1 00:00:00,200 --> 00:00:03,440 Speaker 1: Bridgewater is a production of iHeartRadio three D audio and 2 00:00:03,560 --> 00:00:07,200 Speaker 1: Grim and Mild from Aaron Mankey for full exposure, listen 3 00:00:07,320 --> 00:00:15,640 Speaker 1: with headphones. Listener discretion advised. Oh my god, I'm getting 4 00:00:15,920 --> 00:00:21,080 Speaker 1: tired of running through the woods away from monsters. Jeremy, 5 00:00:21,560 --> 00:00:27,200 Speaker 1: how did you? I mean you just I don't know 6 00:00:27,680 --> 00:00:32,240 Speaker 1: I did that? Did that really just happen? I guess 7 00:00:32,360 --> 00:00:34,640 Speaker 1: yeah it did. Welcome to the club of people with 8 00:00:34,680 --> 00:00:41,479 Speaker 1: evidence of the paranormal. This is unbelievable. It is a 9 00:00:41,520 --> 00:00:45,640 Speaker 1: lot to take in. We've been dealing with it for 10 00:00:45,640 --> 00:00:48,160 Speaker 1: a week now, and I don't think we've even begun 11 00:00:48,200 --> 00:00:51,080 Speaker 1: to process it. I mean, those are those were thunderbirds, 12 00:00:51,760 --> 00:00:55,240 Speaker 1: like real thunderbirds. I'm not sure about that. Actually, what 13 00:00:55,240 --> 00:00:58,840 Speaker 1: do you mean? They were enormous birds who brought thunder 14 00:00:59,200 --> 00:01:03,960 Speaker 1: and lightning with them. Thunderbirds are sacred protectors in Wampanog legend. 15 00:01:04,160 --> 00:01:06,800 Speaker 1: They mostly attack creatures from the underworld or people who 16 00:01:06,800 --> 00:01:11,320 Speaker 1: broke moral rules. It doesn't make sense that they'd attack us. 17 00:01:11,360 --> 00:01:14,000 Speaker 1: Not to mention the face of one of them, it looked, well, 18 00:01:14,040 --> 00:01:16,360 Speaker 1: it looked a little too human, didn't it. Maybe our 19 00:01:16,400 --> 00:01:19,920 Speaker 1: shape shifter has a greater range than we thought. Impandulu 20 00:01:20,400 --> 00:01:23,720 Speaker 1: the Pandulu the lightning bird from South African myth. That 21 00:01:23,840 --> 00:01:29,080 Speaker 1: bird also creates lightning, but it's considered much more malevolent. Right. 22 00:01:29,400 --> 00:01:32,200 Speaker 1: It's vampiric, isn't it, And it can disguise itself as human. 23 00:01:32,240 --> 00:01:34,240 Speaker 1: Maybe it was in the middle of transformation or something, 24 00:01:34,720 --> 00:01:37,200 Speaker 1: or maybe it was a thunderbird and it was simply 25 00:01:37,240 --> 00:01:41,440 Speaker 1: trying to protect its domain. I don't know that's possible too. Yeah, 26 00:01:41,480 --> 00:01:44,800 Speaker 1: maybe if it had a human mouth along with those claws, 27 00:01:44,840 --> 00:01:47,600 Speaker 1: that could be our cow killer. Well, whatever it was, 28 00:01:47,640 --> 00:01:49,480 Speaker 1: we better hope that it went back into the forest 29 00:01:49,520 --> 00:01:55,320 Speaker 1: and not farther out looking for dinner. Okay, so we 30 00:01:55,400 --> 00:01:58,440 Speaker 1: need to know how to take it down if we 31 00:01:58,560 --> 00:02:00,800 Speaker 1: encounter it again. I'd say you did pretty well on 32 00:02:00,840 --> 00:02:04,680 Speaker 1: that score. I mean, I can't believe it actually worked. 33 00:02:04,960 --> 00:02:09,760 Speaker 1: I know, right, Holy shit, did I just do? Imagine? 34 00:02:10,200 --> 00:02:17,360 Speaker 1: I think you did. Wow, that's amazing. What room exactly? 35 00:02:17,480 --> 00:02:22,440 Speaker 1: Was that one for protection? Not banishment? I guess that's 36 00:02:22,520 --> 00:02:25,200 Speaker 1: maybe the best way to protect against them. Well, it 37 00:02:25,240 --> 00:02:27,280 Speaker 1: didn't get rid of all of them, so maybe one 38 00:02:27,320 --> 00:02:30,160 Speaker 1: of these rooms Peyton gave me will do that. Oh wait, no, 39 00:02:30,560 --> 00:02:34,359 Speaker 1: don't banish them all? What wouldn't you want to study it, 40 00:02:35,240 --> 00:02:37,560 Speaker 1: show it to the world, prove that monsters actually exist. 41 00:02:38,639 --> 00:02:41,960 Speaker 1: Peyton made it very clear that keeping the secrets of 42 00:02:42,000 --> 00:02:45,320 Speaker 1: the phayrealm is vital. Think about the kind of chaos 43 00:02:45,320 --> 00:02:49,080 Speaker 1: that would ensue if if people the phayrealm. You didn't 44 00:02:49,080 --> 00:02:55,799 Speaker 1: tell her it hadn't come up yet, sop and I 45 00:02:55,840 --> 00:02:59,440 Speaker 1: think that this all, all of this has been the 46 00:02:59,440 --> 00:03:04,240 Speaker 1: work of the realm. That the Bridgewater Triangle is a 47 00:03:04,360 --> 00:03:08,919 Speaker 1: gate from this world to theirs, and that that's where 48 00:03:08,960 --> 00:03:12,119 Speaker 1: all of these creatures are coming from. WHOA, yeah, and look, 49 00:03:12,200 --> 00:03:14,800 Speaker 1: not many people know this, so you cannot tell the 50 00:03:14,840 --> 00:03:19,200 Speaker 1: other legend trippers. Okay, yeah, Mum's the word. So we've 51 00:03:19,200 --> 00:03:21,320 Speaker 1: been working on closing the gate. And there's this whole 52 00:03:21,360 --> 00:03:24,480 Speaker 1: deal that's been in place, I guess for centuries. That 53 00:03:24,720 --> 00:03:27,600 Speaker 1: explains some of the missing people throughout the years. And 54 00:03:27,639 --> 00:03:30,840 Speaker 1: it seems like with the old Bridgewater Gathering more or 55 00:03:30,880 --> 00:03:35,400 Speaker 1: less now defunct, it's maybe up to us to fix it. 56 00:03:35,520 --> 00:03:38,520 Speaker 1: That's what you're doing. You're not just doing research for 57 00:03:38,560 --> 00:03:42,280 Speaker 1: your class. By the way, I am really a professor. 58 00:03:42,560 --> 00:03:46,280 Speaker 1: It just happened to be a professor who's actually gotten 59 00:03:46,320 --> 00:03:51,000 Speaker 1: in very over his head. Wow, you know, like an 60 00:03:51,040 --> 00:03:56,200 Speaker 1: os goot, Indiana Jones. This isn't a movie, Okay, it's 61 00:03:56,400 --> 00:04:00,560 Speaker 1: real life, is our lives? Look, I didn't mean so 62 00:04:00,640 --> 00:04:03,560 Speaker 1: if there's anything you know that you're not telling us, 63 00:04:03,600 --> 00:04:06,520 Speaker 1: you really need to what. No, I'm not hiding anything 64 00:04:06,560 --> 00:04:10,040 Speaker 1: from you, guys. I wouldn't do that. I mean I 65 00:04:10,120 --> 00:04:13,200 Speaker 1: want to help. I like to think I already have. 66 00:04:14,080 --> 00:04:18,120 Speaker 1: She has. I think we're covered. You know as well 67 00:04:18,120 --> 00:04:21,960 Speaker 1: as I how expansive all these legends are, how unreliable 68 00:04:22,040 --> 00:04:25,840 Speaker 1: and vague they can be. I know your experts, but 69 00:04:25,920 --> 00:04:28,440 Speaker 1: it seems like maybe we each have gaps in knowledge 70 00:04:28,480 --> 00:04:32,159 Speaker 1: that the other ones can fill. Just let me help. 71 00:04:32,640 --> 00:04:35,680 Speaker 1: She knows how to help. I can't hurt, and we 72 00:04:35,680 --> 00:04:37,960 Speaker 1: would have been torn to shreds if she hadn't taught 73 00:04:37,960 --> 00:04:43,960 Speaker 1: me that room. I guess. Okay, we should go over 74 00:04:44,000 --> 00:04:46,839 Speaker 1: to the Hoskins and meet up with everyone else, Olivia said, 75 00:04:46,880 --> 00:04:48,599 Speaker 1: she and Thomas. We're going to try and get Lee's 76 00:04:48,600 --> 00:04:53,000 Speaker 1: old radio working. All right, let's see if the coast 77 00:04:53,080 --> 00:05:05,320 Speaker 1: is clear. Stuck what I don't know? I can't can't. 78 00:05:06,440 --> 00:05:13,839 Speaker 1: I can't get the door knob to turn that h happen? 79 00:05:13,960 --> 00:05:16,760 Speaker 1: Can you everything is unlocked. I don't know what's Uh, 80 00:05:16,960 --> 00:05:18,920 Speaker 1: do you want me to give it a try? Yeah? Sure, 81 00:05:19,040 --> 00:05:22,960 Speaker 1: go for it. Yeah, let's up. Oh it feels like 82 00:05:23,000 --> 00:05:26,720 Speaker 1: it's like here, let me help. It's like someone is 83 00:05:26,760 --> 00:06:11,680 Speaker 1: pulling from the other side. What we're trapped? Oh my god, 84 00:06:12,240 --> 00:06:14,760 Speaker 1: we're not through all the stations yet. We've been at 85 00:06:14,800 --> 00:06:18,560 Speaker 1: this for forty five minutes and nothing. I don't know 86 00:06:18,600 --> 00:06:21,599 Speaker 1: that we're ever going to find something. FM didn't have anything. 87 00:06:21,640 --> 00:06:24,120 Speaker 1: But that doesn't mean am well, wow, you have the 88 00:06:24,160 --> 00:06:27,240 Speaker 1: patience of a saint. Yeah, I kind of had to 89 00:06:27,560 --> 00:06:31,800 Speaker 1: oh shit, right, sorry, Oh it's okay. How's your chest? 90 00:06:33,160 --> 00:06:38,000 Speaker 1: Because you sound a little would you stop hovering? I'm okay, okay, okay. 91 00:06:38,279 --> 00:06:41,360 Speaker 1: It's just if you're having anxiety about this whole thing, 92 00:06:41,360 --> 00:06:43,640 Speaker 1: and I can handle it on my own. What with 93 00:06:43,800 --> 00:06:46,440 Speaker 1: the shallow breathing tightness in the chest. Look, I have 94 00:06:46,560 --> 00:06:50,360 Speaker 1: friends with anxiety, and I don't get anxious. It is understandable. 95 00:06:50,400 --> 00:06:52,279 Speaker 1: I mean, we're trying to tune into the place where 96 00:06:52,279 --> 00:06:54,719 Speaker 1: you were trapped, I know, and I just want to 97 00:06:54,760 --> 00:07:00,080 Speaker 1: find it. You know you're safe here, right, Thomas, No, 98 00:07:02,120 --> 00:07:08,599 Speaker 1: I'm not, but I'm not anxious. This It's been happening 99 00:07:08,600 --> 00:07:12,880 Speaker 1: every couple of hours today. It's always something something what 100 00:07:13,880 --> 00:07:19,560 Speaker 1: I don't belong here, Olivia, which is why I need 101 00:07:19,600 --> 00:07:23,560 Speaker 1: to figure this out. Wait, go back, stop stop stuff there? 102 00:07:25,080 --> 00:07:28,160 Speaker 1: That that that's the music, Nan and I heard when 103 00:07:28,200 --> 00:07:34,800 Speaker 1: the house went nuts? What what station is this? Nine twelves? What? 104 00:07:34,960 --> 00:07:43,320 Speaker 1: How's that possible? Hey? How's it going in here? Hey? 105 00:07:43,360 --> 00:07:48,320 Speaker 1: Are you okay? Yeah? And Shelley? Yeah, picking up some 106 00:07:48,360 --> 00:07:50,120 Speaker 1: food for all of us. I think she needed some 107 00:07:50,160 --> 00:07:52,600 Speaker 1: time to herself. But we're you know, I don't know. 108 00:07:53,520 --> 00:07:55,920 Speaker 1: I don't think that things are broken beyond repair. So 109 00:07:56,440 --> 00:08:00,560 Speaker 1: good good, Yeah, but I'm sure she love to talk 110 00:08:00,600 --> 00:08:03,480 Speaker 1: with you at some point tonight, So really i'd love that. Okay. 111 00:08:03,480 --> 00:08:07,280 Speaker 1: So hi, Nana. I can't find any evidence that this 112 00:08:07,400 --> 00:08:12,800 Speaker 1: particular station has ever been registered anywhere. Wait is that music? 113 00:08:12,920 --> 00:08:16,720 Speaker 1: I know? Station nine twelve on AM radio? I mean 114 00:08:16,760 --> 00:08:19,440 Speaker 1: no idea who owns the frequency or where the broadcast 115 00:08:19,520 --> 00:08:23,880 Speaker 1: is coming from? Yeah? I thought all AM stations ended 116 00:08:23,920 --> 00:08:27,240 Speaker 1: in zero? Yeah they do. So what this is some 117 00:08:27,360 --> 00:08:31,480 Speaker 1: kind of pirate radio? More likely magic radio? Now what 118 00:08:32,080 --> 00:08:37,480 Speaker 1: we wait for a voice? See if Alden is still 119 00:08:37,480 --> 00:08:40,760 Speaker 1: trying to call out? You said you thought that music 120 00:08:40,840 --> 00:08:44,760 Speaker 1: was coming from the other side, not the liminal. So 121 00:08:44,800 --> 00:08:47,400 Speaker 1: maybe there's another station that's tapped into the in between, 122 00:08:48,240 --> 00:08:51,839 Speaker 1: or things are so thin between worlds that the other 123 00:08:51,920 --> 00:09:03,520 Speaker 1: side is bleeding through and drowning everything else out. Ah, okay, 124 00:09:03,600 --> 00:09:11,240 Speaker 1: so we're stuck magic, some kind of creature a run maybe, 125 00:09:12,480 --> 00:09:15,360 Speaker 1: whatever it is. I don't think getting out of here 126 00:09:15,440 --> 00:09:18,880 Speaker 1: is going to be easy. What the fuck? Why is 127 00:09:18,920 --> 00:09:22,720 Speaker 1: it dark all of a sudden, and what's what the fuck? 128 00:09:23,000 --> 00:09:25,000 Speaker 1: I'm a little more focused on the fact that everything 129 00:09:25,040 --> 00:09:26,960 Speaker 1: seems to be moving. It's like we're looking through a 130 00:09:27,000 --> 00:09:29,960 Speaker 1: fun house mirror. What the hell is that? I thought 131 00:09:30,160 --> 00:09:34,240 Speaker 1: maybe it was old glass. No, that's definitely just what 132 00:09:34,320 --> 00:09:39,360 Speaker 1: the outside looks like now, and that's not a way 133 00:09:39,360 --> 00:09:42,600 Speaker 1: out either. Not the going outside is particularly appealing at 134 00:09:42,600 --> 00:09:47,360 Speaker 1: the moment. Sh do you do you hear that it's music? 135 00:09:47,840 --> 00:09:50,600 Speaker 1: I wonder if that's the same as that has to 136 00:09:50,600 --> 00:09:54,839 Speaker 1: be right. I totally get what Olivia meant by wrong now. 137 00:09:55,160 --> 00:09:58,560 Speaker 1: It doesn't really sound like music is supposed to. What 138 00:09:58,720 --> 00:10:01,439 Speaker 1: are you guys talking about? The woman who lives here 139 00:10:01,480 --> 00:10:03,960 Speaker 1: and she and her granddaughter heard music the other day 140 00:10:04,000 --> 00:10:06,600 Speaker 1: when the house was shaking an earthquake, we don't think 141 00:10:06,600 --> 00:10:09,559 Speaker 1: so if those incidents were the veil between worlds and 142 00:10:09,640 --> 00:10:12,280 Speaker 1: Freetown force getting weaker on the other realm bleeding through, 143 00:10:12,320 --> 00:10:17,720 Speaker 1: then and we might be inside the liminal now, oh god, Okay, okay, everybody, 144 00:10:17,800 --> 00:10:20,400 Speaker 1: stay calm. We'll find our way out of this. Okay, 145 00:10:20,440 --> 00:10:22,160 Speaker 1: She's right, she's right. Maybe we just need to wait 146 00:10:22,200 --> 00:10:24,640 Speaker 1: it out. Eventually, whatever weird force was coming out of 147 00:10:24,679 --> 00:10:28,040 Speaker 1: Freetown making everything quiet, it did retreat before, right, So 148 00:10:28,200 --> 00:10:30,400 Speaker 1: it's it's almost like a tide that goes in and out. 149 00:10:30,440 --> 00:10:32,120 Speaker 1: So where we just sit here and wait for it 150 00:10:32,160 --> 00:10:34,600 Speaker 1: to go out again. Well, I don't know. I just 151 00:10:34,640 --> 00:10:37,800 Speaker 1: think we need to keep our heads. Okay, what exactly 152 00:10:37,800 --> 00:10:42,280 Speaker 1: did you do with that run? What? Everything was completely 153 00:10:42,320 --> 00:10:45,120 Speaker 1: normal until you showed up, Vip, And I was the 154 00:10:45,160 --> 00:10:48,240 Speaker 1: one who did the run. No, no, not that one, 155 00:10:48,280 --> 00:10:51,080 Speaker 1: the one that she carved right before everything went to shit. 156 00:10:51,800 --> 00:10:54,520 Speaker 1: I don't get while you're trusting her, Jeremy, you barely know, aren't. 157 00:10:54,520 --> 00:10:57,480 Speaker 1: She was clearly stalking you. Oh who woa, whoa whoa. 158 00:10:57,640 --> 00:11:01,120 Speaker 1: I'm just trying to help, And oh exactly do you 159 00:11:01,160 --> 00:11:04,520 Speaker 1: think you're helping? You? Say? Peyton made a mistake with 160 00:11:04,559 --> 00:11:06,720 Speaker 1: the ruin, but the moment you carved it, those things 161 00:11:06,720 --> 00:11:09,640 Speaker 1: attacked us and then this happened. Look, I'm not I'm 162 00:11:09,640 --> 00:11:13,600 Speaker 1: not trying to disturp your position here or anything. Excuse me. Look, 163 00:11:13,679 --> 00:11:16,000 Speaker 1: I get it. You've been Jeremy's tea for a long 164 00:11:16,040 --> 00:11:17,920 Speaker 1: time and you're used to being his right hand man. 165 00:11:18,400 --> 00:11:22,120 Speaker 1: I'm not trying to take that from you. Who exactly 166 00:11:22,200 --> 00:11:25,000 Speaker 1: do you think you are? Okay? Okay, okay, okay, why 167 00:11:25,080 --> 00:11:28,000 Speaker 1: why don't we all this? Can? Can? Can we all 168 00:11:28,000 --> 00:11:31,240 Speaker 1: just take a deep breath here? Yeah? Yeah, yeah, that's 169 00:11:31,280 --> 00:11:35,400 Speaker 1: a that's a good idea. I'm just gonna, well, I 170 00:11:35,440 --> 00:11:41,360 Speaker 1: can't get some fresh air, so I'm just gonna jesus, 171 00:11:41,760 --> 00:11:46,280 Speaker 1: I'm so sorry. I've never seen rip and do anything 172 00:11:46,320 --> 00:11:49,080 Speaker 1: like that before. It's okay, I mean we're in a 173 00:11:49,120 --> 00:11:52,160 Speaker 1: tough spot. I get it. You know. I haven't been 174 00:11:52,200 --> 00:11:54,920 Speaker 1: following you or anything, right, those those first few times 175 00:11:54,920 --> 00:11:58,520 Speaker 1: we ran into each other. No, no, of course not obviously, 176 00:11:58,840 --> 00:12:03,800 Speaker 1: and you've been a big house. Yeah. Yeah, it's nice 177 00:12:03,800 --> 00:12:05,640 Speaker 1: to have someone around who gets this stuff and who 178 00:12:08,720 --> 00:12:10,959 Speaker 1: I don't know. This is gonna sound strange to say 179 00:12:11,000 --> 00:12:12,960 Speaker 1: at a time like this, but you've been a very 180 00:12:13,080 --> 00:12:16,000 Speaker 1: calming presence. I'm not sure Vippin would agree. I'm not 181 00:12:16,040 --> 00:12:19,640 Speaker 1: sure you would either. He's usually very easy going. I'm 182 00:12:20,360 --> 00:12:22,679 Speaker 1: I'm sure he'll warm up to you. I think this. 183 00:12:24,360 --> 00:12:28,520 Speaker 1: I mean, he's obviously pretty stressed about the whole situation, 184 00:12:29,000 --> 00:12:34,960 Speaker 1: and you're not. No, I am definitely. I have a 185 00:12:35,000 --> 00:12:37,320 Speaker 1: special personal interest in all of this, which is that 186 00:12:37,440 --> 00:12:43,760 Speaker 1: my father. My father's Thomas Bradshaw. And I assume, given 187 00:12:43,800 --> 00:12:47,240 Speaker 1: your hobbies, you're familiar with his name, right, Yeah, yeah, 188 00:12:47,320 --> 00:12:54,360 Speaker 1: of course I am. Oh, holy shit, I had no idea. 189 00:12:54,440 --> 00:12:58,720 Speaker 1: I'm I'm so sorry. No, no, it's actually actually okay, 190 00:12:58,920 --> 00:13:00,880 Speaker 1: you don't need to be sorry. What do you mean? 191 00:13:03,200 --> 00:13:07,440 Speaker 1: He's back, like alive and back. It turns out he 192 00:13:07,520 --> 00:13:10,600 Speaker 1: was never dead at all. After all this time he 193 00:13:10,679 --> 00:13:14,760 Speaker 1: was he was stuck in this in between space, a 194 00:13:14,880 --> 00:13:17,280 Speaker 1: liminal that's that's what you guys called it, right right, 195 00:13:17,840 --> 00:13:19,480 Speaker 1: and he was trapped there this whole time. And some 196 00:13:19,559 --> 00:13:24,720 Speaker 1: kind of sacrifice to the fae and then Celeste, that's 197 00:13:24,760 --> 00:13:27,240 Speaker 1: the old gathering leader, she did this ritual that brought 198 00:13:27,360 --> 00:13:31,920 Speaker 1: him back, except it seems to have broken everything else. 199 00:13:32,320 --> 00:13:34,760 Speaker 1: The monsters as I see it, the liminal is some 200 00:13:34,840 --> 00:13:37,560 Speaker 1: kind of stop gap between our world and the other one, 201 00:13:38,000 --> 00:13:41,839 Speaker 1: and without two people in there, it stops functioning, right 202 00:13:41,880 --> 00:13:43,880 Speaker 1: And you think that's where we are right now. I 203 00:13:43,920 --> 00:13:47,640 Speaker 1: think maybe maybe it's seeping out of its usual dimension. 204 00:13:47,880 --> 00:13:50,240 Speaker 1: That's the fear of what will happen if we don't 205 00:13:50,240 --> 00:13:52,400 Speaker 1: close the gate, that the Faye Realm will just come 206 00:13:53,040 --> 00:14:02,160 Speaker 1: pouring into our world. It's happening again. I'm hearing myself 207 00:14:02,280 --> 00:14:07,920 Speaker 1: talk and it sounds crazy. Well, okay, but that doesn't 208 00:14:07,920 --> 00:14:11,400 Speaker 1: mean it's not true. I mean, I think of it 209 00:14:11,480 --> 00:14:13,920 Speaker 1: this way. You just saved us from a pretty hitchcocky 210 00:14:13,920 --> 00:14:17,080 Speaker 1: in situation by waving your hands, So that's not that absurd. 211 00:14:18,280 --> 00:14:24,520 Speaker 1: Oh gosh, okay, So all these attacks, these monsters there here, 212 00:14:24,600 --> 00:14:27,360 Speaker 1: we think because the gate is open, if we're in 213 00:14:27,400 --> 00:14:30,640 Speaker 1: the liminal right now, or I guess if the liminal 214 00:14:30,720 --> 00:14:34,040 Speaker 1: has come to us, do you think we could get 215 00:14:34,080 --> 00:14:37,040 Speaker 1: into the Fay Realm. I don't know. My dad was 216 00:14:37,080 --> 00:14:38,960 Speaker 1: in there for years and never figured out how to 217 00:14:39,000 --> 00:14:41,000 Speaker 1: pass through. He tried, I don't know. I don't know 218 00:14:41,040 --> 00:14:42,680 Speaker 1: what he could have tried. Did he know about the 219 00:14:42,720 --> 00:14:46,840 Speaker 1: runs about magic? Well? I assume falling into a different 220 00:14:46,840 --> 00:14:49,280 Speaker 1: dimension made him realize that magic was real. Yeah, but 221 00:14:49,360 --> 00:14:53,280 Speaker 1: if he didn't know how to use it, maybe we could. 222 00:14:54,120 --> 00:14:57,200 Speaker 1: Olivia did say that she thought the music wasn't coming 223 00:14:57,240 --> 00:15:01,840 Speaker 1: from the liminal but from the other side, So maybe 224 00:15:03,360 --> 00:15:06,760 Speaker 1: what happened to the music? Do you think the tie 225 00:15:06,800 --> 00:15:13,640 Speaker 1: is going back out? I'm not. I'm not sure. What 226 00:15:13,680 --> 00:15:17,800 Speaker 1: the hell what was that? I think there's something in 227 00:15:21,000 --> 00:15:26,160 Speaker 1: that bad. Did you guys hear that? Yeah? The music 228 00:15:26,240 --> 00:15:29,120 Speaker 1: stopped too. That can't be good, right, Oh, maybe it 229 00:15:29,120 --> 00:15:31,200 Speaker 1: means that there's more distance between us and the other side. 230 00:15:31,240 --> 00:15:37,040 Speaker 1: Maybe that that's not a bad thing, right? What there? Oh? 231 00:15:37,080 --> 00:15:41,920 Speaker 1: Do you see something? You don't see? There? I don't 232 00:15:41,960 --> 00:15:43,400 Speaker 1: see it. I don't see it. What is it? Are 233 00:15:43,440 --> 00:15:45,600 Speaker 1: you serious? You can't see it? That's taking up an 234 00:15:45,680 --> 00:15:48,840 Speaker 1: entire wall. Okay, Vippin, it's just calm down. What do 235 00:15:48,840 --> 00:15:51,520 Speaker 1: you see? It's it's almost in the shape of a person, 236 00:15:51,720 --> 00:15:56,480 Speaker 1: and it's moving. Oh god, it's it's it's coming off 237 00:15:56,520 --> 00:16:01,240 Speaker 1: the wall. Oh hell, you really? I don't see it? No, 238 00:16:01,480 --> 00:16:03,320 Speaker 1: I know. Okay, maybe it's a trick of the light. 239 00:16:03,560 --> 00:16:07,960 Speaker 1: Are you okay? Well I heard that ship? Ship ship? 240 00:16:08,120 --> 00:16:12,920 Speaker 1: Oh god, oh god, oh god? You see it? Now yeah, 241 00:16:13,040 --> 00:16:17,000 Speaker 1: I see it has horns. I don't know. The whole 242 00:16:17,040 --> 00:16:19,760 Speaker 1: thing has made a slow Oh god, and then run 243 00:16:20,360 --> 00:16:23,760 Speaker 1: is that what? Yeah, that's that. That's a kind of yokai. Right, 244 00:16:25,040 --> 00:16:29,000 Speaker 1: but don't they need bonfires? Apparently not? Okay? Okay, yoki yokai? 245 00:16:29,120 --> 00:16:34,760 Speaker 1: Are there ways pipping? What? How do you repel a yokai? Beads? Beads? What? Soybeans? 246 00:16:34,760 --> 00:16:45,480 Speaker 1: Thick and thick and drive away? Yoki? Oh german him? Yes, 247 00:16:45,880 --> 00:16:48,960 Speaker 1: I got him, I got him, I got him. Go 248 00:16:49,280 --> 00:16:56,880 Speaker 1: go get you see an as any beans. Just just 249 00:17:00,360 --> 00:17:07,280 Speaker 1: I got you. I got you here harpendo being but 250 00:17:08,119 --> 00:17:21,280 Speaker 1: just try it. Shit, just start bulting them go hey ah, 251 00:17:42,000 --> 00:17:46,080 Speaker 1: oh god, holy shit, what the hell is that? Oh 252 00:17:46,160 --> 00:17:50,600 Speaker 1: my god, zippin or live what? I don't know. I 253 00:17:51,040 --> 00:17:55,280 Speaker 1: don't know, Jeremy, how are we hearing this? This? This 254 00:17:55,280 --> 00:17:58,240 Speaker 1: this free have no idea, Jeremy and and Viippen. We're 255 00:17:58,280 --> 00:18:02,639 Speaker 1: going to Freetown today. Maybe who's that? I don't know, 256 00:18:04,119 --> 00:18:25,480 Speaker 1: but I think I know where they are. Jeremy. Whoa, 257 00:18:25,880 --> 00:18:34,439 Speaker 1: whoa there, you're okay, You're okay? Now? H m hm 258 00:18:37,480 --> 00:18:41,800 Speaker 1: is it gone for now? At least? Come on, come on, 259 00:18:41,920 --> 00:18:54,080 Speaker 1: let's sit down. A whoa, thanks thanks for saving me 260 00:18:54,119 --> 00:18:57,720 Speaker 1: with the beans. It was all fipping fast thinking with 261 00:18:57,800 --> 00:19:01,640 Speaker 1: those beans. Whatever that thing was, it wasn't like an 262 00:19:01,640 --> 00:19:04,800 Speaker 1: one or anendra I've read about, and I don't know 263 00:19:04,840 --> 00:19:10,920 Speaker 1: how long it will stay away. Well at least we've 264 00:19:10,960 --> 00:19:19,040 Speaker 1: got some more beans. Ah, did it hurt you? M Yeah, 265 00:19:19,080 --> 00:19:24,280 Speaker 1: I think I think my wrist is broken, hipp and 266 00:19:24,280 --> 00:19:26,280 Speaker 1: go see if there's an ice pack or frozen peas 267 00:19:26,359 --> 00:19:30,760 Speaker 1: or anything. Yeah here, let me see, like if you 268 00:19:30,920 --> 00:19:36,160 Speaker 1: I've broken my fair share of bones before. Yeah, hazard 269 00:19:36,200 --> 00:19:40,639 Speaker 1: of the hobby. I guess. Oh yeah, this is definitely broken, 270 00:19:41,680 --> 00:19:43,280 Speaker 1: but I think I can probably get some kind of 271 00:19:43,320 --> 00:19:50,240 Speaker 1: a splint together here frozen tater talk. Oh sorry, Fhippen. 272 00:19:50,280 --> 00:19:52,600 Speaker 1: Do you think you could try looking for a first 273 00:19:52,600 --> 00:19:56,159 Speaker 1: aid kit, bandage's tongue depressor anything we used to stabilize 274 00:19:56,160 --> 00:20:00,240 Speaker 1: his wrist? I thought I thought the birds were first 275 00:20:00,240 --> 00:20:02,280 Speaker 1: time that you've ever seen a monster? Oh no, I 276 00:20:02,280 --> 00:20:04,880 Speaker 1: guess I can say I've seen two, although I feel 277 00:20:04,920 --> 00:20:08,080 Speaker 1: like I barely saw that, yo guy. So if those 278 00:20:08,119 --> 00:20:12,080 Speaker 1: were your first monster attacks while all the broken bones, 279 00:20:13,600 --> 00:20:20,840 Speaker 1: I'm very clumsy. Uh uh, thanks for holding onto me. 280 00:20:20,920 --> 00:20:25,399 Speaker 1: I thought that thing was going to drag me into hell, 281 00:20:26,119 --> 00:20:28,240 Speaker 1: I probably would have just taken you to the other side, right, 282 00:20:28,400 --> 00:20:33,480 Speaker 1: the fay Realm. Yeah, well sixth one. Do you really 283 00:20:33,480 --> 00:20:35,240 Speaker 1: think it's that bad over there? I don't know, but 284 00:20:35,280 --> 00:20:38,240 Speaker 1: I can't say I'm particularly fond of the residents I've met. Oh, sure, 285 00:20:38,400 --> 00:20:41,440 Speaker 1: but I mean they're just doing what they've been taught 286 00:20:41,480 --> 00:20:44,280 Speaker 1: to do right, protecting their home, following the terms of 287 00:20:44,320 --> 00:20:48,560 Speaker 1: the deal. God doesn't make it right. No, No, but 288 00:20:48,680 --> 00:20:51,120 Speaker 1: I I don't know that we can blame a guard 289 00:20:51,119 --> 00:20:54,120 Speaker 1: dog for biting an intruder? Is that? When you think 290 00:20:54,119 --> 00:20:57,159 Speaker 1: those monsters were guard dogs? What else would they be? 291 00:20:57,840 --> 00:21:00,760 Speaker 1: I don't know. I guess I hadn't really thought about 292 00:21:01,040 --> 00:21:04,760 Speaker 1: who and what the fay Realm actually are. It's been 293 00:21:04,800 --> 00:21:08,000 Speaker 1: a few encounters that were almost certainly puckwadgies, and I'd 294 00:21:08,040 --> 00:21:10,600 Speaker 1: sort of assumed that those were the ones that have 295 00:21:10,680 --> 00:21:14,679 Speaker 1: made the deal. Maybe or maybe the faith themselves haven't 296 00:21:14,720 --> 00:21:16,919 Speaker 1: even come to this side yet. Well, I hope we 297 00:21:17,000 --> 00:21:21,560 Speaker 1: never find out. But magic is real. You just did it, 298 00:21:21,600 --> 00:21:27,920 Speaker 1: and that's that's incredible. We live our whole childhood's reading 299 00:21:27,960 --> 00:21:31,520 Speaker 1: stories about magical worlds and superpowers, and then we grow 300 00:21:31,600 --> 00:21:33,920 Speaker 1: up and find out that those things only exist in 301 00:21:33,960 --> 00:21:38,840 Speaker 1: the realm of our imaginations. But here we are, you 302 00:21:38,960 --> 00:21:43,200 Speaker 1: and me to otherwise normal people, and we've been let 303 00:21:43,240 --> 00:21:46,359 Speaker 1: in on this amazing secret that basically no one else 304 00:21:46,359 --> 00:21:50,120 Speaker 1: knows that all the stories are real, and that if 305 00:21:50,200 --> 00:21:53,840 Speaker 1: we wanted to, we could probably learn all sorts of magic, 306 00:21:54,480 --> 00:21:58,000 Speaker 1: learn how to visit those other worlds. Doesn't that excite you? 307 00:21:59,040 --> 00:22:02,480 Speaker 1: Everything I've encounter in the past few weeks has been terrifying, 308 00:22:02,520 --> 00:22:04,719 Speaker 1: and it feels more like a nightmare coming true than 309 00:22:04,760 --> 00:22:07,600 Speaker 1: a fantasy. But what if that's not all there is 310 00:22:07,600 --> 00:22:10,919 Speaker 1: to this? Come on, are you telling me that in 311 00:22:10,960 --> 00:22:14,920 Speaker 1: all your years of teaching folklore you never once wish 312 00:22:15,000 --> 00:22:17,119 Speaker 1: that all of it was real and you could be 313 00:22:17,160 --> 00:22:23,560 Speaker 1: a part of it. Here some ace bandages, first aid kid, 314 00:22:23,600 --> 00:22:27,000 Speaker 1: and a ruler. I figured that might work as a splint. Yeah, 315 00:22:27,000 --> 00:22:31,719 Speaker 1: that's great, thank you. This is probably going to be unpleasant. 316 00:22:32,560 --> 00:22:36,440 Speaker 1: Oh good, something new and different. Hey, we need to 317 00:22:36,480 --> 00:22:37,960 Speaker 1: figure out how we're going to get out of here, 318 00:22:38,680 --> 00:22:42,080 Speaker 1: right before that thing comes back or before something else 319 00:22:42,119 --> 00:22:47,520 Speaker 1: comes through. Okay, what do we know about getting out 320 00:22:47,520 --> 00:22:49,600 Speaker 1: of the fay realm? We shouldn't eat anything we shouldn't 321 00:22:49,600 --> 00:22:53,639 Speaker 1: step into circles, we shouldn't follow music, check, check and 322 00:22:53,720 --> 00:23:00,480 Speaker 1: check what else? Ah Oh, iron repels fairies, turning your 323 00:23:00,480 --> 00:23:05,960 Speaker 1: clothes inside out right church bells. But okay, okay, okay, 324 00:23:06,000 --> 00:23:07,760 Speaker 1: some of those things we can do, and some of 325 00:23:07,760 --> 00:23:10,840 Speaker 1: them maybe we can fake. I think we've probably passed 326 00:23:10,880 --> 00:23:15,160 Speaker 1: the always be polite to fairies stage of Hey, guys, 327 00:23:15,160 --> 00:23:17,320 Speaker 1: what about salt. That's a thing to protect against all 328 00:23:17,359 --> 00:23:19,880 Speaker 1: kinds of paranormal beans, right, I might as well add 329 00:23:19,880 --> 00:23:23,000 Speaker 1: it to the list. It can't hurt. Okay, you finished 330 00:23:23,000 --> 00:23:25,480 Speaker 1: patching him up, and I'll start to gather whatever supplies 331 00:23:25,520 --> 00:23:32,359 Speaker 1: I think might be useful. Thanks. You know I have 332 00:23:32,520 --> 00:23:34,960 Speaker 1: thought about it before, of course, the possibility of it 333 00:23:35,000 --> 00:23:44,639 Speaker 1: all being real. It's actually, um ah sorry, it's actually 334 00:23:44,640 --> 00:23:46,879 Speaker 1: why I got into folklore in the first place. I 335 00:23:47,040 --> 00:23:50,520 Speaker 1: never I never told anyone this before. Now. I'm pretty 336 00:23:50,520 --> 00:23:52,320 Speaker 1: sure there are plenty of people who wouldn't be surprised. 337 00:23:52,359 --> 00:23:55,560 Speaker 1: But I started researching all sorts of things that when 338 00:23:55,600 --> 00:24:00,560 Speaker 1: I was a teenager because I thought, um, I thought, 339 00:24:00,600 --> 00:24:04,240 Speaker 1: maybe if I put the right pieces together, I could 340 00:24:04,960 --> 00:24:09,520 Speaker 1: bring my dad back. I mean, I guess I thought 341 00:24:10,440 --> 00:24:12,280 Speaker 1: some of it must be real. If there were so 342 00:24:12,320 --> 00:24:14,119 Speaker 1: many people in the world. I believed in it, and 343 00:24:14,160 --> 00:24:21,160 Speaker 1: I I even tried some spells and as a team 344 00:24:21,440 --> 00:24:25,800 Speaker 1: I got into Wicca for a bit. I had a 345 00:24:25,800 --> 00:24:33,200 Speaker 1: similar phase, did you. Yeah, And then I realized that 346 00:24:33,280 --> 00:24:35,080 Speaker 1: he was dead and he was never coming back, and 347 00:24:35,080 --> 00:24:40,200 Speaker 1: there was nothing I could do about it. And fuck 348 00:24:40,560 --> 00:24:45,160 Speaker 1: now I realize, of course there was something I could 349 00:24:45,200 --> 00:24:47,600 Speaker 1: have done. Oh, there's no way you could have known. 350 00:24:48,680 --> 00:24:50,639 Speaker 1: All the research in the world wouldn't have led you 351 00:24:50,680 --> 00:24:57,639 Speaker 1: to what's actually happening. I know, but I'm still I'm angry. 352 00:24:57,720 --> 00:25:00,320 Speaker 1: I think I'm angry that magic is real and that 353 00:25:00,560 --> 00:25:03,399 Speaker 1: this is what it's giving me. It's a life forty 354 00:25:03,440 --> 00:25:06,439 Speaker 1: years without my father and monsters breaking my bones. And 355 00:25:09,240 --> 00:25:13,720 Speaker 1: can I tell you something I've never told anyone? Yeah, 356 00:25:14,880 --> 00:25:18,800 Speaker 1: I lied. I do remember a little bit about when 357 00:25:18,800 --> 00:25:22,840 Speaker 1: I went missing as a kid. Really, I think I 358 00:25:23,000 --> 00:25:31,199 Speaker 1: was somewhere else, somewhere else. I don't know if I 359 00:25:31,240 --> 00:25:33,720 Speaker 1: was in the same place your dad was. It doesn't 360 00:25:33,760 --> 00:25:39,160 Speaker 1: sound like it. Wherever I was, it was beautiful. It 361 00:25:39,200 --> 00:25:44,320 Speaker 1: looked like Freetown forest, but better, brighter. Everything smelled better, 362 00:25:44,680 --> 00:25:48,000 Speaker 1: tasted better, felt better. I mean, maybe I wandered off 363 00:25:48,000 --> 00:25:51,760 Speaker 1: and ate some drugged up mushrooms or something. But whatever happened, 364 00:25:52,680 --> 00:25:55,000 Speaker 1: I've been trying to figure it out ever since, trying 365 00:25:55,040 --> 00:25:59,040 Speaker 1: to recapture it. I mean, if I'm honest, do you 366 00:25:59,040 --> 00:26:03,240 Speaker 1: think I'm just totally off my rocker? Well, if you are, 367 00:26:03,400 --> 00:26:09,520 Speaker 1: I am, I get it a little. I mean when 368 00:26:09,560 --> 00:26:14,800 Speaker 1: I did that run, I don't know if I can 369 00:26:14,800 --> 00:26:23,200 Speaker 1: describe this, but it felt what I felt. It felt incredible. 370 00:26:23,280 --> 00:26:26,520 Speaker 1: I don't know how to describe anyway. I think I 371 00:26:26,560 --> 00:26:33,920 Speaker 1: would definitely want to feel that again, and that it 372 00:26:34,040 --> 00:26:37,960 Speaker 1: scares me. What doesn't have to be scary? I mean, 373 00:26:38,000 --> 00:26:41,720 Speaker 1: if doing magic felt good and protected you, how can 374 00:26:41,760 --> 00:26:47,239 Speaker 1: it be bad? Here? Keep that on as long as 375 00:26:47,240 --> 00:26:52,760 Speaker 1: you can. Look. I get being angry and scared, But 376 00:26:52,920 --> 00:26:55,199 Speaker 1: everything we've ever been taught about magic tells us that 377 00:26:55,200 --> 00:26:57,920 Speaker 1: it doesn't need to be bad, right, I mean, in 378 00:26:58,000 --> 00:27:02,160 Speaker 1: every legend, there's always light magic and dark magic. It's 379 00:27:02,200 --> 00:27:09,600 Speaker 1: about the user, not the magic itself. Well, do you 380 00:27:09,640 --> 00:27:11,320 Speaker 1: think we could use magic to get out of here? 381 00:27:11,680 --> 00:27:14,520 Speaker 1: I don't just mean here, I mean the whole deal. 382 00:27:14,920 --> 00:27:19,119 Speaker 1: The Faye Court are famously not very generous negotiators. Well, 383 00:27:19,160 --> 00:27:22,560 Speaker 1: what if the deal wasn't broken? But changed. What if 384 00:27:23,760 --> 00:27:27,520 Speaker 1: I don't know, merge the world somehow. You mean, let 385 00:27:27,520 --> 00:27:31,680 Speaker 1: them Faye realms seep out into ours, Let magic exist here. 386 00:27:32,600 --> 00:27:34,560 Speaker 1: The Faye use it to keep their gate closed, and 387 00:27:34,600 --> 00:27:36,479 Speaker 1: we use it to keep our gate closed, and no 388 00:27:36,520 --> 00:27:38,879 Speaker 1: one has to sit in the liminal. Why would the 389 00:27:39,000 --> 00:27:41,280 Speaker 1: fay realm ever go for something like that? What if 390 00:27:41,280 --> 00:27:44,560 Speaker 1: the gates were closed but not locked, accessible to those 391 00:27:44,600 --> 00:27:47,280 Speaker 1: who knew, able to pass through from one world to 392 00:27:47,280 --> 00:27:49,960 Speaker 1: the next. Wouldn't you want to see it if you 393 00:27:50,000 --> 00:27:53,280 Speaker 1: could the other side. I don't know if I trust it. 394 00:27:53,320 --> 00:27:55,480 Speaker 1: I haven't seen any magic that's led me to believe 395 00:27:55,640 --> 00:28:01,000 Speaker 1: that it's a stable or positive force. It just saved 396 00:28:01,040 --> 00:28:04,800 Speaker 1: our lives. It brought your dad back. Yeah, but it 397 00:28:04,840 --> 00:28:08,560 Speaker 1: took him away first, but it brought him back. And 398 00:28:08,680 --> 00:28:11,320 Speaker 1: on top of that, you now have more time together 399 00:28:11,320 --> 00:28:13,640 Speaker 1: than you ever would have if he'd stayed an age normally. 400 00:28:14,920 --> 00:28:16,720 Speaker 1: You have your whole lives to get to know each other, 401 00:28:17,720 --> 00:28:22,359 Speaker 1: for him to know his grandkids and great grandkids. What 402 00:28:22,480 --> 00:28:25,520 Speaker 1: a gift that is. I didn't know you were such 403 00:28:25,560 --> 00:28:28,560 Speaker 1: a glass half full person. I don't need to be 404 00:28:28,600 --> 00:28:31,880 Speaker 1: a glass half full person because the glass is magic 405 00:28:35,680 --> 00:28:38,920 Speaker 1: fair enough. But you might actually have a point. Maybe 406 00:28:38,920 --> 00:28:40,400 Speaker 1: there is a way to make all of this work 407 00:28:40,440 --> 00:28:43,160 Speaker 1: for us, for the other side to be an ally 408 00:28:43,320 --> 00:28:50,120 Speaker 1: not an enemy. My thoughts exactly. Well, first things first 409 00:28:50,600 --> 00:28:51,959 Speaker 1: have to figure out how to get out of here, 410 00:28:53,000 --> 00:29:01,880 Speaker 1: yeah and fast. I don't get it. Are you sure 411 00:29:01,880 --> 00:29:05,000 Speaker 1: it's unlocked? I know how to unlock my own front door. 412 00:29:06,160 --> 00:29:09,600 Speaker 1: I'm still not getting anything from the station. Maybe whatever 413 00:29:09,720 --> 00:29:12,840 Speaker 1: was going on is over, or something much worse happened. 414 00:29:14,000 --> 00:29:20,600 Speaker 1: Let me try. It feels like, yeah, like someone's pulling 415 00:29:20,680 --> 00:29:33,560 Speaker 1: from the other side, right, Jeremy, Jeremy, Jeremy, Hippen. What 416 00:29:33,880 --> 00:29:38,360 Speaker 1: was that? Was that coming from inside the house? Jeremy, Jeremy, 417 00:29:39,280 --> 00:29:44,480 Speaker 1: All right, that's it. I'm breaking it down. God, thank 418 00:29:44,600 --> 00:29:51,040 Speaker 1: fuck Jeremy, Dad, Hippen, Who are you? Oh? Um, Hi? 419 00:29:52,080 --> 00:29:54,560 Speaker 1: What the hell happened? We all? Are you guys doing here? 420 00:29:54,800 --> 00:29:58,640 Speaker 1: We heard you screaming on the radio. Watch Alden's radio. 421 00:29:58,760 --> 00:30:02,080 Speaker 1: We could hear shouting at and something about bean. That's 422 00:30:02,080 --> 00:30:03,880 Speaker 1: what we used to get rid of the only but 423 00:30:04,040 --> 00:30:09,520 Speaker 1: what uh it's a kind of malevolent spirit in Japanese lore. 424 00:30:09,720 --> 00:30:14,760 Speaker 1: That's what broke Jeremy's hand. Let me see, I'm fine. 425 00:30:14,840 --> 00:30:20,080 Speaker 1: I shit you were able to tune into the limit only. Huh, 426 00:30:21,440 --> 00:30:25,040 Speaker 1: you really did it? I guess. So is that where 427 00:30:25,040 --> 00:30:29,960 Speaker 1: you guys were. Uh, I don't know. Uh, we're not 428 00:30:30,160 --> 00:30:34,880 Speaker 1: completely sure. We got chased by these birds what and 429 00:30:34,880 --> 00:30:36,920 Speaker 1: then and then we hid inside the house. We got trapped. 430 00:30:36,920 --> 00:30:40,280 Speaker 1: There was this um music like before. Oh yeah, we 431 00:30:40,440 --> 00:30:42,960 Speaker 1: heard that on the radio. Yeah. I think there were 432 00:30:43,000 --> 00:30:46,840 Speaker 1: other worlds there. There was like spreading out of Freetown again. 433 00:30:46,880 --> 00:30:50,800 Speaker 1: But I don't know. Everything looks I think it looks 434 00:30:50,840 --> 00:30:53,400 Speaker 1: really normal now. I mean, I haven't gotten any more 435 00:30:53,640 --> 00:31:00,080 Speaker 1: strange broadcasts. So are you really okay? Yeah? Yeah, I 436 00:31:00,120 --> 00:31:03,920 Speaker 1: am a little beaten up, But okay, wherever? And why's 437 00:31:03,920 --> 00:31:08,200 Speaker 1: your sweaterans? We had to hum better? Question? Who is 438 00:31:08,240 --> 00:31:12,760 Speaker 1: this great? Sorry? This is that's weight breaking news. A 439 00:31:12,880 --> 00:31:16,000 Speaker 1: body was just discovered by police and Freetown State Forest, 440 00:31:16,160 --> 00:31:19,680 Speaker 1: a popular hiking and camping destination. The body was discovered 441 00:31:19,680 --> 00:31:22,040 Speaker 1: earlier this afternoon, and the identity of the victim and 442 00:31:22,080 --> 00:31:25,080 Speaker 1: the exact cause of death is unknown at this time. 443 00:31:25,360 --> 00:31:27,880 Speaker 1: The police have stated that due to recent attacks, they 444 00:31:27,880 --> 00:31:30,760 Speaker 1: are taking this as a matter of public safety and 445 00:31:30,840 --> 00:31:34,280 Speaker 1: we'll be closing down the park until further notice, especially 446 00:31:34,360 --> 00:31:37,240 Speaker 1: since they have already ruled out natural causes based on 447 00:31:37,280 --> 00:31:40,280 Speaker 1: the state of the body. Whether this hiker was murdered 448 00:31:40,400 --> 00:31:46,960 Speaker 1: or attacked remains to be seen. This episode of Bridgewater 449 00:31:47,080 --> 00:31:50,320 Speaker 1: was written by Lauren Shippin and directed by Brendan Patrick 450 00:31:50,440 --> 00:31:54,600 Speaker 1: Hughes Assistant director Sarah Klein. Sound designed by Vincent de 451 00:31:54,760 --> 00:31:59,479 Speaker 1: Johnny Rima Ilkali, Josh Thin, and Trevor Young, with music 452 00:31:59,680 --> 00:32:04,560 Speaker 1: by Chad Lawson, starring Misha Collins as Jeremy Bradshaw, Melissa 453 00:32:04,600 --> 00:32:09,760 Speaker 1: Ponzio as Anne Becker, Alan Tudik as Thomas Bradshaw, Karen 454 00:32:09,840 --> 00:32:16,000 Speaker 1: Sony as Vipenkrana, Sabra May as Olivia Hoskins, Cheryl Umania 455 00:32:16,240 --> 00:32:21,520 Speaker 1: as Officer Bautista, Will Wheaton as Captain Haddock, Trisha Helper 456 00:32:21,720 --> 00:32:27,320 Speaker 1: as the Legend Tripper, Stephen Guarino as Doctor Edwards Nandamisu 457 00:32:27,400 --> 00:32:32,000 Speaker 1: Dembe as Peyton Blake, Hilary Burton Morgan as Shelley Hoskins, 458 00:32:32,440 --> 00:32:37,120 Speaker 1: Nicki McCauley as Celeste Then, Victoria Grace as Katie Franks, 459 00:32:37,640 --> 00:32:43,720 Speaker 1: with additional voice acting by Greta Gould, Shelby Young, Adam O'Byrne, Monte, Markham, 460 00:32:43,800 --> 00:32:49,320 Speaker 1: Charlie Bergman, and Teren Westbrook. Executive producers Aaron Manki, Misha Collins, 461 00:32:49,520 --> 00:32:54,680 Speaker 1: Lauren Shippin, Matt Frederick and Alexander Williams. Supervising producers Josh 462 00:32:54,720 --> 00:32:58,680 Speaker 1: Thane and Trevor Young. Bridgewater was created by me Aaron 463 00:32:58,760 --> 00:33:01,320 Speaker 1: Mankey and is a diduction of Grim and Mild and 464 00:33:01,480 --> 00:33:04,280 Speaker 1: I Heeart three D Audio. Learn more about the show 465 00:33:04,320 --> 00:33:07,960 Speaker 1: over at Grimm Andmild dot com, slash Bridgewater and find 466 00:33:08,000 --> 00:33:12,200 Speaker 1: more podcasts from iHeartRadio on the iHeartRadio app, Apple Podcasts, 467 00:33:12,280 --> 00:33:16,120 Speaker 1: or wherever you listen to your favorite shows, and as always, 468 00:33:16,760 --> 00:33:17,760 Speaker 1: thanks for listening.