1 00:00:00,120 --> 00:00:02,440 Speaker 1: Coming up at the top of the hour, right about 2 00:00:02,480 --> 00:00:06,560 Speaker 1: four minutes after. It's my strawberry letter for today, subject 3 00:00:06,760 --> 00:00:09,760 Speaker 1: I'm in too deep with this guy. But right now, nephew, 4 00:00:09,920 --> 00:00:12,360 Speaker 1: right here with today's praying phone call. What you got 5 00:00:12,400 --> 00:00:18,439 Speaker 1: for us now? Well? Bumping grind? Huh, bumping grind no 6 00:00:18,600 --> 00:00:25,840 Speaker 1: relation to our l bumping ground. Hello. Hello, I'm sorry Marcus. 7 00:00:25,960 --> 00:00:29,080 Speaker 1: Uh Marcus, Yeah, this is Hey. Can you hear me? 8 00:00:29,120 --> 00:00:33,080 Speaker 1: Can you hear me? Pretty good? Yeah? Hey, hey listen, 9 00:00:33,240 --> 00:00:37,400 Speaker 1: uh let me turn the radio the second. Okay, hey listen. 10 00:00:37,440 --> 00:00:39,519 Speaker 1: I live in and uh. I live in an apartment 11 00:00:39,520 --> 00:00:42,080 Speaker 1: building that you just moved into. Uh. I live in 12 00:00:42,240 --> 00:00:45,120 Speaker 1: twenty one A and you live above me in twenty 13 00:00:45,200 --> 00:00:48,400 Speaker 1: two A. Uh huh. I actually got your number from 14 00:00:48,400 --> 00:00:49,920 Speaker 1: the least in office. I told him I wanted to 15 00:00:49,920 --> 00:00:52,720 Speaker 1: welcome you to the apartment building, man, but I don't 16 00:00:52,720 --> 00:00:54,800 Speaker 1: want to really raise no prows. But I was really 17 00:00:54,840 --> 00:00:57,680 Speaker 1: calling about you know. You know, first of all, let 18 00:00:57,680 --> 00:01:00,000 Speaker 1: me go ahead and say welcome to the building, man, 19 00:01:00,000 --> 00:01:01,760 Speaker 1: And I hope that you and your your uh is 20 00:01:01,800 --> 00:01:04,120 Speaker 1: that your wife that lives with you? First of all, 21 00:01:04,520 --> 00:01:07,560 Speaker 1: thank you, brother, I appreciate it. But why would you 22 00:01:07,560 --> 00:01:09,120 Speaker 1: need to have my number to do that. You could 23 00:01:09,200 --> 00:01:12,000 Speaker 1: just came knocked from my door, man, boy. Yeah, yeah, 24 00:01:12,080 --> 00:01:14,040 Speaker 1: we'll see whatever. The reason why I mean I really 25 00:01:14,040 --> 00:01:16,640 Speaker 1: called that got the number, was kind of reach out 26 00:01:16,640 --> 00:01:18,000 Speaker 1: to you. Man. I don't be wanting to start no 27 00:01:18,040 --> 00:01:20,720 Speaker 1: trouble with nobody or nothing like that. I wanna, you know, 28 00:01:21,000 --> 00:01:22,520 Speaker 1: I want. I want my neighbors to be cool with me, 29 00:01:22,560 --> 00:01:23,960 Speaker 1: and I want to be cool with my neighbors. You 30 00:01:24,000 --> 00:01:27,120 Speaker 1: know what I'm saying. Yeah, that's cool. So I was 31 00:01:27,160 --> 00:01:30,280 Speaker 1: reaching out, man, because you know the noise, man, I was. 32 00:01:30,959 --> 00:01:34,840 Speaker 1: I'm I work at night and I sleep during the day. Man, 33 00:01:34,880 --> 00:01:37,840 Speaker 1: but it seems like that you guys moved in, man, 34 00:01:37,920 --> 00:01:39,840 Speaker 1: in the middle of the day. It's just you know, 35 00:01:40,160 --> 00:01:41,640 Speaker 1: I mean, I know what it's like to have a 36 00:01:42,200 --> 00:01:44,600 Speaker 1: hold on hold, on, hold on hold. You're hearing nor 37 00:01:44,840 --> 00:01:48,720 Speaker 1: just coming from my place in the middle of the day, right, 38 00:01:48,760 --> 00:01:52,080 Speaker 1: I mean, I'm here, I'm getting them here, and you're 39 00:01:52,120 --> 00:01:55,600 Speaker 1: making love to you like he many. I mean, now, man, now, 40 00:01:55,800 --> 00:01:58,120 Speaker 1: now you know what he did. You might be hearing 41 00:01:58,280 --> 00:02:00,919 Speaker 1: something from my mother a mother it man, It's definitely 42 00:02:00,920 --> 00:02:03,200 Speaker 1: not coming from us because I'm at work and my 43 00:02:03,400 --> 00:02:05,840 Speaker 1: you know, my girl is there, but she on the computers. 44 00:02:05,880 --> 00:02:07,520 Speaker 1: You know what, she's looking for a gig right now? 45 00:02:10,160 --> 00:02:12,799 Speaker 1: He look, okay, okay, okay, we're a minute now. So 46 00:02:13,040 --> 00:02:17,720 Speaker 1: you live in apartment twenty two A. Right, yeah, okay, 47 00:02:19,160 --> 00:02:22,280 Speaker 1: see I live in point one A. Your your bedroom 48 00:02:22,919 --> 00:02:27,880 Speaker 1: is above my bedroom. Wait, hold on, hold on. You're 49 00:02:27,919 --> 00:02:32,200 Speaker 1: telling me that she's hearing years is that sounds like 50 00:02:32,320 --> 00:02:36,760 Speaker 1: somebody's making love coming from my career at this time 51 00:02:36,840 --> 00:02:40,040 Speaker 1: of day and I'm not there and only my women 52 00:02:40,160 --> 00:02:43,320 Speaker 1: is there. D man, you know, I get it. I'm 53 00:02:43,400 --> 00:02:46,160 Speaker 1: not trying to be rude anything. I appreciate you calling 54 00:02:46,320 --> 00:02:48,919 Speaker 1: and and you know, neighbor and all that, and you 55 00:02:49,000 --> 00:02:53,200 Speaker 1: shake you in right. Uh yeah, yeah, you know I'm 56 00:02:53,200 --> 00:02:56,079 Speaker 1: not that. Look, I mean you called me all right, 57 00:02:56,400 --> 00:02:58,520 Speaker 1: So let's get to the bottom of it. One time 58 00:02:58,840 --> 00:03:02,079 Speaker 1: you're seeing you here? What kind of is that you're hearing? Exactly? 59 00:03:02,240 --> 00:03:05,160 Speaker 1: Tell me, hey, hey, you know what, man, there's probably 60 00:03:05,200 --> 00:03:06,840 Speaker 1: just a big mistake. I mean, maybe she's just hanging 61 00:03:06,880 --> 00:03:13,280 Speaker 1: some pictures or something. Broy you know, want right I pictures? Man, 62 00:03:13,600 --> 00:03:16,160 Speaker 1: we don't even the pictures. I mean, you're calling me 63 00:03:16,360 --> 00:03:19,840 Speaker 1: like you even not having bone after my kid. You're 64 00:03:19,880 --> 00:03:26,040 Speaker 1: talking about man, hey man, listen, um Marcus, opologize. I'm 65 00:03:26,120 --> 00:03:29,880 Speaker 1: I'm you know, I'm gonna know. You're telling me I'm 66 00:03:30,120 --> 00:03:32,839 Speaker 1: mad you understand saying I don't know what you are 67 00:03:33,000 --> 00:03:35,800 Speaker 1: and I'm a man. No, I'm don't you and understand. 68 00:03:35,880 --> 00:03:38,480 Speaker 1: I mean you calling me telling me you're hearing literally 69 00:03:38,560 --> 00:03:42,520 Speaker 1: just coming from our kids and sharing like somebody. And 70 00:03:42,640 --> 00:03:44,600 Speaker 1: now you're telling me where you thought it was you. 71 00:03:44,680 --> 00:03:47,160 Speaker 1: Hey man, all I'm saying is maybe it's just a 72 00:03:47,320 --> 00:03:49,480 Speaker 1: ligitimate mistake. I don't think man, she hanging the pictures 73 00:03:49,520 --> 00:03:52,280 Speaker 1: the moons of Purnis or something like that. Just man, 74 00:03:52,320 --> 00:03:55,200 Speaker 1: I keep telling you that you know pictures and you 75 00:03:55,320 --> 00:03:58,360 Speaker 1: nobody hanging it. It shouldn't do you know it's coming 76 00:03:58,440 --> 00:04:02,200 Speaker 1: from my kid? Hey man, I ain't trying to I 77 00:04:02,280 --> 00:04:04,320 Speaker 1: ain't trying to start no trouble man, And you're not 78 00:04:04,480 --> 00:04:07,640 Speaker 1: start what you taking that. All I was calling about 79 00:04:07,720 --> 00:04:10,440 Speaker 1: was trying to get a decent, decent rest. Man. I 80 00:04:10,520 --> 00:04:12,640 Speaker 1: work at night. Brother, It's all I'm talking about. Man, 81 00:04:12,640 --> 00:04:14,800 Speaker 1: I'm not trying to do. Don't get it. If the 82 00:04:14,880 --> 00:04:17,280 Speaker 1: grad years ship, I don't care it you calling me 83 00:04:17,400 --> 00:04:23,560 Speaker 1: telling me about I just want You're lazy, anyone like that. 84 00:04:23,680 --> 00:04:26,159 Speaker 1: I ain't believe it. When you got the right a dress, 85 00:04:26,240 --> 00:04:30,560 Speaker 1: when you love a man. He because yas man an 86 00:04:30,600 --> 00:04:33,840 Speaker 1: apartment twenty one eight and your place is the mind man. 87 00:04:34,320 --> 00:04:36,600 Speaker 1: Hold on, man, hold on you put it chuck over 88 00:04:36,720 --> 00:04:41,520 Speaker 1: mare old on what checking man? Because you're talking along? Dude. Hey, man, look, 89 00:04:41,560 --> 00:04:43,880 Speaker 1: I'm not I'm not trying to have no trouble. Man. 90 00:04:44,000 --> 00:04:48,800 Speaker 1: I'm not trying to handle trog working there again, I 91 00:04:48,920 --> 00:04:52,640 Speaker 1: do think the others a week while then like this. Okay, okay, 92 00:04:52,720 --> 00:04:55,080 Speaker 1: though I'm not. All I'm saying is man, I thought 93 00:04:55,560 --> 00:04:58,160 Speaker 1: I thought you was making love to your your woman. Man, 94 00:04:58,240 --> 00:04:59,920 Speaker 1: That's what I thought. That's why I called you to ask. 95 00:05:00,000 --> 00:05:07,760 Speaker 1: Gotta keep the noise down my wife. Here you go 96 00:05:08,440 --> 00:05:17,120 Speaker 1: trunway from the wreck of him. No, no, on the Hello, dude, 97 00:05:17,160 --> 00:05:19,520 Speaker 1: you're not coming to my apartment and hear nothing. I 98 00:05:19,560 --> 00:05:25,920 Speaker 1: ain't got nothing to do with this you. I ain't 99 00:05:26,000 --> 00:05:28,200 Speaker 1: letting you in my house. Man. I by no manute 100 00:05:28,240 --> 00:05:31,480 Speaker 1: you got going on up stairs? You gotta control your woman. Man, 101 00:05:31,520 --> 00:05:34,840 Speaker 1: It ain't got nothing to do with me, for my 102 00:05:35,000 --> 00:05:38,360 Speaker 1: woman won't even know. I know he men, I know 103 00:05:39,120 --> 00:05:41,280 Speaker 1: head you. I don't leave it. They're weighing it out 104 00:05:41,400 --> 00:05:44,000 Speaker 1: for the last two weeks between twelve and two. I 105 00:05:44,160 --> 00:05:49,680 Speaker 1: know that you're talking the game. Man, I'm coming to 106 00:05:49,760 --> 00:05:53,839 Speaker 1: your You ain't coming to my apartment. Man, I'm not amen. Listen, 107 00:05:53,960 --> 00:05:56,000 Speaker 1: I know I ain't got nothing to do with it. 108 00:05:56,480 --> 00:06:00,720 Speaker 1: I'm telling you got trouble. I got a want more 109 00:06:00,760 --> 00:06:02,559 Speaker 1: things I need to say you. Man, if you're listening 110 00:06:02,760 --> 00:06:05,400 Speaker 1: from my cred, I ain't home. I got one more 111 00:06:05,480 --> 00:06:07,400 Speaker 1: thing I need to say. All right, all right, you 112 00:06:07,480 --> 00:06:09,920 Speaker 1: better do listen. Better be telling me opening and don't 113 00:06:10,520 --> 00:06:14,760 Speaker 1: are you listen? Yeah, listen, this is nephew timming from 114 00:06:14,800 --> 00:06:18,160 Speaker 1: the Steve Harvey Morning Show. You just got break by 115 00:06:18,240 --> 00:06:26,000 Speaker 1: your own boy. Wait a minute, hold what they one? 116 00:06:26,040 --> 00:06:29,640 Speaker 1: Ain't man? Step away from twenty one eight? Please? This 117 00:06:29,839 --> 00:06:31,960 Speaker 1: is now your timing from the Steve Harvey. Want to 118 00:06:32,040 --> 00:06:38,200 Speaker 1: tell your boy? Got me to break you? Man? Oh? Oh, 119 00:06:40,839 --> 00:06:44,760 Speaker 1: I damn Are you at one eight? Dude? I'm right 120 00:06:44,839 --> 00:06:49,760 Speaker 1: outside my apartment. Man, I read flowing. Hang up, man, 121 00:06:51,560 --> 00:06:55,719 Speaker 1: you tell me this. Tell me? Man? How you doing? Brother? Man? Man? 122 00:06:55,960 --> 00:06:58,640 Speaker 1: Com me you you had me going now I was 123 00:06:58,720 --> 00:07:04,160 Speaker 1: coming to me. I'm serious, man, I got one more thing. 124 00:07:04,200 --> 00:07:06,200 Speaker 1: I got a fun Let you go man, what is 125 00:07:06,480 --> 00:07:10,120 Speaker 1: what is the baddest radio show in the land? Man, man, 126 00:07:10,240 --> 00:07:13,000 Speaker 1: It's the Steve Harvey Morning Show without a doubt, A 127 00:07:13,160 --> 00:07:21,600 Speaker 1: man up away from twenty one. Go ahead, junior. If 128 00:07:21,640 --> 00:07:26,880 Speaker 1: you don't learn huh, that is what give it to him. 129 00:07:28,440 --> 00:07:33,880 Speaker 1: What you'll be is what I do. Pragging is on 130 00:07:33,960 --> 00:07:36,720 Speaker 1: a whole nether level. When this ain't even what you do, 131 00:07:37,160 --> 00:07:43,640 Speaker 1: just what I stupid? Yeah right there, Come on now 132 00:07:44,080 --> 00:07:47,080 Speaker 1: the greatest ever do this ease? Come on, y'all. I 133 00:07:47,080 --> 00:07:54,680 Speaker 1: don't hear y'all wa y'all last the sho last? Uh? 134 00:07:55,200 --> 00:07:59,600 Speaker 1: October nine teeth? I mean why Kobe A Center? Wait? 135 00:07:59,640 --> 00:08:04,080 Speaker 1: Wait wait that's this weekend? Why Comic Comic this weekend? 136 00:08:05,200 --> 00:08:07,640 Speaker 1: It was very close. It's a very Maryland Why Comic 137 00:08:07,680 --> 00:08:11,280 Speaker 1: coad Civic Center? And on jor why Covie? And that's 138 00:08:11,320 --> 00:08:17,920 Speaker 1: a bank well I couldn't say they Also on October fifth, 139 00:08:18,000 --> 00:08:20,520 Speaker 1: it is the premier date of Ready to Love My 140 00:08:20,640 --> 00:08:24,080 Speaker 1: second season on on ten PM, Easter nine Century. You 141 00:08:24,160 --> 00:08:25,720 Speaker 1: do not want to miss it. Come check us out. 142 00:08:25,800 --> 00:08:28,760 Speaker 1: Tune in twenty singles looking for Love in the City 143 00:08:28,800 --> 00:08:30,880 Speaker 1: of Atlanta. I am the host, I am the coach. 144 00:08:30,920 --> 00:08:33,000 Speaker 1: I am the cupid. I am the man, So y'all tuning. 145 00:08:33,040 --> 00:08:37,319 Speaker 1: I'm very serious, I'm very very smart. You gotta check 146 00:08:37,360 --> 00:08:41,040 Speaker 1: me out. And there's no stupid at all that shut 147 00:08:41,120 --> 00:08:45,120 Speaker 1: the room down right there, all right, all right, coming 148 00:08:45,200 --> 00:08:50,080 Speaker 1: up right after this, thank you, nephew. Uh Today's Strawberry 149 00:08:50,160 --> 00:08:53,360 Speaker 1: Letters subject I am in too deep with this guy. 150 00:08:53,480 --> 00:08:55,199 Speaker 1: We'll get into it right after this.