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Speaker 1: Yeah, Wrap right Off podcast. What's Up Baby good Man California?

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Speaker 1: Man the Chance Ready Forgotten? A number one album in

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Speaker 1: the country. I Love Letter to you? Four four Man,

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Speaker 1: the series Man, Trippy Read It is here Man, Time's

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Speaker 1: a charm. Ellie Grange is the label er, somebody Elliott's Man.

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Speaker 1: There's a lot of people involved with Trippy Red Man.

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Speaker 1: But then in the day it's all him. Should be

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Speaker 1: read in the building. Baby, It's gonna be a special

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Speaker 1: one man setting off the year right Wrap right Off Podcast.

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Speaker 1: I shot anything, Man. I never had a number one

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Speaker 1: album in my life. What's it like tripping it felt good?

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Speaker 1: Did you do out write celebration? Did you you keep

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Speaker 1: it low when you found out the news? I kind

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Speaker 1: of like trying to rejoice about everything. Yeah, be happy

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Speaker 1: about everything I do. But do you think it's a

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Speaker 1: testament because obviously came out with really big records like

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Speaker 1: the Dog Now you reckond like but now like now

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Speaker 1: you have catalog, like you're six seven albums in right, so,

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Speaker 1: and this is your most successful project? Like is that

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Speaker 1: even more? Giveing me more confidence? Like like to show

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Speaker 1: everybody like I'm in this for the long, Like I'm

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Speaker 1: a career artist. Yeah, it was more so I was

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Speaker 1: just trying to build myself up to a point where

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Speaker 1: I could do certain things and um to that point.

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Speaker 1: So it's like, you know, I can get a lot

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Speaker 1: of things done, but this project, do you know it

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Speaker 1: was going to be received the way it was when

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Speaker 1: you first created. I felt deep down in my heart

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Speaker 1: when I started working on it, which was I started

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Speaker 1: putting it really together, like right after I dropped exclamation mark.

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Speaker 1: But it was like songs I had done already for

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Speaker 1: like the past two years, and then it was like

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Speaker 1: songs that I just started and I did like those

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Speaker 1: songs for like two weeks. But I just felt in

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Speaker 1: my heart like these love songs I just did right now.

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Speaker 1: And then some of the little grungy stuff and the

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Speaker 1: hard ship that I had plus the new ship that

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Speaker 1: I brought to the table is like a good body

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Speaker 1: of work. Here we say that your whole thing is

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Speaker 1: you've got hard records, you got grungy records, but then

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Speaker 1: you got the love joints and like some like you're

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Speaker 1: a master of that lane. Like why do you think

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Speaker 1: that you're able to like you know, capture the emotion

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Speaker 1: and like deliver content that really connects with the people.

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Speaker 1: Well that's that's like just what I really specialized that

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Speaker 1: is making those type of songs. I was trying to

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Speaker 1: figure out how to really consistently make the harder sound

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Speaker 1: and stuff, and uh, I think I got it now.

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Speaker 1: I know how to do it now, But at first

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Speaker 1: I didn't know how to do it, so I was

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Speaker 1: just focused on like love and grunginess. So Dark Knight

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Speaker 1: demo was kind of like an accident type ship. I

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Speaker 1: will really making hard songs like that. What's the key

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Speaker 1: to making something good? Heart energy? I just gotta be

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Speaker 1: in that, in that mood like like, sometimes I'm not

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Speaker 1: in that mood, but I'll be one to make songs

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Speaker 1: like that. So those days I just gotta take my

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Speaker 1: ass home m chill. But some days I got it

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Speaker 1: to where I can just do that. Why did you

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Speaker 1: feel the need to double up this year? Because of

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Speaker 1: course you drop exclamation mark now you got you know

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Speaker 1: right back A yeah, yeah, I did that with a

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Speaker 1: love letter to you three in lives of trip and

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Speaker 1: a love letter. Do you want into yeah? Do you

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Speaker 1: feel like you need to continue to do that just

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Speaker 1: to maintain that consistency in the marketplace? Or yeah? I

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Speaker 1: mean I sat back and watch people like I love

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Speaker 1: Future Ship. So the Future put out so many bodies

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Speaker 1: the workout wants. It's just it. It was fired. He's consistent.

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Speaker 1: He loves this fan. When you first had the love

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Speaker 1: letter you for the first one, did you know what

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Speaker 1: was gonna end up? Did you have a vision of

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Speaker 1: making a series like to keep adding on to it. Yeah,

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Speaker 1: but I was only thinking about making two or three,

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Speaker 1: But now I'm planning on making like six. What was

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Speaker 1: the turn about? What made you change your mind? I

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Speaker 1: feel like every project I can just elevate it from

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Speaker 1: what I'm saying. So that's what really changed. It's like,

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Speaker 1: and then I got my own like little motives like

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Speaker 1: like six kiss. I don't know, just the number six

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Speaker 1: in general. I like to fall on that, on that number.

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Speaker 1: So do you think it's now accident that this is

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Speaker 1: yours the most successful one? You feel like as an artist,

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Speaker 1: you're at your best right now? Yeah? It was like

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Speaker 1: Exclamation work was just me working on a different sound

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Speaker 1: that ultimately was helping me work on my my main sound.

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Speaker 1: You know what I'm saying. I changed a lot of

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Speaker 1: my main music and added and implemented ship that wasn't

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Speaker 1: there at first. And you can just see the transition

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Speaker 1: from a love letter to You three to love lettery

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Speaker 1: You for how much the music transition and how it

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Speaker 1: just sounds a lot better because on exclamation mark it

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Speaker 1: seems like you're just holding it down kind of mostly

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Speaker 1: by yourself. And then on love letter four because like

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Speaker 1: you share the wealth a lot of different voices, and

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Speaker 1: I don't really do a lot of features like my

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Speaker 1: projects like that, like like likes of trip and a

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Speaker 1: love litterty you, uh three, It wasn't really that many

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Speaker 1: like that. I put people that are really famous on

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Speaker 1: my project. Yeah, I noticed that, like the b little

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Speaker 1: WHP right, like he also helps you get on in

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Speaker 1: the beginning, right, Like I like him on that joining

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Speaker 1: with the Jungle Book and stuff. I talked about him

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Speaker 1: like he was is one of the key figures like

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Speaker 1: when you went to Atlanta and first started building your career. Yeah,

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Speaker 1: I just one of my fans coming in comment his

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Speaker 1: name under my stuff, and then I went to the

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Speaker 1: ship and then ever since day we have been like cool.

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Speaker 1: He picked me up that same day and we just

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Speaker 1: kicked it, and then after that we never not kicking

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Speaker 1: for a while. And we're both doing music. So and

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Speaker 1: Chris King he's another one, right. Yeah, When I left

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Speaker 1: from Atlanta and went to Ohio, I hit up Chris King. Well,

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Speaker 1: he Chris King hit up me because he was liking

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Speaker 1: my music from a distance. But I wasn't really that

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Speaker 1: popping or whatever. But he was telling me to come

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Speaker 1: out there because they could change my life. So I did.

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Speaker 1: He said, he told you three years ago that this

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Speaker 1: game was ours. When he told you that, did you

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Speaker 1: believe him? Yeah? But even this particular project, like the intro,

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Speaker 1: like you start, you set the tone really hard, man

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Speaker 1: Like was it therapeutic to get that stuff off your chest? Only? Right?

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Speaker 1: There was some hard lines on there too, man like

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Speaker 1: when of the drunks you said the best part of

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Speaker 1: us was me. You know when you're with me, you're

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Speaker 1: a genius. Now your life you gotta live like live

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Speaker 1: life as an idiot? Like what was that session like

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Speaker 1: for you to get all that out off your chest? Fun?

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Speaker 1: Sounding good? I was like listening to you had the

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Speaker 1: other line, I do miss who I thought you were?

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Speaker 1: It's really were and good as what does that mean?

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Speaker 1: Why I miss who I thought you were? People would

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Speaker 1: come into your life and show you one side of them,

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Speaker 1: and then you'll meet a whole another side of them

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Speaker 1: down the road, and then you'll miss who you thought

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Speaker 1: that person would. It's like a lot of times relationships

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Speaker 1: you've had, it's been kind of more in a spotlight, right,

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Speaker 1: a little more public. Do you think that that going forward,

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Speaker 1: you may not do it the same way? That does

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Speaker 1: that make? Does that factor into anything? I don't. It

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Speaker 1: doesn't matter to me. It ain't hurting me, you know

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Speaker 1: what I'm saying. And nine times I'll attend I don't

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Speaker 1: really have nothing against anybody, have nothing against my exes,

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Speaker 1: and maybe they might have something against me or something,

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Speaker 1: but I don't have nothing against them. So I don't

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Speaker 1: never feel anyway or I feel like, damn, I gave

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Speaker 1: them this, and I don't give a funk what I gave.

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Speaker 1: They ain't with me now, So you know what I'm saying.

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Speaker 1: I don't think my fans or anybody that I'll rock

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Speaker 1: with is really gonna be rocking with whoever. I don't

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Speaker 1: rock with like that, you know, but if you so,

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Speaker 1: if you rock with a young lady, you feel like

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Speaker 1: it's almost natural that you're gonna bring it to the

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Speaker 1: forefront and just depending on how I'm feeling, I might

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Speaker 1: I might do a little secret dating or whatever. I

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Speaker 1: guess that's what they call it. I don't know why.

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Speaker 1: You know, sometimes I don't even be planning on showing

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Speaker 1: nobody just happens, like people just see me out and

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Speaker 1: then they recorded and ends up happening again. But do

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Speaker 1: you like that those experience kind of inspire you and

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Speaker 1: inspire the music and inspire contact comes from that. Even

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Speaker 1: without the the internet things, I will still be making

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Speaker 1: the same type of music. I still feel that about

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Speaker 1: like the music I make. I feel that about multiple girls,

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Speaker 1: and ain't just about people out have been in relationships

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Speaker 1: with people I just maybe even slept with, just funk with,

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Speaker 1: Like you know what I'm saying, like friends with or something.

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Speaker 1: I was wondering that if you make this like a

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Speaker 1: lot of music that's cater to sort of like touching

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Speaker 1: on these topics and obviously the people people mistake like

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Speaker 1: a love letter to you for it, Like it's not

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Speaker 1: about any specific person, It's about multiple females that I've

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Speaker 1: messed with over the years, you know what I'm saying,

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Speaker 1: Like if a song is named after a person, Yeah, okay,

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Speaker 1: but the whole letter to one person though, like that's

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Speaker 1: it's to the world. You know what I'm saying. It's

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Speaker 1: just feelings, my emotions to the world. You know what

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Speaker 1: I'm saying. I just want people to feel how I

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Speaker 1: felt making No songs to the women that listen to

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Speaker 1: the women that hear the songs that's inspired by them.

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Speaker 1: Never hit you up like that, get inspired by listening

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Speaker 1: to the song? Yeah, well, like the intro. Like you know,

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Speaker 1: I'm saying a matter like that when she heard that record,

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Speaker 1: Like what was the response? I stayed away feeling just feeling.

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Speaker 1: I look at it like it was just a feeling

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Speaker 1: that I was feeling. Ultimately, people can take it how

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Speaker 1: they want to. I wouldn't mean it no harm by

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Speaker 1: I was just trying to get emotions. Are his therapeutic? Yeah,

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Speaker 1: nothing against anybody. When you've tapped into that, Do you

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Speaker 1: feel like that that style of it is going to

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Speaker 1: cater more to a female demographic that other women are

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Speaker 1: gonna like that these music in that song is that

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Speaker 1: you're intent to I have so many intents at once.

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Speaker 1: It's like the music I make I make for multiple

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Speaker 1: different sections of people because I just know different people

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Speaker 1: listen to different things from me, So making a love

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Speaker 1: larity for it was literally trying to touch on every

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Speaker 1: base I could. But it's like it's a little bit

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Speaker 1: of stuff I couldn't implement, Like I couldn't implement the rock.

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Speaker 1: I couldn't implement a little more alternative side to it,

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Speaker 1: which is ultimately why make projects like lis of Trip.

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Speaker 1: You know, Lifes of Trip was like a more alternative

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Speaker 1: hip hopish by and you know, I'll probably do that

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Speaker 1: again too. Why are you so driven? You always talk

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Speaker 1: about like why are you so driven to kind of

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Speaker 1: showcase that versatility because a lot of your peers probably

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Speaker 1: can't go to all these different places, Like why is

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Speaker 1: it so important for you to show that versatility in

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Speaker 1: your music? Honestly, being versatil keeps me going, Like, you know,

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Speaker 1: just being able to do so many styles of music

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Speaker 1: and just do a lot of different melodies and stuff.

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Speaker 1: It just it's fun. It never gets boring, and if

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Speaker 1: it does get boring, I can just take like a

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Speaker 1: couple of days off, you know, come back to it

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Speaker 1: and be happy as hell. I found something that I

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Speaker 1: liked this time, even on this project. Can you Wrap

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Speaker 1: Like Me? Part two? Like you saved the best for last,

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Speaker 1: like you really showed it vers until they getting the

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Speaker 1: bars off, Like why was important to continue that? It

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Speaker 1: was unexpected Honestly, that was the last song I made

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Speaker 1: for the album, and it was like we just was

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Speaker 1: high and I pulled up like some rap beats and

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Speaker 1: he was just freestyling, and so I did like a

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Speaker 1: melody and it was hard. So we put the beat

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Speaker 1: in pro tools and ship and then I went in

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Speaker 1: there and freestyle that verse. Do if you think it's

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Speaker 1: pretty impressive, Like I feel like people probably on you

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Speaker 1: on your wrap skills. Do you feel like that happens often?

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Speaker 1: They can, but I always show that I can rap,

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Speaker 1: But I don't really care to, you know, like relate

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Speaker 1: to people that just like rap. You know, I don't.

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Speaker 1: I don't care. I might do something like like maybe

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Speaker 1: like a little ep rapping because of Chris King, because

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Speaker 1: he likes to wrap you. But that's the only reason

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Speaker 1: why I kind of like hold onto like at least

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Speaker 1: one rap song per project. If not, I might not

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Speaker 1: put none because sometimes I just like my whole seeing you.

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Speaker 1: But but the rap shure, I do like it. It's fun.

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Speaker 1: I like being able to spit bars. A lot of

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Speaker 1: people can't. I know you grew up a little way

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Speaker 1: and you said the Carter three. You know we heard

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Speaker 1: it something. I'm clicked in you. Like how inspiration it

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Speaker 1: was that project. I mean ship. You can listen to

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Speaker 1: it from top to bottom. It's a body of work

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Speaker 1: I look at like a love letter to you. Like Carters,

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Speaker 1: my Carters, those are my cars. Yeah. I love the

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Speaker 1: diversity on two. Like you had this one record until

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Speaker 1: the end of the time Joint. It sounds like you

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Speaker 1: was writing it inspired. It almost sounds like it could

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Speaker 1: fit a rock group, like when you were writing that,

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Speaker 1: Like was that inspiration? Who was the inspiration at the

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Speaker 1: time of making all this stuff. I've also been working

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Speaker 1: on like a rock album too. I've been working on

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Speaker 1: the rock album with Travis Barker. Okay, so drop that

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Speaker 1: this year. Damn working already those those times off your

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Speaker 1: fans been seeking that though, Like I like the thing

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Speaker 1: I've been sitting on its feeling fully ready, yet at

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Speaker 1: the time it took time to get it to way

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Speaker 1: you really what it is because it's it's been done.

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Speaker 1: I just finished like two or three more songs were

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Speaker 1: honestly and I'm waiting for two more features to come

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Speaker 1: in and then after that, I'm done with it, like completely,

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Speaker 1: it's basically already there. What makes it rock? Like just

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Speaker 1: guitars and like kind of literally rock. There's no hip

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Speaker 1: hop aspect to it at all. It's just rock. You

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Speaker 1: still let the hip hop element because on the you

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Speaker 1: got the on the record death you got to the

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Speaker 1: club up sample, you know what I'm saying, Like, did

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Speaker 1: you grow? Hit the motherfucker? Hit him? All right? Three six?

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Speaker 1: Did you grow listening to those two? Like? Why wouldn't

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Speaker 1: you fit that energy? DJ Paul was there. I made

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Speaker 1: it so, you know, I just I was in the studio.

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Speaker 1: I was high. I said a few words sounded good,

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Speaker 1: so I said someone that mom, But did you had that?

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Speaker 1: Like you taking almost of another classic record? Like why

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Speaker 1: did you decide to like take a free six classic

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Speaker 1: and and flip it and make your own art off

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Speaker 1: of it? DJ Paul honestly, he came in with that beat,

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Speaker 1: like he turned to was instantly like give me that

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Speaker 1: ship because I just know that that's what I was

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Speaker 1: looking for. I've been trying to make the harder music.

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Speaker 1: You know. It was like that one set it off

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Speaker 1: for me because it was like it made me understand

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Speaker 1: like damn, I could be in there like wishoo two

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Speaker 1: two threes, nig you're gonna die, we know with the gang.

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Speaker 1: You know what I'm saying. It still sounds hard me

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Speaker 1: just saying it like soft like that, you know what

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Speaker 1: I'm saying? What made you put the baby on it?

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Speaker 1: I like, I just I love the baby. It was

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Speaker 1: either him or you know, Travis. But even listening to

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Speaker 1: the project, it seems like you're almost like a hopeless romantic.

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Speaker 1: You know. It's like, what kind of creative space were

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Speaker 1: you in it making this project. It's kind of like

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Speaker 1: my slogan, life's a trip. I go through so much ship.

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Speaker 1: I'll be going through ship that people don't even know

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Speaker 1: I go through. It is be fucking my whole life,

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Speaker 1: my whole world up. And that's where like all the

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Speaker 1: pain and aggressiveness and all that ship comes from in

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Speaker 1: the music. It's like me getting it out or letting

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Speaker 1: it out because I'm listening to its like feels like

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Speaker 1: heartbreaks and breakups. You know, there was a hard to

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Speaker 1: get out of. And then like people talk ship, but

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Speaker 1: they don't really do ship. So it's like and I

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Speaker 1: get angry and you just stay there and got no

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Speaker 1: way to get it out. I'm on there, like niggas

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Speaker 1: were talking ship with this ship for it. How was

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Speaker 1: it changed with six? I mean, you'll see there's been

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Speaker 1: a lot of success, right, money is coming, fames come in, Like,

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Speaker 1: how does that good or bad effect the struggles that

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Speaker 1: you may have had earlier? Like money calls MO problems,

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Speaker 1: MO money more problems. Is definitely feeling real. I just

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Speaker 1: I don't know, you know, it's cool. I like it,

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Speaker 1: that's whatever, you know what I'm saying, It's life. Still

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Speaker 1: at the end of the day, I still live and

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Speaker 1: go through the problems that everybody else go through and

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Speaker 1: their normal life. Just I got a little a little

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Speaker 1: more a little more fortunately, and that's cool or whatever.

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Speaker 1: But we're all going through the same ship regardless. I

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Speaker 1: still feel the same pain as much as people. But

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Speaker 1: you don't make it a little better. And then one

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Speaker 1: thing we all dealt with as painful as the recent

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Speaker 1: loss of Juice World. Obviously he's on the album. He's

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Speaker 1: a good friend of yours. Like I've seen you take

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Speaker 1: a real hard stance where I know you smoke weed

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Speaker 1: and you don't really funk with a lot of other stuff.

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Speaker 1: And you were sort of saying out to your peer

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Speaker 1: group like you know, we gotta chill with that stuff.

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Speaker 1: Like what what made you speak out? I just you know,

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Speaker 1: like that ship is just it's not good. You know,

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Speaker 1: it's just not it's killing people. You know what I'm saying,

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Speaker 1: it's killing our our youth. I'm saying all of us is,

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Speaker 1: you know, dying off for drug reasons and ship. Like

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Speaker 1: look at little people like I with a little people,

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Speaker 1: A little people following me wanted to do a song

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Speaker 1: with me. Before I could do it, passed away, you

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Speaker 1: know what I'm saying. Me and Juice were very close

337
00:16:55,960 --> 00:16:58,840
Speaker 1: maze songs all the time. You know what I'm saying,

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Speaker 1: I love them to death. I don't want to see

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Speaker 1: my friend go out like that or go out any

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Speaker 1: type of way. You know what I'm saying. I wanted

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Speaker 1: to be here for years. You know what I'm saying.

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Speaker 1: I want to be able to grow old and see

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Speaker 1: his kids and stuff. So, you know, just going through

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00:17:15,600 --> 00:17:18,359
Speaker 1: that type of stuff back to back to back with

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Speaker 1: friends and you know, it just it's kind of like

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Speaker 1: a wake up call to be like, yeah, you are

347
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Speaker 1: like the only one left. You gotta you gotta really

348
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Speaker 1: take on what people was trying to do, you know

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Speaker 1: what I'm saying, and and relate a message, get that

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Speaker 1: shipped out, because it's like, don't nobody else will? I

351
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Speaker 1: know they won't, a lot of people won't. Everybody's want

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Speaker 1: some selfish type ship. Worried about this, So I gotta

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Speaker 1: be the sacrificial lamp for for my people, for my fans,

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Speaker 1: you think they're afraid to say it. I feel like

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Speaker 1: everybody is just on some selfish ship, That's what I'm saying.

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Speaker 1: Like I gotta be the sack official lamb. I gotta

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Speaker 1: give myself to my fans and really tell them the

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Speaker 1: real because everybody else want that's alid gimmick and everybody

359
00:18:08,440 --> 00:18:13,320
Speaker 1: want to just blow up and be on be this

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Speaker 1: big person. That's all they care about. I just care

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Speaker 1: about putting out music, so honestly, doesn't fluffing my waters?

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Speaker 1: What was so special? Like you know how much the

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Speaker 1: music is to you and how much you study this,

364
00:18:24,960 --> 00:18:27,439
Speaker 1: like explain to people that may not fully understand, like

365
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Speaker 1: what was what in your mind was so unique and

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Speaker 1: special about Juice for all the artists, everything that Nigga

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00:18:32,359 --> 00:18:36,240
Speaker 1: did was amazing. He just he just like me. For one,

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Speaker 1: he could just free style anything. Yeah, hours and hours

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Speaker 1: to you know what I'm saying. I never really did

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Speaker 1: that on like camera like this rapp for hours on camera,

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Speaker 1: But I used to do that with my friends in

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Speaker 1: the house and Ship. That's how I used to record.

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Speaker 1: So seeing him now just in his prime recording like

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Speaker 1: that's like, damn, that's fine because me, I I changed

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Speaker 1: my whole program up a little bit. I added like Ship,

376
00:19:01,359 --> 00:19:04,880
Speaker 1: like I'll punch in, but I never write anything at all,

377
00:19:05,840 --> 00:19:08,600
Speaker 1: But I punched a little bit of things, and I'm

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Speaker 1: more of like a vocal person, like I try to

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Speaker 1: just find a note that sounds crazy, and then I'll

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Speaker 1: keep going with that note until it hits the right note,

381
00:19:16,760 --> 00:19:19,000
Speaker 1: and I'll keep going with the song. What was it

382
00:19:19,040 --> 00:19:20,960
Speaker 1: like working with him with six kisses? You guys do

383
00:19:21,000 --> 00:19:23,879
Speaker 1: that together. We all the songs we did we worked

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Speaker 1: on together in the same studio, all of them. Every

385
00:19:27,440 --> 00:19:29,960
Speaker 1: song we did together, watched together because a lot of times,

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Speaker 1: you know, people just send tracks back and forth. So

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00:19:32,240 --> 00:19:34,760
Speaker 1: me and Juice was like real friends, like we're just

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Speaker 1: chill and be you know, smoking and vibing out he's

389
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Speaker 1: showing you your cards and ship shows you what cards

390
00:19:44,240 --> 00:19:46,560
Speaker 1: video games? I'm the saying, way I got this ship

391
00:19:46,600 --> 00:19:49,640
Speaker 1: at Myles too? Well, yeah, he just was a close

392
00:19:49,680 --> 00:19:53,800
Speaker 1: to us friend, you know. So ultimately we just used

393
00:19:53,840 --> 00:19:58,400
Speaker 1: to make music on some Why don't we make a song? Yeah,

394
00:19:58,480 --> 00:20:00,919
Speaker 1: let's make a song. Guys have like a lot of

395
00:20:00,960 --> 00:20:03,160
Speaker 1: songs together that we haven't heard yet. We got more

396
00:20:03,200 --> 00:20:05,040
Speaker 1: than one hand. Do you feel like you're ever gonna

397
00:20:05,040 --> 00:20:07,000
Speaker 1: show us to the world or is it two personal too?

398
00:20:07,280 --> 00:20:09,960
Speaker 1: I feel like I feel like y'all go here. Okay,

399
00:20:10,200 --> 00:20:12,040
Speaker 1: I feel like you should be hearing them for sure.

400
00:20:12,240 --> 00:20:13,919
Speaker 1: You also dealt with the loss of X and I

401
00:20:13,960 --> 00:20:16,239
Speaker 1: know on the offer me record with more Perfect you

402
00:20:16,359 --> 00:20:18,720
Speaker 1: use a little bit of the vlog of something he said,

403
00:20:18,800 --> 00:20:21,240
Speaker 1: like why do you decide to use that that voice

404
00:20:21,680 --> 00:20:24,600
Speaker 1: voice note and part of the song. I mean he

405
00:20:24,760 --> 00:20:30,679
Speaker 1: was basically touching on how he felt like selfish, you

406
00:20:30,680 --> 00:20:32,439
Speaker 1: know what I'm saying, because he wanted that person to

407
00:20:32,480 --> 00:20:35,240
Speaker 1: be offered them offer him and ship like that, you know,

408
00:20:35,359 --> 00:20:37,920
Speaker 1: so that he rhymes with the with the theme of

409
00:20:37,960 --> 00:20:40,919
Speaker 1: the song, Yeah off for me. So you know, I

410
00:20:40,960 --> 00:20:44,679
Speaker 1: just looked up excellent love quote you just he was

411
00:20:44,720 --> 00:20:47,160
Speaker 1: saying that ship. I was just gonna quote something myself,

412
00:20:47,160 --> 00:20:49,840
Speaker 1: but I watched his video and him saying it, so

413
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Speaker 1: I just was like, it's amazing. I'm gonna just add

414
00:20:52,760 --> 00:20:56,919
Speaker 1: it to the song because it definitely goes. How crazy

415
00:20:57,040 --> 00:20:58,480
Speaker 1: was that? So? Like, I know you guys had your

416
00:20:58,560 --> 00:21:00,920
Speaker 1: ups and downs as friends, but you were saying that

417
00:21:00,960 --> 00:21:02,680
Speaker 1: you actually were coming out of jail when you found

418
00:21:02,680 --> 00:21:06,800
Speaker 1: out about his passing. Yeah, he um, he died on

419
00:21:06,880 --> 00:21:09,639
Speaker 1: my birthday, which was the day I got out of jail.

420
00:21:10,000 --> 00:21:12,119
Speaker 1: It was your birthday. Wow, I just got out of

421
00:21:12,200 --> 00:21:14,199
Speaker 1: jail two when I have How did you cope with

422
00:21:14,200 --> 00:21:19,480
Speaker 1: that loss? Cried on the ji. Yeah, I had to

423
00:21:19,520 --> 00:21:23,200
Speaker 1: go to court and so I couldn't really go do

424
00:21:23,240 --> 00:21:25,639
Speaker 1: anything and the internet, so I was subdious funk. I

425
00:21:25,680 --> 00:21:27,800
Speaker 1: was in a bad place and one of those records

426
00:21:27,840 --> 00:21:31,119
Speaker 1: are abandoned, right. I was listening to that and just

427
00:21:31,160 --> 00:21:33,520
Speaker 1: it's really it's a really touching song, like what inspired

428
00:21:33,600 --> 00:21:39,840
Speaker 1: that particular record? Love Love? And you have the Mariata

429
00:21:39,960 --> 00:21:42,080
Speaker 1: scientists into why do you feel like she was a

430
00:21:42,080 --> 00:21:44,919
Speaker 1: fitting voice for it? Her voice was amazing to me,

431
00:21:45,840 --> 00:21:51,960
Speaker 1: So he sounded like fucking a goddess speaking of the

432
00:21:52,040 --> 00:21:54,880
Speaker 1: voice of a goddess like out sidebar I saw someone

433
00:21:54,960 --> 00:21:57,320
Speaker 1: did Canada. You were saying, Maria carry songs, you grew

434
00:21:57,400 --> 00:21:59,240
Speaker 1: up rock with it, and you said you were singing

435
00:21:59,240 --> 00:22:01,159
Speaker 1: a song. But y'all to stay what the song was?

436
00:22:01,240 --> 00:22:03,440
Speaker 1: What was the more I Carry song that a young

437
00:22:03,520 --> 00:22:06,280
Speaker 1: trippy was singing his heart out to? You remember the

438
00:22:06,359 --> 00:22:09,840
Speaker 1: name of the song? Well, you go? Is that her

439
00:22:12,520 --> 00:22:25,720
Speaker 1: trying to catch your melody? That I don't even remember this? Sorry,

440
00:22:25,720 --> 00:22:27,840
Speaker 1: I just I used to sing that work for wherever

441
00:22:27,840 --> 00:22:29,480
Speaker 1: it came on right now, I sing it right now.

442
00:22:29,720 --> 00:22:32,240
Speaker 1: And that's your Mom's just a musical family, Like she

443
00:22:32,320 --> 00:22:38,159
Speaker 1: just pounded that. I'm not bumping, I'm not right. But

444
00:22:38,240 --> 00:22:40,720
Speaker 1: I love her music. I love her influence. Did for

445
00:22:40,760 --> 00:22:43,919
Speaker 1: the cut for sure? Yeah, And she definitely has songs

446
00:22:43,960 --> 00:22:45,879
Speaker 1: that I can see word for word that I just

447
00:22:45,960 --> 00:22:49,720
Speaker 1: don't know. Yeah, to the melody aspect and try like

448
00:22:49,720 --> 00:22:52,080
Speaker 1: when did you start of how to incorporate melody in

449
00:22:52,119 --> 00:22:54,280
Speaker 1: your music? Like whan did that click for you? Probably

450
00:22:54,320 --> 00:22:56,520
Speaker 1: back then, like literally around that time when I was

451
00:22:56,600 --> 00:23:01,119
Speaker 1: just singing songs like that, I could just sing sing

452
00:23:01,200 --> 00:23:03,240
Speaker 1: songs and then I would just be able to wrap

453
00:23:03,359 --> 00:23:09,600
Speaker 1: two look up a Bullingdocks type beat, and when did

454
00:23:09,600 --> 00:23:11,400
Speaker 1: it hit to like incorporate you said you stick called

455
00:23:11,480 --> 00:23:14,040
Speaker 1: the screaming element, Like when did the hit that? Like, oh,

456
00:23:14,119 --> 00:23:15,679
Speaker 1: that could be a good element for me to use

457
00:23:15,800 --> 00:23:18,520
Speaker 1: my music, like the sort of screaming tones you start

458
00:23:18,560 --> 00:23:22,199
Speaker 1: to add into. I felt like I had everything I

459
00:23:22,240 --> 00:23:25,320
Speaker 1: was just missing, like something that just steering me apart

460
00:23:25,400 --> 00:23:28,720
Speaker 1: from people, And ultimately it ended up being the screaming

461
00:23:29,960 --> 00:23:33,520
Speaker 1: or like straining my voice a little? Yeah, it's not

462
00:23:33,560 --> 00:23:35,959
Speaker 1: really straining to me, Like it never feels like I'm

463
00:23:36,000 --> 00:23:37,840
Speaker 1: straining my voice and none of that. It's just like

464
00:23:38,040 --> 00:23:40,760
Speaker 1: a tone I can get out of my voice. What

465
00:23:40,880 --> 00:23:44,440
Speaker 1: was the early trippy years like growing up in Can't

466
00:23:48,400 --> 00:23:52,240
Speaker 1: Bad as hell? The NFL Hall of Fame or something

467
00:23:52,240 --> 00:23:55,000
Speaker 1: in there can't when I can't know how? That's all

468
00:23:55,000 --> 00:23:58,479
Speaker 1: I think about it was it was cool those or whatever.

469
00:23:59,080 --> 00:24:01,160
Speaker 1: I didn't really like it like that. Did you feel

470
00:24:01,160 --> 00:24:02,480
Speaker 1: like you was ever going to make it out of that?

471
00:24:03,160 --> 00:24:05,240
Speaker 1: People don't ever feel like they're gonna get out of there?

472
00:24:05,280 --> 00:24:06,960
Speaker 1: But was that why it was some important to leave so?

473
00:24:07,080 --> 00:24:09,600
Speaker 1: Or like what fifteen sixteen you left? Like did you

474
00:24:09,600 --> 00:24:11,320
Speaker 1: feel like you don't want to be this cat. Its

475
00:24:11,359 --> 00:24:14,000
Speaker 1: whole life is in Ohio, like you you need to

476
00:24:14,040 --> 00:24:16,879
Speaker 1: step out. I mean it wasn't Ohio. It was just kidding.

477
00:24:17,000 --> 00:24:19,359
Speaker 1: But you know I went to Columbus and it was

478
00:24:19,440 --> 00:24:22,680
Speaker 1: like I got I got the doing stuff. I got

479
00:24:22,720 --> 00:24:27,080
Speaker 1: to be able to, you know, ultimately make Love Scars,

480
00:24:27,119 --> 00:24:31,320
Speaker 1: I mean Love Scars in Ohio. So if you had

481
00:24:31,320 --> 00:24:33,479
Speaker 1: made it, you had got the Love Scars was one

482
00:24:33,480 --> 00:24:35,280
Speaker 1: of the early tat you got right, and then you

483
00:24:35,320 --> 00:24:38,240
Speaker 1: almost put that pressure on yourself like and then make

484
00:24:38,280 --> 00:24:40,719
Speaker 1: a hit right like that's crazy, Like chattered Love Scars

485
00:24:40,760 --> 00:24:44,399
Speaker 1: before it became a hit song, that's crazy. When you

486
00:24:44,440 --> 00:24:47,320
Speaker 1: were just trying to use that as like a branding,

487
00:24:48,000 --> 00:24:49,840
Speaker 1: you know, it was just like damn, I need something

488
00:24:49,880 --> 00:24:52,879
Speaker 1: that brands me. You know what I'm saying, what what

489
00:24:53,040 --> 00:24:58,120
Speaker 1: really fits my vibe? What's gonna make me different from

490
00:24:58,119 --> 00:25:01,680
Speaker 1: everybody else? You know? So ultimately I made that song

491
00:25:02,000 --> 00:25:04,399
Speaker 1: the boldness to do the face tat thing, Like what

492
00:25:04,400 --> 00:25:06,320
Speaker 1: what made you go all the way with that that

493
00:25:06,400 --> 00:25:08,760
Speaker 1: you knew you wanted to get a tat not just

494
00:25:08,840 --> 00:25:11,040
Speaker 1: that would get to stop be knowing for the face tats.

495
00:25:11,440 --> 00:25:15,840
Speaker 1: I just knew I was gonna make it. If I

496
00:25:15,840 --> 00:25:18,479
Speaker 1: wouldn't have made it, I would have been shut out

497
00:25:18,520 --> 00:25:22,240
Speaker 1: of Look when did you decide that? When when you

498
00:25:22,240 --> 00:25:25,600
Speaker 1: realize things started to click for you musically? I always

499
00:25:25,640 --> 00:25:28,520
Speaker 1: though like she was like gonna click from always just

500
00:25:28,640 --> 00:25:31,399
Speaker 1: to think like I'm gonna be big. It was like

501
00:25:31,440 --> 00:25:35,080
Speaker 1: nobody would like back up that. You know what I'm saying,

502
00:25:35,359 --> 00:25:37,879
Speaker 1: me saying that. It was just me saying that, So

503
00:25:38,080 --> 00:25:41,920
Speaker 1: I just get up do me? Was that particular song

504
00:25:42,160 --> 00:25:44,119
Speaker 1: was it love Scars? And we realized that things are

505
00:25:44,200 --> 00:25:46,879
Speaker 1: really becoming different from me. It was probably when I

506
00:25:46,920 --> 00:25:51,639
Speaker 1: made my first take called Awakening my interne Peace, and

507
00:25:51,680 --> 00:25:53,280
Speaker 1: it was like I had a song with me and

508
00:25:53,359 --> 00:25:59,040
Speaker 1: Cody Shane produced by Pierre. All my older stuff was

509
00:25:59,080 --> 00:26:03,159
Speaker 1: produced by all about Pierre. I've been working with Hama

510
00:26:03,240 --> 00:26:07,560
Speaker 1: Beats and he produced under Enemy Arms before and then,

511
00:26:07,640 --> 00:26:09,719
Speaker 1: you know what I'm saying, I don't he was just

512
00:26:09,760 --> 00:26:11,600
Speaker 1: some my beats. I don't. I don't. I don't know

513
00:26:11,800 --> 00:26:15,040
Speaker 1: if you had other like producer credits or records that

514
00:26:15,080 --> 00:26:17,320
Speaker 1: were big or not, you know what I'm saying. I

515
00:26:17,400 --> 00:26:20,199
Speaker 1: just was working with him because I heard something on

516
00:26:20,240 --> 00:26:23,040
Speaker 1: Instagram and he had like a couple of hundred views

517
00:26:23,080 --> 00:26:25,159
Speaker 1: on it, and I just thought it was amazing, Like

518
00:26:25,160 --> 00:26:27,200
Speaker 1: why then do this this thing and that have like

519
00:26:27,640 --> 00:26:30,080
Speaker 1: other thoughts of bowlers. All right, so we're gonna take

520
00:26:30,080 --> 00:26:31,879
Speaker 1: the A and our position at the labeled and trippy

521
00:26:32,560 --> 00:26:37,639
Speaker 1: my own damn label for the show in progress? Do

522
00:26:37,760 --> 00:26:41,160
Speaker 1: you have desires to take it to an executive level? M? Yeah,

523
00:26:42,160 --> 00:26:45,920
Speaker 1: well yeah and still make music executive. So I hear

524
00:26:46,080 --> 00:26:48,560
Speaker 1: my name is Elliott. There's this other guy, Elliott Grange. Man.

525
00:26:48,600 --> 00:26:51,560
Speaker 1: I keep hearing about him, like Lucien Gradees son um

526
00:26:52,280 --> 00:26:54,520
Speaker 1: your label, your side to his label, Like how did

527
00:26:54,560 --> 00:26:56,200
Speaker 1: you connect with him? And like why is that the

528
00:26:56,320 --> 00:27:00,200
Speaker 1: right home for you? Right now? Ultimately? I uh, I

529
00:27:00,320 --> 00:27:03,280
Speaker 1: connected with him and you poort have empowered the whole movement, right,

530
00:27:03,320 --> 00:27:05,000
Speaker 1: I mean you were the first kind of artist of

531
00:27:05,080 --> 00:27:08,119
Speaker 1: the whole structure and like, oh there's the whole thing,

532
00:27:08,280 --> 00:27:12,040
Speaker 1: right M. He just focused on me a while and

533
00:27:12,359 --> 00:27:15,720
Speaker 1: ultimately worked. What did he say he saw in it?

534
00:27:15,920 --> 00:27:18,240
Speaker 1: Like why did you feel like this this is the

535
00:27:18,359 --> 00:27:21,000
Speaker 1: right move for me? I mean he's seen me where

536
00:27:21,080 --> 00:27:25,560
Speaker 1: I'm at now. Yeah, he just out he knew it, Yeah,

537
00:27:25,920 --> 00:27:29,520
Speaker 1: he knew it. It was just he was motivated I've

538
00:27:29,520 --> 00:27:33,000
Speaker 1: seen that the anxiousness and his eyes for an artists

539
00:27:33,040 --> 00:27:36,159
Speaker 1: that was really gonna you know, take things to the

540
00:27:36,240 --> 00:27:41,600
Speaker 1: next level for ultimately myself and in the label. You know,

541
00:27:41,960 --> 00:27:43,320
Speaker 1: do you think that was a benefit for you that

542
00:27:43,440 --> 00:27:45,560
Speaker 1: maybe going to like a major label structure and you

543
00:27:45,640 --> 00:27:47,960
Speaker 1: may get lost with all these other artists, like you

544
00:27:48,040 --> 00:27:50,480
Speaker 1: knew what's holed then like he's gonna give you the

545
00:27:50,560 --> 00:27:52,560
Speaker 1: attention and you get the back and that you need

546
00:27:52,680 --> 00:27:56,040
Speaker 1: to put it out there the right way. Yeah, and ultimately,

547
00:27:56,160 --> 00:27:58,560
Speaker 1: you know what I'm saying, who doesn't want to? I

548
00:27:58,720 --> 00:28:03,359
Speaker 1: like more like family oriented things, so like to know

549
00:28:03,560 --> 00:28:07,840
Speaker 1: that there's not that many on our label, but I'm

550
00:28:07,920 --> 00:28:11,200
Speaker 1: one of those guys, like I'm definitely the first one,

551
00:28:11,840 --> 00:28:15,000
Speaker 1: you know. It just it feels different, doesn't feel the same,

552
00:28:15,400 --> 00:28:18,560
Speaker 1: being different as being on a major you know, where

553
00:28:18,840 --> 00:28:24,359
Speaker 1: people you know they'd be cryings and be doing d

554
00:28:24,800 --> 00:28:26,320
Speaker 1: and how do you how were you able to do

555
00:28:26,640 --> 00:28:31,280
Speaker 1: du I wish I was the two albums in one year, right,

556
00:28:31,440 --> 00:28:33,880
Speaker 1: So you can't get that in the other buildings sometimes

557
00:28:34,160 --> 00:28:35,960
Speaker 1: and get the needle moving to get yourself in that

558
00:28:36,040 --> 00:28:38,400
Speaker 1: position and you still want to have a desire for

559
00:28:38,480 --> 00:28:40,240
Speaker 1: the accolades. Right, I've read an interview you said you

560
00:28:40,320 --> 00:28:42,960
Speaker 1: want the Grammys, the billboards, all the things that come

561
00:28:43,040 --> 00:28:45,600
Speaker 1: with being I guess you know big artis those things

562
00:28:45,640 --> 00:28:50,360
Speaker 1: are still in Yeah, your you pretty sure. I was.

563
00:28:51,120 --> 00:28:53,200
Speaker 1: I want to go diving, and I'm pretty sure I'm

564
00:28:53,200 --> 00:28:55,160
Speaker 1: about to do. You feel like that validates you as

565
00:28:55,160 --> 00:28:57,200
Speaker 1: an artist, those kind of things. You know, I'm gonna

566
00:28:57,240 --> 00:29:01,160
Speaker 1: just go diving again. It seems like you're more attracted

567
00:29:01,200 --> 00:29:03,800
Speaker 1: to the idea of like be having these respective full

568
00:29:04,080 --> 00:29:07,280
Speaker 1: lengths bodies of work than the hit thing of like

569
00:29:07,360 --> 00:29:08,800
Speaker 1: because you see, you see a lot of your piers

570
00:29:08,840 --> 00:29:12,320
Speaker 1: don't get a care about my fans, and I care

571
00:29:12,360 --> 00:29:16,240
Speaker 1: about my worth and my my history of trippy Red.

572
00:29:17,400 --> 00:29:21,400
Speaker 1: I care about the Grammys, I care about the Diamond records,

573
00:29:21,440 --> 00:29:25,640
Speaker 1: I care about platinum, gold billboards and number ones. I

574
00:29:25,720 --> 00:29:27,960
Speaker 1: care about all that ship because that's just my history

575
00:29:28,000 --> 00:29:29,960
Speaker 1: of me, you know what I'm saying. That's what I

576
00:29:30,040 --> 00:29:32,800
Speaker 1: care about. I care about how my fans help me

577
00:29:32,880 --> 00:29:35,800
Speaker 1: do that type of ship, you know, And that's like, really,

578
00:29:35,880 --> 00:29:38,320
Speaker 1: I like, I don't care for all the other ship.

579
00:29:39,360 --> 00:29:43,200
Speaker 1: Now everybody care about I don't really matter, but you do.

580
00:29:43,280 --> 00:29:44,640
Speaker 1: You love that you have a career where you're like,

581
00:29:44,720 --> 00:29:47,240
Speaker 1: you have big records, but you're not defined by one record,

582
00:29:47,320 --> 00:29:50,080
Speaker 1: like you see it a lot of people. People don't

583
00:29:50,200 --> 00:29:57,640
Speaker 1: define me, but one record help me. It's the ground

584
00:29:57,760 --> 00:29:59,840
Speaker 1: up right here, you know what I'm saying by myself

585
00:30:00,320 --> 00:30:05,600
Speaker 1: no help me and Elliott Grange. I'm just now getting

586
00:30:05,640 --> 00:30:07,400
Speaker 1: to the point where it's a lot of love being

587
00:30:07,480 --> 00:30:10,680
Speaker 1: shown and people in the industry like me and stuff

588
00:30:10,720 --> 00:30:13,520
Speaker 1: like that. At first, it was none of that. So

589
00:30:13,800 --> 00:30:15,480
Speaker 1: why do you think that I can call for that?

590
00:30:16,600 --> 00:30:18,600
Speaker 1: I don't know. Maybe it was the way I carried

591
00:30:18,680 --> 00:30:22,640
Speaker 1: myself then versus now or I don't know, but either way,

592
00:30:22,760 --> 00:30:24,520
Speaker 1: you know, it's not that no more so we're not

593
00:30:24,560 --> 00:30:27,360
Speaker 1: gonna even talk about that energy. But was it was

594
00:30:27,440 --> 00:30:29,320
Speaker 1: cool when like someone like a Drake reached out and

595
00:30:29,360 --> 00:30:32,040
Speaker 1: it was acknowledging you earlier it was like trying to

596
00:30:32,080 --> 00:30:34,560
Speaker 1: work with you and stuff like that. It's cool, but

597
00:30:34,640 --> 00:30:37,719
Speaker 1: they also want the record, Uh, be yourself. I think

598
00:30:37,760 --> 00:30:39,360
Speaker 1: that's one of like one of those point your records

599
00:30:39,400 --> 00:30:41,240
Speaker 1: on exclamation point, Like why did you feel like it

600
00:30:41,320 --> 00:30:44,640
Speaker 1: was important to get that message across? I've always been myself,

601
00:30:44,760 --> 00:30:46,800
Speaker 1: Like sometimes I'll be having that voice in my head,

602
00:30:46,960 --> 00:30:49,440
Speaker 1: like like I was walking through rolling out and I'm like,

603
00:30:50,480 --> 00:30:53,560
Speaker 1: I had like this Bandanna thing wrapped around my body

604
00:30:53,840 --> 00:30:57,760
Speaker 1: and I was going like this on each side being goofy,

605
00:30:58,240 --> 00:31:01,440
Speaker 1: and I was gonna walk in front of people. Maybe

606
00:31:01,440 --> 00:31:06,280
Speaker 1: I should just walk right right, like with a straight face,

607
00:31:06,840 --> 00:31:10,320
Speaker 1: not do this ship. And then ultimately I was like,

608
00:31:11,880 --> 00:31:16,440
Speaker 1: I don't just keep doing that. I have a number

609
00:31:16,440 --> 00:31:18,760
Speaker 1: one out. Nobody gonna say ship. You know what I'm saying.

610
00:31:18,760 --> 00:31:21,480
Speaker 1: I'd rather be myself than try to look cool or

611
00:31:21,520 --> 00:31:24,080
Speaker 1: whatever how people put it, you know. But I feel

612
00:31:24,080 --> 00:31:25,800
Speaker 1: like everybody has that voice in their head where they

613
00:31:25,840 --> 00:31:28,440
Speaker 1: feel like, let me do this, let me feel me.

614
00:31:28,520 --> 00:31:31,120
Speaker 1: And ultimately some people do take the option to do

615
00:31:31,200 --> 00:31:33,959
Speaker 1: it sometimes. But me, I try to kick the mother

616
00:31:34,240 --> 00:31:36,000
Speaker 1: in its face, you know, the devil on the shoulder,

617
00:31:37,000 --> 00:31:39,440
Speaker 1: the angel you did have to say, where you always

618
00:31:39,480 --> 00:31:41,720
Speaker 1: want to ultimately stand out to like a lot of times,

619
00:31:42,160 --> 00:31:43,920
Speaker 1: a lot of young rappers we try to lump a

620
00:31:44,000 --> 00:31:47,120
Speaker 1: men groups together. So like you, to me, always distinguish

621
00:31:47,160 --> 00:31:48,960
Speaker 1: yourself where no one could put you in a box

622
00:31:49,040 --> 00:31:51,840
Speaker 1: with someone, so like you sort of always keep pushing

623
00:31:51,880 --> 00:31:55,720
Speaker 1: it to stand out to a certain extent, even the jewels,

624
00:31:55,800 --> 00:31:58,840
Speaker 1: Like the jewelry game is always unique. We got here,

625
00:31:59,240 --> 00:32:03,120
Speaker 1: ye chriss it moon. I was working on the project.

626
00:32:03,200 --> 00:32:08,160
Speaker 1: I was gonna call it Nocturnal m but ultimately that

627
00:32:08,280 --> 00:32:12,880
Speaker 1: project became exclamation mark instead of nocturnal, but a nocturnal

628
00:32:13,000 --> 00:32:15,120
Speaker 1: still a thing and definitely still working on that is

629
00:32:16,680 --> 00:32:19,840
Speaker 1: no telling. It's just a project, you know, just the name.

630
00:32:19,920 --> 00:32:22,880
Speaker 1: I came up with the concept we got you into jewelry,

631
00:32:22,920 --> 00:32:24,800
Speaker 1: Like even though you got an R and P joint

632
00:32:24,840 --> 00:32:27,239
Speaker 1: to Richard Millie plain joint like a low key one

633
00:32:27,280 --> 00:32:30,360
Speaker 1: of my favorites off the project. And yeah, like what

634
00:32:30,800 --> 00:32:32,840
Speaker 1: what is it about the jewelry game? Like you came

635
00:32:32,880 --> 00:32:36,000
Speaker 1: in like unique and strong with it and like dedicated

636
00:32:36,040 --> 00:32:37,800
Speaker 1: to it. Like what does it attract? How does it

637
00:32:37,880 --> 00:32:41,760
Speaker 1: attract you to be involved with it? I know how

638
00:32:41,840 --> 00:32:45,040
Speaker 1: to make jewelry, you know, versus a lot of people

639
00:32:45,160 --> 00:32:48,080
Speaker 1: just coming up with a bunch of bullshit. What pieces

640
00:32:48,080 --> 00:32:50,080
Speaker 1: of your most products do you think that stood out?

641
00:32:50,200 --> 00:32:52,920
Speaker 1: And like, I'm most proud of my my Uka Uka

642
00:32:53,000 --> 00:32:55,920
Speaker 1: jointing with the spikes going around it with a little

643
00:32:55,960 --> 00:33:03,560
Speaker 1: face from crash bandicoop uh. I gotta get this money, man,

644
00:33:05,520 --> 00:33:07,120
Speaker 1: I know you're the most proud of your stage show

645
00:33:07,120 --> 00:33:09,760
Speaker 1: because you know, yeah, rolling loud, like when you go

646
00:33:09,840 --> 00:33:12,240
Speaker 1: to trippy ratio, what can people expect? Love me more

647
00:33:12,280 --> 00:33:15,600
Speaker 1: tour coming right right? Which one second seat on? I'm

648
00:33:15,720 --> 00:33:17,920
Speaker 1: like more on some like trying to give like a

649
00:33:18,080 --> 00:33:21,720
Speaker 1: stage presence, Like I wanted to be set up, you

650
00:33:21,760 --> 00:33:23,400
Speaker 1: know what I'm saying. I got like a whole little

651
00:33:23,440 --> 00:33:26,400
Speaker 1: old thing into it and ship, like a whole way

652
00:33:26,440 --> 00:33:28,600
Speaker 1: of dressing and a type of ship this time. So

653
00:33:29,280 --> 00:33:31,920
Speaker 1: it's definitely gonna be like a tour tour. Yeah, like

654
00:33:32,280 --> 00:33:35,120
Speaker 1: a real like we're not no, I'm about to come

655
00:33:35,160 --> 00:33:40,400
Speaker 1: out in some sweats, a T shirt, sweat. It's gonna

656
00:33:40,480 --> 00:33:46,600
Speaker 1: come out in a suit, jump a little bit, take

657
00:33:46,680 --> 00:33:49,240
Speaker 1: that ship up and get grungy. But you're wanna talk

658
00:33:49,280 --> 00:33:52,400
Speaker 1: for like three months almost right, Yeah, get a lot

659
00:33:52,440 --> 00:33:54,120
Speaker 1: of new ship in the set list, a lot of

660
00:33:54,200 --> 00:33:58,160
Speaker 1: new DUTs. Oh it's the whole okay, performing in the

661
00:33:58,240 --> 00:34:02,720
Speaker 1: full before most to the album. For every show, you said,

662
00:34:02,760 --> 00:34:05,080
Speaker 1: like with every project you have, you challenge yourself to

663
00:34:05,160 --> 00:34:09,000
Speaker 1: have your own like top five songs of the project, right, Yeah,

664
00:34:09,239 --> 00:34:11,400
Speaker 1: you have a top five for this for this latest project.

665
00:34:11,400 --> 00:34:16,720
Speaker 1: I like every song which one was like the hardest

666
00:34:16,760 --> 00:34:19,200
Speaker 1: to make or most fun to make? Six Kids took

667
00:34:19,239 --> 00:34:23,040
Speaker 1: the longest to make. I had Juice showing it already.

668
00:34:23,520 --> 00:34:26,920
Speaker 1: Juice was at the studio, so he lays that down. Boom,

669
00:34:27,200 --> 00:34:29,439
Speaker 1: I'm supposed to put my verse. I've never put a verse.

670
00:34:29,520 --> 00:34:31,399
Speaker 1: I couldn't. I couldn't figure out what I wanted to put.

671
00:34:32,200 --> 00:34:36,880
Speaker 1: Then I've seen Mally. Mally had tweeted he wanted a

672
00:34:36,960 --> 00:34:40,279
Speaker 1: song with Juice, and it was like in his early

673
00:34:40,360 --> 00:34:42,440
Speaker 1: stage is where I just probably didn't even see it

674
00:34:42,640 --> 00:34:45,400
Speaker 1: or anything. So I gave it to him to hop on.

675
00:34:45,640 --> 00:34:47,120
Speaker 1: You know what I'm saying, So you have doing it.

676
00:34:47,560 --> 00:34:49,839
Speaker 1: And I liked this verse, so I was just keeping

677
00:34:49,880 --> 00:34:52,080
Speaker 1: it in the vault from the project. You know. Ultimately

678
00:34:52,120 --> 00:34:55,239
Speaker 1: I started working on the Love Lady Be four and

679
00:34:56,400 --> 00:34:59,600
Speaker 1: I cutting the verse like right before I dropped the album.

680
00:34:59,719 --> 00:35:06,400
Speaker 1: So um, the when Melly hopped on it, put this

681
00:35:06,440 --> 00:35:08,879
Speaker 1: a way. When I made fourteen at nine nine Juice World,

682
00:35:08,880 --> 00:35:13,200
Speaker 1: I made that song too late that Verston and uh,

683
00:35:14,320 --> 00:35:17,319
Speaker 1: Melly hopped on it around the Astro World tour. When

684
00:35:17,360 --> 00:35:20,120
Speaker 1: I was on that in Miami before we get out

685
00:35:20,160 --> 00:35:21,520
Speaker 1: of here, I know, you said, like one thing. You

686
00:35:21,600 --> 00:35:24,440
Speaker 1: feel like you still kind of like I miss understood

687
00:35:24,440 --> 00:35:26,799
Speaker 1: as a person and so like people don't really fully

688
00:35:26,880 --> 00:35:29,239
Speaker 1: know you. Like, do you think sort of still having

689
00:35:29,280 --> 00:35:31,560
Speaker 1: sort of a mystery as part of your appeal. Yeah,

690
00:35:32,520 --> 00:35:33,960
Speaker 1: I feel like a lot of people grow with me

691
00:35:34,520 --> 00:35:37,399
Speaker 1: as it goes. Now, though I feel like people people,

692
00:35:37,640 --> 00:35:40,000
Speaker 1: some people know me, like somebody got to press my

693
00:35:40,120 --> 00:35:43,640
Speaker 1: buttons and everything and they know how to do certain things.

694
00:35:43,719 --> 00:35:47,359
Speaker 1: They just okay, nigga, you know me, but people don't

695
00:35:47,400 --> 00:35:49,080
Speaker 1: know me. So I do have a lot of mystery

696
00:35:49,120 --> 00:35:51,320
Speaker 1: to me, and so I feel like a lot of

697
00:35:51,400 --> 00:35:55,480
Speaker 1: that mystery comes from the music, though honestly not really

698
00:35:55,600 --> 00:35:58,000
Speaker 1: from me as a person. That music ship is what

699
00:35:58,200 --> 00:36:03,120
Speaker 1: really people like from me, is my music or anything

700
00:36:03,760 --> 00:36:06,640
Speaker 1: like I see people on Instagram and stuff like That's

701
00:36:06,680 --> 00:36:08,880
Speaker 1: what I be hating when people say, like, you know,

702
00:36:09,080 --> 00:36:12,440
Speaker 1: like why would I post like girls I messed with

703
00:36:12,520 --> 00:36:16,000
Speaker 1: or anything like that, because you know, like on Instagram

704
00:36:16,080 --> 00:36:19,800
Speaker 1: and stuff, it's like that's Instagram, you know, it's not

705
00:36:20,360 --> 00:36:24,080
Speaker 1: it's not music, it's not streams. I think it goes

706
00:36:24,120 --> 00:36:26,280
Speaker 1: back to that fan base, right. I think they stood

707
00:36:26,320 --> 00:36:27,960
Speaker 1: up for you with this last project, and it's just

708
00:36:28,120 --> 00:36:30,120
Speaker 1: like what do you think it is about your fan

709
00:36:30,239 --> 00:36:33,000
Speaker 1: base that's unique, like genuine. You know what I'm saying,

710
00:36:33,000 --> 00:36:36,640
Speaker 1: to keep it real, regardless of how it's gonna make

711
00:36:36,680 --> 00:36:40,880
Speaker 1: me look, I'm gonna always speak the truth. I do

712
00:36:41,000 --> 00:36:44,359
Speaker 1: that with my mama the world. You know what I'm saying,

713
00:36:44,440 --> 00:36:47,239
Speaker 1: Donna speak the truth. You know what I'm saying. The

714
00:36:47,320 --> 00:36:52,040
Speaker 1: only thing I ain't speaking to is the police. I

715
00:36:52,080 --> 00:36:55,560
Speaker 1: feel like that vulnerability is part of your pill. Then yeah,

716
00:36:55,760 --> 00:36:57,520
Speaker 1: it seems like the fans are loving it too, and

717
00:36:57,600 --> 00:37:01,400
Speaker 1: we're loving it some damn water your brother. We appreciate

718
00:37:01,480 --> 00:37:05,439
Speaker 1: you man, taking the time by your mom's proudly moms.

719
00:37:05,440 --> 00:37:09,480
Speaker 1: Probably to get a gift. Holidays coming up. Oh yeah,

720
00:37:09,480 --> 00:37:16,160
Speaker 1: I'm about to get hurt again. She on my ass like,

721
00:37:16,360 --> 00:37:19,800
Speaker 1: you know what, I want? A gift to you, Bobby?

722
00:37:19,880 --> 00:37:22,880
Speaker 1: You know what I want? She called me, Bubby? What

723
00:37:23,040 --> 00:37:30,200
Speaker 1: she want? Can you sh wantels? Where we go? When

724
00:37:30,239 --> 00:37:34,960
Speaker 1: did they never want that? It's not a skateboard, it's

725
00:37:35,000 --> 00:37:37,799
Speaker 1: just newing. Know what I'm saying. They ain't the last one.

726
00:37:37,840 --> 00:37:42,480
Speaker 1: I got it up. I wish you continue success. Thank

727
00:37:42,520 --> 00:37:46,759
Speaker 1: your podcast. Yeah, thank you, Bro