WEBVTT - Jawbreaker with Crystal

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<v Speaker 1>On the Bechdel Cast, the questions asked if movies have

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<v Speaker 1>women and them, are all their discussions just boyfriends and

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<v Speaker 1>husbands or do they have individualism? It's the patriarchy, zeph

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<v Speaker 1>and best start changing it with the Bechdel Cast.

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<v Speaker 2>I killed her, I killed the teen dream. Deal with it, Jamie.

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<v Speaker 3>Oh. I was thinking that whole time. Wouldn't it be

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<v Speaker 3>awesome if that was in a build a bear?

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<v Speaker 2>Like?

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<v Speaker 3>That's where I wanted it, because did you ever have

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<v Speaker 3>like I remember I had like a friend at school

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<v Speaker 3>who it was like a teenager's dating thing, and the

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<v Speaker 3>guy gave the girl a build a bear that was like,

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<v Speaker 3>I love you, Megan.

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<v Speaker 2>I never had one as a youth, but when I

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<v Speaker 2>had the whole sludge debacle and I got my gall

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<v Speaker 2>bladder surgery, my friend Nikki gave me a build a

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<v Speaker 2>bear and when you like, press its little paw, she

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<v Speaker 2>had it make me ups So it's a teddy bear

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<v Speaker 2>that he's like.

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<v Speaker 3>Now you used to be able to. I mean it

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<v Speaker 3>sounded horrible, but you could put your own voice in it,

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<v Speaker 3>much like the uh Chekhov's card that we have yes

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<v Speaker 3>in Job Breaker. That's my one note for Job Breaker

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<v Speaker 3>the rest is perfect, The rest is flawless. It should

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<v Speaker 3>have been a Build a Bear. Agree, Yeah, we should

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<v Speaker 3>start putting more murder confessions in Build a Bears. I'm

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<v Speaker 3>gonna smile that away.

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<v Speaker 2>Honestly, I think we should record the Bechdel Cast on

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<v Speaker 2>Build a Bears.

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<v Speaker 3>And just distribute it that way. We're getting back into

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<v Speaker 3>tangible media because the digital revolution's gone too far.

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<v Speaker 2>Yeah, exactly. Yeah, if you want to hear any more

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<v Speaker 2>episodes of the Bechdel Cast, you have to. I don't know,

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<v Speaker 2>we'll send them to you. We'll send you a bear.

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<v Speaker 3>It would get really expensive, really fast. Yeah, but one

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<v Speaker 3>of us will confess to a murder in every episode,

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<v Speaker 3>and that's the beel Cast guarantee. Whoa yeah, okay, yeah.

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<v Speaker 3>I think my favorite lene in this movie is you

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<v Speaker 3>know how girlfriends kidnap their girlfriends on their birthday? Well,

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<v Speaker 3>we did that.

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<v Speaker 2>You're like, yeah, time old tradition that we all know

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<v Speaker 2>and love.

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<v Speaker 3>Oh it's the best, I guess. Welcome to the Bechtel Cast.

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<v Speaker 3>I derailed your very funny intro immediately.

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<v Speaker 2>No, I loved it. Well, I'm Jamie Lott, I'm Caitlin Dorante,

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<v Speaker 2>and this is the Bechtel Cast, our show where we

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<v Speaker 2>examine movies through an intersectional feminist lens, using the Bechdel

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<v Speaker 2>Test simply as a jumping off point. And you know,

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<v Speaker 2>we have limited time today. If you want to know

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<v Speaker 2>what the Bechdel test is, listen to another episode, look

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<v Speaker 2>it up. I feel like we just have to get

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<v Speaker 2>right into it today, truly.

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<v Speaker 3>I mean spoiler alert. Don't worry about the Bechdel Test

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<v Speaker 3>for this movie. There are women and people of marginalized

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<v Speaker 3>genders talking to each other the entire movie and it's

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<v Speaker 3>all horrible. So it has a lot of fun passes

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<v Speaker 3>in this movie.

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<v Speaker 2>Very much so. Oh the movie we're talking about today

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<v Speaker 2>is Jawbreaker nineteen ninety nine. Call classic, long time request.

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<v Speaker 2>It's like a request we've been getting since the beginning

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<v Speaker 2>of the show.

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<v Speaker 1>Hmm.

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<v Speaker 2>And our guest today, returning guest. You know Crystal as

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<v Speaker 2>a drag artist who's known for RuPaul's Drag Race UK

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<v Speaker 2>Season one Ever heard of it, and more recently for

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<v Speaker 2>successfully suing right wing troll Lawrence Fox.

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<v Speaker 4>It's Crystal, Hi, welcome back, thank you. I'm so happy

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<v Speaker 4>to be back.

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<v Speaker 3>Oh my gosh, you've gone through a legal saga since

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<v Speaker 3>you last appeared on the show.

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<v Speaker 4>Congratulations, I sure have putten the in litigious, as they say,

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<v Speaker 4>love for that.

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<v Speaker 2>That was great. So you've brought us Jawbreaker. What is

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<v Speaker 2>your history and relationship with the movie.

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<v Speaker 4>I've been trying to remember that all week, but I

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<v Speaker 4>definitely I think I saw the movie when I was

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<v Speaker 4>around twenty, but like I would have seen it posts

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<v Speaker 4>mean Girls as kind of like one of those movies

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<v Speaker 4>that you get shown when you come out. It's like

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<v Speaker 4>someone sits down AND's like, you're gonna need to watch this,

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<v Speaker 4>and heathers and you're gonna need to watch But I'm

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<v Speaker 4>a cheerleader and we're gonna watch the first season of

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<v Speaker 4>ab fab and then you'll be complete as a homosexual.

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<v Speaker 3>Man's part of the starter kit that's distributed.

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<v Speaker 4>Yeah, it gets handed out along with a bottle of

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<v Speaker 4>poppers and Madonna's greatest sts. I don't know. So that

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<v Speaker 4>was kind of when I saw it, and then I've

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<v Speaker 4>watched it probably a few times in the intervening period,

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<v Speaker 4>but it's been a long time since I watched it again.

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<v Speaker 4>And I did that yesterday, which was interesting. Basically, I

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<v Speaker 4>suggested this movie just because I'm desperate to hear what

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<v Speaker 4>you both think about it. I kind of need I

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<v Speaker 4>needed some outside I need some outsided butts.

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<v Speaker 2>Honestly, I was relying on you to be like, what

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<v Speaker 2>are you.

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<v Speaker 4>Think about this?

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<v Speaker 2>Because I don't know what to make of it exactly.

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<v Speaker 3>Yeah, we get to the bottom of it today.

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<v Speaker 2>Yeah, yeah, Jamie, what is your relationship with the movie?

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<v Speaker 3>Weirdly had not seen it. I don't know why it

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<v Speaker 3>had been missing me for so many years. I love

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<v Speaker 3>this genre of movie. I love a violent click. I

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<v Speaker 3>love it. Yeah, I'd never seen it and it was

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<v Speaker 3>I mean, it's tricky. I like it. I like it.

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<v Speaker 3>I think it is very funny. We'll talk about because

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<v Speaker 3>there's been like two oral histories written about Jawbreaker in

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<v Speaker 3>the same three year span. Who can say why, But

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<v Speaker 3>I do think it's very funny that the director of

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<v Speaker 3>this movie is very defensive about being like, it's not Heathers,

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<v Speaker 3>and You're like, Darren, but not.

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<v Speaker 2>Only that, it's like, it's not Heathers, But what's this

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<v Speaker 2>Mean Girls all about? It's so derivative of my.

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<v Speaker 3>I know, he's like, Mean Girls is ripping me off.

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<v Speaker 3>I was like, Darren, every thing I read from the director,

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<v Speaker 3>he kind of he was cracking me up because I

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<v Speaker 3>was just like, sir, come on. But but the movie itself,

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<v Speaker 3>I mean I thought it was like it's very dark.

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<v Speaker 3>I thought it was like super funny at times and

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<v Speaker 3>then other there's I don't know. For a lot of

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<v Speaker 3>this movie I was thinking about, like, wow, I really

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<v Speaker 3>have to rewatch Heathers. But I feel like Job Breaker

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<v Speaker 3>does mostly does a thing that I appreciate where it's

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<v Speaker 3>like women are running the show the whole time. There

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<v Speaker 3>is one plot boyfriend, who I think we could have

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<v Speaker 3>done without. But outside of Zach, I do like that

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<v Speaker 3>this is a world mostly devoid of men at all

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<v Speaker 3>in terms of like power, influence, And I mean, you

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<v Speaker 3>can't hate too hard on a movie that features detective

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<v Speaker 3>Pam Greer doing some like career worst detective work, doing

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<v Speaker 3>just a really bad job. Pam Gregor's doing great, yeah,

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<v Speaker 3>but her character is useless.

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<v Speaker 4>Pam Grier's hair, especially.

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<v Speaker 3>Oh my gosh, the bangs.

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<v Speaker 4>Doing the most thes.

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<v Speaker 2>My head canon is that she is like, the cops

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<v Speaker 2>are fucked a cab. I'm deliberately doing it.

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<v Speaker 3>You're really gonna not solve this murder.

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<v Speaker 4>She actually just knew what was coming from Marilyn Manson

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<v Speaker 4>and just wanted to lock him up.

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<v Speaker 3>Oh my gosh, that plot points specifically ages stunningly well.

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<v Speaker 4>You're like, leave him there, leave him, no need to

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<v Speaker 4>revisit that.

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<v Speaker 3>I honestly didn't even recognize. It wasn't until I was

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<v Speaker 3>like reading through the fun facts about this because I remember, like,

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<v Speaker 3>I don't know, he's prominently featured in the opening credits

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<v Speaker 3>and you're like, oh, and then at the end, I

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<v Speaker 3>was like, I don't think I know what he looks.

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<v Speaker 2>Like without his like makeup, right, because he's not in

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<v Speaker 2>his makeup in the movie. You're just like, that is

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<v Speaker 2>I guess that is Marilyn Manson, but a bummer I

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<v Speaker 2>devember to tad to see him. Anyways, I hadn't seen it.

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<v Speaker 2>I have mixed feelings about it, but like not feelings

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<v Speaker 2>that are so negative that I mean, it looks amazing.

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<v Speaker 2>You have the same costume designer as like Rome and

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<v Speaker 2>Michelle and clueless, like, there's a lot to love about it,

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<v Speaker 2>but I'm excited to get into it.

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<v Speaker 3>Caitlin, had you seen this movie before?

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<v Speaker 2>Okay, I don't know. I thought I had seen it

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<v Speaker 2>the whole way through. I had a friend my freshman

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<v Speaker 2>year of college. Shout out Tina, who exposed me to

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<v Speaker 2>some of my still favorite movies. She showed me Josie

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<v Speaker 2>and the Pussycats, she showed me American Psycho a few others.

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<v Speaker 2>But she had this very like eclectic taste in movies.

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<v Speaker 2>And some of it was like, you know, fun mainstream

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<v Speaker 2>bops that I just hadn't seen. Some of it where

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<v Speaker 2>were your things like Jawbreaker, which have a cult following.

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<v Speaker 2>Some were like movies that most people have never heard of,

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<v Speaker 2>such as Happiness of the Categories. Like o any Bechdel

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<v Speaker 2>heads out there are familiar with the Happiness of the Categories,

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<v Speaker 2>please let me know. Anyway, all this to say that

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<v Speaker 2>she showed me Jawbreaker, or at least I thought we

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<v Speaker 2>watched it all the way through together, because I have

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<v Speaker 2>the image of the trunk popping and Liz in the

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<v Speaker 2>trunk dead with like the bulge of the jaw Breaker

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<v Speaker 2>in her throat.

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<v Speaker 3>Like that image whoever was doing the practical effects in

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<v Speaker 3>this movie ooh, like truly one of the most bone

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<v Speaker 3>chilling corpses.

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<v Speaker 2>Yes, And that image was like seered into my brain

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<v Speaker 2>and my memory for all times. So I was like,

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<v Speaker 2>of course I've seen this movie. I remember that very well,

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<v Speaker 2>but that happens in the first five minutes, and I

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<v Speaker 2>didn't remember any of the rest of the movie. So

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<v Speaker 2>I don't know if we like started watching it and

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<v Speaker 2>then we just started like talking over it and not

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<v Speaker 2>really paying attention. I don't know if I did sit

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<v Speaker 2>through it and just didn't remember anything except for that

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<v Speaker 2>one image.

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<v Speaker 3>I don't really know.

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<v Speaker 4>I feel like you'd remember the last shot as well,

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<v Speaker 4>if you'd seen.

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<v Speaker 2>It all right, you would think, yeah.

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<v Speaker 4>Those are the two that like are the most memorable,

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<v Speaker 4>the top and tail for sure. The middle of what

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<v Speaker 4>happens Who's I'm still not sure, YadA YadA.

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<v Speaker 3>Zach.

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<v Speaker 2>I will say that the scene that's like a flashback

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<v Speaker 2>when like Rose McGowan is having sex with Marilyn Manson

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<v Speaker 2>and the dead bodies under the bed, I was like, well,

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<v Speaker 2>I kind of remember that too, So maybe I just

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<v Speaker 2>I simply don't know how much of this movie I've seen.

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<v Speaker 2>All this to say, I've had some exposure to it before,

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<v Speaker 2>but not much, and watching it this time for the

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<v Speaker 2>podcast was basically like I was watching it for the

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<v Speaker 2>first time. So I'm excited to talk about it again.

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<v Speaker 2>I really don't know quite what to make of it,

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<v Speaker 2>both from a like personal taste point of view and

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<v Speaker 2>a like talking about it for the podcast point of view.

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<v Speaker 2>But again, we're gonna crack the case.

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<v Speaker 3>We're gonna get to the bottom of it. I can

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<v Speaker 3>just feel it.

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<v Speaker 4>We're going to get to the center of it some much.

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<v Speaker 2>Oh the job. I wanted to go get some like

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<v Speaker 2>gobstoppers to be you know, rattling around in my mouth

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<v Speaker 2>during this time.

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<v Speaker 3>But I've never understood the appeal of those candies. I'm

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<v Speaker 3>a soft candy girl all the way. It's candy corn season.

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<v Speaker 2>We do like candy corn. Sorry to say that with

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<v Speaker 2>so much judgment, but it is the.

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<v Speaker 3>So bitchy the way you said that.

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<v Speaker 2>I am the Rose McGowan of this episode.

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<v Speaker 3>Yeah, grow up, bitch. There is like a little baby

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<v Speaker 3>I do. I love the pumpkins. I just bought the

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<v Speaker 3>amount of like bad for you things I've had before

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<v Speaker 3>nine thirty in the morning. I'm finishing a root beer. Yeah,

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<v Speaker 3>I'm going to stop talking about personal taste at this time.

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<v Speaker 3>I'm realizing.

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<v Speaker 2>Okay, yeah, sorry, sorry to be so mean about it,

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<v Speaker 2>but candy corn is objectively the worst thing that was

0:11:58.640 --> 0:11:59.360
<v Speaker 2>ever invented.

0:11:59.440 --> 0:12:03.640
<v Speaker 3>You're out of your mind. That is a really sick thing.

0:12:03.520 --> 0:12:08.240
<v Speaker 4>That I'm not waiting into this one. You two are on.

0:12:10.320 --> 0:12:13.719
<v Speaker 3>Fair well. I guess we got to talk about Jawbreaker.

0:12:14.800 --> 0:12:17.520
<v Speaker 2>Yeah, let's take a quick break and then we'll come

0:12:17.559 --> 0:12:19.120
<v Speaker 2>back for the recap.

0:12:27.760 --> 0:12:30.560
<v Speaker 3>And we're back, okay.

0:12:30.679 --> 0:12:35.320
<v Speaker 2>Before the recap, I will place a content warning for

0:12:36.240 --> 0:12:42.319
<v Speaker 2>rape and specifically false rape accusations that will come up

0:12:42.440 --> 0:12:45.760
<v Speaker 2>in the recap as well as our discussion. So we

0:12:45.840 --> 0:12:51.480
<v Speaker 2>open on voiceover narration from a teen girl talking about

0:12:51.520 --> 0:12:55.120
<v Speaker 2>this group of the fore most popular girls at her

0:12:55.200 --> 0:13:00.840
<v Speaker 2>high school. They are Marcy played by Julie Ben's played

0:13:00.880 --> 0:13:05.600
<v Speaker 2>by Rebecca Gayheart, Courtney played by Rose McGowan, who is

0:13:05.760 --> 0:13:09.360
<v Speaker 2>the queen Bee and the meanest one of the group

0:13:10.080 --> 0:13:13.199
<v Speaker 2>and the nicest one, the most like quote unquote perfect

0:13:13.280 --> 0:13:19.199
<v Speaker 2>one is Liz Perr played by Charlotte Ayana. Now the narrator,

0:13:19.440 --> 0:13:23.760
<v Speaker 2>who is a character who we will soon meet named

0:13:23.960 --> 0:13:28.760
<v Speaker 2>Fern Mayo played by Judy Greer. Great character name, I think.

0:13:28.679 --> 0:13:33.840
<v Speaker 3>Oh my god, Formeo great early Judy Greer role great.

0:13:35.640 --> 0:13:39.120
<v Speaker 2>But Fern Mao seems to be infatuated and obsessed with

0:13:39.320 --> 0:13:42.520
<v Speaker 2>Liz purr saying how she dreams of what it would

0:13:42.559 --> 0:13:47.240
<v Speaker 2>be like to be Liz because, unlike these four girls,

0:13:47.480 --> 0:13:51.520
<v Speaker 2>Fern is not popular. She goes unnoticed by her peers.

0:13:51.920 --> 0:13:57.640
<v Speaker 2>She's you know, nerdy. So then on Liz's seventeenth birthday,

0:13:58.200 --> 0:14:03.319
<v Speaker 2>she's kidnapped from her bed a huge jawbreaker, the titular

0:14:04.000 --> 0:14:05.959
<v Speaker 2>jawbreaker in fact, kind of.

0:14:05.880 --> 0:14:08.040
<v Speaker 3>A character in the story when you think about it.

0:14:08.120 --> 0:14:11.160
<v Speaker 2>Okay, Also, when you think about it, it passes the

0:14:11.160 --> 0:14:16.280
<v Speaker 2>Bechdel test when this jawbreaker is shoved into the mouth

0:14:16.880 --> 0:14:17.440
<v Speaker 2>of one of the.

0:14:17.480 --> 0:14:20.360
<v Speaker 3>Characters, silencing women. Interesting.

0:14:22.400 --> 0:14:26.560
<v Speaker 2>I think it's like intellectual discourse to be sucking on

0:14:26.680 --> 0:14:27.600
<v Speaker 2>a job breaker.

0:14:28.840 --> 0:14:33.040
<v Speaker 3>So that's my take on the matter, classic non candy

0:14:33.040 --> 0:14:39.840
<v Speaker 3>corn eater take. Okay, So a jawbreaker is shoved into

0:14:39.880 --> 0:14:44.120
<v Speaker 3>the mouth of Liz and covered with duct tape, and

0:14:44.160 --> 0:14:47.160
<v Speaker 3>then she's thrown into the trunk of a car, and

0:14:47.200 --> 0:14:50.040
<v Speaker 3>then we get a reveal that the three kidnappers are

0:14:50.080 --> 0:14:53.840
<v Speaker 3>actually just her three best friends, Marcy, Julie, and Courtney,

0:14:54.520 --> 0:14:59.480
<v Speaker 3>who are playing a little like surprise birthday prank on Liz.

0:14:59.600 --> 0:15:02.520
<v Speaker 4>And this the thing you both did right like this

0:15:02.600 --> 0:15:05.240
<v Speaker 4>is all teen girls have kidnapped their friends.

0:15:05.440 --> 0:15:08.560
<v Speaker 2>Yeah, all teen girls.

0:15:08.160 --> 0:15:10.040
<v Speaker 4>In more and more elaborate ways every year.

0:15:10.120 --> 0:15:12.320
<v Speaker 2>Right, right, right, and more dangerous. I will say that

0:15:12.360 --> 0:15:14.680
<v Speaker 2>one year and I don't remember. This would have been

0:15:14.680 --> 0:15:18.120
<v Speaker 2>I think my sixteenth or seventeenth birthday. My friends they

0:15:18.120 --> 0:15:20.320
<v Speaker 2>didn't kidnap me. I knew they were coming, but they

0:15:20.320 --> 0:15:26.800
<v Speaker 2>did then linefold me and drive me to I forget

0:15:26.800 --> 0:15:29.840
<v Speaker 2>which mall but a mall a few tons over, and

0:15:30.080 --> 0:15:33.320
<v Speaker 2>then we went to I want to say Spencer's Gifts

0:15:33.960 --> 0:15:36.560
<v Speaker 2>because I had never been to Spencer's Gifts before.

0:15:36.760 --> 0:15:41.200
<v Speaker 3>Wow, a little naughty, Caitlin. I know I've went into

0:15:41.200 --> 0:15:43.800
<v Speaker 3>a Spencer. There's a Spencer's Gifts on the third floor

0:15:43.840 --> 0:15:46.400
<v Speaker 3>of the Glendale Galleria. You have to really like navigate

0:15:46.440 --> 0:15:47.560
<v Speaker 3>carefully to find it.

0:15:47.840 --> 0:15:49.680
<v Speaker 2>Yeah, I don't know about this.

0:15:50.080 --> 0:15:53.080
<v Speaker 4>I've been to the Glendale GALLERYA and I've Spencer's Gifts.

0:15:53.080 --> 0:15:53.640
<v Speaker 4>A sex shop.

0:15:54.240 --> 0:15:58.640
<v Speaker 3>No, it's more it's like the idea of a sex shot.

0:15:58.720 --> 0:16:01.320
<v Speaker 4>Right. They sell draws that are shaped like penises.

0:16:01.440 --> 0:16:04.520
<v Speaker 2>Yeah, it's more like it's like a jokey shop.

0:16:04.280 --> 0:16:07.440
<v Speaker 4>For like dude brosh. Yeah, it's about a.

0:16:07.360 --> 0:16:08.480
<v Speaker 3>Twelve year old.

0:16:08.560 --> 0:16:09.200
<v Speaker 4>Well, I don't know.

0:16:09.240 --> 0:16:12.800
<v Speaker 3>There's a lot of stuff for they've really diversified their

0:16:12.960 --> 0:16:19.880
<v Speaker 3>perverted things. And I could say having been there recently. Anyways, Yeah, wait,

0:16:19.920 --> 0:16:22.520
<v Speaker 3>so you were brought blindfolded to a Spencer's kid.

0:16:23.040 --> 0:16:25.120
<v Speaker 2>Yeah, and then I took off the blindfold and I

0:16:25.200 --> 0:16:29.520
<v Speaker 2>was like, oh, this is cool. I actually probably really

0:16:29.600 --> 0:16:30.680
<v Speaker 2>enjoyed it at the time.

0:16:30.760 --> 0:16:33.880
<v Speaker 3>As a whatever sixteen year old, I used to love

0:16:33.960 --> 0:16:37.040
<v Speaker 3>getting in the trunk of my friend's cars and scaring them.

0:16:37.760 --> 0:16:40.040
<v Speaker 2>Okay, I've never done that.

0:16:40.240 --> 0:16:45.080
<v Speaker 3>Like after dance rehearsal, classic hilarious joke. I would Yet

0:16:45.200 --> 0:16:48.680
<v Speaker 3>I was the Captain Bragg woman and there was this

0:16:49.120 --> 0:16:50.960
<v Speaker 3>girl who's a year younger, and I would just get

0:16:51.000 --> 0:16:52.440
<v Speaker 3>in the trunk of her car because you don't leave

0:16:52.480 --> 0:16:54.480
<v Speaker 3>her car unlocked. Again in the trunk of her car,

0:16:54.520 --> 0:16:56.240
<v Speaker 3>it surprise her when she put her stuff away.

0:16:56.880 --> 0:16:58.960
<v Speaker 4>Wow, I feel like that could have gone really badly

0:16:59.040 --> 0:16:59.320
<v Speaker 4>for you.

0:17:00.040 --> 0:17:03.160
<v Speaker 3>Yes, yes, but it's but I want everyone to know

0:17:03.200 --> 0:17:04.879
<v Speaker 3>that I'm willing to put my body on the line

0:17:05.000 --> 0:17:05.400
<v Speaker 3>for a bit.

0:17:06.320 --> 0:17:07.000
<v Speaker 4>Uh huh.

0:17:07.040 --> 0:17:09.800
<v Speaker 2>I mean I've seen it before. I'll see it again,

0:17:09.840 --> 0:17:10.359
<v Speaker 2>I'm sure.

0:17:10.680 --> 0:17:14.200
<v Speaker 3>Yeah. I mean if I make it, we'll see. Anyways,

0:17:14.359 --> 0:17:16.760
<v Speaker 3>they do kill their friend, and this is I think

0:17:16.760 --> 0:17:18.520
<v Speaker 3>that's like one of the best jokes of the entire

0:17:18.560 --> 0:17:20.720
<v Speaker 3>movie that they're like, of course everybody does this, this

0:17:20.840 --> 0:17:21.560
<v Speaker 3>is what girls do.

0:17:21.960 --> 0:17:24.000
<v Speaker 2>It is very funny, right, So what happens They throw

0:17:24.000 --> 0:17:27.639
<v Speaker 2>in the trunk with no nefarious intentions or anything, but

0:17:27.680 --> 0:17:30.879
<v Speaker 2>when they open the trunk, they discover that Liz is dead.

0:17:31.240 --> 0:17:36.120
<v Speaker 2>Apparently she had swallowed and choked on the jawbreaker, which

0:17:36.200 --> 0:17:40.720
<v Speaker 2>was Courtney's idea to shove into Liz's mouth. So Courtney

0:17:40.840 --> 0:17:45.480
<v Speaker 2>is the most culpable in Liz's death. They start panicking.

0:17:45.920 --> 0:17:48.640
<v Speaker 2>They try to figure out what to do. Julie wants

0:17:48.680 --> 0:17:52.760
<v Speaker 2>to go to the police and tell them about this incident,

0:17:52.800 --> 0:17:55.400
<v Speaker 2>which is effectively an accident. You know, they didn't mean

0:17:55.440 --> 0:17:58.159
<v Speaker 2>for her to die, but Courtney knows it's her fault

0:17:58.359 --> 0:18:00.600
<v Speaker 2>and she doesn't want to get in trouble, so she

0:18:00.840 --> 0:18:05.320
<v Speaker 2>coerces her friends into just going along with this plan

0:18:05.400 --> 0:18:08.000
<v Speaker 2>to keep it a secret, to go to school and

0:18:08.119 --> 0:18:12.560
<v Speaker 2>pretend like everything is normal. Courtney suggests that to get

0:18:12.560 --> 0:18:16.080
<v Speaker 2>them off the hook, they put Liz back in her

0:18:16.160 --> 0:18:19.800
<v Speaker 2>bed and make it seem like she was raped and

0:18:20.080 --> 0:18:24.960
<v Speaker 2>gagged with a jawbreaker and that's how she died. Unhinged again.

0:18:25.080 --> 0:18:29.680
<v Speaker 2>Julie tries to object, but Courtney is like, no, we're

0:18:29.760 --> 0:18:30.360
<v Speaker 2>doing this.

0:18:30.960 --> 0:18:32.679
<v Speaker 3>It is so wild to me. Like one of the

0:18:32.960 --> 0:18:36.320
<v Speaker 3>more bizarre elements of the job Breaker world that I

0:18:36.359 --> 0:18:40.560
<v Speaker 3>feel like Heathers and mean girls does and this doesn't,

0:18:40.720 --> 0:18:43.760
<v Speaker 3>is like give you a sense of like the other

0:18:43.840 --> 0:18:46.120
<v Speaker 3>people in this world. You meet a couple of characters

0:18:46.160 --> 0:18:49.040
<v Speaker 3>outside of the main characters, but it's like with Courtney especially,

0:18:49.040 --> 0:18:52.720
<v Speaker 3>you're like, where did this girl come from? Like I

0:18:52.720 --> 0:18:56.920
<v Speaker 3>feel like part of the reason that the Heathers and

0:18:57.119 --> 0:19:00.720
<v Speaker 3>Regina George are so like they're horrible, but you at

0:19:00.760 --> 0:19:03.720
<v Speaker 3>least know that they have like some like core wound.

0:19:03.800 --> 0:19:06.000
<v Speaker 3>And you meet Regina George's mom, You're like, oh, of

0:19:06.080 --> 0:19:09.879
<v Speaker 3>course she's fucked up like this environment. But Corney just

0:19:09.920 --> 0:19:14.320
<v Speaker 3>like exists in this evil void. It's weird, yeah.

0:19:14.000 --> 0:19:17.040
<v Speaker 4>But everything about it is very dreamlike, like the fact

0:19:17.040 --> 0:19:20.280
<v Speaker 4>that Fern is somehow the captain of the cheerleading.

0:19:19.840 --> 0:19:22.320
<v Speaker 3>Squad, but when did that happen?

0:19:22.600 --> 0:19:23.600
<v Speaker 2>How and when.

0:19:23.520 --> 0:19:25.600
<v Speaker 4>When did that happen? And who was involved in that?

0:19:25.760 --> 0:19:28.080
<v Speaker 4>And like it all exists in this kind of like

0:19:28.280 --> 0:19:30.720
<v Speaker 4>the way a dream almost works, where you're like, I'm

0:19:30.760 --> 0:19:33.080
<v Speaker 4>popular now so now these things have happened to me,

0:19:33.160 --> 0:19:34.639
<v Speaker 4>but we didn't have to go from A to B.

0:19:34.760 --> 0:19:37.440
<v Speaker 4>We just magically transported ourselves there.

0:19:37.800 --> 0:19:41.280
<v Speaker 2>Yeah, there are many scenes that feel like they should

0:19:41.320 --> 0:19:44.800
<v Speaker 2>have taken place on screen that just happened off screen,

0:19:44.880 --> 0:19:48.359
<v Speaker 2>such as like Julie deciding not to be their friends anymore,

0:19:48.400 --> 0:19:50.840
<v Speaker 2>which is about to happen, right. You think you would

0:19:50.840 --> 0:19:54.280
<v Speaker 2>have like seen a confrontation where Julie's like, I'm not

0:19:54.400 --> 0:19:55.959
<v Speaker 2>going to be a part of this, but that just

0:19:56.200 --> 0:19:59.280
<v Speaker 2>suddenly she's like not walking with the popular girls anymore.

0:19:59.560 --> 0:20:02.159
<v Speaker 3>It's just visually communicated to us by the fact that

0:20:02.200 --> 0:20:05.600
<v Speaker 3>she starts wearing Denham, and that's like how we understand

0:20:05.720 --> 0:20:07.600
<v Speaker 3>that she's no longer friends with them?

0:20:08.200 --> 0:20:11.280
<v Speaker 4>Yes, exactly is your friend wearing Denham? Check on them?

0:20:13.640 --> 0:20:16.639
<v Speaker 3>Right? They might have accidentally killed someone and don't know

0:20:16.680 --> 0:20:17.119
<v Speaker 3>what to do.

0:20:19.400 --> 0:20:24.119
<v Speaker 2>Okay, So they go to school, and at school, a

0:20:24.440 --> 0:20:29.680
<v Speaker 2>teacher named Miss Sherwood played by Carol Kane asks Courtney

0:20:29.960 --> 0:20:33.359
<v Speaker 2>to pick up Liz's assignments at the end of the day,

0:20:33.800 --> 0:20:37.600
<v Speaker 2>knowing that Liz isn't in school, though she doesn't know why,

0:20:38.000 --> 0:20:42.280
<v Speaker 2>of course, but Courtney is late in picking up the assignments,

0:20:42.920 --> 0:20:46.320
<v Speaker 2>but the narrator, Fern Mayo, happens to be right there,

0:20:46.520 --> 0:20:50.000
<v Speaker 2>so Miss Sherwood asks Fern to take the assignments to

0:20:50.359 --> 0:20:53.560
<v Speaker 2>Liz's home. The other girls find out about this, so

0:20:53.600 --> 0:20:57.040
<v Speaker 2>they race to Lizz's house before Fern can get there

0:20:57.880 --> 0:21:02.080
<v Speaker 2>to set this like a Lie Jude rape scene up.

0:21:02.520 --> 0:21:05.680
<v Speaker 2>It's very chaotic. They're kind of freaking out.

0:21:06.119 --> 0:21:09.359
<v Speaker 3>Sorry this is I was just thinking about Carol Caine.

0:21:09.880 --> 0:21:12.240
<v Speaker 3>I was like, where have we seen Carol Caine play

0:21:12.280 --> 0:21:15.240
<v Speaker 3>a kooky teacher before? And the answer is Confessions of

0:21:15.280 --> 0:21:18.560
<v Speaker 3>a teenage drama Queen. Oh my gosh, anyone else. I

0:21:18.600 --> 0:21:20.560
<v Speaker 3>was like, I've seen her play this exact character and

0:21:20.600 --> 0:21:21.359
<v Speaker 3>it's a couple of.

0:21:21.359 --> 0:21:25.560
<v Speaker 2>Years later in a Lindsay Lowhand role that is not

0:21:25.920 --> 0:21:27.080
<v Speaker 2>Mean Girls.

0:21:26.920 --> 0:21:29.040
<v Speaker 3>But did come out in two thousand and four. Makes

0:21:29.080 --> 0:21:30.359
<v Speaker 3>you think the Matrix.

0:21:30.800 --> 0:21:38.720
<v Speaker 2>Yeah, yes, okay. So anyway, they're setting up this scene.

0:21:38.840 --> 0:21:42.880
<v Speaker 2>It's very chaotic. Julie finds this birthday card with a

0:21:42.920 --> 0:21:46.119
<v Speaker 2>recording of Liz's voice that's saying, what are you doing

0:21:46.160 --> 0:21:49.719
<v Speaker 2>to me? And then Fern comes into the house and

0:21:49.800 --> 0:21:54.400
<v Speaker 2>overhears Courtney saying that she killed Liz. Then Fern sees

0:21:54.720 --> 0:21:56.280
<v Speaker 2>Liz's dead body.

0:21:56.200 --> 0:21:59.440
<v Speaker 3>Which is looking rough so bruised.

0:21:59.440 --> 0:22:02.640
<v Speaker 2>I don't know how it got bruised after her death.

0:22:02.760 --> 0:22:05.679
<v Speaker 3>I hadn't a jobbreaker was like full of battery, acid

0:22:05.800 --> 0:22:06.280
<v Speaker 3>or something.

0:22:07.280 --> 0:22:13.840
<v Speaker 2>Yes, So Courtney coerces Fern into not telling, saying that

0:22:14.080 --> 0:22:18.119
<v Speaker 2>if she doesn't rat her out, they'll turn her into

0:22:18.200 --> 0:22:20.880
<v Speaker 2>one of the pretty and popular girls just like them,

0:22:21.640 --> 0:22:25.520
<v Speaker 2>which is what Fern has always dreamed of. So they

0:22:25.560 --> 0:22:29.639
<v Speaker 2>give Fern a makeover. They give her a new name, Violette,

0:22:30.359 --> 0:22:34.200
<v Speaker 2>and everyone thinks she's a new student. No one realizes

0:22:34.400 --> 0:22:39.880
<v Speaker 2>that this is actually Fern who has been transformed. Meanwhile,

0:22:40.040 --> 0:22:43.680
<v Speaker 2>Julie has left the group off screen. She wants nothing

0:22:43.720 --> 0:22:44.880
<v Speaker 2>to do with this.

0:22:45.280 --> 0:22:48.000
<v Speaker 3>She bought a jacket at the gap and she's just finished.

0:22:48.320 --> 0:22:49.760
<v Speaker 2>Uh huh uh huh.

0:22:49.800 --> 0:22:52.359
<v Speaker 3>And for some reason, another one of the more dream

0:22:52.440 --> 0:22:55.600
<v Speaker 3>logic key elements of this movie is like, at some point,

0:22:55.640 --> 0:23:00.520
<v Speaker 3>I really don't understand why Julie doesn't just tell, I.

0:23:00.440 --> 0:23:04.000
<v Speaker 2>Know, like because Courtney threatens her.

0:23:04.280 --> 0:23:07.000
<v Speaker 4>Courtney says they'll all gang together and say it was

0:23:07.080 --> 0:23:10.680
<v Speaker 4>all It was all Julies Yeli, who did it?

0:23:10.880 --> 0:23:14.199
<v Speaker 3>Yes, that's right, which I understand is scary, but I'm

0:23:14.240 --> 0:23:16.720
<v Speaker 3>most like, if Courtney's outed as a murderer, she can't

0:23:16.760 --> 0:23:19.440
<v Speaker 3>do shit like anyways.

0:23:21.400 --> 0:23:23.679
<v Speaker 2>But yeah, I guess that's why Julie stays quiet for

0:23:23.720 --> 0:23:29.520
<v Speaker 2>a while. Meanwhile, Courtney teaches Fern slash Violette how to

0:23:29.600 --> 0:23:35.000
<v Speaker 2>be cool and popular like them, and violet is loving it.

0:23:35.520 --> 0:23:38.840
<v Speaker 2>Then Liz's parents come home from whatever trip they were on,

0:23:39.720 --> 0:23:45.560
<v Speaker 2>discover their daughter's body and call the police. Enter Detective

0:23:45.680 --> 0:23:49.600
<v Speaker 2>Pam Greer. So we've got several Greers. We've got Judy Greer,

0:23:49.920 --> 0:23:54.000
<v Speaker 2>We've got Pam Greer, David Allen Greer, though, where is he?

0:23:54.119 --> 0:23:57.160
<v Speaker 3>Nowhere to be seen? Nowhere to be seen? And I'm

0:23:57.160 --> 0:23:58.159
<v Speaker 3>glad you brought that up.

0:23:59.480 --> 0:24:02.919
<v Speaker 2>Also, my other big criticism of the movie that it

0:24:03.040 --> 0:24:04.400
<v Speaker 2>lacks David Allen Greer.

0:24:04.520 --> 0:24:07.440
<v Speaker 3>Come on, Darren, it's the rule of threes exactly.

0:24:07.600 --> 0:24:09.080
<v Speaker 4>I'm googling David Allen Green.

0:24:09.760 --> 0:24:13.040
<v Speaker 2>Oh you might know him from Jumanji.

0:24:13.640 --> 0:24:15.200
<v Speaker 4>Okay, you might know him.

0:24:15.280 --> 0:24:17.240
<v Speaker 2>He had a show, his own show for a while

0:24:17.240 --> 0:24:20.320
<v Speaker 2>that I think was called DAG which are his initials,

0:24:20.840 --> 0:24:23.240
<v Speaker 2>and then he's in other stuff that I don't remember.

0:24:23.960 --> 0:24:24.400
<v Speaker 3>Anyway.

0:24:25.240 --> 0:24:27.840
<v Speaker 4>Well, I'm with you so much.

0:24:29.119 --> 0:24:33.280
<v Speaker 2>Okay, So Julie starts hanging out with this guy named Zach.

0:24:34.280 --> 0:24:39.600
<v Speaker 2>She also tries to connect with Fern slash Violette, presumably

0:24:39.680 --> 0:24:43.080
<v Speaker 2>to kind of help her get out from under Courtney's clutches.

0:24:43.400 --> 0:24:45.479
<v Speaker 2>It seems like they used to be pretty good friends

0:24:45.560 --> 0:24:51.000
<v Speaker 2>in elementary school, but again, Courtney's tyranny is not letting

0:24:51.040 --> 0:24:54.560
<v Speaker 2>that happen. Then there's a scene where Courtney is fooling

0:24:54.600 --> 0:24:57.960
<v Speaker 2>around with her jock boyfriend whose name is Dane, I think,

0:24:58.640 --> 0:25:04.840
<v Speaker 2>and then makes him fulate a popsicle, And that's that scene.

0:25:05.280 --> 0:25:08.560
<v Speaker 3>Then I guess we'll circle back to that.

0:25:09.840 --> 0:25:17.040
<v Speaker 2>Yeah, I guess. Then Detective Pam Grier starts questioning Courtney, Marcy,

0:25:17.400 --> 0:25:25.119
<v Speaker 2>and Julie, but they deny everything. Meanwhile, people are noticing

0:25:25.240 --> 0:25:29.119
<v Speaker 2>and wanting to befriend Violette, and still no one realizes

0:25:29.200 --> 0:25:34.160
<v Speaker 2>that she's Fern Mayo who's been transformed. Courtney tells her

0:25:34.440 --> 0:25:38.080
<v Speaker 2>she needs a boyfriend, and she picks someone out for

0:25:38.359 --> 0:25:42.719
<v Speaker 2>violet Zach Tartak, the guy who Julie has been seeing.

0:25:43.320 --> 0:25:47.200
<v Speaker 2>He's a drama kid. So Courtney signs Violette up for

0:25:47.359 --> 0:25:50.840
<v Speaker 2>the school play and she like gets cast in the

0:25:50.920 --> 0:25:54.600
<v Speaker 2>lead role. She's also the lead cheerleader. Now again, we

0:25:54.680 --> 0:25:57.320
<v Speaker 2>don't know quite how these things happen.

0:25:57.920 --> 0:26:01.000
<v Speaker 3>Yeah, I think so. I think you're that the dream

0:26:01.080 --> 0:26:03.719
<v Speaker 3>logic is just like, oh, yeah, she just becomes what

0:26:03.800 --> 0:26:06.720
<v Speaker 3>everyone thinks of being popular, and like, don't worry about

0:26:06.800 --> 0:26:09.080
<v Speaker 3>how she's don't worry about the fact that she's twenty

0:26:09.119 --> 0:26:11.600
<v Speaker 3>five years old. It's fine, right.

0:26:12.000 --> 0:26:14.600
<v Speaker 2>Well, Also, this movie's a satire, and you can get

0:26:14.640 --> 0:26:17.560
<v Speaker 2>away with a lot of things when you're doing satire.

0:26:18.000 --> 0:26:23.760
<v Speaker 2>So yeah, anyway, then Courtney goes back to Detective Pam

0:26:23.800 --> 0:26:27.760
<v Speaker 2>Greer and tells her that Liz was actually into some

0:26:27.920 --> 0:26:31.320
<v Speaker 2>very kinky stuff. You'd never know from her sweet and

0:26:31.359 --> 0:26:34.960
<v Speaker 2>innocent demeanor, but she used to go to bars and

0:26:35.200 --> 0:26:38.280
<v Speaker 2>take home random guys and one of them must have

0:26:38.359 --> 0:26:41.080
<v Speaker 2>gotten too rough and that's why she's dead.

0:26:41.440 --> 0:26:46.959
<v Speaker 3>Courtney is so diabolical, just slutshaming from like beyond the grave.

0:26:46.119 --> 0:26:50.840
<v Speaker 2>Right, because as she's saying this to Detective Pam Greer,

0:26:51.200 --> 0:26:55.359
<v Speaker 2>we are seeing a flashback of Courtney doing exactly what

0:26:55.520 --> 0:26:59.080
<v Speaker 2>she's describing Liz to have done. Where Courtney goes into

0:26:59.119 --> 0:27:02.760
<v Speaker 2>a bar, she picks up Marilyn Manson, who was Rose

0:27:02.840 --> 0:27:05.199
<v Speaker 2>McGowan's then boyfriend and She's like, do you want to

0:27:05.200 --> 0:27:09.560
<v Speaker 2>be in the movie, and he's like sure. So Marilyn

0:27:09.600 --> 0:27:13.879
<v Speaker 2>Manson is there and she takes him to Lizz's house

0:27:14.000 --> 0:27:17.240
<v Speaker 2>and has sex with him on Lizz's bed while Lizz's

0:27:17.280 --> 0:27:20.879
<v Speaker 2>dead body is hiding under the bed, or has been

0:27:20.960 --> 0:27:23.159
<v Speaker 2>hidden under the bed. It's not like her dead body

0:27:23.200 --> 0:27:24.080
<v Speaker 2>got up and hid that.

0:27:24.800 --> 0:27:27.399
<v Speaker 3>So like, yeah, I was confused about the timeline of

0:27:27.400 --> 0:27:29.439
<v Speaker 3>that for a while. Did she do that? So she

0:27:29.520 --> 0:27:32.800
<v Speaker 3>did that before Lizz's parents got home? I think so.

0:27:33.240 --> 0:27:36.000
<v Speaker 4>Yeah, seems like there was maybe an extra night. Was

0:27:36.040 --> 0:27:38.480
<v Speaker 4>it the day she died? Maybe she did it that night.

0:27:38.800 --> 0:27:40.119
<v Speaker 2>Yeah, I think she went back.

0:27:40.520 --> 0:27:42.640
<v Speaker 3>I was reading in the production about this, like that

0:27:42.640 --> 0:27:46.600
<v Speaker 3>that sex scene in particular, like nearly got the movie

0:27:46.600 --> 0:27:49.919
<v Speaker 3>in NC seventeen ratings. I think that they like maybe

0:27:49.920 --> 0:27:52.040
<v Speaker 3>the editing around it is a little confusing so that

0:27:52.119 --> 0:27:54.920
<v Speaker 3>people could see the movie right.

0:27:55.520 --> 0:28:00.199
<v Speaker 2>Yeah. So it's at this point that Violet starts just

0:28:00.280 --> 0:28:04.520
<v Speaker 2>kind of wiling out with all this newfound popularity and power.

0:28:05.400 --> 0:28:10.040
<v Speaker 2>She gets a guy to give her a red Corvette

0:28:10.080 --> 0:28:14.679
<v Speaker 2>convertible again. She's been cast as the lead in the

0:28:14.720 --> 0:28:19.119
<v Speaker 2>school play and tries to seduce Zach, but it doesn't work,

0:28:19.240 --> 0:28:22.560
<v Speaker 2>and then Zach goes to Julie and is like, who's

0:28:22.600 --> 0:28:25.879
<v Speaker 2>that Violet girl? She's weird, what's up with her? And

0:28:25.920 --> 0:28:29.240
<v Speaker 2>then Julie proceeds to tell him about the whole situation,

0:28:29.600 --> 0:28:33.720
<v Speaker 2>how Courtney killed Liz and Fern Mayo found out about it,

0:28:33.920 --> 0:28:38.640
<v Speaker 2>so Courtney gave Fern all this social status and transformed

0:28:38.680 --> 0:28:42.440
<v Speaker 2>her into Violet so that she wouldn't tell anyone about

0:28:42.480 --> 0:28:44.960
<v Speaker 2>this death, this murder.

0:28:44.560 --> 0:28:47.320
<v Speaker 3>And then out of nowhere, this random guy has become

0:28:47.400 --> 0:28:49.600
<v Speaker 3>the moral compass of the entire movie.

0:28:49.720 --> 0:28:52.080
<v Speaker 2>You're like, this right, and the fact that they give

0:28:52.160 --> 0:28:55.520
<v Speaker 2>him like the big thing. I'll get to it, but like,

0:28:55.600 --> 0:28:57.040
<v Speaker 2>I'm like, that should have been one of the girls.

0:28:57.040 --> 0:28:58.800
<v Speaker 2>Why does he get to do the thing with the

0:28:58.840 --> 0:29:02.760
<v Speaker 2>sound recording anyway? So Zach is like, well, you have

0:29:02.840 --> 0:29:06.360
<v Speaker 2>to tell someone, Julie, so she agrees, and they try

0:29:06.400 --> 0:29:10.880
<v Speaker 2>to find evidence, like the polaroid photo that Courtney snapped

0:29:10.920 --> 0:29:13.560
<v Speaker 2>of Liz when they opened the trunk, but they can't

0:29:13.560 --> 0:29:14.680
<v Speaker 2>find the photo anywhere.

0:29:14.960 --> 0:29:16.840
<v Speaker 4>They look really hard, though, they.

0:29:16.760 --> 0:29:21.840
<v Speaker 5>Don't hard the parking spot, and they're like, wow, Wow,

0:29:22.200 --> 0:29:26.280
<v Speaker 5>I don't know, meanwhow I honestly though, I don't know

0:29:26.320 --> 0:29:28.640
<v Speaker 5>that Pam Greer's character would have done much better.

0:29:28.960 --> 0:29:34.720
<v Speaker 3>I don't. She's like, yeah, some guy, we've got Marilyn

0:29:34.760 --> 0:29:38.280
<v Speaker 3>Manson in custody, and uh yeah, another hard days work.

0:29:38.640 --> 0:29:41.040
<v Speaker 4>Yeah right.

0:29:41.120 --> 0:29:44.360
<v Speaker 2>So what happens next is Julie ends up going to

0:29:44.520 --> 0:29:47.120
<v Speaker 2>Detective Pam Greer anyway and is about to tell her

0:29:47.160 --> 0:29:50.440
<v Speaker 2>what happened, but Pam Greer is like, well, we already

0:29:50.480 --> 0:29:55.120
<v Speaker 2>have Marilyn Manson in custody, so don't worry about it.

0:29:55.000 --> 0:29:59.360
<v Speaker 3>And in retrospect, yeah, keep him there, right, But there's

0:29:59.440 --> 0:30:01.960
<v Speaker 3>also an evil Rose McGowan character on the.

0:30:02.000 --> 0:30:07.240
<v Speaker 2>Loose, right, So Julie realizes that Courtney must have done

0:30:07.240 --> 0:30:09.920
<v Speaker 2>this thing where she went back to Lizu's house and

0:30:10.520 --> 0:30:14.160
<v Speaker 2>framed Marilyn Manson more or less, so it's up to

0:30:14.240 --> 0:30:19.720
<v Speaker 2>her to take Courtney down. Meanwhile, Courtney doesn't like how

0:30:19.800 --> 0:30:24.080
<v Speaker 2>popular and beloved Violette has become, so she decides to

0:30:24.640 --> 0:30:28.640
<v Speaker 2>expose violet by posting all these photos of her when

0:30:28.680 --> 0:30:30.800
<v Speaker 2>she was still Fern Mayo.

0:30:31.320 --> 0:30:33.840
<v Speaker 4>I love that The breaking point for her is Violette

0:30:33.880 --> 0:30:37.800
<v Speaker 4>sitting on the car and like dancing. She's like, that's it,

0:30:38.880 --> 0:30:42.560
<v Speaker 4>this is gone too far. Violet's bobbing.

0:30:44.160 --> 0:30:48.120
<v Speaker 3>It's so funny that like that has everyone again just

0:30:48.120 --> 0:30:52.800
<v Speaker 3>like the idea of hero worship, because you're like, I

0:30:52.920 --> 0:30:56.000
<v Speaker 3>loved it. When Judy Greer comes to school with a

0:30:56.080 --> 0:30:58.680
<v Speaker 3>vanity plate that says bitch and also a T shirt

0:30:58.680 --> 0:31:03.920
<v Speaker 3>that says bitch, I'm like, yeah, yeah, exactly those scenes.

0:31:03.960 --> 0:31:06.040
<v Speaker 3>I'm like, this is the greatest movie ever made. And

0:31:06.080 --> 0:31:10.640
<v Speaker 3>then like, based on the Judy Greer aesthetics alone, it's great.

0:31:11.240 --> 0:31:11.640
<v Speaker 2>For sure.

0:31:11.880 --> 0:31:15.280
<v Speaker 4>Courtney is in the bathroom with Marci and Marcy's like

0:31:15.320 --> 0:31:17.520
<v Speaker 4>she's gone too far, She's out of control, and Courtney's like, no,

0:31:17.600 --> 0:31:21.080
<v Speaker 4>everything's fine, and then literal seconds later she's like, this

0:31:21.240 --> 0:31:24.320
<v Speaker 4>is it. We're over just because we have to kill

0:31:25.080 --> 0:31:27.400
<v Speaker 4>Violet's on the hood of her cars, like you're you

0:31:27.440 --> 0:31:30.360
<v Speaker 4>were right, this is all it's all gone too far.

0:31:30.880 --> 0:31:31.920
<v Speaker 4>I must destroy her.

0:31:32.720 --> 0:31:38.320
<v Speaker 3>The fact that like Violette is basically like Courtney's Frankenstein's monster.

0:31:38.600 --> 0:31:42.080
<v Speaker 3>I guess she's Courtney's monster, and then she decides that

0:31:42.120 --> 0:31:45.840
<v Speaker 3>she has to kill her own monster. That is at least,

0:31:46.000 --> 0:31:50.080
<v Speaker 3>you know, different from Heather's in Mean Girls, where it's

0:31:50.200 --> 0:31:53.120
<v Speaker 3>I guess if we're thinking Mean Girls. This movie also

0:31:53.400 --> 0:31:55.600
<v Speaker 3>was like I got to rewatch mean girls. They like

0:31:55.800 --> 0:32:00.280
<v Speaker 3>Katie is kind of Janice's monster. She's not really Regenis.

0:32:01.960 --> 0:32:07.040
<v Speaker 3>She's kind of like planted in there by the uncool kids, right,

0:32:08.600 --> 0:32:11.080
<v Speaker 3>but this one is just the calls coming from inside

0:32:11.080 --> 0:32:13.440
<v Speaker 3>the click. They're like, you're just the new girl.

0:32:13.480 --> 0:32:19.200
<v Speaker 2>More like clueless. I guess where. Well, Alicia Silverstone is

0:32:19.240 --> 0:32:22.640
<v Speaker 2>like hey, Brittany Murphy, right, but like Alicia Silverstone is

0:32:22.760 --> 0:32:25.520
<v Speaker 2>nice and not mean like Corney's.

0:32:25.560 --> 0:32:27.600
<v Speaker 3>Did you see the weird I think it was like

0:32:27.600 --> 0:32:30.800
<v Speaker 3>a TikTok thing or maybe an Instagram thing where Alisa

0:32:30.880 --> 0:32:35.120
<v Speaker 3>Silverstone was recently like walking around and ate poisonous berries

0:32:35.400 --> 0:32:37.000
<v Speaker 3>like out of someone's yard.

0:32:37.360 --> 0:32:42.920
<v Speaker 6>She was like, it's so funny, kayle, it's funny. She's okay, okay, okay,

0:32:43.400 --> 0:32:46.800
<v Speaker 6>but like I don't she's I don't know where she is,

0:32:46.840 --> 0:32:50.880
<v Speaker 6>but she's just she's like making this like really puckered

0:32:50.920 --> 0:32:54.920
<v Speaker 6>face and she's like, hey, guys, I just ate these berries.

0:32:54.800 --> 0:32:59.280
<v Speaker 3>Off of someone's tree and they tastes weird. Can anyone

0:32:59.320 --> 0:33:03.240
<v Speaker 3>tell me? Am? I sick? Like it was so bizarre, and.

0:33:03.160 --> 0:33:05.440
<v Speaker 4>Then she just went quiet for like twenty four hours,

0:33:05.480 --> 0:33:09.240
<v Speaker 4>and I was like, is she dead? Is she dead?

0:33:09.280 --> 0:33:10.120
<v Speaker 4>From berries.

0:33:10.400 --> 0:33:13.440
<v Speaker 3>Thankfully, the berries didn't get her, and once everyone found

0:33:13.440 --> 0:33:15.720
<v Speaker 3>out they were alive, they're like, why would you just

0:33:15.800 --> 0:33:19.960
<v Speaker 3>eat berries off of Like do you have no self

0:33:20.000 --> 0:33:21.920
<v Speaker 3>preservation instincts? It's why?

0:33:22.880 --> 0:33:26.160
<v Speaker 2>Well, there is that like I don't remember what it's called,

0:33:26.440 --> 0:33:28.960
<v Speaker 2>but like there's this movement where people are like, yeah,

0:33:28.960 --> 0:33:31.400
<v Speaker 2>we should eat the food that's on the trees grow,

0:33:31.560 --> 0:33:35.120
<v Speaker 2>especially in like La where they're like avocado trees. There's

0:33:35.360 --> 0:33:37.960
<v Speaker 2>citrus trees all over and people are like, we should

0:33:38.000 --> 0:33:41.520
<v Speaker 2>be allowed to eat this ray food. And so maybe

0:33:41.560 --> 0:33:44.080
<v Speaker 2>she's just like a part of that movement where she's like,

0:33:44.160 --> 0:33:45.120
<v Speaker 2>I'm going to eat.

0:33:45.320 --> 0:33:47.560
<v Speaker 3>The street, but also like no one's like and you

0:33:47.600 --> 0:33:50.400
<v Speaker 3>should eat food off the trees and not confirm what

0:33:50.560 --> 0:33:51.760
<v Speaker 3>it is before I eat.

0:33:51.840 --> 0:33:54.960
<v Speaker 2>People who were doing that know what they're eating all

0:33:55.080 --> 0:33:59.720
<v Speaker 2>berries famously fine according to her.

0:33:59.720 --> 0:34:01.880
<v Speaker 3>I guess it's like a parable anyways.

0:34:02.240 --> 0:34:06.840
<v Speaker 2>Anyway, Okay, so what happens in the movie is that

0:34:07.640 --> 0:34:15.560
<v Speaker 2>Courtney exposes Violette as the nerdy, unpopular Fern Mayo, and

0:34:15.680 --> 0:34:22.279
<v Speaker 2>everyone is like ew yucky, gross, and Fern freaks out

0:34:22.480 --> 0:34:27.120
<v Speaker 2>so hard that she passes out. Been there, but Julie

0:34:27.280 --> 0:34:30.759
<v Speaker 2>and Zach come to Fern's aid, and they team up

0:34:30.880 --> 0:34:34.440
<v Speaker 2>to take Courtney down, but they don't really know how

0:34:34.719 --> 0:34:39.640
<v Speaker 2>until Julie's mom is like, hey, Liz's mom dropped off

0:34:39.680 --> 0:34:42.640
<v Speaker 2>some stuff that she wanted you to have, and one

0:34:42.640 --> 0:34:47.280
<v Speaker 2>of the things is that birthday card with Liz's voice recording,

0:34:47.440 --> 0:34:51.399
<v Speaker 2>except now it has a recording of Courtney's saying I

0:34:51.480 --> 0:34:55.799
<v Speaker 2>killed Liz. I killed the teen dream deal with it, which.

0:34:55.600 --> 0:34:59.720
<v Speaker 3>Does explain Earlier I was like, why are they why

0:35:00.239 --> 0:35:02.680
<v Speaker 3>and it's like, oh, because that's the evidence. It needs

0:35:02.719 --> 0:35:04.920
<v Speaker 3>to be really, it has to be admissible in the

0:35:04.960 --> 0:35:08.440
<v Speaker 3>cord of Pam Greer, which that is.

0:35:10.120 --> 0:35:14.880
<v Speaker 2>Yes. So that night is prom because every teen movie

0:35:14.920 --> 0:35:18.280
<v Speaker 2>has to end in prom. So Julie, Zach, and Fern

0:35:18.640 --> 0:35:21.759
<v Speaker 2>go to Prom. Zach rigs up the sound system to

0:35:21.960 --> 0:35:27.760
<v Speaker 2>play that recording of Courtney's confession over her prom queen

0:35:27.920 --> 0:35:32.160
<v Speaker 2>speech when she inevitably wins prom Queen and everyone hears

0:35:32.200 --> 0:35:35.800
<v Speaker 2>this and they're like, oh my god, Courtney is such

0:35:35.840 --> 0:35:41.080
<v Speaker 2>a bitch from murdering Liz, and they're throwing their corsages

0:35:41.320 --> 0:35:43.640
<v Speaker 2>and stuff at her in a scene that reminds me

0:35:44.280 --> 0:35:47.479
<v Speaker 2>of Serce Lanister in Game of Thrones, like, oh, Wow,

0:35:47.960 --> 0:35:50.040
<v Speaker 2>I don't remember what happens in that show, even though

0:35:50.080 --> 0:35:53.520
<v Speaker 2>I've watched every episode, but she's been disgraced as queen

0:35:53.640 --> 0:35:56.759
<v Speaker 2>or something, and so everyone's like throwing stuff at her

0:35:56.800 --> 0:36:00.399
<v Speaker 2>as she walks through the town naked, and I was like, hmm,

0:36:00.480 --> 0:36:01.399
<v Speaker 2>it's like that.

0:36:02.080 --> 0:36:04.319
<v Speaker 3>It's like that. I was thinking of the aesthetic of

0:36:04.360 --> 0:36:12.120
<v Speaker 3>that looks a lot like the cover of that whole album.

0:36:09.560 --> 0:36:14.200
<v Speaker 4>M Yeah, Live through This. Yes, And actually Courtney is

0:36:14.280 --> 0:36:17.920
<v Speaker 4>named after Courtney Love, according to Darren, So okay, Darren,

0:36:18.080 --> 0:36:19.040
<v Speaker 4>maybe that's on purpose.

0:36:19.239 --> 0:36:20.200
<v Speaker 3>I see you, Darren.

0:36:20.440 --> 0:36:24.000
<v Speaker 4>It's obviously also very Carrie, isn't it very Carey?

0:36:24.320 --> 0:36:27.040
<v Speaker 3>Yeah? God, I mean, Caitlyne. I know you hate a

0:36:27.080 --> 0:36:29.200
<v Speaker 3>prom scene. This one worked for me, though at least

0:36:29.200 --> 0:36:32.200
<v Speaker 3>it ended. I hate when the prompt scenes when they end, well,

0:36:32.400 --> 0:36:37.319
<v Speaker 3>I'm bored when they end terribly. I like, Yeah, I.

0:36:37.239 --> 0:36:40.919
<v Speaker 2>Don't automatically hate any movie that ends in prom or

0:36:41.239 --> 0:36:43.040
<v Speaker 2>any movie that ends in a wedding. I know, I

0:36:43.120 --> 0:36:45.880
<v Speaker 2>like bring it up a lot, but it's more that

0:36:46.120 --> 0:36:50.840
<v Speaker 2>I hate that it's become a trope because writers don't

0:36:50.840 --> 0:36:53.640
<v Speaker 2>have enough imagination to think of another way to end

0:36:53.680 --> 0:36:56.239
<v Speaker 2>a movie. But if there's like narrative purpose for it,

0:36:56.360 --> 0:36:58.960
<v Speaker 2>or it makes sense in the context of the story.

0:36:59.520 --> 0:37:01.480
<v Speaker 3>Fine, in the context of all that is.

0:37:03.040 --> 0:37:07.120
<v Speaker 2>But the point here is that Julie got her ass,

0:37:08.000 --> 0:37:12.840
<v Speaker 2>and Courtney is disgraced and her empire is over the.

0:37:12.800 --> 0:37:15.440
<v Speaker 3>End, and you're just not supposed to think about like,

0:37:15.560 --> 0:37:18.200
<v Speaker 3>so are Julie and Marcy on the hook for this

0:37:18.280 --> 0:37:18.560
<v Speaker 3>at all?

0:37:18.880 --> 0:37:23.480
<v Speaker 2>I don't don't know, doesn't matter, I guess, yeah, but

0:37:23.560 --> 0:37:25.759
<v Speaker 2>that's the movie. So let's take another quick break and

0:37:25.880 --> 0:37:35.640
<v Speaker 2>we'll come back to discuss.

0:37:36.120 --> 0:37:39.600
<v Speaker 3>And we're back. Yeah, where do we want to start?

0:37:39.840 --> 0:37:40.799
<v Speaker 3>What's jumping out?

0:37:42.560 --> 0:37:46.080
<v Speaker 4>I feel like there's so many ways to cut this cookie.

0:37:46.200 --> 0:37:51.320
<v Speaker 4>I don't know. I forgot how bizarre it is, just visually,

0:37:51.840 --> 0:37:54.400
<v Speaker 4>like the way it's edited, the way the dialogue is.

0:37:54.400 --> 0:37:57.080
<v Speaker 4>There's so many things about it that are very unique

0:37:57.360 --> 0:37:58.840
<v Speaker 4>and that was fun to watch.

0:38:00.320 --> 0:38:05.320
<v Speaker 2>It's more visually stylized than a typical teen comedy.

0:38:05.640 --> 0:38:08.239
<v Speaker 4>Yeah, I guess it owes something to Heather's for all

0:38:08.280 --> 0:38:13.160
<v Speaker 4>of that, like this overstylized costume and the bizarre affected speech.

0:38:14.000 --> 0:38:16.200
<v Speaker 4>I think a lot of this movie kind of doesn't work,

0:38:17.480 --> 0:38:20.520
<v Speaker 4>but it's almost got like so many other things that

0:38:20.560 --> 0:38:24.000
<v Speaker 4>are so great that they kind of balanced themselves out.

0:38:24.160 --> 0:38:26.279
<v Speaker 4>But I can imagine watching this, especially if you're not

0:38:26.440 --> 0:38:29.960
<v Speaker 4>like queer or have never really been in any way

0:38:30.000 --> 0:38:32.800
<v Speaker 4>exposed to queer stuff, that you might just be like,

0:38:32.840 --> 0:38:40.240
<v Speaker 4>this is a terrible movie. This sucks. I don't feel

0:38:40.239 --> 0:38:44.600
<v Speaker 4>that way, but I can kind of understand why you might, Right.

0:38:44.520 --> 0:38:46.319
<v Speaker 3>Yeah, it's interesting. I mean, like I feel like a

0:38:46.360 --> 0:38:50.080
<v Speaker 3>lot of what was helpful, like just learning more about

0:38:50.160 --> 0:38:52.480
<v Speaker 3>Darren Stein and like he was first of all, in

0:38:52.520 --> 0:38:55.359
<v Speaker 3>his twenties when he made this movie, which always makes

0:38:55.360 --> 0:38:59.480
<v Speaker 3>me feel very depressed about my own life. But this

0:38:59.560 --> 0:39:02.759
<v Speaker 3>is the second movie. He had made another movie called

0:39:02.800 --> 0:39:08.400
<v Speaker 3>I Believe Sparkler before this, and was very inspired by Heathers,

0:39:08.440 --> 0:39:12.120
<v Speaker 3>even though years on he was like, who's that what?

0:39:13.719 --> 0:39:16.680
<v Speaker 3>And I don't know. He's like an openly queer filmmaker

0:39:16.920 --> 0:39:19.840
<v Speaker 3>in the nineties, which was not a common thing. And

0:39:20.040 --> 0:39:23.120
<v Speaker 3>going back into it, there's two oral histories. One was

0:39:23.160 --> 0:39:26.080
<v Speaker 3>in Vice, one was in Entertainment Weekly. I'm mostly pulling

0:39:26.080 --> 0:39:28.239
<v Speaker 3>from the Vice one since it is kind of redundant

0:39:28.239 --> 0:39:30.600
<v Speaker 3>between the two, but the fact that you know in

0:39:30.719 --> 0:39:33.799
<v Speaker 3>Rose McGowan sort of speaks to this point that he

0:39:34.000 --> 0:39:37.480
<v Speaker 3>was sort of pigeonholed as a queer filmmaker and like

0:39:37.840 --> 0:39:40.200
<v Speaker 3>sort of is like, oh, well, he's like on the Fringes,

0:39:40.280 --> 0:39:42.960
<v Speaker 3>But really the only reason that that was was because

0:39:43.400 --> 0:39:46.640
<v Speaker 3>he was openly gay at a time where it was

0:39:46.760 --> 0:39:49.640
<v Speaker 3>just less common to be. So I don't know. I mean, like,

0:39:49.680 --> 0:39:53.200
<v Speaker 3>I can appreciate where he's coming from the movie looks amazing,

0:39:53.880 --> 0:39:55.759
<v Speaker 3>and there's things I don't know. I wanted to get

0:39:55.760 --> 0:39:59.160
<v Speaker 3>your opinions on this where I kept going back and

0:39:59.200 --> 0:40:01.920
<v Speaker 3>forth on like I wish I knew more about these characters,

0:40:02.000 --> 0:40:03.919
<v Speaker 3>But then I feel like, do I wish I knew

0:40:03.920 --> 0:40:06.040
<v Speaker 3>more about these characters? I'm not sure because it's like

0:40:06.440 --> 0:40:11.720
<v Speaker 3>the Courtney example of like she is just absolutely evil.

0:40:12.840 --> 0:40:15.799
<v Speaker 3>We don't know why, we don't know how she got there,

0:40:16.360 --> 0:40:20.000
<v Speaker 3>we don't know how she maintains it, but she just is.

0:40:20.080 --> 0:40:22.200
<v Speaker 3>And I'm like, do I want more? I don't know.

0:40:22.239 --> 0:40:24.480
<v Speaker 3>There's movies where you get more and I like them,

0:40:24.640 --> 0:40:26.319
<v Speaker 3>but I don't know what did she think of, like

0:40:26.440 --> 0:40:28.799
<v Speaker 3>how the characters are set up, because you just get

0:40:29.080 --> 0:40:33.560
<v Speaker 3>so little about their lives outside of this situation.

0:40:33.680 --> 0:40:35.920
<v Speaker 4>I would say, Yeah, they're all kind of archetypes, aren't they.

0:40:35.960 --> 0:40:39.759
<v Speaker 4>They're like caricatures their art. They're not like anyone you

0:40:39.840 --> 0:40:41.880
<v Speaker 4>actually know. And I saw a quote from Rose McGowan

0:40:41.960 --> 0:40:43.680
<v Speaker 4>saying that, you know, if this movie were made now,

0:40:43.760 --> 0:40:46.760
<v Speaker 4>you would have Courtney's backstory and she wouldn't be allowed

0:40:46.800 --> 0:40:49.040
<v Speaker 4>to just be evil for no reason. It would have

0:40:49.120 --> 0:40:52.400
<v Speaker 4>to be like the story behind it. And so I

0:40:52.480 --> 0:40:54.520
<v Speaker 4>kind of like that she's just a villain just for

0:40:54.680 --> 0:40:58.360
<v Speaker 4>villain's sake, and it's all quite cartoony. But then the

0:40:58.360 --> 0:41:00.680
<v Speaker 4>movie also tries to give you some emotion old beats,

0:41:00.680 --> 0:41:05.040
<v Speaker 4>which then don't work, I think, because these characters aren't

0:41:05.160 --> 0:41:07.880
<v Speaker 4>kind of real, And so like the relationship that Julie

0:41:07.960 --> 0:41:09.879
<v Speaker 4>ends up having with Zach, you're like, what the hell

0:41:09.960 --> 0:41:13.360
<v Speaker 4>is this about the scene where she's like at the

0:41:13.400 --> 0:41:17.200
<v Speaker 4>pool and she's thinking about Liz, were you friends? Because

0:41:17.600 --> 0:41:19.560
<v Speaker 4>I don't know, it seems like the day she died

0:41:19.640 --> 0:41:23.680
<v Speaker 4>you started dating someone. So I don't know how sincere

0:41:23.800 --> 0:41:27.440
<v Speaker 4>your relationship really was. Yeah, So there's kind of problems

0:41:27.719 --> 0:41:31.279
<v Speaker 4>as a result of these characters being kind of underdeveloped,

0:41:31.280 --> 0:41:33.280
<v Speaker 4>But then there's also benefits to it as well, which

0:41:33.440 --> 0:41:36.399
<v Speaker 4>is kind of the cartooniness of it, I think, right.

0:41:36.680 --> 0:41:39.760
<v Speaker 3>I was also thrown by the like Liz and Julie

0:41:39.800 --> 0:41:42.400
<v Speaker 3>were best friends because and I feel like it's stated

0:41:42.640 --> 0:41:45.319
<v Speaker 3>after that scene too, where she's like I think she

0:41:45.400 --> 0:41:48.200
<v Speaker 3>tells Zach, you know I was closest with Liz. You're

0:41:48.239 --> 0:41:49.399
<v Speaker 3>like news to me.

0:41:49.560 --> 0:41:54.720
<v Speaker 2>Didn't know right well, because Fern Mayo's voiceovers like Courtney

0:41:54.760 --> 0:41:58.840
<v Speaker 2>and Liz were best friends, but Courtney hated her actually

0:41:58.920 --> 0:42:02.680
<v Speaker 2>because she was so perfect and sweet and it's just

0:42:02.719 --> 0:42:06.799
<v Speaker 2>like what is going on here? And then to me,

0:42:07.520 --> 0:42:10.880
<v Speaker 2>Julie felt kind of all over the place where you

0:42:10.960 --> 0:42:14.680
<v Speaker 2>think she's gonna be a Courtney type in the sense

0:42:14.719 --> 0:42:20.279
<v Speaker 2>that she's mean and dismissive of her peers who are

0:42:20.360 --> 0:42:23.160
<v Speaker 2>less popular and have less social status, because you see

0:42:23.160 --> 0:42:25.600
<v Speaker 2>that image of them walking down the hall at the beginning,

0:42:26.000 --> 0:42:28.520
<v Speaker 2>and Fern Mayo has like dropped her books and they're

0:42:28.520 --> 0:42:31.000
<v Speaker 2>scattered all over the floor, and you see Julie just

0:42:31.000 --> 0:42:35.120
<v Speaker 2>like stepping over her very callously. But then as the

0:42:35.160 --> 0:42:38.759
<v Speaker 2>story goes, you find out that they used to be

0:42:39.000 --> 0:42:42.080
<v Speaker 2>friends in elementary school and they'll say hi to each other,

0:42:42.880 --> 0:42:45.200
<v Speaker 2>where Courtney will be like, get out of the bathroom,

0:42:45.239 --> 0:42:47.920
<v Speaker 2>this is our space, and like is like extra cruel

0:42:47.960 --> 0:42:51.359
<v Speaker 2>to Fern, And then you know Julie is the one

0:42:51.360 --> 0:42:53.840
<v Speaker 2>with the moral compass, and she's the one who's like,

0:42:53.960 --> 0:42:56.400
<v Speaker 2>I'm not gonna be a part of this. We should

0:42:56.440 --> 0:42:59.880
<v Speaker 2>tell someone. She's the one who tries to be friend Fern.

0:43:00.080 --> 0:43:03.239
<v Speaker 2>So I didn't really have a handle. It feels like

0:43:03.239 --> 0:43:06.080
<v Speaker 2>a little inconsistent in the way that she was characterized.

0:43:06.080 --> 0:43:09.080
<v Speaker 2>But maybe that's just like part of this satire again,

0:43:09.120 --> 0:43:11.839
<v Speaker 2>like satire kind of in this case at least like

0:43:12.640 --> 0:43:15.760
<v Speaker 2>muddles the story and the characterization.

0:43:15.880 --> 0:43:19.600
<v Speaker 3>I feel, yeah, I was confused by jul I think

0:43:19.680 --> 0:43:23.000
<v Speaker 3>Julie's character maybe worked the least well for me because

0:43:23.680 --> 0:43:26.720
<v Speaker 3>I agree with the crystal like Courtney being of Vartex

0:43:26.800 --> 0:43:30.000
<v Speaker 3>of evil like at least it didn't really ch like

0:43:30.200 --> 0:43:32.560
<v Speaker 3>whatever the most evil thing to do in the scene

0:43:32.800 --> 0:43:35.520
<v Speaker 3>is Courtney is going to do that, or perhaps think

0:43:35.560 --> 0:43:38.080
<v Speaker 3>of something so evil you yourself could not conceive of it,

0:43:38.800 --> 0:43:41.120
<v Speaker 3>like all of the horrible things she does to Liz

0:43:41.480 --> 0:43:45.160
<v Speaker 3>immediately after her death. But Julie, Yeah, Julie being positioned

0:43:45.200 --> 0:43:48.319
<v Speaker 3>as like quote unquote the good girl. I mean, there

0:43:48.400 --> 0:43:54.200
<v Speaker 3>was like good girl, bad girl broad tropes that were presented,

0:43:54.239 --> 0:43:56.640
<v Speaker 3>but I didn't feel like really, I feel like they

0:43:56.640 --> 0:43:58.560
<v Speaker 3>were just presented, it didn't even feel like they were

0:43:58.640 --> 0:44:02.960
<v Speaker 3>really being satirized, where like Courtney is hyper sexual and

0:44:03.080 --> 0:44:07.160
<v Speaker 3>kinky and she's the world's worst person, and then when

0:44:07.200 --> 0:44:10.920
<v Speaker 3>it comes up later in the movie that actually Liz

0:44:11.040 --> 0:44:13.080
<v Speaker 3>was a virgin, Like, I don't know, I just feel

0:44:13.120 --> 0:44:17.040
<v Speaker 3>like it's these classic ways of characterizing who is good

0:44:17.080 --> 0:44:19.760
<v Speaker 3>and who is bad and how it's connected to promiscuity

0:44:20.520 --> 0:44:22.680
<v Speaker 3>in a way that like some parts of the movie

0:44:22.680 --> 0:44:25.840
<v Speaker 3>felt like I feel like the Fern Violette story that

0:44:25.920 --> 0:44:28.560
<v Speaker 3>felt like clearly satirically, you know what he's going for.

0:44:29.200 --> 0:44:32.239
<v Speaker 3>But there were other ways that the girls were talked about,

0:44:32.400 --> 0:44:36.040
<v Speaker 3>or like their morality was evaluated that felt like really

0:44:36.120 --> 0:44:39.120
<v Speaker 3>undercooked and just here's this trope the good girl was

0:44:39.160 --> 0:44:42.360
<v Speaker 3>a virgin and the bad girl has a lot of

0:44:42.400 --> 0:44:46.319
<v Speaker 3>sex and those elements, and I feel like Julie would

0:44:46.400 --> 0:44:48.719
<v Speaker 3>often sort of be involved in those if like she's

0:44:48.840 --> 0:44:51.560
<v Speaker 3>dating a nice guy from the drama club, she's good

0:44:51.719 --> 0:44:54.200
<v Speaker 3>or even though if you like like you're both saying

0:44:54.200 --> 0:44:56.880
<v Speaker 3>if you look at what Julie does, you're like, is

0:44:56.920 --> 0:44:57.399
<v Speaker 3>she good?

0:44:57.680 --> 0:45:01.319
<v Speaker 4>Like it's that's kind of one of the issues when

0:45:01.320 --> 0:45:04.719
<v Speaker 4>you're making a movie that's very pastiche e and it's

0:45:04.760 --> 0:45:07.520
<v Speaker 4>like referencing Grease, and it's referencing Rocky Horror, and it's

0:45:07.640 --> 0:45:12.440
<v Speaker 4>referencing Heathers And you know, how do you avoid those pitfalls?

0:45:12.640 --> 0:45:12.920
<v Speaker 3>Right?

0:45:13.120 --> 0:45:14.920
<v Speaker 4>You know, you're winking and nodding to those things, but

0:45:14.960 --> 0:45:17.120
<v Speaker 4>you're also trying, I don't know, how do you make

0:45:17.160 --> 0:45:21.640
<v Speaker 4>it also fresh or avoid the yeah, the slut shaming

0:45:21.680 --> 0:45:25.799
<v Speaker 4>ideas or making a movie that's almost entirely white in

0:45:25.880 --> 0:45:28.400
<v Speaker 4>nineteen ninety nine. You know, lots of things like that

0:45:28.400 --> 0:45:31.640
<v Speaker 4>that you're like, you forgot to think about this.

0:45:31.960 --> 0:45:32.160
<v Speaker 1>You know.

0:45:32.680 --> 0:45:35.399
<v Speaker 3>Yeah, yeah, there's just elements of it. I mean, it's

0:45:35.440 --> 0:45:38.360
<v Speaker 3>like he was like twenty eight when he made the movie.

0:45:38.560 --> 0:45:41.640
<v Speaker 3>But it does feel kind of undercooked in a lot

0:45:41.680 --> 0:45:45.200
<v Speaker 3>of areas or just like kind of confusing, where it

0:45:45.239 --> 0:45:49.480
<v Speaker 3>felt like the like style was like eclipsing me understanding

0:45:49.480 --> 0:45:52.080
<v Speaker 3>what was happening in the story, which also, if I'm

0:45:52.120 --> 0:45:54.880
<v Speaker 3>not watching a movie for this show is totally fine,

0:45:55.960 --> 0:45:59.480
<v Speaker 3>But yeah, I did find it a little tricky. The

0:45:59.520 --> 0:46:02.480
<v Speaker 3>stuff that did work for me was, you know, and

0:46:02.520 --> 0:46:06.319
<v Speaker 3>it's like a very dark view of teenage girls. But

0:46:06.480 --> 0:46:10.520
<v Speaker 3>the like narrative of like Fern of like how much

0:46:10.560 --> 0:46:15.400
<v Speaker 3>are you willing to compromise yourself to be socially accepted,

0:46:15.680 --> 0:46:18.680
<v Speaker 3>and like, I mean that, I felt like the style

0:46:18.800 --> 0:46:21.560
<v Speaker 3>and the script were like cooking together. I don't know

0:46:21.600 --> 0:46:25.839
<v Speaker 3>what did everyone make a Fern she's evil. I think

0:46:25.960 --> 0:46:28.640
<v Speaker 3>she's also evil, and I feel like she and Julie

0:46:29.040 --> 0:46:32.759
<v Speaker 3>kind of scooed out of this story like we did

0:46:32.800 --> 0:46:35.479
<v Speaker 3>it and you're like, you guys are also terrible, like yeh,

0:46:36.040 --> 0:46:38.319
<v Speaker 3>friend can be on the hook for withholding information from

0:46:38.360 --> 0:46:39.960
<v Speaker 3>the authorities.

0:46:39.760 --> 0:46:42.879
<v Speaker 2>Right and it, Yeah, it seems like she's just as

0:46:43.280 --> 0:46:47.520
<v Speaker 2>corrupt as Courtney potentially, but just like hasn't been given

0:46:47.560 --> 0:46:53.560
<v Speaker 2>the power and social status to enact any horrible evil things.

0:46:54.360 --> 0:46:59.520
<v Speaker 2>But yeah, she's seduced by the idea of popularity and

0:46:59.600 --> 0:47:04.960
<v Speaker 2>status and she doesn't hesitate to take it and only

0:47:05.080 --> 0:47:09.560
<v Speaker 2>when she's exposed as like being a fraud and oh

0:47:09.640 --> 0:47:12.960
<v Speaker 2>she's actually Fern Mayo and she's kind of left with

0:47:13.000 --> 0:47:15.880
<v Speaker 2>no choice but to And she doesn't even like revert

0:47:15.960 --> 0:47:19.160
<v Speaker 2>back to her old style. She like maintains the esthetic,

0:47:19.200 --> 0:47:20.560
<v Speaker 2>at least of Violet.

0:47:20.640 --> 0:47:24.480
<v Speaker 3>She's like, I'm keeping the die job, I'm kissing the

0:47:24.520 --> 0:47:24.920
<v Speaker 3>die job.

0:47:25.000 --> 0:47:29.239
<v Speaker 2>They kept complimenting her hair, like different characters, and I'm like,

0:47:29.920 --> 0:47:32.640
<v Speaker 2>I mean, I guess that was a popular style in

0:47:32.719 --> 0:47:35.319
<v Speaker 2>the late nineties, but I was like, I.

0:47:35.239 --> 0:47:37.879
<v Speaker 3>Feel like this movie is like intentionally kind of takes

0:47:37.920 --> 0:47:41.040
<v Speaker 3>place out of time because it's like the outfit we

0:47:41.080 --> 0:47:43.839
<v Speaker 3>see Fern in at the beginning of the movie felt

0:47:43.880 --> 0:47:49.000
<v Speaker 3>the closest to like actual nineties like grunge aesthetic closed.

0:47:49.200 --> 0:47:51.000
<v Speaker 4>When had never been kissed come out.

0:47:51.120 --> 0:47:52.760
<v Speaker 2>I think also ninety nine.

0:47:52.840 --> 0:47:56.000
<v Speaker 4>Okay, because I feel like Drew Barrymore is basically dressed

0:47:56.120 --> 0:48:00.239
<v Speaker 4>as Violette. Everyone's like, everyone's like, what the fuck you

0:48:00.320 --> 0:48:05.920
<v Speaker 4>wear it, which is a more accurate take on what

0:48:06.000 --> 0:48:08.840
<v Speaker 4>they're all dressed. Like like imagine seeing a girl in

0:48:08.880 --> 0:48:11.759
<v Speaker 4>a hot pink rubber skirt at your high school. You'd

0:48:11.760 --> 0:48:14.759
<v Speaker 4>be like, this is weird. Yeah, but I love I mean,

0:48:14.760 --> 0:48:18.319
<v Speaker 4>obviously the costuming is incredible, incredible, but it helps to

0:48:18.360 --> 0:48:20.960
<v Speaker 4>show that like this isn't real, right, right, what you

0:48:21.000 --> 0:48:23.600
<v Speaker 4>were saying about Violette though, Like I totally agree. I

0:48:23.600 --> 0:48:26.279
<v Speaker 4>think there's a lot of handwaving, like she's learned her

0:48:26.360 --> 0:48:29.719
<v Speaker 4>lesson and now she's good again. We don't actually see

0:48:29.719 --> 0:48:32.399
<v Speaker 4>any of that character development take place. She just gets

0:48:32.480 --> 0:48:34.480
<v Speaker 4>knocked over and has a bump on her head and

0:48:35.160 --> 0:48:38.080
<v Speaker 4>like that's enough, and we're supposed to just accept that

0:48:38.120 --> 0:48:40.920
<v Speaker 4>she's like learned her lesson, I guess, right, But I

0:48:40.960 --> 0:48:42.960
<v Speaker 4>think I think she is a really interesting character, and

0:48:43.040 --> 0:48:45.440
<v Speaker 4>I think there's a lot of the drag queen in

0:48:45.480 --> 0:48:49.399
<v Speaker 4>her and I can see a lot of myself in her,

0:48:49.600 --> 0:48:52.400
<v Speaker 4>where when you're a gay man and you're twenty, you

0:48:52.480 --> 0:48:55.759
<v Speaker 4>idolize the Courtney and you think that's who I want

0:48:55.800 --> 0:48:59.000
<v Speaker 4>to be because I want revenge and power on all

0:48:59.040 --> 0:49:01.719
<v Speaker 4>of the people who've wronged me as a weird teen.

0:49:03.000 --> 0:49:05.360
<v Speaker 4>And then you realize that you're actually the Marsie and

0:49:05.400 --> 0:49:09.400
<v Speaker 4>you're not doing anything particularly original. And then you realize

0:49:09.400 --> 0:49:12.600
<v Speaker 4>you're actually the Fern, and you've like created this thing

0:49:13.360 --> 0:49:16.440
<v Speaker 4>around yourself and you've got to kind of work to

0:49:16.880 --> 0:49:19.200
<v Speaker 4>figure out what the real you is under that. I

0:49:19.200 --> 0:49:21.680
<v Speaker 4>think there's a lot of like probably a lot of

0:49:21.719 --> 0:49:24.280
<v Speaker 4>like trans allegory in there as well, but it's something

0:49:24.320 --> 0:49:26.799
<v Speaker 4>that I kind of definitely relate to as like someone

0:49:26.840 --> 0:49:31.359
<v Speaker 4>who's actively built an alter ego. M right, and then

0:49:31.480 --> 0:49:33.319
<v Speaker 4>you have to kind of take a look at that

0:49:33.360 --> 0:49:34.759
<v Speaker 4>alter ego you've built and be like, what is that

0:49:34.800 --> 0:49:38.160
<v Speaker 4>informed by and like, is that okay, have I just

0:49:38.280 --> 0:49:42.600
<v Speaker 4>absorbed a lot of misogyny and like I'm now projecting it?

0:49:42.719 --> 0:49:45.080
<v Speaker 4>Or is it like is there some kind of balance

0:49:45.120 --> 0:49:46.280
<v Speaker 4>between all of those things.

0:49:46.719 --> 0:49:50.880
<v Speaker 2>Well, it's tricky because, like, on one hand, because social

0:49:50.920 --> 0:49:56.000
<v Speaker 2>status is like such an important currency for so many teens,

0:49:56.560 --> 0:49:59.920
<v Speaker 2>because of the emphasis we have placed on that cultural

0:50:01.000 --> 0:50:04.600
<v Speaker 2>you understand to some degree why Fern would be seduced

0:50:04.680 --> 0:50:09.120
<v Speaker 2>by that and intrigued by that, and the context for

0:50:09.280 --> 0:50:13.520
<v Speaker 2>why she ends up doing it is obviously like, oh god,

0:50:13.800 --> 0:50:17.120
<v Speaker 2>it's not worth it. You're covering up a murder. But

0:50:17.239 --> 0:50:21.160
<v Speaker 2>because this movie is very heightened and again fantasyish and

0:50:21.280 --> 0:50:25.640
<v Speaker 2>dream like and satirical, you're like, okay, I feel like

0:50:25.680 --> 0:50:31.200
<v Speaker 2>it works knowing the tone of the movie, but it

0:50:31.280 --> 0:50:35.680
<v Speaker 2>does make it hard to then talk about her or

0:50:36.080 --> 0:50:36.799
<v Speaker 2>the characters.

0:50:38.080 --> 0:50:40.720
<v Speaker 3>I wonder I'd be curious to see like previous drafts

0:50:40.719 --> 0:50:43.640
<v Speaker 3>of this script because it seems like it changed a lot.

0:50:43.719 --> 0:50:46.239
<v Speaker 3>It used to be more overtly like Hoarry, and then

0:50:46.239 --> 0:50:49.839
<v Speaker 3>it sort of transformed into a black comedy. I feel

0:50:49.880 --> 0:50:54.400
<v Speaker 3>like Darren Stein couldn't decide which way. The ending for

0:50:54.520 --> 0:50:58.239
<v Speaker 3>Fern was really confusing for me because it's like, if

0:50:58.280 --> 0:51:01.640
<v Speaker 3>the core message of this movie is the very dark,

0:51:01.800 --> 0:51:06.080
<v Speaker 3>like anyone could be seduced by Courtney's offer, and that

0:51:06.280 --> 0:51:11.080
<v Speaker 3>like within every teenager is the capacity to like turn

0:51:11.239 --> 0:51:15.839
<v Speaker 3>into a Violette, then okay, stick with that, because at

0:51:15.840 --> 0:51:19.640
<v Speaker 3>the end it felt like Julie and Fern had turned

0:51:19.680 --> 0:51:22.160
<v Speaker 3>into the good guys in a way that like didn't

0:51:22.200 --> 0:51:24.040
<v Speaker 3>really track for me. I feel like it would have

0:51:24.040 --> 0:51:27.040
<v Speaker 3>been more interesting and still a consistent move at the

0:51:27.040 --> 0:51:29.320
<v Speaker 3>tone of the movie is to like have another beat

0:51:29.360 --> 0:51:32.920
<v Speaker 3>after the prom and have them all realize like, oh,

0:51:33.400 --> 0:51:37.000
<v Speaker 3>like right, we're all fucked. And speaking to your point, Crystal,

0:51:37.080 --> 0:51:41.200
<v Speaker 3>I'm curious, like what Fern is gonna do now in

0:51:41.320 --> 0:51:44.320
<v Speaker 3>terms of like does she want to maintain this persona

0:51:44.400 --> 0:51:47.480
<v Speaker 3>It seems like she does to some extent. What does

0:51:47.520 --> 0:51:51.080
<v Speaker 3>that mean for her? And like in whatever broad satirical way,

0:51:51.160 --> 0:51:53.040
<v Speaker 3>But it was I just felt at the end like

0:51:53.120 --> 0:51:56.240
<v Speaker 3>it was turned into a very clean ending where it's like, Okay,

0:51:56.320 --> 0:52:00.320
<v Speaker 3>we've we've killed the villain basically and not the Courtney

0:52:00.360 --> 0:52:02.960
<v Speaker 3>doesn't have a coming. She absolutely does, but everyone else

0:52:03.000 --> 0:52:09.640
<v Speaker 3>sort of went under examined that point was emphasized versus

0:52:10.280 --> 0:52:14.120
<v Speaker 3>having a clean dismount for anyone else, and Marcy too.

0:52:14.200 --> 0:52:17.319
<v Speaker 3>I thought Marcy was for the most part, she's not

0:52:17.360 --> 0:52:19.040
<v Speaker 3>really allowed to do much except be like ha ha

0:52:19.239 --> 0:52:24.680
<v Speaker 3>yeah exactly, which is her? Like she's like the Gretchen Wieners,

0:52:24.719 --> 0:52:27.399
<v Speaker 3>I guess at the operation, right, But you get one

0:52:27.440 --> 0:52:32.920
<v Speaker 3>scene of background for her, weirdly, which like her single

0:52:33.040 --> 0:52:39.919
<v Speaker 3>down interesting. I was like, more of whatever that was, please, Like, yeah,

0:52:39.920 --> 0:52:42.399
<v Speaker 3>can we talk about that scene? Because of all of

0:52:42.640 --> 0:52:46.480
<v Speaker 3>the girls, to get a family background scene, I mean,

0:52:46.520 --> 0:52:50.680
<v Speaker 3>you do see Julie's mom in passing, but like very briefly,

0:52:51.160 --> 0:52:53.759
<v Speaker 3>but you get a whole scene with Marcy and her

0:52:54.080 --> 0:52:58.279
<v Speaker 3>famously single dad and it's a really good, really.

0:52:58.040 --> 0:53:02.800
<v Speaker 2>Weird scene yet almost doesn't make sense within the context

0:53:02.880 --> 0:53:04.960
<v Speaker 2>of the rest of the story. But I was like,

0:53:05.400 --> 0:53:08.880
<v Speaker 2>it makes her look worse, but right, I guess it

0:53:09.000 --> 0:53:13.759
<v Speaker 2>characterizes Marcie a bit more. But yeah, I was like,

0:53:13.800 --> 0:53:18.399
<v Speaker 2>why is this scene here? Exactly? Similar to like why

0:53:18.560 --> 0:53:24.480
<v Speaker 2>is the scene where Courtney makes her jock boyfriend, yeah,

0:53:24.520 --> 0:53:29.280
<v Speaker 2>give oral sex to a popsicle? I guess to show

0:53:29.719 --> 0:53:32.200
<v Speaker 2>how twisted and sick she is.

0:53:32.320 --> 0:53:34.399
<v Speaker 3>She kind of coerces him into doing it.

0:53:34.320 --> 0:53:35.840
<v Speaker 2>Too, Yeah she does.

0:53:36.280 --> 0:53:37.440
<v Speaker 4>Yeah, I feel like.

0:53:37.440 --> 0:53:40.640
<v Speaker 3>This further proves that this movie is meant to be

0:53:40.680 --> 0:53:44.359
<v Speaker 3>consumed as vibes only, because why we cut from that

0:53:44.400 --> 0:53:48.719
<v Speaker 3>scene with Marcy and her dad to Liz emerging from

0:53:48.719 --> 0:53:51.520
<v Speaker 3>the pool and apparently she and Julie were best friends,

0:53:51.560 --> 0:53:56.239
<v Speaker 3>and you're like, huh what Anyways, I really enjoyed the

0:53:56.280 --> 0:53:58.000
<v Speaker 3>scene with Marcy and her dad. It felt like it

0:53:58.040 --> 0:54:01.640
<v Speaker 3>was so weird that she sort of the like lowest

0:54:01.719 --> 0:54:05.640
<v Speaker 3>ranking character on the like character I need to know

0:54:05.680 --> 0:54:09.239
<v Speaker 3>more about tier gets this scene. But I really enjoyed it.

0:54:09.280 --> 0:54:11.920
<v Speaker 3>I mean, the dad being like I was watching Oprah

0:54:11.920 --> 0:54:14.400
<v Speaker 3>and I think you might be a follower and she's like,

0:54:14.640 --> 0:54:19.719
<v Speaker 3>shut up, dad, Like it was cool. I don't know,

0:54:19.880 --> 0:54:22.600
<v Speaker 3>Like having that scene made me realize and just think,

0:54:22.760 --> 0:54:26.439
<v Speaker 3>like how the movies this movie is compared to has

0:54:26.480 --> 0:54:28.640
<v Speaker 3>more of that and has more of the like the

0:54:28.640 --> 0:54:32.600
<v Speaker 3>heightened entire society. And like then I was thinking of

0:54:32.640 --> 0:54:35.000
<v Speaker 3>the funeral scene at Heather's. Why didn't we get to

0:54:35.000 --> 0:54:37.640
<v Speaker 3>go to Liz's memorial, Like just stuff that you think

0:54:37.680 --> 0:54:40.600
<v Speaker 3>would be there that just sort of happens off screen

0:54:40.719 --> 0:54:42.160
<v Speaker 3>and isn't really referenced.

0:54:42.800 --> 0:54:45.440
<v Speaker 4>Well, it's possible that this entire movie takes place in

0:54:45.480 --> 0:54:46.640
<v Speaker 4>like three days.

0:54:47.160 --> 0:54:48.200
<v Speaker 2>I think, so true.

0:54:48.280 --> 0:54:49.920
<v Speaker 3>Yeah, maybe the memorial hasn't happened.

0:54:50.280 --> 0:54:52.359
<v Speaker 4>Yeah, it's like it's very hard to say how much

0:54:52.360 --> 0:54:56.120
<v Speaker 4>time has passed. Like it's simultaneously been enough time for

0:54:56.520 --> 0:55:00.080
<v Speaker 4>Violet to become the queen of high school, but all

0:55:00.160 --> 0:55:02.319
<v Speaker 4>so like not enough time for there to have been

0:55:02.320 --> 0:55:05.000
<v Speaker 4>a memorial or like a proper investigation. I don't know.

0:55:05.040 --> 0:55:08.120
<v Speaker 4>It's confusing. It's stretchy movie logic time.

0:55:08.320 --> 0:55:11.000
<v Speaker 3>Yeaheah. I'm sure someone's made a seven hour YouTube video

0:55:11.040 --> 0:55:14.520
<v Speaker 3>about it, Like I've cracked the timeline and I would

0:55:14.560 --> 0:55:14.920
<v Speaker 3>watch that.

0:55:15.760 --> 0:55:20.000
<v Speaker 4>What do we think about Courtney and that sex scene

0:55:20.200 --> 0:55:22.719
<v Speaker 4>with her boyfriend, not the Marilyn mensenone.

0:55:22.920 --> 0:55:25.600
<v Speaker 3>I agree with Caylin. I don't know why it's there.

0:55:25.719 --> 0:55:28.360
<v Speaker 3>I mean, I get it. It's like making the point

0:55:28.360 --> 0:55:32.279
<v Speaker 3>of like she is hyper sexual, and that is like

0:55:32.760 --> 0:55:35.080
<v Speaker 3>a part of why I feel like we're kind of

0:55:35.280 --> 0:55:37.960
<v Speaker 3>encouraged to like celebrate and judge her at the same time,

0:55:38.239 --> 0:55:41.960
<v Speaker 3>because it is fun watching Rosmagowan be evil. Yeah, but

0:55:42.120 --> 0:55:45.400
<v Speaker 3>also I think she is like coercing the other character.

0:55:45.840 --> 0:55:48.000
<v Speaker 2>I mean, I guess the function of the scene is

0:55:48.040 --> 0:55:52.200
<v Speaker 2>to reinforce how coercive she is not only with her

0:55:52.400 --> 0:55:58.600
<v Speaker 2>like girlfriends, but with her like hetero man partner, and

0:55:59.640 --> 0:56:06.440
<v Speaker 2>he he doesn't protest really, so it almost is suggesting maybe, like,

0:56:06.920 --> 0:56:10.960
<v Speaker 2>look at the power and control she has over everyone.

0:56:11.600 --> 0:56:13.920
<v Speaker 2>We already know that, though, So I don't really know

0:56:13.960 --> 0:56:16.720
<v Speaker 2>why we need to see another scene.

0:56:17.040 --> 0:56:19.280
<v Speaker 3>I mean, I don't, like, I'm not like upset about

0:56:19.400 --> 0:56:21.760
<v Speaker 3>a sex scene itself, but yeah, the way it's presented

0:56:21.880 --> 0:56:26.040
<v Speaker 3>is like. The thing that I liked about Courtney's relationship,

0:56:26.080 --> 0:56:28.040
<v Speaker 3>if you could call it that, with that guy, is

0:56:28.040 --> 0:56:31.560
<v Speaker 3>that she is very clear headed about what high school

0:56:31.560 --> 0:56:35.000
<v Speaker 3>relationships are and she's like, he I don't care about

0:56:35.040 --> 0:56:37.759
<v Speaker 3>what happens to him in forty eight hours. He is

0:56:38.200 --> 0:56:41.160
<v Speaker 3>a status symbol for me. That's and I feel like

0:56:41.200 --> 0:56:44.080
<v Speaker 3>that was at least something I don't think I've seen

0:56:44.120 --> 0:56:47.080
<v Speaker 3>a lot in teen movies, is like teen girls in

0:56:47.120 --> 0:56:52.120
<v Speaker 3>these like very movie hetero relationships, treating the guy like

0:56:52.480 --> 0:56:56.319
<v Speaker 3>garbage an accessory. Yeah, yeah, true, So there's that.

0:56:56.680 --> 0:56:58.239
<v Speaker 4>This was the first time I watched it, and I

0:56:58.280 --> 0:57:00.279
<v Speaker 4>wondered if Courtney was maybe gay.

0:57:01.320 --> 0:57:01.840
<v Speaker 3>Interesting.

0:57:01.960 --> 0:57:07.720
<v Speaker 4>I mean, Fern is very maybe gay, I agree, yeah,

0:57:07.760 --> 0:57:11.760
<v Speaker 4>but maybe Courtney too, And like, but maybe she hasn't.

0:57:12.080 --> 0:57:15.160
<v Speaker 4>She's even like deeper in the closet in a way. Yeah,

0:57:15.200 --> 0:57:19.280
<v Speaker 4>but like the creating of a woman and using sex

0:57:19.280 --> 0:57:21.880
<v Speaker 4>as like a tool rather than like seeming to have

0:57:21.920 --> 0:57:24.560
<v Speaker 4>any real interest in using a man as like a

0:57:24.560 --> 0:57:27.600
<v Speaker 4>social status tool. I don't know, there's there's kind of

0:57:27.600 --> 0:57:30.920
<v Speaker 4>lots of that. And then like having her own fallis

0:57:30.960 --> 0:57:32.480
<v Speaker 4>with that popsicle.

0:57:33.200 --> 0:57:35.040
<v Speaker 3>Yeah, it's like this is this is.

0:57:34.960 --> 0:57:39.360
<v Speaker 4>Really gay for Courtney, this whole scene.

0:57:39.760 --> 0:57:40.200
<v Speaker 2>Yeah.

0:57:40.320 --> 0:57:43.160
<v Speaker 3>Yeah, with the dynamic with Fern and Courtney too, where

0:57:43.320 --> 0:57:46.120
<v Speaker 3>I mean Courtney is obsessed with control no matter what.

0:57:46.320 --> 0:57:49.080
<v Speaker 3>But it's like when her creation is out of her control,

0:57:49.200 --> 0:57:52.720
<v Speaker 3>she that's where it seems like it becomes personal for

0:57:52.760 --> 0:57:57.200
<v Speaker 3>her in a way that we rarely see things be personal. Yeah,

0:57:57.320 --> 0:57:59.800
<v Speaker 3>I buy into that theory. And also, yeah, Fern is

0:57:59.800 --> 0:58:02.600
<v Speaker 3>like heavily. I mean, I don't even know if you

0:58:02.600 --> 0:58:06.000
<v Speaker 3>could really call it coating. It's not like I don't know,

0:58:06.040 --> 0:58:08.680
<v Speaker 3>I mean, we don't see if Fern have the only

0:58:09.040 --> 0:58:13.000
<v Speaker 3>love interest she pursues that is a man, is because

0:58:13.040 --> 0:58:15.240
<v Speaker 3>Courtney told her to do it. It wasn't because she

0:58:15.360 --> 0:58:18.840
<v Speaker 3>had any actual interest. She was just doing what her

0:58:18.880 --> 0:58:21.400
<v Speaker 3>Frankenstein said to do. Right.

0:58:21.640 --> 0:58:25.080
<v Speaker 2>Meanwhile, she's telling Detective Pam Greer like I used to

0:58:25.280 --> 0:58:28.840
<v Speaker 2>smell Liz's hair and look at the birthmarks on the

0:58:28.840 --> 0:58:34.480
<v Speaker 2>back of her neck and salmon, salmon and the sea creatures,

0:58:34.640 --> 0:58:38.400
<v Speaker 2>and so you know, it seems like she's very like

0:58:39.320 --> 0:58:43.040
<v Speaker 2>amorously infatuated with Liz.

0:58:43.360 --> 0:58:45.760
<v Speaker 3>Which is like a fine I like that. You know,

0:58:45.840 --> 0:58:48.280
<v Speaker 3>everyone in this movie is evil, so it's not like

0:58:48.360 --> 0:58:51.600
<v Speaker 3>she's being set up to be a queer villain necessarily,

0:58:51.920 --> 0:58:54.200
<v Speaker 3>but that, just like that also just gave me a

0:58:54.320 --> 0:58:57.160
<v Speaker 3>story problems where I was like, why wasn't she more

0:58:57.240 --> 0:59:00.480
<v Speaker 3>upset that Liz died if she was with her?

0:59:01.240 --> 0:59:04.640
<v Speaker 4>Yes, but it's the constant gay conundrum of like am

0:59:04.680 --> 0:59:05.920
<v Speaker 4>I in love with you? Or do I want to

0:59:05.920 --> 0:59:08.800
<v Speaker 4>be you? And so someone's now giving you you've only

0:59:08.840 --> 0:59:11.960
<v Speaker 4>got one choice left because she's dead, and someone's saying, well,

0:59:11.960 --> 0:59:14.040
<v Speaker 4>you could be her, you could be Well, I guess

0:59:14.280 --> 0:59:14.960
<v Speaker 4>we'll try it.

0:59:14.920 --> 0:59:15.880
<v Speaker 2>The next best thing.

0:59:16.400 --> 0:59:20.040
<v Speaker 3>Yeah, brutal. I mean those line reads that Judy Greer

0:59:20.080 --> 0:59:24.320
<v Speaker 3>gives Detective Pam gear Wow, two geers. Yeah, the Greers,

0:59:24.680 --> 0:59:29.720
<v Speaker 3>two Geers, one room about you know, like their version

0:59:29.760 --> 0:59:33.200
<v Speaker 3>of It's Chinatown Jake, Like they're like it's high school.

0:59:33.640 --> 0:59:38.360
<v Speaker 3>No One is a Friend? Really good reference, Janie, thank you.

0:59:38.400 --> 0:59:42.200
<v Speaker 3>I've never seen that movie, but I do. Let me

0:59:42.320 --> 0:59:45.040
<v Speaker 3>be clear, I haven't seen If you've.

0:59:44.880 --> 0:59:48.240
<v Speaker 2>Seen Who Framed Roger Rabbit, you've basically seen Chinatown.

0:59:48.360 --> 0:59:51.800
<v Speaker 3>Great, then I've that. I have definitely seen then I've

0:59:51.840 --> 0:59:55.680
<v Speaker 3>seen it one hundred times. But yeah, I mean, like

0:59:55.720 --> 0:59:58.200
<v Speaker 3>you get those lines of like is anyone in high

0:59:58.240 --> 1:00:00.680
<v Speaker 3>school really a friend? Which is a very dark I

1:00:00.760 --> 1:00:03.040
<v Speaker 3>don't know, like all the click movies have to sort

1:00:03.040 --> 1:00:07.000
<v Speaker 3>of abide by that logic, and it's especially if you

1:00:07.120 --> 1:00:08.840
<v Speaker 3>like had a hard time in high school, is very

1:00:09.120 --> 1:00:11.080
<v Speaker 3>cathartic and fun.

1:00:10.840 --> 1:00:14.280
<v Speaker 2>That relates to a separate, kind of broader issue. I

1:00:14.320 --> 1:00:19.760
<v Speaker 2>have with the idea of like mainstream movies about teen

1:00:19.880 --> 1:00:25.400
<v Speaker 2>girl friendship, because so many of them have a premise of,

1:00:25.480 --> 1:00:29.160
<v Speaker 2>like they're very mean and cruel to each other, if

1:00:29.200 --> 1:00:32.840
<v Speaker 2>not violent and murder each other. And this is one

1:00:32.880 --> 1:00:35.520
<v Speaker 2>of those movies. You know, Obviously Mean Girls is another one,

1:00:35.560 --> 1:00:38.360
<v Speaker 2>Obviously Heathers is another one. They all exist in the

1:00:38.520 --> 1:00:41.320
<v Speaker 2>same like they're all kind of inspired by each other.

1:00:41.960 --> 1:00:45.160
<v Speaker 2>And then you've got like more contemporary examples like Do

1:00:45.320 --> 1:00:51.680
<v Speaker 2>Revenge and I'm just sort of waiting for teen girl

1:00:52.080 --> 1:00:55.200
<v Speaker 2>movies that center on their friendship, because another version of

1:00:55.240 --> 1:00:59.000
<v Speaker 2>teen girl movies is their hetero love interest.

1:00:59.160 --> 1:01:01.360
<v Speaker 3>I mean, they do exist. So you've got your Sisterhood

1:01:01.400 --> 1:01:05.919
<v Speaker 3>of the Traveling Pants, you've got your guys, like yeah.

1:01:05.600 --> 1:01:07.440
<v Speaker 2>But those people are just kind of few and far between.

1:01:07.560 --> 1:01:11.040
<v Speaker 2>Like I'm always like, why aren't there more stories that

1:01:11.320 --> 1:01:15.880
<v Speaker 2>celebrate female friendship and don't have them be outwardly cruel

1:01:16.200 --> 1:01:17.680
<v Speaker 2>and or violent to each other?

1:01:18.320 --> 1:01:20.520
<v Speaker 3>So I don't know, I mean, I agree with you,

1:01:20.640 --> 1:01:22.760
<v Speaker 3>but I do think those movies are out there, and

1:01:22.800 --> 1:01:23.840
<v Speaker 3>I find them more boring.

1:01:24.680 --> 1:01:26.919
<v Speaker 2>Well, there aren't enough of them. There could be more

1:01:27.040 --> 1:01:30.840
<v Speaker 2>fun ones, and like they could be in different genres.

1:01:30.880 --> 1:01:34.040
<v Speaker 2>They could be fun like adventure movies, they could be

1:01:34.920 --> 1:01:37.480
<v Speaker 2>you know anything. I guess there's quite a few horror

1:01:37.520 --> 1:01:40.520
<v Speaker 2>movies to that effect. But again, like ones that center

1:01:40.600 --> 1:01:43.880
<v Speaker 2>on friendship and like girls working together, and sure there's

1:01:43.920 --> 1:01:50.200
<v Speaker 2>gonna be misunderstandings or arguments along the way. That's how

1:01:50.240 --> 1:01:51.120
<v Speaker 2>friendship works.

1:01:51.160 --> 1:01:52.880
<v Speaker 3>I'm going to see Harriet this by this weekend. I'm

1:01:52.920 --> 1:01:54.120
<v Speaker 3>so excited. Oh nice.

1:01:54.400 --> 1:01:57.320
<v Speaker 4>Basically you're pitching this movie, but it turns into weekend

1:01:57.320 --> 1:01:57.920
<v Speaker 4>at Bernie's.

1:02:00.560 --> 1:02:04.280
<v Speaker 2>Yes, actually a movie I've never seen also, but I

1:02:04.320 --> 1:02:05.480
<v Speaker 2>know the premise.

1:02:05.600 --> 1:02:07.480
<v Speaker 4>They just have to they have to get Liz to

1:02:07.560 --> 1:02:10.280
<v Speaker 4>graduation hijin.

1:02:11.040 --> 1:02:12.200
<v Speaker 3>Yeah, they gotta get her to troum.

1:02:12.720 --> 1:02:15.480
<v Speaker 7>She's got to win from Queen anyways, just put some

1:02:15.720 --> 1:02:19.080
<v Speaker 7>sunglasses on, a scarf around her neck, a little cravat

1:02:19.320 --> 1:02:24.320
<v Speaker 7>if you will, and uh yeah, I mean more dark

1:02:24.600 --> 1:02:28.200
<v Speaker 7>high school comedy is revolving around functional, well not functional,

1:02:28.280 --> 1:02:32.000
<v Speaker 7>but like common goal friendships between teen girls.

1:02:32.000 --> 1:02:35.520
<v Speaker 3>Like I think one thing that I wish, I don't know,

1:02:35.600 --> 1:02:38.200
<v Speaker 3>if I could change one thing about Job Breaker, I

1:02:38.240 --> 1:02:43.640
<v Speaker 3>would replace Zach with another teenage girl like Plant, a

1:02:43.760 --> 1:02:48.520
<v Speaker 3>character that Julie can become friends with, someone who can

1:02:48.640 --> 1:02:51.080
<v Speaker 3>be you know, like it plant her earlier in the movie,

1:02:51.200 --> 1:02:54.960
<v Speaker 3>Does fern have one friend who she's completely bailed on

1:02:55.320 --> 1:02:58.040
<v Speaker 3>who is now like where the fuck is Fernad and

1:02:58.120 --> 1:03:00.800
<v Speaker 3>Julie can connect with her, Like I feel like there

1:03:00.920 --> 1:03:03.720
<v Speaker 3>is space to sort of address what you're not completely

1:03:03.800 --> 1:03:06.000
<v Speaker 3>because Courtney is going to Courtney and Marcy's going to

1:03:06.040 --> 1:03:10.200
<v Speaker 3>Marcy all that, but to have at least a positive

1:03:10.640 --> 1:03:13.760
<v Speaker 3>connection between teen girls in this movie, or a functional

1:03:13.800 --> 1:03:17.120
<v Speaker 3>connection between teen girls, because I agree that like Zach,

1:03:17.960 --> 1:03:19.480
<v Speaker 3>I don't mind being in a world where it's like

1:03:19.640 --> 1:03:21.360
<v Speaker 3>everyone hates each other and its evil. But if that

1:03:21.440 --> 1:03:24.400
<v Speaker 3>world is if the only person who is not that

1:03:24.800 --> 1:03:27.800
<v Speaker 3>is a random boyfriend, then I feel like you've kind

1:03:27.800 --> 1:03:32.120
<v Speaker 3>of got a problem right where because Zach all of

1:03:32.160 --> 1:03:34.320
<v Speaker 3>a sudden, has a ton of agency and is like

1:03:34.360 --> 1:03:37.880
<v Speaker 3>the moral center of the movie, and almost everyone else

1:03:37.920 --> 1:03:41.560
<v Speaker 3>you see is an evil woman, Like you're just like, well,

1:03:41.640 --> 1:03:44.840
<v Speaker 3>what is this? You know, I feel like replacing him

1:03:44.880 --> 1:03:48.280
<v Speaker 3>with a teen girl that Julie can genuinely connect with

1:03:48.560 --> 1:03:52.000
<v Speaker 3>instead of just being told that she was Liz's friend.

1:03:52.480 --> 1:03:56.000
<v Speaker 3>Like we're told about positive connections between these girls, but

1:03:56.040 --> 1:03:58.520
<v Speaker 3>we never actually see it and it never has any

1:03:58.600 --> 1:04:01.080
<v Speaker 3>narrative consequence, right.

1:04:01.480 --> 1:04:04.360
<v Speaker 2>Yeah, And it still bugs me that he's the one

1:04:04.760 --> 1:04:08.200
<v Speaker 2>who like rigs up the whole sound system thing, Like

1:04:08.240 --> 1:04:12.640
<v Speaker 2>that's not his victory to accomplish, Like he again, he's

1:04:12.680 --> 1:04:15.760
<v Speaker 2>just like this random dude. And to give the boy

1:04:16.000 --> 1:04:20.520
<v Speaker 2>like a like technical technology thing to do, kind of suggesting, well,

1:04:20.560 --> 1:04:25.360
<v Speaker 2>girls don't know how to do technology. It just annoys me.

1:04:26.120 --> 1:04:29.479
<v Speaker 4>Yeah, maybe the problem I feel with this movie, which

1:04:29.520 --> 1:04:32.080
<v Speaker 4>is also its strength. You know, we've talked a lot

1:04:32.080 --> 1:04:35.320
<v Speaker 4>about how these are kind of cartoon characters, and therefore

1:04:35.480 --> 1:04:38.240
<v Speaker 4>they're kind of missing what you've been looking for, Caitlin,

1:04:38.240 --> 1:04:41.480
<v Speaker 4>which is like deeper connection. And I think that's basically

1:04:41.560 --> 1:04:44.240
<v Speaker 4>going to be a limitation of a man writing a

1:04:44.680 --> 1:04:47.360
<v Speaker 4>movie about teen girls. This is true, and he's got

1:04:47.360 --> 1:04:50.280
<v Speaker 4>a leg up because he's gay, and so he's kind

1:04:50.280 --> 1:04:53.160
<v Speaker 4>of hitting some of the marks, but he's not hitting

1:04:53.640 --> 1:04:55.480
<v Speaker 4>all of the marks. And I think there is a

1:04:55.520 --> 1:04:58.000
<v Speaker 4>bit of a feeling that I come away with with

1:04:58.040 --> 1:05:00.320
<v Speaker 4>this movie that all of the women in this are

1:05:00.400 --> 1:05:05.200
<v Speaker 4>kind of being treated like barbies or dolls for him.

1:05:05.240 --> 1:05:09.040
<v Speaker 4>They're acting out these tropes and these scenes and these

1:05:09.080 --> 1:05:12.360
<v Speaker 4>ideas that he's got, but there's a little bit missing from,

1:05:13.040 --> 1:05:16.480
<v Speaker 4>you know, the meat, And I think that's what makes

1:05:16.640 --> 1:05:18.840
<v Speaker 4>me feel a little bit of a lack. On the

1:05:18.840 --> 1:05:21.560
<v Speaker 4>other hand, like I don't know anyone other than a

1:05:21.560 --> 1:05:25.760
<v Speaker 4>gay man who could write a Courtney, And it's like

1:05:26.320 --> 1:05:30.880
<v Speaker 4>she is a gay man's revenge fantasy, power fantasy. She's

1:05:31.000 --> 1:05:35.560
<v Speaker 4>like the Frankenfurter. She's got so much to her that

1:05:35.600 --> 1:05:38.600
<v Speaker 4>I'm so glad exists, and it's like fun to see

1:05:38.800 --> 1:05:42.080
<v Speaker 4>villains like that who exist. So I don't know that

1:05:42.120 --> 1:05:45.000
<v Speaker 4>I necessarily want anything to change. But like, as you say,

1:05:45.040 --> 1:05:47.680
<v Speaker 4>it's almost like a different movie made by a different

1:05:47.720 --> 1:05:50.680
<v Speaker 4>person would solve some of these problems and potentially over

1:05:50.760 --> 1:05:52.360
<v Speaker 4>correct some of the good things.

1:05:52.640 --> 1:05:55.640
<v Speaker 3>Right, Yeah, it's tricky. I do feel like it's possible

1:05:55.720 --> 1:05:59.880
<v Speaker 3>to make movies in the like dark teen comedy John

1:06:00.680 --> 1:06:02.920
<v Speaker 3>that avoid some of these mistakes. But I think like

1:06:03.000 --> 1:06:06.760
<v Speaker 3>viewing it as playing with Barbies actually kind of does

1:06:07.200 --> 1:06:10.440
<v Speaker 3>even with the dream logic aspects, this could be staged

1:06:10.480 --> 1:06:15.320
<v Speaker 3>by barbies. And yeah, there's like certain parts where it's

1:06:15.320 --> 1:06:18.120
<v Speaker 3>like Rose McGowan is just going like full Joan Crawford

1:06:19.600 --> 1:06:22.520
<v Speaker 3>and it's great. I don't know, I don't know what

1:06:22.560 --> 1:06:24.240
<v Speaker 3>I want this movie to do that it's not doing.

1:06:24.480 --> 1:06:26.120
<v Speaker 3>It doesn't feel like a movie that can really go

1:06:26.200 --> 1:06:29.440
<v Speaker 3>another way. But yeah, I agree with you, Caitlin that

1:06:29.520 --> 1:06:34.360
<v Speaker 3>like having some sort of functional or just like more

1:06:34.560 --> 1:06:39.200
<v Speaker 3>layered relationship between women, because I would say, like Mean

1:06:39.240 --> 1:06:42.760
<v Speaker 3>Girls has a lot of the similar problems of this,

1:06:43.280 --> 1:06:48.240
<v Speaker 3>but at least we like do understand why these friendships

1:06:48.240 --> 1:06:52.720
<v Speaker 3>aren't functioning and that they're not like just inherently evil.

1:06:52.880 --> 1:06:56.439
<v Speaker 3>It's like you understand what the communication breakdown is between

1:06:56.520 --> 1:06:59.479
<v Speaker 3>Katie and Janis or like whatever it is, which does

1:06:59.560 --> 1:07:03.439
<v Speaker 3>just feel like something that comes from experience.

1:07:03.680 --> 1:07:06.640
<v Speaker 4>Probably Yeah, and like more money and more time with

1:07:06.720 --> 1:07:11.120
<v Speaker 4>this script and right edits and a big red marker

1:07:11.160 --> 1:07:13.520
<v Speaker 4>and lots of that. You kind of do all of

1:07:13.520 --> 1:07:15.360
<v Speaker 4>that to Jowbreaker and you get mean girls.

1:07:15.640 --> 1:07:18.760
<v Speaker 3>Yeah right. I don't know, I feel that because it's

1:07:18.760 --> 1:07:20.840
<v Speaker 3>like I really did enjoy this movie and I know

1:07:20.880 --> 1:07:23.760
<v Speaker 3>how like beloved it is, and it's like a classic

1:07:23.880 --> 1:07:27.160
<v Speaker 3>like bombed at the box office and then found its

1:07:27.320 --> 1:07:31.320
<v Speaker 3>footing at sleepovers, which is like as it should be.

1:07:31.880 --> 1:07:34.360
<v Speaker 3>It is tricky. I don't know. The biggest swing for

1:07:34.440 --> 1:07:38.360
<v Speaker 3>this movie that I was like was that necessary? Was

1:07:38.720 --> 1:07:41.600
<v Speaker 3>just the fundamental plot element of like we need to

1:07:41.640 --> 1:07:45.880
<v Speaker 3>make it seem as if she's been raped. Yeah, because

1:07:46.040 --> 1:07:49.720
<v Speaker 3>again it's like, yes, that is something that is the

1:07:49.760 --> 1:07:53.120
<v Speaker 3>most evil character in the world, who is Courtney would do?

1:07:53.640 --> 1:07:56.120
<v Speaker 3>But again, it just like makes all of the other

1:07:56.240 --> 1:07:59.920
<v Speaker 3>characters that we're supposed to be rooting for look really terrible.

1:08:00.160 --> 1:08:05.160
<v Speaker 3>And like I understand why Darren Stein is taking that swing,

1:08:05.360 --> 1:08:08.800
<v Speaker 3>because it is like it's an edge lord writer decision.

1:08:08.840 --> 1:08:11.520
<v Speaker 3>I feel like, of like, what is the most extreme,

1:08:11.600 --> 1:08:15.080
<v Speaker 3>potentially offensive thing I could make this character do. But

1:08:15.440 --> 1:08:18.160
<v Speaker 3>I it could have been literally anything else. It could

1:08:18.160 --> 1:08:20.400
<v Speaker 3>have been something else bad. I just didn't I don't

1:08:20.439 --> 1:08:23.080
<v Speaker 3>know that decision just like didn't sit well with me

1:08:23.120 --> 1:08:23.719
<v Speaker 3>at all.

1:08:24.000 --> 1:08:29.679
<v Speaker 2>Me either, because it's movies like this that contribute to

1:08:30.439 --> 1:08:35.519
<v Speaker 2>the perpetuation of the idea that reports of rape are

1:08:35.640 --> 1:08:39.200
<v Speaker 2>actually often false and made up and you can't trust

1:08:39.280 --> 1:08:44.120
<v Speaker 2>anyone who says they've been raped, when in reality, it

1:08:44.200 --> 1:08:48.839
<v Speaker 2>is not very common for a rape allegation to be false,

1:08:49.080 --> 1:08:53.080
<v Speaker 2>and it is statistically far more likely for a rape

1:08:53.080 --> 1:08:56.639
<v Speaker 2>to happen and not be reported than it is for

1:08:57.360 --> 1:09:00.320
<v Speaker 2>a rape to be reported and have it be a

1:09:00.360 --> 1:09:04.320
<v Speaker 2>false accusation. But there's all this media like this movie

1:09:05.240 --> 1:09:09.040
<v Speaker 2>that supports this idea that rape accusations tend to be

1:09:09.240 --> 1:09:14.080
<v Speaker 2>bogus and that has like really horrible real world consequences,

1:09:14.640 --> 1:09:18.440
<v Speaker 2>And so that is the big thing for this movie

1:09:18.600 --> 1:09:21.360
<v Speaker 2>that rubs me the wrong way. I feel like, kind

1:09:21.360 --> 1:09:25.519
<v Speaker 2>of similarly Courtney, and again, this is like the evil

1:09:25.640 --> 1:09:30.160
<v Speaker 2>character having this behavior and having these ideas, but that

1:09:30.280 --> 1:09:35.160
<v Speaker 2>she tends to kind of conflate kink with rape. And

1:09:35.200 --> 1:09:37.720
<v Speaker 2>I can't really tell how the movie feels about it,

1:09:37.800 --> 1:09:40.479
<v Speaker 2>or if it's just like, oh, this is the evil character.

1:09:40.720 --> 1:09:44.559
<v Speaker 2>But because to me, that distinction isn't very clear as

1:09:44.560 --> 1:09:47.200
<v Speaker 2>far as like how the movie feels about it, and

1:09:47.680 --> 1:09:51.800
<v Speaker 2>that should be a clearer distinction. I don't know. It

1:09:52.080 --> 1:09:56.760
<v Speaker 2>just we've covered a lot of movies from this exact year.

1:09:57.280 --> 1:10:01.160
<v Speaker 2>It's a big year for movies for lots of movies,

1:10:01.320 --> 1:10:06.639
<v Speaker 2>and then specifically teen movies that have like at least

1:10:06.640 --> 1:10:12.520
<v Speaker 2>one fundamental, highly problematic element. I'm thinking, like cruel intentions

1:10:12.600 --> 1:10:15.519
<v Speaker 2>and she's all that and never been kissed and stuff

1:10:15.560 --> 1:10:19.040
<v Speaker 2>like that. But you'll have characters in those movies who

1:10:19.200 --> 1:10:24.960
<v Speaker 2>are just dropping very of the era, like casual homophobia,

1:10:25.080 --> 1:10:28.880
<v Speaker 2>casual racism, and the movie's not challenging it, and it's

1:10:28.960 --> 1:10:31.400
<v Speaker 2>just like, yeah, this is just reflection of the culture

1:10:31.439 --> 1:10:34.600
<v Speaker 2>of the time. In this movie, you do have characters

1:10:34.680 --> 1:10:39.439
<v Speaker 2>making disparaging remarks about like girls how much they weigh

1:10:39.640 --> 1:10:44.400
<v Speaker 2>and having eating disorders, and disparaging remarks about queer people,

1:10:44.439 --> 1:10:48.639
<v Speaker 2>about people with disabilities, but I think those are always

1:10:48.640 --> 1:10:53.280
<v Speaker 2>like the evil, mean girl characters, and the satire of

1:10:53.320 --> 1:10:57.599
<v Speaker 2>the movie I feel like suggests, oh, well, the movie

1:10:57.640 --> 1:11:01.559
<v Speaker 2>is not endorsing these attitudes. But I don't feel the

1:11:01.560 --> 1:11:04.880
<v Speaker 2>same way for how it handles this like false rape

1:11:05.439 --> 1:11:07.719
<v Speaker 2>accusation component of the movie.

1:11:07.840 --> 1:11:10.759
<v Speaker 3>Yeah, I just feel like he was not the writer

1:11:10.960 --> 1:11:15.280
<v Speaker 3>to even attempt something this extreme, just based on how

1:11:15.280 --> 1:11:17.720
<v Speaker 3>it's executed and the fact that, like it could have

1:11:17.840 --> 1:11:21.120
<v Speaker 3>been something else and the movie would not have had

1:11:21.160 --> 1:11:24.320
<v Speaker 3>to change, right, I think that honestly, going for a

1:11:24.320 --> 1:11:29.040
<v Speaker 3>more Weekend at Bernie's gag there is like still tonally consistent,

1:11:29.280 --> 1:11:33.679
<v Speaker 3>can still be really dark and would not yeah, make

1:11:33.720 --> 1:11:37.839
<v Speaker 3>a pretty like broad negative statement about rape allegations, especially

1:11:37.840 --> 1:11:40.759
<v Speaker 3>in a movie that you know, it's not that anyone knew,

1:11:41.080 --> 1:11:44.320
<v Speaker 3>but that prominently features Marilyn Manson. You're just like, ah

1:11:44.439 --> 1:11:47.600
<v Speaker 3>yea yui. Yeah, feels like a good reminder. Yeah, I

1:11:47.640 --> 1:11:49.520
<v Speaker 3>just wish that they had done a Weekend at Bernie's

1:11:49.560 --> 1:11:51.680
<v Speaker 3>style gag instead of that.

1:11:52.360 --> 1:11:54.439
<v Speaker 4>Yeah, It's like so many of the choices in this

1:11:54.520 --> 1:11:58.960
<v Speaker 4>movie are silly or campy or over the top or

1:11:59.080 --> 1:12:01.439
<v Speaker 4>like you're clearly kind not meant to take it that seriously,

1:12:01.479 --> 1:12:05.320
<v Speaker 4>and then they throw in this like actually, really, I

1:12:05.320 --> 1:12:07.719
<v Speaker 4>don't know why I feel that like a death is worse,

1:12:07.960 --> 1:12:10.760
<v Speaker 4>but it doesn't feel as bad because it's it's also

1:12:10.840 --> 1:12:15.240
<v Speaker 4>portrayed in this really silly way, and that actually Courtney's

1:12:15.280 --> 1:12:17.439
<v Speaker 4>sex scene with Marilyn Manson, it's like all of that,

1:12:17.479 --> 1:12:21.000
<v Speaker 4>it is all hard to watch. And yeah, maybe maybe

1:12:21.080 --> 1:12:23.760
<v Speaker 4>Darren wasn't quite the right person to be taking on

1:12:24.360 --> 1:12:26.200
<v Speaker 4>that topic, but.

1:12:26.240 --> 1:12:28.400
<v Speaker 3>Yeah, I mean it's like this isn't like a specific

1:12:28.520 --> 1:12:31.040
<v Speaker 3>problem with Darren Stein. I mean, like Kitle, like you

1:12:31.040 --> 1:12:33.559
<v Speaker 3>were saying, in this year alone, there were a lot

1:12:33.600 --> 1:12:38.280
<v Speaker 3>of big swings and teen movies that just aged spectacularly bad,

1:12:38.960 --> 1:12:41.360
<v Speaker 3>and this is the one that this one does exactly.

1:12:41.520 --> 1:12:43.599
<v Speaker 3>I do think I wish that Darren Stein. I mean,

1:12:43.720 --> 1:12:46.960
<v Speaker 3>he should have been directing more stuff. I'm kind of

1:12:47.000 --> 1:12:51.040
<v Speaker 3>surprised that we haven't seen as much from him, and

1:12:51.080 --> 1:12:53.519
<v Speaker 3>that always kind of especially when you have a marginalized director.

1:12:53.680 --> 1:12:56.559
<v Speaker 3>I'm always kind of like side eyeing, why haven't they

1:12:56.560 --> 1:12:58.519
<v Speaker 3>made more? When they made Sure it didn't do great

1:12:58.560 --> 1:13:01.639
<v Speaker 3>at the box office, but it came this big iconic movie.

1:13:01.680 --> 1:13:04.599
<v Speaker 3>And you know, whenever if you have a straight white director,

1:13:04.600 --> 1:13:09.320
<v Speaker 3>how many flops are they permitted to unleash upon the world.

1:13:09.600 --> 1:13:11.320
<v Speaker 3>I don't know what this story there is. Maybe he

1:13:11.360 --> 1:13:14.240
<v Speaker 3>took a step back. I'm not totally sure, but I

1:13:14.280 --> 1:13:17.960
<v Speaker 3>always do just kind of side eye that kind of thing.

1:13:17.880 --> 1:13:21.519
<v Speaker 4>Totally, especially when he's clearly got so many ideas. Yeah,

1:13:21.800 --> 1:13:24.240
<v Speaker 4>so many choices are made in this movie that like

1:13:24.360 --> 1:13:28.280
<v Speaker 4>it needed someone creative and visionary to do. You know,

1:13:28.560 --> 1:13:31.040
<v Speaker 4>the way the sound editing is is just like one example,

1:13:31.080 --> 1:13:34.840
<v Speaker 4>it's like someone was really like creatively running on both

1:13:34.840 --> 1:13:36.640
<v Speaker 4>cylinders when they made this movie.

1:13:36.800 --> 1:13:41.400
<v Speaker 2>There's so many goofy like yeah, sound effected during like

1:13:41.520 --> 1:13:42.480
<v Speaker 2>scene transitions.

1:13:42.520 --> 1:13:45.240
<v Speaker 3>And this is the second movie we've covered recently that.

1:13:45.479 --> 1:13:48.360
<v Speaker 3>We also recently covered sixteen Candles, which he does side

1:13:48.479 --> 1:13:51.600
<v Speaker 3>like the John Hughes teen movies as an influence. But

1:13:51.880 --> 1:13:54.080
<v Speaker 3>we just covered sixteen Candles the other day for the

1:13:54.120 --> 1:13:57.760
<v Speaker 3>Matreon and there is boy is the Howard Stern soundboard

1:13:57.840 --> 1:14:02.320
<v Speaker 3>out on that movie kind of on this one too. Yeah,

1:14:02.360 --> 1:14:04.880
<v Speaker 3>the sprayings. There's like one time when the jock is

1:14:04.920 --> 1:14:08.160
<v Speaker 3>like learingly looking over at Courtney and you hear like

1:14:08.680 --> 1:14:12.120
<v Speaker 3>some creepy I don't know noise.

1:14:15.280 --> 1:14:18.960
<v Speaker 4>That could work. I wasn't going to try that.

1:14:19.280 --> 1:14:21.200
<v Speaker 3>I've seen Roger arrive at one hundred times and it

1:14:21.240 --> 1:14:22.559
<v Speaker 3>just kind of comes to me naturally.

1:14:23.760 --> 1:14:27.120
<v Speaker 4>But even like the wooshes for like the wipes as well,

1:14:27.840 --> 1:14:30.880
<v Speaker 4>so silly. Yeah, and the whole makeover scene, which is

1:14:31.280 --> 1:14:37.640
<v Speaker 4>like something out of poor things like gothic Frankenstein in

1:14:38.080 --> 1:14:43.920
<v Speaker 4>vibrant jawbreaker colors, Yeah, potions and spinning chairs and like, yeah,

1:14:43.960 --> 1:14:47.360
<v Speaker 4>it's so psychedelic. It's really cool. So I totally agree. Basically,

1:14:47.720 --> 1:14:51.599
<v Speaker 4>he should have been allowed to do more and make more.

1:14:51.720 --> 1:14:53.800
<v Speaker 3>Yeah, and he's like in his early fifties. I hope

1:14:53.800 --> 1:14:54.560
<v Speaker 3>that happens.

1:14:54.800 --> 1:14:57.400
<v Speaker 4>Yeah. There is a movie called GBF, which my friend

1:14:57.479 --> 1:15:00.280
<v Speaker 4>actually wrote and Darren directed, which is kind of of

1:15:00.400 --> 1:15:04.639
<v Speaker 4>oh wow. Yes, it's almost the gay version of your

1:15:04.760 --> 1:15:08.559
<v Speaker 4>teen movie, and it's got gay protagonists in high school

1:15:08.640 --> 1:15:11.280
<v Speaker 4>and it's exploring the idea of popularity as well. But

1:15:12.000 --> 1:15:14.120
<v Speaker 4>you don't need to imagine yourself as Courtney. You can

1:15:14.280 --> 1:15:15.639
<v Speaker 4>just see yourself.

1:15:16.280 --> 1:15:17.360
<v Speaker 2>That's a beautiful thing.

1:15:17.640 --> 1:15:19.920
<v Speaker 3>I remember hearing about that movie. I haven't seen it, though.

1:15:19.960 --> 1:15:23.360
<v Speaker 2>It says for Gay Best Friend, right, yeah GBF. Yeah, yeah,

1:15:23.560 --> 1:15:26.519
<v Speaker 2>I remember when it came out. I feel like it

1:15:26.600 --> 1:15:32.040
<v Speaker 2>may be worth at least briefly acknowledging Rose McGowan and

1:15:32.520 --> 1:15:37.280
<v Speaker 2>the history she has with being a turf where if

1:15:37.280 --> 1:15:40.800
<v Speaker 2>anyone's not familiar. Back in twenty seventeen, she went on

1:15:40.920 --> 1:15:46.680
<v Speaker 2>RuPaul's podcast and said some very turfy transphobic things. I

1:15:46.760 --> 1:15:49.320
<v Speaker 2>didn't know that, although even before that I was reading

1:15:49.600 --> 1:15:53.280
<v Speaker 2>that she a couple of years earlier said some remarks

1:15:53.320 --> 1:15:58.800
<v Speaker 2>either too or about Caitlin Jenner that were also transphobic. Then,

1:15:58.840 --> 1:16:03.160
<v Speaker 2>at a book event few months after this podcast appearance

1:16:03.320 --> 1:16:09.200
<v Speaker 2>in early twenty eighteen, a trans woman confronted her about

1:16:09.520 --> 1:16:12.880
<v Speaker 2>her remarks, and Rose McGowan told her to shut up

1:16:12.920 --> 1:16:18.599
<v Speaker 2>and then proceeded to go on a transphobic rant. Sometime later,

1:16:19.240 --> 1:16:23.440
<v Speaker 2>she gave what I feel is not a great apology.

1:16:24.160 --> 1:16:26.800
<v Speaker 2>Others might feel differently. You know, who of us can

1:16:27.160 --> 1:16:31.839
<v Speaker 2>actually know how a celebrity who has a very like public,

1:16:32.000 --> 1:16:36.360
<v Speaker 2>performative kind of life how they actually feel personally. But

1:16:37.040 --> 1:16:40.519
<v Speaker 2>I feel like she realized that being transphobic wasn't great

1:16:40.520 --> 1:16:44.080
<v Speaker 2>for her image, so she walked back a lot of

1:16:44.080 --> 1:16:47.599
<v Speaker 2>her comments in order to restore her image. Or maybe

1:16:47.640 --> 1:16:52.679
<v Speaker 2>she genuinely learned and listened and feels differently. We haven't

1:16:52.720 --> 1:16:56.160
<v Speaker 2>really heard anything about it since, I don't think, because

1:16:57.000 --> 1:17:00.360
<v Speaker 2>the following year it was when she was in the

1:17:00.360 --> 1:17:03.559
<v Speaker 2>news again, but this time revolving around the Me Too movement.

1:17:03.800 --> 1:17:06.400
<v Speaker 3>Thank you for sharing that because I was not aware.

1:17:06.680 --> 1:17:09.640
<v Speaker 2>Oh I remembered when it happened, So I like that

1:17:09.760 --> 1:17:11.960
<v Speaker 2>was just in the back of my mind as I

1:17:12.000 --> 1:17:12.880
<v Speaker 2>was watching the movie.

1:17:13.280 --> 1:17:17.680
<v Speaker 4>I've just skimmed her apology from twenty nineteen. I don't

1:17:17.680 --> 1:17:19.439
<v Speaker 4>know if that's the one you're referencing.

1:17:19.160 --> 1:17:21.160
<v Speaker 2>Yeah, from I think Pink News.

1:17:21.400 --> 1:17:25.040
<v Speaker 4>Yeah, and you know it's not certainly not my apology

1:17:25.040 --> 1:17:27.679
<v Speaker 4>to accept, but I don't mind it. It's an apology.

1:17:27.960 --> 1:17:30.639
<v Speaker 4>But I am skimming while we're on the.

1:17:30.479 --> 1:17:32.160
<v Speaker 2>In real time.

1:17:31.960 --> 1:17:38.080
<v Speaker 4>So yeah, I completely forgot all about that. Yeah, I

1:17:38.120 --> 1:17:40.320
<v Speaker 4>mean she's put her foot in it a few times,

1:17:40.479 --> 1:17:42.840
<v Speaker 4>I feel, yes, And she's also done a lot of

1:17:42.920 --> 1:17:45.559
<v Speaker 4>really cool and brave stuff, so she's.

1:17:45.439 --> 1:17:48.479
<v Speaker 2>A complicated figure. Well she has leave it at that,

1:17:48.600 --> 1:17:51.519
<v Speaker 2>I suppose, yeah, she is. Do we have any other

1:17:51.680 --> 1:17:52.840
<v Speaker 2>thoughts about the movie?

1:17:53.320 --> 1:17:55.000
<v Speaker 3>I don't think so. I mean I wanted to echo

1:17:55.080 --> 1:17:57.000
<v Speaker 3>what Crystal said earlier and that like, this is a

1:17:57.120 --> 1:17:59.760
<v Speaker 3>very white movie. I think the only people of color

1:17:59.800 --> 1:18:02.400
<v Speaker 3>who have any I mean, it's really just Detective Pam

1:18:02.400 --> 1:18:05.280
<v Speaker 3>Greer and she's doing a terrible job. And there's a

1:18:05.360 --> 1:18:09.920
<v Speaker 3>Tatiana Ali character as a Tatiana Ali fan named Brenda,

1:18:09.960 --> 1:18:11.880
<v Speaker 3>who appears for a hot second.

1:18:12.120 --> 1:18:14.719
<v Speaker 2>Oh, she tries to befriend Violet.

1:18:15.360 --> 1:18:18.040
<v Speaker 3>Yes, and she's just like, you're so awesome. Also, my

1:18:18.120 --> 1:18:20.840
<v Speaker 3>name is Brenda, and then she's gone, your your.

1:18:21.160 --> 1:18:23.439
<v Speaker 4>Like she was in Fresh Prince right.

1:18:23.800 --> 1:18:27.559
<v Speaker 3>Yeah, yeah, she's a Titan of Nicked Knight to me.

1:18:28.720 --> 1:18:31.920
<v Speaker 3>But yeah, outside of that, it is like a very

1:18:32.840 --> 1:18:34.920
<v Speaker 3>very white movie in a way that is in no

1:18:35.040 --> 1:18:38.320
<v Speaker 3>way necessary, Like not that it's ever necessary, but there's

1:18:38.360 --> 1:18:41.040
<v Speaker 3>no like historical context. We have no idea where this

1:18:41.120 --> 1:18:44.599
<v Speaker 3>movie is necessarily taking place, Like it should be a

1:18:44.600 --> 1:18:48.559
<v Speaker 3>more diverse world with a more diverse cast, and instead

1:18:48.720 --> 1:18:53.880
<v Speaker 3>it is nineteen ninety nine, and these kinds of creative

1:18:53.880 --> 1:18:55.040
<v Speaker 3>decisions were made all the time.

1:18:55.520 --> 1:19:00.920
<v Speaker 2>Yes, as far as the Bechdel test goes, not a problem,

1:19:00.960 --> 1:19:03.639
<v Speaker 2>not a problem, passes a lot. In fact, they're rarely

1:19:03.840 --> 1:19:08.960
<v Speaker 2>talking about boys. They're almost always talking about how do

1:19:09.000 --> 1:19:12.200
<v Speaker 2>we cover up the murder of our friend that we did?

1:19:12.720 --> 1:19:15.759
<v Speaker 2>And I'm gonna make you a star?

1:19:16.400 --> 1:19:18.960
<v Speaker 3>Yeah, why do we hate each other? Yeah?

1:19:19.560 --> 1:19:23.839
<v Speaker 2>Yeah, so that is nice. I do appreciate that boys

1:19:23.880 --> 1:19:26.600
<v Speaker 2>are not the center of their worlds, the way a

1:19:26.640 --> 1:19:30.760
<v Speaker 2>lot of media about teen girls like presents boys as

1:19:30.760 --> 1:19:34.400
<v Speaker 2>being so much of their focus and every thing. But

1:19:35.080 --> 1:19:39.360
<v Speaker 2>like the prom king character, this good looking jock boy

1:19:39.760 --> 1:19:43.160
<v Speaker 2>is like an afterthought in most scenes if he appears

1:19:43.200 --> 1:19:46.000
<v Speaker 2>at all, and the only time he gets prominently featured

1:19:46.240 --> 1:19:51.320
<v Speaker 2>is when Courtney kind of forces him into filating a

1:19:51.360 --> 1:19:57.639
<v Speaker 2>popsicle and you know, feel about that how you want.

1:19:57.760 --> 1:20:00.679
<v Speaker 3>But outside of Zach, though, I I mean, yeah, men

1:20:00.760 --> 1:20:03.720
<v Speaker 3>really have no consequence in this world exactly, And that's

1:20:03.760 --> 1:20:06.720
<v Speaker 3>a rare thing to see in a movie's fun.

1:20:07.439 --> 1:20:12.080
<v Speaker 2>As far as our nipple scale, man, this is another

1:20:12.120 --> 1:20:14.639
<v Speaker 2>one of those movies where I'm just like, I don't

1:20:14.680 --> 1:20:18.200
<v Speaker 2>know two and a half. I'll just do again the

1:20:18.240 --> 1:20:21.360
<v Speaker 2>backdol cast cheat code, which is just split the diffs,

1:20:21.360 --> 1:20:25.719
<v Speaker 2>split down the middle two point five. I appreciate its

1:20:26.160 --> 1:20:33.559
<v Speaker 2>legacy as a cult movie with a following that is

1:20:34.400 --> 1:20:38.280
<v Speaker 2>largely She's the A's and gays kind of thing. It

1:20:38.400 --> 1:20:43.760
<v Speaker 2>does center women by and large. The women are misbehaving,

1:20:43.800 --> 1:20:48.639
<v Speaker 2>and I do appreciate that. I like to see girls

1:20:48.880 --> 1:20:50.840
<v Speaker 2>doing bad things sometimes.

1:20:51.160 --> 1:20:53.240
<v Speaker 3>Wow, that's really brave stance to take.

1:20:53.600 --> 1:20:55.599
<v Speaker 4>Girls gone wild if you will.

1:20:55.720 --> 1:20:57.960
<v Speaker 2>Yeah, I love it when girls go wild.

1:20:58.160 --> 1:21:04.519
<v Speaker 3>Yeah, rarely behaved women history make make said somebody.

1:21:04.680 --> 1:21:05.879
<v Speaker 4>Yeah, Fritz magnet.

1:21:08.280 --> 1:21:11.559
<v Speaker 2>So I do appreciate that, and I don't mind that

1:21:11.880 --> 1:21:17.320
<v Speaker 2>it's like an entry into the like ouvra of mean

1:21:17.360 --> 1:21:19.880
<v Speaker 2>girls being mean to each other in high school. I

1:21:19.960 --> 1:21:25.439
<v Speaker 2>just wish that there were more examples of that not

1:21:25.560 --> 1:21:28.640
<v Speaker 2>being the case that do center teen girls having like

1:21:29.560 --> 1:21:35.120
<v Speaker 2>solid friendships. But it's an interesting movie. It's way too white.

1:21:35.840 --> 1:21:40.960
<v Speaker 2>The way it handles the concept of rape allegations and

1:21:41.120 --> 1:21:45.360
<v Speaker 2>false rape allegations is very, very messy, and the thing

1:21:45.720 --> 1:21:49.320
<v Speaker 2>that holds up the least well about the movie, I

1:21:49.360 --> 1:21:52.480
<v Speaker 2>think because of that, I'll drop it down to two nipples.

1:21:52.800 --> 1:21:55.439
<v Speaker 2>I'll give one to Pam Greer and I'll give the

1:21:55.479 --> 1:21:58.240
<v Speaker 2>other to Judy Greer. The Greers get my.

1:21:58.240 --> 1:22:01.559
<v Speaker 3>Nips, I'll do two and a half. I think that

1:22:01.640 --> 1:22:04.440
<v Speaker 3>this movie is like taking a lot of big swings.

1:22:04.640 --> 1:22:07.639
<v Speaker 3>It is. I wish it had done better at the time.

1:22:07.800 --> 1:22:09.960
<v Speaker 3>I understand maybe why it didn't, because there were a

1:22:10.040 --> 1:22:12.719
<v Speaker 3>lot of movies like this and just such a glut

1:22:12.800 --> 1:22:15.320
<v Speaker 3>of teen movies in this particular year. But I also

1:22:15.320 --> 1:22:17.760
<v Speaker 3>think that you know, very often with marginalized directors, they

1:22:17.800 --> 1:22:20.839
<v Speaker 3>don't get the marketing power behind their work that they deserve.

1:22:21.479 --> 1:22:24.240
<v Speaker 3>And I admire what Darren Stan's going for here. I

1:22:24.240 --> 1:22:26.280
<v Speaker 3>think that there's a lot of the big swings do

1:22:26.400 --> 1:22:31.040
<v Speaker 3>not connect for me, but you know, I think it's

1:22:31.479 --> 1:22:35.600
<v Speaker 3>earned its place in the Sleepover pantheon. So I'll go

1:22:35.600 --> 1:22:37.960
<v Speaker 3>two and a half nipples. I'm gonna give I'm given

1:22:37.960 --> 1:22:41.439
<v Speaker 3>a full set to Pam Greer because she just was

1:22:41.479 --> 1:22:44.519
<v Speaker 3>cracking me up. Her character also wildly inconsistent, where she's

1:22:44.560 --> 1:22:46.800
<v Speaker 3>like really onto the girls and then just drops it

1:22:47.360 --> 1:22:50.599
<v Speaker 3>for what who knows, And I'll give my final half

1:22:50.840 --> 1:22:56.400
<v Speaker 3>nip two. I guess I'll give it to the Denim

1:22:56.479 --> 1:23:00.200
<v Speaker 3>Jacket that Rebecca gay heartwars because it does a lot

1:23:00.240 --> 1:23:03.000
<v Speaker 3>of narrative heavy lifting. The jacket didn't know it had

1:23:03.080 --> 1:23:04.760
<v Speaker 3>to work that hard, and I respect that.

1:23:05.840 --> 1:23:07.960
<v Speaker 4>Yes, I'm going to go a little higher. I think

1:23:08.000 --> 1:23:12.040
<v Speaker 4>I'm going to go three and a half nipples, And

1:23:12.360 --> 1:23:15.000
<v Speaker 4>that's partially, I think because of the nostalgia I have

1:23:15.080 --> 1:23:17.760
<v Speaker 4>for this movie. But I agree with everything that you've said.

1:23:18.000 --> 1:23:20.200
<v Speaker 4>You know, a lot of the swings don't connect, but

1:23:20.240 --> 1:23:23.599
<v Speaker 4>I think a lot of them do, and I think

1:23:23.640 --> 1:23:26.840
<v Speaker 4>it's kind of a really important stepping stone movie for

1:23:27.640 --> 1:23:30.200
<v Speaker 4>a lot of what we've got today. So I'm really,

1:23:30.479 --> 1:23:34.320
<v Speaker 4>really happy it exists, and it's been a formative movie

1:23:34.320 --> 1:23:36.639
<v Speaker 4>for me in lots of ways, so I'm glad about it.

1:23:37.240 --> 1:23:41.799
<v Speaker 4>I'm going to give a half nipple to that stillborn chick.

1:23:43.800 --> 1:23:46.360
<v Speaker 3>Thank god. Dad is great.

1:23:47.400 --> 1:23:49.920
<v Speaker 4>Yeah, and I'm going to give the three nipples to

1:23:49.960 --> 1:23:52.600
<v Speaker 4>the goth girl. Oh yes, who puts her finger in

1:23:52.680 --> 1:23:53.280
<v Speaker 4>the ball.

1:23:53.400 --> 1:23:55.120
<v Speaker 3>Yeah, bless her heart.

1:23:55.720 --> 1:23:58.360
<v Speaker 2>Yeah, Oh my gosh. Well, Crystal, thank you so much

1:23:58.400 --> 1:23:59.160
<v Speaker 2>for joining us.

1:23:59.439 --> 1:24:02.200
<v Speaker 4>Thank you for I don't know if we cracked it,

1:24:02.240 --> 1:24:04.800
<v Speaker 4>but we kind of did. It turns out it's complicated,

1:24:04.840 --> 1:24:06.320
<v Speaker 4>it's tricky, it's chicky.

1:24:06.680 --> 1:24:10.000
<v Speaker 2>We didn't break the jawbreaker, I would say, but we

1:24:10.200 --> 1:24:10.559
<v Speaker 2>gave it.

1:24:10.600 --> 1:24:13.000
<v Speaker 4>Are all we peeled off a couple layers.

1:24:13.880 --> 1:24:18.640
<v Speaker 2>Onions have layers, jaw breakers have layers. What would you

1:24:18.760 --> 1:24:21.639
<v Speaker 2>like to plug? Tell us where we can find your stuff?

1:24:22.040 --> 1:24:24.760
<v Speaker 4>Ah, thank you. You can follow me on all the

1:24:24.840 --> 1:24:27.960
<v Speaker 4>channels at Crystal We'll see you now. And I've got

1:24:28.120 --> 1:24:31.160
<v Speaker 4>all kinds of content all the time, So check.

1:24:31.040 --> 1:24:36.080
<v Speaker 2>It out, please do. It's great, and you can follow

1:24:36.320 --> 1:24:40.720
<v Speaker 2>us on Instagram at Bechdel Cast. You can subscribe to

1:24:40.920 --> 1:24:46.000
<v Speaker 2>our Patreon aka Maatreon at patreon dot com slash Bechdel

1:24:46.040 --> 1:24:50.200
<v Speaker 2>Cast where you'll get two bonus episodes every single month

1:24:50.760 --> 1:24:57.160
<v Speaker 2>with Jamie and myself. We're talking really cool themes, we're

1:24:57.160 --> 1:25:01.679
<v Speaker 2>talking really sassy sex. See episodes. You know you don't

1:25:01.680 --> 1:25:02.639
<v Speaker 2>want to miss them.

1:25:03.240 --> 1:25:06.000
<v Speaker 3>It's a friggin blast. I'll say it. I'll say it. Yeah.

1:25:06.000 --> 1:25:08.000
<v Speaker 3>In this month, I mean, we're obviously getting into scary

1:25:08.040 --> 1:25:11.680
<v Speaker 3>movie season, so we are covering Pearl and the Exorcist,

1:25:12.040 --> 1:25:13.960
<v Speaker 3>and you also get the backlog of over one hundred

1:25:13.960 --> 1:25:16.240
<v Speaker 3>and fifty episodes going on two hundred at this point.

1:25:16.320 --> 1:25:19.479
<v Speaker 3>I think so join the Matreon. It's a fun community,

1:25:19.520 --> 1:25:21.439
<v Speaker 3>and if you're looking for a way to support the show,

1:25:21.560 --> 1:25:24.120
<v Speaker 3>that's the best way to support the show truly. You

1:25:24.160 --> 1:25:27.759
<v Speaker 3>can also get our merch at teapublic dot com. Slash

1:25:28.040 --> 1:25:32.760
<v Speaker 3>the Bechdel Cast, get all your holiday needs whatever. None

1:25:32.760 --> 1:25:34.679
<v Speaker 3>of our business. It's none of our business. Okay.

1:25:34.680 --> 1:25:37.000
<v Speaker 2>Oh, we have spooky seasons coming up, and so you're

1:25:37.040 --> 1:25:42.880
<v Speaker 2>gonna want our beetlejuice wet scabs, dry scabs shirts.

1:25:42.960 --> 1:25:45.799
<v Speaker 3>Yeah, I was thinking a suspicious lack of what scabs.

1:25:45.800 --> 1:25:48.200
<v Speaker 3>We should have been pushing those shirts ahead of the

1:25:48.280 --> 1:25:48.799
<v Speaker 3>new movie.

1:25:48.880 --> 1:25:51.560
<v Speaker 2>But beetlejuice, beetlejuice.

1:25:50.840 --> 1:25:54.080
<v Speaker 3>Slip laugh love with that.

1:25:54.160 --> 1:25:58.880
<v Speaker 2>Shell, we get in the trunk of our friend's car

1:25:59.560 --> 1:26:00.160
<v Speaker 2>on per.

1:26:00.439 --> 1:26:03.360
<v Speaker 4>I'm getting on the hood, okay.

1:26:03.120 --> 1:26:05.519
<v Speaker 2>And then we'll have a little fun road trip.

1:26:06.040 --> 1:26:06.960
<v Speaker 3>We'll see you next week.

1:26:07.240 --> 1:26:14.720
<v Speaker 2>Game by Hi. The Bechdel Cast is a production of iHeartMedia,

1:26:14.920 --> 1:26:18.719
<v Speaker 2>hosted by Caitlin Derante and Jamie Loftis, produced by Sophie Lichterman,

1:26:19.000 --> 1:26:22.400
<v Speaker 2>edited by Mola Board. Our theme song was composed by

1:26:22.439 --> 1:26:26.720
<v Speaker 2>Mike Kaplan with vocals by Katherine Voskresenski. Our logo in

1:26:26.840 --> 1:26:30.160
<v Speaker 2>merch is designed by Jamie Loftis and a special thanks

1:26:30.160 --> 1:26:34.360
<v Speaker 2>to Aristotle Acevedo. For more information about the podcast, please

1:26:34.439 --> 1:26:36.720
<v Speaker 2>visit link tree slash Bechdel Cast