive professional jealousy. I have

722
00:36:56,400 --> 00:36:58,440
Speaker 2: a very close friend that is killing it and has

723
00:36:58,520 --> 00:37:00,680
Speaker 2: been for the last five years. I look at him

724
00:37:01,000 --> 00:37:03,960
Speaker 2: and I'm like, I'm so jealous, but I'm also like

725
00:37:04,000 --> 00:37:05,879
Speaker 2: so so bright, and I didn't know those two things

726
00:37:05,880 --> 00:37:08,120
Speaker 2: could exist at the same time. Yeah, because jealous had

727
00:37:08,120 --> 00:37:10,880
Speaker 2: always been such a negative thing to me. Yeah, but

728
00:37:11,360 --> 00:37:14,480
Speaker 2: like I have a friend who's killing it, and like

729
00:37:14,600 --> 00:37:17,719
Speaker 2: I am so happy for him, but I'm also jealous. Right.

730
00:37:18,840 --> 00:37:20,040
Speaker 2: Is that what that felt like at all?

731
00:37:20,120 --> 00:37:20,359
Speaker 3: Yeah?

732
00:37:20,400 --> 00:37:24,279
Speaker 1: I think so, because, like like I said, it was like,

733
00:37:24,360 --> 00:37:27,880
Speaker 1: we're writing these songs and like I'm gonna I'm gonna

734
00:37:27,880 --> 00:37:29,680
Speaker 1: cut them. I'm I want to go I want to

735
00:37:29,719 --> 00:37:31,799
Speaker 1: go tour. I want to be in a van, I

736
00:37:31,840 --> 00:37:34,520
Speaker 1: want to be on a bus and do the stage

737
00:37:34,560 --> 00:37:36,800
Speaker 1: and the perform and the guitar solos and the lights

738
00:37:36,800 --> 00:37:41,319
Speaker 1: and everything. And then and then yeah, I was just

739
00:37:41,360 --> 00:37:43,480
Speaker 1: like boom cruise. I remember when they played it for me.

740
00:37:43,600 --> 00:37:45,759
Speaker 1: I was like, dang, do you know it was good? Yeah?

741
00:37:45,760 --> 00:37:48,240
Speaker 3: Oh bro, yeah dude.

742
00:37:48,760 --> 00:37:52,399
Speaker 1: And like I mean, I was at my publisher when

743
00:37:52,440 --> 00:37:54,879
Speaker 1: they came because we were writing and like, dude, listen

744
00:37:54,880 --> 00:37:59,960
Speaker 1: to this song we just got and I was just like, oh.

745
00:37:58,560 --> 00:38:02,520
Speaker 2: Yeah, you watch the rocket ship from very close.

746
00:38:02,320 --> 00:38:06,279
Speaker 1: Then, very very very close man, and yeah it is

747
00:38:06,320 --> 00:38:09,239
Speaker 1: It's like I was like, oh, dang, I was going

748
00:38:09,320 --> 00:38:10,799
Speaker 1: to be I was going to be the artist that

749
00:38:10,840 --> 00:38:13,359
Speaker 1: blows up and does the whole thing, but it is

750
00:38:13,400 --> 00:38:17,399
Speaker 1: it's like they're like brothers and so to see see

751
00:38:17,440 --> 00:38:23,520
Speaker 1: your boys just crushing it so fast, so big, so quick.

752
00:38:24,920 --> 00:38:27,640
Speaker 3: It was wild. It was wild to watch, and like

753
00:38:27,800 --> 00:38:28,680
Speaker 3: the cool thing.

754
00:38:28,640 --> 00:38:32,799
Speaker 1: Is is I was just I was still zero and

755
00:38:32,840 --> 00:38:38,600
Speaker 1: they were, you know, fgl in twenty thirteen, fourteen, and

756
00:38:38,719 --> 00:38:42,040
Speaker 1: like they're like, bring me out on the road to

757
00:38:42,200 --> 00:38:46,560
Speaker 1: like experience it and see everything. Like I would like

758
00:38:47,040 --> 00:38:49,799
Speaker 1: be their shadow when they were doing phoners and like

759
00:38:49,880 --> 00:38:53,680
Speaker 1: listen to how they, you know, interact with radio and

760
00:38:53,719 --> 00:38:57,080
Speaker 1: how they how they entertain people and how they you know,

761
00:38:57,239 --> 00:38:59,759
Speaker 1: just they like it was just like a super cool

762
00:38:59,760 --> 00:39:03,920
Speaker 1: see into just kind of be their little tag along,

763
00:39:04,320 --> 00:39:05,520
Speaker 1: their little tag along buddy.

764
00:39:06,040 --> 00:39:07,880
Speaker 2: Did they ever put you on shows with them, like

765
00:39:07,960 --> 00:39:08,920
Speaker 2: as an opener?

766
00:39:10,000 --> 00:39:12,680
Speaker 3: Yeah, and it's funny.

767
00:39:13,080 --> 00:39:17,920
Speaker 1: I forget what it was twenty sixteen maybe, Yeah.

768
00:39:17,000 --> 00:39:19,840
Speaker 2: That's pretty cool, especially if you don't have like negative

769
00:39:19,840 --> 00:39:22,799
Speaker 2: feelings about it. It's cool. I experienced that. I just

770
00:39:22,840 --> 00:39:24,759
Speaker 2: always thought if you're jealous of someone, it has to

771
00:39:24,800 --> 00:39:28,360
Speaker 2: be from an unhappy place, because I think all my

772
00:39:28,440 --> 00:39:31,200
Speaker 2: jealousy before with whom Iver had been from an unhappy place,

773
00:39:31,320 --> 00:39:32,680
Speaker 2: and maybe it's just because I've been to a lot

774
00:39:32,719 --> 00:39:35,439
Speaker 2: of therapy. I don't know. But it's like the first

775
00:39:35,440 --> 00:39:37,120
Speaker 2: time in my life I've ever been like, dude, that

776
00:39:37,320 --> 00:39:39,040
Speaker 2: is awesome. I'm so happy for you. A text, a

777
00:39:39,080 --> 00:39:41,480
Speaker 2: legitimate text. Yeah, you are killing it, And I like, man,

778
00:39:41,520 --> 00:39:43,479
Speaker 2: I wish that would yeah, wish I was doing that crap.

779
00:39:43,600 --> 00:39:45,759
Speaker 1: It's more so, Yeah, I feel like when it's like

780
00:39:47,760 --> 00:39:49,839
Speaker 1: awesome music and like you know what I mean, when

781
00:39:49,840 --> 00:39:53,160
Speaker 1: it's just there and it's undeniable. But when something like

782
00:39:53,719 --> 00:39:57,600
Speaker 1: so crazy random, I'm like, Okay, I don't understand that.

783
00:39:57,600 --> 00:39:58,480
Speaker 1: That's frustrating.

784
00:40:00,040 --> 00:40:02,040
Speaker 2: It's funny the first time you heard cruise, you're like, oh,

785
00:40:02,160 --> 00:40:02,600
Speaker 2: that's it.

786
00:40:02,840 --> 00:40:03,080
Speaker 1: Yeah.

787
00:40:03,120 --> 00:40:05,720
Speaker 2: There's only been a few songs in my entire tenure

788
00:40:05,800 --> 00:40:10,920
Speaker 2: in this town where I've heard it and immediately went undeniable. Yeah.

789
00:40:11,040 --> 00:40:13,120
Speaker 2: One of them was I remember I was in my

790
00:40:13,160 --> 00:40:19,680
Speaker 2: car and I was flipping through and meant to Be

791
00:40:19,840 --> 00:40:22,600
Speaker 2: came on and there's like seven words in that song

792
00:40:22,640 --> 00:40:24,040
Speaker 2: and it was the greatest catch you a thing I've

793
00:40:24,040 --> 00:40:28,319
Speaker 2: ever heard in my life. It was if it's meant

794
00:40:28,320 --> 00:40:30,000
Speaker 2: to be, It's meant to be. Baby, and I'm like,

795
00:40:30,080 --> 00:40:32,520
Speaker 2: oh my god, that song is going to kick holes

796
00:40:32,560 --> 00:40:33,520
Speaker 2: in every wallpot.

797
00:40:34,040 --> 00:40:34,400
Speaker 1: Yeah.

798
00:40:35,080 --> 00:40:37,160
Speaker 2: I remember where I was when I heard that song, going,

799
00:40:37,239 --> 00:40:40,319
Speaker 2: that's the catchest thing I've ever heard. Yeah, I guess

800
00:40:40,320 --> 00:40:41,560
Speaker 2: they just have the ability to write those.

801
00:40:42,480 --> 00:40:46,080
Speaker 1: We were on tour with them when they came out

802
00:40:46,120 --> 00:40:49,560
Speaker 1: with that song. I remember that because Bbe came out

803
00:40:49,560 --> 00:40:52,520
Speaker 1: to a show and they like recorded the video for it.

804
00:40:52,680 --> 00:40:53,279
Speaker 3: I remember that.

805
00:40:54,160 --> 00:40:56,719
Speaker 1: But that's another example of what you were talking about

806
00:40:56,760 --> 00:41:00,880
Speaker 1: with me. But like on such a massive scale. I

807
00:41:00,920 --> 00:41:05,360
Speaker 1: think cruise round here, you know, all the early Fgo

808
00:41:05,520 --> 00:41:08,000
Speaker 1: hits and then meant to be?

809
00:41:09,400 --> 00:41:11,040
Speaker 3: You know, would you.

810
00:41:10,960 --> 00:41:14,360
Speaker 2: Agree, Yeah, no, I do. I just there's just a

811
00:41:14,360 --> 00:41:16,120
Speaker 2: few of those moments where I have heard a song

812
00:41:16,120 --> 00:41:19,920
Speaker 2: and remember where I was going to. Yeah, like they

813
00:41:19,960 --> 00:41:22,279
Speaker 2: can print money now, like just put the machine in

814
00:41:22,320 --> 00:41:26,399
Speaker 2: their house, because that's a money the Fort Knox. What

815
00:41:26,719 --> 00:41:29,560
Speaker 2: is a bit frustrating for me about what you guys

816
00:41:29,640 --> 00:41:33,319
Speaker 2: do as songwriters is when a song and I think

817
00:41:33,360 --> 00:41:35,560
Speaker 2: meant to Be is a great example when people will go,

818
00:41:35,840 --> 00:41:37,880
Speaker 2: anybody can write that. I heard that about body like

819
00:41:37,880 --> 00:41:40,279
Speaker 2: a background. Anybody can write that, Okay, then do it.

820
00:41:41,680 --> 00:41:45,439
Speaker 2: If anybody can write it. Yeah, freaking write it. Let

821
00:41:45,480 --> 00:41:47,880
Speaker 2: me hear you. Who's talking about how easy it is

822
00:41:47,960 --> 00:41:52,520
Speaker 2: to write a hit song? Yeah, it's so simple. Okay, well,

823
00:41:53,080 --> 00:41:55,440
Speaker 2: here's a patent paper. I would love to see you

824
00:41:55,480 --> 00:41:57,480
Speaker 2: write a song as a songwriter. That has got to

825
00:41:57,520 --> 00:42:01,920
Speaker 2: be frustrating. Yeah, because there's art is in simplicity and melody,

826
00:42:01,920 --> 00:42:04,640
Speaker 2: but they're not even considering the melody part of it

827
00:42:04,680 --> 00:42:08,320
Speaker 2: when people say stupid stuff like that, Yeah, like baby

828
00:42:08,320 --> 00:42:13,880
Speaker 2: shark nine words bop, that's all melody. That's all melody.

829
00:42:13,960 --> 00:42:17,840
Speaker 3: One of the biggest streamed YouTube of like ever in history.

830
00:42:18,160 --> 00:42:20,279
Speaker 2: Is that frustrating to you when you nail a song

831
00:42:20,360 --> 00:42:22,439
Speaker 2: and if you're like looking in comments like oh yeah,

832
00:42:22,440 --> 00:42:23,759
Speaker 2: come on blue to call me. He said it seventy

833
00:42:23,800 --> 00:42:26,520
Speaker 2: four times. Anybody could do that. No, No, just.

834
00:42:26,480 --> 00:42:29,000
Speaker 1: Because I've been saying, well, I'm like, dude, okay, if

835
00:42:29,000 --> 00:42:32,000
Speaker 1: you can write a better one, let's do it please.

836
00:42:33,719 --> 00:42:37,400
Speaker 2: And you're also probably like pushing your money machine to

837
00:42:37,440 --> 00:42:38,920
Speaker 2: the side to get to the computer to write that

838
00:42:38,960 --> 00:42:39,480
Speaker 2: message too.

839
00:42:40,280 --> 00:42:45,759
Speaker 4: Yeah, let's take a quick pause for a message from

840
00:42:45,800 --> 00:42:46,920
Speaker 4: our sponsor.

841
00:42:55,280 --> 00:42:57,480
Speaker 2: And we're back on the Bobby Cast.

842
00:42:58,360 --> 00:43:03,600
Speaker 1: Let's see you a week And this was a it

843
00:43:03,640 --> 00:43:07,600
Speaker 1: will have already happened. Uh so Fetty's gonna come out

844
00:43:07,600 --> 00:43:08,320
Speaker 1: at the stadium.

845
00:43:08,640 --> 00:43:09,920
Speaker 2: So in the past, Fetty came out.

846
00:43:10,239 --> 00:43:11,319
Speaker 3: Yeah, Fetty came out.

847
00:43:11,800 --> 00:43:14,279
Speaker 2: We won't release this until after it happened, so we

848
00:43:14,280 --> 00:43:14,880
Speaker 2: won't leak it.

849
00:43:15,320 --> 00:43:17,040
Speaker 3: So see him a week a few weeks ago.

850
00:43:17,239 --> 00:43:17,920
Speaker 2: Yeah, what happened.

851
00:43:18,000 --> 00:43:20,600
Speaker 1: Fetty Wop came out on stage. People went crazy.

852
00:43:20,640 --> 00:43:22,440
Speaker 2: Dude that could have believe went crazy?

853
00:43:22,480 --> 00:43:22,719
Speaker 1: Yeah.

854
00:43:23,160 --> 00:43:25,360
Speaker 2: Wild. People thought at first when he was like so

855
00:43:26,120 --> 00:43:27,480
Speaker 2: that they thought that was just like it. So you

856
00:43:27,480 --> 00:43:28,839
Speaker 2: were playing a sound yeah, and.

857
00:43:28,800 --> 00:43:29,560
Speaker 3: Then it was actually him.

858
00:43:29,600 --> 00:43:32,480
Speaker 2: Then he came out, it was actually him on the way.

859
00:43:32,480 --> 00:43:33,520
Speaker 2: Have you met him in person?

860
00:43:33,680 --> 00:43:35,680
Speaker 1: No, kind of geeking a little bit, that's cool.

861
00:43:35,840 --> 00:43:39,040
Speaker 2: Yeah, It's like you guys have been chatting online a

862
00:43:39,040 --> 00:43:40,719
Speaker 2: long time and now you're on your first date. Like

863
00:43:40,760 --> 00:43:42,759
Speaker 2: you like he was in Germany. He's the girl you

864
00:43:42,800 --> 00:43:44,680
Speaker 2: met in Germany. Here this dude, you've been talking online

865
00:43:44,680 --> 00:43:46,920
Speaker 2: for like two years, and now you're flying together to

866
00:43:46,920 --> 00:43:47,520
Speaker 2: have your first date.

867
00:43:47,600 --> 00:43:48,799
Speaker 3: Like there's a lot it's a.

868
00:43:48,719 --> 00:43:51,960
Speaker 1: Lot of pressure sentenced so much money. Yeah, you know,

869
00:43:52,040 --> 00:43:55,239
Speaker 1: I hope he's real. I've seen a lot of catfish.

870
00:43:55,480 --> 00:43:59,480
Speaker 2: Oh my god, that was even real what if Betty

871
00:43:59,520 --> 00:44:03,040
Speaker 2: Fop show and it was all just a big prank man.

872
00:44:03,280 --> 00:44:04,880
Speaker 2: That's funny. Do you collect anything?

873
00:44:06,360 --> 00:44:08,680
Speaker 3: Uh not really, you don't.

874
00:44:08,480 --> 00:44:11,279
Speaker 2: Collect cards or anything in anyway. Sports cards, No, that's

875
00:44:11,320 --> 00:44:12,560
Speaker 2: next for you. Do you collect watches?

876
00:44:12,600 --> 00:44:16,160
Speaker 1: It all kind of I'm new to the game.

877
00:44:17,040 --> 00:44:21,120
Speaker 3: They've been. They've been like tour gifts, you know.

878
00:44:21,320 --> 00:44:23,680
Speaker 2: People have given you watches. Who gave you a watch?

879
00:44:24,600 --> 00:44:27,360
Speaker 3: Darius and Lady A in twenty eighteen?

880
00:44:27,520 --> 00:44:29,000
Speaker 2: Did they go in to give you a watch?

881
00:44:29,040 --> 00:44:29,279
Speaker 3: Yeah?

882
00:44:29,480 --> 00:44:31,080
Speaker 2: Was it Rolex? That's awesome?

883
00:44:31,120 --> 00:44:31,360
Speaker 3: Is that that?

884
00:44:31,840 --> 00:44:31,880
Speaker 5: No?

885
00:44:32,040 --> 00:44:36,920
Speaker 1: Mil Goths, the male goss which is discontinued. Everybody like

886
00:44:36,960 --> 00:44:38,360
Speaker 1: they were like, so, what kind of what kind of

887
00:44:38,360 --> 00:44:39,120
Speaker 1: watches you like?

888
00:44:39,200 --> 00:44:39,600
Speaker 3: What do you want?

889
00:44:39,640 --> 00:44:41,719
Speaker 1: I was like, gold, I want some diamonds, like I

890
00:44:41,719 --> 00:44:44,319
Speaker 1: will not not diamonds, but maybe one at the top.

891
00:44:45,719 --> 00:44:49,080
Speaker 3: And they're like, no, we got you. And I'm so glad.

892
00:44:49,320 --> 00:44:52,440
Speaker 2: That's awesome they did. Did they engrave it? M hm?

893
00:44:52,480 --> 00:44:56,839
Speaker 1: Summer plays on tour twenty twenty twenty eighteen, and then

894
00:44:57,320 --> 00:45:00,839
Speaker 1: Tim McGraw at the end of a twenty twenty two

895
00:45:01,040 --> 00:45:04,759
Speaker 1: tour sat down outside my bus and just slapped me

896
00:45:04,880 --> 00:45:11,879
Speaker 1: up twenty bands, just a crispy twenty geez no way, Yeah,

897
00:45:12,840 --> 00:45:15,520
Speaker 1: just like stood up, took it out of his back pockets.

898
00:45:15,560 --> 00:45:18,359
Speaker 3: Like, there you go, buddy, what a great tour.

899
00:45:18,640 --> 00:45:20,799
Speaker 2: He gave you twenty thousand dollars in cash.

900
00:45:20,440 --> 00:45:24,279
Speaker 1: Cash, cold hard cash. Yeah, so I sat. I sat

901
00:45:24,320 --> 00:45:27,000
Speaker 1: on it for a while, just trying to find the

902
00:45:27,120 --> 00:45:29,239
Speaker 1: right the right one, and then I, oh.

903
00:45:29,200 --> 00:45:30,040
Speaker 2: You bought a watch with them.

904
00:45:30,280 --> 00:45:34,480
Speaker 1: He gave settle on this guy.

905
00:45:34,680 --> 00:45:37,600
Speaker 2: That's awesome. When he walked in, you have a big

906
00:45:37,680 --> 00:45:40,120
Speaker 2: lump in his pants and you're like, oh, yeah, he

907
00:45:40,600 --> 00:45:43,120
Speaker 2: lumped up. Yeah, bro, And then if it turns out,

908
00:45:43,200 --> 00:45:43,480
Speaker 2: I was.

909
00:45:43,440 --> 00:45:45,680
Speaker 3: Like, it does work out a lot.

910
00:45:45,920 --> 00:45:49,440
Speaker 2: Have you seen the picture of him with his brothers? Okay,

911
00:45:49,480 --> 00:45:54,680
Speaker 2: I have to show this to you. Yeah, where's my phone? Dude,

912
00:45:54,680 --> 00:45:58,640
Speaker 2: you're gonna crap your pants. Tim mcgrawl does work out

913
00:45:58,640 --> 00:46:04,440
Speaker 2: a lot. Hold on, let's see Tim. The girl you

914
00:46:04,600 --> 00:46:06,880
Speaker 2: especially will love this. How hard do you work? But

915
00:46:06,960 --> 00:46:08,960
Speaker 2: Tim mcgrawl posted a picture of him and his brothers.

916
00:46:14,360 --> 00:46:18,279
Speaker 3: Dang, dude, that's jeans.

917
00:46:19,360 --> 00:46:21,719
Speaker 2: Well, I don't insult the guy that's working out hard

918
00:46:21,719 --> 00:46:23,759
Speaker 2: to Yeah, they're all but look at look at it.

919
00:46:23,800 --> 00:46:27,120
Speaker 2: He's like eleven abs isn't that wild.

920
00:46:27,520 --> 00:46:32,600
Speaker 3: Yeah, that's a that's an extra shoulders, boulder shoulders.

921
00:46:34,280 --> 00:46:37,080
Speaker 2: Man, that is a dude. That's a dude that goes hard.

922
00:46:37,160 --> 00:46:42,480
Speaker 1: That's how he's looked for since he stopped all the Shenanigans.

923
00:46:43,000 --> 00:46:45,040
Speaker 1: I guess I don't know what you did, Tim, but

924
00:46:45,120 --> 00:46:46,040
Speaker 1: you did something right.

925
00:46:46,440 --> 00:46:49,279
Speaker 2: Shanigan's is a good word for it. Yeah, yeah, dude,

926
00:46:49,280 --> 00:46:54,000
Speaker 2: that's crazy. Yeah, I mean that's he's so vascular.

927
00:46:54,840 --> 00:46:55,120
Speaker 1: Zero.

928
00:46:55,160 --> 00:46:56,319
Speaker 3: Do you think he takes something for that?

929
00:46:58,520 --> 00:47:00,520
Speaker 2: Oh? I don't know. I mean, I'm sure everybody's doing

930
00:47:00,520 --> 00:47:02,000
Speaker 2: some sort of peptide at this point.

931
00:47:03,000 --> 00:47:10,239
Speaker 1: You doing anything? No creatine, man, I has of creatine, and.

932
00:47:10,239 --> 00:47:13,040
Speaker 2: I feel too puffy, correctly because it's water, right, like

933
00:47:13,040 --> 00:47:14,680
Speaker 2: it's water, it's water on your muscles.

934
00:47:14,920 --> 00:47:17,080
Speaker 3: Do you think it's directly linked to creatine? Though?

935
00:47:18,160 --> 00:47:21,000
Speaker 2: Uh? I took creating when I was in high school

936
00:47:21,000 --> 00:47:23,279
Speaker 2: playing football, and then I took it again like three

937
00:47:23,360 --> 00:47:23,799
Speaker 2: years ago.

938
00:47:23,880 --> 00:47:24,160
Speaker 3: Hard.

939
00:47:24,760 --> 00:47:26,480
Speaker 2: I just didn't like how made me feel.

940
00:47:26,520 --> 00:47:29,080
Speaker 3: Okay, but maybe I should stop.

941
00:47:29,200 --> 00:47:30,799
Speaker 2: No, it has nothing to do with you.

942
00:47:31,080 --> 00:47:32,840
Speaker 1: I'm just saying I've been feeling awfully.

943
00:47:32,880 --> 00:47:35,719
Speaker 2: No, no, no, I just felt like I like to

944
00:47:35,719 --> 00:47:38,879
Speaker 2: be thin, Okay, I like my clothes to hang off

945
00:47:38,920 --> 00:47:40,560
Speaker 2: of me. And I like to be in shape. I

946
00:47:40,560 --> 00:47:43,560
Speaker 2: like to be thin in shape. Creating made me feel

947
00:47:43,560 --> 00:47:45,200
Speaker 2: like a little too bulky.

948
00:47:45,400 --> 00:47:45,640
Speaker 3: Yeah.

949
00:47:46,520 --> 00:47:48,799
Speaker 1: I feel like I can look at pictures and I'm like,

950
00:47:49,719 --> 00:47:52,920
Speaker 1: I can see I'm like, oh yeah, definitely, like I

951
00:47:53,160 --> 00:47:54,160
Speaker 1: was drinking a little bit.

952
00:47:54,920 --> 00:47:57,399
Speaker 2: You know, mine's always in my face. I can tell

953
00:47:57,440 --> 00:47:59,719
Speaker 2: what I was just by my face because that's kind

954
00:47:59,760 --> 00:48:02,320
Speaker 2: of where that in the front. Like I get the

955
00:48:02,320 --> 00:48:03,120
Speaker 2: I got fat at all?

956
00:48:03,120 --> 00:48:06,279
Speaker 1: It's right, yeah, okay, I gotta try a cut then

957
00:48:06,560 --> 00:48:07,440
Speaker 1: a creatine cut.

958
00:48:07,920 --> 00:48:08,839
Speaker 2: No, it has nothing.

959
00:48:08,880 --> 00:48:10,040
Speaker 3: I want to try, though. I want to.

960
00:48:10,080 --> 00:48:12,719
Speaker 2: I wonder you do you do an a D at all?

961
00:48:13,239 --> 00:48:13,520
Speaker 1: Yep?

962
00:48:14,320 --> 00:48:16,239
Speaker 2: Do you do injections or do you do ivs?

963
00:48:16,800 --> 00:48:24,319
Speaker 3: I do mouth? What is that oral? What? That's how

964
00:48:24,360 --> 00:48:24,960
Speaker 3: I take it?

965
00:48:25,040 --> 00:48:25,719
Speaker 1: I do oral?

966
00:48:28,400 --> 00:48:29,120
Speaker 3: Please post that?

967
00:48:29,520 --> 00:48:31,439
Speaker 2: So it is it like a pill.

968
00:48:31,800 --> 00:48:34,720
Speaker 1: It's just no, it's just like a liquid. I forget

969
00:48:34,719 --> 00:48:36,320
Speaker 1: what the brand is roe r h O.

970
00:48:37,120 --> 00:48:37,760
Speaker 2: Not familiar.

971
00:48:38,160 --> 00:48:40,920
Speaker 1: I saw some jack CrossFit to doing it and I

972
00:48:40,960 --> 00:48:42,879
Speaker 1: was like, yep, I take this now.

973
00:48:44,400 --> 00:48:46,920
Speaker 2: Well I saw football players doing it, so I did

974
00:48:47,000 --> 00:48:51,800
Speaker 2: it with the ivs. Yeah, and oh.

975
00:48:51,719 --> 00:48:53,240
Speaker 3: Is that that? You have to like do it slow?

976
00:48:53,360 --> 00:48:53,520
Speaker 1: Right?

977
00:48:54,000 --> 00:48:55,719
Speaker 2: You feel so bad while you do it.

978
00:48:55,800 --> 00:48:57,799
Speaker 1: Yeah, I remember that I have done that.

979
00:48:58,040 --> 00:49:00,279
Speaker 2: It would take an hour and forty five minutes. Then

980
00:49:00,280 --> 00:49:02,399
Speaker 2: I would do like one hundred milligrams. I think that's

981
00:49:02,400 --> 00:49:03,040
Speaker 2: what they give you.

982
00:49:03,080 --> 00:49:05,160
Speaker 3: The did you ever did you do it yourself?

983
00:49:05,840 --> 00:49:06,080
Speaker 2: No?

984
00:49:06,360 --> 00:49:09,200
Speaker 1: Oh yeah, the dude like they came to our house

985
00:49:09,239 --> 00:49:10,480
Speaker 1: and did it, and here you can like you can

986
00:49:10,560 --> 00:49:12,200
Speaker 1: kind of control it. So it's like, oh yeah, I

987
00:49:12,200 --> 00:49:16,320
Speaker 1: controlled it, like oh no, no, no, no, no, you control

988
00:49:16,400 --> 00:49:18,800
Speaker 1: like the flow Bobo do yours?

989
00:49:20,280 --> 00:49:23,720
Speaker 2: No, because before Bobo blew up with his own business,

990
00:49:23,719 --> 00:49:25,480
Speaker 2: he would come around he was like, God, are do

991
00:49:25,520 --> 00:49:27,480
Speaker 2: an ad? All the football players are doing it, and

992
00:49:27,520 --> 00:49:29,120
Speaker 2: so I'd be like, yeah, I'm like a football player.

993
00:49:29,120 --> 00:49:32,960
Speaker 2: I'll do it, and dude, it would make me feel

994
00:49:33,000 --> 00:49:35,400
Speaker 2: so sick only while doing it, and then I'd have

995
00:49:35,480 --> 00:49:36,080
Speaker 2: to slow it down.

996
00:49:36,560 --> 00:49:38,800
Speaker 3: But your insides are boiling.

997
00:49:38,800 --> 00:49:42,760
Speaker 2: Because what I learned is that it's all You feel

998
00:49:42,760 --> 00:49:44,239
Speaker 2: worse the more inflammation you have.

999
00:49:44,920 --> 00:49:45,920
Speaker 3: Mm hm hmmm.

1000
00:49:47,400 --> 00:49:51,640
Speaker 2: So I was crazily inflamed. Obviously we are probably so

1001
00:49:51,640 --> 00:49:55,239
Speaker 2: many ways, and but as soon as you pull it out,

1002
00:49:55,320 --> 00:49:58,160
Speaker 2: you don't feel bad anymore. But yeah, I felt terrible.

1003
00:49:58,160 --> 00:49:58,920
Speaker 2: Now do injections.

1004
00:49:58,960 --> 00:50:00,720
Speaker 1: What do you think you're inflamed from life?

1005
00:50:00,760 --> 00:50:04,400
Speaker 2: Bro diet Mountain Pine Arkansas, Bro True grew up on

1006
00:50:04,440 --> 00:50:07,040
Speaker 2: mountain dewing blowney sandwiches, and that inflammation has never leave

1007
00:50:07,080 --> 00:50:14,799
Speaker 2: made is permanently inside of me, is wherever? Yeah, all right, man, Yeah,

1008
00:50:15,440 --> 00:50:17,240
Speaker 2: congratulations on everything.

1009
00:50:17,560 --> 00:50:19,399
Speaker 3: Thank you, Bro, thanks for having me.

1010
00:50:19,600 --> 00:50:22,120
Speaker 2: No, it's just cool because again I think there's something

1011
00:50:22,200 --> 00:50:27,360
Speaker 2: to this. You've just broken through a couple ceilings and

1012
00:50:27,400 --> 00:50:30,640
Speaker 2: it's really cool, and I hope that people start to

1013
00:50:31,719 --> 00:50:33,719
Speaker 2: give you. It's not so much the credit. You don't

1014
00:50:33,760 --> 00:50:36,319
Speaker 2: need the credit. We're in such a fractured world of

1015
00:50:37,440 --> 00:50:39,880
Speaker 2: you can be massive one place and somebody doesn't know

1016
00:50:39,920 --> 00:50:45,239
Speaker 2: who you are next door, right, But like in this industry,

1017
00:50:45,960 --> 00:50:48,520
Speaker 2: I think you need it needs to be known when

1018
00:50:48,520 --> 00:50:52,279
Speaker 2: it comes to these award shows, because those make you

1019
00:50:52,280 --> 00:50:54,280
Speaker 2: feel good, I mean right, I mean sure they're trivial,

1020
00:50:54,320 --> 00:50:57,359
Speaker 2: but they're still cool. Like you deserve to get those

1021
00:50:57,440 --> 00:51:01,600
Speaker 2: looks as like mal artists as I think they should.

1022
00:51:01,960 --> 00:51:04,520
Speaker 2: People people did listen to this or watch this now

1023
00:51:04,520 --> 00:51:06,840
Speaker 2: on Netflix. It's like, I think you should be in

1024
00:51:06,880 --> 00:51:08,279
Speaker 2: those talks when it comes to who are we going

1025
00:51:08,320 --> 00:51:11,560
Speaker 2: to nominate for you? Know male artists Entertainer of the Year, Like,

1026
00:51:11,600 --> 00:51:14,440
Speaker 2: I think that's hopefully you get in those conversations. That's

1027
00:51:14,440 --> 00:51:16,680
Speaker 2: what I hope anyway I think it is. I know

1028
00:51:16,719 --> 00:51:18,279
Speaker 2: you do. I think you deserve it. I didn't always

1029
00:51:18,280 --> 00:51:20,839
Speaker 2: think you deserved it, but now I do now I

1030
00:51:20,840 --> 00:51:22,160
Speaker 2: think now you love it.

1031
00:51:22,239 --> 00:51:22,640
Speaker 1: You do.

1032
00:51:22,880 --> 00:51:25,919
Speaker 2: Yeah, so uh yeah, good to see it. Tell Kayley

1033
00:51:26,000 --> 00:51:29,080
Speaker 2: said hello. And we don't get to see each other often,

1034
00:51:29,120 --> 00:51:31,319
Speaker 2: but when we do, I always try to to tell

1035
00:51:31,400 --> 00:51:34,320
Speaker 2: you how much like I respect, how hard you've worked,

1036
00:51:35,000 --> 00:51:38,360
Speaker 2: and how much people like you even when you're not around.

1037
00:51:40,120 --> 00:51:43,040
Speaker 2: That's a cool thing is nobody says anything bad about

1038
00:51:43,080 --> 00:51:47,719
Speaker 2: Russell and Russell's not around people like Russell, and that's

1039
00:51:47,560 --> 00:51:50,239
Speaker 2: that's nice. Yeah, I'll leave a trail.

1040
00:51:50,280 --> 00:51:50,720
Speaker 3: That's sweet.

1041
00:51:50,880 --> 00:51:54,160
Speaker 2: It's like as soon as I know. Yeah, it's like

1042
00:51:54,160 --> 00:51:55,320
Speaker 2: a snail moment.

1043
00:51:55,400 --> 00:51:56,480
Speaker 3: Yeah like that, dude, So.

1044
00:51:57,960 --> 00:52:02,360
Speaker 1: Congratulations, due, thank you, thank you for always being you

1045
00:52:02,400 --> 00:52:05,840
Speaker 1: don't have to be nice to anybody.

1046
00:52:07,320 --> 00:52:09,360
Speaker 2: I'm gonna lea, I'm gonna let your god because this

1047
00:52:09,360 --> 00:52:14,120
Speaker 2: is I get uncomfortable, but thank you. Just receive thank you. Well,

1048
00:52:14,120 --> 00:52:15,840
Speaker 2: now you're done. I receive it and then you stop.

1049
00:52:15,960 --> 00:52:19,279
Speaker 1: Yeah, I forgot where I'm going. But I have a

1050
00:52:19,360 --> 00:52:21,800
Speaker 1: learning visibility and I'm lost to my own brain.

1051
00:52:22,080 --> 00:52:25,480
Speaker 2: I go to the russell Mania tour. You're not getting

1052
00:52:25,480 --> 00:52:28,640
Speaker 2: sued for that? Oh I got two quid, You're not

1053
00:52:28,640 --> 00:52:30,239
Speaker 2: getting sued for that one. Not.

1054
00:52:31,120 --> 00:52:35,759
Speaker 1: I'm not going to say it's awes and why the russell.

1055
00:52:35,480 --> 00:52:40,320
Speaker 2: Mania thing is amazing. I love wrestling though, but russell

1056
00:52:40,360 --> 00:52:43,399
Speaker 2: Mania is perfect. I just kept waiting for that lawsuit. Dude,

1057
00:52:43,400 --> 00:52:44,640
Speaker 2: they're not going to at this point, they're not going

1058
00:52:44,680 --> 00:52:45,080
Speaker 2: to sue you.

1059
00:52:45,160 --> 00:52:47,160
Speaker 3: I hope, I hope not, I don't.

1060
00:52:47,200 --> 00:52:51,160
Speaker 2: I mean, it's it's amazing branding. Even if people don't

1061
00:52:51,200 --> 00:52:53,200
Speaker 2: know wrestling, it's amazing. So that's number one. That's that

1062
00:52:53,760 --> 00:52:56,839
Speaker 2: and then number two, Oh I had another had something good.

1063
00:52:56,840 --> 00:52:58,000
Speaker 2: I was going to say, I forgot.

1064
00:52:57,920 --> 00:53:00,759
Speaker 1: Why you think about it that. It's kind of like

1065
00:53:00,800 --> 00:53:05,359
Speaker 1: the Nickelback video of like look at this grave right

1066
00:53:05,920 --> 00:53:08,880
Speaker 1: like they Chad did an interview, is like we could

1067
00:53:09,040 --> 00:53:11,000
Speaker 1: legally ask them to take it down, but it's like

1068
00:53:11,520 --> 00:53:13,520
Speaker 1: it's promo for the band. It's a promo for what

1069
00:53:13,520 --> 00:53:17,680
Speaker 1: we do. Like I'm just promoting wrestling culture, you know.

1070
00:53:18,239 --> 00:53:19,840
Speaker 2: And you have to be jacked if you're going to

1071
00:53:19,880 --> 00:53:21,960
Speaker 2: be it's gonna be Russell Mania tour. Like you have

1072
00:53:22,040 --> 00:53:22,800
Speaker 2: to be jacked.

1073
00:53:23,160 --> 00:53:27,280
Speaker 1: That's one of the motivations to be in shape.

1074
00:53:27,440 --> 00:53:29,640
Speaker 2: There's a picture I commented on a view of the

1075
00:53:29,640 --> 00:53:31,799
Speaker 2: Flying V. I have a flying V myself. It's one

1076
00:53:31,800 --> 00:53:33,120
Speaker 2: of the It's one of the coolest pictures I've ever

1077
00:53:33,120 --> 00:53:35,080
Speaker 2: seen of you. And I look at all your pictures.

1078
00:53:37,239 --> 00:53:37,640
Speaker 1: You do.

1079
00:53:37,840 --> 00:53:41,319
Speaker 2: Yeah, yeah, it's my things. Every night sleep I kind

1080
00:53:41,320 --> 00:53:43,680
Speaker 2: of wind down with a little Russell looxie. My wife's like,

1081
00:53:44,080 --> 00:53:47,279
Speaker 2: you're coming to bed, not yet. Oh you're Russell Looxie. Yeah,

1082
00:53:47,440 --> 00:53:49,680
Speaker 2: And I just go through, go through all your pictures.

1083
00:53:49,920 --> 00:53:51,440
Speaker 1: I'm already maxing right now.

1084
00:53:52,400 --> 00:53:55,279
Speaker 2: Congratulations, buddy, Thank you. Bro. There he is. Go go

1085
00:53:55,320 --> 00:53:56,600
Speaker 2: watch a show. If he comes nearer you go to

1086
00:53:56,680 --> 00:53:59,680
Speaker 2: Russell shows. Uh, Russell Dixon dot com.

1087
00:54:00,400 --> 00:54:01,240
Speaker 1: All that stuff.

1088
00:54:01,320 --> 00:54:02,840
Speaker 2: All right there he has Russell Dickerson.

1089
00:54:03,280 --> 00:54:05,840
Speaker 3: Thank you, Bobby Bones boom.

1090
00:54:06,320 --> 00:54:09,799
Speaker 2: Great job. I didn't know that. I didn't see if

1091
00:54:09,800 --> 00:54:10,960
Speaker 2: didn't bring you didn't have it with you, so I

1092
00:54:11,040 --> 00:54:12,120
Speaker 2: was I didn't know keep it keeping.

1093
00:54:12,600 --> 00:54:15,279
Speaker 3: I hit it behind the couch.

1094
00:54:15,520 --> 00:54:19,799
Speaker 2: We ever did we ever stop? Okay, We'll just let

1095
00:54:19,800 --> 00:54:22,600
Speaker 2: it keep. People bring in an album that they love.

1096
00:54:22,880 --> 00:54:24,360
Speaker 2: You had no album with you, so I didn't go

1097
00:54:24,400 --> 00:54:24,680
Speaker 2: to it.

1098
00:54:24,760 --> 00:54:28,760
Speaker 3: Now I put it behind the couch to be a surprise.

1099
00:54:29,239 --> 00:54:32,840
Speaker 2: Okay, so we have people they bring an album that

1100
00:54:32,920 --> 00:54:35,239
Speaker 2: means a lot to them. I never went to you

1101
00:54:35,280 --> 00:54:37,440
Speaker 2: because I didn't see it, So that's on kind of

1102
00:54:37,440 --> 00:54:40,160
Speaker 2: on you. But oh yeah, that's that's a great one.

1103
00:54:40,480 --> 00:54:42,400
Speaker 2: So tell us the album it hold it up and

1104
00:54:42,440 --> 00:54:44,200
Speaker 2: show the camera. But then also forget listening.

1105
00:54:44,360 --> 00:54:45,920
Speaker 1: Well, I just found out that I was supposed to

1106
00:54:46,000 --> 00:54:51,000
Speaker 1: bring the physical album in. But it is John Mayer Live.

1107
00:54:52,400 --> 00:54:55,120
Speaker 1: And if you haven't seen where the light is, you

1108
00:54:55,200 --> 00:54:58,000
Speaker 1: need to see where the light is because it's.

1109
00:54:58,680 --> 00:54:59,319
Speaker 3: That's it, dude.

1110
00:54:59,320 --> 00:55:03,680
Speaker 1: I mean, it's just like three facets of musicality that

1111
00:55:04,400 --> 00:55:07,680
Speaker 1: I remember watching it. I think I was. I think

1112
00:55:07,680 --> 00:55:11,080
Speaker 1: I was a guitar tecking for Chris Tomlin and we

1113
00:55:11,120 --> 00:55:12,160
Speaker 1: were watching it on the bus.

1114
00:55:12,200 --> 00:55:14,759
Speaker 2: Yeah, oh wait, free Falling's on that right.

1115
00:55:14,920 --> 00:55:15,120
Speaker 3: Yeah.

1116
00:55:15,160 --> 00:55:16,920
Speaker 2: The first time you John Mayer do free Falling and

1117
00:55:16,960 --> 00:55:19,640
Speaker 2: you're like, nobody should try to do forever. Okay, John

1118
00:55:19,640 --> 00:55:21,840
Speaker 2: Mayer should do free Falling because it's just him acoustic.

1119
00:55:22,040 --> 00:55:26,040
Speaker 1: Yeah, and now especially nobody should ever cover free Falling again.

1120
00:55:26,520 --> 00:55:27,279
Speaker 2: You love John Mayr?

1121
00:55:27,800 --> 00:55:28,799
Speaker 3: Yeah, yeah.

1122
00:55:29,760 --> 00:55:31,480
Speaker 2: Do you love John Mary? Do you love love John Mayr?

1123
00:55:32,120 --> 00:55:32,960
Speaker 3: I love John Mayer?

1124
00:55:33,080 --> 00:55:35,719
Speaker 2: I love love John Mayer. Yeah, so.

1125
00:55:37,719 --> 00:55:39,040
Speaker 3: Kaylee love loves John Mayer.

1126
00:55:40,520 --> 00:55:42,160
Speaker 1: Uh yeah, I mean the the.

1127
00:55:44,840 --> 00:55:46,359
Speaker 2: Love loves.

1128
00:55:47,360 --> 00:55:51,279
Speaker 1: In your Atmosphere probably one of my favorite songs on

1129
00:55:51,320 --> 00:55:52,000
Speaker 1: guitar to play.

1130
00:55:53,160 --> 00:55:53,880
Speaker 2: You ever played it live?

1131
00:55:57,120 --> 00:56:00,320
Speaker 1: No, it's like it's like like weird tuning and stuff.

1132
00:56:00,840 --> 00:56:03,000
Speaker 1: I don't think that's the russell Mania vibe either.

1133
00:56:06,080 --> 00:56:08,840
Speaker 2: Well, thanks for bringing the album. Man, you didn't have

1134
00:56:08,880 --> 00:56:10,560
Speaker 2: to bring it. You didn't have to buy a new one.

1135
00:56:10,600 --> 00:56:14,239
Speaker 3: That's though they said. I had to you. Literally, that's

1136
00:56:14,239 --> 00:56:14,919
Speaker 3: why I was late.

1137
00:56:15,120 --> 00:56:18,920
Speaker 2: It suggested no, no, you were late eight minutes. I

1138
00:56:19,440 --> 00:56:21,600
Speaker 2: literally was like, hey, we usually cut these if somebody's

1139
00:56:21,600 --> 00:56:22,239
Speaker 2: ten minutes late.

1140
00:56:23,560 --> 00:56:24,960
Speaker 1: I know Bobby hates being late.

1141
00:56:25,160 --> 00:56:27,040
Speaker 2: Better luck next time when people are late.

1142
00:56:27,640 --> 00:56:28,440
Speaker 3: That's why I text you.

1143
00:56:29,360 --> 00:56:31,960
Speaker 2: Okay, I get a text from you.

1144
00:56:32,000 --> 00:56:34,239
Speaker 3: So you change your number. You didn't even let me know.

1145
00:56:34,760 --> 00:56:39,880
Speaker 2: I literally don't have a text from you. You probably

1146
00:56:39,920 --> 00:56:40,720
Speaker 2: text my old number.

1147
00:56:44,080 --> 00:56:45,120
Speaker 3: It still has your picture.

1148
00:56:46,400 --> 00:56:49,880
Speaker 2: Okay, but that is you've sent one text and ever.

1149
00:56:50,080 --> 00:56:52,120
Speaker 1: I got it. Just got a new phone.

1150
00:56:52,719 --> 00:56:55,640
Speaker 2: Okay, I guess see the picture. Yeah, that's not how

1151
00:56:55,640 --> 00:56:57,240
Speaker 2: I know that's not my number anymore.

1152
00:56:57,800 --> 00:57:01,319
Speaker 3: Okay, Well some body knows that.

1153
00:57:01,239 --> 00:57:04,600
Speaker 2: I still have that phone. It's just at my house

1154
00:57:04,680 --> 00:57:07,719
Speaker 2: on a charger because sometimes I don't know the code

1155
00:57:07,719 --> 00:57:09,400
Speaker 2: to log into stuff, and it still sends me a

1156
00:57:09,400 --> 00:57:11,480
Speaker 2: code to that old number. So when I go to

1157
00:57:11,520 --> 00:57:13,279
Speaker 2: get the next time I need to log into my

1158
00:57:13,760 --> 00:57:16,120
Speaker 2: you know, bank account, I'm going to see a bank

1159
00:57:16,160 --> 00:57:17,720
Speaker 2: code and a text from Russell going hey, I'll be

1160
00:57:17,760 --> 00:57:18,520
Speaker 2: there in five minutes.

1161
00:57:20,160 --> 00:57:23,480
Speaker 1: I'm grabbing a record because they said I had to,

1162
00:57:24,360 --> 00:57:25,240
Speaker 1: so I'm gonna be late.

1163
00:57:25,400 --> 00:57:27,520
Speaker 2: One you didn't have to, but two you could have

1164
00:57:27,560 --> 00:57:29,280
Speaker 2: taken the film off of it.

1165
00:57:29,760 --> 00:57:31,480
Speaker 3: Yeah, well that's that was I wanted to be part

1166
00:57:31,520 --> 00:57:31,960
Speaker 3: of the story.

1167
00:57:32,080 --> 00:57:32,960
Speaker 2: Yeah, what's the story.

1168
00:57:33,280 --> 00:57:35,080
Speaker 1: I had to go buy a record to bring here?

1169
00:57:36,280 --> 00:57:37,440
Speaker 2: Got it? Okay?

1170
00:57:37,920 --> 00:57:40,040
Speaker 1: I wanted you to know that, all right, which is

1171
00:57:40,040 --> 00:57:41,880
Speaker 1: why I was late, Because what if I just brought it,

1172
00:57:41,920 --> 00:57:43,560
Speaker 1: brought in an old Ratty one.

1173
00:57:44,560 --> 00:57:46,200
Speaker 2: No, No, that's what like shoy Crow brought in like

1174
00:57:46,240 --> 00:57:49,040
Speaker 2: an old record Fleetwood Mac And.

1175
00:57:49,000 --> 00:57:50,920
Speaker 3: She was like rumors, yes, right out there.

1176
00:57:50,960 --> 00:57:51,959
Speaker 2: She was like this Mormon.

1177
00:57:52,320 --> 00:57:55,880
Speaker 1: She's probably original too. It's probably from like the first

1178
00:57:55,960 --> 00:57:57,320
Speaker 1: print first press.

1179
00:57:57,360 --> 00:58:00,520
Speaker 2: It's probably from Stevie Nicks first press that she pressed

1180
00:58:00,520 --> 00:58:02,520
Speaker 2: it herself and gave it to Sheryl, And then you

1181
00:58:03,000 --> 00:58:07,000
Speaker 2: went to I don't know. I went to TV, went

1182
00:58:07,040 --> 00:58:08,440
Speaker 2: to Sam's and got the John.

1183
00:58:10,000 --> 00:58:12,320
Speaker 1: No, I did at least go to Grimey's. Okay, I

1184
00:58:12,560 --> 00:58:17,520
Speaker 1: did at least go to Grimey's. Uh, but we're we're

1185
00:58:17,560 --> 00:58:19,240
Speaker 1: not even in our house, so I literally I don't

1186
00:58:19,280 --> 00:58:20,080
Speaker 1: know where anything is.

1187
00:58:20,720 --> 00:58:23,560
Speaker 2: Well, very nice of you to do that.

1188
00:58:23,720 --> 00:58:27,800
Speaker 1: I would have also gone, Michael Jackson. Does greatest hits count? No, no, no,

1189
00:58:28,000 --> 00:58:30,240
Speaker 1: I didn't think so. You're a purest so.

1190
00:58:30,600 --> 00:58:32,760
Speaker 2: You can't count greatest hits as like favorite records of

1191
00:58:32,760 --> 00:58:35,040
Speaker 2: all time. Even if I keep all my favorite records

1192
00:58:35,040 --> 00:58:37,920
Speaker 2: around me, even on the walls behind me and behind you,

1193
00:58:37,920 --> 00:58:39,320
Speaker 2: you won't see a single greatest hits.

1194
00:58:39,400 --> 00:58:41,040
Speaker 3: Yeah that's fair.

1195
00:58:41,640 --> 00:58:46,560
Speaker 2: I respect greatest hits, but can't count that's like five records.

1196
00:58:46,560 --> 00:58:49,800
Speaker 2: It's like the all star team from five records. Yeah, okay, there. Well,

1197
00:58:49,920 --> 00:58:52,200
Speaker 2: for the second time, Russell, this.

1198
00:58:52,280 --> 00:58:53,960
Speaker 1: Is kind of the greatest hits though, dang it now

1199
00:58:54,000 --> 00:58:54,800
Speaker 1: that I think about it.

1200
00:58:55,280 --> 00:59:00,000
Speaker 2: Not really though, because it's not a song from another

1201
00:59:00,280 --> 00:59:03,120
Speaker 2: record that was put onto this record. He records a

1202
00:59:03,160 --> 00:59:07,960
Speaker 2: live show, so it's a live record, so it's kind

1203
00:59:07,960 --> 00:59:11,960
Speaker 2: of half cheating, but I appreciate you. Yeah, that's a wrap.

1204
00:59:12,120 --> 00:59:16,920
Speaker 2: The great Russell Dickerson. Thanks for listening to a Bobby

1205
00:59:16,960 --> 00:59:17,760
Speaker 2: Cast production.