1 00:00:01,639 --> 00:00:09,039 Speaker 1: You're listening to I Choose Me with Jenny Garland. Welcome 2 00:00:09,080 --> 00:00:11,600 Speaker 1: back to I Choose Me. We have been having the 3 00:00:11,600 --> 00:00:15,280 Speaker 1: best conversation today. We're going to continue that. I have 4 00:00:15,440 --> 00:00:19,280 Speaker 1: Barbara Eden on the pod, and she has so much 5 00:00:19,560 --> 00:00:23,480 Speaker 1: wisdom to share with us. So here's part two of 6 00:00:23,480 --> 00:00:28,360 Speaker 1: our conversation. It's absolutely incredible. But I Dream of Jeanie 7 00:00:28,520 --> 00:00:34,680 Speaker 1: is having its sixtieth year anniversary. This is insane. It 8 00:00:34,760 --> 00:00:37,560 Speaker 1: is such an incredible honor to be on a beloved 9 00:00:37,760 --> 00:00:40,600 Speaker 1: television show like that that stands the test of time. 10 00:00:40,720 --> 00:00:44,040 Speaker 1: I can kind of relate with my ten year run 11 00:00:44,080 --> 00:00:46,240 Speaker 1: on Beverly Hills nine o two one zero and people 12 00:00:46,320 --> 00:00:49,800 Speaker 1: being so invested in that character that you played. I 13 00:00:49,840 --> 00:00:52,440 Speaker 1: know you loved that role and you loved that show, 14 00:00:53,200 --> 00:00:56,000 Speaker 1: but did you ever go through periods after the show 15 00:00:56,040 --> 00:00:59,800 Speaker 1: when you sort of wanted to disconnect or this is 16 00:00:59,840 --> 00:01:02,080 Speaker 1: so see it from that character or that show just 17 00:01:02,080 --> 00:01:04,080 Speaker 1: just kind of show. Look, I'm not just that I 18 00:01:04,120 --> 00:01:05,720 Speaker 1: can do other things. 19 00:01:06,160 --> 00:01:10,680 Speaker 2: Never, never, No, because I was doing other things. I 20 00:01:10,680 --> 00:01:14,000 Speaker 2: think even when I worked with you, I was doing 21 00:01:14,080 --> 00:01:15,400 Speaker 2: something other. 22 00:01:15,600 --> 00:01:15,800 Speaker 1: Yeah. 23 00:01:15,880 --> 00:01:21,000 Speaker 2: No, I I oddly enough because I understand people who 24 00:01:21,840 --> 00:01:26,039 Speaker 2: or that, but I really didn't. I wasn't thinking about 25 00:01:26,120 --> 00:01:32,840 Speaker 2: Genie because I was doing film work. I was in Vegas, 26 00:01:33,120 --> 00:01:39,480 Speaker 2: I was singing. It's only it's been quite recently that 27 00:01:39,600 --> 00:01:43,280 Speaker 2: I realized, you know, she's right there there she is, 28 00:01:43,959 --> 00:01:49,040 Speaker 2: you know, yeah, and I'm I think she's great, she's wonderful. 29 00:01:49,120 --> 00:01:53,400 Speaker 2: She's not me, but she's I love it, and it 30 00:01:53,600 --> 00:01:59,280 Speaker 2: does make make me feel really really good that people 31 00:01:59,400 --> 00:02:04,320 Speaker 2: appreciate what I did, that they're still looking at it. 32 00:02:04,400 --> 00:02:15,120 Speaker 2: And god, I it's it's almost like magic, okay, to 33 00:02:15,120 --> 00:02:19,520 Speaker 2: to get fan mail from Russia, and you know how 34 00:02:19,560 --> 00:02:23,200 Speaker 2: they do that. They they because they can't mail letters 35 00:02:23,360 --> 00:02:28,160 Speaker 2: to the United States, so they send it through Poland, 36 00:02:29,080 --> 00:02:32,919 Speaker 2: and I mean all over Europe. It's in France, it's 37 00:02:32,919 --> 00:02:38,200 Speaker 2: in the UK, it's in Italy, it's in China. How 38 00:02:38,240 --> 00:02:41,360 Speaker 2: do they do that? I mean, I you know, you 39 00:02:41,400 --> 00:02:50,240 Speaker 2: speak Chinese now a little bit, but yeah, but how 40 00:02:50,240 --> 00:02:53,600 Speaker 2: do they get that mail out? It's just it's I 41 00:02:53,639 --> 00:02:57,399 Speaker 2: love it. Germany, lots of Germany, lots of South America. 42 00:03:00,120 --> 00:03:05,920 Speaker 2: Isn't it amazing how things have changed, how we're so global? 43 00:03:07,720 --> 00:03:14,800 Speaker 2: And that's that makes me feel good, you know, you know, 44 00:03:15,200 --> 00:03:18,959 Speaker 2: I'm getting a little teary eyed, because, like I said 45 00:03:19,000 --> 00:03:22,080 Speaker 2: to you earlier, I've modeled myself after you and your 46 00:03:22,120 --> 00:03:24,200 Speaker 2: professionalism and your spirit. 47 00:03:24,880 --> 00:03:31,680 Speaker 1: And I can see, I can see the gratitude. I 48 00:03:31,680 --> 00:03:36,840 Speaker 1: can see that you lead with gratitude, and that is 49 00:03:36,840 --> 00:03:40,320 Speaker 1: why you are still here while you are so still 50 00:03:40,360 --> 00:03:47,240 Speaker 1: so beautiful, and you're just like you're you radiate gratitude, 51 00:03:47,320 --> 00:03:50,760 Speaker 1: and I think that's a huge key to life. 52 00:03:50,960 --> 00:03:57,560 Speaker 2: Well, I agree, yes, yeah, gratitude is important to recognize 53 00:03:58,120 --> 00:04:03,480 Speaker 2: how lucky you are. Yeah, lucky. But I'll get back 54 00:04:03,520 --> 00:04:06,240 Speaker 2: to that. We're all a connected thing because I really 55 00:04:06,440 --> 00:04:11,040 Speaker 2: truly believe in it. You can find that spirit and 56 00:04:11,120 --> 00:04:16,839 Speaker 2: almost everyone around you, and that's wonderful. That's a great 57 00:04:16,839 --> 00:04:17,520 Speaker 2: thing to live with. 58 00:04:20,000 --> 00:04:22,000 Speaker 1: I know, I picked a good idol to look up to. 59 00:04:22,360 --> 00:04:26,480 Speaker 1: I mean, you're just blowing my mind. You brought the 60 00:04:26,560 --> 00:04:29,479 Speaker 1: character of Genie to life. You took her off that 61 00:04:29,560 --> 00:04:32,080 Speaker 1: paper and you made her come to life. And she 62 00:04:32,279 --> 00:04:38,039 Speaker 1: had that infamous costume, which also turned you into a 63 00:04:38,080 --> 00:04:42,440 Speaker 1: sex symbol. I'm telling you you were a sex symbol. 64 00:04:42,800 --> 00:04:44,440 Speaker 1: I want to know what that was like. Did you 65 00:04:44,440 --> 00:04:46,560 Speaker 1: ever feel objectified back then? 66 00:04:46,839 --> 00:04:47,039 Speaker 2: No? 67 00:04:47,640 --> 00:04:49,799 Speaker 1: Oh, my gosh, you are amazing. 68 00:04:50,000 --> 00:04:57,320 Speaker 2: No, I didn't, Well, come on, it's a classic theme, 69 00:04:58,080 --> 00:05:01,600 Speaker 2: the genie in the bottle, Yeah, and the magic and 70 00:05:02,080 --> 00:05:07,440 Speaker 2: it's uh and fun to do. I just adored doing her. No, 71 00:05:07,600 --> 00:05:11,159 Speaker 2: I never did feel that although a lot of people 72 00:05:11,240 --> 00:05:14,280 Speaker 2: made fun of my belly button and lack of. 73 00:05:14,680 --> 00:05:17,680 Speaker 1: You know, everybody wondered, does she have a belly button? 74 00:05:17,760 --> 00:05:21,320 Speaker 2: Yeah? We love it. The uh it's the guy at 75 00:05:21,360 --> 00:05:26,360 Speaker 2: the Mike Connolly at the Hollywood Reporter, who wrote an 76 00:05:26,480 --> 00:05:30,880 Speaker 2: article and he came down on the set to talk 77 00:05:30,920 --> 00:05:33,720 Speaker 2: to both Hilary and to me, and then he looked 78 00:05:33,720 --> 00:05:36,400 Speaker 2: at me and he said, where's your belly button? And 79 00:05:36,440 --> 00:05:40,800 Speaker 2: I said it's there. He said, I don't say it. 80 00:05:40,960 --> 00:05:44,760 Speaker 2: I said, nickel a peek, you know I was. 81 00:05:45,200 --> 00:05:48,400 Speaker 1: I went, yeah, you gotta charge more. Yeah, now I 82 00:05:48,400 --> 00:05:48,880 Speaker 1: could do it. 83 00:05:49,640 --> 00:05:51,760 Speaker 2: So he kept coming down on the set and every 84 00:05:51,760 --> 00:05:56,320 Speaker 2: time I'd walk by like that and tummy my gosh. 85 00:05:56,360 --> 00:05:59,760 Speaker 2: But he wrote about it, and then the stringers across 86 00:05:59,800 --> 00:06:03,440 Speaker 2: the country picked it up, and I thought to myself, 87 00:06:03,720 --> 00:06:08,760 Speaker 2: you know, there are actresses that are known for much 88 00:06:08,839 --> 00:06:14,880 Speaker 2: better body parts than the belly button, you know, but 89 00:06:14,920 --> 00:06:17,479 Speaker 2: I'll take it. Why not? Why not? 90 00:06:18,320 --> 00:06:23,400 Speaker 1: Did you ever struggle with body image being with your 91 00:06:23,400 --> 00:06:26,000 Speaker 1: body or how you felt in your body being that 92 00:06:26,080 --> 00:06:29,640 Speaker 1: you were. You know, you were in such beautiful, cute 93 00:06:29,680 --> 00:06:33,719 Speaker 1: little outfits all the time, and looking a certain way 94 00:06:33,839 --> 00:06:38,640 Speaker 1: was really important. Did you ever feel those challenges when 95 00:06:38,640 --> 00:06:41,280 Speaker 1: it came to your body image. 96 00:06:41,480 --> 00:06:45,440 Speaker 2: I don't know how to answer that, because I wasn't. 97 00:06:46,279 --> 00:06:50,599 Speaker 2: You know, I still still we wonder about what we 98 00:06:50,600 --> 00:06:56,080 Speaker 2: wear and how it fits and yeah that, But honestly, 99 00:06:57,360 --> 00:07:03,760 Speaker 2: when most actors start working or acting or were in 100 00:07:03,800 --> 00:07:08,240 Speaker 2: the lights, you know, you forget about those things. You 101 00:07:08,440 --> 00:07:11,520 Speaker 2: just be the person you're being and be comfortable in them. 102 00:07:12,120 --> 00:07:19,360 Speaker 2: I don't know, no, I haven't ever since that when 103 00:07:19,840 --> 00:07:23,720 Speaker 2: my first interview you know that, Yeah, that showed me 104 00:07:23,800 --> 00:07:27,400 Speaker 2: his daughter that broke you in. Yeah, yeah, I know 105 00:07:27,960 --> 00:07:32,240 Speaker 2: that made me think, made me think and centered me. 106 00:07:33,360 --> 00:07:36,600 Speaker 1: You know, I was thinking. I've had a lot of, 107 00:07:36,920 --> 00:07:40,720 Speaker 1: you know, insecurities. I think growing up in the nineties 108 00:07:40,800 --> 00:07:44,720 Speaker 1: being on TV. Yeah, it's a really competitive era. Yeah, 109 00:07:44,920 --> 00:07:49,680 Speaker 1: to be a female on television, and things seem to 110 00:07:49,760 --> 00:07:52,720 Speaker 1: have been so different for you in the in the 111 00:07:52,760 --> 00:07:58,040 Speaker 1: sixties and the seventies, Like you didn't have those It 112 00:07:58,080 --> 00:08:02,120 Speaker 1: doesn't sound like you were ever crippled by your insecurities 113 00:08:02,920 --> 00:08:07,720 Speaker 1: or they didn't hold you back, and that's so admirable. 114 00:08:10,760 --> 00:08:17,240 Speaker 2: Well, thank you. I don't know. When you're talking, I'm thinking, hmm, 115 00:08:18,040 --> 00:08:22,000 Speaker 2: was I insecure? Did I do? There were times perhaps 116 00:08:22,000 --> 00:08:26,360 Speaker 2: when I thought I wasn't quite up to the part 117 00:08:26,400 --> 00:08:32,360 Speaker 2: I was playing, But I've never I don't know. I 118 00:08:32,400 --> 00:08:36,640 Speaker 2: don't think about being insecure. I just don't think about it. Now. 119 00:08:36,880 --> 00:08:40,640 Speaker 2: I may know then then then it wasn't. It wasn't 120 00:08:40,679 --> 00:08:46,040 Speaker 2: on my agenda. What was there to be insecure about. 121 00:08:46,120 --> 00:08:50,160 Speaker 2: I mean, you wanted to work, so you did your job. 122 00:08:50,880 --> 00:08:56,480 Speaker 2: If you're talking about insecure clothing or such, no, you 123 00:08:56,559 --> 00:08:59,720 Speaker 2: wear what they tell you to wear, and you have 124 00:08:59,800 --> 00:09:04,800 Speaker 2: no power over that, and it's much better if you 125 00:09:04,840 --> 00:09:06,520 Speaker 2: don't make a fuss. 126 00:09:07,160 --> 00:09:07,360 Speaker 1: You know. 127 00:09:09,800 --> 00:09:13,040 Speaker 2: As you are talking to me, I'm thinking about different 128 00:09:13,040 --> 00:09:21,719 Speaker 2: shows I've done, you know, And one of them was, well, 129 00:09:21,760 --> 00:09:26,920 Speaker 2: I with a very famous actress and everyone said, well, 130 00:09:26,960 --> 00:09:32,120 Speaker 2: she's difficult. You know, she was the most wonderful thing 131 00:09:32,200 --> 00:09:38,040 Speaker 2: to me. She actually came down and made my dress 132 00:09:38,040 --> 00:09:42,480 Speaker 2: look better to be on the set. So so I 133 00:09:42,760 --> 00:09:46,840 Speaker 2: you know, most people are are pretty good. They're they're 134 00:09:46,880 --> 00:09:51,839 Speaker 2: good souls. No, I guess they wasn't. 135 00:09:52,480 --> 00:09:56,439 Speaker 1: You said it was easier to not make a fuss 136 00:09:56,880 --> 00:09:58,880 Speaker 1: about things like your wardrobe boards. 137 00:09:58,920 --> 00:09:59,760 Speaker 2: It's not important. 138 00:10:00,040 --> 00:10:00,800 Speaker 1: It's not important. 139 00:10:01,360 --> 00:10:05,160 Speaker 2: Well, it's important that fits you and it fits the character. 140 00:10:06,480 --> 00:10:10,360 Speaker 2: But you do it. That's why you're there. 141 00:10:10,400 --> 00:10:14,800 Speaker 1: To act and let the costume designer address. 142 00:10:14,520 --> 00:10:16,640 Speaker 2: You do their job and that's okay. 143 00:10:17,640 --> 00:10:20,080 Speaker 1: You're very easy going. You have to kind of just 144 00:10:20,120 --> 00:10:22,880 Speaker 1: be like Teflon and move through life like that. 145 00:10:23,880 --> 00:10:27,840 Speaker 2: I guess. So I don't know. I mean, I don't 146 00:10:27,880 --> 00:10:32,760 Speaker 2: mean that you don't have some input for it. For instance, 147 00:10:32,880 --> 00:10:36,360 Speaker 2: tell me tell you a job on Genie. The first 148 00:10:36,440 --> 00:10:42,320 Speaker 2: year of Genie, I was pregnant. What yes, I had 149 00:10:42,400 --> 00:10:46,760 Speaker 2: gone Michael and I had tried to have a baby 150 00:10:46,760 --> 00:10:51,280 Speaker 2: for so long. Finally I was pregnant. And I found 151 00:10:51,320 --> 00:10:55,600 Speaker 2: out the same day that they told me that Genie 152 00:10:55,640 --> 00:10:59,920 Speaker 2: was going to go on the air. So I called Sydney, 153 00:11:00,840 --> 00:11:04,120 Speaker 2: the writer producer on the show, and said, I have 154 00:11:04,240 --> 00:11:06,120 Speaker 2: to talk to you. I really have to talk to 155 00:11:06,120 --> 00:11:11,240 Speaker 2: you in person. And he was having dinner at Buck 156 00:11:11,280 --> 00:11:14,040 Speaker 2: Henry's house, who was a very well known writer at 157 00:11:14,040 --> 00:11:17,120 Speaker 2: that time, and he said, well, come on down, we'll 158 00:11:17,160 --> 00:11:20,000 Speaker 2: be at dinner. So I drove I lived up in 159 00:11:20,000 --> 00:11:23,600 Speaker 2: the hills, came down to his house, and I was 160 00:11:23,640 --> 00:11:27,199 Speaker 2: so happy. You know, I was happy about the show too, 161 00:11:27,400 --> 00:11:29,680 Speaker 2: but it was a good time for you. You're happy 162 00:11:29,720 --> 00:11:30,520 Speaker 2: that I was pregnant. 163 00:11:30,640 --> 00:11:30,880 Speaker 1: Yeah. 164 00:11:30,960 --> 00:11:33,880 Speaker 2: So I sat down there with a big grin on 165 00:11:33,880 --> 00:11:38,760 Speaker 2: my face. I said, you know, I'm pregnant. I can't 166 00:11:38,760 --> 00:11:43,160 Speaker 2: do your show. I don't know. I couldn't keep the 167 00:11:43,200 --> 00:11:50,080 Speaker 2: smile off my face. He said what I said. I 168 00:11:50,200 --> 00:11:53,319 Speaker 2: just had to let you know so you could recast it, 169 00:11:54,000 --> 00:11:58,000 Speaker 2: you know, he said, just just stop. He said, I'll 170 00:11:58,040 --> 00:11:59,840 Speaker 2: talk to you in a couple of days. We'll see 171 00:11:59,840 --> 00:12:03,360 Speaker 2: if we can work this out. Okay, work this out. 172 00:12:05,120 --> 00:12:07,840 Speaker 2: Because he had to write a lot of scripts. He 173 00:12:07,880 --> 00:12:13,440 Speaker 2: wrote most of the scribs, and so Gene Nelson, who 174 00:12:13,480 --> 00:12:17,240 Speaker 2: at that time was a well known actor director. I 175 00:12:17,280 --> 00:12:22,000 Speaker 2: remember one time on this set, I came into work 176 00:12:22,559 --> 00:12:27,440 Speaker 2: and there was a bikini on my Now, I know 177 00:12:27,679 --> 00:12:32,480 Speaker 2: now girls flaunt their tummies, but at the time I 178 00:12:32,559 --> 00:12:36,560 Speaker 2: wasn't flooding, you know. And I looked at it and 179 00:12:36,600 --> 00:12:42,720 Speaker 2: I said, I can't wear that. And so the costumer 180 00:12:43,000 --> 00:12:45,680 Speaker 2: went over and told Gene, no, she can't wear the 181 00:12:45,720 --> 00:12:48,960 Speaker 2: bathing suit. And Gene, who happened to have been a 182 00:12:49,240 --> 00:12:52,240 Speaker 2: very good friend of mine at the time, walked up 183 00:12:52,280 --> 00:12:55,840 Speaker 2: to my dressing room and said, Barbara, Barbara, you're never 184 00:12:55,880 --> 00:12:58,880 Speaker 2: a diva. He said, what won't you put on a 185 00:12:58,880 --> 00:13:04,880 Speaker 2: bathing suit, said Jean, I am pregnant. He said, well, 186 00:13:04,960 --> 00:13:10,600 Speaker 2: well that's right, Okay, I'll put it on, but not 187 00:13:10,760 --> 00:13:13,240 Speaker 2: for the crew. You have to come in here and 188 00:13:13,280 --> 00:13:16,560 Speaker 2: see it. So I put it on, and Jean came 189 00:13:16,600 --> 00:13:20,920 Speaker 2: to the door anyway, Oh, oh, I see what you mean. 190 00:13:21,160 --> 00:13:22,080 Speaker 2: I see what you mean. 191 00:13:22,920 --> 00:13:26,959 Speaker 1: I mean, so you had to give him a visual. Yeah, 192 00:13:27,040 --> 00:13:27,800 Speaker 1: that's hilarious. 193 00:13:27,960 --> 00:13:28,120 Speaker 3: Yeah. 194 00:13:28,960 --> 00:13:33,560 Speaker 2: And so what I did was they put me on 195 00:13:33,640 --> 00:13:36,920 Speaker 2: a tire on my tummies. So then I got, you know, 196 00:13:37,000 --> 00:13:40,000 Speaker 2: on to near the bathing It was a pool, like 197 00:13:40,920 --> 00:13:41,920 Speaker 2: the set was a pool. 198 00:13:42,280 --> 00:13:42,360 Speaker 1: Uh. 199 00:13:42,440 --> 00:13:45,240 Speaker 2: And I was supposed to be on a floaty. No, 200 00:13:45,400 --> 00:13:49,040 Speaker 2: it was a a the side of the pool, okay, 201 00:13:49,200 --> 00:13:51,120 Speaker 2: the side of the pool. But they just put the 202 00:13:51,760 --> 00:13:54,120 Speaker 2: a real tire, I mean, not a floating tire. 203 00:13:54,640 --> 00:13:56,600 Speaker 1: Why what what why a real tire? 204 00:13:57,200 --> 00:14:00,760 Speaker 2: Well they covered it up with towels. Why because it's 205 00:14:00,800 --> 00:14:02,720 Speaker 2: a hole in the middle of my tummy fit. 206 00:14:06,760 --> 00:14:11,760 Speaker 1: That is so funny mm hmmm. And it's so crazy. 207 00:14:11,960 --> 00:14:15,400 Speaker 1: The parallels are that I keep finding for us, because 208 00:14:16,200 --> 00:14:20,080 Speaker 1: I too had got a show that I was really 209 00:14:20,120 --> 00:14:23,160 Speaker 1: excited about. It was a comedy, and it had been 210 00:14:23,240 --> 00:14:25,200 Speaker 1: after my nine oh two and oh run doing so 211 00:14:25,320 --> 00:14:28,640 Speaker 1: much drama, and I really wanted to transition into comedy. 212 00:14:29,280 --> 00:14:32,080 Speaker 1: And I got a job on a show was called 213 00:14:32,080 --> 00:14:34,840 Speaker 1: What I Like About You. It was nowhere near I 214 00:14:34,920 --> 00:14:37,320 Speaker 1: Dream of Genie. We only lasted for four years, but 215 00:14:38,520 --> 00:14:42,560 Speaker 1: I remember I did the pilot and then I got pregnant, 216 00:14:43,680 --> 00:14:48,000 Speaker 1: and then I had to say, hey, guys, I'm pregnant. 217 00:14:48,600 --> 00:14:50,560 Speaker 1: This is going to be a problem because the character 218 00:14:50,640 --> 00:14:54,360 Speaker 1: is definitely not pregnant, nor should she be. Yeah, and 219 00:14:54,680 --> 00:14:57,520 Speaker 1: we had to go to great lengths to hide that 220 00:14:57,960 --> 00:14:58,560 Speaker 1: baby bump. 221 00:14:58,640 --> 00:15:03,280 Speaker 2: Oh yeah. I had lots of material in front of me, right, 222 00:15:03,520 --> 00:15:06,520 Speaker 2: Are you always holding something I was always holding, like 223 00:15:06,560 --> 00:15:09,400 Speaker 2: a laundry basket or you though I didn't have to 224 00:15:09,440 --> 00:15:09,840 Speaker 2: do that. 225 00:15:10,040 --> 00:15:12,640 Speaker 1: I remember one scene I had to walk behind a 226 00:15:12,680 --> 00:15:15,720 Speaker 1: clothing rack full of clothes just my head was above 227 00:15:15,760 --> 00:15:20,760 Speaker 1: it and I was rolling it through the scene. Oh 228 00:15:20,800 --> 00:15:23,640 Speaker 1: the things we do, Yeah, the things we do. 229 00:15:27,640 --> 00:15:31,600 Speaker 3: Summer is this season of love Summer Loven, Here we come. 230 00:15:31,960 --> 00:15:34,520 Speaker 3: If you're old enough to remember Summer loven, You're old 231 00:15:34,600 --> 00:15:37,720 Speaker 3: enough to find an I Do Part two. Listen each 232 00:15:37,760 --> 00:15:40,280 Speaker 3: week as our hosts make it their goal to find 233 00:15:40,280 --> 00:15:43,240 Speaker 3: you the next true love of your life. Jenny Garth, 234 00:15:43,400 --> 00:15:48,440 Speaker 3: Jana Kramer, Alexia Napola, Cheryl Burke, Jen Fessler, Kelly Ben Simone, 235 00:15:48,480 --> 00:15:51,800 Speaker 3: Amy Robot and TJ. Holmes are dedicated to helping you 236 00:15:51,920 --> 00:15:55,080 Speaker 3: fall in love again. It's time to make it hot, 237 00:15:55,120 --> 00:15:56,520 Speaker 3: hot hot this summer. 238 00:15:56,880 --> 00:15:59,680 Speaker 1: Listen to I Do Part two on the iHeartRadio app, 239 00:15:59,760 --> 00:16:09,520 Speaker 1: app podcasts, or wherever you listen to podcasts. Okay, you're 240 00:16:09,560 --> 00:16:13,320 Speaker 1: starring in a huge show, the most popular show. Your 241 00:16:13,400 --> 00:16:16,720 Speaker 1: character's name is in the title. It's called The I 242 00:16:16,800 --> 00:16:17,680 Speaker 1: Dream of Genie. 243 00:16:17,720 --> 00:16:19,160 Speaker 2: That's you. Yeah. 244 00:16:20,480 --> 00:16:24,560 Speaker 1: Pay Quality is something that we women have been battling 245 00:16:24,640 --> 00:16:28,680 Speaker 1: for a long time. Oh, so you see where I'm 246 00:16:28,720 --> 00:16:32,080 Speaker 1: going with this. I'm really curious back then, seeing as 247 00:16:32,120 --> 00:16:34,840 Speaker 1: your name was in the title, were you being paid 248 00:16:34,840 --> 00:16:39,560 Speaker 1: the same as your co star Larry Hagman at that time? 249 00:16:39,680 --> 00:16:42,080 Speaker 2: Oh? I was probably being paid more. 250 00:16:42,480 --> 00:16:44,600 Speaker 1: Ah, yes, Barbara. 251 00:16:46,040 --> 00:16:48,320 Speaker 2: Because he wasn't known at all. 252 00:16:48,560 --> 00:16:52,120 Speaker 1: Oh, I'm so happy to hear this, And I'll. 253 00:16:51,880 --> 00:16:54,080 Speaker 2: Tell you a cute story now. That we're on the 254 00:16:54,120 --> 00:17:02,560 Speaker 2: money thing. Larry was extremely intelligent and savvy, you know, 255 00:17:02,640 --> 00:17:06,399 Speaker 2: Mary Martin was his mother. He knew showbiz, he knew 256 00:17:07,080 --> 00:17:11,120 Speaker 2: what was going on. And he said, you know, he said, 257 00:17:11,119 --> 00:17:16,680 Speaker 2: I'm keeping track of my overtime. I said, you are, yeah, 258 00:17:16,840 --> 00:17:19,320 Speaker 2: he said I did. You really should, Barber, you should 259 00:17:19,400 --> 00:17:23,120 Speaker 2: keep track of your overtime. I said, okay, so and 260 00:17:23,160 --> 00:17:28,240 Speaker 2: we every you know, we've worked really hard. You got 261 00:17:28,240 --> 00:17:30,520 Speaker 2: some id but well, I'd be up at six am 262 00:17:30,560 --> 00:17:34,440 Speaker 2: to get all the body done and then and then 263 00:17:34,520 --> 00:17:38,080 Speaker 2: we worked till seven or eight at nine, So I said, okay. 264 00:17:38,320 --> 00:17:42,240 Speaker 2: So I wrote it all down beautifully, and Larry would 265 00:17:42,280 --> 00:17:43,960 Speaker 2: come in and say, look at the check I got. 266 00:17:44,960 --> 00:17:50,560 Speaker 2: You know, overtime. I didn't get a check. You know, 267 00:17:50,760 --> 00:17:54,960 Speaker 2: I guess I didn't get a check. So I told 268 00:17:54,960 --> 00:17:59,080 Speaker 2: my agent and he couldn't get anything out of it. 269 00:17:59,160 --> 00:18:04,840 Speaker 2: Was Columbia's studios at the time, and so I had 270 00:18:04,840 --> 00:18:09,080 Speaker 2: a friend who was an attorney, a dear friend, and 271 00:18:09,119 --> 00:18:11,040 Speaker 2: his wife and his child and everything were in my 272 00:18:11,080 --> 00:18:15,920 Speaker 2: friend and I said, you know, Joe, I'm not I 273 00:18:15,960 --> 00:18:18,480 Speaker 2: don't know what to do about this. I've kept track 274 00:18:19,119 --> 00:18:25,119 Speaker 2: and I don't think I'm getting my overtime, and he 275 00:18:26,160 --> 00:18:30,840 Speaker 2: had a friend in the office, the attorney's Columbia, and 276 00:18:31,400 --> 00:18:35,080 Speaker 2: he said, you know, she's very upset. I wasn't very upset. 277 00:18:35,080 --> 00:18:41,680 Speaker 2: I was just curious what the heck and and so 278 00:18:41,720 --> 00:18:45,359 Speaker 2: they wanted me to prove it. So I gave Joe 279 00:18:45,440 --> 00:18:48,480 Speaker 2: my little book you know where I'm putting it down, 280 00:18:49,119 --> 00:18:52,360 Speaker 2: and Joe came back laughing to me. He said, Okay, 281 00:18:52,440 --> 00:18:55,600 Speaker 2: no problem, but they don't understand how you knew all 282 00:18:55,680 --> 00:19:00,879 Speaker 2: that your numbers are exactly what they have. And I 283 00:19:01,000 --> 00:19:05,960 Speaker 2: thought to myself, they admit that they were not making 284 00:19:06,000 --> 00:19:09,480 Speaker 2: a mistake. They were doing something really wrong. 285 00:19:10,040 --> 00:19:14,119 Speaker 1: You know, they were keeping a tally just like you did. Ye, 286 00:19:14,520 --> 00:19:15,639 Speaker 1: Yet they didn't pay you. 287 00:19:15,680 --> 00:19:22,439 Speaker 2: No, no, So I got a big check. Because it 288 00:19:22,560 --> 00:19:25,760 Speaker 2: was several years. I just kept. 289 00:19:25,640 --> 00:19:29,479 Speaker 1: Thinking, oh, this is so good. Yes, after what is it? 290 00:19:29,520 --> 00:19:30,680 Speaker 1: After how many hours? 291 00:19:31,280 --> 00:19:32,240 Speaker 2: Oh god, I don't know. 292 00:19:32,280 --> 00:19:37,120 Speaker 1: I don't remember anymore. I don't remember, but I love 293 00:19:37,160 --> 00:19:39,600 Speaker 1: it that Larry Hagman it suggested that you do that. 294 00:19:39,880 --> 00:19:42,480 Speaker 2: Oh yeah, keep track of it. And then he kept 295 00:19:42,480 --> 00:19:46,359 Speaker 2: showing the shecks was skinny. Yeah, I'm not getting a check. 296 00:19:49,800 --> 00:19:53,160 Speaker 1: Oh gosh. The one of the one of the many 297 00:19:53,200 --> 00:19:56,800 Speaker 1: reasons why I admire you. After I dream of Geenie, 298 00:19:56,880 --> 00:20:01,600 Speaker 1: you didn't just rest on that legacy. You kept creating, 299 00:20:01,680 --> 00:20:06,879 Speaker 1: You kept working, You kept reinventing yourself. Tell me about reinvention. 300 00:20:07,200 --> 00:20:09,400 Speaker 1: I think we're all kind of doing it every day. 301 00:20:09,800 --> 00:20:13,159 Speaker 1: We're always a work in progress. We can reinvent ourselves 302 00:20:13,680 --> 00:20:15,080 Speaker 1: every day if we want to. 303 00:20:16,200 --> 00:20:17,480 Speaker 2: Did you in what way? 304 00:20:18,119 --> 00:20:23,000 Speaker 1: I just mean, like, say you had a bad day yesterday, 305 00:20:24,000 --> 00:20:28,119 Speaker 1: you weren't your best self. Go to sleep, wake up 306 00:20:28,160 --> 00:20:30,679 Speaker 1: the next morning and start again. Try again. It's a 307 00:20:30,720 --> 00:20:34,000 Speaker 1: new day, and you can be what you if you 308 00:20:34,040 --> 00:20:38,000 Speaker 1: can picture the woman, the person that you want to be, 309 00:20:38,760 --> 00:20:44,040 Speaker 1: how you want to be known. And maybe you haven't 310 00:20:44,080 --> 00:20:48,879 Speaker 1: always been that person. You're human, You make mistakes, things happen, 311 00:20:49,160 --> 00:20:51,560 Speaker 1: but the next day is another chance to try again 312 00:20:53,560 --> 00:20:55,080 Speaker 1: to be the person that you want to be. 313 00:20:56,840 --> 00:20:57,159 Speaker 2: Well. 314 00:20:58,320 --> 00:21:02,920 Speaker 1: I and even for acting, you know. 315 00:21:03,320 --> 00:21:07,240 Speaker 2: I think acting helps you reinvent. But as far as 316 00:21:07,280 --> 00:21:12,960 Speaker 2: you're the reality and when you're not on stage, I 317 00:21:13,000 --> 00:21:16,320 Speaker 2: don't think i'd want to reinvent. I want to be myself. 318 00:21:16,640 --> 00:21:23,679 Speaker 2: I want to be what I am. It's uh, that 319 00:21:23,720 --> 00:21:30,320 Speaker 2: would be superficial. I think you know, I love my friends, 320 00:21:30,359 --> 00:21:38,879 Speaker 2: I love my family, and if there is some person 321 00:21:38,920 --> 00:21:43,679 Speaker 2: that doesn't love us, okay, go away, you know. But 322 00:21:45,240 --> 00:21:47,120 Speaker 2: now I don't know. I don't know why you'd want 323 00:21:47,160 --> 00:21:49,159 Speaker 2: to reinvent yourself. 324 00:21:49,320 --> 00:21:53,119 Speaker 1: I guess I'm thinking more of like, for example, Madonna, 325 00:21:54,400 --> 00:21:57,520 Speaker 1: from her first album to where she is today, She's 326 00:21:57,520 --> 00:22:01,440 Speaker 1: gone through so many different versions of her look and 327 00:22:01,480 --> 00:22:06,040 Speaker 1: her kind of what she led with. I guess that's 328 00:22:06,119 --> 00:22:07,679 Speaker 1: kind of what I'm referring to. 329 00:22:07,720 --> 00:22:11,200 Speaker 2: It's kind of fun. It is kind of fun. I mean, 330 00:22:11,240 --> 00:22:19,000 Speaker 2: I think good for her. Yeah, you know, I don't know. 331 00:22:19,040 --> 00:22:20,320 Speaker 2: But you see, I'm not on. 332 00:22:20,400 --> 00:22:25,359 Speaker 1: The You're not a singer. I mean, like, you're not 333 00:22:25,400 --> 00:22:30,200 Speaker 1: a pop star, so authenticity is very important to you 334 00:22:30,280 --> 00:22:33,480 Speaker 1: and to your craft, but not me. 335 00:22:33,640 --> 00:22:41,159 Speaker 2: It's the character I'm playing, you see, So I don't no, no, 336 00:22:41,840 --> 00:22:44,440 Speaker 2: I like what I am. 337 00:22:44,520 --> 00:22:44,800 Speaker 1: Yeah. 338 00:22:45,520 --> 00:22:47,800 Speaker 2: Oh all the warts, I don't care. 339 00:22:47,920 --> 00:22:52,159 Speaker 1: Yeah, all the parts, the good, the bad, ugly. Yeah. 340 00:22:52,240 --> 00:22:56,520 Speaker 1: I think that's the key. Yeah, loving yourself. 341 00:22:57,720 --> 00:23:01,480 Speaker 2: Just as you are, yeah, and loving people around you, 342 00:23:01,600 --> 00:23:06,400 Speaker 2: loving people around you, recognizing that, yes, how lucky you are, well, 343 00:23:06,440 --> 00:23:08,400 Speaker 2: how much alike you are? 344 00:23:08,960 --> 00:23:15,679 Speaker 1: The connection? Yeah, yeah, yeah, I want to ask you 345 00:23:17,680 --> 00:23:24,800 Speaker 1: about love and grief your life has been marked by 346 00:23:25,240 --> 00:23:29,280 Speaker 1: profound experiences of love. You've been married three times, you 347 00:23:29,320 --> 00:23:34,600 Speaker 1: had a beautiful son. Love is complicated. You had that 348 00:23:34,720 --> 00:23:37,400 Speaker 1: heartbreaking loss of losing your son Matthew. 349 00:23:37,760 --> 00:23:38,680 Speaker 2: Yeah. 350 00:23:38,720 --> 00:23:42,400 Speaker 1: How did you choose to embrace life and your career 351 00:23:42,920 --> 00:23:47,639 Speaker 1: while you were navigating those deep personal challenges in your 352 00:23:47,680 --> 00:23:48,280 Speaker 1: real life? 353 00:23:48,359 --> 00:23:52,520 Speaker 2: Well, my work helped me. It did help me. I 354 00:23:52,520 --> 00:23:59,720 Speaker 2: guess everyone treats grief differently. Some people allow it to 355 00:23:59,760 --> 00:24:06,000 Speaker 2: pull arized them, but I think you have to push 356 00:24:06,080 --> 00:24:12,399 Speaker 2: through it. You'll never lose the grief. It'll always be there, 357 00:24:13,280 --> 00:24:17,680 Speaker 2: especially when it's your child. I don't I know. I 358 00:24:18,440 --> 00:24:27,280 Speaker 2: went out after he transitioned or passed. I went on 359 00:24:27,920 --> 00:24:34,680 Speaker 2: tour with the Odd Couple and did a long tour. 360 00:24:35,760 --> 00:24:38,600 Speaker 2: And during that time we went to the film and 361 00:24:38,640 --> 00:24:43,960 Speaker 2: trying to think of the film's name, but oh god, 362 00:24:44,200 --> 00:24:49,879 Speaker 2: I can't think of it. Very popular, wonderful movie. But 363 00:24:50,080 --> 00:24:55,720 Speaker 2: little boys, a lot of little boys there. And I 364 00:24:55,880 --> 00:24:58,760 Speaker 2: was sitting there with tears just coming down my cheeks. 365 00:24:59,200 --> 00:25:02,639 Speaker 2: But things like that, you just work through it. You 366 00:25:02,720 --> 00:25:05,919 Speaker 2: work through it, but you'll never forget. And you always 367 00:25:05,920 --> 00:25:10,800 Speaker 2: have those feelings. You know, even now it's years ago, 368 00:25:10,920 --> 00:25:13,399 Speaker 2: you know that. But I'll see a little boy and 369 00:25:13,440 --> 00:25:15,120 Speaker 2: I just want to pick him up and hug him, 370 00:25:15,720 --> 00:25:16,000 Speaker 2: you know. 371 00:25:17,280 --> 00:25:22,240 Speaker 1: Yeah, my best friend Adele told me that grief, she's 372 00:25:22,280 --> 00:25:25,760 Speaker 1: a therapist. She said that grief is like a rock, 373 00:25:25,840 --> 00:25:29,399 Speaker 1: a stone in your pocket. Yeah, and it's always going 374 00:25:29,480 --> 00:25:31,840 Speaker 1: to be there. Yeah, They're always going to carry it 375 00:25:31,840 --> 00:25:35,080 Speaker 1: around with you. Yeah, but you don't have to focus 376 00:25:35,119 --> 00:25:36,920 Speaker 1: on it. 377 00:25:36,920 --> 00:25:38,000 Speaker 2: It's interesting. 378 00:25:38,119 --> 00:25:43,720 Speaker 1: Yes, it's so hard to do though. I think when 379 00:25:43,760 --> 00:25:46,679 Speaker 1: you said your work helped you through it, I think 380 00:25:47,680 --> 00:25:51,200 Speaker 1: my personal inclination wouldn't be to not work and to 381 00:25:52,040 --> 00:25:55,720 Speaker 1: sort of pul myself up in my despair and you know, 382 00:25:56,560 --> 00:26:00,480 Speaker 1: be just I can't even imagine that. That's on iaginable 383 00:26:00,520 --> 00:26:04,480 Speaker 1: what happened to you. And I'm so so sorry. Yeah, 384 00:26:04,960 --> 00:26:10,640 Speaker 1: but I don't. You are such a strong lady. Sometimes 385 00:26:10,760 --> 00:26:13,280 Speaker 1: sometimes yes, sometimes I am. 386 00:26:13,440 --> 00:26:14,199 Speaker 2: Sometimes I'm not. 387 00:26:16,560 --> 00:26:21,879 Speaker 1: Yeah, but I mean, just to know that you worked 388 00:26:21,880 --> 00:26:24,120 Speaker 1: your way through it, you know, that's all you can do. 389 00:26:25,440 --> 00:26:28,679 Speaker 1: You can't change it. You just have to learn to 390 00:26:28,720 --> 00:26:29,159 Speaker 1: live with it. 391 00:26:30,920 --> 00:26:35,520 Speaker 2: That's so hard to have your life, you know, that's all. 392 00:26:35,680 --> 00:26:39,600 Speaker 1: Yeah. For the listeners out there that are carrying grief 393 00:26:40,080 --> 00:26:45,000 Speaker 1: or they're grieving, they're navigating the complicated relationship. Perhaps, what 394 00:26:45,200 --> 00:26:51,800 Speaker 1: would you say about choosing love for yourself and healing 395 00:26:51,960 --> 00:26:55,840 Speaker 1: after loss. 396 00:26:57,080 --> 00:27:01,160 Speaker 2: I don't know how to answer that. I think everyone 397 00:27:01,280 --> 00:27:04,880 Speaker 2: has to choose their own path. Everyone has a way 398 00:27:04,960 --> 00:27:09,080 Speaker 2: of dealing with their family, dealing with your emotions, dealing 399 00:27:09,080 --> 00:27:13,000 Speaker 2: with you know, you have to find your own path 400 00:27:13,080 --> 00:27:20,480 Speaker 2: and follow it, that's all. There's no law, there's no rule. Yeah, 401 00:27:21,680 --> 00:27:27,800 Speaker 2: you know, it's gut wrenching and horrible, and you just 402 00:27:27,920 --> 00:27:31,720 Speaker 2: have to live with it. We're not here to be 403 00:27:31,920 --> 00:27:36,680 Speaker 2: non productive. We're here to keep going carry on. Yeah, 404 00:27:36,920 --> 00:27:38,800 Speaker 2: you can't go to bed and pull the covers up 405 00:27:38,840 --> 00:27:43,440 Speaker 2: over your head. It's still there. It's still that rock 406 00:27:43,480 --> 00:27:46,240 Speaker 2: in your pocket, you know. But you have to work 407 00:27:46,280 --> 00:27:47,320 Speaker 2: with the rock in the pocket. 408 00:27:48,200 --> 00:27:51,520 Speaker 1: You have to learn to live with it. Yeah, Yeah, 409 00:27:52,040 --> 00:28:02,840 Speaker 1: so difficult. I've both been married a few times. When 410 00:28:02,880 --> 00:28:05,399 Speaker 1: you think about love now, I'm going to rush right 411 00:28:05,440 --> 00:28:09,040 Speaker 1: through that. Three for you, three for me. Another parallel. 412 00:28:09,880 --> 00:28:13,440 Speaker 1: When you think about love now, how would you define 413 00:28:13,480 --> 00:28:15,879 Speaker 1: it in a relationship sense? 414 00:28:18,280 --> 00:28:20,840 Speaker 2: How would I define love in a relationship? 415 00:28:21,960 --> 00:28:24,440 Speaker 1: How do you succeed in a relationship? 416 00:28:25,520 --> 00:28:30,720 Speaker 2: Well, sometimes you do, sometimes you don't. 417 00:28:31,280 --> 00:28:33,119 Speaker 1: Yeah, but it's not easy. 418 00:28:33,400 --> 00:28:38,280 Speaker 2: Yeah, I think again, there's no rule. You take your 419 00:28:38,320 --> 00:28:44,960 Speaker 2: own path and your two individuals. I don't know. You 420 00:28:45,000 --> 00:28:46,360 Speaker 2: love your dog, don't you. 421 00:28:46,560 --> 00:28:47,440 Speaker 1: I sure do. 422 00:28:47,640 --> 00:28:52,720 Speaker 2: And I adore my dog and I adore my husband. 423 00:28:53,320 --> 00:28:55,720 Speaker 1: So wait, you said the dog first. 424 00:29:00,000 --> 00:29:03,640 Speaker 2: My husband would probably say the dog first. Two. We 425 00:29:03,760 --> 00:29:06,640 Speaker 2: love our dog. We just love it. Get that love 426 00:29:06,680 --> 00:29:10,240 Speaker 2: wells up? You know, Well, it does the same for 427 00:29:10,400 --> 00:29:14,080 Speaker 2: my husband, and I hope for me to do for me. 428 00:29:14,600 --> 00:29:19,120 Speaker 2: But we and we respect each other. We're not one 429 00:29:19,200 --> 00:29:22,720 Speaker 2: hundred percent alike. He has nothing to do with my business. 430 00:29:22,960 --> 00:29:26,920 Speaker 2: He loves it, but he's never he's not an actor, 431 00:29:26,960 --> 00:29:33,360 Speaker 2: he's not you know. But but I know I like 432 00:29:33,440 --> 00:29:41,880 Speaker 2: what he is. I love what he is. That's all 433 00:29:41,920 --> 00:29:45,040 Speaker 2: I can say. I don't know what to say to anyone. 434 00:29:45,840 --> 00:29:50,560 Speaker 2: You just have to love them and accept them. And right, yeah, 435 00:29:50,960 --> 00:29:52,560 Speaker 2: I think, yeah, that's great advice. 436 00:29:52,640 --> 00:29:55,560 Speaker 1: You have to look at your partner as an individual 437 00:29:55,760 --> 00:29:58,840 Speaker 1: and not as an extension of yourself. Yeah, you know, 438 00:29:58,880 --> 00:30:02,720 Speaker 1: I think that whole jargon about when you marry you 439 00:30:02,800 --> 00:30:07,959 Speaker 1: become one. I feel like in a sense, perhaps, but 440 00:30:08,040 --> 00:30:11,480 Speaker 1: you still are your own person. 441 00:30:12,240 --> 00:30:13,520 Speaker 2: Yeah, I've never heard that. 442 00:30:14,120 --> 00:30:17,360 Speaker 1: It's in the vows, like you know, it's like to 443 00:30:17,520 --> 00:30:18,680 Speaker 1: come together as one. 444 00:30:19,360 --> 00:30:23,360 Speaker 2: I see you. I remember that you think you would 445 00:30:23,400 --> 00:30:28,560 Speaker 2: after three Well, I think for you certainly do in 446 00:30:28,880 --> 00:30:35,520 Speaker 2: many senses, Yes, of course, because you're you work together. Yeah, 447 00:30:36,400 --> 00:30:44,520 Speaker 2: you're you're your partners, you're in business together. You know. Sure. Yeah, 448 00:30:44,760 --> 00:30:48,200 Speaker 2: but you respect what they are and they respect you. 449 00:30:48,520 --> 00:30:50,840 Speaker 2: If they don't respect you, which I'm sure you had 450 00:30:50,920 --> 00:30:56,200 Speaker 2: happened I did too, then you see. Sorry, you know, 451 00:30:56,960 --> 00:30:59,960 Speaker 2: I'm i gonna do it. Yeah. 452 00:31:00,080 --> 00:31:05,080 Speaker 1: Yeah, that's really hard when I think as women who 453 00:31:05,120 --> 00:31:11,120 Speaker 1: are successful and strong willed, it's hard to be with 454 00:31:11,240 --> 00:31:14,880 Speaker 1: a man that doesn't respect you or that feels as 455 00:31:14,920 --> 00:31:19,440 Speaker 1: if you should take a back seat to him in 456 00:31:19,520 --> 00:31:23,440 Speaker 1: some way. And it's also hard. I know you've probably 457 00:31:23,480 --> 00:31:27,080 Speaker 1: experienced this, being the breadwinner in certain situations, certain times 458 00:31:27,080 --> 00:31:32,720 Speaker 1: of your life. Men customarily have a problem with that. 459 00:31:35,280 --> 00:31:38,640 Speaker 1: Many do, many do, Many don't. Yeah, you got to 460 00:31:38,680 --> 00:31:39,640 Speaker 1: find the ones that don't. 461 00:31:39,920 --> 00:31:41,440 Speaker 2: Yeah, but. 462 00:31:43,880 --> 00:31:45,640 Speaker 3: No, I. 463 00:31:47,560 --> 00:31:51,080 Speaker 2: Don't know. That's I think that's when you're one, you know. 464 00:31:54,160 --> 00:31:57,640 Speaker 1: Okay, this is a very deep question, but I'm so 465 00:31:57,840 --> 00:32:06,080 Speaker 1: curious your take on this. After you've lived this beautiful life, 466 00:32:06,280 --> 00:32:11,280 Speaker 1: what do you think happens after that? When it all ends? 467 00:32:11,440 --> 00:32:13,840 Speaker 1: What do you think happens when our lives end? And 468 00:32:14,360 --> 00:32:17,560 Speaker 1: where do we go? What happens to us? I'm so 469 00:32:17,680 --> 00:32:21,720 Speaker 1: curious about other people's perspectives on death and dying, and. 470 00:32:23,080 --> 00:32:25,120 Speaker 2: I just well, I'm just not going to do it. 471 00:32:25,160 --> 00:32:27,640 Speaker 1: Okay, good, I am here for that. 472 00:32:29,280 --> 00:32:30,280 Speaker 2: Absolutely not. 473 00:32:30,600 --> 00:32:35,120 Speaker 1: No, I'm so with you. This doesn't sound fun. No, 474 00:32:38,080 --> 00:32:39,520 Speaker 1: what do you think though happens? 475 00:32:39,560 --> 00:32:41,040 Speaker 2: Like? Who knows? 476 00:32:41,520 --> 00:32:42,080 Speaker 1: You don't know. 477 00:32:42,240 --> 00:32:43,320 Speaker 2: I'm ready for the ride. 478 00:32:44,400 --> 00:32:47,120 Speaker 1: I mean it'll be exciting because we don't know. 479 00:32:47,480 --> 00:32:48,320 Speaker 2: Yeah, that's right. 480 00:32:48,640 --> 00:32:49,840 Speaker 1: Or it'll be really boring. 481 00:32:50,600 --> 00:32:53,440 Speaker 2: No, I don't think it'll be boring. Okay, good, I 482 00:32:53,480 --> 00:32:54,000 Speaker 2: don't think so. 483 00:32:54,880 --> 00:32:58,760 Speaker 1: But okay, I have one last question for you. This 484 00:32:58,880 --> 00:33:03,240 Speaker 1: is how I close every episodisode. Barbara Eden, what was 485 00:33:03,280 --> 00:33:06,080 Speaker 1: your last I choose me moment? 486 00:33:06,960 --> 00:33:09,960 Speaker 2: It's probably every day. That's good. It's a good thing, 487 00:33:11,920 --> 00:33:16,080 Speaker 2: you know you Ah. I choose to get up in 488 00:33:16,120 --> 00:33:20,720 Speaker 2: the morning. I choose to have a good breakfast. I 489 00:33:20,800 --> 00:33:24,080 Speaker 2: choose to love my dog. Well, I don't really choose it. 490 00:33:24,440 --> 00:33:28,240 Speaker 2: I do love I love my husband. Let me see. 491 00:33:28,800 --> 00:33:37,760 Speaker 2: I choose my friends. Yeah, just not me? Yeah? Is 492 00:33:38,320 --> 00:33:38,960 Speaker 2: that good enough? 493 00:33:39,040 --> 00:33:42,600 Speaker 1: That's great? I love that you say. I choose myself 494 00:33:42,640 --> 00:33:45,959 Speaker 1: every day, because I think that's important that we acknowledge 495 00:33:45,960 --> 00:33:49,320 Speaker 1: that we're worth choosing. You know, like a lot of 496 00:33:49,360 --> 00:33:57,400 Speaker 1: people have a real hard time choosing themselves and I 497 00:33:57,400 --> 00:34:01,480 Speaker 1: don't want that to be the case for us. No, No, 498 00:34:02,240 --> 00:34:05,360 Speaker 1: it's vital too. But you choose your husband, to you 499 00:34:05,480 --> 00:34:06,800 Speaker 1: choose your children. 500 00:34:07,280 --> 00:34:09,120 Speaker 2: Yes, it's not just me. 501 00:34:09,320 --> 00:34:13,239 Speaker 1: No, but that, in a sense is choosing yourself too, 502 00:34:13,320 --> 00:34:19,400 Speaker 1: because you are choosing to love abundantly, true and freely, 503 00:34:19,800 --> 00:34:23,560 Speaker 1: and that is ultimately, Yeah, the best choice you can 504 00:34:23,600 --> 00:34:27,480 Speaker 1: make for yourself. Yeah, what is your key to longevity? 505 00:34:28,640 --> 00:34:33,920 Speaker 2: I haven't a clue. I don't know. I just like 506 00:34:34,040 --> 00:34:39,040 Speaker 2: being here, I guess, and I like my work. I 507 00:34:39,080 --> 00:34:44,000 Speaker 2: still work, I think, so I have a reason to 508 00:34:44,120 --> 00:34:49,200 Speaker 2: be here. Mm hmm. What's your key to longevity? 509 00:34:50,360 --> 00:34:55,560 Speaker 1: I mean continuing to do things that excite me, Yes, 510 00:34:55,600 --> 00:34:57,600 Speaker 1: that push me, challenge me. 511 00:34:57,960 --> 00:35:01,120 Speaker 2: Yes, I agree. 512 00:35:01,280 --> 00:35:05,439 Speaker 1: I think that's important. Yeah, this has been the best 513 00:35:05,440 --> 00:35:09,520 Speaker 1: conversation ever on it just me. I'm sorry for everybody 514 00:35:09,520 --> 00:35:11,640 Speaker 1: that has come before you, but this is now officially 515 00:35:11,680 --> 00:35:15,399 Speaker 1: my favorite episode. Thank you so much too. 516 00:35:17,360 --> 00:35:18,200 Speaker 2: I've enjoyed it. 517 00:35:18,280 --> 00:35:21,399 Speaker 1: I've loved every second of it. Thank you so much. 518 00:35:21,560 --> 00:35:24,839 Speaker 2: Well, thank you for having me, so good to see 519 00:35:24,840 --> 00:35:25,320 Speaker 2: you again. 520 00:35:25,520 --> 00:35:26,640 Speaker 1: You too,