WEBVTT - I Choose…To Dream of Barbara Eden

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<v Speaker 1>You're listening to I Choose Me with Jenny Garland. Welcome

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<v Speaker 1>back to I Choose Me. We have been having the

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<v Speaker 1>best conversation today. We're going to continue that. I have

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<v Speaker 1>Barbara Eden on the pod, and she has so much

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<v Speaker 1>wisdom to share with us. So here's part two of

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<v Speaker 1>our conversation. It's absolutely incredible. But I Dream of Jeanie

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<v Speaker 1>is having its sixtieth year anniversary. This is insane. It

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<v Speaker 1>is such an incredible honor to be on a beloved

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<v Speaker 1>television show like that that stands the test of time.

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<v Speaker 1>I can kind of relate with my ten year run

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<v Speaker 1>on Beverly Hills nine o two one zero and people

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<v Speaker 1>being so invested in that character that you played. I

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<v Speaker 1>know you loved that role and you loved that show,

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<v Speaker 1>but did you ever go through periods after the show

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<v Speaker 1>when you sort of wanted to disconnect or this is

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<v Speaker 1>so see it from that character or that show just

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<v Speaker 1>just kind of show. Look, I'm not just that I

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<v Speaker 1>can do other things.

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<v Speaker 2>Never, never, No, because I was doing other things. I

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<v Speaker 2>think even when I worked with you, I was doing

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<v Speaker 2>something other.

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<v Speaker 1>Yeah.

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<v Speaker 2>No, I I oddly enough because I understand people who

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<v Speaker 2>or that, but I really didn't. I wasn't thinking about

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<v Speaker 2>Genie because I was doing film work. I was in Vegas,

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<v Speaker 2>I was singing. It's only it's been quite recently that

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<v Speaker 2>I realized, you know, she's right there there she is,

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<v Speaker 2>you know, yeah, and I'm I think she's great, she's wonderful.

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<v Speaker 2>She's not me, but she's I love it, and it

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<v Speaker 2>does make make me feel really really good that people

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<v Speaker 2>appreciate what I did, that they're still looking at it.

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<v Speaker 2>And god, I it's it's almost like magic, okay, to

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<v Speaker 2>to get fan mail from Russia, and you know how

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<v Speaker 2>they do that. They they because they can't mail letters

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<v Speaker 2>to the United States, so they send it through Poland,

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<v Speaker 2>and I mean all over Europe. It's in France, it's

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<v Speaker 2>in the UK, it's in Italy, it's in China. How

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<v Speaker 2>do they do that? I mean, I you know, you

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<v Speaker 2>speak Chinese now a little bit, but yeah, but how

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<v Speaker 2>do they get that mail out? It's just it's I

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<v Speaker 2>love it. Germany, lots of Germany, lots of South America.

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<v Speaker 2>Isn't it amazing how things have changed, how we're so global?

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<v Speaker 2>And that's that makes me feel good, you know, you know,

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<v Speaker 2>I'm getting a little teary eyed, because, like I said

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<v Speaker 2>to you earlier, I've modeled myself after you and your

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<v Speaker 2>professionalism and your spirit.

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<v Speaker 1>And I can see, I can see the gratitude. I

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<v Speaker 1>can see that you lead with gratitude, and that is

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<v Speaker 1>why you are still here while you are so still

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<v Speaker 1>so beautiful, and you're just like you're you radiate gratitude,

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<v Speaker 1>and I think that's a huge key to life.

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<v Speaker 2>Well, I agree, yes, yeah, gratitude is important to recognize

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<v Speaker 2>how lucky you are. Yeah, lucky. But I'll get back

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<v Speaker 2>to that. We're all a connected thing because I really

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<v Speaker 2>truly believe in it. You can find that spirit and

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<v Speaker 2>almost everyone around you, and that's wonderful. That's a great

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<v Speaker 2>thing to live with.

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<v Speaker 1>I know, I picked a good idol to look up to.

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<v Speaker 1>I mean, you're just blowing my mind. You brought the

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<v Speaker 1>character of Genie to life. You took her off that

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<v Speaker 1>paper and you made her come to life. And she

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<v Speaker 1>had that infamous costume, which also turned you into a

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<v Speaker 1>sex symbol. I'm telling you you were a sex symbol.

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<v Speaker 1>I want to know what that was like. Did you

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<v Speaker 1>ever feel objectified back then?

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<v Speaker 2>No?

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<v Speaker 1>Oh, my gosh, you are amazing.

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<v Speaker 2>No, I didn't, Well, come on, it's a classic theme,

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<v Speaker 2>the genie in the bottle, Yeah, and the magic and

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<v Speaker 2>it's uh and fun to do. I just adored doing her. No,

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<v Speaker 2>I never did feel that although a lot of people

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<v Speaker 2>made fun of my belly button and lack of.

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<v Speaker 1>You know, everybody wondered, does she have a belly button?

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<v Speaker 2>Yeah? We love it. The uh it's the guy at

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<v Speaker 2>the Mike Connolly at the Hollywood Reporter, who wrote an

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<v Speaker 2>article and he came down on the set to talk

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<v Speaker 2>to both Hilary and to me, and then he looked

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<v Speaker 2>at me and he said, where's your belly button? And

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<v Speaker 2>I said it's there. He said, I don't say it.

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<v Speaker 2>I said, nickel a peek, you know I was.

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<v Speaker 1>I went, yeah, you gotta charge more. Yeah, now I

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<v Speaker 1>could do it.

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<v Speaker 2>So he kept coming down on the set and every

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<v Speaker 2>time I'd walk by like that and tummy my gosh.

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<v Speaker 2>But he wrote about it, and then the stringers across

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<v Speaker 2>the country picked it up, and I thought to myself,

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<v Speaker 2>you know, there are actresses that are known for much

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<v Speaker 2>better body parts than the belly button, you know, but

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<v Speaker 2>I'll take it. Why not? Why not?

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<v Speaker 1>Did you ever struggle with body image being with your

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<v Speaker 1>body or how you felt in your body being that

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<v Speaker 1>you were. You know, you were in such beautiful, cute

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<v Speaker 1>little outfits all the time, and looking a certain way

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<v Speaker 1>was really important. Did you ever feel those challenges when

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<v Speaker 1>it came to your body image.

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<v Speaker 2>I don't know how to answer that, because I wasn't.

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<v Speaker 2>You know, I still still we wonder about what we

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<v Speaker 2>wear and how it fits and yeah that, But honestly,

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<v Speaker 2>when most actors start working or acting or were in

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<v Speaker 2>the lights, you know, you forget about those things. You

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<v Speaker 2>just be the person you're being and be comfortable in them.

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<v Speaker 2>I don't know, no, I haven't ever since that when

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<v Speaker 2>my first interview you know that, Yeah, that showed me

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<v Speaker 2>his daughter that broke you in. Yeah, yeah, I know

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<v Speaker 2>that made me think, made me think and centered me.

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<v Speaker 1>You know, I was thinking. I've had a lot of,

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<v Speaker 1>you know, insecurities. I think growing up in the nineties

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<v Speaker 1>being on TV. Yeah, it's a really competitive era. Yeah,

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<v Speaker 1>to be a female on television, and things seem to

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<v Speaker 1>have been so different for you in the in the

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<v Speaker 1>sixties and the seventies, Like you didn't have those It

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<v Speaker 1>doesn't sound like you were ever crippled by your insecurities

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<v Speaker 1>or they didn't hold you back, and that's so admirable.

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<v Speaker 2>Well, thank you. I don't know. When you're talking, I'm thinking, hmm,

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<v Speaker 2>was I insecure? Did I do? There were times perhaps

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<v Speaker 2>when I thought I wasn't quite up to the part

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<v Speaker 2>I was playing, But I've never I don't know. I

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<v Speaker 2>don't think about being insecure. I just don't think about it. Now.

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<v Speaker 2>I may know then then then it wasn't. It wasn't

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<v Speaker 2>on my agenda. What was there to be insecure about.

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<v Speaker 2>I mean, you wanted to work, so you did your job.

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<v Speaker 2>If you're talking about insecure clothing or such, no, you

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<v Speaker 2>wear what they tell you to wear, and you have

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<v Speaker 2>no power over that, and it's much better if you

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<v Speaker 2>don't make a fuss.

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<v Speaker 1>You know.

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<v Speaker 2>As you are talking to me, I'm thinking about different

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<v Speaker 2>shows I've done, you know, And one of them was, well,

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<v Speaker 2>I with a very famous actress and everyone said, well,

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<v Speaker 2>she's difficult. You know, she was the most wonderful thing

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<v Speaker 2>to me. She actually came down and made my dress

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<v Speaker 2>look better to be on the set. So so I

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<v Speaker 2>you know, most people are are pretty good. They're they're

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<v Speaker 2>good souls. No, I guess they wasn't.

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<v Speaker 1>You said it was easier to not make a fuss

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<v Speaker 1>about things like your wardrobe boards.

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<v Speaker 2>It's not important.

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<v Speaker 1>It's not important.

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<v Speaker 2>Well, it's important that fits you and it fits the character.

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<v Speaker 2>But you do it. That's why you're there.

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<v Speaker 1>To act and let the costume designer address.

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<v Speaker 2>You do their job and that's okay.

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<v Speaker 1>You're very easy going. You have to kind of just

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<v Speaker 1>be like Teflon and move through life like that.

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<v Speaker 2>I guess. So I don't know. I mean, I don't

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<v Speaker 2>mean that you don't have some input for it. For instance,

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<v Speaker 2>tell me tell you a job on Genie. The first

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<v Speaker 2>year of Genie, I was pregnant. What yes, I had

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<v Speaker 2>gone Michael and I had tried to have a baby

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<v Speaker 2>for so long. Finally I was pregnant. And I found

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<v Speaker 2>out the same day that they told me that Genie

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<v Speaker 2>was going to go on the air. So I called Sydney,

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<v Speaker 2>the writer producer on the show, and said, I have

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<v Speaker 2>to talk to you. I really have to talk to

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<v Speaker 2>you in person. And he was having dinner at Buck

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<v Speaker 2>Henry's house, who was a very well known writer at

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<v Speaker 2>that time, and he said, well, come on down, we'll

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<v Speaker 2>be at dinner. So I drove I lived up in

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<v Speaker 2>the hills, came down to his house, and I was

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<v Speaker 2>so happy. You know, I was happy about the show too,

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<v Speaker 2>but it was a good time for you. You're happy

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<v Speaker 2>that I was pregnant.

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<v Speaker 1>Yeah.

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<v Speaker 2>So I sat down there with a big grin on

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<v Speaker 2>my face. I said, you know, I'm pregnant. I can't

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<v Speaker 2>do your show. I don't know. I couldn't keep the

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<v Speaker 2>smile off my face. He said what I said. I

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<v Speaker 2>just had to let you know so you could recast it,

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<v Speaker 2>you know, he said, just just stop. He said, I'll

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<v Speaker 2>talk to you in a couple of days. We'll see

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<v Speaker 2>if we can work this out. Okay, work this out.

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<v Speaker 2>Because he had to write a lot of scripts. He

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<v Speaker 2>wrote most of the scribs, and so Gene Nelson, who

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<v Speaker 2>at that time was a well known actor director. I

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<v Speaker 2>remember one time on this set, I came into work

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<v Speaker 2>and there was a bikini on my Now, I know

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<v Speaker 2>now girls flaunt their tummies, but at the time I

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<v Speaker 2>wasn't flooding, you know. And I looked at it and

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<v Speaker 2>I said, I can't wear that. And so the costumer

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<v Speaker 2>went over and told Gene, no, she can't wear the

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<v Speaker 2>bathing suit. And Gene, who happened to have been a

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<v Speaker 2>very good friend of mine at the time, walked up

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<v Speaker 2>to my dressing room and said, Barbara, Barbara, you're never

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<v Speaker 2>a diva. He said, what won't you put on a

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<v Speaker 2>bathing suit, said Jean, I am pregnant. He said, well,

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<v Speaker 2>well that's right, Okay, I'll put it on, but not

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<v Speaker 2>for the crew. You have to come in here and

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<v Speaker 2>see it. So I put it on, and Jean came

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<v Speaker 2>to the door anyway, Oh, oh, I see what you mean.

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<v Speaker 2>I see what you mean.

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<v Speaker 1>I mean, so you had to give him a visual. Yeah,

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<v Speaker 1>that's hilarious.

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<v Speaker 3>Yeah.

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<v Speaker 2>And so what I did was they put me on

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<v Speaker 2>a tire on my tummies. So then I got, you know,

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<v Speaker 2>on to near the bathing It was a pool, like

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<v Speaker 2>the set was a pool.

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<v Speaker 1>Uh.

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<v Speaker 2>And I was supposed to be on a floaty. No,

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<v Speaker 2>it was a a the side of the pool, okay,

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<v Speaker 2>the side of the pool. But they just put the

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<v Speaker 2>a real tire, I mean, not a floating tire.

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<v Speaker 1>Why what what why a real tire?

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<v Speaker 2>Well they covered it up with towels. Why because it's

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<v Speaker 2>a hole in the middle of my tummy fit.

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<v Speaker 1>That is so funny mm hmmm. And it's so crazy.

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<v Speaker 1>The parallels are that I keep finding for us, because

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<v Speaker 1>I too had got a show that I was really

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<v Speaker 1>excited about. It was a comedy, and it had been

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<v Speaker 1>after my nine oh two and oh run doing so

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<v Speaker 1>much drama, and I really wanted to transition into comedy.

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<v Speaker 1>And I got a job on a show was called

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<v Speaker 1>What I Like About You. It was nowhere near I

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<v Speaker 1>Dream of Genie. We only lasted for four years, but

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<v Speaker 1>I remember I did the pilot and then I got pregnant,

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<v Speaker 1>and then I had to say, hey, guys, I'm pregnant.

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<v Speaker 1>This is going to be a problem because the character

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<v Speaker 1>is definitely not pregnant, nor should she be. Yeah, and

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<v Speaker 1>we had to go to great lengths to hide that

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<v Speaker 1>baby bump.

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<v Speaker 2>Oh yeah. I had lots of material in front of me, right,

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<v Speaker 2>Are you always holding something I was always holding, like

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<v Speaker 2>a laundry basket or you though I didn't have to

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<v Speaker 2>do that.

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<v Speaker 1>I remember one scene I had to walk behind a

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<v Speaker 1>clothing rack full of clothes just my head was above

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<v Speaker 1>it and I was rolling it through the scene. Oh

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<v Speaker 1>the things we do, Yeah, the things we do.

0:15:27.640 --> 0:15:31.600
<v Speaker 3>Summer is this season of love Summer Loven, Here we come.

0:15:31.960 --> 0:15:34.520
<v Speaker 3>If you're old enough to remember Summer loven, You're old

0:15:34.600 --> 0:15:37.720
<v Speaker 3>enough to find an I Do Part two. Listen each

0:15:37.760 --> 0:15:40.280
<v Speaker 3>week as our hosts make it their goal to find

0:15:40.280 --> 0:15:43.240
<v Speaker 3>you the next true love of your life. Jenny Garth,

0:15:43.400 --> 0:15:48.440
<v Speaker 3>Jana Kramer, Alexia Napola, Cheryl Burke, Jen Fessler, Kelly Ben Simone,

0:15:48.480 --> 0:15:51.800
<v Speaker 3>Amy Robot and TJ. Holmes are dedicated to helping you

0:15:51.920 --> 0:15:55.080
<v Speaker 3>fall in love again. It's time to make it hot,

0:15:55.120 --> 0:15:56.520
<v Speaker 3>hot hot this summer.

0:15:56.880 --> 0:15:59.680
<v Speaker 1>Listen to I Do Part two on the iHeartRadio app,

0:15:59.760 --> 0:16:09.520
<v Speaker 1>app podcasts, or wherever you listen to podcasts. Okay, you're

0:16:09.560 --> 0:16:13.320
<v Speaker 1>starring in a huge show, the most popular show. Your

0:16:13.400 --> 0:16:16.720
<v Speaker 1>character's name is in the title. It's called The I

0:16:16.800 --> 0:16:17.680
<v Speaker 1>Dream of Genie.

0:16:17.720 --> 0:16:19.160
<v Speaker 2>That's you. Yeah.

0:16:20.480 --> 0:16:24.560
<v Speaker 1>Pay Quality is something that we women have been battling

0:16:24.640 --> 0:16:28.680
<v Speaker 1>for a long time. Oh, so you see where I'm

0:16:28.720 --> 0:16:32.080
<v Speaker 1>going with this. I'm really curious back then, seeing as

0:16:32.120 --> 0:16:34.840
<v Speaker 1>your name was in the title, were you being paid

0:16:34.840 --> 0:16:39.560
<v Speaker 1>the same as your co star Larry Hagman at that time?

0:16:39.680 --> 0:16:42.080
<v Speaker 2>Oh? I was probably being paid more.

0:16:42.480 --> 0:16:44.600
<v Speaker 1>Ah, yes, Barbara.

0:16:46.040 --> 0:16:48.320
<v Speaker 2>Because he wasn't known at all.

0:16:48.560 --> 0:16:52.120
<v Speaker 1>Oh, I'm so happy to hear this, And I'll.

0:16:51.880 --> 0:16:54.080
<v Speaker 2>Tell you a cute story now. That we're on the

0:16:54.120 --> 0:17:02.560
<v Speaker 2>money thing. Larry was extremely intelligent and savvy, you know,

0:17:02.640 --> 0:17:06.399
<v Speaker 2>Mary Martin was his mother. He knew showbiz, he knew

0:17:07.080 --> 0:17:11.120
<v Speaker 2>what was going on. And he said, you know, he said,

0:17:11.119 --> 0:17:16.680
<v Speaker 2>I'm keeping track of my overtime. I said, you are, yeah,

0:17:16.840 --> 0:17:19.320
<v Speaker 2>he said I did. You really should, Barber, you should

0:17:19.400 --> 0:17:23.120
<v Speaker 2>keep track of your overtime. I said, okay, so and

0:17:23.160 --> 0:17:28.240
<v Speaker 2>we every you know, we've worked really hard. You got

0:17:28.240 --> 0:17:30.520
<v Speaker 2>some id but well, I'd be up at six am

0:17:30.560 --> 0:17:34.440
<v Speaker 2>to get all the body done and then and then

0:17:34.520 --> 0:17:38.080
<v Speaker 2>we worked till seven or eight at nine, So I said, okay.

0:17:38.320 --> 0:17:42.240
<v Speaker 2>So I wrote it all down beautifully, and Larry would

0:17:42.280 --> 0:17:43.960
<v Speaker 2>come in and say, look at the check I got.

0:17:44.960 --> 0:17:50.560
<v Speaker 2>You know, overtime. I didn't get a check. You know,

0:17:50.760 --> 0:17:54.960
<v Speaker 2>I guess I didn't get a check. So I told

0:17:54.960 --> 0:17:59.080
<v Speaker 2>my agent and he couldn't get anything out of it.

0:17:59.160 --> 0:18:04.840
<v Speaker 2>Was Columbia's studios at the time, and so I had

0:18:04.840 --> 0:18:09.080
<v Speaker 2>a friend who was an attorney, a dear friend, and

0:18:09.119 --> 0:18:11.040
<v Speaker 2>his wife and his child and everything were in my

0:18:11.080 --> 0:18:15.920
<v Speaker 2>friend and I said, you know, Joe, I'm not I

0:18:15.960 --> 0:18:18.480
<v Speaker 2>don't know what to do about this. I've kept track

0:18:19.119 --> 0:18:25.119
<v Speaker 2>and I don't think I'm getting my overtime, and he

0:18:26.160 --> 0:18:30.840
<v Speaker 2>had a friend in the office, the attorney's Columbia, and

0:18:31.400 --> 0:18:35.080
<v Speaker 2>he said, you know, she's very upset. I wasn't very upset.

0:18:35.080 --> 0:18:41.680
<v Speaker 2>I was just curious what the heck and and so

0:18:41.720 --> 0:18:45.359
<v Speaker 2>they wanted me to prove it. So I gave Joe

0:18:45.440 --> 0:18:48.480
<v Speaker 2>my little book you know where I'm putting it down,

0:18:49.119 --> 0:18:52.360
<v Speaker 2>and Joe came back laughing to me. He said, Okay,

0:18:52.440 --> 0:18:55.600
<v Speaker 2>no problem, but they don't understand how you knew all

0:18:55.680 --> 0:19:00.879
<v Speaker 2>that your numbers are exactly what they have. And I

0:19:01.000 --> 0:19:05.960
<v Speaker 2>thought to myself, they admit that they were not making

0:19:06.000 --> 0:19:09.480
<v Speaker 2>a mistake. They were doing something really wrong.

0:19:10.040 --> 0:19:14.119
<v Speaker 1>You know, they were keeping a tally just like you did. Ye,

0:19:14.520 --> 0:19:15.639
<v Speaker 1>Yet they didn't pay you.

0:19:15.680 --> 0:19:22.439
<v Speaker 2>No, no, So I got a big check. Because it

0:19:22.560 --> 0:19:25.760
<v Speaker 2>was several years. I just kept.

0:19:25.640 --> 0:19:29.479
<v Speaker 1>Thinking, oh, this is so good. Yes, after what is it?

0:19:29.520 --> 0:19:30.680
<v Speaker 1>After how many hours?

0:19:31.280 --> 0:19:32.240
<v Speaker 2>Oh god, I don't know.

0:19:32.280 --> 0:19:37.120
<v Speaker 1>I don't remember anymore. I don't remember, but I love

0:19:37.160 --> 0:19:39.600
<v Speaker 1>it that Larry Hagman it suggested that you do that.

0:19:39.880 --> 0:19:42.480
<v Speaker 2>Oh yeah, keep track of it. And then he kept

0:19:42.480 --> 0:19:46.359
<v Speaker 2>showing the shecks was skinny. Yeah, I'm not getting a check.

0:19:49.800 --> 0:19:53.160
<v Speaker 1>Oh gosh. The one of the one of the many

0:19:53.200 --> 0:19:56.800
<v Speaker 1>reasons why I admire you. After I dream of Geenie,

0:19:56.880 --> 0:20:01.600
<v Speaker 1>you didn't just rest on that legacy. You kept creating,

0:20:01.680 --> 0:20:06.879
<v Speaker 1>You kept working, You kept reinventing yourself. Tell me about reinvention.

0:20:07.200 --> 0:20:09.400
<v Speaker 1>I think we're all kind of doing it every day.

0:20:09.800 --> 0:20:13.159
<v Speaker 1>We're always a work in progress. We can reinvent ourselves

0:20:13.680 --> 0:20:15.080
<v Speaker 1>every day if we want to.

0:20:16.200 --> 0:20:17.480
<v Speaker 2>Did you in what way?

0:20:18.119 --> 0:20:23.000
<v Speaker 1>I just mean, like, say you had a bad day yesterday,

0:20:24.000 --> 0:20:28.119
<v Speaker 1>you weren't your best self. Go to sleep, wake up

0:20:28.160 --> 0:20:30.679
<v Speaker 1>the next morning and start again. Try again. It's a

0:20:30.720 --> 0:20:34.000
<v Speaker 1>new day, and you can be what you if you

0:20:34.040 --> 0:20:38.000
<v Speaker 1>can picture the woman, the person that you want to be,

0:20:38.760 --> 0:20:44.040
<v Speaker 1>how you want to be known. And maybe you haven't

0:20:44.080 --> 0:20:48.879
<v Speaker 1>always been that person. You're human, You make mistakes, things happen,

0:20:49.160 --> 0:20:51.560
<v Speaker 1>but the next day is another chance to try again

0:20:53.560 --> 0:20:55.080
<v Speaker 1>to be the person that you want to be.

0:20:56.840 --> 0:20:57.159
<v Speaker 2>Well.

0:20:58.320 --> 0:21:02.920
<v Speaker 1>I and even for acting, you know.

0:21:03.320 --> 0:21:07.240
<v Speaker 2>I think acting helps you reinvent. But as far as

0:21:07.280 --> 0:21:12.960
<v Speaker 2>you're the reality and when you're not on stage, I

0:21:13.000 --> 0:21:16.320
<v Speaker 2>don't think i'd want to reinvent. I want to be myself.

0:21:16.640 --> 0:21:23.679
<v Speaker 2>I want to be what I am. It's uh, that

0:21:23.720 --> 0:21:30.320
<v Speaker 2>would be superficial. I think you know, I love my friends,

0:21:30.359 --> 0:21:38.879
<v Speaker 2>I love my family, and if there is some person

0:21:38.920 --> 0:21:43.679
<v Speaker 2>that doesn't love us, okay, go away, you know. But

0:21:45.240 --> 0:21:47.120
<v Speaker 2>now I don't know. I don't know why you'd want

0:21:47.160 --> 0:21:49.159
<v Speaker 2>to reinvent yourself.

0:21:49.320 --> 0:21:53.119
<v Speaker 1>I guess I'm thinking more of like, for example, Madonna,

0:21:54.400 --> 0:21:57.520
<v Speaker 1>from her first album to where she is today, She's

0:21:57.520 --> 0:22:01.440
<v Speaker 1>gone through so many different versions of her look and

0:22:01.480 --> 0:22:06.040
<v Speaker 1>her kind of what she led with. I guess that's

0:22:06.119 --> 0:22:07.679
<v Speaker 1>kind of what I'm referring to.

0:22:07.720 --> 0:22:11.200
<v Speaker 2>It's kind of fun. It is kind of fun. I mean,

0:22:11.240 --> 0:22:19.000
<v Speaker 2>I think good for her. Yeah, you know, I don't know.

0:22:19.040 --> 0:22:20.320
<v Speaker 2>But you see, I'm not on.

0:22:20.400 --> 0:22:25.359
<v Speaker 1>The You're not a singer. I mean, like, you're not

0:22:25.400 --> 0:22:30.200
<v Speaker 1>a pop star, so authenticity is very important to you

0:22:30.280 --> 0:22:33.480
<v Speaker 1>and to your craft, but not me.

0:22:33.640 --> 0:22:41.159
<v Speaker 2>It's the character I'm playing, you see, So I don't no, no,

0:22:41.840 --> 0:22:44.440
<v Speaker 2>I like what I am.

0:22:44.520 --> 0:22:44.800
<v Speaker 1>Yeah.

0:22:45.520 --> 0:22:47.800
<v Speaker 2>Oh all the warts, I don't care.

0:22:47.920 --> 0:22:52.159
<v Speaker 1>Yeah, all the parts, the good, the bad, ugly. Yeah.

0:22:52.240 --> 0:22:56.520
<v Speaker 1>I think that's the key. Yeah, loving yourself.

0:22:57.720 --> 0:23:01.480
<v Speaker 2>Just as you are, yeah, and loving people around you,

0:23:01.600 --> 0:23:06.400
<v Speaker 2>loving people around you, recognizing that, yes, how lucky you are, well,

0:23:06.440 --> 0:23:08.400
<v Speaker 2>how much alike you are?

0:23:08.960 --> 0:23:15.679
<v Speaker 1>The connection? Yeah, yeah, yeah, I want to ask you

0:23:17.680 --> 0:23:24.800
<v Speaker 1>about love and grief your life has been marked by

0:23:25.240 --> 0:23:29.280
<v Speaker 1>profound experiences of love. You've been married three times, you

0:23:29.320 --> 0:23:34.600
<v Speaker 1>had a beautiful son. Love is complicated. You had that

0:23:34.720 --> 0:23:37.400
<v Speaker 1>heartbreaking loss of losing your son Matthew.

0:23:37.760 --> 0:23:38.680
<v Speaker 2>Yeah.

0:23:38.720 --> 0:23:42.400
<v Speaker 1>How did you choose to embrace life and your career

0:23:42.920 --> 0:23:47.639
<v Speaker 1>while you were navigating those deep personal challenges in your

0:23:47.680 --> 0:23:48.280
<v Speaker 1>real life?

0:23:48.359 --> 0:23:52.520
<v Speaker 2>Well, my work helped me. It did help me. I

0:23:52.520 --> 0:23:59.720
<v Speaker 2>guess everyone treats grief differently. Some people allow it to

0:23:59.760 --> 0:24:06.000
<v Speaker 2>pull arized them, but I think you have to push

0:24:06.080 --> 0:24:12.399
<v Speaker 2>through it. You'll never lose the grief. It'll always be there,

0:24:13.280 --> 0:24:17.680
<v Speaker 2>especially when it's your child. I don't I know. I

0:24:18.440 --> 0:24:27.280
<v Speaker 2>went out after he transitioned or passed. I went on

0:24:27.920 --> 0:24:34.680
<v Speaker 2>tour with the Odd Couple and did a long tour.

0:24:35.760 --> 0:24:38.600
<v Speaker 2>And during that time we went to the film and

0:24:38.640 --> 0:24:43.960
<v Speaker 2>trying to think of the film's name, but oh god,

0:24:44.200 --> 0:24:49.879
<v Speaker 2>I can't think of it. Very popular, wonderful movie. But

0:24:50.080 --> 0:24:55.720
<v Speaker 2>little boys, a lot of little boys there. And I

0:24:55.880 --> 0:24:58.760
<v Speaker 2>was sitting there with tears just coming down my cheeks.

0:24:59.200 --> 0:25:02.639
<v Speaker 2>But things like that, you just work through it. You

0:25:02.720 --> 0:25:05.919
<v Speaker 2>work through it, but you'll never forget. And you always

0:25:05.920 --> 0:25:10.800
<v Speaker 2>have those feelings. You know, even now it's years ago,

0:25:10.920 --> 0:25:13.399
<v Speaker 2>you know that. But I'll see a little boy and

0:25:13.440 --> 0:25:15.120
<v Speaker 2>I just want to pick him up and hug him,

0:25:15.720 --> 0:25:16.000
<v Speaker 2>you know.

0:25:17.280 --> 0:25:22.240
<v Speaker 1>Yeah, my best friend Adele told me that grief, she's

0:25:22.280 --> 0:25:25.760
<v Speaker 1>a therapist. She said that grief is like a rock,

0:25:25.840 --> 0:25:29.399
<v Speaker 1>a stone in your pocket. Yeah, and it's always going

0:25:29.480 --> 0:25:31.840
<v Speaker 1>to be there. Yeah, They're always going to carry it

0:25:31.840 --> 0:25:35.080
<v Speaker 1>around with you. Yeah, but you don't have to focus

0:25:35.119 --> 0:25:36.920
<v Speaker 1>on it.

0:25:36.920 --> 0:25:38.000
<v Speaker 2>It's interesting.

0:25:38.119 --> 0:25:43.720
<v Speaker 1>Yes, it's so hard to do though. I think when

0:25:43.760 --> 0:25:46.679
<v Speaker 1>you said your work helped you through it, I think

0:25:47.680 --> 0:25:51.200
<v Speaker 1>my personal inclination wouldn't be to not work and to

0:25:52.040 --> 0:25:55.720
<v Speaker 1>sort of pul myself up in my despair and you know,

0:25:56.560 --> 0:26:00.480
<v Speaker 1>be just I can't even imagine that. That's on iaginable

0:26:00.520 --> 0:26:04.480
<v Speaker 1>what happened to you. And I'm so so sorry. Yeah,

0:26:04.960 --> 0:26:10.640
<v Speaker 1>but I don't. You are such a strong lady. Sometimes

0:26:10.760 --> 0:26:13.280
<v Speaker 1>sometimes yes, sometimes I am.

0:26:13.440 --> 0:26:14.199
<v Speaker 2>Sometimes I'm not.

0:26:16.560 --> 0:26:21.879
<v Speaker 1>Yeah, but I mean, just to know that you worked

0:26:21.880 --> 0:26:24.120
<v Speaker 1>your way through it, you know, that's all you can do.

0:26:25.440 --> 0:26:28.679
<v Speaker 1>You can't change it. You just have to learn to

0:26:28.720 --> 0:26:29.159
<v Speaker 1>live with it.

0:26:30.920 --> 0:26:35.520
<v Speaker 2>That's so hard to have your life, you know, that's all.

0:26:35.680 --> 0:26:39.600
<v Speaker 1>Yeah. For the listeners out there that are carrying grief

0:26:40.080 --> 0:26:45.000
<v Speaker 1>or they're grieving, they're navigating the complicated relationship. Perhaps, what

0:26:45.200 --> 0:26:51.800
<v Speaker 1>would you say about choosing love for yourself and healing

0:26:51.960 --> 0:26:55.840
<v Speaker 1>after loss.

0:26:57.080 --> 0:27:01.160
<v Speaker 2>I don't know how to answer that. I think everyone

0:27:01.280 --> 0:27:04.880
<v Speaker 2>has to choose their own path. Everyone has a way

0:27:04.960 --> 0:27:09.080
<v Speaker 2>of dealing with their family, dealing with your emotions, dealing

0:27:09.080 --> 0:27:13.000
<v Speaker 2>with you know, you have to find your own path

0:27:13.080 --> 0:27:20.480
<v Speaker 2>and follow it, that's all. There's no law, there's no rule. Yeah,

0:27:21.680 --> 0:27:27.800
<v Speaker 2>you know, it's gut wrenching and horrible, and you just

0:27:27.920 --> 0:27:31.720
<v Speaker 2>have to live with it. We're not here to be

0:27:31.920 --> 0:27:36.680
<v Speaker 2>non productive. We're here to keep going carry on. Yeah,

0:27:36.920 --> 0:27:38.800
<v Speaker 2>you can't go to bed and pull the covers up

0:27:38.840 --> 0:27:43.440
<v Speaker 2>over your head. It's still there. It's still that rock

0:27:43.480 --> 0:27:46.240
<v Speaker 2>in your pocket, you know. But you have to work

0:27:46.280 --> 0:27:47.320
<v Speaker 2>with the rock in the pocket.

0:27:48.200 --> 0:27:51.520
<v Speaker 1>You have to learn to live with it. Yeah, Yeah,

0:27:52.040 --> 0:28:02.840
<v Speaker 1>so difficult. I've both been married a few times. When

0:28:02.880 --> 0:28:05.399
<v Speaker 1>you think about love now, I'm going to rush right

0:28:05.440 --> 0:28:09.040
<v Speaker 1>through that. Three for you, three for me. Another parallel.

0:28:09.880 --> 0:28:13.440
<v Speaker 1>When you think about love now, how would you define

0:28:13.480 --> 0:28:15.879
<v Speaker 1>it in a relationship sense?

0:28:18.280 --> 0:28:20.840
<v Speaker 2>How would I define love in a relationship?

0:28:21.960 --> 0:28:24.440
<v Speaker 1>How do you succeed in a relationship?

0:28:25.520 --> 0:28:30.720
<v Speaker 2>Well, sometimes you do, sometimes you don't.

0:28:31.280 --> 0:28:33.119
<v Speaker 1>Yeah, but it's not easy.

0:28:33.400 --> 0:28:38.280
<v Speaker 2>Yeah, I think again, there's no rule. You take your

0:28:38.320 --> 0:28:44.960
<v Speaker 2>own path and your two individuals. I don't know. You

0:28:45.000 --> 0:28:46.360
<v Speaker 2>love your dog, don't you.

0:28:46.560 --> 0:28:47.440
<v Speaker 1>I sure do.

0:28:47.640 --> 0:28:52.720
<v Speaker 2>And I adore my dog and I adore my husband.

0:28:53.320 --> 0:28:55.720
<v Speaker 1>So wait, you said the dog first.

0:29:00.000 --> 0:29:03.640
<v Speaker 2>My husband would probably say the dog first. Two. We

0:29:03.760 --> 0:29:06.640
<v Speaker 2>love our dog. We just love it. Get that love

0:29:06.680 --> 0:29:10.240
<v Speaker 2>wells up? You know, Well, it does the same for

0:29:10.400 --> 0:29:14.080
<v Speaker 2>my husband, and I hope for me to do for me.

0:29:14.600 --> 0:29:19.120
<v Speaker 2>But we and we respect each other. We're not one

0:29:19.200 --> 0:29:22.720
<v Speaker 2>hundred percent alike. He has nothing to do with my business.

0:29:22.960 --> 0:29:26.920
<v Speaker 2>He loves it, but he's never he's not an actor,

0:29:26.960 --> 0:29:33.360
<v Speaker 2>he's not you know. But but I know I like

0:29:33.440 --> 0:29:41.880
<v Speaker 2>what he is. I love what he is. That's all

0:29:41.920 --> 0:29:45.040
<v Speaker 2>I can say. I don't know what to say to anyone.

0:29:45.840 --> 0:29:50.560
<v Speaker 2>You just have to love them and accept them. And right, yeah,

0:29:50.960 --> 0:29:52.560
<v Speaker 2>I think, yeah, that's great advice.

0:29:52.640 --> 0:29:55.560
<v Speaker 1>You have to look at your partner as an individual

0:29:55.760 --> 0:29:58.840
<v Speaker 1>and not as an extension of yourself. Yeah, you know,

0:29:58.880 --> 0:30:02.720
<v Speaker 1>I think that whole jargon about when you marry you

0:30:02.800 --> 0:30:07.959
<v Speaker 1>become one. I feel like in a sense, perhaps, but

0:30:08.040 --> 0:30:11.480
<v Speaker 1>you still are your own person.

0:30:12.240 --> 0:30:13.520
<v Speaker 2>Yeah, I've never heard that.

0:30:14.120 --> 0:30:17.360
<v Speaker 1>It's in the vows, like you know, it's like to

0:30:17.520 --> 0:30:18.680
<v Speaker 1>come together as one.

0:30:19.360 --> 0:30:23.360
<v Speaker 2>I see you. I remember that you think you would

0:30:23.400 --> 0:30:28.560
<v Speaker 2>after three Well, I think for you certainly do in

0:30:28.880 --> 0:30:35.520
<v Speaker 2>many senses, Yes, of course, because you're you work together. Yeah,

0:30:36.400 --> 0:30:44.520
<v Speaker 2>you're you're your partners, you're in business together. You know. Sure. Yeah,

0:30:44.760 --> 0:30:48.200
<v Speaker 2>but you respect what they are and they respect you.

0:30:48.520 --> 0:30:50.840
<v Speaker 2>If they don't respect you, which I'm sure you had

0:30:50.920 --> 0:30:56.200
<v Speaker 2>happened I did too, then you see. Sorry, you know,

0:30:56.960 --> 0:30:59.960
<v Speaker 2>I'm i gonna do it. Yeah.

0:31:00.080 --> 0:31:05.080
<v Speaker 1>Yeah, that's really hard when I think as women who

0:31:05.120 --> 0:31:11.120
<v Speaker 1>are successful and strong willed, it's hard to be with

0:31:11.240 --> 0:31:14.880
<v Speaker 1>a man that doesn't respect you or that feels as

0:31:14.920 --> 0:31:19.440
<v Speaker 1>if you should take a back seat to him in

0:31:19.520 --> 0:31:23.440
<v Speaker 1>some way. And it's also hard. I know you've probably

0:31:23.480 --> 0:31:27.080
<v Speaker 1>experienced this, being the breadwinner in certain situations, certain times

0:31:27.080 --> 0:31:32.720
<v Speaker 1>of your life. Men customarily have a problem with that.

0:31:35.280 --> 0:31:38.640
<v Speaker 1>Many do, many do, Many don't. Yeah, you got to

0:31:38.680 --> 0:31:39.640
<v Speaker 1>find the ones that don't.

0:31:39.920 --> 0:31:41.440
<v Speaker 2>Yeah, but.

0:31:43.880 --> 0:31:45.640
<v Speaker 3>No, I.

0:31:47.560 --> 0:31:51.080
<v Speaker 2>Don't know. That's I think that's when you're one, you know.

0:31:54.160 --> 0:31:57.640
<v Speaker 1>Okay, this is a very deep question, but I'm so

0:31:57.840 --> 0:32:06.080
<v Speaker 1>curious your take on this. After you've lived this beautiful life,

0:32:06.280 --> 0:32:11.280
<v Speaker 1>what do you think happens after that? When it all ends?

0:32:11.440 --> 0:32:13.840
<v Speaker 1>What do you think happens when our lives end? And

0:32:14.360 --> 0:32:17.560
<v Speaker 1>where do we go? What happens to us? I'm so

0:32:17.680 --> 0:32:21.720
<v Speaker 1>curious about other people's perspectives on death and dying, and.

0:32:23.080 --> 0:32:25.120
<v Speaker 2>I just well, I'm just not going to do it.

0:32:25.160 --> 0:32:27.640
<v Speaker 1>Okay, good, I am here for that.

0:32:29.280 --> 0:32:30.280
<v Speaker 2>Absolutely not.

0:32:30.600 --> 0:32:35.120
<v Speaker 1>No, I'm so with you. This doesn't sound fun. No,

0:32:38.080 --> 0:32:39.520
<v Speaker 1>what do you think though happens?

0:32:39.560 --> 0:32:41.040
<v Speaker 2>Like? Who knows?

0:32:41.520 --> 0:32:42.080
<v Speaker 1>You don't know.

0:32:42.240 --> 0:32:43.320
<v Speaker 2>I'm ready for the ride.

0:32:44.400 --> 0:32:47.120
<v Speaker 1>I mean it'll be exciting because we don't know.

0:32:47.480 --> 0:32:48.320
<v Speaker 2>Yeah, that's right.

0:32:48.640 --> 0:32:49.840
<v Speaker 1>Or it'll be really boring.

0:32:50.600 --> 0:32:53.440
<v Speaker 2>No, I don't think it'll be boring. Okay, good, I

0:32:53.480 --> 0:32:54.000
<v Speaker 2>don't think so.

0:32:54.880 --> 0:32:58.760
<v Speaker 1>But okay, I have one last question for you. This

0:32:58.880 --> 0:33:03.240
<v Speaker 1>is how I close every episodisode. Barbara Eden, what was

0:33:03.280 --> 0:33:06.080
<v Speaker 1>your last I choose me moment?

0:33:06.960 --> 0:33:09.960
<v Speaker 2>It's probably every day. That's good. It's a good thing,

0:33:11.920 --> 0:33:16.080
<v Speaker 2>you know you Ah. I choose to get up in

0:33:16.120 --> 0:33:20.720
<v Speaker 2>the morning. I choose to have a good breakfast. I

0:33:20.800 --> 0:33:24.080
<v Speaker 2>choose to love my dog. Well, I don't really choose it.

0:33:24.440 --> 0:33:28.240
<v Speaker 2>I do love I love my husband. Let me see.

0:33:28.800 --> 0:33:37.760
<v Speaker 2>I choose my friends. Yeah, just not me? Yeah? Is

0:33:38.320 --> 0:33:38.960
<v Speaker 2>that good enough?

0:33:39.040 --> 0:33:42.600
<v Speaker 1>That's great? I love that you say. I choose myself

0:33:42.640 --> 0:33:45.959
<v Speaker 1>every day, because I think that's important that we acknowledge

0:33:45.960 --> 0:33:49.320
<v Speaker 1>that we're worth choosing. You know, like a lot of

0:33:49.360 --> 0:33:57.400
<v Speaker 1>people have a real hard time choosing themselves and I

0:33:57.400 --> 0:34:01.480
<v Speaker 1>don't want that to be the case for us. No, No,

0:34:02.240 --> 0:34:05.360
<v Speaker 1>it's vital too. But you choose your husband, to you

0:34:05.480 --> 0:34:06.800
<v Speaker 1>choose your children.

0:34:07.280 --> 0:34:09.120
<v Speaker 2>Yes, it's not just me.

0:34:09.320 --> 0:34:13.239
<v Speaker 1>No, but that, in a sense is choosing yourself too,

0:34:13.320 --> 0:34:19.400
<v Speaker 1>because you are choosing to love abundantly, true and freely,

0:34:19.800 --> 0:34:23.560
<v Speaker 1>and that is ultimately, Yeah, the best choice you can

0:34:23.600 --> 0:34:27.480
<v Speaker 1>make for yourself. Yeah, what is your key to longevity?

0:34:28.640 --> 0:34:33.920
<v Speaker 2>I haven't a clue. I don't know. I just like

0:34:34.040 --> 0:34:39.040
<v Speaker 2>being here, I guess, and I like my work. I

0:34:39.080 --> 0:34:44.000
<v Speaker 2>still work, I think, so I have a reason to

0:34:44.120 --> 0:34:49.200
<v Speaker 2>be here. Mm hmm. What's your key to longevity?

0:34:50.360 --> 0:34:55.560
<v Speaker 1>I mean continuing to do things that excite me, Yes,

0:34:55.600 --> 0:34:57.600
<v Speaker 1>that push me, challenge me.

0:34:57.960 --> 0:35:01.120
<v Speaker 2>Yes, I agree.

0:35:01.280 --> 0:35:05.439
<v Speaker 1>I think that's important. Yeah, this has been the best

0:35:05.440 --> 0:35:09.520
<v Speaker 1>conversation ever on it just me. I'm sorry for everybody

0:35:09.520 --> 0:35:11.640
<v Speaker 1>that has come before you, but this is now officially

0:35:11.680 --> 0:35:15.399
<v Speaker 1>my favorite episode. Thank you so much too.

0:35:17.360 --> 0:35:18.200
<v Speaker 2>I've enjoyed it.

0:35:18.280 --> 0:35:21.399
<v Speaker 1>I've loved every second of it. Thank you so much.

0:35:21.560 --> 0:35:24.839
<v Speaker 2>Well, thank you for having me, so good to see

0:35:24.840 --> 0:35:25.320
<v Speaker 2>you again.

0:35:25.520 --> 0:35:26.640
<v Speaker 1>You too,