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Speaker 1: Good morning u yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo. I'm DJ Envy now nobody

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Speaker 1: named Charlot Migne, the guy with the world the most

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Speaker 1: dangerous morning sho to Breakfast Club. And currently we are

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Speaker 1: on vacation man, totally disconnected. Yes, we're not even really here.

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Speaker 1: You think you're listening to us, but we're not. Well,

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Speaker 1: we are not. We're here in spirit. Yeah yeah, and

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Speaker 1: we're gonna be playing some of our top interviews and

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Speaker 1: some throwbacks, so keep a lock. D's gonna be running

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Speaker 1: the boards and h We'll see ell in the new year.

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Speaker 1: Happy holidays. It's the Breakfast Club. Good morning, wake up,

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Speaker 1: wake up, wake yo, as it's your time to get

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Speaker 1: it off your chest. Man of blessed, we want to

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Speaker 1: hear from you on the breakfast blub. Hello, this yo

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Speaker 1: just great with the king. Man. I got two things.

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Speaker 1: I got two things. Don't hang up on me here,

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Speaker 1: Why you got two things? I only got one? I

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Speaker 1: only got one. Hold on, I got two good litten

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Speaker 1: Oh Elo, Bud, I'm gonna be honest. Elon must remind

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Speaker 1: me a lot of presidents. So from the Hunger Game,

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Speaker 1: Elon Musk is rich and he's four, and I think,

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Speaker 1: what are you doing with glitter giving people this platform

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Speaker 1: to do and say whatever they want. I think what

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Speaker 1: he's doing is getting back and allowed and watch it

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Speaker 1: and being entertained by letting people hang him. Well, I

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Speaker 1: don't know if he's doing he's letting people hang himself,

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Speaker 1: but I think, like I said earlier, he's showing us

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Speaker 1: how much people like mess Like we love watching traffic accidents,

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Speaker 1: the messier the better. Like people love running towards the fight,

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Speaker 1: you know, so they can see it. People love consuming bs,

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Speaker 1: and I think he's proving that right now by letting

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Speaker 1: do right. Second thing, if I got a ball to people, man,

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Speaker 1: I'm married, sir, for gohead listen. I don't need to

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Speaker 1: talk about that because you'd be turning up on your life.

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Speaker 1: He ain't keeps the stuff I'm talking about. Two weeks

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Speaker 1: ago or a couple of weeks ago, was Designer was

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Speaker 1: trying to call out twenty one Savage in that versus battle.

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Speaker 1: You was hello, Patty bro You was hello Patty. You

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Speaker 1: know that man ain't got no and you all the

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Speaker 1: man was trying to just bob pass you with with

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Speaker 1: the Kodak who was being penny? Are you supposed to

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Speaker 1: be from New York? Bro? And you just embarrassing you

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Speaker 1: like health and design and embarrassing stuff. And I feel

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Speaker 1: like West, But you really gonna turn up on your

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Speaker 1: life skin Keisha stuff man, light skin Keisha real life.

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Speaker 1: You've been reminded me of the light kid ticks back

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Speaker 1: in high school. Bro, you got to slow down like me?

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Speaker 1: Would you hit yo? Hug up yo yo yo? He

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Speaker 1: hung up? Just getting good man made the author uncomfortable. Now,

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Speaker 1: shout to design you know what you're talking about. When

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Speaker 1: twenty one seven said he'll kill everybody on the cover,

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Speaker 1: and I was asking all the artists I was on

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Speaker 1: the cover, Designer was one of them, Kodak was another one.

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Speaker 1: Who else was on that cover? I don't remember. I

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Speaker 1: can't remember, but shout to designer, Hello, who's this? Yo?

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Speaker 1: B mom from the Metro? Y'all don't man eighth three?

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Speaker 1: What's happening? Est you already know? Hey? I just wanted to,

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Speaker 1: you know, talk to Andrew, you know, sink Off in

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Speaker 1: the right with a spent spent a long time. I've

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Speaker 1: been listening to the Breakfast Club since, like I was

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Speaker 1: in high school. I'm twenty about to be twenty eight tomorrow,

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Speaker 1: so I just want to let you know everything you're doing,

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Speaker 1: you know, stepping into this new light. I really love it,

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Speaker 1: and I'm happy for you. But I think ya, I

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Speaker 1: appreciate that. Thank you for listening to us since high

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Speaker 1: school for quite some time. Yeah, I definitely appreciate that.

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Speaker 1: Happy Now. I want to also let you know to

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Speaker 1: Arlomagne and DJ nby'll be easy on her now, okay ya,

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Speaker 1: all the all the brothers stuff on hump David, I

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Speaker 1: want to do all that. Y'all can go to the munchmobile.

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Speaker 1: What is you talking aboutmobile to Chile? Goodbye? Man? What

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Speaker 1: the hell do you say? Said to the Munchmobile? All right, well,

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Speaker 1: he's clearly gonna beat us. There saved something us bro. Hello,

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Speaker 1: who's this? Good morning? And since tausch the morning Charlomagne. Uh,

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Speaker 1: first of all that strands gotta write the right away.

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Speaker 1: They do not have the right to be jerks or

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Speaker 1: this disrespectful in the street. I have a car. This's

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Speaker 1: one thousand dollars pound car, I mean four thousand pound car.

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Speaker 1: It could hurt you the time whenever the wait is.

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Speaker 1: Y'all don't have the right to be jerks in the

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Speaker 1: street to the people people that are not from Brooklyn

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Speaker 1: in Brooklyn being disrespectful to people in Brooklyn. I'm talking

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Speaker 1: about the people in seven to eleven. I'm talking about

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Speaker 1: the people that work at checkers. I'm talking about people

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Speaker 1: that are not black Americans or any Americans. They are

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Speaker 1: not from America and they't over here being disrespectful and

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Speaker 1: racist in Brooklyn. I am tired what happened, So I

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Speaker 1: want to check in. I work for these uh delivery

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Speaker 1: apps and I haven't sawn there, so I'm up four three,

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Speaker 1: four o'clock in the morning going to these stores and

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Speaker 1: picking up orders and picking them people because they're hungry.

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Speaker 1: And I'm doing this, but it's the male and I'm

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Speaker 1: happy about it because I'm making a dollar. However, when

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Speaker 1: I get there and people closed and they act like

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Speaker 1: they don't want to come to the door and tell

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Speaker 1: me something because I'm asking a question, They're looking at

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Speaker 1: me like I'm dirty. I'm from Brooklyn. You're not from Brooklyn.

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Speaker 1: You dirty. I'm a thorough bread Come to this door.

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Speaker 1: I'll be here when the Shi store open. I want

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Speaker 1: to talk to a manager. I want to call a

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Speaker 1: franchise owner. I want to talk to somebody that's not

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Speaker 1: working in this store. Okay, she definitely got it. I've

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Speaker 1: had chest today. All right, what you do you do?

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Speaker 1: Delivery food delivery one from the ass. Yes, I love

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Speaker 1: hub ended ass Im Roadie, it's the card. I do

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Speaker 1: it all because I don't like to be doing nothing.

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Speaker 1: And you feel Brooklyn, and we have to let them know.

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Speaker 1: We huhpool. I'm gonna thorough bread and we huspool all

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Speaker 1: day every day, blue dot. Okay, all right, get it

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Speaker 1: off your chest. It's a breakfast club. Good morning the

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Speaker 1: breakfast club. This is your time to get it off

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Speaker 1: your jack. Whether you're man or blast. So people have

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Speaker 1: the same any we want to hear from you on

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Speaker 1: the breakfast last Hello, who's that he knows something? Man?

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Speaker 1: This is Jay Man. Yeah, that's all I mean. When

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Speaker 1: you were talking about their own P P and P loans,

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Speaker 1: I tried to get through. I did a little sixteen

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Speaker 1: bars one through the here. Okay, go all right, it's crazy.

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Speaker 1: I'll do a means pushing that five compaty trucks or

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Speaker 1: some PP loans I was pushing some vegable joint. I

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Speaker 1: got a loan from the bank. I started figuring the

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Speaker 1: pp loans that make you think I'm a veggian deck.

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Speaker 1: Imagine the stephen A let Us from The First Girls Coming.

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Speaker 1: He was your old fifty stack, a poaly with a room,

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Speaker 1: but the money stilling that wanted to speak the Eagles

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Speaker 1: book I side. I never saw so many fences he

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Speaker 1: was arranged the master plucks. Fuck, oh my block, I

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Speaker 1: put the B side road. They're letting it up on

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Speaker 1: some action. I can't for peak some girl teasing me

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Speaker 1: about the cars you boyd, or for p P and

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Speaker 1: p K. I think you need to get a job. Listen,

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Speaker 1: I think you need to get a job. There's a

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Speaker 1: lot of tim jobs available because it's the holiday season,

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Speaker 1: you know what I mean. And I'm glad. I'm glad

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Speaker 1: you like it was trash, Like, yeah, was just garbage.

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Speaker 1: But I like the content that you're saying. You're saying

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Speaker 1: you got a knee sound rogue, and you work for

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Speaker 1: your knee sound rogue. And the brothers on the block

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Speaker 1: with them vent leads and roses, they're going to jail.

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Speaker 1: That's right. I think that's what you were saying, you

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Speaker 1: was you wasn't co signing people stealing? Right? You know?

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Speaker 1: He was here against people. I can't complete jo seezing

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Speaker 1: me about the cost for P P P. I'm it's

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Speaker 1: our business man, and all that stuff from block I

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Speaker 1: sen calls on my life. That's what and that's why

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Speaker 1: we gotta. You gotta contact the proper authorities. When you

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Speaker 1: see people that have participated in these p P P scams, No,

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Speaker 1: you should. You should contact the proper authorities. Man, you

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Speaker 1: see something, say something, No, don't do that. Hello, it

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Speaker 1: was this um more when you second, good morning, it's kaya.

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Speaker 1: I want to get it off contest, Kyle, you order

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Speaker 1: me some breakfast too? Yeah? Book and so y'all can't

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Speaker 1: maybe late the work. We got to do this quick.

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Speaker 1: Oh I know, I'm got to do it quick. We'll

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Speaker 1: go and go. Can we get like a beyond meat

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Speaker 1: sandwich with an egg and on a English Angelada heat?

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Speaker 1: This is not your coffee shop. I'm thank you. Guys. Hello,

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Speaker 1: who's this? This is? See? I don't Hey, GIRV, what's up?

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Speaker 1: Get off your chests? Hey? I don't want to get

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Speaker 1: off my chest man? You know, you know sometimes you

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Speaker 1: know just for you know, for whoever needs to hear

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Speaker 1: this planer sometimes WHI I can good tough. You know,

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Speaker 1: we've got to continue to keep getting up and keep

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Speaker 1: pushing it all stuff, you know, and honestly, you know,

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Speaker 1: just be blessed that God blessed us with the day.

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Speaker 1: That's it. Every day, that's it. Brother. Hello, who's this? Hello? Hey,

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Speaker 1: good morning? Oh good morning? Oh my god. Um hey,

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Speaker 1: I'm breathe. I'm from central Florida. Hey, brief from central Florida.

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Speaker 1: Come on get Oh my gosh, I'm thinking of being

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Speaker 1: a truck driver, like like over the road. But people

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Speaker 1: be cutting you off. Well, no, it's the pay. Oh

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Speaker 1: that'll do it. Well. You know, people they look at

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Speaker 1: truck drivers and they think, oh, they're getting paid all

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Speaker 1: this money. But it is not what they think. The

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Speaker 1: companies they try to undercut you zip code to zip code,

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Speaker 1: pay instead of mileage pain. It's frustrating. You know. I'm

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Speaker 1: sorry about you in your truck. Now, don't you ask?

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Speaker 1: I knew it. Oh my god, yeah, but I have

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Speaker 1: on my hand set, so blow it anyway, we'll hear it.

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Speaker 1: Go ahead, envy blow it. He's married. Yeah, haven't put

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Speaker 1: your shirt down. Why are you flashing everybody? This guy's crazy.

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Speaker 1: You have a good morning to be safe out there

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Speaker 1: on the road or right? All right, thank you alady,

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Speaker 1: Now get it off your chest. It's a breakfast club.

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Speaker 1: Good morning, breakfast club morning. Everybody is DJ Envy Angela Yee,

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Speaker 1: Charlomagne the guy. We are to breakfast club. We got

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Speaker 1: a special guest in the building. Do you know him

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Speaker 1: from Snowfall and a host of other things. His birthday

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Speaker 1: is one day before mine. He's a fellow Virgo Damnson

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Speaker 1: is just welcome to welcome. Sorry, I didn't know. I

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Speaker 1: didn't know your birthday was the first September. Your day

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Speaker 1: before September? Oh thud, okay, okay. Buddy of mine is

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Speaker 1: the third two actually the show run up of Snowfall,

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Speaker 1: Dave Andron same bugs the best you know. Absolutely they

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Speaker 1: had us on New Yes, there you go. Now. The

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Speaker 1: first thing you said was I love New York because

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Speaker 1: I love Jamaican culture. Yeah, what do you love so

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Speaker 1: much about Jamaican culture? What? What do you love? O? Food, dirt, chicken.

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Speaker 1: I'm a guy, yeah, oxtail. Actually I like to dabble

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Speaker 1: one both. I like to steal food, from whoever I'm

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Speaker 1: eating with um plantains? Do you got to say planting

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Speaker 1: or planting? I say planting. I feel like that's the

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Speaker 1: right way to say it. It was saying it wrong.

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Speaker 1: You have to switch through all different types of ways

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Speaker 1: to say, different kinds of ways to say things. So

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Speaker 1: oh yeah, yeah, that's that's part of my life insating people.

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Speaker 1: You don't have amazing Jamaican restaurants in London or in

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Speaker 1: la where your shoot. No, nah, that's none at all

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Speaker 1: out here, like missus Lilies, miss Lilium. She wrote, actually

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Speaker 1: wrote on a gramya soll was like, oh where could

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Speaker 1: I go? People said, um, footprints? Yes, Like, first of all,

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Speaker 1: the best Caribbean food is in Brooklyn. We got foot prints,

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Speaker 1: we got Swede, we got Caribbean social we have. This

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Speaker 1: is New York. We have. We have to grow. Yes,

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Speaker 1: so one on the other one. But I'm going to

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Speaker 1: try all of it today. That's impossible. I saw you

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Speaker 1: talking about how John Singleton told you to stay humble

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Speaker 1: though amongst everything different people. I don't know the first

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Speaker 1: time we actually met you, you were up here with

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Speaker 1: John Singleton. Yeah you don't remember you though, And remember

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Speaker 1: it's like this is the first time. No, no, no,

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Speaker 1: there's a couple of asking guys in the DSS Yes,

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Speaker 1: how has that been for you though? Because obviously Snowfall

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Speaker 1: is such a huge show. You guys are in the

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Speaker 1: fifth season. We've watched Franklin grow up and he has

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Speaker 1: got a lot of big things happening. But in real

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Speaker 1: life you've grown up to and your star has grown

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Speaker 1: up as well. Yeah. Yeah, it's a testament to John Singleton.

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Speaker 1: You know, he really believed in me. And although I

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Speaker 1: a thought for the role, like crazy auditional nine times,

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Speaker 1: you know, he took me to South Central, opened up

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Speaker 1: the car door and said, if you survive, you got

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Speaker 1: the role. And I was like walking around had to

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Speaker 1: be in character central? How was that bring out that experience? Man?

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Speaker 1: So I'll get to John Singleton's office and I think

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Speaker 1: I'm gonna read the I'm gonna audition, right, It's like

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Speaker 1: like withditioning number eight or something like that. And then

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Speaker 1: he's like, yeah, no, we're not gonna read anything. We're

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Speaker 1: just gonna take a walk someone walking around and he's like,

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Speaker 1: don't break character. And he's introducing me to people, and

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Speaker 1: you know, single to m was like god in his community.

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Speaker 1: Like people will be like, yo, John, you know, and

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Speaker 1: then they'd come up to me talking to me. They're like, yo,

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Speaker 1: what's up, a little homie. I'm like, yeah, who's up.

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Speaker 1: I'm just pretending like that I'm from there. Um. And

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Speaker 1: then his mom came and you know, I'm British. So

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Speaker 1: I'm saying a bunch of British stuff in an American accent.

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Speaker 1: But he didn't know you were British, right, Oh no,

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Speaker 1: he knew, like he wanted to miss. What kind of

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Speaker 1: British stuff were you saying? You know, like you guys

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Speaker 1: say like elevator, I say lyft. You know you guys

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Speaker 1: say Ben. You guys say trash or say Ben. So exactly.

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Speaker 1: So I'm talking in an American accent and his mom

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Speaker 1: comes like, oh, how lovely your hair looks today. I'm

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Speaker 1: just gonna go over there and throw something in the

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Speaker 1: bend and she looks over Joanna and she's like, John,

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Speaker 1: he ain't from here, huh. I was like, man, mom,

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Speaker 1: just walking around essential. I wasn't scared. Man. I was

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Speaker 1: with John. You was my big brother. You know that.

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Speaker 1: That was my big brother. Man. I miss him greatly,

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Speaker 1: But as far as I get in this in this industry,

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Speaker 1: and on this journey, I'm always gonna on a singleton

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Speaker 1: for being my foundation. Well let's talk about the new season.

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Speaker 1: So you're also producing, Yeah, on the new season. How

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Speaker 1: did that come about? I forced them to take give

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Speaker 1: me a prode secret. No, um. You know, when you

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Speaker 1: when you've been doing the show for so long, you

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Speaker 1: you pick up different traits, but at the same time,

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Speaker 1: you want to be challenged. And my circles, um are

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Speaker 1: so bossy today that they inspire me to want to

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Speaker 1: be more of a leader. That's the truth. It's like

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Speaker 1: if you hang around with certain types of people having

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Speaker 1: certain types of conversations and they're like, yo, bro, you

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Speaker 1: should go, and then you ask him They're like, okay,

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Speaker 1: you know I've been watching the doc you know, and

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Speaker 1: Hope is like, you know, clothes mouths don't get fit.

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Speaker 1: You know, It's true. You know, asking you shall receive

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Speaker 1: and and I asked and they gave it to me.

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Speaker 1: And you know, above all things, I'm not I'm not

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Speaker 1: saying my level of producing is at the level of

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Speaker 1: my acting ability. My acting ability is quite horrible. I'm

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Speaker 1: just saying I'm saying I'm being a sponge, and I'm

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Speaker 1: being given an opportunity to learn so that I could

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Speaker 1: use my platform and my brand to create more opportunities.

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Speaker 1: All right, we got more with Dampson in dress from Snowfall.

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Speaker 1: When we come back, it's the Breakfast Club. Good morning,

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Speaker 1: good Breakfast Club morning. Everybody is DJ Envy, Angela Yee,

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Speaker 1: Charlomagne the guy. We are the Breakfast Club. We're still

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Speaker 1: kicking it with Damps and Idriss you know him from Snowfall. Ye,

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Speaker 1: I used still take a piano less Let's let's break

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Speaker 1: this there. Where were you taking tom? Where do we

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Speaker 1: see him playing piano? I don't know, Juliard, No, no

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Speaker 1: play piano. I'm just asking. I said you would taking

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Speaker 1: piano lessons or something like that. Oh damn, I didn't

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Speaker 1: see a video of it. Looked like you were good

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Speaker 1: with your hands. Oh my lord, Wow, I don't know. No, no, no, no.

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Speaker 1: Um me and me and I'm not no no, me

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Speaker 1: and that that that queen. Um are just friends. Um.

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Speaker 1: She's a great How do you guys were I was

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Speaker 1: asking about the piano lessons? Yeah, yeah, yeah, she's a

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Speaker 1: great piano player. And and I didn't know she could

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Speaker 1: play piano. I didn't even think the world nude, so

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Speaker 1: I was like, oh, this is cool moment I just posted.

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Speaker 1: But like people, let me ask a question, like, you know,

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Speaker 1: I don't know if he could play the piano because

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Speaker 1: I'm not her a house to learn. I don't know

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Speaker 1: if Taylor, who's over here, I producer, knows, you know,

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Speaker 1: I don't know if she can play piano. So how

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Speaker 1: did you get to Sweetie's house to see that she

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Speaker 1: could actually play the piano? So she's a huge Snowfall fan, right,

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Speaker 1: And that day we were at lunch, I think, talking

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Speaker 1: about how we could collaborate because we actually wanted to

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Speaker 1: get before. No, it wasn't a day talking about collaborating.

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Speaker 1: Guys and girls could be friends. Yeah, absolutely, yeah, I

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Speaker 1: agree with you. That's exactly what me and and DR

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Speaker 1: we were friends. Okay, all right, so go ahead. So y'all,

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Speaker 1: y're all a day eating I'm sorry, Oh my god,

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Speaker 1: didn't lunch, Yeah, but dinner. So we're having lunch. Um

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Speaker 1: and then uh, she wanted to show me her new

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Speaker 1: place because I love CB two and I was going

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Speaker 1: to give us some ideas about furniture and ah and

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Speaker 1: then boom we went and then she was playing piano.

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Speaker 1: That's it. I was in there for like five minutes.

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Speaker 1: That dipped up like. He also talked about that Denzel

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Speaker 1: is your idol as far as acting. Oh yeah, so

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Speaker 1: when you see I don't, I don't. I don't want

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Speaker 1: mess up the young lady's name. But when you seen

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Speaker 1: a young lady interview in Denzel and she mentioned your

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Speaker 1: name and he didn't know who you were, break that

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Speaker 1: down when you've seen it and how you felt like

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Speaker 1: you watch the TV like, oh, Dan's heel and he

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Speaker 1: was like, who that is? And then he asked the

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Speaker 1: white guy guy, Oh, I don't. I don't know who

336
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Speaker 1: that is. No, it was it was insane. So I

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Speaker 1: was at home, Um, on my phone at your house? Wow,

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Speaker 1: my house, my house, myself, by myself, Yeah, by myself,

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Speaker 1: and my phone's like blowing up and it's like a

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Speaker 1: bunch of articles and stuff like that, and people are

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Speaker 1: calling me and I was like, yo, Daniel was like

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Speaker 1: talking about you. I'm like, oh my god, this is crazy.

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Speaker 1: Like so then, um, yeah, that he didn't know who

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Speaker 1: I was. He couldn't an address. But that was funny though.

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Speaker 1: That was funny. But hey, man, I gets a new day.

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Speaker 1: You know, Um, it's a new day, and you know

347
00:18:52,040 --> 00:18:57,040
Speaker 1: you could bash uh, you know, getting notoriety through social media.

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Speaker 1: I'm not gonna lie like this. A lot of my

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Speaker 1: kind of existence has been on that, through my work

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Speaker 1: and just through just being me. Um. And some people

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Speaker 1: from the past still don't respect that. Um. But look

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Speaker 1: what social media has done for so many people today.

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Speaker 1: We have to start moving in the direction of the future.

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Speaker 1: But above all things and all of that, noise, Denzel

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Speaker 1: Washington is my idol. He's like a god to me.

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Speaker 1: M and I will never have anything bad to ever

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Speaker 1: say about what's next for you? What is it? What

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00:19:31,320 --> 00:19:34,160
Speaker 1: is some roles that you want to do? Wow, there's

359
00:19:34,160 --> 00:19:35,920
Speaker 1: something that you like. I would love to do that role?

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Speaker 1: Like that's my dream role? Is it an action figure?

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Speaker 1: Something music? I love playing real people, So I'd love

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Speaker 1: to play Eddie Murphy, Cinney Poitier, fellow cutie. Um, I'm

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Speaker 1: actually I don't know, I don't know I'm allowed to say. So.

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Speaker 1: Do you know how rich Pool is? Yeah? Yeah, I'm

365
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Speaker 1: about play Richpool, really really rich part of the agent. Yeah, yeah,

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Speaker 1: I know who he has a show something about him

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Speaker 1: coming out or it's in something where Rich Paul is

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Speaker 1: a character. No, does he No? I'm asking you it's

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Speaker 1: something where he's does he No? I don't think he

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Speaker 1: has a show coming out. But he's a really good

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Speaker 1: friend of mine. And there's people behind this window like

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Speaker 1: why did you share that? But he called me. He

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Speaker 1: was like, tell the world, and I think we should.

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Speaker 1: It's time we start cherishing black moguls and Rich is

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Speaker 1: someone that people need to know. This guy has completely

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Speaker 1: changed the game. I'm happy and fortunate to call him

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Speaker 1: a big brother and I can't wait to honor his story.

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Speaker 1: That's great. He actually right here approached Lebron in the

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Speaker 1: airport selling Jersey history and that's how they met each other. Yeah,

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00:20:51,920 --> 00:20:54,800
Speaker 1: and he's like, and then he's as a black sports agent,

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Speaker 1: he gets looked at in a completely different way of

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Speaker 1: the white sports agents were so angry that he was

383
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Speaker 1: able to come in and get like the biggest NBA player. Yeah,

384
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Speaker 1: make that story. It's gonna be amazing, man. And I

385
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Speaker 1: agree we should start telling the stories now while they

386
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Speaker 1: were alive, because I just hate sometimes when we wait

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Speaker 1: till somebody passes away to tell their stories. But the

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Speaker 1: damson has to leave me. Oh, man, all right, good.

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Speaker 1: I would try to get a couple of spoilers out

390
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Speaker 1: of you, but I know you're really good though. But

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Speaker 1: I think I did well. But we appreciate you for

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Speaker 1: joining us, brother, No, we really do yes with everything. Man.

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Speaker 1: I love the fact that you're producing. I can't wait

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Speaker 1: to see what else you have coming up, just because

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Speaker 1: we met you so like a few years ago. And

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Speaker 1: I think it's just amazing to see where you are

397
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Speaker 1: and where the show is now, and a large part

398
00:21:35,440 --> 00:21:37,720
Speaker 1: of that is because of you. So oh man, that

399
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Speaker 1: means so much. Man, thank you, thank you so much

400
00:21:39,720 --> 00:21:42,440
Speaker 1: for having Well, it's Dampson address. It's the Breakfast Club.

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Speaker 1: Come on, it's topic time. The phone called eight hundred

402
00:21:51,200 --> 00:21:53,040
Speaker 1: five eight five one want to join it to the

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Speaker 1: discussion with the Breakfast Club. Everybody is cj Envy, Angela Yee,

404
00:21:58,640 --> 00:22:01,159
Speaker 1: Charlomagne the guy. We all the Breakfast Club. Naff you

405
00:22:01,240 --> 00:22:04,640
Speaker 1: just joined us. We're talking about receiving a fake gift. Now.

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Speaker 1: French Montana speaks on Acon giving him a fake watch.

407
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Speaker 1: He had to give me an you blow so it

408
00:22:10,119 --> 00:22:12,159
Speaker 1: wasn't it wasn't niced out, So I just took it

409
00:22:12,240 --> 00:22:13,760
Speaker 1: to my jewel I was like, Yo, can you switch

410
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Speaker 1: this for me? Acoon gave me to me for my birthday.

411
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Speaker 1: He looked at me and I was like, what you mean?

412
00:22:17,800 --> 00:22:21,399
Speaker 1: He did not give you this, my guy? So I

413
00:22:21,520 --> 00:22:23,600
Speaker 1: just called him shout the acorn. By the way, it's

414
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Speaker 1: my god. I'm still waiting for that for the real. Yeah.

415
00:22:26,760 --> 00:22:29,360
Speaker 1: So I'm let your con This was my Jewlah said

416
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Speaker 1: fake it ain't. So he was like what he was like,

417
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Speaker 1: let me call you right back, and he gave me

418
00:22:34,400 --> 00:22:35,800
Speaker 1: a couple of them like that, let me call him.

419
00:22:36,960 --> 00:22:39,600
Speaker 1: I ain't hear from about that? Watch all right, Well

420
00:22:39,640 --> 00:22:42,199
Speaker 1: let's go to the phone line. Tell out who's this. Hi.

421
00:22:42,440 --> 00:22:45,680
Speaker 1: My name's Tiffany. Hey Tiffany, Now what did you give? Fake?

422
00:22:45,960 --> 00:22:48,840
Speaker 1: I gave um? I gave a guy a fake chain

423
00:22:49,000 --> 00:22:52,080
Speaker 1: before fake cuan Lean, Oh my god, gave where you from?

424
00:22:52,119 --> 00:22:56,400
Speaker 1: That's hilarious. I'm from Florida. I'm from South Florida. Why

425
00:22:56,440 --> 00:22:59,000
Speaker 1: did you do that? Because that's what I could afford.

426
00:22:59,080 --> 00:23:02,000
Speaker 1: I mean I had to get him what I could afford.

427
00:23:03,520 --> 00:23:06,600
Speaker 1: And what he say, did he appreciate it? Yeah, he

428
00:23:06,760 --> 00:23:09,000
Speaker 1: seemed like he appreciate I'm sure he knew it was

429
00:23:09,119 --> 00:23:14,240
Speaker 1: face damn. In the middle of the mall stores. Okay,

430
00:23:14,359 --> 00:23:16,960
Speaker 1: all right, but as luck as he worried and appreciated

431
00:23:17,040 --> 00:23:20,280
Speaker 1: it only ready for like a month. I still got

432
00:23:20,359 --> 00:23:23,840
Speaker 1: some chain though, but thank you mama. He didn't take it.

433
00:23:24,040 --> 00:23:26,600
Speaker 1: He didn't take it. No, he didn't take it, like

434
00:23:26,680 --> 00:23:29,200
Speaker 1: when the relationship was over, he didn't take it with them.

435
00:23:29,280 --> 00:23:36,640
Speaker 1: Why don't he take that? Face? Take your chain back? Hello?

436
00:23:36,760 --> 00:23:41,520
Speaker 1: Who's this morning? This is the man? Ron? Hey? Good morning,

437
00:23:41,560 --> 00:23:44,560
Speaker 1: my mom? Good morning? How are you? Good morning? Una?

438
00:23:44,720 --> 00:23:51,000
Speaker 1: Good morning, scholar? Name face queen? Morning, bo, good morning.

439
00:23:51,040 --> 00:23:52,600
Speaker 1: I don't know if you remember me from a couple

440
00:23:52,600 --> 00:23:59,080
Speaker 1: of weekends ago, but I feeld you though, was okay, yes, okay, yes, yes,

441
00:24:00,160 --> 00:24:03,880
Speaker 1: all right? From the topic. Did I received something fake?

442
00:24:05,480 --> 00:24:07,520
Speaker 1: So let me match, let me make y'all laugh with this.

443
00:24:07,680 --> 00:24:10,879
Speaker 1: I'm sorry, daddy, I love you, but okay. So when

444
00:24:10,920 --> 00:24:13,960
Speaker 1: I was about five six, my daddy brought me a

445
00:24:14,160 --> 00:24:17,600
Speaker 1: Tommy Hill from your dress. He wasn't around like that,

446
00:24:18,600 --> 00:24:20,879
Speaker 1: so for him in the blame something over. I was

447
00:24:20,960 --> 00:24:23,960
Speaker 1: exciting to get you from him. So I get to

448
00:24:23,960 --> 00:24:26,280
Speaker 1: get up my opening. It's a Tommy Hill, fix the graden,

449
00:24:27,359 --> 00:24:29,800
Speaker 1: But the dress is fake. When I loosen the sag.

450
00:24:30,320 --> 00:24:33,119
Speaker 1: It doesn't stay. Talk to you man. He got you

451
00:24:33,200 --> 00:24:40,359
Speaker 1: some bootlegs. Five damn, he definitely he got your bootleg

452
00:24:40,480 --> 00:24:43,879
Speaker 1: trought me rig did you wear it? Dress nice? What

453
00:24:44,080 --> 00:24:47,360
Speaker 1: was it? Did you wear it? I did not wear

454
00:24:47,400 --> 00:24:51,280
Speaker 1: it at five? You like, get this fake ish out

455
00:24:51,359 --> 00:24:55,520
Speaker 1: of here, out of here, out of here, blood daddy

456
00:24:55,560 --> 00:25:04,320
Speaker 1: tried dress it? No, have a go, thank you, y'a. Hello,

457
00:25:04,400 --> 00:25:10,400
Speaker 1: who's this? This sierra a sierra? You gotta a fake gift? Yes,

458
00:25:10,600 --> 00:25:14,160
Speaker 1: I gotta faith Louis back, How do you know what's fake?

459
00:25:14,440 --> 00:25:18,400
Speaker 1: So I know what? Oh, he get it. He gotta

460
00:25:18,480 --> 00:25:21,400
Speaker 1: sell me. We were not gonna go crazy with the money.

461
00:25:21,640 --> 00:25:23,640
Speaker 1: I was gonna get it. Louis back, and he swore

462
00:25:23,800 --> 00:25:26,760
Speaker 1: a watch. It's down in the Diamond District, local down

463
00:25:27,800 --> 00:25:31,040
Speaker 1: and he was gonna slirg. So he said something crazy.

464
00:25:31,160 --> 00:25:34,760
Speaker 1: I took my bag and went to the cheese take factory.

465
00:25:34,800 --> 00:25:37,480
Speaker 1: I was just gonna have me some drink alone. And

466
00:25:38,160 --> 00:25:42,119
Speaker 1: this old woman walked in with thing bad and you

467
00:25:42,320 --> 00:25:45,439
Speaker 1: think clearly see that her mother was made in Italy.

468
00:25:49,800 --> 00:25:52,680
Speaker 1: The fake bag. They liked it. The leather is four

469
00:25:52,920 --> 00:25:56,399
Speaker 1: and they're like U. And her back was like standing

470
00:25:56,440 --> 00:25:59,520
Speaker 1: that attention. It was just so embatting. It was so

471
00:26:00,040 --> 00:26:04,399
Speaker 1: I was so mad money, you know, right, he just

472
00:26:04,720 --> 00:26:08,399
Speaker 1: he was just being cheap and shady man. Yeah, and

473
00:26:08,560 --> 00:26:13,840
Speaker 1: then he gave me the bag with Yeah, that's real.

474
00:26:14,280 --> 00:26:16,280
Speaker 1: That's the money he's saved by not buying that real

475
00:26:16,359 --> 00:26:18,440
Speaker 1: bag or somebody got him. A lot of times people

476
00:26:18,480 --> 00:26:19,960
Speaker 1: don't know. People say they got to hook up and

477
00:26:20,000 --> 00:26:21,760
Speaker 1: they don't know, and dudes ain't gonna know the difference

478
00:26:21,760 --> 00:26:24,440
Speaker 1: between real. I come to Canashi, we got a hook up. Well,

479
00:26:24,840 --> 00:26:28,800
Speaker 1: his watch was real, so I bet it was. That's

480
00:26:28,840 --> 00:26:31,200
Speaker 1: embarrassing to somebody working with the same bag. But there's

481
00:26:31,240 --> 00:26:33,719
Speaker 1: this real and yours is clearly not damn it man

482
00:26:33,800 --> 00:26:39,960
Speaker 1: next to each other. It was not the business at all,

483
00:26:40,520 --> 00:26:42,320
Speaker 1: thank you. So what's the moral of the story, guys,

484
00:26:42,600 --> 00:26:45,240
Speaker 1: I don't know if there is a moral of the story. Man, Hey,

485
00:26:45,280 --> 00:26:46,879
Speaker 1: you ain't got to fake it. If you ain't got

486
00:26:46,920 --> 00:26:48,840
Speaker 1: the money to get the real thing, just get something

487
00:26:48,920 --> 00:26:51,600
Speaker 1: else that is in your price range. I wondered though,

488
00:26:51,600 --> 00:26:53,680
Speaker 1: because they say it's the thought that counts, right, I

489
00:26:53,800 --> 00:26:56,320
Speaker 1: was thinking about getting you up a fake thought Louis

490
00:26:56,359 --> 00:26:59,280
Speaker 1: Vaton bag, but it's not necessarily a fake thought, it's

491
00:26:59,280 --> 00:27:01,320
Speaker 1: like I want the for you, I just can't afford

492
00:27:01,359 --> 00:27:03,040
Speaker 1: it right now. Then it's the whole fake it till

493
00:27:03,080 --> 00:27:05,680
Speaker 1: you make it thing. So here, holiest fake bag till

494
00:27:05,720 --> 00:27:07,440
Speaker 1: I can get you a real one, the holiest fake

495
00:27:07,560 --> 00:27:09,120
Speaker 1: ring I can get. You just can't be out wearing

496
00:27:09,160 --> 00:27:11,080
Speaker 1: a fake bag, though, because everybody could look a lot

497
00:27:11,080 --> 00:27:12,600
Speaker 1: of people could look at it and tell it's fake.

498
00:27:12,680 --> 00:27:15,560
Speaker 1: Do you really want that? I just feel like I've

499
00:27:15,640 --> 00:27:18,000
Speaker 1: always been of the mindset if I can't afford to

500
00:27:18,040 --> 00:27:20,240
Speaker 1: get that, I'll just stay in my price range until

501
00:27:20,280 --> 00:27:22,640
Speaker 1: I can. All Right, Well, I don't know, bro, It's

502
00:27:22,680 --> 00:27:29,000
Speaker 1: the breakfast Club Morning, the Breakfast Club Morning. Everybody is

503
00:27:29,160 --> 00:27:32,920
Speaker 1: DJ Envy, Angel Louyee, Charlemagne, the Guy. We are to

504
00:27:32,960 --> 00:27:35,159
Speaker 1: Breakfast Club. We got a special guest in the building,

505
00:27:35,400 --> 00:27:41,000
Speaker 1: an icon, a legend, baby face. Welcome, Yo. How's it feeling?

506
00:27:41,240 --> 00:27:43,359
Speaker 1: Good Man good? He worked in with a guitar. So

507
00:27:43,480 --> 00:27:45,560
Speaker 1: that feels like we're gonna get something special. They told

508
00:27:45,560 --> 00:27:47,639
Speaker 1: me to bring one. I don't know what I mean.

509
00:27:47,800 --> 00:27:49,440
Speaker 1: They told you to do it, Yeah, they told me.

510
00:27:49,560 --> 00:27:51,000
Speaker 1: It's not like I said, I want to bring a

511
00:27:51,040 --> 00:27:55,320
Speaker 1: good tar. I bet you said around, But I bring it.

512
00:27:55,680 --> 00:27:58,280
Speaker 1: But you got Girls Night Out. Now I'm excited for this.

513
00:27:58,520 --> 00:28:00,760
Speaker 1: So you started off with Angie my teen as girls

514
00:28:00,840 --> 00:28:03,879
Speaker 1: not out makes sense, Ladies night and I'm Lillah and

515
00:28:03,960 --> 00:28:06,040
Speaker 1: they're getting ready to go out, and that's how the

516
00:28:06,119 --> 00:28:08,520
Speaker 1: album starts. What made you decide to do that? Well,

517
00:28:08,640 --> 00:28:10,720
Speaker 1: it was fun because it's girls night out and we

518
00:28:10,840 --> 00:28:13,560
Speaker 1: just wanted something to, you know, start off the project

519
00:28:13,680 --> 00:28:16,400
Speaker 1: and make it a party begin with. It's all about

520
00:28:16,440 --> 00:28:18,320
Speaker 1: the girls anyway, So I want to back it up

521
00:28:18,320 --> 00:28:21,320
Speaker 1: if you don't mind. For people don't know who baby Faces.

522
00:28:21,359 --> 00:28:24,040
Speaker 1: Of course I grew up on baby Face. My mother did,

523
00:28:24,200 --> 00:28:27,920
Speaker 1: my father did, My parents did. What got baby Face

524
00:28:28,000 --> 00:28:29,840
Speaker 1: into music? Let's start from the beginning for people that

525
00:28:29,960 --> 00:28:32,600
Speaker 1: don't know who baby Face is. First song. I wrote

526
00:28:32,640 --> 00:28:34,399
Speaker 1: this because I fell in love with this girl in

527
00:28:34,480 --> 00:28:37,119
Speaker 1: sixth grade, so I wanted her to know that, you know,

528
00:28:37,280 --> 00:28:38,720
Speaker 1: I was in love with her. I never played her

529
00:28:38,800 --> 00:28:40,560
Speaker 1: the song, but never. That didn't matter. It's just that

530
00:28:40,760 --> 00:28:42,880
Speaker 1: I wrote the song for us. So that made me

531
00:28:42,960 --> 00:28:45,240
Speaker 1: want to pick up a guitar. My brother had a

532
00:28:45,280 --> 00:28:47,680
Speaker 1: guitar in the house, and so I picked up the

533
00:28:47,760 --> 00:28:51,280
Speaker 1: guitars specifically to learn how to write this song. And

534
00:28:51,360 --> 00:28:53,120
Speaker 1: I wrote this song called Here I Go falling in

535
00:28:53,240 --> 00:28:56,280
Speaker 1: Love and that started it? And how did it continue on?

536
00:28:56,400 --> 00:28:58,400
Speaker 1: Because I mean we all like I wrote a rap,

537
00:28:58,600 --> 00:29:01,000
Speaker 1: but I think I want to be rapper. You did

538
00:29:01,000 --> 00:29:04,040
Speaker 1: put some rap albums. Well, I was actually rapping. I

539
00:29:04,120 --> 00:29:05,920
Speaker 1: was DJ. But what made you want to take it

540
00:29:05,960 --> 00:29:08,600
Speaker 1: to sing? To be a musician at the time with

541
00:29:08,720 --> 00:29:10,640
Speaker 1: so much going on, it was just it was kind

542
00:29:10,680 --> 00:29:12,920
Speaker 1: of in my blood. I started there. And then my

543
00:29:13,080 --> 00:29:15,360
Speaker 1: brother Melvin, who was in after seven, He's not with

544
00:29:15,480 --> 00:29:17,560
Speaker 1: the same level. He was a great singer and he

545
00:29:17,640 --> 00:29:19,720
Speaker 1: had a band and I just kind of used to

546
00:29:20,040 --> 00:29:22,680
Speaker 1: watch him in his band play and then he asked

547
00:29:22,720 --> 00:29:25,400
Speaker 1: me to sing Who's Loving You one time and a

548
00:29:25,800 --> 00:29:28,880
Speaker 1: homecoming that he had high school. And I did that

549
00:29:29,040 --> 00:29:31,160
Speaker 1: and kind of got in my blood. And the first

550
00:29:31,200 --> 00:29:33,960
Speaker 1: act I saw I was Jackson five, saw them coming

551
00:29:34,000 --> 00:29:36,640
Speaker 1: back to Indiana tour or going back to Indiana, and

552
00:29:36,880 --> 00:29:39,000
Speaker 1: I saw them on stage and it was over at

553
00:29:39,040 --> 00:29:41,800
Speaker 1: that point. And most musicians, a lot of musicians, I

554
00:29:41,840 --> 00:29:44,080
Speaker 1: should say, they are artists mode all the time, right.

555
00:29:44,080 --> 00:29:45,360
Speaker 1: They want to be an artist, They want to be

556
00:29:45,520 --> 00:29:47,680
Speaker 1: in front of the camera, on the stage, in front

557
00:29:47,720 --> 00:29:49,840
Speaker 1: of the lights. But you also took a taken into

558
00:29:49,920 --> 00:29:51,800
Speaker 1: writing as well. Well, made you say, you know what,

559
00:29:51,840 --> 00:29:53,520
Speaker 1: I'm gonna write for some of these people and produce

560
00:29:53,560 --> 00:29:54,800
Speaker 1: for some man these people, because you could have kept

561
00:29:54,840 --> 00:29:56,800
Speaker 1: it all for yourself and your brothers and your band.

562
00:29:57,120 --> 00:29:59,760
Speaker 1: I never felt like the star anyway. I only want

563
00:29:59,800 --> 00:30:02,000
Speaker 1: to do for the love of music and to write

564
00:30:02,040 --> 00:30:04,000
Speaker 1: it in the first place. So I wasn't trying to

565
00:30:04,040 --> 00:30:05,880
Speaker 1: be the main one. Even when I saw the Jackson five,

566
00:30:05,880 --> 00:30:07,640
Speaker 1: I didn't want it to be up on that stage.

567
00:30:07,680 --> 00:30:09,440
Speaker 1: I just wanted to have a piece of it, be

568
00:30:09,520 --> 00:30:11,760
Speaker 1: a part of it. Somehow. What happens when you write

569
00:30:11,760 --> 00:30:14,080
Speaker 1: a song but more than one person wants it because

570
00:30:14,240 --> 00:30:16,640
Speaker 1: some of the songs I'm sure that you've written, like

571
00:30:16,760 --> 00:30:18,400
Speaker 1: maybe you get it to this person, they didn't respond

572
00:30:18,480 --> 00:30:20,000
Speaker 1: fast enough, and then someone else got it in and

573
00:30:20,000 --> 00:30:22,480
Speaker 1: they're like, no, I want that song. Well, there was

574
00:30:22,560 --> 00:30:25,840
Speaker 1: one song in the beginning that I ended up giving

575
00:30:25,920 --> 00:30:28,320
Speaker 1: to another artist and it was and actually La got

576
00:30:28,360 --> 00:30:30,600
Speaker 1: blamed for it, but I was the one that actually

577
00:30:30,680 --> 00:30:34,680
Speaker 1: did it. Can't we talk? Nope? It was girlfriends ye.

578
00:30:35,320 --> 00:30:37,520
Speaker 1: So initially we had a deal. We were supposed to

579
00:30:37,560 --> 00:30:41,040
Speaker 1: do a thing with Vanessa Williams, and then we met

580
00:30:41,080 --> 00:30:44,160
Speaker 1: with this lady, Cheryl Dickerson at the Universal at the

581
00:30:44,200 --> 00:30:46,960
Speaker 1: time MCA. She said, you guys should meet the boys

582
00:30:47,040 --> 00:30:49,720
Speaker 1: and you should meet Pebbles, and we went over and

583
00:30:50,120 --> 00:30:53,160
Speaker 1: met Pebbles and and so then she played Mercedes Point,

584
00:30:53,200 --> 00:30:56,520
Speaker 1: which was like it was so good. And as she

585
00:30:56,640 --> 00:30:58,440
Speaker 1: was talking, I, she's planning that. I thought the song

586
00:30:58,600 --> 00:31:01,920
Speaker 1: girlfriend was already written, and it wasn't written for anybody specifically,

587
00:31:02,000 --> 00:31:05,320
Speaker 1: but already I had already written it. And then to La,

588
00:31:05,440 --> 00:31:08,280
Speaker 1: I said, Gee's girlfriend and He's like, yeah, but we

589
00:31:08,360 --> 00:31:11,840
Speaker 1: already we already put it on Vanessa. I said, yeah,

590
00:31:11,920 --> 00:31:15,680
Speaker 1: but this song belongs to her. And I've always been

591
00:31:16,200 --> 00:31:20,400
Speaker 1: a believer that the song comes first. So ultimately we

592
00:31:20,480 --> 00:31:23,960
Speaker 1: snatched the song back La started dating Pebbles, so they

593
00:31:24,040 --> 00:31:26,720
Speaker 1: just figured that Pebbles in La. You know, it must

594
00:31:26,760 --> 00:31:29,080
Speaker 1: have happened that way. But it was actually my father.

595
00:31:29,640 --> 00:31:31,920
Speaker 1: I take the blame. Well, it was a good call.

596
00:31:32,200 --> 00:31:33,840
Speaker 1: It was a good call. It it was the right call.

597
00:31:34,040 --> 00:31:35,960
Speaker 1: The song was supposed to go where it was supposed

598
00:31:35,960 --> 00:31:37,600
Speaker 1: to go. I wanted to ask, like, what a song like?

599
00:31:37,680 --> 00:31:40,640
Speaker 1: Can we talk right? Huge records to this day, so

600
00:31:40,720 --> 00:31:42,200
Speaker 1: when you're working with a new artist and you have

601
00:31:42,360 --> 00:31:43,960
Speaker 1: that record, and I'm sure when you did that record,

602
00:31:43,960 --> 00:31:45,680
Speaker 1: you're like, oh, this is it. Do you have any

603
00:31:45,720 --> 00:31:48,239
Speaker 1: reservation like maybe we shouldn't give it into this young

604
00:31:48,360 --> 00:31:50,840
Speaker 1: whipper snapper, which Tevin Campbell was at the time, Maybe

605
00:31:50,840 --> 00:31:52,680
Speaker 1: we should give it to somebody that's already season. Do

606
00:31:52,720 --> 00:31:55,680
Speaker 1: you ever have those reservations? Not really, It all depends

607
00:31:55,720 --> 00:31:58,200
Speaker 1: on the voice. And that song was just kind of

608
00:31:58,280 --> 00:32:00,880
Speaker 1: right for Tevin at the time. And I know this

609
00:32:01,040 --> 00:32:03,320
Speaker 1: this whole thing on Usher and supposed to be us

610
00:32:03,360 --> 00:32:06,720
Speaker 1: your song, And the reality is I wrote it specifically

611
00:32:06,760 --> 00:32:10,160
Speaker 1: for Tevin because Quincy Jones asked me to, you know,

612
00:32:10,400 --> 00:32:12,120
Speaker 1: work on this project and I had already did one

613
00:32:12,160 --> 00:32:14,880
Speaker 1: song called I'm Ready, and then he called me and

614
00:32:15,000 --> 00:32:16,840
Speaker 1: said can I get another one? I was like, I'm

615
00:32:16,880 --> 00:32:19,280
Speaker 1: gonna get Quincy Jones and not a song. It was Quincy.

616
00:32:19,800 --> 00:32:22,800
Speaker 1: So I ultimately wrote wrote that and wrote that with

617
00:32:23,040 --> 00:32:27,160
Speaker 1: Darryl Simmonson, We wrote, um, can we talk? And it

618
00:32:27,480 --> 00:32:30,360
Speaker 1: was for Tevin from the get go. The rumor has

619
00:32:30,400 --> 00:32:32,320
Speaker 1: it it was supposed to be for Usher and I

620
00:32:32,360 --> 00:32:34,280
Speaker 1: should never guide it over for whatever. Yeah, I know,

621
00:32:34,400 --> 00:32:39,600
Speaker 1: and that went for a very long time. The truth vital,

622
00:32:39,880 --> 00:32:43,160
Speaker 1: that's not the truth. It was ultimately from the beginning

623
00:32:43,200 --> 00:32:45,680
Speaker 1: written for Tevin and went on Tevin. I think after

624
00:32:45,760 --> 00:32:48,160
Speaker 1: the fact it was done. I think La definitely wanted

625
00:32:48,200 --> 00:32:50,040
Speaker 1: to have it on Ushi, but it was it was

626
00:32:50,440 --> 00:32:51,920
Speaker 1: too late, it was already done. Do you remember how

627
00:32:51,960 --> 00:32:56,760
Speaker 1: much you were charging back then for records to write records? Nope,

628
00:32:59,560 --> 00:33:02,960
Speaker 1: I know for the Vanessa thing, but three songs. I

629
00:33:03,000 --> 00:33:06,200
Speaker 1: think we're gonna get twelve Grandpa grand Phil Gram for

630
00:33:06,240 --> 00:33:08,280
Speaker 1: three songs. Who was happy? You guys were excited for that.

631
00:33:08,360 --> 00:33:10,760
Speaker 1: He was excited, We was excited about that. And then

632
00:33:11,280 --> 00:33:14,720
Speaker 1: perhaps manager at the time he offered us fifteen for one,

633
00:33:14,840 --> 00:33:18,760
Speaker 1: so that he went that route. You remember your first rapper,

634
00:33:18,880 --> 00:33:20,640
Speaker 1: hip hop artists that called and said do a record,

635
00:33:20,680 --> 00:33:22,720
Speaker 1: And what were your thoughts when they called. I don't

636
00:33:22,800 --> 00:33:25,880
Speaker 1: clearly remember. I just know I did this one record

637
00:33:25,960 --> 00:33:28,040
Speaker 1: for this artist I wasn't very familiar with, and they

638
00:33:28,080 --> 00:33:30,200
Speaker 1: said he was gonna be really big, and you think

639
00:33:30,240 --> 00:33:32,000
Speaker 1: he had an album out already, but he said there's

640
00:33:32,040 --> 00:33:34,200
Speaker 1: gonna be really big, and I did this hook for him,

641
00:33:34,600 --> 00:33:38,640
Speaker 1: Sunshine exactly. You didn't you didn't know who jay Z was.

642
00:33:38,680 --> 00:33:41,520
Speaker 1: I wasn't really familiar with what did you want a studio?

643
00:33:41,520 --> 00:33:42,960
Speaker 1: Want him to record that record? Yeah? I went in

644
00:33:43,320 --> 00:33:45,600
Speaker 1: and honestly, I don't I think he was there. I'm

645
00:33:45,640 --> 00:33:47,760
Speaker 1: not sure it was because I didn't really know him. Yeah,

646
00:33:47,760 --> 00:33:50,280
Speaker 1: I do this. It was a favorite. So who called you?

647
00:33:50,360 --> 00:33:52,240
Speaker 1: If you didn't hear nobody? I think I feel like

648
00:33:52,800 --> 00:33:55,040
Speaker 1: Andre Horrell called again and you were a baby face

649
00:33:55,120 --> 00:33:56,959
Speaker 1: at that time, so he was like, who is this call?

650
00:33:57,280 --> 00:33:59,640
Speaker 1: What rapper? No? No, I never had this. I was

651
00:33:59,760 --> 00:34:02,400
Speaker 1: never baby face, if you know what I'm saying. I

652
00:34:02,600 --> 00:34:05,200
Speaker 1: never looked at myself as like baby face. So it

653
00:34:05,520 --> 00:34:08,120
Speaker 1: never so if I if I knew somebody and they

654
00:34:08,160 --> 00:34:09,560
Speaker 1: called want me to do something, that I'd do it.

655
00:34:09,680 --> 00:34:12,360
Speaker 1: You know. Now, let's talk about the iconic Waiting to

656
00:34:12,440 --> 00:34:16,080
Speaker 1: Exhale soundtrack. So how did you work on that? How

657
00:34:16,080 --> 00:34:18,400
Speaker 1: did all of that happen? What was the process? I

658
00:34:18,520 --> 00:34:21,520
Speaker 1: got a call from Forrest Whittaker, and I think everybody

659
00:34:21,640 --> 00:34:23,680
Speaker 1: was everybody just calls you baby face. You know that

660
00:34:24,239 --> 00:34:27,600
Speaker 1: I'll do or you gotta do it, NA. But I

661
00:34:27,719 --> 00:34:29,640
Speaker 1: was surprised. I got a call from Forrest Whittaker, and

662
00:34:30,080 --> 00:34:32,239
Speaker 1: I was excited that he wanted to meet with me,

663
00:34:32,360 --> 00:34:35,120
Speaker 1: and everybody was chomping at the bit to do, waiting

664
00:34:35,160 --> 00:34:37,640
Speaker 1: to excel. You know. Then Forrest Whittaker call me and

665
00:34:37,960 --> 00:34:40,520
Speaker 1: I didn't know he was directing the movie at the time,

666
00:34:40,560 --> 00:34:42,360
Speaker 1: and he told me, I'm getting ready through this project

667
00:34:42,400 --> 00:34:44,360
Speaker 1: and where your excel. And he said, I'd love you

668
00:34:44,440 --> 00:34:46,880
Speaker 1: to do music, and I'd also love you to score

669
00:34:46,920 --> 00:34:49,800
Speaker 1: it as well. And I hadn't done that, scored it

670
00:34:50,000 --> 00:34:53,640
Speaker 1: and are written all the music for film, which was

671
00:34:54,480 --> 00:34:56,800
Speaker 1: I was glad to definitely write the music. Was scoring

672
00:34:56,800 --> 00:34:58,600
Speaker 1: I was a little afraid of and he said, na, nah,

673
00:34:59,000 --> 00:35:00,920
Speaker 1: you can do it, walk it through it and we'll

674
00:35:00,960 --> 00:35:03,319
Speaker 1: get this done. And so it was really for us

675
00:35:03,400 --> 00:35:05,680
Speaker 1: that kind of called it for me to do it.

676
00:35:05,760 --> 00:35:07,759
Speaker 1: And then as we were doing it that I thought

677
00:35:07,960 --> 00:35:10,000
Speaker 1: it made a lot of sense fortune us to be

678
00:35:10,080 --> 00:35:13,879
Speaker 1: all girls. And initially Whitney since it was a Whitney film,

679
00:35:13,960 --> 00:35:15,759
Speaker 1: you thought, okay, great, we get Whitney to sing with.

680
00:35:15,800 --> 00:35:18,520
Speaker 1: Whitney initially wasn't gonna sing, but then she knew it

681
00:35:18,560 --> 00:35:20,759
Speaker 1: was you, and I know she trust you. Yes, she

682
00:35:20,840 --> 00:35:22,840
Speaker 1: trust me. But even then, because I had met with

683
00:35:22,920 --> 00:35:24,560
Speaker 1: and I asked her, you're gonna sing because I don't know, Bay,

684
00:35:24,560 --> 00:35:26,080
Speaker 1: I don't know if I'm gonna do this yet, so

685
00:35:26,840 --> 00:35:30,120
Speaker 1: I wasn't writing any writing anything for her. So everything

686
00:35:30,640 --> 00:35:33,240
Speaker 1: initially was all songs written for every all the other artists,

687
00:35:33,960 --> 00:35:36,359
Speaker 1: and then finally she said she would sing, and that's

688
00:35:36,360 --> 00:35:40,160
Speaker 1: how Excel Ultimately was written. And I started writing, but

689
00:35:40,520 --> 00:35:42,759
Speaker 1: I didn't finish it, and that's how it ended up

690
00:35:42,800 --> 00:35:44,840
Speaker 1: with shoop shoot instead of a full course at it

691
00:35:44,920 --> 00:35:46,880
Speaker 1: because I hadn't really thought it all the way through.

692
00:35:48,360 --> 00:35:54,080
Speaker 1: We gotta get it done, all right. We got them

693
00:35:54,120 --> 00:35:56,200
Speaker 1: all with baby Face when we come back, don't move.

694
00:35:56,239 --> 00:36:00,319
Speaker 1: It's the Breakfast Club. Good Morning Morning. Everybody is DJ Envy,

695
00:36:00,520 --> 00:36:03,359
Speaker 1: Angela Yee, Charlemagne the guy we are the Breakfast Club

696
00:36:03,440 --> 00:36:05,719
Speaker 1: was still kicking it with baby Face versus opened you

697
00:36:05,880 --> 00:36:09,319
Speaker 1: up to a whole younger demographic. Yeah, So how has

698
00:36:09,400 --> 00:36:11,520
Speaker 1: that been? Because I mean, I remember the first day,

699
00:36:11,600 --> 00:36:13,040
Speaker 1: you know, you and Teddy y'all were trying to figure

700
00:36:13,040 --> 00:36:16,960
Speaker 1: out your Wi Fi problem and good yeah, yeo, why

701
00:36:17,040 --> 00:36:18,920
Speaker 1: Teddy's was a little crazy. So how has that been?

702
00:36:19,040 --> 00:36:22,000
Speaker 1: Opening up to a whole new demographical people that probably

703
00:36:22,000 --> 00:36:23,640
Speaker 1: didn't know who you were at the time, but now

704
00:36:24,360 --> 00:36:26,880
Speaker 1: or so into you. Yeah, I think that was no

705
00:36:27,040 --> 00:36:30,200
Speaker 1: question the turning point. I think that doing it first,

706
00:36:30,280 --> 00:36:32,360
Speaker 1: I was scared to tell are nervous to sell anyway?

707
00:36:32,719 --> 00:36:35,200
Speaker 1: Doing that as we were doing that, because I didn't

708
00:36:35,800 --> 00:36:38,320
Speaker 1: many hits. You know, it's the weirdest thing because you know,

709
00:36:38,360 --> 00:36:41,000
Speaker 1: you're sitting here watching the phone and ain't nobody else

710
00:36:41,080 --> 00:36:43,359
Speaker 1: in there, and so why should you be nervous because

711
00:36:43,400 --> 00:36:45,279
Speaker 1: you don't know any you know, you don't know if

712
00:36:45,320 --> 00:36:47,960
Speaker 1: anybody's on the other side or not. But the whole

713
00:36:48,080 --> 00:36:51,640
Speaker 1: idea of going up against Teddy because Teddy had a catalog.

714
00:36:51,920 --> 00:36:54,480
Speaker 1: He Teddy got a catalog. You just didn't plan it

715
00:36:54,520 --> 00:36:56,360
Speaker 1: out right right. He could have got me. He just

716
00:36:56,600 --> 00:36:59,920
Speaker 1: he just didn't plan. I was prepared, We were prepared

717
00:37:00,120 --> 00:37:02,800
Speaker 1: to come at him. Every song people, okay, you got that,

718
00:37:02,880 --> 00:37:05,040
Speaker 1: I got this, got this, got this, And so I

719
00:37:05,120 --> 00:37:06,880
Speaker 1: knew one song he would play. I knew I couldn't

720
00:37:06,880 --> 00:37:08,320
Speaker 1: beat it. That's what why I ended up pulling the

721
00:37:08,400 --> 00:37:10,000
Speaker 1: guitar out and did the wing Can I See You?

722
00:37:10,040 --> 00:37:12,320
Speaker 1: Because I knew I couldn't beat When he went to

723
00:37:12,520 --> 00:37:15,799
Speaker 1: um the remix with s WVS, like I ain't gonna

724
00:37:15,800 --> 00:37:18,440
Speaker 1: be able to beat that so it was fun in

725
00:37:18,560 --> 00:37:20,400
Speaker 1: that sense, but I didn't I didn't want to do

726
00:37:20,480 --> 00:37:22,840
Speaker 1: it in the first place because I didn't want to

727
00:37:22,880 --> 00:37:25,719
Speaker 1: compete like that. And it was Andre Horrell who talked

728
00:37:25,719 --> 00:37:28,720
Speaker 1: to me once again. Andre called me again and talked

729
00:37:28,760 --> 00:37:31,360
Speaker 1: me into it, and I'm glad that I did it,

730
00:37:31,880 --> 00:37:34,840
Speaker 1: because when I did it, it did it changed everything

731
00:37:34,880 --> 00:37:37,480
Speaker 1: because I went from like you know, Instagram follows from

732
00:37:37,800 --> 00:37:40,080
Speaker 1: overnight from three hundred thousand and two over a million

733
00:37:40,600 --> 00:37:44,120
Speaker 1: and US and and everything. It just it kind of

734
00:37:44,280 --> 00:37:48,319
Speaker 1: changed to where I started seeing younger people that were

735
00:37:48,360 --> 00:37:51,239
Speaker 1: into me, which brought up the idea Rico, who's my

736
00:37:51,320 --> 00:37:54,040
Speaker 1: partner in this um on Girl's Light Out. She kind

737
00:37:54,080 --> 00:37:55,560
Speaker 1: of came to me and said, what you needed to

738
00:37:55,560 --> 00:37:58,839
Speaker 1: do is do another project, not not exactly ex Hell,

739
00:37:59,200 --> 00:38:02,520
Speaker 1: but a project the younger R and B girls again,

740
00:38:03,200 --> 00:38:05,759
Speaker 1: and this time you should write it with them. And

741
00:38:05,880 --> 00:38:07,800
Speaker 1: so that's what I ended up doing. And how was that?

742
00:38:07,920 --> 00:38:10,680
Speaker 1: Getting all those different attitudes, all those different people, all

743
00:38:10,719 --> 00:38:14,560
Speaker 1: those different moments. It was great because like every girl

744
00:38:15,080 --> 00:38:18,759
Speaker 1: had their own thing, and everybody wrote on the song,

745
00:38:18,840 --> 00:38:22,920
Speaker 1: we actually collaborated together. So we just walk in the

746
00:38:22,960 --> 00:38:24,759
Speaker 1: studio and then I say so what's going on in

747
00:38:24,840 --> 00:38:27,120
Speaker 1: your life and you're happy, you said you're in love,

748
00:38:27,160 --> 00:38:29,719
Speaker 1: you're not in love, and everybody kind of will talk

749
00:38:29,760 --> 00:38:32,920
Speaker 1: about whatever's going on. Man. I thought about that right

750
00:38:33,000 --> 00:38:35,799
Speaker 1: while I listened to the album, and like, what would

751
00:38:35,800 --> 00:38:39,000
Speaker 1: you say when it comes to what's going on? And

752
00:38:39,320 --> 00:38:42,680
Speaker 1: women's lives was kind of a theme in this album

753
00:38:42,760 --> 00:38:45,400
Speaker 1: because I feel like Lama and love, yes, you know,

754
00:38:45,719 --> 00:38:48,600
Speaker 1: butterflies come in. Yeah. But then I listened to some

755
00:38:48,680 --> 00:38:51,360
Speaker 1: of the other songs exactly, I'm like Coco Jones. You know,

756
00:38:51,600 --> 00:38:55,239
Speaker 1: she's jaded, she doesn't believe in love. And then you're

757
00:38:55,280 --> 00:38:57,600
Speaker 1: here at kalani Yah and she's like, you're mad at

758
00:38:57,640 --> 00:39:01,080
Speaker 1: me for breathing ye and then you hear baby take

759
00:39:01,640 --> 00:39:04,719
Speaker 1: don't even think about it, and you hear stuff like that,

760
00:39:04,840 --> 00:39:07,719
Speaker 1: and she's got problems with commitment. Do you feel like

761
00:39:08,160 --> 00:39:12,280
Speaker 1: sometimes when you're getting creative and writing in the studio,

762
00:39:12,719 --> 00:39:16,000
Speaker 1: it's easier to tap into more of those type of emotions.

763
00:39:16,680 --> 00:39:18,440
Speaker 1: That's true, but this is also a sign of where

764
00:39:18,440 --> 00:39:21,000
Speaker 1: we are today. It's like it was a time when

765
00:39:21,560 --> 00:39:23,640
Speaker 1: we would sing about love and when we would sing

766
00:39:23,719 --> 00:39:26,399
Speaker 1: about love and being in love, and now everybody's more

767
00:39:26,480 --> 00:39:30,040
Speaker 1: independent and these girls they got their own They're like,

768
00:39:30,040 --> 00:39:32,040
Speaker 1: I ain't taking this and I'm not gonna and I'm

769
00:39:32,040 --> 00:39:33,960
Speaker 1: gonna say how I feel, what I feel, and how

770
00:39:34,000 --> 00:39:35,960
Speaker 1: I feel. And that was the cool part about the

771
00:39:36,040 --> 00:39:38,440
Speaker 1: process because every girl that came in it was very

772
00:39:38,480 --> 00:39:41,600
Speaker 1: independent and very strong and a lot different than before.

773
00:39:42,080 --> 00:39:44,400
Speaker 1: Plus I was writing the songs before, so it was

774
00:39:44,840 --> 00:39:47,960
Speaker 1: completely what I imagined they might say, So they were

775
00:39:48,000 --> 00:39:50,520
Speaker 1: saying exactly how they felt, Like this is how women

776
00:39:50,560 --> 00:39:52,800
Speaker 1: really feel. Yeah, they're like, you know, you might have

777
00:39:52,880 --> 00:39:55,279
Speaker 1: thought it was love or no. And what did you

778
00:39:55,400 --> 00:39:59,000
Speaker 1: learn how to flow differently, how the lyrics flow, how

779
00:39:59,440 --> 00:40:02,359
Speaker 1: the melodies flow of everything's not on top of the beat,

780
00:40:02,360 --> 00:40:04,960
Speaker 1: it's behind the beat, its it's everywhere. It's it's all

781
00:40:05,000 --> 00:40:07,719
Speaker 1: about phil at this particular point. And just from the

782
00:40:08,320 --> 00:40:12,239
Speaker 1: their perspective of life, it's a lot different than it was,

783
00:40:12,320 --> 00:40:17,720
Speaker 1: say in the nineties girls, our nineties people period, relationships, period,

784
00:40:18,120 --> 00:40:21,480
Speaker 1: everything's a lot more toxic. But that's like it's like

785
00:40:21,560 --> 00:40:23,920
Speaker 1: money long and her song the recipe. Yes, you know

786
00:40:24,080 --> 00:40:27,080
Speaker 1: she's going through your phone. You don't have to worry

787
00:40:27,120 --> 00:40:29,520
Speaker 1: about that back in the day, Like, well, yeah, there's

788
00:40:29,520 --> 00:40:31,800
Speaker 1: a lot of things you have to wonder about. But

789
00:40:32,560 --> 00:40:34,840
Speaker 1: Money came in and killed it too. She did, And

790
00:40:34,920 --> 00:40:37,279
Speaker 1: the funny thing is that we really just did it

791
00:40:37,600 --> 00:40:40,440
Speaker 1: every song in one day. Who surprised you the most

792
00:40:40,480 --> 00:40:43,640
Speaker 1: in the studio? They kept on being surprises, Like I

793
00:40:43,719 --> 00:40:45,400
Speaker 1: knew Money Long was great, but I didn't know that

794
00:40:45,520 --> 00:40:49,200
Speaker 1: she was that great. Some surprises were Tiana Major nine.

795
00:40:49,239 --> 00:40:52,880
Speaker 1: I heard her voice before, and then when she came in,

796
00:40:53,080 --> 00:40:55,759
Speaker 1: I realized how richer voice really is. It's like, this

797
00:40:55,920 --> 00:40:59,239
Speaker 1: girl's really good. And then Coco Jones surprised me, like

798
00:40:59,360 --> 00:41:02,440
Speaker 1: where this come from? Baby Chate, who was more of

799
00:41:02,480 --> 00:41:04,640
Speaker 1: a rapper who came in singing. I know, I was

800
00:41:04,680 --> 00:41:06,759
Speaker 1: surprised with that one. That was though. I was like,

801
00:41:06,840 --> 00:41:09,400
Speaker 1: baby Tate and her song is dope that you know

802
00:41:09,520 --> 00:41:11,279
Speaker 1: did he recently came out and said R and B

803
00:41:11,480 --> 00:41:13,439
Speaker 1: was dead and it was trending and people were mad.

804
00:41:13,760 --> 00:41:15,799
Speaker 1: R and B artists were mad. Yeah, what are your

805
00:41:15,840 --> 00:41:17,719
Speaker 1: thoughts on it, especially since you just did a whole

806
00:41:17,960 --> 00:41:21,120
Speaker 1: Girl's Night Out album R and B album? Yeah, you know,

807
00:41:21,360 --> 00:41:24,320
Speaker 1: R and B is never dead. It's in everything that

808
00:41:24,560 --> 00:41:28,000
Speaker 1: we do, and it's in every new artist. I mean,

809
00:41:28,120 --> 00:41:31,160
Speaker 1: Kaylannie has been killing it for a very long time.

810
00:41:31,600 --> 00:41:34,080
Speaker 1: You have Giveon, you have pieces of R and B

811
00:41:34,200 --> 00:41:36,520
Speaker 1: and Day and Lucky Day. You have R and B

812
00:41:36,680 --> 00:41:41,680
Speaker 1: and Steve still R and B is everywhere, and also

813
00:41:41,800 --> 00:41:44,800
Speaker 1: you have R and B and pop artists too. It's like,

814
00:41:45,000 --> 00:41:47,400
Speaker 1: don't think that justin Bieber that that's not R and B.

815
00:41:48,120 --> 00:41:51,719
Speaker 1: It's in so many things. So I disagree with that wholeheartedly.

816
00:41:51,840 --> 00:41:53,359
Speaker 1: You just named a lot of R and B guys.

817
00:41:53,440 --> 00:41:55,080
Speaker 1: So does that mean there's gonna be like a Guy's

818
00:41:55,160 --> 00:41:58,239
Speaker 1: Not Out? I don't know, Maybe you should do a

819
00:41:58,320 --> 00:42:01,440
Speaker 1: Guy's Not Out absolutely probably hang over And I was

820
00:42:01,480 --> 00:42:03,880
Speaker 1: gonna ask, is there any song that you wish you redid?

821
00:42:04,280 --> 00:42:06,279
Speaker 1: That's why I don't listen to the radio when when

822
00:42:06,400 --> 00:42:09,040
Speaker 1: songs come out, I usually won't listen to it because

823
00:42:09,440 --> 00:42:11,640
Speaker 1: I will reproduce it in my head and be like, damn,

824
00:42:11,640 --> 00:42:13,839
Speaker 1: I should have did this that that could have went

825
00:42:13,920 --> 00:42:15,680
Speaker 1: for this note, could have made it a little bit better.

826
00:42:16,120 --> 00:42:19,200
Speaker 1: So I'll turn the station if I hear something or

827
00:42:19,360 --> 00:42:21,480
Speaker 1: if somebody's listened to stuff that I just don't try

828
00:42:21,520 --> 00:42:24,440
Speaker 1: not pay attention. When you and La Red had the

829
00:42:24,560 --> 00:42:27,400
Speaker 1: Face and you guys had so much success, why did

830
00:42:27,440 --> 00:42:30,000
Speaker 1: you guys say Okay, we're done with the label. In

831
00:42:30,160 --> 00:42:33,480
Speaker 1: terms of the label part, it was just that kind

832
00:42:33,480 --> 00:42:35,800
Speaker 1: of time for La. He wanted to move on and

833
00:42:36,040 --> 00:42:39,880
Speaker 1: he got an offer to run Arista, and we ultimately

834
00:42:40,120 --> 00:42:42,680
Speaker 1: built we were building the Face to hopefully one day

835
00:42:42,719 --> 00:42:45,720
Speaker 1: sell it. It's because La was able to go run Airsta.

836
00:42:45,760 --> 00:42:47,719
Speaker 1: I think that's why we were able to actually sell

837
00:42:47,760 --> 00:42:49,319
Speaker 1: it at that point. I don't know if we would

838
00:42:49,360 --> 00:42:52,000
Speaker 1: have been able to do it any sooner than that.

839
00:42:52,640 --> 00:42:54,319
Speaker 1: Of all the artists that you signed on the face,

840
00:42:54,400 --> 00:42:57,080
Speaker 1: who was some of your favorites because you just really

841
00:42:57,880 --> 00:43:00,600
Speaker 1: found that raw talent and really made into y'all today.

842
00:43:00,800 --> 00:43:03,399
Speaker 1: It's a little hard to answer because it's so many

843
00:43:03,520 --> 00:43:07,040
Speaker 1: artists that we touched. You didn't imagine that their careers

844
00:43:07,080 --> 00:43:10,600
Speaker 1: would go where it would go from even starting with TLC.

845
00:43:11,200 --> 00:43:12,840
Speaker 1: We gave you the vision for TILSA. We're gonna go

846
00:43:12,840 --> 00:43:14,680
Speaker 1: through someone like TLC when they came to you, the

847
00:43:14,760 --> 00:43:18,120
Speaker 1: way that they looked at different clothes, singing, rapping all together.

848
00:43:18,440 --> 00:43:21,600
Speaker 1: What made you say that is the group? Well, TLC

849
00:43:21,920 --> 00:43:26,000
Speaker 1: was brought in through Pebbles and she had a vision

850
00:43:26,080 --> 00:43:27,759
Speaker 1: for them, and then when she brought them it was

851
00:43:27,840 --> 00:43:30,680
Speaker 1: kind of clear to see. And then there was obviously

852
00:43:30,760 --> 00:43:34,800
Speaker 1: Tony Braxton. She was in had the group herself with

853
00:43:35,000 --> 00:43:37,720
Speaker 1: the Braxtons. We pulled her out of the Braxtons because

854
00:43:37,920 --> 00:43:40,279
Speaker 1: she had this voice, and how difficult was that making

855
00:43:40,280 --> 00:43:42,080
Speaker 1: her leave it? It was it was kind of difficult.

856
00:43:42,520 --> 00:43:46,000
Speaker 1: It was a family affair and they didn't really want

857
00:43:46,080 --> 00:43:48,840
Speaker 1: that to happen. But I felt like she was a

858
00:43:48,920 --> 00:43:52,320
Speaker 1: star by herself. Initially she called you guys the perfect

859
00:43:52,400 --> 00:43:56,000
Speaker 1: pairing musically. I think that the thing that hit me

860
00:43:56,040 --> 00:43:57,960
Speaker 1: about Tony was all this pain that she had in

861
00:43:58,040 --> 00:44:01,239
Speaker 1: a voice. And I loved to write from painting. So

862
00:44:01,960 --> 00:44:04,680
Speaker 1: all the things kind of fell together right, because you know,

863
00:44:04,760 --> 00:44:07,160
Speaker 1: Tony ended up getting songs that weren't actually even meant

864
00:44:07,239 --> 00:44:09,560
Speaker 1: for her that she you know, they were written for

865
00:44:09,560 --> 00:44:12,279
Speaker 1: Anita Baker first. At first, from the Boomerang sound check,

866
00:44:12,360 --> 00:44:15,279
Speaker 1: we wrote love should have Brought You Home, ass Home.

867
00:44:15,520 --> 00:44:18,480
Speaker 1: We wrote that for Anita Baker, and she turned it

868
00:44:18,560 --> 00:44:21,600
Speaker 1: down and said, y'all should let that little girl do it.

869
00:44:21,680 --> 00:44:23,560
Speaker 1: That that little girl do it, a little girl that

870
00:44:23,920 --> 00:44:26,440
Speaker 1: did the demo? Why did she turn it down? She

871
00:44:26,520 --> 00:44:28,520
Speaker 1: didn't like it. I guess it didn't seem like it

872
00:44:28,600 --> 00:44:30,600
Speaker 1: was something that she wants to sing. And then I

873
00:44:30,680 --> 00:44:32,600
Speaker 1: think we said her another one like you mean the

874
00:44:32,640 --> 00:44:35,080
Speaker 1: world to man, and she turned that one down too,

875
00:44:35,120 --> 00:44:38,120
Speaker 1: So Tony got that one too. She's no baby, I

876
00:44:38,160 --> 00:44:40,440
Speaker 1: don't want to do that. Let that little girl sing

877
00:44:40,520 --> 00:44:42,480
Speaker 1: it all right. We got them with baby Face. When

878
00:44:42,520 --> 00:44:44,640
Speaker 1: we come back, don't move. It's the Breakfast Club, Good

879
00:44:44,719 --> 00:44:49,200
Speaker 1: morning morning. Everybody is DJ Envy Angela yee. Charlemagne, the

880
00:44:49,239 --> 00:44:51,120
Speaker 1: guy we all to Breakfast Club was still kicking it

881
00:44:51,200 --> 00:44:54,000
Speaker 1: with baby Face yea. What was your first publishing deal? Like,

882
00:44:54,400 --> 00:44:57,560
Speaker 1: didn't have one to begin with. Our publishing was just

883
00:44:57,840 --> 00:44:59,800
Speaker 1: taken because we signed up to the record company, so

884
00:45:00,000 --> 00:45:02,080
Speaker 1: it was like they take it automatically. You didn't get

885
00:45:02,080 --> 00:45:04,239
Speaker 1: any advance or anything. So we've been through it all.

886
00:45:04,880 --> 00:45:07,719
Speaker 1: How big are you? One? Always writing for yourself to

887
00:45:07,840 --> 00:45:09,680
Speaker 1: other artists write for you when you put out your

888
00:45:09,719 --> 00:45:13,920
Speaker 1: own projects. Sometimes people write for me. I don't. Usually

889
00:45:14,440 --> 00:45:16,879
Speaker 1: I'll write together, but when someone hands me a song,

890
00:45:16,960 --> 00:45:19,239
Speaker 1: I don't usually do that. Have you ever done a

891
00:45:19,320 --> 00:45:21,160
Speaker 1: song that someone just handed you? Teddy calls you up

892
00:45:21,160 --> 00:45:23,680
Speaker 1: and since I got the song for you or you

893
00:45:23,760 --> 00:45:27,880
Speaker 1: know Quincy or Andrew Harrels. Yeah, it's so hard for

894
00:45:28,000 --> 00:45:33,360
Speaker 1: me to just do that. Wow, that's hard. Now, I

895
00:45:33,520 --> 00:45:37,239
Speaker 1: usually have to collaborate because people they'll think they know

896
00:45:37,440 --> 00:45:40,279
Speaker 1: exactly what it is that I'm supposed to do, and

897
00:45:41,280 --> 00:45:43,600
Speaker 1: I don't feel the same. So it's weird for me

898
00:45:43,680 --> 00:45:45,320
Speaker 1: to be behind the mic and if someone's trying to

899
00:45:45,400 --> 00:45:48,400
Speaker 1: produce me. That's a rough one. I did that with

900
00:45:48,440 --> 00:45:53,080
Speaker 1: a couple of people and I got through it difficult.

901
00:45:53,160 --> 00:45:54,959
Speaker 1: Has anybody ever have you ever felt like you wanted

902
00:45:55,000 --> 00:45:57,920
Speaker 1: to experiment and like, let me try this different you

903
00:45:58,000 --> 00:46:01,000
Speaker 1: know sound, and yeah, you know, through the years, I've

904
00:46:01,080 --> 00:46:03,960
Speaker 1: done different things that it was different when I worked

905
00:46:04,000 --> 00:46:07,680
Speaker 1: with Pharrell. It was when we did um there she goes.

906
00:46:08,200 --> 00:46:11,080
Speaker 1: That was a different experience for me to work with Pharrell.

907
00:46:11,520 --> 00:46:14,319
Speaker 1: I enjoyed it because I was able to see how

908
00:46:14,400 --> 00:46:16,960
Speaker 1: Pharrell worked and how he I was surprised because he

909
00:46:17,080 --> 00:46:19,480
Speaker 1: was doing everything on this one little keyboard, say you

910
00:46:19,600 --> 00:46:22,440
Speaker 1: created all this with that. It was amazing just to

911
00:46:22,600 --> 00:46:25,920
Speaker 1: kind of see everybody's work work ethic and how they

912
00:46:26,000 --> 00:46:28,759
Speaker 1: put things together. And I knew at that particular point

913
00:46:28,800 --> 00:46:30,279
Speaker 1: that was way back in the day, and I knew

914
00:46:30,280 --> 00:46:31,759
Speaker 1: at the point that Farrell was going to just be

915
00:46:32,160 --> 00:46:33,840
Speaker 1: he was justly gonna blow up. He's gonna be amazing.

916
00:46:34,160 --> 00:46:36,000
Speaker 1: All right, Well you do have the guitar here, you

917
00:46:36,040 --> 00:46:38,200
Speaker 1: do have a guitar heads Monday morning people, would you know?

918
00:46:38,560 --> 00:46:42,319
Speaker 1: People are driving to work it stuck in. I think

919
00:46:42,360 --> 00:46:43,960
Speaker 1: it's only right we should give him a little song.

920
00:46:44,760 --> 00:46:46,000
Speaker 1: We don't want you to have this here. You know

921
00:46:46,520 --> 00:46:48,319
Speaker 1: I was excited. I thought. I was like, I don't

922
00:46:48,320 --> 00:46:50,600
Speaker 1: know why you know something. I was gonna play it,

923
00:46:50,640 --> 00:46:51,840
Speaker 1: but you know, I don't think you want me to

924
00:46:51,920 --> 00:46:53,160
Speaker 1: play at all. I know it was a mc donald

925
00:46:53,200 --> 00:46:58,520
Speaker 1: had a ball. Yeah, yeah, I got um, what am

926
00:46:58,560 --> 00:47:06,560
Speaker 1: I doing? This is not? You know warning voice? It's

927
00:47:06,600 --> 00:47:18,760
Speaker 1: like the easy one? When can my heart beat again?

928
00:47:22,000 --> 00:47:28,920
Speaker 1: When does the pain never? When do the tea star

929
00:47:30,120 --> 00:47:38,400
Speaker 1: running over? When does you get over? Ray again? You

930
00:47:38,520 --> 00:47:46,080
Speaker 1: see I'm safe even it's not making saying so when

931
00:47:46,239 --> 00:47:50,400
Speaker 1: can I see you lugging win again? I see you

932
00:47:50,760 --> 00:48:00,360
Speaker 1: lugging the wind and bake car beat again? When again

933
00:48:00,520 --> 00:48:20,759
Speaker 1: I see you again? Wing? I won't and again thank you?

934
00:48:20,920 --> 00:48:24,960
Speaker 1: That's it? Yeah, that was amazing. That usually quests millions

935
00:48:24,960 --> 00:48:27,360
Speaker 1: of dollars to get something like that. That's what that

936
00:48:27,520 --> 00:48:30,600
Speaker 1: is to all of our listeners. That was definitely amazing.

937
00:48:31,520 --> 00:48:34,120
Speaker 1: I know this might be a stretch, nor just sound,

938
00:48:34,520 --> 00:48:36,800
Speaker 1: but me and you will help you with this one. No,

939
00:48:37,000 --> 00:48:39,239
Speaker 1: can we just do can we talk? Just one? Good time?

940
00:48:39,520 --> 00:48:41,560
Speaker 1: We're helping See, we're helping me. Send it if I

941
00:48:41,600 --> 00:48:57,520
Speaker 1: can remember, I usually play on the keyboard. It's really

942
00:48:57,600 --> 00:49:07,279
Speaker 1: high one too. Can you want me to do that? Yeah? Yeah,

943
00:49:07,280 --> 00:49:30,160
Speaker 1: you should be saying, I'm out your name come true. Okay,

944
00:49:30,200 --> 00:49:36,280
Speaker 1: We're gonna have to work a little bit. Dream come true, Valuari.

945
00:49:36,400 --> 00:49:37,920
Speaker 1: I just want to say we can fix that. We

946
00:49:38,000 --> 00:49:41,160
Speaker 1: can fix that. Let congratulations that happened. One single from

947
00:49:41,200 --> 00:49:44,520
Speaker 1: off the album lma Keep video star An Tiffany had it.

948
00:49:44,640 --> 00:49:48,800
Speaker 1: It looks like a Bridgeton theme. Oh yeah, that's a situation.

949
00:49:49,760 --> 00:49:51,200
Speaker 1: What do you want to play from the album? Hold on?

950
00:49:51,280 --> 00:49:54,000
Speaker 1: Hold on, let's think about this. Okay, let's see we

951
00:49:54,080 --> 00:49:56,360
Speaker 1: could What would you heard it? What would you like

952
00:49:56,480 --> 00:49:58,800
Speaker 1: to play? Oh man, let's see what song? You know

953
00:49:58,880 --> 00:50:01,600
Speaker 1: what we talked about the song with baby take. Yeah,

954
00:50:01,760 --> 00:50:04,040
Speaker 1: so let's do that one. Okay, think about it, don't

955
00:50:04,040 --> 00:50:06,120
Speaker 1: even think. Let's do it all right. It's baby Faced,

956
00:50:06,120 --> 00:50:09,360
Speaker 1: the icon, the legend, It's the Breakfast Club. Thank you

957
00:50:09,400 --> 00:50:12,279
Speaker 1: for joining us, thank you, good morning. Let me try.

958
00:50:12,320 --> 00:50:14,040
Speaker 1: It's so hard to be on that Boy's Night Out album.

959
00:50:15,960 --> 00:50:22,680
Speaker 1: He wouldn't be on THEE. I was going to donkey,

960
00:50:22,880 --> 00:50:40,279
Speaker 1: it's the Donkey of the Devil Breakfast Club. I'm gonna

961
00:50:40,280 --> 00:50:44,040
Speaker 1: make this quick. It's just reinforcing a point. Donkey, if

962
00:50:44,080 --> 00:50:46,600
Speaker 1: the day goes to every single individual who got a

963
00:50:46,640 --> 00:50:49,359
Speaker 1: fraudulent p P P long because if you haven't heard,

964
00:50:49,600 --> 00:50:52,239
Speaker 1: President Biden signed the bill and at helping crack down

965
00:50:52,280 --> 00:50:54,960
Speaker 1: on pandemic relief fund Oh what a tangled web we

966
00:50:55,080 --> 00:50:57,759
Speaker 1: weave when we practice to deceive. All right, there's not

967
00:50:57,880 --> 00:51:00,680
Speaker 1: one single solitary human I know, what good sense who

968
00:51:00,800 --> 00:51:04,880
Speaker 1: participated in PPP fraud. Why because we all knew it

969
00:51:04,960 --> 00:51:06,920
Speaker 1: was too good to be true. We all knew there

970
00:51:06,960 --> 00:51:09,880
Speaker 1: was only one place fake LLC Twitter was gonna end up,

971
00:51:09,920 --> 00:51:13,560
Speaker 1: and that's in PPP prison. Okay, PPP period. And that's

972
00:51:13,600 --> 00:51:16,000
Speaker 1: why a couple of days ago President Joe Biden signed

973
00:51:16,000 --> 00:51:19,000
Speaker 1: to pay bills does this prosecutors cracked down on pandemic

974
00:51:19,040 --> 00:51:21,160
Speaker 1: relief funds. Let's listen to what he had to say.

975
00:51:21,320 --> 00:51:24,719
Speaker 1: And today I'm signing two bipartisan bills and will give

976
00:51:24,800 --> 00:51:27,960
Speaker 1: the federal and local prosecutors more time to hold criminals

977
00:51:28,000 --> 00:51:31,040
Speaker 1: accountable for the fraud and the American people during the

978
00:51:31,200 --> 00:51:34,239
Speaker 1: once in a century pandemic. American people deserve to know

979
00:51:34,760 --> 00:51:37,440
Speaker 1: was that their tax dollars are being spent as intended.

980
00:51:37,719 --> 00:51:40,520
Speaker 1: My message to those cheats out there is this, you

981
00:51:40,680 --> 00:51:43,880
Speaker 1: can't hide. I'm going to find you. We're gonna make

982
00:51:43,920 --> 00:51:46,279
Speaker 1: you pay back wards you're stolen, and hold you accountable

983
00:51:46,360 --> 00:51:48,239
Speaker 1: under the law. I'm going to sign them in the

984
00:51:48,320 --> 00:51:51,359
Speaker 1: law as true. For another piece of my economic plan,

985
00:51:51,760 --> 00:51:54,680
Speaker 1: the belief and the United States of America. There's nothing

986
00:51:54,800 --> 00:51:58,640
Speaker 1: beyond our capacity. Nothing when we work together as the

987
00:51:58,840 --> 00:52:03,839
Speaker 1: United States and Americas represent. Y'all know, President Biden love

988
00:52:03,920 --> 00:52:07,000
Speaker 1: locking black people up, and y'all just helped them. See,

989
00:52:07,040 --> 00:52:09,480
Speaker 1: I'm not wishing jail on nobody. I just understand it.

990
00:52:09,560 --> 00:52:12,120
Speaker 1: This consequences to all our actions. And for some reason

991
00:52:12,200 --> 00:52:14,920
Speaker 1: in this era, people have forgotten that. All right, folks

992
00:52:15,000 --> 00:52:16,960
Speaker 1: want to do whatever it is they want to do

993
00:52:17,120 --> 00:52:19,120
Speaker 1: and then get mad when they don't get away with it.

994
00:52:19,239 --> 00:52:22,040
Speaker 1: It's unreal to me. The mindset is crazy, okay. And

995
00:52:22,120 --> 00:52:24,520
Speaker 1: these bills that Biden sign will extend the Statue of

996
00:52:24,600 --> 00:52:28,000
Speaker 1: limitations for prosecuting cases of fraud against the government for

997
00:52:28,239 --> 00:52:31,440
Speaker 1: ten years, so for the next decade. If you did

998
00:52:31,480 --> 00:52:34,200
Speaker 1: a fraudulent p P peacecam, you better act like you

999
00:52:34,280 --> 00:52:36,799
Speaker 1: were rapper from Atlanta who's been warned by the DA

1000
00:52:36,960 --> 00:52:38,680
Speaker 1: that more ricos are on the way over the next

1001
00:52:38,719 --> 00:52:40,920
Speaker 1: sixty days. By the way, she said that three weeks ago,

1002
00:52:40,960 --> 00:52:42,719
Speaker 1: so y'all got about three or four more weeks left.

1003
00:52:42,760 --> 00:52:44,839
Speaker 1: But I just want to know what made y'all think

1004
00:52:44,960 --> 00:52:47,440
Speaker 1: y'all could get away with this fraudulent p p P

1005
00:52:47,760 --> 00:52:50,600
Speaker 1: loan scam in the first place. Some of y'all never

1006
00:52:50,640 --> 00:52:53,160
Speaker 1: owned a business, never ran a business, nothing, but all

1007
00:52:53,200 --> 00:52:55,759
Speaker 1: of a sudden, you're creating these fake LLC's, lying about

1008
00:52:55,800 --> 00:52:58,439
Speaker 1: the number of employees you have, about the profits you made.

1009
00:52:58,719 --> 00:53:01,560
Speaker 1: We told y'all this were gonna lead to you going

1010
00:53:01,640 --> 00:53:05,480
Speaker 1: to PPP prison, and you did it anyway. Okay. I

1011
00:53:05,520 --> 00:53:07,800
Speaker 1: don't feel sorry for y'all, Okay, I feel sorry for

1012
00:53:07,880 --> 00:53:11,239
Speaker 1: all the small businesses, all the small black businesses who

1013
00:53:11,280 --> 00:53:14,600
Speaker 1: couldn't get any PPP money, who wanted to relief, who

1014
00:53:14,760 --> 00:53:17,400
Speaker 1: needed to relief, and for whatever reason, couldn't get it.

1015
00:53:17,680 --> 00:53:20,320
Speaker 1: But all of y'all out there with fake LLCs like

1016
00:53:20,520 --> 00:53:24,479
Speaker 1: Deally Nuts LLC and Beef King LLC and Rita Week

1017
00:53:24,480 --> 00:53:27,279
Speaker 1: Club LLC. Would you'd like to know who those people were.

1018
00:53:27,760 --> 00:53:31,880
Speaker 1: Those were actual businesses who claimed to be farms. But

1019
00:53:32,120 --> 00:53:35,000
Speaker 1: guess what these farms and I got farms in their quotes.

1020
00:53:35,120 --> 00:53:38,719
Speaker 1: Guess what? These farms were located in beach towns in

1021
00:53:38,840 --> 00:53:42,919
Speaker 1: New Jersey. Okay, hundreds of PPP loans went to fake

1022
00:53:43,040 --> 00:53:45,960
Speaker 1: farms and places where there is no damn farms. All right.

1023
00:53:46,040 --> 00:53:49,000
Speaker 1: There was an online lending platform called Cabbage that sent

1024
00:53:49,120 --> 00:53:52,360
Speaker 1: three hundred and seventy eight pandemic loans worth seven million

1025
00:53:52,440 --> 00:53:56,320
Speaker 1: dollars to fake companies, mostly farms. Meanwhile, real farms couldn't

1026
00:53:56,360 --> 00:53:59,200
Speaker 1: get this kind of relief. This is what makes me

1027
00:53:59,360 --> 00:54:02,640
Speaker 1: feel like all of this was a set up? Okay,

1028
00:54:02,760 --> 00:54:07,279
Speaker 1: how are so many legitimate businesses ignored couldn't get the

1029
00:54:07,320 --> 00:54:11,719
Speaker 1: relief they needed? But all these fake LLCs weren't. For

1030
00:54:11,880 --> 00:54:15,160
Speaker 1: all you YouTube conspiracy theorists out there, this is a

1031
00:54:15,239 --> 00:54:18,399
Speaker 1: conspiracy you can run with because they killed two birds

1032
00:54:18,480 --> 00:54:21,280
Speaker 1: with one stone. In this case, they killed two niggas

1033
00:54:21,320 --> 00:54:24,239
Speaker 1: with one loan. Okay, Because if you're a small black

1034
00:54:24,280 --> 00:54:27,000
Speaker 1: and brown business who couldn't get a PPP loan, you

1035
00:54:27,160 --> 00:54:29,960
Speaker 1: probably ended up ultimately losing your business. So they killed

1036
00:54:30,000 --> 00:54:31,759
Speaker 1: black and brown businesses. And if you're a black or

1037
00:54:31,800 --> 00:54:34,600
Speaker 1: brown person who got a fake LLC, now you go

1038
00:54:34,680 --> 00:54:36,279
Speaker 1: into prison. And I don't even have to tell you

1039
00:54:36,360 --> 00:54:40,760
Speaker 1: how incarceration kills families. So therefore this was the ultimate trap. Okay,

1040
00:54:40,880 --> 00:54:44,120
Speaker 1: you killed two niggas, quit one loan. It was clearly

1041
00:54:44,200 --> 00:54:46,600
Speaker 1: a trap, and y'all fell for it. I don't feel

1042
00:54:46,640 --> 00:54:49,400
Speaker 1: remorse for any of you, Okay. PPP was intended to

1043
00:54:49,480 --> 00:54:52,560
Speaker 1: help businesses make payroll during the pandemic, with those loans

1044
00:54:52,640 --> 00:54:56,200
Speaker 1: being forgiven if companies met specific criteria. Okay, it was

1045
00:54:56,280 --> 00:54:58,920
Speaker 1: for small businesses to stay afloat, not for you niggas

1046
00:54:58,960 --> 00:55:01,560
Speaker 1: the ball out on boats. Okay. I don't feel sorry

1047
00:55:01,560 --> 00:55:03,280
Speaker 1: for any of y'all, and I am sick of folks

1048
00:55:03,280 --> 00:55:06,520
Speaker 1: acting like there it's not consequences to their actions, all right.

1049
00:55:06,600 --> 00:55:08,520
Speaker 1: We see people doing things that are gonna lead them

1050
00:55:08,520 --> 00:55:10,840
Speaker 1: to jail, We tell them they're going to jail. We

1051
00:55:10,960 --> 00:55:13,080
Speaker 1: can clearly see what the consequences of what they are

1052
00:55:13,120 --> 00:55:15,719
Speaker 1: doing is gonna be. We warn them, they do it,

1053
00:55:16,040 --> 00:55:19,920
Speaker 1: they get busted, and now we feel sorry for them. No,

1054
00:55:20,480 --> 00:55:24,640
Speaker 1: not Lenard, not Uncle Shla. Okay, y'all deserve to be afraid,

1055
00:55:24,880 --> 00:55:27,000
Speaker 1: all right, very afraid. Over the next decade. You made

1056
00:55:27,040 --> 00:55:29,360
Speaker 1: a choice, and I hope those crab legs and scrimps

1057
00:55:29,400 --> 00:55:31,799
Speaker 1: and all that casting Eagles was worth it. Please give

1058
00:55:31,800 --> 00:55:33,840
Speaker 1: everyone who got a fraudulent p P P loan the

1059
00:55:33,920 --> 00:55:39,400
Speaker 1: biggest he haull. Just my thoughts, just the way I'm feeling.

1060
00:55:39,440 --> 00:55:41,360
Speaker 1: At the time. It was a pandemic. You know what

1061
00:55:41,400 --> 00:55:45,319
Speaker 1: I'm saying. People was getting them banned. So I guess

1062
00:55:45,320 --> 00:55:48,239
Speaker 1: it's over now it's been over. Oh it was over

1063
00:55:48,320 --> 00:55:50,919
Speaker 1: two years ago. About to be a jail It's gonna

1064
00:55:50,920 --> 00:55:54,399
Speaker 1: be a jail demic. You hear me. We told y'all

1065
00:55:54,480 --> 00:55:56,520
Speaker 1: this was gonna happen. We live. You go back and

1066
00:55:56,600 --> 00:55:59,280
Speaker 1: you listen to the break club during Kobe, We told

1067
00:55:59,360 --> 00:56:02,920
Speaker 1: you EPP was gonna lead the p P prison. Okay,

1068
00:56:03,000 --> 00:56:05,919
Speaker 1: we saw what this was going. Y'all didn't listen. Hey,

1069
00:56:06,320 --> 00:56:09,319
Speaker 1: now you got a decade to watch you back, all right,

1070
00:56:10,440 --> 00:56:18,600
Speaker 1: the breakfast club, Come on the relationship advice, need personal advice,

1071
00:56:19,120 --> 00:56:24,360
Speaker 1: just need real advice. Call up man for asking morning.

1072
00:56:24,400 --> 00:56:28,520
Speaker 1: Everybody is DJ Envy angela. Ye, Charlemagne the guy. We

1073
00:56:28,640 --> 00:56:31,160
Speaker 1: are the breakfast club. It is time for asking Ye, Hello,

1074
00:56:31,239 --> 00:56:34,719
Speaker 1: who's this? Hi? This is Nicole, Hey, Nicole, what's your

1075
00:56:34,760 --> 00:56:38,640
Speaker 1: question for easy? Um? So, the situation is, um, I've

1076
00:56:38,640 --> 00:56:41,960
Speaker 1: been in a relationship for maybe like seventeen years. It

1077
00:56:42,080 --> 00:56:45,640
Speaker 1: just in terms of my relationship, he had like different

1078
00:56:45,960 --> 00:56:49,560
Speaker 1: sexual interests, and um, I thought, I'm on the doctor

1079
00:56:50,239 --> 00:56:53,880
Speaker 1: doctor nature. I've been I like control in the bedroom,

1080
00:56:54,320 --> 00:56:57,680
Speaker 1: and he seemed like he was into it. I'd like

1081
00:56:57,840 --> 00:57:01,160
Speaker 1: to turn them out, but I don't like when they're

1082
00:57:01,280 --> 00:57:04,439
Speaker 1: into it. So I've been noticing more and more where

1083
00:57:04,560 --> 00:57:07,560
Speaker 1: they are. I mean, he is like cooking to his

1084
00:57:07,960 --> 00:57:12,719
Speaker 1: be out or it's like hanging and I kind of

1085
00:57:12,760 --> 00:57:15,480
Speaker 1: not interested in it no more. So I want to

1086
00:57:15,600 --> 00:57:19,480
Speaker 1: know how do I bring up the conversation with him

1087
00:57:19,720 --> 00:57:24,960
Speaker 1: without hurting his feelings or damasculating him because so wait,

1088
00:57:25,040 --> 00:57:28,640
Speaker 1: let me So the problem is that you're a dominatrix, right,

1089
00:57:28,920 --> 00:57:32,040
Speaker 1: but he's enjoying it too much. I woant to say,

1090
00:57:32,600 --> 00:57:35,760
Speaker 1: yes that it's the problem. Okay, you want him, you

1091
00:57:35,800 --> 00:57:38,280
Speaker 1: want him to be like anymore? It's like, are you

1092
00:57:38,400 --> 00:57:43,440
Speaker 1: really now like interested in bad or you know? Okay,

1093
00:57:43,480 --> 00:57:46,560
Speaker 1: so in the beginning he wasn't enjoying it. No, he was.

1094
00:57:46,960 --> 00:57:48,439
Speaker 1: I liked what I said. I like to de turn

1095
00:57:48,600 --> 00:57:50,920
Speaker 1: him out, so he was like he no, staying with

1096
00:57:51,240 --> 00:57:54,840
Speaker 1: that area. What you think? This is kind of like okay,

1097
00:57:54,880 --> 00:57:56,640
Speaker 1: So you mean with you know, like putting something in

1098
00:57:56,760 --> 00:58:00,520
Speaker 1: his Yeah, okay, all right, Well, first of all, you

1099
00:58:00,600 --> 00:58:05,160
Speaker 1: said the goal is to turn someone out. It worked, yeah,

1100
00:58:05,200 --> 00:58:07,560
Speaker 1: it did, so now that you turned him out your board.

1101
00:58:08,040 --> 00:58:11,040
Speaker 1: But the thing is we are like partners, and I

1102
00:58:11,240 --> 00:58:14,360
Speaker 1: don't know if this is going to mess up our

1103
00:58:14,440 --> 00:58:18,280
Speaker 1: actual relationship. Well as a dominatrix, maybe you need to

1104
00:58:18,320 --> 00:58:20,960
Speaker 1: find something else to do to him next to turn

1105
00:58:21,040 --> 00:58:25,600
Speaker 1: him out on elaborate I mean, okay, look, what other

1106
00:58:25,680 --> 00:58:28,000
Speaker 1: things do you do as a dominatrix in this relationship,

1107
00:58:28,000 --> 00:58:30,400
Speaker 1: because I guess the dynamic now is messed up. Right.

1108
00:58:30,680 --> 00:58:33,640
Speaker 1: As a dominatrix, he's supposed to be like no, I

1109
00:58:33,680 --> 00:58:36,560
Speaker 1: don't want that, don't like that. He's resistant, but now

1110
00:58:36,640 --> 00:58:39,000
Speaker 1: he's like, yes, bring it, do it to me, peg

1111
00:58:39,080 --> 00:58:48,520
Speaker 1: me yes, and booty out before I'm ready to actually

1112
00:58:48,600 --> 00:58:52,240
Speaker 1: take it. And I'm like, right now, this is down. Now,

1113
00:58:52,320 --> 00:58:54,360
Speaker 1: this feels like something we both enjoy and it wasn't

1114
00:58:54,400 --> 00:58:57,120
Speaker 1: supposed to be like that, So are there are there

1115
00:58:57,200 --> 00:58:59,320
Speaker 1: are there things that you do to him and that

1116
00:58:59,560 --> 00:59:02,760
Speaker 1: sits you in that relationship to uh you know, maybe

1117
00:59:02,800 --> 00:59:04,640
Speaker 1: there's something else you could do where you're stepping on

1118
00:59:04,800 --> 00:59:07,320
Speaker 1: him with the high heels. Maybe a little light whipping

1119
00:59:07,520 --> 00:59:11,200
Speaker 1: anything like that. Yeah, we do a little rope plays

1120
00:59:11,440 --> 00:59:16,880
Speaker 1: of you know, I want to say sleep or patient.

1121
00:59:17,280 --> 00:59:19,919
Speaker 1: We do like a little rope plays. But like I said,

1122
00:59:20,040 --> 00:59:25,360
Speaker 1: it's just more of now like we regular doing regular

1123
00:59:25,520 --> 00:59:30,120
Speaker 1: sect He ready to two weeks out? Okay, but if

1124
00:59:30,160 --> 00:59:32,400
Speaker 1: he used a bigger dial, though, why are we doing

1125
00:59:33,360 --> 00:59:35,920
Speaker 1: this is so wrong? Why is it wrong? Men do

1126
00:59:36,080 --> 00:59:37,960
Speaker 1: not let women play in your button unless they're willing

1127
00:59:38,000 --> 00:59:40,400
Speaker 1: to make a real commitment to you. Okay, yeah, I

1128
00:59:40,440 --> 00:59:41,960
Speaker 1: mean he gave you the button. Now all of a

1129
00:59:42,000 --> 00:59:46,760
Speaker 1: sudden it's too far bad? Okay, you not married? Right?

1130
00:59:47,600 --> 00:59:51,840
Speaker 1: Actually we are married. What he gave you his butt

1131
00:59:51,920 --> 00:59:56,080
Speaker 1: and now you're saying it's too much. You gonna like it,

1132
00:59:56,680 --> 00:59:58,680
Speaker 1: you know that. But the problem is that you did

1133
00:59:58,760 --> 01:00:00,640
Speaker 1: turn him out and got him to something that he

1134
01:00:00,800 --> 01:00:03,040
Speaker 1: was resistant to at first, and now you don't like

1135
01:00:03,120 --> 01:00:06,280
Speaker 1: it anymore. So I mean, what can you do it?

1136
01:00:06,640 --> 01:00:12,920
Speaker 1: Works some suggestions. It's not like I'm really feel like

1137
01:00:12,960 --> 01:00:15,720
Speaker 1: I'm in a hard place because I don't want to

1138
01:00:15,760 --> 01:00:18,480
Speaker 1: say to him I don't want to do it anymore.

1139
01:00:18,560 --> 01:00:21,080
Speaker 1: And like I said, I'm the one that started. Yeah,

1140
01:00:22,040 --> 01:00:25,640
Speaker 1: but who maybe you could do it. Maybe you could

1141
01:00:25,680 --> 01:00:28,160
Speaker 1: do the opposite now right and torture him by not

1142
01:00:28,360 --> 01:00:32,600
Speaker 1: doing it. Oh man, what you don't do to another

1143
01:00:32,680 --> 01:00:40,120
Speaker 1: man's but somebody else somewhere else will? I mean, is

1144
01:00:40,200 --> 01:00:41,920
Speaker 1: it is it that you don't want to peg him

1145
01:00:41,920 --> 01:00:47,320
Speaker 1: anymore at all? What if he acted like he doesn't?

1146
01:00:47,560 --> 01:00:49,240
Speaker 1: What if he acted like he doesn't like it? Now?

1147
01:00:49,440 --> 01:00:52,560
Speaker 1: Moving forward? And you let him I ask him to

1148
01:00:52,960 --> 01:00:55,840
Speaker 1: like with just a little bit more, Yeah, tell him like,

1149
01:00:55,960 --> 01:00:58,360
Speaker 1: tell him like, look, the dynamics of what this was

1150
01:00:58,560 --> 01:01:00,400
Speaker 1: is not what it is now, And this is what

1151
01:01:00,480 --> 01:01:02,240
Speaker 1: I need you to do for me to feel turned on.

1152
01:01:03,480 --> 01:01:06,480
Speaker 1: He might actually enjoy that too. That's not fair, mama.

1153
01:01:06,560 --> 01:01:08,400
Speaker 1: If he likes something and now all of a sudden,

1154
01:01:08,400 --> 01:01:10,240
Speaker 1: you're supposed to be a couple, you're supposed to enjoy

1155
01:01:10,400 --> 01:01:12,800
Speaker 1: each other. Well, she's not enjoying it, but he is.

1156
01:01:13,480 --> 01:01:16,000
Speaker 1: But he might enjoy also doing the role playing of

1157
01:01:16,160 --> 01:01:18,480
Speaker 1: acting like this is his first time doing it. He

1158
01:01:18,520 --> 01:01:20,040
Speaker 1: didn't want to do it in the first time, why

1159
01:01:20,680 --> 01:01:22,800
Speaker 1: he broke down for her to do it, and now

1160
01:01:22,880 --> 01:01:24,680
Speaker 1: what he actually likes it. If he wants it, he

1161
01:01:24,800 --> 01:01:26,400
Speaker 1: might have to play along. You know why a lot

1162
01:01:26,440 --> 01:01:28,200
Speaker 1: of men don't like but play because they feel like

1163
01:01:28,240 --> 01:01:29,920
Speaker 1: it makes him feel like less of a man, right,

1164
01:01:30,000 --> 01:01:32,960
Speaker 1: It makes him feel like a sucker. Right. So so

1165
01:01:33,160 --> 01:01:36,360
Speaker 1: now I've been vulnerable with you, you turn me out,

1166
01:01:36,760 --> 01:01:38,360
Speaker 1: and now you're telling me to stop backing like a bitch.

1167
01:01:38,680 --> 01:01:43,560
Speaker 1: Well guess who turned me in one. I'm just saying, anyway,

1168
01:01:43,600 --> 01:01:50,240
Speaker 1: have you communicated any of this to him but not

1169
01:01:50,640 --> 01:01:53,280
Speaker 1: very direct, saying oh, this is how I feel at

1170
01:01:53,320 --> 01:01:56,320
Speaker 1: this turn moment, how things make a change. But be direct.

1171
01:01:56,400 --> 01:02:00,360
Speaker 1: You're a diaminatrix. Be direct, okay, and tell him, Look,

1172
01:02:00,400 --> 01:02:02,640
Speaker 1: this ain't fun for me no more. Before it was

1173
01:02:02,680 --> 01:02:05,200
Speaker 1: a resistant situation, you ain't want it. Now you tuting

1174
01:02:05,240 --> 01:02:09,840
Speaker 1: it up to dang up, daddy, make your role. What

1175
01:02:09,960 --> 01:02:15,680
Speaker 1: I like are a regular helpful situation, Like it's like

1176
01:02:15,760 --> 01:02:18,600
Speaker 1: I have to take control of everything, and it's like

1177
01:02:18,920 --> 01:02:23,960
Speaker 1: is that from the way our room as? And now

1178
01:02:24,440 --> 01:02:26,200
Speaker 1: it's like I don't want to pull him fitting out

1179
01:02:26,200 --> 01:02:28,760
Speaker 1: because that's I don't want to downplay who needs to

1180
01:02:28,920 --> 01:02:33,280
Speaker 1: be far from a female dog. But like he's revery

1181
01:02:33,520 --> 01:02:37,600
Speaker 1: now sowful, he's not taking control as I think a

1182
01:02:37,760 --> 01:02:40,880
Speaker 1: man in the house, So he might think this is

1183
01:02:40,920 --> 01:02:43,480
Speaker 1: what you want, and if you haven't communicated that you

1184
01:02:43,560 --> 01:02:46,080
Speaker 1: don't like it, he might think this is the dynamic

1185
01:02:46,200 --> 01:02:49,920
Speaker 1: that you wanted. Charlemagne did say something real true what

1186
01:02:50,040 --> 01:02:52,760
Speaker 1: you don't do, somebody else will. It's the truth. You

1187
01:02:52,880 --> 01:02:55,600
Speaker 1: turned them onto it, so he likes. You need to

1188
01:02:55,720 --> 01:02:57,480
Speaker 1: let him know that this is not working for you

1189
01:02:57,600 --> 01:02:59,400
Speaker 1: and this is not what your intention was, so he

1190
01:02:59,440 --> 01:03:02,000
Speaker 1: can take as in certain situations. Again, this is why

1191
01:03:02,120 --> 01:03:04,320
Speaker 1: men don't open up. Our hearts are butts to people

1192
01:03:04,880 --> 01:03:07,760
Speaker 1: because the situations like this, all right, but the main

1193
01:03:07,880 --> 01:03:10,120
Speaker 1: thing is that you're not telling him what it is

1194
01:03:10,200 --> 01:03:12,280
Speaker 1: that you need. You gotta let him much. She wanted

1195
01:03:12,320 --> 01:03:13,760
Speaker 1: it at first and he didn't want to do it

1196
01:03:13,840 --> 01:03:16,120
Speaker 1: at first, that he finally opened up and did it,

1197
01:03:16,360 --> 01:03:21,560
Speaker 1: and he got turned out and you are doing it's

1198
01:03:21,960 --> 01:03:25,160
Speaker 1: all right, so listen talk to him. Okay, so you

1199
01:03:25,280 --> 01:03:27,920
Speaker 1: got to work through this. You begged the playing my

1200
01:03:28,000 --> 01:03:29,720
Speaker 1: butt and let you playing my butt. Now you looking

1201
01:03:29,720 --> 01:03:32,520
Speaker 1: at me like I'm soft. Let's just keep that. This

1202
01:03:32,760 --> 01:03:38,160
Speaker 1: is crazy. This is this is crazy. This is what's

1203
01:03:38,200 --> 01:03:40,240
Speaker 1: his number? We need to call her? No, stop it,

1204
01:03:40,440 --> 01:03:44,720
Speaker 1: this is to spot yeah, don't do it? All right,

1205
01:03:44,760 --> 01:03:48,240
Speaker 1: all right, this is toxic. We have no problem answering

1206
01:03:48,280 --> 01:03:53,560
Speaker 1: any question. Opened up for her. He finally he enjoys

1207
01:03:53,640 --> 01:03:55,240
Speaker 1: it now and now she's just gonna take it back.

1208
01:03:56,080 --> 01:03:58,040
Speaker 1: I'll say, y'all can't get me in the communicate. We

1209
01:03:58,160 --> 01:03:59,920
Speaker 1: opened up then, y'all tell us, y'all like what we say.

1210
01:04:00,160 --> 01:04:02,240
Speaker 1: You say we don't share our emotions. We open up

1211
01:04:02,280 --> 01:04:04,320
Speaker 1: our hearts. Y'all break our hearts. Y'all say, y'all we

1212
01:04:04,360 --> 01:04:06,840
Speaker 1: don't want like butt play. We open our butts now,

1213
01:04:07,120 --> 01:04:09,200
Speaker 1: look to take it back. You guys have been two

1214
01:04:09,280 --> 01:04:12,800
Speaker 1: in to ask you these past covers. It's crazy, this

1215
01:04:12,920 --> 01:04:16,800
Speaker 1: is crazy, this is foul. He's toxic. We need to

1216
01:04:16,880 --> 01:04:31,480
Speaker 1: protest at we get five five breakfast. I'm gonna keep

1217
01:04:32,680 --> 01:04:37,280
Speaker 1: there's some real advice with Angela's ask Ye Morning. Everybody

1218
01:04:37,400 --> 01:04:41,240
Speaker 1: is DJ Envy Angela, Yee, Charlomagne the guy. We are

1219
01:04:41,320 --> 01:04:44,240
Speaker 1: the breakfast club. We're in the middle of ask ye Hello,

1220
01:04:44,360 --> 01:04:48,520
Speaker 1: who's this Yea? This is this is Trump. Hey Chaco, bro, Yeah,

1221
01:04:48,640 --> 01:04:50,880
Speaker 1: many So I got this question right. I was trying

1222
01:04:50,880 --> 01:04:52,720
Speaker 1: to put it out, like how do I get my

1223
01:04:52,880 --> 01:04:56,040
Speaker 1: wife to be most miss pause? You know what I mean? No,

1224
01:04:56,560 --> 01:05:00,120
Speaker 1: what do you mean by more submissive? Give me an example, Well,

1225
01:05:00,680 --> 01:05:02,840
Speaker 1: time to like high school, so we basically go to

1226
01:05:02,920 --> 01:05:05,040
Speaker 1: gus like I can't tell her name, So he's like

1227
01:05:05,240 --> 01:05:07,520
Speaker 1: many things. Well, I know i'd write it where it's

1228
01:05:07,520 --> 01:05:10,720
Speaker 1: always got to be like this argument about me making

1229
01:05:10,840 --> 01:05:13,360
Speaker 1: up serious. You know what I'm saying about something? You

1230
01:05:13,400 --> 01:05:15,440
Speaker 1: know what I mean? And she's already always in the head.

1231
01:05:15,480 --> 01:05:17,360
Speaker 1: You know how women are a meaning like that, but

1232
01:05:17,440 --> 01:05:19,400
Speaker 1: you get what I'm trying to say. Okay, so you're

1233
01:05:19,440 --> 01:05:21,560
Speaker 1: telling me how all women are, but you're complaining that

1234
01:05:21,680 --> 01:05:25,760
Speaker 1: she says all men are like that. Oh if you

1235
01:05:25,800 --> 01:05:27,760
Speaker 1: wouldn't trying to say the work all right, give me

1236
01:05:28,080 --> 01:05:31,720
Speaker 1: a specific example, like what you're right about that, she argues.

1237
01:05:32,120 --> 01:05:33,920
Speaker 1: Let's say it's something I'm dealing with the kids I

1238
01:05:33,960 --> 01:05:37,440
Speaker 1: don't want to get like specifically dealing with I may

1239
01:05:37,520 --> 01:05:39,880
Speaker 1: I may say this is how I wanted to go,

1240
01:05:40,880 --> 01:05:44,080
Speaker 1: and she feel like she go this way because he's

1241
01:05:44,080 --> 01:05:47,200
Speaker 1: always right. So really it's not even a matter of

1242
01:05:47,280 --> 01:05:49,560
Speaker 1: what's best. You guys are arguing over who's right. But

1243
01:05:49,720 --> 01:05:52,760
Speaker 1: that's I feel like you shouldn't be that. I feel

1244
01:05:52,800 --> 01:05:55,760
Speaker 1: like because he's like right all the time, you know

1245
01:05:55,800 --> 01:05:58,360
Speaker 1: what I'm saying. Yeah, because sometimes we end up getting

1246
01:05:58,360 --> 01:06:00,680
Speaker 1: into arguments not over what is that we're trying to do,

1247
01:06:00,760 --> 01:06:03,480
Speaker 1: but over who's right, and it becomes more about that

1248
01:06:03,960 --> 01:06:06,440
Speaker 1: than what the actual issue is. And it feels like

1249
01:06:06,520 --> 01:06:10,840
Speaker 1: when those arguments continue to happen, it's for another reason. Right,

1250
01:06:12,080 --> 01:06:14,040
Speaker 1: Is there something else going on in your relationships? It

1251
01:06:14,120 --> 01:06:16,280
Speaker 1: hasn't always been like this, or is this something that

1252
01:06:16,600 --> 01:06:19,440
Speaker 1: has been happening more recently. No, I think they're just

1253
01:06:19,600 --> 01:06:22,480
Speaker 1: like all memic of our relationships that was built over

1254
01:06:22,560 --> 01:06:24,680
Speaker 1: the years I've been together all these days, and I

1255
01:06:24,760 --> 01:06:28,680
Speaker 1: feel like I'm kind of build throughout all the time,

1256
01:06:28,760 --> 01:06:30,960
Speaker 1: you know what I'm saying. And I always like, damn,

1257
01:06:30,960 --> 01:06:32,400
Speaker 1: I don't want to argue with you every time we

1258
01:06:32,480 --> 01:06:35,240
Speaker 1: got we gotta make an incision on something right, because

1259
01:06:35,280 --> 01:06:39,520
Speaker 1: that's exhausting, right, and that does affect the whole relationship. Well,

1260
01:06:39,840 --> 01:06:41,840
Speaker 1: my thing is this, when I find myself in a

1261
01:06:41,960 --> 01:06:46,000
Speaker 1: space and listen, all couples get into situations where they're

1262
01:06:46,040 --> 01:06:49,320
Speaker 1: not always agreeing on things, they're not you know, always

1263
01:06:49,360 --> 01:06:51,920
Speaker 1: on good terms. Sometimes they argue, but being able to

1264
01:06:52,000 --> 01:06:53,920
Speaker 1: do that in a more effective way where you can

1265
01:06:53,960 --> 01:06:57,280
Speaker 1: actually not have an argument but a discussion is important.

1266
01:06:57,320 --> 01:06:59,160
Speaker 1: And it's about how you guys speak to each other

1267
01:06:59,680 --> 01:07:02,840
Speaker 1: when discussing things and if you can, if you can

1268
01:07:02,920 --> 01:07:05,760
Speaker 1: come into more of an agreeance on okay, whenever we

1269
01:07:06,120 --> 01:07:08,160
Speaker 1: have something that we don't agree on, let's have a

1270
01:07:08,240 --> 01:07:11,240
Speaker 1: discussion instead of an argument. And how can you do

1271
01:07:11,400 --> 01:07:13,720
Speaker 1: that without you know, you know, some of the main

1272
01:07:13,840 --> 01:07:16,240
Speaker 1: things are not using the words always you know how

1273
01:07:16,320 --> 01:07:18,240
Speaker 1: you said you know how all y'all women are or

1274
01:07:18,640 --> 01:07:21,360
Speaker 1: you always feel like men are like this. Using words

1275
01:07:21,440 --> 01:07:26,160
Speaker 1: like that make people get defensive, right, So a better

1276
01:07:26,240 --> 01:07:28,640
Speaker 1: way to express yourself is, hey, I was thinking it

1277
01:07:28,680 --> 01:07:30,480
Speaker 1: would be best for the kids if we did this

1278
01:07:30,640 --> 01:07:32,600
Speaker 1: like this. If she doesn't agree, be like, okay, well

1279
01:07:32,680 --> 01:07:35,000
Speaker 1: let's discuss and you know, figure out the best solution.

1280
01:07:35,520 --> 01:07:38,240
Speaker 1: Because sometimes it is really how y'all speak to each

1281
01:07:38,280 --> 01:07:42,400
Speaker 1: other because you're just arguing to be right, and you

1282
01:07:42,520 --> 01:07:44,880
Speaker 1: get so used to that because it is a dysfunctional

1283
01:07:44,960 --> 01:07:47,000
Speaker 1: thing in a relationship where you guys argue over every

1284
01:07:47,040 --> 01:07:49,280
Speaker 1: little thing, So you have to learn how to communicate

1285
01:07:49,320 --> 01:07:51,800
Speaker 1: with each other in a more respectful manner where she

1286
01:07:51,960 --> 01:07:54,120
Speaker 1: gets to say her piece, you get to say your piece,

1287
01:07:54,520 --> 01:07:57,480
Speaker 1: and then you guys are coming to an agreement on

1288
01:07:57,600 --> 01:07:59,760
Speaker 1: it in that manner. And then sometimes you have to

1289
01:07:59,800 --> 01:08:02,480
Speaker 1: give in, and sometimes she should give in. Sometimes you

1290
01:08:02,600 --> 01:08:05,400
Speaker 1: have to lead with example to show this is how

1291
01:08:05,600 --> 01:08:07,280
Speaker 1: I want to be spoken to and I want to

1292
01:08:07,320 --> 01:08:09,680
Speaker 1: treat you the way you need to be treated. And

1293
01:08:09,920 --> 01:08:11,840
Speaker 1: that might even be in the middle of you guys

1294
01:08:11,880 --> 01:08:14,880
Speaker 1: discussing something a hug selling her y'all love you. I

1295
01:08:14,960 --> 01:08:19,200
Speaker 1: hate that we are arguing like this because sometimes it's

1296
01:08:19,240 --> 01:08:21,240
Speaker 1: hard to be the bigger person in a situation like

1297
01:08:21,360 --> 01:08:23,639
Speaker 1: that when you're fighting to be right for no reason,

1298
01:08:24,200 --> 01:08:29,320
Speaker 1: right right, right, All right, Well, I wish y'all luck

1299
01:08:29,400 --> 01:08:31,840
Speaker 1: with that, But you know, I just think it's a

1300
01:08:32,000 --> 01:08:34,800
Speaker 1: different type of issue. It feels like it's not even

1301
01:08:34,880 --> 01:08:37,120
Speaker 1: about what y'all are going back and forth over. It's

1302
01:08:37,160 --> 01:08:40,599
Speaker 1: more about how you guys relate and communicate with each other. Yeah,

1303
01:08:40,680 --> 01:08:42,439
Speaker 1: that's what I think it is, too. Like I was saying,

1304
01:08:42,479 --> 01:08:44,560
Speaker 1: I guess it's kind of like over the year is

1305
01:08:44,760 --> 01:08:47,759
Speaker 1: like kind of got that week. You know what I mean? Yeah, listen,

1306
01:08:47,840 --> 01:08:49,640
Speaker 1: next time it happened, give her a kiss, give her

1307
01:08:49,680 --> 01:08:51,880
Speaker 1: a hug. And if it's not a bit, and if

1308
01:08:51,880 --> 01:08:54,000
Speaker 1: it's not a big deal or you know, the ways

1309
01:08:54,160 --> 01:08:56,360
Speaker 1: that she wants to do things, it's not bad. Sometimes

1310
01:08:56,400 --> 01:08:58,559
Speaker 1: you give in and then be like, Okay, last time

1311
01:08:58,640 --> 01:09:01,360
Speaker 1: I give in, So let's do it my way this time.

1312
01:09:02,040 --> 01:09:04,720
Speaker 1: I ask you about to go all right, I think

1313
01:09:05,080 --> 01:09:07,599
Speaker 1: take your life. If you wore, you're gonna call you back?

1314
01:09:07,800 --> 01:09:12,400
Speaker 1: All right, Please call me back? All right? All right?

1315
01:09:12,560 --> 01:09:15,479
Speaker 1: Ask ye eight hundred five eight five one oh five one.

1316
01:09:15,520 --> 01:09:17,679
Speaker 1: If you need relationship advice or any type of advice,

1317
01:09:17,720 --> 01:09:19,639
Speaker 1: you can call up. It's the breakfast Club. Good morning,

1318
01:09:21,320 --> 01:09:28,479
Speaker 1: the Breakfast Club. It's that time again. Ask Charlomagne and

1319
01:09:28,560 --> 01:09:32,519
Speaker 1: DJ nd anything pack it up, pick it up. It's

1320
01:09:32,600 --> 01:09:38,919
Speaker 1: time to ask any wanting everybody's DJ Envy, Angela Yee, Charlomagne,

1321
01:09:38,960 --> 01:09:41,360
Speaker 1: the guy. We all the breakfast club. It's time to

1322
01:09:41,479 --> 01:09:43,920
Speaker 1: ask C and E. If you need relationship advice or

1323
01:09:43,920 --> 01:09:46,240
Speaker 1: any type of advice, you can hit us. Hello, who's

1324
01:09:46,280 --> 01:09:51,400
Speaker 1: this you're standing? How y'all going happen? Seven up? Terrorists?

1325
01:09:51,640 --> 01:09:53,360
Speaker 1: Brother man, I got a question for y'all. Y'all man

1326
01:09:53,760 --> 01:09:55,720
Speaker 1: like yam, I got a question for you, yes, sir,

1327
01:09:56,320 --> 01:09:58,439
Speaker 1: after this Chris brock wood Smith thing, and I want

1328
01:09:58,479 --> 01:10:01,840
Speaker 1: to know it's just possible for wife or girlfriend if

1329
01:10:01,880 --> 01:10:04,080
Speaker 1: you don't comfortable and safe that you go protect her

1330
01:10:04,240 --> 01:10:07,240
Speaker 1: if she witness you not protect yourself. Well, what is

1331
01:10:07,280 --> 01:10:09,439
Speaker 1: protecting yourself look like? Can't tell me what that looks

1332
01:10:09,479 --> 01:10:11,160
Speaker 1: like to you, And I'll tell you what it looks

1333
01:10:11,160 --> 01:10:13,360
Speaker 1: like to me. I'm in an old generation where your

1334
01:10:13,400 --> 01:10:15,040
Speaker 1: father tell you the worst thing a man could do

1335
01:10:15,120 --> 01:10:16,960
Speaker 1: to respect you to smack. I rather you punch to

1336
01:10:17,040 --> 01:10:19,160
Speaker 1: me to smack. And now you can't even argue with

1337
01:10:19,240 --> 01:10:20,840
Speaker 1: your wife because you can't live where the first thing

1338
01:10:20,880 --> 01:10:22,680
Speaker 1: she's gonna say you don't break bad with me, You

1339
01:10:22,720 --> 01:10:26,120
Speaker 1: ain't break bad when your mom. You can't live with that. Now,

1340
01:10:26,280 --> 01:10:30,160
Speaker 1: that's that's terrible. Yeah, that's not what protecting a woman

1341
01:10:30,240 --> 01:10:32,000
Speaker 1: to me is, or protecting a woman to me is,

1342
01:10:32,040 --> 01:10:34,479
Speaker 1: you know, making sure that you know you're doing the

1343
01:10:34,560 --> 01:10:36,439
Speaker 1: work on yourself to show up to be the man

1344
01:10:36,560 --> 01:10:38,280
Speaker 1: that you need to be, Like, are you in there?

1345
01:10:38,479 --> 01:10:40,639
Speaker 1: Are you in therapeut? You know how to properly deal

1346
01:10:40,720 --> 01:10:44,320
Speaker 1: with your emotions, you know what I mean, you're absolutely right.

1347
01:10:44,320 --> 01:10:46,080
Speaker 1: But just think if you go somewhere and somebody to

1348
01:10:46,080 --> 01:10:48,320
Speaker 1: get loud, you think you're gonna feel comfortable, you go

1349
01:10:48,439 --> 01:10:50,360
Speaker 1: protect her. Yeah, I think I'm happened to you like that.

1350
01:10:50,479 --> 01:10:53,439
Speaker 1: I think it's a different situation. Uh. Will Smith and

1351
01:10:53,560 --> 01:10:56,000
Speaker 1: Chris Rock were actually friends. I mean they worked with

1352
01:10:56,080 --> 01:10:58,439
Speaker 1: movies together. They knew of each other, and that was

1353
01:10:58,560 --> 01:11:00,439
Speaker 1: that was one of the biggest stages. So I don't

1354
01:11:00,439 --> 01:11:02,720
Speaker 1: think you could compare that to if we just in

1355
01:11:02,760 --> 01:11:04,360
Speaker 1: the street and somebody comes up to me and smacks

1356
01:11:04,360 --> 01:11:06,000
Speaker 1: me in front of my my daughter or my or

1357
01:11:06,120 --> 01:11:09,439
Speaker 1: my wife. So he may different situations. Hey, also it

1358
01:11:09,560 --> 01:11:12,760
Speaker 1: is too king. Now, what if you're a person who

1359
01:11:12,840 --> 01:11:14,960
Speaker 1: can't control their emotions and you're dealing with a lot

1360
01:11:15,000 --> 01:11:16,400
Speaker 1: of hurt, and you're dealing with a lot of pain.

1361
01:11:16,640 --> 01:11:19,160
Speaker 1: So whenever somebody pops off, even if it's something like

1362
01:11:19,640 --> 01:11:22,280
Speaker 1: you react in that way and you just out smacking

1363
01:11:22,360 --> 01:11:24,680
Speaker 1: people or punching people, and then that person decides to

1364
01:11:24,680 --> 01:11:26,320
Speaker 1: pull a gun out and then kills you, blows your

1365
01:11:26,360 --> 01:11:30,320
Speaker 1: mother eff and brains out, that's not protecting right in

1366
01:11:30,400 --> 01:11:32,240
Speaker 1: your life. He puts a solful all the life he's

1367
01:11:32,240 --> 01:11:34,559
Speaker 1: small and everything. You gotta expect him to go off

1368
01:11:34,600 --> 01:11:37,040
Speaker 1: sooner later because he couldn't never be himself. He always

1369
01:11:37,040 --> 01:11:38,880
Speaker 1: got to be that image that is true. But later

1370
01:11:39,160 --> 01:11:40,840
Speaker 1: he gonna come out from the later. And I think

1371
01:11:40,880 --> 01:11:42,960
Speaker 1: that's all that happened. And I love both of the brothers,

1372
01:11:42,960 --> 01:11:45,240
Speaker 1: and I appreciate you. I love both. I love both

1373
01:11:45,280 --> 01:11:46,840
Speaker 1: of them too, man, and I can't. I want both

1374
01:11:46,880 --> 01:11:50,400
Speaker 1: of them to continue to continue on their journey or healing. Hello,

1375
01:11:50,560 --> 01:11:53,800
Speaker 1: who's this y'all? Without? Without without is I'll leave all right?

1376
01:11:53,840 --> 01:11:56,360
Speaker 1: What's your question for CNE? I got a question my

1377
01:11:56,439 --> 01:11:59,400
Speaker 1: first questions for Charlomagne. Yo, charlomagn I'll come every time

1378
01:11:59,439 --> 01:12:01,400
Speaker 1: you're giving out the donkey of the day. You got

1379
01:12:01,479 --> 01:12:04,800
Speaker 1: the day's wrong? Today is Thursday to thirty first, not

1380
01:12:04,960 --> 01:12:07,280
Speaker 1: Friday the thirty first. What did I say Friday to

1381
01:12:07,400 --> 01:12:10,080
Speaker 1: thirty first? I might have Friday. I might have I

1382
01:12:10,160 --> 01:12:11,920
Speaker 1: might have some type of burger man. I don't know.

1383
01:12:12,080 --> 01:12:15,800
Speaker 1: I'd be seeing. What's the burger, asked burger. Yeah, I'll

1384
01:12:15,840 --> 01:12:18,960
Speaker 1: be seeing. I didn't know. I thought the day was Thursday,

1385
01:12:19,040 --> 01:12:22,559
Speaker 1: March thirty first. I said Friday. I don't know why

1386
01:12:22,600 --> 01:12:23,960
Speaker 1: I do that. I'm gonna be honest. I see people

1387
01:12:24,000 --> 01:12:26,080
Speaker 1: say that all the time on the YouTube comments. I'm like,

1388
01:12:26,320 --> 01:12:27,880
Speaker 1: I don't even realize I'd be saying it like he

1389
01:12:27,880 --> 01:12:30,120
Speaker 1: ain't got an eyefro that tells him the day last week,

1390
01:12:31,000 --> 01:12:34,080
Speaker 1: all the time, your uncle getting old? Brot's forty three?

1391
01:12:34,120 --> 01:12:37,600
Speaker 1: What's the question, Broggera, Yo, every I got I got

1392
01:12:37,720 --> 01:12:40,200
Speaker 1: a problem, man, I'm trying to I'm trying to see, man, like,

1393
01:12:40,400 --> 01:12:42,800
Speaker 1: how can I I got an eighty percent and I

1394
01:12:42,880 --> 01:12:45,000
Speaker 1: got a twenty percent. I'm trying to see, how can

1395
01:12:45,080 --> 01:12:47,479
Speaker 1: I give my eighty my eighty? Sho my eighty? John

1396
01:12:47,880 --> 01:12:49,879
Speaker 1: trying to see I shouldnt give me a hunty. I'm

1397
01:12:49,920 --> 01:12:51,880
Speaker 1: tired of running. You should know nothing about this. And

1398
01:12:52,080 --> 01:12:54,000
Speaker 1: you know what, You shouldn't know nothing about this. You

1399
01:12:54,320 --> 01:12:57,800
Speaker 1: shouldn't even understand this. Math he talking? What are you talking? You?

1400
01:12:57,880 --> 01:13:00,360
Speaker 1: A happily married man, a faithful black man? Are you

1401
01:13:00,479 --> 01:13:03,800
Speaker 1: talking about a faithful black man? I'll tell you this.

1402
01:13:05,120 --> 01:13:08,200
Speaker 1: I'll tell you this, King. I know Math. I'm going

1403
01:13:08,320 --> 01:13:12,080
Speaker 1: with the eighty all day every day. Hey, and I'm

1404
01:13:12,120 --> 01:13:13,960
Speaker 1: trying to go to eighty all day every day. But

1405
01:13:14,120 --> 01:13:18,240
Speaker 1: they call you you're an idiot. You wouldn't take twenty

1406
01:13:18,280 --> 01:13:20,720
Speaker 1: percent of your paycheck, would you? If your boss came

1407
01:13:20,720 --> 01:13:22,040
Speaker 1: to you right now, then I'm gonna give you eighty

1408
01:13:22,080 --> 01:13:24,280
Speaker 1: percent of your paycheck or twenty percent of your paycheck.

1409
01:13:24,560 --> 01:13:27,640
Speaker 1: Which one you're taking? That's an easy question, so it

1410
01:13:27,680 --> 01:13:32,040
Speaker 1: should be easy in this situation too. Food. What's calling?

1411
01:13:32,080 --> 01:13:34,559
Speaker 1: I'm talking about math? We don't know we faithful? Black man?

1412
01:13:35,720 --> 01:13:38,200
Speaker 1: What are you talking? Numberut that damn math? Eighty twenty?

1413
01:13:38,520 --> 01:13:41,320
Speaker 1: Is that I know a hundred exactly one hundred percent

1414
01:13:41,520 --> 01:13:45,240
Speaker 1: faithful to all wives? What this man told eighty twenty?

1415
01:13:46,040 --> 01:13:50,640
Speaker 1: Dumb ass? All right? As CNE. Our program today is

1416
01:13:50,680 --> 01:13:53,160
Speaker 1: brought to you by Peacock presenting the new original limited

1417
01:13:53,200 --> 01:13:55,719
Speaker 1: series The Best Man. The final chapters from the creator

1418
01:13:55,760 --> 01:13:57,880
Speaker 1: of the Best Man and The Best Man Holiday, an

1419
01:13:57,920 --> 01:14:01,599
Speaker 1: executive producer of Insecure, streaming a limited series December twenty

1420
01:14:01,640 --> 01:14:06,120
Speaker 1: second only on Peacock poring Everybody is DJ Envy, Angela Yee,

1421
01:14:06,240 --> 01:14:08,800
Speaker 1: Charlemagne the guy. We are the Breakfast Club. You got

1422
01:14:08,880 --> 01:14:10,960
Speaker 1: a positive note for the people now. The positive note

1423
01:14:10,960 --> 01:14:13,479
Speaker 1: is simply this. You are where you're supposed to be

1424
01:14:13,600 --> 01:14:17,120
Speaker 1: at this very moment. Every experience is part of God's Plan,

1425
01:14:17,479 --> 01:14:20,160
Speaker 1: breakfast club you don't finish, or y'all dumb