WEBVTT - Chapter 20: Yokai

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<v Speaker 1>Bridgewater is a production of iHeartRadio three D audio and

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<v Speaker 1>Grim and Mild from Aaron Mankey for full exposure, listen

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<v Speaker 1>with headphones. Listener discretion advised. Oh my god, I'm getting

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<v Speaker 1>tired of running through the woods away from monsters. Jeremy,

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<v Speaker 1>how did you? I mean you just I don't know

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<v Speaker 1>I did that? Did that really just happen? I guess

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<v Speaker 1>yeah it did. Welcome to the club of people with

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<v Speaker 1>evidence of the paranormal. This is unbelievable. It is a

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<v Speaker 1>lot to take in. We've been dealing with it for

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<v Speaker 1>a week now, and I don't think we've even begun

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<v Speaker 1>to process it. I mean, those are those were thunderbirds,

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<v Speaker 1>like real thunderbirds. I'm not sure about that. Actually, what

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<v Speaker 1>do you mean? They were enormous birds who brought thunder

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<v Speaker 1>and lightning with them. Thunderbirds are sacred protectors in Wampanog legend.

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<v Speaker 1>They mostly attack creatures from the underworld or people who

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<v Speaker 1>broke moral rules. It doesn't make sense that they'd attack us.

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<v Speaker 1>Not to mention the face of one of them, it looked, well,

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<v Speaker 1>it looked a little too human, didn't it. Maybe our

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<v Speaker 1>shape shifter has a greater range than we thought. Impandulu

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<v Speaker 1>the Pandulu the lightning bird from South African myth. That

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<v Speaker 1>bird also creates lightning, but it's considered much more malevolent. Right.

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<v Speaker 1>It's vampiric, isn't it, And it can disguise itself as human.

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<v Speaker 1>Maybe it was in the middle of transformation or something,

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<v Speaker 1>or maybe it was a thunderbird and it was simply

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<v Speaker 1>trying to protect its domain. I don't know that's possible too. Yeah,

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<v Speaker 1>maybe if it had a human mouth along with those claws,

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<v Speaker 1>that could be our cow killer. Well, whatever it was,

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<v Speaker 1>we better hope that it went back into the forest

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<v Speaker 1>and not farther out looking for dinner. Okay, so we

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<v Speaker 1>need to know how to take it down if we

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<v Speaker 1>encounter it again. I'd say you did pretty well on

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<v Speaker 1>that score. I mean, I can't believe it actually worked.

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<v Speaker 1>I know, right, Holy shit, did I just do? Imagine?

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<v Speaker 1>I think you did. Wow, that's amazing. What room exactly?

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<v Speaker 1>Was that one for protection? Not banishment? I guess that's

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<v Speaker 1>maybe the best way to protect against them. Well, it

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<v Speaker 1>didn't get rid of all of them, so maybe one

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<v Speaker 1>of these rooms Peyton gave me will do that. Oh wait, no,

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<v Speaker 1>don't banish them all? What wouldn't you want to study it,

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<v Speaker 1>show it to the world, prove that monsters actually exist.

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<v Speaker 1>Peyton made it very clear that keeping the secrets of

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<v Speaker 1>the phayrealm is vital. Think about the kind of chaos

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<v Speaker 1>that would ensue if if people the phayrealm. You didn't

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<v Speaker 1>tell her it hadn't come up yet, sop and I

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<v Speaker 1>think that this all, all of this has been the

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<v Speaker 1>work of the realm. That the Bridgewater Triangle is a

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<v Speaker 1>gate from this world to theirs, and that that's where

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<v Speaker 1>all of these creatures are coming from. WHOA, yeah, and look,

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<v Speaker 1>not many people know this, so you cannot tell the

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<v Speaker 1>other legend trippers. Okay, yeah, Mum's the word. So we've

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<v Speaker 1>been working on closing the gate. And there's this whole

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<v Speaker 1>deal that's been in place, I guess for centuries. That

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<v Speaker 1>explains some of the missing people throughout the years. And

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<v Speaker 1>it seems like with the old Bridgewater Gathering more or

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<v Speaker 1>less now defunct, it's maybe up to us to fix it.

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<v Speaker 1>That's what you're doing. You're not just doing research for

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<v Speaker 1>your class. By the way, I am really a professor.

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<v Speaker 1>It just happened to be a professor who's actually gotten

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<v Speaker 1>in very over his head. Wow, you know, like an

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<v Speaker 1>os goot, Indiana Jones. This isn't a movie, Okay, it's

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<v Speaker 1>real life, is our lives? Look, I didn't mean so

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<v Speaker 1>if there's anything you know that you're not telling us,

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<v Speaker 1>you really need to what. No, I'm not hiding anything

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<v Speaker 1>from you, guys. I wouldn't do that. I mean I

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<v Speaker 1>want to help. I like to think I already have.

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<v Speaker 1>She has. I think we're covered. You know as well

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<v Speaker 1>as I how expansive all these legends are, how unreliable

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<v Speaker 1>and vague they can be. I know your experts, but

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<v Speaker 1>it seems like maybe we each have gaps in knowledge

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<v Speaker 1>that the other ones can fill. Just let me help.

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<v Speaker 1>She knows how to help. I can't hurt, and we

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<v Speaker 1>would have been torn to shreds if she hadn't taught

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<v Speaker 1>me that room. I guess. Okay, we should go over

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<v Speaker 1>to the Hoskins and meet up with everyone else, Olivia said,

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<v Speaker 1>she and Thomas. We're going to try and get Lee's

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<v Speaker 1>old radio working. All right, let's see if the coast

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<v Speaker 1>is clear. Stuck what I don't know? I can't can't.

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<v Speaker 1>I can't get the door knob to turn that h happen?

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<v Speaker 1>Can you everything is unlocked. I don't know what's Uh,

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<v Speaker 1>do you want me to give it a try? Yeah? Sure,

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<v Speaker 1>go for it. Yeah, let's up. Oh it feels like

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<v Speaker 1>it's like here, let me help. It's like someone is

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<v Speaker 1>pulling from the other side. What we're trapped? Oh my god,

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<v Speaker 1>we're not through all the stations yet. We've been at

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<v Speaker 1>this for forty five minutes and nothing. I don't know

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<v Speaker 1>that we're ever going to find something. FM didn't have anything.

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<v Speaker 1>But that doesn't mean am well, wow, you have the

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<v Speaker 1>patience of a saint. Yeah, I kind of had to

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<v Speaker 1>oh shit, right, sorry, Oh it's okay. How's your chest?

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<v Speaker 1>Because you sound a little would you stop hovering? I'm okay, okay, okay.

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<v Speaker 1>It's just if you're having anxiety about this whole thing,

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<v Speaker 1>and I can handle it on my own. What with

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<v Speaker 1>the shallow breathing tightness in the chest. Look, I have

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<v Speaker 1>friends with anxiety, and I don't get anxious. It is understandable.

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<v Speaker 1>I mean, we're trying to tune into the place where

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<v Speaker 1>you were trapped, I know, and I just want to

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<v Speaker 1>find it. You know you're safe here, right, Thomas, No,

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<v Speaker 1>I'm not, but I'm not anxious. This It's been happening

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<v Speaker 1>every couple of hours today. It's always something something what

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<v Speaker 1>I don't belong here, Olivia, which is why I need

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<v Speaker 1>to figure this out. Wait, go back, stop stop stuff there?

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<v Speaker 1>That that that's the music, Nan and I heard when

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<v Speaker 1>the house went nuts? What what station is this? Nine twelves? What?

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<v Speaker 1>How's that possible? Hey? How's it going in here? Hey?

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<v Speaker 1>Are you okay? Yeah? And Shelley? Yeah, picking up some

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<v Speaker 1>food for all of us. I think she needed some

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<v Speaker 1>time to herself. But we're you know, I don't know.

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<v Speaker 1>I don't think that things are broken beyond repair. So

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<v Speaker 1>good good, Yeah, but I'm sure she love to talk

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<v Speaker 1>with you at some point tonight, So really i'd love that. Okay.

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<v Speaker 1>So hi, Nana. I can't find any evidence that this

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<v Speaker 1>particular station has ever been registered anywhere. Wait is that music?

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<v Speaker 1>I know? Station nine twelve on AM radio? I mean

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<v Speaker 1>no idea who owns the frequency or where the broadcast

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<v Speaker 1>is coming from? Yeah? I thought all AM stations ended

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<v Speaker 1>in zero? Yeah they do. So what this is some

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<v Speaker 1>kind of pirate radio? More likely magic radio? Now what

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<v Speaker 1>we wait for a voice? See if Alden is still

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<v Speaker 1>trying to call out? You said you thought that music

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<v Speaker 1>was coming from the other side, not the liminal. So

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<v Speaker 1>maybe there's another station that's tapped into the in between,

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<v Speaker 1>or things are so thin between worlds that the other

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<v Speaker 1>side is bleeding through and drowning everything else out. Ah, okay,

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<v Speaker 1>so we're stuck magic, some kind of creature a run maybe,

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<v Speaker 1>whatever it is. I don't think getting out of here

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<v Speaker 1>is going to be easy. What the fuck? Why is

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<v Speaker 1>it dark all of a sudden, and what's what the fuck?

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<v Speaker 1>I'm a little more focused on the fact that everything

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<v Speaker 1>seems to be moving. It's like we're looking through a

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<v Speaker 1>fun house mirror. What the hell is that? I thought

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<v Speaker 1>maybe it was old glass. No, that's definitely just what

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<v Speaker 1>the outside looks like now, and that's not a way

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<v Speaker 1>out either. Not the going outside is particularly appealing at

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<v Speaker 1>the moment. Sh do you do you hear that it's music?

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<v Speaker 1>I wonder if that's the same as that has to

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<v Speaker 1>be right. I totally get what Olivia meant by wrong now.

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<v Speaker 1>It doesn't really sound like music is supposed to. What

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<v Speaker 1>are you guys talking about? The woman who lives here

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<v Speaker 1>and she and her granddaughter heard music the other day

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<v Speaker 1>when the house was shaking an earthquake, we don't think

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<v Speaker 1>so if those incidents were the veil between worlds and

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<v Speaker 1>Freetown force getting weaker on the other realm bleeding through,

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<v Speaker 1>then and we might be inside the liminal now, oh god, Okay, okay, everybody,

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<v Speaker 1>stay calm. We'll find our way out of this. Okay,

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<v Speaker 1>She's right, she's right. Maybe we just need to wait

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<v Speaker 1>it out. Eventually, whatever weird force was coming out of

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<v Speaker 1>Freetown making everything quiet, it did retreat before, right, So

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<v Speaker 1>it's it's almost like a tide that goes in and out.

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<v Speaker 1>So where we just sit here and wait for it

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<v Speaker 1>to go out again. Well, I don't know. I just

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<v Speaker 1>think we need to keep our heads. Okay, what exactly

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<v Speaker 1>did you do with that run? What? Everything was completely

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<v Speaker 1>normal until you showed up, Vip, And I was the

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<v Speaker 1>one who did the run. No, no, not that one,

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<v Speaker 1>the one that she carved right before everything went to shit.

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<v Speaker 1>I don't get while you're trusting her, Jeremy, you barely know, aren't.

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<v Speaker 1>She was clearly stalking you. Oh who woa, whoa whoa.

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<v Speaker 1>I'm just trying to help, And oh exactly do you

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<v Speaker 1>think you're helping? You? Say? Peyton made a mistake with

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<v Speaker 1>the ruin, but the moment you carved it, those things

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<v Speaker 1>attacked us and then this happened. Look, I'm not I'm

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<v Speaker 1>not trying to disturp your position here or anything. Excuse me. Look,

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<v Speaker 1>I get it. You've been Jeremy's tea for a long

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<v Speaker 1>time and you're used to being his right hand man.

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<v Speaker 1>I'm not trying to take that from you. Who exactly

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<v Speaker 1>do you think you are? Okay? Okay, okay, okay, why

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<v Speaker 1>why don't we all this? Can? Can? Can we all

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<v Speaker 1>just take a deep breath here? Yeah? Yeah, yeah, that's

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<v Speaker 1>a that's a good idea. I'm just gonna, well, I

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<v Speaker 1>can't get some fresh air, so I'm just gonna jesus,

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<v Speaker 1>I'm so sorry. I've never seen rip and do anything

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<v Speaker 1>like that before. It's okay, I mean we're in a

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<v Speaker 1>tough spot. I get it. You know. I haven't been

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<v Speaker 1>following you or anything, right, those those first few times

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<v Speaker 1>we ran into each other. No, no, of course not obviously,

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<v Speaker 1>and you've been a big house. Yeah. Yeah, it's nice

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<v Speaker 1>to have someone around who gets this stuff and who

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<v Speaker 1>I don't know. This is gonna sound strange to say

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<v Speaker 1>at a time like this, but you've been a very

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<v Speaker 1>calming presence. I'm not sure Vippin would agree. I'm not

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<v Speaker 1>sure you would either. He's usually very easy going. I'm

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<v Speaker 1>I'm sure he'll warm up to you. I think this.

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<v Speaker 1>I mean, he's obviously pretty stressed about the whole situation,

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<v Speaker 1>and you're not. No, I am definitely. I have a

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<v Speaker 1>special personal interest in all of this, which is that

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<v Speaker 1>my father. My father's Thomas Bradshaw. And I assume, given

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<v Speaker 1>your hobbies, you're familiar with his name, right, Yeah, yeah,

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<v Speaker 1>of course I am. Oh, holy shit, I had no idea.

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<v Speaker 1>I'm I'm so sorry. No, no, it's actually actually okay,

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<v Speaker 1>you don't need to be sorry. What do you mean?

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<v Speaker 1>He's back, like alive and back. It turns out he

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<v Speaker 1>was never dead at all. After all this time he

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<v Speaker 1>was he was stuck in this in between space, a

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<v Speaker 1>liminal that's that's what you guys called it, right right,

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<v Speaker 1>and he was trapped there this whole time. And some

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<v Speaker 1>kind of sacrifice to the fae and then Celeste, that's

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<v Speaker 1>the old gathering leader, she did this ritual that brought

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<v Speaker 1>him back, except it seems to have broken everything else.

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<v Speaker 1>The monsters as I see it, the liminal is some

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<v Speaker 1>kind of stop gap between our world and the other one,

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<v Speaker 1>and without two people in there, it stops functioning, right

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<v Speaker 1>And you think that's where we are right now. I

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<v Speaker 1>think maybe maybe it's seeping out of its usual dimension.

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<v Speaker 1>That's the fear of what will happen if we don't

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<v Speaker 1>close the gate, that the Faye Realm will just come

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<v Speaker 1>pouring into our world. It's happening again. I'm hearing myself

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<v Speaker 1>talk and it sounds crazy. Well, okay, but that doesn't

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<v Speaker 1>mean it's not true. I mean, I think of it

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<v Speaker 1>this way. You just saved us from a pretty hitchcocky

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<v Speaker 1>in situation by waving your hands, So that's not that absurd.

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<v Speaker 1>Oh gosh, okay, So all these attacks, these monsters there here,

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<v Speaker 1>we think because the gate is open, if we're in

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<v Speaker 1>the liminal right now, or I guess if the liminal

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<v Speaker 1>has come to us, do you think we could get

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<v Speaker 1>into the Fay Realm. I don't know. My dad was

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<v Speaker 1>in there for years and never figured out how to

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<v Speaker 1>pass through. He tried, I don't know. I don't know

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<v Speaker 1>what he could have tried. Did he know about the

0:14:42.720 --> 0:14:46.840
<v Speaker 1>runs about magic? Well? I assume falling into a different

0:14:46.840 --> 0:14:49.280
<v Speaker 1>dimension made him realize that magic was real. Yeah, but

0:14:49.360 --> 0:14:53.280
<v Speaker 1>if he didn't know how to use it, maybe we could.

0:14:54.120 --> 0:14:57.200
<v Speaker 1>Olivia did say that she thought the music wasn't coming

0:14:57.240 --> 0:15:01.840
<v Speaker 1>from the liminal but from the other side, So maybe

0:15:03.360 --> 0:15:06.760
<v Speaker 1>what happened to the music? Do you think the tie

0:15:06.800 --> 0:15:13.640
<v Speaker 1>is going back out? I'm not. I'm not sure. What

0:15:13.680 --> 0:15:17.800
<v Speaker 1>the hell what was that? I think there's something in

0:15:21.000 --> 0:15:26.160
<v Speaker 1>that bad. Did you guys hear that? Yeah? The music

0:15:26.240 --> 0:15:29.120
<v Speaker 1>stopped too. That can't be good, right, Oh, maybe it

0:15:29.120 --> 0:15:31.200
<v Speaker 1>means that there's more distance between us and the other side.

0:15:31.240 --> 0:15:37.040
<v Speaker 1>Maybe that that's not a bad thing, right? What there? Oh?

0:15:37.080 --> 0:15:41.920
<v Speaker 1>Do you see something? You don't see? There? I don't

0:15:41.960 --> 0:15:43.400
<v Speaker 1>see it. I don't see it. What is it? Are

0:15:43.440 --> 0:15:45.600
<v Speaker 1>you serious? You can't see it? That's taking up an

0:15:45.680 --> 0:15:48.840
<v Speaker 1>entire wall. Okay, Vippin, it's just calm down. What do

0:15:48.840 --> 0:15:51.520
<v Speaker 1>you see? It's it's almost in the shape of a person,

0:15:51.720 --> 0:15:56.480
<v Speaker 1>and it's moving. Oh god, it's it's it's coming off

0:15:56.520 --> 0:16:01.240
<v Speaker 1>the wall. Oh hell, you really? I don't see it? No,

0:16:01.480 --> 0:16:03.320
<v Speaker 1>I know. Okay, maybe it's a trick of the light.

0:16:03.560 --> 0:16:07.960
<v Speaker 1>Are you okay? Well I heard that ship? Ship ship?

0:16:08.120 --> 0:16:12.920
<v Speaker 1>Oh god, oh god, oh god? You see it? Now yeah,

0:16:13.040 --> 0:16:17.000
<v Speaker 1>I see it has horns. I don't know. The whole

0:16:17.040 --> 0:16:19.760
<v Speaker 1>thing has made a slow Oh god, and then run

0:16:20.360 --> 0:16:23.760
<v Speaker 1>is that what? Yeah, that's that. That's a kind of yokai. Right,

0:16:25.040 --> 0:16:29.000
<v Speaker 1>but don't they need bonfires? Apparently not? Okay? Okay, yoki yokai?

0:16:29.120 --> 0:16:34.760
<v Speaker 1>Are there ways pipping? What? How do you repel a yokai? Beads? Beads? What? Soybeans?

0:16:34.760 --> 0:16:45.480
<v Speaker 1>Thick and thick and drive away? Yoki? Oh german him? Yes,

0:16:45.880 --> 0:16:48.960
<v Speaker 1>I got him, I got him, I got him. Go

0:16:49.280 --> 0:16:56.880
<v Speaker 1>go get you see an as any beans. Just just

0:17:00.360 --> 0:17:07.280
<v Speaker 1>I got you. I got you here harpendo being but

0:17:08.119 --> 0:17:21.280
<v Speaker 1>just try it. Shit, just start bulting them go hey ah,

0:17:42.000 --> 0:17:46.080
<v Speaker 1>oh god, holy shit, what the hell is that? Oh

0:17:46.160 --> 0:17:50.600
<v Speaker 1>my god, zippin or live what? I don't know. I

0:17:51.040 --> 0:17:55.280
<v Speaker 1>don't know, Jeremy, how are we hearing this? This? This

0:17:55.280 --> 0:17:58.240
<v Speaker 1>this free have no idea, Jeremy and and Viippen. We're

0:17:58.280 --> 0:18:02.639
<v Speaker 1>going to Freetown today. Maybe who's that? I don't know,

0:18:04.119 --> 0:18:25.480
<v Speaker 1>but I think I know where they are. Jeremy. Whoa,

0:18:25.880 --> 0:18:34.439
<v Speaker 1>whoa there, you're okay, You're okay? Now? H m hm

0:18:37.480 --> 0:18:41.800
<v Speaker 1>is it gone for now? At least? Come on, come on,

0:18:41.920 --> 0:18:54.080
<v Speaker 1>let's sit down. A whoa, thanks thanks for saving me

0:18:54.119 --> 0:18:57.720
<v Speaker 1>with the beans. It was all fipping fast thinking with

0:18:57.800 --> 0:19:01.640
<v Speaker 1>those beans. Whatever that thing was, it wasn't like an

0:19:01.640 --> 0:19:04.800
<v Speaker 1>one or anendra I've read about, and I don't know

0:19:04.840 --> 0:19:10.920
<v Speaker 1>how long it will stay away. Well at least we've

0:19:10.960 --> 0:19:19.040
<v Speaker 1>got some more beans. Ah, did it hurt you? M Yeah,

0:19:19.080 --> 0:19:24.280
<v Speaker 1>I think I think my wrist is broken, hipp and

0:19:24.280 --> 0:19:26.280
<v Speaker 1>go see if there's an ice pack or frozen peas

0:19:26.359 --> 0:19:30.760
<v Speaker 1>or anything. Yeah here, let me see, like if you

0:19:30.920 --> 0:19:36.160
<v Speaker 1>I've broken my fair share of bones before. Yeah, hazard

0:19:36.200 --> 0:19:40.639
<v Speaker 1>of the hobby. I guess. Oh yeah, this is definitely broken,

0:19:41.680 --> 0:19:43.280
<v Speaker 1>but I think I can probably get some kind of

0:19:43.320 --> 0:19:50.240
<v Speaker 1>a splint together here frozen tater talk. Oh sorry, Fhippen.

0:19:50.280 --> 0:19:52.600
<v Speaker 1>Do you think you could try looking for a first

0:19:52.600 --> 0:19:56.159
<v Speaker 1>aid kit, bandage's tongue depressor anything we used to stabilize

0:19:56.160 --> 0:20:00.240
<v Speaker 1>his wrist? I thought I thought the birds were first

0:20:00.240 --> 0:20:02.280
<v Speaker 1>time that you've ever seen a monster? Oh no, I

0:20:02.280 --> 0:20:04.880
<v Speaker 1>guess I can say I've seen two, although I feel

0:20:04.920 --> 0:20:08.080
<v Speaker 1>like I barely saw that, yo guy. So if those

0:20:08.119 --> 0:20:12.080
<v Speaker 1>were your first monster attacks while all the broken bones,

0:20:13.600 --> 0:20:20.840
<v Speaker 1>I'm very clumsy. Uh uh, thanks for holding onto me.

0:20:20.920 --> 0:20:25.399
<v Speaker 1>I thought that thing was going to drag me into hell,

0:20:26.119 --> 0:20:28.240
<v Speaker 1>I probably would have just taken you to the other side, right,

0:20:28.400 --> 0:20:33.480
<v Speaker 1>the fay Realm. Yeah, well sixth one. Do you really

0:20:33.480 --> 0:20:35.240
<v Speaker 1>think it's that bad over there? I don't know, but

0:20:35.280 --> 0:20:38.240
<v Speaker 1>I can't say I'm particularly fond of the residents I've met. Oh, sure,

0:20:38.400 --> 0:20:41.440
<v Speaker 1>but I mean they're just doing what they've been taught

0:20:41.480 --> 0:20:44.280
<v Speaker 1>to do right, protecting their home, following the terms of

0:20:44.320 --> 0:20:48.560
<v Speaker 1>the deal. God doesn't make it right. No, No, but

0:20:48.680 --> 0:20:51.120
<v Speaker 1>I I don't know that we can blame a guard

0:20:51.119 --> 0:20:54.120
<v Speaker 1>dog for biting an intruder? Is that? When you think

0:20:54.119 --> 0:20:57.159
<v Speaker 1>those monsters were guard dogs? What else would they be?

0:20:57.840 --> 0:21:00.760
<v Speaker 1>I don't know. I guess I hadn't really thought about

0:21:01.040 --> 0:21:04.760
<v Speaker 1>who and what the fay Realm actually are. It's been

0:21:04.800 --> 0:21:08.000
<v Speaker 1>a few encounters that were almost certainly puckwadgies, and I'd

0:21:08.040 --> 0:21:10.600
<v Speaker 1>sort of assumed that those were the ones that have

0:21:10.680 --> 0:21:14.679
<v Speaker 1>made the deal. Maybe or maybe the faith themselves haven't

0:21:14.720 --> 0:21:16.919
<v Speaker 1>even come to this side yet. Well, I hope we

0:21:17.000 --> 0:21:21.560
<v Speaker 1>never find out. But magic is real. You just did it,

0:21:21.600 --> 0:21:27.920
<v Speaker 1>and that's that's incredible. We live our whole childhood's reading

0:21:27.960 --> 0:21:31.520
<v Speaker 1>stories about magical worlds and superpowers, and then we grow

0:21:31.600 --> 0:21:33.920
<v Speaker 1>up and find out that those things only exist in

0:21:33.960 --> 0:21:38.840
<v Speaker 1>the realm of our imaginations. But here we are, you

0:21:38.960 --> 0:21:43.200
<v Speaker 1>and me to otherwise normal people, and we've been let

0:21:43.240 --> 0:21:46.359
<v Speaker 1>in on this amazing secret that basically no one else

0:21:46.359 --> 0:21:50.120
<v Speaker 1>knows that all the stories are real, and that if

0:21:50.200 --> 0:21:53.840
<v Speaker 1>we wanted to, we could probably learn all sorts of magic,

0:21:54.480 --> 0:21:58.000
<v Speaker 1>learn how to visit those other worlds. Doesn't that excite you?

0:21:59.040 --> 0:22:02.480
<v Speaker 1>Everything I've encounter in the past few weeks has been terrifying,

0:22:02.520 --> 0:22:04.719
<v Speaker 1>and it feels more like a nightmare coming true than

0:22:04.760 --> 0:22:07.600
<v Speaker 1>a fantasy. But what if that's not all there is

0:22:07.600 --> 0:22:10.919
<v Speaker 1>to this? Come on, are you telling me that in

0:22:10.960 --> 0:22:14.920
<v Speaker 1>all your years of teaching folklore you never once wish

0:22:15.000 --> 0:22:17.119
<v Speaker 1>that all of it was real and you could be

0:22:17.160 --> 0:22:23.560
<v Speaker 1>a part of it. Here some ace bandages, first aid kid,

0:22:23.600 --> 0:22:27.000
<v Speaker 1>and a ruler. I figured that might work as a splint. Yeah,

0:22:27.000 --> 0:22:31.719
<v Speaker 1>that's great, thank you. This is probably going to be unpleasant.

0:22:32.560 --> 0:22:36.440
<v Speaker 1>Oh good, something new and different. Hey, we need to

0:22:36.480 --> 0:22:37.960
<v Speaker 1>figure out how we're going to get out of here,

0:22:38.680 --> 0:22:42.080
<v Speaker 1>right before that thing comes back or before something else

0:22:42.119 --> 0:22:47.520
<v Speaker 1>comes through. Okay, what do we know about getting out

0:22:47.520 --> 0:22:49.600
<v Speaker 1>of the fay realm? We shouldn't eat anything we shouldn't

0:22:49.600 --> 0:22:53.639
<v Speaker 1>step into circles, we shouldn't follow music, check, check and

0:22:53.720 --> 0:23:00.480
<v Speaker 1>check what else? Ah Oh, iron repels fairies, turning your

0:23:00.480 --> 0:23:05.960
<v Speaker 1>clothes inside out right church bells. But okay, okay, okay,

0:23:06.000 --> 0:23:07.760
<v Speaker 1>some of those things we can do, and some of

0:23:07.760 --> 0:23:10.840
<v Speaker 1>them maybe we can fake. I think we've probably passed

0:23:10.880 --> 0:23:15.160
<v Speaker 1>the always be polite to fairies stage of Hey, guys,

0:23:15.160 --> 0:23:17.320
<v Speaker 1>what about salt. That's a thing to protect against all

0:23:17.359 --> 0:23:19.880
<v Speaker 1>kinds of paranormal beans, right, I might as well add

0:23:19.880 --> 0:23:23.000
<v Speaker 1>it to the list. It can't hurt. Okay, you finished

0:23:23.000 --> 0:23:25.480
<v Speaker 1>patching him up, and I'll start to gather whatever supplies

0:23:25.520 --> 0:23:32.359
<v Speaker 1>I think might be useful. Thanks. You know I have

0:23:32.520 --> 0:23:34.960
<v Speaker 1>thought about it before, of course, the possibility of it

0:23:35.000 --> 0:23:44.639
<v Speaker 1>all being real. It's actually, um ah sorry, it's actually

0:23:44.640 --> 0:23:46.879
<v Speaker 1>why I got into folklore in the first place. I

0:23:47.040 --> 0:23:50.520
<v Speaker 1>never I never told anyone this before. Now. I'm pretty

0:23:50.520 --> 0:23:52.320
<v Speaker 1>sure there are plenty of people who wouldn't be surprised.

0:23:52.359 --> 0:23:55.560
<v Speaker 1>But I started researching all sorts of things that when

0:23:55.600 --> 0:24:00.560
<v Speaker 1>I was a teenager because I thought, um, I thought,

0:24:00.600 --> 0:24:04.240
<v Speaker 1>maybe if I put the right pieces together, I could

0:24:04.960 --> 0:24:09.520
<v Speaker 1>bring my dad back. I mean, I guess I thought

0:24:10.440 --> 0:24:12.280
<v Speaker 1>some of it must be real. If there were so

0:24:12.320 --> 0:24:14.119
<v Speaker 1>many people in the world. I believed in it, and

0:24:14.160 --> 0:24:21.160
<v Speaker 1>I I even tried some spells and as a team

0:24:21.440 --> 0:24:25.800
<v Speaker 1>I got into Wicca for a bit. I had a

0:24:25.800 --> 0:24:33.200
<v Speaker 1>similar phase, did you. Yeah, And then I realized that

0:24:33.280 --> 0:24:35.080
<v Speaker 1>he was dead and he was never coming back, and

0:24:35.080 --> 0:24:40.200
<v Speaker 1>there was nothing I could do about it. And fuck

0:24:40.560 --> 0:24:45.160
<v Speaker 1>now I realize, of course there was something I could

0:24:45.200 --> 0:24:47.600
<v Speaker 1>have done. Oh, there's no way you could have known.

0:24:48.680 --> 0:24:50.639
<v Speaker 1>All the research in the world wouldn't have led you

0:24:50.680 --> 0:24:57.639
<v Speaker 1>to what's actually happening. I know, but I'm still I'm angry.

0:24:57.720 --> 0:25:00.320
<v Speaker 1>I think I'm angry that magic is real and that

0:25:00.560 --> 0:25:03.399
<v Speaker 1>this is what it's giving me. It's a life forty

0:25:03.440 --> 0:25:06.439
<v Speaker 1>years without my father and monsters breaking my bones. And

0:25:09.240 --> 0:25:13.720
<v Speaker 1>can I tell you something I've never told anyone? Yeah,

0:25:14.880 --> 0:25:18.800
<v Speaker 1>I lied. I do remember a little bit about when

0:25:18.800 --> 0:25:22.840
<v Speaker 1>I went missing as a kid. Really, I think I

0:25:23.000 --> 0:25:31.199
<v Speaker 1>was somewhere else, somewhere else. I don't know if I

0:25:31.240 --> 0:25:33.720
<v Speaker 1>was in the same place your dad was. It doesn't

0:25:33.760 --> 0:25:39.160
<v Speaker 1>sound like it. Wherever I was, it was beautiful. It

0:25:39.200 --> 0:25:44.320
<v Speaker 1>looked like Freetown forest, but better, brighter. Everything smelled better,

0:25:44.680 --> 0:25:48.000
<v Speaker 1>tasted better, felt better. I mean, maybe I wandered off

0:25:48.000 --> 0:25:51.760
<v Speaker 1>and ate some drugged up mushrooms or something. But whatever happened,

0:25:52.680 --> 0:25:55.000
<v Speaker 1>I've been trying to figure it out ever since, trying

0:25:55.040 --> 0:25:59.040
<v Speaker 1>to recapture it. I mean, if I'm honest, do you

0:25:59.040 --> 0:26:03.240
<v Speaker 1>think I'm just totally off my rocker? Well, if you are,

0:26:03.400 --> 0:26:09.520
<v Speaker 1>I am, I get it a little. I mean when

0:26:09.560 --> 0:26:14.800
<v Speaker 1>I did that run, I don't know if I can

0:26:14.800 --> 0:26:23.200
<v Speaker 1>describe this, but it felt what I felt. It felt incredible.

0:26:23.280 --> 0:26:26.520
<v Speaker 1>I don't know how to describe anyway. I think I

0:26:26.560 --> 0:26:33.920
<v Speaker 1>would definitely want to feel that again, and that it

0:26:34.040 --> 0:26:37.960
<v Speaker 1>scares me. What doesn't have to be scary? I mean,

0:26:38.000 --> 0:26:41.720
<v Speaker 1>if doing magic felt good and protected you, how can

0:26:41.760 --> 0:26:47.239
<v Speaker 1>it be bad? Here? Keep that on as long as

0:26:47.240 --> 0:26:52.760
<v Speaker 1>you can. Look. I get being angry and scared, But

0:26:52.920 --> 0:26:55.199
<v Speaker 1>everything we've ever been taught about magic tells us that

0:26:55.200 --> 0:26:57.920
<v Speaker 1>it doesn't need to be bad, right, I mean, in

0:26:58.000 --> 0:27:02.160
<v Speaker 1>every legend, there's always light magic and dark magic. It's

0:27:02.200 --> 0:27:09.600
<v Speaker 1>about the user, not the magic itself. Well, do you

0:27:09.640 --> 0:27:11.320
<v Speaker 1>think we could use magic to get out of here?

0:27:11.680 --> 0:27:14.520
<v Speaker 1>I don't just mean here, I mean the whole deal.

0:27:14.920 --> 0:27:19.119
<v Speaker 1>The Faye Court are famously not very generous negotiators. Well,

0:27:19.160 --> 0:27:22.560
<v Speaker 1>what if the deal wasn't broken? But changed. What if

0:27:23.760 --> 0:27:27.520
<v Speaker 1>I don't know, merge the world somehow. You mean, let

0:27:27.520 --> 0:27:31.680
<v Speaker 1>them Faye realms seep out into ours, Let magic exist here.

0:27:32.600 --> 0:27:34.560
<v Speaker 1>The Faye use it to keep their gate closed, and

0:27:34.600 --> 0:27:36.479
<v Speaker 1>we use it to keep our gate closed, and no

0:27:36.520 --> 0:27:38.879
<v Speaker 1>one has to sit in the liminal. Why would the

0:27:39.000 --> 0:27:41.280
<v Speaker 1>fay realm ever go for something like that? What if

0:27:41.280 --> 0:27:44.560
<v Speaker 1>the gates were closed but not locked, accessible to those

0:27:44.600 --> 0:27:47.280
<v Speaker 1>who knew, able to pass through from one world to

0:27:47.280 --> 0:27:49.960
<v Speaker 1>the next. Wouldn't you want to see it if you

0:27:50.000 --> 0:27:53.280
<v Speaker 1>could the other side. I don't know if I trust it.

0:27:53.320 --> 0:27:55.480
<v Speaker 1>I haven't seen any magic that's led me to believe

0:27:55.640 --> 0:28:01.000
<v Speaker 1>that it's a stable or positive force. It just saved

0:28:01.040 --> 0:28:04.800
<v Speaker 1>our lives. It brought your dad back. Yeah, but it

0:28:04.840 --> 0:28:08.560
<v Speaker 1>took him away first, but it brought him back. And

0:28:08.680 --> 0:28:11.320
<v Speaker 1>on top of that, you now have more time together

0:28:11.320 --> 0:28:13.640
<v Speaker 1>than you ever would have if he'd stayed an age normally.

0:28:14.920 --> 0:28:16.720
<v Speaker 1>You have your whole lives to get to know each other,

0:28:17.720 --> 0:28:22.359
<v Speaker 1>for him to know his grandkids and great grandkids. What

0:28:22.480 --> 0:28:25.520
<v Speaker 1>a gift that is. I didn't know you were such

0:28:25.560 --> 0:28:28.560
<v Speaker 1>a glass half full person. I don't need to be

0:28:28.600 --> 0:28:31.880
<v Speaker 1>a glass half full person because the glass is magic

0:28:35.680 --> 0:28:38.920
<v Speaker 1>fair enough. But you might actually have a point. Maybe

0:28:38.920 --> 0:28:40.400
<v Speaker 1>there is a way to make all of this work

0:28:40.440 --> 0:28:43.160
<v Speaker 1>for us, for the other side to be an ally

0:28:43.320 --> 0:28:50.120
<v Speaker 1>not an enemy. My thoughts exactly. Well, first things first

0:28:50.600 --> 0:28:51.959
<v Speaker 1>have to figure out how to get out of here,

0:28:53.000 --> 0:29:01.880
<v Speaker 1>yeah and fast. I don't get it. Are you sure

0:29:01.880 --> 0:29:05.000
<v Speaker 1>it's unlocked? I know how to unlock my own front door.

0:29:06.160 --> 0:29:09.600
<v Speaker 1>I'm still not getting anything from the station. Maybe whatever

0:29:09.720 --> 0:29:12.840
<v Speaker 1>was going on is over, or something much worse happened.

0:29:14.000 --> 0:29:20.600
<v Speaker 1>Let me try. It feels like, yeah, like someone's pulling

0:29:20.680 --> 0:29:33.560
<v Speaker 1>from the other side, right, Jeremy, Jeremy, Jeremy, Hippen. What

0:29:33.880 --> 0:29:38.360
<v Speaker 1>was that? Was that coming from inside the house? Jeremy, Jeremy,

0:29:39.280 --> 0:29:44.480
<v Speaker 1>All right, that's it. I'm breaking it down. God, thank

0:29:44.600 --> 0:29:51.040
<v Speaker 1>fuck Jeremy, Dad, Hippen, Who are you? Oh? Um, Hi?

0:29:52.080 --> 0:29:54.560
<v Speaker 1>What the hell happened? We all? Are you guys doing here?

0:29:54.800 --> 0:29:58.640
<v Speaker 1>We heard you screaming on the radio. Watch Alden's radio.

0:29:58.760 --> 0:30:02.080
<v Speaker 1>We could hear shouting at and something about bean. That's

0:30:02.080 --> 0:30:03.880
<v Speaker 1>what we used to get rid of the only but

0:30:04.040 --> 0:30:09.520
<v Speaker 1>what uh it's a kind of malevolent spirit in Japanese lore.

0:30:09.720 --> 0:30:14.760
<v Speaker 1>That's what broke Jeremy's hand. Let me see, I'm fine.

0:30:14.840 --> 0:30:20.080
<v Speaker 1>I shit you were able to tune into the limit only. Huh,

0:30:21.440 --> 0:30:25.040
<v Speaker 1>you really did it? I guess. So is that where

0:30:25.040 --> 0:30:29.960
<v Speaker 1>you guys were. Uh, I don't know. Uh, we're not

0:30:30.160 --> 0:30:34.880
<v Speaker 1>completely sure. We got chased by these birds what and

0:30:34.880 --> 0:30:36.920
<v Speaker 1>then and then we hid inside the house. We got trapped.

0:30:36.920 --> 0:30:40.280
<v Speaker 1>There was this um music like before. Oh yeah, we

0:30:40.440 --> 0:30:42.960
<v Speaker 1>heard that on the radio. Yeah. I think there were

0:30:43.000 --> 0:30:46.840
<v Speaker 1>other worlds there. There was like spreading out of Freetown again.

0:30:46.880 --> 0:30:50.800
<v Speaker 1>But I don't know. Everything looks I think it looks

0:30:50.840 --> 0:30:53.400
<v Speaker 1>really normal now. I mean, I haven't gotten any more

0:30:53.640 --> 0:31:00.080
<v Speaker 1>strange broadcasts. So are you really okay? Yeah? Yeah, I

0:31:00.120 --> 0:31:03.920
<v Speaker 1>am a little beaten up, But okay, wherever? And why's

0:31:03.920 --> 0:31:08.200
<v Speaker 1>your sweaterans? We had to hum better? Question? Who is

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<v Speaker 1>this great? Sorry? This is that's weight breaking news. A

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<v Speaker 1>body was just discovered by police and Freetown State Forest,

0:31:16.160 --> 0:31:19.680
<v Speaker 1>a popular hiking and camping destination. The body was discovered

0:31:19.680 --> 0:31:22.040
<v Speaker 1>earlier this afternoon, and the identity of the victim and

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<v Speaker 1>the exact cause of death is unknown at this time.

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<v Speaker 1>The police have stated that due to recent attacks, they

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<v Speaker 1>are taking this as a matter of public safety and

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<v Speaker 1>we'll be closing down the park until further notice, especially

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<v Speaker 1>since they have already ruled out natural causes based on

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<v Speaker 1>the state of the body. Whether this hiker was murdered

0:31:40.400 --> 0:31:46.960
<v Speaker 1>or attacked remains to be seen. This episode of Bridgewater

0:31:47.080 --> 0:31:50.320
<v Speaker 1>was written by Lauren Shippin and directed by Brendan Patrick

0:31:50.440 --> 0:31:54.600
<v Speaker 1>Hughes Assistant director Sarah Klein. Sound designed by Vincent de

0:31:54.760 --> 0:31:59.479
<v Speaker 1>Johnny Rima Ilkali, Josh Thin, and Trevor Young, with music

0:31:59.680 --> 0:32:04.560
<v Speaker 1>by Chad Lawson, starring Misha Collins as Jeremy Bradshaw, Melissa

0:32:04.600 --> 0:32:09.760
<v Speaker 1>Ponzio as Anne Becker, Alan Tudik as Thomas Bradshaw, Karen

0:32:09.840 --> 0:32:16.000
<v Speaker 1>Sony as Vipenkrana, Sabra May as Olivia Hoskins, Cheryl Umania

0:32:16.240 --> 0:32:21.520
<v Speaker 1>as Officer Bautista, Will Wheaton as Captain Haddock, Trisha Helper

0:32:21.720 --> 0:32:27.320
<v Speaker 1>as the Legend Tripper, Stephen Guarino as Doctor Edwards Nandamisu

0:32:27.400 --> 0:32:32.000
<v Speaker 1>Dembe as Peyton Blake, Hilary Burton Morgan as Shelley Hoskins,

0:32:32.440 --> 0:32:37.120
<v Speaker 1>Nicki McCauley as Celeste Then, Victoria Grace as Katie Franks,

0:32:37.640 --> 0:32:43.720
<v Speaker 1>with additional voice acting by Greta Gould, Shelby Young, Adam O'Byrne, Monte, Markham,

0:32:43.800 --> 0:32:49.320
<v Speaker 1>Charlie Bergman, and Teren Westbrook. Executive producers Aaron Manki, Misha Collins,

0:32:49.520 --> 0:32:54.680
<v Speaker 1>Lauren Shippin, Matt Frederick and Alexander Williams. Supervising producers Josh

0:32:54.720 --> 0:32:58.680
<v Speaker 1>Thane and Trevor Young. Bridgewater was created by me Aaron

0:32:58.760 --> 0:33:01.320
<v Speaker 1>Mankey and is a diduction of Grim and Mild and

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<v Speaker 1>I Heeart three D Audio. Learn more about the show

0:33:04.320 --> 0:33:07.960
<v Speaker 1>over at Grimm Andmild dot com, slash Bridgewater and find

0:33:08.000 --> 0:33:12.200
<v Speaker 1>more podcasts from iHeartRadio on the iHeartRadio app, Apple Podcasts,

0:33:12.280 --> 0:33:16.120
<v Speaker 1>or wherever you listen to your favorite shows, and as always,

0:33:16.760 --> 0:33:17.760
<v Speaker 1>thanks for listening.