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Speaker 1: Boutleg cap podcast special guests in here, the Legendary Bizarre.

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Speaker 1: Welcome sir, What up though? How you doing man, I'm

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Speaker 1: looking at your plats man. Yeah, well I'm sure you

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Speaker 1: got a lot more than me. I mean, and you

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Speaker 1: actually wrapped on the mind. I just played this ship

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Speaker 1: on the radio and they sent me plex It's like, hey, thanks,

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Speaker 1: play our other ship too, damn Like, man, play this

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Speaker 1: You actually were on the songs you got. Yeah, yeah,

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Speaker 1: you actually did something. I didn't do anything. All this

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Speaker 1: ship is I didn't. I just played this ship on

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Speaker 1: the radio. I broke, you know, broke break records and ship.

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Speaker 1: What's your biggest record you broke? Probably like like early

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Speaker 1: J Cole, early Kendrick, like randomly enough Maclamore. I was

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Speaker 1: playing Maclamore super early underground hip hop show. Uh he

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Speaker 1: started off an underground Yeah, okay, some more backpack you like,

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Speaker 1: you know, hipster ship, hipster rap, fucking hipster rap at

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Speaker 1: its finest. Damn Yeah, young Mac, what's going on with you? Man?

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Speaker 1: Man trying to be a hipster man? I respect it.

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Speaker 1: It's a nice like late life decision to pivot to. Yeah, man,

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Speaker 1: I'm going through a different Personnalities it is mystery person.

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Speaker 1: So you're in hipster mode of Bizarre's career right now.

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Speaker 1: Are we changing them? Are you singing about trans rites

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Speaker 1: and stuff? Wow, you're changing it up? Yeah, I gotta

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Speaker 1: change it up man, the new millennium. Man, do you

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Speaker 1: feel like when you listen to your music at times

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Speaker 1: like from like back in the day and even you know,

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Speaker 1: newer stuff, It's obviously you'd be saying some wild shit,

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Speaker 1: especially like vintage D twelve shit. Because I always think, like, damn, notice,

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Speaker 1: Like I always like talk to artists about like just

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Speaker 1: kind of the state of how sensitive everybody is nowadays.

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Speaker 1: I'm like, yeah, I don't know if Marshall matters up

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Speaker 1: you could happen in twenty twenty two, Like I don't

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Speaker 1: know if Purple Pills could happen in twenty twenty two

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Speaker 1: or Devil's Night, Like is that? Uh? Do you ever

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Speaker 1: like listen to your old ship and be like, damn,

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Speaker 1: I was saying some wild ship. Yeah, yeah, I'll be

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Speaker 1: forgetting half of it shit. I'll be saying, man, what

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Speaker 1: do you think is like the craziest line you've said

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Speaker 1: on a song that you think might like if it

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Speaker 1: if it came out today would get you in some

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Speaker 1: serious ship. Uh, I don't know. Maybe you know when

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Speaker 1: my hands is so them my mother something, Dick and

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Speaker 1: I didn't come. That's one of the raunchy ones. I

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Speaker 1: don't know. Any ship about kids probably will be probably, yeah,

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Speaker 1: anything about it'd be like Airy Spears, who's a saw

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Speaker 1: he did a bit. He did a bit about kids,

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Speaker 1: like twelve years ago. They're trying to cancel them now

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Speaker 1: for it because it's like rehashed. Damn him and Tiffany

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Speaker 1: Hads are in the skit in like twenty twelve and

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Speaker 1: people are mad about it all like out of nowhere.

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Speaker 1: Oh jay z yeah great, he just great impersonations jay

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Speaker 1: z impersonations, Insane x one is dope. Yeah. Yeah. They

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Speaker 1: trying to cancel my man, get me my get his

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Speaker 1: as out of there. It's crazy, man, it's crazy nowadays. Like,

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Speaker 1: how would you say, like, you know, being bizarre, knowing

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Speaker 1: that you're kind of like I feel like when people

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Speaker 1: listen to Bizarre, they're expecting a certain level of like

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Speaker 1: shock value or is it like a little harder to

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Speaker 1: deliver that how you'd like to nowadays? Uh? Well, I

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Speaker 1: think I'm being a little bit more lyrical now with

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Speaker 1: the shock, but I still sneak my little punches in there. Man.

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Speaker 1: I think it's my That's just why my my brain

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Speaker 1: is wired. Man. Right, So I'm a little bit sneakyer

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Speaker 1: with the punches, but they still they're still they're still flagrant,

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Speaker 1: They're still funny. Yeah, yeah, you're here. Ship was always hilarious. Yeah,

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Speaker 1: I feel like you could. It did stand up. Yeah,

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Speaker 1: you know, but I'm trying to scale back a little bit.

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Speaker 1: I say one the two, like, I think I said

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Speaker 1: something about little nons X. He ain't important, especially after

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Speaker 1: he didn't get that abortion. Oh because he was pregnant.

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Speaker 1: Yeah by me, Yeah, he was a pregnant male. It

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Speaker 1: was a nice rollout. Hey, it was a good rollout.

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Speaker 1: Hey had people talking. You wrote a bar about it worked, right, damn. Yeah.

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Speaker 1: So I'm still sneaking to men. Yeah, I don't. I

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Speaker 1: don't think people take much too serious. Man. I think

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Speaker 1: I think they kind of know you're like people. Other

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Speaker 1: people can't say what I say, Yeah, someone if someone

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Speaker 1: else said that, it'd be a problem. But I feel

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Speaker 1: like people expect that level of like comedy or like

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Speaker 1: at least like they're not going to take it like

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Speaker 1: personal if you say it. But what if I'm serious?

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Speaker 1: I don't know. And you could have stopped to help

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Speaker 1: me before I really committed a serious crime. That would

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Speaker 1: be crazy. I couldn't stop yet. You could have talked

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Speaker 1: to me. Yeah. This guy over here with the mullet

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Speaker 1: is that's his job. He's juiced up, bay oh man,

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Speaker 1: he wants to talk about his red bull. That's it.

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Speaker 1: This guy smoked two packs of black. Amount of the

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Speaker 1: day one hundred percent. Man. I was just telling you

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Speaker 1: I spent some time out in Detroit recently, and uh man,

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Speaker 1: I really Detroit hanging out with We shot with Sada

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Speaker 1: Baby out there on the east side. We were with

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Speaker 1: Perrol Giovanni. On the west side, we were with we

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Speaker 1: were with Icewear Vessel. He was shooting his movie. So

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Speaker 1: we just stayed out there for a week and just

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Speaker 1: shot a bunch of stuff for above All and it

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Speaker 1: was it was fun. Man. I enjoyed it a lot.

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Speaker 1: I didn't know what to expect, did you hear? Like,

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Speaker 1: you know, you gotta come fuck with us next time

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Speaker 1: when you come to the dem What part of Detroit

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Speaker 1: A you're from? From seven Mile Evergreen? Okay? Is that

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Speaker 1: the east side or west side just the side okay,

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Speaker 1: deep deep west side, deep west side. I know, like

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Speaker 1: there's like a bit of a vibe change from the

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Speaker 1: west side. Well from what I would say that like,

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Speaker 1: the west side seems a little from what everyone has

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Speaker 1: told me, it's a little bit more of the flashier

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Speaker 1: hustler that's to where the east side is a little

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Speaker 1: more like you know, ryany maybe you know what I'm saying.

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Speaker 1: Like so, I don't know, I really Uh, the food

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Speaker 1: was cool. I told you there's a fucking Coney Island

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Speaker 1: on every corner. Did you go to Starters? I don't

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Speaker 1: think I did, Okay, I just know we was just

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Speaker 1: pulling up the Coney Islands. That was like everybody would

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Speaker 1: go to their hood. They'd be like, we got to

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Speaker 1: take you to our Coney, Yeah, because that's that's that's

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Speaker 1: that's a real big thing in Detroit of you know

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Speaker 1: what coney did you go to? Right? Because you know,

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Speaker 1: you know, you asked me, what's my favorite Coney is

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Speaker 1: lines Coney Island on seven mile Okay, And it's because

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Speaker 1: we got this Omelik called the seven Mile omelet. Oh

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Speaker 1: and basically they put everything in the whole store in

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Speaker 1: it inside the almond Yeah, hash Browns all type of

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Speaker 1: sounds like a movie. Yeah, that's your go to chili,

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Speaker 1: the chi, the chili from the Chilian chiches. They put

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Speaker 1: the chili inside down with too. That sounds like a

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Speaker 1: fucking diarrhea though. That sounds like a fucking problem for

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Speaker 1: the fucking toilet. And then we were super cliche. We

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Speaker 1: were driving through Nikki D's drive through o'clock in the morning. No,

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Speaker 1: it was this was like one pm because we had

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Speaker 1: to shoot at like two, and they were like, go

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Speaker 1: to Nikki D's is right over here. And then we

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Speaker 1: this was the first time we had been on eight

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Speaker 1: Mile Road, right, so I'm like fresh and this was

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Speaker 1: like our first day in town. So I just did

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Speaker 1: you did you notice the potholes? Oh? Yeah, okay. So

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Speaker 1: I'm just fucking blaring eminem and the drive through just

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Speaker 1: being like the most stereotypical white dude who's onifaication. I

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Speaker 1: was doing it to be funny. But then we actually

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Speaker 1: drove to the trailer park, the eight Mile Trailer Park,

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Speaker 1: and that ship was fucked up. I was like, this

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Speaker 1: is crazy, this ship is depressing. They're like, yeah, it

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Speaker 1: was like some toothless ladies smoking. She's on the corner.

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Speaker 1: I'm like, hey, which one was Eminem. She's like, you

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Speaker 1: see that empty lot right there? It was right there?

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Speaker 1: Went down. Wow. I was like, shit, fucked up over there? Man? Man,

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Speaker 1: that's where they shot the movie yet, yes, where they

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Speaker 1: shot the movie at? Man? Did they take you on

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Speaker 1: seven Mile in Dresley? I don't know where, everybody, that's

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Speaker 1: another house you live in Detroit? No, no, no, I

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Speaker 1: just drove. I just drove by it. We just googled

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Speaker 1: Eminem trailer Park and just went. You know, many people

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Speaker 1: coming from like all around the world just to see

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Speaker 1: a mom I'm sure overseas German. I'm sure, I'm sure.

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Speaker 1: And it's probably not the safest place to just be

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Speaker 1: hanging out at right. What do you think I would

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Speaker 1: say based on my experience all the places we were at,

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Speaker 1: We're not too far from eight Mile, and we were

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Speaker 1: in some pretty hairy areas. Yeah, like yeah, probably like

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Speaker 1: y'alls on seven Mile and and crash, it were all

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Speaker 1: over the place. Yeah, But but yeah, I would say,

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Speaker 1: you know, probably not the the smartest thing I did do.

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Speaker 1: The Mom's spaghetti restaurant was just terrible. I went for

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Speaker 1: the mom spaghetti wasn't good man, I wanted to like it.

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Speaker 1: You Italian energy. Nah, I'm just playing. I'm German and Irish.

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Speaker 1: I can't tell you what you is because you ain't

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Speaker 1: got the much to German and Irish. Bro German, Irish

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Speaker 1: boring white, Okay. I feel like if you're Italian, there's

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Speaker 1: like some sort of like, no, I'm not white, I'm Italian.

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Speaker 1: German and Irish is like that's like crazy, You're crazy, motherfucker.

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Speaker 1: That's just white as fuck. That's like as bad as

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Speaker 1: boring of Caucasic. I mean, the only thing I can

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Speaker 1: say other is like being English. Yeah, you know what

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Speaker 1: I appreciate about you is that you are as a

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Speaker 1: black man in hip hop, you're fully embraced Caucasian humor, damn,

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Speaker 1: because you know, I can't. I have joke in front

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Speaker 1: of my homies and they'll call me gay, you know,

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Speaker 1: and they'll be like, Yo, you're fucking wild. What the

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Speaker 1: fung I can appreciate it. I'm saying your humor to me,

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Speaker 1: I feel like has always been very similar to mine,

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Speaker 1: very dark, fucked up people at at times questionable, Yeah,

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Speaker 1: definitely question Yeah, Like are there certain jokes. You can't

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Speaker 1: get off with certain homies that you can get off

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Speaker 1: with that guy. Uh yeah, he laughed at anything. Yeah,

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Speaker 1: he laughing any babe, I keep him laughing. Man. So

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Speaker 1: I can't really really trust on him. What's going on

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Speaker 1: with the music ship right now? What do you got

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Speaker 1: going on? Man? Absolutely nothing? Nothing, no, man, man, I

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Speaker 1: just uh, I just dropped the album called He Got

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Speaker 1: a Gun, great name. Yeah, and I did the whole

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Speaker 1: album with my man file off over there, the guy

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Speaker 1: with the mullet, he's the producer. Yeah he's here, Okay, Yeah,

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Speaker 1: he did the whole album from beginning and the the end.

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Speaker 1: So I had really lost the love for hip hop

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Speaker 1: for a minute. I wasn't really fucking with it. So

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Speaker 1: my boy, King Gordian introduced me to this guy, King

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Speaker 1: Gordy Yeah, yep, yep, legend Van Nike and Harper and uh,

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Speaker 1: this guy here, he was just so pure on hip hop,

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Speaker 1: like I mean this, I mean, this guy doesn't give

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Speaker 1: a funk about nothing but recording. So he had the

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Speaker 1: like typical old school basement six dogs, four cats, his

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Speaker 1: girl cooking cats, yeah, the girl cooking the meal, and

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Speaker 1: his kids jumping around crazy just to smell. Oh man, awful. Yeah,

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Speaker 1: like a fucked up six dogs, four cats getting made

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Speaker 1: and there's kids, cats eating on the counter, all that shit.

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Speaker 1: You know, I'm not surprised, but it made. It was

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Speaker 1: an environment that I needed, man. So you know he

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Speaker 1: brought that old you know what I'm saying, that old

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Speaker 1: bizarre back to the battle rap Bazaar, saying before the

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Speaker 1: crazy Sick Rapist Bizarre, the crazy Sick Rapist Bizarre. Yeah.

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Speaker 1: So I'm proud of this album, man, you know what

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Speaker 1: I'm saying. We we just been. I had to move

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Speaker 1: in his basement for two months. You lived in his

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Speaker 1: basement with the cats and the dogs. Yep, shout out

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Speaker 1: to Gurdy his dog, his dog. And so while living there,

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Speaker 1: you finished the album. Yeah. Nice. Yeah, man, it was

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Speaker 1: a long process too, man, because you know he records

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Speaker 1: on acid. Bro, Are you kidding? Are you engineers familiar

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Speaker 1: with that? Are you kidding? Serious? Yes? What year? What

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Speaker 1: could we help Cyrus before he leaves? Can we get

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Speaker 1: him a crack? Let's just get him. Let's get him

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Speaker 1: a crack for pro tools or something. I haven't heard

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Speaker 1: Sony Assid since high school. We'll get bro, We'll get

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Speaker 1: you a nice jump drive. We gotta get you wrong. Okay,

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Speaker 1: I had to send it to your boy on pro tools.

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Speaker 1: You're not gonna get off that easy, man. Wow. Salute

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Speaker 1: to you man that he's been on it since like

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Speaker 1: seventy three something, since fucking the internet started. But AOL

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Speaker 1: he still got. He still got AOL trial CDs. Okay,

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Speaker 1: but trial CDs. But it gives the rawness of the album.

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Speaker 1: It gives it a sound, it gives it a grit,

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Speaker 1: It gives us the Honger his house for like a

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Speaker 1: mon of teenagers that went over there. We caught the

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Speaker 1: bus over there to do a song. Shit nice you were.

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Speaker 1: I feel like sometimes people don't realize like that you

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Speaker 1: did come from the battle scene that you were. Like,

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Speaker 1: I feel like we think of your bars as like,

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Speaker 1: you know, very funny, but I feel like in that

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Speaker 1: it's your Your skills as an MC or probably aren't

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Speaker 1: respected as as they probably should be. Do you feel

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Speaker 1: like this project you kind of yeah, definitely, definitely, definitely yeah,

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Speaker 1: because you know, when I was in D twelve, I

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Speaker 1: had like a role to play a character, you know

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Speaker 1: what I'm saying. And Marshall he really liked it. The

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Speaker 1: D voice. Yeah, so like sometimes the devoice what would

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Speaker 1: have me to he would be worried more about the

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Speaker 1: you know what I'm saying, the funny shit din really

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Speaker 1: the line on syllable or something like that. So so

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Speaker 1: would you say you were kind of like, hey, look,

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Speaker 1: your role is to do this exactly. You are the

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Speaker 1: fun You're the comedic relief of the crew. You're gonna

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Speaker 1: say the most wildest most Outlander ship and it's gonna

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Speaker 1: be okay because your name is bizarre. I've been saying, wow,

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Speaker 1: I landed ship. But like but in the most simple way. Yeah,

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Speaker 1: in the most simple way. Yeah right, put that way.

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Speaker 1: So this this album his beats and inspired me to all.

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Speaker 1: His ship is like straight gut or boom bap ship.

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Speaker 1: So you was back on your house, back on my ship.

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Speaker 1: Yeah yeah, no girlfriend, drama, free sea, moss boxing, fucking

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Speaker 1: young holes nice see mass. Yeah, I just pills, do

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Speaker 1: the row. I just do the pills that you could get. No,

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Speaker 1: I do minus mixed with the damn I forgot no, no,

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Speaker 1: not elderberry something else. Have you noticed a sugar taste,

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Speaker 1: like it's like the jelly and the jar. Yeah, it's

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Speaker 1: like yeaheah, I know you eat it. Yeah, yeah, I

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Speaker 1: had to. I just I can't eat that ship. I

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Speaker 1: just do the pill. It's it's probably not as as beneficial,

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Speaker 1: but black Sea most energy. Yeah that's all I mean.

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Speaker 1: I'm like, we pop one of these boys a day,

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Speaker 1: you know what I mean. Do you feel like you

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Speaker 1: notice like your health getting better like you started? Yeah? Yeah,

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Speaker 1: shot the doctor sebby Man. Yeah, we get you way

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Speaker 1: more energy. You know, I used to be narkle, were

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Speaker 1: just falling asleep every mother. Yeah. Yeah, I don't do

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Speaker 1: that ship no more. Yeah. Would you say like you're

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Speaker 1: the healthiest you've been right now? Yeah, cause you look healthy.

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Speaker 1: You look like you've lost I had. I had. I

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Speaker 1: had a minor stroke too. I have to add on

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Speaker 1: my all my ship. Yeah, I had stopped taking my

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Speaker 1: medicine for like two months. Was the reason you had

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Speaker 1: a stroke due to like lifestyle ship? Or was it

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Speaker 1: just something like you I had. I became vegan and

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Speaker 1: basically stopped taking my medicine and try to do it natural,

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Speaker 1: And that probably wouldn't That wasn't a good idea without

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Speaker 1: consulting with the doctor. I feel like people go vegan

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Speaker 1: but they don't understand it. There's like I didn't understand it.

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Speaker 1: I was doing it because I was dating a girl

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Speaker 1: that was doing it. I'm a fucking follower, no, no, no,

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Speaker 1: but yeah, she was getting healthy from it, you know

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Speaker 1: what I'm saying. So I tried to do it, but

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Speaker 1: I didn't know why I was doing it. You're just

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Speaker 1: doing it to do it. Yeah. So I started getting

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Speaker 1: on the road doing them shows. And then at nighttime,

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Speaker 1: it's three, four o'clock in the morning, you high, you

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Speaker 1: got the munchies. So all I know is if I

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Speaker 1: go to just while I go to McDonalds, all I

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Speaker 1: know is I can't eat no burger, but I could

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Speaker 1: eat all the fries. Hell yeah, fries, hash frowns, yeah right, donuts,

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Speaker 1: all cars, all cars. So my friend over there who's

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Speaker 1: switching the cameras as a vegetarian, but he's full of

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Speaker 1: shit because all he does is he potato chips, French fries,

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Speaker 1: and like literally what you're saying is all he eats.

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Speaker 1: He just eats bean and cheese, burritos, nachos, Okay, fucking

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Speaker 1: bags of Doritos, the purple ones, any type of chips.

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Speaker 1: He's tried. So if you ever need a good snack.

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Speaker 1: He'll be like, yoyo, you go try these chips. Those

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Speaker 1: are guess but he eats like an absolute dumpster fire.

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Speaker 1: But you know he's vegetarian, so when he says it

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Speaker 1: to the girls, it sounds better. The problem is he'

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Speaker 1: still not getting no pussy. So oh so I think

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Speaker 1: Cyrus should go full meat again? Do we think we

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Speaker 1: should get himack to full meat. I've been trying to

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Speaker 1: convince him I can't become a meditarian. Meditarian, bro, he'll

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Speaker 1: fuck up a whole baby embryo from a chicken. He's

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Speaker 1: a bit just ordering cheese pieces and shit, yes, and

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Speaker 1: knowing anybody gonna ask him for that, and then he'll

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Speaker 1: go to He'll go to subway and get a foot

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Speaker 1: long sandwich with just the veggies on it. Oh wow,

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Speaker 1: I'm like, you're sick man. My thing is is if

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Speaker 1: you could eat the aborted baby chicken, you could eat

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Speaker 1: the chicken meat. What's up? What a egg is? It's

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Speaker 1: the chicken embryo fuck up some chicken babies. Yeah, but

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Speaker 1: he won't fuck up the chicken meat. Yeah, that's a

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Speaker 1: good ass. Damn aborted baby chickens. Where's their rights? Peter? Oh?

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Speaker 1: I guess that they're probably alady. They are fighting for them.

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Speaker 1: I'm sure they just they're probably throwing blood on the

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Speaker 1: floor of like a Chick fil a right now somewhere. Kid,

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Speaker 1: I know you was just sick, man, Yah, bizarre. We're

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Speaker 1: gonna have a good fucking time, man, a great fucking

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Speaker 1: he just became this sick guy all of a sudden,

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Speaker 1: All of a sudden. It's been a long time, man,

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Speaker 1: It's been a long fucking time. Bro. And he features

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Speaker 1: on the new album Oh Yeah, who gonna know? Uh

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Speaker 1: got a song with Cool Keith. Oh shout out to

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Speaker 1: cool kids, shout when if he comes back to the

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00:19:06,240 --> 00:19:10,359
Speaker 1: planet Earth for you shooting video for Cool keyths that guy. Yeah,

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Speaker 1: cool keeps the guy. But I don't know where he's

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00:19:12,440 --> 00:19:15,560
Speaker 1: at right now. He's in Mars. He's Cool Keys getting

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Speaker 1: cool Keith. I got a Nims for your life, Gorilla,

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Speaker 1: Gorilla Nims was just here last week. Coney. He's from

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Speaker 1: Coney Island. You guys like Coney. He's been in the

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Speaker 1: story a lot of times, you know about he almost

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Speaker 1: signed with eminem. He had like an opportunity where he

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Speaker 1: could have got on Shady, but you know, he had

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Speaker 1: some ship happened in his last year. Yeah. Yeah, he

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Speaker 1: went to prison for a minute. Yeah, so after my

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Speaker 1: boy Nimbs. Man, I've been doing that do for a

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Speaker 1: long time. But I love is his. He also has

349
00:19:42,680 --> 00:19:49,199
Speaker 1: very disrespectful flame. He gotta be saying crazy ship on

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Speaker 1: your album. Oh yeah, he's says probably. He was like

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Speaker 1: this feature, i' gonna say the Wildish Ship. Yeah, he

352
00:19:56,240 --> 00:19:58,439
Speaker 1: said a COVID line that might be unacceptable. What do

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Speaker 1: you say? Oh man? He said, what do you say?

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Speaker 1: He said something about bitch you can get this. Gave

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Speaker 1: my mama, gave my mama, my sister some COVID for Christmas.

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Speaker 1: That's some city. Yeah. Then I got young Z on

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Speaker 1: an album, young Z from the Outside of that's old school.

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Speaker 1: Yeah yeah, I got there from a Jersey Nord. Yeah yeah,

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Speaker 1: I remember that, uh Guilty Simpson from Detroit ship Man.

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Speaker 1: I had Guilty Simpson on my show in twenty ten. Man,

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Speaker 1: I haven't heard that name in a long time. Yeah, yeah,

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Speaker 1: that's a Detroit You know. It's crazy because Detroit there's

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Speaker 1: so many like, uh genres of Detroit hip hop. So

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Speaker 1: like when I was growing up, obviously, eminem D twelve

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Speaker 1: was like Obi Trice, Obi Trice. But then there was

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Speaker 1: Slum Village, there was Jay Dilla, there was Black Milk,

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Speaker 1: there was Guilty Simpson, there was all those guys. Obviously Royce,

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Speaker 1: Yeah it was. And then now like Detroit's like low key,

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Speaker 1: like top two or three hottest city and all of

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Speaker 1: rap music. Everyone's getting signed out of Detroit. The street

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Speaker 1: ship coming out of Detroit is crazy. Yeah, Doug Detroit

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Speaker 1: right now. Baby Money, who just came up here, he

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Speaker 1: just boy from street is probably my favorite. I love.

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Speaker 1: I think baby Tron's got really funny like one lines

375
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Speaker 1: his dad was signed a psychopath, which is funny. A

376
00:21:31,440 --> 00:21:36,480
Speaker 1: lot of people don't know that. Yeah, yeah, yeah, I

377
00:21:36,560 --> 00:21:39,280
Speaker 1: mean forty two Doug thoughs I would say he's so

378
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Speaker 1: big that like, yeah, you gotta get him out of

379
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Speaker 1: the underground. Yeah, but he's fucking hard bro. Yeah, for sure.

380
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Speaker 1: His voice is insane. His tone is crazy grow with

381
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Speaker 1: his daddy. Dad was a cheddar Boy, east Side cheddar Boy.

382
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Speaker 1: Shout out to the east Side Cheddar Boys to Q,

383
00:21:56,480 --> 00:21:59,000
Speaker 1: I just checked out because I met little Blade Blade

384
00:21:59,000 --> 00:22:02,200
Speaker 1: icewood Son out there and I just checked I actually

385
00:22:02,280 --> 00:22:03,800
Speaker 1: just got around to finally listening to this shit his

386
00:22:03,800 --> 00:22:06,280
Speaker 1: shit is cool, shot a little blade obviously. Pero Giovanni's

387
00:22:06,320 --> 00:22:09,840
Speaker 1: going crazy. He's been going crazy for years. Yeah, No,

388
00:22:09,960 --> 00:22:12,879
Speaker 1: Detroit is. Detroit's going up right now man. Yeah. Like

389
00:22:12,960 --> 00:22:16,200
Speaker 1: QC just signed Vesso and they had signed Baby Money,

390
00:22:16,240 --> 00:22:20,240
Speaker 1: So QC's tapping in heavy out. Yeah yeah, proud man,

391
00:22:20,240 --> 00:22:22,679
Speaker 1: We're going crazy man. Yeah. Well do you why do

392
00:22:22,720 --> 00:22:25,719
Speaker 1: you think there was such a big divide in like

393
00:22:25,840 --> 00:22:28,359
Speaker 1: the genres of Detroit hip hop because it would feel

394
00:22:28,400 --> 00:22:30,639
Speaker 1: like you would listen to even like say eight to

395
00:22:30,760 --> 00:22:33,400
Speaker 1: ten years ago. Uh, you would listen to like Doe

396
00:22:33,400 --> 00:22:37,679
Speaker 1: Boys cash Out and they'd be so different than what

397
00:22:37,880 --> 00:22:40,040
Speaker 1: was going on with like maybe a Black Milk or

398
00:22:40,160 --> 00:22:41,760
Speaker 1: even like a Big Sean, you know what I mean.

399
00:22:43,440 --> 00:22:45,359
Speaker 1: I mean, you know, I think it ain't really no

400
00:22:45,400 --> 00:22:47,399
Speaker 1: division because we all fucked with each other. It's just

401
00:22:47,440 --> 00:22:52,040
Speaker 1: that it just I think the hip hop part pop first,

402
00:22:52,359 --> 00:22:54,520
Speaker 1: So you know what I'm saying, That's all people really knew.

403
00:22:54,840 --> 00:23:01,080
Speaker 1: Detroit four was like you said, Jay Dilla and uh Royce, Yeah,

404
00:23:01,200 --> 00:23:04,680
Speaker 1: roy Slum and then D twelve and andem so then,

405
00:23:05,080 --> 00:23:07,120
Speaker 1: but it was always the gangster ship that was there.

406
00:23:07,160 --> 00:23:10,240
Speaker 1: It's just that it hadn't you know, it wasn't popping

407
00:23:10,280 --> 00:23:13,359
Speaker 1: like it is now, but it's still was rock Bottom

408
00:23:13,680 --> 00:23:17,879
Speaker 1: Street lad or you know what I'm saying. May West

409
00:23:18,480 --> 00:23:21,159
Speaker 1: Heliva Helva is a is you know, he was in

410
00:23:21,160 --> 00:23:24,639
Speaker 1: a group back in the day. So, but they just

411
00:23:24,680 --> 00:23:28,040
Speaker 1: didn't take off like the Oh because we got Detroit.

412
00:23:28,359 --> 00:23:32,040
Speaker 1: We got a certain bounce, it's a certain flow pattern.

413
00:23:32,280 --> 00:23:35,120
Speaker 1: If you know they are they all we all stay

414
00:23:35,119 --> 00:23:37,600
Speaker 1: in a certain pocket, right, Yeah, that's real, that's real.

415
00:23:38,320 --> 00:23:40,320
Speaker 1: I noticed that. And then there's I mean, some of

416
00:23:40,359 --> 00:23:43,159
Speaker 1: the greatest rappers of all Timer and Royce was like

417
00:23:43,520 --> 00:23:48,879
Speaker 1: Jesus Christ. But we gotta, we gotta, we gotta branch

418
00:23:48,920 --> 00:23:51,200
Speaker 1: that division together between the younger Do you feel like

419
00:23:51,400 --> 00:23:53,680
Speaker 1: m has could be doing a better job of that,

420
00:23:54,560 --> 00:23:56,480
Speaker 1: because I feel like when I talked to the because

421
00:23:56,560 --> 00:23:58,320
Speaker 1: I'm friends with a lot of the young guys in Detroit,

422
00:23:58,359 --> 00:23:59,960
Speaker 1: and I feel like they feel like such a disc

423
00:24:00,080 --> 00:24:03,560
Speaker 1: connect from m as to where like a guy like

424
00:24:03,600 --> 00:24:05,879
Speaker 1: Big Sean he just had that cipher at the end

425
00:24:05,880 --> 00:24:08,280
Speaker 1: of his album where he put everybody on that motherfucker

426
00:24:08,320 --> 00:24:10,040
Speaker 1: like Sean's been doing it with a lot of people.

427
00:24:10,119 --> 00:24:11,680
Speaker 1: Do you feel like m could maybe do a better

428
00:24:11,760 --> 00:24:13,919
Speaker 1: job of maybe like tapping in with like the movement

429
00:24:13,920 --> 00:24:16,679
Speaker 1: in Detroit right now, I'm gonna work on that. I

430
00:24:16,720 --> 00:24:18,280
Speaker 1: think it's my job to do that. You know what

431
00:24:18,320 --> 00:24:22,000
Speaker 1: I'm saying. M is a you know, very private person,

432
00:24:22,119 --> 00:24:24,320
Speaker 1: you know what I'm saying, rightfully. So I just think,

433
00:24:24,400 --> 00:24:29,720
Speaker 1: you know, Destroit is so small. I just sometimes we

434
00:24:29,920 --> 00:24:32,639
Speaker 1: forget how big of his story he is, you know

435
00:24:32,680 --> 00:24:35,920
Speaker 1: what I'm saying, because I think about like a question

436
00:24:36,080 --> 00:24:43,200
Speaker 1: like this, like like do you think every rapper from Brooklyn, no,

437
00:24:43,480 --> 00:24:45,800
Speaker 1: jay Z No, But I do know give you a

438
00:24:45,920 --> 00:24:49,320
Speaker 1: similar example. Okay, so let's rewind two thousand and nine

439
00:24:50,440 --> 00:24:55,520
Speaker 1: eleven LA hip hop. At the time, there was Glasses Malone,

440
00:24:55,600 --> 00:24:58,760
Speaker 1: there was a Nipsey hustle, there was all these guys

441
00:24:58,760 --> 00:25:06,159
Speaker 1: from LA that we're doing dope shit. But at the time,

442
00:25:07,040 --> 00:25:09,120
Speaker 1: specifically like a guy like nip like on my show

443
00:25:09,160 --> 00:25:12,520
Speaker 1: Heat like, there was like I wouldn't say animosity, but

444
00:25:12,560 --> 00:25:15,320
Speaker 1: there was definitely some sort of feeling that like damn,

445
00:25:16,080 --> 00:25:20,560
Speaker 1: like doctor dre fucking with us, like the OG's la

446
00:25:20,960 --> 00:25:25,000
Speaker 1: acknowledging what we got going on. Now. Obviously, two years later,

447
00:25:25,320 --> 00:25:27,560
Speaker 1: dre put his arm around Kendrick Lamar and the rest

448
00:25:27,640 --> 00:25:30,440
Speaker 1: is history. So I just think that like I think sometimes,

449
00:25:30,520 --> 00:25:32,680
Speaker 1: like you know, I think I think a lot of it.

450
00:25:32,720 --> 00:25:34,400
Speaker 1: I'm gonna be honest with you. Brought have been around

451
00:25:34,440 --> 00:25:36,880
Speaker 1: all these of course, it was stars my whole life.

452
00:25:38,760 --> 00:25:43,560
Speaker 1: I think through all these greats, doctor Dre's and Eminem,

453
00:25:44,560 --> 00:25:48,080
Speaker 1: they all got they all got one of those middleman dudes,

454
00:25:48,119 --> 00:25:51,560
Speaker 1: that type of man. Like for Dre it was Mike Lamb.

455
00:25:52,080 --> 00:25:54,440
Speaker 1: You know what I'm saying. Mike Lamb probably brought half

456
00:25:54,520 --> 00:26:00,280
Speaker 1: of more than half of the artists at Aftermath. So

457
00:26:00,840 --> 00:26:03,400
Speaker 1: you know, great, great artists have gone through that level. Yeah,

458
00:26:03,760 --> 00:26:07,040
Speaker 1: a lot of them went through Mike Lynn. So I think,

459
00:26:07,320 --> 00:26:10,080
Speaker 1: you know, definitely with Marshall, you know what I'm saying.

460
00:26:10,200 --> 00:26:12,960
Speaker 1: I'm just I'm gonna tap a man a little bit more,

461
00:26:13,000 --> 00:26:15,159
Speaker 1: you know what I'm saying, Because I know I know this,

462
00:26:15,359 --> 00:26:18,280
Speaker 1: he's willing to listen and been a special. Right now,

463
00:26:18,440 --> 00:26:20,359
Speaker 1: I feel like it's at an all time high. I

464
00:26:20,520 --> 00:26:23,040
Speaker 1: just treat that he he's so busy into doing his

465
00:26:23,160 --> 00:26:26,840
Speaker 1: own ship. You know, I get it that you gotta

466
00:26:27,160 --> 00:26:29,760
Speaker 1: yo check out this. He's anomerate. Let me show you

467
00:26:29,880 --> 00:26:32,720
Speaker 1: baby money, you know what I'm saying. Because other than that,

468
00:26:32,960 --> 00:26:35,840
Speaker 1: if me rychall Den. I don't really show him, you

469
00:26:35,880 --> 00:26:37,920
Speaker 1: know what I'm saying. He's working so hard, you know

470
00:26:39,280 --> 00:26:42,320
Speaker 1: it would probably won't be away. So I think the

471
00:26:42,400 --> 00:26:46,280
Speaker 1: ogs and I'll take personal personally on this to bridge

472
00:26:46,359 --> 00:26:48,399
Speaker 1: this gap. You know what I'm saying because I know

473
00:26:48,480 --> 00:26:51,159
Speaker 1: all of them. I know the pss inside of the

474
00:26:51,200 --> 00:26:54,600
Speaker 1: baby earlier. You know what I'm saying. I know all

475
00:26:54,640 --> 00:26:59,280
Speaker 1: of Flint to Yeah, shout out to Rio Man, shout

476
00:26:59,280 --> 00:27:02,840
Speaker 1: out to Flint. Hey, what up is Bootlegkev? We gotta

477
00:27:02,840 --> 00:27:04,760
Speaker 1: stop the interview to tell you what our good friends

478
00:27:04,880 --> 00:27:09,200
Speaker 1: at my Bookie. Football season has started. My favorite time

479
00:27:09,240 --> 00:27:11,920
Speaker 1: of the year because I love to gamble on football.

480
00:27:12,040 --> 00:27:14,879
Speaker 1: It makes watching football so much fun. It'sm like, literally,

481
00:27:14,960 --> 00:27:17,200
Speaker 1: I just love watching football, and I love it even

482
00:27:17,240 --> 00:27:18,800
Speaker 1: more when I got money on the line. And no

483
00:27:18,920 --> 00:27:21,959
Speaker 1: matter where you are right now, what state, what country,

484
00:27:22,200 --> 00:27:24,439
Speaker 1: you can get in on the action. It's winning season.

485
00:27:24,520 --> 00:27:26,920
Speaker 1: Go to my Bookie, sign up for a new account,

486
00:27:27,280 --> 00:27:31,440
Speaker 1: register and get that double deposit bonus using the promo

487
00:27:31,560 --> 00:27:33,760
Speaker 1: code boot Leg. Now, let me tell you what that means.

488
00:27:34,000 --> 00:27:35,880
Speaker 1: That means when you go to my Bookie. Let's say

489
00:27:35,880 --> 00:27:38,160
Speaker 1: you make a two hundred and fifty dollars deposit using

490
00:27:38,200 --> 00:27:41,200
Speaker 1: the promo code Bootleg, you'll have five hundred dollars to

491
00:27:41,280 --> 00:27:43,920
Speaker 1: gamble with. That's right. They're gonna double your fucking money

492
00:27:44,359 --> 00:27:46,680
Speaker 1: right now. They got the prop builder. You could bet

493
00:27:46,760 --> 00:27:50,280
Speaker 1: on whether or not I don't know. Will Matthew Stafford

494
00:27:50,359 --> 00:27:53,320
Speaker 1: throw for three touchdowns? Will Kyler Murray rush for a touchdown?

495
00:27:53,480 --> 00:27:55,200
Speaker 1: You can put all those on one thing and secure

496
00:27:55,240 --> 00:27:57,840
Speaker 1: the motherfucking bag. All right, get online with your boy.

497
00:27:57,960 --> 00:28:01,080
Speaker 1: Let's get this money together my book, hookie. Go sign

498
00:28:01,160 --> 00:28:03,719
Speaker 1: up with that promo code Bootleg and double your deposit

499
00:28:04,000 --> 00:28:07,680
Speaker 1: right now. Go register. Michigan got a movement, man, Moving

500
00:28:07,760 --> 00:28:11,479
Speaker 1: with weed is legal out there now, man, right now now.

501
00:28:12,640 --> 00:28:14,399
Speaker 1: I said they got that. That's the place they got

502
00:28:14,480 --> 00:28:17,080
Speaker 1: it right. They got mad house out there for like

503
00:28:17,160 --> 00:28:20,760
Speaker 1: five thousand real quick. You know what's crazy is when

504
00:28:20,760 --> 00:28:23,119
Speaker 1: they were like fucking five hundred dollars I should have

505
00:28:23,160 --> 00:28:25,159
Speaker 1: bought was that like eight years ago? You could get

506
00:28:25,160 --> 00:28:27,280
Speaker 1: a house out there for like nothing. It's crazy, but

507
00:28:27,640 --> 00:28:30,280
Speaker 1: you don't want to house. They taking the furnace. It's

508
00:28:30,320 --> 00:28:32,359
Speaker 1: crazy though, it's crazy. Well, you know, shout out to

509
00:28:32,440 --> 00:28:36,000
Speaker 1: Danny Brown. Danny Brown had a song called a scrapper

510
00:28:36,119 --> 00:28:39,960
Speaker 1: Die and the entire song is about Detroit and like

511
00:28:40,080 --> 00:28:42,280
Speaker 1: the culture of like stripping houses of all the stuff.

512
00:28:42,320 --> 00:28:46,120
Speaker 1: And that's that's some real ship. Yeah. Yeah. My cousin

513
00:28:46,200 --> 00:28:50,120
Speaker 1: brought a house and he had to have his homies

514
00:28:50,960 --> 00:28:54,320
Speaker 1: stay in the house just for him to because he

515
00:28:54,400 --> 00:28:56,800
Speaker 1: dropped one load off of his of his ship and

516
00:28:56,840 --> 00:28:58,360
Speaker 1: he had to go back and get the other load. Right,

517
00:28:58,520 --> 00:28:59,920
Speaker 1: he had to have some people stay in the house

518
00:29:01,160 --> 00:29:04,040
Speaker 1: just to make sure the first low was still there.

519
00:29:05,080 --> 00:29:08,600
Speaker 1: And when they're like taking the piping out because you

520
00:29:08,640 --> 00:29:11,280
Speaker 1: can sell all that, oh yeah right off the rip that.

521
00:29:11,520 --> 00:29:14,240
Speaker 1: It's crazy. It's like the catalytic converters right now? Yeah?

522
00:29:14,280 --> 00:29:16,440
Speaker 1: Oh yeah, are they doing that Detroit right now? Yeah? Yeah,

523
00:29:16,760 --> 00:29:20,360
Speaker 1: you do that everywhere. Get you get a catalytic converter

524
00:29:20,440 --> 00:29:23,480
Speaker 1: off somebody, it's straight money wherever you. I think there's

525
00:29:23,560 --> 00:29:26,560
Speaker 1: like twelve hundred or some ship. There's no shortage of

526
00:29:26,600 --> 00:29:28,600
Speaker 1: catalytic converters. The junkyards right now. I'll tell you that

527
00:29:28,960 --> 00:29:31,680
Speaker 1: damn crack has is bringing in things and at a time,

528
00:29:31,840 --> 00:29:37,840
Speaker 1: my guy, that's for sure for sure. Yo. When you

529
00:29:37,920 --> 00:29:42,760
Speaker 1: think back and you think of like your time with

530
00:29:42,880 --> 00:29:50,160
Speaker 1: D twelve by the way Devil's Night. Yeah, fucking incredible project.

531
00:29:52,080 --> 00:29:55,960
Speaker 1: I think I think of like v m A's I

532
00:29:56,040 --> 00:29:57,920
Speaker 1: think of like MTV sh I just when I think

533
00:29:57,960 --> 00:30:00,360
Speaker 1: of MTV, I think of like the Purple Hills video. Yeah,

534
00:30:02,760 --> 00:30:06,320
Speaker 1: was a blurt. What was your craziest recording session during

535
00:30:06,360 --> 00:30:08,160
Speaker 1: the D twelve days when you guys are working on

536
00:30:08,240 --> 00:30:14,480
Speaker 1: those projects. Uh, craziest sessions? Oh man, it was like

537
00:30:14,600 --> 00:30:20,040
Speaker 1: midget strippers. It was a lot of work. Man, it's

538
00:30:20,080 --> 00:30:22,320
Speaker 1: a lot of work. I think we had fun after

539
00:30:22,360 --> 00:30:25,960
Speaker 1: the studio, but shit, you know, being in the studio

540
00:30:26,080 --> 00:30:28,040
Speaker 1: in Man, sometimes you could You might get be in

541
00:30:28,080 --> 00:30:31,240
Speaker 1: a booth for five six hours doing one verse over.

542
00:30:32,000 --> 00:30:34,200
Speaker 1: He was such a perfectionist. Yeah, he was on your

543
00:30:34,280 --> 00:30:36,760
Speaker 1: ass so like you had to. He had to make sure, Hey,

544
00:30:36,800 --> 00:30:39,400
Speaker 1: look I'm on this mother with y'all. Y'all gotta make

545
00:30:39,480 --> 00:30:41,800
Speaker 1: you get sick man. I mean I remember one time

546
00:30:41,840 --> 00:30:44,680
Speaker 1: he got so sick with it. Man, I went home.

547
00:30:44,800 --> 00:30:47,040
Speaker 1: He he wanted me to do some ad libs over

548
00:30:48,240 --> 00:30:51,280
Speaker 1: and uh, I guess he could waiting for me. So

549
00:30:51,400 --> 00:30:53,720
Speaker 1: I came back the day he had did him for me.

550
00:30:54,520 --> 00:30:57,040
Speaker 1: Did they stay on there? He sounded just like me.

551
00:30:57,160 --> 00:30:59,360
Speaker 1: My voice and I was like, bro, you are sick.

552
00:31:00,480 --> 00:31:04,320
Speaker 1: You are sick, man, that's crazy. It was his his

553
00:31:04,440 --> 00:31:08,360
Speaker 1: writing process like we like nowadays. A lot of the

554
00:31:08,440 --> 00:31:11,080
Speaker 1: newer artists they punch in so they just do line

555
00:31:11,120 --> 00:31:13,800
Speaker 1: by line and they don't really write anything down, which

556
00:31:13,840 --> 00:31:18,320
Speaker 1: I think there's like positives and negatives to that. Positives

557
00:31:18,360 --> 00:31:21,120
Speaker 1: you probably get a lot more done. I think negatively,

558
00:31:21,320 --> 00:31:24,040
Speaker 1: like you maybe each line maybe don't count the way

559
00:31:24,040 --> 00:31:26,560
Speaker 1: it should. Yeah, because you're coming up on the spot

560
00:31:26,680 --> 00:31:29,680
Speaker 1: like what was was am? Always out of the notepad? Yeah,

561
00:31:29,840 --> 00:31:31,840
Speaker 1: always out the notepad. Yeah, he feels like if he

562
00:31:32,040 --> 00:31:36,840
Speaker 1: if he ain't feel like he feels like he's the

563
00:31:36,880 --> 00:31:41,160
Speaker 1: total opposite to me. I don't write raps unless I'm

564
00:31:41,160 --> 00:31:44,200
Speaker 1: going to the studio. It has to be a beat

565
00:31:44,520 --> 00:31:46,760
Speaker 1: some of that ship I don't have. You don't have

566
00:31:46,880 --> 00:31:49,080
Speaker 1: like notepads and ship. You asked me to spend a

567
00:31:49,120 --> 00:31:51,800
Speaker 1: sixteen right now, I couldn't. Yeah, because you don't have

568
00:31:51,840 --> 00:31:54,480
Speaker 1: to beat playing and I don't even know nothing. I

569
00:31:54,480 --> 00:31:57,200
Speaker 1: don't even know them old ship. You don't remember any

570
00:31:57,200 --> 00:31:59,040
Speaker 1: of your old lyrics. No, I have to ask the

571
00:31:59,240 --> 00:32:01,800
Speaker 1: other group members. Stays right before the chorus coming SI

572
00:32:03,120 --> 00:32:08,640
Speaker 1: really yeah, yeah, yeah, all the time. So yeah, man,

573
00:32:09,200 --> 00:32:14,680
Speaker 1: but him, he feels like he's wasting the engineer's time

574
00:32:15,680 --> 00:32:20,440
Speaker 1: if he don't have anything prepared. It's his studio and

575
00:32:20,560 --> 00:32:24,240
Speaker 1: he's paying the engineer. Yeah yeah, but he felt like,

576
00:32:24,720 --> 00:32:26,400
Speaker 1: you know what I'm he's just got the no pad

577
00:32:26,600 --> 00:32:29,480
Speaker 1: ready to go. Yeah, you know. And I remember when

578
00:32:30,280 --> 00:32:32,600
Speaker 1: some advice that he gave me that that I never followed.

579
00:32:32,800 --> 00:32:35,400
Speaker 1: But I should have followed this ship, he said. Man,

580
00:32:35,480 --> 00:32:38,720
Speaker 1: sometimes just go over the verses over and over again,

581
00:32:38,800 --> 00:32:42,440
Speaker 1: like when you take it home and you said, ask yourself,

582
00:32:43,160 --> 00:32:45,920
Speaker 1: did I say the dopest line right here? Could I?

583
00:32:46,040 --> 00:32:49,280
Speaker 1: Could I have said something better right here? And if

584
00:32:49,320 --> 00:32:51,160
Speaker 1: you think you could have, you know what I'm saying,

585
00:32:51,280 --> 00:32:56,680
Speaker 1: come and changing you know what I'm saying? Or but

586
00:32:56,800 --> 00:33:02,000
Speaker 1: I never listened to I Like, then I'm going back

587
00:33:02,040 --> 00:33:07,160
Speaker 1: to the hotel. But it's fucking frontil hours. Those those

588
00:33:07,280 --> 00:33:09,400
Speaker 1: days on the road had to be crazy, oh man

589
00:33:09,960 --> 00:33:13,880
Speaker 1: blur man, I bet yeah. Our ship was like, well,

590
00:33:13,920 --> 00:33:16,320
Speaker 1: you know, the one the one good thing about me

591
00:33:16,400 --> 00:33:18,920
Speaker 1: that balanced me out is I had a record out

592
00:33:19,200 --> 00:33:23,760
Speaker 1: before D twelve called Attack of the Widows. So at

593
00:33:23,840 --> 00:33:28,160
Speaker 1: least I did get that underground experience. I struggled. I

594
00:33:28,680 --> 00:33:30,920
Speaker 1: did all the shot and went to New York. It

595
00:33:31,160 --> 00:33:35,160
Speaker 1: was fucking nowhere. It stayed slepping cars, eight dollar slics, pieces,

596
00:33:35,920 --> 00:33:39,960
Speaker 1: struggled nineties and underground wrap life. Yeah yeah, yeah yeah,

597
00:33:40,560 --> 00:33:44,240
Speaker 1: I did that ship. So you know, so when we

598
00:33:44,360 --> 00:33:47,960
Speaker 1: signed with Marshall, I mean it was just like boom instant.

599
00:33:48,200 --> 00:33:50,040
Speaker 1: You already kind of like I'm used to this ship

600
00:33:50,160 --> 00:33:52,920
Speaker 1: anything that. But we got hotels were good. Some of

601
00:33:53,120 --> 00:33:56,200
Speaker 1: a couple of guys hadn't experienced that. They went straight

602
00:33:56,240 --> 00:33:59,360
Speaker 1: from the private show. You in Proof like the most

603
00:33:59,400 --> 00:34:02,440
Speaker 1: experienced the group prior I mean outside yeah yeah, yeah yeah.

604
00:34:02,560 --> 00:34:07,040
Speaker 1: Proof Proof was signed to this label called Mari Mariic's

605
00:34:07,080 --> 00:34:11,560
Speaker 1: Malone Clothings. He was signed I remember, yeah clothing Proof

606
00:34:11,680 --> 00:34:14,680
Speaker 1: was signed to him, and I was signed the Federation

607
00:34:14,840 --> 00:34:18,520
Speaker 1: record shoutouta Rico, oh wow, and uh yeah. So we

608
00:34:18,719 --> 00:34:23,399
Speaker 1: we was pre seasoned, but you know, so we had

609
00:34:23,480 --> 00:34:26,759
Speaker 1: that underground experience, but you know when we signed A

610
00:34:26,800 --> 00:34:30,400
Speaker 1: Shady Man, it was straight private jets. Was the formation

611
00:34:30,520 --> 00:34:33,160
Speaker 1: of D twelve prior to Eminem being in the group

612
00:34:33,440 --> 00:34:37,440
Speaker 1: or was it something that happened like at the same time. No,

613
00:34:37,800 --> 00:34:41,600
Speaker 1: D twelve happened before Eminem. Uh you know, yeah, Eminem

614
00:34:41,680 --> 00:34:44,799
Speaker 1: was in the group from the beginning. It was six

615
00:34:44,880 --> 00:34:47,480
Speaker 1: of us, you know what I'm saying. And no, it

616
00:34:47,480 --> 00:34:49,680
Speaker 1: was supposed to be twelve, my bad supposedly be twelve,

617
00:34:50,840 --> 00:34:54,000
Speaker 1: but we never could find twelve members to stick with us. So,

618
00:34:54,520 --> 00:34:56,560
Speaker 1: you know, a lot of ways to come. There's a

619
00:34:56,600 --> 00:35:00,840
Speaker 1: lot of people. Yeah, so we made six rappers with

620
00:35:00,920 --> 00:35:05,759
Speaker 1: two personalities. Actually like that. Yeah, everybody's got two personalities. Yeah,

621
00:35:06,080 --> 00:35:09,440
Speaker 1: twelve people, thirty dozen yep, there you go, there it is.

622
00:35:09,680 --> 00:35:12,600
Speaker 1: And and uh, it was a thirty dozen but uh,

623
00:35:13,200 --> 00:35:16,160
Speaker 1: a rock band out of Maryland had the name, Oh,

624
00:35:16,880 --> 00:35:18,640
Speaker 1: D twelve is dope, so we had to change the

625
00:35:18,719 --> 00:35:21,640
Speaker 1: D twelve. Was there anybody who we may know of

626
00:35:21,760 --> 00:35:24,680
Speaker 1: of any notoriety from the Detroit area that almost made

627
00:35:24,719 --> 00:35:28,239
Speaker 1: the group that didn't l L l Z I L

628
00:35:28,400 --> 00:35:30,719
Speaker 1: I almost was in D twelve. Yeah, you know, he

629
00:35:30,840 --> 00:35:33,640
Speaker 1: was in it for a minute, but you know, I

630
00:35:33,719 --> 00:35:35,920
Speaker 1: didn't know that, going off doing his own thing. I

631
00:35:35,920 --> 00:35:37,719
Speaker 1: don't ever think he ever came a session, but he

632
00:35:37,880 --> 00:35:43,120
Speaker 1: definitely was was down with us. Damn, if l I'm lying,

633
00:35:43,560 --> 00:35:45,680
Speaker 1: please don't strike me down, man. You know, if L

634
00:35:45,800 --> 00:35:48,279
Speaker 1: Z I L I and eminem going back and forth

635
00:35:48,320 --> 00:35:51,520
Speaker 1: on records would have been oh yeah, oh yeah, and

636
00:35:51,640 --> 00:35:55,319
Speaker 1: he ended up in Slum Village. Yeah that was crazy too,

637
00:35:55,760 --> 00:35:58,719
Speaker 1: Yeah yeah, because he he ended up in like a

638
00:35:58,920 --> 00:36:01,000
Speaker 1: what was that like the third version of Slum Village.

639
00:36:02,120 --> 00:36:04,600
Speaker 1: So many moving parts. Yeah, it was a lot, man.

640
00:36:04,880 --> 00:36:07,399
Speaker 1: It was hard to keep up with, to be honest. Yeah, yeah,

641
00:36:07,719 --> 00:36:09,720
Speaker 1: it was. It was a lot going on. It's crazy

642
00:36:09,760 --> 00:36:12,200
Speaker 1: too because you came from like, you know, obviously in

643
00:36:12,360 --> 00:36:14,759
Speaker 1: Detroit there's this there was this other era of like

644
00:36:14,920 --> 00:36:19,080
Speaker 1: horror core rap kind of right, you think of like Sham,

645
00:36:19,680 --> 00:36:25,239
Speaker 1: King Gordy obviously, the Psychopath record Ship. That was this other,

646
00:36:25,440 --> 00:36:27,239
Speaker 1: like this whole other thing going on out there at

647
00:36:27,280 --> 00:36:29,560
Speaker 1: the same time that you kind of also were like

648
00:36:29,640 --> 00:36:33,960
Speaker 1: privy to as well. You personally obviously that movement like

649
00:36:34,239 --> 00:36:37,799
Speaker 1: like obviously I want to get to the ICP beef,

650
00:36:37,880 --> 00:36:43,520
Speaker 1: but I'm curious, like, was was there like a that

651
00:36:44,040 --> 00:36:46,680
Speaker 1: scene of Detroit hip hop that was like more like

652
00:36:46,880 --> 00:36:49,920
Speaker 1: really underground, Like I don't know if it's horror core,

653
00:36:50,000 --> 00:36:52,680
Speaker 1: but you know what I mean. The ICP, the Sham,

654
00:36:52,840 --> 00:36:55,239
Speaker 1: the King Gordy ship, you know, Yeah, they had like

655
00:36:55,520 --> 00:36:57,920
Speaker 1: they had his own lane of his own you know

656
00:36:57,960 --> 00:37:00,880
Speaker 1: what I'm saying, And it was very specific to that area.

657
00:37:01,160 --> 00:37:03,880
Speaker 1: And I'm gonna be honest with you, I really never

658
00:37:03,960 --> 00:37:07,160
Speaker 1: knew nothing about that world until I started fucking with

659
00:37:07,280 --> 00:37:11,239
Speaker 1: King Gordy. Because King Gordy was signed the FBT was

660
00:37:11,360 --> 00:37:15,759
Speaker 1: the same production company Marshall was signed too, So that's

661
00:37:15,800 --> 00:37:18,319
Speaker 1: how we met King Gordy. And then when I started

662
00:37:18,360 --> 00:37:21,560
Speaker 1: sucking with him and we started doing our projects, he

663
00:37:22,040 --> 00:37:24,640
Speaker 1: was already kind of in the in the Juggler world,

664
00:37:24,719 --> 00:37:28,400
Speaker 1: so he kind of, you know, it introduced me to it.

665
00:37:28,520 --> 00:37:31,040
Speaker 1: So it was nothing like I never that I sought after.

666
00:37:31,920 --> 00:37:35,000
Speaker 1: I kind of I grew up hip hop boombab of course,

667
00:37:35,200 --> 00:37:36,680
Speaker 1: and it was like it's kind of a it's kind

668
00:37:36,719 --> 00:37:42,040
Speaker 1: of a weird world, right, yeah, definitely, Yeah, yeah, yeah,

669
00:37:42,400 --> 00:37:45,640
Speaker 1: they're all grown up now. Yeah I've yet to say,

670
00:37:46,239 --> 00:37:48,680
Speaker 1: I yet to meet like a seventeen year old juggalo

671
00:37:49,000 --> 00:37:53,920
Speaker 1: like now, like these days, you know, like you're all like, right,

672
00:37:54,200 --> 00:37:59,560
Speaker 1: thirty seven right minimum, Right, it's still out here. Rocket.

673
00:38:00,600 --> 00:38:02,880
Speaker 1: It's crazy though, because, like you know, I'll say this

674
00:38:02,960 --> 00:38:10,640
Speaker 1: about them, they really, uh revolutionized merch. Yeah, they revolutionized

675
00:38:10,719 --> 00:38:14,239
Speaker 1: being independent. They did some things that a lot of

676
00:38:14,239 --> 00:38:17,919
Speaker 1: people are practicing nowadays. I think that they helped show

677
00:38:18,040 --> 00:38:20,080
Speaker 1: like guys like Tech nine the Way and Strange Music

678
00:38:20,160 --> 00:38:23,680
Speaker 1: the way. You know. So, but when you guys had

679
00:38:23,719 --> 00:38:25,440
Speaker 1: your back and forth by the way, some of the

680
00:38:25,480 --> 00:38:31,040
Speaker 1: best skits ever ken from Connecticut. And I definitely was

681
00:38:31,160 --> 00:38:33,120
Speaker 1: not a big ICP fan growing up. I thought that

682
00:38:33,200 --> 00:38:35,960
Speaker 1: ship was terrible. But I've gone to their shows, like

683
00:38:36,040 --> 00:38:41,880
Speaker 1: I've had Fago fly by me in the crowd. But uh,

684
00:38:43,239 --> 00:38:45,240
Speaker 1: how crazy did that? I ever get? Was that anything

685
00:38:45,320 --> 00:38:47,600
Speaker 1: other than just being comedic or being like just some

686
00:38:47,760 --> 00:38:49,759
Speaker 1: rap shit, some nineties rap beef shit, or was it

687
00:38:49,840 --> 00:38:53,120
Speaker 1: ever like, oh no, no, he got serious? How serious

688
00:38:53,160 --> 00:38:57,200
Speaker 1: did you get? It was serious? Like O sight, if

689
00:38:57,239 --> 00:39:00,320
Speaker 1: we see them, they see us, it's whatever. And I

690
00:39:00,400 --> 00:39:04,040
Speaker 1: think they ran in the marshall at a car shop

691
00:39:04,120 --> 00:39:07,040
Speaker 1: or some ship like way back in the day. I

692
00:39:07,120 --> 00:39:09,600
Speaker 1: forgot what happened, but yeah, it was, it was, it was.

693
00:39:09,880 --> 00:39:12,759
Speaker 1: It was serious, man. I remember one time we had

694
00:39:12,800 --> 00:39:16,960
Speaker 1: to show with Saint Andrew and uh, I guess ICP

695
00:39:17,840 --> 00:39:20,520
Speaker 1: had like a talent show something in the basement and

696
00:39:20,560 --> 00:39:22,520
Speaker 1: when we was performing up top and we didn't know

697
00:39:22,600 --> 00:39:26,360
Speaker 1: each other was gonna be there, and I just remember

698
00:39:26,440 --> 00:39:29,879
Speaker 1: they fansy, they fans gave it away because they were

699
00:39:31,920 --> 00:39:34,360
Speaker 1: not even. They were just giving us the meanest, like

700
00:39:34,760 --> 00:39:37,080
Speaker 1: the dirtiest fucking looks. And I'm like, what the fuck?

701
00:39:37,560 --> 00:39:40,359
Speaker 1: Why why do you fucker keep looking at us? Every

702
00:39:40,800 --> 00:39:44,520
Speaker 1: was like ICP in the basement, I'm like, oh, ship,

703
00:39:45,480 --> 00:39:48,280
Speaker 1: what the fuck? But I think they end up squashing

704
00:39:48,320 --> 00:39:53,960
Speaker 1: and beef that day and Trick Trick and vole Jay. Yeah, damn,

705
00:39:54,400 --> 00:39:57,080
Speaker 1: that's crazy because that sounds like a hairy situation. Yeah,

706
00:39:57,400 --> 00:39:59,560
Speaker 1: you guys are upstairs, they're downstairs in the middle of

707
00:39:59,600 --> 00:40:01,759
Speaker 1: a beach. Yeah, that could have gotten the first time

708
00:40:01,760 --> 00:40:03,560
Speaker 1: we ever seen each other over the year, was your

709
00:40:03,800 --> 00:40:05,920
Speaker 1: situation with Eachan did have anything to do with with

710
00:40:06,200 --> 00:40:07,799
Speaker 1: ic P thing, because I know he was over there

711
00:40:07,840 --> 00:40:12,440
Speaker 1: for those something separate, I know, but I think, you know,

712
00:40:13,120 --> 00:40:17,120
Speaker 1: I think his thing was Marshall was showing him respect

713
00:40:18,080 --> 00:40:20,520
Speaker 1: by saying he was a cause between each Tim and Nazi,

714
00:40:21,560 --> 00:40:23,839
Speaker 1: and I don't know. I think I guess he took

715
00:40:23,920 --> 00:40:27,000
Speaker 1: that disrespect or whatever, and which is a crazy thing

716
00:40:27,040 --> 00:40:30,640
Speaker 1: to take. Ye in retrospect, Ishan right now is probably

717
00:40:30,719 --> 00:40:34,759
Speaker 1: playing that line for his kids and being like, look,

718
00:40:34,840 --> 00:40:40,239
Speaker 1: Eminem said, shout out the man. Yeah, cool man for sure.

719
00:40:41,000 --> 00:40:43,239
Speaker 1: Also kind of like, you know, kind of set a

720
00:40:43,239 --> 00:40:45,560
Speaker 1: lot of that groundwork for the Icy. Yeah. He definitely

721
00:40:46,560 --> 00:40:49,960
Speaker 1: definitely legend. It shows you to be he was in

722
00:40:50,080 --> 00:40:53,799
Speaker 1: high school doing that ship selling out shows Wow. That's

723
00:40:53,880 --> 00:40:58,000
Speaker 1: fucking crazy. Man. I got to ask you your opinion

724
00:40:58,000 --> 00:41:01,560
Speaker 1: because I have a controversial opinion about this matter. Oh shit, okay,

725
00:41:02,000 --> 00:41:05,040
Speaker 1: controversial I am. I am a part of the crowd

726
00:41:05,120 --> 00:41:09,800
Speaker 1: that believes that Machine Gun Kelly won the battle against Eminem.

727
00:41:11,840 --> 00:41:13,560
Speaker 1: Now I'll give you my reasoning and then I want

728
00:41:13,600 --> 00:41:15,879
Speaker 1: you to give me your thoughts on it. I feel

729
00:41:15,960 --> 00:41:21,200
Speaker 1: like MGK should not have stood a chance, right, I

730
00:41:21,360 --> 00:41:25,520
Speaker 1: feel like the fact that anybody even quite the fact

731
00:41:25,560 --> 00:41:28,640
Speaker 1: it's even a question to me means MGK one now lyrically.

732
00:41:28,719 --> 00:41:32,000
Speaker 1: Did Eminem rap better on kill Shot? Of course he did,

733
00:41:32,480 --> 00:41:35,400
Speaker 1: But in my opinion, the better disc record was the

734
00:41:35,520 --> 00:41:40,480
Speaker 1: MGK diss record. And I feel like Eminem is probably

735
00:41:40,520 --> 00:41:42,680
Speaker 1: the greatest MC of all time when it comes to

736
00:41:42,719 --> 00:41:45,640
Speaker 1: putting words together, I mean, and so to me, it

737
00:41:45,760 --> 00:41:47,920
Speaker 1: was like the fact that MGK, who's not known to

738
00:41:47,960 --> 00:41:50,879
Speaker 1: get down like that, the fact we even anyone's even

739
00:41:50,960 --> 00:41:53,799
Speaker 1: having a debate about it, means he won. Well, how

740
00:41:53,880 --> 00:42:03,960
Speaker 1: do you feel. I feel like when the guy is,

741
00:42:05,040 --> 00:42:09,040
Speaker 1: you know, playing basketball and they playing the Chicago Bulls

742
00:42:09,080 --> 00:42:12,719
Speaker 1: tonight and you gotta guard Jordan and you do all

743
00:42:12,840 --> 00:42:15,120
Speaker 1: right against him and you shut him down, and he

744
00:42:15,239 --> 00:42:18,440
Speaker 1: usually score fifty at night, but to night he scores

745
00:42:18,520 --> 00:42:21,960
Speaker 1: thirty five. I think it's a win win for you.

746
00:42:23,200 --> 00:42:26,040
Speaker 1: So I just think that I'm just glad. I think

747
00:42:26,040 --> 00:42:28,279
Speaker 1: I'm just glad that MDK did all he did all right, man,

748
00:42:28,320 --> 00:42:31,000
Speaker 1: he did good. Shit, he should he should appall hisself.

749
00:42:31,000 --> 00:42:33,799
Speaker 1: He made a good rap man. That's why I feel

750
00:42:33,800 --> 00:42:35,719
Speaker 1: I'm like yo, man saying, but get out of here

751
00:42:35,800 --> 00:42:41,320
Speaker 1: man before Yeah, he got in and out man. And

752
00:42:41,600 --> 00:42:44,920
Speaker 1: I'm actually and I was very happy that that he

753
00:42:45,239 --> 00:42:48,520
Speaker 1: pulled that out of m at this area's career, because

754
00:42:48,520 --> 00:42:51,440
Speaker 1: I was like, Yo, Eminem just dropped that this record

755
00:42:51,840 --> 00:42:56,200
Speaker 1: was it twenty nineteen, twenty eighteen, Like this is amazing,

756
00:42:56,880 --> 00:42:59,200
Speaker 1: Like the fact that he was at least able. Like

757
00:42:59,280 --> 00:43:02,800
Speaker 1: the fact Eminem responded was even if he got washed,

758
00:43:02,920 --> 00:43:04,840
Speaker 1: it's like, bro, and responded to you, you're on the

759
00:43:05,000 --> 00:43:07,719
Speaker 1: artwork to the song, like you know what I'm saying,

760
00:43:07,840 --> 00:43:11,560
Speaker 1: Like to be honest, you don't think you had who

761
00:43:11,880 --> 00:43:15,600
Speaker 1: MGK before he did that. You ain't think yeah, I'm

762
00:43:15,680 --> 00:43:18,160
Speaker 1: listening to his previous shiitt. I mean I would say

763
00:43:18,200 --> 00:43:22,520
Speaker 1: this about MGK. I am pretty I would say I'm

764
00:43:22,560 --> 00:43:25,400
Speaker 1: like pretty friendly with Kels and I feel like he

765
00:43:25,520 --> 00:43:28,760
Speaker 1: doesn't he ain't no sucking. I feel like I knew,

766
00:43:29,200 --> 00:43:32,919
Speaker 1: I knew MGK wasn't a sucker. I know he ain't

767
00:43:32,920 --> 00:43:35,000
Speaker 1: a sucker. I know I know niggas that with Cleveland,

768
00:43:35,080 --> 00:43:38,239
Speaker 1: and he's an amazing performer and lyrically he does his thing.

769
00:43:38,360 --> 00:43:40,800
Speaker 1: And so when I heard the rap Devil Ship, I

770
00:43:40,880 --> 00:43:43,640
Speaker 1: was like, oh, I mean, you know, okay, this is cool.

771
00:43:43,880 --> 00:43:46,320
Speaker 1: Like but I was like when I saw the artwork

772
00:43:46,400 --> 00:43:49,160
Speaker 1: to kill Shot, I was like, it's about to get ugly,

773
00:43:49,880 --> 00:43:52,839
Speaker 1: It's about to get But then I came away from

774
00:43:52,920 --> 00:43:57,360
Speaker 1: kill Shots saying I don't know, you know, And to me,

775
00:43:57,520 --> 00:43:59,560
Speaker 1: the fact I even did that was like okay, well,

776
00:43:59,600 --> 00:44:01,360
Speaker 1: like like you said, it was like kind of like

777
00:44:02,239 --> 00:44:04,959
Speaker 1: you know, it was a little bit more a little

778
00:44:05,000 --> 00:44:07,600
Speaker 1: closer than people expected. And I think in that in

779
00:44:07,680 --> 00:44:09,640
Speaker 1: that term in the rap game, it's like, yo, man, MGK,

780
00:44:10,520 --> 00:44:12,840
Speaker 1: you kind of came away with this. What do you

781
00:44:12,920 --> 00:44:15,640
Speaker 1: think about Games is this. I thought it was a

782
00:44:15,680 --> 00:44:20,879
Speaker 1: bit much. I was. I think Game is First of all,

783
00:44:20,920 --> 00:44:23,319
Speaker 1: his album is dope. He's got a lot of great

784
00:44:23,360 --> 00:44:30,719
Speaker 1: records on that. I think. I think Game with the

785
00:44:30,800 --> 00:44:33,719
Speaker 1: eminem thing feel, it just feels it felt like a

786
00:44:33,920 --> 00:44:36,280
Speaker 1: nice way to stir up some ship for an album

787
00:44:36,440 --> 00:44:40,400
Speaker 1: coming out. I'm not sure. I just felt like I

788
00:44:40,440 --> 00:44:44,600
Speaker 1: couldn't get past the damnin them voice. I know, I

789
00:44:44,719 --> 00:44:47,239
Speaker 1: know Game can. I know he can rap better than that,

790
00:44:47,440 --> 00:44:49,320
Speaker 1: you know what I'm saying. I know, I know he's

791
00:44:49,360 --> 00:44:51,320
Speaker 1: a He's a problem, you know what I'm saying. Of

792
00:44:51,360 --> 00:44:55,120
Speaker 1: course as a battle rapper, you know what I'm saying.

793
00:44:55,200 --> 00:44:57,960
Speaker 1: Or I got in the lyrics, I was waiting for

794
00:44:58,080 --> 00:45:01,319
Speaker 1: the Okay, I feel like that was a little nice,

795
00:45:01,360 --> 00:45:03,759
Speaker 1: little cute intro to me, it was like it's a

796
00:45:03,800 --> 00:45:05,839
Speaker 1: ten minute song, right, and never got out of that though,

797
00:45:06,360 --> 00:45:08,000
Speaker 1: So it's like if you stay he stayed in that.

798
00:45:08,440 --> 00:45:13,560
Speaker 1: He stayed in that Marshall's body for the whole ten minutes. Yeah,

799
00:45:13,560 --> 00:45:15,360
Speaker 1: I think if you're going to make a ten minute record,

800
00:45:15,520 --> 00:45:18,200
Speaker 1: like when we're gonna get a game, well, because what

801
00:45:18,239 --> 00:45:20,480
Speaker 1: I'm thinking is he he had another one of those

802
00:45:20,560 --> 00:45:23,799
Speaker 1: he had a when he was going against fifty, Game

803
00:45:23,920 --> 00:45:26,759
Speaker 1: had a three hundred bars freestyle exactly, so we know

804
00:45:26,880 --> 00:45:28,960
Speaker 1: I can do it. You heard that one. That shit

805
00:45:29,080 --> 00:45:32,280
Speaker 1: was crazy, of course, and I was happening. God damn,

806
00:45:32,800 --> 00:45:34,560
Speaker 1: that shit was crazy. He had the gu not ship.

807
00:45:34,840 --> 00:45:37,120
Speaker 1: So I mean, like, I think I wasn't the craziest

808
00:45:37,160 --> 00:45:39,640
Speaker 1: fan of it. I think that the album was dope.

809
00:45:39,680 --> 00:45:42,960
Speaker 1: I just think that like it was probably probably could

810
00:45:43,000 --> 00:45:45,719
Speaker 1: have left that one off. And then I'm sure, I mean,

811
00:45:45,760 --> 00:45:47,239
Speaker 1: I'm not sure he, like Game, is the type of

812
00:45:47,280 --> 00:45:49,520
Speaker 1: guy who stands on his own like at all times,

813
00:45:49,560 --> 00:45:51,480
Speaker 1: So I'm not sure he gives a fuck about what

814
00:45:51,600 --> 00:45:54,279
Speaker 1: people think of it or his relationship with Eminem. He

815
00:45:54,760 --> 00:45:56,960
Speaker 1: stopped caring about that a long time, you know what

816
00:45:56,960 --> 00:45:59,480
Speaker 1: I mean. So yeah, I mean, so you weren't a

817
00:45:59,520 --> 00:46:02,600
Speaker 1: fan oh that song? Yeah? No, no, no, I think

818
00:46:02,680 --> 00:46:04,919
Speaker 1: I think you could have did better. Yeah, well, stack

819
00:46:04,960 --> 00:46:08,160
Speaker 1: Quot did better? What you say or statquot could have

820
00:46:08,200 --> 00:46:11,680
Speaker 1: did better? What are you trying to say? Hey, Stack

821
00:46:11,920 --> 00:46:13,759
Speaker 1: is a good friend of mine. It's a good friend

822
00:46:13,800 --> 00:46:16,759
Speaker 1: of mine too. Man, are you saying Stack Cole help

823
00:46:16,800 --> 00:46:19,239
Speaker 1: write the song? Yeah? I ain't saying that. Man, shout

824
00:46:19,280 --> 00:46:22,640
Speaker 1: out the Game. I was listen. I have to say

825
00:46:22,680 --> 00:46:24,480
Speaker 1: this because I was in the studio a lot with

826
00:46:24,560 --> 00:46:26,480
Speaker 1: the Game while he's making this out. He was no

827
00:46:26,520 --> 00:46:29,759
Speaker 1: ghostwriters in there. I'll sell you that. But Stackquo is

828
00:46:29,760 --> 00:46:34,680
Speaker 1: an amazing writer. Yeah former uh aftermath, I think about

829
00:46:34,680 --> 00:46:38,120
Speaker 1: those Green Lantern mix tape days. Oh man, oh it's

830
00:46:38,160 --> 00:46:41,200
Speaker 1: good times. Man. Yeah, I missed the mixtape era. That's

831
00:46:41,280 --> 00:46:44,200
Speaker 1: my favorite Spring mixtapes back or is it still? No?

832
00:46:44,320 --> 00:46:47,280
Speaker 1: It's it's over, man, It's over. DSP's ruined it because

833
00:46:47,320 --> 00:46:50,279
Speaker 1: now you have to get everything cleared. Oh real. Yeah,

834
00:46:50,280 --> 00:46:52,799
Speaker 1: imagine if you put a mixtape up wrapping over twenty five,

835
00:46:52,920 --> 00:46:55,520
Speaker 1: like when the Dogiunit takes her, they're wrapping over everyone's beat.

836
00:46:55,520 --> 00:46:58,000
Speaker 1: It's like, so, what what about put out a mixtape?

837
00:46:58,040 --> 00:46:59,800
Speaker 1: You can put it on that pick for a SoundCloud.

838
00:47:00,400 --> 00:47:03,719
Speaker 1: The problem is that people aren't there anymore. Oh okay

839
00:47:03,760 --> 00:47:05,320
Speaker 1: it so it's like if you did that, you'd be

840
00:47:05,600 --> 00:47:07,759
Speaker 1: it'd be kind of like you your best bet would

841
00:47:07,760 --> 00:47:10,120
Speaker 1: be to put those on YouTube because the people are

842
00:47:10,239 --> 00:47:12,200
Speaker 1: on YouTube and you could put up that kind of

843
00:47:12,200 --> 00:47:15,600
Speaker 1: shit on YouTube. Okay, So like I would say YouTube

844
00:47:16,160 --> 00:47:18,480
Speaker 1: because then if you put it out a free somebody

845
00:47:18,640 --> 00:47:21,200
Speaker 1: gonna they're just gonna steal it and register the song

846
00:47:21,280 --> 00:47:25,560
Speaker 1: for themselves, right would they? Yeah, they do that if

847
00:47:25,600 --> 00:47:27,680
Speaker 1: I put out a song right now and for free.

848
00:47:28,200 --> 00:47:31,719
Speaker 1: But an actual song or a song of you is

849
00:47:31,800 --> 00:47:33,480
Speaker 1: somethingout free, I'm just giving it out. If I ain't

850
00:47:33,520 --> 00:47:36,320
Speaker 1: registered with you should definitely do that, I'm saying. But

851
00:47:36,400 --> 00:47:38,680
Speaker 1: if you don't, because back in the day when when

852
00:47:38,800 --> 00:47:43,000
Speaker 1: Future putting them mixtapes out, they wasn't registered correct, like songs,

853
00:47:43,480 --> 00:47:45,640
Speaker 1: so people was taking the ship. Those are actual songs.

854
00:47:45,640 --> 00:47:49,120
Speaker 1: I'm thinking about traditional mixtapes where you're rapping over other

855
00:47:49,160 --> 00:47:52,120
Speaker 1: people's beads, Like I'm thinking like how fifty was remixing

856
00:47:52,239 --> 00:47:58,279
Speaker 1: every high record instrumentals like yeah, it's a headache now yeah, no,

857
00:47:58,360 --> 00:47:59,800
Speaker 1: no for sure. But now if you're putting out a

858
00:47:59,840 --> 00:48:01,799
Speaker 1: free project, yeah you have to have on DSPs man,

859
00:48:01,800 --> 00:48:04,239
Speaker 1: you gotta put distro kid too and core whatever you're doing,

860
00:48:04,440 --> 00:48:06,440
Speaker 1: like you know, it'd be still like you said, if

861
00:48:06,440 --> 00:48:08,120
Speaker 1: you ain't going to monetize, if someone else is gonna

862
00:48:08,120 --> 00:48:10,560
Speaker 1: grab it off the Internet and they're gonna and they're

863
00:48:10,560 --> 00:48:14,680
Speaker 1: gonna claim it. What do you think about rappers? Kid? Well,

864
00:48:14,719 --> 00:48:16,399
Speaker 1: district Kid is not a label, so they can't sign

865
00:48:16,440 --> 00:48:19,880
Speaker 1: the distric Kid. I think that if you're an established

866
00:48:19,920 --> 00:48:22,520
Speaker 1: rappers not not not, I'm not mad at it. Think

867
00:48:22,560 --> 00:48:25,000
Speaker 1: about it. What is the thing? Distro Kid is a

868
00:48:25,040 --> 00:48:31,160
Speaker 1: distribution platform. Uh. There's distribution companies where their business model

869
00:48:31,239 --> 00:48:33,560
Speaker 1: is they take a percentage of whatever you upload. And

870
00:48:33,600 --> 00:48:36,200
Speaker 1: then there's distribution companies like tom Core and distro Kid

871
00:48:36,239 --> 00:48:40,239
Speaker 1: where you pay one time. It's up. So to me,

872
00:48:40,400 --> 00:48:44,800
Speaker 1: if I'm an independent rapper and let's say I have

873
00:48:45,360 --> 00:48:48,560
Speaker 1: ten songs on my album with ten producers, that can

874
00:48:48,640 --> 00:48:54,000
Speaker 1: get complicated taking care of everybody. If you sign up

875
00:48:54,040 --> 00:48:57,279
Speaker 1: for that distro Kid, you just cut everybody in on

876
00:48:57,360 --> 00:48:59,560
Speaker 1: the splits. Just be like, yo, what should sign up

877
00:48:59,560 --> 00:49:02,839
Speaker 1: for district account? You're gonna get your percentage and then

878
00:49:03,160 --> 00:49:05,560
Speaker 1: they do they handle the fucking grunt work for you.

879
00:49:05,840 --> 00:49:07,320
Speaker 1: You know what I'm saying. Is there new ship on

880
00:49:07,400 --> 00:49:14,239
Speaker 1: distroc Kid? Nope? Nope, nope on a label. I spoke

881
00:49:14,320 --> 00:49:21,440
Speaker 1: too much. That's fine, trying to label? What does it go? Oh?

882
00:49:21,560 --> 00:49:28,000
Speaker 1: They out a Nazyville though? Is it shift? Is it shift? Hey?

883
00:49:28,560 --> 00:49:32,560
Speaker 1: Texas this goo call this guy Alma will be ready

884
00:49:32,560 --> 00:49:39,960
Speaker 1: around three thirty. Yeah, have you done the distal Kid

885
00:49:39,960 --> 00:49:43,640
Speaker 1: ship or the Tune Course ship. Nope not Yeah, I

886
00:49:43,719 --> 00:49:46,080
Speaker 1: think I put out one song through think about that.

887
00:49:46,160 --> 00:49:49,080
Speaker 1: Ship is like one artists. It's very very easy to

888
00:49:49,320 --> 00:49:53,759
Speaker 1: like take care of everybody. Yeah yeah, I get like

889
00:49:53,840 --> 00:49:56,600
Speaker 1: the little splits all the time from like collapses. Yes,

890
00:49:56,640 --> 00:49:58,239
Speaker 1: if you do very if you do a feature for

891
00:49:58,320 --> 00:50:01,080
Speaker 1: somebody and they're on distrial Kid, like, yo, what's your

892
00:50:01,120 --> 00:50:03,279
Speaker 1: distal account, I'm going to cut you in like whatever

893
00:50:03,320 --> 00:50:05,319
Speaker 1: the percent I get them all the time, that's that's

894
00:50:05,360 --> 00:50:07,320
Speaker 1: that's that's dope. So that's why it's dope. And like

895
00:50:08,040 --> 00:50:10,600
Speaker 1: I fuck with distro Kid. It's it's very like you

896
00:50:10,719 --> 00:50:13,080
Speaker 1: hit upload and that and they handle the splits and

897
00:50:13,160 --> 00:50:15,200
Speaker 1: that's it. So you can't expect like to you know,

898
00:50:15,280 --> 00:50:17,000
Speaker 1: you got to picture on playlist, you gotta do all

899
00:50:17,040 --> 00:50:21,600
Speaker 1: that shit. But in terms of like the usability of

900
00:50:21,680 --> 00:50:25,799
Speaker 1: it is great. Just hit upload, upload your artwork, boom,

901
00:50:26,200 --> 00:50:29,440
Speaker 1: pay once and you're in there. Man, Yeah, I like it.

902
00:50:29,880 --> 00:50:32,239
Speaker 1: Do you feel like all these independent labels be lying

903
00:50:32,280 --> 00:50:36,919
Speaker 1: about marketing budgets too, distro Kid, Yeah, maybe gonna spend

904
00:50:36,920 --> 00:50:39,799
Speaker 1: a hundred thousand of marketing you give me up front.

905
00:50:40,280 --> 00:50:44,960
Speaker 1: It's the problem now, nowadays the problem is nowadays, what

906
00:50:45,200 --> 00:50:49,040
Speaker 1: is marketing exactly? So if they tell you they're going

907
00:50:49,080 --> 00:50:51,680
Speaker 1: to spend one hundred thousand dollars on marketing, well, let

908
00:50:51,719 --> 00:50:54,640
Speaker 1: me audit what that one hundred k went to, because

909
00:50:55,040 --> 00:50:57,360
Speaker 1: they could say, well, we did one hundred thousand dollars

910
00:50:57,600 --> 00:51:00,840
Speaker 1: in let's say ten thousand of it went to a

911
00:51:00,960 --> 00:51:04,080
Speaker 1: YouTube buy. Yeah, okay, well did it go to a

912
00:51:04,120 --> 00:51:06,200
Speaker 1: Google did it go to a Google buy, or did

913
00:51:06,280 --> 00:51:07,879
Speaker 1: it go to you buying fake views? And then you're

914
00:51:07,880 --> 00:51:10,400
Speaker 1: pocketing the difference because that's what a lot of these

915
00:51:10,440 --> 00:51:16,000
Speaker 1: motherfuckers are doing, is they'll tell artists that they're yeah,

916
00:51:16,040 --> 00:51:18,320
Speaker 1: we did a Google ad buy on the video or

917
00:51:18,320 --> 00:51:22,719
Speaker 1: a YouTube ad. Instead they dropped half of it on

918
00:51:22,840 --> 00:51:25,000
Speaker 1: fake views and then keep the other half. It's a

919
00:51:25,040 --> 00:51:27,280
Speaker 1: lot of fun you're going on, man, you just gotta

920
00:51:27,680 --> 00:51:30,839
Speaker 1: audit the fuck out all these motherfuckers. It's like someone

921
00:51:30,880 --> 00:51:32,680
Speaker 1: tells you, oh, yeah, we spent this much and not recouited,

922
00:51:32,719 --> 00:51:34,120
Speaker 1: Like yo, let me let me I need to see

923
00:51:34,120 --> 00:51:40,240
Speaker 1: word exactly where that money went. Like, wait, you charged

924
00:51:40,280 --> 00:51:44,040
Speaker 1: me ten thousand dollars to edit a song and make

925
00:51:44,080 --> 00:51:47,920
Speaker 1: it clean? What the fuck that was? That was happening

926
00:51:48,280 --> 00:51:52,200
Speaker 1: with a good friend of mine who's a great rapper

927
00:51:52,800 --> 00:51:55,800
Speaker 1: who has a bunch of giant red hair, where he

928
00:51:55,920 --> 00:51:58,560
Speaker 1: was signed to a label and they were they were

929
00:51:58,640 --> 00:52:01,080
Speaker 1: doing that kind of ship where they were like he'd

930
00:52:01,120 --> 00:52:03,319
Speaker 1: be like, yo, how am I not recouped? And it'd

931
00:52:03,360 --> 00:52:05,160
Speaker 1: be like, well, yo, you guys charge me X amount

932
00:52:05,200 --> 00:52:09,879
Speaker 1: of dollars for this for this weed is recoupable weed? Yes, sir?

933
00:52:10,160 --> 00:52:13,520
Speaker 1: What does that mean if they buy the label spin

934
00:52:13,560 --> 00:52:17,440
Speaker 1: weed and you gotta pay you bet? Really? Yeah? That

935
00:52:17,520 --> 00:52:22,600
Speaker 1: sounds good? Oh g ship with the label back in

936
00:52:22,680 --> 00:52:24,520
Speaker 1: the day, like when you guys are working on ship,

937
00:52:24,640 --> 00:52:26,919
Speaker 1: like when you're on interscope, would they buy they buy weed?

938
00:52:27,719 --> 00:52:29,480
Speaker 1: Oh yeah, hell yeah, all that come out of the

939
00:52:29,520 --> 00:52:35,200
Speaker 1: b Yeah. Anything to keep you fusing doing these interviews. Wow, yeah,

940
00:52:36,760 --> 00:52:44,359
Speaker 1: that's crazy. I saw Amsterdam? Oh oh yeah, Amsterdam? Right?

941
00:52:45,080 --> 00:52:48,640
Speaker 1: Would the prostitutes be recoupable as well? In Amsterdam? I

942
00:52:48,719 --> 00:52:52,640
Speaker 1: played for my own horse. I'm just curious if you

943
00:52:52,719 --> 00:52:54,480
Speaker 1: go to if you go to the Red Light District

944
00:52:55,600 --> 00:52:59,800
Speaker 1: on a promo tour, can you invoice the label for

945
00:52:59,880 --> 00:53:03,520
Speaker 1: the prostitutes? I think you can, at least back then

946
00:53:03,560 --> 00:53:06,040
Speaker 1: you probably could have. Now nowadays, you can't. Let's be honest.

947
00:53:06,080 --> 00:53:08,320
Speaker 1: Nowadays that's not happening. But oh no, I paid for

948
00:53:08,440 --> 00:53:13,239
Speaker 1: oh one, yeah, yeah, have you done the new Amsterdam thing.

949
00:53:13,280 --> 00:53:16,719
Speaker 1: I've never been like, yes, amsterdamn thing. Yeah, every time

950
00:53:16,760 --> 00:53:21,480
Speaker 1: I went there, how was it? I want to get you.

951
00:53:21,680 --> 00:53:23,160
Speaker 1: I was about to give you a fake ass answer.

952
00:53:28,520 --> 00:53:31,719
Speaker 1: The experience was cool. But I'm like, I'm like, I'm

953
00:53:31,760 --> 00:53:34,520
Speaker 1: one of them dudes that like so like these girls

954
00:53:34,560 --> 00:53:39,120
Speaker 1: are in the window and they like in these apartment buildings.

955
00:53:39,120 --> 00:53:41,239
Speaker 1: When you walk up the stairs, they'll tell you what

956
00:53:41,480 --> 00:53:44,120
Speaker 1: number they are, Like, what number you I'm at number sixteen.

957
00:53:44,800 --> 00:53:47,160
Speaker 1: You know you're gonna knock on her door. She's like

958
00:53:47,239 --> 00:53:51,520
Speaker 1: in a fucking closet basically with some license shit. So

959
00:53:52,719 --> 00:53:55,200
Speaker 1: then you look and then she got like a thousand

960
00:53:55,280 --> 00:53:58,800
Speaker 1: Connors and her dresser and baby wipes over here. So

961
00:53:59,719 --> 00:54:01,920
Speaker 1: you know, I gotta feel like I'm being loved, Like

962
00:54:02,000 --> 00:54:04,560
Speaker 1: I got to one girlfriend I needed you almost have

963
00:54:05,120 --> 00:54:06,960
Speaker 1: her come to the hotel. I need to look in

964
00:54:07,040 --> 00:54:09,279
Speaker 1: your eyes. Looking at your soul doesn't for me. You know,

965
00:54:09,280 --> 00:54:12,120
Speaker 1: I'm not gonna lie that surprises me that that's just

966
00:54:12,200 --> 00:54:14,800
Speaker 1: based on like who I think you are off of

967
00:54:14,840 --> 00:54:20,160
Speaker 1: the music. I would not expect that. I'd expect you

968
00:54:20,280 --> 00:54:23,680
Speaker 1: to be like, yeah, bro, fucking ninety nine had eleven

969
00:54:23,840 --> 00:54:27,680
Speaker 1: prostitutes in one room in the red light district. Coke

970
00:54:27,800 --> 00:54:31,320
Speaker 1: off my dick, off my ass in the side of

971
00:54:31,400 --> 00:54:34,359
Speaker 1: my eyes. Anyway, Jesus, you got a chick blows coke

972
00:54:34,440 --> 00:54:37,320
Speaker 1: up your eyes. No, No, that sounds that sounds sketch.

973
00:54:37,400 --> 00:54:40,440
Speaker 1: I rap about it. It sounds like a fucking You

974
00:54:40,560 --> 00:54:43,520
Speaker 1: watch the beginning of Snowfall season one, Oh yeah, where

975
00:54:43,520 --> 00:54:46,000
Speaker 1: the chick dies because they or is it the guy

976
00:54:46,080 --> 00:54:48,439
Speaker 1: that dies? The guy died because the girls were blowing

977
00:54:48,480 --> 00:54:52,360
Speaker 1: cocaine ups. So I did it a lot of times,

978
00:54:52,440 --> 00:54:56,160
Speaker 1: but I never really busted doing this shit because it

979
00:54:56,520 --> 00:54:58,960
Speaker 1: felt like it was it was fake, Like you know

980
00:54:58,960 --> 00:55:01,200
Speaker 1: what I'm saying, that's fair. So it was hard for

981
00:55:01,280 --> 00:55:03,920
Speaker 1: you to like reach full climax messing with women. You

982
00:55:04,000 --> 00:55:07,800
Speaker 1: paid for it. I mean, I'm so bad for it.

983
00:55:07,840 --> 00:55:09,560
Speaker 1: I feel like she was a slave with something. Yeah,

984
00:55:09,800 --> 00:55:12,280
Speaker 1: because you see you see fifty condoms on the fucking

985
00:55:12,640 --> 00:55:16,040
Speaker 1: she got a bowl of condoms. And over here, I

986
00:55:16,160 --> 00:55:19,480
Speaker 1: like to point out, guys, this is a great opportunity

987
00:55:19,560 --> 00:55:23,440
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988
00:55:23,600 --> 00:55:26,319
Speaker 1: a character on these records. You care I was trying

989
00:55:26,360 --> 00:55:29,600
Speaker 1: to rescue them. Girls. Man, I'm gonna start a foundation

990
00:55:29,719 --> 00:55:32,600
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991
00:55:32,719 --> 00:55:34,680
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992
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995
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996
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1007
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1008
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1009
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1020
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1021
00:56:55,160 --> 00:56:57,480
Speaker 1: back to the interview, Yo, when you had mister Cartoon

1022
00:56:57,600 --> 00:57:01,839
Speaker 1: do your belly? Okay, one of the most conic wrap

1023
00:57:01,920 --> 00:57:06,879
Speaker 1: tattoos ever? Yeah? Was that on tour? Yes? Yes, yeah, yeah?

1024
00:57:07,280 --> 00:57:10,160
Speaker 1: So which tour was his Anger Management tour is the

1025
00:57:10,200 --> 00:57:15,279
Speaker 1: first one I'm out for sure, But uh man, this

1026
00:57:15,400 --> 00:57:17,480
Speaker 1: dude was he was doing He was doing everybody, So

1027
00:57:18,360 --> 00:57:20,880
Speaker 1: you know, he was so booked up that, you know

1028
00:57:20,920 --> 00:57:22,920
Speaker 1: what I'm saying, Like, I had to make it. I

1029
00:57:23,000 --> 00:57:25,080
Speaker 1: made an appointment. I think he had just did fifty.

1030
00:57:25,320 --> 00:57:28,479
Speaker 1: He was tattooed everybody. Everybody was tatting. Every day, somebody

1031
00:57:28,600 --> 00:57:31,160
Speaker 1: was getting tatted. So it was my time. He was

1032
00:57:31,160 --> 00:57:34,520
Speaker 1: gonna do my stomach and uh, he said, what do

1033
00:57:34,560 --> 00:57:36,360
Speaker 1: you want? Said, I want to I want to colloge

1034
00:57:36,400 --> 00:57:40,720
Speaker 1: the Detroit. I want the buildings in the background, the

1035
00:57:40,840 --> 00:57:44,680
Speaker 1: Corney Islands liquor stores, the pit bulls to just grim

1036
00:57:44,760 --> 00:57:49,000
Speaker 1: its trades. Okay, So he drew it. He drew it

1037
00:57:49,480 --> 00:57:52,600
Speaker 1: on me first, and then I had to go perform,

1038
00:57:53,000 --> 00:57:55,320
Speaker 1: you know, because he said a big festival and ship overseas.

1039
00:57:55,880 --> 00:57:58,600
Speaker 1: So I went and performed, rocked the show, sweated it off,

1040
00:57:58,680 --> 00:58:01,560
Speaker 1: came back and I didn't know that the worst thing

1041
00:58:01,640 --> 00:58:04,200
Speaker 1: in the world you could do is get a tattooed

1042
00:58:04,320 --> 00:58:09,240
Speaker 1: with open sweat and pours. So before I asked him,

1043
00:58:09,280 --> 00:58:13,320
Speaker 1: I said, yo, yo, is this tattoo gonna hurt? He said, no, man,

1044
00:58:13,360 --> 00:58:16,080
Speaker 1: you know you're good. You're good. So then when he

1045
00:58:16,160 --> 00:58:19,520
Speaker 1: started doing the ship, like everybody pulling their cameras out

1046
00:58:19,640 --> 00:58:23,640
Speaker 1: and shcause like I'm like that's a tough place too.

1047
00:58:24,000 --> 00:58:25,640
Speaker 1: I said, I thought you said this ship wasn't gonna

1048
00:58:25,680 --> 00:58:34,120
Speaker 1: hurt He said, yeah, it's not gonna hurt me. Dang, Yeah,

1049
00:58:34,360 --> 00:58:35,800
Speaker 1: So I had to. I had to sit there and

1050
00:58:35,880 --> 00:58:38,440
Speaker 1: pain bro that ship. That ship was crazy, man. But

1051
00:58:39,720 --> 00:58:41,600
Speaker 1: I was told they sell me. Once you start, you

1052
00:58:41,640 --> 00:58:43,840
Speaker 1: can't stop. But that would be like you got to

1053
00:58:43,880 --> 00:58:48,320
Speaker 1: finish it, like torn with half a tattoo on your belly.

1054
00:58:50,720 --> 00:58:52,959
Speaker 1: They would have said that's bizarre. I couldn't get away

1055
00:58:53,000 --> 00:58:56,880
Speaker 1: with it. Yes, no, but I had to do it, man.

1056
00:58:57,120 --> 00:58:58,800
Speaker 1: They I would have been a pussy if I wouldn't

1057
00:58:58,800 --> 00:59:01,720
Speaker 1: finished it. Man, Yo, Back then when drugs are like

1058
00:59:01,800 --> 00:59:03,760
Speaker 1: safe to do, Like how crazy did the drug use

1059
00:59:03,840 --> 00:59:05,840
Speaker 1: get like at the peak? Like peaked the twelve days?

1060
00:59:05,880 --> 00:59:07,640
Speaker 1: Like was it crazy? Because like we always hear about

1061
00:59:07,680 --> 00:59:10,440
Speaker 1: eminem and like his issues. Obviously the shots to him

1062
00:59:10,520 --> 00:59:12,200
Speaker 1: is he's been sober for a while. It got it

1063
00:59:12,240 --> 00:59:15,640
Speaker 1: got pretty crazy. Yeah, I mean ship, we all have fun,

1064
00:59:15,760 --> 00:59:20,960
Speaker 1: but I just remember getting crazy, like at the crazy

1065
00:59:21,040 --> 00:59:24,840
Speaker 1: spot like Amsterdam. You know it was like ecstasy was

1066
00:59:24,880 --> 00:59:26,560
Speaker 1: a coke because I like back then it was like

1067
00:59:26,640 --> 00:59:29,640
Speaker 1: peak like X days, right X days. Yeah, I won't

1068
00:59:29,640 --> 00:59:34,040
Speaker 1: really with the cocaine Viking in yeah, Viking anything, we

1069
00:59:34,080 --> 00:59:39,640
Speaker 1: can get your head of PM, fucking veil PM, whatever,

1070
00:59:39,920 --> 00:59:45,800
Speaker 1: Jesus rovertesting whatever. But no, man, Amsterdam was that spot

1071
00:59:45,920 --> 00:59:49,200
Speaker 1: man shrooms? Shrooms, I don't forget about shrooms. Shrooms are

1072
00:59:49,200 --> 00:59:53,560
Speaker 1: still great. I didn't cancel the two shows off of shrooms.

1073
00:59:53,920 --> 01:00:01,920
Speaker 1: What happened? I couldn't do it? Which were these solo shows?

1074
01:00:01,960 --> 01:00:05,680
Speaker 1: Were these? So you just got And then one time

1075
01:00:06,160 --> 01:00:10,400
Speaker 1: I did some shrooms in Saint Louis and Marshall. Uh

1076
01:00:12,120 --> 01:00:13,919
Speaker 1: see me, he said. I was like five miles away

1077
01:00:13,920 --> 01:00:16,480
Speaker 1: from the venue and they was coming back from sound checking.

1078
01:00:16,480 --> 01:00:18,439
Speaker 1: They seen me walking on the side of the road

1079
01:00:19,480 --> 01:00:21,680
Speaker 1: and they stopped me and they said, Yo, where the

1080
01:00:21,680 --> 01:00:23,880
Speaker 1: fuck is you going? They said. I said, I was

1081
01:00:24,000 --> 01:00:29,400
Speaker 1: going to join the gang off of shrooms. So yeah,

1082
01:00:29,440 --> 01:00:35,640
Speaker 1: I left the shrooms alone. Man. So when you canceled, yeah,

1083
01:00:35,640 --> 01:00:38,120
Speaker 1: I enjoyed shrooms. Yeah I got some gummies for if

1084
01:00:38,160 --> 01:00:45,160
Speaker 1: you want some. Yeah, okay, fuck it, I'm back. So

1085
01:00:45,320 --> 01:00:47,520
Speaker 1: before you, but when you when you when you canceled

1086
01:00:47,520 --> 01:00:49,160
Speaker 1: the shows, was it just because, like you were, you

1087
01:00:49,240 --> 01:00:53,200
Speaker 1: were having a pretty serious emotional moment. Was it a trip?

1088
01:00:53,520 --> 01:00:56,560
Speaker 1: You know, I'll lie. One with shrooms. One was edibles.

1089
01:00:57,400 --> 01:00:59,640
Speaker 1: The worst edibles do me worse than shroom. Of course

1090
01:00:59,680 --> 01:01:02,200
Speaker 1: they do, is that they're the devil. And that's how

1091
01:01:02,400 --> 01:01:05,480
Speaker 1: eating weed is the worst ship anyone can do. If

1092
01:01:05,480 --> 01:01:08,360
Speaker 1: you eat I just think, if you eat too much weed,

1093
01:01:08,880 --> 01:01:13,120
Speaker 1: you're fucked, Like it's over for you. Like it's like

1094
01:01:13,160 --> 01:01:16,160
Speaker 1: a different effect from from smoking. It's totally different. So

1095
01:01:16,200 --> 01:01:18,720
Speaker 1: I guess so when you eat it, there's some compound

1096
01:01:18,840 --> 01:01:20,960
Speaker 1: that your body breaks it down and like activates like

1097
01:01:21,000 --> 01:01:26,240
Speaker 1: a psychoactive chemical that's a lot more stronger than if controls. Yes,

1098
01:01:26,400 --> 01:01:28,520
Speaker 1: you know, I'm no. When you eat too much weed, man,

1099
01:01:28,800 --> 01:01:32,960
Speaker 1: fuck that ship is rough. It is like panicking, is

1100
01:01:33,160 --> 01:01:35,920
Speaker 1: I've puked? I've like, like, like you said, when you

1101
01:01:36,000 --> 01:01:39,600
Speaker 1: eat too much shrooms, you might trip or you might

1102
01:01:39,720 --> 01:01:42,080
Speaker 1: really like get into like a wormhole of your thoughts.

1103
01:01:44,240 --> 01:01:47,400
Speaker 1: But you you're not, like at least personally me. Yeah,

1104
01:01:47,440 --> 01:01:50,000
Speaker 1: I feel like I've never been out of control. I

1105
01:01:50,080 --> 01:01:52,840
Speaker 1: feel like on edibles, there have been times where I

1106
01:01:52,880 --> 01:01:56,080
Speaker 1: felt like I couldn't move my legs, Like I went

1107
01:01:56,120 --> 01:02:00,280
Speaker 1: to a I went to a wouldn't Yeah, like I

1108
01:02:00,360 --> 01:02:05,360
Speaker 1: can't move I'm inaudible, right, I had a I had

1109
01:02:05,360 --> 01:02:07,240
Speaker 1: to cancel the show. And how I did it. The

1110
01:02:07,320 --> 01:02:10,760
Speaker 1: promoter was in It was in Flint. Oh my bad.

1111
01:02:11,320 --> 01:02:14,880
Speaker 1: It was in Flint, and the promoter was in the lobby,

1112
01:02:15,840 --> 01:02:19,360
Speaker 1: and I called my role manager, oh love, and uh,

1113
01:02:19,800 --> 01:02:21,920
Speaker 1: all of all the guys that was with me and

1114
01:02:22,000 --> 01:02:23,920
Speaker 1: we all met in the hallway and I looked at

1115
01:02:24,000 --> 01:02:26,880
Speaker 1: him and I said, Yo, I'm not gonna be here

1116
01:02:26,920 --> 01:02:30,960
Speaker 1: to perform the night. And it was like what they said,

1117
01:02:30,960 --> 01:02:33,800
Speaker 1: the promoters in the lobby. I said, I no, man,

1118
01:02:33,840 --> 01:02:36,520
Speaker 1: I can't do this. I was like, oh, pull the

1119
01:02:36,600 --> 01:02:39,080
Speaker 1: car to the back of the hotel and I'm gonna

1120
01:02:39,440 --> 01:02:42,040
Speaker 1: go down the fucking steers so he can't see me

1121
01:02:42,120 --> 01:02:45,560
Speaker 1: and leave. And everybody was like, what the fuck? But

1122
01:02:45,720 --> 01:02:49,920
Speaker 1: my boy, oh Love, he's crazy too, so so by

1123
01:02:50,040 --> 01:02:52,440
Speaker 1: him being crazy, he's seen it crazy in my eyes

1124
01:02:52,520 --> 01:03:00,800
Speaker 1: and said, okay, cool and he got me out of there. Man, Nah,

1125
01:03:04,320 --> 01:03:06,120
Speaker 1: shout out to my man, flake hollow at me. Man,

1126
01:03:06,120 --> 01:03:08,280
Speaker 1: I'm gonna do a free show for y'all. Makeup? Man?

1127
01:03:08,640 --> 01:03:12,280
Speaker 1: How long ago? Is this about? Ten years ago? Oh? Yeah,

1128
01:03:12,440 --> 01:03:16,480
Speaker 1: I'm sure he's already took the l He's already at

1129
01:03:16,640 --> 01:03:22,160
Speaker 1: the yelp. He ran off with the deposit at the

1130
01:03:22,280 --> 01:03:25,520
Speaker 1: back door. Man, the shroom, I mean the edibles did it? Man?

1131
01:03:26,880 --> 01:03:28,600
Speaker 1: Are cool? Because like I think shroom's like if you

1132
01:03:28,760 --> 01:03:31,000
Speaker 1: like you said that was that shot that King Gordy

1133
01:03:31,120 --> 01:03:35,200
Speaker 1: did that? Actually he told me. See he makes he

1134
01:03:35,720 --> 01:03:38,439
Speaker 1: uh him and his partner. They they do their butter

1135
01:03:38,560 --> 01:03:41,400
Speaker 1: for like two weeks until it looks like tar mm hmm.

1136
01:03:42,480 --> 01:03:45,280
Speaker 1: And they used like the O G cush the powerful

1137
01:03:45,480 --> 01:03:50,640
Speaker 1: they can use. And I had took an edible before,

1138
01:03:51,440 --> 01:03:55,040
Speaker 1: like maybe a week before, and and I had went

1139
01:03:55,120 --> 01:03:58,920
Speaker 1: crazy on his edible. So then this time he said, Yo,

1140
01:03:59,040 --> 01:04:01,920
Speaker 1: these ain't ain't that strong like that? They just regular,

1141
01:04:01,960 --> 01:04:03,800
Speaker 1: you know what I'm saying? You good? I said, you sure? Man?

1142
01:04:04,720 --> 01:04:07,880
Speaker 1: He said yeah. And then after hour Kitty and I

1143
01:04:07,920 --> 01:04:11,400
Speaker 1: looked at my seat, I thought you said that they

1144
01:04:11,480 --> 01:04:14,440
Speaker 1: wasn't that strong, and they just busted out laughing and

1145
01:04:14,520 --> 01:04:17,240
Speaker 1: thought this ship was so funny, like you fucking idiot

1146
01:04:17,880 --> 01:04:21,600
Speaker 1: the promoter and Flint didn't think it was funny. Man, please, man,

1147
01:04:21,720 --> 01:04:29,800
Speaker 1: please forgive me, man, Oh my god, that shit is crazy. Man, Derek,

1148
01:04:29,880 --> 01:04:34,480
Speaker 1: you never canceled the podcast because he was saying, nah,

1149
01:04:35,080 --> 01:04:36,880
Speaker 1: so the highest I ever been in my life was

1150
01:04:36,920 --> 01:04:39,320
Speaker 1: at a yellow Olf for Ritz show. Oh my god,

1151
01:04:39,440 --> 01:04:43,080
Speaker 1: shout out the Ritz and I ate. I ate a

1152
01:04:44,160 --> 01:04:47,680
Speaker 1: whole brownie that I did. That's like, this was twenty fourteen, thirteen.

1153
01:04:48,400 --> 01:04:50,520
Speaker 1: I didn't know I was supposed to eat. It tastes

1154
01:04:50,560 --> 01:04:54,120
Speaker 1: so good, yeah, a little piece and it wasn't so

1155
01:04:54,200 --> 01:04:55,960
Speaker 1: it wasn't even like a big, big brownie. It was

1156
01:04:56,040 --> 01:04:58,800
Speaker 1: like a like a little square yeah, and so uh,

1157
01:04:59,600 --> 01:05:02,160
Speaker 1: I ate it. And like an hour goes by. I'm

1158
01:05:02,200 --> 01:05:05,120
Speaker 1: like on Rich's bus. Everything's cool, We're chilling, and I

1159
01:05:05,160 --> 01:05:08,120
Speaker 1: don't feel nothing. So He's like, yoa, I'm about to

1160
01:05:08,160 --> 01:05:09,840
Speaker 1: go on stage, so follow mym like, gad, I'm gonna

1161
01:05:09,840 --> 01:05:11,760
Speaker 1: watch it from the crowd or whatever. Cool. So as

1162
01:05:11,800 --> 01:05:14,520
Speaker 1: soon as he starts performing, it hits me like a

1163
01:05:14,840 --> 01:05:20,400
Speaker 1: fucking semi truck. I could not move my legs. Damn.

1164
01:05:20,560 --> 01:05:23,920
Speaker 1: I felt like I was planted into the ground like

1165
01:05:24,800 --> 01:05:28,520
Speaker 1: I not only that every Like, have you ever been

1166
01:05:28,560 --> 01:05:31,680
Speaker 1: so high that you felt like your senses were heightened? Yeah?

1167
01:05:31,720 --> 01:05:35,520
Speaker 1: For sure. So I'm in this concert. It's probably eight

1168
01:05:35,640 --> 01:05:39,240
Speaker 1: hundred people there, and I felt like I could hear everybody,

1169
01:05:40,400 --> 01:05:43,840
Speaker 1: no matter how far they were. I could like hone

1170
01:05:43,920 --> 01:05:46,200
Speaker 1: in on somebody at the bar like two hundred feet

1171
01:05:46,200 --> 01:05:47,520
Speaker 1: away from me in the middle of a concert, and

1172
01:05:47,560 --> 01:05:50,360
Speaker 1: hear exactly what they were saying. And then I look

1173
01:05:50,440 --> 01:05:52,800
Speaker 1: on stage and next to Riz's ugly ass is a

1174
01:05:52,880 --> 01:05:57,320
Speaker 1: fucking cartoon Garfield cat with fucking dollar signs like slot machines,

1175
01:05:57,680 --> 01:06:00,440
Speaker 1: dollar signs like going and stopping. And I'm just I

1176
01:06:00,520 --> 01:06:03,480
Speaker 1: grabbed my boy and I'm just like, Brian needs you

1177
01:06:03,600 --> 01:06:08,000
Speaker 1: to carry me out to the backstage. So my my

1178
01:06:08,120 --> 01:06:10,120
Speaker 1: best friend Gio had he like picks me up like

1179
01:06:10,160 --> 01:06:11,920
Speaker 1: a and I'm mind, this is my hometown. People know

1180
01:06:12,000 --> 01:06:15,080
Speaker 1: who I am. So I get carried like a baby

1181
01:06:15,240 --> 01:06:19,120
Speaker 1: to the couch on the side of the stage. Bro.

1182
01:06:19,320 --> 01:06:24,000
Speaker 1: And like, for some reason, every time I heavily do

1183
01:06:24,160 --> 01:06:27,560
Speaker 1: too much when it comes to shrooms or weed edibles,

1184
01:06:28,760 --> 01:06:32,520
Speaker 1: the ship that would that would happen to somebody who's

1185
01:06:32,560 --> 01:06:36,080
Speaker 1: fucked up happens in front of me. Like dude, this

1186
01:06:36,240 --> 01:06:40,600
Speaker 1: Native American dude with a whole fucking headdress like legit.

1187
01:06:40,720 --> 01:06:42,920
Speaker 1: And you know how natives love fucking like rits and

1188
01:06:42,960 --> 01:06:44,720
Speaker 1: yellow wolf and like that. You know that that world

1189
01:06:44,760 --> 01:06:48,040
Speaker 1: around Yeah, they do, God, they do, shout out. They

1190
01:06:48,080 --> 01:06:52,720
Speaker 1: got livers on that No so this Native American dude.

1191
01:06:52,720 --> 01:06:54,880
Speaker 1: I'm on the curb right outside of the doors Club

1192
01:06:54,920 --> 01:06:57,479
Speaker 1: Red and Tempee and I'm like hunched over the curb

1193
01:06:57,640 --> 01:07:00,280
Speaker 1: like I just got him puke and everywhere, this fucking

1194
01:07:00,400 --> 01:07:07,080
Speaker 1: Native American dude with feathers your bootleg cav. I look up.

1195
01:07:07,840 --> 01:07:12,840
Speaker 1: I said, shit, Wow, I look at my boy g.

1196
01:07:13,080 --> 01:07:17,440
Speaker 1: I said, and mind you. Not the best thing to say,

1197
01:07:17,480 --> 01:07:19,760
Speaker 1: but I was like, Yo, is this Indian motherfucker real?

1198
01:07:21,520 --> 01:07:23,120
Speaker 1: And he was like, yeah, I'm real. What do you mean.

1199
01:07:23,160 --> 01:07:27,440
Speaker 1: I was like, bro, I'm tripping balls right now? What's up? Right?

1200
01:07:27,760 --> 01:07:31,600
Speaker 1: Then the Indian dude standing here shout out to Yellow

1201
01:07:32,080 --> 01:07:33,760
Speaker 1: Road manager at the time. His name is Brooklyn. He

1202
01:07:33,840 --> 01:07:36,480
Speaker 1: was a very violent guy. They dragged some fucking dude

1203
01:07:36,480 --> 01:07:38,440
Speaker 1: from the crowd out there, beating the ship out of him,

1204
01:07:38,480 --> 01:07:40,800
Speaker 1: like three feet in front of me. I start throwing

1205
01:07:40,920 --> 01:07:43,880
Speaker 1: up while the Indian guy's there, while this guy's getting

1206
01:07:43,920 --> 01:07:46,280
Speaker 1: beat up. It's all happening at the fucking same time.

1207
01:07:47,200 --> 01:07:50,880
Speaker 1: I'm fucked. Rich is there laughing, smoking a cigarette. It's

1208
01:07:50,880 --> 01:07:52,240
Speaker 1: just the worst. It was one of the worst nights

1209
01:07:52,280 --> 01:07:57,120
Speaker 1: of my life. Damn. And then I ate an edible

1210
01:07:58,000 --> 01:08:00,320
Speaker 1: two months ago, my new house. First time I had

1211
01:08:00,440 --> 01:08:02,040
Speaker 1: edibles in like two years. I was like, you know, no, no, no,

1212
01:08:02,200 --> 01:08:06,160
Speaker 1: maybe like a year and I had, uh, grit, Bro,

1213
01:08:06,360 --> 01:08:09,040
Speaker 1: I'm curled up on the couch. Bro. My wife and

1214
01:08:09,080 --> 01:08:11,640
Speaker 1: her friend are upstairs dying because I am curled up

1215
01:08:11,680 --> 01:08:15,440
Speaker 1: on the couch freaking the fuck out. I'm trying to

1216
01:08:15,480 --> 01:08:17,320
Speaker 1: find something to put on TV that I'll like put

1217
01:08:17,360 --> 01:08:19,720
Speaker 1: my mind at ease. First I try Family Guy and

1218
01:08:19,840 --> 01:08:22,000
Speaker 1: I'm like nah. Then I just put on like Ocean Noises.

1219
01:08:22,800 --> 01:08:26,000
Speaker 1: Oh my god, he was there. I went in the

1220
01:08:26,080 --> 01:08:29,679
Speaker 1: bathroom and chucked everywhere. Something about eating too much edible

1221
01:08:29,720 --> 01:08:33,000
Speaker 1: is always puked. Oh you always get sick. I eat

1222
01:08:33,080 --> 01:08:36,840
Speaker 1: up with storm Man, yeah, or that, or you'll just

1223
01:08:36,880 --> 01:08:40,519
Speaker 1: be like when I when I hit dabs, that's when

1224
01:08:40,520 --> 01:08:43,800
Speaker 1: I eat. When I like smoking dap action. Bronson smoked

1225
01:08:43,800 --> 01:08:46,559
Speaker 1: me under a fucking whiskeyly for fucking put me in light.

1226
01:08:46,600 --> 01:08:48,720
Speaker 1: So don't don't do what dad with him your half.

1227
01:08:48,800 --> 01:08:50,760
Speaker 1: He's going to intentionally try to get you out of

1228
01:08:50,800 --> 01:08:53,120
Speaker 1: That's what actually Bronson did early dab days too, So

1229
01:08:53,280 --> 01:08:55,240
Speaker 1: this was like before everyone knew about dabbing like that.

1230
01:08:55,880 --> 01:08:58,439
Speaker 1: He was like, oh, you haven't dabbed he's like, so

1231
01:08:58,520 --> 01:08:59,800
Speaker 1: he gives me one. He's like, no, no, you take

1232
01:08:59,840 --> 01:09:01,240
Speaker 1: a bit, kid, it's not that serious. Take a big

1233
01:09:01,400 --> 01:09:05,120
Speaker 1: So I took a big case. Exactly terrible. Right. So

1234
01:09:05,280 --> 01:09:06,960
Speaker 1: he's like, no, no, now you got to try a flavor.

1235
01:09:07,160 --> 01:09:09,320
Speaker 1: I got this whole thing on film. It's great. He's like, no, no,

1236
01:09:09,400 --> 01:09:12,000
Speaker 1: now you gotta try a flavor. So I hit it again,

1237
01:09:13,280 --> 01:09:17,360
Speaker 1: three hits in a row. I do. Oh. It was

1238
01:09:17,439 --> 01:09:20,840
Speaker 1: Mac Miller Action Bronson a chance to rap on tour,

1239
01:09:21,479 --> 01:09:23,960
Speaker 1: and that was the one of the I was fucking

1240
01:09:24,240 --> 01:09:28,120
Speaker 1: high out of my brainstand bro, watching Mac Miller on stage. Bro,

1241
01:09:28,240 --> 01:09:30,120
Speaker 1: I was just like, this is That was probably the

1242
01:09:30,160 --> 01:09:32,840
Speaker 1: third highest I've ever been. Shout out to the Action Bronson. Man,

1243
01:09:33,640 --> 01:09:35,679
Speaker 1: who who are you a fan of? Man? Like what artists?

1244
01:09:35,720 --> 01:09:42,040
Speaker 1: Right now? Are you really like? Just kudos? He's the city.

1245
01:09:42,520 --> 01:09:46,880
Speaker 1: No no, no, in general period ship ship Damn. I

1246
01:09:46,960 --> 01:09:52,000
Speaker 1: gotta think about it, oh, man, hold on, fan though,

1247
01:09:53,960 --> 01:09:58,640
Speaker 1: I like, yeah, I don't want to sound typical. I

1248
01:09:58,640 --> 01:10:01,920
Speaker 1: don't think people would expect you to. Yeah, yeah, I

1249
01:10:02,120 --> 01:10:06,920
Speaker 1: like him. I like, uh, damn, I know I'm about

1250
01:10:06,920 --> 01:10:09,720
Speaker 1: the fuck his name, but I'm gonna try to get

1251
01:10:09,720 --> 01:10:13,880
Speaker 1: it right. The kid that be throwing shows in his backyard. Russell.

1252
01:10:13,920 --> 01:10:16,160
Speaker 1: I was just at his house last weekend, Okay, I went.

1253
01:10:16,360 --> 01:10:18,800
Speaker 1: It was amazing. I met his mom, his dad was cooking.

1254
01:10:19,000 --> 01:10:20,720
Speaker 1: I've known the Russell for about a year and a half.

1255
01:10:20,800 --> 01:10:25,080
Speaker 1: But how is this setup? Is this? It's literally the

1256
01:10:25,240 --> 01:10:27,360
Speaker 1: how is that? His mom, him and his dad and

1257
01:10:27,439 --> 01:10:29,000
Speaker 1: his I think I don't know if his sisters or not.

1258
01:10:29,080 --> 01:10:32,599
Speaker 1: But the house he grew up in, he built up

1259
01:10:33,280 --> 01:10:37,920
Speaker 1: benu in the backyard, bleachers on each side, and then

1260
01:10:37,960 --> 01:10:43,920
Speaker 1: there's like a pergola and two hundred people in the

1261
01:10:43,960 --> 01:10:48,560
Speaker 1: backyard rocking. His dad's making barbecue. It was amazing. It

1262
01:10:48,680 --> 01:10:51,920
Speaker 1: was like one of the most like inspirational. I was

1263
01:10:52,040 --> 01:10:55,760
Speaker 1: just like, this is fucking this is crazy, right, And

1264
01:10:55,880 --> 01:10:59,280
Speaker 1: he's very like when motherfuckers say they're independent, now you

1265
01:10:59,320 --> 01:11:03,880
Speaker 1: ain't independent. He's independent, Like he's really it's him. It's

1266
01:11:04,040 --> 01:11:06,320
Speaker 1: it's like his team is super small. I mean I

1267
01:11:06,360 --> 01:11:08,720
Speaker 1: went into his office and it's like, again, this is

1268
01:11:08,720 --> 01:11:10,880
Speaker 1: the house he grew up in. He's got his office

1269
01:11:10,920 --> 01:11:13,280
Speaker 1: and he's got a whiteboard just with everything playing the

1270
01:11:13,840 --> 01:11:15,760
Speaker 1: what Instagram post are going up for the day, Like

1271
01:11:15,840 --> 01:11:20,559
Speaker 1: it's it's crazy. It's inspiring. Russell's dope super and could

1272
01:11:20,600 --> 01:11:22,720
Speaker 1: rap his ass off right shout out to him, he'd

1273
01:11:22,720 --> 01:11:25,240
Speaker 1: be saying some ill shit. I like Larry June too.

1274
01:11:25,600 --> 01:11:27,960
Speaker 1: Larry June is fire, Larry June is doing his thing,

1275
01:11:29,040 --> 01:11:32,160
Speaker 1: running it up right now. When you see these whack

1276
01:11:32,240 --> 01:11:35,080
Speaker 1: rapper lists, I know you talked about the Gilly thing before,

1277
01:11:35,280 --> 01:11:37,320
Speaker 1: but when you see these lists, you're always on the list.

1278
01:11:38,520 --> 01:11:42,320
Speaker 1: How do you genuinely feel about that? Oh, that's that's why.

1279
01:11:42,560 --> 01:11:45,320
Speaker 1: That's basically why he got a gun came out. You

1280
01:11:45,400 --> 01:11:47,240
Speaker 1: know what I'm saying, That's why I have to get

1281
01:11:47,320 --> 01:11:50,840
Speaker 1: back in my bag. You know what I'm saying. I don't,

1282
01:11:50,960 --> 01:11:52,599
Speaker 1: I don't. I don't like it, you know what I'm saying,

1283
01:11:52,760 --> 01:11:57,080
Speaker 1: Like I think I'm a comedian rapper, but you know,

1284
01:11:57,760 --> 01:12:02,280
Speaker 1: I think it goes back to the just just saying anything,

1285
01:12:02,479 --> 01:12:05,320
Speaker 1: even if it ain't it on rhyme or it's just

1286
01:12:06,040 --> 01:12:08,400
Speaker 1: crazy or just playing that role. So like you were

1287
01:12:08,439 --> 01:12:10,639
Speaker 1: playing it like I think with people what you said earlier,

1288
01:12:10,680 --> 01:12:13,400
Speaker 1: like you were legitimately playing a character. And well yeah yeah,

1289
01:12:15,280 --> 01:12:17,640
Speaker 1: so yeah, So that's that's why I'm here to change it.

1290
01:12:17,680 --> 01:12:20,880
Speaker 1: That's why I'm literally here right now, in your face.

1291
01:12:21,240 --> 01:12:22,920
Speaker 1: So you're like, yo, I'm tired of these lists. So

1292
01:12:23,120 --> 01:12:25,040
Speaker 1: outside of your guy with the six Cats and the

1293
01:12:25,120 --> 01:12:29,320
Speaker 1: four Dogs and the Children a Fall and that and

1294
01:12:29,439 --> 01:12:33,679
Speaker 1: the Sony Acid that was god damn. That was also

1295
01:12:33,760 --> 01:12:36,120
Speaker 1: a motivating factor for you to get back in your back,

1296
01:12:36,200 --> 01:12:39,040
Speaker 1: like I'm tired of this ship. Yeah for sure, for sure. Yeah,

1297
01:12:39,680 --> 01:12:41,880
Speaker 1: I think I didn't put too much work in a

1298
01:12:41,920 --> 01:12:44,120
Speaker 1: lot of people don't know. I am a battle rapper.

1299
01:12:44,160 --> 01:12:45,840
Speaker 1: I started off from the hip hop shop. That's why

1300
01:12:45,880 --> 01:12:49,080
Speaker 1: I met Marshall. If I was a whack rapper, they

1301
01:12:49,080 --> 01:12:50,960
Speaker 1: would have never put me in D twelve because D

1302
01:12:51,080 --> 01:12:55,920
Speaker 1: twelve was a hand picked click of kill battle rappers. Yeah, yeah,

1303
01:12:56,080 --> 01:13:00,439
Speaker 1: you know what I'm saying. So yeah, so you know,

1304
01:13:00,560 --> 01:13:02,919
Speaker 1: I think, you know, once we got in the industry,

1305
01:13:03,920 --> 01:13:05,640
Speaker 1: we kind of like had to find our way, you

1306
01:13:05,680 --> 01:13:07,880
Speaker 1: know what I'm saying. Like all that ship was kind

1307
01:13:07,920 --> 01:13:09,960
Speaker 1: of like an accident. Even a shower cap started off

1308
01:13:10,000 --> 01:13:12,240
Speaker 1: as a joke and then it just became they just

1309
01:13:12,320 --> 01:13:15,320
Speaker 1: stuck that ship with me, I mean, and it worked. Yeah,

1310
01:13:15,320 --> 01:13:17,439
Speaker 1: and it worked, and I'm grateful for it. But now

1311
01:13:17,479 --> 01:13:20,760
Speaker 1: it's time to show motherfuckers that I you know, I

1312
01:13:20,840 --> 01:13:22,439
Speaker 1: could rap man. He can't put me on a fucking

1313
01:13:22,520 --> 01:13:28,000
Speaker 1: list with you know, soaked shakra or or snow or

1314
01:13:28,680 --> 01:13:30,920
Speaker 1: which snow? You know snow? They informer snow? No, you're

1315
01:13:30,960 --> 01:13:36,240
Speaker 1: not not snow from a Texas uh informer informa that snow. Yeah.

1316
01:13:36,920 --> 01:13:39,120
Speaker 1: I don't even I don't even he. I don't think

1317
01:13:39,120 --> 01:13:42,679
Speaker 1: he's a rapper. I think they were just high. Who's

1318
01:13:42,720 --> 01:13:46,160
Speaker 1: your top three? Bizarre? Who's your top your top three

1319
01:13:46,240 --> 01:13:49,439
Speaker 1: worst rappers of all time? My top three worst rappers

1320
01:13:49,439 --> 01:13:54,320
Speaker 1: of all the time? Oh god, let me think about that. Oh,

1321
01:13:57,840 --> 01:14:02,120
Speaker 1: I'm gonna I'll give you mine. Yeah to me. Playboy

1322
01:14:02,240 --> 01:14:06,240
Speaker 1: Cardi fucking god awful. I don't get it. Saw him live.

1323
01:14:06,680 --> 01:14:09,000
Speaker 1: It sounded like he was having a fucking seance on stage,

1324
01:14:10,560 --> 01:14:13,120
Speaker 1: was going on his fans are crazy and being the

1325
01:14:13,160 --> 01:14:16,639
Speaker 1: fucking fuck you. Playboy Cardi is definitely taking the cake

1326
01:14:16,680 --> 01:14:23,360
Speaker 1: for me. I think technically speaking, I mean I enjoyed Silk,

1327
01:14:23,400 --> 01:14:27,000
Speaker 1: the Shockers and music vastly. But when you go back

1328
01:14:27,040 --> 01:14:31,240
Speaker 1: and listen now, you're like, oh, that was interesting, and

1329
01:14:31,320 --> 01:14:38,479
Speaker 1: then you got to start thinking about guys like Little

1330
01:14:38,560 --> 01:14:45,360
Speaker 1: zand damn Little is terrible, oh man, or just you

1331
01:14:45,479 --> 01:14:47,439
Speaker 1: just don't understand him. No, no, no, I get the

1332
01:14:47,560 --> 01:14:50,200
Speaker 1: like he had one record that was dope, but his

1333
01:14:50,240 --> 01:14:53,559
Speaker 1: ship sucks. Stack Quo will tell you his ship sucks

1334
01:14:53,560 --> 01:14:57,519
Speaker 1: and he was sign will tell you damn his ship was.

1335
01:14:57,600 --> 01:14:59,600
Speaker 1: Like he he just never was focused enough to like

1336
01:14:59,800 --> 01:15:02,880
Speaker 1: make musical priorities. So the music that I outside of

1337
01:15:02,920 --> 01:15:04,800
Speaker 1: that skittle song, like, I just thought he was just

1338
01:15:04,840 --> 01:15:09,400
Speaker 1: a god off our. Damn. I'm trying to think of

1339
01:15:09,439 --> 01:15:16,559
Speaker 1: a god off man. Yah. You think anybody, I'm trying

1340
01:15:16,600 --> 01:15:21,800
Speaker 1: to think of somebody. What about anybody from like a

1341
01:15:22,040 --> 01:15:24,000
Speaker 1: rapper's crew. I'm trying to think who was a part

1342
01:15:24,040 --> 01:15:31,280
Speaker 1: of Q who really horrible? Horrible? Okay put the horrible

1343
01:15:31,320 --> 01:15:37,760
Speaker 1: tag on proz Okay, ghetto respect, Yeah, of disrespect. Though

1344
01:15:38,439 --> 01:15:39,960
Speaker 1: I know he probably gonna come after me. I don't

1345
01:15:39,960 --> 01:15:42,000
Speaker 1: want to battle. There was the who was the guy

1346
01:15:42,080 --> 01:15:48,880
Speaker 1: who was NAS's bodyguard? Big hulk, big horse, Yeah, bodyguard,

1347
01:15:49,920 --> 01:15:54,439
Speaker 1: he's a horse? Is uh? Was there someone in murdering?

1348
01:15:57,479 --> 01:16:01,160
Speaker 1: I don't know. You know what though, there was some

1349
01:16:01,360 --> 01:16:03,760
Speaker 1: shitty rappers back in the day, man, there were some

1350
01:16:03,920 --> 01:16:07,000
Speaker 1: bad Yeah. I think we I think I think so

1351
01:16:07,200 --> 01:16:11,320
Speaker 1: the Shaker suffices for my nineties. You're gonna go with

1352
01:16:11,600 --> 01:16:15,080
Speaker 1: the shocker like that. I had a no limit chain too,

1353
01:16:15,120 --> 01:16:21,560
Speaker 1: so it hurts me. Oh, I don't know, man. It

1354
01:16:21,680 --> 01:16:23,720
Speaker 1: was for Mystical, the chain was for no the chain

1355
01:16:23,800 --> 01:16:28,240
Speaker 1: was for Ghetto Dope. That was Hey Shots to master P. Yeah,

1356
01:16:29,200 --> 01:16:33,080
Speaker 1: not the best rapper I think, classic album though, love

1357
01:16:33,160 --> 01:16:36,840
Speaker 1: gets Yeah, yeah, charge it to the game, great out. Yeah,

1358
01:16:37,320 --> 01:16:40,160
Speaker 1: I mean, listen is whack. I'm just saying he was

1359
01:16:40,200 --> 01:16:43,840
Speaker 1: fucking Maya. So he was fucking Maya in ninety nine.

1360
01:16:44,040 --> 01:16:46,240
Speaker 1: So yeah, shot No, I said it, so you can't

1361
01:16:46,240 --> 01:16:48,559
Speaker 1: say it, but yeah, yeah, damn you can see it. Yeah,

1362
01:16:48,640 --> 01:16:52,519
Speaker 1: so who can you say? Anybody from Psychopath Records? It

1363
01:16:52,600 --> 01:16:54,679
Speaker 1: was just terrible. How about the whole fucking label? I said,

1364
01:16:55,680 --> 01:17:01,519
Speaker 1: Jesus Christ the Cavs on the road, right, Jesus. You

1365
01:17:01,600 --> 01:17:05,080
Speaker 1: know what, though, I'm gonna be honest, I didn't listen

1366
01:17:05,080 --> 01:17:06,800
Speaker 1: to a lot of that ship. My cousins were into

1367
01:17:06,800 --> 01:17:09,280
Speaker 1: that ship, so maybe I just am not versed enough,

1368
01:17:09,360 --> 01:17:11,720
Speaker 1: but I know some of that ship, Like my cousin

1369
01:17:11,800 --> 01:17:13,840
Speaker 1: would be listening to like a Blazia Dead Homie album

1370
01:17:13,960 --> 01:17:16,880
Speaker 1: or something, and it just sounded like noise, like bad noise,

1371
01:17:16,920 --> 01:17:18,639
Speaker 1: Like it sounded like if my dad tried to rap

1372
01:17:18,720 --> 01:17:24,040
Speaker 1: type ship you know, oh my god. Never was the

1373
01:17:24,120 --> 01:17:26,000
Speaker 1: other guy who was like the native dude with like

1374
01:17:26,080 --> 01:17:32,760
Speaker 1: the braids. Any yeah, just terrible, just terrible. Twisted is

1375
01:17:32,800 --> 01:17:35,920
Speaker 1: cool right there, all right, Twist is cool. But i

1376
01:17:36,000 --> 01:17:38,000
Speaker 1: CP had some cool ship, you know, great MALINKA was

1377
01:17:38,120 --> 01:17:40,360
Speaker 1: like the only album I think I've ever really listened to,

1378
01:17:40,439 --> 01:17:42,400
Speaker 1: and it was like I was all right, but yeah,

1379
01:17:42,439 --> 01:17:45,000
Speaker 1: now those are pretty much like everyone who wasn't Twisted

1380
01:17:45,080 --> 01:17:48,000
Speaker 1: or ICP on Psychopath Records. We could probably let me

1381
01:17:48,200 --> 01:17:52,479
Speaker 1: google the worst fifty rappers. There's a list that just

1382
01:17:52,600 --> 01:17:59,000
Speaker 1: came out. It is it just went viral. I just

1383
01:17:59,080 --> 01:18:04,240
Speaker 1: saw it. A new list. Oh this is here. It

1384
01:18:04,360 --> 01:18:08,599
Speaker 1: is worst rappers list. So Little Yachti's on it. Yeah,

1385
01:18:08,960 --> 01:18:12,439
Speaker 1: litis not garbage. I love Little YACHTI. Silk the Shockers

1386
01:18:12,560 --> 01:18:15,439
Speaker 1: number one I'm opening Oh yeah, so I'm opening it

1387
01:18:15,560 --> 01:18:19,240
Speaker 1: right now, Little YACHTI. Number two. That's fucking Cap Master

1388
01:18:19,360 --> 01:18:24,200
Speaker 1: P three OJ the juice Man, Cap bullshit, little Flip Cap.

1389
01:18:24,200 --> 01:18:27,519
Speaker 1: Little Flick could wrap his ass off, Little Pump. There's

1390
01:18:27,520 --> 01:18:30,800
Speaker 1: an argument to be made, Smoke Purp, argument to be

1391
01:18:30,920 --> 01:18:36,479
Speaker 1: made six ' nine. Um, I would say he's terrible.

1392
01:18:36,920 --> 01:18:40,599
Speaker 1: He made some bangers. Diddy's on here walk a flock

1393
01:18:40,640 --> 01:18:45,519
Speaker 1: of that's bullshit. Coiler Ray Birdman, Birdman has too much

1394
01:18:45,600 --> 01:18:47,559
Speaker 1: music that he's rapping on that I actually they're really

1395
01:18:47,680 --> 01:18:54,160
Speaker 1: enjoy Vanilla Ice Kid Boo God awful rapper. He's the

1396
01:18:54,240 --> 01:18:56,479
Speaker 1: guy who pretended like he was cloned to some clout

1397
01:18:56,560 --> 01:18:59,880
Speaker 1: Cloud era rap. Shit. It's terrible Yeat. You know what

1398
01:19:00,000 --> 01:19:04,559
Speaker 1: what the worst rapper of all time might be Yeats.

1399
01:19:06,400 --> 01:19:10,320
Speaker 1: This new kid Yeats. His ship is horrible, but the

1400
01:19:10,439 --> 01:19:15,000
Speaker 1: kids love him, so maybe I'm old ben Zeno Benzino.

1401
01:19:16,920 --> 01:19:19,320
Speaker 1: How do we not think of him? I never listened

1402
01:19:19,320 --> 01:19:25,880
Speaker 1: to his music, nobody did. You can't clause to fire,

1403
01:19:26,560 --> 01:19:31,519
Speaker 1: blue Face Cardi, Little Big Nick Cannon, Oh no, Nick Cannon,

1404
01:19:31,600 --> 01:19:33,559
Speaker 1: that's my dog man. I can't say no comedy. Yeah,

1405
01:19:33,560 --> 01:19:36,520
Speaker 1: you won't get him a wild Chicks see Nick Cannoning

1406
01:19:37,920 --> 01:19:45,600
Speaker 1: Ching had some bangers though, Saint Lunatics, Aggygyzella maybe designer

1407
01:19:45,720 --> 01:19:50,320
Speaker 1: maybe no designer anyway, he's not not why Yeah he

1408
01:19:50,479 --> 01:19:52,840
Speaker 1: all right? I ain't gonna put him in a way.

1409
01:19:54,040 --> 01:19:58,000
Speaker 1: French Montana ain't twins, Mike Jones, Little Uzy, flow Rider,

1410
01:19:58,040 --> 01:20:01,519
Speaker 1: slash people this listen this list, don't know what they're

1411
01:20:01,520 --> 01:20:08,160
Speaker 1: talking about. Pete Pablo Okay, Gucci Maine, relax exactly, Tony Yeo, relax.

1412
01:20:08,280 --> 01:20:11,120
Speaker 1: I love thoughts of a predicated film. Tom McDonald, he's

1413
01:20:11,160 --> 01:20:13,200
Speaker 1: the white guy, the Maga rapper. I'll sign, I'll go

1414
01:20:13,360 --> 01:20:16,599
Speaker 1: sign that. Actually, there's a lot of weird like Maga

1415
01:20:16,680 --> 01:20:18,599
Speaker 1: rap going on right now. That's probably the worst shit ever,

1416
01:20:18,720 --> 01:20:22,040
Speaker 1: So I would I would just like to continue my

1417
01:20:22,120 --> 01:20:26,080
Speaker 1: beef with these guys and say what Adam Calhoun and

1418
01:20:26,320 --> 01:20:28,439
Speaker 1: all those guys are the worst rappers of all time,

1419
01:20:29,120 --> 01:20:33,519
Speaker 1: the absolute worst. I see come back come at me

1420
01:20:33,560 --> 01:20:39,639
Speaker 1: in the comments. Bro fucking weirdos. Little b the bass

1421
01:20:39,680 --> 01:20:41,880
Speaker 1: guy who can't disrespect the base guy, he'll put he'll

1422
01:20:41,920 --> 01:20:46,160
Speaker 1: put a curse on us. Gotta gutda Gtta gutda from

1423
01:20:46,439 --> 01:20:50,000
Speaker 1: from Young Money was actually not a bad rapper. I

1424
01:20:50,040 --> 01:20:52,000
Speaker 1: would say so. I mean literally, I would say so.

1425
01:20:52,200 --> 01:20:56,720
Speaker 1: The Shakers is you're not on this list, Damn. I

1426
01:20:56,800 --> 01:20:59,240
Speaker 1: mighta step my game up a little bit. The album

1427
01:20:59,320 --> 01:21:05,360
Speaker 1: works off the Liz. They got Playboy Cardio on here, Yeah,

1428
01:21:05,439 --> 01:21:08,599
Speaker 1: Playboy Cardi. They got Nelly on here, Yeah, Nelly's incredible.

1429
01:21:08,680 --> 01:21:11,439
Speaker 1: Relax Iggy, I get it. You can't put Future on

1430
01:21:11,520 --> 01:21:13,000
Speaker 1: this list. Future is one of the best rappers of

1431
01:21:13,040 --> 01:21:15,720
Speaker 1: all time in my opinion. Yeah, somebody's just made up

1432
01:21:15,760 --> 01:21:18,400
Speaker 1: a list. Somebody. I don't nothing to do, man. Yeah,

1433
01:21:18,720 --> 01:21:20,840
Speaker 1: shout out to Uh damn, we gotta stop the interview.

1434
01:21:20,880 --> 01:21:23,080
Speaker 1: Tell you about our partners at odds Socks. Well, first

1435
01:21:23,080 --> 01:21:27,040
Speaker 1: of all, let's check out the brand new collab. Look

1436
01:21:27,080 --> 01:21:29,760
Speaker 1: at these, the bootleg keV sock. You see my pink

1437
01:21:29,800 --> 01:21:31,960
Speaker 1: ass face on those fucking socks. Nobody wants to buy those.

1438
01:21:32,240 --> 01:21:34,400
Speaker 1: We're gonna figure out a way to give them away though, U.

1439
01:21:34,520 --> 01:21:36,400
Speaker 1: But look, odd Socks and the most comfortable socks in

1440
01:21:36,439 --> 01:21:39,720
Speaker 1: the world. And the best thing about odd Socks is

1441
01:21:39,760 --> 01:21:42,000
Speaker 1: there our family. Man. I've been rocking with these guys

1442
01:21:42,040 --> 01:21:44,479
Speaker 1: for about ten years now, and I will not wear

1443
01:21:44,560 --> 01:21:46,760
Speaker 1: anything else on my feet. Like I swear to God,

1444
01:21:46,800 --> 01:21:48,680
Speaker 1: I'm about to take my shoe off. I'm about to

1445
01:21:48,720 --> 01:21:53,360
Speaker 1: take Look what is this? Smells great too? That's an

1446
01:21:53,360 --> 01:21:55,240
Speaker 1: awesock right there, That's an aesock basic. You know what

1447
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Speaker 1: know what I mean? Yeah, these are the odd Socks basics.

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1462
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Speaker 1: All right, let's get back to the interview. Anything else

1463
01:22:46,600 --> 01:22:48,400
Speaker 1: on the horizon, obviously the album is out, but like,

1464
01:22:48,479 --> 01:22:50,760
Speaker 1: are you are you gonna be torn? Are you gonna

1465
01:22:50,760 --> 01:22:54,639
Speaker 1: be doing anything else? Um? Yeah yeah, probably over start

1466
01:22:54,680 --> 01:22:57,880
Speaker 1: towing first of next year, working on He Got a

1467
01:22:57,920 --> 01:23:02,840
Speaker 1: Gun two album, ship Man we Ground. I'm working on

1468
01:23:02,920 --> 01:23:05,800
Speaker 1: a cooking show right now. Oh, what's your go to dish.

1469
01:23:07,160 --> 01:23:10,280
Speaker 1: Uh macaroni and cheese, Your mac and cheese gotta be

1470
01:23:10,320 --> 01:23:14,200
Speaker 1: got only fan coming out to you? Fucking on there?

1471
01:23:14,760 --> 01:23:17,680
Speaker 1: Uh fucking I'm a lonely man with an only fan,

1472
01:23:18,479 --> 01:23:21,560
Speaker 1: so you're gonna be on there beating off. I'm a

1473
01:23:21,640 --> 01:23:25,840
Speaker 1: lonely man with the only fan. I don't understand. Let's

1474
01:23:25,880 --> 01:23:28,280
Speaker 1: listen to that cliche. I'm a lonely man. It don't

1475
01:23:28,280 --> 01:23:35,920
Speaker 1: make sense. Subscribe, so you subscribe to yourself? Have you

1476
01:23:36,640 --> 01:23:40,280
Speaker 1: how many think about doing porn? You thought about it?

1477
01:23:40,439 --> 01:23:43,880
Speaker 1: I thought about it? Has there been any official after shot? Man?

1478
01:23:45,840 --> 01:23:48,040
Speaker 1: I don't, don't you think so? Yeah? I won't. I

1479
01:23:48,080 --> 01:23:49,720
Speaker 1: don't't let you see in this body. Yeah, you just

1480
01:23:49,840 --> 01:23:53,200
Speaker 1: put it behind the paywall. Go crazy, only wear a

1481
01:23:53,320 --> 01:23:57,120
Speaker 1: mask and ship right. Yeah, but you also have tattoos

1482
01:23:58,760 --> 01:24:04,680
Speaker 1: to be like, look at this, that's bizarre. I know now.

1483
01:24:04,760 --> 01:24:07,120
Speaker 1: Someone else got the same tattoo for mister Cartoon in

1484
01:24:07,200 --> 01:24:11,280
Speaker 1: fucking two thousand and one. That's not me, man, it

1485
01:24:11,320 --> 01:24:14,840
Speaker 1: looks like Walter Ego. You know these rappers do it.

1486
01:24:14,960 --> 01:24:17,360
Speaker 1: It wasn't me. Hey, do you remember the energy when

1487
01:24:17,479 --> 01:24:20,240
Speaker 1: like fifty first came on to Shady Like oh yeah,

1488
01:24:21,080 --> 01:24:22,960
Speaker 1: like did did you guys know that was coming down

1489
01:24:22,960 --> 01:24:24,519
Speaker 1: the pipeline. Did y'all know that M was just a

1490
01:24:24,600 --> 01:24:29,559
Speaker 1: fan or like like no, no, no, no, uh, fifty

1491
01:24:29,600 --> 01:24:34,000
Speaker 1: security was from the Queens. No, no, all M Security

1492
01:24:34,120 --> 01:24:37,080
Speaker 1: was from Queens. So they kind of put us up

1493
01:24:37,160 --> 01:24:40,200
Speaker 1: on fifty with the mixtapes and ship. So it kind

1494
01:24:40,240 --> 01:24:44,320
Speaker 1: of like gradually grew on him, you know what I'm saying.

1495
01:24:44,439 --> 01:24:47,599
Speaker 1: So you know, you know he became a fan. But yeah,

1496
01:24:47,680 --> 01:24:51,000
Speaker 1: when he he definitely changed shit, you know what I'm saying.

1497
01:24:51,400 --> 01:24:54,040
Speaker 1: That had to be like had to be security. Yeah.

1498
01:24:54,520 --> 01:24:56,200
Speaker 1: Well when I tell you, like I always tell people, like,

1499
01:24:56,280 --> 01:24:58,360
Speaker 1: I don't know, I think Peak Snoop Dogg in Peak

1500
01:24:58,400 --> 01:25:01,160
Speaker 1: fifty years like the two big things I've ever seen

1501
01:25:01,400 --> 01:25:04,599
Speaker 1: like hip hop ever, Yeah, like Doggy style Snoop get

1502
01:25:04,680 --> 01:25:10,600
Speaker 1: Richard I trying fifty Yeah, pandemonium just oh yeah, insane.

1503
01:25:10,920 --> 01:25:12,479
Speaker 1: That was that was it. That was it. That was

1504
01:25:12,520 --> 01:25:15,880
Speaker 1: insane time, man. Yeah. It was like I mean, and

1505
01:25:15,960 --> 01:25:19,200
Speaker 1: then everybody and then just amming fifty going at every

1506
01:25:19,280 --> 01:25:21,920
Speaker 1: fucking buddy's neck, going at Murder, inc. Going at Jermaine Duprie,

1507
01:25:22,040 --> 01:25:26,240
Speaker 1: going and fucking going at every were you just in

1508
01:25:26,600 --> 01:25:30,000
Speaker 1: like during that time? Were you just like openly inheriting

1509
01:25:30,080 --> 01:25:32,200
Speaker 1: every beef just because fuck it. Oh yeah, for sure,

1510
01:25:32,360 --> 01:25:34,720
Speaker 1: every yeah, yeah, we had to be on point. But

1511
01:25:34,840 --> 01:25:38,960
Speaker 1: the proofs security. I'm assuming the murder Ink Ship probably

1512
01:25:38,960 --> 01:25:41,439
Speaker 1: got the most serious out of all that ship. All

1513
01:25:41,520 --> 01:25:45,400
Speaker 1: of it was serious, but yeah it was well the

1514
01:25:45,479 --> 01:25:50,960
Speaker 1: Moby beef wasn't serious. That might have been a serious

1515
01:25:51,000 --> 01:25:55,439
Speaker 1: one of all beef. No, I could. I just feel

1516
01:25:55,439 --> 01:25:57,519
Speaker 1: like that the other murder Ink ship ship was getting crazy.

1517
01:25:57,680 --> 01:26:00,479
Speaker 1: Oh yeah, yeah, for sure, Shanty cost some ship raising

1518
01:26:00,560 --> 01:26:04,320
Speaker 1: that thing man that wow. Man, the sideburn line, Oh

1519
01:26:04,439 --> 01:26:09,280
Speaker 1: my god, the uh Sugar because Sugar was with them?

1520
01:26:10,360 --> 01:26:15,639
Speaker 1: Oh man, was was serious? It had They've gotten interesting, Yeah,

1521
01:26:16,360 --> 01:26:20,760
Speaker 1: but produced some amazing hip hop, a lot of stuff

1522
01:26:20,800 --> 01:26:22,799
Speaker 1: that didn't even make it to any albums, all on mixtapes.

1523
01:26:22,800 --> 01:26:27,479
Speaker 1: All the mixtape ship was so crazy, bring the mixtapes back, man.

1524
01:26:28,200 --> 01:26:30,880
Speaker 1: That's like when he re released what was the twenty

1525
01:26:30,880 --> 01:26:37,000
Speaker 1: anniversary we just did? Was it for eminem Show? Yeah? Nah?

1526
01:26:37,160 --> 01:26:39,000
Speaker 1: Now before that he did like an eminem Show re

1527
01:26:39,080 --> 01:26:41,240
Speaker 1: released and he re released one of the mixtape records

1528
01:26:41,280 --> 01:26:43,479
Speaker 1: that was out forever but it's on DSPs. Now was

1529
01:26:43,520 --> 01:26:45,599
Speaker 1: so fucking excited he just did the curtain call too

1530
01:26:45,640 --> 01:26:48,519
Speaker 1: and put out some other ship. But yeah, you know,

1531
01:26:48,880 --> 01:26:51,160
Speaker 1: well listen, man up, Sarre. I appreciate you pulling up

1532
01:26:51,200 --> 01:26:55,080
Speaker 1: brons having man. I look forward to not subscribing to

1533
01:26:55,160 --> 01:26:59,920
Speaker 1: your only fans. Oh man, I got two customers so

1534
01:27:00,160 --> 01:27:04,200
Speaker 1: far and the album people can go online and stream it.

1535
01:27:04,320 --> 01:27:06,280
Speaker 1: Please go online and get it right now. Just drop

1536
01:27:06,400 --> 01:27:09,840
Speaker 1: the video call she works the night shift. Was that

1537
01:27:09,920 --> 01:27:12,080
Speaker 1: the one you were just playing? Yeah? Yeah, some pretty

1538
01:27:12,280 --> 01:27:14,519
Speaker 1: wild ship in there? Yeah, man, you know what's the

1539
01:27:14,720 --> 01:27:16,720
Speaker 1: what's the wildest freaky tale in that song that you

1540
01:27:16,760 --> 01:27:21,639
Speaker 1: can share with us here? Oh? I had a girl

1541
01:27:21,720 --> 01:27:25,559
Speaker 1: come out here from Russia. She told me to make

1542
01:27:25,640 --> 01:27:29,880
Speaker 1: sure that I'm not ten of my black friends. She

1543
01:27:29,960 --> 01:27:34,920
Speaker 1: wanted to get listen to the song. Well, guess what

1544
01:27:35,080 --> 01:27:38,880
Speaker 1: he doesn't remember. You know what, he also doesn't remember

1545
01:27:38,920 --> 01:27:43,120
Speaker 1: his lyrics. The girl from Russia wanted you to run

1546
01:27:43,160 --> 01:27:44,920
Speaker 1: a train on her with ten of her black friends. Yeah,

1547
01:27:45,040 --> 01:27:47,519
Speaker 1: we had to oblige. Was there going to be a

1548
01:27:48,200 --> 01:27:50,200
Speaker 1: was there a guy there watching like? Was there a

1549
01:27:50,280 --> 01:27:53,639
Speaker 1: cuck situation going on? Oh man? Just say this man

1550
01:27:53,880 --> 01:27:56,439
Speaker 1: one of my homies tried to get in, but he's

1551
01:27:56,680 --> 01:27:59,879
Speaker 1: Asian and white and he was turned down. That's interesting,

1552
01:28:01,960 --> 01:28:08,000
Speaker 1: was he there? This guy right here, this guy is

1553
01:28:08,080 --> 01:28:10,000
Speaker 1: fucking rocks. I want to party in Detroit with him? Man,

1554
01:28:10,040 --> 01:28:12,080
Speaker 1: Oh yeah, Man, you gotta come party with him. Man

1555
01:28:12,400 --> 01:28:14,360
Speaker 1: hole in the wall bar. Yeah. We got to take

1556
01:28:14,400 --> 01:28:17,040
Speaker 1: you to the food exchange. Man, you want some food.

1557
01:28:17,720 --> 01:28:20,200
Speaker 1: I'll be back then. Take you to Southwest. Man. That's

1558
01:28:20,200 --> 01:28:24,439
Speaker 1: where he's from. That's where the uh Chicanos is at. Man. Yeah,

1559
01:28:24,800 --> 01:28:28,720
Speaker 1: nice Southwest there it is, man, bizarre. Appreciate you pulling

1560
01:28:28,800 --> 01:28:33,800
Speaker 1: up bro. All right, man, appreciate you. Fuck it. Good

1561
01:28:33,840 --> 01:28:34,040
Speaker 1: ship