1 00:00:00,600 --> 00:00:08,040 Speaker 1: From Hollywood. Thank you for listening to us with Ryan Seacrest. 2 00:00:09,560 --> 00:00:12,320 Speaker 1: Seacrest with you, thanks for having us on. Yeah, you 3 00:00:12,360 --> 00:00:14,440 Speaker 1: know Newar's resolutions. We've talked about this time. I was 4 00:00:14,480 --> 00:00:18,080 Speaker 1: texting you just last night about what Devon Franklin said 5 00:00:18,120 --> 00:00:21,080 Speaker 1: about news resolutions. And as we get into this Thursday, 6 00:00:21,160 --> 00:00:24,040 Speaker 1: January twenty, at the end of the month, it's coming. Uh. 7 00:00:24,079 --> 00:00:28,560 Speaker 1: It's wintry weather issue, you know, even for us some 8 00:00:28,640 --> 00:00:32,360 Speaker 1: of this last handful of weeks, and I, you know, 9 00:00:32,479 --> 00:00:34,960 Speaker 1: I think what happens is, at least for me, I 10 00:00:35,000 --> 00:00:36,880 Speaker 1: was like sitting here feeling the atrophy in my arms. 11 00:00:36,880 --> 00:00:38,479 Speaker 1: You know, my arms used to have a little bit 12 00:00:38,479 --> 00:00:41,600 Speaker 1: of something to them. Now I feel like, I don't 13 00:00:41,600 --> 00:00:44,360 Speaker 1: know if you know. You just you break your routine 14 00:00:44,520 --> 00:00:49,080 Speaker 1: for two weeks even, and it's God, it dissipates so fast, 15 00:00:49,760 --> 00:00:53,120 Speaker 1: it's nuts. It's very frustrating. Baby whims Is. You get 16 00:00:53,159 --> 00:00:56,000 Speaker 1: out of your routine and you're with your more, with 17 00:00:56,080 --> 00:00:59,720 Speaker 1: family more for the holidays, and then you do a 18 00:01:00,160 --> 00:01:01,760 Speaker 1: more day before and then one more day and all 19 00:01:01,760 --> 00:01:04,200 Speaker 1: of a sudden that routine is so hard to get 20 00:01:04,200 --> 00:01:08,560 Speaker 1: back into. I'm with you, it's January got out of 21 00:01:08,560 --> 00:01:13,399 Speaker 1: the routines right before the holidays. That's so annoying. But 22 00:01:13,520 --> 00:01:19,080 Speaker 1: we're here to Yeah, here we have bathing suit weather, 23 00:01:19,200 --> 00:01:23,520 Speaker 1: sunny and nice highs in the mid seventies. You've been 24 00:01:23,600 --> 00:01:28,000 Speaker 1: using a lot of big words lately. What are you saying? Atrophy? 25 00:01:28,480 --> 00:01:31,200 Speaker 1: A trophy, that's not a big word, that's a it's 26 00:01:31,240 --> 00:01:37,600 Speaker 1: a sort of it's a fitness muscular mm hmm. You 27 00:01:37,640 --> 00:01:39,760 Speaker 1: said the quagmire the other day too or something, and 28 00:01:39,800 --> 00:01:45,880 Speaker 1: I was like, what, Yeah, you don't know words like that. 29 00:01:46,080 --> 00:01:52,040 Speaker 1: I was trying to try to impress you. Yeah, alright, sunny, 30 00:01:52,120 --> 00:01:55,080 Speaker 1: nice Heisman seventies weekend looking really nice. Today we've got 31 00:01:55,120 --> 00:01:57,240 Speaker 1: an all new Ryan's Roses and Charlie poo. Charlie's got 32 00:01:57,240 --> 00:01:59,480 Speaker 1: new music, isn't me. You were talking about it and 33 00:01:59,520 --> 00:02:02,560 Speaker 1: I just had a chance to listen to it now. Uh. 34 00:02:02,600 --> 00:02:04,800 Speaker 1: It's so interesting because he tik talks about how he 35 00:02:04,840 --> 00:02:08,120 Speaker 1: puts all the the sounds together, and now we've got 36 00:02:08,240 --> 00:02:10,400 Speaker 1: him in it coming up. Yeah, and we're gonna have 37 00:02:10,440 --> 00:02:12,680 Speaker 1: it all day. It's gonna at seven o'clock we'll play 38 00:02:12,720 --> 00:02:16,560 Speaker 1: it for you. And um, this is like the highest bpms. 39 00:02:16,560 --> 00:02:17,840 Speaker 1: We should ask him. But I think that this is 40 00:02:17,880 --> 00:02:20,680 Speaker 1: the highest BPMS a song has ever had or can have, 41 00:02:20,960 --> 00:02:23,680 Speaker 1: or in the history of all bpms. I don't know 42 00:02:23,680 --> 00:02:25,880 Speaker 1: if the history of all bps, but it feels that way, 43 00:02:25,960 --> 00:02:28,800 Speaker 1: like when you hear it's like fast all right, and 44 00:02:28,800 --> 00:02:31,160 Speaker 1: in all new Ryan's roses this morning too. She says 45 00:02:31,160 --> 00:02:36,200 Speaker 1: her husband has changed passwords, he comes home at different times, 46 00:02:36,240 --> 00:02:39,320 Speaker 1: he goes places, doesn't ask her to go, and is vague, 47 00:02:39,360 --> 00:02:42,519 Speaker 1: I mean like textbook in terms of what I'm hearing. 48 00:02:43,080 --> 00:02:46,520 Speaker 1: So Patty is back with us on microphone. Yesterday, if 49 00:02:46,520 --> 00:02:47,840 Speaker 1: you were listening, you may have heard her on the 50 00:02:47,919 --> 00:02:52,560 Speaker 1: telephone checking in. She was concerned she got the third 51 00:02:52,560 --> 00:02:57,120 Speaker 1: for the third time, one of the COVID variants. But 52 00:02:57,200 --> 00:02:59,359 Speaker 1: it seems like you're feeling better today, Is that right? 53 00:02:59,840 --> 00:03:02,720 Speaker 1: I I am. I still have a headache right above 54 00:03:02,800 --> 00:03:06,320 Speaker 1: my left eye. You had a serious migraine. It was 55 00:03:06,360 --> 00:03:08,800 Speaker 1: the worst and it's not the first time it's happened. 56 00:03:09,280 --> 00:03:11,720 Speaker 1: They're they're happening a lot ever since I got COVID, 57 00:03:12,639 --> 00:03:16,320 Speaker 1: and it just it's I need to go get this checked, obviously. 58 00:03:17,160 --> 00:03:21,360 Speaker 1: So do you feel better than? What? Better than? I 59 00:03:21,400 --> 00:03:24,239 Speaker 1: feel better than yesterday? But I still have this throbbing 60 00:03:24,240 --> 00:03:28,080 Speaker 1: headache right above my left eye, right and not on 61 00:03:28,160 --> 00:03:32,280 Speaker 1: your right, not on the right side. No, it's literally 62 00:03:32,360 --> 00:03:37,760 Speaker 1: right about google left side, left side headache exactly. I 63 00:03:37,960 --> 00:03:42,680 Speaker 1: shouldn't do Yeah, I was, You're right, I know, but 64 00:03:42,720 --> 00:03:45,800 Speaker 1: the pot was so bad yesterday that I my teeth 65 00:03:45,800 --> 00:03:48,240 Speaker 1: were even hurting as well. You know that that level 66 00:03:48,280 --> 00:03:52,440 Speaker 1: of migraine pain that you're jawing your teeth are, just like, yeah, 67 00:03:52,480 --> 00:03:54,640 Speaker 1: I'm so sorry, do you? I mean, I think the 68 00:03:54,680 --> 00:03:58,800 Speaker 1: sound of our voice is also kind of inducing. Sure. 69 00:04:00,160 --> 00:04:02,360 Speaker 1: I love you guys all very much, So this is 70 00:04:02,400 --> 00:04:05,120 Speaker 1: not gonna be a hazard, all right, Well, I want 71 00:04:05,120 --> 00:04:08,360 Speaker 1: to get to the issues going on over in your world. 72 00:04:09,320 --> 00:04:13,160 Speaker 1: So you're trying to trying to get rid of your brother, 73 00:04:14,640 --> 00:04:17,520 Speaker 1: but no, not not like get rid of that planet. 74 00:04:18,400 --> 00:04:25,320 Speaker 1: Just move out, move on. So he tested positive late 75 00:04:25,400 --> 00:04:29,080 Speaker 1: last year, right after Christmas, and because he lives with 76 00:04:29,120 --> 00:04:32,400 Speaker 1: my mom, I said to him, why don't you come 77 00:04:32,520 --> 00:04:35,039 Speaker 1: spend a few days over here with us, since we 78 00:04:35,160 --> 00:04:40,240 Speaker 1: also have code ourselves, let's all quarantine together, keep my 79 00:04:40,279 --> 00:04:43,120 Speaker 1: mom safe away from you. So he packs a bag, 80 00:04:43,320 --> 00:04:49,080 Speaker 1: comes over and it's been what almost four weeks, and 81 00:04:49,160 --> 00:04:55,160 Speaker 1: he keeps saying that he doesn't feel he already tested negative. 82 00:04:55,400 --> 00:04:57,800 Speaker 1: So he's saying he doesn't fail a percent, which you 83 00:04:58,000 --> 00:05:01,480 Speaker 1: read between lines meaning he's very COMFORTA. He's very comfortable. 84 00:05:01,560 --> 00:05:04,040 Speaker 1: And look, I'm enjoying him too because he's spending a 85 00:05:04,080 --> 00:05:06,680 Speaker 1: lot of time with my with my kids, which he 86 00:05:06,720 --> 00:05:09,520 Speaker 1: didn't used to do before. So they're bonding. They're playing 87 00:05:09,600 --> 00:05:13,440 Speaker 1: video games, they're playing board games, they're having fun. But said, 88 00:05:13,800 --> 00:05:16,480 Speaker 1: what have you said to have him get the picture? 89 00:05:16,880 --> 00:05:18,440 Speaker 1: So I said, elisod, when are you thinking of leaving 90 00:05:18,560 --> 00:05:20,560 Speaker 1: or going back home? He's like, well, you know what 91 00:05:20,680 --> 00:05:22,600 Speaker 1: you know right now, I don't feel a d percent. 92 00:05:22,680 --> 00:05:24,680 Speaker 1: I woke up with like a little sort throat. I 93 00:05:24,720 --> 00:05:27,200 Speaker 1: don't want to risk it. And I'm just like, bra 94 00:05:28,880 --> 00:05:32,200 Speaker 1: but you run a tight camp over there. You've got 95 00:05:32,200 --> 00:05:34,680 Speaker 1: all kinds of activities you've got, I mean, the schedule 96 00:05:34,720 --> 00:05:36,600 Speaker 1: of those kids have, that's a lot of fun. There's 97 00:05:36,600 --> 00:05:39,680 Speaker 1: always some good food there. It means, so I kind 98 00:05:39,720 --> 00:05:44,000 Speaker 1: of get it. That's why I say your guest room 99 00:05:44,040 --> 00:05:47,000 Speaker 1: should always have a very uncomfortable bed because they don't 100 00:05:47,000 --> 00:05:53,240 Speaker 1: want to stay that they don't put So what are 101 00:05:53,240 --> 00:05:56,039 Speaker 1: you gonna do? Patty? So I'm thinking that if he's 102 00:05:56,040 --> 00:05:58,279 Speaker 1: planning I'm staying here a little longer that I'm going 103 00:05:58,360 --> 00:06:04,720 Speaker 1: to give him a ask. So I am considering asking 104 00:06:04,800 --> 00:06:06,760 Speaker 1: him for him to take the kids to school in 105 00:06:06,800 --> 00:06:11,400 Speaker 1: the morning. Great, right, that would be amazing. Hold on, 106 00:06:11,520 --> 00:06:15,640 Speaker 1: let's let's flip this in your favor now. M hmmm alright, 107 00:06:15,680 --> 00:06:19,360 Speaker 1: So yeah, capitalized to stick around, You've got a list 108 00:06:19,360 --> 00:06:21,440 Speaker 1: of things to do. He's got a lot of capacity 109 00:06:21,480 --> 00:06:23,920 Speaker 1: that man can get. He can get up, he can 110 00:06:24,160 --> 00:06:27,080 Speaker 1: get the kids to school, and that doesn't take all day. 111 00:06:27,640 --> 00:06:29,880 Speaker 1: So there's some other things that he could do along 112 00:06:29,880 --> 00:06:33,360 Speaker 1: the way. And I know you make yeah. I like, 113 00:06:34,160 --> 00:06:38,080 Speaker 1: let's turn this around and that'll drive him out. And 114 00:06:38,120 --> 00:06:40,839 Speaker 1: he can tell him he has to cook one night. Oh, 115 00:06:40,880 --> 00:06:44,080 Speaker 1: that will drive him out. Might drive you. Might drive 116 00:06:44,160 --> 00:06:46,160 Speaker 1: y'all out too. I don't know if he's a good 117 00:06:46,240 --> 00:06:49,080 Speaker 1: cook or not. Uh. You know, it is this whole 118 00:06:49,120 --> 00:06:52,880 Speaker 1: concept of like when family doesn't get their hand, when 119 00:06:52,920 --> 00:06:58,000 Speaker 1: family over stays there, stay and what do you do 120 00:06:58,160 --> 00:07:00,800 Speaker 1: at some point either give them to asks and chores 121 00:07:00,880 --> 00:07:07,280 Speaker 1: or say this has an end date has ended. I 122 00:07:07,320 --> 00:07:10,720 Speaker 1: as Michael, he was okay with maybe offering the extra 123 00:07:10,840 --> 00:07:14,400 Speaker 1: room to my brother, and you know, he just pay 124 00:07:14,520 --> 00:07:17,440 Speaker 1: us rent. And Michael said, I like your brother a lot, 125 00:07:18,680 --> 00:07:23,200 Speaker 1: but let me think about it. He said, so yeah, 126 00:07:23,240 --> 00:07:26,760 Speaker 1: of course, all right, Well good never a dumb moment. 127 00:07:27,040 --> 00:07:29,200 Speaker 1: Charlie Pooth got new music. Charlie Booth is gonna be 128 00:07:29,240 --> 00:07:31,080 Speaker 1: with us. I've not talked to Charlie Booth in a 129 00:07:31,080 --> 00:07:35,119 Speaker 1: long time. Excited Charlie Pooth in minutes here on Kiss FM. 130 00:07:35,240 --> 00:07:39,680 Speaker 1: Right after right up, yeah, just basically next, so let's 131 00:07:39,680 --> 00:07:43,640 Speaker 1: do the morning act and you're positive. Quote of the day. 132 00:07:44,880 --> 00:07:49,600 Speaker 1: Date nights are important. They're important before you get married. 133 00:07:49,640 --> 00:07:51,560 Speaker 1: I think they're important prices and you would say once 134 00:07:51,600 --> 00:07:57,400 Speaker 1: you get married, absolutely. So I know you're wondering what 135 00:07:57,720 --> 00:08:00,840 Speaker 1: all of the studies at Idaho State Universe City consists of. 136 00:08:00,840 --> 00:08:05,239 Speaker 1: What were Okay, here's one. They hit the sweet spot. 137 00:08:05,440 --> 00:08:09,000 Speaker 1: They found out that this number of date nights a 138 00:08:09,040 --> 00:08:13,119 Speaker 1: month keeps a married couple happy. Sissony, what's the number 139 00:08:13,120 --> 00:08:15,080 Speaker 1: for you and Michael? Now, I know it could fluctuate 140 00:08:15,120 --> 00:08:17,840 Speaker 1: with kids, but let's say an average number. Um I 141 00:08:17,840 --> 00:08:20,520 Speaker 1: would say an averages three because we try to shoot 142 00:08:20,520 --> 00:08:22,760 Speaker 1: for once a week on Thursday nights if we can. 143 00:08:25,720 --> 00:08:27,360 Speaker 1: It was a lot more like it was a lot 144 00:08:27,360 --> 00:08:30,800 Speaker 1: more during football season. I'm exciting a date tonight. We 145 00:08:30,840 --> 00:08:32,960 Speaker 1: don't have a date tonight, so tonight we're not doing it. 146 00:08:33,480 --> 00:08:35,800 Speaker 1: But um, but during football season we had a lot 147 00:08:35,840 --> 00:08:37,760 Speaker 1: more date dates. I guess because we would go to 148 00:08:37,840 --> 00:08:40,000 Speaker 1: Charger games and so we could get a babysitter, so 149 00:08:40,040 --> 00:08:43,079 Speaker 1: that was nice. They say six date nights a month 150 00:08:43,200 --> 00:08:47,400 Speaker 1: is the number these people do not have kids? Whoever 151 00:08:47,400 --> 00:08:50,920 Speaker 1: did this day? They don't? Well, if you'd like to 152 00:08:50,960 --> 00:08:55,120 Speaker 1: take it up with Idaho State University, a bunch of 153 00:08:55,160 --> 00:08:59,280 Speaker 1: college kids, what do they know? They're married, couples, not dating, 154 00:08:59,400 --> 00:09:04,679 Speaker 1: married a survey married couples, married couples. I don't have kids. 155 00:09:05,800 --> 00:09:08,320 Speaker 1: I don't know that this the sample group was only 156 00:09:08,360 --> 00:09:11,719 Speaker 1: from the campus. I'm sure they extended their tentacles into it. 157 00:09:11,800 --> 00:09:13,520 Speaker 1: I'm telling you right now, if you have children going 158 00:09:13,559 --> 00:09:18,240 Speaker 1: out six nights a week a month, I'm not arguing, 159 00:09:18,400 --> 00:09:21,199 Speaker 1: I'm just telling you what they said in Idaho. How 160 00:09:21,240 --> 00:09:24,719 Speaker 1: do you know what their hands in Idaho tell you? 161 00:09:24,800 --> 00:09:28,760 Speaker 1: You're single meaning without kids, not single but unmarried, I 162 00:09:28,760 --> 00:09:32,440 Speaker 1: should say, and you don't have kids, so how many 163 00:09:32,760 --> 00:09:35,719 Speaker 1: dates a month do you? You? And robbieguan Uh, it's 164 00:09:35,720 --> 00:09:40,280 Speaker 1: an interesting question. He has kids, so um, I'd say 165 00:09:40,360 --> 00:09:53,400 Speaker 1: it's somewhere between like six to ten. Remember those days, 166 00:09:56,200 --> 00:10:03,280 Speaker 1: Live it up, enjoy it. Fears are not the same 167 00:10:03,280 --> 00:10:09,840 Speaker 1: as facts on air with Ryan Seacrets. Sisney has the 168 00:10:09,920 --> 00:10:13,760 Speaker 1: headlines this morning. So police have taken a suspect into 169 00:10:13,800 --> 00:10:16,440 Speaker 1: custody in connection with last week's fatal stabbing of a 170 00:10:16,480 --> 00:10:20,679 Speaker 1: young woman inside a Handcock Park luxury furniture store. The suspect, 171 00:10:20,760 --> 00:10:23,679 Speaker 1: thirty one year old Sean Laval Smith, was found and 172 00:10:23,800 --> 00:10:27,600 Speaker 1: detained by Pasadena police before noon yesterday in the area 173 00:10:27,679 --> 00:10:31,559 Speaker 1: of Fair Oaks and Cold Colorado Boulevard. Smith has been 174 00:10:31,600 --> 00:10:35,439 Speaker 1: sought in the January killing twenty four year old Brianna 175 00:10:35,840 --> 00:10:40,840 Speaker 1: for at Croft House furniture store on North Librea Avenue. 176 00:10:41,600 --> 00:10:46,040 Speaker 1: Most USC fraternity's will be open for parties in March 177 00:10:46,480 --> 00:10:51,080 Speaker 1: if members abide by strict rules that include posting security 178 00:10:51,120 --> 00:10:56,120 Speaker 1: guards at stairs or hallways leading to bedrooms yeah under 179 00:10:56,200 --> 00:11:00,840 Speaker 1: new university policies enacted three months after aegations of sexual 180 00:11:00,840 --> 00:11:03,680 Speaker 1: abuse and drugging at several houses on campus were reported. 181 00:11:03,880 --> 00:11:08,120 Speaker 1: The requirements, issued ahead of spring recruitment rush also include 182 00:11:08,400 --> 00:11:12,480 Speaker 1: mandated risk and sexual violence prevention trainings. For all fraternity 183 00:11:12,640 --> 00:11:16,079 Speaker 1: members the polities. The policies were drafted by Greek life 184 00:11:16,240 --> 00:11:20,840 Speaker 1: and student government leaders, safety experts, and other student group representatives, 185 00:11:21,040 --> 00:11:25,320 Speaker 1: and approved by university officials. The n C double A 186 00:11:25,480 --> 00:11:29,920 Speaker 1: has adopted a sport by sport approach for transgender athletes, 187 00:11:30,040 --> 00:11:34,319 Speaker 1: bringing the organization in line with US and international Olympic committees. 188 00:11:34,640 --> 00:11:37,280 Speaker 1: Under the new guidelines approved by the n C double 189 00:11:37,320 --> 00:11:40,640 Speaker 1: A Board of Governors, transgender participation for each sport will 190 00:11:40,640 --> 00:11:44,439 Speaker 1: be determined by the policy for the sports national governing body, 191 00:11:44,760 --> 00:11:47,920 Speaker 1: subject to review and recommendation by an n double A 192 00:11:47,920 --> 00:11:55,920 Speaker 1: committee to the Board of Governors with Now we're being 193 00:11:56,000 --> 00:12:01,480 Speaker 1: joined by Charlie. He's got long, curly hair brushing like 194 00:12:01,520 --> 00:12:06,920 Speaker 1: a wave on his eyebrow, a wave in summer seat. Uh, now, 195 00:12:06,960 --> 00:12:09,480 Speaker 1: where are you, Charlie? In your Is that your home studio? 196 00:12:10,480 --> 00:12:14,120 Speaker 1: This is another home studio of mine. Um, it's not 197 00:12:14,240 --> 00:12:17,560 Speaker 1: the fund studio that you see all of TikTok. But 198 00:12:18,000 --> 00:12:21,920 Speaker 1: this is just another vibe. And that's my sister walking 199 00:12:21,960 --> 00:12:29,920 Speaker 1: and giving me. How do I used to stop to talk? 200 00:12:29,960 --> 00:12:35,560 Speaker 1: Now she doesn't want to talk. Things have gotten busy. Yeah, 201 00:12:35,600 --> 00:12:37,760 Speaker 1: well all the success has changed her. It's gotten her 202 00:12:37,840 --> 00:12:42,440 Speaker 1: somebody's head. I just want to check in. I have 203 00:12:42,520 --> 00:12:45,000 Speaker 1: not had a chance to say hello in quite a while. 204 00:12:45,040 --> 00:12:46,920 Speaker 1: How you been, what's new? What can we what do 205 00:12:46,960 --> 00:12:51,640 Speaker 1: we need to know? Um? It's I'm still uh in 206 00:12:51,760 --> 00:12:54,080 Speaker 1: my head a lot. I still I'm out of my 207 00:12:54,120 --> 00:12:58,360 Speaker 1: mind musically. Are you still working out? Ryan seacrests, Yes, 208 00:12:58,400 --> 00:13:01,160 Speaker 1: I am. I got out of my intense routine. I'm 209 00:13:01,200 --> 00:13:04,640 Speaker 1: struggling to get back into it because I've enjoyed I've 210 00:13:04,679 --> 00:13:08,000 Speaker 1: kind of enjoyed the out of routine thing. I I 211 00:13:08,640 --> 00:13:10,840 Speaker 1: got out of my routine for a little bit because 212 00:13:10,840 --> 00:13:14,080 Speaker 1: I got Um, I got O Macron like a month ago. 213 00:13:14,400 --> 00:13:17,320 Speaker 1: I feel like I was like case number one with that, 214 00:13:17,679 --> 00:13:21,960 Speaker 1: and I was just I was just down and it 215 00:13:22,040 --> 00:13:24,560 Speaker 1: sucked on my birthday on December second. I was just 216 00:13:24,640 --> 00:13:28,800 Speaker 1: down for like weeks. But better now. Yeah. It plays 217 00:13:28,800 --> 00:13:31,920 Speaker 1: on my head when I can't stick with any routine. 218 00:13:32,000 --> 00:13:34,520 Speaker 1: I like routine, and I also like to not be 219 00:13:34,600 --> 00:13:36,240 Speaker 1: in a routine. When I'm not, it plays him. It's 220 00:13:36,320 --> 00:13:39,079 Speaker 1: it gets in my head. I I know what, I 221 00:13:39,360 --> 00:13:41,760 Speaker 1: know what you mean. But I remember you making really 222 00:13:41,840 --> 00:13:44,280 Speaker 1: good protein smoothies. I feel like you have a very 223 00:13:44,320 --> 00:13:49,280 Speaker 1: good after workout protein smoothie recipe I do. It's simple. 224 00:13:49,400 --> 00:13:52,680 Speaker 1: It's it's pumpkin powder. It's pumpkin powder, which they just 225 00:13:52,760 --> 00:14:00,640 Speaker 1: make dust and water lost me. Pumpkin powder, pumpkin seed powder. 226 00:14:00,760 --> 00:14:03,800 Speaker 1: That's what it. Alright, listen, we're gonna I got lots 227 00:14:03,840 --> 00:14:06,360 Speaker 1: to talk about musically. Let me just play something for you, 228 00:14:06,400 --> 00:14:09,040 Speaker 1: and then we're gonna play Charlie's new song. But you 229 00:14:09,080 --> 00:14:12,040 Speaker 1: were talking about TikTok. I'm gonna play the one of 230 00:14:12,040 --> 00:14:15,400 Speaker 1: these that you posted here, which is about light switch. 231 00:14:15,600 --> 00:14:20,120 Speaker 1: There was a song that's started off like and the 232 00:14:20,160 --> 00:14:24,520 Speaker 1: base went like boomt boomtoo, and the drums would go 233 00:14:24,560 --> 00:14:29,240 Speaker 1: like there's something missing. There should be like a weird 234 00:14:29,320 --> 00:14:33,360 Speaker 1: sound effect, just a random noise or something like that 235 00:14:34,640 --> 00:14:40,240 Speaker 1: light on, Oh my god, and you're gonna hear what 236 00:14:40,440 --> 00:14:43,520 Speaker 1: came of it. But is that a condensed roadmap of 237 00:14:43,560 --> 00:14:45,960 Speaker 1: what really happens and how it works in your head? 238 00:14:47,240 --> 00:14:51,440 Speaker 1: That's it's basically my TikTok account is basically my brain 239 00:14:51,760 --> 00:14:54,520 Speaker 1: if anybody was ever interested to see how my brain works. 240 00:14:54,560 --> 00:14:57,440 Speaker 1: And that light switch that I flicked and put the 241 00:14:57,440 --> 00:15:00,640 Speaker 1: microphone up to is the actual light switch that you 242 00:15:00,720 --> 00:15:06,160 Speaker 1: hear in the song. Switch. But in real time, going 243 00:15:06,240 --> 00:15:09,560 Speaker 1: back to when you had that moment, did you really 244 00:15:09,600 --> 00:15:11,560 Speaker 1: say they need something and did you think of any 245 00:15:11,600 --> 00:15:16,800 Speaker 1: other things that were there something? Yeah? Yeah. The only 246 00:15:16,800 --> 00:15:21,600 Speaker 1: difference was that UM, I thought, I really really initially 247 00:15:21,640 --> 00:15:25,280 Speaker 1: thought of the idea UM while I was showering, and 248 00:15:25,440 --> 00:15:29,000 Speaker 1: I don't know um the TikTok guidelines. I just kind 249 00:15:29,000 --> 00:15:31,520 Speaker 1: of assumed that they wouldn't want to see that. UM. 250 00:15:31,560 --> 00:15:34,160 Speaker 1: But I knew that that same day that I filmed 251 00:15:34,200 --> 00:15:38,200 Speaker 1: that talk, I call him talks UM. I was like, 252 00:15:38,280 --> 00:15:41,760 Speaker 1: I want to have a song where there's a sound, 253 00:15:42,760 --> 00:15:45,920 Speaker 1: and the sound is the name of the song, and 254 00:15:46,520 --> 00:15:49,480 Speaker 1: I wanted to be part of the rhythm the drums 255 00:15:50,200 --> 00:15:51,840 Speaker 1: of the song. And I didn't know what that was 256 00:15:51,880 --> 00:15:53,640 Speaker 1: when I was showering. That's what I meant. I didn't 257 00:15:53,640 --> 00:15:55,320 Speaker 1: know what that was. I just wanted it to be 258 00:15:55,640 --> 00:15:58,400 Speaker 1: what do they call it, tanya and ana monopeia, something 259 00:15:58,440 --> 00:16:00,600 Speaker 1: like that. I wanted it to be part of the 260 00:16:02,400 --> 00:16:04,440 Speaker 1: you know, I wanted it to be part of the 261 00:16:04,520 --> 00:16:09,680 Speaker 1: rhythm of the song. And I just, um, I don't know. 262 00:16:10,040 --> 00:16:12,360 Speaker 1: The studio that I work at, a Conway in Hollywood, 263 00:16:12,400 --> 00:16:15,120 Speaker 1: has really cool light fixtures, and I just flicked, and 264 00:16:15,120 --> 00:16:17,880 Speaker 1: I'm like the original lyricals. I wish I could turn 265 00:16:17,920 --> 00:16:19,920 Speaker 1: my brain off. If I had a light switch, I 266 00:16:19,960 --> 00:16:21,960 Speaker 1: could turn my brain off and just calm it down. 267 00:16:22,480 --> 00:16:24,960 Speaker 1: But then I was like, that's kind of depressing and sad. 268 00:16:25,000 --> 00:16:31,400 Speaker 1: I wanted to make everybody chants. And that's where it's 269 00:16:31,400 --> 00:16:34,640 Speaker 1: the fastest song that will be on the radio. So 270 00:16:35,000 --> 00:16:37,720 Speaker 1: it's very it's it's the highest bpm. Is that right? 271 00:16:39,640 --> 00:16:43,560 Speaker 1: Four bp ms? And there's a typical me fashion. There's 272 00:16:43,600 --> 00:16:46,760 Speaker 1: an odd bar when I say bar a piece of 273 00:16:46,840 --> 00:16:50,960 Speaker 1: music before the chorus um that slows down to seventy 274 00:16:51,440 --> 00:16:54,440 Speaker 1: pm because it's it's supposed to mimic your you know, 275 00:16:54,840 --> 00:16:57,440 Speaker 1: you remember when pop Bye would have the spinage and 276 00:16:57,480 --> 00:16:59,680 Speaker 1: he would get big and strong. That's what that's some 277 00:17:00,120 --> 00:17:07,680 Speaker 1: to musically imitate. Well, that way Spinach turned me on 278 00:17:08,840 --> 00:17:11,280 Speaker 1: a monopia, the formation of a word from a sound 279 00:17:11,320 --> 00:17:18,600 Speaker 1: associated with what is named ergo cuckoo sizzle. It's kind 280 00:17:18,640 --> 00:17:21,880 Speaker 1: of like my mind, I'm out of my mind sizzle. 281 00:17:22,480 --> 00:17:25,480 Speaker 1: How long did it take you to lay all of 282 00:17:25,520 --> 00:17:29,360 Speaker 1: the different put the layers together and the lyrics baby 283 00:17:29,720 --> 00:17:34,520 Speaker 1: not in a very average forty five minutes. Um It 284 00:17:34,640 --> 00:17:38,320 Speaker 1: wasn't like breathtaking like I wrote see you Again, like 285 00:17:38,359 --> 00:17:40,480 Speaker 1: in ten minutes. It wasn't like a life changing amount 286 00:17:40,480 --> 00:17:43,440 Speaker 1: of time. It was a very organized like, Okay, I'm 287 00:17:43,440 --> 00:17:46,000 Speaker 1: going to go to wake up, I'm going to put 288 00:17:46,040 --> 00:17:48,520 Speaker 1: myself together, think of an idea for a song, drive 289 00:17:48,600 --> 00:17:50,359 Speaker 1: to the studio and kind of put the drums in 290 00:17:50,520 --> 00:17:53,600 Speaker 1: the vocals. And I had it. But it was I 291 00:17:53,640 --> 00:17:56,560 Speaker 1: conceptualize at nine am and it was a feasible piece 292 00:17:56,600 --> 00:18:01,680 Speaker 1: of music at about one pm. Know when you have 293 00:18:02,600 --> 00:18:07,280 Speaker 1: provocative not lyrics, but they're they're they're oh no, no, 294 00:18:07,320 --> 00:18:10,760 Speaker 1: you're right there provocative. I couldn't said there's a dirty version. 295 00:18:10,800 --> 00:18:13,320 Speaker 1: Nell there's there they are, there's a dirty version that 296 00:18:13,359 --> 00:18:17,480 Speaker 1: will never find So so I'm in your head on 297 00:18:17,520 --> 00:18:26,240 Speaker 1: that now. Is that who you are? Or are you 298 00:18:26,320 --> 00:18:28,560 Speaker 1: playing a role? Like I need to know because I'm 299 00:18:28,600 --> 00:18:34,960 Speaker 1: listening to the cook Got Charlie whatever. It's so it's 300 00:18:35,000 --> 00:18:38,520 Speaker 1: so difficult keeping a straight, media trained face when you 301 00:18:38,600 --> 00:18:40,760 Speaker 1: do an interview with all of your friends, because I 302 00:18:40,960 --> 00:18:45,879 Speaker 1: know all of you, so um I I just my 303 00:18:46,000 --> 00:18:48,639 Speaker 1: media trained answer to that, Ryan Seacrest is that I 304 00:18:48,720 --> 00:18:51,000 Speaker 1: just want to make the people dance after a long 305 00:18:51,080 --> 00:18:54,520 Speaker 1: time with being in their home. All right, well I 306 00:18:54,800 --> 00:18:57,800 Speaker 1: use that somewhere. But tell me, is am I is 307 00:18:57,840 --> 00:19:02,560 Speaker 1: that the seductive Charlie Pooth, come it out? Ah, well, 308 00:19:03,960 --> 00:19:08,320 Speaker 1: just use your imagination on some of the So in 309 00:19:08,400 --> 00:19:12,640 Speaker 1: the second verse, there's a when you when you walk 310 00:19:12,800 --> 00:19:16,159 Speaker 1: like that? Now, when you walk like that? No, what 311 00:19:16,440 --> 00:19:19,320 Speaker 1: is a word that kind of rhymes with walk? Maybe 312 00:19:19,320 --> 00:19:22,000 Speaker 1: a soft rhyme, but it looks so bad when you 313 00:19:22,160 --> 00:19:25,359 Speaker 1: walk like that. I think of another, think of another, 314 00:19:26,000 --> 00:19:29,200 Speaker 1: and there's and there's yeah, loud, loud and clear, and 315 00:19:29,760 --> 00:19:33,080 Speaker 1: you got me and you got me in a tight grip. Um. Anyway, 316 00:19:33,160 --> 00:19:41,159 Speaker 1: next question again, Deana Mona. I guess I could. I 317 00:19:41,160 --> 00:19:46,719 Speaker 1: guess you could. I guess that works. Yeah, I I'm well, 318 00:19:46,760 --> 00:19:50,120 Speaker 1: we're very happy that we've got light switched to play. Now, 319 00:19:50,160 --> 00:19:52,119 Speaker 1: what is going to be What is gonna be the 320 00:19:52,200 --> 00:19:56,639 Speaker 1: frequency of new music for you? Off to a good start, 321 00:19:56,720 --> 00:20:00,159 Speaker 1: Charlie's publishing team. It's it's the frequent. Well, it's e 322 00:20:00,280 --> 00:20:09,200 Speaker 1: flat minor. Um, it's very fast right now, I can't 323 00:20:09,240 --> 00:20:11,680 Speaker 1: even focus. I'm all hot and bothered. Um, it's a 324 00:20:11,960 --> 00:20:15,840 Speaker 1: flat minor. It's a really fast. Walk like that, when 325 00:20:15,840 --> 00:20:18,159 Speaker 1: I walked like when I walk like that when I 326 00:20:18,200 --> 00:20:22,600 Speaker 1: walk myself off, um I uh, and it's it's a 327 00:20:22,640 --> 00:20:26,040 Speaker 1: good it's a good workout uh song. And you will 328 00:20:26,080 --> 00:20:30,119 Speaker 1: know that if you watch the music video. Okay, is 329 00:20:30,160 --> 00:20:32,480 Speaker 1: this one of? Is this one of? Like? Are you? 330 00:20:32,680 --> 00:20:36,520 Speaker 1: Is there gonna be a stream of tracks coming? Um? Yeah, no, 331 00:20:36,680 --> 00:20:40,840 Speaker 1: I have a whole album done and uh, sonically this 332 00:20:40,920 --> 00:20:44,560 Speaker 1: is pretty are what the whole um album will sound like. 333 00:20:44,560 --> 00:20:47,720 Speaker 1: I've produced the whole thing, um, and I think it's 334 00:20:47,800 --> 00:20:50,400 Speaker 1: my best work. And I it was an interesting time 335 00:20:50,400 --> 00:20:54,760 Speaker 1: because usually I get song inspiration, like songs pop into 336 00:20:54,800 --> 00:20:58,440 Speaker 1: my head when I get off the stage. Uh, go 337 00:20:58,560 --> 00:21:01,600 Speaker 1: for a hike with Tanya, Uh, meet people and when 338 00:21:01,640 --> 00:21:05,320 Speaker 1: I'm around people people, Um, but I wasn't around anybody, 339 00:21:05,359 --> 00:21:07,600 Speaker 1: and I you know, I would wake up It's very regiment. 340 00:21:07,640 --> 00:21:09,159 Speaker 1: I would wake up at nine am and go to 341 00:21:09,200 --> 00:21:10,879 Speaker 1: the studio every day. And if I didn't come up 342 00:21:10,920 --> 00:21:13,960 Speaker 1: with anything or make a TikTok like there are I 343 00:21:14,000 --> 00:21:16,840 Speaker 1: made about ten TikTok's a day, and you'll never hear 344 00:21:16,880 --> 00:21:19,640 Speaker 1: the nine bad songs. Um. But I had to really 345 00:21:19,640 --> 00:21:23,600 Speaker 1: get inspiration from kind of talking to myself and having 346 00:21:23,640 --> 00:21:27,080 Speaker 1: conversations with myself and which is a little strange, but 347 00:21:27,200 --> 00:21:29,359 Speaker 1: that's how lights which came about. Like what if there 348 00:21:29,400 --> 00:21:32,000 Speaker 1: was a song? That's why? What if there's a song? 349 00:21:32,680 --> 00:21:35,240 Speaker 1: If if you didn't have all of those things that 350 00:21:35,359 --> 00:21:37,600 Speaker 1: you talk about and you post about, going on the voices, 351 00:21:37,680 --> 00:21:40,760 Speaker 1: the thoughts they however, whatever speed your head moves at 352 00:21:40,840 --> 00:21:45,120 Speaker 1: at or in, then you wouldn't be doing what you do, right, 353 00:21:45,160 --> 00:21:48,480 Speaker 1: I mean, that's right. It wouldn't work. It wouldn't work. 354 00:21:48,520 --> 00:21:51,800 Speaker 1: It was always UM. It was always like this for me, 355 00:21:51,840 --> 00:21:55,000 Speaker 1: but it was never how I showcased myself at the 356 00:21:55,160 --> 00:21:58,280 Speaker 1: UM the beginning of my career. You look at past 357 00:21:58,440 --> 00:22:01,000 Speaker 1: interviews of myself, I thought I had to be a 358 00:22:01,040 --> 00:22:03,360 Speaker 1: different type of artists. I never thought that so many 359 00:22:03,400 --> 00:22:07,399 Speaker 1: people would care about my musical creative process, the layering 360 00:22:07,440 --> 00:22:09,840 Speaker 1: of instruments. I thought that was kind of supposed to 361 00:22:09,920 --> 00:22:13,159 Speaker 1: be just for me. But I'm very happy that UM 362 00:22:13,280 --> 00:22:16,919 Speaker 1: people are intrigued by it. Yeah, people, and some of 363 00:22:16,920 --> 00:22:21,800 Speaker 1: the biggest names ever in music legends too. M I mean, 364 00:22:23,320 --> 00:22:26,040 Speaker 1: can you believe that I get it? And I also 365 00:22:26,080 --> 00:22:29,560 Speaker 1: couldn't believe that without revealing our address, that we lived 366 00:22:29,560 --> 00:22:33,320 Speaker 1: two doors down from each other. That's pretty cool. Yeah, 367 00:22:33,400 --> 00:22:35,520 Speaker 1: that he's happy to talk about that, like he loves 368 00:22:35,560 --> 00:22:41,920 Speaker 1: that story. Alton sends me some crazy emails. I'll tell 369 00:22:41,960 --> 00:22:46,960 Speaker 1: you listen, man, it's great to see it. Thanks for 370 00:22:46,960 --> 00:22:49,480 Speaker 1: coming on, Charlie poot Lights which is out now, we'll 371 00:22:49,480 --> 00:22:52,320 Speaker 1: talk to you real simbro pleasure. Thank you guys. I 372 00:22:52,440 --> 00:22:57,000 Speaker 1: love you all by both. Bye bye bye bye. Come 373 00:22:57,480 --> 00:22:59,800 Speaker 1: tickets to go see Billy I got it it. Tenty 374 00:22:59,800 --> 00:23:05,120 Speaker 1: of th Hykes must be fantastically cerebral. Cerebral. Yeah, honestly, 375 00:23:05,320 --> 00:23:09,040 Speaker 1: he's such a fun but he's a music genius too, 376 00:23:09,280 --> 00:23:12,560 Speaker 1: music genius, but also like that thought, that thought process 377 00:23:12,560 --> 00:23:14,320 Speaker 1: that he puts to his music, he puts to like 378 00:23:14,400 --> 00:23:16,600 Speaker 1: every other aspect of life too. So it's really fun 379 00:23:16,640 --> 00:23:20,400 Speaker 1: to kind of just like my takeaway there is Charlie 380 00:23:21,200 --> 00:23:25,080 Speaker 1: was struggling with how to be knowing who he was 381 00:23:25,160 --> 00:23:27,600 Speaker 1: in his head and all these things, but now realize 382 00:23:27,800 --> 00:23:30,040 Speaker 1: that's the gift he's got and look at all of 383 00:23:30,080 --> 00:23:35,040 Speaker 1: the credibility that comes with it now for him. Ryan 384 00:23:35,119 --> 00:23:44,080 Speaker 1: Seacres one or two points seven Kiss FM. I need 385 00:23:44,119 --> 00:23:47,080 Speaker 1: to go right now because Terry and hisparia is on 386 00:23:47,200 --> 00:23:49,639 Speaker 1: hold and we need to get into Ryan's roses for Terry. 387 00:23:49,880 --> 00:23:52,760 Speaker 1: She says, my husband has been very secretive with his 388 00:23:52,800 --> 00:23:55,960 Speaker 1: phone lately. He actually changed his password and didn't tell 389 00:23:56,000 --> 00:23:58,360 Speaker 1: me the new one. He also has been going out 390 00:23:58,600 --> 00:24:02,720 Speaker 1: without inviting me. H. He's never been like this before, Terry. 391 00:24:02,840 --> 00:24:04,679 Speaker 1: Thank you for coming. A lot of questions here. This 392 00:24:04,760 --> 00:24:08,240 Speaker 1: is all not good behavior based on what we've seen 393 00:24:08,240 --> 00:24:12,439 Speaker 1: in the past. But why So did you have his 394 00:24:12,520 --> 00:24:17,560 Speaker 1: password before he changed it his old password? Yes? Yeah, yeah, 395 00:24:17,600 --> 00:24:20,040 Speaker 1: I mean we we shared each other's passwords, you know, 396 00:24:20,119 --> 00:24:21,800 Speaker 1: just in case we needed to get into the phone 397 00:24:21,920 --> 00:24:27,399 Speaker 1: for some reason, you know. And he changed it um 398 00:24:27,800 --> 00:24:31,240 Speaker 1: and he didn't say anything. And that's really really weird. 399 00:24:32,640 --> 00:24:37,800 Speaker 1: And he's been going out going where out. He just 400 00:24:37,880 --> 00:24:41,199 Speaker 1: comes home later sometimes and he's like, oh, I, you know, 401 00:24:41,320 --> 00:24:43,119 Speaker 1: I stopped off at the store or I had to 402 00:24:43,119 --> 00:24:46,359 Speaker 1: work late or whatever. But it's just it's later than normal, 403 00:24:46,520 --> 00:24:49,640 Speaker 1: and I I don't know. It just seems like he's 404 00:24:49,680 --> 00:24:55,439 Speaker 1: so secretive. Ryan. Uh. And it's a change in behavior. 405 00:24:55,480 --> 00:24:58,760 Speaker 1: You said, it's not a normal pattern. No, it's not. 406 00:24:59,040 --> 00:25:04,520 Speaker 1: It's so suspic Si. It's he normally tells me when 407 00:25:04,560 --> 00:25:06,800 Speaker 1: he does something like this, like he changes his password 408 00:25:06,920 --> 00:25:09,360 Speaker 1: or he won't he won't say really where he's been. 409 00:25:09,440 --> 00:25:11,400 Speaker 1: He's like, oh, you know, I was just out or 410 00:25:11,440 --> 00:25:12,639 Speaker 1: you know I was the one to the store. He 411 00:25:12,680 --> 00:25:15,000 Speaker 1: won't say what store, or you know what he was 412 00:25:15,040 --> 00:25:18,679 Speaker 1: working on at work late or whatever. So is there 413 00:25:18,720 --> 00:25:24,399 Speaker 1: any chance he's concocting a surprise? Oh no, no, I 414 00:25:24,400 --> 00:25:26,520 Speaker 1: mean my birthday isn't coming up. It's not a big 415 00:25:26,520 --> 00:25:29,440 Speaker 1: anniversary or anything. So Terry, I need you to say, Ryan, 416 00:25:29,440 --> 00:25:31,679 Speaker 1: you have my permission to call, and then your husband's 417 00:25:31,760 --> 00:25:35,440 Speaker 1: name on Kiss FM. Go ahead, Yeah, Ryan, you have 418 00:25:35,520 --> 00:25:40,439 Speaker 1: my permission to call. Okay, going to do that. Now, 419 00:25:40,520 --> 00:25:57,560 Speaker 1: be very quiet. Let's see what we can find out. Okay, okay, okay. Hello. 420 00:25:58,400 --> 00:26:02,800 Speaker 1: Hi is this Alex Yeah, this is Deep Hi. My 421 00:26:02,840 --> 00:26:05,960 Speaker 1: name is Vanessa. I'm calling from Whispering Blooms. We're actually 422 00:26:05,960 --> 00:26:07,560 Speaker 1: a new flower shop in the area. How you doing 423 00:26:07,560 --> 00:26:12,240 Speaker 1: this morning? I'm good. How are you doing? So? We're 424 00:26:12,280 --> 00:26:14,639 Speaker 1: I'm good. Thank you for asking. So we're offering local 425 00:26:14,680 --> 00:26:17,399 Speaker 1: residents of promotion today. It's a free dozen red roses 426 00:26:17,480 --> 00:26:19,879 Speaker 1: that you can send to anybody that you'd like. We 427 00:26:19,960 --> 00:26:21,800 Speaker 1: just needed the name of the person and a note. 428 00:26:22,160 --> 00:26:25,480 Speaker 1: They are free. We don't need any credit card info. 429 00:26:25,520 --> 00:26:27,040 Speaker 1: From you or anything like that. We just hope that 430 00:26:27,080 --> 00:26:28,560 Speaker 1: you refer as to friends and family if you like 431 00:26:28,600 --> 00:26:35,520 Speaker 1: our arrangements. Uh, is that something you'd be interested in? Yeah? 432 00:26:35,520 --> 00:26:38,080 Speaker 1: I can. I can send to anybody I want to, yep, 433 00:26:38,440 --> 00:26:43,160 Speaker 1: and we can start with the name. Uh yeah, sure, 434 00:26:43,200 --> 00:26:49,080 Speaker 1: all right, I'll send them to some to my wife Terry. Okay, 435 00:26:49,119 --> 00:26:54,640 Speaker 1: is that t E r R E T E r R. 436 00:26:54,680 --> 00:26:57,840 Speaker 1: I got it? And then when would you like to 437 00:26:57,840 --> 00:27:03,399 Speaker 1: put on the note? Uh? I just hope it brightens 438 00:27:03,440 --> 00:27:07,760 Speaker 1: your day, Alex. Your voice be broadcast on the radio. 439 00:27:08,080 --> 00:27:12,960 Speaker 1: My name is Ryan Seacrest, and your wife carry is 440 00:27:13,040 --> 00:27:19,760 Speaker 1: on the line. But hi Alex, Alex, we need you 441 00:27:19,800 --> 00:27:21,760 Speaker 1: to answer a couple of questions real fast, okay, if 442 00:27:21,760 --> 00:27:29,760 Speaker 1: you don't mind. Okay, Alex, what is happening? Your wife 443 00:27:29,760 --> 00:27:32,320 Speaker 1: has said that your behavior patterns changed a little bit, 444 00:27:32,960 --> 00:27:36,800 Speaker 1: and she said, you change your password on your phone. 445 00:27:36,840 --> 00:27:38,359 Speaker 1: Is there a reason why you did that? She was 446 00:27:38,400 --> 00:27:43,320 Speaker 1: telling us a couple of details. Um, I don't know. 447 00:27:43,400 --> 00:27:48,720 Speaker 1: I was just changing things up. And what motivated doing well, 448 00:27:48,720 --> 00:27:50,919 Speaker 1: that's what we're trying to get to. What motivated that change? 449 00:27:53,640 --> 00:27:55,680 Speaker 1: I don't know. I was just sitting I honestly I've 450 00:27:55,680 --> 00:28:01,920 Speaker 1: seen if anybody noticed. Okay, and someone didn't notice, Now, 451 00:28:03,119 --> 00:28:05,359 Speaker 1: why why do you say if someone noticed? What does 452 00:28:05,400 --> 00:28:09,000 Speaker 1: that mean? Well, by someone, I mean you, Terry. I 453 00:28:09,080 --> 00:28:11,719 Speaker 1: was just wondering if you would even notice if I 454 00:28:11,760 --> 00:28:16,639 Speaker 1: did change my password. I don't know why we're talking 455 00:28:16,680 --> 00:28:20,000 Speaker 1: about this. Why why would you want her to notice? What? 456 00:28:20,000 --> 00:28:25,480 Speaker 1: What's that test about? What is this test? I don't understand. Well, 457 00:28:25,680 --> 00:28:29,040 Speaker 1: I could okay, well honestly, because like, I just feel 458 00:28:29,359 --> 00:28:35,760 Speaker 1: like you're so miserable when we're together. I'm I don't 459 00:28:35,800 --> 00:28:38,640 Speaker 1: even know if you want to be around me. So 460 00:28:42,520 --> 00:28:44,640 Speaker 1: I was trying to see if you would even care. 461 00:28:44,680 --> 00:28:50,160 Speaker 1: I didn't realize that you were going to call Ryan Seacrest, Alex, 462 00:28:50,240 --> 00:28:54,200 Speaker 1: is this also why you're disconnecting and you're going out 463 00:28:54,240 --> 00:28:57,400 Speaker 1: without her and do whatever you're doing without her? All that, 464 00:28:57,640 --> 00:29:01,320 Speaker 1: All of that was just a asked recently because I 465 00:29:01,400 --> 00:29:05,120 Speaker 1: really felt like she would rather be alone than have 466 00:29:05,240 --> 00:29:11,600 Speaker 1: me around. Oh my gosh, Alex, No, No, I really 467 00:29:11,640 --> 00:29:15,240 Speaker 1: didn't understand. Wow, I didn't know I was coming across 468 00:29:15,280 --> 00:29:18,760 Speaker 1: as so miserable. I mean, oh, sweetie, it's not you, 469 00:29:19,000 --> 00:29:25,600 Speaker 1: It is not you, I Brian, because it's just I 470 00:29:25,680 --> 00:29:28,120 Speaker 1: love you so much, and I really didn't understand why 471 00:29:28,280 --> 00:29:30,920 Speaker 1: you you know, you're doing all these things. I just 472 00:29:31,600 --> 00:29:36,720 Speaker 1: but Terry, why does he think that, why does he 473 00:29:36,840 --> 00:29:41,240 Speaker 1: feel that? What's what's going on? Well, I guess I've 474 00:29:41,240 --> 00:29:45,440 Speaker 1: just been really feeling worn down lately, just you know, 475 00:29:45,520 --> 00:29:48,840 Speaker 1: by life and and and the world right now. But 476 00:29:48,920 --> 00:29:51,320 Speaker 1: you never tell me that, you'd like, you never want 477 00:29:51,320 --> 00:29:53,560 Speaker 1: to open up and tell me what's wrong. I just 478 00:29:53,640 --> 00:29:56,600 Speaker 1: feel like you're in your own world and I don't 479 00:29:56,600 --> 00:29:59,600 Speaker 1: know what you're thinking. And I just got to the 480 00:29:59,640 --> 00:30:02,360 Speaker 1: point where I felt like maybe you would just be 481 00:30:02,440 --> 00:30:04,640 Speaker 1: happier if I was gone, And then I just started 482 00:30:04,680 --> 00:30:07,200 Speaker 1: to think that you wouldn't even notice. I know that 483 00:30:07,280 --> 00:30:10,680 Speaker 1: was your childish and I'm sorry, and I shouldn't have. 484 00:30:12,080 --> 00:30:13,960 Speaker 1: I don't know, there's probably a better way that I 485 00:30:14,000 --> 00:30:17,880 Speaker 1: could have. I guess the experiment worked because I love you, 486 00:30:17,960 --> 00:30:21,760 Speaker 1: and I'm like, we should talk more. I love you too. 487 00:30:21,800 --> 00:30:24,520 Speaker 1: I was just so embarrassed by the way I was feeling, 488 00:30:24,560 --> 00:30:26,640 Speaker 1: and I just didn't want to talk about it because 489 00:30:26,680 --> 00:30:30,120 Speaker 1: I don't know, it's don't kind of depressed and I've 490 00:30:30,120 --> 00:30:33,560 Speaker 1: never felt that way before. And do you see how 491 00:30:33,640 --> 00:30:38,440 Speaker 1: therapeute this do you see how this is great that 492 00:30:38,520 --> 00:30:41,440 Speaker 1: you're talking through these things and you're having this common 493 00:30:41,480 --> 00:30:44,280 Speaker 1: conversation and you're really in the same place. So we're 494 00:30:44,280 --> 00:30:48,840 Speaker 1: gonna you guys, continue this therapy session. But the takeaway 495 00:30:49,000 --> 00:30:53,200 Speaker 1: in this is communication. You're both feeling a certain thing 496 00:30:53,240 --> 00:30:54,920 Speaker 1: I had to do is say it, and then you 497 00:30:54,920 --> 00:30:58,600 Speaker 1: would have realized you're in the same place. Yeah. Yeah, 498 00:30:58,640 --> 00:31:02,720 Speaker 1: because I love you so much. I was just so worried. Well, 499 00:31:02,760 --> 00:31:05,520 Speaker 1: this is great, what a break talk to me about anything, 500 00:31:06,280 --> 00:31:08,880 Speaker 1: no offense, Ryan, Next time, we could talk about it, 501 00:31:08,960 --> 00:31:11,080 Speaker 1: you know, in private and not on the radio. No, 502 00:31:11,360 --> 00:31:13,080 Speaker 1: I I don't need to talk about it with you 503 00:31:13,120 --> 00:31:16,920 Speaker 1: in private. You should talk to Terry about it, Terry, 504 00:31:18,240 --> 00:31:22,200 Speaker 1: Alex listen. Thank you very much for being vulnerable in 505 00:31:22,280 --> 00:31:24,400 Speaker 1: this moment. Terry, thank you for reaching out and what 506 00:31:24,480 --> 00:31:28,040 Speaker 1: a breakthrough you guys. Take care. Thank you, Thank you 507 00:31:29,720 --> 00:31:36,880 Speaker 1: so Terry. In Asperia and her husband Alex, she wrote 508 00:31:36,880 --> 00:31:41,120 Speaker 1: to us saying, he's acting strange, he's disconnected, he goes places, 509 00:31:41,160 --> 00:31:43,680 Speaker 1: doesn't including his change his password. It's all weird. Now 510 00:31:44,280 --> 00:31:46,760 Speaker 1: that all adds up to be a problem. It turns 511 00:31:46,800 --> 00:31:49,000 Speaker 1: out he was trying to get attention. That's what he 512 00:31:49,080 --> 00:31:52,480 Speaker 1: was trying to do. He thought, for some reason, she 513 00:31:52,680 --> 00:31:57,760 Speaker 1: was presenting an energy that made him think he wasn't wanted, 514 00:31:58,240 --> 00:32:01,960 Speaker 1: so he changed his password to get attention, to get 515 00:32:01,960 --> 00:32:04,760 Speaker 1: her to think something was up, so they could have 516 00:32:04,800 --> 00:32:08,120 Speaker 1: the breakthrough they just had. Yeah, yeah, he didn't think 517 00:32:08,120 --> 00:32:11,160 Speaker 1: that she was gonna call us. But it's like the 518 00:32:11,160 --> 00:32:16,440 Speaker 1: things we don't do with our significant other, the and 519 00:32:16,480 --> 00:32:20,360 Speaker 1: the things we do do, the links we go to 520 00:32:20,360 --> 00:32:25,040 Speaker 1: to create that moment of oh here I am, and 521 00:32:25,280 --> 00:32:28,200 Speaker 1: this attention, like the things we do to seek attention 522 00:32:28,200 --> 00:32:30,560 Speaker 1: when we could just address it because they have the 523 00:32:30,680 --> 00:32:34,520 Speaker 1: same issue. They both wanted attention. Yeah, they vote were 524 00:32:34,560 --> 00:32:37,760 Speaker 1: feeling insecure about their relationship. It's just like, come on, 525 00:32:38,000 --> 00:32:40,760 Speaker 1: and instead of addressing it, he changed his password to 526 00:32:40,800 --> 00:32:50,440 Speaker 1: make or think something's up. Relationship relationships are exhausting. No 527 00:32:50,600 --> 00:32:57,520 Speaker 1: they're not. I mean, you're not exhausted exhaust Well, I'm 528 00:32:57,520 --> 00:33:00,000 Speaker 1: exhausted for other reasons, but not because of my relationship. 529 00:33:00,040 --> 00:33:04,280 Speaker 1: It No, that's like, you're not exhausted. No, I'm exhausted 530 00:33:04,280 --> 00:33:08,080 Speaker 1: because of my puppy, but not my relationship. How do 531 00:33:08,120 --> 00:33:12,280 Speaker 1: you not exhausted? I am? Thank you? I think we 532 00:33:12,320 --> 00:33:17,800 Speaker 1: all are alright, just fishing for some idea exhaust you, 533 00:33:18,320 --> 00:33:22,200 Speaker 1: Ryan when it comes to a relationship about my own. 534 00:33:22,240 --> 00:33:25,560 Speaker 1: I'm talking about the ones that we talk about here. No, No, 535 00:33:25,680 --> 00:33:30,400 Speaker 1: we're talking about your own. Knowing things like that would 536 00:33:30,400 --> 00:33:34,000 Speaker 1: exhaust me. If I were in a situation where I 537 00:33:34,080 --> 00:33:36,800 Speaker 1: felt insecure and didn't address it and I have done 538 00:33:36,800 --> 00:33:39,160 Speaker 1: it and you seek attention and then you realize we're 539 00:33:39,200 --> 00:33:42,400 Speaker 1: on the same page, that would that exhausts me. That 540 00:33:42,480 --> 00:33:48,560 Speaker 1: exhausts me, right, or hey, how are you good? Mare's fine? 541 00:33:48,720 --> 00:33:52,640 Speaker 1: That exhausts me? Are you sure? Yes? Like the chipping 542 00:33:52,680 --> 00:33:55,640 Speaker 1: away exhausts me. I want your chip away and you 543 00:33:55,720 --> 00:33:58,240 Speaker 1: figure it out. It's like one time, one and done, 544 00:33:58,320 --> 00:34:00,160 Speaker 1: and then you guys can communicate better and you grow 545 00:34:00,240 --> 00:34:05,560 Speaker 1: from it. Yeah. You know the cities that have belt 546 00:34:05,600 --> 00:34:08,800 Speaker 1: ways or perimeters with the freeway goes around the city, 547 00:34:09,080 --> 00:34:11,560 Speaker 1: you know they have like Atlanta has a five to 548 00:34:11,640 --> 00:34:14,640 Speaker 1: call it. The perimeter goes around the city. That's exhausted, 549 00:34:15,120 --> 00:34:22,120 Speaker 1: just go through the city. I think because we talk 550 00:34:22,239 --> 00:34:25,520 Speaker 1: so much here, by the time you get to talking 551 00:34:26,239 --> 00:34:30,000 Speaker 1: or chipping away, you know what I mean, it's like, 552 00:34:30,040 --> 00:34:35,640 Speaker 1: come on, are you exhausted? No, touch not exhausted. Are 553 00:34:35,680 --> 00:34:38,080 Speaker 1: you pretty silent at home. You get home, and depends 554 00:34:38,080 --> 00:34:41,200 Speaker 1: on the day, depends on the depends on the day 555 00:34:41,200 --> 00:34:51,040 Speaker 1: of the week. Mondays and Tuesdays per much, Wednesdays, days, Thursdays, 556 00:34:52,160 --> 00:34:55,600 Speaker 1: fancy you're ready? Yeah, but also Fridays and Saturday on 557 00:34:55,719 --> 00:34:57,640 Speaker 1: my same schedules. So when I don't have a schedule, 558 00:34:57,920 --> 00:35:00,040 Speaker 1: I got more thoughts that are coming out, right. I 559 00:35:00,080 --> 00:35:04,080 Speaker 1: also have to save up for you guys. Oh yeah, 560 00:35:04,120 --> 00:35:09,319 Speaker 1: for sure. I gotta save all this for you guys. Yeah. 561 00:35:12,000 --> 00:35:14,359 Speaker 1: What if I burned all this energy out at home 562 00:35:14,480 --> 00:35:18,200 Speaker 1: doing my own thing, then that I wouldn't have any 563 00:35:18,320 --> 00:35:23,680 Speaker 1: to give you guys. All right, let's not stay up 564 00:35:23,719 --> 00:35:25,600 Speaker 1: on the one eight team and out on the fifteen. 565 00:35:25,680 --> 00:35:27,319 Speaker 1: Let's take the ten. That's what I'm trying to say, 566 00:35:28,239 --> 00:35:32,920 Speaker 1: right through it, right through it, through it. On air 567 00:35:33,080 --> 00:35:38,640 Speaker 1: with Ryan Seacrest, I mentioned were I cannot remember how 568 00:35:38,719 --> 00:35:41,120 Speaker 1: we got into it. We dovetailed into a conversation about 569 00:35:41,360 --> 00:35:43,600 Speaker 1: maybe you couldn't remember something, or one of us could 570 00:35:43,640 --> 00:35:47,840 Speaker 1: remember something, Yeah, I can't right, or could make a choice, 571 00:35:48,320 --> 00:35:52,240 Speaker 1: but a restaurant, a restaurant, making decisions at a restaurant 572 00:35:52,280 --> 00:35:55,160 Speaker 1: to eat. Yeah, I think you said it. Then you 573 00:35:56,160 --> 00:35:58,239 Speaker 1: one that said the menu, you can't figure out what 574 00:35:58,320 --> 00:36:01,600 Speaker 1: to choose, and I so you said it, You said 575 00:36:01,640 --> 00:36:03,880 Speaker 1: cheesecake factories too big of a menu, that thing. He 576 00:36:03,960 --> 00:36:07,040 Speaker 1: said yes, And then Tanya said, oh my gosh, I'm 577 00:36:07,080 --> 00:36:09,040 Speaker 1: going through that issue where I can't make a decision 578 00:36:09,560 --> 00:36:12,319 Speaker 1: like decision and I never used to be that way. 579 00:36:12,400 --> 00:36:13,960 Speaker 1: It would be like, Okay, we're going on to dinner. 580 00:36:13,960 --> 00:36:16,120 Speaker 1: I'm going to get this or that that needs a 581 00:36:16,200 --> 00:36:19,480 Speaker 1: product I've been reading. It's a product of what we've 582 00:36:19,520 --> 00:36:22,560 Speaker 1: all been going through in this pandemic. So sisen E 583 00:36:22,920 --> 00:36:26,359 Speaker 1: took it upon herself to research it and come back 584 00:36:26,400 --> 00:36:28,560 Speaker 1: with a full report. Thank you for bringing this deck 585 00:36:28,680 --> 00:36:31,000 Speaker 1: in this morning. Go ahead, I said I would, And 586 00:36:31,120 --> 00:36:33,359 Speaker 1: here we are. So apparently we are all suffering from 587 00:36:33,400 --> 00:36:37,920 Speaker 1: a case of pandemic paralysis. We're feeling overwhelmed by decision 588 00:36:37,960 --> 00:36:41,319 Speaker 1: making post lockdown. Now it makes sense when you really 589 00:36:41,360 --> 00:36:44,640 Speaker 1: break it down. Simply for a substantial period of time, 590 00:36:45,320 --> 00:36:48,840 Speaker 1: our daily freedoms were taken away from us. So not 591 00:36:48,960 --> 00:36:51,600 Speaker 1: only did we face many restrictions around what we could 592 00:36:52,040 --> 00:36:54,080 Speaker 1: or could not do, we didn't know if we can 593 00:36:54,120 --> 00:36:56,520 Speaker 1: make plans for tomorrow. We didn't know if we can 594 00:36:56,600 --> 00:36:59,080 Speaker 1: make plans for six months from now. So all of that, 595 00:36:59,239 --> 00:37:02,279 Speaker 1: it's almost like we lost our rhythm in life of 596 00:37:02,400 --> 00:37:05,800 Speaker 1: decision making, and now that we're kind of back in it, 597 00:37:06,160 --> 00:37:09,000 Speaker 1: we don't know how to like recharge that part of 598 00:37:09,080 --> 00:37:12,319 Speaker 1: our brain again, and so having a difficult time making 599 00:37:12,400 --> 00:37:16,560 Speaker 1: decisions quickly now because for the longest time we just paused. 600 00:37:18,200 --> 00:37:21,520 Speaker 1: So it's no different. It's no different than the way 601 00:37:21,600 --> 00:37:27,080 Speaker 1: our body reacts physically. When we stop doing something frequently, 602 00:37:28,000 --> 00:37:30,760 Speaker 1: it turns to atrophy or the atrophy of the brain, 603 00:37:30,960 --> 00:37:34,840 Speaker 1: of the decision component of the brain. It's like muscle memory, 604 00:37:35,000 --> 00:37:38,040 Speaker 1: you know. So what do we do now? We know 605 00:37:38,600 --> 00:37:42,320 Speaker 1: what interesting? What we do is we nip it in 606 00:37:42,360 --> 00:37:44,800 Speaker 1: the butt and get back out there, like just start, 607 00:37:45,200 --> 00:37:48,399 Speaker 1: don't overthink things, just start making decisions. And so I'm 608 00:37:48,440 --> 00:37:52,719 Speaker 1: just asking should we becaus the on air we just 609 00:37:53,120 --> 00:37:55,319 Speaker 1: knowing this for our own good to get back up 610 00:37:55,360 --> 00:37:58,000 Speaker 1: the speed and decision making. Should we just make decisions 611 00:37:58,040 --> 00:38:03,319 Speaker 1: even if they're bad? I mean, I think you make 612 00:38:03,360 --> 00:38:05,279 Speaker 1: a choice and then you have a plan b if 613 00:38:05,360 --> 00:38:07,760 Speaker 1: you can, Like I'm talking to all like you brides 614 00:38:07,840 --> 00:38:10,160 Speaker 1: that have postponed your wedding how many times? And now 615 00:38:10,239 --> 00:38:13,000 Speaker 1: you're you're stuck with trying to figure out like, well, 616 00:38:13,040 --> 00:38:14,840 Speaker 1: should I do it this month or not month? Like 617 00:38:14,880 --> 00:38:16,960 Speaker 1: what if this? What if? Who's pregnant? This? It's like 618 00:38:17,239 --> 00:38:19,480 Speaker 1: just make a decision, you know, and have a plan 619 00:38:19,560 --> 00:38:22,239 Speaker 1: B in case something happens, and then just we have 620 00:38:22,360 --> 00:38:24,279 Speaker 1: to move on. And I'm talking to all the brides 621 00:38:24,360 --> 00:38:27,719 Speaker 1: and grooms. Is marriage really the right? Mom? What we 622 00:38:27,880 --> 00:38:32,640 Speaker 1: need to decide? But it's it's also challenging because you 623 00:38:32,760 --> 00:38:37,600 Speaker 1: get shamed for going out, You get shamed for trying 624 00:38:37,760 --> 00:38:40,319 Speaker 1: to live your life right now, and then you get 625 00:38:40,400 --> 00:38:44,279 Speaker 1: like you get shamed for staying at home, so you 626 00:38:44,320 --> 00:38:46,000 Speaker 1: know what I mean, Like you you can't win right now. 627 00:38:46,719 --> 00:38:49,560 Speaker 1: It's like you're kind of caring about the sham. We're 628 00:38:49,680 --> 00:38:52,000 Speaker 1: kind of living in this like weird like we're not 629 00:38:52,120 --> 00:38:53,959 Speaker 1: here nor there right now and like this really weird 630 00:38:54,040 --> 00:38:56,839 Speaker 1: middle where you can't If you are out too much, 631 00:38:57,120 --> 00:39:01,279 Speaker 1: then you know you're being reckless. Yeah, and if you're 632 00:39:01,360 --> 00:39:04,360 Speaker 1: insight two months, then you're not living your life. You 633 00:39:04,520 --> 00:39:08,000 Speaker 1: than this limb, this gray limbo weirdness, and that's all 634 00:39:09,719 --> 00:39:12,960 Speaker 1: part of the you know, to carry that weight either. 635 00:39:14,400 --> 00:39:19,640 Speaker 1: All right, So this is interesting record you've seen it 636 00:39:19,719 --> 00:39:22,000 Speaker 1: in the news, and maybe you're part of this wave. 637 00:39:22,440 --> 00:39:27,480 Speaker 1: Record turnover rates, great resignation. Uh, what's there on the 638 00:39:27,520 --> 00:39:31,440 Speaker 1: big quit? A lot of people quitting their jobs for 639 00:39:31,719 --> 00:39:34,879 Speaker 1: obvious reasons. The obvious reasons are more money, quit job 640 00:39:35,000 --> 00:39:39,080 Speaker 1: for better conditions or better benefits, those things we've all 641 00:39:39,200 --> 00:39:42,480 Speaker 1: had in our universe. But now the biggest reason people 642 00:39:42,480 --> 00:39:46,880 Speaker 1: are quitting and record numbers, they say, is being driven 643 00:39:47,080 --> 00:39:55,359 Speaker 1: by a toxic work culture. Toxic work cultures are ten 644 00:39:55,520 --> 00:39:59,919 Speaker 1: times more important than pay when you predict turnover, meaning 645 00:40:00,120 --> 00:40:06,000 Speaker 1: has ten times more impact than economics. I can see 646 00:40:06,040 --> 00:40:07,920 Speaker 1: that people are fed up. They're like, I don't need 647 00:40:07,960 --> 00:40:09,600 Speaker 1: to deal with this. There's bigger problems in the world. 648 00:40:10,000 --> 00:40:14,520 Speaker 1: M hm. I kind of agree, mm hmm. I was 649 00:40:14,600 --> 00:40:18,799 Speaker 1: thinking about, you know, just things that you we did, 650 00:40:19,120 --> 00:40:23,000 Speaker 1: we have to do. You think, what's the point, What 651 00:40:23,239 --> 00:40:27,120 Speaker 1: is the point I'm gonna do this assignment? Why? Why? Why? 652 00:40:27,280 --> 00:40:29,680 Speaker 1: Why do why that meeting? What's the point of that meeting? 653 00:40:29,719 --> 00:40:32,840 Speaker 1: Actually will go nowhere. I've met with this person, this 654 00:40:32,920 --> 00:40:37,239 Speaker 1: supervisor for many, many times. We do your zooms and 655 00:40:37,360 --> 00:40:40,200 Speaker 1: there's really no plot, there's no point, and it's just 656 00:40:41,040 --> 00:40:43,600 Speaker 1: it's occupying time. Well, I think it's a level of 657 00:40:43,719 --> 00:40:46,840 Speaker 1: like being disrespected at work or like that's the toxic, 658 00:40:47,040 --> 00:40:53,480 Speaker 1: the toxicity, toxicity that I'm talking about, and so like 659 00:40:53,800 --> 00:40:56,239 Speaker 1: I don't know, like if you are in a job 660 00:40:56,320 --> 00:40:58,080 Speaker 1: and you know you're never going to be promoted, like 661 00:40:58,200 --> 00:40:59,960 Speaker 1: that's toxing. Like are you trying to have the common 662 00:41:00,000 --> 00:41:01,800 Speaker 1: station with your manager and it never goes anywhere? Like 663 00:41:01,880 --> 00:41:06,840 Speaker 1: you're saying that's toxic. At some point, you have to 664 00:41:06,920 --> 00:41:12,479 Speaker 1: just throw in the towel. Yeah, well, bless you, tony. 665 00:41:12,680 --> 00:41:17,160 Speaker 1: She put her ZOOMA mutant sneezed, thank you, ka zoom. Tight. 666 00:41:17,920 --> 00:41:22,719 Speaker 1: Economists say high turnover will continue in especially since it's 667 00:41:22,719 --> 00:41:27,120 Speaker 1: an employee's market right now. It's just interesting times never 668 00:41:27,280 --> 00:41:30,719 Speaker 1: seen so much, and you know, this pandemic kit when 669 00:41:30,840 --> 00:41:33,560 Speaker 1: technology is at a height too, when we have all 670 00:41:33,600 --> 00:41:36,080 Speaker 1: of these other ways to do things, and in a 671 00:41:36,160 --> 00:41:40,239 Speaker 1: world where a lot of new people in the job 672 00:41:40,360 --> 00:41:43,440 Speaker 1: market grew up on devices. So this is all happening 673 00:41:43,480 --> 00:41:47,160 Speaker 1: at such a strange time and you're seeing all of this. Man, 674 00:41:47,200 --> 00:41:49,200 Speaker 1: I wish I would have bought stock in Zoom before 675 00:41:49,239 --> 00:41:53,279 Speaker 1: the pandemic. Wishes I wish I said, I wish I said. 676 00:41:53,320 --> 00:41:56,200 Speaker 1: Kazoom tight and not kazoom tight that have been more, 677 00:41:56,480 --> 00:41:58,759 Speaker 1: you know, not have been better. I didn't. So what 678 00:41:58,840 --> 00:42:07,160 Speaker 1: am I gonna do with Ryan's secrets? Okay, Tanya, you 679 00:42:07,200 --> 00:42:09,840 Speaker 1: said after the honeymoon face and a relationship is basically 680 00:42:09,920 --> 00:42:13,319 Speaker 1: over in your trending report. Something got you thinking last 681 00:42:13,400 --> 00:42:15,719 Speaker 1: night about that? Go ahead, yeah, Well, these are the 682 00:42:15,760 --> 00:42:17,320 Speaker 1: two things I want you guys to think about in 683 00:42:17,480 --> 00:42:19,680 Speaker 1: your own lives. What are some things that you do 684 00:42:21,120 --> 00:42:23,000 Speaker 1: that you don't want to do in front of your partner? 685 00:42:23,320 --> 00:42:24,799 Speaker 1: And then what are some things that your partner does 686 00:42:24,880 --> 00:42:28,319 Speaker 1: that's gross at home? Okay? So I was thinking about 687 00:42:28,360 --> 00:42:30,719 Speaker 1: this because Katy Perry was doing an interview and she 688 00:42:30,960 --> 00:42:34,040 Speaker 1: was asked about Orlando blooms worse habit, and this is 689 00:42:34,080 --> 00:42:35,680 Speaker 1: what she had to say. She said, Oh, my god, 690 00:42:36,120 --> 00:42:39,200 Speaker 1: he loves to floss, which thank god because some partners 691 00:42:39,239 --> 00:42:42,120 Speaker 1: don't and it's disgusting. And he has brilliant teeth, but 692 00:42:42,600 --> 00:42:45,919 Speaker 1: he leaves his floss everywhere, on the side of the bed, 693 00:42:46,360 --> 00:42:53,600 Speaker 1: in the car, on the kitchen table. I know, so gross. 694 00:42:54,239 --> 00:42:57,800 Speaker 1: I know, because like plaque is smelly. Um, But I 695 00:42:57,960 --> 00:43:01,440 Speaker 1: was thinking, what are like, what is the grossest thing 696 00:43:01,480 --> 00:43:03,799 Speaker 1: that your partner does? At home. And also are there 697 00:43:03,880 --> 00:43:06,440 Speaker 1: things that you do kind of like because there's certain 698 00:43:06,480 --> 00:43:10,319 Speaker 1: things I basically like, I'm with my boyfriend all the time. 699 00:43:10,360 --> 00:43:13,560 Speaker 1: Now I'm just I'm home just to kind of work. Uh. 700 00:43:13,880 --> 00:43:15,600 Speaker 1: And there's two things I do when I'm at home 701 00:43:15,680 --> 00:43:17,320 Speaker 1: that I will never do it his place. One of 702 00:43:17,400 --> 00:43:22,680 Speaker 1: them is pluck myself. No, I don't think I can 703 00:43:22,719 --> 00:43:26,399 Speaker 1: say the word on the airy good then don't. Yeah, 704 00:43:27,239 --> 00:43:33,080 Speaker 1: it's like you know around here, and then um, shave 705 00:43:33,880 --> 00:43:36,200 Speaker 1: shave my mustache. Like I'll never bring my little like 706 00:43:36,360 --> 00:43:39,440 Speaker 1: razor over, like my little thing over and do that there. 707 00:43:39,560 --> 00:43:47,200 Speaker 1: But it's gonna go back stiff. You know, it's not 708 00:43:47,320 --> 00:43:49,319 Speaker 1: it's called it's like derma planing. I use. I don't 709 00:43:49,360 --> 00:43:50,839 Speaker 1: use a razor, I use like one of those things 710 00:43:50,840 --> 00:43:54,200 Speaker 1: that you derma plane with. I would wax it. Uh yeah, 711 00:43:55,000 --> 00:43:58,160 Speaker 1: it's not that. No, no, no, no, I'll take a 712 00:43:58,160 --> 00:44:01,239 Speaker 1: picture next time before I shave it. Noting. No, I 713 00:44:01,320 --> 00:44:08,080 Speaker 1: hope I have as so I I leave the flows 714 00:44:08,120 --> 00:44:09,920 Speaker 1: on the counter in the bathroom. I do that too, 715 00:44:09,920 --> 00:44:14,320 Speaker 1: because it gets you know, it's that my entire it 716 00:44:14,360 --> 00:44:16,719 Speaker 1: gets all tangled up in my finger. You know, it's 717 00:44:16,760 --> 00:44:19,600 Speaker 1: all it's all tangling. It's all webbed up, right, and 718 00:44:19,719 --> 00:44:22,600 Speaker 1: so I just leave it there, put it in the trash. 719 00:44:23,600 --> 00:44:25,560 Speaker 1: I don't know, I do. I get lazy at that 720 00:44:25,680 --> 00:44:27,400 Speaker 1: moment and I'm like, I'm done and I leave it 721 00:44:27,480 --> 00:44:29,640 Speaker 1: on the counter. It's gross. Next morning it's there. It's 722 00:44:29,680 --> 00:44:32,040 Speaker 1: not that gross. It's not like chunks of stuff are 723 00:44:32,160 --> 00:44:34,560 Speaker 1: on it because I've spit, you know, into this. Yeah, 724 00:44:34,560 --> 00:44:37,200 Speaker 1: it's still gross. Do you leave the toilet seat up? 725 00:44:39,200 --> 00:44:42,480 Speaker 1: I mean, let's see, it's so basic. I actually I'm 726 00:44:42,480 --> 00:44:47,719 Speaker 1: gonna install a urinal. I think that's the solution. Like 727 00:44:48,000 --> 00:44:50,200 Speaker 1: if we had a urinal would be so much easier, Right, 728 00:44:50,280 --> 00:44:53,359 Speaker 1: you just put a girl on there on one side 729 00:44:53,400 --> 00:44:58,239 Speaker 1: of the wall, freaking locker room anything in your world, 730 00:44:58,280 --> 00:45:02,520 Speaker 1: say no, necessarily gross. But like Michael does take off 731 00:45:02,560 --> 00:45:04,800 Speaker 1: his shoes like I swear he takes off his shoes 732 00:45:04,840 --> 00:45:07,040 Speaker 1: like as walking, like you'll you'll see them like one 733 00:45:07,080 --> 00:45:08,400 Speaker 1: in front of the other, just in the middle of 734 00:45:08,440 --> 00:45:10,839 Speaker 1: the living room. Like that's annoying. It's like, if you're 735 00:45:10,840 --> 00:45:12,600 Speaker 1: gonna take off your shoes, like at least put him 736 00:45:12,600 --> 00:45:14,000 Speaker 1: to the side if you're not going to put them away. 737 00:45:14,120 --> 00:45:21,840 Speaker 1: But like it, I would love that about you anything 738 00:45:21,880 --> 00:45:25,239 Speaker 1: in your world, Patty, I mean a few get things, 739 00:45:25,320 --> 00:45:27,479 Speaker 1: but I don't think I can see them in the air. Yeah, okay, 740 00:45:27,520 --> 00:45:29,640 Speaker 1: well if you don't think so, don't do it. Thank 741 00:45:29,680 --> 00:45:33,759 Speaker 1: you for that Channing report. On Air with Ryan Seacrest. 742 00:45:36,800 --> 00:45:39,239 Speaker 1: All right, guys, tomorrow we're back at it. Gail the 743 00:45:39,320 --> 00:45:43,399 Speaker 1: seventeen year old buying ABC and maybe more letters here 744 00:45:43,400 --> 00:45:46,839 Speaker 1: after seven o'clock. Check it out tomorrow. I'm gonna bet 745 00:45:46,880 --> 00:45:49,560 Speaker 1: Gail seventeen years old with that smash hit. Also, we're 746 00:45:49,560 --> 00:45:51,360 Speaker 1: paying your bill starting at six ten, and today we 747 00:45:51,480 --> 00:45:54,400 Speaker 1: go to six ten tonight. Have a go on, guys, 748 00:45:54,760 --> 00:45:58,600 Speaker 1: take care. Thanks for listening so on Air with Ryan Seacrest, 749 00:45:59,040 --> 00:46:00,959 Speaker 1: make sure to subscribe, and we'll talk to you again 750 00:46:01,000 --> 00:46:01,400 Speaker 1: tomorrow