WEBVTT - 9021One on One: Tracy Middendorf

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<v Speaker 1>It's nine oh gene one with Jenny Garth and Tory Spelling.

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<v Speaker 2>Amy.

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<v Speaker 3>Guess what today? What we have a very special guest.

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<v Speaker 1>In the house.

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<v Speaker 2>I know, I can't wait.

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<v Speaker 3>We're doing nine oh two one on one with Tracy Mittendorf.

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<v Speaker 3>You guys, you know she played Laura Kingman in season four.

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<v Speaker 3>She was good, the bad, the good, the bad, so confusing.

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<v Speaker 1>I'm really excited to talk to her.

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<v Speaker 2>Her character wigs me out, but her performance is incredible.

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<v Speaker 1>I know. Okay, so let's do this. Let's talk to her. Hi,

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<v Speaker 1>you guys, this is this is like a reunion because

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<v Speaker 1>I haven't seen you in thirty years. Is that right? Yeah,

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<v Speaker 1>my god, it's so good to see you. A you

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<v Speaker 1>look exactly the same. No, it's crazy, it's mild, very sweet.

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<v Speaker 1>Really excited to talk to you because we've been in

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<v Speaker 1>the thick of all things Laura Kingman on the Pod

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<v Speaker 1>in season four and we loved you and we hated

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<v Speaker 1>you and all the things in between, and so you're

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<v Speaker 1>just such a good actress. Let's just say that right

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<v Speaker 1>out of the gate. Oh no, you're sweet. Thank you.

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<v Speaker 1>I you know, I hesitated about doing this simply because

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<v Speaker 1>it's been thirty years and going back and looking at

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<v Speaker 1>my work from thirty years ago, it's just horrifying. I mean,

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<v Speaker 1>I don't know how you're doing it right on the show.

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<v Speaker 1>But we grow and we and we don't always like

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<v Speaker 1>to look back and see we do grow. You and

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<v Speaker 1>I think we're the same age. Yeah, yeah, And I

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<v Speaker 1>at this point have developed that developed that like I

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<v Speaker 1>don't give an f you know, like I'm just so

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<v Speaker 1>when I watched show back, I'm so tickled and like

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<v Speaker 1>stoked that that's me. And I appreciate it in such

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<v Speaker 1>a different way now than I ever could before because

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<v Speaker 1>I do share that like hate to watch myself think. Yeah. Also,

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<v Speaker 1>and honestly, I'm doing this because I just have so

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<v Speaker 1>much respect for you and for Tori. You were both

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<v Speaker 1>like badass women moms. You know, I'm working moms. I

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<v Speaker 1>just think that's incredible. And you were just so sweet

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<v Speaker 1>to me on the show and you didn't need to be.

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<v Speaker 1>It was my first show I did. I was right

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<v Speaker 1>out of college. I did the soap for one year

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<v Speaker 1>and then you did a lot of the soap just

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<v Speaker 1>a year one year, But how many episodes is that? Is? That?

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<v Speaker 4>All?

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<v Speaker 1>I was full on in that. I mean, they because

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<v Speaker 1>I replaced a character, so they had me working. Was

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<v Speaker 1>that days of our lives?

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<v Speaker 2>Was that days of our lives?

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<v Speaker 1>Yeah? Okay, yeah, And so it was they moved me

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<v Speaker 1>out from New York. I was all of a sudden,

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<v Speaker 1>three cameras, you know what am I doing? And so,

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<v Speaker 1>I mean that was really good training ground though it was,

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<v Speaker 1>it was, and I was glad to get off it.

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<v Speaker 1>I mean, one year's enough. And then I was on

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<v Speaker 1>this show that was I think it was the height

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<v Speaker 1>of its popularity too.

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<v Speaker 2>It was.

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<v Speaker 1>Yeah, and you.

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<v Speaker 3>Came in right after the summer, right when we went

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<v Speaker 3>to college.

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<v Speaker 1>Yeah yeah, yeah, but yeah, you guys were just so

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<v Speaker 1>sweet to me, and I really appreciated that. I never

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<v Speaker 1>forgot it, so fondest I thank you. First of all,

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<v Speaker 1>I had the fondest memories of working eat with you too,

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<v Speaker 1>and just I remember just then just watching your work

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<v Speaker 1>and just being inspired by it and learning from just Honestly,

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<v Speaker 1>I wouldn't say that if I didn't mean it. I

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<v Speaker 1>think you're a really good actress. Thank you. Thank Okay,

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<v Speaker 1>enough with that, But anyways, Amy, I was telling you

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<v Speaker 1>I saw Tracy on my TV two nights ago and

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<v Speaker 1>what was that? It was you. I've just started to

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<v Speaker 1>watch for the first time the Dead People's show with

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<v Speaker 1>the dead guy. He makes the dead people look good?

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<v Speaker 1>What's it called with the funerals? Yeah? That too? Thank you? Yeah,

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<v Speaker 1>I was. That was one of my favorite gigs I have.

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<v Speaker 1>I have a track record of opening really successful series.

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<v Speaker 1>I'm not on them all the time. I'm just on

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<v Speaker 1>the first episode and I remember that. Yeah. I sat

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<v Speaker 1>it next to Alan Ball, who was the creator of

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<v Speaker 1>that show, who also did American Beauty. He's this incredible

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<v Speaker 1>writer director, And I went to like an orphan's Easter

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<v Speaker 1>dinner at a friend's house in la and he's from

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<v Speaker 1>Georgia and I'm from Georgia and we sat next to

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<v Speaker 1>each other and he was on the Sybil Shepherd's show

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<v Speaker 1>at the time, and then he started writing sixteen a

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<v Speaker 1>hundred me in for that and I so wanted the part.

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<v Speaker 1>And it took a week to hear back and then

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<v Speaker 1>you know, it was It was a It was a

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<v Speaker 1>dream job. The writing was so good and it's a

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<v Speaker 1>great show. I wish I had done more of the

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<v Speaker 1>funny me too.

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<v Speaker 2>Can you remember how you got the part? On nine

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<v Speaker 2>O two one? Zero.

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<v Speaker 1>So I was trying to think about that because I

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<v Speaker 1>didn't know what I was going to talk about because

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<v Speaker 1>it's been so long. Oh don't you worry. I've got

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<v Speaker 1>a questions, You've got stuff. So something I do vividly remember,

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<v Speaker 1>and I'm pretty sure it was nine o two one

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<v Speaker 1>oh's audition was a room full of people and Aaron

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<v Speaker 1>Spelling was there, and just a ton of producers and directors.

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<v Speaker 1>And that's when back then, that's when you used to

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<v Speaker 1>used to go in for everybody. You didn't go on tape.

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<v Speaker 1>You you went into a room with a bunch of

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<v Speaker 1>people staring at you, staring at you. So I think

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<v Speaker 1>that it was for a NATO. It might have been

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<v Speaker 1>Meloe's place, but I think it was nine or two.

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<v Speaker 1>And I tell actors that all the time, young actors.

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<v Speaker 1>When I was I did a series for MTV, Scream,

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<v Speaker 1>and I was the oldest one on the show everyone

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<v Speaker 1>else for you know, the twenty something kids, And I

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<v Speaker 1>would tell them that that's the one I would bring

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<v Speaker 1>up is that as actors, we used to go in

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<v Speaker 1>and we used to read with casting directors with their assistants.

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<v Speaker 1>We used to meet the director. We used to meet

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<v Speaker 1>the producers, the showrunners, and audition for them, and we

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<v Speaker 1>don't do that anymore. We go on tape or it's

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<v Speaker 1>maybe a casting director, and then we never hear anything.

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<v Speaker 1>Just here.

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<v Speaker 2>Oh you don't hear if you don't happened.

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<v Speaker 1>Like it never happened, just out there.

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<v Speaker 2>And so your feeling right.

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<v Speaker 1>Your job is just the audition basically until you get

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<v Speaker 1>the job.

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<v Speaker 5>See why they had a room full of people there,

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<v Speaker 5>including Aaron, because this part is so important. If the

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<v Speaker 5>person didn't do it right, it would literally have ruined

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<v Speaker 5>what is such a major arc in this season. It

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<v Speaker 5>was so crucial that they get it right, and I

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<v Speaker 5>think they did. I mean, i'll tell you stories as

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<v Speaker 5>we talk, but you nailed it.

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<v Speaker 2>I have to tell you.

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<v Speaker 1>I didn't know it was going to be because because

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<v Speaker 1>I was only booked for those first three episodes, and

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<v Speaker 1>I felt, Okay, I've experienced college, I know what that

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<v Speaker 1>environment's like. I can do this. What was terrifying was

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<v Speaker 1>when they brought me back and handed me.

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<v Speaker 2>The script most unhinged gal around.

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<v Speaker 1>Not only that, I so I do a lot of

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<v Speaker 1>a theater and I'm I love Tennessee Williams and being

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<v Speaker 1>given this monologue from one of the most beautiful plays

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<v Speaker 1>ever written for the American theater was terrifying. And I

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<v Speaker 1>had like four or five days to do it. And

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<v Speaker 1>so when I look when I look at those scenes,

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<v Speaker 1>which I just did for the first time in thirty years,

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<v Speaker 1>and I all I saw was this young, scared actress

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<v Speaker 1>trying to do justice to this beautiful play. And I

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<v Speaker 1>think I tried a little too. I love you. No

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<v Speaker 1>you didn't. First of all, I should have pulled back. No,

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<v Speaker 1>you should never ever pull back. That's my theory, right,

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<v Speaker 1>because that's a little bit.

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<v Speaker 5>It was a little big, But you weren't doing You

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<v Speaker 5>were Tracy doing Tennessee Williams. You were Tracy being Laura,

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<v Speaker 5>Laura doing Tennessee Williams. And that was the same thing

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<v Speaker 5>we talked about with Jenny, because Jenny was Kelly and

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<v Speaker 5>then Kelly doing it.

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<v Speaker 2>It's like, that's but.

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<v Speaker 1>Yeah, I mean, I'm gonna ask you this, Uh, Jenny,

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<v Speaker 1>do you feel like, oh, I'm going to make the

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<v Speaker 1>choice that my character is a bad actress. It's very

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<v Speaker 1>hard to make that choice. You'd make the choice that

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<v Speaker 1>you're did you ask yourself that before you did the scene? Oh?

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<v Speaker 2>Hell yeah?

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<v Speaker 1>I was did you prepare as a bad actress or

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<v Speaker 1>a good actress? No, because then they were just saying

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<v Speaker 1>Tracy's a bad actress. You may announce everybody. I just

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<v Speaker 1>want you all to know that I've made a choice,

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<v Speaker 1>a choice that she's going to be bad you that

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<v Speaker 1>I'm going to use that now you should. I think

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<v Speaker 1>I'll use it too, really, dots all the actually thought

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<v Speaker 1>I actually thought you were quite lovely when I was

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<v Speaker 1>watching it, and I watched your audition with him. Although

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<v Speaker 1>he was creepy, I mean, it was painful. I can

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<v Speaker 1>I can feel your pain because you just reminded me

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<v Speaker 1>I did it too. Did that have audition for her?

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<v Speaker 1>If they tried to do that episode today, First of all,

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<v Speaker 1>he would be rested for having a young actress come

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<v Speaker 1>and you know, even letting her into his house to

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<v Speaker 1>a he was. But I thought you were quite lovely,

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<v Speaker 1>and I thought honestly that if I was to cast it,

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<v Speaker 1>I didn't necessarily think that Shannon would have been the actress.

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<v Speaker 1>But she was the type that makes sense. She's you know,

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<v Speaker 1>sexy and kind of grounded, and that's kind of that's

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<v Speaker 1>Maggie the cat to me.

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<v Speaker 5>Totally, these were all y'all's best episodes, because Shannon is

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<v Speaker 5>amazing in these episodes too, because you know, I'm I know,

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<v Speaker 5>Tory's so disappointed to not be here, so you got

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<v Speaker 5>stuck with me. But I watched it as a fan,

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<v Speaker 5>so we weren't like judging your work.

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<v Speaker 2>In Tennessee Williams kat on a honton roof, We're like,

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<v Speaker 2>oh my god, Laura has lost it.

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<v Speaker 1>When you're up on this scaffolding anybody, everybody, you guys,

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<v Speaker 1>I don't know if you watched it. I'm sure they did.

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<v Speaker 1>They're listening now, but you got to watch it. It's

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<v Speaker 1>so good. It's so good, and then it's so confusing too.

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<v Speaker 1>And you must have felt this way when you read

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<v Speaker 1>the script. It in the beginning for the first three episode,

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<v Speaker 1>you were accusing Steve Sanders, and then you came back

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<v Speaker 1>and you then you're hooking up with them and he's

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<v Speaker 1>your biggest supporter. Yeah, and why he trust me, I'm

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<v Speaker 1>not that's such a lot. Yeah, that was That's not

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<v Speaker 1>on me. That's not I'm sure not on him either,

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<v Speaker 1>because I yeah, it just didn't it wasn't very consistent. Yeah,

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<v Speaker 1>they made it there. Yeah, they made a leap.

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<v Speaker 3>They really needed you, They needed you for all this.

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<v Speaker 3>It was like a big arc in the season and

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<v Speaker 3>that's often too wanted to become an actress and then

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<v Speaker 3>going off.

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<v Speaker 1>To London, right, Oh, is that what happened? You didn't

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<v Speaker 1>watch after your episode?

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<v Speaker 2>What I can say.

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<v Speaker 5>And that's why I was so excited to talk to

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<v Speaker 5>you today because I was probably nineteen at the time

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<v Speaker 5>when I was watching this, because we're all about the

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<v Speaker 5>same age, so we were in college watching this, like

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<v Speaker 5>you said at the height, And what I found so

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<v Speaker 5>interesting is I saw you obviously go on to do

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<v Speaker 5>other things, and every time I would see you on screen,

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<v Speaker 5>I would get like ooh, because it was so ingrained

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<v Speaker 5>in me that character. And I think it was the

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<v Speaker 5>first time we sort of saw someone We saw it

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<v Speaker 5>a little bit with Christina Elise, but somebody that was

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<v Speaker 5>like a bit unhinged, and it was sort of like

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<v Speaker 5>my first experience with that. And that's why I thought,

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<v Speaker 5>I mean, now, maybe look back with different eyes. But

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<v Speaker 5>then I was just like sucked in, like this is

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<v Speaker 5>what happens if a girl kind of goes off the

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<v Speaker 5>edge or gets too obsessed with something.

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<v Speaker 2>And I just it took me a while. I'm scary. Yes, like,

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<v Speaker 2>I'm so happy to see you today because you really

0:13:23.040 --> 0:13:25.160
<v Speaker 2>are nothing like Laura you look. But it was like,

0:13:25.240 --> 0:13:26.440
<v Speaker 2>that's stuck with.

0:13:26.360 --> 0:13:29.640
<v Speaker 1>Me, and that means I also most of the things,

0:13:30.679 --> 0:13:33.040
<v Speaker 1>I've died a lot in a lot of different things too,

0:13:33.080 --> 0:13:37.600
<v Speaker 1>so that's traumatic. It really kind of does leave an imprint.

0:13:37.960 --> 0:13:41.640
<v Speaker 1>I'm not just the viewer, but I'll see the actor. Yeah, yeah,

0:13:41.720 --> 0:13:44.680
<v Speaker 1>you know, I had totally I'd forgotten a lot of

0:13:44.760 --> 0:13:49.160
<v Speaker 1>that last scene, so it was interesting to watch it again.

0:13:49.360 --> 0:13:50.679
<v Speaker 1>I mean, I don't know how you're doing it. Are

0:13:50.720 --> 0:13:54.400
<v Speaker 1>you Are you not watching the next episode? Are you

0:13:54.520 --> 0:13:56.760
<v Speaker 1>trying to refresh yourself as you go along? Is that

0:13:56.800 --> 0:13:57.400
<v Speaker 1>what's happening.

0:13:57.600 --> 0:14:01.040
<v Speaker 3>Yeah, we're just watching an episode by episodes, so we're

0:14:01.040 --> 0:14:02.199
<v Speaker 3>at the end of season.

0:14:02.000 --> 0:14:06.760
<v Speaker 1>For any of them. That must ain't telling me about it.

0:14:06.800 --> 0:14:10.040
<v Speaker 1>She was taking a while when she took this show

0:14:10.120 --> 0:14:12.160
<v Speaker 1>on that there were ten seasons.

0:14:12.200 --> 0:14:16.720
<v Speaker 2>Well, and there's like thirty episodes or thirty two or something.

0:14:16.760 --> 0:14:21.040
<v Speaker 1>They don't do that anymore. I mean, it's running podcasts

0:14:21.040 --> 0:14:26.000
<v Speaker 1>ever in the world. Yeah. It's wonderful though, but I

0:14:26.040 --> 0:14:28.400
<v Speaker 1>can imagine you do forget a lot of them because

0:14:28.440 --> 0:14:29.480
<v Speaker 1>I forgot all of them.

0:14:30.000 --> 0:14:32.480
<v Speaker 2>Yes, well that's what's so funny too, because.

0:14:32.280 --> 0:14:36.160
<v Speaker 5>I watched it, you know, I was the fan. We

0:14:36.160 --> 0:14:38.320
<v Speaker 5>were all in soo already watching it, and then I've

0:14:38.400 --> 0:14:41.520
<v Speaker 5>kind of dabbled it watching it again. But your character

0:14:41.600 --> 0:14:46.760
<v Speaker 5>is unforgettable. And I wonder how long did people recognize

0:14:46.760 --> 0:14:49.480
<v Speaker 5>you from nine oh two one oh after you did it?

0:14:49.520 --> 0:14:51.240
<v Speaker 2>I mean that must have been crazy.

0:14:51.760 --> 0:14:54.840
<v Speaker 1>I just got it last like three weeks ago. Someone

0:14:54.880 --> 0:14:58.920
<v Speaker 1>in the airport, Well what happened? I said, are you serious?

0:14:59.400 --> 0:15:00.320
<v Speaker 2>He said, what you say?

0:15:00.360 --> 0:15:02.600
<v Speaker 1>What they say? You said, you're from nine to two?

0:15:02.600 --> 0:15:06.120
<v Speaker 1>And oh, I said, are you kidding me? I said,

0:15:06.880 --> 0:15:09.920
<v Speaker 1>when did you watch that? Because he was younger than us,

0:15:10.040 --> 0:15:12.880
<v Speaker 1>and he said, oh, no that I think he's there

0:15:12.920 --> 0:15:16.640
<v Speaker 1>rewatching it. He and his girlfriend are rewatching all of it.

0:15:17.240 --> 0:15:20.320
<v Speaker 1>And he recognized me from that. I couldn't believe it.

0:15:20.640 --> 0:15:22.320
<v Speaker 1>I mean I did, but I got it a lot

0:15:22.440 --> 0:15:24.160
<v Speaker 1>right after the show aired, and I got it a

0:15:24.160 --> 0:15:26.480
<v Speaker 1>lot from I don't know if you had this, but

0:15:26.640 --> 0:15:31.200
<v Speaker 1>from like basketball players who were in the locker room,

0:15:31.400 --> 0:15:35.040
<v Speaker 1>or you know, like weird like crazy. You know, I

0:15:35.080 --> 0:15:38.080
<v Speaker 1>thought you were going to say prisoners. No, I had that.

0:15:38.080 --> 0:15:39.760
<v Speaker 1>That was more than So that was a lot.

0:15:40.000 --> 0:15:41.720
<v Speaker 5>I got a lot of Yeah, Days of Our Lives

0:15:41.720 --> 0:15:43.080
<v Speaker 5>would be a major one too.

0:15:43.520 --> 0:15:46.200
<v Speaker 1>Oh my god, that's hilarious basketball players.

0:15:46.280 --> 0:15:50.560
<v Speaker 2>Okay, So did you play her the same in each arc?

0:15:50.720 --> 0:15:55.200
<v Speaker 5>Because the first version of Laura, you know, it's almost

0:15:55.200 --> 0:15:59.160
<v Speaker 5>like she just got worse by the second. So did

0:15:59.200 --> 0:16:00.840
<v Speaker 5>you have to come in and play her a bit

0:16:00.880 --> 0:16:03.160
<v Speaker 5>more over the top for the second.

0:16:02.960 --> 0:16:06.520
<v Speaker 2>Set of episodes? She almost sort of redeemed herself in

0:16:06.600 --> 0:16:09.120
<v Speaker 2>the first set, and I was like, oh, I'm cool

0:16:09.160 --> 0:16:09.520
<v Speaker 2>with her.

0:16:09.800 --> 0:16:14.080
<v Speaker 5>Yeah this round, I was like, yeah, we don't know

0:16:14.200 --> 0:16:17.440
<v Speaker 5>what Steve did. Like we kind of talked about this

0:16:17.480 --> 0:16:20.360
<v Speaker 5>when your first set of episodes aired because it was

0:16:20.400 --> 0:16:23.200
<v Speaker 5>so fascinating. They showed your perspective and his, and we

0:16:23.240 --> 0:16:25.400
<v Speaker 5>assume the truth was somewhere sort of in the middle.

0:16:26.280 --> 0:16:26.680
<v Speaker 1>Mm hmm.

0:16:27.640 --> 0:16:30.560
<v Speaker 5>But that then she comes back and she's very you know,

0:16:32.440 --> 0:16:33.240
<v Speaker 5>really frightened.

0:16:33.800 --> 0:16:38.240
<v Speaker 1>Yeah. Uh, I had to be honest with you. I

0:16:38.320 --> 0:16:43.000
<v Speaker 1>struggled with it was a hard It was hard. Those

0:16:43.000 --> 0:16:47.160
<v Speaker 1>first three episodes were hard because you're having to kind

0:16:47.160 --> 0:16:50.440
<v Speaker 1>of I had to believe that it was true and

0:16:50.760 --> 0:16:56.000
<v Speaker 1>my version was true, but I also struggled as a

0:16:56.000 --> 0:17:00.960
<v Speaker 1>woman that so many women in the nineties in college,

0:17:02.200 --> 0:17:05.000
<v Speaker 1>probably ninety percent of them don't report being raped, you

0:17:05.000 --> 0:17:10.240
<v Speaker 1>know at that time, and that the show is choosing

0:17:10.320 --> 0:17:14.480
<v Speaker 1>to focus on the male being the victim. I really

0:17:15.160 --> 0:17:19.000
<v Speaker 1>struggled with that a bit, just as a woman, So

0:17:19.119 --> 0:17:22.800
<v Speaker 1>as an actress, I went in with you know, I

0:17:22.880 --> 0:17:28.440
<v Speaker 1>didn't fully say yes, I'm confused and vulnerable. And then

0:17:28.560 --> 0:17:34.600
<v Speaker 1>so when that progressed, I chose that her being lost

0:17:34.600 --> 0:17:38.520
<v Speaker 1>and alone in college, that just made it worse. And

0:17:38.600 --> 0:17:43.600
<v Speaker 1>so when she shows up again and later in the season,

0:17:44.960 --> 0:17:46.800
<v Speaker 1>she has been alone a lot. She doesn't have a

0:17:46.800 --> 0:17:52.080
<v Speaker 1>lot of friends, and I think I think Iron's character

0:17:52.240 --> 0:17:56.960
<v Speaker 1>was somebody that she could convince.

0:17:58.600 --> 0:18:02.440
<v Speaker 3>Interesting she came back for your fourth episode, let's say,

0:18:03.119 --> 0:18:08.120
<v Speaker 3>Lara part two, that were you up to something when

0:18:08.119 --> 0:18:09.480
<v Speaker 3>you came back, like straight.

0:18:09.200 --> 0:18:12.119
<v Speaker 1>Out of the gate? No not, I think I mean

0:18:12.160 --> 0:18:14.960
<v Speaker 1>because he finds me in the episode he comes into

0:18:14.960 --> 0:18:19.679
<v Speaker 1>my room in the beginning of the second time I

0:18:19.760 --> 0:18:24.040
<v Speaker 1>came back. So I think I think there was legitimately

0:18:25.359 --> 0:18:29.040
<v Speaker 1>trying to do this play to somehow find some footing,

0:18:29.200 --> 0:18:30.840
<v Speaker 1>to find some places.

0:18:31.400 --> 0:18:35.439
<v Speaker 3>Yeah, but so weird. You're right that she would even allow,

0:18:35.520 --> 0:18:37.160
<v Speaker 3>you know, allow him to get close to her again

0:18:37.240 --> 0:18:38.439
<v Speaker 3>if that had.

0:18:38.320 --> 0:18:42.280
<v Speaker 2>Been and vice versa. But I think they had some guilt.

0:18:42.640 --> 0:18:45.480
<v Speaker 5>Like I might be going way to like the psychology

0:18:45.520 --> 0:18:48.920
<v Speaker 5>of these characters, but like Laura has some guilt over

0:18:48.960 --> 0:18:54.400
<v Speaker 5>what she maybe she misinterpreted what was happening or had

0:18:54.400 --> 0:18:56.800
<v Speaker 5>her perspective and then it became this hold to do.

0:18:57.400 --> 0:18:59.879
<v Speaker 2>And he has guilt because he does it.

0:19:00.040 --> 0:19:02.919
<v Speaker 5>Admit he shouldn't have done what he did, even though

0:19:03.119 --> 0:19:09.320
<v Speaker 5>it wasn't necessarily quote rape or criminal, it was he

0:19:09.400 --> 0:19:11.800
<v Speaker 5>knew he had celested, and there was the whole thing.

0:19:12.040 --> 0:19:13.639
<v Speaker 5>So he's got guilt, which is why I think it

0:19:13.680 --> 0:19:17.560
<v Speaker 5>was a perfect storm. You two connected because of this past,

0:19:18.080 --> 0:19:23.040
<v Speaker 5>and then it just spirals and he almost causes the spiral,

0:19:23.240 --> 0:19:27.440
<v Speaker 5>not exactly, but he doesn't, you know, bring you down

0:19:27.560 --> 0:19:30.240
<v Speaker 5>and say wait a minute, or did you call Brenda

0:19:30.280 --> 0:19:33.840
<v Speaker 5>and do this about the rehearsal. It's like he's so

0:19:34.200 --> 0:19:37.920
<v Speaker 5>in with you, probably from the guilt, that it exasperates

0:19:38.000 --> 0:19:39.360
<v Speaker 5>this messiness.

0:19:40.040 --> 0:19:44.360
<v Speaker 1>Right, Yeah, it got really messy. I think I think

0:19:44.440 --> 0:19:49.800
<v Speaker 1>obviously the characters unhinged otherwise to go there so quickly

0:19:50.720 --> 0:19:53.120
<v Speaker 1>over not getting the part, or you know, I think

0:19:54.160 --> 0:19:59.639
<v Speaker 1>already confused and lost and struggling in college and alone,

0:19:59.800 --> 0:20:02.480
<v Speaker 1>and then Okay, this is going to solve everything. I'm

0:20:02.520 --> 0:20:04.239
<v Speaker 1>going to do this play. I'm going to get this

0:20:04.280 --> 0:20:06.639
<v Speaker 1>part and work my ass off on it, and I'm gonna,

0:20:06.920 --> 0:20:10.080
<v Speaker 1>you know, nail it and should have gotten it. And

0:20:10.119 --> 0:20:15.000
<v Speaker 1>then and legitimately feeling like, wait, what happened? How did

0:20:15.000 --> 0:20:17.480
<v Speaker 1>she all of a sudden get the part when she

0:20:17.640 --> 0:20:22.879
<v Speaker 1>bombed the audition? And right, so that's legitimate confusion. And

0:20:22.920 --> 0:20:30.640
<v Speaker 1>then he was, you know, guilty of seducing his leading ladies.

0:20:30.760 --> 0:20:33.880
<v Speaker 1>And then to find out that she went to his house.

0:20:33.920 --> 0:20:37.680
<v Speaker 1>So it all those pieces to defend her, that character,

0:20:38.400 --> 0:20:41.000
<v Speaker 1>all those you and she wasn't the only one saying

0:20:41.040 --> 0:20:44.399
<v Speaker 1>it so right, you know, so you know, yes, she

0:20:45.200 --> 0:20:50.960
<v Speaker 1>made it worse and then totally went off the deep end. Right,

0:20:51.520 --> 0:20:54.159
<v Speaker 1>who directed? Do you remember? Who was that James? That

0:20:54.280 --> 0:20:57.760
<v Speaker 1>house that directed? Do you have any section one of them?

0:20:58.640 --> 0:21:02.119
<v Speaker 1>Maybe that maybe that last one? I don't remember. I

0:21:02.160 --> 0:21:05.560
<v Speaker 1>don't know. I just was wondering because, especially with the

0:21:06.080 --> 0:21:09.520
<v Speaker 1>last couple episodes, you had so much like work to

0:21:09.800 --> 0:21:13.080
<v Speaker 1>You had to really prepare stuff and bring it in

0:21:13.320 --> 0:21:18.120
<v Speaker 1>and sometimes on an episodic show like this, it gets

0:21:18.119 --> 0:21:21.520
<v Speaker 1>a little like you know, the director doesn't really step

0:21:21.600 --> 0:21:25.560
<v Speaker 1>up and help or support the way they could with

0:21:25.680 --> 0:21:28.800
<v Speaker 1>an actress, especially when they have stuff this heavy. I

0:21:28.840 --> 0:21:32.919
<v Speaker 1>was just wondering if if you remember any like people

0:21:32.960 --> 0:21:35.320
<v Speaker 1>that supported you or helped you, or like, you know,

0:21:36.240 --> 0:21:42.680
<v Speaker 1>made it up. I don't. I don't for those episodes.

0:21:42.720 --> 0:21:45.200
<v Speaker 1>I do remember a director and I can't remember his

0:21:45.320 --> 0:21:49.640
<v Speaker 1>name on the earlier episodes being very kind and thoughtful

0:21:49.680 --> 0:21:53.320
<v Speaker 1>and trying to help me through a moment this one,

0:21:53.880 --> 0:21:58.399
<v Speaker 1>this one, I think I was just, you know, I

0:21:58.560 --> 0:22:04.160
<v Speaker 1>was so focused on trying to as an actor, trying

0:22:04.200 --> 0:22:07.040
<v Speaker 1>to nail that arc and try to make sense of it.

0:22:08.080 --> 0:22:11.240
<v Speaker 1>And you must know this so well. When you're on

0:22:11.359 --> 0:22:16.760
<v Speaker 1>a series, you almost have to be director proof because

0:22:17.280 --> 0:22:19.880
<v Speaker 1>can you take from the good and hopefully you get

0:22:19.920 --> 0:22:22.320
<v Speaker 1>really good ones, but there's bad ones out there that

0:22:22.400 --> 0:22:24.080
<v Speaker 1>tell you to do things that just aren't write for

0:22:24.200 --> 0:22:27.640
<v Speaker 1>your character, especially if in an episodic. They're coming in

0:22:27.680 --> 0:22:31.560
<v Speaker 1>for each show. You're on the show every episode, so

0:22:31.720 --> 0:22:37.080
<v Speaker 1>you want your character you understand, and sometimes it's a

0:22:37.080 --> 0:22:40.080
<v Speaker 1>good thing and you do know your character. I've definitely

0:22:40.080 --> 0:22:43.439
<v Speaker 1>worked on series where the ego is really big and

0:22:43.480 --> 0:22:47.520
<v Speaker 1>they just won't do anything the director says, well, they

0:22:47.560 --> 0:22:52.160
<v Speaker 1>just focus on the guest star because that that regular

0:22:52.240 --> 0:22:55.960
<v Speaker 1>will not do anything, and that's got to be frustrating

0:22:56.000 --> 0:22:56.600
<v Speaker 1>for a director.

0:23:08.880 --> 0:23:11.400
<v Speaker 2>Well, and this character is so complicated.

0:23:11.480 --> 0:23:15.200
<v Speaker 5>This isn't like Sorority Girl one, you know number two,

0:23:15.800 --> 0:23:18.159
<v Speaker 5>Like if this didn't go, if you didn't do it

0:23:18.280 --> 0:23:21.240
<v Speaker 5>right and have that support you needed, it could have

0:23:21.320 --> 0:23:25.960
<v Speaker 5>derailed multiple episodes. That's why I think there was so

0:23:26.040 --> 0:23:29.600
<v Speaker 5>much pressure on this character because you became the forefront

0:23:29.600 --> 0:23:30.600
<v Speaker 5>of this episode.

0:23:30.960 --> 0:23:33.200
<v Speaker 2>And again, it could have been clowny if you didn't

0:23:33.200 --> 0:23:35.960
<v Speaker 2>do it right, or like too soapy or I.

0:23:36.000 --> 0:23:39.280
<v Speaker 1>Mean, we got you to play this role because you're right,

0:23:39.640 --> 0:23:44.800
<v Speaker 1>Amy been could have been disaster. You're you're you're very sweet.

0:23:45.000 --> 0:23:48.440
<v Speaker 1>I know because I've seen your work after the show,

0:23:48.560 --> 0:23:51.760
<v Speaker 1>Like I know your work and you're always consistently like

0:23:52.840 --> 0:23:57.159
<v Speaker 1>just good, you know, and and like I don't want

0:23:57.200 --> 0:24:00.520
<v Speaker 1>to say dependable, but you know that you're going to

0:24:00.600 --> 0:24:08.960
<v Speaker 1>give the characters do what's the saying, it's it's to oats, No,

0:24:09.160 --> 0:24:14.119
<v Speaker 1>what's the we were having this argument? Sorry you are,

0:24:14.280 --> 0:24:15.680
<v Speaker 1>you're doing the character right.

0:24:15.840 --> 0:24:19.400
<v Speaker 2>But what's blowing my mind? And I hope this makes

0:24:19.440 --> 0:24:22.360
<v Speaker 2>sense because looking at you right now. First of all,

0:24:22.400 --> 0:24:24.240
<v Speaker 2>you do look the same, so beautiful.

0:24:25.880 --> 0:24:30.920
<v Speaker 5>You did something with your face, like your eyes and

0:24:31.040 --> 0:24:34.399
<v Speaker 5>the like playing that character because I thought you were

0:24:34.400 --> 0:24:35.920
<v Speaker 5>going to look like that today and you don't look

0:24:35.960 --> 0:24:36.760
<v Speaker 5>anything like that.

0:24:36.840 --> 0:24:39.880
<v Speaker 2>So you were doing that and it was like.

0:24:41.080 --> 0:24:43.640
<v Speaker 5>Crazy in the eyes and that's your eyes, you guys,

0:24:43.720 --> 0:24:44.480
<v Speaker 5>Like that's what's going on?

0:24:44.600 --> 0:24:45.679
<v Speaker 1>Because I thought you.

0:24:47.160 --> 0:24:51.639
<v Speaker 2>Had fake how have you? It was not just in

0:24:51.760 --> 0:24:53.720
<v Speaker 2>the things that you were saying. It was in the

0:24:53.800 --> 0:24:54.600
<v Speaker 2>body language.

0:24:56.240 --> 0:24:59.240
<v Speaker 5>It was in the face and the movement and even

0:24:59.320 --> 0:25:03.360
<v Speaker 5>like the creepy masks on the door of the room.

0:25:03.200 --> 0:25:05.040
<v Speaker 2>And like the laundry.

0:25:05.359 --> 0:25:09.919
<v Speaker 5>Every single part of that character I think was so

0:25:10.200 --> 0:25:12.879
<v Speaker 5>good in these episodes, and that's why, like it was

0:25:13.080 --> 0:25:14.240
<v Speaker 5>burned into me.

0:25:14.359 --> 0:25:17.280
<v Speaker 2>I was like, I will never forget that character.

0:25:18.240 --> 0:25:22.720
<v Speaker 1>Yeah, well, I think I was trying to remember at

0:25:22.760 --> 0:25:25.440
<v Speaker 1>the time, I was really into Cassavettis, and I think

0:25:25.480 --> 0:25:28.600
<v Speaker 1>I was trying to channel gentlemen from a woman under

0:25:28.640 --> 0:25:32.320
<v Speaker 1>the influencer. I think, wow, I think there's probably the

0:25:32.400 --> 0:25:34.840
<v Speaker 1>young actress in me was trying to figure out how

0:25:34.880 --> 0:25:39.679
<v Speaker 1>do you tap into something where you go so you know,

0:25:39.760 --> 0:25:44.240
<v Speaker 1>that's to get to that point, it's got to be

0:25:44.400 --> 0:25:48.560
<v Speaker 1>you know, is hard. I've had you know, and I've

0:25:48.640 --> 0:25:52.000
<v Speaker 1>had people in my life who have gone there, and

0:25:52.040 --> 0:25:54.199
<v Speaker 1>so it's it's you know a lot of people are

0:25:54.200 --> 0:25:56.600
<v Speaker 1>like such a selfish act you know to do something

0:25:56.680 --> 0:26:00.720
<v Speaker 1>like that, but that's how lost you are when you yeah,

0:26:01.000 --> 0:26:06.719
<v Speaker 1>going to that extreme, You're so lost. So it was,

0:26:06.960 --> 0:26:09.640
<v Speaker 1>you know, I think I was probably trying to channel

0:26:09.880 --> 0:26:13.080
<v Speaker 1>anything I could find as such a young actress. I'm

0:26:13.080 --> 0:26:15.680
<v Speaker 1>going to look back on that, and we were, I mean,

0:26:15.920 --> 0:26:21.720
<v Speaker 1>we're so young and we're trying to do these really hard.

0:26:22.320 --> 0:26:25.160
<v Speaker 5>Well, yeah, you had to make that nutty nutty gal

0:26:25.520 --> 0:26:27.880
<v Speaker 5>likable too, or we all would have been like, get

0:26:27.960 --> 0:26:31.760
<v Speaker 5>rid of this cuckoo chick. We had to feel compassion,

0:26:31.840 --> 0:26:34.920
<v Speaker 5>which I did the entire both.

0:26:34.760 --> 0:26:36.280
<v Speaker 2>Laura Part one and Laura Part two.

0:26:36.320 --> 0:26:39.200
<v Speaker 5>Like even though what you sort of did, although I

0:26:39.240 --> 0:26:41.680
<v Speaker 5>still we debated this back and forth a lot because

0:26:41.720 --> 0:26:45.000
<v Speaker 5>it's never clear what really happened in Laura Part one,

0:26:45.960 --> 0:26:48.439
<v Speaker 5>but you you were still likable, and we had this

0:26:48.480 --> 0:26:52.240
<v Speaker 5>almost like oh no, like oh, bless her heart kind

0:26:52.240 --> 0:26:53.400
<v Speaker 5>of like, oh no.

0:26:55.680 --> 0:26:59.240
<v Speaker 1>That's hard. That's a hard thing because we're you're watching

0:26:59.280 --> 0:27:01.400
<v Speaker 1>these characters on this show and you fall in love

0:27:01.440 --> 0:27:03.800
<v Speaker 1>with these characters, and so any character that comes on

0:27:04.040 --> 0:27:10.200
<v Speaker 1>that that disparages them or it, you're not going to

0:27:10.280 --> 0:27:13.400
<v Speaker 1>be liked. And so that's a it's a hard balance

0:27:13.600 --> 0:27:16.439
<v Speaker 1>to play what they've written for you and play that

0:27:16.560 --> 0:27:21.280
<v Speaker 1>character but also not be completely hated by anybody watching

0:27:21.359 --> 0:27:25.240
<v Speaker 1>the show because then nobody cares and so what so.

0:27:25.480 --> 0:27:27.560
<v Speaker 5>Well, and you your character is so important to bring

0:27:27.640 --> 0:27:30.720
<v Speaker 5>Steve to the forefront because look, Steve can be sort

0:27:30.720 --> 0:27:31.919
<v Speaker 5>of a secondary character.

0:27:32.320 --> 0:27:34.960
<v Speaker 2>But in both Laura Part one and Laura Part two.

0:27:35.119 --> 0:27:38.960
<v Speaker 5>And it really brought Jenny to the forefront because she

0:27:39.160 --> 0:27:42.960
<v Speaker 5>comes to defend Steve and that was so important for

0:27:43.040 --> 0:27:46.960
<v Speaker 5>our core characters. And then in this one, it really

0:27:47.000 --> 0:27:50.800
<v Speaker 5>caused the friction between Steve and Brenda for the most

0:27:50.840 --> 0:27:51.760
<v Speaker 5>we've ever seen.

0:27:52.119 --> 0:27:55.480
<v Speaker 2>I mean we were almost like a laughing right, Wow,

0:27:55.560 --> 0:27:56.440
<v Speaker 2>they're going.

0:27:57.840 --> 0:27:59.679
<v Speaker 1>And say, I'm your brother's friend, not yours.

0:28:00.080 --> 0:28:05.119
<v Speaker 2>My god, he's kind of a you know, a D

0:28:05.240 --> 0:28:06.159
<v Speaker 2>word in this.

0:28:06.640 --> 0:28:10.879
<v Speaker 5>But you still we had to not hate you. We

0:28:10.920 --> 0:28:11.879
<v Speaker 5>never hated you.

0:28:11.920 --> 0:28:16.480
<v Speaker 2>We were just like, oh god, this is going the wrong.

0:28:17.119 --> 0:28:22.520
<v Speaker 1>Right, Yeah, you did job, thank you. I ended up

0:28:22.600 --> 0:28:26.080
<v Speaker 1>It's funny. I ended up doing I think probably five

0:28:26.160 --> 0:28:30.399
<v Speaker 1>or six years later, I ended up doing Alma in

0:28:30.520 --> 0:28:34.760
<v Speaker 1>Tennessee Williams Summer and Smoke ask you about this? Yeah,

0:28:34.840 --> 0:28:37.960
<v Speaker 1>where did you do that? At the Fountain Theater and

0:28:38.280 --> 0:28:42.360
<v Speaker 1>we had almost a year run and the Ovation Awards

0:28:42.360 --> 0:28:45.240
<v Speaker 1>are the Theater Awards in LA and I was up

0:28:45.280 --> 0:28:52.360
<v Speaker 1>against Linda Lavin and Ruby d and now wow look

0:28:52.440 --> 0:28:53.080
<v Speaker 1>at you.

0:28:53.480 --> 0:28:54.880
<v Speaker 2>Oh my gosh.

0:28:55.240 --> 0:28:58.000
<v Speaker 1>And then after that, two years after that, I played

0:28:58.000 --> 0:29:02.280
<v Speaker 1>a character called Maggie in After the Fall and Arthur

0:29:02.320 --> 0:29:07.360
<v Speaker 1>Miller play No, it's all like predetermined, Yeah, right, is right?

0:29:08.680 --> 0:29:13.400
<v Speaker 1>So foreshadowing love it. Yeah, You've just Yeah, like you said,

0:29:13.400 --> 0:29:16.840
<v Speaker 1>you've had such a well rounded career, and your resume

0:29:17.000 --> 0:29:19.080
<v Speaker 1>is so full of all kinds of different genres. You've

0:29:19.120 --> 0:29:23.600
<v Speaker 1>done sci fi, horror, and yeah, you've done it all.

0:29:23.640 --> 0:29:25.720
<v Speaker 1>You've done live theater. I have one of the most

0:29:25.880 --> 0:29:32.240
<v Speaker 1>iconic horror deaths in the film, which Toy, We're here, Tory,

0:29:32.280 --> 0:29:32.800
<v Speaker 1>We're here.

0:29:32.920 --> 0:29:34.680
<v Speaker 3>She would be so excited right now because she loves

0:29:34.680 --> 0:29:37.000
<v Speaker 3>horror films. I'm not really away which one.

0:29:37.560 --> 0:29:39.840
<v Speaker 1>I'm not either, which is so funny because I've done

0:29:40.840 --> 0:29:44.120
<v Speaker 1>the series, I've done you know, my very first so

0:29:44.240 --> 0:29:46.479
<v Speaker 1>my very first film after and I know two one

0:29:46.480 --> 0:29:51.080
<v Speaker 1>to oh was Wes Craven's New Nightmare, which did Nightmare

0:29:51.120 --> 0:29:52.960
<v Speaker 1>and Elm Street and then he you know, there were

0:29:52.960 --> 0:29:54.640
<v Speaker 1>other directors who did the other ones, and then he

0:29:54.760 --> 0:29:56.800
<v Speaker 1>came back and did the one I did and it

0:29:56.880 --> 0:30:00.680
<v Speaker 1>was my first movie. Wow. I have this credible death

0:30:00.760 --> 0:30:06.280
<v Speaker 1>scene where Freddy Krueger is dragging me up the wall

0:30:06.920 --> 0:30:09.280
<v Speaker 1>and he disappears and then he appears. He disappears and

0:30:09.480 --> 0:30:12.280
<v Speaker 1>dragging me up the wall and I'm screaming and I'm

0:30:12.280 --> 0:30:14.280
<v Speaker 1>reaching my hand out to the little boy and then

0:30:14.320 --> 0:30:17.400
<v Speaker 1>he just cuts me. Oh my god. And it was

0:30:17.440 --> 0:30:21.040
<v Speaker 1>all done in a in a studio that completely turns

0:30:21.200 --> 0:30:23.280
<v Speaker 1>so you could go up the walls, so that I

0:30:23.280 --> 0:30:27.920
<v Speaker 1>could go up the wall. It's crazy town. It's crazy town. Yeah.

0:30:27.960 --> 0:30:31.640
<v Speaker 1>That was my first movie. So fun though. That's what

0:30:31.720 --> 0:30:35.200
<v Speaker 1>a lot of people know, a lot of you know,

0:30:35.240 --> 0:30:39.040
<v Speaker 1>there's certain if you've been on that, then you end

0:30:39.120 --> 0:30:42.960
<v Speaker 1>up going on to some other things like Angel and

0:30:42.960 --> 0:30:46.000
<v Speaker 1>then you know. Obviously the last one was MTV's Scream

0:30:46.280 --> 0:30:46.760
<v Speaker 1>This series.

0:30:46.840 --> 0:30:48.320
<v Speaker 2>Yeah, that was a good show. Actually, that was a

0:30:48.320 --> 0:30:48.920
<v Speaker 2>really good show.

0:30:49.360 --> 0:30:53.960
<v Speaker 1>Yeah, it was a fund what you're living in New Orleans?

0:30:53.960 --> 0:30:56.160
<v Speaker 1>I live, I live in New Orleans, and that's kind

0:30:56.200 --> 0:30:59.480
<v Speaker 1>of why I live here. The first season was shot

0:30:59.480 --> 0:31:01.920
<v Speaker 1>in Baton, Huge, and the second season they were going

0:31:01.960 --> 0:31:05.200
<v Speaker 1>to film in New Orleans and we were gonna, you know,

0:31:05.240 --> 0:31:06.760
<v Speaker 1>my husband and I were like, well, let's buy an

0:31:06.800 --> 0:31:09.880
<v Speaker 1>investment property, because that's what you do when you're on

0:31:09.920 --> 0:31:14.520
<v Speaker 1>a series. Right, So Mark, now, right, So we were

0:31:14.560 --> 0:31:17.280
<v Speaker 1>looking in California and we were living in Central California

0:31:17.320 --> 0:31:20.800
<v Speaker 1>at the time, and I couldn't find anything. And then

0:31:21.320 --> 0:31:25.280
<v Speaker 1>we looked in New Orleans and we just found this.

0:31:26.240 --> 0:31:28.760
<v Speaker 1>The house I'm in now, this really great, you know,

0:31:29.040 --> 0:31:33.720
<v Speaker 1>one hundred year old house, and it was amazing. It's

0:31:33.800 --> 0:31:37.000
<v Speaker 1>just ugly, just painted, you know, yell and purple. And

0:31:37.640 --> 0:31:41.800
<v Speaker 1>so while I was filming the series, you know, again,

0:31:41.920 --> 0:31:44.880
<v Speaker 1>I was the mom of the main character. My character

0:31:45.000 --> 0:31:47.560
<v Speaker 1>had all this history, and so I was I was

0:31:47.600 --> 0:31:49.680
<v Speaker 1>integral in it. But I didn't have to work that much.

0:31:50.680 --> 0:31:53.040
<v Speaker 1>That's kind of role. It was great. So I was

0:31:53.080 --> 0:31:55.560
<v Speaker 1>getting paid, worked maybe one or two days a week,

0:31:55.680 --> 0:31:58.000
<v Speaker 1>and then the rest of the time I spent renovating

0:31:58.640 --> 0:31:59.080
<v Speaker 1>the house.

0:31:59.400 --> 0:32:02.840
<v Speaker 3>Is that the house I saw on your Instagram?

0:32:03.160 --> 0:32:08.080
<v Speaker 1>The white is it white? Like, yeah, it's beautiful. Yeah,

0:32:08.120 --> 0:32:10.920
<v Speaker 1>And so we're now I'm actually doing Uh, we have

0:32:10.920 --> 0:32:15.560
<v Speaker 1>a commercial property that's from the eighteen forties. Then we're

0:32:16.840 --> 0:32:20.440
<v Speaker 1>that we're renovating. Oh that's so fun. Yeah, it's an

0:32:20.480 --> 0:32:23.520
<v Speaker 1>old pharmacy and an old brick carriage house and we're

0:32:23.520 --> 0:32:29.000
<v Speaker 1>turning it in a restaurant, bar and a deli. Amazing.

0:32:29.440 --> 0:32:33.520
<v Speaker 1>Look at you. You're just our Laura king You do

0:32:33.600 --> 0:32:36.520
<v Speaker 1>what you gotta do, don't you really sprouted her wings?

0:32:37.160 --> 0:32:40.680
<v Speaker 5>I will say I am so grateful for you doing

0:32:40.760 --> 0:32:44.480
<v Speaker 5>this because of all the ten seasons, there's only a

0:32:44.520 --> 0:32:49.200
<v Speaker 5>handful of guest stars that really are just unforgettable, and

0:32:49.280 --> 0:32:52.640
<v Speaker 5>you are one of them, and like Laura Kingman will

0:32:52.640 --> 0:32:56.560
<v Speaker 5>never be forgotten. It's just such a Yeah, it must

0:32:56.560 --> 0:32:59.360
<v Speaker 5>have just been so juicy to like play that character.

0:32:59.520 --> 0:33:01.160
<v Speaker 2>She's so so complicated.

0:33:01.840 --> 0:33:04.240
<v Speaker 1>Yeah, it was. It was in fact. I mean as

0:33:04.240 --> 0:33:06.360
<v Speaker 1>you get older, I mean you probably feel this way, Jenny,

0:33:06.440 --> 0:33:08.320
<v Speaker 1>But as you get older, you go, oh, I think

0:33:08.480 --> 0:33:11.800
<v Speaker 1>I understand that a little bit better now, and you

0:33:11.840 --> 0:33:13.800
<v Speaker 1>look back on some of these parts and go, oh.

0:33:14.520 --> 0:33:18.360
<v Speaker 1>The hard thing being an actor is that it's out

0:33:18.400 --> 0:33:21.880
<v Speaker 1>there for everyone to see, and so your growth is

0:33:21.920 --> 0:33:25.400
<v Speaker 1>out there for everyone to see. Oh yeah, yeah, which

0:33:25.480 --> 0:33:27.200
<v Speaker 1>can you know, it can be tough. You just have to,

0:33:27.360 --> 0:33:31.040
<v Speaker 1>you know, accept that's part of the gig and try

0:33:31.080 --> 0:33:35.880
<v Speaker 1>to grow with each job. So yeah, well I can't

0:33:35.880 --> 0:33:37.920
<v Speaker 1>wait to see what's next for you. And I mean

0:33:38.280 --> 0:33:40.520
<v Speaker 1>you're going to keep yourself busy with these renovations, which

0:33:40.560 --> 0:33:43.960
<v Speaker 1>is so fun. Yeah, yeah, I have these renovations. I

0:33:44.320 --> 0:33:48.240
<v Speaker 1>also have a project that I worked on which you

0:33:48.280 --> 0:33:52.040
<v Speaker 1>maybe would want to contribute to. It's called Shutter to Think.

0:33:52.800 --> 0:33:55.240
<v Speaker 1>And I saw that also on your Instagram and I

0:33:55.240 --> 0:33:57.440
<v Speaker 1>saw someone's feet and I was very confused, are they

0:33:57.480 --> 0:34:04.400
<v Speaker 1>your feet or are they any lynnux Beat? I created

0:34:04.920 --> 0:34:08.439
<v Speaker 1>so girls education. If you can educate women around the world,

0:34:08.520 --> 0:34:10.840
<v Speaker 1>girls around the world, we can pretty much change the world.

0:34:10.960 --> 0:34:16.000
<v Speaker 1>Because girls get educated, they work, the money comes home.

0:34:16.239 --> 0:34:20.120
<v Speaker 1>They don't leave their villages, they stay. And the majority

0:34:20.120 --> 0:34:22.319
<v Speaker 1>of girls are not educated. The boys are educated. And

0:34:22.360 --> 0:34:27.120
<v Speaker 1>so I was involved with a friend who started Girl

0:34:27.239 --> 0:34:31.600
<v Speaker 1>Rising and I started this project called Shudder to Think

0:34:31.680 --> 0:34:35.280
<v Speaker 1>and it's any but any celebrity who has taken a photo,

0:34:36.160 --> 0:34:39.719
<v Speaker 1>they can donate the photo. Amazing, let's do that. I

0:34:39.840 --> 0:34:42.279
<v Speaker 1>was I was just at I was just at the

0:34:42.360 --> 0:34:49.359
<v Speaker 1>gorge to see Brandon Carlisle and John H. Fan was

0:34:49.800 --> 0:34:52.520
<v Speaker 1>so lucky to meet Johnnie Mitchell and talk to her,

0:34:53.280 --> 0:34:55.239
<v Speaker 1>and then I ran into any Lenox and I was

0:34:55.280 --> 0:34:58.040
<v Speaker 1>I was able to thank any Lennox for her Oh good.

0:35:00.920 --> 0:35:05.479
<v Speaker 1>I definitely wanted it easy because it's you just send

0:35:05.480 --> 0:35:08.280
<v Speaker 1>a boot up and I used to have genius.

0:35:08.320 --> 0:35:10.480
<v Speaker 3>First of all, that's a genius because that's an easy

0:35:10.520 --> 0:35:13.080
<v Speaker 3>ask of people. And also I love that title, shudder

0:35:13.080 --> 0:35:16.600
<v Speaker 3>to think if you like, break it down, get it shutter,

0:35:16.760 --> 0:35:21.000
<v Speaker 3>help the girls think. And I've had some good responses.

0:35:21.040 --> 0:35:27.319
<v Speaker 1>Meryl Street donated, and Helen Chemmy and Moby and just

0:35:27.800 --> 0:35:34.239
<v Speaker 1>the list is amazing and good for you, growing, good

0:35:34.280 --> 0:35:39.839
<v Speaker 1>for you have so much admiration. Yeah, thank you, thank you. Well,

0:35:39.880 --> 0:35:42.640
<v Speaker 1>it's just so great to see your face again and

0:35:42.760 --> 0:35:47.040
<v Speaker 1>talk to you and learn all about this and I

0:35:47.080 --> 0:35:49.000
<v Speaker 1>don't know, you're just great. You're great, that's all.

0:35:49.760 --> 0:35:52.000
<v Speaker 2>Yeah, you are phenomenal on this show.

0:35:52.360 --> 0:35:55.759
<v Speaker 5>Because even now, just this little time we've had, is

0:35:55.760 --> 0:35:59.520
<v Speaker 5>like you don't even look like her in that same way.

0:35:59.200 --> 0:36:01.799
<v Speaker 2>You're personalities difference, So it's just like that must have

0:36:01.800 --> 0:36:05.239
<v Speaker 2>been so out of left field to play her, and

0:36:05.280 --> 0:36:07.080
<v Speaker 2>you just nailed it. Like I said, I will never

0:36:07.120 --> 0:36:08.800
<v Speaker 2>forget Laurie.

0:36:09.000 --> 0:36:13.400
<v Speaker 1>Yeah, I don't think I've played anybody that unhinged since

0:36:13.760 --> 0:36:17.840
<v Speaker 1>that was That was it. That's right, I feel I

0:36:17.880 --> 0:36:23.480
<v Speaker 1>feel somehow good about that. Yeah, well, we were happy

0:36:23.520 --> 0:36:25.759
<v Speaker 1>to be a part of it, of your unhinged performance

0:36:25.760 --> 0:36:29.480
<v Speaker 1>of a lifetime. Thank you, thank you, and you have

0:36:29.520 --> 0:36:33.960
<v Speaker 1>any other questions, just let me know. In ne Orleans.

0:36:35.800 --> 0:36:38.640
<v Speaker 1>I love it. That sounds like good life. Well be well,

0:36:39.000 --> 0:36:43.160
<v Speaker 1>love to your family and thank you too. Okay, Bay

0:36:44.840 --> 0:36:45.840
<v Speaker 1>so awesome.

0:36:46.200 --> 0:36:48.960
<v Speaker 5>Oh my god, she's she's so cool because she really,

0:36:49.200 --> 0:36:50.600
<v Speaker 5>like I said, like for you all to be that

0:36:50.719 --> 0:36:52.120
<v Speaker 5>young and play character like.

0:36:52.080 --> 0:36:54.760
<v Speaker 4>That, I know she she had to have a serious

0:36:54.800 --> 0:37:00.560
<v Speaker 4>like death so hard because she was so like over

0:37:00.640 --> 0:37:02.719
<v Speaker 4>the top, but couldn't be over the top, like we

0:37:02.800 --> 0:37:04.000
<v Speaker 4>had to believe that she.

0:37:03.920 --> 0:37:07.160
<v Speaker 5>Would climb that scaffolding and was gonna in the you know,

0:37:07.200 --> 0:37:07.839
<v Speaker 5>the whole thing.

0:37:08.239 --> 0:37:10.480
<v Speaker 2>Like I said, he could have gone clowney so easily.

0:37:10.840 --> 0:37:13.960
<v Speaker 1>Oh my gosh, that was fun. I was talking to

0:37:14.040 --> 0:37:17.879
<v Speaker 1>our old coast stars. That's that's those are always fun episodes. Yeah,

0:37:18.400 --> 0:37:20.359
<v Speaker 1>our one on ones. I loved it.

0:37:20.560 --> 0:37:26.600
<v Speaker 5>Okay, So the finale, she's going to Washington, so we're

0:37:26.600 --> 0:37:27.399
<v Speaker 5>getting ready for.

0:37:27.280 --> 0:37:36.920
<v Speaker 1>That next week. Y'all who loves Christmas? I do.

0:37:37.680 --> 0:37:41.960
<v Speaker 3>Hey everybody, it's me Jenny Garth, my BFF Tory spelling,

0:37:42.040 --> 0:37:46.480
<v Speaker 3>and I are so excited to bring our new holiday

0:37:46.600 --> 0:37:52.719
<v Speaker 3>home decor pieces to QVC in honor of QVC's Christmas

0:37:52.760 --> 0:37:56.640
<v Speaker 3>in July. We want to bring our holiday spirit into

0:37:56.640 --> 0:37:59.240
<v Speaker 3>your home this summer by sharing our festive and stylish

0:37:59.280 --> 0:38:03.120
<v Speaker 3>pieces for the holidays, So be sure to tune in

0:38:03.160 --> 0:38:07.600
<v Speaker 3>to QBC this Saturday, July fifteenth at eight am Eastern

0:38:07.640 --> 0:38:12.160
<v Speaker 3>Standard Time and Sunday, July sixteenth at one am Eastern

0:38:12.200 --> 0:38:16.720
<v Speaker 3>Standard Time. In the meantime, explore more on our Instagram

0:38:16.760 --> 0:38:20.800
<v Speaker 3>at the BFF Collection or go to the BFF collection

0:38:21.000 --> 0:38:23.759
<v Speaker 3>dot com. Merry Christmas in July